
Browse content similar to 24/08/2012. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Jay's a witness for the prosecution, and the Old Bill | 0:00:51 | 0:00:54 | |
want to interview everyone. We've got to make sure we say the same thing. | 0:00:54 | 0:00:57 | |
Keep it brief. "Yes" and "No" answers, you got it? | 0:00:57 | 0:01:01 | |
I still just can't believe Ben did it. | 0:01:01 | 0:01:03 | |
It was an accident. And he didn't know what he was doing. OK? | 0:01:03 | 0:01:07 | |
Hold on, that's why he was acting so weird that night. | 0:01:07 | 0:01:09 | |
You know, when I saw you together. He hugged me. | 0:01:09 | 0:01:11 | |
I'm going to get Ben to change his statement anyway. | 0:01:11 | 0:01:15 | |
Why? Why would he change his statement if he did it? | 0:01:15 | 0:01:18 | |
Because this is Ben we're talking about! He can't hack it inside. | 0:01:18 | 0:01:22 | |
-And you didn't know what he'd done? -No. Course I didn't. | 0:01:22 | 0:01:24 | |
Cos come to think of it, Phil, you were acting weird that night, too. | 0:01:24 | 0:01:28 | |
I'd just got out, hadn't I? My head was all over the gaff. | 0:01:28 | 0:01:30 | |
-Where you going? -Out! | 0:01:30 | 0:01:33 | |
SHE SIGHS | 0:01:33 | 0:01:35 | |
-She all right? -Yeah, she's fine. | 0:01:35 | 0:01:38 | |
Just do what I said with the Old Bill, yeah? | 0:01:38 | 0:01:40 | |
And don't tell them that you saw me with Ben that night. | 0:01:40 | 0:01:44 | |
Why? Why not? | 0:01:44 | 0:01:45 | |
Because Marsden would love to pin this on me. | 0:01:45 | 0:01:48 | |
And I can't save Ben from the inside of a cell, can I? | 0:01:48 | 0:01:50 | |
What about Jay? | 0:01:52 | 0:01:53 | |
I'll deal with Jay when he gets the guts to show his face. | 0:01:53 | 0:01:57 | |
Says that one of them has been charged with murder, | 0:02:20 | 0:02:22 | |
and the other with perverting the course of justice. | 0:02:22 | 0:02:25 | |
-It's pretty obvious who the murderer is. -Who? | 0:02:25 | 0:02:29 | |
-Ben! -How can you be so sure? | 0:02:29 | 0:02:32 | |
-Like father, like son! -Yeah. | 0:02:32 | 0:02:35 | |
-Jay's father was no angel. -What did Heather ever do to you, eh? | 0:02:35 | 0:02:39 | |
Her poor child. | 0:02:39 | 0:02:40 | |
Why, Jay? | 0:02:48 | 0:02:51 | |
That boy's got a nerve. | 0:03:02 | 0:03:04 | |
Thought it was all going to kick off out there for a minute. | 0:03:22 | 0:03:26 | |
Why'd you clear off like that yesterday? After your hearing? | 0:03:26 | 0:03:29 | |
I just couldn't face... | 0:03:31 | 0:03:33 | |
So where'd you kip, then? | 0:03:34 | 0:03:36 | |
Didn't. Just wandered about. | 0:03:37 | 0:03:41 | |
Listen, thanks. For telling the courts I could stay with you. | 0:03:43 | 0:03:47 | |
-How's Lola? -Yeah. Yeah. She's fine. | 0:03:50 | 0:03:53 | |
Look, Jay, take these, | 0:03:54 | 0:03:57 | |
get yourself back to the flat. | 0:03:57 | 0:04:00 | |
What about my stuff? | 0:04:00 | 0:04:01 | |
I'll pop round and get it for you later. | 0:04:01 | 0:04:04 | |
No. I'll do it. | 0:04:04 | 0:04:06 | |
Jay, you know you're not supposed to speak to any of them. | 0:04:06 | 0:04:08 | |
-I need to see Phil! -I ain't too sure he's keen on seeing you right now! | 0:04:08 | 0:04:12 | |
He'll understand. | 0:04:12 | 0:04:15 | |
You OK? | 0:04:29 | 0:04:30 | |
Just come home, eh? | 0:04:33 | 0:04:36 | |
Home?! | 0:04:37 | 0:04:39 | |
Are you going to be all right with the Old Bill? | 0:04:44 | 0:04:46 | |
I won't forget this. | 0:04:53 | 0:04:54 | |
Why don't you go find Jay? | 0:04:57 | 0:04:59 | |
What do you mean he's been released? | 0:05:07 | 0:05:09 | |
I'm sorry but I'm not at liberty to give you further details. | 0:05:09 | 0:05:13 | |
Mr Cotton... | 0:05:13 | 0:05:15 | |
Don't do anything stupid. | 0:05:15 | 0:05:16 | |
Oi! | 0:05:23 | 0:05:24 | |
Did you know about this? | 0:05:24 | 0:05:26 | |
Do you really think I'd let Amy live under the same roof if I knew? | 0:05:26 | 0:05:29 | |
Maybe Amy should come and stay with me for a while then. | 0:05:29 | 0:05:32 | |
Look, thanks for the offer, yeah? But we'll be all right. | 0:05:32 | 0:05:36 | |
You moved on already? | 0:05:39 | 0:05:40 | |
Oh. Ian's a mate. Offered us a place to stay. | 0:05:40 | 0:05:44 | |
But it isn't as good as your place. | 0:05:45 | 0:05:47 | |
He hasn't even got any decent video games! | 0:05:47 | 0:05:49 | |
-HE CHUCKLES -Look, you can come round mine and play video games | 0:05:49 | 0:05:52 | |
whenever you want. | 0:05:52 | 0:05:54 | |
-D'you want to meet up for a drink later? -You buying? | 0:05:54 | 0:05:58 | |
HE CHUCKLES | 0:05:58 | 0:05:59 | |
Maybe. One for the road. | 0:05:59 | 0:06:01 | |
-You leaving? -We're ALWAYS moving around. | 0:06:01 | 0:06:04 | |
So, you were right then? | 0:06:08 | 0:06:10 | |
Er, no one's been convicted yet! | 0:06:10 | 0:06:13 | |
Christian'll have to call Jane, let her know. | 0:06:13 | 0:06:15 | |
Can't say I'm that surprised. Come on, Ben was always a bit twisted. | 0:06:15 | 0:06:19 | |
You can't tell me that Phil didn't know that he'd done it! | 0:06:19 | 0:06:22 | |
Conspiracy theories started already? | 0:06:22 | 0:06:23 | |
Still, gives busybodies like you something to do I suppose. Thank you. | 0:06:23 | 0:06:27 | |
Come on, darling. | 0:06:27 | 0:06:29 | |
Wait there, won't be long, baby. Hey. | 0:06:39 | 0:06:42 | |
-I thought maybe you'd left. -Trying to get rid of me? | 0:06:42 | 0:06:46 | |
No. I like having you here. | 0:06:46 | 0:06:49 | |
But? | 0:06:49 | 0:06:51 | |
But what Dad needs right now is stability and routine. | 0:06:51 | 0:06:54 | |
Well, it's nice to see you're concerned about him after all. | 0:06:54 | 0:06:58 | |
But maybe you should tell him to his face, huh? | 0:06:58 | 0:07:02 | |
Right now, I think we should be more worried about what your dad's going to do when he sees this. | 0:07:02 | 0:07:06 | |
Sees what? | 0:07:07 | 0:07:09 | |
Hm! | 0:07:11 | 0:07:13 | |
Strolling around like he doesn't have a care in the world! | 0:07:13 | 0:07:16 | |
And to think he was seeing Abi... | 0:07:16 | 0:07:19 | |
-Makes my blood run cold. -Somebody should teach that boy a lesson. -Oh! | 0:07:19 | 0:07:23 | |
Mob rule now, is it? | 0:07:23 | 0:07:26 | |
-Thought you'd have known better. -You defending him now? | 0:07:26 | 0:07:28 | |
No, I'm not defending him! | 0:07:28 | 0:07:30 | |
Nobody could defend what he did! | 0:07:30 | 0:07:33 | |
But an eye for an eye and soon the whole world'll be blind. | 0:07:33 | 0:07:36 | |
Well then, what am I supposed to do? Huh? | 0:07:36 | 0:07:38 | |
-Let justice take its course. -Justice?! | 0:07:38 | 0:07:41 | |
I tell you what... | 0:07:41 | 0:07:43 | |
Why don't I cook us a nice dinner? Take our mind off things, eh? | 0:07:45 | 0:07:49 | |
I don't think so. | 0:07:49 | 0:07:51 | |
SHE SIGHS | 0:07:53 | 0:07:55 | |
Hey. | 0:07:55 | 0:07:58 | |
Why don't you go back to bed? | 0:07:58 | 0:08:03 | |
Or maybe you could see a doctor? See if he can give you something to help you sleep? | 0:08:03 | 0:08:08 | |
I've let him down. | 0:08:11 | 0:08:13 | |
This is not your fault. | 0:08:13 | 0:08:15 | |
Sharon, I could have done more. | 0:08:16 | 0:08:19 | |
What could you have done? | 0:08:19 | 0:08:21 | |
I should... I should have... | 0:08:21 | 0:08:25 | |
-I should've... -You couldn't have known! | 0:08:27 | 0:08:29 | |
When am I going to feel better? | 0:08:33 | 0:08:34 | |
You really should see a doctor, Ian. | 0:08:37 | 0:08:39 | |
-I don't want any pills! -OK, | 0:08:39 | 0:08:42 | |
OK. No pills. | 0:08:42 | 0:08:45 | |
But maybe you should talk to someone. | 0:08:45 | 0:08:47 | |
After everything you've been through. | 0:08:47 | 0:08:49 | |
No, no. I don't, I don't want to talk to anyone. OK? | 0:08:50 | 0:08:54 | |
I don't want to talk to doctors. I don't want to talk to you. I want you to go. | 0:08:54 | 0:08:58 | |
Leave me alone. I want you to go. | 0:08:58 | 0:08:59 | |
What you doing here? | 0:09:15 | 0:09:16 | |
I thought... | 0:09:18 | 0:09:19 | |
You thought you were going to get a hero's welcome, did ya? | 0:09:19 | 0:09:21 | |
-I thought... -You thought what? What did you think, eh? | 0:09:23 | 0:09:26 | |
I thought that you'd understand! | 0:09:26 | 0:09:29 | |
Oh yeah! Yeah! I DO understand. You've stitched up my son! | 0:09:29 | 0:09:33 | |
-Ben TOLD me to make my statement! -What do you mean he told you? | 0:09:36 | 0:09:40 | |
When we were being interviewed, he wrote me a letter telling me to tell the police everything. | 0:09:40 | 0:09:44 | |
But I didn't say you were there. Didn't even mention you. | 0:09:44 | 0:09:47 | |
-This has got nothing to do with me. This is Ben we're talking about! -This is what Ben wants! | 0:09:47 | 0:09:51 | |
What Ben wants?! Ben don't KNOW what he wants! Ben ain't right in the head. You know that. | 0:09:51 | 0:09:55 | |
And I know that! Ben weren't right in the head the night he smashed Heather's head in! | 0:09:55 | 0:09:59 | |
Ben ain't right sticking his hands up to this now. But we can help him. | 0:09:59 | 0:10:03 | |
You and me. Do you understand? Because you... | 0:10:03 | 0:10:06 | |
you are going to change your statement. | 0:10:06 | 0:10:08 | |
-I can't do that, Phil. -Well, I think you can. | 0:10:10 | 0:10:15 | |
What are you going to do? Beat me up? | 0:10:15 | 0:10:17 | |
Go on then! If it'll make you feel better! It won't change anything! | 0:10:17 | 0:10:21 | |
-This is the one decent thing Ben's done! -Decent?! Stupid more like! | 0:10:21 | 0:10:25 | |
Ain't you just a bit relieved all this is over? | 0:10:25 | 0:10:27 | |
Because I am. There's no more lies. No more secrets. | 0:10:27 | 0:10:31 | |
This is what Ben wants! And it's best for the whole family! | 0:10:31 | 0:10:33 | |
Tell you what - you do this, and you ain't a part of this family. | 0:10:33 | 0:10:37 | |
If you do this, you're nothing more than a grass! | 0:10:37 | 0:10:40 | |
And if your old man thought that, | 0:10:40 | 0:10:42 | |
he'd be turning over in his grave. | 0:10:42 | 0:10:45 | |
You can leave that, and all! | 0:10:45 | 0:10:47 | |
I said, you can leave this lot here and all. | 0:10:47 | 0:10:51 | |
-That's my stuff! -No, it ain't. | 0:10:51 | 0:10:53 | |
It's mine. Cos one way or another, I paid for it, didn't I? | 0:10:53 | 0:10:56 | |
If you do this, walk out that door, | 0:10:56 | 0:10:57 | |
and you leave the same way you came in. With nothing. | 0:10:57 | 0:11:01 | |
Well, I don't need you. Cos I've got Billy! | 0:11:01 | 0:11:03 | |
Billy!? You think Billy can protect you from that lot out there? | 0:11:03 | 0:11:06 | |
The only person who can do that is me! | 0:11:06 | 0:11:08 | |
All you've got to do is change your statement! | 0:11:08 | 0:11:11 | |
(No.) | 0:11:16 | 0:11:17 | |
They can rip you to shreds for all I care! | 0:11:21 | 0:11:23 | |
That's it. Keep running! | 0:11:39 | 0:11:42 | |
En route to this family dinner, you stopped at the Minute Mart on Bridge Street, is that correct? | 0:11:43 | 0:11:48 | |
Yeah. To get some crisps and booze and... | 0:11:48 | 0:11:52 | |
Yeah, that's right. | 0:11:52 | 0:11:56 | |
And then you went straight back to the house? | 0:11:56 | 0:11:59 | |
Where else d'you think I'm going to go? | 0:11:59 | 0:12:01 | |
Yes. | 0:12:03 | 0:12:05 | |
Did you see anybody on the street between leaving the Minute Mart | 0:12:05 | 0:12:08 | |
and arriving back at the house? | 0:12:08 | 0:12:10 | |
No. | 0:12:12 | 0:12:13 | |
And Mr Mitchell arrived at the party with Ben and Jay? | 0:12:15 | 0:12:19 | |
-Yeah. -You didn't find that odd? | 0:12:19 | 0:12:22 | |
No. | 0:12:24 | 0:12:27 | |
How would you describe Ben's state of mind when he arrived? | 0:12:27 | 0:12:30 | |
I don't know what you mean. | 0:12:31 | 0:12:33 | |
Well let me help you out, shall I? | 0:12:33 | 0:12:35 | |
According to others present he was "laughing and joking." | 0:12:35 | 0:12:40 | |
That ring any bells? | 0:12:40 | 0:12:42 | |
He made some joke about... | 0:12:42 | 0:12:46 | |
"Where's Hev? It's not like her to miss a free meal." | 0:12:46 | 0:12:50 | |
Rather callous, don't you think, | 0:12:50 | 0:12:53 | |
considering he knew she was dead? | 0:12:53 | 0:12:55 | |
Yes. | 0:12:59 | 0:13:00 | |
How could you do it, Jay? | 0:13:24 | 0:13:26 | |
Huh? | 0:13:26 | 0:13:28 | |
How could you?! | 0:13:28 | 0:13:30 | |
To Heather of all people! | 0:13:30 | 0:13:33 | |
Huh? | 0:13:33 | 0:13:35 | |
That woman never hurt anybody at all in her life! | 0:13:35 | 0:13:40 | |
Why? Why? | 0:13:40 | 0:13:42 | |
WHY?! | 0:13:42 | 0:13:44 | |
There you go, babe. | 0:13:50 | 0:13:51 | |
I didn't mean to... | 0:13:53 | 0:13:56 | |
-I know. I know. -I am sorry... -Ian, | 0:13:56 | 0:13:58 | |
we're old friends, you don't have to apologise. | 0:13:58 | 0:14:02 | |
But what is important right now is that you have your family around you. | 0:14:02 | 0:14:05 | |
Yeah, you and little Dennis are welcome to stay as long as you like. | 0:14:05 | 0:14:08 | |
I know. | 0:14:08 | 0:14:10 | |
-Lunch is in the oven. -Where are you off to? | 0:14:16 | 0:14:20 | |
Out. | 0:14:20 | 0:14:21 | |
I think he can manage without me. | 0:14:23 | 0:14:25 | |
I think your dad would prefer it if you stayed. | 0:14:25 | 0:14:28 | |
Why? He doesn't need ME. | 0:14:28 | 0:14:32 | |
You know, maybe it's best for everyone if I wasn't here. | 0:14:32 | 0:14:36 | |
You're just going to leave? | 0:14:36 | 0:14:38 | |
I thought that's what you wanted. | 0:14:38 | 0:14:39 | |
Sooner or later, you've got to clear the air with your dad. | 0:14:39 | 0:14:44 | |
You've got to stop punishing him. | 0:14:44 | 0:14:46 | |
And it's like you said, he needs his routine. | 0:14:46 | 0:14:48 | |
So, it's best I wasn't here. | 0:14:48 | 0:14:51 | |
But you will keep in touch? | 0:14:51 | 0:14:53 | |
I won't be going far. | 0:14:53 | 0:14:55 | |
And you'll be around to keep an eye on him? | 0:14:56 | 0:14:58 | |
Mm-hmm. Your dad still needs me. | 0:14:58 | 0:15:01 | |
So I'll be around a while to help share the burden. OK? | 0:15:01 | 0:15:05 | |
Heather was just stood there... | 0:15:24 | 0:15:28 | |
trying to calm him down... | 0:15:28 | 0:15:30 | |
..trying to help him like she always did... | 0:15:32 | 0:15:35 | |
..and suddenly he had the photo frame in his hand... | 0:15:38 | 0:15:40 | |
For a split second, | 0:15:42 | 0:15:45 | |
everything just... went into slow motion. | 0:15:45 | 0:15:50 | |
I saw him swing it towards her. | 0:15:55 | 0:15:57 | |
Couldn't stop him. | 0:15:59 | 0:16:02 | |
I wanted to, but I couldn't... | 0:16:02 | 0:16:07 | |
Then everything sped up again... | 0:16:08 | 0:16:11 | |
Heather was just lying there, on the floor. | 0:16:13 | 0:16:16 | |
And once... | 0:16:22 | 0:16:23 | |
..once the shock wore off, once it all sunk in... | 0:16:24 | 0:16:30 | |
Ben was just like this little kid... | 0:16:30 | 0:16:33 | |
..just like a little kid who didn't know what he'd done... | 0:16:35 | 0:16:38 | |
..and he needed me... | 0:16:41 | 0:16:44 | |
..my little kid brother needed protecting... | 0:16:45 | 0:16:49 | |
from himself... | 0:16:49 | 0:16:52 | |
I didn't know what to do... | 0:16:56 | 0:16:58 | |
There were times I wanted to give him in, but... | 0:17:01 | 0:17:04 | |
Why didn't you? Hmm? | 0:17:04 | 0:17:06 | |
Why do bad things happen to good people? Hmmm? | 0:17:17 | 0:17:21 | |
What about bad people? | 0:17:23 | 0:17:24 | |
Their lives just a bed of roses? | 0:17:26 | 0:17:28 | |
What about... what about pure evil people? | 0:17:29 | 0:17:34 | |
No. | 0:17:34 | 0:17:35 | |
No. You are not evil, Jay. | 0:17:35 | 0:17:39 | |
No... | 0:17:41 | 0:17:42 | |
I still remember you, you know. | 0:17:47 | 0:17:49 | |
This little kid, angry, | 0:17:52 | 0:17:55 | |
cheeky, sometimes disrespectful... | 0:17:55 | 0:17:58 | |
Me and Yolande taking you in all those years ago. | 0:18:00 | 0:18:03 | |
I always knew you had good in you. | 0:18:08 | 0:18:12 | |
Just as my... | 0:18:12 | 0:18:14 | |
Just as my son, Paul. | 0:18:14 | 0:18:15 | |
Yes, Jay, I've seen you grow into a fine young man. | 0:18:20 | 0:18:22 | |
You're kind. You're honest. | 0:18:22 | 0:18:25 | |
Compassionate. | 0:18:26 | 0:18:28 | |
And people will remember that again. | 0:18:31 | 0:18:34 | |
In time, though. | 0:18:34 | 0:18:35 | |
Who's going to look out for me now? Phil hates me. | 0:18:39 | 0:18:44 | |
Jay. | 0:18:48 | 0:18:50 | |
You're not alone, son. | 0:18:55 | 0:18:57 | |
OK? You're not alone. | 0:18:57 | 0:19:00 | |
Well? | 0:19:08 | 0:19:09 | |
Everyone toed the line. | 0:19:09 | 0:19:11 | |
How'd you get on with Jay? Right. | 0:19:11 | 0:19:14 | |
Then I think it's time you started to consider a reduced sentence. | 0:19:14 | 0:19:19 | |
Otherwise, Ben's looking at ten years. Minimum. | 0:19:19 | 0:19:23 | |
Diminished responsibility's your best bet. | 0:19:23 | 0:19:26 | |
Ben's previous psychiatric report, coupled with | 0:19:26 | 0:19:29 | |
his state of mind after the event | 0:19:29 | 0:19:30 | |
-will all be in your favour and... -No. Ben ain't... | 0:19:30 | 0:19:33 | |
-he ain't going inside. -Phil! | 0:19:33 | 0:19:36 | |
You've got to face facts! | 0:19:36 | 0:19:38 | |
Just find a way to get me in there. | 0:19:38 | 0:19:41 | |
I thought you were leaving. | 0:19:53 | 0:19:55 | |
-Change of plan. -You outstayed your welcome at Ian's place? | 0:19:55 | 0:19:58 | |
Well, I never like to stay in one place too long. | 0:19:58 | 0:20:00 | |
Told you! | 0:20:00 | 0:20:02 | |
Always moving around. | 0:20:02 | 0:20:04 | |
There's always my place. | 0:20:04 | 0:20:06 | |
-Do you do breakfast and all? -Well, if you stay around long enough | 0:20:06 | 0:20:09 | |
this time, you might find out! | 0:20:09 | 0:20:11 | |
-Tempting an offer as it is, I'll take my chances here. -My place is cheaper. | 0:20:11 | 0:20:15 | |
It'll do for now. I'm going to get my wedding dress from your brother | 0:20:15 | 0:20:19 | |
and flog it. Don't think I'll be needing it again in a hurry. | 0:20:19 | 0:20:23 | |
Well, if you're sure? | 0:20:23 | 0:20:25 | |
Positive. | 0:20:27 | 0:20:28 | |
SHE KNOCKS AT DOOR | 0:20:31 | 0:20:33 | |
Denise, | 0:20:34 | 0:20:36 | |
this is Sharon. | 0:20:36 | 0:20:38 | |
Yes, we've already met. | 0:20:38 | 0:20:42 | |
So I did what I was told. I lied for you. | 0:20:51 | 0:20:55 | |
All right? I told them I never saw you on the street that night. | 0:20:56 | 0:21:02 | |
Although I still don't know why I did it. | 0:21:02 | 0:21:04 | |
Are you going to tell me what's really going on or what? | 0:21:04 | 0:21:07 | |
I'm trying to keep my son out of prison! | 0:21:07 | 0:21:09 | |
And we just do whatever you say, no questions asked? | 0:21:09 | 0:21:11 | |
Yeah. You got a problem with that? | 0:21:11 | 0:21:14 | |
Good. | 0:21:16 | 0:21:17 | |
DOOR SLAMS | 0:21:21 | 0:21:22 | |
Why didn't you tell me? | 0:21:34 | 0:21:37 | |
Please tell me we're going be OK? | 0:21:37 | 0:21:40 | |
LEXI CRIES | 0:21:40 | 0:21:42 | |
Lexi needs feeding. | 0:21:42 | 0:21:44 | |
Lo. Please tell me we're going to be OK. | 0:21:44 | 0:21:47 | |
I don't know. | 0:21:47 | 0:21:49 | |
I don't know, Jay. | 0:21:49 | 0:21:51 | |
Hey, it's OK, Mummy's here. | 0:21:53 | 0:21:55 | |
Listen, Jay, erm... | 0:22:10 | 0:22:12 | |
..about you staying here... | 0:22:16 | 0:22:18 | |
Please don't do this to me, Bill. | 0:22:18 | 0:22:20 | |
I'm sorry, mate. | 0:22:23 | 0:22:24 | |
Lola and Lexi, they've got to come first. | 0:22:24 | 0:22:28 | |
I shouldn't have agreed to having you here. | 0:22:28 | 0:22:32 | |
-If Social Services find out there's a... -There's a what? | 0:22:32 | 0:22:35 | |
Go on. Spit it out. | 0:22:36 | 0:22:39 | |
A killer? A murderer? | 0:22:39 | 0:22:42 | |
I. Didn't. Kill. Heather. | 0:22:42 | 0:22:46 | |
-Ben did! -Yeah. | 0:22:48 | 0:22:50 | |
And you stood by and let him! | 0:22:52 | 0:22:53 | |
Oh, right. | 0:22:53 | 0:22:55 | |
Just like you stood by when my dad died! | 0:22:55 | 0:22:57 | |
-That ain't the same thing. -Why not? Because my dad deserved it? -No! -Then why? | 0:23:01 | 0:23:06 | |
You're right. | 0:23:06 | 0:23:08 | |
It's not the same. | 0:23:10 | 0:23:13 | |
What you did is worse. | 0:23:13 | 0:23:14 | |
Much worse. | 0:23:14 | 0:23:16 | |
I tried to save Heather, but I couldn't. It all happened too quick. | 0:23:18 | 0:23:22 | |
But YOU, | 0:23:23 | 0:23:25 | |
you hid in a room, | 0:23:25 | 0:23:29 | |
you heard my dad's screams as he died. | 0:23:29 | 0:23:33 | |
And you did nothing! | 0:23:33 | 0:23:36 | |
And in spite of all of that, | 0:23:37 | 0:23:40 | |
I forgave you. | 0:23:41 | 0:23:43 | |
I forgave you. So why can't you forgive me? | 0:23:43 | 0:23:49 | |
Just calm down, will ya? | 0:23:50 | 0:23:54 | |
I need you, Billy. Don't you understand? I need you. | 0:23:54 | 0:23:57 | |
You couldn't save my dad. Right? That's fine. I understand. | 0:24:06 | 0:24:09 | |
You couldn't save my dad. But you can help me. | 0:24:10 | 0:24:14 | |
You can help me. I am begging you here. | 0:24:17 | 0:24:20 | |
I am absolutely begging you here! | 0:24:20 | 0:24:22 | |
I'm sorry, Jay. | 0:24:34 | 0:24:35 | |
Coward. | 0:24:53 | 0:24:54 | |
DOOR SLAMS | 0:25:02 | 0:25:03 | |
HE SOBS | 0:27:23 | 0:27:29 | |
Shirley! | 0:27:44 | 0:27:45 | |
Come on, Shirley, please! | 0:28:07 | 0:28:09 | |
I just saw you, Shirley. Why are you hiding? | 0:28:11 | 0:28:13 | |
I'll get rid of him. | 0:28:14 | 0:28:16 | |
Please, Phil? | 0:28:18 | 0:28:20 | |
She don't want to talk to anyone. | 0:28:20 | 0:28:21 | |
Phil, please? | 0:28:21 | 0:28:23 | |
Shirley! Please? | 0:28:23 | 0:28:24 | |
He's gone. | 0:28:35 | 0:28:36 | |
Won't shift. | 0:28:39 | 0:28:40 | |
What? | 0:28:40 | 0:28:41 | |
The graffiti. God knows what they used. | 0:28:41 | 0:28:43 | |
You OK? | 0:28:45 | 0:28:46 | |
White spirit. Maybe white spirit... | 0:28:47 | 0:28:49 | |
Shirley, stop that, will you? I want to talk to you. | 0:28:49 | 0:28:51 | |
What? | 0:28:52 | 0:28:54 | |
Go to the butchers, yeah? | 0:28:54 | 0:28:57 | |
Get some steaks in for lunch. | 0:28:57 | 0:28:59 | |
I'll invite Billy, Roxy, Lola, the kids. Be nice. | 0:28:59 | 0:29:03 | |
Nice? | 0:29:04 | 0:29:05 | |
They're our family, Shirley. | 0:29:05 | 0:29:07 | |
Your family. | 0:29:07 | 0:29:08 | |
It's the same difference, ain't it? Come on, Shirl. | 0:29:08 | 0:29:10 | |
We got something. That's got to be worth fighting for. | 0:29:10 | 0:29:13 | |
Oh, no, you're not. | 0:29:18 | 0:29:20 | |
What? | 0:29:20 | 0:29:21 | |
Trying that on. | 0:29:21 | 0:29:22 | |
SHE HUMS WEDDING MARCH | 0:29:22 | 0:29:24 | |
Kim, what if you do something to it? Like... rip it? | 0:29:24 | 0:29:28 | |
You saying that I'm bigger than her? I'm not, you know. | 0:29:29 | 0:29:31 | |
No, I'm saying it's a very expensive dress. | 0:29:31 | 0:29:33 | |
Because I'm really not, except in the vital areas, | 0:29:33 | 0:29:36 | |
and I'm betting that these'll look boobilicious in this baby. | 0:29:36 | 0:29:39 | |
It's not your dress, all right? Give it here. | 0:29:39 | 0:29:42 | |
Is that mine? | 0:29:42 | 0:29:43 | |
Yes. Yes. Max dropped it over, said you'd be expecting it. | 0:29:43 | 0:29:46 | |
Why's the zip open? | 0:29:46 | 0:29:48 | |
-Zip? -Zip? | 0:29:48 | 0:29:49 | |
Oh. That's... Tanya. Must've been Tanya. | 0:29:49 | 0:29:52 | |
Yeah, Tanya. | 0:29:52 | 0:29:54 | |
Right. Would someone mind giving my room the once over? | 0:29:54 | 0:29:58 | |
The window sills are very dusty. | 0:29:58 | 0:30:00 | |
Sure. Oh, and you can leave the money on the side. | 0:30:00 | 0:30:02 | |
Money? | 0:30:02 | 0:30:04 | |
Yes, you didn't leave a deposit last night. | 0:30:04 | 0:30:06 | |
Oh. | 0:30:06 | 0:30:08 | |
Deposit? | 0:30:08 | 0:30:09 | |
Yes. It's a new policy. 60 quid. | 0:30:09 | 0:30:11 | |
-Problem? -No, no. Fine. I'll bring it over later, all right? | 0:30:13 | 0:30:16 | |
All right. | 0:30:16 | 0:30:19 | |
Thank you. | 0:30:19 | 0:30:20 | |
You lost something? | 0:30:30 | 0:30:32 | |
It's OK. | 0:30:32 | 0:30:33 | |
Phone? Purse? | 0:30:33 | 0:30:34 | |
Keys. | 0:30:34 | 0:30:36 | |
Oh, just retrace your steps, | 0:30:36 | 0:30:37 | |
that's what me Aunty Pauline used to say. | 0:30:37 | 0:30:39 | |
I'm not helping, am I? | 0:30:39 | 0:30:40 | |
Look, have you eaten? You should eat before you go out. | 0:30:41 | 0:30:44 | |
-I could do you some French toast? -I'm late. | 0:30:44 | 0:30:46 | |
All right. Where's Bobby? What about him? | 0:30:46 | 0:30:48 | |
-At a friend of his. -Which friend? -You don't know him. | 0:30:48 | 0:30:50 | |
I could cook us all something tonight? | 0:30:50 | 0:30:52 | |
We don't have any food in. | 0:30:52 | 0:30:54 | |
-I'll go shopping. -What, in that? | 0:30:54 | 0:30:56 | |
Just go back to bed, Dad. | 0:30:57 | 0:30:59 | |
Jay? | 0:31:13 | 0:31:14 | |
Whoa, easy. It's all right. | 0:31:20 | 0:31:22 | |
Just caught him eating out of the bin. | 0:31:22 | 0:31:24 | |
Where'd you sleep last night? | 0:31:24 | 0:31:26 | |
Weren't you at Billy's? | 0:31:26 | 0:31:28 | |
Jay. | 0:31:31 | 0:31:32 | |
PHONE RINGS | 0:31:34 | 0:31:36 | |
Unless you know who's calling, don't answer it. | 0:31:39 | 0:31:42 | |
I'm off to track down Ritchie. Still got to work out a way to see Ben. | 0:31:44 | 0:31:49 | |
One o'clock lunch? I'll tell Billy. | 0:31:50 | 0:31:53 | |
Oh, tell me he's joking? | 0:31:54 | 0:31:56 | |
I'm cooking. Don't be late. | 0:31:58 | 0:31:59 | |
Jay? | 0:32:03 | 0:32:05 | |
Can I have a word, Kat? | 0:32:08 | 0:32:09 | |
We found him on the street. | 0:32:14 | 0:32:15 | |
Oh, really? Have you forgot Hev was a mate? You not remember that bit? | 0:32:15 | 0:32:19 | |
It's just a cup of tea. | 0:32:20 | 0:32:22 | |
Look, I'm not saying I forgive him, I'm not saying anything. | 0:32:22 | 0:32:25 | |
-It's a cup of tea! -All right, all right. I heard you. | 0:32:25 | 0:32:28 | |
I'm going to pop out. Make sure he's gone when I get back, all right? | 0:32:28 | 0:32:31 | |
All right. | 0:32:31 | 0:32:32 | |
Yep. We'll see you there at one o'clock. Ta-ra. | 0:32:41 | 0:32:44 | |
-I ain't going. -Yes, you are. | 0:32:44 | 0:32:46 | |
It's going to be horrible. Gives me the creeps thinking about it. | 0:32:46 | 0:32:49 | |
Lola, Shirley needs us. | 0:32:49 | 0:32:50 | |
No. You mean you're too scared to say no. | 0:32:50 | 0:32:53 | |
All right, go on then. | 0:32:53 | 0:32:54 | |
Ring him back, you feel that strongly about it. Tell him you're washing your hair. | 0:32:54 | 0:32:58 | |
Come on, Lo. We'll just dive over there, have something to eat, and then we'll do one. | 0:33:00 | 0:33:03 | |
SHE SIGHS | 0:33:05 | 0:33:06 | |
Where do you think Jay is? | 0:33:09 | 0:33:11 | |
Oi. What you doing round here? | 0:33:17 | 0:33:19 | |
Jay! Here, you forgot your phone. | 0:33:19 | 0:33:23 | |
What? You putting him up? | 0:33:23 | 0:33:24 | |
No. Patrick's taking him in. | 0:33:24 | 0:33:26 | |
You know, though? You know what he's done? | 0:33:26 | 0:33:27 | |
All right, Max, let's just calm down, shall we? | 0:33:27 | 0:33:30 | |
Go on then? Enlighten us. Go on. Tell us. Why'd you do it? | 0:33:30 | 0:33:32 | |
Max. Max! He's really scared. | 0:33:32 | 0:33:34 | |
-He's only a boy. -What you talking about? He ain't a boy. He's 17. | 0:33:34 | 0:33:37 | |
You know the difference between right and wrong, don't you? You thought about Abi? Have you? | 0:33:37 | 0:33:42 | |
-Thought about what I'm going to say to her? Eh? You thought about that? No, you ain't, have you? Huh? -Hey... | 0:33:42 | 0:33:46 | |
You thought about that? Going to break her heart. You know that? | 0:33:46 | 0:33:50 | |
All right, Max! You've said enough. | 0:33:50 | 0:33:52 | |
Hope you know what you're doing. | 0:33:53 | 0:33:54 | |
Yes, well, I'm not going to see him sleeping rough. | 0:33:54 | 0:33:57 | |
You're not putting him up, are you? | 0:33:58 | 0:34:00 | |
Yes. I am. | 0:34:00 | 0:34:01 | |
Patrick! | 0:34:01 | 0:34:02 | |
What? Oh, come on, I thought you'd agree. | 0:34:02 | 0:34:05 | |
It's one thing not wanting to see the boy strung up. | 0:34:05 | 0:34:10 | |
He don't deserve a bed for the night. | 0:34:10 | 0:34:12 | |
Let me tell you something. | 0:34:12 | 0:34:15 | |
I know what it's like to be hounded by the community. | 0:34:15 | 0:34:17 | |
I know what it's like to be hated, spat at. | 0:34:17 | 0:34:19 | |
And no human being deserve that. | 0:34:19 | 0:34:22 | |
Next birthday, I know what to get you. | 0:34:29 | 0:34:31 | |
I'm enjoying having him around. Thanks. | 0:34:32 | 0:34:35 | |
Good. That's the idea. | 0:34:35 | 0:34:36 | |
Has Lucy put you up to this? | 0:34:38 | 0:34:40 | |
No. No, I swear. | 0:34:40 | 0:34:42 | |
Stupid me. | 0:34:43 | 0:34:44 | |
What d'you mean? | 0:34:44 | 0:34:45 | |
That'd mean she cares, wouldn't it? | 0:34:46 | 0:34:48 | |
She does care. | 0:34:48 | 0:34:50 | |
You don't believe me? | 0:34:50 | 0:34:51 | |
She can't even stand being in the same room as me. | 0:34:52 | 0:34:54 | |
Oh, Ian, that's not true. | 0:34:54 | 0:34:56 | |
I make her skin crawl. My own daughter. | 0:34:56 | 0:34:59 | |
She's confused. You scared her, she's angry. | 0:34:59 | 0:35:01 | |
She hates me. | 0:35:01 | 0:35:03 | |
She doesn't. She loves you! | 0:35:03 | 0:35:05 | |
She just don't know how to show it. | 0:35:05 | 0:35:07 | |
Remember what it was like at that age? | 0:35:07 | 0:35:09 | |
Oh, don't pretend you've forgotten. | 0:35:10 | 0:35:12 | |
A million different emotions all colliding with each other. | 0:35:12 | 0:35:15 | |
Last thing you want to do is tell people about them. | 0:35:15 | 0:35:18 | |
So what do I do? | 0:35:19 | 0:35:20 | |
Just be here. | 0:35:20 | 0:35:22 | |
Prove to her that she can trust you again. | 0:35:22 | 0:35:24 | |
When she's ready, she'll let you in. | 0:35:24 | 0:35:26 | |
Thanks. | 0:35:28 | 0:35:29 | |
Well, before you think I'm some sort of saint, | 0:35:29 | 0:35:31 | |
I actually do have an ulterior motive. | 0:35:31 | 0:35:34 | |
I was wondering if you could give me a job? | 0:35:34 | 0:35:36 | |
Sharon, I've signed all the businesses over to Lucy. | 0:35:36 | 0:35:39 | |
I don't have anything to do with them any more. | 0:35:39 | 0:35:42 | |
Oh. Right. So whose door should I be knocking on, then? | 0:35:42 | 0:35:46 | |
Ritchie, it's me again. You're not at the office. Where are you? | 0:35:51 | 0:35:54 | |
Want to know the latest so give me a call. Please. | 0:35:54 | 0:35:56 | |
SCARLETT CRIES | 0:35:58 | 0:36:01 | |
What, is my child making you uncomfortable? | 0:36:02 | 0:36:06 | |
Like that's not ironic. | 0:36:06 | 0:36:07 | |
Well, it ain't unusual. Most victims know their killers. | 0:36:09 | 0:36:12 | |
Yeah, but the question I want answering is | 0:36:12 | 0:36:15 | |
how did the rest of them not know? | 0:36:15 | 0:36:16 | |
You reckon they didn't? | 0:36:16 | 0:36:18 | |
Shirley would have twigged. | 0:36:18 | 0:36:19 | |
Oh, come off it. | 0:36:19 | 0:36:21 | |
You got any of them screw cap lightbulbs? Couple of 'em, please. | 0:36:21 | 0:36:25 | |
You know what? Thinking about it, I don't reckon she knew. | 0:36:25 | 0:36:29 | |
You'd be surprised, you know, what goes on behind closed doors. | 0:36:29 | 0:36:32 | |
Could tell Ben was a psycho a mile off, but Jay... | 0:36:34 | 0:36:37 | |
Thought he was a good kid. | 0:36:37 | 0:36:38 | |
That's the thing with psychos, though. | 0:36:38 | 0:36:40 | |
They don't come with a handy label on their forehead, do they? | 0:36:40 | 0:36:43 | |
My mum says prison's too good for people like that. | 0:36:43 | 0:36:45 | |
Yeah. She's right. | 0:36:45 | 0:36:47 | |
Yeah, but we don't really know what happened, do we? I mean, come on. | 0:36:47 | 0:36:50 | |
I think Heather was bludgeoned to death is what happened. | 0:36:50 | 0:36:52 | |
Yeah, I'm not sticking up for 'em, I'm just thinking if Heather was here, what would she say? | 0:36:52 | 0:36:56 | |
Oi, oi, oi, think of the football. | 0:36:56 | 0:36:58 | |
Hold on, what's this rubbish you're eating?! What's the matter with you? | 0:36:58 | 0:37:01 | |
What a surprise - chatting with your little friends on my time. | 0:37:01 | 0:37:06 | |
Again. | 0:37:06 | 0:37:07 | |
Least I got friends. | 0:37:07 | 0:37:09 | |
-ALFIE LAUGHS -What did you say? | 0:37:09 | 0:37:10 | |
Look man, there was no customers here, all right, | 0:37:10 | 0:37:13 | |
so I was just taking five. | 0:37:13 | 0:37:14 | |
-So what would you call this gentleman here? -What? No... | 0:37:14 | 0:37:17 | |
This is my boy, Alfie. | 0:37:17 | 0:37:18 | |
-Yeah. I his boy Alfie, ain't I, blud? -Feeling it. | 0:37:18 | 0:37:20 | |
No, no, I'm not a customer. I'm just checking up on these numpties, ain't I? | 0:37:20 | 0:37:24 | |
Yeah? And you told Arthur that? | 0:37:24 | 0:37:26 | |
See, for all you knew, | 0:37:26 | 0:37:27 | |
he could have been about to place the biggest order of the year. | 0:37:27 | 0:37:31 | |
There's some dog muck on the pavement outside. I want it gone. | 0:37:31 | 0:37:35 | |
Uh-uh. I need them. | 0:37:38 | 0:37:40 | |
I didn't know. | 0:37:48 | 0:37:50 | |
Hey, I never doubted you for a second. | 0:37:50 | 0:37:52 | |
Move in with us. | 0:37:56 | 0:37:58 | |
What? | 0:37:58 | 0:37:59 | |
I know it sounds odd, Shirl, but we've got space. | 0:37:59 | 0:38:04 | |
Listen, it don't have to be for long. | 0:38:04 | 0:38:06 | |
It's just, you know, till you get yourself sorted. | 0:38:06 | 0:38:08 | |
I've got a home. | 0:38:08 | 0:38:09 | |
You can't move back there, surely? | 0:38:10 | 0:38:12 | |
Why not? | 0:38:12 | 0:38:13 | |
Is he threatening you? | 0:38:16 | 0:38:18 | |
No. | 0:38:18 | 0:38:19 | |
He is, ain't he? | 0:38:19 | 0:38:20 | |
That man is a brute and I will not stand by and let him bully | 0:38:21 | 0:38:24 | |
another innocent person, I swear, I won't, Shirley. | 0:38:24 | 0:38:26 | |
He ain't done nothing. | 0:38:26 | 0:38:28 | |
We're family, we stick together. | 0:38:30 | 0:38:32 | |
What has got into you? | 0:38:34 | 0:38:37 | |
It weren't so long ago you was scrabbling around desperate | 0:38:37 | 0:38:40 | |
to find that frame and nothing was going to stop you. | 0:38:40 | 0:38:42 | |
-Not even if it was Phil that done it. -It wasn't Phil though, was it? | 0:38:42 | 0:38:45 | |
Oh, so that makes it all right, does it? | 0:38:45 | 0:38:48 | |
The fact that he's running round defending Heather's killer? | 0:38:48 | 0:38:51 | |
Ben is his son. He had no choice. | 0:38:53 | 0:38:56 | |
And what about you? | 0:38:58 | 0:39:00 | |
Eh? | 0:39:00 | 0:39:01 | |
Where do you figure in all of this? | 0:39:01 | 0:39:03 | |
Janine, hi. Maybe you don't remember me? Sharon. | 0:39:06 | 0:39:10 | |
I know who you are. | 0:39:10 | 0:39:11 | |
Right. Well, same here. | 0:39:12 | 0:39:14 | |
I heard you're quite the businesswoman. | 0:39:14 | 0:39:16 | |
Why don't you just get on with it? | 0:39:16 | 0:39:18 | |
Well, as you know, I've got several years of experience running bars. | 0:39:19 | 0:39:23 | |
I'm used to handling budgets, staff, marketing drives. | 0:39:23 | 0:39:26 | |
For instance, what's your best-selling spirit at the R&R? | 0:39:27 | 0:39:30 | |
Well, put it another way, what's lagging behind? | 0:39:31 | 0:39:34 | |
Or dragging your profit margins down? | 0:39:34 | 0:39:35 | |
SCARLETT CRIES | 0:39:35 | 0:39:37 | |
Oh, you're on maternity leave. I didn't realise. | 0:39:37 | 0:39:39 | |
-It's Michael, isn't it, your business partner? -He's my husband. | 0:39:39 | 0:39:42 | |
-I shouldn't have hassled you. -No, there are no jobs. Sorry. | 0:39:42 | 0:39:45 | |
SCARLETT CRIES | 0:39:45 | 0:39:46 | |
Shirley? Shirley! | 0:39:50 | 0:39:54 | |
I just want to talk to you. Please. | 0:39:58 | 0:40:01 | |
Please? | 0:40:01 | 0:40:03 | |
You got to learn to stand up for yourself. | 0:40:17 | 0:40:19 | |
Yeah, but you tell me, man. What can I do? | 0:40:19 | 0:40:21 | |
What do you mean? You got a tongue in your head? | 0:40:21 | 0:40:23 | |
Never been a problem of yours before. | 0:40:23 | 0:40:24 | |
Yeah, but he don't listen. | 0:40:24 | 0:40:26 | |
OK, listen to me. | 0:40:26 | 0:40:27 | |
Now, the big people in this world have had their own way far too long. | 0:40:27 | 0:40:30 | |
-But if you think about it, the numbers don't add up. -How do you mean? | 0:40:30 | 0:40:33 | |
What do you mean? There are far more little people than big people. | 0:40:33 | 0:40:36 | |
OK. | 0:40:38 | 0:40:39 | |
See where I'm going with this? Now, OK, hear me out. | 0:40:39 | 0:40:41 | |
If all the little people got together and fought the big people, | 0:40:41 | 0:40:44 | |
there'd be far more medium-sized people. | 0:40:44 | 0:40:46 | |
Right? | 0:40:46 | 0:40:47 | |
Oh. OK. | 0:40:47 | 0:40:49 | |
So what you're saying is that I need to find me | 0:40:49 | 0:40:52 | |
some vertically challenged peeps? Yeah? | 0:40:52 | 0:40:55 | |
-Yeah. -Yeah? | 0:40:56 | 0:40:58 | |
Yeah. | 0:40:58 | 0:40:59 | |
Why have you been avoiding me? | 0:41:01 | 0:41:03 | |
I haven't. | 0:41:04 | 0:41:05 | |
Oh, come on. | 0:41:05 | 0:41:06 | |
This morning you shot inside faster than a rat up a drainpipe. | 0:41:06 | 0:41:09 | |
You were scrubbing off the paint. | 0:41:10 | 0:41:12 | |
So? | 0:41:12 | 0:41:13 | |
Sends out a message, don't you think? | 0:41:13 | 0:41:15 | |
What sort of message? | 0:41:17 | 0:41:18 | |
You tell me. | 0:41:18 | 0:41:19 | |
You know, it's, er...it's funny. | 0:41:21 | 0:41:24 | |
When the finger was pointing in my direction, | 0:41:24 | 0:41:27 | |
you were the one baying for blood. | 0:41:27 | 0:41:29 | |
That was different. | 0:41:29 | 0:41:31 | |
I thought you wanted justice for Heather. | 0:41:31 | 0:41:34 | |
Thought that's what we both wanted. | 0:41:35 | 0:41:36 | |
I do! | 0:41:36 | 0:41:37 | |
Really? | 0:41:39 | 0:41:40 | |
What do you want me to do, Andrew? Throw a party? | 0:41:40 | 0:41:43 | |
Hurray, they found Hev's killers, | 0:41:43 | 0:41:45 | |
that just happened to be under my stupid nose all along! | 0:41:45 | 0:41:48 | |
I'm sorry, but I don't feel like celebrating. | 0:41:51 | 0:41:53 | |
Pops has only nipped out to the shops, so... | 0:42:01 | 0:42:03 | |
Yeah, I just seen him. He's at work, ain't he? | 0:42:03 | 0:42:05 | |
Please don't look at me like that. | 0:42:10 | 0:42:12 | |
Like what? | 0:42:12 | 0:42:13 | |
Like I'm different. | 0:42:13 | 0:42:16 | |
It's me, Lo. It's just me. | 0:42:16 | 0:42:18 | |
What happened? | 0:42:18 | 0:42:19 | |
It was an accident, all right? A stupid accident. | 0:42:20 | 0:42:23 | |
Then why would you cover it up? Why would you keep it quiet? | 0:42:23 | 0:42:27 | |
Jay! | 0:42:27 | 0:42:28 | |
I didn't want to! | 0:42:28 | 0:42:30 | |
I was scared, I didn't really have a choice. | 0:42:31 | 0:42:33 | |
Why? | 0:42:33 | 0:42:34 | |
I do not know. I can't really explain it. | 0:42:34 | 0:42:38 | |
But you weren't there, you didn't have the pressures of it. | 0:42:39 | 0:42:42 | |
I couldn't breathe, I couldn't think straight, | 0:42:42 | 0:42:45 | |
I just felt so sick and then once we'd agreed, that was it, | 0:42:45 | 0:42:49 | |
there was no going back, that was it. | 0:42:49 | 0:42:51 | |
I was trapped, I was stuck... | 0:42:51 | 0:42:53 | |
It's OK. It's OK! | 0:42:53 | 0:42:54 | |
It's all right. | 0:42:54 | 0:42:56 | |
You got to go. Pops can't find you here. | 0:42:57 | 0:42:59 | |
What am I going to do? | 0:43:00 | 0:43:02 | |
I don't know. Do you want some money? | 0:43:02 | 0:43:05 | |
No. I don't know. I just don't know. | 0:43:05 | 0:43:08 | |
LEXI CRIES | 0:43:09 | 0:43:11 | |
-Don't touch her! -I wasn't. | 0:43:14 | 0:43:17 | |
You don't think I'd hurt her, do you? | 0:43:17 | 0:43:19 | |
DOOR SLAMS | 0:43:33 | 0:43:34 | |
Remember what you said? | 0:43:44 | 0:43:45 | |
If you found Hev's killers? What you'd do to 'em? | 0:43:47 | 0:43:51 | |
Do you see Ben or Jay in this house? | 0:43:52 | 0:43:55 | |
And you swear you didn't know? | 0:43:58 | 0:44:00 | |
How can you ask me that? | 0:44:03 | 0:44:04 | |
I loved Hev, you know how much I loved her. | 0:44:06 | 0:44:10 | |
Yeah? You got a funny way of showing it. | 0:44:11 | 0:44:14 | |
"Oh, Badger, cried the Rat, let us in, please. | 0:44:30 | 0:44:34 | |
"It's me, Rat, and my friend, Mole, and we've lost our way in the snow. | 0:44:34 | 0:44:40 | |
"Ratty, my dear little..." | 0:44:40 | 0:44:41 | |
Didn't hear you come in, love. | 0:44:44 | 0:44:45 | |
Do you remember this? | 0:44:47 | 0:44:48 | |
Yeah, you do. | 0:44:50 | 0:44:52 | |
Used to do the voices with me. | 0:44:52 | 0:44:54 | |
Must have me mixed up with Peter. | 0:44:55 | 0:44:58 | |
Keep reading. | 0:44:58 | 0:45:00 | |
Yeah. | 0:45:05 | 0:45:07 | |
Where were we? Umm... | 0:45:12 | 0:45:13 | |
No, I done that bit. | 0:45:15 | 0:45:16 | |
Erm... | 0:45:16 | 0:45:17 | |
"Ratty, my dear little man, exclaimed the Badger, | 0:45:17 | 0:45:19 | |
"Come along in, both of you, at once. Why, you must be perished..." | 0:45:19 | 0:45:23 | |
Right, so, look, you pumped? You ready? You psyched? | 0:45:23 | 0:45:25 | |
-You good to do this? -S'pose. | 0:45:25 | 0:45:27 | |
Good times, good times. | 0:45:27 | 0:45:28 | |
Yo, Nico. Look, me and you got to have a conversation, bruv. | 0:45:28 | 0:45:32 | |
Well, not just me and you. Me and Andy, actually. Ain't that right bro? | 0:45:32 | 0:45:36 | |
Uh-huh. | 0:45:36 | 0:45:37 | |
Uh-huh. Right. So. I know you look at us as little people, yeah, | 0:45:37 | 0:45:40 | |
but if you put us together, we're quite big, actually. | 0:45:40 | 0:45:42 | |
Well, bigger than you, anyway. Yeah. And we just want to be treated right. | 0:45:42 | 0:45:45 | |
Otherwise we're going to go see the judge, OK? | 0:45:45 | 0:45:48 | |
Judge? | 0:45:48 | 0:45:49 | |
Yeah, man. You know, the Department of Justice. All right. | 0:45:49 | 0:45:51 | |
Employment rights, tribunals. Yeah, that's right, I know my shizzle. OK. | 0:45:51 | 0:45:55 | |
So, from this point forward I don't want to see no more bullying, | 0:45:55 | 0:45:57 | |
all right, all right? No more docking of the wages | 0:45:57 | 0:46:00 | |
and ain't nobody got time for triple shifts, bruv. All right? | 0:46:00 | 0:46:02 | |
OK. | 0:46:02 | 0:46:04 | |
OK. You see? | 0:46:04 | 0:46:07 | |
Leave your uniform on the side on your way out. | 0:46:07 | 0:46:10 | |
What? | 0:46:10 | 0:46:11 | |
Well, I take it that was your resignation? | 0:46:11 | 0:46:14 | |
Andy, look, if you feel the same way, | 0:46:14 | 0:46:17 | |
you're more than welcome to follow him. | 0:46:17 | 0:46:19 | |
Ah-ah. Your hat. Come on. | 0:46:23 | 0:46:26 | |
Patience? Ritchie, how long have you known me, eh? | 0:46:33 | 0:46:35 | |
Just don't aggravate me, all right? | 0:46:35 | 0:46:37 | |
Hiding? | 0:46:40 | 0:46:41 | |
-What you doing here? -The Arches were closed, so I thought I'd try your other business. | 0:46:43 | 0:46:47 | |
Don't change, do you, Phil? | 0:46:49 | 0:46:51 | |
Always pulling the same old moves, | 0:46:51 | 0:46:53 | |
pushing people away before they have a chance to get close. | 0:46:53 | 0:46:56 | |
What do you want, Sharon? | 0:46:56 | 0:46:58 | |
Truthfully? A job. | 0:46:58 | 0:47:01 | |
What sort of job? | 0:47:02 | 0:47:04 | |
Well, anything. Well, besides cleaning. | 0:47:04 | 0:47:06 | |
I don't know. Maybe. | 0:47:08 | 0:47:09 | |
Now's not a very good time. | 0:47:10 | 0:47:12 | |
Because of Ben? | 0:47:12 | 0:47:14 | |
I'll look into it, all right? I'm sure I can find something. | 0:47:14 | 0:47:17 | |
Was there something else? | 0:47:20 | 0:47:22 | |
What happened? | 0:47:22 | 0:47:24 | |
He kills her, an innocent woman, just out the blue. | 0:47:24 | 0:47:27 | |
No provocation, nothing? | 0:47:27 | 0:47:28 | |
You got no idea. | 0:47:28 | 0:47:30 | |
You got absolutely no idea what went on cos you weren't there, | 0:47:30 | 0:47:33 | |
so don't even begin to judge. | 0:47:33 | 0:47:35 | |
-And you were? -What? | 0:47:35 | 0:47:36 | |
You were there? | 0:47:36 | 0:47:37 | |
-Lexi go down all right? -Yeah. | 0:47:48 | 0:47:50 | |
Well, this is nice, ain't it? | 0:47:54 | 0:47:58 | |
All of us, you know, having dinner together. | 0:47:58 | 0:48:00 | |
Mmm. Smells really nice. Thanks. | 0:48:00 | 0:48:03 | |
Did I say you could start? | 0:48:03 | 0:48:05 | |
Yeah, come on, Lo. Manners, you know. | 0:48:06 | 0:48:10 | |
Phil's not here yet. | 0:48:13 | 0:48:15 | |
I don't know what to say. | 0:48:21 | 0:48:23 | |
Don't say anything. | 0:48:23 | 0:48:24 | |
Just... | 0:48:24 | 0:48:26 | |
Just turn around and walk out the door. | 0:48:26 | 0:48:28 | |
You're a good person, Phil. | 0:48:28 | 0:48:30 | |
It was an accident. That's what you said. A moment of madness. | 0:48:30 | 0:48:34 | |
Don't make any difference. | 0:48:34 | 0:48:35 | |
He could have done it in cold blood, could have done it to anyone. | 0:48:35 | 0:48:40 | |
Could be a mass murderer, I'd still want him to get off. | 0:48:40 | 0:48:42 | |
What does that make me? | 0:48:42 | 0:48:43 | |
A parent. | 0:48:43 | 0:48:45 | |
Right and wrong, they don't come into it. | 0:48:45 | 0:48:47 | |
But she... She didn't ask for this. She don't deserve it. | 0:48:50 | 0:48:54 | |
Shirley? | 0:48:55 | 0:48:56 | |
She loves you. | 0:48:58 | 0:48:59 | |
Just makes it worse. | 0:49:00 | 0:49:03 | |
So, Bill, how's life treating you with a newborn? | 0:49:09 | 0:49:11 | |
Knackering. | 0:49:11 | 0:49:13 | |
Er, come on, I do all the hard work. | 0:49:13 | 0:49:15 | |
Oh, yeah? Who was it got out of bed at half three this morning then? | 0:49:15 | 0:49:18 | |
-The ghost? -Oh! I don't miss those days. I really don't. | 0:49:18 | 0:49:21 | |
How long do you think it'll be before she starts sleeping through? | 0:49:21 | 0:49:25 | |
I don't know. I've blocked it out of my memory. | 0:49:25 | 0:49:27 | |
Wait till she's a teenager. That's when the real nightmare starts. | 0:49:27 | 0:49:31 | |
ROXIE SIGHS | 0:49:34 | 0:49:36 | |
Shirl, you all right? | 0:49:36 | 0:49:37 | |
Phil definitely coming then, is he? | 0:49:39 | 0:49:41 | |
Maybe he don't like hot food. | 0:49:41 | 0:49:44 | |
-What? -Ow! | 0:49:44 | 0:49:45 | |
What? I'm just saying, he makes a habit of it don't he, being late? | 0:49:45 | 0:49:48 | |
LEXI CRIES | 0:49:48 | 0:49:50 | |
She don't like it when she wakes up on her own. | 0:49:50 | 0:49:52 | |
Hey, hey. Sssh-shh. It's OK. | 0:49:58 | 0:50:01 | |
Come on, bubba girl. Mummy's here. Oh, you good girl. | 0:50:01 | 0:50:04 | |
You all right? | 0:50:06 | 0:50:07 | |
Shirl? Shirl, you all right? | 0:50:10 | 0:50:12 | |
DOOR SLAMS | 0:50:12 | 0:50:13 | |
Offer still open? | 0:50:21 | 0:50:22 | |
Am I late? | 0:50:46 | 0:50:47 | |
45 minutes. | 0:50:47 | 0:50:49 | |
I'm sorry, Shirl, I'll come home now. | 0:50:49 | 0:50:52 | |
That's nothing, is it, compared to last time. What was that? | 0:50:52 | 0:50:56 | |
Hour and a half? | 0:50:57 | 0:50:59 | |
I'm sorry, I just got caught up talking to Ritchie. | 0:50:59 | 0:51:03 | |
That's funny. She looked awfully like Sharon. | 0:51:03 | 0:51:06 | |
She just wants a job, that's all. | 0:51:06 | 0:51:09 | |
Look, I don't care about her. I don't care about her. | 0:51:09 | 0:51:13 | |
Don't mean nothing to you, does it? Hour and a half. | 0:51:15 | 0:51:17 | |
I'll come home, all right? | 0:51:18 | 0:51:20 | |
I'll put the steak in the microwave. Everything'll be fine. | 0:51:20 | 0:51:22 | |
Don't keep on about the flaming steaks! | 0:51:22 | 0:51:25 | |
That's how long little George was left alone with his mother's corpse. | 0:51:28 | 0:51:33 | |
Come on, Shirl, let's not go there. | 0:51:33 | 0:51:35 | |
Babies, babies, they get scared when they're left alone. | 0:51:35 | 0:51:39 | |
Like little Lexi, she was left alone for just 30 seconds, | 0:51:39 | 0:51:42 | |
and she started crying. | 0:51:42 | 0:51:44 | |
Just 30 seconds and she started to cry. | 0:51:44 | 0:51:46 | |
Shirl, you ain't making sense... | 0:51:46 | 0:51:47 | |
George, George was left for 90 minutes! | 0:51:47 | 0:51:51 | |
90 minutes! | 0:51:51 | 0:51:53 | |
He could've got up. | 0:51:53 | 0:51:54 | |
He could've gone into the next room and saw his mum lying on the floor. | 0:51:54 | 0:52:00 | |
Didn't think about that, did you, when you were shovelling curry in your gob? | 0:52:01 | 0:52:04 | |
Shirl. It's all right. Come on, it's all right. | 0:52:04 | 0:52:06 | |
I can't... I can't get this off me. I'm covered in it! | 0:52:06 | 0:52:11 | |
All right, we'll get you home and cleaned up, | 0:52:11 | 0:52:13 | |
and I'll sort out lunch. | 0:52:13 | 0:52:14 | |
-All right? I'll sort out lunch. -Lunch?! | 0:52:14 | 0:52:16 | |
All right. We'll do it some other time. Postpone. | 0:52:22 | 0:52:26 | |
No. No, why should we? | 0:52:26 | 0:52:27 | |
Why not? | 0:52:27 | 0:52:28 | |
No, cos I'm going to have a say in this. I'm going to make a choice. | 0:52:28 | 0:52:32 | |
And my choice is no. | 0:52:32 | 0:52:34 | |
To what? | 0:52:34 | 0:52:36 | |
Everything. | 0:52:36 | 0:52:38 | |
See this? | 0:52:38 | 0:52:39 | |
This is your blood, Phil. This is Mitchell blood, not mine. | 0:52:40 | 0:52:44 | |
I'm not going to be your patsy. | 0:52:45 | 0:52:47 | |
I'm not going to let you use me like that. | 0:52:47 | 0:52:49 | |
I'm not using you, Shirl. I love you. You know that I love you. | 0:52:49 | 0:52:52 | |
No! Love is good! | 0:52:52 | 0:52:54 | |
Love is pure. Love is what I felt for Heather. | 0:52:56 | 0:53:00 | |
This, this thing between you and me. | 0:53:02 | 0:53:07 | |
It's twisted into something else. | 0:53:08 | 0:53:10 | |
Something ugly. | 0:53:11 | 0:53:13 | |
It's over, Phil. | 0:53:18 | 0:53:20 | |
It's over. | 0:53:23 | 0:53:24 | |
MOBILE PHONE RINGS | 0:53:50 | 0:53:52 | |
I just want to know that you're OK, so... | 0:54:06 | 0:54:09 | |
DOOR OPENS Just give me a call, yeah? Just... | 0:54:09 | 0:54:12 | |
FOOTSTEPS APPROACH Just give me a call. | 0:54:12 | 0:54:14 | |
So, she's gone, then? | 0:54:27 | 0:54:29 | |
Surprised she lasted this long, to be honest with you. | 0:54:30 | 0:54:33 | |
I mean, finding out you've been living | 0:54:35 | 0:54:36 | |
with your best mate's murderer all this time. | 0:54:36 | 0:54:39 | |
Give it a rest, will you? | 0:54:39 | 0:54:41 | |
The important thing now is that we all stick together. | 0:54:41 | 0:54:44 | |
We're not sticking together, though, are we, Phil? Huh? | 0:54:44 | 0:54:48 | |
I mean, even Shirley's turned her back on us now, hasn't she? | 0:54:48 | 0:54:51 | |
Do you really think it's going to end there? | 0:54:51 | 0:54:53 | |
How long till you think everyone else out here does exactly the same? | 0:54:53 | 0:54:57 | |
Do you know, I can't even walk down the street | 0:54:57 | 0:54:59 | |
without them all looking at me. Whispering. | 0:54:59 | 0:55:01 | |
They think we knew about it. I can see them looking at me, | 0:55:01 | 0:55:04 | |
thinking, "Well she must have been in on it, mustn't she?" | 0:55:04 | 0:55:06 | |
I keep asking myself the same question. | 0:55:06 | 0:55:08 | |
How? How did none of us know? | 0:55:08 | 0:55:10 | |
Because I was living here with Amy under the same roof. | 0:55:10 | 0:55:12 | |
Just put a sock in it, yeah? | 0:55:12 | 0:55:15 | |
Do you know what? Don't take it out on me, all right? | 0:55:15 | 0:55:18 | |
Because I'm the only one who is still here, OK? | 0:55:18 | 0:55:21 | |
-I lied for you, no questions asked. -No-one's asked you to stay. | 0:55:21 | 0:55:24 | |
-Excuse me? -Well, if you're so bothered about | 0:55:24 | 0:55:26 | |
what everybody's thinking, why don't you find somewhere else to live? | 0:55:26 | 0:55:29 | |
-That's lovely, Phil. What happened to sticking together? -Just go, yeah? Sling your hook. | 0:55:29 | 0:55:33 | |
Fine. | 0:55:35 | 0:55:36 | |
DOOR SLAMS | 0:55:43 | 0:55:44 | |
You were right, I couldn't stay there. | 0:55:46 | 0:55:49 | |
Shame it took you so long. | 0:55:49 | 0:55:52 | |
You should have left soon as you found out. | 0:55:52 | 0:55:54 | |
Instead of disrespecting Heather's memory. | 0:55:54 | 0:55:56 | |
I was the one who had to tell Auntie Dot, by the way. | 0:55:56 | 0:56:00 | |
Did it last night. | 0:56:00 | 0:56:02 | |
She's heartbroken. | 0:56:02 | 0:56:04 | |
I loved Hev, too, Andrew! | 0:56:04 | 0:56:08 | |
I loved her. | 0:56:08 | 0:56:09 | |
It's OK, don't mind me. | 0:56:28 | 0:56:29 | |
I'm going to go put my make-up on. | 0:56:32 | 0:56:34 | |
So, er... what we got planned for today, then, Ian? | 0:56:44 | 0:56:48 | |
Spot of knitting? | 0:56:49 | 0:56:50 | |
You and Lucy seem to be getting on OK. | 0:56:53 | 0:56:55 | |
You make sure you treat her right. | 0:56:57 | 0:57:00 | |
I will. | 0:57:00 | 0:57:02 | |
She's special. | 0:57:04 | 0:57:05 | |
Yeah. Yeah, she is. | 0:57:05 | 0:57:08 | |
So special that you decided to walk out on her | 0:57:08 | 0:57:12 | |
and let her think you were dead for months. | 0:57:12 | 0:57:14 | |
Leaving her all alone so that Derek could scare her witless | 0:57:14 | 0:57:19 | |
by dipping into the till whenever he fancied. | 0:57:19 | 0:57:21 | |
-He did what? -Yeah. | 0:57:21 | 0:57:24 | |
So, it makes you wonder which of you is the worse father, don't it? | 0:57:24 | 0:57:29 | |
So, don't you worry, old man. | 0:57:29 | 0:57:32 | |
I'll be treating Lucy far better than you ever did. | 0:57:32 | 0:57:35 | |
Mum? | 0:57:41 | 0:57:43 | |
Ooh... | 0:57:56 | 0:57:58 | |
SHE SIGHS | 0:57:58 | 0:58:00 | |
What's all this? | 0:58:00 | 0:58:02 | |
-I am returning to the helm. -Why? | 0:58:02 | 0:58:06 | |
I don't know, Michael, dearest, | 0:58:06 | 0:58:08 | |
maybe because I just can't bear to be apart from you. | 0:58:08 | 0:58:10 | |
That a trifle hasty, do you think? | 0:58:10 | 0:58:12 | |
Anyone would think you didn't want me to come back. | 0:58:12 | 0:58:15 | |
I don't. | 0:58:15 | 0:58:18 | |
I'm just thinking about your welfare, darling. | 0:58:18 | 0:58:21 | |
I think I can cope, darling. | 0:58:21 | 0:58:23 | |
What time's Whitney getting here? | 0:58:23 | 0:58:25 | |
She's not. I'm bringing Scarlett with me. | 0:58:25 | 0:58:28 | |
Why? | 0:58:28 | 0:58:29 | |
-Why not? -Because she's so small? | 0:58:29 | 0:58:31 | |
-Well, why don't we ask Scarlett and see what she thinks, eh? -OK. | 0:58:31 | 0:58:33 | |
Hello, princess. Hello. | 0:58:33 | 0:58:38 | |
Is Daddy being a grump? | 0:58:38 | 0:58:39 | |
Yes, he is. Yes, he... | 0:58:39 | 0:58:41 | |
-SCARLETT RETCHES -Ooh! | 0:58:41 | 0:58:43 | |
Oh! I think Scarlett's made her position abundantly clear, | 0:58:43 | 0:58:47 | |
haven't you, darling? | 0:58:47 | 0:58:48 | |
That's going to leave a mark. | 0:58:48 | 0:58:50 | |
Thanks, babes. | 0:58:54 | 0:58:55 | |
Shhhh... | 0:58:57 | 0:58:59 | |
How could you make a decision like that without consulting me? | 0:59:00 | 0:59:04 | |
So, what do you want me to do? | 0:59:04 | 0:59:06 | |
Throw him out on the street? | 0:59:06 | 0:59:08 | |
I've already told Shirley that she can stay here if she wanted to. | 0:59:09 | 0:59:12 | |
I'm sorry about that. | 0:59:12 | 0:59:15 | |
This isn't our fight, Patrick. | 0:59:15 | 0:59:18 | |
So what? | 0:59:18 | 0:59:21 | |
You want us to turn our backs on him? | 0:59:21 | 0:59:24 | |
Like everybody else? | 0:59:24 | 0:59:25 | |
Have you forgotten what he did? | 0:59:25 | 0:59:26 | |
He watched Heather die and then he lied to Shirley about it. | 0:59:26 | 0:59:29 | |
No, no, no. I haven't forgotten. | 0:59:29 | 0:59:32 | |
But maybe I am prepared to forgive. | 0:59:32 | 0:59:35 | |
And maybe I'm not. | 0:59:35 | 0:59:37 | |
I thought you were better than that. | 0:59:37 | 0:59:39 | |
This isn't about me, is it, Patrick? | 0:59:39 | 0:59:41 | |
It's about what's right and what's wrong. | 0:59:41 | 0:59:43 | |
Look, Jay knows what he did was wrong. | 0:59:43 | 0:59:46 | |
Believe you me, he knows. | 0:59:46 | 0:59:48 | |
And he'll have to carry that burden with him for the rest of his life. | 0:59:48 | 0:59:52 | |
And the courts, he'll be punished. | 0:59:52 | 0:59:56 | |
And on top of all that, we stand in judgement over him, too? | 0:59:56 | 1:00:01 | |
No, no, no, no, man. | 1:00:01 | 1:00:03 | |
I know it's not an easy option. | 1:00:03 | 1:00:07 | |
But this place is my home, and Jay stays. | 1:00:07 | 1:00:11 | |
Just don't do anything over the top, eh? | 1:00:19 | 1:00:21 | |
I have run the club before, you know. No Shirley? | 1:00:21 | 1:00:24 | |
No. She's, uh... moved out. | 1:00:24 | 1:00:27 | |
I'll be back for the rest of my stuff later, yeah? | 1:00:29 | 1:00:32 | |
Looks like she's not the only one. | 1:00:32 | 1:00:34 | |
It's going to be like a ghost house here, innit? | 1:00:34 | 1:00:37 | |
And there's me and Denny cooped up in the B&B. | 1:00:37 | 1:00:41 | |
Ain't you got a club to open? | 1:00:41 | 1:00:43 | |
Fine. But you can buy me a drink in the Vic later. | 1:00:43 | 1:00:47 | |
-See ya. -See ya. | 1:00:47 | 1:00:49 | |
There's a party at Lauren's, lunchtime. | 1:00:57 | 1:00:59 | |
-Who has a party at lunchtime? -Lauren. | 1:00:59 | 1:01:04 | |
Right, well, some of us have got to work. | 1:01:04 | 1:01:06 | |
I'm sure your dad wouldn't mind covering your shift. | 1:01:06 | 1:01:09 | |
Would you, Ian? | 1:01:09 | 1:01:12 | |
No. No, course I wouldn't. | 1:01:12 | 1:01:14 | |
There you go. He's itching to get back in the saddle. | 1:01:14 | 1:01:18 | |
Great. It's about time you started pulling your weight around here. | 1:01:18 | 1:01:21 | |
-Seeing as you didn't make it to the chippy. -And you deserve some fun. | 1:01:21 | 1:01:26 | |
Shirley, give me a call, will you? I just need to... | 1:01:30 | 1:01:33 | |
I just need to talk to you. | 1:01:33 | 1:01:36 | |
Not very nice, is it? People staring. | 1:01:38 | 1:01:41 | |
-Talking. -Do you want something? | 1:01:41 | 1:01:43 | |
Course, in your case, they're right to stare, ain't they? | 1:01:43 | 1:01:46 | |
One by one they crumble and fall. | 1:01:46 | 1:01:51 | |
Ben, Jay, Shirley. | 1:01:51 | 1:01:53 | |
Leaving you all alone. Ahh(!) | 1:01:53 | 1:01:57 | |
-Have you seen her? -Maybe. | 1:01:57 | 1:02:00 | |
I said, have you seen Shirley? | 1:02:00 | 1:02:03 | |
How about we go out and get some lunch? | 1:02:09 | 1:02:12 | |
My treat. | 1:02:12 | 1:02:14 | |
Jay? | 1:02:14 | 1:02:16 | |
Not hungry. | 1:02:16 | 1:02:18 | |
It was weird. It was like the baby almost puked on cue. | 1:02:22 | 1:02:24 | |
-Have you seen The Exorcist? -Yeah. BILLY LAUGHS | 1:02:24 | 1:02:27 | |
It was like that. It was beautiful. You made it, then? | 1:02:27 | 1:02:32 | |
Well, it'll take more than a bit of baby puke to stop me. | 1:02:32 | 1:02:35 | |
-Billy? -No, no, child minding ain't in my job description. | 1:02:35 | 1:02:39 | |
Get enough of that at home. | 1:02:39 | 1:02:40 | |
I've only popped in for some change! | 1:02:40 | 1:02:42 | |
Well, it's either the baby or a P45. It's your choice. | 1:02:42 | 1:02:45 | |
BILLY SIGHS | 1:02:45 | 1:02:47 | |
Come on. | 1:02:47 | 1:02:48 | |
Now, Michael, I think you and I need to go through the accounts. | 1:02:48 | 1:02:50 | |
OK, well when you put it like that. | 1:02:50 | 1:02:54 | |
ERROR BEEP | 1:03:00 | 1:03:01 | |
Mmm... | 1:03:01 | 1:03:03 | |
ERROR BEEP | 1:03:07 | 1:03:08 | |
-Have you changed the password? -No. | 1:03:08 | 1:03:12 | |
-Well, it's not working. -Caps lock. | 1:03:13 | 1:03:16 | |
SCARLETT CRIES | 1:03:16 | 1:03:18 | |
Try now. | 1:03:19 | 1:03:20 | |
Oi... | 1:03:21 | 1:03:22 | |
She's a bit grizzly. | 1:03:22 | 1:03:25 | |
Yeah, that's cos of her change in routine, no doubt. | 1:03:25 | 1:03:27 | |
Yeah, well, she just needs her feed. The bottle's in the bag. | 1:03:27 | 1:03:30 | |
Now, let's you and I get down to business. | 1:03:33 | 1:03:35 | |
Bit quiet in here. | 1:04:01 | 1:04:03 | |
Has been, lately. | 1:04:03 | 1:04:05 | |
Used to be buzzing. | 1:04:07 | 1:04:09 | |
This place was always buzzing. Do you remember that? | 1:04:10 | 1:04:14 | |
Course I do. | 1:04:14 | 1:04:15 | |
That's what it needs - it needs the three Ps of Marketing - | 1:04:19 | 1:04:23 | |
product, price and... | 1:04:23 | 1:04:25 | |
Product, | 1:04:27 | 1:04:29 | |
price... | 1:04:29 | 1:04:31 | |
What's the third P? I know... | 1:04:34 | 1:04:36 | |
Why can't I remember what the third P is? I know this. | 1:04:36 | 1:04:39 | |
KNOCK AT DOOR | 1:04:40 | 1:04:41 | |
Oh... | 1:04:41 | 1:04:42 | |
Oh, hello! You're keen. | 1:04:45 | 1:04:46 | |
Got nothing else to do on my day off. | 1:04:46 | 1:04:49 | |
So, who else is coming? | 1:04:49 | 1:04:51 | |
Yeah, the usual suspects. | 1:04:51 | 1:04:53 | |
And that does include Anthony. | 1:04:53 | 1:04:55 | |
Oh, I wasn't... | 1:04:55 | 1:04:58 | |
-Yeah, OK! -SHE LAUGHS | 1:04:58 | 1:04:59 | |
So, what, you still like him, then? | 1:04:59 | 1:05:01 | |
Doesn't matter if I do. He's not interested. | 1:05:01 | 1:05:03 | |
How can you be so sure? | 1:05:03 | 1:05:05 | |
Because he blatantly doesn't fancy me. | 1:05:05 | 1:05:08 | |
Hmm... I tell you what you need to do. | 1:05:08 | 1:05:11 | |
You just need to get him drunk. | 1:05:11 | 1:05:12 | |
I don't think that's a good idea. | 1:05:12 | 1:05:14 | |
-Why not? Works for me. -ALICE CHUCKLES | 1:05:14 | 1:05:17 | |
You won't say anything, will you? | 1:05:17 | 1:05:19 | |
No. Course not. | 1:05:19 | 1:05:21 | |
-Alice, my lips are sealed. -OK. | 1:05:21 | 1:05:25 | |
DOOR OPENS AND KEYS JINGLE | 1:05:26 | 1:05:28 | |
I just came to get my stuff. | 1:05:35 | 1:05:37 | |
PHIL SIGHS | 1:05:37 | 1:05:39 | |
It doesn't have to be like this. | 1:05:39 | 1:05:41 | |
No? What could it be like? | 1:05:41 | 1:05:44 | |
All rainbows and gingerbread houses, living happily ever after? | 1:05:44 | 1:05:48 | |
If that's what you want, go call Princess Sharon. | 1:05:48 | 1:05:51 | |
Shirl, I know... I know that you still love me. | 1:05:51 | 1:05:54 | |
You don't know anything! | 1:05:54 | 1:05:55 | |
I know how difficult it was for you to walk away. | 1:05:55 | 1:05:58 | |
Easiest decision I've ever made. | 1:05:58 | 1:06:00 | |
Just come back home, please. | 1:06:00 | 1:06:02 | |
Why? Why should I? | 1:06:02 | 1:06:04 | |
-Because I need you. -Not good enough. | 1:06:06 | 1:06:08 | |
Because we're still supposed to be getting married. | 1:06:08 | 1:06:10 | |
The wedding is off. | 1:06:10 | 1:06:12 | |
Because I love you. | 1:06:14 | 1:06:16 | |
Because you're scared. | 1:06:20 | 1:06:21 | |
You can feel everything dripping through your fingers | 1:06:24 | 1:06:26 | |
and there's nothing you can do to stop it. | 1:06:26 | 1:06:28 | |
And in answer to your question - no. | 1:06:28 | 1:06:31 | |
I won't be coming back. | 1:06:31 | 1:06:33 | |
And in answer to your second question | 1:06:34 | 1:06:36 | |
that you're too gutless to ask... | 1:06:36 | 1:06:38 | |
..I haven't decided if I'm going to grass you up yet. | 1:06:40 | 1:06:43 | |
I hope you're going to clear up your mess. | 1:06:58 | 1:07:01 | |
Yeah, sorry about that. | 1:07:01 | 1:07:02 | |
Erm... | 1:07:03 | 1:07:05 | |
Patrick said it was all right for me to stay here. | 1:07:05 | 1:07:08 | |
Mm-hmm, well, Patrick's a good man. | 1:07:08 | 1:07:11 | |
This is his home. | 1:07:11 | 1:07:13 | |
But I need you to know | 1:07:13 | 1:07:14 | |
that I'm not exactly comfortable with you being here. | 1:07:14 | 1:07:18 | |
So, I suggest you just stay out of my way. | 1:07:18 | 1:07:21 | |
Oh, and so you know. | 1:07:21 | 1:07:25 | |
If Shirley needs a place to stay, she comes first. | 1:07:25 | 1:07:29 | |
Promotion! That's it. It's promotion. | 1:07:44 | 1:07:48 | |
That's what we need to get this place buzzing again. It's promotion. | 1:07:48 | 1:07:51 | |
Ugh. Do they ever give it a rest? | 1:07:59 | 1:08:01 | |
-What, are you jealous? -No, Poppy, he's my cousin. | 1:08:02 | 1:08:06 | |
Nice one, brother. Nice one. | 1:08:07 | 1:08:10 | |
-So, no Tyler? -No. No, no. He's working. | 1:08:10 | 1:08:13 | |
Yeah, unlike his brother. Slacker. | 1:08:13 | 1:08:15 | |
What, I'm not a slacker, thank you! | 1:08:15 | 1:08:17 | |
No, he's going away tomorrow, doing some work. For about a month. | 1:08:17 | 1:08:21 | |
-Mm, sad face. -Aw. | 1:08:21 | 1:08:22 | |
You should be grateful, you know? The both of you, for the work. | 1:08:22 | 1:08:25 | |
-Yeah. Something'll come up. You'll see. -Yeah, all right. | 1:08:25 | 1:08:28 | |
And how's Abi going to feel when she comes back | 1:08:28 | 1:08:31 | |
-and finds out Jay's a murderer? -He's not actually a murderer. -Well, no. No. Good as, though. | 1:08:31 | 1:08:36 | |
She'll probably need counselling and that. | 1:08:36 | 1:08:38 | |
Right, well, let's say we get this party started, yes? | 1:08:38 | 1:08:42 | |
-Oh, Luscious Lauren. I'm loving your work, girl. -Yeah? OK... | 1:08:42 | 1:08:45 | |
-DANCE MUSIC PLAYS -Mm? Err... | 1:08:45 | 1:08:47 | |
Seriously? No, come on, man. Come on. | 1:08:47 | 1:08:50 | |
-R&B MUSIC PLAYS -OK! | 1:08:50 | 1:08:53 | |
THEY LAUGH | 1:08:53 | 1:08:54 | |
Ha-ha! | 1:08:55 | 1:08:56 | |
OK, OK, so who is up for a little party game? | 1:08:56 | 1:09:02 | |
-Yes, I am on it! -You don't even know what it is yet. | 1:09:02 | 1:09:06 | |
-Brother, whatever it is, all right, I am on it. -How about a little bit of spin the bottle? | 1:09:06 | 1:09:10 | |
-Yeah...! -Whoa, hold on a minute. -Yeah, obviously not you two. | 1:09:10 | 1:09:14 | |
-Yeah, Lauren. How old are we? 12? -All right, chill out, cuz. | 1:09:14 | 1:09:17 | |
-Just cos you two are in your little snog fest. -THEY LAUGH | 1:09:17 | 1:09:19 | |
Besides, it's fun. | 1:09:19 | 1:09:22 | |
Yeah, so come on, guys, man, let's do this! Yeah, come on! | 1:09:22 | 1:09:25 | |
-Well, everything appears to be in order. -SCARLETT CRIES | 1:09:25 | 1:09:27 | |
Yep. What did you expect? | 1:09:27 | 1:09:30 | |
And that just leaves the small matter of why the club is closed and losing me money. | 1:09:30 | 1:09:35 | |
Hi. I think Scarlett needs changing. | 1:09:35 | 1:09:37 | |
-Well, then change her. -Wha...? | 1:09:37 | 1:09:40 | |
Why don't you take her home? Why don't you change her? | 1:09:40 | 1:09:43 | |
Why don't you leave us alone so we can get this place running? | 1:09:43 | 1:09:46 | |
And what about getting this place opened? | 1:09:46 | 1:09:49 | |
-Hi. -No, sorry, I told you we didn't have any jobs. | 1:09:49 | 1:09:53 | |
Oh, well, actually I'm here to help you. I'm going to run the bar for a bit. Phil's orders. | 1:09:53 | 1:09:58 | |
Phil's orders, huh? You heard the lady. Thank you very much. | 1:09:58 | 1:10:01 | |
Come with me. I'll give you a grand tour. | 1:10:01 | 1:10:03 | |
Right, don't worry. That's the last of it out there. So we'll soon be out your way. | 1:10:10 | 1:10:13 | |
Fine. Look, you don't have to go. | 1:10:13 | 1:10:16 | |
About earlier... I'm... | 1:10:16 | 1:10:20 | |
You're sorry? | 1:10:20 | 1:10:21 | |
Why don't you stay? | 1:10:22 | 1:10:24 | |
I'm sorry, Phil. I can't, all right? I've got Amy to think about now. | 1:10:25 | 1:10:29 | |
I can't have her getting caught up in all of this, can I? | 1:10:29 | 1:10:32 | |
You going to keep schtum? | 1:10:32 | 1:10:34 | |
Yeah, don't worry, OK? The Mitchell Code still applies. | 1:10:35 | 1:10:37 | |
Round and round it goes. Where it stops, nobody knows! | 1:10:46 | 1:10:50 | |
Oh, my days! Yes! Yes! Yes! | 1:10:50 | 1:10:52 | |
In your dreams. | 1:10:52 | 1:10:54 | |
No, no, no. Come on, man, come on - the rules are the rules. | 1:10:54 | 1:10:56 | |
-Back up, my brothers. -Yeah. -The rules are the rules, you got to do it. | 1:10:56 | 1:10:59 | |
-Right, so come on. -You going to do it? -All right, then. | 1:10:59 | 1:11:02 | |
She's going to do it! She's going to do it. | 1:11:02 | 1:11:05 | |
THEY CHEER | 1:11:07 | 1:11:09 | |
Better than work any day! Better than work any day! | 1:11:09 | 1:11:11 | |
-All right, next! -All right, Whitney Dean! | 1:11:11 | 1:11:14 | |
Whitney Dean, your turn. | 1:11:14 | 1:11:16 | |
All right, all right, all right. | 1:11:16 | 1:11:17 | |
THEY CHEER | 1:11:19 | 1:11:20 | |
Oh, Lucy! Screwed, babe, screwed! | 1:11:20 | 1:11:23 | |
-He's up for it! -Look, he's keen, ain't he? | 1:11:25 | 1:11:28 | |
Yeah, all right, all right. | 1:11:30 | 1:11:32 | |
That's a little bit... | 1:11:32 | 1:11:34 | |
Whoa! | 1:11:34 | 1:11:35 | |
Get out the way, man, it's my turn! | 1:11:35 | 1:11:37 | |
-You have got a boyfriend! -My turn, my turn, my turn. All right. | 1:11:37 | 1:11:41 | |
Oh...! | 1:11:43 | 1:11:44 | |
THEY LAUGH AND CHEER | 1:11:44 | 1:11:46 | |
Hey, no, no, no, listen... | 1:11:46 | 1:11:49 | |
But the rules are the rules. Back me up here, sistaz. | 1:11:49 | 1:11:51 | |
-Yeah. -Definitely. | 1:11:51 | 1:11:53 | |
Do I not even get a say in this, or...? | 1:11:53 | 1:11:55 | |
-No. Right... Kiss! Kiss! -Kiss! Kiss! Kiss! Kiss! | 1:11:55 | 1:11:58 | |
Look, All right, all right, OK. All right, all right, OK. | 1:11:58 | 1:12:01 | |
Look, just never let it be said | 1:12:01 | 1:12:03 | |
that Fats ain't a man of his word, all right? | 1:12:03 | 1:12:05 | |
THEY CHEER | 1:12:05 | 1:12:07 | |
Come on, man. Look... | 1:12:07 | 1:12:08 | |
Are you not comfortable with your own sexuality? | 1:12:08 | 1:12:11 | |
-Could you stop watching us...? -Oh, get on with it. | 1:12:11 | 1:12:13 | |
Just... DON'T touch me! Just come here, all right. Just... | 1:12:13 | 1:12:16 | |
ALL: No! | 1:12:16 | 1:12:17 | |
-That was a cheat! -What's she talking about? | 1:12:19 | 1:12:21 | |
Forfeit! Forfeit! Forfeit! Forfeit! Forfeit! | 1:12:21 | 1:12:24 | |
THE GIRLS CHANT | 1:12:24 | 1:12:25 | |
THEY CHEER | 1:12:25 | 1:12:27 | |
-PHONE BEEPS -All right. Thank you. All right. Have a nice day. | 1:12:29 | 1:12:33 | |
There you go, sugar's on the table. Er... Bacon sarnie. | 1:12:39 | 1:12:41 | |
See, I told you this would bring them in. | 1:12:41 | 1:12:44 | |
It's just like the old days. | 1:12:44 | 1:12:47 | |
We need to talk. About Ben. | 1:12:47 | 1:12:51 | |
Yeah, well. You didn't have to enjoy it. | 1:12:51 | 1:12:53 | |
All right, will you give it a rest now, please, Lucy? | 1:12:53 | 1:12:56 | |
Ooh! Awkward! | 1:12:56 | 1:12:57 | |
SHE SNIGGERS | 1:12:57 | 1:12:59 | |
-I'm going to go, guys, all right? -Hey, Whit! -Whit... | 1:13:00 | 1:13:04 | |
-Come on, girl. -They're dropping like flies, aren't they? | 1:13:04 | 1:13:07 | |
But fear not, because there's still fun to be had. | 1:13:07 | 1:13:10 | |
Alice, your turn. | 1:13:10 | 1:13:13 | |
Ooh, it's Alice's turn. All right. | 1:13:13 | 1:13:15 | |
Mmmm... | 1:13:16 | 1:13:18 | |
-Oh, mate! -Ohh... -Mate, go on. | 1:13:18 | 1:13:21 | |
-Enjoy this one, bruv. -How convenient. | 1:13:21 | 1:13:23 | |
You get in there, man. Go on, man, enjoy this one. | 1:13:23 | 1:13:26 | |
-Remember who her dad is. -THEY LAUGH | 1:13:27 | 1:13:30 | |
Exactly. Don't... Don't. | 1:13:30 | 1:13:32 | |
Mmmmm...! | 1:13:36 | 1:13:38 | |
Awww...! | 1:13:38 | 1:13:39 | |
Wow. (How can you say he's not interested?) | 1:13:44 | 1:13:48 | |
(Lauren!) | 1:13:48 | 1:13:49 | |
What? You got what you wanted, didn't you, eh? | 1:13:49 | 1:13:51 | |
Honestly, you should hear the way she talks about you. | 1:13:51 | 1:13:55 | |
Seriously, it's like Anthony this, Anthony that, Antony, woo! Lovely! | 1:13:55 | 1:14:01 | |
FATBOY LAUGHS | 1:14:01 | 1:14:02 | |
Lauren... | 1:14:03 | 1:14:05 | |
-What? -Eh... | 1:14:05 | 1:14:07 | |
-Nice one. -Come on. Mate, she was only joking. | 1:14:07 | 1:14:11 | |
-DOOR LATCH CLICKS -Everyone's so touchy. | 1:14:13 | 1:14:16 | |
Looks like it's just me and you now, Fats. | 1:14:19 | 1:14:22 | |
Yeah. Yeah, and you know what? | 1:14:22 | 1:14:24 | |
I've actually got to go and see some people and go to some places and... | 1:14:24 | 1:14:29 | |
You know, jobs to get and stuff. | 1:14:29 | 1:14:32 | |
But, you know what? It's been fun. And, yeah, holler at me and that. | 1:14:32 | 1:14:37 | |
DOOR CLOSES | 1:14:40 | 1:14:41 | |
Oh... | 1:14:44 | 1:14:45 | |
SHE SNIGGERS | 1:14:45 | 1:14:46 | |
Yeah, and how would you like it if I kissed another bloke? | 1:14:50 | 1:14:53 | |
You can do what you want, Lucy. But... come here, come here. | 1:14:53 | 1:14:56 | |
Why would you want to do that when you've got me, eh? | 1:14:58 | 1:15:00 | |
See? Now that's a kiss. | 1:15:08 | 1:15:11 | |
Definitely a nine and a half | 1:15:11 | 1:15:14 | |
Hers was seven, tops. | 1:15:14 | 1:15:16 | |
So we're all good then, yeah? | 1:15:18 | 1:15:20 | |
So you are going to persuade Ben to see you. And I'm coming with you. | 1:15:22 | 1:15:27 | |
I don't know. | 1:15:28 | 1:15:29 | |
This ain't a multiple choice, Ian. I tell you what to do and you do it. | 1:15:29 | 1:15:33 | |
But if Ben says that he doesn't want to see you... | 1:15:35 | 1:15:37 | |
Do you want to see your brother rotting in prison for the next ten years? | 1:15:37 | 1:15:41 | |
Because if I can't get in to see him, if I can't get him to change his statement, that's what he's facing. | 1:15:41 | 1:15:46 | |
And you don't want that on your conscience, do you? | 1:15:46 | 1:15:49 | |
Good. Then we'll go tomorrow. | 1:15:51 | 1:15:55 | |
Can't hide away in here forever, you know. | 1:16:04 | 1:16:07 | |
Suppose nothing can be as scary as Denise. | 1:16:10 | 1:16:11 | |
Oh, she's just looking after Shirley. She'll come round. | 1:16:11 | 1:16:15 | |
Ready? | 1:16:16 | 1:16:18 | |
Come on. | 1:16:19 | 1:16:21 | |
I think you're going to be pleasantly surprised, you know. | 1:16:24 | 1:16:27 | |
This Sharon bird, she knows her onions. She's going to get that place in shape. | 1:16:27 | 1:16:30 | |
-Not if I've got anything to do with it. -Why's that? | 1:16:30 | 1:16:33 | |
We don't need her. | 1:16:33 | 1:16:36 | |
Janine, I'm confused. Five minutes ago you said you... | 1:16:36 | 1:16:39 | |
-Now, what's the deal? -I don't trust her and I want her out. | 1:16:39 | 1:16:43 | |
Well, you're going to have to explain that to Phil. And he's got his hands full. | 1:16:43 | 1:16:46 | |
Come on, Scarlett, we've got far more important things to do. | 1:16:46 | 1:16:51 | |
Hmm! | 1:16:51 | 1:16:52 | |
What was all that about? | 1:16:59 | 1:17:01 | |
Hormones. | 1:17:02 | 1:17:03 | |
Marie, where's my dad? | 1:17:23 | 1:17:25 | |
Got your message. What's so urgent? | 1:17:35 | 1:17:39 | |
-Good day? -Yeah. | 1:17:39 | 1:17:42 | |
Looks like it. | 1:17:42 | 1:17:43 | |
So you don't think what Lauren said's going to put Anthony off? | 1:17:49 | 1:17:51 | |
No. No, don't be silly. | 1:17:51 | 1:17:54 | |
Good. Because that kiss... | 1:17:54 | 1:17:56 | |
-What, fireworks? -Fireworks! | 1:17:56 | 1:17:58 | |
THEY LAUGH | 1:17:58 | 1:18:00 | |
Oh! Don't mind if I do. | 1:18:08 | 1:18:11 | |
You all set? | 1:18:24 | 1:18:26 | |
-Do you think he'll be OK? -He's fine. | 1:18:26 | 1:18:29 | |
He probably just overdid it on his first day back, that's all. | 1:18:29 | 1:18:32 | |
He'll be right as rain tomorrow. Come on, we'll miss the film. | 1:18:32 | 1:18:37 | |
-Oh no, I forgot my phone. I'll catch you up. -All right. | 1:18:43 | 1:18:47 | |
Won't be long, Dad. | 1:18:55 | 1:18:57 | |
Ain't you at the wrong end of the bar? | 1:19:13 | 1:19:15 | |
I told you, me and Sharon, we're history. | 1:19:17 | 1:19:20 | |
Change the record. | 1:19:20 | 1:19:22 | |
And I don't want us to go the same way. | 1:19:22 | 1:19:24 | |
Is this person bothering you? | 1:19:27 | 1:19:29 | |
No. He's just leaving. | 1:19:29 | 1:19:32 | |
You want a drink? | 1:19:37 | 1:19:39 | |
Nah, you're all right. | 1:19:39 | 1:19:43 | |
This is nice. | 1:19:44 | 1:19:47 | |
CONVERSATION DIES DOWN | 1:19:57 | 1:19:59 | |
Patrick? | 1:20:02 | 1:20:03 | |
Hi, Sharon. The usual for me, please. | 1:20:03 | 1:20:07 | |
-And whatever Jay's having. -I'll just have a lemonade. | 1:20:07 | 1:20:10 | |
Call yourself Heather's friend? | 1:20:10 | 1:20:13 | |
Oh, come on, Andrew, we don't want any trouble now. | 1:20:13 | 1:20:16 | |
Yeah? Well, you've got it. How can you have that THING in your house?! | 1:20:16 | 1:20:20 | |
You want to hit someone? Hit me. | 1:20:20 | 1:20:22 | |
Come on. Come on! | 1:20:22 | 1:20:24 | |
With pleasure. You can't protect him forever! I'm going to get both of them! | 1:20:24 | 1:20:28 | |
Come on, I know Heather wouldn't have liked this. | 1:20:28 | 1:20:31 | |
Huh? | 1:20:31 | 1:20:33 | |
All right... | 1:20:33 | 1:20:35 | |
All right. Go on, big fella. | 1:20:36 | 1:20:38 | |
-I'm not phoning. -OK. | 1:20:52 | 1:20:54 | |
But what if Phil's right? What if you really could help Ben? | 1:20:54 | 1:20:58 | |
Look, he's your brother. That's all I'm saying | 1:20:58 | 1:21:02 | |
and you don't want any regrets. | 1:21:02 | 1:21:04 | |
You've got to look after yourself, now, Ian. | 1:21:04 | 1:21:06 | |
Sharon, you... | 1:21:08 | 1:21:10 | |
You don't understand. | 1:21:10 | 1:21:11 | |
(Yes, I do.) | 1:21:13 | 1:21:14 | |
(You knew what Ben did, didn't you?) | 1:21:16 | 1:21:17 | |
Is that what made you run? | 1:21:19 | 1:21:20 | |
It was, um... | 1:21:23 | 1:21:25 | |
It was some other things, as well. | 1:21:25 | 1:21:27 | |
You think I've let my family down, don't you? | 1:21:28 | 1:21:30 | |
-You think I'm going to do it again. -No, no, no. I don't think that. | 1:21:30 | 1:21:33 | |
And you don't have to explain anything to me. | 1:21:33 | 1:21:36 | |
But any time you do want to talk, I'll be here. | 1:21:36 | 1:21:40 | |
You've got to do what's right for you. OK? | 1:21:45 | 1:21:48 | |
(OK?) | 1:21:48 | 1:21:49 | |
All I'm asking, Ritchie, is when's the best time to call. | 1:21:58 | 1:22:02 | |
No, Ian's booking a visit. | 1:22:02 | 1:22:04 | |
It's not like I didn't see her before, Ty. I just...never saw HER. | 1:22:05 | 1:22:09 | |
I'm thrilled for you. | 1:22:09 | 1:22:10 | |
-You know, when we kissed, that was the first time I properly saw her. -Yeah? | 1:22:10 | 1:22:15 | |
Did you see stars? | 1:22:15 | 1:22:17 | |
-Well, not exactly, Ty. -Well, you will do if you don't shut up | 1:22:17 | 1:22:19 | |
-and start helping me. Come on. -Ooh! All right! | 1:22:19 | 1:22:22 | |
Morning! | 1:22:22 | 1:22:23 | |
Morning. | 1:22:23 | 1:22:24 | |
-Thank you. -Thanks. | 1:22:37 | 1:22:38 | |
You tried getting through to Ben yet? | 1:22:41 | 1:22:43 | |
Phil, um... | 1:22:45 | 1:22:47 | |
Just listen, OK? It's not that... It's not that I don't want to help. | 1:22:47 | 1:22:50 | |
Well, phone him then. Ritchie reckons now's a good time. | 1:22:50 | 1:22:54 | |
Right. It's... | 1:22:54 | 1:22:56 | |
-Well, I'm... -MOBILE PHONE RINGS | 1:22:56 | 1:22:58 | |
I'm not sure that... | 1:22:58 | 1:22:59 | |
Hello? | 1:23:03 | 1:23:04 | |
Ben. | 1:23:06 | 1:23:07 | |
Right. | 1:23:11 | 1:23:12 | |
Oh. Er... Yeah. OK. Yeah. Yeah. | 1:23:15 | 1:23:18 | |
Yeah. All right. Bye. | 1:23:19 | 1:23:21 | |
What? | 1:23:23 | 1:23:24 | |
He, um... | 1:23:25 | 1:23:26 | |
He wants to see us. | 1:23:27 | 1:23:29 | |
Both of us? | 1:23:29 | 1:23:30 | |
Yeah. Today. | 1:23:31 | 1:23:33 | |
I had a really good time yesterday. Like, a REALLY good time. | 1:23:37 | 1:23:40 | |
I had a really good time, too. | 1:23:41 | 1:23:43 | |
So how about we do it again today? | 1:23:44 | 1:23:46 | |
Say about half four-ish at the Vic? Be good to, er... | 1:23:46 | 1:23:50 | |
-spend some time alone. -Yeah! | 1:23:50 | 1:23:52 | |
I mean, OK. Yeah, if you want to. | 1:23:52 | 1:23:55 | |
Course. | 1:23:55 | 1:23:56 | |
-See you later, all right? -OK. Bye. | 1:23:56 | 1:23:59 | |
Bye! | 1:23:59 | 1:24:00 | |
-Afternoon drink. Nicely played. -Mm-hmm. | 1:24:03 | 1:24:06 | |
Less chance of Derek spotting you. | 1:24:06 | 1:24:07 | |
Oh, Ty. No, he'll be all right, once he sees I'm genuine. | 1:24:07 | 1:24:10 | |
Nah. No, he won't. | 1:24:10 | 1:24:13 | |
You're better off staying away from her. | 1:24:13 | 1:24:15 | |
Ty, what is the matter with you, eh? | 1:24:15 | 1:24:16 | |
Are you forgetting what it feels like when you first meet someone? | 1:24:16 | 1:24:20 | |
What about when you first met Whitney? | 1:24:20 | 1:24:22 | |
I need you to do me a favour. | 1:24:24 | 1:24:26 | |
'Scuse me. | 1:24:35 | 1:24:37 | |
Working from home today? | 1:24:37 | 1:24:38 | |
Yeah. Recruitment agencies. I need to find someone to run the R&R. | 1:24:38 | 1:24:43 | |
Didn't Phil give... What's her name? Sharon, the job yesterday? | 1:24:44 | 1:24:48 | |
Temporarily. | 1:24:48 | 1:24:50 | |
Mmm... | 1:24:50 | 1:24:51 | |
Bye-bye, Daddy. | 1:24:51 | 1:24:53 | |
Er, excuse me? | 1:24:55 | 1:24:56 | |
What? | 1:24:58 | 1:24:59 | |
Oh, right. Yeah. | 1:24:59 | 1:25:02 | |
I don't know, Ty. I think it's going to turn out badly. | 1:25:17 | 1:25:19 | |
All I'm asking you to do is keep Joey away from Whitney. | 1:25:19 | 1:25:22 | |
All right? I'll be back about four. | 1:25:22 | 1:25:24 | |
Hang on. What did you say to her yesterday then? | 1:25:24 | 1:25:26 | |
-You didn't even talk to her, did you? -I tried to. -Oh... | 1:25:29 | 1:25:32 | |
I tried, but she said it was nothing and I trust her, | 1:25:32 | 1:25:35 | |
I do, but I do not trust him. | 1:25:35 | 1:25:37 | |
And I'm working away with Dad from tonight, so that don't help. | 1:25:37 | 1:25:40 | |
So what do you expect me to do? | 1:25:40 | 1:25:42 | |
-Just follow her around like a stalker for the next month? -Please. | 1:25:42 | 1:25:45 | |
HE SIGHS | 1:25:45 | 1:25:47 | |
-All right. -Yeah? | 1:25:48 | 1:25:49 | |
-Yeah. -Sweet. | 1:25:49 | 1:25:51 | |
-All right. -Laters. -See you later. -Love ya. | 1:25:51 | 1:25:53 | |
ENGINE STARTS | 1:25:53 | 1:25:54 | |
SCARLETT GURGLES | 1:26:01 | 1:26:02 | |
Hee-hee! You're the prettiest girl in the world, aren't you? | 1:26:02 | 1:26:07 | |
Yeah! | 1:26:07 | 1:26:08 | |
SHE GIGGLES | 1:26:08 | 1:26:09 | |
-Oh, sorry. Sorry. -No, no. It's nice. | 1:26:10 | 1:26:14 | |
I was just thinking... | 1:26:14 | 1:26:15 | |
how do you feel about making this more permanent? | 1:26:15 | 1:26:18 | |
Er... What do you mean? | 1:26:18 | 1:26:21 | |
Well, Scarlett obviously loves you. You know... | 1:26:21 | 1:26:24 | |
just making it into a more regular thing. | 1:26:24 | 1:26:27 | |
Um... Well, yeah. OK. | 1:26:27 | 1:26:30 | |
I get better conversation out of her anyway than I do at home. JANINE CHUCKLES | 1:26:30 | 1:26:34 | |
Now maybe that's the secret! | 1:26:34 | 1:26:36 | |
Treat men like they're children. | 1:26:36 | 1:26:39 | |
WHITNEY LAUGHS | 1:26:39 | 1:26:41 | |
I'll drop you off at the community centre, | 1:26:43 | 1:26:45 | |
then Mummy's going to pick up the posters for her big night. | 1:26:45 | 1:26:49 | |
Who's going to look after me tonight? Uncle Ian? | 1:26:49 | 1:26:52 | |
Would you like that? | 1:26:52 | 1:26:54 | |
Yeah? | 1:26:56 | 1:26:58 | |
Jay. Stand your ground. There's nothing to be worried about. | 1:27:07 | 1:27:10 | |
-Jay, I need to talk to you about Ben. -Just leave me alone. -You're not really allowed to talk to him. | 1:27:12 | 1:27:16 | |
-He don't need you sticking up for him. -I don't need either of you. | 1:27:16 | 1:27:20 | |
Oh, hi. It's me. | 1:27:26 | 1:27:28 | |
I'm phoning to tell you that you're taking me out tonight, | 1:27:28 | 1:27:33 | |
and I'm dressing up. | 1:27:33 | 1:27:35 | |
So I expect you to make me feel like a lady... for a change. | 1:27:35 | 1:27:40 | |
Good. | 1:27:40 | 1:27:41 | |
-Hey! What's all this? Plotting your escape from Nico the Nugget? -HE LAUGHS | 1:27:45 | 1:27:50 | |
-Yeah, something like that. -All right. | 1:27:50 | 1:27:53 | |
Hey, Fats. Everything all right? | 1:27:56 | 1:27:58 | |
Yeah, yeah, yeah. It's cool, man. It's cool. | 1:27:58 | 1:28:00 | |
I mean, technically, I've been sacked. | 1:28:00 | 1:28:03 | |
-But you know what? It's a blessing. -Hold on, hold on. | 1:28:03 | 1:28:06 | |
You didn't get sacked cos of something I said? | 1:28:06 | 1:28:08 | |
No, no, no. Seriously, seriously. What you said was good advice, man. | 1:28:08 | 1:28:12 | |
OK. So what are you going to do now then, eh? | 1:28:12 | 1:28:14 | |
Look for another job. | 1:28:16 | 1:28:17 | |
Tell you what, | 1:28:24 | 1:28:26 | |
I've got a job for you here. | 1:28:26 | 1:28:27 | |
-What? In this place? -Yes, of course in this place. Do me a favour, | 1:28:27 | 1:28:30 | |
get back here when it's less busy, about half four, five o'clock. | 1:28:30 | 1:28:33 | |
-You cool with that? -You serious?! | 1:28:33 | 1:28:35 | |
-Am I your blud? -Yes, you are my blud! All right. Nice one, man. THEY LAUGH | 1:28:35 | 1:28:40 | |
Good lad! | 1:28:40 | 1:28:41 | |
-All right, babes? -Hi. | 1:28:44 | 1:28:45 | |
Oh! Thank you. | 1:28:45 | 1:28:47 | |
Right. Now, listen, I can't stay long. It's Ladies' Night | 1:28:47 | 1:28:50 | |
at R&R and half Walford wants their roots done for the weekend. | 1:28:50 | 1:28:52 | |
-Hang on, why aren't you working? -I pulled a sickie. | 1:28:52 | 1:28:55 | |
-What?! -I know. But my tummy does feel a bit... | 1:28:55 | 1:28:58 | |
so it's not really a lie. | 1:28:58 | 1:29:00 | |
Ah. Well, that depends why you feel sick. | 1:29:00 | 1:29:02 | |
-What exactly did he say? -That he wants us to be alone. | 1:29:02 | 1:29:05 | |
OMG... | 1:29:06 | 1:29:08 | |
ALICE GIGGLES | 1:29:08 | 1:29:10 | |
You do know what that could mean, don't you? | 1:29:10 | 1:29:14 | |
CLEARS HER THROAT | 1:29:14 | 1:29:15 | |
Oh! | 1:29:15 | 1:29:17 | |
THEY GIGGLE | 1:29:17 | 1:29:18 | |
Well, I did want my first time to be with someone special so... | 1:29:20 | 1:29:23 | |
-You're never a virgin?! -(Poppy!) | 1:29:23 | 1:29:25 | |
Sorry. Sorry. | 1:29:25 | 1:29:28 | |
But, erm... | 1:29:28 | 1:29:29 | |
Wow! | 1:29:29 | 1:29:31 | |
OK. Well, erm... | 1:29:31 | 1:29:33 | |
Well, that is even more reason why you need to be... | 1:29:33 | 1:29:36 | |
super, super sure about this, yeah? | 1:29:36 | 1:29:39 | |
-I am sure. -Yeah, I know, but this... | 1:29:39 | 1:29:42 | |
This is basically a first date, and that's a big deal for a girl... | 1:29:42 | 1:29:46 | |
with ALL her boy badges, | 1:29:46 | 1:29:49 | |
let alone someone... You know... | 1:29:49 | 1:29:51 | |
You mean, like, never? | 1:29:51 | 1:29:54 | |
I'm sure. | 1:29:54 | 1:29:56 | |
SHE GIGGLES | 1:29:56 | 1:29:58 | |
Well, it's my first night at R&R tonight so I need to start early. | 1:29:58 | 1:30:01 | |
Patrick can only watch Denny for a couple of hours. I was wondering... would you babysit? | 1:30:01 | 1:30:05 | |
-Me?! Tonight? -Mh-hmm. | 1:30:05 | 1:30:07 | |
Sharon, I'd love to but... | 1:30:09 | 1:30:10 | |
-There's got to be someone else, hasn't there? -Probably. | 1:30:10 | 1:30:13 | |
But he asked for you. | 1:30:13 | 1:30:15 | |
He asked for me?! Did he? | 1:30:15 | 1:30:17 | |
He trusts you. We both do. | 1:30:17 | 1:30:20 | |
Hello. Are we going to see you later at R&R? You like a party. | 1:30:20 | 1:30:24 | |
What? Ladies' Night? Where else would I be? | 1:30:24 | 1:30:27 | |
I spoke to Jane, Ian. | 1:30:30 | 1:30:32 | |
About Ben. | 1:30:32 | 1:30:34 | |
As soon as she's got Mum sorted, she's on the first plane back. | 1:30:34 | 1:30:37 | |
What?! No. No. She can't. | 1:30:38 | 1:30:40 | |
She's worried about him. She's worried about both of you. | 1:30:40 | 1:30:43 | |
No. Look, we're, we're fine, OK? | 1:30:43 | 1:30:46 | |
I will be fine. | 1:30:46 | 1:30:49 | |
He's on a murder charge, Ian. And you're anything but... | 1:30:49 | 1:30:52 | |
-..but fine. -No. Christian, look, I spoke to him today, OK? And he's... | 1:30:53 | 1:30:58 | |
He's coping. We both are. | 1:30:58 | 1:31:00 | |
Please, look... Jane, she can't come back. | 1:31:00 | 1:31:03 | |
What is it, Ian? What's the matter? | 1:31:03 | 1:31:05 | |
I don't want her to see me, not... | 1:31:05 | 1:31:07 | |
Not like this, OK? | 1:31:07 | 1:31:09 | |
-Please, I don't want Jane. Not her. Just not like this. Please. -OK. | 1:31:09 | 1:31:13 | |
I'll call her off. | 1:31:13 | 1:31:15 | |
I'll pick you up at four, yeah? | 1:31:20 | 1:31:23 | |
My, um... | 1:31:23 | 1:31:25 | |
-Phil, my shift doesn't finish till quarter past four. -So? | 1:31:25 | 1:31:29 | |
Well, I then said to Sharon that I'd babysit for her tonight. | 1:31:29 | 1:31:33 | |
-And we might not get back in time. -That's more important than your brother going down for life? | 1:31:33 | 1:31:38 | |
Phil, I... I don't... | 1:31:38 | 1:31:40 | |
I don't know how much use I'll be, not when... Not like this. | 1:31:40 | 1:31:43 | |
I can... I can understand that, but... | 1:31:43 | 1:31:46 | |
If he don't see you, he might not see me, and that can't happen. | 1:31:47 | 1:31:50 | |
And Ian, this is the last chance we've got to change his mind, OK? | 1:31:50 | 1:31:54 | |
So there ain't really a choice. | 1:31:54 | 1:31:55 | |
Now, I'll pick you up at quarter past. | 1:31:57 | 1:31:59 | |
Second time I've tried to have something to eat in here today. | 1:32:03 | 1:32:06 | |
And the last time you step between me and Jay. | 1:32:06 | 1:32:08 | |
Come on, Phil. Give him a break, eh? | 1:32:08 | 1:32:11 | |
He's got a lot to cope with at the moment. | 1:32:11 | 1:32:13 | |
And Ben ain't? | 1:32:13 | 1:32:14 | |
Yeah, I know, but... What I mean is with tomorrow and that. | 1:32:14 | 1:32:18 | |
Tomorrow? | 1:32:18 | 1:32:19 | |
-No way! He's a clown. -What you talking about, clown? | 1:32:22 | 1:32:25 | |
He's not a clown. He's what you call a character. | 1:32:25 | 1:32:28 | |
What is it with you and strays? | 1:32:28 | 1:32:30 | |
I tell you what it is. I just feel a bit responsible, that's all. | 1:32:30 | 1:32:33 | |
Then try acting like it. We're supposed to be running a business here. | 1:32:33 | 1:32:36 | |
Darling, why not just give him a go? He'll be an asset. The punters will love him! | 1:32:36 | 1:32:40 | |
-Come on. He won't let you down, all right? Eh? -CLICKS HIS TONGUE | 1:32:40 | 1:32:43 | |
Yeah, good girl. Ha-ha! | 1:32:43 | 1:32:45 | |
Hey. You all right? | 1:32:49 | 1:32:50 | |
You all right? | 1:32:50 | 1:32:53 | |
Yeah. You? | 1:32:53 | 1:32:54 | |
You, er... going to Ladies' Night at the club tonight? | 1:32:54 | 1:32:58 | |
No, not tonight. I'm babysitting. | 1:32:58 | 1:33:00 | |
Least we'll both be earning, eh? | 1:33:01 | 1:33:03 | |
Yeah. | 1:33:03 | 1:33:04 | |
-Can we help you, mate? -Er, no. Nah, I'm all right. | 1:33:04 | 1:33:08 | |
Right. So you just like standing next to people who are trying to have a conversation, do you? | 1:33:08 | 1:33:12 | |
Actually, I came to invite Whitney for a drink. | 1:33:13 | 1:33:16 | |
A drink? When? | 1:33:16 | 1:33:18 | |
Well, now. | 1:33:19 | 1:33:20 | |
Well, after I've locked up. | 1:33:20 | 1:33:23 | |
In the Vic? | 1:33:23 | 1:33:25 | |
Instead of going in there with, erm... | 1:33:25 | 1:33:27 | |
Mm? | 1:33:27 | 1:33:29 | |
You ready? | 1:33:29 | 1:33:32 | |
OK. | 1:33:33 | 1:33:35 | |
Come on then. | 1:33:35 | 1:33:36 | |
Can you remember when Jay left? Start of the week, innit? | 1:33:42 | 1:33:45 | |
-Something like that? -Is he about? | 1:33:45 | 1:33:48 | |
We won't have any trouble, Phil. | 1:33:48 | 1:33:49 | |
-Is he, or isn't he? -Jay is a guest here. -Was. | 1:33:49 | 1:33:53 | |
And I know that's not ideal for everybody, | 1:33:53 | 1:33:55 | |
-but I'll call the police if... -There ain't going to be any trouble. | 1:33:55 | 1:33:58 | |
Yeah, because he ain't even here. | 1:33:58 | 1:34:01 | |
How's the head? | 1:34:09 | 1:34:11 | |
Don't pretend like you care. | 1:34:11 | 1:34:13 | |
And it ain't me that you want to be talking to, it's Ben. | 1:34:13 | 1:34:15 | |
-And you want to try listening to him as well. -Well, I ain't come to talk about Ben. | 1:34:15 | 1:34:19 | |
I came to make sure that you're going to go | 1:34:19 | 1:34:22 | |
and visit the grave tomorrow. | 1:34:22 | 1:34:24 | |
You didn't think I'd forget the date you lost your old man, did you? | 1:34:24 | 1:34:28 | |
You must think I'm some proper idiot. | 1:34:29 | 1:34:31 | |
It's miles away, innit? | 1:34:31 | 1:34:33 | |
-I know what you're trying to do, Phil. -So why don't you let me drive you there? | 1:34:33 | 1:34:36 | |
You'd do anything to get him off the hook, wouldn't you? | 1:34:37 | 1:34:40 | |
Well, that's true. | 1:34:40 | 1:34:41 | |
But that don't mean that I don't care about you. | 1:34:41 | 1:34:44 | |
Fathers and sons, eh? | 1:34:45 | 1:34:46 | |
We don't even have to say a word, from the minute I pick you up, | 1:34:48 | 1:34:50 | |
if that's the way you want it. But I think it's important you go. | 1:34:50 | 1:34:53 | |
Just think about it, all right? | 1:34:55 | 1:34:57 | |
CAR HORN BEEPS | 1:35:17 | 1:35:18 | |
-Cheers, darling. -Eh, look who it is! There he is, my blud! | 1:35:36 | 1:35:38 | |
Reporting for duty, boss. Well, bosses. | 1:35:38 | 1:35:41 | |
So, where do I start? | 1:35:41 | 1:35:42 | |
Good question. | 1:35:42 | 1:35:44 | |
Go on then, Alfie. Tell our new member of staff | 1:35:44 | 1:35:47 | |
what his job is exactly. | 1:35:47 | 1:35:49 | |
OK, well, Fats is going to be... | 1:35:49 | 1:35:51 | |
our new...pot boy. | 1:35:51 | 1:35:54 | |
Fat boy, pot boy! | 1:35:54 | 1:35:56 | |
Except we've already got a pot boy named Patrick. | 1:35:56 | 1:35:58 | |
No, we've got a pot MAN named Patrick, | 1:35:58 | 1:36:01 | |
now we've got a pot boy. It's advancement in your career. | 1:36:01 | 1:36:04 | |
But we've got other duties as well for you though, Fats, | 1:36:04 | 1:36:06 | |
cos I'm going to make you... | 1:36:06 | 1:36:08 | |
assistant manager, Queen Vic FC! | 1:36:08 | 1:36:10 | |
What about that?! See? We're like Clough and Taylor. | 1:36:10 | 1:36:13 | |
-All right. Yeah, yeah, we could do that. -Yeah, exactly. | 1:36:13 | 1:36:15 | |
-Tom and Jerry more like. -(Kat, don't start.) | 1:36:15 | 1:36:17 | |
Hey, Mrs Moon, can I just say thank you for the opportunity | 1:36:17 | 1:36:20 | |
and I want to let you know I ain't going to let you down, all right? | 1:36:20 | 1:36:23 | |
-There's my MAN! Come on then, Fats. Let's have a chat. -All right, bruv. | 1:36:23 | 1:36:26 | |
Clough and Taylor! | 1:36:26 | 1:36:28 | |
ALFIE LAUGHS | 1:36:28 | 1:36:30 | |
I hope you're going to behave yourself. | 1:36:33 | 1:36:35 | |
Didn't think you were going to come. | 1:36:38 | 1:36:40 | |
Seen him before in the caff. | 1:36:40 | 1:36:42 | |
Jay. | 1:36:42 | 1:36:43 | |
You didn't do anything, did you? | 1:36:43 | 1:36:45 | |
You give him a smack and you'll end up in the cell next door to Ben. | 1:36:45 | 1:36:49 | |
Least I'll be able to get to him, won't I? | 1:36:49 | 1:36:51 | |
You sure it's, um, me you're worried about, not Jay? | 1:36:52 | 1:36:56 | |
-Look, I hate him as much as you do. -Do you? | 1:36:56 | 1:36:59 | |
You'd do anything for your best mate. | 1:37:01 | 1:37:04 | |
But I would never do what he did. | 1:37:04 | 1:37:06 | |
Never. Not even for Hev. | 1:37:06 | 1:37:08 | |
Still managed to carry on living with him, though, didn't you? | 1:37:08 | 1:37:10 | |
You're still banging on about that? | 1:37:10 | 1:37:12 | |
Look, the Mitchells, they've already lost me one friend, | 1:37:12 | 1:37:15 | |
I ain't going to lose another one. Tonight... | 1:37:15 | 1:37:18 | |
R&R, get you drunk. | 1:37:18 | 1:37:20 | |
He's upset, Whit. He really is. | 1:37:22 | 1:37:25 | |
You know Ty. He finds it hard to... express himself. | 1:37:25 | 1:37:29 | |
He's my brother and everything, but sometimes he just acts like a... | 1:37:31 | 1:37:34 | |
Like a... | 1:37:34 | 1:37:35 | |
Like a child. | 1:37:35 | 1:37:37 | |
Exactly. | 1:37:38 | 1:37:40 | |
HE CHUCKLES | 1:37:40 | 1:37:41 | |
Whereas you... | 1:37:42 | 1:37:43 | |
Whereas I... | 1:37:43 | 1:37:45 | |
Well, I think I offer a more emotionally mature Moon experience. | 1:37:45 | 1:37:50 | |
Right. | 1:37:51 | 1:37:53 | |
And that's what you're offering me, is it? | 1:37:53 | 1:37:55 | |
While Tyler's away and you know that we're rowing so... | 1:37:55 | 1:37:59 | |
Your emotional maturity. | 1:37:59 | 1:38:01 | |
Exactly. | 1:38:01 | 1:38:03 | |
Right. | 1:38:04 | 1:38:06 | |
You disgust me. | 1:38:06 | 1:38:07 | |
Yeah. Me too. | 1:38:07 | 1:38:09 | |
Oh, no, no... | 1:38:09 | 1:38:11 | |
Whitney! | 1:38:11 | 1:38:13 | |
Hey. | 1:38:13 | 1:38:14 | |
Now THAT is what I call a send-off. | 1:38:15 | 1:38:18 | |
-Oh, I can do better than that. -Yeah? | 1:38:18 | 1:38:20 | |
All right, mate? | 1:38:20 | 1:38:22 | |
-Yeah, I am. -(ALICE) Hiya! | 1:38:22 | 1:38:24 | |
-There you go. Cheers, buddy. -Thanks, Alfie. | 1:38:51 | 1:38:54 | |
-I've sussed you. -What? | 1:38:54 | 1:38:57 | |
Reminds you of you, doesn't he? Eh? That's why you're helping him. | 1:38:57 | 1:39:01 | |
It's all right. I think it's sweet. | 1:39:01 | 1:39:02 | |
Well, since he is here, why don't you... | 1:39:02 | 1:39:04 | |
Later, why don't you go to Ladies' Night | 1:39:04 | 1:39:06 | |
and let your hair down? | 1:39:06 | 1:39:08 | |
All right. | 1:39:08 | 1:39:10 | |
Right. Let me show you what happens here. | 1:39:10 | 1:39:12 | |
We need to clean up the bottles first, so grab a cloth... | 1:39:12 | 1:39:15 | |
Oi. | 1:39:34 | 1:39:35 | |
MUSIC: "Boogie Wonderland" by Earth, Wind & Fire | 1:39:45 | 1:39:48 | |
Wow. | 1:39:51 | 1:39:52 | |
It's only half six! | 1:39:53 | 1:39:55 | |
Welcome. | 1:39:56 | 1:39:57 | |
Hi. But we're not stopping. We just thought we'd pop while we're on our way out. | 1:39:57 | 1:40:01 | |
Where you off to? | 1:40:01 | 1:40:02 | |
Well, we're off to here, actually, | 1:40:02 | 1:40:04 | |
cos you said you wanted to feel like a lady and it's... | 1:40:04 | 1:40:07 | |
Ladies' Night. Yeah. | 1:40:07 | 1:40:09 | |
Bit sexist, isn't it? Ladies getting in for free. | 1:40:11 | 1:40:14 | |
-Why? Cos you think you should get 50% off? -Exactly! -SHARON LAUGHS | 1:40:14 | 1:40:19 | |
I tell you, I'd pay anything | 1:40:19 | 1:40:20 | |
to get away from all that Phil-Jay madness. | 1:40:20 | 1:40:23 | |
Mate, I second that emotion. | 1:40:23 | 1:40:24 | |
What we need is a nice, strong fella to sort out all the undesirables... | 1:40:24 | 1:40:29 | |
What you saying, big boy? | 1:40:29 | 1:40:31 | |
Be a pleasure. But, er... I must warn you, | 1:40:31 | 1:40:33 | |
I've been called undesirable myself a few times. | 1:40:33 | 1:40:35 | |
Oh, nah, nah, nah. You're most definitely desirable, sweetheart. | 1:40:35 | 1:40:39 | |
So what time's she coming? | 1:40:39 | 1:40:42 | |
-Who? -Whoever tonight's lucky girl is. | 1:40:42 | 1:40:44 | |
You've got me all wrong, you know that? | 1:40:44 | 1:40:47 | |
Oi, Tinkerbell. Get over here. | 1:40:47 | 1:40:50 | |
It's Ladies' Night, Shirley. | 1:40:50 | 1:40:52 | |
-Either behave like one or go home. -He don't need you. | 1:40:52 | 1:40:55 | |
Phil Mitchell, he don't NEED anyone. | 1:40:55 | 1:40:58 | |
And you've got the cheek to tell me to let go? | 1:40:58 | 1:41:00 | |
I moved out. | 1:41:00 | 1:41:03 | |
Yeah? Where to, exactly? | 1:41:03 | 1:41:05 | |
Somewhere where he ain't. That's good enough for me. | 1:41:05 | 1:41:08 | |
You really think it's that simple? Still got to see him, ain't you? | 1:41:08 | 1:41:12 | |
Him and Jay, in the pub, in the caff, on the market. | 1:41:12 | 1:41:16 | |
Yeah, well, you just remember, we remind them of what they done | 1:41:16 | 1:41:19 | |
just as much as they remind us. | 1:41:19 | 1:41:21 | |
You ain't never going to be able to let go, | 1:41:21 | 1:41:24 | |
-not as long as you stay round here. -Yeah, well, I ain't going nowhere. | 1:41:24 | 1:41:27 | |
Look at what this is doing to us, Shirley. | 1:41:28 | 1:41:31 | |
So how is it? | 1:41:45 | 1:41:46 | |
You all right? | 1:41:47 | 1:41:48 | |
Thanks for coming. | 1:41:51 | 1:41:52 | |
I really appreciate it. | 1:41:52 | 1:41:54 | |
So... | 1:41:57 | 1:41:58 | |
where d'you go? | 1:41:58 | 1:41:59 | |
Obviously nowhere near a barber's! | 1:42:01 | 1:42:03 | |
We ain't got time for this, all right? | 1:42:03 | 1:42:05 | |
Now the longer you take to retract that statement, | 1:42:05 | 1:42:08 | |
the more suss it's going to look. | 1:42:08 | 1:42:10 | |
I'm sorry, Ian... | 1:42:10 | 1:42:11 | |
..for dumping all this on you. I really am. | 1:42:12 | 1:42:16 | |
Are you listening to me?! | 1:42:16 | 1:42:17 | |
Now you've got to tell the old bill that you were confused, yeah? | 1:42:17 | 1:42:20 | |
But now you've been in here, you've had time to think. | 1:42:20 | 1:42:22 | |
I have had time to think. | 1:42:22 | 1:42:24 | |
Yeah, and now you realise what a mistake you made. | 1:42:24 | 1:42:27 | |
Do you agree with him? | 1:42:29 | 1:42:31 | |
Your dad's sure it's what's best for you. | 1:42:36 | 1:42:38 | |
But what do YOU think? | 1:42:40 | 1:42:41 | |
I mean, you wanted me to do this a couple of months ago. | 1:42:41 | 1:42:44 | |
Come on. Tell him. | 1:42:44 | 1:42:47 | |
You think I'm doing the right thing, don't you? | 1:42:48 | 1:42:51 | |
Course he don't! How can it be the right thing for his brother | 1:42:51 | 1:42:54 | |
to give up the best years of his life for one stupid mistake? | 1:42:54 | 1:42:57 | |
It can't be right, can it? | 1:42:57 | 1:42:59 | |
I'm sorry. | 1:43:01 | 1:43:03 | |
Where you going? | 1:43:03 | 1:43:05 | |
Ian? | 1:43:05 | 1:43:06 | |
No-one can tell you what's right. | 1:43:06 | 1:43:10 | |
MUSIC: "Girls Just Wanna Have Fun" by Cyndi Lauper | 1:43:23 | 1:43:25 | |
-Do you know, I think I've had enough. -Yeah? | 1:43:25 | 1:43:28 | |
Also, I told Whitney that we wouldn't be too late. | 1:43:28 | 1:43:31 | |
Yeah, yeah, yeah. Fair enough. | 1:43:31 | 1:43:33 | |
I'll try not to wake you up, yeah? | 1:43:33 | 1:43:34 | |
Yeah, not bad. Although, the first bit's the easy bit, innit? | 1:43:36 | 1:43:39 | |
-It's how you follow it up. -Someone else's problem, weren't it? | 1:43:39 | 1:43:42 | |
You ain't going anywhere. | 1:43:42 | 1:43:44 | |
You want to bet? | 1:43:44 | 1:43:45 | |
All right. Seeing as I know you're not exactly flush, | 1:43:47 | 1:43:50 | |
I'm going to make this a bit more interesting. | 1:43:50 | 1:43:53 | |
If I'm right and you stay, I want a kiss. | 1:43:53 | 1:43:56 | |
Jack? Jack? Can I have the keys? | 1:44:01 | 1:44:03 | |
Er... | 1:44:03 | 1:44:04 | |
Yes, thank you. | 1:44:07 | 1:44:08 | |
We're running out of time, Ben. | 1:44:36 | 1:44:38 | |
And you've got to get this right. | 1:44:38 | 1:44:41 | |
Now, you was upset, and you weren't thinking straight. | 1:44:41 | 1:44:44 | |
And that's the truth, innit, hey? | 1:44:44 | 1:44:47 | |
The truth is I killed her. | 1:44:47 | 1:44:48 | |
That's not the point. | 1:44:48 | 1:44:50 | |
I killed Heather, | 1:44:52 | 1:44:53 | |
and I ruined a load of other people's lives at the same time. | 1:44:53 | 1:44:56 | |
And who's it going to help, eh? If you go down for ten years? Who? | 1:44:56 | 1:45:00 | |
I need to be punished. | 1:45:00 | 1:45:02 | |
It's not just you that suffers, is it? Eh? | 1:45:02 | 1:45:06 | |
Who else? | 1:45:06 | 1:45:08 | |
Ian. | 1:45:08 | 1:45:09 | |
You saw what a mess he's in, and you're the only one he listens to. | 1:45:11 | 1:45:14 | |
You know, we need you to be free. | 1:45:14 | 1:45:18 | |
And this... This, what you're doing... This is selfish. | 1:45:18 | 1:45:21 | |
But even if I withdrew my confession, | 1:45:23 | 1:45:25 | |
which I'm not saying I am but... | 1:45:25 | 1:45:27 | |
what about Jay? What if he don't want to change his statement? | 1:45:27 | 1:45:31 | |
Forget about Jay, all right? I'll have him sorted out | 1:45:31 | 1:45:33 | |
by this time tomorrow. Now we can do this, Ben. | 1:45:33 | 1:45:35 | |
We can do this. We can get you back home, where you belong. | 1:45:35 | 1:45:39 | |
No. | 1:45:41 | 1:45:42 | |
I've made up my mind. | 1:45:42 | 1:45:43 | |
-I'm not going to let you do this. -You can't stop me. | 1:45:44 | 1:45:47 | |
You have got no idea what ten years inside an adult nick will do to you. | 1:45:47 | 1:45:51 | |
-I can look after myself. -No, you can't. | 1:45:51 | 1:45:54 | |
I mean, that's why we're here. | 1:45:54 | 1:45:56 | |
You're a train wreck. You couldn't cope before, and you won't be able to cope now. | 1:45:56 | 1:45:59 | |
That's not why we're here. | 1:46:01 | 1:46:03 | |
What? | 1:46:03 | 1:46:04 | |
What have you done today, Dad? | 1:46:08 | 1:46:10 | |
Chased Jay around the square? | 1:46:10 | 1:46:12 | |
Bullied Ian into seeing me? | 1:46:12 | 1:46:14 | |
Anything I've done, | 1:46:15 | 1:46:17 | |
I've done for you. | 1:46:17 | 1:46:18 | |
You did for you. | 1:46:19 | 1:46:20 | |
Because you feel guilty for all the bad things I've done since Stella. | 1:46:22 | 1:46:26 | |
PHIL SIGHS | 1:46:26 | 1:46:27 | |
But you didn't hurt anyone. | 1:46:27 | 1:46:30 | |
And you didn't kill Hev. | 1:46:30 | 1:46:33 | |
I did. | 1:46:33 | 1:46:34 | |
And I did that all on my own. | 1:46:36 | 1:46:38 | |
So now I've got to do this on my own, | 1:46:39 | 1:46:40 | |
cos, Dad, this can't carry on. | 1:46:40 | 1:46:43 | |
What you talking about? | 1:46:45 | 1:46:46 | |
The reason why I wanted to see you... | 1:46:52 | 1:46:55 | |
and Ian... | 1:46:55 | 1:46:56 | |
..was to say goodbye. | 1:46:57 | 1:46:59 | |
I'm going to plead guilty and do my time, and I don't want to see | 1:47:01 | 1:47:05 | |
or hear from you or anyone else until I get out. | 1:47:05 | 1:47:07 | |
-This ends here, Dad. -Ben... | 1:47:09 | 1:47:11 | |
You can't. | 1:47:11 | 1:47:12 | |
I can't, all right? | 1:47:14 | 1:47:17 | |
I can't just walk away. | 1:47:17 | 1:47:20 | |
It's not... | 1:47:20 | 1:47:22 | |
It's not Ian that needs you, | 1:47:22 | 1:47:25 | |
all right? | 1:47:25 | 1:47:26 | |
It's not Ian... | 1:47:26 | 1:47:28 | |
it's me! | 1:47:28 | 1:47:30 | |
Dad, it's the only way, and you know it. | 1:47:30 | 1:47:32 | |
Ben, please...! | 1:47:32 | 1:47:34 | |
Please don't do this. | 1:47:34 | 1:47:36 | |
You'll be proud of me some day. | 1:47:38 | 1:47:40 | |
Bye, Dad. | 1:47:42 | 1:47:43 | |
Ben! | 1:47:43 | 1:47:45 | |
PHIL SIGHS | 1:47:49 | 1:47:51 | |
(I love you.) | 1:47:54 | 1:47:56 | |
PHIL SIGHS | 1:48:05 | 1:48:06 | |
DOOR SHUTS | 1:48:06 | 1:48:07 | |
Subtitles by Red Bee Media Ltd | 1:48:32 | 1:48:35 |