Browse content similar to 18/07/2014. Check below for episodes and series from the same categories and more!
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-Is there a problem? -Can we come in, Billy? | 0:00:27 | 0:00:30 | |
We're just about to eat. | 0:00:30 | 0:00:32 | |
It's about Lucy Beale. I saw you with her on Good Friday. | 0:00:32 | 0:00:36 | |
-What? -The night she died. | 0:00:37 | 0:00:39 | |
We need to do this inside. | 0:00:41 | 0:00:43 | |
DOOR BUZZER | 0:00:47 | 0:00:48 | |
Lauren, please open the door. | 0:00:56 | 0:00:58 | |
-Why? -Well, cos I want to sort things out, that's why. | 0:00:58 | 0:01:01 | |
Look, I'm sorry about just now, it's just, I've got a lot on my plate, | 0:01:01 | 0:01:04 | |
ain't I? Lauren, I ain't going anywhere, all right? | 0:01:04 | 0:01:06 | |
Not till we've talked. | 0:01:06 | 0:01:07 | |
All right, well, you can stay out there all night for all I care. | 0:01:07 | 0:01:10 | |
Lo, do me a favour, take Lexi and Janet for a walk, eh? | 0:01:24 | 0:01:26 | |
But we just ordered pizza. | 0:01:26 | 0:01:27 | |
Pops, what's wrong with you? | 0:01:28 | 0:01:30 | |
-Maybe we should come back later. -Why are you guys even here, anyway? | 0:01:30 | 0:01:33 | |
-We just need to speak with Billy. -What, about the electric? | 0:01:33 | 0:01:38 | |
-How about Lola takes you down the park, eh? For ice cream? -Pops, I'm skint. | 0:01:38 | 0:01:42 | |
-That's all I've got, for the pizza. -Right, no, I ain't going... | 0:01:42 | 0:01:46 | |
-For once, will you not argue with me? -Pops! -Please, just go! | 0:01:46 | 0:01:50 | |
-Right, come on, then. Let's go. -Go on. Go down the park. | 0:01:50 | 0:01:55 | |
Come on then. | 0:01:55 | 0:01:57 | |
-Sorry, mate, we're closing. -Actually, I'm here about Lola. | 0:02:06 | 0:02:09 | |
-Why don't you give her a trial, see how it goes? -Cos I honestly don't think she'd fit in. | 0:02:09 | 0:02:14 | |
It's just she's been struggling a bit at the moment. You'd really help if you just gave her a break. | 0:02:14 | 0:02:18 | |
Mate, I get it. Things are tough. But Lola's not my problem. | 0:02:18 | 0:02:20 | |
-I'm surprised she's yours, to be honest. -What's that mean? | 0:02:20 | 0:02:24 | |
It's a lot to take on, an 18-year-old with a toddler. | 0:02:24 | 0:02:26 | |
Rather you than me. I mean, why tie yourself down? | 0:02:26 | 0:02:30 | |
You're a good looking lad. Get out there. | 0:02:30 | 0:02:32 | |
Live a little. That's all I'm saying. | 0:02:32 | 0:02:34 | |
Yeah, Lola's right. You are an idiot. | 0:02:34 | 0:02:36 | |
Come on. You can't expect me to believe you can't remember anything. | 0:02:39 | 0:02:43 | |
-It was months ago! -I know what I saw. Lucy had the hump | 0:02:43 | 0:02:45 | |
and you two were definitely having a barney over something. | 0:02:45 | 0:02:48 | |
Stop lying. Tell us what it was about. We're wasting our time. | 0:02:48 | 0:02:52 | |
-Let's just let the police sort it out. -All right, all right, wait. | 0:02:52 | 0:02:55 | |
Just give me a minute to think, will ya? | 0:02:55 | 0:02:58 | |
Hang on, I do remember her coming in for chips that night. | 0:03:01 | 0:03:06 | |
And if I remember rightly, she couldn't be bothered to wait. | 0:03:06 | 0:03:09 | |
-What? -I was frying a fresh batch. | 0:03:09 | 0:03:12 | |
She got the hump because she had to hang about. | 0:03:12 | 0:03:15 | |
I was up to my neck in it so I told her where to go. | 0:03:15 | 0:03:17 | |
-And that's it? -Yeah. That's all it was. | 0:03:17 | 0:03:20 | |
So did you tell the police that you saw Lucy the night she died? | 0:03:20 | 0:03:23 | |
-No. Course you didn't. -Who the hell do you think you are? | 0:03:23 | 0:03:26 | |
Coming in here, accusing me of all sorts, eh? | 0:03:26 | 0:03:28 | |
Lee, he's full of it. Come on, let's just go to the police. | 0:03:28 | 0:03:31 | |
And say what? I've just told you what happened. | 0:03:31 | 0:03:33 | |
We'll tell them about the key as well. | 0:03:33 | 0:03:35 | |
And about you sneaking around the flat where Lucy's blood was found. | 0:03:35 | 0:03:38 | |
How do we know you weren't in there the night she died? | 0:03:38 | 0:03:40 | |
Well, what are you trying to say? I told you, we had a stupid row. | 0:03:40 | 0:03:44 | |
She kicked off, I never see her again, I swear! | 0:03:44 | 0:03:47 | |
You. I thought you were supposed to be my mate. | 0:03:47 | 0:03:51 | |
Jake is already banged up for killing Lucy. | 0:03:51 | 0:03:53 | |
-He swears he's innocent. -Do you really think that I'm capable of murder? Do ya? | 0:03:53 | 0:03:57 | |
No. No. We ain't saying that. | 0:03:57 | 0:03:59 | |
-Maybe it was an accident. -Nah, nah, nah. | 0:04:00 | 0:04:03 | |
You ain't pinning this on me just because your alky mate says that he's innocent. | 0:04:03 | 0:04:06 | |
-Come on, Billy. Just tell us what you're hiding. -Get out! | 0:04:06 | 0:04:10 | |
What, did she have something on you? Or maybe she turned you down. | 0:04:10 | 0:04:13 | |
Get out! | 0:04:13 | 0:04:14 | |
The key, Billy. You never gave us it back. | 0:04:17 | 0:04:20 | |
Sling your hook. | 0:04:22 | 0:04:23 | |
Emma? Yeah, it's only me. | 0:04:47 | 0:04:49 | |
Er, yeah, it's going really well with Lauren. | 0:04:50 | 0:04:53 | |
Listen, I don't know if you're back at work already | 0:04:53 | 0:04:55 | |
but why don't you come over later? | 0:04:55 | 0:04:58 | |
Abi's going to be staying with her mum, so... | 0:04:58 | 0:05:00 | |
Er, yeah, so maybe I'll see you later. | 0:05:02 | 0:05:05 | |
All right, Lauren. Where are you going? | 0:05:08 | 0:05:10 | |
Lauren, don't be like this. This is stupid. Just give me five minutes. | 0:05:11 | 0:05:14 | |
That's all I'm asking, all right? Five minutes, and if you don't | 0:05:14 | 0:05:17 | |
like what I've got to say, that's it, I'll leave you alone. | 0:05:17 | 0:05:20 | |
-DOOR CLOSES -Pops? Pops. | 0:05:27 | 0:05:29 | |
-We've got a visitor. -Hey. | 0:05:29 | 0:05:31 | |
Hey. Hello, Mrs Coker. | 0:05:34 | 0:05:37 | |
Ain't got that tenner, have you, for the pizza bloke? | 0:05:37 | 0:05:40 | |
You could have this tomorrow. I made a casserole to celebrate you passing your trial. | 0:05:41 | 0:05:45 | |
Oh, thank you, that's very kind of you. | 0:05:45 | 0:05:48 | |
Tending the dead isn't for the faint-hearted, Billy. | 0:05:48 | 0:05:51 | |
I think your grandad may have found his calling. | 0:05:51 | 0:05:54 | |
And how are my two favourite girlies? Oh, look at you! | 0:05:54 | 0:06:00 | |
-You sorted it out? -Yes, yes. Sorted. -Was it about the electric? -Lo! | 0:06:01 | 0:06:05 | |
I'm really sorry, I don't mean to be rude but I've got to nip out. | 0:06:05 | 0:06:08 | |
I've got to go and check the rota at the chippy. | 0:06:08 | 0:06:11 | |
But Lola's here. I mean, stay and have a cup of tea if you want. | 0:06:11 | 0:06:14 | |
-I won't be long. -Oh, yes, I think I will! | 0:06:14 | 0:06:17 | |
Les is out with his cronies to a dinner do, | 0:06:17 | 0:06:19 | |
and I don't want to be stuck in on my own, do I? | 0:06:19 | 0:06:21 | |
There you go, then. Stick the kettle on, Lo. Won't be long. | 0:06:21 | 0:06:25 | |
Bye. | 0:06:25 | 0:06:26 | |
All right? | 0:06:33 | 0:06:35 | |
Yeah. You? | 0:06:35 | 0:06:37 | |
Yeah. | 0:06:38 | 0:06:39 | |
I...I got my job. | 0:06:40 | 0:06:43 | |
Trial at Mr Coker's. | 0:06:45 | 0:06:46 | |
-Oh, congrats, man. -Thanks. | 0:06:46 | 0:06:48 | |
Look, they're all having pizza in there. | 0:06:48 | 0:06:51 | |
Hawaiian Special. | 0:06:51 | 0:06:54 | |
Anyway, see ya. | 0:06:54 | 0:06:56 | |
Mick told me what happened. So did you get a written confession? | 0:07:07 | 0:07:10 | |
-Ain't funny, Shirl! -Look, Billy Mitchell is many things but he's not a killer. | 0:07:10 | 0:07:14 | |
Well, he was lying about something. It was obvious. | 0:07:14 | 0:07:16 | |
Yeah. It did feel like he was holding something back. | 0:07:16 | 0:07:18 | |
That don't make him a murderer. You put yourselves on the line, for what? | 0:07:18 | 0:07:21 | |
Yeah, for once I agree with Shirley. | 0:07:21 | 0:07:23 | |
We can't keep going round in circles. | 0:07:23 | 0:07:25 | |
You went and had it out with him. So, now what? | 0:07:25 | 0:07:27 | |
There is only one thing to do. Go to the police. | 0:07:27 | 0:07:30 | |
-Yeah, and I still say let it go. -This is doing my nut in. | 0:07:30 | 0:07:33 | |
Where're you going? | 0:07:33 | 0:07:34 | |
Shop. I need a sugar fix. | 0:07:34 | 0:07:36 | |
I dunno. What do you reckon, Dad? | 0:07:36 | 0:07:37 | |
You know we're behind you. It's just... | 0:07:39 | 0:07:41 | |
The old bill are going to want to know why you've changed your story. | 0:07:41 | 0:07:45 | |
Billy could say you've been putting the screws on him. | 0:07:45 | 0:07:47 | |
I just want you to be sure. | 0:07:47 | 0:07:49 | |
Billy. | 0:08:00 | 0:08:02 | |
I just wanted to say, this... | 0:08:05 | 0:08:06 | |
this is nothing personal. | 0:08:06 | 0:08:08 | |
Nothing personal?! Are you having a laugh? | 0:08:08 | 0:08:11 | |
Just be straight with me, all right? Is there anything you ain't telling us? | 0:08:11 | 0:08:14 | |
No! | 0:08:14 | 0:08:16 | |
How do you know your poxy nephew | 0:08:16 | 0:08:17 | |
-ain't got nothing to do with this, eh? -Lee? -Yeah, Lee! | 0:08:17 | 0:08:21 | |
He was the one who was following Lucy that night. | 0:08:21 | 0:08:24 | |
You want to think about that, eh? | 0:08:24 | 0:08:26 | |
-Come on, the house ain't going to clean itself. -I just finished work! | 0:08:49 | 0:08:52 | |
Just get off your lazy backside. | 0:08:52 | 0:08:56 | |
Phil! I'm in trouble. | 0:08:56 | 0:08:58 | |
-Everything all right? -Yeah. Yeah, everything's fine. | 0:09:04 | 0:09:08 | |
-Billy's taking his time. -Er, yeah, you wouldn't mind watching Janet? | 0:09:08 | 0:09:11 | |
I'm just going to put Lexi's pyjamas on, if you don't mind. | 0:09:11 | 0:09:14 | |
Hello? | 0:09:14 | 0:09:16 | |
Pops, it's me. Will you just call me back, all right? | 0:09:16 | 0:09:21 | |
One minute, my day's going great, | 0:09:21 | 0:09:23 | |
next minute I've got the Carters mob-handed at the door! | 0:09:23 | 0:09:25 | |
Just calm down and tell me why. | 0:09:25 | 0:09:26 | |
-They said I had something to do with Lucy's murder! -What?! | 0:09:26 | 0:09:29 | |
DOOR CLOSES | 0:09:29 | 0:09:30 | |
The front door was wide open. | 0:09:30 | 0:09:32 | |
Anyone could have walked in. | 0:09:32 | 0:09:34 | |
How are you feeling? | 0:09:34 | 0:09:36 | |
Erm, yeah, yeah, I'm fine. Denny wants another DVD. | 0:09:36 | 0:09:39 | |
-Do you want another painkiller? -Stop fussing. | 0:09:39 | 0:09:42 | |
Jay, Jay, put the kettle on, will you? Billy, go with him. | 0:09:43 | 0:09:46 | |
You look tired. | 0:09:50 | 0:09:52 | |
Well, I don't know how. I've hardly lifted a finger for weeks. | 0:09:52 | 0:09:55 | |
Look, Phil, just keep the doors locked, eh? It's better to be careful. | 0:09:56 | 0:09:59 | |
Sharon, you're safe, all right? I promise you. | 0:09:59 | 0:10:02 | |
Like I said, I'm fine. It's just common sense. | 0:10:02 | 0:10:05 | |
Just call me if you need anything, yeah? | 0:10:05 | 0:10:08 | |
Yeah. | 0:10:08 | 0:10:09 | |
Why the hell would they accuse you of murdering Lucy? | 0:10:17 | 0:10:21 | |
-Well, answer the question. -All right, all right! | 0:10:22 | 0:10:25 | |
The night she died... | 0:10:27 | 0:10:29 | |
..she caught me nicking fish from the chippy. | 0:10:30 | 0:10:34 | |
She threatened to tell Ian so we had this blazing row and... | 0:10:34 | 0:10:38 | |
well, I thought no-one else knew, but then... | 0:10:38 | 0:10:40 | |
Lee Carter says that he seen us arguing. | 0:10:40 | 0:10:43 | |
Did he hear what the row was about? | 0:10:43 | 0:10:45 | |
-You sure? -Yeah, I'm...positive. | 0:10:46 | 0:10:48 | |
What did you tell him? | 0:10:49 | 0:10:50 | |
I just made up some story about her giving me grief | 0:10:50 | 0:10:53 | |
about having to wait for her chips. | 0:10:53 | 0:10:55 | |
Did he believe you? | 0:10:55 | 0:10:57 | |
-Ain't much of a story. -I didn't have time to think, you know? | 0:10:57 | 0:11:00 | |
Well, it's just your word against Lee's, ain't it? | 0:11:01 | 0:11:03 | |
Keep your mouth shut about the stolen fish, | 0:11:03 | 0:11:05 | |
you've got nothing to worry about. | 0:11:05 | 0:11:07 | |
Well, is there something else? | 0:11:09 | 0:11:10 | |
Spit it out, will ya? | 0:11:10 | 0:11:12 | |
I had a key... | 0:11:16 | 0:11:18 | |
to Tina's flat. | 0:11:18 | 0:11:19 | |
A spare key, I had it from Butcher's Joints. | 0:11:19 | 0:11:22 | |
Don't tell us you was in there, please. | 0:11:22 | 0:11:25 | |
Well, were you? | 0:11:25 | 0:11:27 | |
Billy, tell us the facts, come on! | 0:11:28 | 0:11:31 | |
I was rigging the switchboard. | 0:11:31 | 0:11:33 | |
I was running our leccy off of their meter. | 0:11:33 | 0:11:37 | |
Tina caught me in there the other day red-handed. Now they all think I was in the flat the night Lucy died. | 0:11:37 | 0:11:41 | |
Jay... | 0:11:41 | 0:11:43 | |
..get lost for a minute, will you? | 0:11:44 | 0:11:46 | |
Just do it. | 0:11:48 | 0:11:49 | |
So what happened after the row? | 0:11:59 | 0:12:00 | |
Nothing. She took off. | 0:12:01 | 0:12:03 | |
Billy, if you're hiding something, I need to know. | 0:12:03 | 0:12:05 | |
Are you seriously asking me if I killed her?! | 0:12:05 | 0:12:08 | |
-You said she threatened to go to Ian. -Yes, but, Phil... | 0:12:08 | 0:12:12 | |
I know, I know how much you need that job. | 0:12:12 | 0:12:15 | |
You seriously think I'd kill a young girl for a poxy job at a chippy?! | 0:12:15 | 0:12:18 | |
Come on, Phil! | 0:12:20 | 0:12:22 | |
I know I've done a lot of bad things in my time, but I'm not a killer! | 0:12:22 | 0:12:25 | |
What about Lee? Did he say...? Did he say anything else before he left? | 0:12:28 | 0:12:31 | |
Do you think he would have gone straight to the old bill? | 0:12:31 | 0:12:34 | |
Not sure. I've only just chucked 'em out, ain't I? | 0:12:34 | 0:12:36 | |
Where you going? | 0:12:40 | 0:12:41 | |
To the Vic. | 0:12:41 | 0:12:43 | |
See if I can't sort out your mess. | 0:12:43 | 0:12:45 | |
Well, this was worth it(!) | 0:13:02 | 0:13:04 | |
Well, there's only so many times I can say "sorry", Lauren. | 0:13:04 | 0:13:08 | |
-I know. I just want you to mean it. -Yeah, and I do mean it. | 0:13:08 | 0:13:10 | |
I came to see you earlier to talk about it, and you just... | 0:13:10 | 0:13:13 | |
You weren't bothered at all. | 0:13:13 | 0:13:14 | |
Yeah, well, I'm here now, all right? | 0:13:14 | 0:13:16 | |
That's all that matters. So, let's talk. | 0:13:16 | 0:13:18 | |
All right, fine. Er, why did you sleep with my best mate? | 0:13:18 | 0:13:20 | |
Cos I have not stopped thinking about it. | 0:13:21 | 0:13:24 | |
I keep thinking, you know, all the times she must've been lying to me. | 0:13:24 | 0:13:28 | |
Or sneaking around behind my back with you. | 0:13:28 | 0:13:31 | |
And I am still so angry with her! | 0:13:31 | 0:13:34 | |
Hi. Tea to go, please. | 0:13:34 | 0:13:37 | |
What do you want me to say, Lauren? | 0:13:39 | 0:13:41 | |
All right, it was wrong | 0:13:42 | 0:13:43 | |
-and it shouldn't have happened. -Well, why did it? | 0:13:43 | 0:13:46 | |
Because she was vulnerable. And I was weak. | 0:13:48 | 0:13:51 | |
She was messed up. And you were taking advantage. | 0:13:52 | 0:13:56 | |
Yeah, I couldn't help myself. | 0:13:56 | 0:13:58 | |
Do you know how disgusting that is? | 0:13:58 | 0:13:59 | |
Yes. All right, Lauren? I do. And... it ain't easy talking about it. | 0:13:59 | 0:14:03 | |
I just never thought about all the people it could hurt. | 0:14:05 | 0:14:08 | |
All you do is hurt people, though, Dad. | 0:14:08 | 0:14:11 | |
Mum. Bradley. | 0:14:11 | 0:14:14 | |
I mean, what kind of person sleeps with their son's girlfriend? | 0:14:14 | 0:14:16 | |
You ain't never going to change. | 0:14:22 | 0:14:24 | |
All you care about is yourself, Dad. | 0:14:24 | 0:14:27 | |
You're the most selfish person I've ever met. | 0:14:28 | 0:14:30 | |
Oh, cavalry's arrived. | 0:14:35 | 0:14:37 | |
-You been to the old bill? -Not yet. | 0:14:37 | 0:14:40 | |
I do hope you ain't come here to cause agg, Phil. | 0:14:40 | 0:14:43 | |
I ain't come here for any aggro here, mate. I ain't Billy's baby sitter either. | 0:14:43 | 0:14:46 | |
-Why are you here, then? -Billy told me what happened the night, | 0:14:46 | 0:14:49 | |
what REALLY happened the night that Lucy died. | 0:14:49 | 0:14:51 | |
He said that you lot came on a bit heavy. | 0:14:51 | 0:14:53 | |
And, well, he panicked. Didn't know what to say. | 0:14:53 | 0:14:56 | |
But what really happened is, the night that Lucy died, | 0:14:56 | 0:15:01 | |
she gave it the big I am. | 0:15:01 | 0:15:03 | |
Went in the chippy. Tried to take some money out the till. | 0:15:03 | 0:15:05 | |
-Why would she do that? -Got no idea. | 0:15:05 | 0:15:08 | |
Billy don't know either. | 0:15:08 | 0:15:09 | |
Maybe she wanted some coke or something like that. | 0:15:09 | 0:15:12 | |
Anyway, Billy was worried that he was going to get the blame | 0:15:12 | 0:15:15 | |
for the money going out the till. So he stopped her. | 0:15:15 | 0:15:17 | |
She flipped, and he slung her out. | 0:15:17 | 0:15:19 | |
-So why didn't he tell us that in the first place? -Cos he's stupid. | 0:15:19 | 0:15:23 | |
Yeah. You're not wrong. | 0:15:23 | 0:15:24 | |
Anyway, if you do go to the old bill, | 0:15:24 | 0:15:26 | |
that's what he's going to tell 'em. | 0:15:26 | 0:15:28 | |
You got to ask yourself, is it worth it? | 0:15:28 | 0:15:31 | |
They found her blood in the kitchen, didn't they? | 0:15:42 | 0:15:45 | |
That's what I read. | 0:15:45 | 0:15:47 | |
So if you were messing about with wires... | 0:15:51 | 0:15:53 | |
..then that's where your prints will be. | 0:15:55 | 0:15:58 | |
By the electric box. | 0:15:58 | 0:15:59 | |
So just tell them you went nowhere near the kitchen. | 0:16:00 | 0:16:03 | |
Where you going? Oi, Bill! | 0:16:08 | 0:16:10 | |
-I knew he was holding something back. -What if Phil's lying? | 0:16:16 | 0:16:19 | |
It fits, though. What Phil said about Lucy. It could easily explain what happened that night. | 0:16:19 | 0:16:23 | |
In that case, think about Ian. | 0:16:23 | 0:16:25 | |
You go to the police, word's bound to get out. | 0:16:25 | 0:16:27 | |
Does he really need to know his daughter was trying to steal from him the night she died? | 0:16:27 | 0:16:31 | |
Are you just going to stand there like a lemon? | 0:16:31 | 0:16:34 | |
Well, I don't know any more. | 0:16:34 | 0:16:36 | |
-Are you really that gullible? -Look, I've made my decision. | 0:16:36 | 0:16:38 | |
-Look, it's not worth it. -Lee! -Nance, just let it go. Please. | 0:16:40 | 0:16:43 | |
-I'll go to the police myself. -Listen to me, don't go dragging my boy | 0:16:43 | 0:16:46 | |
into this. He's made his decision. You're going to respect it. | 0:16:46 | 0:16:49 | |
Maybe Mick's right. What's it going to achieve? | 0:16:49 | 0:16:51 | |
As much as we believe Jake's innocent, I just think we're clutching at straws blaming Billy. | 0:16:51 | 0:16:56 | |
Can everyone just drop it, please? | 0:16:56 | 0:16:58 | |
Just let her cool off. | 0:17:02 | 0:17:04 | |
You OK? | 0:17:04 | 0:17:05 | |
-Usual? -Yeah, I want to ask you a favour first. | 0:17:11 | 0:17:14 | |
I'm having a photo shoot set up at Blades tomorrow. | 0:17:14 | 0:17:17 | |
-I wondered if you'd be a model. -Me?! | 0:17:17 | 0:17:18 | |
Yeah. Don't look so surprised. You'd be perfect. | 0:17:18 | 0:17:21 | |
Now's not really a good time, Dean. | 0:17:21 | 0:17:23 | |
What if I can't ever trust you again? | 0:17:51 | 0:17:53 | |
Look, I know it ain't going to happen overnight, Lauren. | 0:17:53 | 0:17:56 | |
Look, I miss you. And Abi misses you. Tramp, he misses you. | 0:17:57 | 0:18:02 | |
Look, just one last chance, that's all I'm asking. OK? | 0:18:04 | 0:18:07 | |
-And you can move home any time you like. -Don't push it. | 0:18:09 | 0:18:13 | |
All right. I'll leave you to it, shall I? OK? | 0:18:16 | 0:18:19 | |
-Peter, listen, I'm really sorry, I just wanted to... -It's fine. It's fine, I understand. | 0:18:33 | 0:18:38 | |
-Really? -Yeah. I mean, he's your dad. What're you going to do? | 0:18:38 | 0:18:42 | |
You fancy the pub? My shout. | 0:18:44 | 0:18:46 | |
-Yeah, all right. -PHONE RINGS | 0:18:46 | 0:18:48 | |
-Everything all right? -Yeah. | 0:18:51 | 0:18:53 | |
DOOR CLOSES | 0:19:13 | 0:19:15 | |
What the hell are you doing? I swear to God, you come near me... | 0:19:21 | 0:19:24 | |
I was just bringing them back, OK? | 0:19:26 | 0:19:28 | |
Get out. | 0:19:30 | 0:19:31 | |
Lexi went out like a light. | 0:19:38 | 0:19:40 | |
Oh, wow! Who did this? | 0:19:40 | 0:19:43 | |
Oh, wow, who's that meant to be then? | 0:19:43 | 0:19:46 | |
-Oh! It's Billy and Les, isn't it? In their best bib and tucker. -Is it? | 0:19:46 | 0:19:51 | |
It's very good! | 0:19:51 | 0:19:52 | |
Erm, Pam, you couldn't do me a big favour, could you? | 0:19:53 | 0:19:57 | |
-I don't believe this! -What was I meant to do? Tie him to the chair? | 0:19:57 | 0:20:00 | |
Where've you been? | 0:20:02 | 0:20:04 | |
Well, anyway, I think I managed to get through to Lee, so... | 0:20:04 | 0:20:07 | |
all you've got to do is get a grip and sit tight, yeah? | 0:20:07 | 0:20:10 | |
-Well, don't say "thanks" or anything, will you(?) -I've blown it, Phil. | 0:20:13 | 0:20:16 | |
I'm, er, sorry if I was a bit off before. | 0:20:24 | 0:20:26 | |
I've been meaning to say... | 0:20:26 | 0:20:29 | |
all that stuff you heard last week, after my party, | 0:20:29 | 0:20:33 | |
do me a favour and keep it to yourself? | 0:20:33 | 0:20:35 | |
The kids don't know we ain't married... | 0:20:37 | 0:20:39 | |
No, course. | 0:20:39 | 0:20:40 | |
But that being said, one good turn does deserve another. | 0:20:41 | 0:20:45 | |
-How about that photo shoot? -My modelling days are long gone. | 0:20:46 | 0:20:49 | |
You actually modelled? You've definitely still got it. | 0:20:49 | 0:20:53 | |
And what would you know? | 0:20:53 | 0:20:54 | |
I know that some women get more stunning with age. Elle Macpherson, | 0:20:54 | 0:20:58 | |
-Cindy Crawford, Linda Carter... -SHE LAUGHS | 0:20:58 | 0:21:01 | |
I mean, what is it that grandad says? | 0:21:01 | 0:21:03 | |
"The older the berry, the sweeter the juice." | 0:21:03 | 0:21:05 | |
-Now I know what he meant! -If Mick hears you talking like that. | 0:21:07 | 0:21:09 | |
Oh, I've asked Lauren and Whitney as well. | 0:21:09 | 0:21:11 | |
You want me to pose with a couple of girls half my age? | 0:21:11 | 0:21:14 | |
-You've got to be joking. -Come on. | 0:21:14 | 0:21:16 | |
They've got nothing on you. You show 'em how it's done. | 0:21:16 | 0:21:18 | |
You would be doing me a massive, massive favour as well. | 0:21:18 | 0:21:21 | |
I've blown the budget on the photographer. | 0:21:21 | 0:21:23 | |
He's good. He's really good. | 0:21:23 | 0:21:25 | |
-Go on, then. -Yeah? | 0:21:26 | 0:21:29 | |
That's great! | 0:21:29 | 0:21:30 | |
I've just caught Billy in our kitchen. | 0:21:33 | 0:21:35 | |
-Doing what? -He said he was returning these... | 0:21:35 | 0:21:38 | |
Now, we go to the police. | 0:21:40 | 0:21:42 | |
-I back you up, don't I? I back you up and you make me look like a total mug. -It ain't like that! | 0:21:46 | 0:21:51 | |
If Sharon weren't upstairs I'd kick you round this kitchen. | 0:21:51 | 0:21:53 | |
-Please, listen to me, -Nah, nah, nah! You listen to me, yeah? | 0:21:53 | 0:21:56 | |
I want to know everything that happened the night Lucy died. | 0:21:56 | 0:21:58 | |
-I told you I didn't do it. -One! | 0:21:58 | 0:22:01 | |
One more lie out of you, and you - listen to me - you're on your own! | 0:22:01 | 0:22:04 | |
I swear to ya! I swear, I never touched her! | 0:22:04 | 0:22:08 | |
If my own family start doubting me, what's that lot out there going to think, eh? | 0:22:08 | 0:22:11 | |
-So what was you doing over there then? -Wiping prints. | 0:22:11 | 0:22:14 | |
Why? | 0:22:14 | 0:22:15 | |
Because I was in the kitchen as well. More than once. | 0:22:15 | 0:22:19 | |
I nicked the odd tin of beans, some eggs... | 0:22:20 | 0:22:22 | |
You are unbelievable. | 0:22:22 | 0:22:24 | |
My prints could be anywhere, couldn't they? | 0:22:24 | 0:22:26 | |
So what? | 0:22:26 | 0:22:27 | |
Billy, you are a world-class idiot, you know that? | 0:22:28 | 0:22:31 | |
The old bill would've dusted that place from top to bottom months ago. | 0:22:31 | 0:22:34 | |
They ain't going to go back now, are they? What was you thinking? | 0:22:34 | 0:22:37 | |
-I don't know. -Well, you might as well go and hand yourself in. -What? | 0:22:37 | 0:22:40 | |
Well, the Carters are bound to go to the old bill now, ain't they? | 0:22:40 | 0:22:44 | |
-What are you doing? -Calling Ritchie, that's what I'm doing. Calling Ritchie. | 0:22:44 | 0:22:48 | |
Calling her about what? | 0:22:48 | 0:22:51 | |
I'm a bit surprised to see you back here... | 0:23:06 | 0:23:08 | |
after what you might've heard in the cafe. | 0:23:08 | 0:23:10 | |
Who am I to judge? | 0:23:11 | 0:23:13 | |
I, erm, I don't want to come between you and your family, though. | 0:23:15 | 0:23:18 | |
Course you won't. | 0:23:18 | 0:23:20 | |
PHONE RINGS | 0:23:34 | 0:23:37 | |
I've just got to see who it is. | 0:23:37 | 0:23:40 | |
I've just got to see who it is. Just hold on. | 0:23:40 | 0:23:42 | |
What, is it work? | 0:23:47 | 0:23:49 | |
-You ever feel like life's just passing you by? -All right, grandad! | 0:24:03 | 0:24:07 | |
Just I had plans. Inca trail. Great Barrier reef. Not... | 0:24:07 | 0:24:12 | |
shacked up in some dingy flat up to my eyes in nappies. | 0:24:12 | 0:24:15 | |
Well, at least you don't live with your nan. | 0:24:15 | 0:24:18 | |
-What is up? -Nothing. I just thought I'd have more to look forward to. | 0:24:20 | 0:24:25 | |
That's more like it. | 0:24:27 | 0:24:29 | |
-I'd better go. -Wait! | 0:24:31 | 0:24:34 | |
I can't let this one go. | 0:24:34 | 0:24:37 | |
It's a bit late in the day, though, now, eh? Go tomorrow instead. | 0:24:37 | 0:24:39 | |
Why, so you can talk him out of it? | 0:24:39 | 0:24:41 | |
Tosh. I'll go to the police first thing in the morning. I promise. | 0:24:41 | 0:24:44 | |
He'll be OK. | 0:24:46 | 0:24:47 | |
I was struggling. | 0:24:49 | 0:24:51 | |
Having an extra mouth to feed. | 0:24:52 | 0:24:54 | |
No, I believe you, Pops. It'll be all right anyway, won't it, Phil? | 0:24:54 | 0:24:58 | |
The police will see that he didn't kill her, right? | 0:24:58 | 0:25:00 | |
KNOCK AT DOOR | 0:25:00 | 0:25:02 | |
I'm sorry, Lo. | 0:25:09 | 0:25:11 | |
I've let you down. | 0:25:12 | 0:25:13 | |
You, Janet, Lexi. | 0:25:14 | 0:25:19 | |
No, you wouldn't have got yourself into this mess if... | 0:25:19 | 0:25:23 | |
if I'd have been bringing money in. | 0:25:23 | 0:25:25 | |
Hey, no, no, no. Don't be silly. | 0:25:25 | 0:25:29 | |
All right? Don't you ever think like that. | 0:25:30 | 0:25:34 | |
Jay, go stick the telly on. Lola, go with him. | 0:25:37 | 0:25:40 | |
Go on. It's all right. | 0:25:42 | 0:25:44 | |
This is bread and butter stuff for Ritchie. | 0:25:45 | 0:25:47 | |
I haven't a clue. | 0:25:59 | 0:26:01 | |
She asked me to mind the girls and off she went. | 0:26:01 | 0:26:04 | |
-Eh? -SHE CHUCKLES | 0:26:06 | 0:26:08 | |
He's not here either! | 0:26:08 | 0:26:10 | |
Oh, yes. | 0:26:11 | 0:26:14 | |
Oh, Janet's been as good as gold. | 0:26:14 | 0:26:18 | |
Well, she's fast asleep now. | 0:26:18 | 0:26:20 | |
-CUP SMASHES -Oh, fiddlesticks!... | 0:26:20 | 0:26:23 | |
No, I'm fine. I just broke a cup. | 0:26:23 | 0:26:25 | |
I'll call you back, Les. | 0:26:27 | 0:26:29 | |
Oh, Pamela! | 0:26:29 | 0:26:31 | |
Cards on the table, it doesn't look good. | 0:27:06 | 0:27:09 | |
OK, so I was in the flat, right. | 0:27:09 | 0:27:10 | |
There's no denying that. But why would they think I'd be in there with Lucy? I mean, it don't make sense. | 0:27:10 | 0:27:16 | |
What if she was never in the flat? | 0:27:16 | 0:27:18 | |
But they found her blood and her earring. | 0:27:18 | 0:27:20 | |
You had a key. They could accuse you of putting them there to frame Jake. | 0:27:20 | 0:27:25 | |
HE SCOFFS That's ridiculous! | 0:27:25 | 0:27:28 | |
What, you don't think they'd stitch you up? | 0:27:28 | 0:27:30 | |
-But, Jake... -Jake was so off his head the night Lucy died | 0:27:30 | 0:27:33 | |
he could hardly stand up. They stitched him up. | 0:27:33 | 0:27:36 | |
You don't think they'd do it to you? | 0:27:36 | 0:27:38 | |
They can't pin this one on me. | 0:27:38 | 0:27:41 | |
For once in my life I got too much to lose. | 0:27:41 | 0:27:44 | |
I've got a family to look after. | 0:27:44 | 0:27:46 | |
And what about Janet, eh? | 0:27:46 | 0:27:48 | |
I've only just got her back. What happens to her if I go down? | 0:27:48 | 0:27:50 | |
-What about the key? Could anyone else have got hold of it? -No. | 0:27:50 | 0:27:54 | |
No-one else knew about it. Was only me. | 0:27:54 | 0:27:56 | |
You're not the only one who lives in the flat, though, are you? | 0:27:59 | 0:28:02 | |
There's Peter. | 0:28:04 | 0:28:06 | |
I think I'll leave you just for a minute. | 0:28:09 | 0:28:12 | |
I don't get it. | 0:28:22 | 0:28:24 | |
What about Peter? | 0:28:27 | 0:28:30 | |
You could say... | 0:28:30 | 0:28:32 | |
that he knew about the key. | 0:28:32 | 0:28:36 | |
I mean, he could've got his hands on it the night that... | 0:28:36 | 0:28:39 | |
that Lucy was killed. Couldn't he? | 0:28:39 | 0:28:42 | |
That's sick. | 0:28:42 | 0:28:44 | |
Don't you think that poor kid's been through enough already? | 0:28:44 | 0:28:47 | |
Well, the way I see it is that Peter... | 0:28:47 | 0:28:50 | |
Peter... | 0:28:50 | 0:28:52 | |
he's your only way out. | 0:28:52 | 0:28:54 | |
It's either him...or you. | 0:28:54 | 0:28:58 | |
'Of course I'm listening to you, darling. | 0:29:02 | 0:29:04 | |
'I haven't missed a word that's come out that lovely | 0:29:04 | 0:29:06 | |
'little mouth of yours since 1992.' | 0:29:06 | 0:29:10 | |
-Are you nervous? -Nah. | 0:29:10 | 0:29:12 | |
'Don't get trappy with me. Mick Carter, and don't walk away when I'm talking to you!' | 0:29:12 | 0:29:16 | |
This is what living in a broken home feels like. | 0:29:16 | 0:29:18 | |
Any of you seen my car keys? | 0:29:18 | 0:29:20 | |
And you're 100% sure this won't make him a suspect? | 0:29:20 | 0:29:22 | |
Just go to your photo shoot, get your hair done, | 0:29:22 | 0:29:25 | |
have a giggle with the girls... | 0:29:25 | 0:29:26 | |
-I'm going to do that while our son's being questioned(!) -Dad, shall we just go? | 0:29:26 | 0:29:29 | |
Yeah, please Lee. Please. | 0:29:29 | 0:29:30 | |
We ain't decided yet! | 0:29:30 | 0:29:32 | |
Mum, I'm going, all right? Everything'll be OK. | 0:29:32 | 0:29:34 | |
KNOCKING | 0:29:34 | 0:29:36 | |
Who's that? | 0:29:36 | 0:29:38 | |
KNOCKING CONTINUES | 0:29:38 | 0:29:40 | |
All right! All right, all right! | 0:29:42 | 0:29:45 | |
You'll have the glass in! | 0:29:45 | 0:29:46 | |
Has he done it yet? | 0:29:50 | 0:29:52 | |
No. | 0:29:52 | 0:29:53 | |
Well, don't. | 0:29:53 | 0:29:55 | |
If this don't come from Billy, it ain't going to look good, is it? | 0:29:55 | 0:29:58 | |
Should have owned up himself, then, shouldn't he? | 0:29:58 | 0:30:00 | |
-Hear him out. -He'll do it now. | 0:30:00 | 0:30:01 | |
All right? I'll go round there and we'll call 'em. | 0:30:01 | 0:30:04 | |
Is this cos Billy got caught in the flat? Cos that don't look good, does it? | 0:30:04 | 0:30:07 | |
No, it don't look good. And he's an idiot. But he's innocent. | 0:30:07 | 0:30:09 | |
I'm trying to find a way that works for everyone. | 0:30:09 | 0:30:12 | |
And how does this work for us? | 0:30:12 | 0:30:13 | |
Well, we'll keep Lee's name out of it. | 0:30:13 | 0:30:15 | |
I mean, changing a statement - that don't look good, either, does it? | 0:30:15 | 0:30:19 | |
If it means you don't have to go in... | 0:30:19 | 0:30:21 | |
This is on you, son. | 0:30:23 | 0:30:25 | |
An hour. This has got to come from Billy. | 0:30:25 | 0:30:28 | |
I should not have stayed the night. | 0:30:52 | 0:30:54 | |
That's all right - Abi ain't back till later. | 0:30:54 | 0:30:56 | |
-It's the people out there I'm worried about. -It's all right. | 0:30:56 | 0:30:59 | |
We'll just put a jacket over your head, you know, people leaving court, they have a... | 0:30:59 | 0:31:03 | |
Have your breakfast, at least. | 0:31:05 | 0:31:07 | |
I don't have time... Oh. | 0:31:07 | 0:31:10 | |
Bill, I've had a word with the Carters... | 0:31:23 | 0:31:25 | |
All right, Phil! | 0:31:25 | 0:31:26 | |
Who else would have a knock like that, eh? | 0:31:29 | 0:31:32 | |
Cuppa tea, Phil? | 0:31:32 | 0:31:34 | |
Shouldn't you be on the stall? | 0:31:36 | 0:31:38 | |
Did Dad send you? | 0:31:38 | 0:31:40 | |
Erm, Bill, can you tell Lo I've gone to work? | 0:31:40 | 0:31:43 | |
I'm sure she'd prefer it if you told her your... | 0:31:43 | 0:31:46 | |
The Carters have agreed to letting us make the call. | 0:31:48 | 0:31:51 | |
I'm not sure about this, Phil. | 0:31:52 | 0:31:54 | |
So what do you want to do - wait here, wait for the old bill to come and nick you? | 0:31:54 | 0:31:57 | |
-Sirens blazing an' all that? -No, but... | 0:31:57 | 0:31:59 | |
You want Janet to see that, do you? | 0:31:59 | 0:32:01 | |
No... Ritchie will protect me, right? | 0:32:01 | 0:32:05 | |
As long as you say what needs to be said. | 0:32:05 | 0:32:09 | |
Yeah, hello. Yeah, my name's Billy Mitchell. | 0:32:12 | 0:32:17 | |
I think I might have some information | 0:32:18 | 0:32:21 | |
about the murder of Lucy Beale. | 0:32:21 | 0:32:23 | |
It's been an hour. | 0:32:27 | 0:32:29 | |
As if he was going to go through with it anyway! | 0:32:29 | 0:32:33 | |
Well, he seemed confident, so... | 0:32:33 | 0:32:35 | |
I can't see Billy Mitchell standing up to him, somehow. | 0:32:35 | 0:32:37 | |
I don't see why it matters either way. | 0:32:37 | 0:32:39 | |
-I thought you was going to do the right thing? -Hold up. | 0:32:39 | 0:32:42 | |
Text from Phil. | 0:32:44 | 0:32:46 | |
It's done! The police are coming over later to interview him. | 0:32:47 | 0:32:51 | |
I don't have to go through with it? | 0:32:51 | 0:32:53 | |
Don't just walk off. | 0:32:53 | 0:32:54 | |
How do you know Billy's going to tell the truth? He's probably just going to lie again. | 0:32:54 | 0:32:58 | |
Well, I for one am going to keep the faith! | 0:32:58 | 0:33:00 | |
So, L - go and be a super model. | 0:33:00 | 0:33:02 | |
Nance - go and whack on a pair of manky shorts. | 0:33:02 | 0:33:05 | |
Lee - you're with me, bar duty. Come on! | 0:33:05 | 0:33:08 | |
He better not give us any weird hairdos. | 0:33:12 | 0:33:14 | |
I don't want any rank photos of us hanging round Walford. | 0:33:14 | 0:33:17 | |
Can you imagine? | 0:33:17 | 0:33:18 | |
Lauren? Back in the room? | 0:33:19 | 0:33:23 | |
Sorry. It's just, the car lot's still not open. | 0:33:23 | 0:33:27 | |
He's probably got someone round there, knowing him. | 0:33:27 | 0:33:29 | |
Oi! It's not even like that. | 0:33:29 | 0:33:31 | |
He was actually saying yesterday that he missed me. | 0:33:31 | 0:33:34 | |
You just want to forgive and forget | 0:33:34 | 0:33:36 | |
so that you don't have to spend another night with Cora snoring. | 0:33:36 | 0:33:39 | |
No. No, I don't forgive him! Not at all. | 0:33:39 | 0:33:42 | |
I dunno, he just seemed... he just seemed lonely. | 0:33:43 | 0:33:49 | |
There it is, look. Parsley. | 0:33:49 | 0:33:53 | |
You're right. It is a bit soon. | 0:33:53 | 0:33:55 | |
Yeah. Bit embarrassing, really. | 0:33:55 | 0:33:59 | |
You know you like someone when you start using garnish. | 0:33:59 | 0:34:01 | |
Oi! | 0:34:01 | 0:34:03 | |
You, um, you said Abi's back later. | 0:34:03 | 0:34:08 | |
Er, yeah. | 0:34:08 | 0:34:09 | |
She'll probably come in, dump her bag, then go straight to Jay's. | 0:34:09 | 0:34:15 | |
I'll be lucky if I get a peck on the cheek, to be honest. | 0:34:15 | 0:34:19 | |
Lauren'll come back too, you know? | 0:34:21 | 0:34:23 | |
I was just like that at her age. | 0:34:23 | 0:34:25 | |
Once she's made her point... | 0:34:25 | 0:34:27 | |
PHONE RINGS | 0:34:27 | 0:34:28 | |
Oh, sorry... | 0:34:28 | 0:34:30 | |
It's work. | 0:34:34 | 0:34:36 | |
Summerhayes? | 0:34:36 | 0:34:38 | |
No, no, I was just... | 0:34:42 | 0:34:44 | |
No. No, I don't have a problem, I just... | 0:34:47 | 0:34:51 | |
Irving's been replaced, and, er... | 0:34:59 | 0:35:02 | |
My God, my new guvnor has hated me since we got our shoulder numbers. | 0:35:02 | 0:35:07 | |
Why have they got rid of him? | 0:35:07 | 0:35:09 | |
I can't say...but, um... | 0:35:09 | 0:35:12 | |
I've got to go. | 0:35:12 | 0:35:13 | |
All right. See you later. | 0:35:13 | 0:35:15 | |
Bye. | 0:35:15 | 0:35:16 | |
41 minutes late on his first day. | 0:35:30 | 0:35:33 | |
And it's only three from his flat to our door, Birdie. | 0:35:33 | 0:35:36 | |
I'm sure there's an explanation, Les. | 0:35:36 | 0:35:38 | |
Yeah(!) | 0:35:38 | 0:35:39 | |
RINGING | 0:35:44 | 0:35:47 | |
I want to hear it. You heard Ritchie, you've got no choice. | 0:35:47 | 0:35:49 | |
-Lola's in. -If you can't convince me, you've got no chance of convincing the old bill, have you? | 0:35:49 | 0:35:53 | |
-Phil, I know what I've got to say, all right? -Well, then say it! | 0:35:53 | 0:35:56 | |
Lola is in the bedroom, all right! | 0:35:56 | 0:35:57 | |
-Well, then, maybe Lola ought to hear it. -What?! | 0:35:57 | 0:36:00 | |
-Lola! Get out here! -What you doing!? | 0:36:00 | 0:36:02 | |
If the old bill are going to question her, she needs to know what to tell 'em, don't she? | 0:36:02 | 0:36:06 | |
-Lola! -All right! What's all the shouting about!? | 0:36:06 | 0:36:09 | |
I'm trying to get Lexi to sleep in here, you know. | 0:36:09 | 0:36:12 | |
Billy's got something to tell you. | 0:36:12 | 0:36:14 | |
What? | 0:36:14 | 0:36:15 | |
-Is it about yesterday? -Yeah. | 0:36:15 | 0:36:17 | |
The old bill are going to come and interview me about Lucy. | 0:36:17 | 0:36:22 | |
But they know it was just a row, right? | 0:36:22 | 0:36:24 | |
Yeah. But I've got to tell 'em about the key. | 0:36:24 | 0:36:28 | |
It seems only fair to point out that... | 0:36:30 | 0:36:33 | |
Peter had access to the flat as well. | 0:36:33 | 0:36:35 | |
You want to...you want to drag Peter into this? | 0:36:35 | 0:36:38 | |
Only to muddy the water. | 0:36:38 | 0:36:39 | |
Yeah, but I don't get it. What's it got to do with him? | 0:36:39 | 0:36:42 | |
The key was in this flat. I mean, he does live here. | 0:36:42 | 0:36:45 | |
Yeah, I know that, but he's never been up... | 0:36:45 | 0:36:47 | |
-Are you setting him up?! -No! No, we're not, Lo. | 0:36:47 | 0:36:50 | |
You said it would be fine, you said everything would be fine! | 0:36:50 | 0:36:53 | |
He's been in there, broken! You know that! | 0:36:53 | 0:36:55 | |
You've got to back Billy up on this. | 0:36:55 | 0:36:57 | |
He lies in there crying, night after night, and you want to go and make it ten times worse? | 0:36:57 | 0:37:01 | |
No-one wants this, Lo. He's a good kid! | 0:37:01 | 0:37:02 | |
But you're innocent, so why do you need to lie for?! | 0:37:02 | 0:37:05 | |
There's being innocent, and there's looking innocent, ain't there? | 0:37:05 | 0:37:08 | |
I don't know why I'm listening to this! We're supposed to be a family. | 0:37:08 | 0:37:12 | |
She'll come round. | 0:37:14 | 0:37:15 | |
I'm going to be late for work. | 0:37:17 | 0:37:19 | |
Make sure you're round mine by one o'clock, yeah? | 0:37:19 | 0:37:23 | |
-What's the problem? -It's just been a tough morning. | 0:37:32 | 0:37:34 | |
Listen. She ain't going to do it. | 0:37:34 | 0:37:37 | |
Right. | 0:37:37 | 0:37:39 | |
Can't you just find someone else? | 0:37:39 | 0:37:41 | |
Yeah. I'll have to... I'll have to make it work. | 0:37:41 | 0:37:44 | |
You're really tugging on my heart strings here. | 0:37:44 | 0:37:46 | |
It can't be that bad? | 0:37:46 | 0:37:48 | |
Well, you know, I've gone to town on this - photographer, stylist. I'm in for about two grand, Mick. | 0:37:48 | 0:37:52 | |
All right, all right. I'll have one more go, all right? | 0:37:52 | 0:37:55 | |
Beautiful. | 0:37:55 | 0:37:56 | |
I've said, conversation over. | 0:37:59 | 0:38:01 | |
Look, listen, baby... | 0:38:01 | 0:38:04 | |
It's just, the kid, he's got a lot riding on this. | 0:38:04 | 0:38:08 | |
Money, hopes and dreams, and you know... | 0:38:08 | 0:38:10 | |
-You remember them, don't you? -That's emotional blackmail. | 0:38:10 | 0:38:13 | |
-Is it working? -No! | 0:38:13 | 0:38:14 | |
I know who goes in that salon and it ain't mothers with three kids. | 0:38:14 | 0:38:17 | |
It's trendies with tattoos everywhere | 0:38:17 | 0:38:19 | |
-and their whole lives ahead of them. I'll look stupid! -Get in there, please! | 0:38:19 | 0:38:23 | |
Dean ain't going to let that happen. He's going to make you look beautiful. | 0:38:23 | 0:38:26 | |
Yeah, Mum. He's going to turn you into a proper hipster! | 0:38:26 | 0:38:28 | |
He'll get you a big pair of clompy shoes and a fixed gear bike. | 0:38:28 | 0:38:32 | |
You can shut your mouth an' all. You're going, for moral support. | 0:38:32 | 0:38:34 | |
Well, that's emotional blackmail again, isn't it? | 0:38:34 | 0:38:37 | |
He's a good kid. And he just wants his Auntie Linda's help. | 0:38:37 | 0:38:41 | |
OK. | 0:38:42 | 0:38:43 | |
-Yes? -Yeah, she's going to do it. She's going do it. | 0:38:44 | 0:38:47 | |
Thank you. And thank you. I promise... | 0:38:47 | 0:38:49 | |
-it'll be a day you remember. -It better be. | 0:38:49 | 0:38:51 | |
All right. Just go and enjoy yourself. Go on. | 0:38:51 | 0:38:56 | |
I must be mad. | 0:38:56 | 0:38:58 | |
You heard of knocking? | 0:39:02 | 0:39:04 | |
Been stood in your kitchen ages. | 0:39:06 | 0:39:08 | |
Yeah, well, I stayed in here for a reason. | 0:39:08 | 0:39:11 | |
How can you stitch Peter up, Phil, | 0:39:11 | 0:39:14 | |
when he took Lexi in as if she was his own? | 0:39:14 | 0:39:17 | |
When the old bill find out Billy had an argument with Lucy... | 0:39:17 | 0:39:20 | |
He was scared, weren't he? | 0:39:20 | 0:39:22 | |
..had access to her flat and still didn't say anything... | 0:39:22 | 0:39:25 | |
Yeah, well, we all had access! Are they going to start pointing the finger at me an' all? | 0:39:25 | 0:39:29 | |
..and with his criminal record, they'll take him to the cleaners. | 0:39:29 | 0:39:32 | |
On top of that, you know what people are like round here. | 0:39:32 | 0:39:34 | |
I don't care. Let 'em talk. | 0:39:34 | 0:39:37 | |
What, you think he'll still have a job with Ian Beale? | 0:39:37 | 0:39:40 | |
Eh? Or even at the undertakers, come to that? | 0:39:40 | 0:39:43 | |
No-one's going to want their Auntie Doris buried by | 0:39:43 | 0:39:45 | |
some suspected murderer, are they? | 0:39:45 | 0:39:48 | |
Peter's my boyfriend, Phil. | 0:39:48 | 0:39:50 | |
Well, you'd better work out what the most important thing is. | 0:39:51 | 0:39:56 | |
Your latest fella, or the man who took you in... | 0:39:56 | 0:39:59 | |
..like you was his own. | 0:40:00 | 0:40:02 | |
Hiya! You made it out, then. | 0:40:10 | 0:40:11 | |
You two look nice. | 0:40:13 | 0:40:15 | |
Yeah. Oh, he's a genius! Wait till he does you. | 0:40:15 | 0:40:18 | |
(Don't worry, they're going to look proper butters next to you.) | 0:40:18 | 0:40:22 | |
We're never going to get it looking this good at home, are we? | 0:40:22 | 0:40:25 | |
No, he's going to have to come round mine every morning. | 0:40:25 | 0:40:27 | |
No point in that, he might as well just stay round every night. | 0:40:27 | 0:40:31 | |
Can't believe a woman edits this! That's like gender cannibalism. | 0:40:31 | 0:40:35 | |
One day I'll get you in a lovely A-line dress. | 0:40:35 | 0:40:38 | |
Nah, you're all right. | 0:40:38 | 0:40:40 | |
Oi, Mum, if you're really not feeling this, | 0:40:40 | 0:40:42 | |
shall we go for a pint instead? | 0:40:42 | 0:40:43 | |
You just dragged me here, told me it would cheer me up! | 0:40:43 | 0:40:46 | |
No, you're right. Sorry, sorry. | 0:40:46 | 0:40:47 | |
You reckon this is going to be proper, then, or just Fats with a disposable? | 0:40:47 | 0:40:51 | |
Imagine! | 0:40:51 | 0:40:53 | |
They're here! Ladies, this is Ali, make-up, | 0:40:53 | 0:40:56 | |
her assistant, Gerard, and our wonderful photographer, Philip. | 0:40:56 | 0:41:00 | |
Let's have a look at you. | 0:41:00 | 0:41:02 | |
Oh! Very nice. Let's tuck it in at the sides a bit more, yeah? | 0:41:02 | 0:41:05 | |
Will someone get these girls a drink? | 0:41:05 | 0:41:07 | |
This is supposed to be a party! | 0:41:07 | 0:41:08 | |
Right, now, I want you to take your lead off Linda. | 0:41:08 | 0:41:11 | |
She used to be a professional model, | 0:41:11 | 0:41:12 | |
and I'm sure there's a lot you can learn off her. | 0:41:12 | 0:41:14 | |
Right, trouble, let's get you styled. | 0:41:14 | 0:41:17 | |
Thought it was your first day? | 0:41:28 | 0:41:30 | |
Oh, I weren't in the mood. | 0:41:30 | 0:41:34 | |
That's normal. It's work, isn't it? | 0:41:34 | 0:41:36 | |
That's why they have to pay you to do it. | 0:41:36 | 0:41:41 | |
What's up? | 0:41:41 | 0:41:42 | |
Nothing. Listen, I'm... | 0:41:42 | 0:41:44 | |
No, no. Tell me. | 0:41:44 | 0:41:45 | |
How comes I don't see you talking to Lola any more? | 0:41:48 | 0:41:51 | |
I mean, you don't even say goodbye in the mornings. | 0:41:51 | 0:41:54 | |
She walks past the stall like six times a day. | 0:41:54 | 0:41:58 | |
Yeah, but you used to give her a little kiss, didn't you? | 0:41:58 | 0:42:00 | |
Make a point of it. | 0:42:00 | 0:42:02 | |
What, and this is why you're sat up in here? | 0:42:02 | 0:42:05 | |
Well, it just seems like you don't want to be around any more. | 0:42:05 | 0:42:08 | |
Yeah, well, I can move out if you like, | 0:42:08 | 0:42:10 | |
if I'm bringing you down. | 0:42:10 | 0:42:12 | |
Don't be stupid. You know that would break Lola's heart. | 0:42:12 | 0:42:17 | |
Look, I help out round the flat. | 0:42:17 | 0:42:20 | |
I've been hassling Dean, trying to get her a job. | 0:42:20 | 0:42:23 | |
I'm always helping out with Lexi. | 0:42:23 | 0:42:25 | |
I'm sorry I don't always do it with a smile on my face, | 0:42:25 | 0:42:28 | |
but at least I'm there. | 0:42:28 | 0:42:29 | |
Yeah, you are. Look, I'm sorry. | 0:42:30 | 0:42:34 | |
I'm sorry that I came over. | 0:42:34 | 0:42:36 | |
You know that Jake's trial's just around the corner? | 0:42:36 | 0:42:41 | |
Peter...Pete... | 0:42:41 | 0:42:43 | |
Ever since you've come back, you've had something on your nut. | 0:42:49 | 0:42:51 | |
You've had the Army thing, you've had the Lucy thing. | 0:42:51 | 0:42:55 | |
All right? It's over now. | 0:42:55 | 0:42:57 | |
It don't feel like it. | 0:42:57 | 0:42:59 | |
Listen, you're a free man now, OK? | 0:43:01 | 0:43:04 | |
You've got your plumbing course coming up. | 0:43:04 | 0:43:07 | |
Excuse me while I wet myself in excitement. | 0:43:07 | 0:43:08 | |
Hold up. I thought you wanted to do the plumbing thing? | 0:43:08 | 0:43:11 | |
You don't want to stay on here. | 0:43:11 | 0:43:12 | |
Well, you've got Nancy to do that, haven't you? | 0:43:12 | 0:43:15 | |
Johnny's going to become Rumpole, | 0:43:15 | 0:43:17 | |
I'm going to sit there cultivating a massive Derby. | 0:43:17 | 0:43:20 | |
All right? I thought I know where we was all going. | 0:43:21 | 0:43:23 | |
You know? I thought I knew where you were going. | 0:43:23 | 0:43:26 | |
I don't know, I never have. | 0:43:26 | 0:43:27 | |
That's why I joined the Army - something to do. | 0:43:27 | 0:43:30 | |
All right, so plumbing's just something to do. | 0:43:30 | 0:43:33 | |
What you need is some fun. | 0:43:33 | 0:43:34 | |
Yes. | 0:43:36 | 0:43:37 | |
Yes, yes! So why don't we go to the salon? | 0:43:37 | 0:43:42 | |
We'll go and see your mother and Whitney. | 0:43:42 | 0:43:47 | |
No, no, no, no. She hates me. | 0:43:47 | 0:43:49 | |
She's got the hump. I don't blame her. | 0:43:49 | 0:43:51 | |
You chose her pal over her. | 0:43:51 | 0:43:53 | |
Treacles don't take too fondly to that. | 0:43:53 | 0:43:56 | |
I'm not going to push it, I'm just going to say to you now, | 0:43:56 | 0:43:59 | |
sometimes you've got to pick something and stick to it. | 0:43:59 | 0:44:02 | |
OK? Whether or not it's the right thing or not. Stop drifting. | 0:44:02 | 0:44:08 | |
It's a form of habit. | 0:44:09 | 0:44:10 | |
Now get that down you, liver. | 0:44:12 | 0:44:14 | |
It is such a shame to sit inside with Carol all night | 0:44:17 | 0:44:20 | |
-when your hair's done like this. -Yeah, I know. | 0:44:20 | 0:44:22 | |
We should at least go to the Vic. | 0:44:22 | 0:44:23 | |
Well, you'd better prepare to get monstrously chirpsed by my brother. | 0:44:23 | 0:44:26 | |
Yeah, he can try. | 0:44:26 | 0:44:27 | |
Oh, shut up, don't act like you don't fall for the chat! | 0:44:27 | 0:44:30 | |
You can talk! Your dad says, "Oh, I'm really lonely," and you go, | 0:44:30 | 0:44:33 | |
-"That's all right, I forgive you." -Oi! No. I said I ain't forgiven him yet. | 0:44:33 | 0:44:37 | |
Yeah, yet! | 0:44:37 | 0:44:38 | |
You get this close to the girls? | 0:44:38 | 0:44:40 | |
Yeah, course. It's my job. | 0:44:40 | 0:44:42 | |
Amazed you didn't get set upon. | 0:44:42 | 0:44:44 | |
Think they've got a bit of a crush. | 0:44:44 | 0:44:46 | |
Shut up. | 0:44:46 | 0:44:48 | |
Are you seeing anyone at the minute? | 0:44:48 | 0:44:49 | |
No-one special. | 0:44:49 | 0:44:51 | |
-I'll let 'em know. -You'll do no such thing. | 0:44:51 | 0:44:53 | |
You look beautiful, Linda. | 0:44:54 | 0:44:56 | |
Oh, come on, you're a lot worse than me. | 0:44:58 | 0:45:00 | |
You wait. She's going to be all over your brother like a rash. | 0:45:00 | 0:45:04 | |
No! He's not interested in me. He was interested in Lucy. | 0:45:04 | 0:45:07 | |
I know it sounds harsh, but he'd have got bored of her weeks ago. | 0:45:07 | 0:45:11 | |
And, I'm sorry, but he'll get bored of you an' all. | 0:45:11 | 0:45:14 | |
Just be warned. | 0:45:14 | 0:45:15 | |
Ladies and gentlemen, I give you... Linda C. | 0:45:17 | 0:45:20 | |
Pops! | 0:45:29 | 0:45:30 | |
There's our man. | 0:45:36 | 0:45:37 | |
And that's his granddaughter, Lola. | 0:45:39 | 0:45:42 | |
-Look, I know what you're going to say. -I think you should do it. | 0:45:42 | 0:45:45 | |
It's like Phil said, | 0:45:45 | 0:45:47 | |
you're just giving them more to think about, right? | 0:45:47 | 0:45:49 | |
It don't mean Peter's guilty any more than it means you are. | 0:45:49 | 0:45:52 | |
But he's your boyfriend, Lo. | 0:45:52 | 0:45:54 | |
Boyfriend? Pops, he hasn't spoken to me properly in ages. | 0:45:54 | 0:45:58 | |
He could just get up and leave me for all I know. | 0:45:58 | 0:46:00 | |
But you... | 0:46:00 | 0:46:01 | |
I can't lose you, Pops. I can't. | 0:46:01 | 0:46:04 | |
Come here. | 0:46:04 | 0:46:06 | |
Oi, you ain't going to lose me. | 0:46:06 | 0:46:08 | |
-I'm scared they're going to take you away. -They won't. All right? | 0:46:08 | 0:46:11 | |
Promise. then? Promise me you'll do it, please? | 0:46:11 | 0:46:15 | |
Guess we should go in. | 0:46:24 | 0:46:26 | |
Give him a chance to take his jacket off...get nervous. | 0:46:26 | 0:46:30 | |
I've met him a few times. He's well-known within the community. | 0:46:34 | 0:46:39 | |
He's liked as far as I can tell. | 0:46:39 | 0:46:41 | |
I don't want anything from the old investigation to cloud my thinking, | 0:46:42 | 0:46:47 | |
including any opinions you might have. | 0:46:47 | 0:46:49 | |
Ritchie. | 0:47:00 | 0:47:01 | |
Billy. How you doing? | 0:47:01 | 0:47:04 | |
You clear on what to say? | 0:47:04 | 0:47:06 | |
Yeah. Peter had access. I saw him with the keys. | 0:47:06 | 0:47:10 | |
And I saw him leaving the flat a couple of times. | 0:47:11 | 0:47:14 | |
KNOCKING | 0:47:14 | 0:47:15 | |
Try and look relaxed, will you? | 0:47:16 | 0:47:18 | |
Don't offer up unnecessary detail. Keep it simple, you'll be fine. | 0:47:19 | 0:47:24 | |
He's through there. | 0:47:24 | 0:47:26 | |
Miss Scott. | 0:47:29 | 0:47:31 | |
We were expecting DS Bryant. | 0:47:31 | 0:47:35 | |
What a nice surprise, then. | 0:47:35 | 0:47:37 | |
OK, well...DI Keeble, | 0:47:37 | 0:47:39 | |
this is my client, Billy Mitchell. | 0:47:39 | 0:47:41 | |
You've met DC Summerhayes. | 0:47:41 | 0:47:43 | |
Yeah. | 0:47:43 | 0:47:44 | |
Thank you for seeing us away from the station. | 0:47:46 | 0:47:48 | |
We hear you might have something to tell us about Lucy Beale? | 0:47:48 | 0:47:53 | |
Yeah, um... See, I... | 0:47:53 | 0:47:56 | |
I might have... | 0:47:58 | 0:47:59 | |
..I did have an argument with her the night she died. | 0:48:01 | 0:48:05 | |
Why are they wearing all that make-up? | 0:48:13 | 0:48:15 | |
Hang on, Ugly Betty speaks. What's the matter, cuz? | 0:48:15 | 0:48:18 | |
Nah, I'm just saying that if what you're selling is haircuts, | 0:48:18 | 0:48:20 | |
well, I don't understand why they have to be covered in slap with all that skin on show. | 0:48:20 | 0:48:24 | |
What if I got involved as well, huh? Make you feel better? | 0:48:24 | 0:48:27 | |
Here, budge over! | 0:48:27 | 0:48:29 | |
Honestly, Nance, you've got to lose the chip. | 0:48:29 | 0:48:31 | |
It's just good, clean family fun. | 0:48:31 | 0:48:35 | |
Lucy said that she was going tell her dad about me taking the fish | 0:48:39 | 0:48:43 | |
and that I'd get the sack probably. | 0:48:43 | 0:48:46 | |
Then she left and... | 0:48:48 | 0:48:50 | |
and I never saw her again. | 0:48:50 | 0:48:53 | |
Why didn't you tell us sooner? | 0:48:55 | 0:48:57 | |
That's not all. | 0:48:57 | 0:48:59 | |
I, er... I also had a spare key to the flat upstairs. | 0:49:01 | 0:49:06 | |
Had a spare key? | 0:49:07 | 0:49:10 | |
Yeah... | 0:49:10 | 0:49:11 | |
When I realised I was going to be talking to you, I thought, | 0:49:12 | 0:49:15 | |
what with the argument over the fish and the spare key, | 0:49:15 | 0:49:20 | |
that you might stitch me up. | 0:49:20 | 0:49:24 | |
We're not in the business of stitching people up. | 0:49:24 | 0:49:27 | |
Yeah, but you don't think like that, do you? I panicked. | 0:49:27 | 0:49:31 | |
I put it back in the flat. | 0:49:32 | 0:49:34 | |
Did anyone else have access to this key? Your family, maybe? | 0:49:36 | 0:49:41 | |
No. | 0:49:50 | 0:49:51 | |
No, I, erm, I kept it on my key ring. | 0:49:52 | 0:49:55 | |
Nobody else knew about it. | 0:49:57 | 0:49:59 | |
-These are amazing. -Yeah, I know. Profile pictures, all of them. | 0:50:07 | 0:50:10 | |
-Come and have a look, Lind! -Might wait for the prints. | 0:50:10 | 0:50:13 | |
Fair enough. Right, what we having, girls? My treat. | 0:50:13 | 0:50:15 | |
-No! This one's on us, innit? -Hm. | 0:50:15 | 0:50:16 | |
To say thanks. It's been such a nice day! | 0:50:16 | 0:50:19 | |
Besides, I think the landlady can throw in a free bottle for his troubles. | 0:50:19 | 0:50:22 | |
And that, Lee, is how you get the keg in the cellar, you know what I mean? | 0:50:22 | 0:50:25 | |
Shut up! We've not even had a delivery! | 0:50:25 | 0:50:27 | |
-Busted! -Er, excuse me! Have you not noticed something different? | 0:50:27 | 0:50:32 | |
Oh, the hair! Look at it! | 0:50:32 | 0:50:36 | |
Oi, Maestro, that is the business! | 0:50:36 | 0:50:38 | |
No. I've got to give it to you, cuz. She does look amazing. | 0:50:38 | 0:50:41 | |
The rubber stamp from Germaine Greer! I can die a happy man. | 0:50:41 | 0:50:43 | |
Shut up! | 0:50:43 | 0:50:45 | |
You look gorgeous! | 0:50:45 | 0:50:46 | |
No time like the present, son. What's the matter with you? Get involved. | 0:50:46 | 0:50:51 | |
You look bang tidy today. | 0:50:51 | 0:50:53 | |
I always look bang tidy. Don't I? | 0:50:53 | 0:50:55 | |
Today. Every day, the next day. | 0:50:55 | 0:50:56 | |
Easy, easy - this is turning into a relationship! | 0:50:56 | 0:50:59 | |
Oh, Lee, do you know what - you'd be so lucky. | 0:50:59 | 0:51:02 | |
Grab a glass, everyone! | 0:51:02 | 0:51:04 | |
To Dean! | 0:51:04 | 0:51:05 | |
To the best hairdresser in the world! | 0:51:06 | 0:51:09 | |
Yeah, to the strongest canister on the Square! | 0:51:09 | 0:51:13 | |
Cheers! | 0:51:13 | 0:51:14 | |
Well, thank you, Mr Mitchell. You've been helpful. | 0:51:17 | 0:51:21 | |
We'll have to call you in to make a formal statement, | 0:51:21 | 0:51:24 | |
so don't go running off. | 0:51:24 | 0:51:26 | |
Well, I think it's safe to say you've put yourself front | 0:51:35 | 0:51:38 | |
and centre of their enquiry. | 0:51:38 | 0:51:40 | |
Do you, er...do you want to tell me what happened there? | 0:51:40 | 0:51:43 | |
I couldn't drop him in it, Phil. Not to save myself. | 0:51:43 | 0:51:47 | |
I ain't like you. | 0:51:48 | 0:51:50 | |
You what? | 0:51:50 | 0:51:51 | |
If I'd said his name...him and Lola, they've already got problems. | 0:51:52 | 0:51:59 | |
He'd leave. | 0:51:59 | 0:52:00 | |
That might not mean that much to you, but that's my family in that flat. | 0:52:01 | 0:52:05 | |
While Peter's living there, well, he's as good as mine. | 0:52:05 | 0:52:08 | |
And it should be the same to you. | 0:52:08 | 0:52:11 | |
Got one thing to say to you, Billy - you're a total mug. | 0:52:12 | 0:52:16 | |
No, I ain't. Cos I just done the right thing. | 0:52:16 | 0:52:20 | |
And you know what, I can walk out of here with my head held high. | 0:52:20 | 0:52:23 | |
And that's exactly what I'm going to do. | 0:52:26 | 0:52:28 | |
Yes, the key's back in the flat, according to Mr Mitchell. | 0:52:35 | 0:52:39 | |
OK. Meet me there in ten. | 0:52:39 | 0:52:42 | |
Albert Square doesn't change. It's still full of liars. | 0:52:46 | 0:52:50 | |
What do you mean? | 0:52:50 | 0:52:52 | |
You didn't get an inkling one of Mr Beale's own employees | 0:52:52 | 0:52:55 | |
was holding all that back? | 0:52:55 | 0:52:57 | |
-Well, he didn't do anything to... -Oh, come on, Emma! You're supposed to be our eyes here. | 0:52:57 | 0:53:01 | |
You give this lot a chance, they'll run rings around you. | 0:53:01 | 0:53:05 | |
Do better. | 0:53:05 | 0:53:07 | |
Peter. How you doing? | 0:53:15 | 0:53:17 | |
You going to pay for that? | 0:53:19 | 0:53:20 | |
Hm-mm. Look... | 0:53:20 | 0:53:22 | |
I spoke to Lola, and I'm going to cook dinner tonight. | 0:53:23 | 0:53:26 | |
Great. Yeah. I appreciate that. Sure she will an' all. | 0:53:26 | 0:53:28 | |
-Billy? -Mrs Coker! | 0:53:28 | 0:53:31 | |
I'm so sorry about today. Is Mr Coker mad at me? | 0:53:31 | 0:53:35 | |
-He was ever so upset with you, Billy. -Yeah, yeah. | 0:53:35 | 0:53:38 | |
So am I. I found this in your kitchen. | 0:53:38 | 0:53:42 | |
I was going to show it to Les, but maybe you've got an explanation? | 0:53:42 | 0:53:45 | |
-Yeah, yeah, of course I have. Do you fancy having a cup of tea? -Yes. | 0:53:45 | 0:53:49 | |
Two teas, please, Marie. Here you are, look. | 0:53:53 | 0:53:57 | |
I've dressed more than I can count, Billy. Most you forget. | 0:54:06 | 0:54:10 | |
Faces in a crowd. But the ones that go before their time... | 0:54:10 | 0:54:14 | |
I shall never forget Lucy. | 0:54:16 | 0:54:18 | |
Such a pretty girl. | 0:54:18 | 0:54:20 | |
Have you shown these to anyone? | 0:54:22 | 0:54:24 | |
Not yet. | 0:54:24 | 0:54:26 | |
Good. | 0:54:26 | 0:54:27 | |
Cos the thing is... | 0:54:29 | 0:54:32 | |
they're Peter's. | 0:54:32 | 0:54:34 | |
Peter's? | 0:54:34 | 0:54:36 | |
I hid them cos all he does is look at them, Pam. | 0:54:36 | 0:54:40 | |
We'll be watching telly and he'll be flicking through... | 0:54:40 | 0:54:44 | |
Of course they're Peter's. What was I thinking? | 0:54:44 | 0:54:48 | |
I could see what it was doing to Lola, so I hid 'em. | 0:54:48 | 0:54:51 | |
Anyway, Peter went mental. Tore the flat apart. | 0:54:51 | 0:54:55 | |
Did more harm than good. | 0:54:55 | 0:54:57 | |
Give them back to him, Billy. Let him grieve, however he needs to. | 0:55:00 | 0:55:05 | |
Yeah, yeah, I will. | 0:55:05 | 0:55:08 | |
And listen, tell Les I'll be in as soon as I've sorted all this out. | 0:55:08 | 0:55:11 | |
I will. | 0:55:11 | 0:55:12 | |
And Pat...I won't tell Peter that you took them. | 0:55:12 | 0:55:17 | |
Keep it our secret. | 0:55:17 | 0:55:18 | |
Oh...right. | 0:55:18 | 0:55:21 | |
I'll have to get you your own drawer at this rate. | 0:55:31 | 0:55:34 | |
I'm not staying. | 0:55:34 | 0:55:36 | |
It's all right. Abi ain't back for another couple of hours. | 0:55:36 | 0:55:39 | |
-I'm not worried about Abi. -Well, Lauren's hardly going to show, is she? | 0:55:39 | 0:55:42 | |
I don't want to meet your kids, Max! | 0:55:42 | 0:55:44 | |
My new boss has just laid into me. She reckons I've been negligent. | 0:55:46 | 0:55:49 | |
All right. Well, you'll win her round. | 0:55:49 | 0:55:51 | |
Yeah, but she's right, though, isn't she?! All this sneaking around! | 0:55:51 | 0:55:54 | |
You can see Ian Beale's house from your front door! | 0:55:54 | 0:55:56 | |
-You're just getting worked up. -Yeah, with good reason! | 0:55:56 | 0:55:59 | |
Look, I'm sorry, Max, | 0:55:59 | 0:56:00 | |
but I've come to tell you that I can't see you any more. | 0:56:00 | 0:56:04 | |
I'm sorry. | 0:56:06 | 0:56:07 | |
I still think it's a shame. | 0:56:57 | 0:56:59 | |
That new style - I thought it was a strong look. | 0:56:59 | 0:57:02 | |
Yeah, well, I ain't betraying Mario. He's been doing my hair for years. | 0:57:02 | 0:57:06 | |
Yeah, all right, all right. Calm down. | 0:57:06 | 0:57:08 | |
I knew yesterday would make me feel old. Should never have let you talk me into doing it. | 0:57:08 | 0:57:12 | |
You know, my favourite part of the day is waking up, | 0:57:12 | 0:57:15 | |
and looking at you... | 0:57:15 | 0:57:17 | |
with no foundation, no lippy... | 0:57:17 | 0:57:19 | |
Just you. The bit no-one else gets to see. | 0:57:20 | 0:57:23 | |
Thanks for breakfast, Phil. | 0:57:46 | 0:57:48 | |
What, you waiting for the knock? | 0:57:51 | 0:57:53 | |
Yeah, well, he did the decent thing. | 0:57:53 | 0:57:54 | |
Decent? | 0:57:54 | 0:57:56 | |
-Right, should we get out of here, then? -Yeah. See ya later. | 0:57:57 | 0:58:00 | |
Egg and cress. | 0:58:00 | 0:58:02 | |
That's 20 quid. | 0:58:02 | 0:58:03 | |
How did it go with the police? | 0:58:07 | 0:58:09 | |
Bin men should have come by now, shouldn't they? | 0:58:14 | 0:58:17 | |
-What? -Nothing. | 0:58:17 | 0:58:19 | |
Come on, watch your step. Down we go. | 0:58:19 | 0:58:23 | |
There we go. | 0:58:23 | 0:58:24 | |
Can we go to the clothes shop? | 0:58:24 | 0:58:26 | |
Pops. That's that copper, ain't it? | 0:58:26 | 0:58:28 | |
Yeah. | 0:58:30 | 0:58:31 | |
Could you watch the stall? | 0:58:31 | 0:58:33 | |
-Yeah. -Thanks. | 0:58:33 | 0:58:35 | |
Are you here to see my dad? | 0:58:42 | 0:58:44 | |
-And you are? -Peter. | 0:58:44 | 0:58:45 | |
Beale. | 0:58:47 | 0:58:48 | |
Sorry for your loss. Can we go in? | 0:58:48 | 0:58:50 | |
They're going to tell them about me and Lucy, ain't they? | 0:58:51 | 0:58:54 | |
You don't know that. | 0:58:54 | 0:58:55 | |
Come on, you must have a favourite. | 0:59:01 | 0:59:02 | |
Yeah, but there's just, you know, so many to choose from. | 0:59:02 | 0:59:05 | |
Check out the one with the dog-eared page. | 0:59:05 | 0:59:08 | |
He can't be serious. | 0:59:08 | 0:59:10 | |
It's the police. | 0:59:10 | 0:59:12 | |
You always just say "fine"! | 0:59:18 | 0:59:19 | |
That's because it is! Now come on, we're going to be late. | 0:59:19 | 0:59:22 | |
-Right, Dad. What do you think? How do I look? -Er, yeah, fine. | 0:59:22 | 0:59:25 | |
Accept it! You look fine! East London University ain't going to know what's hit it. | 0:59:25 | 0:59:29 | |
Now come on, Abs, please. | 0:59:29 | 0:59:31 | |
-All right, Dad, I'll see you later. -All right, see you later. -Bye. -Cheers, mate. | 0:59:31 | 0:59:36 | |
Hold up. You two need a lift anywhere or anything? | 0:59:40 | 0:59:44 | |
Probably be easier to get a train, won't it? | 0:59:44 | 0:59:46 | |
Jay, would you calm down, all right? | 0:59:46 | 0:59:48 | |
You could make it less obvious what uni you want me to go to. | 0:59:48 | 0:59:50 | |
I'm impartial, all right? It's completely up to you. | 0:59:50 | 0:59:53 | |
You can go to a university in London that's got 16.8 million people living in it alone, | 0:59:53 | 0:59:58 | |
or you can go to Liverpool. | 0:59:58 | 0:59:59 | |
The choice is completely yours. | 0:59:59 | 1:00:01 | |
Lauren? | 1:00:05 | 1:00:07 | |
What's all this? | 1:00:10 | 1:00:13 | |
Er, me moving back home? | 1:00:13 | 1:00:14 | |
Here you go. Oh, you did say two sugars, didn't you? | 1:00:23 | 1:00:26 | |
Yeah. Perfect. Thanks. | 1:00:26 | 1:00:27 | |
So there's a bit to update you on. Some of it promising... | 1:00:29 | 1:00:33 | |
I don't want to seem rude or anything, but where's DCI Irving? | 1:00:33 | 1:00:36 | |
He's been assigned to another division. | 1:00:36 | 1:00:39 | |
We've got a new DCI and I've been drafted in as their man on the ground so in future... | 1:00:39 | 1:00:43 | |
Hey, hey... aren't you supposed to have continuity or something? | 1:00:43 | 1:00:48 | |
Well, it can be a good thing to change up an investigation. | 1:00:48 | 1:00:51 | |
-So who's been demoted? Him or you? -Peter. | 1:00:51 | 1:00:54 | |
You, um... You said you'd got some updates for us. | 1:00:54 | 1:00:57 | |
Due to new witness statements, | 1:00:57 | 1:00:59 | |
it's looking like the CPS won't proceed with the prosecution | 1:00:59 | 1:01:03 | |
and the defence have applied for bail. | 1:01:03 | 1:01:05 | |
-I don't understand, sorry. -You're letting Jake go? | 1:01:05 | 1:01:08 | |
If he gets bail, he could be out by the end of the week. | 1:01:08 | 1:01:11 | |
You're letting the man who killed my daughter go free? | 1:01:11 | 1:01:14 | |
No, we're not doing that. I don't think we've found them yet. | 1:01:14 | 1:01:18 | |
So what changed your mind? | 1:01:18 | 1:01:20 | |
So what are these new statements, then? | 1:01:20 | 1:01:22 | |
I can't go into that | 1:01:22 | 1:01:24 | |
but they have cast doubt on Mr Stone's involvement. | 1:01:24 | 1:01:26 | |
Why can't you go into it? | 1:01:26 | 1:01:28 | |
We are making progress, Mr Beale. | 1:01:28 | 1:01:31 | |
Hang on - you've had the wrong person locked up for weeks, right, | 1:01:31 | 1:01:33 | |
-and you call that progress?! -Ian. | 1:01:33 | 1:01:35 | |
Well, at least it'll stop us wasting time pursuing the wrong suspect. | 1:01:35 | 1:01:38 | |
I knew he wasn't guilty! I've said it all along. Haven't I, Dad? | 1:01:38 | 1:01:41 | |
-How come I know more than you? -We're never going to get them, are we? | 1:01:41 | 1:01:44 | |
-They're just going to be out there, laughing at us. -Course they are. | 1:01:44 | 1:01:47 | |
I bet you don't even have a suspect, do you? | 1:01:47 | 1:01:50 | |
You haven't got a clue. | 1:01:50 | 1:01:52 | |
We understand that this is a very emotional time for all of you. | 1:01:52 | 1:01:55 | |
-Is this why Irving got taken off the case? -It was decided that a fresh pair of eyes... | 1:01:55 | 1:01:58 | |
Oh, don't give them that training manual bull. | 1:01:58 | 1:02:00 | |
OK, the CPS aren't going to prosecute Mr Stone | 1:02:00 | 1:02:04 | |
and, yes, I appreciate that's painful. | 1:02:04 | 1:02:06 | |
But your daughter's killer isn't laughing. | 1:02:06 | 1:02:09 | |
They have been. | 1:02:09 | 1:02:10 | |
They've been sitting back, watching us go after Mr Stone. But now? | 1:02:10 | 1:02:14 | |
It's bad news for you. | 1:02:15 | 1:02:18 | |
But it's terrifying for them. | 1:02:18 | 1:02:20 | |
Pops. | 1:02:20 | 1:02:22 | |
What's taking them so long? | 1:02:22 | 1:02:23 | |
Look, I know you didn't do anything wrong, | 1:02:23 | 1:02:26 | |
but you're stood here and you don't half look suspicious. | 1:02:26 | 1:02:29 | |
I'm a bloke, ain't I? I'm out with my family. | 1:02:29 | 1:02:31 | |
If they are telling them in there, | 1:02:31 | 1:02:33 | |
do you really want to be around to find out? | 1:02:33 | 1:02:36 | |
No. Well, how about you take Janet down your allotment | 1:02:36 | 1:02:39 | |
and I'll call you when they come out, all right? | 1:02:39 | 1:02:41 | |
Come on. | 1:02:41 | 1:02:43 | |
And I was just laying there last night, | 1:02:46 | 1:02:48 | |
Nan snoring her head off. I was thinking of all the rules | 1:02:48 | 1:02:52 | |
that I'd have to lay down if I did come back here. | 1:02:52 | 1:02:54 | |
So, no secrets. No lies. | 1:02:54 | 1:02:58 | |
Yeah, course. | 1:02:58 | 1:02:59 | |
And then I thought, what is the point? | 1:02:59 | 1:03:02 | |
Why am I going to give you rules that you're just going to break? | 1:03:02 | 1:03:05 | |
You know, you're you. I'm me. | 1:03:05 | 1:03:08 | |
We've either got to get on with it or... | 1:03:08 | 1:03:12 | |
that's it. | 1:03:12 | 1:03:13 | |
So what are you saying? | 1:03:16 | 1:03:17 | |
I'm saying that after my shift, I'd like to come back here. | 1:03:18 | 1:03:22 | |
Yeah. | 1:03:23 | 1:03:25 | |
Come here. | 1:03:29 | 1:03:30 | |
You all right? | 1:03:33 | 1:03:34 | |
Hmm. Following me now, are you? You weirdo. | 1:04:08 | 1:04:11 | |
Oh, come on. Your place to here's 100 yards away. | 1:04:11 | 1:04:13 | |
Following someone 100 yards ain't weird. But if I followed you to work, however... | 1:04:13 | 1:04:17 | |
OK... Now, you see this thing you've got going on here, this chat. | 1:04:17 | 1:04:21 | |
Has it ever got results, or what? | 1:04:21 | 1:04:23 | |
All right, all right. Look, to tell you the truth, I wanted... | 1:04:25 | 1:04:30 | |
Look, I wanted to ask you out for a drink or something. | 1:04:30 | 1:04:33 | |
I think I made myself clear yesterday, Lee, OK? | 1:04:33 | 1:04:36 | |
I'm no-one's flavour of the week. | 1:04:36 | 1:04:38 | |
No-one's. | 1:04:38 | 1:04:40 | |
Oi! Know when you're beaten. | 1:04:43 | 1:04:46 | |
Ow! | 1:04:46 | 1:04:47 | |
Investigations can hit walls. No new calls. No new leads. | 1:04:49 | 1:04:53 | |
We are nowhere near that. We have fresh lines of inquiry. | 1:04:53 | 1:04:56 | |
We're still out there looking for Lucy's phone and her purse. | 1:04:56 | 1:04:59 | |
-We will find the person who did this. -If they haven't left the country. | 1:04:59 | 1:05:02 | |
-KNOCK ON DOOR -I'll just... | 1:05:02 | 1:05:05 | |
These new witnesses. Do we know them? | 1:05:05 | 1:05:07 | |
I would ask you to let us do our job. | 1:05:07 | 1:05:09 | |
We will inform you as soon as there's something you should hear. | 1:05:09 | 1:05:12 | |
It's Emma. | 1:05:12 | 1:05:14 | |
Sorry I'm late. | 1:05:14 | 1:05:16 | |
Summerhayes. | 1:05:16 | 1:05:18 | |
We'll let ourselves out. | 1:05:18 | 1:05:20 | |
Have they, um... Have they explained everything? | 1:05:24 | 1:05:27 | |
Yeah... Um, look, do you know who these new witnesses are? | 1:05:27 | 1:05:31 | |
I thought I saw you here yesterday! | 1:05:32 | 1:05:35 | |
You do know, don't you?! | 1:05:35 | 1:05:36 | |
BIRDSONG | 1:05:44 | 1:05:45 | |
Janet, what the hell are you playing at?! | 1:05:54 | 1:05:57 | |
-It's all right, Billy, it's OK... -No, no, you weren't brought up like that. | 1:05:57 | 1:06:00 | |
-You was brought up to respect for people. -Billy, she's just playing. | 1:06:00 | 1:06:03 | |
We're going home now. No carnations, no geraniums. Nothing! | 1:06:03 | 1:06:06 | |
Hey, Billy, Billy, Billy. She's just being a kid. OK? | 1:06:06 | 1:06:09 | |
OK, sorry. | 1:06:11 | 1:06:14 | |
Sorry, mate, tough times, you know. | 1:06:14 | 1:06:16 | |
I bet. How is Peter? | 1:06:16 | 1:06:18 | |
Oh, come on, Billy, make yourself comfortable in the deck chair, | 1:06:20 | 1:06:24 | |
and I'll take Janet over to have a look at the geraniums! | 1:06:24 | 1:06:27 | |
# One geranium, two geranium three geranium, four | 1:06:29 | 1:06:33 | |
# Five geranium, six geranium seven geranium, more. # | 1:06:33 | 1:06:38 | |
I was... I was just... tying up some loose ends. | 1:06:38 | 1:06:41 | |
-That's rubbish. -Give her some space. | 1:06:41 | 1:06:43 | |
Yeah, if you weren't here to see us, who did you see? | 1:06:43 | 1:06:45 | |
I saw you walking down Bridge Street away from the square. | 1:06:45 | 1:06:48 | |
-So does that mean it's someone on the square? -Peter, calm down. | 1:06:48 | 1:06:51 | |
-I can't tell you... -You know! | 1:06:51 | 1:06:54 | |
You're our liaison officer. You're here to help us. | 1:06:54 | 1:06:57 | |
I don't have the authority! | 1:06:57 | 1:06:59 | |
Look, if I tell you, I will lose my job. | 1:06:59 | 1:07:01 | |
Emma, please, just give us something. What about the earring? | 1:07:01 | 1:07:04 | |
What about the blood? I mean, just because there's new witness statements | 1:07:04 | 1:07:07 | |
doesn't take away the fact they were found in his flat. | 1:07:07 | 1:07:11 | |
But it might change how they got there. | 1:07:11 | 1:07:14 | |
Look, at least they're being honest with us now. | 1:07:18 | 1:07:21 | |
No, I reckon they've got more than a witness. | 1:07:21 | 1:07:24 | |
I just saw the way Bryant and Keeble looked. They've got a suspect. | 1:07:24 | 1:07:27 | |
I can tell you that that's not true. | 1:07:27 | 1:07:29 | |
So what am I supposed to do? Just forgive Jake? | 1:07:31 | 1:07:35 | |
You told me he was guilty. | 1:07:35 | 1:07:37 | |
I was wrong. | 1:07:37 | 1:07:39 | |
If he's innocent, darling, there's nothing to forgive him for. | 1:07:39 | 1:07:43 | |
Come on, I didn't mean it to sound like that... | 1:07:43 | 1:07:46 | |
but it's true, ain't it? | 1:07:46 | 1:07:48 | |
You don't want them to put the wrong person inside. That ain't justice. | 1:07:48 | 1:07:52 | |
I get up in the morning, I see his face. | 1:07:55 | 1:07:57 | |
I go to bed at night, I see his face. | 1:07:57 | 1:08:00 | |
Where you going? | 1:08:00 | 1:08:02 | |
Anywhere there's no coppers. | 1:08:02 | 1:08:04 | |
Ian wants to go for a swim. | 1:08:10 | 1:08:12 | |
You think he found out about Billy? | 1:08:12 | 1:08:14 | |
Well, there's only one way to find out, ain't there? | 1:08:14 | 1:08:16 | |
-You all right to manage? -Course. | 1:08:16 | 1:08:18 | |
Give us a kiss. | 1:08:18 | 1:08:20 | |
Mwah! | 1:08:20 | 1:08:21 | |
Thought I showed you how to style it yourself? | 1:08:25 | 1:08:27 | |
Didn't fancy it. | 1:08:27 | 1:08:28 | |
You might change your mind when you see this. | 1:08:28 | 1:08:31 | |
I personally think he's really got a hold of you there. | 1:08:31 | 1:08:33 | |
Take it. Put it up. | 1:08:33 | 1:08:35 | |
Don't touch me again. It ain't welcome. | 1:08:37 | 1:08:39 | |
And it weren't invited. | 1:08:39 | 1:08:41 | |
Right, what's your poison today, Al? You back on the rum? | 1:08:41 | 1:08:44 | |
SHE LAUGHS | 1:08:44 | 1:08:45 | |
-How are ya? -Yeah, I'm good. You all right? | 1:08:51 | 1:08:53 | |
So that's two bacon and egg butties with tea... | 1:08:53 | 1:08:55 | |
and one full English without, yeah? | 1:08:55 | 1:08:57 | |
-Excuse me! -Yeah, hang on a minute, love. | 1:08:57 | 1:09:01 | |
-Unless you want your sausages raw. -Thank you. | 1:09:01 | 1:09:04 | |
You must have come across your fair share of difficult women. | 1:09:04 | 1:09:07 | |
Are we talking about the cafe, or my sexual preference? | 1:09:07 | 1:09:09 | |
Cos right now either would be true. | 1:09:09 | 1:09:11 | |
No, no, romantically and that. It's just Whitney, she just won't... | 1:09:11 | 1:09:14 | |
What, respond to your charms? | 1:09:14 | 1:09:16 | |
-Yeah. -Ah, Lee. You're so incompetent yet so well trained. | 1:09:17 | 1:09:22 | |
I'll tell you what. | 1:09:22 | 1:09:23 | |
I will share the secret to winning a difficult girl's heart... | 1:09:23 | 1:09:26 | |
If you help me for the rest of the shift. | 1:09:26 | 1:09:28 | |
Done! | 1:09:28 | 1:09:30 | |
Where've you been? The police went past ages ago. | 1:09:37 | 1:09:40 | |
Is everything all right? | 1:09:40 | 1:09:42 | |
Thanks for watching the stall. | 1:09:42 | 1:09:44 | |
Well, what did the police say? | 1:09:44 | 1:09:46 | |
-Sorry, it's none of my business. -They're granting Jake bail. | 1:09:46 | 1:09:50 | |
-Why? -Well, they don't think he did it any more. | 1:09:50 | 1:09:53 | |
New witnesses have come forward. | 1:09:53 | 1:09:55 | |
Oh, did they say who? | 1:09:55 | 1:09:57 | |
Apparently being Lucy's twin doesn't give me a right to know. | 1:09:57 | 1:10:00 | |
Listen, Peter... | 1:10:03 | 1:10:04 | |
I just want to be on my own, all right? | 1:10:04 | 1:10:06 | |
There we go... | 1:10:16 | 1:10:17 | |
Oh, it's nearly finished. | 1:10:17 | 1:10:19 | |
OK, come on, let's go and get some more water. | 1:10:19 | 1:10:22 | |
Come on, we go over here... | 1:10:22 | 1:10:24 | |
PHONE RINGS | 1:10:28 | 1:10:30 | |
Lo... What happened? | 1:10:31 | 1:10:33 | |
They didn't tell him? | 1:10:34 | 1:10:36 | |
Oh, thank God for that. | 1:10:36 | 1:10:39 | |
Yeah... Me too. | 1:10:39 | 1:10:41 | |
No. We'll be back in a little bit. | 1:10:42 | 1:10:44 | |
All right, love ya. | 1:10:45 | 1:10:47 | |
Right, you two! We are going to go to the boozer. | 1:10:48 | 1:10:50 | |
Because I deserve a beer! | 1:10:50 | 1:10:52 | |
Wow, OK, I'll put that there. Let's go with Billy. | 1:10:52 | 1:10:56 | |
Come on, good girl, ain't ya? | 1:10:56 | 1:11:00 | |
Thanks, mate. | 1:11:00 | 1:11:02 | |
-Ian? -Yeah, in here. | 1:11:02 | 1:11:03 | |
Cheers for this, Mick... I just...I just needed to get out. | 1:11:05 | 1:11:08 | |
-Swim's as good an excuse as any. -Don't worry about it. | 1:11:08 | 1:11:10 | |
After last time's fiasco, I think I need to up my training. | 1:11:10 | 1:11:13 | |
-You don't fancy driving, do you? -Well, you normally drive. | 1:11:13 | 1:11:16 | |
I usually stare out the window, on the verge of wetting myself. | 1:11:16 | 1:11:20 | |
The, er...police have dropped the charges against Jake. | 1:11:20 | 1:11:22 | |
How come? | 1:11:24 | 1:11:25 | |
New evidence. New witness statement, I dunno. | 1:11:26 | 1:11:29 | |
They tell you who? | 1:11:30 | 1:11:32 | |
Listen, I was thinking about you and Linda. | 1:11:34 | 1:11:37 | |
Oh, yeah? | 1:11:39 | 1:11:41 | |
How do you cope with Lee being away? | 1:11:41 | 1:11:44 | |
I mean, not knowing how your child is. | 1:11:44 | 1:11:48 | |
I mean, where they are. How they are. If they're hurt. | 1:11:48 | 1:11:53 | |
Who hurt him. | 1:11:53 | 1:11:54 | |
It's just the worst thing... | 1:11:55 | 1:11:57 | |
Ian. Sit down, please. | 1:11:57 | 1:11:59 | |
I'll have a big glass of lemonade and a big plate of chips, please. | 1:12:01 | 1:12:04 | |
And the same for me too. | 1:12:04 | 1:12:06 | |
-Patrick, listen, mate, I'm a bit skint. I can't sub you. -No, no, it's all right, it's on me. | 1:12:06 | 1:12:10 | |
I'd still be sitting in my deck chair if it wasn't for you. What are you having? | 1:12:10 | 1:12:13 | |
I'll have a bottle of beer, please, and I'll get this little one sat down. | 1:12:13 | 1:12:17 | |
He actually followed you to work? | 1:12:17 | 1:12:18 | |
Oh, yeah. He was hiding behind the stalls and everything. | 1:12:18 | 1:12:21 | |
-It was so funny. -That is, like, full-on stalker. | 1:12:21 | 1:12:24 | |
Yeah, I know! I can't believe I've got a stalker - it's great! | 1:12:24 | 1:12:27 | |
I don't think you're meant to look so happy about it. | 1:12:27 | 1:12:30 | |
It's all right if I join you, ain't it? | 1:12:30 | 1:12:32 | |
Shut up. | 1:12:34 | 1:12:35 | |
I frog-marched her down there, | 1:12:37 | 1:12:39 | |
and then I'm not allowed an opinion cos I'm biased. | 1:12:39 | 1:12:41 | |
Just ended up rowing all day. She's going to go to Liverpool, I'm telling you... | 1:12:41 | 1:12:45 | |
Just buy her some chocolates. | 1:12:45 | 1:12:46 | |
It's uni, Phil. It's a bit more than a few sweets. | 1:12:46 | 1:12:49 | |
You... You had any calls? | 1:12:52 | 1:12:54 | |
Just heard from Lola. The police haven't told Ian. | 1:12:54 | 1:12:57 | |
So looks like I ain't a suspect, doesn't it? | 1:12:57 | 1:13:00 | |
-There he is! What are you hiding?! -What? | 1:13:00 | 1:13:02 | |
Don't come the innocent with me! What are you hiding? | 1:13:02 | 1:13:05 | |
Billy, you do not keep quiet about something like this - | 1:13:05 | 1:13:08 | |
-why were you fighting with my little girl? -Let's take this somewhere else. | 1:13:08 | 1:13:11 | |
No! He's had plenty of time to get his story straight. Now why were you fighting with her? | 1:13:11 | 1:13:15 | |
-I didn't hide anything, I swear! -I bet you've got her purse and her phone, haven't you? | 1:13:15 | 1:13:19 | |
-Now come on, turn out your pockets! -This ain't the place, Ian! -Turn out your pockets! | 1:13:19 | 1:13:23 | |
ALL SHOUT | 1:13:23 | 1:13:25 | |
-Any mustard, please? -Yep, yep, two secs mate, two secs. | 1:13:29 | 1:13:32 | |
Here you go, fellas. | 1:13:32 | 1:13:33 | |
That's the right order, yeah? | 1:13:33 | 1:13:35 | |
Here you go, ladies, here you go. | 1:13:35 | 1:13:38 | |
You asked me to help you earlier. Not run the place on my own. | 1:13:38 | 1:13:40 | |
Yeah, give me a sec. | 1:13:40 | 1:13:42 | |
Was that mustard, mate, yeah? Mustard? | 1:13:43 | 1:13:45 | |
Clean out of mustard, I'm afraid, mate. | 1:13:55 | 1:13:57 | |
Plenty of herbs, though. | 1:13:57 | 1:13:59 | |
See, me and that man. We was just messing about. Being silly. | 1:14:02 | 1:14:06 | |
We'll be laughing about it tomorrow, best mates again. | 1:14:08 | 1:14:11 | |
Yeah? And don't think I've forgotten about your chips. | 1:14:11 | 1:14:14 | |
As soon as I've sorted this all out, we're straight round McKlunkys, OK? | 1:14:14 | 1:14:19 | |
All right, I'll see you in a bit. | 1:14:19 | 1:14:20 | |
-I'll be back for her in a bit. -Yeah, fine. | 1:14:23 | 1:14:27 | |
Just need to find Peter. | 1:14:27 | 1:14:29 | |
Whit, you know that I would never... | 1:14:29 | 1:14:31 | |
Yeah... | 1:14:31 | 1:14:33 | |
Just get it sorted, Billy, yeah? | 1:14:33 | 1:14:35 | |
Yeah. | 1:14:35 | 1:14:36 | |
Right, I think I've got some oven chips in the freezer... Yeah? | 1:14:36 | 1:14:39 | |
Come on, then...quick! | 1:14:39 | 1:14:41 | |
Come on, then, you go with Whitney. See you in a bit. | 1:14:41 | 1:14:44 | |
-Right, I'm off. -Don't you want to know the secret to winning over Whitney? | 1:14:51 | 1:14:55 | |
I'm more worried about all the green you got stuffed behind the microwave. | 1:14:55 | 1:14:58 | |
Please don't tell no-one. Tosh don't even know. | 1:14:58 | 1:15:01 | |
-Without it we can't have a baby, right, so... -What, the baby that skunk built? | 1:15:01 | 1:15:04 | |
It ain't skunk. It's just normals. Lee, please. | 1:15:04 | 1:15:07 | |
Tosh is desperate for a baby. | 1:15:07 | 1:15:09 | |
Either way, you could still do a bird for it, Teen. | 1:15:09 | 1:15:12 | |
Not much use to the kid in there, are ya? | 1:15:12 | 1:15:15 | |
It's temporary, all right. Just to raise the money. Please don't tell no-one. | 1:15:15 | 1:15:18 | |
Of course not, you nutter. | 1:15:18 | 1:15:20 | |
But just doing it here - what if a punter grasses you up? | 1:15:20 | 1:15:23 | |
You're taking a massive risk. | 1:15:23 | 1:15:25 | |
I'm being careful, all right. Just a few more weeks, and then I'm done. | 1:15:25 | 1:15:28 | |
All right, it's your life. | 1:15:28 | 1:15:29 | |
Do you know what? I've grafted for it - I might as well find out. | 1:15:29 | 1:15:32 | |
What's this big secret? | 1:15:32 | 1:15:34 | |
-Oh, er, no, you won't want to know. -No, go on, try me. | 1:15:34 | 1:15:37 | |
Well, usually I just get my boobs out. | 1:15:37 | 1:15:39 | |
They're pretty banging so it normally does the trick. | 1:15:39 | 1:15:43 | |
Soz. | 1:15:43 | 1:15:44 | |
-Watch yourself. -Sorry, sorry... | 1:16:39 | 1:16:42 | |
It's going to get you, it's going to get you. | 1:16:47 | 1:16:50 | |
You all right, babe? | 1:16:52 | 1:16:53 | |
All right, just been walking round. | 1:16:53 | 1:16:57 | |
I knew that Jake wasn't guilty. | 1:16:58 | 1:17:00 | |
Listen, Lo, | 1:17:02 | 1:17:04 | |
I'm sorry I've been so horrible lately. It's just... | 1:17:04 | 1:17:08 | |
it's just the stress of it, you know? | 1:17:08 | 1:17:10 | |
-It's just been so much... -Come here. It's all right... It's OK... | 1:17:10 | 1:17:14 | |
Peter, mate, I wanted to tell you myself... | 1:17:17 | 1:17:19 | |
-No, no... -Whatever they've said, it wasn't like that, OK... | 1:17:19 | 1:17:22 | |
Whatever who said? | 1:17:22 | 1:17:23 | |
Cheers. | 1:17:28 | 1:17:30 | |
Special occasion? | 1:17:30 | 1:17:31 | |
-An apology. -Aren't these the cheapest box? | 1:17:31 | 1:17:33 | |
They're the second cheapest. | 1:17:33 | 1:17:35 | |
Oh, Ian's not answering. | 1:17:35 | 1:17:37 | |
Well, go find him. I can manage here. | 1:17:37 | 1:17:39 | |
Denise? I've just seen Ian heading down towards Billy's. He ain't happy. | 1:17:39 | 1:17:43 | |
Ah, thank you. | 1:17:43 | 1:17:44 | |
Cheers. | 1:17:46 | 1:17:48 | |
-Peter, try to calm down. -Why should I calm down? | 1:17:48 | 1:17:52 | |
-It's Peter, he's going to kill him! I need your help! -Peter...Please! -Peter! Leave it! | 1:17:52 | 1:17:57 | |
Every day! Every breakfast. Every dinner. You said nothing! | 1:17:57 | 1:18:00 | |
Leave it! Leave it! Now we will deal with this. | 1:18:00 | 1:18:03 | |
But we will not deal with it like this, OK? Do you understand me? | 1:18:03 | 1:18:07 | |
I shouldn't have done what I did in the Vic, all right? | 1:18:10 | 1:18:12 | |
That's not the way to get the truth out of someone. | 1:18:12 | 1:18:14 | |
Now that we are calm, and rational... | 1:18:14 | 1:18:17 | |
..you're going to sit down and explain yourself to me. OK. | 1:18:19 | 1:18:23 | |
What kind of surprise? | 1:18:26 | 1:18:28 | |
A proper one. | 1:18:28 | 1:18:31 | |
Now, I don't know why you binned it. | 1:18:31 | 1:18:33 | |
As soon as I saw it, I thought, "I've got to put that up." | 1:18:33 | 1:18:37 | |
Pride of place in my kitchen so that every morning I can see | 1:18:37 | 1:18:40 | |
my beautiful wife smiling down at me while I finish off my fried slice. | 1:18:40 | 1:18:44 | |
GIGGLING | 1:19:00 | 1:19:02 | |
-You sure about this? -I just want to forget about today. | 1:19:09 | 1:19:12 | |
Look, I, um... | 1:19:21 | 1:19:23 | |
I know it doesn't make it right, but... | 1:19:26 | 1:19:29 | |
..things have been really tough lately. | 1:19:31 | 1:19:32 | |
And a couple of bits of fish every week... | 1:19:35 | 1:19:38 | |
Well, it didn't exactly make us flush, but it didn't half help. | 1:19:38 | 1:19:44 | |
Anyway, I tried to explain this to Lucy but... | 1:19:44 | 1:19:49 | |
..she was disgusted with me. | 1:19:50 | 1:19:51 | |
Called me a thief. | 1:19:53 | 1:19:55 | |
She said you only gave me that job out of pity... | 1:19:57 | 1:20:00 | |
Look, I know I should have told the police... | 1:20:01 | 1:20:04 | |
..but I was ashamed. | 1:20:07 | 1:20:09 | |
I was ashamed that her last hours were spent shouting at me. | 1:20:12 | 1:20:17 | |
Maybe if she hadn't had been so angry... | 1:20:17 | 1:20:20 | |
I was scared, Ian. | 1:20:20 | 1:20:23 | |
It looks bad, don't it? | 1:20:26 | 1:20:27 | |
But you've got to believe me, Ian. | 1:20:31 | 1:20:32 | |
As a dad, I couldn't do that. | 1:20:34 | 1:20:37 | |
Not for a couple of bits of fish, Ian. | 1:20:40 | 1:20:43 | |
Not for a part-time job. | 1:20:43 | 1:20:45 | |
Did you know? | 1:20:45 | 1:20:46 | |
Please, Ian. You've got to believe me. | 1:20:48 | 1:20:51 | |
You won't ever rob from me again? | 1:20:55 | 1:20:56 | |
No. No, never. | 1:20:56 | 1:20:58 | |
Then I'll expect to see you at work tomorrow. | 1:20:58 | 1:21:01 | |
What about the other thing? | 1:21:03 | 1:21:06 | |
I made a decision about Jake and I was wrong. | 1:21:06 | 1:21:10 | |
Now I can't say whether I believe you or not. | 1:21:10 | 1:21:13 | |
I can't make decisions any more. | 1:21:13 | 1:21:15 | |
So that's for the police. | 1:21:17 | 1:21:19 | |
Come here... | 1:21:36 | 1:21:38 | |
It's all starting again, isn't it? | 1:21:38 | 1:21:40 | |
Come on, darling. | 1:21:47 | 1:21:49 | |
It'll be all right, I mean, Abi ain't back for another hour. | 1:21:55 | 1:21:57 | |
Yeah, but there's no need to take risks, is there? | 1:21:57 | 1:22:01 | |
-Can I get a glass of water? -Ah, yeah, of course. -Thank you. | 1:22:01 | 1:22:03 | |
Right. Bye. I'll see you later. | 1:22:13 | 1:22:16 | |
-I'll call you. -See you later. | 1:22:18 | 1:22:21 | |
SPADE HITS EARTH | 1:22:37 | 1:22:42 | |
PHONE RINGS | 1:23:14 | 1:23:15 | |
Ian? | 1:23:15 | 1:23:17 | |
Phone! | 1:23:17 | 1:23:19 | |
PHONE RINGS | 1:23:22 | 1:23:24 | |
Ian? | 1:23:24 | 1:23:25 | |
-Who's R? -What? | 1:23:30 | 1:23:32 | |
-Do you want me to answer it? -Erm, no, no. It's all right. | 1:23:32 | 1:23:36 | |
-Who is it? -Who? | 1:23:36 | 1:23:38 | |
-R? -Erm, supplier. -Oh, only it's the second time they've rung, | 1:23:38 | 1:23:42 | |
-and I thought, you know, might be important. -Well, it's not. | 1:23:42 | 1:23:46 | |
OK. All right, well, come on, this is ready now. | 1:23:46 | 1:23:49 | |
I'm sorry, OK? I didn't get much sleep. | 1:23:49 | 1:23:52 | |
It was easier when we thought it was Jake. | 1:23:54 | 1:23:56 | |
-I mean, at least that way I had someone to hate. Now... -OK. | 1:23:56 | 1:23:59 | |
OK, Ian, you just breathe, yeah? | 1:23:59 | 1:24:02 | |
Try and take it easy on yourself. | 1:24:02 | 1:24:04 | |
Some things, you know, are just out of your control. | 1:24:04 | 1:24:06 | |
PHONE RINGS | 1:24:06 | 1:24:09 | |
Who's this now? | 1:24:09 | 1:24:11 | |
-Just leave it. -No, I can't. | 1:24:11 | 1:24:14 | |
Hello? | 1:24:16 | 1:24:18 | |
Emma. No, no, it's fine. | 1:24:18 | 1:24:21 | |
You do not call me. Do you understand? | 1:24:28 | 1:24:30 | |
I call you. | 1:24:30 | 1:24:31 | |
Says he still feels sick. | 1:24:34 | 1:24:36 | |
I think he's just trying it on. | 1:24:36 | 1:24:38 | |
Well, he can stay with me, eh? Keep me company. | 1:24:38 | 1:24:40 | |
-Listen, I'll stay if you want. -No, you've missed a lot, looking out for me. | 1:24:40 | 1:24:43 | |
-I've only got a few things to sort. -A day off school won't do any harm. | 1:24:43 | 1:24:46 | |
-It wouldn't be the end of the world if I didn't do them. -Look, go. Really, I'll be fine. | 1:24:46 | 1:24:50 | |
-All right. -OK. See ya. | 1:24:50 | 1:24:52 | |
-Lola thought Peter was going to rip Billy's head off! -But he didn't. | 1:25:11 | 1:25:14 | |
Yeah, but obviously then they believe he didn't do it. | 1:25:14 | 1:25:16 | |
-Abs, just don't get involved. -Yeah, but where does that leave Jake? | 1:25:16 | 1:25:20 | |
-There's no hot water. -Yeah, I had to wash my hair. | 1:25:20 | 1:25:22 | |
You shouldn't leave it running, cos everyone else just gets cold water. | 1:25:22 | 1:25:26 | |
-KNOCKING ON DOOR -Please be Jay. | 1:25:26 | 1:25:28 | |
What do you want to do for tea, then? | 1:25:30 | 1:25:32 | |
It's all right, I'll sort something out. | 1:25:32 | 1:25:35 | |
It's good to have you back, Lauren. | 1:25:35 | 1:25:37 | |
Sorry I had the hump yesterday. | 1:25:39 | 1:25:42 | |
Oh, it doesn't matter. | 1:25:42 | 1:25:43 | |
Oh, thank you. I'll just go get my bag. | 1:25:43 | 1:25:46 | |
Yeah, I'm going to go as well, actually. | 1:25:46 | 1:25:48 | |
I'll have that. See you later, Jay. | 1:25:48 | 1:25:51 | |
See you later. | 1:25:51 | 1:25:53 | |
-You all right? -I saw you. | 1:25:59 | 1:26:01 | |
-Sorry? -I came in here last night. | 1:26:03 | 1:26:07 | |
All right... | 1:26:08 | 1:26:09 | |
She's a copper, Max! | 1:26:09 | 1:26:11 | |
You're in your house snogging a copper? | 1:26:11 | 1:26:13 | |
Sorry, forgot my phone. See you later. | 1:26:13 | 1:26:16 | |
See you later. | 1:26:16 | 1:26:17 | |
So what? | 1:26:23 | 1:26:25 | |
-The copper investigating Lucy's murder! That don't seem a bit weird? -No, not really. | 1:26:25 | 1:26:28 | |
Are you serious? In the middle of the investigation? | 1:26:28 | 1:26:31 | |
-Well, you said anything to Abi? -No. | 1:26:33 | 1:26:36 | |
Well, don't, cos I've only just got my girls home. | 1:26:36 | 1:26:38 | |
So the last thing I need is you sticking a spanner in the works. | 1:26:38 | 1:26:40 | |
HE HUMS TO HIMSELF | 1:26:42 | 1:26:45 | |
-You all right? -Been better. | 1:27:36 | 1:27:39 | |
-Where you going? -Got to go make a formal statement, ain't I? | 1:27:39 | 1:27:43 | |
-See ya. -See ya. | 1:27:43 | 1:27:44 | |
Babe, do you want any breakfast or anything? | 1:27:46 | 1:27:48 | |
No, thanks. | 1:27:48 | 1:27:50 | |
-Everything sorted? -Yeah. | 1:27:50 | 1:27:52 | |
-You busy today? -I wish. | 1:27:55 | 1:27:58 | |
Only Sharon's stuck at home with Dennis, | 1:27:58 | 1:28:00 | |
could do with a bit of company and... | 1:28:00 | 1:28:02 | |
Well, give her a manicure, pedicure, whatever she wants. Just cheer her up, yeah? | 1:28:02 | 1:28:05 | |
Yeah, no worries. How is she, though? Is she getting better? | 1:28:05 | 1:28:09 | |
-Yeah. Yeah, she's getting there. -Good. | 1:28:09 | 1:28:11 | |
-Ta. -Cheers. -See ya. | 1:28:11 | 1:28:14 | |
DOOR BANGS OPEN | 1:28:18 | 1:28:20 | |
Sorry! Practising headers. | 1:28:20 | 1:28:21 | |
Get dressed and downstairs now! | 1:28:21 | 1:28:24 | |
Go on! | 1:28:24 | 1:28:25 | |
-Hiya. -Can I get a tea? -Yeah. | 1:28:32 | 1:28:34 | |
-You OK? -Yeah. Erm, sorry I lost it last night. | 1:28:34 | 1:28:38 | |
-Everything all right with Lola? -Yeah, fine. You? | 1:28:38 | 1:28:41 | |
Well, I couldn't sleep, | 1:28:41 | 1:28:42 | |
so I sat up all night reading a wedding magazine. | 1:28:42 | 1:28:45 | |
-That's a weird one. -Yeah, I know. | 1:28:45 | 1:28:47 | |
Just ask me anything you want to know about beach weddings, I'm your man. | 1:28:47 | 1:28:50 | |
-PHONE RINGS -Hello? | 1:28:50 | 1:28:52 | |
It's good, you know, you and Denise getting married. Something to look forward to...at last. | 1:28:52 | 1:28:56 | |
Yeah. | 1:28:56 | 1:28:58 | |
Was that who I think it is? | 1:29:01 | 1:29:03 | |
It's Jake, he's out. He's coming to the flat later. | 1:29:03 | 1:29:06 | |
So, you lied? | 1:29:14 | 1:29:16 | |
I didn't feel very well. | 1:29:16 | 1:29:19 | |
-But not sick? -A bit sick. | 1:29:19 | 1:29:22 | |
-Of maths. -It was a test! | 1:29:22 | 1:29:25 | |
OK. Well, let's just spend a quiet day together, eh? | 1:29:25 | 1:29:28 | |
You and me. | 1:29:28 | 1:29:29 | |
Why don't you play your game for an hour and then later on... | 1:29:29 | 1:29:32 | |
DOOR CLOSES | 1:29:32 | 1:29:33 | |
Hey. Sorry, I should have called. | 1:29:35 | 1:29:38 | |
Phil asked me to pop round. | 1:29:38 | 1:29:39 | |
-Thank you. -New set of bridal mags are in. | 1:29:42 | 1:29:44 | |
Ooh, can I have one(?) | 1:29:44 | 1:29:47 | |
Two packets of my usual and a disposable, please. | 1:29:47 | 1:29:49 | |
Ian asked me to order these. | 1:29:49 | 1:29:52 | |
-Lucky girl. -There you go, thank you. | 1:29:52 | 1:29:55 | |
Cheers. | 1:29:58 | 1:30:00 | |
So he's still planning it, then, even with all this going on? | 1:30:02 | 1:30:05 | |
Yeah, I don't know, | 1:30:05 | 1:30:07 | |
-maybe it's his way of trying to escape it all, you know? -And you? | 1:30:07 | 1:30:10 | |
A little while ago you were going to leave him. And now? | 1:30:12 | 1:30:16 | |
-You cannot marry him out of pity, Denise. -I'm not! | 1:30:16 | 1:30:19 | |
-Marrying him? -No, pitying him. He's a good man. | 1:30:19 | 1:30:22 | |
He's in a bad way, just... | 1:30:22 | 1:30:24 | |
Hiya. I've just been to check up on Peter, see how he's bearing up. | 1:30:25 | 1:30:28 | |
But, listen, I've had an idea about the wedding, OK? | 1:30:28 | 1:30:30 | |
It's this thing that I've seen, it's called Trash The Dress. | 1:30:30 | 1:30:33 | |
-Ian... -No, listen. -I don't... | 1:30:33 | 1:30:34 | |
Listen, love. They do it at all these beach weddings. | 1:30:34 | 1:30:37 | |
It's like a crazy celebration, | 1:30:37 | 1:30:38 | |
-I saw it in the mag, where you trash the dress... -OK, OK, Ian... | 1:30:38 | 1:30:42 | |
Look, love, I don't think that... | 1:30:42 | 1:30:46 | |
Ian... | 1:30:46 | 1:30:47 | |
this...with the investigation starting again... | 1:30:47 | 1:30:50 | |
-What? -..is the right time for us to be thinking about a wedding. | 1:30:50 | 1:30:53 | |
Yeah, but it gives us something to look forward to. | 1:30:53 | 1:30:55 | |
Yeah, but, you know? Let's just... | 1:30:55 | 1:30:59 | |
We'll just press pause, you know? | 1:30:59 | 1:31:01 | |
Just until things go back to normal. | 1:31:01 | 1:31:04 | |
There you go, sweetheart, OK? | 1:31:09 | 1:31:12 | |
Yeah, no, Phil just reckoned you could do with a bit of a pamper, | 1:31:17 | 1:31:20 | |
being stuck in with Denny ill and that. | 1:31:20 | 1:31:23 | |
Well, he's not that ill. | 1:31:23 | 1:31:25 | |
He playing you up again? | 1:31:25 | 1:31:27 | |
You wait, Lexi'll be the same - | 1:31:27 | 1:31:29 | |
they test the boundaries. | 1:31:29 | 1:31:31 | |
Trust me, she already does. | 1:31:31 | 1:31:32 | |
So, how's Billy holding up? | 1:31:34 | 1:31:36 | |
Yeah, no, he's not that great. | 1:31:37 | 1:31:40 | |
And he only nicked some fish. But it doesn't stop him worrying about | 1:31:40 | 1:31:43 | |
what the police are going to do. | 1:31:43 | 1:31:45 | |
-Yeah, but he's innocent, Lola, so I'm sure... -So was Jake. | 1:31:45 | 1:31:48 | |
They still banged him up, didn't they? | 1:31:48 | 1:31:51 | |
Anyway... Right, I've got some sparkly one, | 1:31:51 | 1:31:55 | |
or what about this? Korean hot candy pink? | 1:31:55 | 1:31:58 | |
Go on, then. | 1:31:58 | 1:32:00 | |
Oh, gosh, man. The sun's shining. | 1:32:01 | 1:32:03 | |
How often does this happen in England? | 1:32:03 | 1:32:05 | |
-We can go to the caff or to the Vic? -No, no, it's not the same. | 1:32:05 | 1:32:08 | |
If you want lunch, we got pies and a bag of salad at home. | 1:32:08 | 1:32:10 | |
Bag of salad?! I got lettuce, radishes, the whole lot. | 1:32:10 | 1:32:14 | |
-Home grown. -Right. | 1:32:14 | 1:32:15 | |
Yeah, man, we could sit down and hear the birds singing. | 1:32:15 | 1:32:19 | |
Feel the sun on your face. | 1:32:19 | 1:32:21 | |
Taste the fruit of my labour - | 1:32:21 | 1:32:24 | |
and time out from your troubles, too. | 1:32:24 | 1:32:26 | |
So, you really want to do this? | 1:32:27 | 1:32:30 | |
-I do. -Oh, Patrick, it's just... It's the middle of the day, | 1:32:30 | 1:32:33 | |
it's just when the shop gets busy. | 1:32:33 | 1:32:34 | |
I'll cover, it's no problem. | 1:32:34 | 1:32:36 | |
OK, so you don't want to spend quality time with an old man? | 1:32:36 | 1:32:39 | |
Oh, come on, that's not what I'm saying. | 1:32:39 | 1:32:41 | |
Sounds as though business before family. | 1:32:41 | 1:32:45 | |
You know what, Patrick? I would love to come. | 1:32:47 | 1:32:49 | |
Yeah, man. | 1:32:51 | 1:32:52 | |
He should be here by now. | 1:32:55 | 1:32:56 | |
DOORBELL RINGS | 1:32:59 | 1:33:01 | |
HE LAUGHS | 1:33:16 | 1:33:18 | |
Oh, I've missed you! | 1:33:18 | 1:33:20 | |
I've missed you guys. | 1:33:21 | 1:33:22 | |
Patrick, you're not overdoing it, are you? You know, digging and that? | 1:33:24 | 1:33:27 | |
Out here, on your own, at your age. | 1:33:27 | 1:33:29 | |
Don't worry, man, I find time to chill out, you know? | 1:33:29 | 1:33:33 | |
Have my drink, listen to cricket on the radio. | 1:33:33 | 1:33:36 | |
Yeah, well, you deserve that. | 1:33:36 | 1:33:37 | |
And what about you? | 1:33:39 | 1:33:40 | |
I'm fine. | 1:33:41 | 1:33:43 | |
You don't have to put on this iron-lady act with me, you know? | 1:33:43 | 1:33:47 | |
You know what it's been like with the investigation. | 1:33:47 | 1:33:50 | |
There's Jake, Billy, Peter... | 1:33:50 | 1:33:54 | |
Ian's just...clinging on by his fingernails. | 1:33:54 | 1:33:58 | |
And Denise? | 1:33:58 | 1:34:00 | |
Well, there's a lot of other people's feelings that come before mine. | 1:34:00 | 1:34:03 | |
Not to me, there isn't. | 1:34:03 | 1:34:05 | |
Well...this is lovely. | 1:34:06 | 1:34:09 | |
Yeah, well, like you said, I ain't getting any younger. | 1:34:09 | 1:34:13 | |
Well, that's all the more reason to not be out here grafting. | 1:34:13 | 1:34:16 | |
Well, I'm not a young man any more. | 1:34:16 | 1:34:18 | |
Patrick, are you trying to tell me something? | 1:34:18 | 1:34:21 | |
I just wanted to see you settled, you know? | 1:34:23 | 1:34:26 | |
-Put my mind at rest. -Settled? | 1:34:26 | 1:34:28 | |
You did have second thoughts about marrying Ian. | 1:34:29 | 1:34:33 | |
And...I mean... you're still together. | 1:34:33 | 1:34:37 | |
I'm not leaving him now. | 1:34:37 | 1:34:38 | |
Is it because you don't want to or is it because you can't? | 1:34:40 | 1:34:44 | |
-Does it matter? -To me it does. | 1:34:44 | 1:34:46 | |
Hey! This is quiche. | 1:34:49 | 1:34:52 | |
Where did you get quiche? | 1:34:53 | 1:34:54 | |
Ian. | 1:34:56 | 1:34:57 | |
HE GROANS | 1:34:57 | 1:34:59 | |
-They're quite good. -Oh, really? -Yeah. | 1:35:01 | 1:35:04 | |
Oh, good, well, I can do them again if you want? | 1:35:04 | 1:35:06 | |
Before you go back to work. | 1:35:06 | 1:35:07 | |
Well, I think I'll be back sooner than that. | 1:35:07 | 1:35:10 | |
Yeah, I wouldn't rush, though. | 1:35:10 | 1:35:11 | |
Roxy's doing a really good job at covering at The Albert. | 1:35:11 | 1:35:14 | |
Well, I wouldn't get too comfortable if I was her. | 1:35:14 | 1:35:16 | |
-BEEPING -Right, that'll be the jackets. | 1:35:16 | 1:35:19 | |
I put in an extra, if you want to stay? | 1:35:19 | 1:35:21 | |
-Yeah. Yeah, no, that'd be really nice. -OK, cool. | 1:35:21 | 1:35:24 | |
I'll just get some coleslaw. | 1:35:24 | 1:35:26 | |
-No! Your nails, be careful! -Yeah, sorry. I'll just get Denny. | 1:35:26 | 1:35:30 | |
Denny? | 1:35:30 | 1:35:32 | |
Denny? | 1:35:36 | 1:35:38 | |
Denny? | 1:35:41 | 1:35:43 | |
Denny? | 1:35:46 | 1:35:47 | |
-What're you doing? -Nothing. | 1:35:52 | 1:35:55 | |
Get away from there. Lunch is ready. | 1:35:55 | 1:35:57 | |
-I'm just looking. -I said get away. | 1:35:57 | 1:36:00 | |
Phil's got some cool stuff. | 1:36:00 | 1:36:01 | |
I said no! | 1:36:01 | 1:36:03 | |
Oh, Denny... | 1:36:06 | 1:36:08 | |
-Dennis! -Denny, I'm sorry! | 1:36:08 | 1:36:10 | |
Denny! | 1:36:20 | 1:36:22 | |
Denny! | 1:36:24 | 1:36:26 | |
-Ian asked you to talk to me? -Only because he was worried... | 1:36:29 | 1:36:31 | |
-He couldn't do it himself? -..you were getting cold feet. | 1:36:31 | 1:36:34 | |
Want to spend the rest of your life with someone, but you got to go behind their back? | 1:36:34 | 1:36:37 | |
-Like you said, he's in the middle of a nightmare. -Exactly. | 1:36:37 | 1:36:40 | |
How is he supposed to think straight with all of this hanging over him? | 1:36:40 | 1:36:44 | |
-Are your feet getting cold? -No. | 1:36:45 | 1:36:48 | |
Babe, you know you can tell me. | 1:36:50 | 1:36:52 | |
-Oh, it's different this time. -Is it? | 1:36:52 | 1:36:55 | |
Not because he asked me I'm going to do his bidding, you know. | 1:36:57 | 1:37:00 | |
Listen to me. | 1:37:01 | 1:37:02 | |
You don't have to marry him because he is in a state. | 1:37:04 | 1:37:08 | |
-I want to stay. -Nobody's judging you, babe. | 1:37:08 | 1:37:11 | |
Thank you, Patrick. | 1:37:11 | 1:37:12 | |
All this talking...it helps. | 1:37:16 | 1:37:19 | |
He's a good man. | 1:37:22 | 1:37:24 | |
He might not be the King Of The Carnival! | 1:37:25 | 1:37:28 | |
Can you imagine?! | 1:37:28 | 1:37:30 | |
Ian in silver lame and all peacock feathers! | 1:37:30 | 1:37:34 | |
THEY LAUGH | 1:37:34 | 1:37:36 | |
Baby... | 1:37:39 | 1:37:41 | |
do you love him? | 1:37:41 | 1:37:43 | |
All I want to know, baby, is that...you're happy. | 1:37:46 | 1:37:50 | |
It's not fair. You're innocent. | 1:38:00 | 1:38:02 | |
This is your home. | 1:38:02 | 1:38:04 | |
I shouldn't even be here - conditions of my bail. | 1:38:04 | 1:38:06 | |
-You've got to stay. -Yeah, come on, the case against you's been dropped, right? | 1:38:06 | 1:38:10 | |
I'm not totally out of the frame. | 1:38:10 | 1:38:11 | |
You wouldn't have been nicked in the first place, if it weren't for that Lauren. | 1:38:11 | 1:38:15 | |
My brief reckons it's just a formality | 1:38:15 | 1:38:17 | |
before they drop the charges, but... | 1:38:17 | 1:38:19 | |
We would've laid on, you know, proper drinks and all that, but... | 1:38:19 | 1:38:22 | |
-Yeah, you know, we thought it might not be... -Clean and sober. | 1:38:22 | 1:38:25 | |
I swear to God. One day at a time, but I am not having another drink. | 1:38:25 | 1:38:30 | |
Good for you. | 1:38:30 | 1:38:31 | |
-I should go. -No, no, stay for a bit more cake, come on! | 1:38:33 | 1:38:37 | |
That's, like, only the third cake I've ever bought in my entire life. | 1:38:37 | 1:38:40 | |
DOORBELL RINGS | 1:38:40 | 1:38:43 | |
-You expecting anyone? -No. | 1:38:43 | 1:38:45 | |
No. Just stay there. | 1:38:45 | 1:38:47 | |
-What do you want? -I know he's here. | 1:38:52 | 1:38:55 | |
He doesn't want to see you. | 1:38:55 | 1:38:57 | |
Yeah, it's goat's cheese. | 1:39:12 | 1:39:14 | |
I've been baking. It makes me...feel better. | 1:39:14 | 1:39:18 | |
Oh, looks nice. Could serve it at the wedding, veggie option. | 1:39:18 | 1:39:22 | |
I'm not exactly sure there's going to be one. | 1:39:22 | 1:39:24 | |
What, a vegetarian option? | 1:39:24 | 1:39:26 | |
No, wedding. Denise wants to press the pause button again. | 1:39:26 | 1:39:31 | |
I'm sorry, but it's just a pause, yeah? | 1:39:31 | 1:39:33 | |
There you go. Table one, classic, well done. | 1:39:36 | 1:39:39 | |
What are you doing here? | 1:39:46 | 1:39:48 | |
Like I said, I want my money. | 1:39:48 | 1:39:51 | |
Just go away. I've already paid you. | 1:39:51 | 1:39:53 | |
I need more if you want me to keep my mouth shut. | 1:39:53 | 1:39:55 | |
You're not getting any more. | 1:39:55 | 1:39:57 | |
No? Then I'll tell the police where you were that night. | 1:39:57 | 1:40:01 | |
Do you know what? You're disgusting, do you know that? | 1:40:01 | 1:40:04 | |
Me? You're the one that goes kerb-crawling | 1:40:04 | 1:40:07 | |
after a row with your daughter! | 1:40:07 | 1:40:09 | |
Just go away, will you? | 1:40:09 | 1:40:10 | |
I mean it, I'm going to tell the police. | 1:40:10 | 1:40:12 | |
Oh, right, and what you going to tell them? | 1:40:12 | 1:40:14 | |
Do you really think they're going to believe a person like you? | 1:40:14 | 1:40:19 | |
You want to find out? | 1:40:19 | 1:40:21 | |
No, I'll tell you what I want, I want you to go away permanently. | 1:40:21 | 1:40:23 | |
So why don't you go and buy yourself a big rock of crack | 1:40:23 | 1:40:26 | |
and then go and find some gutter you can crawl away and die in? | 1:40:26 | 1:40:29 | |
Hiya. | 1:40:37 | 1:40:39 | |
-You OK, darling? You look stressed. -No, I'm fine. I'm just... | 1:40:39 | 1:40:43 | |
a little bit jangled, you know? With the investigation, the wedding, not the wedding. It's... | 1:40:43 | 1:40:48 | |
Ian, look, I don't like seeing you this wound up. Come here. | 1:40:48 | 1:40:51 | |
Only if it's completely knackered. If it's just worn, leave it, yeah? | 1:40:57 | 1:41:01 | |
-Phil! Dennis has gone. -Where? | 1:41:01 | 1:41:04 | |
I don't know, he just ran out the front door. | 1:41:04 | 1:41:06 | |
-Sharon... Sharon was shaking him. -She was what? Why? | 1:41:06 | 1:41:10 | |
I don't know. | 1:41:10 | 1:41:11 | |
What you did...was very sweet. | 1:41:15 | 1:41:18 | |
Was it? | 1:41:19 | 1:41:21 | |
Naughty, but very sweet. | 1:41:21 | 1:41:24 | |
And you're right, you know? What Patrick thinks, | 1:41:25 | 1:41:28 | |
it does mean a lot to me. | 1:41:28 | 1:41:30 | |
Yeah, he's like a father. | 1:41:30 | 1:41:31 | |
His blessing... is very important to me. | 1:41:31 | 1:41:35 | |
But you know what? | 1:41:35 | 1:41:36 | |
it's not nearly as important as you. | 1:41:36 | 1:41:38 | |
-I'm not trashing any dress. -No, no. | 1:41:40 | 1:41:43 | |
Does that mean...we're back on? | 1:41:48 | 1:41:50 | |
-No quiche. Outside catering. -Right, outside... | 1:41:52 | 1:41:55 | |
And I get to choose the first dance. | 1:41:55 | 1:41:58 | |
So it that a yes, then?! | 1:41:59 | 1:42:02 | |
Yeah. We've got to have something to look forward to, haven't we? | 1:42:02 | 1:42:06 | |
Well, he can't have gone far, can he? | 1:42:10 | 1:42:12 | |
The market, the Square, the allotment and the park, yeah? | 1:42:12 | 1:42:15 | |
Now, we all split up, but we stay in touch, right? | 1:42:15 | 1:42:17 | |
He's here. | 1:42:17 | 1:42:19 | |
You had us worried, you little monkey. | 1:42:19 | 1:42:21 | |
Have you told him what Sharon done? | 1:42:21 | 1:42:23 | |
Yeah. | 1:42:23 | 1:42:25 | |
Jay, can you leave us alone for a minute? | 1:42:25 | 1:42:28 | |
Is it true? | 1:42:28 | 1:42:29 | |
Lo, do us a favour and take Denny back to your gaff, yeah? | 1:42:31 | 1:42:34 | |
That's not the Sharon that I know. | 1:42:34 | 1:42:35 | |
Come on, we can watch a bit of telly at mine, yeah? | 1:42:35 | 1:42:38 | |
Least not before you started messing with her head. | 1:42:38 | 1:42:40 | |
-Shirley, leave it, all right? -She's a bag of nerves. | 1:42:40 | 1:42:42 | |
I told you, leave it, all right? This is my business. | 1:42:42 | 1:42:45 | |
No, THIS is your fault. | 1:42:45 | 1:42:46 | |
That's the woman you're supposed to be in love with. | 1:42:47 | 1:42:51 | |
Is that what you call love? | 1:42:51 | 1:42:52 | |
You could've ruined his life. | 1:42:57 | 1:42:58 | |
It's your fault he's got to leave the Square. | 1:42:58 | 1:43:00 | |
It doesn't matter about all that now. | 1:43:00 | 1:43:03 | |
No, they're right. I'm sorry about the police. | 1:43:03 | 1:43:07 | |
I don't blame you. | 1:43:07 | 1:43:08 | |
-Yeah, but, if it wasn't for me... -It's OK. | 1:43:08 | 1:43:11 | |
I mean it. | 1:43:11 | 1:43:12 | |
I lost control. | 1:43:15 | 1:43:17 | |
All I could think about was booze and you. | 1:43:17 | 1:43:21 | |
If I'm honest, you did me a favour. | 1:43:23 | 1:43:25 | |
There's no way I could get Bella back in my life | 1:43:25 | 1:43:28 | |
if I was still drinking. | 1:43:28 | 1:43:30 | |
Where are you going to go? | 1:43:32 | 1:43:33 | |
-I don't know. -Yeah, but you're coming back, though, aren't you? | 1:43:36 | 1:43:39 | |
-After all this has died down. -No. | 1:43:39 | 1:43:42 | |
Yes, you are. When they find out who really done it. | 1:43:42 | 1:43:45 | |
I can't. | 1:43:45 | 1:43:47 | |
I'm sorry. | 1:43:48 | 1:43:50 | |
DOOR CLOSES | 1:44:16 | 1:44:18 | |
You spoil him, Sharon. You know, that's what you do. | 1:44:20 | 1:44:25 | |
How many times have I told you that you spoil him? | 1:44:25 | 1:44:27 | |
That's the kind of mum you are, not... Not this. | 1:44:27 | 1:44:30 | |
I know. | 1:44:30 | 1:44:31 | |
You're not... | 1:44:34 | 1:44:36 | |
You're not violent. That's not you. | 1:44:36 | 1:44:38 | |
But I'm not me, am I, Phil? | 1:44:40 | 1:44:41 | |
What those men did, it... | 1:44:44 | 1:44:47 | |
It's not just physical... | 1:44:47 | 1:44:49 | |
I just don't feel me. | 1:44:52 | 1:44:54 | |
I don't feel me. | 1:44:55 | 1:44:57 | |
I've... I called the doctor. | 1:44:57 | 1:44:59 | |
Denny's fine, I promise you. | 1:45:01 | 1:45:03 | |
For you. | 1:45:03 | 1:45:05 | |
Let's give you a bit of time. | 1:45:11 | 1:45:13 | |
OK, thanks. | 1:45:13 | 1:45:15 | |
Sneaking away, it's going to look like you're guilty. | 1:45:21 | 1:45:24 | |
I'm not sneaking. | 1:45:24 | 1:45:26 | |
Yeah, but that's what people are going to think. | 1:45:26 | 1:45:28 | |
Doesn't matter what anybody else thinks. Only Bella. | 1:45:28 | 1:45:32 | |
Well, at least... At least you can start again now. | 1:45:35 | 1:45:38 | |
Yeah. Yeah, I will. We will. | 1:45:38 | 1:45:42 | |
Just not around here. | 1:45:44 | 1:45:46 | |
I really hope everything works out for you. | 1:45:46 | 1:45:48 | |
Thanks. | 1:45:49 | 1:45:51 | |
It will. | 1:45:51 | 1:45:53 | |
You know, I made a mess of being a husband. | 1:45:54 | 1:45:56 | |
I'm not going to mess up being a dad. | 1:45:59 | 1:46:01 | |
I'll see ya. | 1:46:09 | 1:46:11 | |
KNOCKING ON DOOR | 1:46:43 | 1:46:47 | |
Hey, hey, hey! | 1:46:56 | 1:46:58 | |
You looking for Ian? | 1:46:58 | 1:47:00 | |
Wait, don't I know you? | 1:47:00 | 1:47:02 | |
-I'm looking for Denise. -Oh, she's... | 1:47:02 | 1:47:04 | |
Poor cow's still engaged to that pathetic piece of work, isn't she? | 1:47:04 | 1:47:07 | |
Mmm! What's going on here? | 1:47:10 | 1:47:12 | |
I thought we'd do a family movie night, you know? Get a pizza. | 1:47:12 | 1:47:15 | |
Just like the good old days. | 1:47:15 | 1:47:17 | |
-What was that for? -Nothing. | 1:47:20 | 1:47:23 | |
-We'll sort the pizzas, you sort the film, yeah? -Yeah, all right. | 1:47:23 | 1:47:26 | |
You ain't choosing it. | 1:47:26 | 1:47:28 | |
So I've decided I'm not going to say anything... | 1:47:35 | 1:47:39 | |
to Abi, about Summerhayes. | 1:47:39 | 1:47:42 | |
Cheers. | 1:47:44 | 1:47:46 | |
She's much happier back here, so... | 1:47:46 | 1:47:49 | |
But...you and Lucy. | 1:47:50 | 1:47:54 | |
I mean, you were sleeping with her. | 1:47:54 | 1:47:56 | |
And now you're sleeping with the officer investigating her murder. | 1:47:56 | 1:47:59 | |
Yeah. | 1:47:59 | 1:48:01 | |
Well, I didn't plan it out like that, did I? | 1:48:01 | 1:48:04 | |
Want a beer? | 1:48:06 | 1:48:08 | |
I've been thinking. | 1:48:15 | 1:48:18 | |
You're right. You know, it's only an affair. | 1:48:19 | 1:48:22 | |
I'm going to bin it. | 1:48:24 | 1:48:26 | |
-Really? -Yeah. | 1:48:26 | 1:48:27 | |
I only just got my girls back, you know? | 1:48:29 | 1:48:32 | |
It's not the right time to start anything, is it? | 1:48:32 | 1:48:35 | |
You go through. | 1:48:35 | 1:48:36 | |
Hey, you all right? It's only me. | 1:48:54 | 1:48:58 | |
Well, I was thinking about you. | 1:48:58 | 1:49:00 | |
Yeah, something like that. | 1:49:01 | 1:49:04 | |
Well, I would ask you what you're wearing, | 1:49:04 | 1:49:05 | |
but I'm scared it would involve handcuffs. | 1:49:05 | 1:49:08 | |
Listen, when can I see you? | 1:49:10 | 1:49:12 | |
Simplest way of looking at it is post-traumatic stress disorder - | 1:49:20 | 1:49:23 | |
the body and mind's reaction to shock. | 1:49:23 | 1:49:26 | |
You know, I just feel jumpy, like... | 1:49:26 | 1:49:29 | |
like my heart's thumping all the time. | 1:49:29 | 1:49:32 | |
A severe shock, the attack at your bar, | 1:49:32 | 1:49:34 | |
knocks the whole system out of sync. | 1:49:34 | 1:49:36 | |
I can give you something to counteract the anxiety. | 1:49:36 | 1:49:40 | |
Well, I'm not sure. | 1:49:40 | 1:49:43 | |
Pills? | 1:49:43 | 1:49:44 | |
For the anxiety. They'll mellow your mood. | 1:49:44 | 1:49:49 | |
What do you think? | 1:49:49 | 1:49:50 | |
What I'd suggest is a prescription for a few weeks. | 1:49:50 | 1:49:54 | |
Just to get over this hump. | 1:49:54 | 1:49:55 | |
I think, given your levels of anxiety, there's a strong argument. | 1:49:56 | 1:50:00 | |
Thanks. Thanks very much. You all right to see yourself out? | 1:50:03 | 1:50:07 | |
Call me, any time. | 1:50:07 | 1:50:09 | |
I appreciate it. | 1:50:09 | 1:50:11 | |
I shouldn't be taking anything. | 1:50:14 | 1:50:15 | |
You heard what he said. You need them this time, don't you? | 1:50:15 | 1:50:18 | |
Yeah, but I... Come on, Phil, you know what I can be like. | 1:50:18 | 1:50:22 | |
Something's got to be done, ain't it? | 1:50:22 | 1:50:24 | |
-Chinese lanterns? -What do you think? Bit naff? | 1:50:28 | 1:50:31 | |
It's dangerous. | 1:50:31 | 1:50:33 | |
No, they sell them down the cash-and-carry. | 1:50:33 | 1:50:35 | |
You light this little oil burner inside | 1:50:35 | 1:50:37 | |
and then they just float up into the sky. | 1:50:37 | 1:50:38 | |
We could let them off in the gardens, the allotment or something. | 1:50:38 | 1:50:41 | |
And set fire to Patrick's shed? | 1:50:41 | 1:50:43 | |
No, look, a whole bunch of them, all right? | 1:50:43 | 1:50:44 | |
Every table could light one. | 1:50:44 | 1:50:46 | |
No, actually, it does sound sort of lovely. | 1:50:46 | 1:50:48 | |
It will be. I mean, just imagine, right? | 1:50:48 | 1:50:50 | |
All these lanterns just floating over a dark Walford sky. | 1:50:50 | 1:50:54 | |
Your big day is going to be legend. | 1:50:55 | 1:50:58 | |
Oh! | 1:51:00 | 1:51:01 | |
Oh, Patrick, you made me jump. | 1:51:01 | 1:51:03 | |
-You OK? -I just wanted a word. | 1:51:03 | 1:51:05 | |
-Oh, right, you coming in, then? -With Ian. | 1:51:05 | 1:51:07 | |
I think I've got a tot of rum in the cupboard, | 1:51:07 | 1:51:10 | |
-we've got something to celebrate. -In private. | 1:51:10 | 1:51:12 | |
Ah, right, I'll leave you to it, then. | 1:51:12 | 1:51:15 | |
I'll be in in a minute, love. | 1:51:15 | 1:51:17 | |
I know. | 1:51:19 | 1:51:21 | |
I know all about your filthy little secret! | 1:51:21 | 1:51:24 |