Browse content similar to 17/08/2012. Check below for episodes and series from the same categories and more!
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SHIRLEY: Say something, then. | 0:00:29 | 0:00:31 | |
What am I going to do? | 0:00:36 | 0:00:38 | |
SHOUTS: What am I going to do?! Tell me, Ben! | 0:00:39 | 0:00:43 | |
Do I go out looking for him? | 0:00:43 | 0:00:44 | |
Or do I sit here and wait? | 0:00:44 | 0:00:47 | |
Look, he didn't do it. | 0:00:47 | 0:00:48 | |
I mean, he wouldn't do it, all right? | 0:00:48 | 0:00:50 | |
Not to Hev. You're miles off. | 0:00:50 | 0:00:52 | |
You know any prayers... | 0:00:52 | 0:00:55 | |
start saying them now. | 0:00:55 | 0:00:57 | |
I, er... | 0:01:01 | 0:01:03 | |
..I need to get back home. | 0:01:04 | 0:01:05 | |
Oh, course. | 0:01:05 | 0:01:07 | |
I'm going to OK things with Shirley, smooth the way a bit, yeah? | 0:01:07 | 0:01:11 | |
Oh, Phil, it's all right, you've done enough. More than enough. | 0:01:11 | 0:01:14 | |
I wouldn't have done it for anyone else. | 0:01:14 | 0:01:16 | |
Best I find some clothes. Can't turn up like this again. | 0:01:18 | 0:01:22 | |
-Mum? -It's all right, Denny. We're going to be OK. | 0:01:22 | 0:01:25 | |
Listen, wait here a sec. Yeah? | 0:01:27 | 0:01:30 | |
Where you going? | 0:01:30 | 0:01:32 | |
Shopping. | 0:01:32 | 0:01:33 | |
It's gone flat... | 0:01:48 | 0:01:49 | |
..that figures. | 0:01:51 | 0:01:52 | |
Here, pour yourself one. | 0:01:54 | 0:01:56 | |
We're going to make a little toast. | 0:02:00 | 0:02:02 | |
Right, you listening? | 0:02:05 | 0:02:06 | |
Yeah? | 0:02:07 | 0:02:08 | |
You listening, Ben? | 0:02:08 | 0:02:10 | |
I don't want to do this, Shirl. | 0:02:10 | 0:02:12 | |
Here's to that... | 0:02:14 | 0:02:15 | |
..lying... | 0:02:17 | 0:02:19 | |
murdering piece of filth. | 0:02:19 | 0:02:22 | |
All that blood on his hands. | 0:02:31 | 0:02:33 | |
Hands that have been all over ME! | 0:02:34 | 0:02:38 | |
Holding me, touching me... | 0:02:39 | 0:02:42 | |
putting this stupid ring on my finger. | 0:02:42 | 0:02:45 | |
-Get the flaming thing off me! -He didn't do it, Shirl! -Get it off! | 0:02:45 | 0:02:48 | |
-It won't budge. -DO IT! | 0:02:51 | 0:02:53 | |
SHIRLEY CRIES OUT | 0:02:54 | 0:02:56 | |
What do you want me to do with it? Shirl? | 0:02:59 | 0:03:03 | |
SHIRLEY GROANS | 0:03:03 | 0:03:05 | |
Look, this don't make sense. | 0:03:18 | 0:03:20 | |
You've got to think all this through. | 0:03:20 | 0:03:22 | |
I mean, you can't have Dad walk into this. | 0:03:22 | 0:03:24 | |
He loves you. | 0:03:28 | 0:03:30 | |
Didn't love her, though, did he? | 0:03:34 | 0:03:35 | |
It's all spinning around in my head, Ben, like I don't know what. | 0:03:38 | 0:03:41 | |
Her face. | 0:03:41 | 0:03:44 | |
His face. | 0:03:44 | 0:03:45 | |
What could have made him so angry to lash out like that? | 0:03:46 | 0:03:49 | |
How hard must he have hit her? | 0:03:50 | 0:03:51 | |
I mean, her head, it was like solid rock, | 0:03:51 | 0:03:53 | |
there was nothing in it except George Michael and concrete. | 0:03:53 | 0:03:56 | |
He's your fella and you're his woman, Shirl, | 0:04:04 | 0:04:07 | |
and he wouldn't ever, ever lay a finger on your best mate. | 0:04:07 | 0:04:10 | |
But we weren't best mates at the time, were we? | 0:04:10 | 0:04:13 | |
So maybe he thought I wouldn't care if she lived or died. | 0:04:13 | 0:04:16 | |
-It was someone else. -WHO?! | 0:04:16 | 0:04:19 | |
Who is this someone else? | 0:04:19 | 0:04:21 | |
(I don't know.) | 0:04:23 | 0:04:24 | |
Then you'd better find them... | 0:04:26 | 0:04:28 | |
you better track 'em down... | 0:04:28 | 0:04:30 | |
..cos until you do, Ben, | 0:04:31 | 0:04:33 | |
until you do, there is only one person that I'm going to blame. | 0:04:33 | 0:04:36 | |
-Here y'are. -Cheers. | 0:05:08 | 0:05:10 | |
-Pat Butcher wouldn't wear this! -Not now, she wouldn't. -Hmm? | 0:05:15 | 0:05:18 | |
She's six feet under. | 0:05:18 | 0:05:20 | |
No! | 0:05:20 | 0:05:22 | |
New Year's Day. | 0:05:22 | 0:05:23 | |
God, I thought she'd be here for ever. | 0:05:23 | 0:05:26 | |
So, you don't like it, then? | 0:05:26 | 0:05:28 | |
In honour of Pat - no. | 0:05:28 | 0:05:31 | |
Listen, I, er... | 0:05:32 | 0:05:34 | |
I better get back home. Shirley'll be going spare. | 0:05:34 | 0:05:37 | |
Oh, no worries. I'll think of something. | 0:05:37 | 0:05:40 | |
Well, might go and see Ian. Is he still around? | 0:05:40 | 0:05:43 | |
Listen, maybe it'd be better if you came with me. | 0:05:43 | 0:05:45 | |
Phil, are you sure? I don't want to rain on your parade. | 0:05:45 | 0:05:48 | |
It's weird, innit? | 0:05:48 | 0:05:50 | |
I'm trying to get married and you're trying not to. | 0:05:50 | 0:05:52 | |
PHONE RINGS | 0:05:52 | 0:05:54 | |
Let's hope you have more luck than I did, eh? | 0:05:54 | 0:05:56 | |
HE SIGHS | 0:06:03 | 0:06:04 | |
Dad, listen. Shirl's gone off on one. | 0:06:07 | 0:06:09 | |
She thinks that you did Hev in! | 0:06:09 | 0:06:10 | |
I'm trying to tell her you didn't but you've gotta get back. | 0:06:10 | 0:06:13 | |
You've gotta get back here now! | 0:06:13 | 0:06:15 | |
KNOCK ON DOOR Open the door. | 0:06:15 | 0:06:17 | |
-Were you talking to someone? -No. | 0:06:35 | 0:06:36 | |
I'm not going to let you give him the chance to make up a story. | 0:06:36 | 0:06:40 | |
-No, I weren't. -Where's your phone? | 0:06:40 | 0:06:42 | |
I ain't got it, have I? Look. | 0:06:42 | 0:06:44 | |
You know, I was in this frame with Hev. | 0:06:45 | 0:06:48 | |
I could've been the last thing she saw come flying at her. | 0:06:48 | 0:06:51 | |
I dunno whether that's a comfort or a curse. | 0:06:51 | 0:06:53 | |
How'd you think it got here? | 0:06:54 | 0:06:56 | |
-I dunno. -Your dad wouldn't have brought it here, he's not that stupid. | 0:06:56 | 0:07:00 | |
He's many other things but he's not stupid. Not him. | 0:07:00 | 0:07:04 | |
Maybe he did. | 0:07:04 | 0:07:05 | |
-But, Ben, I just said... -But what if he did? What if he did? | 0:07:05 | 0:07:09 | |
I mean, then that makes him innocent. | 0:07:09 | 0:07:11 | |
You know, he was thinking of you, he was going to give you something that belonged to Hev. | 0:07:11 | 0:07:14 | |
Oh, so this is an engagement present? | 0:07:14 | 0:07:17 | |
No, no, I'm not saying that, I'm just... | 0:07:17 | 0:07:19 | |
I mean, he wouldn't have brought it back in the house, would he? I mean, not if he was guilty. | 0:07:20 | 0:07:24 | |
You know how it got here? | 0:07:24 | 0:07:26 | |
D'you know why? | 0:07:26 | 0:07:28 | |
It's Hev's doing. | 0:07:28 | 0:07:29 | |
She's pointing the way. | 0:07:31 | 0:07:32 | |
(Shirl...) | 0:07:34 | 0:07:35 | |
Shirl, I swear to you, all right, that's just your imagination... | 0:07:35 | 0:07:38 | |
She's saying, "Look, Shirl. Look close, and you'll see." | 0:07:38 | 0:07:41 | |
Why can't you just let her go? | 0:07:43 | 0:07:44 | |
Do you want Hev's killer to be walking free?! | 0:07:44 | 0:07:47 | |
No, course not... | 0:07:50 | 0:07:51 | |
-I-I didn't mean it like that. -You know, Ben... | 0:07:52 | 0:07:55 | |
..I've not just lost a best friend... | 0:07:56 | 0:07:59 | |
I'm about to lose a lover, a husband, my whole future. | 0:07:59 | 0:08:03 | |
Now I don't want it to be like that but it's out of my hands. | 0:08:03 | 0:08:06 | |
Your dad put paid to that. | 0:08:06 | 0:08:08 | |
-But... -He's going to be home any second. | 0:08:10 | 0:08:12 | |
I can't promise you it ain't going to be ugly... | 0:08:14 | 0:08:17 | |
but if he's guilty, Ben, if he done this, I'll know the minute I set eyes on him. | 0:08:17 | 0:08:21 | |
So you'd better brace yourself... | 0:08:23 | 0:08:26 | |
cos you could be seeing him for what he really is. | 0:08:26 | 0:08:30 | |
I never thought I'd end up back here. | 0:08:47 | 0:08:50 | |
-Think of worse places. -Is Grant around? | 0:08:50 | 0:08:52 | |
Portugal. | 0:08:52 | 0:08:53 | |
Good. | 0:08:53 | 0:08:55 | |
You sure about that? | 0:08:55 | 0:08:57 | |
You know, there's not many who'd do what you just did, Phil. | 0:08:58 | 0:09:01 | |
-Knight in shining armour, me. -Well, you are from where I'm standing. | 0:09:01 | 0:09:05 | |
So I've got a pool table and a games console. D'you fancy that? | 0:09:05 | 0:09:09 | |
All right, Phil? | 0:09:09 | 0:09:10 | |
Sorry, I would ask but, er, it's Ian... | 0:09:10 | 0:09:13 | |
Ian Beale? | 0:09:13 | 0:09:14 | |
-Is something wrong? We go way back. -He's just had a bad time of it. | 0:09:14 | 0:09:18 | |
-How bad? -You know Beale, never makes it easy on himself, does he? | 0:09:18 | 0:09:21 | |
-Where is he now? -Car lot. | 0:09:21 | 0:09:23 | |
I've tried talking to him, he's not responding. | 0:09:23 | 0:09:26 | |
Great. So much for Shirley's big day. | 0:09:26 | 0:09:29 | |
-What do you want me to do? -What is it? What's happened to him? | 0:09:29 | 0:09:31 | |
Er...listen, maybe it's better if you go with Max. Yeah? | 0:09:31 | 0:09:35 | |
Don't fob me off, Phil. | 0:09:35 | 0:09:37 | |
I'm not, it's just a bit delicate, that's all. | 0:09:37 | 0:09:39 | |
-I can't just turn up with a blushing bride, can I? -She's an old mate. -What's wrong with your gaff? | 0:09:39 | 0:09:43 | |
-He's meant to be having a party. -I'm just...getting engaged. | 0:09:43 | 0:09:47 | |
All I need is a change of clothes. | 0:09:47 | 0:09:49 | |
Do me a favour? Sort that out and I'll sort Beale out. | 0:09:49 | 0:09:51 | |
All right, cheers, Phil. | 0:09:51 | 0:09:52 | |
Yeah, I'll just do bed and breakfast for everyone an' all, shall I? | 0:09:52 | 0:09:55 | |
I'm Sharon. | 0:09:55 | 0:09:57 | |
Are you now? | 0:09:57 | 0:09:58 | |
Come on, baby. | 0:10:00 | 0:10:01 | |
-Where the hell is he? -Let me go get him. | 0:10:01 | 0:10:04 | |
I'm telling you, we're in this together. | 0:10:04 | 0:10:06 | |
Yeah, I know, I know. But I can bring him back | 0:10:06 | 0:10:08 | |
and, like you said, as soon as he walks in that door you'll know, | 0:10:08 | 0:10:11 | |
you'll know that he's done nothing. | 0:10:11 | 0:10:12 | |
Just by looking at him. Then all this can stop. | 0:10:12 | 0:10:15 | |
Shall I tell you what I'm seeing? | 0:10:15 | 0:10:17 | |
Only it's all in flashes... | 0:10:17 | 0:10:19 | |
memories, thoughts about what happened that night. | 0:10:19 | 0:10:22 | |
I can't put it all together, not yet... | 0:10:22 | 0:10:25 | |
but I will, Ben. | 0:10:25 | 0:10:26 | |
D'you want it to be him? Is that it? | 0:10:31 | 0:10:33 | |
You want the bloke that just proposed to you to be guilty? | 0:10:33 | 0:10:36 | |
Cos that don't make sense. | 0:10:36 | 0:10:37 | |
Like you said, how angry must he have been with her? | 0:10:37 | 0:10:39 | |
To whack her? There's no reason for it. | 0:10:39 | 0:10:41 | |
I've seen him lose it and so have you. | 0:10:41 | 0:10:43 | |
But why would he go round hers? | 0:10:43 | 0:10:44 | |
Why would he go round hers before seeing you? | 0:10:44 | 0:10:47 | |
-I don't know, do I?! -Because he didn't! | 0:10:47 | 0:10:49 | |
Because when he came out, the only person he thought about was you. | 0:10:49 | 0:10:52 | |
Not Hev. Why...? | 0:10:52 | 0:10:54 | |
-Why would she even come into his head? -Right, you listen. | 0:10:54 | 0:10:57 | |
You listen, all right? I know, I know that Hev is sending me a message, | 0:10:57 | 0:11:01 | |
telling me that there is something rotten in that house. | 0:11:01 | 0:11:03 | |
-Shirl, that's just mental. -Don't you dare. | 0:11:03 | 0:11:06 | |
-I'm going to go see Jay. -You're not going anywhere. I need you here. | 0:11:07 | 0:11:10 | |
Why? So I can watch you call my dad a killer? | 0:11:10 | 0:11:12 | |
-Yeah, I really want to see that, don't I? -I need to, all right? | 0:11:12 | 0:11:15 | |
I need to look him straight in the eyes when I tell him! | 0:11:15 | 0:11:18 | |
Just get over it! | 0:11:18 | 0:11:20 | |
Hev ain't sending you messages. | 0:11:20 | 0:11:22 | |
And all that's left is that stupid picture frame. | 0:11:22 | 0:11:24 | |
Excuse me? | 0:11:27 | 0:11:28 | |
"That stupid picture frame"? | 0:11:29 | 0:11:31 | |
The one with blood on it? | 0:11:32 | 0:11:34 | |
That, "stupid picture frame," that put an end to my best mate's life?! | 0:11:34 | 0:11:37 | |
I'm sorry... but you know what I mean. | 0:11:39 | 0:11:41 | |
-Where you going? -I can't listen to this. | 0:11:41 | 0:11:44 | |
It can't be anybody else, can it? | 0:11:44 | 0:11:47 | |
What are you going to do anyway? I mean, seriously? | 0:11:48 | 0:11:52 | |
Cos you can't prove it. | 0:11:52 | 0:11:54 | |
The Old Bill ain't got a clue, there's no more fingerprints | 0:11:54 | 0:11:56 | |
and loads of people have touched that photo frame, | 0:11:56 | 0:11:59 | |
so you can't even get any DNA off it. | 0:11:59 | 0:12:01 | |
At the end of the day, you can rant and rave at Dad | 0:12:01 | 0:12:03 | |
but if he comes home and says he didn't do it, then that's that. | 0:12:03 | 0:12:07 | |
Nothing you can do can bring Hev back. | 0:12:10 | 0:12:13 | |
And I know that's what you want... | 0:12:13 | 0:12:16 | |
that's what we all want... | 0:12:16 | 0:12:18 | |
..but it ain't ever going to happen. | 0:12:19 | 0:12:21 | |
PHIL KNOCKS ON THE CAR | 0:12:29 | 0:12:32 | |
You going to get out of here, eh? | 0:12:38 | 0:12:39 | |
You can't hide away in here for ever, you know. | 0:12:41 | 0:12:44 | |
Come on, budge up then. | 0:12:46 | 0:12:48 | |
Come on, budge up! | 0:12:49 | 0:12:51 | |
Ian, you've gotta shake this off. | 0:12:58 | 0:13:01 | |
If Ben can, so can you. | 0:13:02 | 0:13:05 | |
I mean, look... | 0:13:06 | 0:13:07 | |
Look at where he was... | 0:13:07 | 0:13:09 | |
and look at where he is now. | 0:13:09 | 0:13:11 | |
And you two are brothers, right? | 0:13:11 | 0:13:14 | |
So if Ben can do it, so can you. | 0:13:14 | 0:13:16 | |
Nothing's that bad, I know that. Look at the things I've done and... | 0:13:18 | 0:13:21 | |
the things I've had done to me. | 0:13:21 | 0:13:23 | |
Drop dead. | 0:13:25 | 0:13:27 | |
Eh? | 0:13:28 | 0:13:30 | |
That's what Lucy said. | 0:13:32 | 0:13:34 | |
Maybe I should. | 0:13:34 | 0:13:36 | |
Ian... | 0:13:37 | 0:13:39 | |
Ian, you're all out of shape, mate. | 0:13:39 | 0:13:42 | |
You ain't going to stay this way for ever. | 0:13:42 | 0:13:45 | |
I'm here to make sure of that... | 0:13:45 | 0:13:47 | |
and so will Ben, you know? | 0:13:47 | 0:13:49 | |
You can't let him see you like this, not now, | 0:13:50 | 0:13:54 | |
not now that he's turned a corner, | 0:13:54 | 0:13:56 | |
and you wouldn't want to upset him, would ya? | 0:13:56 | 0:13:59 | |
You wouldn't want to do that to him. | 0:13:59 | 0:14:00 | |
Listen, I'm not a word man, | 0:14:04 | 0:14:06 | |
I'm not one for talking about feelings and stuff | 0:14:06 | 0:14:08 | |
but look at all the stuff I've sent your way. Hmm? | 0:14:08 | 0:14:12 | |
I mean, you took all of that, didn't ya? | 0:14:12 | 0:14:14 | |
Your head down the bog, | 0:14:14 | 0:14:16 | |
the knockbacks when you was on your knees, begging me for money. | 0:14:16 | 0:14:19 | |
I mean, you soaked all of that up. All them years I was going at you | 0:14:19 | 0:14:23 | |
and I hit you with everything I had, and you took it, didn't ya? | 0:14:23 | 0:14:26 | |
And you're still standing, ain't ya? | 0:14:26 | 0:14:28 | |
Come on, Ian... | 0:14:32 | 0:14:33 | |
..you're better than this... | 0:14:34 | 0:14:37 | |
Are you listening to me? | 0:14:37 | 0:14:39 | |
You are better than this. | 0:14:39 | 0:14:40 | |
I know it and you know it. | 0:14:40 | 0:14:42 | |
I ain't having this. I'm not having it. | 0:14:42 | 0:14:45 | |
PHIL SIGHS | 0:14:51 | 0:14:52 | |
Listen, there's, er... | 0:15:01 | 0:15:03 | |
..there's someone that wants to see you... | 0:15:05 | 0:15:07 | |
..but I can't have you turning up in this state. | 0:15:08 | 0:15:11 | |
All right? | 0:15:11 | 0:15:14 | |
You listening to me? | 0:15:15 | 0:15:17 | |
HE SIGHS | 0:15:20 | 0:15:21 | |
You all right, little man? Want a biscuit? | 0:15:23 | 0:15:25 | |
Yeah. Biscuits are good. | 0:15:25 | 0:15:28 | |
Right, I'll sort you some clothes out. | 0:15:32 | 0:15:34 | |
Don't like the wedding look then? | 0:15:34 | 0:15:37 | |
-What size are you? -Have a guess. | 0:15:37 | 0:15:40 | |
-Ah, you'll be all right. You'll fit. -Good with inches, are you? | 0:15:42 | 0:15:45 | |
Well, he seems nice...ish. | 0:15:47 | 0:15:51 | |
Mum? | 0:16:05 | 0:16:06 | |
I'm OK, Denny. | 0:16:07 | 0:16:09 | |
I promise ya! | 0:16:10 | 0:16:12 | |
Come here. | 0:16:12 | 0:16:13 | |
BEN PANTS | 0:16:18 | 0:16:20 | |
Was the last photo we had taken together. | 0:16:24 | 0:16:28 | |
I bet he burnt it. | 0:16:32 | 0:16:34 | |
I bet he sat there and watched Hev's face curl up and turn black. | 0:16:34 | 0:16:38 | |
-I thought you said you were going to wait to see him before you hung him? -I am... | 0:16:38 | 0:16:42 | |
..but there are so many things that don't add up. | 0:16:44 | 0:16:48 | |
That night, there are so many things that are not right. | 0:16:48 | 0:16:51 | |
We need to go back there. | 0:16:57 | 0:16:58 | |
-Back where? -We need to work it through. | 0:17:00 | 0:17:03 | |
There was you, me, Roxy...Jay, Billy. We were ALL there! | 0:17:03 | 0:17:08 | |
-Where was everybody sitting, do you remember? -I dunno. | 0:17:10 | 0:17:13 | |
I was there... | 0:17:13 | 0:17:14 | |
..Roxy, Roxy was here... | 0:17:16 | 0:17:18 | |
Lola, where was Lola sitting? | 0:17:18 | 0:17:20 | |
Lola here... | 0:17:20 | 0:17:22 | |
-..and then Jay went and sat over there. -Shirl... | 0:17:23 | 0:17:28 | |
We made everything nice for Phil... | 0:17:28 | 0:17:31 | |
then he came in and he was all over me. | 0:17:31 | 0:17:33 | |
-Please stop it, all right? -Ben... | 0:17:33 | 0:17:35 | |
Ben, where were you sitting? | 0:17:35 | 0:17:38 | |
Ben... | 0:17:38 | 0:17:39 | |
-Leave them! -He's going to be home any minute, all right? -Put them back. | 0:17:43 | 0:17:46 | |
-You don't deserve to marry my dad. -Put them back on the table, Ben! | 0:17:46 | 0:17:50 | |
He shouldn't have to walk in to something like this. | 0:17:50 | 0:17:52 | |
He loved Hev and he loved little George. He did. | 0:17:52 | 0:17:54 | |
Yeah, well, he can tell us that, can't he? | 0:17:54 | 0:17:56 | |
If he had, right, he'd have never left little George all alone, lying on his bed. | 0:17:56 | 0:18:00 | |
-What? -He'd never have left a baby like that. | 0:18:00 | 0:18:02 | |
-How? I mean, how...? -That's shut you up, ain't it? | 0:18:02 | 0:18:05 | |
-No, but, Ben, how... -No, I don't want hear another word about it. | 0:18:05 | 0:18:07 | |
HOW did you know about George being left in his bed? | 0:18:07 | 0:18:10 | |
You definitely know your inches. | 0:18:16 | 0:18:19 | |
I've got an eye for it, ain't I? | 0:18:19 | 0:18:20 | |
Dunno what to do with this. | 0:18:20 | 0:18:22 | |
I sort of guessed you won't be wearing it again. | 0:18:23 | 0:18:25 | |
No. Suppose not. | 0:18:25 | 0:18:27 | |
So what's going on with Ian? | 0:18:31 | 0:18:33 | |
It's like Phil said, | 0:18:33 | 0:18:34 | |
you know, he's just having a bad time of it, that's all. | 0:18:34 | 0:18:37 | |
Last I knew, those two hated each other. | 0:18:37 | 0:18:40 | |
People change, don't they? | 0:18:40 | 0:18:42 | |
Money or a woman? | 0:18:42 | 0:18:43 | |
-It's always one or the other with Ian. -You one of them, are ya? | 0:18:43 | 0:18:47 | |
-You one of Ian's exes? -Me? No. | 0:18:47 | 0:18:50 | |
-No, we're just good friends. -Well, he's going to need a lot of those. | 0:18:50 | 0:18:53 | |
KNOCK ON DOOR | 0:18:53 | 0:18:55 | |
Do you mind? | 0:19:02 | 0:19:04 | |
Sorry, last thing I need is to get caught with a strange blonde. | 0:19:04 | 0:19:07 | |
Yeah, course. | 0:19:07 | 0:19:08 | |
-You all right? -All right, Jack. | 0:19:15 | 0:19:17 | |
Bruv, you ain't got a navy blue tie, have ya? | 0:19:17 | 0:19:20 | |
Why navy blue? | 0:19:20 | 0:19:22 | |
Little bit tricky. | 0:19:22 | 0:19:23 | |
I've got a date with this redhead | 0:19:23 | 0:19:26 | |
and she just happens to be obsessed by sailors. | 0:19:26 | 0:19:29 | |
-Sailors? -Yeah! | 0:19:29 | 0:19:30 | |
I told her I was one once, even had the tie to prove it. | 0:19:30 | 0:19:34 | |
-Navy blue? -Mm-hm. -Follow me. | 0:19:34 | 0:19:36 | |
You done? | 0:19:45 | 0:19:46 | |
Good. | 0:19:48 | 0:19:49 | |
Cos I don't want to sit in here all day. | 0:19:49 | 0:19:51 | |
Come on then, get out. | 0:19:58 | 0:20:00 | |
I said get out. | 0:20:00 | 0:20:02 | |
Ian, I can slap you about and drag you out of there | 0:20:03 | 0:20:06 | |
or you can get out yourself. Now come on, out. | 0:20:06 | 0:20:08 | |
Come on. You know... | 0:20:12 | 0:20:14 | |
..it's all good again. Yeah? | 0:20:15 | 0:20:18 | |
Like nothing bad's ever happened. | 0:20:19 | 0:20:22 | |
Ben believes it, I believe it, so can you. | 0:20:22 | 0:20:25 | |
It's all gone away. | 0:20:26 | 0:20:28 | |
But seeing you in this state, it's letting the side down | 0:20:29 | 0:20:32 | |
and I'm not having that. | 0:20:32 | 0:20:33 | |
D'you hear me? | 0:20:33 | 0:20:35 | |
Now, this... This is day one. | 0:20:35 | 0:20:38 | |
This is where we start from...yeah? | 0:20:38 | 0:20:42 | |
Yeah. | 0:20:44 | 0:20:45 | |
Good. | 0:20:47 | 0:20:49 | |
Now... | 0:20:49 | 0:20:50 | |
..now there's someone you need to meet. | 0:20:51 | 0:20:54 | |
-Sure you don't want me to draw a little boat on that(?) -Funny. | 0:21:08 | 0:21:11 | |
-That looks like any other tie. -It's the chat that goes with the tie. | 0:21:11 | 0:21:14 | |
-She wants to believe it, she will. -You even like this girl? | 0:21:14 | 0:21:17 | |
Like her? Bruv, come on. Be serious. | 0:21:17 | 0:21:20 | |
Well, don't be seasick down it, will you? | 0:21:20 | 0:21:22 | |
-# I am sailing... # -PHONE RINGS | 0:21:22 | 0:21:25 | |
-You all right, Tan? -# I am sailing... # | 0:21:25 | 0:21:26 | |
Yeah, yeah, get lost. No, not you, babe... | 0:21:26 | 0:21:30 | |
# Home again, cross the sea... # | 0:21:30 | 0:21:33 | |
MUG SHATTERS | 0:21:33 | 0:21:35 | |
So tell me you're the new maid? | 0:21:53 | 0:21:55 | |
Do I look like a scrubber? | 0:21:55 | 0:21:57 | |
-That brother of mine, he's unbelievable. -Max is your brother? | 0:21:59 | 0:22:03 | |
He's even got you dressed up in Tanya's clothes. | 0:22:03 | 0:22:05 | |
He's beyond help, that boy! | 0:22:05 | 0:22:06 | |
-Do yourself a favour, go. Before I throw... -You're reading this wrong. | 0:22:06 | 0:22:10 | |
I like my fun as much as the next man but THIS is sick. | 0:22:10 | 0:22:12 | |
-You got a name? -Don't worry about my name! | 0:22:12 | 0:22:14 | |
I want to know who I'm about to slap. | 0:22:14 | 0:22:16 | |
Oh, really? | 0:22:16 | 0:22:18 | |
-We got a feisty one here, have we? -You've got a lot more than feisty. | 0:22:18 | 0:22:22 | |
How much he paying you? | 0:22:22 | 0:22:24 | |
Come on, tell me and you can take off. | 0:22:24 | 0:22:27 | |
Such a nice face as well. | 0:22:27 | 0:22:29 | |
-Max! -Oi. | 0:22:29 | 0:22:30 | |
There was a time I would have hit you back. | 0:22:31 | 0:22:34 | |
There was a time that I'd have aimed higher. | 0:22:35 | 0:22:37 | |
I'm a friend of Phil and Ian's. | 0:22:37 | 0:22:40 | |
My son is in the kitchen, eating a biscuit. | 0:22:40 | 0:22:43 | |
I'm wearing these clothes because mine were no longer suitable. | 0:22:43 | 0:22:46 | |
Now you can apologise or I'll break the other one. | 0:22:46 | 0:22:50 | |
You only had to say. | 0:22:52 | 0:22:54 | |
Let's go over this again, Ben. | 0:23:04 | 0:23:05 | |
Phil must have told you where George was. | 0:23:09 | 0:23:12 | |
He weren't there, so how could he? | 0:23:12 | 0:23:15 | |
Then how do you know? | 0:23:15 | 0:23:16 | |
Cos you went and fetched him. | 0:23:16 | 0:23:17 | |
I never said where he was. | 0:23:17 | 0:23:19 | |
-I never said precisely were he was. -What does that matter? | 0:23:19 | 0:23:23 | |
All I'm trying to say is that Dad would never do that to Hev. | 0:23:23 | 0:23:25 | |
I mean, not with her kid next door. | 0:23:25 | 0:23:27 | |
That where he was, is it? | 0:23:32 | 0:23:33 | |
-Yeah, you said. -No... | 0:23:35 | 0:23:36 | |
-..I didn't say. -How else would I know? | 0:23:37 | 0:23:40 | |
If I didn't say anything and if your dad wasn't there either... | 0:23:47 | 0:23:53 | |
..that means you must've been there. | 0:23:56 | 0:23:58 | |
Thank you. | 0:24:07 | 0:24:08 | |
Least I could do for breaking your leg. | 0:24:08 | 0:24:11 | |
There's a lot more you could do. | 0:24:11 | 0:24:12 | |
-Ain't you meant to be somewhere? -Oh, totally forgotten. | 0:24:12 | 0:24:16 | |
Sailors, ties, a redhead. | 0:24:16 | 0:24:19 | |
Hmm, nope. Total blank! | 0:24:19 | 0:24:22 | |
-What I do know is... -Yeah? | 0:24:22 | 0:24:25 | |
..that I'm free right now. | 0:24:25 | 0:24:27 | |
I don't even know your name, do I? | 0:24:27 | 0:24:28 | |
It's Jack. | 0:24:28 | 0:24:30 | |
As in the beanstalk? | 0:24:30 | 0:24:32 | |
I prefer "The Giant Killer." | 0:24:32 | 0:24:33 | |
SHARON GIGGLES | 0:24:33 | 0:24:36 | |
I thought you had a ship to catch. | 0:24:38 | 0:24:41 | |
-It sailed without me, didn't it? -Your boy's asking for you. | 0:24:41 | 0:24:45 | |
You might be free... | 0:24:45 | 0:24:46 | |
but I'm not. | 0:24:46 | 0:24:48 | |
JACK EXHALES | 0:24:52 | 0:24:53 | |
What? | 0:24:55 | 0:24:56 | |
DOORBELL RINGS | 0:24:56 | 0:24:58 | |
All right, Phil? | 0:25:03 | 0:25:05 | |
-Sharon still here? -Yeah. | 0:25:05 | 0:25:06 | |
Right, I'll leave you to it. | 0:25:10 | 0:25:13 | |
Ian...? | 0:25:14 | 0:25:16 | |
Sharon. | 0:25:16 | 0:25:17 | |
Oh, Ian, what is it? | 0:25:17 | 0:25:20 | |
A lot's happened, Sharon. | 0:25:21 | 0:25:22 | |
-I'm talking to Ian. -He ain't exactly talking right now. | 0:25:22 | 0:25:25 | |
Ian, it's me, I'm back! | 0:25:27 | 0:25:29 | |
I'm here. OK? | 0:25:33 | 0:25:34 | |
I'm here. | 0:25:36 | 0:25:38 | |
Welcome home. | 0:25:38 | 0:25:39 | |
Hev brought that frame here. | 0:25:46 | 0:25:50 | |
No... | 0:25:51 | 0:25:52 | |
She made sure it came to me... | 0:25:52 | 0:25:54 | |
cos she knew what it would do to you. | 0:25:54 | 0:25:57 | |
What's it like, seeing it again? D'you want to pick it up? | 0:26:00 | 0:26:04 | |
D'you want to do a repeat on me? | 0:26:08 | 0:26:10 | |
Nothing happened. | 0:26:10 | 0:26:12 | |
You came home that night wearing different clothes. | 0:26:15 | 0:26:17 | |
No... | 0:26:17 | 0:26:19 | |
Say it, Ben... | 0:26:20 | 0:26:21 | |
..tell me what happened. | 0:26:24 | 0:26:26 | |
What are you talking about? Look, nothing happened. | 0:26:26 | 0:26:29 | |
You've been bottling it up all this time | 0:26:29 | 0:26:32 | |
and now's your chance to let it out. | 0:26:32 | 0:26:34 | |
-I've got nothing to tell you. -TELL ME! | 0:26:34 | 0:26:36 | |
BEN CRIES OUT | 0:26:39 | 0:26:41 | |
Say it, Ben. | 0:26:43 | 0:26:44 | |
I loved her, all right, I swear. | 0:26:44 | 0:26:46 | |
What did you do? | 0:26:48 | 0:26:49 | |
I just... It was an accident. I swear. I promise. | 0:26:52 | 0:26:55 | |
Oh, right, that picture frame just JUMPED into your hands on its own? | 0:26:55 | 0:26:58 | |
-No, it wasn't like that... -What was it like, Ben? | 0:26:58 | 0:27:02 | |
It was an accident, all right? I just... | 0:27:02 | 0:27:04 | |
I just lashed out, I promise. | 0:27:04 | 0:27:07 | |
I want to hear you say the words. | 0:27:07 | 0:27:08 | |
Go on. | 0:27:11 | 0:27:12 | |
Go on, Ben... | 0:27:14 | 0:27:17 | |
say the words. | 0:27:17 | 0:27:18 | |
SAY THEM! | 0:27:20 | 0:27:21 | |
I did it... | 0:27:24 | 0:27:26 | |
I killed Hev. | 0:27:26 | 0:27:28 | |
BANGING ON DOOR | 0:27:42 | 0:27:46 | |
SHIRLEY GRUNTS | 0:27:46 | 0:27:47 | |
SHIRLEY ROARS | 0:27:49 | 0:27:51 | |
You can tell Hev that you're sorry... | 0:27:56 | 0:27:59 | |
in person. | 0:27:59 | 0:28:00 | |
Look, Shirl, just, please... | 0:28:00 | 0:28:02 | |
BEN CRIES OUT | 0:28:02 | 0:28:04 | |
BEN SPLUTTERS | 0:28:05 | 0:28:08 | |
Argh! | 0:28:11 | 0:28:12 | |
-What the hell do you think you're doing? -Get your hands off me, Phil. | 0:28:12 | 0:28:16 | |
Just calm down. All right? Calm down. | 0:28:16 | 0:28:19 | |
He did it. He killed Heather. | 0:28:19 | 0:28:21 | |
-He confessed. -What...? What are you talking about? -He killed her. | 0:28:21 | 0:28:24 | |
I found the photo frame. And I've got it. I've got it downstairs. | 0:28:24 | 0:28:27 | |
He killed her and he's going to pay for what he did! | 0:28:27 | 0:28:29 | |
Back off! Just back off. | 0:28:29 | 0:28:31 | |
All right? Now let's just all... all calm down. | 0:28:31 | 0:28:33 | |
Calm down! He killed my best mate in cold blood. | 0:28:33 | 0:28:37 | |
-That's not what happened! -I don't want to hear your pathetic excuses. | 0:28:37 | 0:28:40 | |
I told you, back off! All right? Just back off and calm down. | 0:28:40 | 0:28:43 | |
-Ben, go and get dry, go and get changed. -What are you doing? | 0:28:43 | 0:28:47 | |
-He's going to get changed. -He's not leaving this room. -Why? What are you going to do? | 0:28:47 | 0:28:50 | |
You going to finish him off? | 0:28:50 | 0:28:52 | |
Is that it, eh? Now, listen, he's going to get changed. | 0:28:52 | 0:28:57 | |
All right? And me and you, we're going to talk. | 0:28:57 | 0:29:00 | |
No, you're not talking me round. He's going to prison. | 0:29:00 | 0:29:03 | |
He's going to prison for what he's done and he's going to pay. | 0:29:03 | 0:29:06 | |
I'm going to call the police. I'll get Marsden and I'll show her what a real murderer looks like! | 0:29:06 | 0:29:10 | |
Not until we've talked. All right? Not until we've talked. | 0:29:10 | 0:29:15 | |
He's going to get changed. Just give me a few minutes. I'll calm him down. And then we'll go downstairs. | 0:29:15 | 0:29:20 | |
All right? We'll go downstairs. | 0:29:20 | 0:29:22 | |
I mean it, Phil. He ain't getting out of this. | 0:29:22 | 0:29:24 | |
Yes, OK, OK. You said. Now go downstairs. | 0:29:24 | 0:29:27 | |
Put the kettle on. He's going to get changed. OK? | 0:29:27 | 0:29:30 | |
I promise you, I promise you. I'll be straight down. | 0:29:30 | 0:29:33 | |
Come on, come on. Come on. | 0:29:33 | 0:29:36 | |
-What happened? -She found the frame, Dad. She found the picture frame. | 0:29:43 | 0:29:47 | |
-Where? -I dunno. I just walked in, she shoved it in my face. | 0:29:47 | 0:29:49 | |
-What did you tell her? -Nothing. I... | 0:29:49 | 0:29:52 | |
-Did you tell her that I knew? -No. No. I said I did it. -You what?! | 0:29:52 | 0:29:56 | |
-I can't help it, Dad. I can't keep it in any more... -Ben, just listen to me, calm down... | 0:29:56 | 0:30:00 | |
No, I don't care any more. I don't! I won't say anything. | 0:30:00 | 0:30:03 | |
I won't say anything about you or Jay. I won't say anything about either of you. I won't. I wouldn't. | 0:30:03 | 0:30:07 | |
You protected me. | 0:30:07 | 0:30:09 | |
And I still am protecting you. All right? Now listen to me. | 0:30:09 | 0:30:13 | |
And calm down, yeah? Now get out these wet clothes. Dry off. | 0:30:13 | 0:30:17 | |
Get out them clothes. Come on. Put these on. Put 'em on. | 0:30:17 | 0:30:20 | |
-Put 'em on! Come on. -Why? | 0:30:20 | 0:30:22 | |
Because you're wet, Ben. You're soaking wet through. Now get changed. | 0:30:22 | 0:30:25 | |
Dry off. I'm going to talk to Shirley. | 0:30:25 | 0:30:28 | |
-What you going to say? Eh? She tried to kill me. -No, she didn't. -She did. | 0:30:28 | 0:30:33 | |
You should've seen the look in her eyes! She had me under water! | 0:30:33 | 0:30:36 | |
-She's angry. She's upset. And now, now I'm going to talk to her. -There's no point! | 0:30:36 | 0:30:40 | |
There is a point! What, do you want to go back inside? | 0:30:40 | 0:30:43 | |
Is that it? You want to go through all that again? Do you? | 0:30:43 | 0:30:46 | |
No. Course you don't. | 0:30:46 | 0:30:48 | |
I just want to do the right thing. | 0:30:48 | 0:30:50 | |
Going inside, Ben, that ain't going to help anyone. Is it? | 0:30:50 | 0:30:53 | |
-Ain't it? -No. | 0:30:53 | 0:30:55 | |
No, course it ain't. | 0:30:55 | 0:30:58 | |
Ben, you're my boy. | 0:30:58 | 0:31:00 | |
All right? You're my son. And I love you. | 0:31:00 | 0:31:03 | |
And I'm going to protect you. And I'm going to do whatever if takes. | 0:31:03 | 0:31:06 | |
That's all my life is about right now. Just that, that one thing. | 0:31:06 | 0:31:09 | |
So I will do whatever it takes. | 0:31:09 | 0:31:11 | |
I'd rather go inside myself. Do you understand? | 0:31:11 | 0:31:14 | |
Now you're going to get through this. You're going to have a life. | 0:31:14 | 0:31:18 | |
You're going to have a good life. Because I owe you that much. | 0:31:18 | 0:31:21 | |
Yeah? A better life than me. | 0:31:21 | 0:31:24 | |
And I owe your mum that much, too. | 0:31:25 | 0:31:29 | |
And so do you. | 0:31:29 | 0:31:31 | |
So do you. | 0:31:31 | 0:31:33 | |
Now come on. | 0:31:33 | 0:31:35 | |
We'll get through this together. We'll get through it together. | 0:31:35 | 0:31:39 | |
All right? Now come on. Pull yourself together. Get changed. | 0:31:39 | 0:31:43 | |
And I'll be right back. | 0:31:43 | 0:31:45 | |
Ben. | 0:31:48 | 0:31:51 | |
I promise you, nothing bad's going to happen. | 0:31:51 | 0:31:54 | |
Hello? | 0:32:05 | 0:32:07 | |
Hello? | 0:32:07 | 0:32:10 | |
Sharon? | 0:32:10 | 0:32:11 | |
Lucy! | 0:32:11 | 0:32:13 | |
Hi. | 0:32:13 | 0:32:14 | |
What is he doing here? | 0:32:17 | 0:32:19 | |
He wants to talk to you. | 0:32:19 | 0:32:21 | |
Get out. Get out now! | 0:32:21 | 0:32:24 | |
Lucy, you're upset. I understand. I heard what happened. | 0:32:24 | 0:32:27 | |
You heard, did you? What's he been telling you then? | 0:32:27 | 0:32:31 | |
Oh, not him. | 0:32:31 | 0:32:33 | |
Ian's said nothing. Look, why don't we sit down, eh? | 0:32:33 | 0:32:36 | |
Bobby, go upstairs. | 0:32:36 | 0:32:40 | |
Go on! | 0:32:40 | 0:32:41 | |
Do you see what you've done? You're upsetting him! | 0:32:45 | 0:32:48 | |
He didn't look very upset. | 0:32:48 | 0:32:50 | |
You don't know what you're talking about. | 0:32:50 | 0:32:52 | |
Look, why don't you wait here? I'll talk to Lucy. Go on. | 0:32:52 | 0:32:56 | |
It's OK. I won't be a minute. | 0:32:56 | 0:32:58 | |
Exhibit number one. | 0:33:12 | 0:33:14 | |
I just... I just want to talk it through. | 0:33:18 | 0:33:21 | |
What's there to talk about? | 0:33:21 | 0:33:22 | |
Ben. Him hurting Heather? You don't actually believe that, do you? | 0:33:24 | 0:33:28 | |
You don't actually think he could do that? | 0:33:28 | 0:33:30 | |
He told me. He told me everything. He confessed, Phil. | 0:33:30 | 0:33:35 | |
-Why would he do that if it wasn't true? -Who knows? He's a messed-up kid! | 0:33:35 | 0:33:38 | |
Listen to me, all right... | 0:33:38 | 0:33:39 | |
No! | 0:33:39 | 0:33:41 | |
He did it. | 0:33:41 | 0:33:42 | |
He confessed. And I'm calling the Old Bill. | 0:33:42 | 0:33:45 | |
Since when do we grass up our own? Eh? | 0:33:45 | 0:33:48 | |
Grass up? | 0:33:48 | 0:33:50 | |
This ain't some stolen car or dodgy booze, this is a murder! | 0:33:50 | 0:33:56 | |
A murder of an innocent woman who just happened to be my best mate. | 0:33:57 | 0:34:01 | |
Yeah? And what's Ben in all this, eh? | 0:34:01 | 0:34:03 | |
What is he - nothing? Nothing? | 0:34:03 | 0:34:05 | |
Now you said to me once, he was like a son to you. | 0:34:05 | 0:34:08 | |
-That's what you said. -Well, I was wrong! He's a worm. | 0:34:08 | 0:34:12 | |
An evil little worm. | 0:34:14 | 0:34:15 | |
Shirley, Shirley. Wait. Shirl... He didn't know what he was doing! | 0:34:15 | 0:34:19 | |
It was a mistake. It was an accident. | 0:34:19 | 0:34:21 | |
How would you know that? | 0:34:24 | 0:34:26 | |
Phil? | 0:34:28 | 0:34:30 | |
Just give me the phone. | 0:34:30 | 0:34:32 | |
Did you...? | 0:34:32 | 0:34:34 | |
Give me the phone. | 0:34:34 | 0:34:36 | |
Did you know about this? | 0:34:36 | 0:34:38 | |
You did? | 0:34:39 | 0:34:42 | |
You did. | 0:34:42 | 0:34:43 | |
How long? | 0:34:46 | 0:34:47 | |
-A while. -Exactly? | 0:34:52 | 0:34:54 | |
Since... Since the off. | 0:34:58 | 0:34:59 | |
What? | 0:34:59 | 0:35:01 | |
Since that night. | 0:35:03 | 0:35:04 | |
You knew about this all that time? | 0:35:09 | 0:35:13 | |
Yes. | 0:35:16 | 0:35:17 | |
Yes. I came back to the Square. I found him... | 0:35:19 | 0:35:22 | |
Heather was... | 0:35:26 | 0:35:28 | |
She was already dead. | 0:35:28 | 0:35:31 | |
I feel sick. | 0:35:31 | 0:35:32 | |
Listen to me. All right? Listen. Listen very carefully. | 0:35:33 | 0:35:37 | |
Now, he was in a state. Ben was in a state. | 0:35:37 | 0:35:41 | |
They'd had a row. And he'd lashed out. That's all it was. | 0:35:41 | 0:35:45 | |
He never, ever meant to hurt her. | 0:35:45 | 0:35:47 | |
How would you know that? You said you came back after. | 0:35:50 | 0:35:53 | |
Jay told me. | 0:35:54 | 0:35:55 | |
Jay...? | 0:35:58 | 0:36:00 | |
Jay was there. He saw it all. | 0:36:00 | 0:36:03 | |
Listen to me. I know this is difficult. I know it's horrible. | 0:36:04 | 0:36:08 | |
But it's not like I had a choice. I didn't have hours to think about it or anything, you know? | 0:36:08 | 0:36:12 | |
Ben was coming apart. Jay was in a state. | 0:36:12 | 0:36:16 | |
And I had to choose. | 0:36:16 | 0:36:18 | |
And in that moment, I chose to protect my son. | 0:36:18 | 0:36:21 | |
The robbery? | 0:36:21 | 0:36:23 | |
All her stuff? | 0:36:23 | 0:36:24 | |
I had to cover it up. | 0:36:27 | 0:36:30 | |
You were here. | 0:36:30 | 0:36:33 | |
You came back here, with Ben and Jay. | 0:36:36 | 0:36:39 | |
And we had... | 0:36:39 | 0:36:41 | |
We had dinner together. | 0:36:43 | 0:36:45 | |
I know. | 0:36:46 | 0:36:48 | |
You knew? | 0:36:48 | 0:36:50 | |
All three of you. | 0:36:52 | 0:36:54 | |
You sat there and you knew? | 0:36:55 | 0:36:59 | |
-I'm sorry. -You let me go. | 0:37:00 | 0:37:03 | |
You let me go off... | 0:37:04 | 0:37:06 | |
Find her. | 0:37:06 | 0:37:07 | |
-What else could I do? -You knew I was going to find her. | 0:37:10 | 0:37:13 | |
What else could I do, Shirley? | 0:37:13 | 0:37:14 | |
Tell me! Tell me the truth! | 0:37:14 | 0:37:17 | |
And what would you have done? You'd have gone to the Old Bill, wouldn't you?! | 0:37:17 | 0:37:21 | |
-Which is exactly what I'm going to do now. -Shirley, wait! | 0:37:21 | 0:37:24 | |
-Shirley. Shirley, wait. wait! -Just stay away from me. Don't touch me. | 0:37:24 | 0:37:27 | |
-Where you going? -Where do you think? | 0:37:27 | 0:37:29 | |
-I can't let you do that. -Then stop me! | 0:37:29 | 0:37:30 | |
I will if I have to, all right? | 0:37:30 | 0:37:32 | |
What does that mean, Phil? Are you going to kill me, too? | 0:37:32 | 0:37:35 | |
-Just get in that room. -I'm not scared of you, Phil. | 0:37:35 | 0:37:38 | |
-Get in that room now. -Take your hands off me! | 0:37:38 | 0:37:40 | |
Just calm down. Please! | 0:37:40 | 0:37:41 | |
I'll scream this this house down if you come near. Get away from me! | 0:37:41 | 0:37:44 | |
Please, please calm down! Calm down! Shut up! Shut up! Shut. Up. | 0:37:44 | 0:37:49 | |
Now you don't make another sound. Do you understand me? Another sound. | 0:37:49 | 0:37:53 | |
Listen. We all need... We need to calm down. All right? | 0:37:56 | 0:38:00 | |
Just please calm down. Please. | 0:38:00 | 0:38:02 | |
Just give me a few minutes and listen to me, and if you still want to go... | 0:38:02 | 0:38:06 | |
What, you'll kill me? | 0:38:06 | 0:38:08 | |
You can go. All right? | 0:38:08 | 0:38:10 | |
He left us. He walked out. No warning. No nothing. | 0:38:13 | 0:38:18 | |
Debts up to here. Bills unpaid. | 0:38:19 | 0:38:22 | |
And Bobby with just me to look after him. | 0:38:24 | 0:38:28 | |
Do you know what that's been like? | 0:38:28 | 0:38:30 | |
If he's such a good family man, then why did he do that? How could he do that? | 0:38:30 | 0:38:34 | |
Well, people do things when they're under pressure. Strange things. | 0:38:34 | 0:38:39 | |
Happens to everyone. | 0:38:39 | 0:38:41 | |
I don't think so. | 0:38:41 | 0:38:43 | |
What do you know? | 0:38:43 | 0:38:45 | |
I mean, how old are you? 17? 18? | 0:38:45 | 0:38:48 | |
What do you really know about anything? | 0:38:48 | 0:38:51 | |
I've been running three businesses and looking after Bobby. I think I know a bit. | 0:38:51 | 0:38:55 | |
Lucy, you are a kid. You're young. | 0:38:55 | 0:38:57 | |
You don't understand what life can be like. | 0:38:57 | 0:39:01 | |
Ian walked out on you, walked out on the day of his wedding, | 0:39:01 | 0:39:05 | |
and I've just done the exact same thing. | 0:39:05 | 0:39:08 | |
Five hours ago I was wearing a wedding dress, halfway up the aisle. | 0:39:08 | 0:39:11 | |
And look at me now. Single. No money. Nowhere to live. | 0:39:11 | 0:39:16 | |
But it was the right choice. | 0:39:17 | 0:39:19 | |
It was the right thing to do. | 0:39:20 | 0:39:21 | |
What are you saying? It was right that he left us? Left his own children? | 0:39:24 | 0:39:28 | |
No, it's not right. Of course it's not. | 0:39:28 | 0:39:32 | |
I'm just saying, people don't always do the right thing. | 0:39:32 | 0:39:35 | |
The sensible thing. | 0:39:35 | 0:39:37 | |
I've done things I never thought possible. | 0:39:37 | 0:39:41 | |
I've found myself sitting in bars, done up to the nines, | 0:39:41 | 0:39:45 | |
nursing my third drink of the night waiting to be picked up. | 0:39:45 | 0:39:48 | |
And why? For love? No. | 0:39:48 | 0:39:52 | |
For a cheap one-night stand that I'd walk out on before the big hand hit 12. | 0:39:53 | 0:39:57 | |
Because I was lonely and miserable and trying to forget. | 0:39:59 | 0:40:04 | |
It's messed up. And I'm not proud, but sometimes... | 0:40:04 | 0:40:08 | |
you know, sometimes things get out of control. | 0:40:08 | 0:40:10 | |
Suddenly you look round, and wonder how you got from being 18 and pretty, | 0:40:10 | 0:40:15 | |
your whole life stretched out before you, full of hope, to 40-odd | 0:40:15 | 0:40:20 | |
and sneaking out of a stranger's bed in the middle of the night. | 0:40:20 | 0:40:23 | |
It just happens. | 0:40:23 | 0:40:26 | |
And maybe, maybe that's what's happened to your dad. | 0:40:26 | 0:40:30 | |
Oh, Lucy, he's broken. | 0:40:30 | 0:40:33 | |
He's like a shell of the Ian I used to know. | 0:40:33 | 0:40:36 | |
Just take a look. Take a look at him. A proper look. | 0:40:37 | 0:40:42 | |
I'd say he needs you. | 0:40:43 | 0:40:46 | |
He needs you to at least give him a chance, hear what he has to say. | 0:40:46 | 0:40:50 | |
At least you can do that before you shut him back out in the cold, can't you? | 0:40:50 | 0:40:56 | |
Please? | 0:40:56 | 0:40:58 | |
Heather's gone, Shirl. | 0:41:02 | 0:41:04 | |
And nothing we do is going to bring her back. | 0:41:05 | 0:41:09 | |
But we can, we can make amends. Ben can make amends. | 0:41:09 | 0:41:13 | |
He can grow up, you know. He can change. | 0:41:13 | 0:41:15 | |
He could become a good man. | 0:41:15 | 0:41:17 | |
And what about Hev? What's going to change for her? | 0:41:17 | 0:41:20 | |
-She's gone. -And that's it? | 0:41:23 | 0:41:25 | |
Gone. Dead, forgotten? | 0:41:25 | 0:41:28 | |
No, no, no, of course not. | 0:41:28 | 0:41:30 | |
She deserves justice. | 0:41:30 | 0:41:31 | |
What justice? Eh? | 0:41:31 | 0:41:34 | |
Locking away a scared kid? | 0:41:34 | 0:41:37 | |
Banging him up for ten years? That justice? | 0:41:37 | 0:41:40 | |
What, you want him to get away with it? | 0:41:40 | 0:41:42 | |
That your world, Phil? Anyone can do anything they want? | 0:41:42 | 0:41:46 | |
Anything they want? No right or wrong? It's just, well, you get caught or not. Is that it? | 0:41:46 | 0:41:50 | |
No-one pays? | 0:41:50 | 0:41:52 | |
Shirley, he is paying. Can't you see that? | 0:41:53 | 0:41:56 | |
No. He's not. He's out there, swanning around. Young. Free. | 0:41:56 | 0:42:00 | |
Life ahead of him. Hev is dead. | 0:42:00 | 0:42:02 | |
That's not right. | 0:42:02 | 0:42:04 | |
Oh, and you're the moral one, ain't ya? | 0:42:04 | 0:42:06 | |
Cos you've lived your life like a saint, haven't you? | 0:42:06 | 0:42:09 | |
I've never killed anyone. | 0:42:09 | 0:42:11 | |
But what if you had? Eh? Just now. | 0:42:11 | 0:42:13 | |
Upstairs? In the heat of the moment? What if you had? | 0:42:13 | 0:42:16 | |
Then I'd give myself in. | 0:42:16 | 0:42:17 | |
Really? | 0:42:17 | 0:42:19 | |
Yes. Cos I couldn't live with myself. | 0:42:19 | 0:42:23 | |
Waking up, every day, knowing what I'd done. I couldn't. I couldn't go on. | 0:42:23 | 0:42:27 | |
Well, that's you, Shirl. It's not me. And it's not Ben. | 0:42:27 | 0:42:32 | |
Locking him away, that ain't going to help anyone. | 0:42:32 | 0:42:36 | |
All right, you might feel better, cos of revenge. | 0:42:36 | 0:42:39 | |
And what, that'll last a day, a week? | 0:42:39 | 0:42:41 | |
And then you'll know, won't ya? You'll know what you've done. | 0:42:41 | 0:42:44 | |
You've locked him away, and he's getting his head kicked in. | 0:42:44 | 0:42:47 | |
And worse. You know that. Much, much worse than that. | 0:42:47 | 0:42:50 | |
Day in, day out. Until that last little bit of good in him, | 0:42:50 | 0:42:53 | |
that last little bit of good, is destroyed. | 0:42:53 | 0:42:55 | |
Until he becomes something too ugly for you to even set eyes on again. | 0:42:55 | 0:42:59 | |
And that, Shirley, that will be down to you. | 0:42:59 | 0:43:00 | |
That ain't going to help anyone, is it? | 0:43:02 | 0:43:04 | |
You say it... You say it like it makes sense. | 0:43:05 | 0:43:08 | |
Like...that's what anyone would do. | 0:43:08 | 0:43:12 | |
-Well, ain't it? -It ain't. | 0:43:12 | 0:43:14 | |
No? Well, who really knows what they'd do when it comes down to it? | 0:43:14 | 0:43:20 | |
Anyone. I mean, what about Billy? | 0:43:20 | 0:43:22 | |
If he found Lola with that frame. What would he do? | 0:43:22 | 0:43:25 | |
Eh? Or you? You. | 0:43:25 | 0:43:27 | |
If you found your girl, Carly, yeah, and she'd lost it, | 0:43:27 | 0:43:32 | |
lashed out at someone, didn't mean to hurt them, but they end up dead on the floor - what would you do? | 0:43:32 | 0:43:38 | |
Would you see her go to prison? | 0:43:38 | 0:43:41 | |
Or would you give her a future? Hmm? | 0:43:41 | 0:43:44 | |
Well, you tell me. What, what would you do? | 0:43:44 | 0:43:48 | |
If you need me, I'll be over at Phil's, OK? | 0:44:04 | 0:44:07 | |
Come here. | 0:44:07 | 0:44:08 | |
I'll see you tomorrow. | 0:44:15 | 0:44:17 | |
I loved Hev. | 0:44:27 | 0:44:29 | |
I loved her. | 0:44:31 | 0:44:33 | |
And I thought you loved me, but you don't. | 0:44:35 | 0:44:37 | |
I do. | 0:44:39 | 0:44:41 | |
No, you don't. | 0:44:41 | 0:44:42 | |
You don't care, Phil. | 0:44:43 | 0:44:46 | |
Don't pretend that you do. You don't care at all. | 0:44:46 | 0:44:49 | |
I do care. Course I care! | 0:44:49 | 0:44:52 | |
Nah. | 0:44:52 | 0:44:53 | |
You've never loved me. | 0:44:55 | 0:44:57 | |
Not really. | 0:44:57 | 0:44:59 | |
Not like those other women. | 0:44:59 | 0:45:01 | |
Not like Sharon. | 0:45:02 | 0:45:05 | |
I saw it, Phil. | 0:45:05 | 0:45:07 | |
I saw it in your face when she walked through that door. | 0:45:08 | 0:45:12 | |
It was like your heart leapt out of your body. | 0:45:12 | 0:45:14 | |
You have never, never looked at me like that. | 0:45:14 | 0:45:19 | |
Ain't true, Shirley. She's just a mate. | 0:45:19 | 0:45:23 | |
She's an old, old mate. | 0:45:23 | 0:45:25 | |
Gave up your marriage with Kathy. | 0:45:27 | 0:45:30 | |
Don't tell me she didn't do that for you. | 0:45:31 | 0:45:33 | |
It was a fling. | 0:45:33 | 0:45:35 | |
It was nothing. | 0:45:35 | 0:45:37 | |
I know you, Phil. | 0:45:38 | 0:45:40 | |
I know you. | 0:45:40 | 0:45:42 | |
You would have been all over her. | 0:45:43 | 0:45:45 | |
Not taken your eyes off her for one second. | 0:45:46 | 0:45:48 | |
Like a dog on heat. | 0:45:48 | 0:45:52 | |
I can see it. | 0:45:52 | 0:45:54 | |
And, now, she's here. | 0:45:55 | 0:45:59 | |
And you, you look at me and you think, "I'm stuck. | 0:46:01 | 0:46:06 | |
"I'm stuck with that old battleaxe, cos she knows my dirty secret". | 0:46:06 | 0:46:10 | |
Is that it, Phil? | 0:46:10 | 0:46:11 | |
You trapped? | 0:46:13 | 0:46:15 | |
Even if I did want to keep my mouth shut, I couldn't live with that. | 0:46:22 | 0:46:26 | |
I couldn't live with those lies. | 0:46:26 | 0:46:28 | |
And that look in your eyes, | 0:46:30 | 0:46:33 | |
wondering every time, "Is she going to crack?" | 0:46:33 | 0:46:38 | |
If we had a ruck, an argument over the washing up, | 0:46:40 | 0:46:43 | |
what would you be thinking - "I gotta keep quiet, can't take the risk? | 0:46:43 | 0:46:48 | |
"Say if she talks? Say if she spills?" | 0:46:50 | 0:46:52 | |
Where do we go from there, Phil? | 0:46:55 | 0:46:58 | |
Don't you see that there is no way forward any more? | 0:46:58 | 0:47:02 | |
It's not going to work. None of this. | 0:47:03 | 0:47:05 | |
It can work. We can make it work. | 0:47:05 | 0:47:08 | |
We can turn Ben around, can't we? | 0:47:08 | 0:47:12 | |
Now that you know, you can talk to him, you can explain. | 0:47:12 | 0:47:16 | |
Explain what?! | 0:47:16 | 0:47:17 | |
That he did wrong. | 0:47:17 | 0:47:20 | |
Oh, really? | 0:47:20 | 0:47:21 | |
Ain't he got that yet? | 0:47:21 | 0:47:24 | |
You can hear his side. | 0:47:24 | 0:47:26 | |
Shirl, you mean everything, everything to me. | 0:47:27 | 0:47:33 | |
You mean the world to me. You're my life. | 0:47:33 | 0:47:36 | |
SHARON: Phil? | 0:47:38 | 0:47:39 | |
Phil? | 0:47:41 | 0:47:44 | |
Wait here. Don't move. | 0:47:44 | 0:47:45 | |
Hi. I did knock but there was no answer. You all right? | 0:47:49 | 0:47:53 | |
Yeah, yeah, I'm fine. What do you want? | 0:47:53 | 0:47:56 | |
Well, you told me to come back. | 0:47:56 | 0:47:59 | |
Where's Ian? | 0:48:00 | 0:48:01 | |
Oh, he's at home. | 0:48:01 | 0:48:03 | |
Lucy's upset, but I think I got through... | 0:48:03 | 0:48:05 | |
What's he doing? Has he said anything? | 0:48:05 | 0:48:08 | |
Nothing. No, nothing. Well, I just left them to talk. | 0:48:08 | 0:48:11 | |
Are you sure you're all right? | 0:48:11 | 0:48:13 | |
Yeah. Yeah, I'm fine. Just...now's not a very good time. | 0:48:13 | 0:48:16 | |
Oh, right. OK, well... | 0:48:16 | 0:48:19 | |
I'll go and get Denny, we can come back later, yeah? | 0:48:19 | 0:48:22 | |
That's... That's not a good idea. | 0:48:22 | 0:48:26 | |
What do you mean? | 0:48:26 | 0:48:28 | |
You and Dennis coming back. That's not a good idea. | 0:48:28 | 0:48:33 | |
-But you said we could stay. -Well, something's come up. | 0:48:33 | 0:48:36 | |
I won't get in the way. I can kip on the floor. | 0:48:36 | 0:48:38 | |
It's not going to happen, Sharon. You need to go. | 0:48:38 | 0:48:42 | |
-What's got into you? -Nothing's got into me. I just don't like the idea of you kipping on my sofa. Sorry. | 0:48:42 | 0:48:47 | |
-I've got no money. I've got a six-year-old who hasn't eaten. I've got nowhere to sleep! -Tough. | 0:48:47 | 0:48:52 | |
Ain't my problem, is it? | 0:48:52 | 0:48:53 | |
Why are you being like this? | 0:48:53 | 0:48:54 | |
Ain't being like anything. | 0:48:54 | 0:48:57 | |
Well, earlier... Well, it was like old times. | 0:48:57 | 0:49:00 | |
I thought we were close. | 0:49:00 | 0:49:02 | |
What, you think you can turn up here, damsel in distress, | 0:49:02 | 0:49:06 | |
and we all drop everything, we all worship Sharon? | 0:49:06 | 0:49:09 | |
Nothing's too much trouble? | 0:49:09 | 0:49:10 | |
-No, no, no, of course not! -That's not how it works. | 0:49:10 | 0:49:13 | |
Now, I did you a favour. I helped you out. And that's it. End of story. I ain't interested. | 0:49:13 | 0:49:16 | |
Fine! If that's the way you feel about it. | 0:49:16 | 0:49:19 | |
Yeah. That's the way I feel. | 0:49:19 | 0:49:20 | |
-Well, I won't take up any more of your time. -Good. | 0:49:20 | 0:49:24 | |
-I'll see myself out then, shall I? -Yeah. | 0:49:24 | 0:49:28 | |
Well, what are you waiting for? | 0:49:28 | 0:49:30 | |
You haven't changed a bit, have you? | 0:49:32 | 0:49:34 | |
She means nothing to me. Nothing. | 0:49:47 | 0:49:51 | |
Now do you believe me? | 0:49:53 | 0:49:55 | |
You chose Mandy over me. Right here. Right here. | 0:49:57 | 0:50:01 | |
You chose her over your own child! | 0:50:01 | 0:50:04 | |
You pushed me through that door. You chucked me out. | 0:50:04 | 0:50:08 | |
Even when I said you'd never see me again, you didn't care. | 0:50:08 | 0:50:12 | |
Do you know what that's like? | 0:50:12 | 0:50:15 | |
Your own dad choosing someone else over you? | 0:50:15 | 0:50:18 | |
It was wrong. | 0:50:23 | 0:50:24 | |
What, is that all you can say? | 0:50:26 | 0:50:28 | |
I'm sorry. | 0:50:29 | 0:50:30 | |
Sorry. | 0:50:31 | 0:50:33 | |
Sorry? What is that going to help? | 0:50:34 | 0:50:36 | |
I don't know. | 0:50:40 | 0:50:42 | |
Don't you love me? | 0:50:45 | 0:50:46 | |
Lucy, of course I love you! You're my little girl. | 0:50:46 | 0:50:50 | |
But you preferred her? | 0:50:52 | 0:50:54 | |
I was scared. | 0:50:56 | 0:50:58 | |
I just thought if I could get that... | 0:51:00 | 0:51:03 | |
ring on her finger... | 0:51:03 | 0:51:06 | |
then everything'd... everything'd be OK. | 0:51:06 | 0:51:10 | |
I was wrong. | 0:51:14 | 0:51:16 | |
It wasn't. | 0:51:16 | 0:51:18 | |
She was just like all the others. | 0:51:18 | 0:51:20 | |
She didn't love me. | 0:51:20 | 0:51:22 | |
She didn't really love me. | 0:51:22 | 0:51:24 | |
Am I supposed to care? | 0:51:26 | 0:51:28 | |
You left us. | 0:51:28 | 0:51:30 | |
You abandoned us. | 0:51:30 | 0:51:31 | |
I know. | 0:51:36 | 0:51:39 | |
And I'm sorry. | 0:51:39 | 0:51:41 | |
I'd just like you to forgive me. That's all. | 0:51:42 | 0:51:46 | |
Please, if you'll just give me a chance. Just one chance, OK? | 0:51:46 | 0:51:51 | |
I can... | 0:51:51 | 0:51:53 | |
I can prove I can get better. | 0:51:53 | 0:51:55 | |
That... | 0:51:55 | 0:51:58 | |
That I can be a better father. | 0:51:58 | 0:52:00 | |
Yeah? And how are you going to do that? | 0:52:02 | 0:52:05 | |
I don't know. | 0:52:10 | 0:52:11 | |
I...I don't know. | 0:52:13 | 0:52:16 | |
But if you just give me a chance, Lucy, I'll do... | 0:52:16 | 0:52:22 | |
I'll do anything... | 0:52:22 | 0:52:26 | |
I promise you. | 0:52:26 | 0:52:28 | |
I just want to come home. | 0:52:31 | 0:52:34 | |
Come home? | 0:52:36 | 0:52:39 | |
And if I let you? | 0:52:39 | 0:52:41 | |
Any... Anything. Anything. | 0:52:41 | 0:52:44 | |
OK. | 0:52:48 | 0:52:49 | |
You mean it? | 0:52:52 | 0:52:55 | |
On one condition. | 0:52:55 | 0:52:57 | |
Yeah, yeah. Name it. Name it. | 0:52:57 | 0:53:00 | |
You can come back home... | 0:53:00 | 0:53:03 | |
Yes. | 0:53:03 | 0:53:04 | |
..if you sign everything over to me. | 0:53:04 | 0:53:07 | |
What? | 0:53:07 | 0:53:10 | |
All of it. The house. | 0:53:10 | 0:53:14 | |
The businesses. It all has to be in my name. | 0:53:14 | 0:53:18 | |
I'm not going to be left like I was before. Not again. | 0:53:20 | 0:53:23 | |
And if you go again, it'll all be mine. | 0:53:23 | 0:53:29 | |
What do you say? | 0:53:33 | 0:53:34 | |
OK. | 0:53:39 | 0:53:40 | |
You... | 0:53:44 | 0:53:45 | |
You love me. | 0:53:47 | 0:53:49 | |
And you love Ben. | 0:53:49 | 0:53:52 | |
I know that you don't want to, but you do. | 0:53:52 | 0:53:55 | |
And what he did, it was a mistake. A terrible mistake with tragic consequences, but that's all it was. | 0:53:55 | 0:54:00 | |
It was just a mistake. | 0:54:00 | 0:54:03 | |
And you, you're the closest thing he's got to a mum. | 0:54:03 | 0:54:07 | |
And he, he is the closest thing you've got to a son. | 0:54:07 | 0:54:09 | |
And you can't see him get put away. You can't. | 0:54:09 | 0:54:13 | |
And we can work through this together. We can. | 0:54:13 | 0:54:17 | |
I can't. Even if I wanted to, I just can't. | 0:54:17 | 0:54:22 | |
I'll help you, Shirley. Just...trust me. Please. | 0:54:22 | 0:54:27 | |
And I promise you I'll help you. | 0:54:27 | 0:54:28 | |
How? Tell me, how can I live with this? | 0:54:28 | 0:54:32 | |
Just look him in the eye. | 0:54:34 | 0:54:36 | |
Look Ben in the eye, and talk to him, and then you'll see what he is. | 0:54:36 | 0:54:40 | |
He's just a kid. A messed-up kid. | 0:54:41 | 0:54:46 | |
Messed up by me. | 0:54:46 | 0:54:49 | |
-And he needs you, Shirley. He needs you. -No. | 0:54:49 | 0:54:53 | |
He does. He does. He needs his mum. | 0:54:53 | 0:54:56 | |
So, please, just... | 0:54:56 | 0:54:59 | |
just look him in the eye and talk to him, yeah? | 0:54:59 | 0:55:02 | |
And after that, you can do whatever you want. | 0:55:02 | 0:55:06 | |
I won't stop you. I promise. | 0:55:06 | 0:55:10 | |
Please, Shirley. Please? | 0:55:10 | 0:55:12 | |
Thank you. | 0:55:19 | 0:55:22 | |
Thank you. Stay there. | 0:55:22 | 0:55:25 | |
I'll go get him. I'll be right back. | 0:55:25 | 0:55:28 | |
THUNDER RUMBLES | 0:55:38 | 0:55:39 | |
Ben? Ben? | 0:55:54 | 0:55:57 | |
-Where is he? -Ben? | 0:55:59 | 0:56:01 | |
Ben? | 0:56:01 | 0:56:03 | |
Ben! | 0:56:05 | 0:56:06 | |
Excuse me. | 0:56:42 | 0:56:44 | |
I've come about a murder. | 0:56:46 | 0:56:48 | |
He'll have gone to the police. He's stupid enough. | 0:56:50 | 0:56:53 | |
Don't you dare tell me to wait here. | 0:56:53 | 0:56:55 | |
Heather Trott. | 0:57:01 | 0:57:04 | |
I know that name. | 0:57:04 | 0:57:06 | |
Ben Mitchell. | 0:57:06 | 0:57:08 | |
This gentleman believes he has information | 0:57:10 | 0:57:12 | |
regarding the death of Heather Trott, Ma'am. | 0:57:12 | 0:57:16 | |
Who you trying to get back at now? Your dead mother? | 0:57:20 | 0:57:24 | |
HORN BLARES | 0:57:30 | 0:57:32 | |
What about the car?! | 0:57:41 | 0:57:43 | |
I was passed over for promotion thanks to your last episode. | 0:57:45 | 0:57:50 | |
Look, I ain't lying, all right? I know who did it. | 0:57:50 | 0:57:53 | |
Is this really all you can think of to get Daddy's attention!? | 0:57:53 | 0:57:57 | |
No. It's got... It's got nothing to do with him! | 0:57:57 | 0:58:00 | |
It's always him! | 0:58:00 | 0:58:02 | |
Everything OK? | 0:58:05 | 0:58:07 | |
Nothing I can't handle. | 0:58:07 | 0:58:10 | |
It's Ben, right? What can we help you with? | 0:58:10 | 0:58:13 | |
What you going to do, bust him out? | 0:58:19 | 0:58:21 | |
I'm this close to doing you for wasting police time! | 0:58:22 | 0:58:29 | |
Tell me. | 0:58:29 | 0:58:30 | |
I, uh. | 0:58:33 | 0:58:35 | |
DOOR OPENS | 0:58:35 | 0:58:36 | |
Oh great, now they're all here! | 0:58:36 | 0:58:38 | |
-What's he said? -Nothing. Yet. | 0:58:38 | 0:58:41 | |
Good. Well, stop wasting their time. Come on, home. Home. | 0:58:41 | 0:58:45 | |
He obviously came here for a reason. Ben? | 0:58:45 | 0:58:48 | |
Think long and hard before you speak because I swear... | 0:58:48 | 0:58:51 | |
-Come on. Home. Now. -Tell them. | 0:58:51 | 0:58:53 | |
I killed Heather Trott. | 0:58:59 | 0:59:01 | |
That's priceless. | 0:59:04 | 0:59:05 | |
You've got to stop doing this. He's not well, is he? | 0:59:05 | 0:59:10 | |
-He's been threatening to do this all day. -No! | 0:59:10 | 0:59:13 | |
He's obsessed. With this place, with the nick. | 0:59:13 | 0:59:15 | |
-Ever since he got out. -That's not true. | 0:59:15 | 0:59:17 | |
This is your fault, you know that? | 0:59:17 | 0:59:19 | |
You sent him down. You screwed him up. | 0:59:19 | 0:59:21 | |
It's down to me to pick up the pieces and give him some sort of life. | 0:59:21 | 0:59:24 | |
-I did this! -So, what you going to do? You going to arrest him? | 0:59:24 | 0:59:27 | |
Give him the attention he wants? | 0:59:27 | 0:59:29 | |
-Because that's what this is all about. -Phil! -What?! | 0:59:29 | 0:59:32 | |
Please! Please! | 0:59:32 | 0:59:35 | |
Come on, let's get you home. Come on. | 0:59:36 | 0:59:39 | |
Wait! | 0:59:39 | 0:59:41 | |
Ben Mitchell, I'm arresting you on suspicion of the murder of Heather Trott. | 0:59:41 | 0:59:44 | |
You do not have to say anything but it may harm your defence | 0:59:44 | 0:59:47 | |
if you do not mention when questioned something which you later rely on in court. | 0:59:47 | 0:59:50 | |
Anything you do say may be given in evidence. | 0:59:50 | 0:59:52 | |
You should be at home really, it's past your curfew. | 0:59:58 | 1:00:01 | |
No, I should be at my parenting course. | 1:00:01 | 1:00:03 | |
I got until ten on Mondays. | 1:00:03 | 1:00:04 | |
When they find out you're not there they'll do you for staying out. | 1:00:04 | 1:00:07 | |
You're such a worrier. | 1:00:07 | 1:00:09 | |
See, you do need walking home. | 1:00:09 | 1:00:11 | |
No I don't! That's the geezer's job. | 1:00:11 | 1:00:13 | |
Right, this is how it all starts, yeah? | 1:00:13 | 1:00:15 | |
One minute you're making fun of me about walking me home, | 1:00:15 | 1:00:17 | |
the next, I'm ironing pants | 1:00:17 | 1:00:18 | |
and you're fixing carburettors down the garage. | 1:00:18 | 1:00:21 | |
What's wrong with that?! | 1:00:21 | 1:00:22 | |
I'll be finished round here! Even Ben'd have a go at me for that! | 1:00:22 | 1:00:26 | |
Quite like the thought of you ironing my pants. | 1:00:26 | 1:00:31 | |
What's wrong? | 1:00:31 | 1:00:33 | |
I dunno. | 1:00:34 | 1:00:36 | |
Now you don't say a word until Ritchie gets here. | 1:00:37 | 1:00:40 | |
-I don't want Ritchie. -You're having Ritchie! | 1:00:40 | 1:00:44 | |
I'm going to stay here. Make sure that he sees Ritchie. | 1:00:48 | 1:00:51 | |
He actually did it. | 1:00:51 | 1:00:54 | |
Now get home. Get rid of that photo frame. | 1:00:56 | 1:00:59 | |
Get it as far away from the house as you possibly can. | 1:01:00 | 1:01:03 | |
Well, go on. What are you waiting for? | 1:01:05 | 1:01:07 | |
You ain't saying a word to him until he's seen my brief. | 1:01:10 | 1:01:13 | |
I can assure you | 1:01:13 | 1:01:14 | |
that all legal procedures will be properly observed. | 1:01:14 | 1:01:17 | |
Do you want a game of poker instead? | 1:01:21 | 1:01:23 | |
DOORBELL RINGS | 1:01:27 | 1:01:29 | |
Sorry I was so long. | 1:01:34 | 1:01:36 | |
Every doorway and street corner's got too many memories here. | 1:01:36 | 1:01:39 | |
-How's he doing? -He's all right. Still alive. | 1:01:39 | 1:01:42 | |
-Why, what's happened? -Nothing. | 1:01:42 | 1:01:44 | |
Denny, are you all right, baby? Are you OK? | 1:01:44 | 1:01:46 | |
He's fine! I couldn't get a word out of him. | 1:01:46 | 1:01:48 | |
-Can I have another biscuit, please? -Course you can, yeah. | 1:01:48 | 1:01:51 | |
-They're in the kitchen. Go on. -Good boy. | 1:01:51 | 1:01:54 | |
How was Ian? | 1:01:56 | 1:01:58 | |
It doesn't say much for the community round here, letting him get like that. | 1:01:58 | 1:02:01 | |
One minute he was getting married, the next minute he was just gone. | 1:02:01 | 1:02:05 | |
-I suppose things can fall apart quickly like that, can't they? -Yeah. | 1:02:05 | 1:02:09 | |
-I weren't talking about you. -Look, thanks for babysitting, Max. | 1:02:10 | 1:02:13 | |
It's all right. What did we say, five pound an hour? | 1:02:13 | 1:02:17 | |
You want to rate yourself higher than that. Minimum wage at least. | 1:02:17 | 1:02:19 | |
Try telling the wife that. | 1:02:19 | 1:02:22 | |
Honestly, it's like working in a poor house here. | 1:02:22 | 1:02:24 | |
Lucky to get a bowl of gruel in the morning. | 1:02:24 | 1:02:28 | |
DOOR OPENS | 1:02:28 | 1:02:29 | |
Hello, darling, sorry I'm late. Stupid client who just... | 1:02:29 | 1:02:33 | |
You all right, babe? This is. | 1:02:34 | 1:02:36 | |
Sharon. Hi. | 1:02:36 | 1:02:38 | |
Are you wearing my clothes? | 1:02:38 | 1:02:39 | |
Uh. Yeah. Thanks. | 1:02:39 | 1:02:42 | |
Oh, yeah, she had to change. | 1:02:42 | 1:02:44 | |
Why? | 1:02:44 | 1:02:46 | |
Out of a wedding dress. | 1:02:46 | 1:02:48 | |
-I did a runner. From the altar. -What, into my wardrobe? | 1:02:48 | 1:02:51 | |
Well, I didn't think it was that special. | 1:02:51 | 1:02:53 | |
Probably what your fiance's thinking right now. | 1:02:53 | 1:02:55 | |
Phil?! Shirley?! | 1:03:05 | 1:03:09 | |
Jay? | 1:03:30 | 1:03:32 | |
Has there been a break-in? | 1:03:33 | 1:03:36 | |
Are you even listening to me? | 1:03:41 | 1:03:43 | |
Don't touch that! | 1:03:47 | 1:03:49 | |
If there has been a break in there'll be finger prints, won't there? | 1:03:49 | 1:03:52 | |
Well, has anything been taken? | 1:03:52 | 1:03:55 | |
Dunno, I ain't looked yet. I want Lexi out of here now, though. | 1:03:55 | 1:03:58 | |
Since when do you tell us what to do? | 1:03:58 | 1:04:00 | |
-There might be someone in here! -If there is you'll need all the help you can get! | 1:04:00 | 1:04:03 | |
-I'm not joking! Get out! -All right, fine. Deal with it yourself. | 1:04:03 | 1:04:07 | |
This is Mike Sommers, duty solicitor. | 1:04:31 | 1:04:34 | |
You sure you don't want your dad's hot shot lawyer? | 1:04:34 | 1:04:37 | |
Can we just start? | 1:04:37 | 1:04:39 | |
The appropriate adult's just arrived. We'll interview him later. | 1:04:39 | 1:04:42 | |
OK. | 1:04:42 | 1:04:44 | |
I just want to make a statement. Do you hear me? | 1:04:44 | 1:04:47 | |
We'll talk when I'm ready | 1:04:48 | 1:04:50 | |
and to be honest I've got real police work to be getting on with. | 1:04:50 | 1:04:54 | |
But I can prove I killed her, though! | 1:04:54 | 1:04:56 | |
Shirl, I don't know what's happened here. | 1:05:18 | 1:05:22 | |
Ben's gone down the police station. To turn himself in. | 1:05:31 | 1:05:36 | |
What? What for? | 1:05:36 | 1:05:38 | |
You tell me. | 1:05:45 | 1:05:46 | |
Have we not got any kids? | 1:05:49 | 1:05:51 | |
Oscar's at a friends, Lauren's out. | 1:05:51 | 1:05:53 | |
I hope you've noticed Abi hasn't been around lately. | 1:05:53 | 1:05:56 | |
Don't get any ideas. I want my own dress. | 1:05:58 | 1:06:01 | |
Expensive bit of kit, that is. | 1:06:01 | 1:06:03 | |
-So? -Well you've had a right result, ain't ya? Swapping yours for that. | 1:06:03 | 1:06:06 | |
-That's worth a few quid, that is. -She'll be back for it. | 1:06:06 | 1:06:09 | |
Get your elbows off. | 1:06:09 | 1:06:10 | |
-You were well harsh on her. -What?! | 1:06:12 | 1:06:14 | |
I come into my house to find some blonde stood there, | 1:06:14 | 1:06:17 | |
slagging my clothes off, my husband gawping at her. | 1:06:17 | 1:06:20 | |
I wasn't gawping at her! | 1:06:20 | 1:06:21 | |
Yes you were. Falling over yourself to help her. | 1:06:21 | 1:06:24 | |
Have you got enough salt there? You haven't even tasted this yet. | 1:06:24 | 1:06:27 | |
I said to Phil I'd do her a favour, didn't I. | 1:06:27 | 1:06:30 | |
Since when did you owe Phil favours? | 1:06:30 | 1:06:31 | |
All she had was that dress and a hungry kid. | 1:06:31 | 1:06:34 | |
If you'd stopped and thought about it you might have seen, mightn't you? | 1:06:34 | 1:06:38 | |
-Seen what? -How pathetic she looked. | 1:06:38 | 1:06:41 | |
-Sharon! -Hiya. -Welcome home. | 1:06:56 | 1:07:00 | |
-Pops! We've got to go! -Look everyone, it's Sharon! | 1:07:00 | 1:07:02 | |
Sharon! | 1:07:05 | 1:07:06 | |
Suppose things have moved on a bit, eh? | 1:07:06 | 1:07:09 | |
-Can I get you a drink? -Pops, we've got to go! Jay? The break-in? Come on. | 1:07:09 | 1:07:12 | |
-Sorry, Sharon. -Don't worry, Bill. Another time. -Yeah. | 1:07:12 | 1:07:16 | |
Come on, Denny. | 1:07:16 | 1:07:18 | |
Let's get you a lemonade, eh? | 1:07:18 | 1:07:21 | |
Oi, are you listening to me or what? I don't care what he's said, | 1:07:24 | 1:07:28 | |
I ain't having my boy represented by one of them muppets. | 1:07:28 | 1:07:30 | |
Hit my window again and we'll have problems. | 1:07:30 | 1:07:33 | |
This is getting a little frequent for my liking. | 1:07:33 | 1:07:36 | |
-He's in there with one of them duty solicitors. -Why? | 1:07:36 | 1:07:39 | |
-I don't know, you need to get in there. -Not much I can do if he doesn't want me. -Are you joking? | 1:07:39 | 1:07:43 | |
Calm down or you'll be in a cell. What's he saying? | 1:07:43 | 1:07:45 | |
He's in there telling them he's a murderer, and you want me to calm down? | 1:07:45 | 1:07:49 | |
We should at least talk about this. | 1:07:54 | 1:07:56 | |
Look, it's commendable that you want to tell the truth | 1:07:58 | 1:08:01 | |
but there are ways of telling the truth. | 1:08:01 | 1:08:03 | |
If I'd wanted a proper lawyer I'd have got my dad's, all right? | 1:08:03 | 1:08:08 | |
Right, at last! | 1:08:08 | 1:08:10 | |
This is Mary Smith, your appropriate adult. Mary. | 1:08:10 | 1:08:14 | |
TAPE BLEEPS | 1:08:16 | 1:08:20 | |
Interview commencing at 21:47. | 1:08:21 | 1:08:24 | |
Walford Police Station on Monday August 13th. | 1:08:24 | 1:08:27 | |
Those present: myself, DS Crisp, DCI Marsden, | 1:08:27 | 1:08:31 | |
Ben Mitchell, Mike Sommers - duty solicitor, and Mary Smith - appropriate adult. | 1:08:31 | 1:08:36 | |
Where do you want to start? | 1:08:36 | 1:08:38 | |
Let's go back to the night in question. | 1:08:38 | 1:08:39 | |
I remember your psych report. | 1:08:39 | 1:08:41 | |
That passage about your upbringing. | 1:08:44 | 1:08:46 | |
Little or no emotional integration with parents. | 1:08:46 | 1:08:50 | |
It's always because they weren't hugged enough. | 1:08:51 | 1:08:54 | |
And what's that got to do with anything? I killed her. | 1:08:54 | 1:08:58 | |
Like your dad killed Stella Crawford? What else did it say? | 1:08:59 | 1:09:03 | |
Oh, that you continually seek out your father's attention. | 1:09:03 | 1:09:08 | |
I used a picture frame. | 1:09:08 | 1:09:10 | |
It's sitting on the table in my living room. | 1:09:10 | 1:09:12 | |
Either through attempts to please or antagonise. | 1:09:12 | 1:09:15 | |
It's a big, heavy, metal frame, right? And I picked it up. | 1:09:15 | 1:09:21 | |
I picked it up and I hit her. I hit her on the left side of her face. | 1:09:21 | 1:09:24 | |
-I hit right there. -Then there was the bit about you have trouble | 1:09:24 | 1:09:27 | |
differentiating between real events and fantasies. | 1:09:27 | 1:09:32 | |
She just fell on her back. | 1:09:34 | 1:09:36 | |
You were at the scene! | 1:09:38 | 1:09:41 | |
You saw all of that! | 1:09:41 | 1:09:42 | |
What my colleague is trying to say is... | 1:09:42 | 1:09:45 | |
Forget me, this interview, | 1:09:45 | 1:09:47 | |
forget the fact the CPS aren't going to let you get away | 1:09:47 | 1:09:50 | |
with wasting our time again. | 1:09:50 | 1:09:52 | |
Forget your dad, and whatever messed up reason you have for revenge. | 1:09:53 | 1:09:58 | |
Your step-mum was devastated by Heather's death. | 1:10:00 | 1:10:04 | |
Now you want to drag it all up again, break her heart again. | 1:10:06 | 1:10:10 | |
And for what? | 1:10:12 | 1:10:14 | |
-You're a selfish... -I'm not. -..manipulative... | 1:10:15 | 1:10:18 | |
-Please! -..spoilt kid, | 1:10:18 | 1:10:20 | |
and if you had any decency, you would stop this right now! | 1:10:20 | 1:10:24 | |
Yeah, but I did all this! | 1:10:24 | 1:10:26 | |
-Then tell us something you didn't read in the paper. Because right now... -There was a tea towel! | 1:10:26 | 1:10:30 | |
There was a tea towel that I put over her face! | 1:10:30 | 1:10:32 | |
Fibres from a towel were found on her face. | 1:10:34 | 1:10:37 | |
We didn't find anything matching in the flat, though. | 1:10:37 | 1:10:40 | |
I wrapped the picture frame in it before I left, all right? | 1:10:40 | 1:10:43 | |
Is that something I could have read about in the newspaper? | 1:10:43 | 1:10:46 | |
You know, sometimes when it hit me | 1:10:47 | 1:10:50 | |
that Phil would never love me as much as I loved him... | 1:10:50 | 1:10:54 | |
..I knew it would be all right, because I had Hev. | 1:10:58 | 1:11:03 | |
I could see us growing old together, when all the men had gone. | 1:11:09 | 1:11:14 | |
And you do go. Die or leave. | 1:11:16 | 1:11:20 | |
We were going to be like Laurel and Hardy, | 1:11:22 | 1:11:26 | |
in our PJs, tucked up in a big double bed. | 1:11:26 | 1:11:30 | |
No prizes for guessing which one was Hardy. | 1:11:33 | 1:11:37 | |
Never knew which was which. | 1:11:37 | 1:11:39 | |
Doesn't matter which was which. | 1:11:42 | 1:11:45 | |
They were a pair. | 1:11:45 | 1:11:47 | |
Don't punish me anymore. | 1:11:52 | 1:11:54 | |
I'd never do that! | 1:11:54 | 1:11:57 | |
Then tell me! | 1:11:57 | 1:11:58 | |
Ben said that he did it but I don't know. | 1:12:04 | 1:12:06 | |
I don't trust him. Not like I trust you. | 1:12:06 | 1:12:09 | |
I know that Phil has been working on you both. | 1:12:10 | 1:12:13 | |
Making you think you're like Laurel and Hardy. Like you're a pair. | 1:12:13 | 1:12:16 | |
But you're not a pair. You are not like Ben. | 1:12:16 | 1:12:20 | |
You're kind. | 1:12:20 | 1:12:22 | |
No. | 1:12:22 | 1:12:24 | |
You've got a good soul. | 1:12:24 | 1:12:26 | |
I haven't! | 1:12:26 | 1:12:28 | |
You've got a heart. | 1:12:30 | 1:12:32 | |
-You've got a heart that loves. -I'm not! I am a bad person! | 1:12:32 | 1:12:38 | |
I am a bad person! | 1:12:38 | 1:12:41 | |
Just speak, Jay. | 1:12:41 | 1:12:44 | |
Just speak! | 1:12:44 | 1:12:45 | |
BILLY: Jay! You in there? | 1:12:57 | 1:12:59 | |
If anyone's in there, I got a baseball bat! | 1:13:00 | 1:13:03 | |
Shirl! | 1:13:09 | 1:13:10 | |
Lola said there'd been a break-in. | 1:13:13 | 1:13:14 | |
-No, everything's fine. -So I rushed round. | 1:13:14 | 1:13:17 | |
Now you can run straight back again. | 1:13:17 | 1:13:19 | |
Jay? | 1:13:20 | 1:13:21 | |
You all right, son? | 1:13:23 | 1:13:24 | |
-Jay, what is it? -He's fine. -No, he's not. | 1:13:24 | 1:13:27 | |
-Billy, will you just go, please? -I'm not going till I find out what's the matter with him. | 1:13:27 | 1:13:31 | |
-Billy seems to think you're royalty. -Compared to him, I probably am. | 1:13:51 | 1:13:55 | |
-Let me buy you a drink. -That count as a chat-up line round here? | 1:13:55 | 1:13:58 | |
-All right, suit yourself. -Look, I'm sorry. Sorry. It's a bad day. | 1:13:58 | 1:14:03 | |
Least you haven't got a broken leg. | 1:14:03 | 1:14:06 | |
Not in the diamond business, are you? | 1:14:09 | 1:14:11 | |
No. | 1:14:11 | 1:14:13 | |
-Buy it off me anyway. -I've only got a couple of hundred quid on me. | 1:14:13 | 1:14:15 | |
That'll do. | 1:14:15 | 1:14:18 | |
Look, if you need it that much I'll lend it you. | 1:14:18 | 1:14:20 | |
-I don't take charity. -I'm not a con man. | 1:14:20 | 1:14:24 | |
Look, just take the ring, please! | 1:14:26 | 1:14:28 | |
You never know when you might need it. | 1:14:28 | 1:14:31 | |
-What's wrong, Jay? -It's five minutes to your curfew. Just get home, yeah? | 1:14:33 | 1:14:38 | |
-He's right, Lo. You should get back. -Only if you come with me. | 1:14:38 | 1:14:41 | |
I ain't going until I get some answers. | 1:14:41 | 1:14:44 | |
D'you remember the night Heather died, Bill? | 1:14:53 | 1:14:56 | |
Yeah. | 1:14:56 | 1:14:58 | |
I had food poisoning. | 1:14:58 | 1:15:00 | |
I was upstairs and you came in. | 1:15:04 | 1:15:06 | |
Yeah, you was in a right old state. | 1:15:07 | 1:15:10 | |
You said I was your boy. | 1:15:12 | 1:15:13 | |
Yeah. Always. | 1:15:15 | 1:15:18 | |
And you'll always be like a dad to me. | 1:15:21 | 1:15:24 | |
And I'll tell you. | 1:15:30 | 1:15:31 | |
I want to tell you, but right now... I need to talk to Shirley. Please. | 1:15:34 | 1:15:39 | |
If they have to talk. | 1:15:44 | 1:15:46 | |
I trust you. | 1:15:57 | 1:15:59 | |
Oh, you're so good at that. | 1:16:09 | 1:16:12 | |
What? | 1:16:12 | 1:16:14 | |
The way you saw them off. | 1:16:14 | 1:16:16 | |
Just like you did at the table, pretending you had food poisoning. | 1:16:18 | 1:16:22 | |
And Heather was dead in her flat! | 1:16:23 | 1:16:25 | |
It wasn't like that! | 1:16:28 | 1:16:31 | |
They just pulled me along. | 1:16:31 | 1:16:34 | |
You let me go over there! | 1:16:36 | 1:16:38 | |
You let me find her! | 1:16:40 | 1:16:42 | |
Listen, I was gone. | 1:16:47 | 1:16:49 | |
I was completely gone. | 1:16:49 | 1:16:51 | |
They showed me a direction and I just took it. | 1:16:51 | 1:16:55 | |
You got her blood on your hands like him! | 1:16:55 | 1:16:57 | |
Listen. Heather wouldn't give him the money. | 1:16:57 | 1:17:01 | |
I tried to stop him, but it all happened so fast, all right? | 1:17:01 | 1:17:05 | |
I ran... I ran to the Arches. | 1:17:05 | 1:17:06 | |
Ben and Phil turned up, they said we were family, said we was just like family, right? | 1:17:06 | 1:17:10 | |
Now look! | 1:17:10 | 1:17:12 | |
I've lost Heather. I've lost you. | 1:17:12 | 1:17:15 | |
I've lost absolutely everybody and I just can't get it out of my head. | 1:17:15 | 1:17:19 | |
Yeah, and I hope it never goes. | 1:17:19 | 1:17:21 | |
I hope it stays in there for ever. | 1:17:21 | 1:17:25 | |
Police'll be here in a minute. | 1:17:29 | 1:17:32 | |
They're going to come looking for that. | 1:17:37 | 1:17:39 | |
You know Phil told me to get rid of it? | 1:17:40 | 1:17:43 | |
Asked me to protect you two. | 1:17:43 | 1:17:46 | |
I thought Ben had already given himself up? | 1:17:46 | 1:17:50 | |
Yeah, but without that, he's just another lying kid, | 1:17:50 | 1:17:53 | |
like he's always been. | 1:17:53 | 1:17:55 | |
What are you going to do? | 1:17:58 | 1:18:01 | |
-I've thought about it. -The answer's still no. | 1:18:05 | 1:18:08 | |
You see a ring has two values, don't it? | 1:18:08 | 1:18:10 | |
How much you pay for it and how much it means. | 1:18:10 | 1:18:12 | |
I know John spent thousands on this. In terms of what it means, | 1:18:12 | 1:18:15 | |
-200 is about right. -Take it somewhere in the morning. | 1:18:15 | 1:18:18 | |
-Look, we need somewhere to stay tonight! -So let me lend it you. | 1:18:18 | 1:18:21 | |
I will not start my new life on the scrounge. | 1:18:21 | 1:18:23 | |
Thank you. | 1:18:32 | 1:18:34 | |
I wouldn't give this to anyone you care about. | 1:18:36 | 1:18:39 | |
it doesn't have a good track record. | 1:18:39 | 1:18:41 | |
All right, bruv? | 1:18:49 | 1:18:51 | |
You're not, are you? | 1:18:51 | 1:18:53 | |
You don't know when you're beaten, do you? | 1:18:53 | 1:18:55 | |
-What did she want? -Nothing. You're late. | 1:18:55 | 1:18:57 | |
Yeah, well, blame the chef. Dinner took ages. | 1:18:57 | 1:19:00 | |
You can cook your own, next time. | 1:19:00 | 1:19:02 | |
Tracey, I'll have bangers and mash twice, a lemonade, a G&T, | 1:19:02 | 1:19:06 | |
and the name of a good bed and breakfast. | 1:19:06 | 1:19:09 | |
They're going to believe me now, right? | 1:19:13 | 1:19:16 | |
They'll have to investigate. | 1:19:16 | 1:19:19 | |
-If the picture frame is where you say... -It's there. | 1:19:19 | 1:19:23 | |
What it comes down to now is... | 1:19:51 | 1:19:53 | |
..whether I love you all more than I hate you all. | 1:19:55 | 1:19:59 | |
If I'd seen him pick it up I'd have stopped him, I swear to you. | 1:20:00 | 1:20:04 | |
She trusted you. | 1:20:04 | 1:20:06 | |
She let you into her flat. | 1:20:08 | 1:20:09 | |
The last time we were together we had a fight. | 1:20:12 | 1:20:14 | |
So did we. | 1:20:16 | 1:20:18 | |
Well...Ben did. | 1:20:18 | 1:20:21 | |
So just before she died, everyone was angry at her? | 1:20:21 | 1:20:24 | |
The last words she said. | 1:20:29 | 1:20:31 | |
What were they? | 1:20:34 | 1:20:36 | |
I can't remember. | 1:20:39 | 1:20:41 | |
I only remember the weird things. | 1:20:47 | 1:20:50 | |
Like the police in McKlunky's. | 1:20:50 | 1:20:52 | |
I think about how big their hands were. | 1:20:54 | 1:20:58 | |
Just like my dad's hands when I were little. | 1:21:00 | 1:21:02 | |
I want my dad. | 1:21:06 | 1:21:08 | |
Mum! | 1:21:19 | 1:21:22 | |
Well if you didn't take such big mouthfuls I wouldn't have to do this, would I? | 1:21:22 | 1:21:25 | |
Please! | 1:21:25 | 1:21:27 | |
There you go, baby! | 1:21:27 | 1:21:28 | |
Will John ever come back? | 1:21:33 | 1:21:36 | |
Now my dinner looks a bit like you, don't it? | 1:21:36 | 1:21:41 | |
-No it doesn't! -I'm starving(!) -Stop it! | 1:21:41 | 1:21:44 | |
I'd be bawling my eyes out if my wedding day ended up like this. | 1:21:46 | 1:21:49 | |
Yeah. He was rich though, weren't he? | 1:21:49 | 1:21:51 | |
She was probably only in it for the money. | 1:21:51 | 1:21:53 | |
Yeah, easy come, easy go. Women like that turn my stomach. | 1:21:53 | 1:21:56 | |
-Oi, Sharon ain't like that. -You've only known her five minutes! | 1:21:56 | 1:22:00 | |
So, you ready for me to buy you that drink yet? | 1:22:05 | 1:22:08 | |
That doesn't look like me, does it? | 1:22:08 | 1:22:11 | |
Nah, nowhere near as handsome. | 1:22:11 | 1:22:13 | |
See, Mum? | 1:22:13 | 1:22:15 | |
A gin and tonic for me and a lemonade for Denny. | 1:22:15 | 1:22:18 | |
-Where's my boy? -We're still interviewing him. -He's lying. | 1:22:22 | 1:22:25 | |
Even so, we need to talk to you, too. | 1:22:25 | 1:22:28 | |
We've heard enough to call your alibi into question. | 1:22:28 | 1:22:31 | |
Listen, I've given you my statement. I've got nothing to add to that. | 1:22:31 | 1:22:35 | |
-Now get your hands off me. -If we find any evidence to suggest you knew about this, we'll arrest you. | 1:22:35 | 1:22:40 | |
-Just get your hands off me, I said. -Phil! | 1:22:40 | 1:22:44 | |
It's them. | 1:22:59 | 1:23:01 | |
You going to give it to them? | 1:23:05 | 1:23:07 | |
-KNOCKING -Police! Open the door! > | 1:23:07 | 1:23:11 | |
Just tell me! | 1:23:13 | 1:23:14 | |
KNOCKING | 1:23:14 | 1:23:16 | |
Police. Open up! Open the door! > | 1:23:16 | 1:23:20 | |
KNOCKING | 1:23:20 | 1:23:22 | |
Open up! Police! > | 1:23:24 | 1:23:27 | |
KNOCKING | 1:23:29 | 1:23:33 | |
You need to stop worrying about what he's saying | 1:23:33 | 1:23:37 | |
and concentrate on what you're going to say. | 1:23:37 | 1:23:39 | |
He thinks he's making things right. | 1:23:39 | 1:23:42 | |
But getting put away, it don't make you an hero, it makes you a mug. | 1:23:42 | 1:23:47 | |
People think, don't they, that it'll cure them. | 1:23:48 | 1:23:51 | |
Wash away their sins, like confession or something. | 1:23:51 | 1:23:54 | |
I never met an ex con who thinks that. | 1:23:56 | 1:23:58 | |
I expect he thinks he's doing the noble thing. | 1:23:58 | 1:24:01 | |
There's nothing noble in a six by four cell. | 1:24:01 | 1:24:04 | |
You need to stick to your story. | 1:24:06 | 1:24:09 | |
You met them at the garage. You went home for dinner. | 1:24:09 | 1:24:11 | |
And what about before I got there? | 1:24:12 | 1:24:14 | |
How could you know what happened before you got there? | 1:24:14 | 1:24:17 | |
He refused your help. Didn't want to see me. | 1:24:19 | 1:24:21 | |
You got to the garage at 7.20, | 1:24:23 | 1:24:25 | |
just like you said in your statement. | 1:24:25 | 1:24:27 | |
Whatever happened before... | 1:24:27 | 1:24:29 | |
happened before. | 1:24:29 | 1:24:31 | |
DOOR OPENS | 1:24:44 | 1:24:46 | |
FOOTSTEPS | 1:24:48 | 1:24:50 | |
It's the police. | 1:24:51 | 1:24:53 | |
It was just me. Why's that so hard to believe? | 1:24:56 | 1:24:59 | |
Calm down, Ben. You've got what you want. We're listening. | 1:24:59 | 1:25:03 | |
I'm just saying. I was on my own. | 1:25:03 | 1:25:06 | |
As you're so keen to assert. | 1:25:07 | 1:25:09 | |
How long are they taking? Have they found anything yet? | 1:25:10 | 1:25:13 | |
"There were signs of a break-in when we entered the property." | 1:25:27 | 1:25:30 | |
Yeah, well, I roughed it up a bit, | 1:25:30 | 1:25:31 | |
you know, made it look like a burglary. | 1:25:31 | 1:25:33 | |
What made you do that? | 1:25:33 | 1:25:35 | |
That's a bit of a stupid question, innit? | 1:25:35 | 1:25:37 | |
I'm just trying to figure out how a frightened, | 1:25:37 | 1:25:40 | |
16-year-old boy had the presence of mind | 1:25:40 | 1:25:42 | |
to cover his tracks moments after killing a close friend. | 1:25:42 | 1:25:47 | |
Yeah, well, everything was sharp, you know, | 1:25:47 | 1:25:49 | |
it was like I was seeing it in HD. | 1:25:49 | 1:25:50 | |
Must have been the adrenaline or something. | 1:25:50 | 1:25:53 | |
So it just occurred to you to fake a burglary? | 1:25:53 | 1:25:55 | |
Yeah. | 1:25:55 | 1:25:57 | |
And when I done that, it occurred to me | 1:25:57 | 1:25:59 | |
that I needed to change my clothes. | 1:25:59 | 1:26:00 | |
So I went to the Arches and, well, Jay was there. | 1:26:00 | 1:26:03 | |
Ah, yes, Jay. Of course. | 1:26:03 | 1:26:07 | |
Tell me about Jay. | 1:26:07 | 1:26:08 | |
Well, he was there... | 1:26:12 | 1:26:15 | |
and he was working on a car. | 1:26:15 | 1:26:18 | |
Well, at least Jay was, Ben was holding the lamp. | 1:26:18 | 1:26:22 | |
It's about as technical as he can get. | 1:26:22 | 1:26:24 | |
But you've got all this in my statement, ain't you? | 1:26:24 | 1:26:27 | |
How did Ben seem? | 1:26:27 | 1:26:30 | |
Fine. | 1:26:30 | 1:26:31 | |
You'd just been released from custody | 1:26:31 | 1:26:33 | |
after he lied to put you there and he seemed fine? | 1:26:33 | 1:26:36 | |
I'd be terrified if you were my dad. | 1:26:36 | 1:26:39 | |
Well, I wouldn't have a son like you. | 1:26:39 | 1:26:41 | |
I asked you how he seemed. | 1:26:43 | 1:26:44 | |
He said sorry. That he wanted to sort things out. | 1:26:47 | 1:26:50 | |
That he wanted us to be a proper family again. | 1:26:50 | 1:26:52 | |
I said sure. And he was relieved. | 1:26:52 | 1:26:55 | |
No, he didn't seem like he'd just killed someone. | 1:26:55 | 1:26:58 | |
But he could have done. | 1:26:58 | 1:26:59 | |
It took you...an hour to get there after you'd been released. | 1:26:59 | 1:27:05 | |
When was the last time you used a bus? | 1:27:05 | 1:27:07 | |
Still, you didn't get there till 7.20. | 1:27:07 | 1:27:10 | |
-He could have done it before. -He was with Jay. | 1:27:10 | 1:27:13 | |
Oh, that's right. | 1:27:13 | 1:27:16 | |
He was with Jay. | 1:27:16 | 1:27:17 | |
What do you mean, what did we talk about? | 1:27:19 | 1:27:22 | |
I mean just that. You'd just left Heather's body. | 1:27:22 | 1:27:26 | |
Her child was asleep in his bed. You must have been terrified. | 1:27:26 | 1:27:29 | |
Didn't Jay notice you acting strangely? | 1:27:31 | 1:27:33 | |
No. | 1:27:34 | 1:27:35 | |
He didn't wonder why you needed to change clothes? | 1:27:35 | 1:27:39 | |
Change clothes? | 1:27:39 | 1:27:40 | |
Yes. That's why you went to the garage, right? | 1:27:40 | 1:27:43 | |
Yeah, yeah, yeah. | 1:27:43 | 1:27:44 | |
Right. So, what did he say when you started to change clothes? | 1:27:44 | 1:27:48 | |
Nothing. | 1:27:50 | 1:27:51 | |
He didn't think it odd? | 1:27:51 | 1:27:53 | |
As my client said, Jay was busy working on the car. | 1:27:55 | 1:27:59 | |
Now, according to your statements taken on that night, you were working on it together. | 1:28:01 | 1:28:06 | |
Look, Jay's not important, all right? It was just me! I did it. Not him. | 1:28:06 | 1:28:10 | |
Why would I think he'd done it? | 1:28:10 | 1:28:13 | |
I came back to the only place I knew, | 1:28:17 | 1:28:19 | |
banging on Phil Mitchell's door in my wedding dress. | 1:28:19 | 1:28:22 | |
I just didn't know how I was going to get Denny back, you know. | 1:28:22 | 1:28:26 | |
How long does it take to go to the loo, eh? | 1:28:26 | 1:28:29 | |
He's all right. So, what now? | 1:28:29 | 1:28:31 | |
Hmm? Oh, Kimberly's Palace? Apparently it's OK. | 1:28:31 | 1:28:36 | |
You do remember that you invited us to the pub? | 1:28:37 | 1:28:40 | |
Join us. If you trust your husband anywhere near me. | 1:28:40 | 1:28:44 | |
I thought you liked them the right side of 30. | 1:28:44 | 1:28:47 | |
Go back to your friends, Jack. | 1:28:48 | 1:28:51 | |
They're not my friends. | 1:28:51 | 1:28:53 | |
See, that's my family and I'm stuck with them, ain't I? | 1:28:53 | 1:28:55 | |
You're not stuck with me. | 1:28:55 | 1:28:56 | |
No. I'm sitting here because I want to sit here. | 1:28:56 | 1:29:02 | |
Where's Bobby's games? | 1:29:29 | 1:29:32 | |
We had to sell most of them. | 1:29:32 | 1:29:34 | |
To buy food. | 1:29:34 | 1:29:36 | |
Thank you. | 1:29:47 | 1:29:49 | |
What? That's it? | 1:29:50 | 1:29:51 | |
We need to investigate whether you were involved in a cover-up, | 1:29:51 | 1:29:54 | |
but you can't account for Ben's whereabouts at the time of the murder. | 1:29:54 | 1:29:57 | |
No, I never said that. | 1:29:57 | 1:29:58 | |
PHONE BEEPS | 1:29:58 | 1:30:00 | |
Excuse me a moment. | 1:30:05 | 1:30:07 | |
Hang on a sec, I never said that! I never said that! | 1:30:07 | 1:30:11 | |
I'm still waiting for an answer, Ben. | 1:30:14 | 1:30:17 | |
KNOCK AT THE DOOR | 1:30:21 | 1:30:22 | |
Yeah? | 1:30:22 | 1:30:24 | |
-For the benefit of the tape, DS Crisp has entered the room. -We're at the property now. | 1:30:24 | 1:30:28 | |
Finally! | 1:30:28 | 1:30:29 | |
They haven't found a picture frame. | 1:30:29 | 1:30:32 | |
I left it on the table! I swear! | 1:30:33 | 1:30:35 | |
Either you're lying and none of this is true, | 1:30:35 | 1:30:37 | |
or your family's hidden it, | 1:30:37 | 1:30:38 | |
which makes them an accessory to murder. | 1:30:38 | 1:30:40 | |
Nobody else knows about it. Nobody apart from me. | 1:30:42 | 1:30:45 | |
Interview suspended at 22.20. | 1:30:47 | 1:30:51 | |
I hope you're right. | 1:30:51 | 1:30:52 | |
Or you're going to end up taking everyone down with you. | 1:30:52 | 1:30:55 | |
So, what are you playing at? | 1:31:02 | 1:31:03 | |
-I'm just giving the girl some company. -Pfft! | 1:31:03 | 1:31:06 | |
GLASS SMASHES | 1:31:06 | 1:31:07 | |
-Oh! -Careful, darling! | 1:31:07 | 1:31:09 | |
Take that off. Oh, what have you done? | 1:31:09 | 1:31:11 | |
Here, have a tissue. | 1:31:11 | 1:31:12 | |
I got another one for you here. Look. | 1:31:12 | 1:31:15 | |
It's too big! | 1:31:15 | 1:31:18 | |
It's not too big. It's the fashion. | 1:31:18 | 1:31:19 | |
Everyone's wearing them too big now, aren't they, Max? | 1:31:19 | 1:31:23 | |
Yeah. | 1:31:23 | 1:31:24 | |
-Yeah, see? You look the part. -What you doing? | 1:31:24 | 1:31:26 | |
I poured my drink over him. | 1:31:26 | 1:31:28 | |
Well, you can't take this. It's far too big. | 1:31:28 | 1:31:31 | |
Go on, he can borrow it. | 1:31:31 | 1:31:32 | |
-You're supposed to wear them big, Mum. -I said give it back! | 1:31:32 | 1:31:36 | |
Come on, we've got to get to the B&B before it locks up. | 1:31:36 | 1:31:38 | |
Give the kid a break. | 1:31:38 | 1:31:39 | |
Excuse me? What do you know about my life, eh? | 1:31:39 | 1:31:41 | |
Listen, you've only just bought these drinks, ain't you? | 1:31:41 | 1:31:44 | |
Look, thanks for everything, you've been really kind. | 1:31:44 | 1:31:47 | |
Yeah, well, you're easy to be kind to. | 1:31:47 | 1:31:49 | |
Come on, Denny, it's just across the Square. | 1:31:49 | 1:31:52 | |
She's a piece of work, she is. | 1:31:52 | 1:31:53 | |
Sharon. | 1:31:53 | 1:31:55 | |
Look, Kim's place ain't all that. Come to mine. | 1:31:58 | 1:32:02 | |
I got a big telly, computer games. | 1:32:02 | 1:32:04 | |
Amazing! | 1:32:04 | 1:32:05 | |
-Look, we don't know you. -Look, just let me help. -Why? | 1:32:05 | 1:32:08 | |
Ain't like that. It's not safe out there. | 1:32:08 | 1:32:12 | |
It's late. | 1:32:12 | 1:32:13 | |
How do I know it's safe at yours? | 1:32:13 | 1:32:14 | |
Oh, right, so first off you say I look like some crooked diamond dealer, | 1:32:14 | 1:32:19 | |
and now I look like a serial killer, do I? | 1:32:19 | 1:32:21 | |
Clearly, you need to work on your image. | 1:32:21 | 1:32:23 | |
Image? | 1:32:23 | 1:32:24 | |
I'm not the one walking round the streets with a kid, am I? | 1:32:24 | 1:32:27 | |
I didn't mean that. | 1:32:27 | 1:32:29 | |
Listen, my place ain't exactly the honeymoon suite, | 1:32:29 | 1:32:32 | |
but it's better than an hostel. | 1:32:32 | 1:32:34 | |
And if you don't trust me, take the keys, I'll stay at my brother's. | 1:32:34 | 1:32:38 | |
Please, Mum. | 1:32:40 | 1:32:42 | |
KNOCK AT THE DOOR | 1:32:48 | 1:32:50 | |
Shirley, I'm sorry about this. | 1:32:55 | 1:32:57 | |
Yeah, course you are. | 1:32:57 | 1:32:59 | |
Any idea why the object isn't where Ben tells us it is? | 1:32:59 | 1:33:02 | |
-Jay, I'm going to need you to come down to the station. -Why? | 1:33:05 | 1:33:08 | |
-What do you want to talk to him for? -Just routine. | 1:33:08 | 1:33:10 | |
If you'd like to go with one of my colleagues. | 1:33:10 | 1:33:13 | |
Why don't you and me have a little talk? | 1:33:22 | 1:33:24 | |
I was just looking. | 1:33:49 | 1:33:50 | |
You can have the soup, Dad. | 1:33:50 | 1:33:53 | |
You're in my room. But I'm not making the bed for you. | 1:33:53 | 1:33:58 | |
Well, what about my bed? | 1:33:59 | 1:34:00 | |
I'm in there with Joey. He'll be back later. | 1:34:00 | 1:34:05 | |
And I'm not cooking for you, either. | 1:34:09 | 1:34:11 | |
Sorry. | 1:34:18 | 1:34:20 | |
For what? | 1:34:21 | 1:34:22 | |
Just don't make a noise when you come up. | 1:34:24 | 1:34:27 | |
You know why we're here? Ben's confessed to murdering Heather. | 1:34:37 | 1:34:42 | |
Must be a shock. Assuming you knew nothing about it. | 1:34:45 | 1:34:48 | |
What do you take me for? | 1:34:48 | 1:34:50 | |
Can't say I believe him. | 1:34:52 | 1:34:54 | |
Ending a life, it's profound. | 1:34:54 | 1:34:58 | |
Has a profound effect. | 1:34:58 | 1:34:59 | |
I can't believe he could just sit round a dinner table with you all | 1:34:59 | 1:35:02 | |
and manage not to give himself away. | 1:35:02 | 1:35:04 | |
He's too fragile. | 1:35:04 | 1:35:07 | |
Don't let him fool you. | 1:35:07 | 1:35:08 | |
So you think he did it? | 1:35:15 | 1:35:18 | |
Why? | 1:35:18 | 1:35:20 | |
He's just a little boy. | 1:35:20 | 1:35:22 | |
He's never been just a little boy, has he? | 1:35:22 | 1:35:24 | |
My colleague, DCI Marsden, wants to do him for wasting our time, | 1:35:24 | 1:35:27 | |
but I really don't think that's going to help. | 1:35:27 | 1:35:30 | |
So you're just going to let him go? | 1:35:30 | 1:35:33 | |
That's what we do with innocent people. | 1:35:33 | 1:35:36 | |
What about Heather? She was innocent. | 1:35:39 | 1:35:42 | |
Come on. We've done all we can here. | 1:35:42 | 1:35:44 | |
I said, what about Heather? | 1:35:44 | 1:35:45 | |
It gets easier, Shirley. | 1:35:49 | 1:35:51 | |
I promise. | 1:35:51 | 1:35:53 | |
You know, there's only one way that this will get easier. | 1:35:59 | 1:36:03 | |
# If that horse and cart falls down | 1:36:48 | 1:36:51 | |
# You'll still be the sweetest little boy in town | 1:36:51 | 1:36:56 | |
# So hush little baby, don't you cry | 1:36:56 | 1:37:01 | |
# Your daddy loves you and so do I. # | 1:37:02 | 1:37:07 | |
Thanks for talking me into this. | 1:37:21 | 1:37:23 | |
Thanks for trusting me. | 1:37:23 | 1:37:25 | |
Well, you're easy to trust. Want a nightcap? | 1:37:25 | 1:37:29 | |
Shirl? | 1:37:31 | 1:37:32 | |
Shirl, what were the police doing here? | 1:37:34 | 1:37:35 | |
Shirl, what have you done to Jay? | 1:37:35 | 1:37:38 | |
I knew I shouldn't have left him here. | 1:37:38 | 1:37:40 | |
It's Ben. | 1:37:42 | 1:37:43 | |
Ben! | 1:37:45 | 1:37:46 | |
What? | 1:37:46 | 1:37:48 | |
Ben's a murderer. | 1:37:50 | 1:37:52 | |
That night. | 1:37:56 | 1:37:57 | |
Jay said he had food poisoning. He didn't. | 1:38:00 | 1:38:02 | |
He'd just watched Ben kill Heather. | 1:38:03 | 1:38:05 | |
Ben says he murdered her. | 1:38:19 | 1:38:21 | |
Now, according to your statement, taken on that night, | 1:38:23 | 1:38:26 | |
you were with him. | 1:38:26 | 1:38:28 | |
So that puts you at the scene of the crime as well. | 1:38:30 | 1:38:33 | |
No. | 1:38:33 | 1:38:34 | |
No, it doesn't! Cos I was at the Arches, working on a car. | 1:38:34 | 1:38:38 | |
Jay... | 1:38:38 | 1:38:39 | |
..Phil only cares about getting his son off, and the only thing | 1:38:40 | 1:38:45 | |
he hasn't tried yet is pointing the finger at you. | 1:38:45 | 1:38:48 | |
Do you really think he won't resort to that? When he gets desperate? | 1:38:51 | 1:38:54 | |
We stick together. | 1:38:54 | 1:38:56 | |
We're family. | 1:38:56 | 1:38:58 | |
PHONE BEEPS | 1:39:03 | 1:39:04 | |
Interview suspended at 23.03. | 1:39:13 | 1:39:16 | |
We've got the picture frame. It's with forensics now. | 1:39:27 | 1:39:30 | |
I really thought he was lying. | 1:39:31 | 1:39:33 | |
We might not get anything off it after all this time. | 1:39:33 | 1:39:37 | |
If we don't there's nothing to stop Ben retracting his statement. | 1:39:37 | 1:39:40 | |
There's no way he acted alone. | 1:39:40 | 1:39:41 | |
-Killed her then sat round the dinner table with his family. -You think the dad? | 1:39:41 | 1:39:45 | |
Who else? | 1:39:45 | 1:39:47 | |
Phil can soak up our questions for ever. | 1:39:47 | 1:39:48 | |
Let's focus on the boys. They're not cut out for this. | 1:39:48 | 1:39:52 | |
Do you think I'll ever see my house again? | 1:39:56 | 1:39:58 | |
There's no point in dwelling on that. | 1:40:00 | 1:40:03 | |
It's funny. I keep trying to picture it but... | 1:40:04 | 1:40:08 | |
it's all a blur. | 1:40:08 | 1:40:10 | |
Well? Did you find it? | 1:40:16 | 1:40:19 | |
MACHINE BUZZES | 1:40:20 | 1:40:22 | |
BUZZING STOPS | 1:40:27 | 1:40:29 | |
Interview commencing at 23.06 at Walford police station on August 13th. | 1:40:29 | 1:40:32 | |
Those present are myself DS Crisp, Ben Mitchell, Mike Sommers, | 1:40:32 | 1:40:35 | |
duty solicitor, and Mary Smith, appropriate adult. | 1:40:35 | 1:40:37 | |
Was Shirley and Jay there? Are they all right? | 1:40:37 | 1:40:39 | |
You've gone round to Heather's. You think she's dropped you in it. | 1:40:39 | 1:40:42 | |
Things get nasty. Phil comes in, after your blood. | 1:40:42 | 1:40:45 | |
You found it. | 1:40:46 | 1:40:47 | |
Maybe you've killed her. | 1:40:47 | 1:40:48 | |
Maybe there's a struggle and he's killed her. | 1:40:48 | 1:40:51 | |
Either way, he knows. | 1:40:51 | 1:40:52 | |
No! | 1:40:52 | 1:40:53 | |
Now, he's been around. Acts fast. | 1:40:53 | 1:40:55 | |
Fakes a robbery while you're still trying to work out | 1:40:55 | 1:40:58 | |
what's just happened to the rest of your life. | 1:40:58 | 1:41:00 | |
No. I did it. | 1:41:00 | 1:41:01 | |
He gets you through it. His idea of good parenting, no doubt. | 1:41:01 | 1:41:06 | |
The only thing I don't get is, you can finally bring him down, | 1:41:06 | 1:41:09 | |
only this time, you're protecting him. | 1:41:09 | 1:41:11 | |
No! No! No, I ain't, all right? Just ask Jay, all right? | 1:41:11 | 1:41:14 | |
It was me! | 1:41:14 | 1:41:16 | |
Why would Jay know? | 1:41:17 | 1:41:19 | |
I can see you want to talk. | 1:41:22 | 1:41:24 | |
Come on, the story's ridiculous. | 1:41:27 | 1:41:29 | |
Ben kills Heather, | 1:41:30 | 1:41:32 | |
sees you five minutes later and you don't notice anything odd about him? | 1:41:32 | 1:41:36 | |
He's not upset. He's not agitated. | 1:41:36 | 1:41:39 | |
You don't notice him change out of any bloody clothes. | 1:41:39 | 1:41:42 | |
I was working on a car. | 1:41:42 | 1:41:44 | |
I thought you were working on it together? Which is it? | 1:41:44 | 1:41:48 | |
We was working on it together. | 1:41:50 | 1:41:51 | |
But he says he wasn't. | 1:41:53 | 1:41:55 | |
He says he found you there. | 1:41:55 | 1:41:57 | |
Jay, come on. | 1:41:59 | 1:42:01 | |
You know I'm not asking you to grass him up? | 1:42:03 | 1:42:05 | |
Ben's already told us what happened. | 1:42:06 | 1:42:09 | |
I'm beginning to think you're more involved in this | 1:42:14 | 1:42:16 | |
than Ben's letting on. | 1:42:16 | 1:42:17 | |
Are you telling me that Jay did this? | 1:42:18 | 1:42:22 | |
Jay will get the Arches. Get married. | 1:42:23 | 1:42:27 | |
Abi. Or maybe Lola. | 1:42:29 | 1:42:32 | |
He'll have kids. He'll have it all. | 1:42:33 | 1:42:38 | |
He deserves it. He's good. | 1:42:39 | 1:42:42 | |
He didn't do this. And neither did my dad. | 1:42:47 | 1:42:50 | |
I did all this. | 1:42:51 | 1:42:53 | |
You're an unreliable witness. | 1:42:55 | 1:42:57 | |
Even with the frame, I'm not putting this before the CPS... | 1:42:57 | 1:43:00 | |
Do you need someone else, then? | 1:43:00 | 1:43:02 | |
-You need someone else to back me up? -Yes. | 1:43:02 | 1:43:05 | |
Let me talk to Jay. | 1:43:05 | 1:43:07 | |
I'm not going to do that. | 1:43:07 | 1:43:09 | |
At least let me get a message to him? | 1:43:09 | 1:43:10 | |
I can't, no. | 1:43:10 | 1:43:12 | |
Interview suspended at ten minutes past midnight. | 1:43:23 | 1:43:26 | |
I'm going to get DCI Marsden for a quick coffee. | 1:43:26 | 1:43:30 | |
Thank you. | 1:44:16 | 1:44:17 | |
For your client. | 1:44:43 | 1:44:45 | |
You should have seen the bridal suite we were staying in tonight. | 1:45:10 | 1:45:13 | |
It had floor to ceiling windows overlooking the river. | 1:45:13 | 1:45:17 | |
This fire place that came out the floor and... | 1:45:17 | 1:45:20 | |
this big tropical fish tank. It was beautiful. | 1:45:20 | 1:45:23 | |
You know, when we booked it, | 1:45:23 | 1:45:26 | |
we lay on the bed and somehow, it just seemed...wrong. | 1:45:26 | 1:45:31 | |
Ugly. | 1:45:31 | 1:45:33 | |
Like all that beauty had shone a light on us, and shown us up. | 1:45:33 | 1:45:36 | |
That's when I knew it was over. | 1:45:36 | 1:45:38 | |
You just got post-wedding blues. | 1:45:38 | 1:45:41 | |
There was no wedding, was there? I remain unmarried. Single. | 1:45:42 | 1:45:47 | |
You know, I can take things going wrong, | 1:45:49 | 1:45:52 | |
I just don't want to spend my wedding night on my own. | 1:45:52 | 1:45:55 | |
You sure this won't shine a light on us? | 1:45:59 | 1:46:01 | |
You were there, weren't you? You saw him murder her. | 1:46:09 | 1:46:12 | |
Bet you were scared. Just carried along. | 1:46:13 | 1:46:16 | |
All right, just stop. | 1:46:16 | 1:46:18 | |
Look what it's done to you. | 1:46:20 | 1:46:21 | |
I didn't kill her. | 1:46:24 | 1:46:25 | |
Either we charge you both, jointly, with her murder... | 1:46:27 | 1:46:31 | |
..or you do what Ben wants you to do. | 1:46:34 | 1:46:37 | |
Do you know Laurel and Hardy? | 1:46:51 | 1:46:52 | |
-I don't follow. -It's not a difficult question, is it? | 1:46:52 | 1:46:56 | |
Of course I do. | 1:46:56 | 1:46:58 | |
What one was the fat one and what one was the thin one? | 1:47:00 | 1:47:04 | |
Does it matter? | 1:47:06 | 1:47:07 | |
Sharon? | 1:47:37 | 1:47:38 | |
Uniform. | 1:48:05 | 1:48:07 | |
Yeah, I thought you could start off by cleaning the fryers. | 1:48:08 | 1:48:10 | |
Thank you. | 1:48:10 | 1:48:13 | |
He's here with the contracts, so you can sign over the businesses. | 1:48:16 | 1:48:22 | |
If you could just sign here... | 1:48:24 | 1:48:27 | |
..here and here. | 1:48:29 | 1:48:32 | |
I don't have a choice. | 1:48:33 | 1:48:36 | |
I know. | 1:48:37 | 1:48:40 | |
It's OK. | 1:48:40 | 1:48:41 | |
Here... | 1:48:52 | 1:48:55 | |
and here. | 1:48:55 | 1:48:56 | |
Here you are. Shirl. Here you are. | 1:49:05 | 1:49:08 | |
DOOR OPENS | 1:49:09 | 1:49:12 | |
Are the boys back? The Old Bill wouldn't tell me anything. | 1:49:12 | 1:49:16 | |
You tried to make me protect my best mate's murderer. | 1:49:16 | 1:49:20 | |
What have you done to me? | 1:49:23 | 1:49:25 | |
Come on, son. | 1:49:50 | 1:49:52 | |
Ben Mitchell... | 1:50:15 | 1:50:16 | |
Is Jay here? Is Jay Mitchell here? | 1:50:16 | 1:50:19 | |
..you will be charged with one count of murder for the murder | 1:50:19 | 1:50:22 | |
of Heather Trott on the 22nd March, 2012, at 57A Turpin Road, Walford... | 1:50:22 | 1:50:28 | |
which is counter to common law. Do you understand the charge? | 1:50:28 | 1:50:32 | |
You are not obliged to say anything, | 1:50:32 | 1:50:34 | |
but anything you do say may be given in evidence.... | 1:50:34 | 1:50:37 | |
Look, I just need to know. | 1:50:51 | 1:50:53 | |
Is he coming to court an' all? | 1:50:53 | 1:50:55 | |
DS Crisp. Oi! They're taking me to court. | 1:51:05 | 1:51:11 | |
But they ain't telling me where Jay is. | 1:51:11 | 1:51:13 | |
He's been charged with perverting the course of justice and bailed. | 1:51:16 | 1:51:19 | |
He did what I asked? He backed me up? | 1:51:22 | 1:51:26 | |
You're on your own now. | 1:51:30 | 1:51:31 | |
Subtitles by Red Bee Media Ltd | 1:52:41 | 1:52:44 |