Browse content similar to 14/08/2012. Check below for episodes and series from the same categories and more!
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PHONE BEEPS | 0:00:25 | 0:00:27 | |
Who's that? | 0:00:29 | 0:00:31 | |
It's a text from Grant and Sam saying welcome to the family, | 0:00:31 | 0:00:35 | |
Mrs Mitchell-to-be. | 0:00:35 | 0:00:37 | |
3-1 Shirley dumps Phil at the altar again. | 0:00:45 | 0:00:49 | |
Oh come on, chaps. Worth a punt, innit? | 0:00:49 | 0:00:51 | |
She's not going to do it a second time, is she, Mo? | 0:00:51 | 0:00:53 | |
What else you offering? | 0:00:53 | 0:00:55 | |
Punch up at today's engagement, 10-1. | 0:00:55 | 0:00:57 | |
And one may turn out to be gay at 20-1. | 0:00:57 | 0:01:00 | |
Phil? Gay? I think we'd know. | 0:01:00 | 0:01:02 | |
Shirley's just climbed on the pub roof and proposed to him. | 0:01:02 | 0:01:06 | |
He's marrying the Milk Tray man. | 0:01:06 | 0:01:07 | |
Kim. Do us a favour, sweetheart? | 0:01:07 | 0:01:09 | |
When you see your fella, can you tell him | 0:01:09 | 0:01:11 | |
we got footie practice at 4.00? | 0:01:11 | 0:01:13 | |
-I need my star striker there. -I'll pass on the message. -Thanks. | 0:01:13 | 0:01:16 | |
I'm off to make myself even more beautiful. If that's possible. | 0:01:16 | 0:01:19 | |
Mo, a tenner on someone getting arrested today, yeah. | 0:01:19 | 0:01:22 | |
Gotcha. | 0:01:22 | 0:01:23 | |
Mo. Do you have to run a book on everything? | 0:01:23 | 0:01:26 | |
Oh, cheer up, misery guts. | 0:01:26 | 0:01:28 | |
Everything's a money-spinner for you. Even a wedding. | 0:01:28 | 0:01:30 | |
It's bang out of order. | 0:01:30 | 0:01:32 | |
Too right. Phil had 3-1 odds on that Kat'd do a runner at yours. | 0:01:32 | 0:01:37 | |
Shut up. | 0:01:37 | 0:01:38 | |
Yeah. Go play with the traffic. | 0:01:38 | 0:01:40 | |
Ian! Ian, mate! Listen, why don't you pop over later? | 0:01:47 | 0:01:51 | |
Phil Mitchell's going to stick a tab behind the bar. | 0:01:51 | 0:01:53 | |
Come on, you don't want to miss that, do you, eh? | 0:01:53 | 0:01:55 | |
But is it appropriate for an engagement? | 0:02:11 | 0:02:13 | |
Last thing I want to do is to ruin the party. | 0:02:13 | 0:02:16 | |
Patrick. It's lovely. | 0:02:16 | 0:02:18 | |
-I just... -Hello. | 0:02:18 | 0:02:20 | |
I just wanted to give her something special, you know, Shirls... | 0:02:20 | 0:02:24 | |
To mark their day. | 0:02:24 | 0:02:25 | |
And you have. | 0:02:25 | 0:02:27 | |
Pre-party warm up. Now, where are my drinking shoes? | 0:02:30 | 0:02:36 | |
You coming too? | 0:02:36 | 0:02:37 | |
Yeah. Me, Phil and Shirl, we're like that. | 0:02:37 | 0:02:40 | |
Since when? | 0:02:40 | 0:02:42 | |
Since I heard it was a free bar. I'll catch you lot there, yeah? | 0:02:42 | 0:02:45 | |
-Ian all right? -He's hardly said a word. -Good. | 0:02:48 | 0:02:51 | |
Dad? Is this really what you want? This wedding? | 0:02:51 | 0:02:54 | |
Yeah. We gotta move on. Live our lives. | 0:02:54 | 0:03:00 | |
-Like it? -Ian never got his wedding day, did he? | 0:03:02 | 0:03:05 | |
Just a nervous breakdown and now we're locking him up? | 0:03:05 | 0:03:07 | |
Not that I want to spoil the party. | 0:03:07 | 0:03:09 | |
We're in this together, Jay. Ben, you, Ian, me. | 0:03:09 | 0:03:12 | |
It's creeping me out. Having him staring at me. | 0:03:12 | 0:03:15 | |
Having to pretend like everything's normal. | 0:03:15 | 0:03:17 | |
Everything is normal. Especially today. For Shirley's sake. | 0:03:17 | 0:03:20 | |
Now don't let him go wandering off again like you did yesterday. | 0:03:20 | 0:03:24 | |
Don't leave his side. Got it? | 0:03:24 | 0:03:26 | |
Come over later then? Couple of hours this afternoon? ..Good. | 0:03:36 | 0:03:41 | |
Gold! | 0:03:46 | 0:03:48 | |
Come on. Let's go to the party. | 0:03:48 | 0:03:51 | |
Unless you want to play pole-vault again. | 0:03:51 | 0:03:54 | |
Nah, nah, nah, babe, I can't. | 0:03:54 | 0:03:55 | |
-Got training in half an hour, man. -Not till 4.00, Alfie said. | 0:03:55 | 0:03:58 | |
-Alfie? -No, no, no, I'm training for Vivienne's team today, babe. | 0:03:58 | 0:04:01 | |
-Viv's? -Yeah. -What? You actually joined her team? | 0:04:01 | 0:04:05 | |
Yeah. What? She's persuasive. She has ideas about my future. | 0:04:05 | 0:04:09 | |
Which don't involve me being on the bench. | 0:04:09 | 0:04:11 | |
But don't tell Alfie though, yeah? I can play for both. | 0:04:11 | 0:04:13 | |
How you going to manage that? I saw Alfie in the Vic earlier. | 0:04:13 | 0:04:16 | |
-Said you'd be there for team practice. -I can't, babe. | 0:04:16 | 0:04:19 | |
Cover for me, please? Yeah? Please? Love you. | 0:04:19 | 0:04:23 | |
She all right? | 0:04:32 | 0:04:34 | |
Yeah, yeah. She's fine. We should get her out today though. | 0:04:34 | 0:04:37 | |
Give her some fresh air. | 0:04:37 | 0:04:38 | |
It's not good for her being cooped up in here all day. | 0:04:38 | 0:04:41 | |
What are you doing? | 0:04:46 | 0:04:47 | |
Oh. Just...your coat. I'm checking for...pollen. | 0:04:47 | 0:04:51 | |
She could be allergic. | 0:04:51 | 0:04:53 | |
Anyway I don't want to take her out. People gawping over her. | 0:04:53 | 0:04:55 | |
Giving her germs... | 0:04:55 | 0:04:57 | |
Rubbish. She's fine. She loved it yesterday. Sun on her face. | 0:04:57 | 0:05:00 | |
You should get out too. Looking a bit pasty, girl. | 0:05:03 | 0:05:06 | |
Where are you going? | 0:05:06 | 0:05:07 | |
Going to work. | 0:05:07 | 0:05:09 | |
You look very nice for work. | 0:05:09 | 0:05:11 | |
I always look very nice. | 0:05:11 | 0:05:12 | |
Whitney's coming over to help you. | 0:05:14 | 0:05:16 | |
Michael! Really, I don't need any help. | 0:05:16 | 0:05:20 | |
I know you don't need any help. Just in case you need... | 0:05:20 | 0:05:24 | |
a loo break or something. OK? | 0:05:24 | 0:05:27 | |
-You scrub up well. -That going to be your wedding speech? | 0:05:34 | 0:05:38 | |
Well, that depends if yours is going to be, "I've changed my mind." | 0:05:38 | 0:05:40 | |
Like last time. | 0:05:40 | 0:05:42 | |
It won't happen. | 0:05:42 | 0:05:44 | |
Good. Don't want to waste another suit, do I? | 0:05:44 | 0:05:47 | |
Let's go. | 0:05:49 | 0:05:51 | |
D'you know what? | 0:06:00 | 0:06:01 | |
Phil has been actually smiley round the house since she proposed. | 0:06:01 | 0:06:04 | |
I think it's very brave of Phil to try again. | 0:06:04 | 0:06:08 | |
I don't know what I'd do if I was jilted at the altar. | 0:06:08 | 0:06:10 | |
Probably run home and cry. | 0:06:10 | 0:06:12 | |
-IMITATING PHIL -I, Phil Mitchell, do take thee, Shirley Carter... Oi, look. | 0:06:14 | 0:06:18 | |
Check this out. Phil and Grant. | 0:06:18 | 0:06:21 | |
THEY LAUGH | 0:06:21 | 0:06:22 | |
Stop it. D'you know what, | 0:06:22 | 0:06:24 | |
I'm just pleased that someone in that house is actually happy. | 0:06:24 | 0:06:27 | |
Ian's been practically in a coma | 0:06:27 | 0:06:29 | |
and Jay's been on one for the last couple of days. | 0:06:29 | 0:06:32 | |
Bit weird, though. Phil taking Beale in? | 0:06:32 | 0:06:34 | |
He's been trying to kick his head in for the last 20 years, | 0:06:34 | 0:06:37 | |
now he's offering him bed and breakfast. | 0:06:37 | 0:06:39 | |
Ian hasn't said a word. I dunno what's going on. | 0:06:39 | 0:06:41 | |
You going to bet on the perfect wedding and happily ever after then? | 0:06:41 | 0:06:45 | |
No. I will stick with a fiver on a bust-up. | 0:06:45 | 0:06:48 | |
-There you go, buddy. -HE WOLF WHISTLES | 0:06:50 | 0:06:51 | |
-Look at this! -Well, hello, free bar. | 0:06:51 | 0:06:54 | |
All right, sweetheart? Where's Raymondo? | 0:06:54 | 0:06:56 | |
Oh. Um, he ain't coming. He's injured. | 0:06:56 | 0:06:58 | |
What? | 0:06:58 | 0:07:00 | |
Yeah. He fell over in my Kimba class. Doing the grapevine. | 0:07:00 | 0:07:03 | |
Oh, great. Great. | 0:07:03 | 0:07:05 | |
Easy, Mo. | 0:07:05 | 0:07:07 | |
You don't look very cheerful. How's Scarlett? | 0:07:07 | 0:07:09 | |
Fine. Scotch, please. | 0:07:09 | 0:07:11 | |
OK. That doesn't sound like the drink of fine to me, though. | 0:07:11 | 0:07:16 | |
It's the drink of no sleep. | 0:07:16 | 0:07:18 | |
How's Janine? Only that, Tommy can't wait to see his little sis. | 0:07:18 | 0:07:21 | |
No. | 0:07:21 | 0:07:23 | |
I'm shattered. I'm going to work. | 0:07:25 | 0:07:26 | |
Whoa. Hold on. You'll be shattered for the next 20 years. | 0:07:26 | 0:07:30 | |
Stick around. Have a refill. | 0:07:30 | 0:07:31 | |
Next time someone offers you advice about the kids, mate, | 0:07:31 | 0:07:34 | |
if I was you, I'd bite their hand off. | 0:07:34 | 0:07:38 | |
-Yeah? -I got an idea. Just hear me out. | 0:07:38 | 0:07:41 | |
How'd you fancy we organise, like, a...what do they call it? | 0:07:41 | 0:07:45 | |
One of these baby play dates. No, hold on. | 0:07:45 | 0:07:47 | |
What I'll do, I'll get Kat to spend time with Janine, | 0:07:47 | 0:07:50 | |
she can give her all the bunny how to put the kid to sleep, blah, blah. | 0:07:50 | 0:07:53 | |
That way, Scarlett gets to spend a bit of time with her big brother, | 0:07:53 | 0:07:56 | |
the bruiser, Tommy. Come on. | 0:07:56 | 0:07:58 | |
She's indestructible. She's a Moon. | 0:07:58 | 0:07:59 | |
So Michael called you? | 0:08:04 | 0:08:06 | |
Yeah. He asked me if I had a couple of hours. | 0:08:06 | 0:08:09 | |
Is Scarlett OK? | 0:08:09 | 0:08:10 | |
She's fine. What time did he call? | 0:08:10 | 0:08:13 | |
Dunno. Um... | 0:08:13 | 0:08:15 | |
Just after two. | 0:08:17 | 0:08:19 | |
-You all right? You look exhausted. -Do I look bad? | 0:08:21 | 0:08:24 | |
Do I need to put some make-up on? | 0:08:24 | 0:08:27 | |
No, I mean, you know, you're a new mum. I'll give you a break. | 0:08:27 | 0:08:30 | |
SHE SIGHS | 0:08:30 | 0:08:31 | |
Honestly, Whitney, I can't leave her. | 0:08:31 | 0:08:34 | |
Thank you for the offer. But... | 0:08:34 | 0:08:37 | |
OK, all right. Fine. | 0:08:37 | 0:08:39 | |
If you change your mind, Michael's over the Vic. | 0:08:39 | 0:08:42 | |
I just seen him walk in there, you should join him. | 0:08:42 | 0:08:45 | |
Michael's in the Vic? | 0:08:45 | 0:08:46 | |
Pops! | 0:08:56 | 0:08:59 | |
Oh, Lo! What you gone and bought her now? | 0:08:59 | 0:09:01 | |
Gorgeous, isn't she? My little wabbit. | 0:09:01 | 0:09:03 | |
Oh, ain't she lovely! | 0:09:03 | 0:09:06 | |
Officially Walford's best-looking baby. | 0:09:06 | 0:09:08 | |
With officially the silliest mum. | 0:09:08 | 0:09:10 | |
I told you not to spend that prize money on stupid stuff. | 0:09:10 | 0:09:13 | |
-I said invest it for her. -I did invest it. | 0:09:13 | 0:09:15 | |
I bought her a kitten outfit for when she's three months, actually. | 0:09:15 | 0:09:18 | |
You're going to have nothing left! | 0:09:18 | 0:09:20 | |
Here they are, the happy couple! | 0:09:20 | 0:09:24 | |
THE CROWD APPLAUD | 0:09:24 | 0:09:26 | |
Did we even invite any of these people? | 0:09:28 | 0:09:30 | |
Looks like they've just come to fill their face. | 0:09:30 | 0:09:33 | |
-Kat, cap the free drinks at 100 quid, will ya? -Yeah. | 0:09:33 | 0:09:36 | |
Here, look, it's that cheap prosexio stuff. | 0:09:36 | 0:09:38 | |
You would have thought he'd at least stretch to champagne. | 0:09:38 | 0:09:42 | |
He's had so many engagement parties. How many wives is it? Three or four? | 0:09:42 | 0:09:45 | |
Depends if you count the one that wound up dead before the reception. | 0:09:45 | 0:09:49 | |
You know, this ain't right. Ben and Jay should be here. | 0:09:49 | 0:09:52 | |
They gotta be with Ian, ain't they? | 0:09:52 | 0:09:54 | |
They're our proper family, not a bunch a freeloaders. | 0:09:54 | 0:09:57 | |
Phil, I want them here. | 0:09:57 | 0:10:00 | |
Kat, sweetheart? Quick word. | 0:10:00 | 0:10:02 | |
You sure this is the right thing? | 0:10:09 | 0:10:11 | |
A baby date? With Janine? | 0:10:12 | 0:10:14 | |
Scarlett and Tommy. | 0:10:14 | 0:10:16 | |
Listen, between us, I think Janine's having a tough time being a mum. | 0:10:16 | 0:10:19 | |
-So? -So? Kat, you show her the ropes, don't ya? | 0:10:19 | 0:10:22 | |
Come on, little Scarlett. New Moon, an' all that. | 0:10:22 | 0:10:25 | |
I know Michael gave us back the money but I ain't mates with Janine. | 0:10:25 | 0:10:28 | |
I don't think I can sit there smiling at her, knitting babygrows. | 0:10:28 | 0:10:31 | |
I know, sweetheart. | 0:10:31 | 0:10:33 | |
I know we've had our problems in the past, | 0:10:33 | 0:10:35 | |
but let's put that to one side. OK? We can't take it out on the kids. | 0:10:35 | 0:10:38 | |
-It's not their fault. -I know that. -OK. Come on. | 0:10:38 | 0:10:41 | |
Eh? They're family. Yeah. New Moon? Little baby? | 0:10:41 | 0:10:46 | |
Tommy's dying to meet his little sister. Ain't you? | 0:10:46 | 0:10:49 | |
TV PLAYS | 0:10:51 | 0:10:53 | |
DOOR OPENS | 0:10:53 | 0:10:55 | |
Shirley called. Wants us both over there now. | 0:11:05 | 0:11:07 | |
We can't just leave him. | 0:11:07 | 0:11:09 | |
If we don't go, Shirley's going to get suspicious. | 0:11:09 | 0:11:11 | |
We haven't got a choice. Bring him with ya. | 0:11:11 | 0:11:14 | |
But stay right by his side. Yeah? | 0:11:14 | 0:11:15 | |
You know, when I get married, it's going to be a theme. Yeah. | 0:11:18 | 0:11:21 | |
I picked up a few ideas from the Olympic opening ceremony. | 0:11:21 | 0:11:23 | |
-Ray aware of that, is he? -He likes it. | 0:11:23 | 0:11:27 | |
And he's going to put a ring on it, trust me. | 0:11:27 | 0:11:31 | |
Mate, I can't line my stomach with this crab paste, | 0:11:31 | 0:11:34 | |
I'm going to raid the kitchen. Want some? | 0:11:34 | 0:11:36 | |
Sweetheart, been trying to get Ray on the blower. How bad is he? | 0:11:36 | 0:11:41 | |
He's in hospital. | 0:11:41 | 0:11:43 | |
Really? Is it that bad? | 0:11:43 | 0:11:45 | |
Yeah. It's his Achilles...knee. | 0:11:45 | 0:11:48 | |
Ankle. | 0:11:48 | 0:11:49 | |
She didn't want me there. She didn't even let me touch the baby. | 0:11:49 | 0:11:55 | |
Alfie, what time we doing this thing? | 0:11:55 | 0:11:57 | |
Kat's just getting Tommy ready. Ten minutes. | 0:11:57 | 0:12:00 | |
Ten minutes. | 0:12:00 | 0:12:01 | |
You come back down to earth yet? | 0:12:04 | 0:12:05 | |
-Literally. -Just about. | 0:12:05 | 0:12:07 | |
It was so romantic. | 0:12:07 | 0:12:09 | |
You up there all alone, declaring your love. | 0:12:09 | 0:12:13 | |
-You weren't even that drunk, were you? -Right. | 0:12:13 | 0:12:17 | |
Well, I'll just get on with the rolling buffet. | 0:12:17 | 0:12:20 | |
PATRICK CLEARS THROAT | 0:12:22 | 0:12:24 | |
-Congratulations! -Oh, you didn't need to bring a present. | 0:12:24 | 0:12:27 | |
Well, I hope I did the right thing, you know. | 0:12:27 | 0:12:30 | |
I was trying to think of what to get, that would mean something. | 0:12:30 | 0:12:34 | |
Phil. | 0:12:36 | 0:12:37 | |
DOOR OPENS AND CLOSES | 0:12:43 | 0:12:45 | |
Thank you. | 0:12:45 | 0:12:48 | |
PHONE RINGS AT OTHER END | 0:13:03 | 0:13:07 | |
SHE SIGHS | 0:13:07 | 0:13:09 | |
BABY GURGLES | 0:13:12 | 0:13:13 | |
PHONE RINGS | 0:13:20 | 0:13:22 | |
-Oh, ZZ Top. -Not now, Mo. | 0:13:23 | 0:13:26 | |
Oh, Ian... Ian. | 0:13:27 | 0:13:30 | |
Ian. | 0:13:31 | 0:13:32 | |
You came to the party! | 0:13:34 | 0:13:37 | |
-Heather did too. -Here you go, buddy. | 0:13:39 | 0:13:43 | |
Drink's on the house, all right. Welcome back to the Vic. | 0:13:43 | 0:13:46 | |
You OK, mate? It's all right, Ian. You're amongst friends. | 0:13:46 | 0:13:50 | |
I know what it's like. It was like this for me after Lucas. | 0:13:50 | 0:13:53 | |
He ain't ready. | 0:13:53 | 0:13:55 | |
-He ain't well. -What am I going to do with him? | 0:13:55 | 0:13:58 | |
-Just get him out of here, get him home. -Just leave him. | 0:13:58 | 0:14:01 | |
Do him good to be out. Come on, boys, join in the celebrations. | 0:14:01 | 0:14:05 | |
Have a glass of champagne. | 0:14:05 | 0:14:06 | |
To my Heather. | 0:14:10 | 0:14:13 | |
GLASS SHATTERS | 0:14:15 | 0:14:17 | |
SHE HUMS "MISSION: IMPOSSIBLE" THEME | 0:14:22 | 0:14:25 | |
What you doing here? | 0:14:28 | 0:14:30 | |
Viv cancelled. So I'm going to tell Alfie I'm back on. | 0:14:30 | 0:14:33 | |
-Oh. Speak of the devil. -No! | 0:14:33 | 0:14:36 | |
-PLATE SHATTERS AND HE SCREAMS -Oh! My foot! -He all right? | 0:14:36 | 0:14:39 | |
Yeah. Injured. I told Alfie. | 0:14:39 | 0:14:41 | |
What you talking about? | 0:14:41 | 0:14:44 | |
-What was that about? -I had to cover for you, innit. | 0:14:45 | 0:14:48 | |
-Told Alfie you injured your foot. -Yeah, well, I have now. | 0:14:48 | 0:14:51 | |
And now our stories are straight. | 0:14:51 | 0:14:53 | |
Just be grateful I didn't say it was a groin strain. | 0:14:53 | 0:14:56 | |
It's only a glass, Ian. Happens all the time in a pub. | 0:14:58 | 0:15:02 | |
Here you are, Ian, have another drink. | 0:15:02 | 0:15:05 | |
You look like you could do with it. | 0:15:05 | 0:15:07 | |
-I told ya we shouldn't bring him here. -Don't blame me. | 0:15:07 | 0:15:10 | |
-I didn't know that was here, did I? -All right, Ian. | 0:15:10 | 0:15:12 | |
Time to go, mate. | 0:15:12 | 0:15:13 | |
-What? Over a dropped glass? -I want Ben to stay here. -Come on, Ian. | 0:15:13 | 0:15:16 | |
Won't be the first or last glass smashed in the pub, will it? | 0:15:16 | 0:15:20 | |
Come and sit down. | 0:15:20 | 0:15:21 | |
Make us a bit a lunch and you can tell me | 0:15:21 | 0:15:23 | |
exactly what's been going on. All right? Have a chat. | 0:15:23 | 0:15:25 | |
Me and my best buddy. Come on. I've got ya. | 0:15:25 | 0:15:28 | |
-Are you all right? -Just a bruise, the hospital said. | 0:15:37 | 0:15:40 | |
-(Hospital?) -Mm. | 0:15:40 | 0:15:42 | |
-Yeah. Yeah, it was a lucky escape. -What happened? -Told you, innit. | 0:15:42 | 0:15:46 | |
Kimba casualty. Don't worry. He'll be fine by the morning. | 0:15:46 | 0:15:50 | |
-He's got a nurse. -Good. Well, listen, you rest up, mate. | 0:15:50 | 0:15:54 | |
-I'm going to need you. -What, as a benchwarmer? -Don't be silly. | 0:15:54 | 0:15:56 | |
Benchwarmer? No, I'm talking about you resting. Tactics. | 0:15:56 | 0:15:59 | |
-You're my star striker, aren't you, eh? -Oh! | 0:15:59 | 0:16:02 | |
So make sure you give him some TLC, all right, sweetheart? | 0:16:02 | 0:16:05 | |
Oh, yes, consider it done. | 0:16:05 | 0:16:08 | |
-Ooooh! -You hear that? Star striker. -Yeah! | 0:16:08 | 0:16:11 | |
And I was star chef up until I sacrificed that for you as well. | 0:16:11 | 0:16:14 | |
You're impossible! | 0:16:14 | 0:16:16 | |
No, I ain't. Listen, I've just got two needs. | 0:16:16 | 0:16:19 | |
Yeah? Man time and drink time. | 0:16:19 | 0:16:21 | |
If you play for both teams, I lose out on the first. | 0:16:21 | 0:16:23 | |
I lie to Alfie, and then I risk the second. | 0:16:23 | 0:16:27 | |
Now listen, you need to make up your mind. Which team? Alfie's? Or Viv's? | 0:16:27 | 0:16:31 | |
I'm going to find you the new Mrs Beale. All right, Ian? | 0:16:34 | 0:16:37 | |
And I promise you, she'll be beautiful. | 0:16:37 | 0:16:39 | |
-So, when's the big day? -We haven't decided yet, have we, Phil? | 0:16:41 | 0:16:46 | |
MUSIC: "Careless Whisper" by George Michael | 0:16:46 | 0:16:48 | |
-Heather's funeral music. -I thought I'd play this in Heather's honour. | 0:16:48 | 0:16:54 | |
Phil. | 0:16:55 | 0:16:57 | |
You should dance with the lady. | 0:16:57 | 0:16:59 | |
I don't dance. | 0:16:59 | 0:17:01 | |
I can vouch for that. | 0:17:01 | 0:17:04 | |
How about a speech then? | 0:17:04 | 0:17:05 | |
Yeah, come on, Phil. Let's have a speech! | 0:17:05 | 0:17:07 | |
CROWD MURMUR | 0:17:07 | 0:17:09 | |
Maybe it's too loud in here for him with the celebration and everything? | 0:17:09 | 0:17:13 | |
Why don't we go home, eh? | 0:17:13 | 0:17:15 | |
Tell you what, we'll take him upstairs for a rest. I'll handle it. | 0:17:15 | 0:17:18 | |
Well, come on, Phil. Don't leave the lady waiting, yeah. | 0:17:18 | 0:17:23 | |
Well, today's about...about putting things right. | 0:17:23 | 0:17:27 | |
It's about doing something I should have done a long time ago. | 0:17:27 | 0:17:30 | |
I'll just let Kat know you're here, all right? Hold on a sec. | 0:17:30 | 0:17:33 | |
Shirley's been to hell and back | 0:17:33 | 0:17:35 | |
but we are going to put things right now.... | 0:17:35 | 0:17:37 | |
Ian. Stay, all right? | 0:17:37 | 0:17:38 | |
Just copy me and Jay. We got it all sussed out now. | 0:17:38 | 0:17:41 | |
So if you'd all raise your glasses... | 0:17:41 | 0:17:43 | |
Jay? | 0:17:43 | 0:17:44 | |
..to Shirley. | 0:17:44 | 0:17:46 | |
ALL: To Shirley! | 0:17:46 | 0:17:48 | |
That's it, eh? | 0:17:48 | 0:17:50 | |
Come on, mate, I've got you. | 0:17:55 | 0:17:58 | |
There you go. | 0:17:59 | 0:18:01 | |
Right, you've got a step here. Hi, Tommy. Mind the step. | 0:18:01 | 0:18:04 | |
Just...it's a bit noisy down there, darling. | 0:18:04 | 0:18:07 | |
Give him a bit of peace and quiet up here. | 0:18:07 | 0:18:09 | |
There you go, sit down there, mate. | 0:18:09 | 0:18:11 | |
Listen, you want to have a lie down, you know you're more than welcome. | 0:18:11 | 0:18:15 | |
There's some food in the fridge. | 0:18:15 | 0:18:17 | |
Just help yourself, all right? Come on then, where we going? | 0:18:17 | 0:18:20 | |
We're going to go see your little sister Scarlett. | 0:18:20 | 0:18:22 | |
-Bet she can't wait, can she? -No, she can't. -That's right. | 0:18:22 | 0:18:26 | |
Because, right, you are now a big brother to Scarlett. Yes. | 0:18:26 | 0:18:30 | |
And Uncle Michael over there, he's a big brother to | 0:18:30 | 0:18:33 | |
them herberts, Antony and Tyler. | 0:18:33 | 0:18:35 | |
And that's Ian down there. He is a big brother to Ben. | 0:18:35 | 0:18:38 | |
Can you say Ben? Come on then. | 0:18:38 | 0:18:41 | |
Let's go and see your little sister, shall we? | 0:18:41 | 0:18:44 | |
Listen, sweetheart, just keep an eye on him. | 0:18:44 | 0:18:47 | |
Right, shall we go and get a balloon for your little sister, eh? | 0:18:47 | 0:18:50 | |
What colour shall we get for Scarlett? | 0:18:50 | 0:18:52 | |
Pink's a good colour. | 0:18:52 | 0:18:55 | |
You told him what? You told him about Jay? | 0:18:55 | 0:18:58 | |
Told him what? | 0:18:58 | 0:18:59 | |
You told him I'm in on it, didn't ya? | 0:19:03 | 0:19:06 | |
He could tell anyone. | 0:19:06 | 0:19:08 | |
-You don't know... -Just shut up, Jay. Shut up. | 0:19:08 | 0:19:10 | |
I told the pair of you not to let him out your sight. Didn't I, eh? | 0:19:10 | 0:19:13 | |
Ian! Ian! | 0:19:14 | 0:19:17 | |
-He's not well. -It's all right. Jean's with him. He's not alone. | 0:19:19 | 0:19:22 | |
Phil! This is my engagement. Where's my fiance? | 0:19:22 | 0:19:24 | |
Don't keep the lady waiting. | 0:19:24 | 0:19:26 | |
That tab's up to 100 quid already. | 0:19:26 | 0:19:28 | |
-We're going to stay. -No. | 0:19:28 | 0:19:31 | |
I don't want to stay with a load of freeloaders. | 0:19:31 | 0:19:34 | |
We'll take it back to ours. | 0:19:34 | 0:19:35 | |
If they want to come celebrate they can bring their own bottle. | 0:19:35 | 0:19:38 | |
I'm not leaving without Ian. | 0:19:38 | 0:19:39 | |
I know he's your brother and you want to do your best by him, | 0:19:39 | 0:19:42 | |
but he just needs a bit of peace and quiet. All right? | 0:19:42 | 0:19:46 | |
Please, Phil! | 0:19:46 | 0:19:47 | |
You know... Having a melt... | 0:19:52 | 0:19:55 | |
Being ill, Ian, has nothing to do with cleverness. | 0:19:59 | 0:20:04 | |
Some of the greatest minds have snapped. | 0:20:05 | 0:20:08 | |
It's a lonely place, isn't it? | 0:20:16 | 0:20:18 | |
Every breakdown I've ever fought, | 0:20:24 | 0:20:29 | |
the people who don't understand me, judge me. | 0:20:29 | 0:20:33 | |
There are very few who would wear a ribbon for me, | 0:20:35 | 0:20:39 | |
tell me I'm being brave. | 0:20:39 | 0:20:41 | |
But what you did today, Ian, walking in the Vic like that... | 0:20:44 | 0:20:49 | |
..it was brave. | 0:20:52 | 0:20:54 | |
One of the things that I've learnt from my stints in hospital | 0:21:02 | 0:21:07 | |
is to not bottle things up. | 0:21:07 | 0:21:13 | |
To talk. Ask for help. | 0:21:13 | 0:21:16 | |
I've spent hours sometimes, | 0:21:18 | 0:21:21 | |
up on the internet, on support forums, | 0:21:21 | 0:21:24 | |
talking to people I hardly know, I've never even met. | 0:21:24 | 0:21:28 | |
But they seem like good people, and they care about me. | 0:21:28 | 0:21:34 | |
Talk to me, Ian. | 0:21:41 | 0:21:43 | |
Don't lock things up. | 0:21:45 | 0:21:48 | |
What is it that's made you like this? | 0:21:53 | 0:21:56 | |
You said you were at work when you were at the...pub. | 0:22:03 | 0:22:05 | |
Tommy wants to meet his new sister, don't you, Tommy? | 0:22:05 | 0:22:09 | |
And we've brought a pink balloon for Scarlett, ain't we, buddy? | 0:22:09 | 0:22:13 | |
Well, has he washed his hands? Is he clean? | 0:22:13 | 0:22:16 | |
That's a bit rude, isn't it? Shall we just go upstairs and see her? | 0:22:16 | 0:22:20 | |
-She in the bedroom? -Let's go and see your sister. | 0:22:20 | 0:22:23 | |
-What are you doing here? -Well, that's a nice welcome, ain't it? | 0:22:24 | 0:22:28 | |
So motherhood, not that easy, is it? | 0:22:30 | 0:22:33 | |
Just keep dragging me in, like you have from the start, I... | 0:22:37 | 0:22:40 | |
All right? Got one for Lexi. And one for us. | 0:22:40 | 0:22:46 | |
-Shirley through there? -Think so, yeah. | 0:22:46 | 0:22:48 | |
I keep thinking the Old Bill are going to burst through that door. | 0:22:54 | 0:22:57 | |
I know, I know. I'm sorry. All right? I'll do it. | 0:22:57 | 0:23:01 | |
-You'll do what? -The truth. I'll confess. | 0:23:01 | 0:23:04 | |
-What? Don't be stupid. -It's the only way, Jay. | 0:23:04 | 0:23:06 | |
If I confess then it's all over. Ain't it? | 0:23:06 | 0:23:09 | |
All quiet out there. Ian ain't said a dicky bird. | 0:23:13 | 0:23:16 | |
It ain't Ian I'm worried about now. It's him. | 0:23:16 | 0:23:19 | |
He wants to tell the Old Bill now. | 0:23:19 | 0:23:21 | |
Ben? | 0:23:21 | 0:23:22 | |
-I'm evil, aren't I? -You made a mistake. | 0:23:22 | 0:23:26 | |
Yeah, But if I confess, I can help Ian. I can help you. | 0:23:26 | 0:23:29 | |
-All this can be done with. -If you squeal, you'll take Ian down too. | 0:23:29 | 0:23:32 | |
All of us. We all knew and said nothing. | 0:23:32 | 0:23:35 | |
And what about Shirl? You'll wreck her life as well. | 0:23:35 | 0:23:38 | |
-But Ian knows. -Ian's known for months. | 0:23:38 | 0:23:40 | |
If he was going to say anything, he'd have done it. | 0:23:40 | 0:23:42 | |
Now stop letting him freak you out. | 0:23:42 | 0:23:45 | |
This isn't just about Mandy. | 0:23:52 | 0:23:54 | |
No-one has that look in their eye over just a girl. | 0:23:56 | 0:23:59 | |
And you're a family man, Ian. | 0:24:02 | 0:24:04 | |
You wouldn't just abandon Lucy and Bobby over just a girl. | 0:24:05 | 0:24:09 | |
I want to tell you. | 0:24:15 | 0:24:17 | |
Well, go on. | 0:24:19 | 0:24:21 | |
I don't need any help. Why does everybody think I need help? | 0:24:24 | 0:24:30 | |
-Why are you all here? -For Tommy. -Oh, what? | 0:24:30 | 0:24:34 | |
So you can compare Michael's two kids? | 0:24:34 | 0:24:36 | |
SHE SIGHS | 0:24:36 | 0:24:37 | |
I'm not here for a competition, Janine. | 0:24:37 | 0:24:39 | |
Look, I know it's hard with kids. | 0:24:41 | 0:24:44 | |
And it don't get any easier, trust me. | 0:24:44 | 0:24:48 | |
I haven't come here for a fight. | 0:24:48 | 0:24:51 | |
I've come here because we're family. | 0:24:51 | 0:24:54 | |
Michael and I, we're her family. | 0:24:54 | 0:24:58 | |
He loves us. | 0:24:59 | 0:25:01 | |
Good. I'm glad he was wrong then. | 0:25:01 | 0:25:03 | |
About what? | 0:25:05 | 0:25:07 | |
So this wedding day? | 0:25:13 | 0:25:15 | |
Will it be a big do with all the trimmings? | 0:25:15 | 0:25:19 | |
Ben in velvet knickerbockers? | 0:25:19 | 0:25:21 | |
You'll make a lovely little pageboy. | 0:25:21 | 0:25:24 | |
Me in a big white dress, veil and little tears when Phil says yes. | 0:25:24 | 0:25:28 | |
Don't think so. Not exactly me, is it? | 0:25:28 | 0:25:30 | |
Come on, you'll look beautiful whatever you wear. | 0:25:30 | 0:25:33 | |
It won't be a flash do. I know that. | 0:25:33 | 0:25:35 | |
Not like I got any family to invite. | 0:25:36 | 0:25:39 | |
-Your kids coming? -I doubt it. It's not important. | 0:25:39 | 0:25:42 | |
-More drinks, anyone? -I'll have one. | 0:25:45 | 0:25:48 | |
Wallpaper's still in focus. | 0:25:48 | 0:25:50 | |
I told you. I didn't mean anything by it. | 0:25:53 | 0:25:56 | |
You just sit in your grotty little pub and talk about my relationship? | 0:25:56 | 0:25:59 | |
No, I don't. The whole world don't revolve around you, Janine. | 0:25:59 | 0:26:03 | |
-We haven't spoke about you since... -Since when? | 0:26:03 | 0:26:07 | |
You said "wrong". | 0:26:07 | 0:26:10 | |
-What was he wrong about? -I just meant I was pleased for you. | 0:26:10 | 0:26:15 | |
That's all. You've turned him into a father. A husband. | 0:26:15 | 0:26:19 | |
I couldn't do it. I never thought I'd see it happen. | 0:26:19 | 0:26:22 | |
And I was wrong. | 0:26:22 | 0:26:23 | |
No, no, but you said HE was wrong. Not you. | 0:26:23 | 0:26:27 | |
It was him, wasn't it? | 0:26:30 | 0:26:33 | |
He said he couldn't be a father? Or a husband? | 0:26:33 | 0:26:37 | |
Did he say he didn't love me as well? | 0:26:37 | 0:26:40 | |
Yeah. | 0:26:40 | 0:26:42 | |
But don't you see? You've proved him wrong. | 0:26:43 | 0:26:46 | |
Look, he thought he couldn't love, he couldn't love me, | 0:26:46 | 0:26:49 | |
he couldn't love Tommy. | 0:26:49 | 0:26:50 | |
But he can love. | 0:26:50 | 0:26:52 | |
-He had a pre-nup and he married you anyway. -On my wedding day? | 0:26:52 | 0:26:57 | |
He said that on my wedding day?! | 0:26:57 | 0:26:59 | |
IAN SOBS | 0:27:04 | 0:27:07 | |
-What's this? -It's me... | 0:27:29 | 0:27:33 | |
..saying that you are the most important thing in my life. | 0:27:34 | 0:27:39 | |
At last, you realise. | 0:27:39 | 0:27:41 | |
You know, yesterday, you asked, who you are? | 0:27:43 | 0:27:46 | |
Well, I'll tell you. | 0:27:46 | 0:27:49 | |
I can tell you who I want you to be. | 0:27:49 | 0:27:52 | |
I want you to be my wife. | 0:27:54 | 0:27:56 | |
KNOCK ON DOOR | 0:28:00 | 0:28:02 | |
HARD KNOCK ON DOOR | 0:28:12 | 0:28:13 | |
Answer the door, Phil Why won't you answer it? | 0:28:13 | 0:28:17 | |
Dad? | 0:28:18 | 0:28:19 | |
Let me talk. | 0:28:19 | 0:28:21 | |
You gotta help me, Phil. Please. I don't know what to do. I just don't know what to do. | 0:28:25 | 0:28:31 | |
-Sharon, what is it? What's happened? -Sharon? | 0:28:32 | 0:28:35 | |
I'm in trouble, Phil. I'm in real trouble. | 0:28:35 | 0:28:39 | |
Just come in, yeah? Come in. | 0:28:39 | 0:28:41 | |
I didn't know where else to go. I... | 0:28:41 | 0:28:43 | |
-Look, you're all right. You're all right. -Sharon? Your ex? | 0:28:43 | 0:28:46 | |
Just get her a glass of water, will you. | 0:28:46 | 0:28:49 | |
Sharon? | 0:28:50 | 0:28:52 | |
Give her some room, will you? Just give her some room. | 0:28:52 | 0:28:56 | |
ROXY LAUGHS | 0:28:58 | 0:29:00 | |
What's she come as? | 0:29:00 | 0:29:01 | |
This is Sharon. That's Ben there, you remember? | 0:29:01 | 0:29:03 | |
Billy, now ain't the time, all right. | 0:29:03 | 0:29:05 | |
-That's Lola, she's my grandaughter... -Billy! | 0:29:05 | 0:29:07 | |
-Roxy, me and Phil's cousin. -Billy! -All right, I'm sorry. | 0:29:07 | 0:29:10 | |
Just give us a moment, please, will you? Just give us a moment. | 0:29:10 | 0:29:14 | |
All right. | 0:29:21 | 0:29:23 | |
This is meant to be our day, Phil. | 0:29:23 | 0:29:25 | |
Shirley, what d'you want me to do, eh? | 0:29:25 | 0:29:27 | |
What's happened? | 0:29:31 | 0:29:33 | |
It's Dennis. | 0:29:33 | 0:29:35 | |
It's my little boy, Dennis. | 0:29:37 | 0:29:39 | |
Look, just forget it, yeah? Forget I said anything. | 0:29:41 | 0:29:44 | |
I was shouting my mouth off. You know what I'm like. | 0:29:44 | 0:29:46 | |
I speak before I think. I didn't mean anything by it. | 0:29:46 | 0:29:48 | |
Oh, so my husband says that he doesn't love me. | 0:29:48 | 0:29:51 | |
On my wedding day. And it doesn't mean anything. | 0:29:51 | 0:29:53 | |
You're taking it the wrong way. | 0:29:53 | 0:29:54 | |
How could I possibly take that the right way? | 0:29:54 | 0:29:57 | |
Janine, he loves you. And he loves Scarlett. | 0:29:59 | 0:30:02 | |
Please, please don't do anything stupid. | 0:30:02 | 0:30:04 | |
It's too late for that. Cos I've already married him. | 0:30:04 | 0:30:07 | |
FOOTSTEPS APPROACH | 0:30:09 | 0:30:10 | |
Alfie. | 0:30:10 | 0:30:12 | |
Come on, we better go. | 0:30:12 | 0:30:15 | |
Yeah, yeah, we'll leave you guys to it. Say bye-bye. Say bye. | 0:30:15 | 0:30:19 | |
Bye. | 0:30:19 | 0:30:21 | |
Are you going too? | 0:30:21 | 0:30:22 | |
I'm going to work. See ya. | 0:30:23 | 0:30:27 | |
Everything was set. I was all ready, and... | 0:30:32 | 0:30:37 | |
I was in the wedding car on the way there. | 0:30:37 | 0:30:39 | |
And I don't know what happened. I...I couldn't breathe. | 0:30:39 | 0:30:43 | |
I felt like I was drowning. | 0:30:43 | 0:30:46 | |
Like my whole life was one big lie. D'you know what I mean? | 0:30:46 | 0:30:49 | |
So I get there and I said to John that I...my fiance, John, | 0:30:51 | 0:30:57 | |
I said, "I don't think I can do this." | 0:30:57 | 0:31:00 | |
He was mad, I could tell he was fuming | 0:31:01 | 0:31:05 | |
but he said to just go outside and get some air | 0:31:05 | 0:31:08 | |
and come back when I was feeling better. And I don't know. | 0:31:08 | 0:31:12 | |
I don't know what I was thinking and I just... | 0:31:12 | 0:31:14 | |
I just walked away. | 0:31:14 | 0:31:16 | |
And I kept on walking and I got in a cab and... | 0:31:17 | 0:31:20 | |
I left him. | 0:31:22 | 0:31:24 | |
SHE SOBS | 0:31:24 | 0:31:25 | |
I left my little boy. | 0:31:25 | 0:31:28 | |
Ian? | 0:31:31 | 0:31:32 | |
Ian! | 0:31:35 | 0:31:37 | |
He was asleep on the sofa and I took my eye off him for a second. | 0:31:37 | 0:31:40 | |
Do you think he's run off again? | 0:31:40 | 0:31:42 | |
Them poor kids if he has. | 0:31:42 | 0:31:44 | |
I could tell he had so much he wanted to say | 0:31:44 | 0:31:47 | |
but he hardly said a word. | 0:31:47 | 0:31:48 | |
Poor bloke. What he must've been through. | 0:31:48 | 0:31:50 | |
Yeah, I know, but leaving your family, | 0:31:50 | 0:31:52 | |
there's no excuse for that really, is there? | 0:31:52 | 0:31:54 | |
It's this one. | 0:31:55 | 0:31:57 | |
I don't know where they'll be. Maybe still at the hotel. | 0:31:57 | 0:31:59 | |
Send someone else with her. Send Billy. | 0:32:05 | 0:32:07 | |
She's not your problem. | 0:32:07 | 0:32:08 | |
-She's just a friend who needs help. -She weren't just a friend, was she? | 0:32:08 | 0:32:11 | |
So? Trust me. You do trust me, don't you? | 0:32:11 | 0:32:14 | |
Course I do. | 0:32:14 | 0:32:16 | |
I'll be waiting for you. | 0:32:30 | 0:32:32 | |
PHONE RINGS | 0:32:49 | 0:32:50 | |
Butcher's Joints? | 0:32:53 | 0:32:54 | |
Jamie, yeah, hello. Yeah, I'm fine. | 0:32:54 | 0:32:58 | |
It's the, uh... Yeah, the purchase contract, yeah. | 0:32:58 | 0:33:01 | |
I've got it here and I will have it for this afternoon. | 0:33:01 | 0:33:08 | |
All right. | 0:33:08 | 0:33:10 | |
So, he's traded you in for a younger model, has he? | 0:33:10 | 0:33:13 | |
What? | 0:33:13 | 0:33:16 | |
Phil. I seen him with that dolly bird. | 0:33:16 | 0:33:18 | |
Well, how about that. | 0:33:18 | 0:33:20 | |
Well, I'd keep an eye on him if I was you, grandma. | 0:33:20 | 0:33:23 | |
It's hard to keep hold of a bloke | 0:33:23 | 0:33:25 | |
-when your teeth are in a jar by the bed. -SHE LAUGHS | 0:33:25 | 0:33:27 | |
Oh, come on. Come on, I was joking. | 0:33:27 | 0:33:29 | |
It was clearly a joke. | 0:33:29 | 0:33:31 | |
Anyway, I called Carly. I had a word with her. | 0:33:31 | 0:33:35 | |
-What did you do that for? -Well, I just told her it's pathetic. | 0:33:35 | 0:33:38 | |
The two of you not talking. Life's too short. | 0:33:38 | 0:33:40 | |
Come on, Shirl, let bygones be bygones and all that. | 0:33:40 | 0:33:43 | |
Bet she loved you for that. | 0:33:43 | 0:33:45 | |
Well, no. But give her time, you know. She will. | 0:33:45 | 0:33:48 | |
She will, Shirl. Eventually. | 0:33:48 | 0:33:51 | |
We both know that that's not true. | 0:33:52 | 0:33:55 | |
She sent a lovely card. | 0:33:55 | 0:33:57 | |
You can pop in later if you like? Shirley? | 0:33:57 | 0:34:01 | |
Oh, could you give Jay a message for me? | 0:34:01 | 0:34:03 | |
Well, what got her knickers in a twist? | 0:34:03 | 0:34:06 | |
Bobby. | 0:34:19 | 0:34:20 | |
It's all right. | 0:34:24 | 0:34:28 | |
He ain't going to hurt you. | 0:34:28 | 0:34:30 | |
I ain't going to let him hurt you. | 0:34:30 | 0:34:33 | |
Come on. | 0:34:44 | 0:34:46 | |
This contract's for the benefit of... | 0:34:52 | 0:34:54 | |
Shall be binding upon the heirs, executors and administrators, | 0:34:54 | 0:34:58 | |
and assigned to the individual parties. | 0:34:58 | 0:35:00 | |
Yeah, all that copper pot, stuff. | 0:35:00 | 0:35:03 | |
All changes in number and gender will be required... | 0:35:03 | 0:35:08 | |
I'll call you back, Jamie. | 0:35:12 | 0:35:13 | |
What are you doing?! What? Are you mental? | 0:35:13 | 0:35:16 | |
I've come to my senses. | 0:35:16 | 0:35:18 | |
SHE LOCKS THE DOOR | 0:35:22 | 0:35:24 | |
What is wrong with you? What am I supposed to have done? | 0:35:24 | 0:35:27 | |
-So she was with Grant. -And then she was with Phil. | 0:35:27 | 0:35:30 | |
They always used to like sharing things. | 0:35:30 | 0:35:33 | |
Ah, bless her, look. | 0:35:33 | 0:35:35 | |
Community service took it right out of her. | 0:35:35 | 0:35:39 | |
It's all right, I got it. | 0:35:39 | 0:35:41 | |
-Are you sure? -Yeah. | 0:35:41 | 0:35:43 | |
You got her? | 0:35:44 | 0:35:45 | |
That's it, that's it. | 0:35:46 | 0:35:48 | |
BILLY LAUGHS | 0:35:48 | 0:35:50 | |
-Suits you, mate. -He's a natural, ain't he? | 0:35:50 | 0:35:53 | |
All right? | 0:35:57 | 0:35:58 | |
Yeah, I'm fine. Wait there a sec. | 0:35:58 | 0:36:00 | |
-Come on, party's over. -It was just starting to get interesting. | 0:36:04 | 0:36:06 | |
Shirl, you ain't got to worry about anything dodgy going on | 0:36:06 | 0:36:09 | |
with Phil and Sharon. | 0:36:09 | 0:36:10 | |
I mean, she's with someone new now, isn't she? | 0:36:10 | 0:36:12 | |
Didn't stop 'em last time. Ow, I'm just saying. | 0:36:12 | 0:36:17 | |
Come on. | 0:36:19 | 0:36:20 | |
What you doing? | 0:36:21 | 0:36:23 | |
Well, I'm going to clean him up. | 0:36:23 | 0:36:25 | |
This rough and ready look you got going on, it's not working. | 0:36:25 | 0:36:28 | |
Go on. | 0:36:28 | 0:36:30 | |
There you go. | 0:36:33 | 0:36:35 | |
You said Dad was with Peter. | 0:36:37 | 0:36:39 | |
I know. | 0:36:39 | 0:36:40 | |
So was that a lie? | 0:36:42 | 0:36:44 | |
Look, I didn't know where he was, all right. I'm sorry. | 0:36:44 | 0:36:48 | |
I want to see him. | 0:36:50 | 0:36:53 | |
No! Not yet. | 0:36:54 | 0:36:56 | |
He's really ill. | 0:36:57 | 0:36:59 | |
Why? | 0:36:59 | 0:37:01 | |
Well, he hasn't had anywhere to sleep. | 0:37:01 | 0:37:04 | |
He's been living on the streets. | 0:37:04 | 0:37:06 | |
But he does. He has here. | 0:37:06 | 0:37:09 | |
So, why doesn't he come home? | 0:37:09 | 0:37:11 | |
So who is he? This geezer? | 0:37:31 | 0:37:32 | |
John? Regular at the bar I worked in. | 0:37:32 | 0:37:36 | |
You been with him long? | 0:37:37 | 0:37:38 | |
Six months. Quick work, right? | 0:37:38 | 0:37:42 | |
He was nice. Polite, good job, but... | 0:37:42 | 0:37:46 | |
I don't know. | 0:37:46 | 0:37:47 | |
You don't love him. | 0:37:47 | 0:37:49 | |
Is that a question or a statement? | 0:37:49 | 0:37:51 | |
And how long you been back? | 0:37:54 | 0:37:56 | |
Couple of weeks. | 0:37:56 | 0:37:58 | |
John wanted us to get married with his family there. | 0:37:58 | 0:38:00 | |
-You were back but you didn't call? -What would you have done if I had? | 0:38:00 | 0:38:03 | |
-So you're getting married. -Yeah. | 0:38:10 | 0:38:12 | |
She doesn't seem your normal type. | 0:38:12 | 0:38:15 | |
And what's my normal type? | 0:38:15 | 0:38:17 | |
Can we go faster, Phil, please? | 0:38:21 | 0:38:24 | |
Look, you don't tell her anything, all right? You don't say anything. | 0:38:32 | 0:38:36 | |
FOOTSTEPS APPROACH | 0:38:37 | 0:38:39 | |
What? | 0:38:39 | 0:38:40 | |
What?! | 0:38:42 | 0:38:44 | |
There's some clean towels on the drier downstairs. | 0:38:46 | 0:38:50 | |
Ben. | 0:38:52 | 0:38:54 | |
OK. | 0:38:54 | 0:38:55 | |
Hey, Ben, come back to ours for a cuppa? | 0:39:03 | 0:39:05 | |
-No, I can't. -Suit yourself. Jay! Lo! -Right behind ya. | 0:39:05 | 0:39:09 | |
BOTH: J-lo! | 0:39:09 | 0:39:10 | |
BABY CRIES | 0:39:10 | 0:39:12 | |
Don't watch my passport photo. I know I look a bit loco. | 0:39:15 | 0:39:17 | |
Dizzee Rascal? | 0:39:17 | 0:39:19 | |
Yeah, she likes Dizzee Rascal. | 0:39:19 | 0:39:21 | |
Don't you, eh? | 0:39:21 | 0:39:23 | |
-See? That was a smile there. -I don't think so. | 0:39:23 | 0:39:26 | |
That was a smile, wasn't it, eh? | 0:39:27 | 0:39:30 | |
My favourite little girl. | 0:39:30 | 0:39:33 | |
Jay? | 0:39:33 | 0:39:34 | |
What? | 0:39:34 | 0:39:35 | |
What, you nutcase? | 0:39:36 | 0:39:37 | |
Sorry. Um... | 0:39:44 | 0:39:46 | |
Bobby probably didn't recognise you. | 0:39:50 | 0:39:54 | |
To be honest, I hardly do. | 0:39:54 | 0:39:56 | |
What happened, Ian? | 0:39:58 | 0:39:59 | |
What was so bad that you wanted to leave everything behind? | 0:40:01 | 0:40:04 | |
Here you go. | 0:40:04 | 0:40:06 | |
You help yourself. | 0:40:12 | 0:40:13 | |
-Sharon! -Nina. | 0:40:33 | 0:40:36 | |
I can't believe this. What happened? | 0:40:36 | 0:40:38 | |
-Look, where's your brother? -Where d'you think? Who's this? | 0:40:38 | 0:40:42 | |
-John's still here? -Yeah, of course he is. He's waiting for you. | 0:40:42 | 0:40:45 | |
I said to him, "I know Sharon. | 0:40:45 | 0:40:47 | |
"She ain't going to leave you like that." | 0:40:47 | 0:40:49 | |
-John. -What did I tell you? Didn't I say she'd come back? | 0:40:52 | 0:40:55 | |
I'm just here for Dennis. | 0:40:55 | 0:40:58 | |
Where is he? | 0:40:58 | 0:40:59 | |
-After everything I done? -Where is he? | 0:41:02 | 0:41:04 | |
Where's her son? | 0:41:05 | 0:41:06 | |
-I don't want to play games no more. -I ain't the one who plays games. | 0:41:08 | 0:41:11 | |
Denny? | 0:41:17 | 0:41:18 | |
Denny. | 0:41:21 | 0:41:22 | |
Come here, come here. | 0:41:23 | 0:41:26 | |
D'you think something happened before he left? | 0:41:34 | 0:41:38 | |
Something drove him away? | 0:41:38 | 0:41:39 | |
Why don't you give Dad a bell, eh? See how he's doing. | 0:41:41 | 0:41:44 | |
You know, everyone says it was that little hussy that broke is heart. | 0:41:44 | 0:41:48 | |
But it don't make sense to me. | 0:41:48 | 0:41:50 | |
I mean, he had everything else, didn't he? He had family. | 0:41:50 | 0:41:54 | |
Money. And he still walks away. | 0:41:54 | 0:41:56 | |
Don't you care Dad's off with his ex? | 0:41:56 | 0:41:59 | |
It's called trust, Ben. Stop going on about it. | 0:41:59 | 0:42:02 | |
No, it must've been some sort of breakdown. | 0:42:07 | 0:42:11 | |
Friend of mine had one of them at school. | 0:42:11 | 0:42:14 | |
Ended up doing herself in. | 0:42:14 | 0:42:15 | |
He's been a long time in there, ain't he? | 0:42:20 | 0:42:23 | |
SHE KNOCKS ON DOOR | 0:42:27 | 0:42:28 | |
Ian? | 0:42:28 | 0:42:30 | |
SHE KNOCKS HARDER | 0:42:30 | 0:42:31 | |
Ian! | 0:42:31 | 0:42:33 | |
Men. Can't leave 'em to do anything on their own. | 0:42:42 | 0:42:46 | |
It's OK, I'll do it. | 0:42:46 | 0:42:48 | |
It's all right. I can handle it, Ben. | 0:42:48 | 0:42:53 | |
Come on. | 0:42:59 | 0:43:01 | |
Are all women mental or is it just the ones I go for? | 0:43:03 | 0:43:07 | |
-Just the ones you go for. -Why, what's Janine done now? | 0:43:07 | 0:43:10 | |
I'm in the office, right. Doing nothing. | 0:43:10 | 0:43:13 | |
-Working. Minding my own business. She walks in... -And threw you out? | 0:43:13 | 0:43:17 | |
Oh, I'd've paid good money to have seen that. | 0:43:17 | 0:43:19 | |
Probably hormones. | 0:43:19 | 0:43:21 | |
I'm not so sure. | 0:43:21 | 0:43:22 | |
Maybe she needs some reassurance. | 0:43:22 | 0:43:25 | |
Maybe you need to tell her that you love her every now and again. | 0:43:25 | 0:43:29 | |
-Why's that? Did she say something? -No. | 0:43:29 | 0:43:31 | |
-She said something when you went round there. -No. | 0:43:31 | 0:43:33 | |
-Did you say something? -No. | 0:43:35 | 0:43:37 | |
-HE LAUGHS -You're so transparent. What did you say? | 0:43:37 | 0:43:40 | |
-She was being a right moody cow. -What did you say to her? | 0:43:40 | 0:43:43 | |
Look, it's not my fault that she's paranoid. | 0:43:43 | 0:43:45 | |
-She kept pushing and pushing. -Paranoid about what? | 0:43:45 | 0:43:47 | |
I told her she was being stupid. | 0:43:47 | 0:43:50 | |
What did you say to her? What? Come on. | 0:43:50 | 0:43:53 | |
She thinks you don't love her. | 0:43:55 | 0:43:58 | |
And I sort of mentioned what you told me on your wedding day. | 0:43:58 | 0:44:02 | |
Did you? | 0:44:02 | 0:44:04 | |
I didn't tell her everything. | 0:44:04 | 0:44:06 | |
1979 Prestige. | 0:44:28 | 0:44:30 | |
I was saving this for a special occasion. | 0:44:32 | 0:44:35 | |
Who are you? | 0:44:42 | 0:44:43 | |
-An old friend. -Oh, yeah? | 0:44:45 | 0:44:47 | |
Got you wrapped round her little finger an' all? | 0:44:47 | 0:44:49 | |
Old friend? | 0:44:49 | 0:44:51 | |
I could've had my pick, you know. | 0:44:51 | 0:44:53 | |
I wasn't exactly short on offers. Should've known though, eh. | 0:44:53 | 0:44:58 | |
It's always the pretty ones you gotta watch. | 0:44:58 | 0:45:01 | |
You see, they think they're above you. | 0:45:02 | 0:45:05 | |
Think they can just walk all over you. | 0:45:05 | 0:45:08 | |
You get me? | 0:45:08 | 0:45:10 | |
Are we moving again? | 0:45:12 | 0:45:15 | |
I don't know. | 0:45:15 | 0:45:17 | |
Where to this time? | 0:45:17 | 0:45:19 | |
I don't know, baby, OK. | 0:45:19 | 0:45:21 | |
Don't worry. I'll look after you. | 0:45:21 | 0:45:23 | |
We'll both look after each other, yeah? Come on. | 0:45:25 | 0:45:29 | |
D'you know how much money he's thrown at this? | 0:45:32 | 0:45:34 | |
How much money he's spent on you? And him? | 0:45:34 | 0:45:36 | |
Nina, do what you're good at, have a drink. | 0:45:36 | 0:45:39 | |
He picked you out of the gutter. | 0:45:39 | 0:45:40 | |
I weren't in no gutter. | 0:45:40 | 0:45:42 | |
A barmaid in a low-cut top. | 0:45:42 | 0:45:44 | |
As good as. You were just using him, weren't you? | 0:45:44 | 0:45:47 | |
I hope you rot! | 0:45:53 | 0:45:55 | |
Phil. | 0:45:56 | 0:45:57 | |
DOOR OPENS | 0:46:04 | 0:46:05 | |
Whitney? Whit? | 0:46:05 | 0:46:09 | |
SHE SIGHS | 0:46:10 | 0:46:11 | |
I sent her home. | 0:46:11 | 0:46:13 | |
Where have you been? | 0:46:13 | 0:46:16 | |
Walking. | 0:46:18 | 0:46:20 | |
Ask me. Go on, ask the question. | 0:46:24 | 0:46:27 | |
If it was just me and Scarlett and no money... | 0:46:32 | 0:46:36 | |
Yeah, I'd still be here. Wouldn't I? | 0:46:36 | 0:46:39 | |
Yeah. | 0:46:40 | 0:46:41 | |
No. No, you wouldn't. | 0:46:41 | 0:46:44 | |
Yes, I would. | 0:46:44 | 0:46:46 | |
Did you really say that to Kat? | 0:46:46 | 0:46:49 | |
Did you really, honestly say that on our wedding day? | 0:46:49 | 0:46:52 | |
Say what? | 0:46:52 | 0:46:54 | |
That you didn't love me? | 0:46:55 | 0:46:57 | |
No. | 0:46:57 | 0:46:59 | |
Do you love me? | 0:47:02 | 0:47:03 | |
Yeah. | 0:47:04 | 0:47:06 | |
I don't believe you. | 0:47:09 | 0:47:10 | |
Well, she's going to have to trust me, isn't she? | 0:47:12 | 0:47:15 | |
And what if she can't? | 0:47:18 | 0:47:20 | |
We'll have to call it a day. | 0:47:24 | 0:47:26 | |
Hey, Sharon. Hang on. Hang on. What, is that it? | 0:47:39 | 0:47:44 | |
-No explanation? No apology? -She's said all she's got to say. | 0:47:44 | 0:47:48 | |
I don't even get five minutes? | 0:47:48 | 0:47:50 | |
I mean, all right, so we had a few arguments. | 0:47:50 | 0:47:52 | |
But we've got something, Sharon. | 0:47:52 | 0:47:54 | |
It might not be perfect but we've got something, right? | 0:47:54 | 0:47:57 | |
Five minutes. I at least deserve that, don't I? | 0:47:57 | 0:48:02 | |
Please? | 0:48:04 | 0:48:06 | |
Denny. Mummy and John are just going to have a little chat. OK, sweetie? | 0:48:08 | 0:48:12 | |
Friends again? | 0:48:22 | 0:48:24 | |
How about you and me go and get an ice cream? | 0:48:24 | 0:48:27 | |
Here. See? | 0:48:36 | 0:48:39 | |
It's much better. | 0:48:39 | 0:48:41 | |
Ian. | 0:48:47 | 0:48:50 | |
Ian, I understand. | 0:48:50 | 0:48:52 | |
I understand what it's like to run away when things get tough. | 0:48:54 | 0:48:59 | |
I did it myself years back. | 0:48:59 | 0:49:01 | |
I ran away from my kids. | 0:49:01 | 0:49:03 | |
Carly and Deano. | 0:49:05 | 0:49:06 | |
I understand, Ian, but it doesn't solve anything. | 0:49:08 | 0:49:11 | |
It's not the answer. | 0:49:13 | 0:49:15 | |
What? | 0:49:26 | 0:49:28 | |
Go get him one of Phil's old shirts. | 0:49:28 | 0:49:30 | |
And keep an eye on him. I won't be long. | 0:49:32 | 0:49:35 | |
Yeah, OK. | 0:49:35 | 0:49:37 | |
Is it him? That bloke that brought you here? | 0:49:45 | 0:49:47 | |
No! | 0:49:47 | 0:49:49 | |
It is, isn't it? | 0:49:49 | 0:49:51 | |
He's getting married. | 0:49:51 | 0:49:52 | |
Well, I don't get it, Sharon. | 0:49:55 | 0:49:57 | |
I mean, what is it you want, eh? | 0:49:57 | 0:49:59 | |
Beautiful house? | 0:49:59 | 0:50:01 | |
Your own car? Holiday three times a year? | 0:50:01 | 0:50:04 | |
Shopping trips whenever you want? Dennis in a fantastic school? | 0:50:04 | 0:50:07 | |
Cos I can give you all of that. | 0:50:09 | 0:50:10 | |
I know. | 0:50:10 | 0:50:12 | |
So? | 0:50:12 | 0:50:14 | |
I want Dennis to be happy. | 0:50:15 | 0:50:18 | |
I want to be happy. And we ain't. | 0:50:18 | 0:50:21 | |
John, I'm sorry. I really am. | 0:50:21 | 0:50:25 | |
Oi, come here. Come on. | 0:50:29 | 0:50:31 | |
I think you should go over there. | 0:50:36 | 0:50:38 | |
I think you should go home and give Lucy and Bobby a big hug. | 0:50:41 | 0:50:43 | |
Cos I mean, there ain't enough room for you here, Ian. | 0:50:45 | 0:50:50 | |
D'you understand? | 0:50:53 | 0:50:54 | |
You shouldn't be here. | 0:50:56 | 0:50:57 | |
I mean, everything's good at the minute. Dad's happy. | 0:50:59 | 0:51:04 | |
Shirley's happy. | 0:51:04 | 0:51:06 | |
And I wouldn't want anyone to get in the way of that. | 0:51:06 | 0:51:09 | |
Cos if they did... | 0:51:12 | 0:51:14 | |
There we go. Perfect. | 0:51:21 | 0:51:25 | |
Please don't ruin everything, Ian. | 0:51:30 | 0:51:32 | |
Don't you dare. Don't you dare walk away from me. | 0:51:36 | 0:51:38 | |
I picked you up. I made you. | 0:51:38 | 0:51:40 | |
You didn't make me. | 0:51:40 | 0:51:42 | |
You were nothing. You were nobody. Does he know, eh? Your friend? | 0:51:42 | 0:51:47 | |
Does he know your dirty little secret, eh? | 0:51:47 | 0:51:49 | |
No. And he ain't going to. | 0:51:49 | 0:51:51 | |
Maybe you think you can do better than me? | 0:51:51 | 0:51:53 | |
Is that it, eh? | 0:51:53 | 0:51:54 | |
Well, I got news for you, sweetheart, | 0:51:54 | 0:51:55 | |
take a long hard look in the mirror, cos you're old. | 0:51:55 | 0:51:59 | |
You're old and you're faded and you're on the shelf. | 0:51:59 | 0:52:02 | |
And ain't nobody ever going to want to be with you. | 0:52:02 | 0:52:05 | |
Say that again. | 0:52:05 | 0:52:07 | |
Why? What you going to do, punch me? | 0:52:07 | 0:52:10 | |
I ain't decided. | 0:52:10 | 0:52:11 | |
ITEMS CLATTER ONTO THE FLOOR | 0:52:12 | 0:52:14 | |
You're going to regret this, I promise you that. | 0:52:15 | 0:52:19 | |
Right, she's asleep. And you are out of nappies. | 0:52:32 | 0:52:36 | |
That was a mistake. | 0:52:36 | 0:52:38 | |
I'll go and get some more in a little while. | 0:52:38 | 0:52:40 | |
It ain't about the nappies, Jay. | 0:52:40 | 0:52:43 | |
Yeah, I know that. | 0:52:43 | 0:52:44 | |
Look, I'm just going to say it, all right. | 0:52:44 | 0:52:47 | |
You definitely ain't no Ashton Kutcher, | 0:52:47 | 0:52:50 | |
but you really make me laugh and you love Lexi and she loves you and... | 0:52:50 | 0:52:55 | |
Look, I'm not saying I'm head over heels or anything | 0:52:55 | 0:52:58 | |
but I just think we could have a nice time. | 0:52:58 | 0:53:01 | |
But if that ain't what you want then it's no biggie. | 0:53:01 | 0:53:05 | |
You ain't no Cheryl Cole. | 0:53:11 | 0:53:13 | |
You're all right. | 0:53:13 | 0:53:16 | |
And you make me laugh. | 0:53:17 | 0:53:19 | |
Yes, I do love Lexi. | 0:53:19 | 0:53:22 | |
And I definitely think that we could have something nice. | 0:53:24 | 0:53:27 | |
But things are just a little bit... | 0:53:28 | 0:53:31 | |
Just a little bit mental at the minute. | 0:53:31 | 0:53:34 | |
So we'll just take it nice and slow. | 0:53:34 | 0:53:36 | |
OK. | 0:53:38 | 0:53:39 | |
Why am I still holding this dirty nappy? | 0:53:40 | 0:53:43 | |
-Cos it's your baby. -Yeah, but it's dirty. Jay! | 0:53:43 | 0:53:46 | |
Go away. Go away. Go away. | 0:53:46 | 0:53:47 | |
-SHE GIGGLES -Don't be so childish. | 0:53:47 | 0:53:49 | |
All right? | 0:53:49 | 0:53:51 | |
What nappies does she have? | 0:53:51 | 0:53:52 | |
I dunno, nappy's a nappy, innit? | 0:53:52 | 0:53:54 | |
All right, fay knights! | 0:53:54 | 0:53:56 | |
Yeah, that means like... Go away! | 0:53:56 | 0:53:59 | |
THEY ALL LAUGH | 0:53:59 | 0:54:00 | |
-What's that for? -Dunno, things are just really good at the minute. | 0:54:04 | 0:54:08 | |
Yeah, they are. | 0:54:08 | 0:54:09 | |
I'm fine. Really. | 0:54:16 | 0:54:18 | |
You've done the right thing. | 0:54:18 | 0:54:21 | |
About time, eh? Think I'd've learnt by now, right? | 0:54:21 | 0:54:25 | |
You shouldn't be so hard on yourself. | 0:54:25 | 0:54:28 | |
Where's Denny? | 0:54:31 | 0:54:33 | |
Denny?! | 0:54:34 | 0:54:36 | |
Hello, Jay. Oi! Jay! | 0:54:43 | 0:54:46 | |
Are you ignoring me? | 0:54:47 | 0:54:48 | |
No. Sorry. I was, sorry. | 0:54:48 | 0:54:50 | |
You were, weren't you? | 0:54:50 | 0:54:52 | |
That's a bit rude, innit. | 0:54:52 | 0:54:55 | |
Abi's got a message for you. | 0:54:55 | 0:54:57 | |
She's going to be home in a couple of weeks. | 0:54:57 | 0:55:00 | |
She wanted me to tell you so I have. | 0:55:00 | 0:55:02 | |
Keep it. | 0:55:11 | 0:55:13 | |
Are you sure? | 0:55:15 | 0:55:17 | |
Here. | 0:55:17 | 0:55:18 | |
Here you go. Keep all of it. | 0:55:19 | 0:55:23 | |
Next time you speak to her would you just... | 0:55:28 | 0:55:30 | |
What? | 0:55:32 | 0:55:34 | |
Nothing. Who am I kidding? | 0:55:35 | 0:55:37 | |
Shirley. Shirl! Wait. | 0:55:37 | 0:55:39 | |
Here. | 0:55:39 | 0:55:40 | |
It's the nicest one, I think. | 0:55:42 | 0:55:44 | |
Shirley? | 0:55:48 | 0:55:50 | |
Phil! | 0:55:58 | 0:56:00 | |
Where did you get it? | 0:56:00 | 0:56:02 | |
What, the photo? | 0:56:02 | 0:56:03 | |
The frame. Where did you get the frame? | 0:56:03 | 0:56:06 | |
-I don't know. -Where d'you get it, Denise?! | 0:56:06 | 0:56:09 | |
It was just from Kim. I don't know where... | 0:56:09 | 0:56:12 | |
Shirl, you're scaring me. | 0:56:12 | 0:56:14 | |
It's Heather's. It's Hev's. | 0:56:14 | 0:56:17 | |
John! John, wait! | 0:56:19 | 0:56:22 | |
-You brought this on yourself, Sharon. -No! Denny! | 0:56:22 | 0:56:26 | |
Mum! | 0:56:26 | 0:56:27 | |
Denny! | 0:56:27 | 0:56:29 | |
Sharon! Come on. Sharon, come on. | 0:56:30 | 0:56:33 | |
We'll get him back, OK? We will get him back. | 0:56:41 | 0:56:45 | |
Shirley! | 0:56:56 | 0:56:58 | |
Shirl? | 0:57:00 | 0:57:02 | |
SHIRLEY SOBS | 0:57:02 | 0:57:06 | |
Shirl? | 0:57:08 | 0:57:12 | |
OK, look, you're sure? It's Heather's? | 0:57:12 | 0:57:14 | |
Come on, Shirley, there could be tons of 'em about. | 0:57:17 | 0:57:20 | |
It could just look like the one that was hers. | 0:57:20 | 0:57:24 | |
No. | 0:57:24 | 0:57:26 | |
No. This was hers. | 0:57:26 | 0:57:28 | |
She had a picture of me and her in it. | 0:57:28 | 0:57:32 | |
And after she was killed, it wasn't there anymore. | 0:57:32 | 0:57:36 | |
He took it. | 0:57:36 | 0:57:38 | |
Her killer. It's... | 0:57:38 | 0:57:41 | |
It's what he used to kill her with. | 0:57:42 | 0:57:45 | |
No, Ben! Get off me! | 0:57:55 | 0:57:56 | |
DOORBELL RINGS | 0:57:56 | 0:57:58 | |
Time out. Time out. Time out. | 0:57:58 | 0:58:01 | |
Go. | 0:58:01 | 0:58:04 | |
< Oi! | 0:58:06 | 0:58:08 | |
Don't know how you do it, you know? | 0:58:13 | 0:58:15 | |
What? | 0:58:19 | 0:58:20 | |
Laugh and that like nothing's happened. | 0:58:20 | 0:58:23 | |
Look, I've spoke to Ian. He's going back with the kids. | 0:58:24 | 0:58:29 | |
They'll make up. Things'll go back to normal. | 0:58:29 | 0:58:32 | |
-He ain't going to say nothing. -You can't be sure of that. | 0:58:32 | 0:58:35 | |
Trust me. Everything's under control. | 0:58:35 | 0:58:38 | |
-Round two! -No, no, no, no, no, no. | 0:58:38 | 0:58:41 | |
In here. In here. In here. In here. | 0:58:41 | 0:58:44 | |
Whoever did this, he hit her so hard | 0:58:44 | 0:58:50 | |
that he fractured her skull. | 0:58:50 | 0:58:52 | |
-What kind of monster can do that? -Don't touch it no more. | 0:58:54 | 0:58:58 | |
We're going to take this to the police, yeah? | 0:59:01 | 0:59:05 | |
You see what I'm talking about, don't you, Shirl? | 0:59:06 | 0:59:09 | |
They've tried to hide it. But we've got it now. | 0:59:09 | 0:59:13 | |
And they can't hide it any more. | 0:59:13 | 0:59:16 | |
-Which way did he go? -I don't know. -Which way, Phil?! -I didn't see. | 0:59:25 | 0:59:28 | |
Oh God, Dennis. | 0:59:28 | 0:59:30 | |
-Where could they be heading? -If he hurts him... | 0:59:30 | 0:59:32 | |
That ain't going to happen. I ain't going to let it happen. Now just think. | 0:59:32 | 0:59:36 | |
Where would John go? | 0:59:36 | 0:59:37 | |
I don't know. Maybe back to the house? | 0:59:37 | 0:59:40 | |
-And which way's that? -It's down there. | 0:59:40 | 0:59:42 | |
-Who we asking for again? -DS Crisp. | 0:59:56 | 0:59:58 | |
Well, come on then. | 0:59:58 | 1:00:00 | |
-Did you say Kim got it for you? -What? | 1:00:00 | 1:00:02 | |
-The frame. You said Kim got it. -Yeah. -Where did she get it? | 1:00:02 | 1:00:04 | |
I don't know. She gave it to me last week. Shirley! | 1:00:04 | 1:00:07 | |
-I'm not giving it to some copper for some evidence bag somewhere. -They're not going to do that. | 1:00:07 | 1:00:11 | |
Won't they? All they've done is waste time dragging their heels. | 1:00:11 | 1:00:15 | |
Nobody's being punished. I need to find out who did this, Denise. | 1:00:15 | 1:00:20 | |
I need to find out. | 1:00:20 | 1:00:21 | |
All right. | 1:00:22 | 1:00:25 | |
Look, if Kim doesn't know anything we're going to come right back here. | 1:00:25 | 1:00:29 | |
Ian? | 1:00:39 | 1:00:40 | |
Ian? | 1:00:54 | 1:00:56 | |
I couldn't. | 1:00:58 | 1:01:01 | |
-I just couldn't. -That's all right. | 1:01:04 | 1:01:07 | |
You come with me. | 1:01:09 | 1:01:11 | |
Come on. Come on, up. | 1:01:11 | 1:01:12 | |
There you go. All right? | 1:01:15 | 1:01:19 | |
You're all right. | 1:01:22 | 1:01:24 | |
His car's not here. | 1:01:31 | 1:01:34 | |
I haven't got my keys! | 1:01:35 | 1:01:37 | |
John?! | 1:01:37 | 1:01:39 | |
His sister's in there. | 1:01:39 | 1:01:41 | |
Nina! Nina! Open up. Open the door. | 1:01:41 | 1:01:44 | |
I'll kick it down if I have to. | 1:01:44 | 1:01:47 | |
Please. Please, Nina, I just want to see my boy. | 1:01:47 | 1:01:50 | |
Where've they gone? | 1:01:51 | 1:01:52 | |
-Go away or I'll call the police. -Where've they gone? | 1:01:52 | 1:01:54 | |
That Denny's stuff? | 1:01:54 | 1:01:56 | |
Where's he taken him? | 1:01:56 | 1:01:58 | |
John's right, you've brought this on yourself. | 1:01:58 | 1:02:00 | |
-I said where's he taken him? -He'll be better off without you. | 1:02:00 | 1:02:03 | |
That is not true. | 1:02:03 | 1:02:05 | |
I would die for my boy. You know I would. | 1:02:05 | 1:02:08 | |
John is doing this to hurt me, Nina, please. | 1:02:08 | 1:02:11 | |
Whatever you think of me, don't let him take my baby. | 1:02:11 | 1:02:14 | |
Go to hell! | 1:02:15 | 1:02:18 | |
Get her phone. | 1:02:18 | 1:02:19 | |
-Ow. Ow, get off me... -Get her phone. | 1:02:19 | 1:02:21 | |
Oh, that. It's a bit tacky for my taste but I knew Denise would like it. | 1:02:21 | 1:02:26 | |
-I'm kidding. -Where did you get it from? | 1:02:26 | 1:02:28 | |
Do you want one? You can have it if you like. | 1:02:28 | 1:02:31 | |
-Where did you get it, Kim? -Is it important? | 1:02:31 | 1:02:33 | |
Yes. It is. | 1:02:33 | 1:02:35 | |
-Charity shop. Sorry. -Which one? | 1:02:35 | 1:02:39 | |
The one down the road. Where Cora works. | 1:02:39 | 1:02:42 | |
Dee, you going to tell me what all this is about? | 1:02:42 | 1:02:45 | |
-Yeah, another time. -Dee, what d'you think? Too much? | 1:02:45 | 1:02:47 | |
When is it ever not too much with you, Kim? | 1:02:47 | 1:02:49 | |
-JOHN: 'Nina?' -Yeah, it's me. | 1:02:51 | 1:02:54 | |
-'You got everything?' -Yeah. | 1:02:54 | 1:02:56 | |
-'You find the passports?' -Yeah, they were in the drawer. | 1:02:56 | 1:03:00 | |
'OK, there's a parking spot near Moorfield country park. You know it?' | 1:03:00 | 1:03:05 | |
-Yeah, I know it. -'Hurry up, all right.' | 1:03:05 | 1:03:08 | |
John... | 1:03:08 | 1:03:10 | |
Get in. | 1:03:12 | 1:03:13 | |
Moorfield country park - it's not far from here. | 1:03:13 | 1:03:16 | |
I don't know anything about a photo frame. | 1:03:16 | 1:03:18 | |
Are you sure? Do you remember anyone bringing it in? | 1:03:18 | 1:03:21 | |
-Probably in a big bag of stuff. -Yeah, cos we don't get many of them(!) | 1:03:21 | 1:03:24 | |
Oi. Less of the sarcasm. | 1:03:24 | 1:03:27 | |
-Do you remember seeing it on the shelf? -Maybe. | 1:03:27 | 1:03:29 | |
How long was it there for? | 1:03:29 | 1:03:31 | |
-I dunno. I'm not sure. -Well then, think! Just think. | 1:03:31 | 1:03:34 | |
Look, if you can just try and remember just one small thing. | 1:03:34 | 1:03:38 | |
I don't know anything. | 1:03:38 | 1:03:41 | |
Look Shirl, we've done everything we can. At least we tried. | 1:03:41 | 1:03:45 | |
You could ask Cora. She's like... | 1:03:45 | 1:03:48 | |
encyclopaedic about this place. | 1:03:48 | 1:03:51 | |
Right, so what I was thinking was we go to the shop, | 1:03:55 | 1:03:59 | |
get some glitter but the one you can eat. | 1:03:59 | 1:04:01 | |
-What do you reckon? -I reckon you've never been more gay. | 1:04:01 | 1:04:03 | |
I only want things to be nice, that's all. | 1:04:03 | 1:04:06 | |
-What, glitter...? -Oh, shut up. | 1:04:06 | 1:04:10 | |
Oh, not again. Right, rock, paper, scissors. | 1:04:10 | 1:04:13 | |
-She's your kid. -Please. Come on. | 1:04:13 | 1:04:15 | |
Rock, paper, scissors. Please? Ready? | 1:04:15 | 1:04:18 | |
BOTH: Rock, paper, scissors. Best of three? | 1:04:18 | 1:04:22 | |
Go in there! | 1:04:22 | 1:04:23 | |
Just relax, will ya, all right? | 1:04:37 | 1:04:41 | |
It's all under control. | 1:04:41 | 1:04:43 | |
Yeah, well, it ain't just that now. | 1:04:44 | 1:04:46 | |
-You and Lola? -Yeah, mate. | 1:04:46 | 1:04:48 | |
Well, don't sound too enthusiastic. | 1:04:48 | 1:04:51 | |
-I dunno. -You dunno what? | 1:04:53 | 1:04:56 | |
You two would be good together. | 1:04:57 | 1:05:00 | |
I mean, clearly she's a nutter, but... | 1:05:00 | 1:05:02 | |
you know, then there's Lexi. and she's all right. | 1:05:02 | 1:05:04 | |
-You know, for a baby. -Yeah, but Abi's coming back. | 1:05:04 | 1:05:08 | |
And Lola thinks we're going to like make a go of it. | 1:05:08 | 1:05:11 | |
I see. | 1:05:13 | 1:05:15 | |
What do you care, anyway? | 1:05:16 | 1:05:18 | |
What? | 1:05:28 | 1:05:29 | |
He's, uh, he's here about your dad. | 1:05:29 | 1:05:33 | |
I said you didn't want to know. | 1:05:34 | 1:05:36 | |
Yeah, and I don't. | 1:05:36 | 1:05:38 | |
He, um, he just wants to see you. | 1:05:41 | 1:05:44 | |
He's a broken man, Lucy. | 1:05:49 | 1:05:51 | |
He looks twice his age. | 1:05:52 | 1:05:54 | |
I mean, he ain't said hardly anything about where he's been or what happened. | 1:05:56 | 1:06:00 | |
Nothing. | 1:06:00 | 1:06:02 | |
But he's scared. You can see that. | 1:06:05 | 1:06:07 | |
You can see it in his eyes. He's petrified. He's lonely. | 1:06:08 | 1:06:12 | |
And he wants to see his family. | 1:06:12 | 1:06:14 | |
Lucy, I know this is hard but he's had a really... | 1:06:16 | 1:06:20 | |
He's had a really tough time. | 1:06:22 | 1:06:24 | |
He needs you, sweetheart. And he needs Bobby. | 1:06:25 | 1:06:28 | |
He's had a tough time, has he? | 1:06:30 | 1:06:33 | |
Ask him how tough he thinks it is having a nine-year-old ask if his dad is dead. | 1:06:35 | 1:06:41 | |
Told ya. | 1:06:47 | 1:06:49 | |
Patrick. She's dribbling. | 1:06:55 | 1:06:58 | |
Lord have mercy, is this what we have to look forward to? | 1:07:01 | 1:07:05 | |
Yep. Have a look - go on. | 1:07:05 | 1:07:08 | |
-Sorry. -Do you keep a record of where you get the stock for your shop? | 1:07:10 | 1:07:14 | |
-Hello, Shirley. Nice to see. -It's important, Cora. | 1:07:14 | 1:07:16 | |
So's common courtesy. | 1:07:16 | 1:07:18 | |
I need your help. I'm asking for Heather. I'm asking for Hev. | 1:07:18 | 1:07:23 | |
Heather? I was losing anyway. | 1:07:23 | 1:07:26 | |
There they are, Phil. Don't get too close. | 1:07:36 | 1:07:38 | |
It's all right. I got this. | 1:07:38 | 1:07:40 | |
-John! -No! -John, get out of here! | 1:07:48 | 1:07:51 | |
-You stupid cow. -Mum! | 1:07:51 | 1:07:53 | |
You all right, Ian? | 1:08:04 | 1:08:05 | |
I've been to see Lucy. | 1:08:11 | 1:08:13 | |
Lucy? | 1:08:16 | 1:08:18 | |
Yeah. | 1:08:18 | 1:08:20 | |
I'm not going to lie to you, mate. She's angry. She's upset. | 1:08:20 | 1:08:25 | |
She would be, wouldn't she? | 1:08:25 | 1:08:27 | |
You know, it's been really hard for her. | 1:08:27 | 1:08:30 | |
It's going to take a lot of time, mate. | 1:08:33 | 1:08:36 | |
She doesn't want to rush into anything, you know. | 1:08:36 | 1:08:39 | |
For Bobby's sake. | 1:08:39 | 1:08:41 | |
But... by the end of it, she was asking how you were. | 1:08:47 | 1:08:52 | |
And I think she'd definitely be up for seeing you eventually. | 1:08:57 | 1:09:02 | |
You know, when you're feeling a bit better. | 1:09:02 | 1:09:05 | |
She did, she said... | 1:09:05 | 1:09:07 | |
She said, you know, you just take as long as you need. | 1:09:09 | 1:09:15 | |
So that's really good, isn't it? | 1:09:15 | 1:09:17 | |
Gives you something to aim for, don't it? | 1:09:19 | 1:09:22 | |
We keep a record of some of the stuff if people bring it in. | 1:09:29 | 1:09:33 | |
Most of it just gets dumped on the doorstep. | 1:09:33 | 1:09:36 | |
Yeah, well anything you can tell us, Cora. Anything at all. | 1:09:36 | 1:09:39 | |
I don't understand. Why's it so important who brought it in? | 1:09:39 | 1:09:43 | |
It's... | 1:09:43 | 1:09:44 | |
It's a personal matter. | 1:09:46 | 1:09:48 | |
Going to be like looking for a needle in a haystack. | 1:09:48 | 1:09:53 | |
You're doing this for Heather, you say? Then I got all the time in the world. | 1:09:53 | 1:09:57 | |
-Come on. -Oh, no. Roadworks. | 1:09:57 | 1:09:59 | |
Phil, go round. | 1:09:59 | 1:10:01 | |
-I can't. -Phil, please, just go round. | 1:10:01 | 1:10:04 | |
Sharon, I can't. | 1:10:04 | 1:10:07 | |
I'll try and get in front of them after these lights. | 1:10:09 | 1:10:14 | |
TRUCK HORN BLARES No. Dennis. Dennis! | 1:10:14 | 1:10:19 | |
Dennis! | 1:10:19 | 1:10:22 | |
Oh, my baby, you're all right. Mummy's here, OK? Stay away! | 1:10:22 | 1:10:26 | |
-You just stay away! -Back off pal, all right. Back off. | 1:10:26 | 1:10:31 | |
You're nothing but scum, Sharon. You and that little brat. | 1:10:31 | 1:10:35 | |
No! | 1:10:35 | 1:10:36 | |
I think the wedding's off, mate. | 1:10:36 | 1:10:39 | |
Anything? | 1:10:48 | 1:10:49 | |
What do you think? | 1:10:52 | 1:10:53 | |
You know, when I thought it was Andrew... | 1:10:59 | 1:11:02 | |
And they arrested him and I thought he'd killed her. | 1:11:02 | 1:11:06 | |
I don't know. It was easier. | 1:11:07 | 1:11:10 | |
Cos I had... I had someone to be angry at. | 1:11:12 | 1:11:15 | |
I had someone to hate. Not knowing who did this to her... | 1:11:15 | 1:11:18 | |
-I know, darlin'. -Knowing he's still out there. Getting away with it. | 1:11:18 | 1:11:22 | |
Denise, it's the worst thing. | 1:11:23 | 1:11:25 | |
I know. | 1:11:25 | 1:11:27 | |
I need someone to hate. I need someone to be punished. | 1:11:27 | 1:11:31 | |
I know. | 1:11:31 | 1:11:33 | |
Shirley. | 1:11:33 | 1:11:34 | |
What, you got something? | 1:11:35 | 1:11:38 | |
"Three pairs of shoes, shorts, black dress. Best Friends photo frame." | 1:11:38 | 1:11:44 | |
Good. | 1:11:59 | 1:12:00 | |
Shirl? It's me. Listen, I'm sorry I'm late. | 1:12:03 | 1:12:06 | |
Things've taken a bit longer than I thought they were going to. | 1:12:06 | 1:12:10 | |
Listen, I've... I've been thinking, yeah, why don't we just go and get married. | 1:12:10 | 1:12:15 | |
You know, like tomorrow or something. Let's just go and do it. | 1:12:15 | 1:12:19 | |
Cos if you know something's right, you know it's right, don't you? | 1:12:19 | 1:12:22 | |
So, why wait? | 1:12:22 | 1:12:24 | |
Listen, I'll, um... I'll be home as soon as I can. | 1:12:24 | 1:12:30 | |
I'm six. | 1:12:38 | 1:12:41 | |
Before that I was five. | 1:12:41 | 1:12:43 | |
Is that right? | 1:12:44 | 1:12:45 | |
Did you know my dad? | 1:12:47 | 1:12:48 | |
Yeah. Yeah, I did. | 1:12:50 | 1:12:52 | |
He died. | 1:12:52 | 1:12:54 | |
I know. | 1:12:54 | 1:12:55 | |
Here you go, baby. OK? | 1:12:55 | 1:12:57 | |
So. Where am I taking you? | 1:12:59 | 1:13:03 | |
I was going to pop over and see you because I got a book at a boot sale. | 1:13:05 | 1:13:10 | |
And I saw it and I thought of you immediately. | 1:13:10 | 1:13:12 | |
It's called the five stages of grief. Or is it six? | 1:13:12 | 1:13:16 | |
-I thought you might be interested. -Jean.... -Oh yeah, the photo frame. | 1:13:16 | 1:13:20 | |
I'm not quite sure where I got it. I was getting stuff from all over the place. | 1:13:20 | 1:13:27 | |
-You should've seen some of the stuff Kim gave me. -Kim? | 1:13:27 | 1:13:30 | |
I had to filter some of it out, because it could have been embarrassing. | 1:13:30 | 1:13:33 | |
But no, most of the good stuff came from your house, actually. | 1:13:33 | 1:13:38 | |
My house? | 1:13:38 | 1:13:40 | |
Yeah, yeah. Almost all of it. | 1:13:40 | 1:13:43 | |
There was a hilarious pair of leather hot pants. | 1:13:43 | 1:13:46 | |
And the photo frame. | 1:13:46 | 1:13:48 | |
It didn't have a photo in it. | 1:13:48 | 1:13:49 | |
It just had Best Friends round the edge? | 1:13:49 | 1:13:51 | |
Yeah, I remember it because I was thinking of keeping it myself | 1:13:51 | 1:13:56 | |
and putting a photo of me and Stacey in it, but... | 1:13:56 | 1:13:58 | |
No, it was definitely in one of the bags that Phil gave me. | 1:13:58 | 1:14:03 | |
Is that any use? | 1:14:03 | 1:14:04 | |
Ian? | 1:14:08 | 1:14:10 | |
Thank you. | 1:14:34 | 1:14:36 | |
For what? | 1:14:36 | 1:14:38 | |
For understanding. | 1:14:42 | 1:14:45 | |
Understanding? | 1:14:46 | 1:14:48 | |
Max didn't tell you what I said, did he? | 1:14:51 | 1:14:54 | |
I wish you were dead. How's that for understanding? | 1:14:54 | 1:14:57 | |
I had a clear out. | 1:15:16 | 1:15:19 | |
And the only reason I did that was to take my mind off things. | 1:15:19 | 1:15:22 | |
I threw a load of stuff away. | 1:15:23 | 1:15:26 | |
You know, old clothes, junk in the loft. | 1:15:26 | 1:15:28 | |
Phil gave the bags to Jean. | 1:15:29 | 1:15:33 | |
But I can't remember seeing it. | 1:15:36 | 1:15:38 | |
I really - I can't remember. | 1:15:39 | 1:15:43 | |
You don't think... | 1:15:43 | 1:15:44 | |
What? | 1:15:48 | 1:15:50 | |
Well, maybe Hev gave it to you. Maybe you had it all along. | 1:15:50 | 1:15:54 | |
But it just slipped your mind cos of all that's happened. | 1:15:54 | 1:15:57 | |
-No. -OK then, perhaps it weren't in the flat when Hev died | 1:15:57 | 1:16:03 | |
and that was because you had it. | 1:16:03 | 1:16:06 | |
No. | 1:16:06 | 1:16:08 | |
Shirl, I know you're looking for answers | 1:16:08 | 1:16:12 | |
but this might not be it. | 1:16:12 | 1:16:16 | |
Maybe it is just an old photo frame. | 1:16:17 | 1:16:21 | |
I gave it to her on her hen night. It was in her flat. I know it was. | 1:16:21 | 1:16:27 | |
OK, we should've done this from the start. | 1:16:29 | 1:16:32 | |
If this DS Crisp is useless, then we just find somebody else. | 1:16:32 | 1:16:39 | |
I'll do it. | 1:16:40 | 1:16:42 | |
You sure? Don't go doing nothing stupid, Shirl. | 1:16:44 | 1:16:50 | |
They will get him. They will. It's just a matter of time. | 1:16:50 | 1:16:55 | |
She won't go to sleep. I've tried everything. | 1:17:06 | 1:17:09 | |
-Milk, dummy... -Whisky? -For me or her? | 1:17:09 | 1:17:12 | |
-Lo? -Yeah? | 1:17:14 | 1:17:16 | |
-Lo, um... -Yeah, you've already said that. | 1:17:20 | 1:17:23 | |
-Well, it's about Abi... -Yeah, I know. She's coming home. | 1:17:25 | 1:17:27 | |
What? It's a magical thing called a text message. | 1:17:27 | 1:17:31 | |
Come on please. Jay, sing to her please. Take her. | 1:17:31 | 1:17:36 | |
Hello. | 1:17:38 | 1:17:40 | |
# Don't watch my passport photo. I know I look a bit loco | 1:17:40 | 1:17:44 | |
-# And I know that my Spanish is so-so... -Dizzee Rascal? | 1:17:44 | 1:17:48 | |
It's working, innit? | 1:17:48 | 1:17:51 | |
# Cos we're going Ibiza | 1:17:51 | 1:17:53 | |
# I've got friends that really want to meet ya | 1:17:53 | 1:17:55 | |
-# With champagne... # -I should film this. | 1:17:55 | 1:17:57 | |
Don't you dare film it! | 1:17:57 | 1:18:00 | |
-How long we gotta do this for? -As long as it takes! Carry on. | 1:18:00 | 1:18:03 | |
# Drive away, get away | 1:18:03 | 1:18:05 | |
# We can go to the club or hide away | 1:18:05 | 1:18:08 | |
# We can do what you want to, baby... # | 1:18:08 | 1:18:10 | |
PHIL: I've been thinking, yeah, why don't we just go and get married. | 1:18:10 | 1:18:14 | |
Like tomorrow or something. Let's just go and do it. | 1:18:14 | 1:18:17 | |
Cos if you know something's right, you know it's right, don't you? So, why wait? | 1:18:17 | 1:18:22 | |
Listen, I'll, um... I'll be home as soon as I can. | 1:18:22 | 1:18:27 | |
MACHINE: End of messages. | 1:18:27 | 1:18:29 | |
All right. | 1:18:36 | 1:18:38 | |
Yeah. | 1:18:38 | 1:18:41 | |
He's going to go back it her, ain't he? | 1:18:41 | 1:18:44 | |
Yeah, course he will. It's always going to be Abi and Jay. | 1:18:44 | 1:18:46 | |
Jay and Abi. | 1:18:46 | 1:18:48 | |
I just don't know if I can do this on my own. | 1:18:48 | 1:18:51 | |
You ain't got to do it on your own though. I'm here. | 1:18:51 | 1:18:54 | |
I ain't going nowhere. | 1:18:54 | 1:18:55 | |
What's that for? | 1:18:58 | 1:19:00 | |
Just for being you. | 1:19:00 | 1:19:02 | |
PHONE RINGS | 1:19:02 | 1:19:04 | |
Shush, turn it off, turn it off. | 1:19:04 | 1:19:08 | |
Ben! Will you turn that thing on silent? | 1:19:08 | 1:19:10 | |
I will in a minute! | 1:19:10 | 1:19:12 | |
All right, Shirl. | 1:19:12 | 1:19:15 | |
Yeah, all right, OK yeah. Yeah, I'm on my way now. | 1:19:15 | 1:19:19 | |
Bye. | 1:19:19 | 1:19:20 | |
DENNIS: What's this place? | 1:19:42 | 1:19:44 | |
It's uh, it's called Albert Square. | 1:19:44 | 1:19:45 | |
Mum, are we staying here? | 1:19:45 | 1:19:50 | |
We'll see. | 1:19:51 | 1:19:53 | |
Dad? | 1:20:12 | 1:20:14 | |
Dad? | 1:20:19 | 1:20:22 | |
Shirl? | 1:20:22 | 1:20:24 | |
Look what I found. | 1:20:38 | 1:20:40 | |
It's quite heavy. | 1:20:46 | 1:20:48 | |
You wouldn't think it, by looking at it. | 1:20:50 | 1:20:54 | |
A little thing like that. | 1:20:54 | 1:20:56 | |
It'd take someone with a lot of force to knock someone out with it. | 1:20:58 | 1:21:02 | |
Let alone kill 'em. | 1:21:04 | 1:21:06 | |
Force... | 1:21:10 | 1:21:12 | |
-..or anger. -Shirley... | 1:21:13 | 1:21:15 | |
You know, that's the one thing that I never understood about all this. | 1:21:15 | 1:21:19 | |
Who could be angry with Hev? | 1:21:19 | 1:21:24 | |
Who could hate her so much that they'd want to kill her? | 1:21:26 | 1:21:30 | |
Why didn't I see it before? | 1:21:33 | 1:21:36 | |
WHY DIDN'T I SEE IT BEFORE, EH, BEN? | 1:21:38 | 1:21:40 | |
Shirley, you're freaking me out. | 1:21:40 | 1:21:42 | |
Under this roof the whole time. | 1:21:44 | 1:21:47 | |
No. No. | 1:21:47 | 1:21:49 | |
There was an argument. | 1:21:50 | 1:21:53 | |
Who knows what about - who cares? | 1:21:54 | 1:21:56 | |
I don't want to hear this. I don't want to hear. | 1:21:56 | 1:21:58 | |
It all makes sense now, Ben! | 1:21:58 | 1:22:02 | |
He came out of prison... | 1:22:04 | 1:22:06 | |
..and he was angry. | 1:22:08 | 1:22:10 | |
Who was? | 1:22:12 | 1:22:14 | |
Your dad, Ben. | 1:22:18 | 1:22:19 | |
Phil killed Heather. | 1:22:22 | 1:22:24 | |
Subtitles by Red Bee Media Ltd | 1:22:48 | 1:22:53 |