Browse content similar to 19/05/2012. Check below for episodes and series from the same categories and more!
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BOTTLES CLINK | 0:00:28 | 0:00:29 | |
What? | 0:00:49 | 0:00:50 | |
Don't you think you've had enough? | 0:00:50 | 0:00:52 | |
Anyway, we're going to Grant's, remember? | 0:00:52 | 0:00:55 | |
This time I booked the cab. | 0:00:55 | 0:00:56 | |
-Jay? -No, he ain't coming. | 0:00:58 | 0:01:00 | |
There's no point. | 0:01:00 | 0:01:02 | |
-He can't be trusted. -Jay'd never say anything! | 0:01:02 | 0:01:05 | |
He'll break. He's just a kid. A good kid. | 0:01:05 | 0:01:08 | |
We are staying. | 0:01:29 | 0:01:32 | |
All right? Cos if it ain't Jay that breaks, it'll be you. | 0:01:32 | 0:01:36 | |
Or me. It's a matter of time. | 0:01:36 | 0:01:39 | |
Nine missed calls from Ben? | 0:01:45 | 0:01:47 | |
I know there's more to this Phil stuff than you're telling me. | 0:01:47 | 0:01:51 | |
Toast, you two? | 0:01:51 | 0:01:52 | |
If you haven't started your revision, | 0:01:52 | 0:01:54 | |
you can take Oscar to nursery for me, please. | 0:01:54 | 0:01:56 | |
Give me a chance! | 0:01:56 | 0:01:58 | |
Morning. All right, Cora. | 0:01:58 | 0:01:59 | |
Lovely to see you, must be, what, 12 hours since I saw you last. | 0:01:59 | 0:02:02 | |
No, ten. | 0:02:02 | 0:02:03 | |
DOORBELL RINGS | 0:02:03 | 0:02:05 | |
Will you get that, please, Abs? | 0:02:05 | 0:02:06 | |
One more piece, please. | 0:02:07 | 0:02:10 | |
You been crying? | 0:02:13 | 0:02:16 | |
Hay fever. | 0:02:16 | 0:02:17 | |
Join the club. Here. This'll knock it for six. | 0:02:17 | 0:02:21 | |
Go on. | 0:02:21 | 0:02:22 | |
Go on. | 0:02:24 | 0:02:26 | |
-Morning, Brannings. -Hey, Del. | 0:02:31 | 0:02:32 | |
Hello, Derek. | 0:02:32 | 0:02:34 | |
I need a favour. | 0:02:34 | 0:02:35 | |
You going out? | 0:02:40 | 0:02:41 | |
Morning, Mandy. How are you today? | 0:02:43 | 0:02:45 | |
Any thoughts on the Middle East? | 0:02:45 | 0:02:47 | |
-Where you going? -Shopping. | 0:02:47 | 0:02:48 | |
-What for? -Food, Ian. All right? | 0:02:48 | 0:02:51 | |
Have fun, yeah. | 0:02:53 | 0:02:55 | |
You'll hear the screams of laughter from here. | 0:02:56 | 0:02:59 | |
Thought you had something to ask your brother. | 0:03:10 | 0:03:13 | |
DOORBELL RINGS | 0:03:13 | 0:03:14 | |
Would you get the door for me, please, darling? | 0:03:14 | 0:03:17 | |
-Excuse me? -Go on, Abs. Please. | 0:03:17 | 0:03:19 | |
That'll be your Uncle Jack, I've asked him to pop round. | 0:03:19 | 0:03:22 | |
You paying the rent on this place now? I thought this was our house. | 0:03:22 | 0:03:25 | |
I got something to tell you all. | 0:03:25 | 0:03:27 | |
Hello. | 0:03:27 | 0:03:28 | |
Urgh, you stink! | 0:03:28 | 0:03:30 | |
I'm sorry about that but I weren't allowed to have a shower. | 0:03:30 | 0:03:33 | |
What's happening? | 0:03:33 | 0:03:35 | |
Look at this, eh? | 0:03:36 | 0:03:39 | |
Tender. | 0:03:39 | 0:03:41 | |
All the family. Together. | 0:03:41 | 0:03:43 | |
Round the table, toast... | 0:03:43 | 0:03:46 | |
Oh, please. | 0:03:46 | 0:03:48 | |
I was wondering, how about extending that warmth to my Alice? | 0:03:48 | 0:03:54 | |
-I'm not with you. -Who's Alice? | 0:03:54 | 0:03:57 | |
She's my daughter. | 0:03:58 | 0:04:00 | |
Hang on. Does this one really actually exist? | 0:04:00 | 0:04:03 | |
Yes, Jack. She does. And she always has. | 0:04:03 | 0:04:05 | |
You kept her quiet. | 0:04:05 | 0:04:07 | |
So this is your daughter with Joey's mum? | 0:04:07 | 0:04:09 | |
Yeah, with Joey's mum. You know what she can be like. | 0:04:09 | 0:04:12 | |
Well, anyway...anyway, Alice is an adult now and recently we've... | 0:04:12 | 0:04:17 | |
-well, we've regained contact. -You must be well pleased. | 0:04:17 | 0:04:20 | |
-Thank you. -Bet she ain't. | 0:04:20 | 0:04:22 | |
So I was wondering... I was hoping... | 0:04:22 | 0:04:25 | |
that we might have a little get-together? You know, eh? | 0:04:25 | 0:04:28 | |
Few sandwiches, nibbles. Dot'd love it, wouldn't she? | 0:04:28 | 0:04:32 | |
And we could have it here, you know? She could get to meet her cousins... | 0:04:32 | 0:04:35 | |
Why? | 0:04:35 | 0:04:36 | |
Because they're her cousins. | 0:04:36 | 0:04:38 | |
No, I mean why have it here? | 0:04:38 | 0:04:40 | |
He's trying to get to know his daughter. | 0:04:40 | 0:04:42 | |
-Why don't you have it at yours? -Yeah, sorry. | 0:04:42 | 0:04:44 | |
You'll have to. I got enough on my hands without a party. | 0:04:44 | 0:04:47 | |
-DOORBELL RINGS -Abs, get that, please. | 0:04:47 | 0:04:49 | |
What am I, a professional door answerer? | 0:04:49 | 0:04:51 | |
I see. | 0:04:51 | 0:04:53 | |
So, right, you won't countenance a little tea party for Alice, | 0:04:53 | 0:04:57 | |
but you'll have a randy teenager sleeping feet away | 0:04:57 | 0:05:00 | |
from your underage daughter? | 0:05:00 | 0:05:01 | |
What you talking about? He knows the score, don't you, Jay? | 0:05:01 | 0:05:05 | |
Jay! | 0:05:05 | 0:05:07 | |
Very respectful. | 0:05:07 | 0:05:08 | |
Well, whatever goes on in this house, I'm in control of. | 0:05:08 | 0:05:11 | |
-Oh, really? -This party. It's fine, mate. | 0:05:11 | 0:05:14 | |
-Yeah? -Least I can do. | 0:05:14 | 0:05:16 | |
Least YOU can do?! | 0:05:16 | 0:05:17 | |
-Shouldn't you be in Portugal anyway? -Just let me talk to him, will ya? | 0:05:17 | 0:05:21 | |
Your dad was like an animal the other day. | 0:05:21 | 0:05:23 | |
Yeah, well, now he's like a drunken animal. | 0:05:23 | 0:05:26 | |
Tell Jay that Dad's slaughtered, talking all sorts of mad stuff. | 0:05:26 | 0:05:29 | |
Well, Jay's definitely staying here, then! | 0:05:29 | 0:05:31 | |
-Why can't you just keep out of it? -Because I'm his girlfriend. | 0:05:31 | 0:05:34 | |
And I will find out what's happened, cos Jay tells me everything. | 0:05:34 | 0:05:37 | |
You don't know nothing. | 0:05:37 | 0:05:39 | |
Yeah, well, I do know about alcohol. | 0:05:39 | 0:05:41 | |
When Lauren's drunk, she's the vilest person ever. | 0:05:41 | 0:05:43 | |
Screaming, calling us disgusting names. | 0:05:43 | 0:05:45 | |
Then the next day, it's like, "That was the drink talking." | 0:05:45 | 0:05:48 | |
But my mum says alcohol makes even the best liars tell the truth. | 0:05:48 | 0:05:52 | |
Ben! | 0:05:54 | 0:05:55 | |
How about a nice toasted teacake dripping in salty butter? | 0:05:57 | 0:06:02 | |
Don't want to start packing a paunch, do we, Stingray? | 0:06:02 | 0:06:06 | |
Just the two for me, thanks, Jean. | 0:06:06 | 0:06:08 | |
Ray? | 0:06:08 | 0:06:09 | |
Morgan used to love teacakes. | 0:06:09 | 0:06:11 | |
He picks out the raisin and pretends they're dead flies. | 0:06:11 | 0:06:14 | |
Oi oi! How's the fittest chef since that Gino Dicampy? | 0:06:14 | 0:06:20 | |
Jean. I'm fine. | 0:06:22 | 0:06:24 | |
-Yeah! But you've still got, er...um... -Sasha. | 0:06:24 | 0:06:27 | |
Yeah! Sasha. | 0:06:27 | 0:06:28 | |
You can't swap one for the other, like chips for mashed potatoes. | 0:06:28 | 0:06:31 | |
Oh. | 0:06:31 | 0:06:32 | |
Well, we should do something later, take your mind off him. | 0:06:32 | 0:06:36 | |
Like a bike ride? Or, um, art gallery? | 0:06:36 | 0:06:39 | |
You in an art gallery? Pff! You on a bike for that matter. | 0:06:39 | 0:06:42 | |
I said I might meet one of my old army mates later. | 0:06:42 | 0:06:46 | |
Why d'you want to hang out with a load of old squaddies | 0:06:46 | 0:06:48 | |
talking about the Falklands and... tanks and...bombs? | 0:06:48 | 0:06:52 | |
Cos they were the best days of my life. | 0:06:52 | 0:06:55 | |
Who does that man think he is? | 0:06:55 | 0:06:57 | |
Coming in this house, dictating what goes on? | 0:06:57 | 0:07:00 | |
Chill out. | 0:07:00 | 0:07:01 | |
It might actually be interesting meeting his long-lost daughter. | 0:07:01 | 0:07:04 | |
-Wonder what she looks like. -Pitbull with a ponytail? | 0:07:04 | 0:07:07 | |
SHE LAUGHS | 0:07:07 | 0:07:08 | |
I dunno why you're so screwed about this party. | 0:07:08 | 0:07:11 | |
What could be more hilarious than watching Derek | 0:07:11 | 0:07:14 | |
getting all the cupcakes out and claiming to be dad of the year? | 0:07:14 | 0:07:18 | |
-Mm. S'pose. -Just sit back and watch him make a clown of himself. | 0:07:18 | 0:07:21 | |
You are evil. | 0:07:21 | 0:07:23 | |
SHE GIGGLES | 0:07:23 | 0:07:25 | |
But I like it. All right then. | 0:07:25 | 0:07:26 | |
Let's do it, shall we? We'll need a cake. | 0:07:26 | 0:07:28 | |
Have to ask Dot if she minds. And balloons maybe. | 0:07:28 | 0:07:32 | |
I'll get you a nice bacon roll, Dad, soak some of this up? | 0:07:39 | 0:07:43 | |
Good little Ben. | 0:07:45 | 0:07:47 | |
What would they say? If they knew... | 0:07:48 | 0:07:51 | |
What would she say? If Shirley knew... | 0:07:54 | 0:07:58 | |
Thought only celebrities had stalkers. | 0:08:42 | 0:08:45 | |
Oh. I didn't want to ring you at work, | 0:08:45 | 0:08:48 | |
in case I got you in trouble, | 0:08:48 | 0:08:50 | |
and, besides, you haven't given me your number, have you? | 0:08:50 | 0:08:53 | |
I just wanted to check that you're still all right for later? | 0:08:55 | 0:08:59 | |
My brother, that's your Uncle Max, and his missus, | 0:09:01 | 0:09:04 | |
they're going to have a little do at theirs. | 0:09:04 | 0:09:06 | |
It's all right, Alice. You couldn't meet a friendlier bunch. | 0:09:07 | 0:09:11 | |
You're going to love 'em. | 0:09:11 | 0:09:13 | |
I'm looking forward to it. | 0:09:13 | 0:09:14 | |
That's wonderful! Yeah? | 0:09:14 | 0:09:17 | |
Yeah. | 0:09:17 | 0:09:19 | |
Right. Oh, you're going to need the... | 0:09:19 | 0:09:24 | |
I've put it here somewhere... the address. | 0:09:25 | 0:09:28 | |
Thanks. | 0:09:28 | 0:09:31 | |
It's just over in Albert Square. | 0:09:31 | 0:09:34 | |
Thanks. You're not allergic to anything, are you? | 0:09:34 | 0:09:38 | |
Cos I wouldn't want your mother to think I've half-killed you | 0:09:38 | 0:09:40 | |
on our first get-together. | 0:09:40 | 0:09:43 | |
That's a little joke. | 0:09:43 | 0:09:44 | |
THEY LAUGH | 0:09:46 | 0:09:47 | |
Why don't you come with me? The fresh air might help. | 0:09:53 | 0:09:57 | |
I'm allergic to trees, ain't I? | 0:09:57 | 0:10:00 | |
Is this because you're hiding from Phil? Ben was here earlier. | 0:10:00 | 0:10:03 | |
-What'd he want? -For you to go home. | 0:10:03 | 0:10:05 | |
-What about Portugal? -They're not going now. | 0:10:05 | 0:10:07 | |
He just said his dad's drunk and acting crazy | 0:10:07 | 0:10:10 | |
and that he wanted to speak to you. | 0:10:10 | 0:10:12 | |
HE SIGHS | 0:10:12 | 0:10:14 | |
Don't worry, I told him you were staying here. | 0:10:14 | 0:10:17 | |
You know, we can get through anything | 0:10:17 | 0:10:19 | |
as long as we're honest with each other. | 0:10:19 | 0:10:21 | |
OK? | 0:10:23 | 0:10:25 | |
You're safe here, Jay. | 0:10:27 | 0:10:30 | |
All right, it's only me. | 0:10:44 | 0:10:47 | |
I'm glad Abi's left you on your own for five minutes, though, | 0:10:47 | 0:10:50 | |
to be honest. | 0:10:50 | 0:10:51 | |
Oh, good. I'll go back to work if you're here. | 0:10:51 | 0:10:54 | |
I ain't come to butter bread. | 0:10:54 | 0:10:57 | |
Didn't get many GCSEs, did you? | 0:11:01 | 0:11:03 | |
Look, Max, if this is about Abi, | 0:11:04 | 0:11:06 | |
I really want her to do well in her exams. | 0:11:06 | 0:11:09 | |
That's really good, cos so do I. | 0:11:09 | 0:11:11 | |
I'm just a bit worried, Jay. | 0:11:11 | 0:11:13 | |
Just Abi don't want to put her head in a book | 0:11:13 | 0:11:16 | |
when she's got you distracting her, does she? | 0:11:16 | 0:11:19 | |
With your fascinating chit chat about monkey wrenches | 0:11:19 | 0:11:22 | |
and who's beating who on the X-box. | 0:11:22 | 0:11:24 | |
I would never disrespect your rules. I just can't go home. | 0:11:24 | 0:11:29 | |
Listen, I've been thinking. | 0:11:29 | 0:11:31 | |
Why don't we ask Dot if you can go and stay there for a while? | 0:11:31 | 0:11:35 | |
Dot? | 0:11:35 | 0:11:36 | |
Yeah. To be honest, mate, she could do with the company. | 0:11:36 | 0:11:40 | |
Jay, she's all over the place. Losing Heather, it's hit her hard. | 0:11:41 | 0:11:45 | |
Thanks, but, you know, I've got a mate I can stay with, | 0:11:45 | 0:11:48 | |
so I'll just call him. | 0:11:48 | 0:11:50 | |
-You sure? -Yeah. | 0:11:50 | 0:11:52 | |
Lovely. All right. There's no rush. | 0:11:52 | 0:11:56 | |
What shall we say, end of the week, yeah? Good lad. | 0:11:56 | 0:12:00 | |
Benjamin! Now, you're a young man of the world. | 0:12:15 | 0:12:18 | |
That is to say, you've seen things I never will. | 0:12:18 | 0:12:22 | |
Tell me what you think of this? | 0:12:22 | 0:12:24 | |
Hummus. | 0:12:24 | 0:12:26 | |
-I'm in a bit of a rush. -Oh. | 0:12:26 | 0:12:27 | |
Would this have anything to do with your old man, | 0:12:27 | 0:12:29 | |
this rush that you're in? | 0:12:29 | 0:12:32 | |
Only my brother Max tells me that he was round his place the other day, | 0:12:32 | 0:12:35 | |
creating merry hell. | 0:12:35 | 0:12:37 | |
Got you well trained, ain't he? When in doubt, keep shtoom. | 0:12:39 | 0:12:42 | |
But you see, Benjamin, | 0:12:44 | 0:12:46 | |
it's only when people start blabbing that all hell breaks loose. | 0:12:46 | 0:12:49 | |
You haven't told me what you think of me dip! | 0:12:53 | 0:12:56 | |
I thought you was supposed to be in Portugal. | 0:13:06 | 0:13:09 | |
Yeah, well, change of plans. Two bacon rolls, please. | 0:13:09 | 0:13:12 | |
Does that a lot, Phil. Changes his mind. | 0:13:12 | 0:13:16 | |
How did you used to stop him drinking? | 0:13:20 | 0:13:23 | |
SHE LAUGHS | 0:13:23 | 0:13:24 | |
Ain't that a surprise? | 0:13:24 | 0:13:26 | |
An illness, ain't it? Addiction. | 0:13:26 | 0:13:28 | |
He's the illness. | 0:13:28 | 0:13:31 | |
Today's the first day I got up and didn't wish I was dead an' all. | 0:13:31 | 0:13:35 | |
In fact, it's the first day in ages I've bothered getting up and out | 0:13:36 | 0:13:39 | |
because I realised that your dad was 100 miles away. | 0:13:39 | 0:13:42 | |
Now I know he's not, I wish I was dead again. | 0:13:42 | 0:13:45 | |
He'll be fine. You both will. | 0:13:47 | 0:13:50 | |
Got each other, haven't you? | 0:13:50 | 0:13:52 | |
Oh, Cora, I got some lovely bits down at the market. | 0:14:02 | 0:14:05 | |
How's it been going? | 0:14:05 | 0:14:07 | |
Oh, look at that! | 0:14:09 | 0:14:11 | |
Oh, you two, you're heaven sent, you really are! | 0:14:11 | 0:14:15 | |
-Hello? -And you, come here, come here. | 0:14:15 | 0:14:18 | |
-Here, tell me what think of this? Look. -What is it? | 0:14:18 | 0:14:21 | |
-Hummus. -Hummus? What's that? | 0:14:21 | 0:14:23 | |
-Mashed up chick peas. -Where's Tanya? | 0:14:23 | 0:14:26 | |
Gone back to work. | 0:14:28 | 0:14:29 | |
These modern women, eh, Dorothy? | 0:14:29 | 0:14:31 | |
Has Alice not got a job? | 0:14:31 | 0:14:33 | |
Well, she hasn't got an husband and kids. | 0:14:33 | 0:14:35 | |
Far as you know. | 0:14:35 | 0:14:37 | |
HE GIGGLES | 0:14:37 | 0:14:38 | |
What you laughing at? You shouldn't even be here. Go on, scarper. | 0:14:38 | 0:14:41 | |
Before my girl gets here. | 0:14:41 | 0:14:42 | |
Yeah, all right. I'm going. | 0:14:42 | 0:14:44 | |
-Tea anyone? -Oh! The booze. | 0:14:47 | 0:14:49 | |
I was supposed to get the booze. What do young girls drink today? | 0:14:49 | 0:14:53 | |
If they're like my Lauren, | 0:14:53 | 0:14:56 | |
anything from cod liver oil to bathwater. | 0:14:56 | 0:15:00 | |
Cora! | 0:15:00 | 0:15:01 | |
Yeah, well, my Alice ain't like that. | 0:15:01 | 0:15:04 | |
Oi! stop. | 0:15:04 | 0:15:06 | |
What? It's only a little bit. | 0:15:06 | 0:15:09 | |
No, I don't think so. | 0:15:20 | 0:15:22 | |
It's a shop, ain't it? | 0:15:22 | 0:15:24 | |
I've got money. | 0:15:24 | 0:15:26 | |
Just give me the drink, you stupid woman! Give me it. | 0:15:26 | 0:15:28 | |
Oh, no, no, no, you don't! | 0:15:28 | 0:15:30 | |
You take your money and you buy some manners, all right! | 0:15:30 | 0:15:33 | |
Now go on. Go. | 0:15:33 | 0:15:34 | |
I said go! | 0:15:34 | 0:15:37 | |
Oh. Ow! | 0:15:42 | 0:15:44 | |
Phil, you all right? | 0:15:47 | 0:15:48 | |
Phil, take it easy, yeah. | 0:15:52 | 0:15:53 | |
I said this would happen, didn't I? | 0:16:06 | 0:16:09 | |
Couple weeks without me propping you up and here you are, | 0:16:09 | 0:16:13 | |
crawling in the gutter, looking for your next bottle of Scotch. | 0:16:13 | 0:16:16 | |
I've gotta show you something. Come here. | 0:16:39 | 0:16:41 | |
I've got a verruca. | 0:16:45 | 0:16:47 | |
-Don't you think that's disgusting? -I think you're drunk. | 0:16:49 | 0:16:52 | |
SHE LAUGHS | 0:16:52 | 0:16:53 | |
I didn't want to tell you, Abs... | 0:16:53 | 0:16:55 | |
..but you said we have to be honest with each other. | 0:16:57 | 0:17:00 | |
Have you got any secrets? | 0:17:03 | 0:17:05 | |
Yeah. | 0:17:05 | 0:17:07 | |
My boyfriend's got a verruca. | 0:17:07 | 0:17:09 | |
I've got secrets. | 0:17:12 | 0:17:14 | |
Well, if they're all like that one, you can keep 'em to yourself. | 0:17:14 | 0:17:17 | |
DOOR CLOSES | 0:17:20 | 0:17:21 | |
How are you? | 0:17:21 | 0:17:22 | |
Yeah, smashing. | 0:17:24 | 0:17:26 | |
Thought you were going food shopping. | 0:17:26 | 0:17:27 | |
I'm going to do it online. | 0:17:27 | 0:17:29 | |
I got to the supermarket, and there was a brat, | 0:17:29 | 0:17:31 | |
screaming for milkshake so I just walked right on by... | 0:17:31 | 0:17:35 | |
I checked the cupboards. I didn't think we needed any food. | 0:17:35 | 0:17:39 | |
Ian, you wild man, it's like living with Frankie Cocozza. | 0:17:39 | 0:17:42 | |
So where you been? | 0:17:42 | 0:17:44 | |
I just walked straight past the supermarket and into the precinct. | 0:17:44 | 0:17:47 | |
You don't normally come back from there without any bags. | 0:17:47 | 0:17:50 | |
Nice, eh? | 0:17:52 | 0:17:54 | |
Spent all this time shopping for earrings? | 0:17:54 | 0:17:56 | |
I know where you've been. You've been with Phil. Phil Mitchell. | 0:17:56 | 0:18:00 | |
SHE LAUGHS | 0:18:00 | 0:18:01 | |
D'you know what, Ian? I'll come back when the comedy act's over. | 0:18:03 | 0:18:08 | |
Course I don't mind, sweetheart, as long as it puts a smile on his face. | 0:18:14 | 0:18:17 | |
He's going to be smiling all over. Look at this. Look, look, look. | 0:18:17 | 0:18:21 | |
-No! -Now, you definitely heard him cancel this army dude | 0:18:21 | 0:18:24 | |
-and he's coming round to mine, yeah? -Yes, darling! Yes, yes. | 0:18:24 | 0:18:27 | |
-And, Jeanie, you don't mind covering? -I said yes, didn't I? | 0:18:27 | 0:18:31 | |
How you're going to cheer Ray up, I can't imagine. | 0:18:31 | 0:18:35 | |
Give me half an hour. | 0:18:37 | 0:18:39 | |
HAMMERING ON DOOR | 0:18:40 | 0:18:42 | |
Dad! Dad! | 0:18:43 | 0:18:45 | |
Lock me in, would you? Eh? Lock me in like a little boy? | 0:18:51 | 0:18:55 | |
No, no, I was only trying to help. | 0:18:55 | 0:18:57 | |
Bit late for that, innit? Eh? | 0:18:57 | 0:19:00 | |
Give me the keys. | 0:19:02 | 0:19:05 | |
Give me the keys now! | 0:19:05 | 0:19:07 | |
If you carry on like this, if you keep on drinking, | 0:19:07 | 0:19:10 | |
it's going to come out. Is that what you want? | 0:19:10 | 0:19:13 | |
Maybe I should tell Shirley. | 0:19:13 | 0:19:17 | |
Maybe she needs to know. | 0:19:17 | 0:19:19 | |
-You can't. -It's destroying her, thinking that someone's out there | 0:19:20 | 0:19:24 | |
and they got away with it. | 0:19:24 | 0:19:26 | |
Someone's out there laughing while Heather's... | 0:19:26 | 0:19:28 | |
Dad, it's not your fault. | 0:19:28 | 0:19:30 | |
You know what? | 0:19:30 | 0:19:32 | |
You might've have killed Heather, but I covered up for you, didn't I? | 0:19:32 | 0:19:36 | |
I'm the one that lied. | 0:19:36 | 0:19:38 | |
I lied to Shirley, I'm the one that let her find her... | 0:19:38 | 0:19:43 | |
But you're right. | 0:19:43 | 0:19:45 | |
It's not my fault. | 0:19:45 | 0:19:48 | |
It's yours. | 0:19:48 | 0:19:50 | |
You said you blamed yourself. | 0:19:50 | 0:19:52 | |
Well, I was wrong. | 0:19:52 | 0:19:54 | |
What, d'you think I'm enjoying this? Eh? | 0:19:54 | 0:19:56 | |
You think I'm having a great time while everybody else is suffering? | 0:19:56 | 0:20:00 | |
And what about me? Eh? | 0:20:00 | 0:20:03 | |
It's your fault that I've lost Shirley. | 0:20:03 | 0:20:05 | |
I've ruined that woman's life. She's finished. | 0:20:05 | 0:20:09 | |
And so am I. | 0:20:09 | 0:20:10 | |
Dad, I'm sorry, all right? I'm sorry. | 0:20:10 | 0:20:13 | |
Can't really remember your mum, can you, Ben? | 0:20:15 | 0:20:18 | |
Bits. | 0:20:19 | 0:20:21 | |
What was she like as a mum? If you can remember. | 0:20:21 | 0:20:24 | |
-The best. -How? | 0:20:26 | 0:20:28 | |
She was always laughing and... | 0:20:28 | 0:20:32 | |
she was always kind. | 0:20:32 | 0:20:34 | |
She'd give me a hug and I'd forget everything. | 0:20:34 | 0:20:36 | |
Your sweet, kind, funny mum. | 0:20:38 | 0:20:42 | |
Yeah. You're right, Kathy was all those things, she was special. | 0:20:42 | 0:20:48 | |
I know. | 0:20:48 | 0:20:50 | |
When I said I wished you'd died in that crash, | 0:20:50 | 0:20:55 | |
I didn't mean it. | 0:20:55 | 0:20:57 | |
Cos sometimes... | 0:20:58 | 0:21:00 | |
..sometimes I wish you'd never been born at all. | 0:21:01 | 0:21:05 | |
Blood...blood thicker than water? | 0:21:08 | 0:21:11 | |
That terrified Kathy. Know why? | 0:21:11 | 0:21:13 | |
Cos it meant you'd turn out just like me. | 0:21:13 | 0:21:17 | |
She loved you! | 0:21:17 | 0:21:18 | |
Not by the end. By the end, she hated me. | 0:21:18 | 0:21:22 | |
Looking at you... | 0:21:24 | 0:21:25 | |
looking at you, she must be turning in her grave. | 0:21:25 | 0:21:30 | |
The things I've done... | 0:21:30 | 0:21:33 | |
It's all been me trying to be like you! I'm not evil! | 0:21:33 | 0:21:36 | |
Like me? You're nothing like me. | 0:21:38 | 0:21:40 | |
You're worse. | 0:21:41 | 0:21:43 | |
The worst. | 0:21:43 | 0:21:45 | |
Just go. | 0:21:55 | 0:21:56 | |
HE HUMS TO HIMSELF | 0:22:00 | 0:22:03 | |
Shirl. Shirl, where you going? Let's go somewhere? | 0:22:19 | 0:22:23 | |
Talk, yeah? | 0:22:23 | 0:22:24 | |
Talk? After what I've just heard? No. You know, you're right. | 0:22:24 | 0:22:29 | |
You're right. We'll go and talk. We'll go to my place. And talk. | 0:22:29 | 0:22:32 | |
No, let's go to my place. I mean, our place. | 0:22:32 | 0:22:35 | |
It hasn't been our place since you chucked me out. | 0:22:35 | 0:22:38 | |
So it's Hev's or nothing. And get your hands off me! | 0:22:38 | 0:22:40 | |
Everything all right here? | 0:22:40 | 0:22:42 | |
-Depends on what you mean by all right. -All right, Shirl, | 0:22:42 | 0:22:44 | |
I'll come to your place. Whatever you want, eh? | 0:22:44 | 0:22:46 | |
Eh, Shirl... | 0:22:48 | 0:22:50 | |
Just another lying, weak man, Officer. Why do we do it, eh? | 0:22:51 | 0:22:54 | |
Well, take it indoors, will you? | 0:22:54 | 0:22:56 | |
Yeah, I'll take it indoors. | 0:22:56 | 0:22:58 | |
Looks like we're going to have that talk after all. | 0:22:58 | 0:23:02 | |
How many bottles can I get for 200? Lovely! | 0:23:07 | 0:23:11 | |
Yeah, well, what lady doesn't love champagne, eh? | 0:23:11 | 0:23:14 | |
See you in five minutes. | 0:23:14 | 0:23:16 | |
HE HUMS CHEERFULLY | 0:23:16 | 0:23:18 | |
MUSIC: "War (What Is It Good For?)" by Edwin Starr | 0:23:30 | 0:23:33 | |
# Yeah! What is it good for? | 0:23:33 | 0:23:36 | |
# Absolutely nothing. | 0:23:36 | 0:23:40 | |
# Oh! Yeah! | 0:23:40 | 0:23:42 | |
# Absolutely... # | 0:23:44 | 0:23:46 | |
BUZZER RINGS | 0:23:46 | 0:23:48 | |
Well, I hope you're standing to attention, Mr Ray... | 0:23:50 | 0:23:56 | |
Morning. | 0:24:06 | 0:24:07 | |
Derek Branning? How nice of you to greet us on the doorstep. | 0:24:07 | 0:24:11 | |
DS Bourne. I believe you've seen one of these before, sir. | 0:24:12 | 0:24:16 | |
Stolen booze. | 0:24:17 | 0:24:19 | |
-All right? -Yeah, you? | 0:24:19 | 0:24:22 | |
-Darling, you all right? -How are you? | 0:24:22 | 0:24:24 | |
Good, good. Look at them. | 0:24:24 | 0:24:26 | |
Last time I saw one of them must have been Lauren's christening, Tan. | 0:24:26 | 0:24:29 | |
Don't look at me, this is all their work. | 0:24:29 | 0:24:32 | |
Isn't it lovely? All of us being together. | 0:24:32 | 0:24:35 | |
Worth skipping work for? | 0:24:35 | 0:24:36 | |
I only work mornings. | 0:24:36 | 0:24:38 | |
Here, I say, I hope Alice is partial to humorous. | 0:24:38 | 0:24:42 | |
HE LAUGHS | 0:24:42 | 0:24:43 | |
Humorous! Where is Derek? He's getting the booze, ain't he? | 0:24:43 | 0:24:46 | |
Probably got cold feet and legged it, ain't he? | 0:24:46 | 0:24:48 | |
-What's the matter with you? -He'll be here. | 0:24:48 | 0:24:51 | |
Give it a rest, will you, Tan? Please. | 0:24:51 | 0:24:53 | |
And you, you stay away from all that. | 0:24:53 | 0:24:55 | |
Thought you were going to keep an eye on her? | 0:24:55 | 0:24:57 | |
I can't believe you just said that! | 0:24:57 | 0:24:58 | |
What? She stands next to a beer can and suddenly I'm a bad mother? | 0:24:58 | 0:25:01 | |
It's important to Derek that it all goes well today. | 0:25:01 | 0:25:04 | |
Listen to your old man. | 0:25:04 | 0:25:05 | |
-DOORBELL RINGS -Abi, go and get the door. | 0:25:05 | 0:25:07 | |
Are you going to apologise? | 0:25:07 | 0:25:09 | |
-Are you serious? -I am. Go on. It's going to be Derek, ain't it? | 0:25:09 | 0:25:11 | |
Sorry, you think my family's going to show him up, of all people? | 0:25:11 | 0:25:14 | |
Look around, we've got one daughter | 0:25:14 | 0:25:16 | |
who's moping over a half-cut hood-rat | 0:25:16 | 0:25:18 | |
and one who thinks a good night's downing a load of vodka | 0:25:18 | 0:25:21 | |
-and choking on her own vomit. -What? | 0:25:21 | 0:25:23 | |
Hi. I'm Alice. | 0:25:23 | 0:25:26 | |
You muppet, you're not supposed to mix that stuff with lager. | 0:25:33 | 0:25:37 | |
You know that cos you're going to be a vet. My good girl. | 0:25:37 | 0:25:42 | |
She's going to go and get great exam results and she's going to be a vet. | 0:25:42 | 0:25:46 | |
Me and the good girl are going to have a big house | 0:25:47 | 0:25:51 | |
and going to live far away. | 0:25:51 | 0:25:52 | |
California? | 0:25:52 | 0:25:54 | |
And we're going to have a garden | 0:25:56 | 0:26:00 | |
and a hot tub and them pots with the mini trees. | 0:26:00 | 0:26:04 | |
< Abi! | 0:26:04 | 0:26:06 | |
And a house pig? | 0:26:06 | 0:26:09 | |
Whatever my Abs wants. You want a house pig, babe? | 0:26:10 | 0:26:14 | |
Yeah, you're definitely crazy. | 0:26:14 | 0:26:17 | |
< Abs, come on, darling. | 0:26:17 | 0:26:19 | |
Won't happen, though. | 0:26:21 | 0:26:23 | |
It won't happen. | 0:26:24 | 0:26:27 | |
Cos I'm not good enough, am I? | 0:26:27 | 0:26:30 | |
Prince Harry's not good enough according to my dad. | 0:26:30 | 0:26:33 | |
I'm bad. | 0:26:33 | 0:26:36 | |
I'll get you some water... | 0:26:36 | 0:26:37 | |
But we didn't mean it. | 0:26:41 | 0:26:43 | |
< Abi, sweetheart. | 0:26:43 | 0:26:44 | |
-I'll be one minute! -Didn't mean to kill her. | 0:26:44 | 0:26:47 | |
I'm sorry... | 0:26:48 | 0:26:50 | |
..about Hev. | 0:26:52 | 0:26:54 | |
Really? | 0:26:56 | 0:26:57 | |
You and Ben. | 0:27:00 | 0:27:03 | |
I heard everything. | 0:27:03 | 0:27:05 | |
Ian, I've gotta tell you the truth, before they start coming after me. | 0:27:07 | 0:27:10 | |
It's like a burning feeling inside, it's like I can't breathe... | 0:27:10 | 0:27:13 | |
-The truth about what? -Dad... I just saw Dad. Dad and... | 0:27:13 | 0:27:16 | |
going off with her and... Together, both of them... | 0:27:16 | 0:27:18 | |
-I know. -But, but... -Ben, it's all right. It's not your fault. | 0:27:18 | 0:27:21 | |
No, it is. All right? Dad said I'm all twisted and I'm ruined inside... | 0:27:21 | 0:27:25 | |
What, like him? | 0:27:25 | 0:27:27 | |
No, worse. | 0:27:27 | 0:27:28 | |
But you know the real me, don't you, Ian? Eh? | 0:27:31 | 0:27:35 | |
Like Mum did? | 0:27:35 | 0:27:37 | |
Ben, how can she do this to me? | 0:27:40 | 0:27:42 | |
After everything, after Cindy, after Mel... | 0:27:44 | 0:27:49 | |
I blame your dad. | 0:27:49 | 0:27:51 | |
This is his fault. He must have forced his hands on Mandy... | 0:27:51 | 0:27:54 | |
Mandy? I dunno... | 0:27:57 | 0:28:01 | |
Mandy?! | 0:28:01 | 0:28:04 | |
Is that why you think I'm here? | 0:28:04 | 0:28:06 | |
All right. So why are you here in this state, then? | 0:28:09 | 0:28:13 | |
Come on, Ben. The truth. | 0:28:16 | 0:28:18 | |
Look, this is me, OK? I know you. Truth. | 0:28:20 | 0:28:23 | |
I killed Heather. | 0:28:30 | 0:28:32 | |
How messed up are you? | 0:28:42 | 0:28:46 | |
What kind of twisted man are you? | 0:28:46 | 0:28:49 | |
You killed Heather? | 0:28:50 | 0:28:52 | |
Yeah. | 0:28:52 | 0:28:55 | |
SOBBING | 0:29:01 | 0:29:03 | |
Oh, my God. | 0:29:07 | 0:29:09 | |
Ben... | 0:29:13 | 0:29:14 | |
These constant lies... | 0:29:17 | 0:29:19 | |
D'you know how sick you are? | 0:29:23 | 0:29:25 | |
Yeah, you, Phil. | 0:29:25 | 0:29:28 | |
Bringing up his dead mother like that. I heard you. | 0:29:28 | 0:29:32 | |
Bladdered. Bullying him. Your own boy. Your own son. | 0:29:32 | 0:29:38 | |
You heard me bawling Ben out. Is that it? | 0:29:40 | 0:29:44 | |
I heard how you think you can talk to him like that. | 0:29:44 | 0:29:48 | |
How you think you can talk to everybody, don't you? | 0:29:48 | 0:29:53 | |
Well, I've heard quite enough. | 0:29:53 | 0:29:55 | |
I am not - NOT - listening to this. | 0:29:57 | 0:30:00 | |
Do you understand me, Ben? | 0:30:00 | 0:30:04 | |
I mean, every time you fall out with your father, | 0:30:04 | 0:30:06 | |
every attention-seeking drama | 0:30:06 | 0:30:08 | |
is getting more and more ridiculous than the last one. | 0:30:08 | 0:30:11 | |
And these lies, right? | 0:30:11 | 0:30:14 | |
These constant lies! | 0:30:14 | 0:30:17 | |
You have got to stop making up these stupid, outrageous stories. | 0:30:17 | 0:30:22 | |
I mean, you could get yourself into so much trouble. | 0:30:22 | 0:30:26 | |
What if someone believes you? | 0:30:26 | 0:30:28 | |
(It was an accident.) | 0:30:32 | 0:30:36 | |
It was an accident. | 0:30:37 | 0:30:39 | |
It was an accident, it was an accident, | 0:30:39 | 0:30:42 | |
it was an accident, Ian! | 0:30:42 | 0:30:44 | |
Help me. Please. | 0:30:50 | 0:30:54 | |
Ian. Ian, Ian! | 0:31:00 | 0:31:03 | |
I don't know what to do. I can't understand a word he's saying. | 0:31:07 | 0:31:10 | |
She looks quite sweet. | 0:31:10 | 0:31:11 | |
-I'm sure your dad'll be here soon. -That's Uncle Jack, the ex-cop. | 0:31:11 | 0:31:16 | |
What's Jay doing getting hammered in the afternoon anyway? | 0:31:16 | 0:31:19 | |
I never touch alcohol neither. Except for medicinal purposes. | 0:31:19 | 0:31:22 | |
One beer. He's had one beer, Mum. He's having some sort of breakdown. | 0:31:22 | 0:31:27 | |
-My sister, the drama queen. -No, Lauren! | 0:31:27 | 0:31:29 | |
Would you like a piece of sponge? | 0:31:29 | 0:31:31 | |
It's brought it all back, actually. | 0:31:31 | 0:31:33 | |
All the stuff to do with his dad's murder. | 0:31:33 | 0:31:35 | |
Abi, go and put the kettle on, please? | 0:31:35 | 0:31:39 | |
-No, Dad! -Or there is Battenberg. | 0:31:39 | 0:31:42 | |
My granddad's second wife. She's really good with a cake mix. | 0:31:42 | 0:31:46 | |
I want to sort out my boyfriend. | 0:31:46 | 0:31:48 | |
-It's not that we don't care, darling... -He's crying, Mum. | 0:31:48 | 0:31:50 | |
Muttering about Heather and her getting killed or something. | 0:31:50 | 0:31:54 | |
I don't know, because I can't understand him. | 0:31:54 | 0:31:57 | |
-Is he feeling sick? -Yeah! | 0:31:57 | 0:31:58 | |
-Oh, well done, Mum(!) -What? | 0:31:58 | 0:32:01 | |
-You've given him your special remedy. -Pardon? | 0:32:01 | 0:32:03 | |
-Hay fever. -My Nan, the local drug pusher. | 0:32:03 | 0:32:06 | |
She's a martyr to her sinuses. | 0:32:06 | 0:32:09 | |
I am filling your niece in on her history. Both sides. | 0:32:09 | 0:32:12 | |
Cora, are you still brewing that hay fever potion? | 0:32:12 | 0:32:15 | |
It's liquid antihistamine, Max. | 0:32:15 | 0:32:19 | |
You can't drink alcohol with it. Not even one beer. | 0:32:19 | 0:32:21 | |
Abi, how many times have I told you to read the label, eh? | 0:32:21 | 0:32:24 | |
Go and take Jay upstairs, have him lie down on our bed. | 0:32:24 | 0:32:26 | |
Oi! What do you mean, our bed? | 0:32:26 | 0:32:28 | |
-And take him a bucket. -Abi, he sleeps alone, all right? | 0:32:28 | 0:32:31 | |
-Oh, you really think I want to have sex in my own parents' bed?! -Abi! | 0:32:31 | 0:32:35 | |
Max! | 0:32:35 | 0:32:36 | |
Would you like a jam tart? | 0:32:39 | 0:32:41 | |
So, do you want another drink, Alice? | 0:32:45 | 0:32:48 | |
Cup of tea? Coffee? | 0:32:48 | 0:32:51 | |
Vodka? Valium? Nice little hay fever remedy? | 0:32:51 | 0:32:54 | |
So, Alice. In your own time. | 0:32:55 | 0:33:00 | |
Why don't you tell us something about yourself? | 0:33:00 | 0:33:02 | |
Listen, Ray. Look just give me two minutes, yeah? | 0:33:24 | 0:33:27 | |
Two minutes, OK? | 0:33:29 | 0:33:30 | |
Come on, eh? | 0:33:33 | 0:33:35 | |
She's my daughter. My long-lost daughter, eh? | 0:33:35 | 0:33:39 | |
On account of her mother being a very bitter woman. | 0:33:39 | 0:33:42 | |
And she's finally tracked me down. And we're having a party. | 0:33:42 | 0:33:47 | |
A very significant and important family party. | 0:33:47 | 0:33:50 | |
-If you need to check the warrant, sir... -Yes, I can see the warrant! | 0:33:50 | 0:33:54 | |
Illegal booze. You've had a tip-off. | 0:33:54 | 0:33:56 | |
And, I might add, undoubtedly a malicious | 0:34:02 | 0:34:04 | |
and unfounded tip off at that. | 0:34:04 | 0:34:05 | |
You can write that down in your little book for a start off! | 0:34:05 | 0:34:09 | |
Oh, look at the state of...! | 0:34:10 | 0:34:13 | |
Look, it's my daughter, eh? My only daughter. | 0:34:13 | 0:34:18 | |
And at this very minute, she's across the Square | 0:34:18 | 0:34:21 | |
in a household full of strangers, waiting for me. | 0:34:21 | 0:34:24 | |
I mean, haven't you got a family? | 0:34:24 | 0:34:26 | |
Yeah? Someone that you can't afford to let down? | 0:34:26 | 0:34:31 | |
Please, I've got to get to that party. | 0:34:31 | 0:34:33 | |
Understood. | 0:34:33 | 0:34:34 | |
Ah, thank you. At last. | 0:34:34 | 0:34:37 | |
It's good. | 0:34:37 | 0:34:39 | |
The moment my officers have finished their search, | 0:34:39 | 0:34:42 | |
you'll be free to leave, Mr Branning. | 0:34:42 | 0:34:44 | |
Now, why don't we put the kettle on? | 0:34:44 | 0:34:47 | |
Oh, go on. Have a drink, will you? | 0:35:05 | 0:35:09 | |
-Probably the only reason you bothered coming. -Don't lecture me. | 0:35:09 | 0:35:12 | |
What happened? Did your crack pipe run out? | 0:35:12 | 0:35:16 | |
Or did Tanya run out of sisters for you to have a go at? | 0:35:16 | 0:35:19 | |
I don't want a drink! | 0:35:19 | 0:35:21 | |
Four weeks. | 0:35:23 | 0:35:24 | |
What? | 0:35:24 | 0:35:27 | |
Four miserable little weeks and you chucked me out. | 0:35:27 | 0:35:32 | |
I never chucked you. | 0:35:32 | 0:35:33 | |
Here. | 0:35:33 | 0:35:35 | |
Her last breath. In here. | 0:35:35 | 0:35:39 | |
And then four weeks later, | 0:35:39 | 0:35:42 | |
I'm in here, burying my head in her pillow. My best mate! | 0:35:42 | 0:35:45 | |
Shirl... | 0:35:45 | 0:35:47 | |
Got a bit boring, did I? | 0:35:49 | 0:35:51 | |
Me and my stupid broken heart! | 0:35:51 | 0:35:53 | |
Didn't get over it quick enough. | 0:35:55 | 0:35:57 | |
Didn't pay you enough attention. You self-obsessed, ugly, little man! | 0:35:58 | 0:36:02 | |
It's not... You just don't understand! | 0:36:04 | 0:36:07 | |
You're the one that needs a drink. | 0:36:09 | 0:36:11 | |
You're the one with the weight of the world | 0:36:11 | 0:36:14 | |
and the right to rip his own son apart! | 0:36:14 | 0:36:16 | |
All I wanted was you. | 0:36:18 | 0:36:19 | |
I would have done anything. | 0:36:19 | 0:36:23 | |
Everything. I just wanted you. | 0:36:24 | 0:36:27 | |
You do not understand. | 0:36:27 | 0:36:30 | |
Yes. | 0:36:30 | 0:36:32 | |
I do. | 0:36:33 | 0:36:36 | |
We both do. | 0:36:36 | 0:36:39 | |
Part of the deal, weren't it? | 0:36:39 | 0:36:42 | |
Second choice. | 0:36:42 | 0:36:43 | |
Second best. | 0:36:45 | 0:36:46 | |
You never gave me a thought. | 0:36:47 | 0:36:49 | |
And I put my lipstick on and I kept the bed warm. | 0:36:51 | 0:36:53 | |
No. | 0:36:56 | 0:36:58 | |
No. | 0:36:58 | 0:37:01 | |
No, Phil. | 0:37:01 | 0:37:03 | |
Not any more. Not again. | 0:37:03 | 0:37:07 | |
Why are we even bothering, eh? | 0:37:09 | 0:37:12 | |
Standing on ceremony. | 0:37:12 | 0:37:15 | |
Pretending to be civilised. | 0:37:15 | 0:37:18 | |
It's not how it looks. | 0:37:20 | 0:37:22 | |
I hope you'll be very happy together. | 0:37:32 | 0:37:35 | |
I'm sorry. | 0:38:10 | 0:38:13 | |
I'm sorry. | 0:38:13 | 0:38:15 | |
I'm sorry. | 0:38:15 | 0:38:18 | |
I'm sorry. | 0:38:18 | 0:38:19 | |
You're all right. It's all right. | 0:38:35 | 0:38:39 | |
She was waiting her whole life for someone like Andrew. | 0:38:39 | 0:38:43 | |
She told me that in the chippie. | 0:38:43 | 0:38:46 | |
In her stupid headband. | 0:38:46 | 0:38:49 | |
It's that beer, Jay. It's Nan's meds. | 0:38:49 | 0:38:51 | |
You're the one, Abs. I've found you and I ain't ever... | 0:38:55 | 0:39:00 | |
Don't ever leave me. Please? | 0:39:00 | 0:39:03 | |
So, you've answered the door | 0:39:28 | 0:39:31 | |
in your luminous bra | 0:39:31 | 0:39:33 | |
and your Private Benjamin number! | 0:39:33 | 0:39:35 | |
-Not funny, Dee. -Anyway, he's stood there | 0:39:35 | 0:39:38 | |
with the daughter and a bag... | 0:39:38 | 0:39:41 | |
SHE LAUGHS | 0:39:41 | 0:39:42 | |
A bag with a game of Scrabble in it? | 0:39:42 | 0:39:44 | |
You are not taking this seriously, you know. | 0:39:44 | 0:39:46 | |
And then you, you've told her... You tell Sasha | 0:39:46 | 0:39:50 | |
that you're joining the...? | 0:39:50 | 0:39:53 | |
The Territorial Army. | 0:39:53 | 0:39:55 | |
Yeah! Yeah. | 0:39:55 | 0:39:57 | |
And then you tell him you're going to borrow a bigger dictionary | 0:39:57 | 0:40:00 | |
and then you spend the next however long in the chocolate aisle | 0:40:00 | 0:40:03 | |
freezing your crackers off with your little knickers on! | 0:40:03 | 0:40:06 | |
I feel sick. | 0:40:06 | 0:40:08 | |
And this is my surprised face. | 0:40:08 | 0:40:11 | |
She looks down her nose at me, you know. That Sasha, | 0:40:11 | 0:40:14 | |
She's one of those school girls that's got badges, innit? | 0:40:14 | 0:40:17 | |
I bet you she's never once forgotten her pencil case. | 0:40:17 | 0:40:21 | |
Oh! How can I go back there? They're still there, innit? | 0:40:21 | 0:40:24 | |
I can't even spell. | 0:40:24 | 0:40:26 | |
You want me to call him? | 0:40:26 | 0:40:28 | |
-Oh, yeah. Please? -No. -Oh, please, Dee! -No! | 0:40:28 | 0:40:31 | |
No way, Kim! | 0:40:31 | 0:40:34 | |
I am not going to lie to Ray for you. | 0:40:34 | 0:40:38 | |
Please? | 0:40:38 | 0:40:41 | |
Yeah, Ray. Kim, she's er... | 0:40:55 | 0:40:57 | |
She's fallen over and broken her neck. | 0:40:59 | 0:41:01 | |
Oh, sorry! That's what I'm going to do to her later. No, she's... | 0:41:04 | 0:41:08 | |
She's, er... | 0:41:08 | 0:41:11 | |
Sorry, she's working a shift at the Vic. | 0:41:11 | 0:41:15 | |
Yeah. And there's been... | 0:41:15 | 0:41:17 | |
a sudden...Darts! Darts match, | 0:41:17 | 0:41:21 | |
and Jean, she's run off her feet, apparently. Yeah. | 0:41:21 | 0:41:24 | |
Anyway, Kim says she's sorry | 0:41:24 | 0:41:25 | |
for being such a monumental pain in the backside, | 0:41:25 | 0:41:28 | |
but she'll call you later. | 0:41:28 | 0:41:31 | |
Yeah. Explain for herself. | 0:41:31 | 0:41:35 | |
Officer. | 0:41:35 | 0:41:36 | |
What is this, eh? | 0:41:36 | 0:41:38 | |
What's all that? | 0:41:38 | 0:41:40 | |
-Dee, I love you. I really love you! -Get off me, you freak. | 0:41:40 | 0:41:43 | |
I can't remember. | 0:41:47 | 0:41:52 | |
I don't know what's happened and what I've dreamed. | 0:41:52 | 0:41:55 | |
I mean, I knew I was going to be scared. | 0:42:05 | 0:42:08 | |
Dad had got out and I knew what that meant. | 0:42:08 | 0:42:11 | |
I just thought... | 0:42:15 | 0:42:16 | |
I didn't know it was you, Ian. | 0:42:21 | 0:42:22 | |
I thought Hev went to the Old Bill and told them that I'd... | 0:42:22 | 0:42:26 | |
I'd lied to get him sent down. | 0:42:28 | 0:42:31 | |
He could've killed me. | 0:42:35 | 0:42:37 | |
My dad could've killed me. | 0:42:40 | 0:42:42 | |
My dad could've actually killed me this time. | 0:42:45 | 0:42:49 | |
You know, she was just there. | 0:42:52 | 0:42:55 | |
You know, trying to calm me down like I was a little kid. | 0:42:55 | 0:42:59 | |
Saying, "Don't worry, don't worry. Your dad will understand." | 0:42:59 | 0:43:05 | |
She was just there. | 0:43:05 | 0:43:06 | |
Even when you didn't want her to be. | 0:43:12 | 0:43:14 | |
Even when it was nothing... | 0:43:16 | 0:43:18 | |
It was nothing to do with her! | 0:43:18 | 0:43:21 | |
No. | 0:43:21 | 0:43:23 | |
Even when there was no-one else in the whole world. | 0:43:25 | 0:43:29 | |
Baking and... | 0:43:32 | 0:43:35 | |
..stupid Bugsy Malone! | 0:43:36 | 0:43:39 | |
I didn't... | 0:43:43 | 0:43:45 | |
It wasn't my fault. | 0:43:45 | 0:43:47 | |
I'm not lying. | 0:43:47 | 0:43:50 | |
It was an accident. | 0:43:51 | 0:43:53 | |
I didn't mean to hit out. | 0:43:53 | 0:43:55 | |
Ian, she was my friend! | 0:43:58 | 0:44:02 | |
I killed... | 0:44:02 | 0:44:05 | |
She was my friend! | 0:44:05 | 0:44:08 | |
She warned me. | 0:44:14 | 0:44:16 | |
-Hev did? -Years back. | 0:44:17 | 0:44:20 | |
Me and you had just got together | 0:44:20 | 0:44:23 | |
and I think I forgot | 0:44:23 | 0:44:25 | |
your birthday or something. | 0:44:25 | 0:44:29 | |
She was scared of you. | 0:44:29 | 0:44:31 | |
She told me off. | 0:44:31 | 0:44:33 | |
She said that if I took you for granted, | 0:44:33 | 0:44:37 | |
one day I'd wake up on my own. | 0:44:37 | 0:44:40 | |
Wise woman, Heather Trott. | 0:44:42 | 0:44:44 | |
Two Babychams in, | 0:44:45 | 0:44:48 | |
leaning across the bar of the Vic, she goes, | 0:44:48 | 0:44:52 | |
I should've known better than to cheat a friend. | 0:44:52 | 0:44:55 | |
And waste the chance that I'd been given. | 0:44:55 | 0:44:59 | |
She was singing. | 0:44:59 | 0:45:03 | |
And I... | 0:45:03 | 0:45:05 | |
I told her to do one. | 0:45:05 | 0:45:07 | |
Don't, Phil. | 0:45:09 | 0:45:11 | |
I love you. | 0:45:13 | 0:45:14 | |
I said stop it. | 0:45:14 | 0:45:17 | |
Not about need, not about falling apart. | 0:45:17 | 0:45:21 | |
Not about the boys... | 0:45:21 | 0:45:24 | |
And you're not second best. | 0:45:24 | 0:45:26 | |
I don't know how you've done it, | 0:45:28 | 0:45:30 | |
I don't know how you've worn me down. | 0:45:30 | 0:45:32 | |
But I can't help it. I love you. | 0:45:32 | 0:45:35 | |
Come home, Shirl. | 0:45:40 | 0:45:43 | |
Please? | 0:45:43 | 0:45:45 | |
Heather's not here any more. | 0:45:49 | 0:45:50 | |
Please? | 0:45:53 | 0:45:55 | |
Every time I try and claw myself back up, | 0:46:03 | 0:46:08 | |
something happens. | 0:46:08 | 0:46:11 | |
What have I ever done? | 0:46:11 | 0:46:13 | |
-Ian, I'm sorry. It's my problem. -I've just done my best, all right? | 0:46:13 | 0:46:16 | |
My very best! | 0:46:16 | 0:46:19 | |
What do you want, Ben? Do you want blood? | 0:46:19 | 0:46:23 | |
I mean, is that it? Sweat? Tears? | 0:46:23 | 0:46:25 | |
-Tears, do they make you feel important? Is that it? -Ian. | 0:46:25 | 0:46:29 | |
"She was just there." | 0:46:30 | 0:46:33 | |
Do you know what? I have spent more time worrying about you | 0:46:35 | 0:46:39 | |
than I ever have done with Peter. | 0:46:39 | 0:46:42 | |
She was in her home. | 0:46:42 | 0:46:44 | |
You stupid, ignorant little moron! | 0:46:44 | 0:46:48 | |
I thought you understood. | 0:46:48 | 0:46:49 | |
What was the problem? Was she breathing too heavily or something? | 0:46:49 | 0:46:52 | |
Did she not put enough sugar in your tea? | 0:46:52 | 0:46:55 | |
Heather gave you good, kind words and you caved her head in?! | 0:46:55 | 0:46:58 | |
-It was an accident! -No, Ben. That's not a accident. | 0:46:58 | 0:47:01 | |
An accident is when you break a window. | 0:47:01 | 0:47:04 | |
You took Heather Trott's life and it is all your fault. | 0:47:04 | 0:47:06 | |
-I know what I've done! -No. | 0:47:06 | 0:47:10 | |
No, there is still no idea. | 0:47:10 | 0:47:13 | |
Cos all you've come out with is excuses and lies | 0:47:13 | 0:47:17 | |
and clever words to weasel your way out of this. | 0:47:17 | 0:47:20 | |
Because it's in your blood. It is who...you...are! | 0:47:20 | 0:47:23 | |
-Back off, Ian! -No, Ben. It's who you are, OK? | 0:47:23 | 0:47:26 | |
You are Ben MITCHELL. | 0:47:26 | 0:47:28 | |
Mitchell! MITCHELL! | 0:47:28 | 0:47:31 | |
Dad's told the police! | 0:47:31 | 0:47:34 | |
Then why are you bothering me? | 0:47:35 | 0:47:37 | |
You know what you've got to do. | 0:47:37 | 0:47:40 | |
Ray, hi! Should have just told him earlier. | 0:47:51 | 0:47:54 | |
-You two! -I thought she was on exercises. | 0:47:55 | 0:47:58 | |
Listen, Trace told me there is no darts match today. | 0:47:58 | 0:48:01 | |
-No? -No. -Oh, downer. | 0:48:01 | 0:48:04 | |
-OK. -No, no, no! -It's cool. | 0:48:06 | 0:48:09 | |
Obviously when it comes down to it, you're not interested. | 0:48:09 | 0:48:12 | |
No! No, I am. | 0:48:12 | 0:48:14 | |
I'm really interested. | 0:48:14 | 0:48:17 | |
It's just, look. | 0:48:17 | 0:48:19 | |
I've got chocolate body paint and everything at home, yeah? | 0:48:19 | 0:48:22 | |
I'm interested in you, | 0:48:22 | 0:48:25 | |
but I...I just don't do kids. | 0:48:25 | 0:48:28 | |
Look, I can't hack your kid, yeah? | 0:48:28 | 0:48:31 | |
Oh, come on! That's a bit over the top, innit? | 0:48:38 | 0:48:42 | |
We'll get back to normal. | 0:48:48 | 0:48:51 | |
Better than normal. | 0:48:51 | 0:48:53 | |
Where are the boys? | 0:48:53 | 0:48:57 | |
The place is a bit of a mess. | 0:48:59 | 0:49:02 | |
You go upstairs, have a bath. | 0:49:02 | 0:49:04 | |
-I'll have a quick tidy round, yeah? -You want to be careful, Phil. | 0:49:04 | 0:49:07 | |
You've already used the L word twice in one day. | 0:49:07 | 0:49:10 | |
All this new man stuff, you'll give yourself a heart attack. | 0:49:10 | 0:49:13 | |
Here. | 0:49:13 | 0:49:14 | |
Go put the kettle on. | 0:49:14 | 0:49:17 | |
And empty the bin. This place stinks like armpits! | 0:49:17 | 0:49:21 | |
Old school. | 0:49:54 | 0:49:56 | |
That's one of the things I like about her father. | 0:49:56 | 0:49:59 | |
Who gave her the corkscrew? | 0:49:59 | 0:50:01 | |
No, he's a good brother. He's a bit over-protective sometimes. | 0:50:01 | 0:50:04 | |
-Yeah, where is Carol? -He's always there when you need him. | 0:50:04 | 0:50:07 | |
Apart from now, obviously. | 0:50:07 | 0:50:09 | |
-Still voicemail. -He'll turn up, young lady. | 0:50:09 | 0:50:12 | |
Your father's a bit of charm, a bit of rough. | 0:50:12 | 0:50:16 | |
You should be proud. | 0:50:16 | 0:50:18 | |
Very appealing gentleman. | 0:50:18 | 0:50:21 | |
Right. Coffee anyone? Black coffee, Mum? Couple of paracetamol? | 0:50:21 | 0:50:24 | |
A person don't have to be hammered to give a compliment. | 0:50:24 | 0:50:28 | |
And you shouldn't judge a book | 0:50:28 | 0:50:31 | |
by your own standards. | 0:50:31 | 0:50:32 | |
Yes, your father is a very kind and thoughtful man. | 0:50:32 | 0:50:35 | |
There's been some terrible things happening round here recently, | 0:50:35 | 0:50:40 | |
dreadful things. But he is always so charming, such a gentlemen. | 0:50:40 | 0:50:44 | |
With a nice suit and a white shirt | 0:50:44 | 0:50:46 | |
and that's always such a comfort, isn't it? | 0:50:46 | 0:50:50 | |
-You didn't say anything. -Sorry? | 0:50:57 | 0:50:59 | |
It's just they're all saying nice things about my dad, but you didn't. | 0:50:59 | 0:51:03 | |
Oh! | 0:51:03 | 0:51:05 | |
No. | 0:51:05 | 0:51:08 | |
Why? | 0:51:08 | 0:51:09 | |
You see, Officer? | 0:51:51 | 0:51:53 | |
You shouldn't always believe what you're told. | 0:51:53 | 0:51:55 | |
Sometimes it's just malicious slander. | 0:51:55 | 0:51:57 | |
Let's call it a day. | 0:51:57 | 0:51:58 | |
Sure I can't offer you a refill? Spot of dinner? No? | 0:52:00 | 0:52:05 | |
Well, apology accepted. | 0:52:05 | 0:52:07 | |
You know where the door is, don't you? | 0:52:07 | 0:52:09 | |
-Truth, Phil. -Oh, yeah. | 0:52:12 | 0:52:15 | |
Like I'd ever grass up my own son to the Old Bill? | 0:52:15 | 0:52:17 | |
It always comes out. It always catches up with you in the end. | 0:52:17 | 0:52:20 | |
-It's already haunting him. -Oh, pick up your bleeding heart, Ian. | 0:52:20 | 0:52:23 | |
What were you thinking? | 0:52:23 | 0:52:25 | |
Have you heard his stories about the last time he was inside? | 0:52:25 | 0:52:29 | |
He stopped her from breathing. You know what that's like. | 0:52:29 | 0:52:33 | |
What is that like? Heather Trott, lying on her own kitchen floor. | 0:52:33 | 0:52:38 | |
A young kid has lost his mum. I mean, he knows what that's like. | 0:52:38 | 0:52:41 | |
And you think it'll bring her back, do you? Eh? | 0:52:41 | 0:52:44 | |
If he gets banged up? You think the truth goes away when you're inside? | 0:52:44 | 0:52:48 | |
You think that ruining his whole future | 0:52:48 | 0:52:51 | |
is what Heather would have wanted? | 0:52:51 | 0:52:53 | |
What Heather would have wanted is to be alive. | 0:52:53 | 0:52:55 | |
To have a life with Andrew Cotton, | 0:52:55 | 0:52:58 | |
to watch her little boy play football, | 0:52:58 | 0:53:00 | |
to work in the launderette, to eat cheese sandwiches. | 0:53:00 | 0:53:03 | |
That's what she would've wanted. She had a right. Right and wrong. | 0:53:03 | 0:53:06 | |
Oh, yeah. Says the man who walked away from me | 0:53:06 | 0:53:09 | |
when I was having a heart attack. | 0:53:09 | 0:53:12 | |
Who's driven away more wives than I've had hot dinners. | 0:53:12 | 0:53:14 | |
Who fakes cancer to get a bird to marry him! | 0:53:14 | 0:53:17 | |
Well, I'm not proud of myself, OK? | 0:53:17 | 0:53:19 | |
And you know what? | 0:53:19 | 0:53:21 | |
When I look back on my life, it is a catalogue of mistakes and failures | 0:53:21 | 0:53:25 | |
and missed opportunities. Me and Heather Trott, we're just like | 0:53:25 | 0:53:29 | |
two of life's great losers. | 0:53:29 | 0:53:31 | |
-What is wrong with you? -She deserves justice, OK? | 0:53:31 | 0:53:35 | |
You can't just sweep this under the carpet, Phil. | 0:53:35 | 0:53:38 | |
You're not a judge and she deserves a jury. | 0:53:38 | 0:53:41 | |
If he puts his hands up for this, if he goes inside... | 0:53:41 | 0:53:45 | |
I can't help him, Ian. He's one his own. | 0:53:45 | 0:53:47 | |
You can't let him get away with murder! | 0:53:47 | 0:53:49 | |
You can't let him! | 0:53:49 | 0:53:50 | |
Phil. | 0:53:52 | 0:53:54 | |
If you do that, you are on your own with this one | 0:53:54 | 0:53:57 | |
and I will just wash my hands of him. He's not my brother any more. | 0:53:57 | 0:54:01 | |
-Ben? -Ben, where you going? | 0:54:01 | 0:54:04 | |
Just shut up! Just shut up, both of you! | 0:54:04 | 0:54:08 | |
BEN STRUGGLES FOR BREATH | 0:54:10 | 0:54:13 | |
MOBILE PHONE RINGS | 0:54:45 | 0:54:47 | |
Hello? | 0:54:51 | 0:54:53 | |
What? Why? | 0:54:53 | 0:54:55 | |
No, Max. Max, no. | 0:54:55 | 0:54:58 | |
You've got to keep her there. I'm on my way. | 0:54:58 | 0:55:00 | |
Alice! | 0:55:00 | 0:55:02 | |
Please! Please, don't go. Alice, I'm sorry. | 0:55:02 | 0:55:06 | |
I'm sorry, I got held up. | 0:55:06 | 0:55:08 | |
Please don't go. Let me explain. | 0:55:08 | 0:55:10 | |
Alice, please. Please don't go now. Don't go now! | 0:55:10 | 0:55:14 | |
Alice! Alice! | 0:55:14 | 0:55:18 | |
I found these practically walking down the stairs on their own. | 0:55:44 | 0:55:46 | |
Not been holding it together, have you? | 0:55:46 | 0:55:48 | |
You all right, Ben? | 0:55:51 | 0:55:54 | |
He's not baked a decent cake in weeks, have you, Ben? | 0:55:54 | 0:55:57 | |
No. | 0:55:57 | 0:55:59 | |
Nothing else? | 0:55:59 | 0:56:01 | |
-Breakfast. -I'm back, but I'm not a skivvy. | 0:56:01 | 0:56:04 | |
No, I've made some for all of us. | 0:56:04 | 0:56:05 | |
You carry on like this, Phil, I'm seriously going to think there's something wrong. | 0:56:07 | 0:56:10 | |
Wish me luck? | 0:56:15 | 0:56:16 | |
Sorry. | 0:56:20 | 0:56:21 | |
Forgot. | 0:56:21 | 0:56:23 | |
You have more important stuff on your mind than my exams. | 0:56:23 | 0:56:26 | |
I need you to look after Bobby for an hour or so. | 0:56:28 | 0:56:31 | |
He's got the dentist. | 0:56:31 | 0:56:33 | |
Didn't you hear me? | 0:56:33 | 0:56:35 | |
Didn't you hear me?! | 0:56:35 | 0:56:37 | |
-Or does it not matter what I say? -Ian! | 0:56:37 | 0:56:39 | |
Oh, just ignore me, is that it? | 0:56:39 | 0:56:41 | |
I can sort Bobby, it's fine... | 0:56:42 | 0:56:44 | |
YOU look after Bobby! And do it now! | 0:56:44 | 0:56:47 | |
Told you it'd be all right. | 0:56:57 | 0:56:59 | |
Yeah, only cos you ain't let her speak. | 0:56:59 | 0:57:01 | |
Just gone on and on about rubbish. | 0:57:01 | 0:57:02 | |
I told her Jay was spending a couple of nights at Abi's. | 0:57:04 | 0:57:06 | |
I don't want her charging round there to find out what's wrong. | 0:57:06 | 0:57:09 | |
What are we going to do about Ian? | 0:57:10 | 0:57:12 | |
Nothing. | 0:57:12 | 0:57:13 | |
We can't just leave him. You heard what he said. | 0:57:13 | 0:57:15 | |
Just leave it to me. You've done enough damage already. | 0:57:15 | 0:57:18 | |
I thought Shirley knew. I thought she'd heard us. Then once I saw that copper... | 0:57:18 | 0:57:21 | |
Yeah, I know. you thought, "I know what I'll do, I'll make it ten times worse | 0:57:21 | 0:57:25 | |
-"and tell Ian all about it." -That wasn't my fault. -He forced it out of you, did he? | 0:57:25 | 0:57:29 | |
Held you down, put the thumbscrews on you? | 0:57:29 | 0:57:31 | |
Look, Dad, you're always impossible to talk to. | 0:57:31 | 0:57:34 | |
You scared me, and all. | 0:57:34 | 0:57:36 | |
OK, son, OK. | 0:57:36 | 0:57:37 | |
Just leave this to me. | 0:57:55 | 0:57:57 | |
Yeah, but she was still in Hev's old flat yesterday. | 0:57:59 | 0:58:02 | |
-Yeah, well she ain't now. -But I couldn't even get her out of the place on Friday, | 0:58:02 | 0:58:05 | |
not even for a coffee. And Phil was on one. | 0:58:05 | 0:58:07 | |
Yeah, well I saw her first thing this morning moving her stuff back into Phil's. | 0:58:07 | 0:58:11 | |
You know what they remind me of, Phil and Shirley? They remind me of... What's that couple that begin with B? | 0:58:11 | 0:58:16 | |
-What, Burke and Hare? -No, no! -What? -I mean Burton and Taylor. | 0:58:16 | 0:58:20 | |
-Oh! -Can't live together, can't live apart. -Yes. -You all right, darling? | 0:58:20 | 0:58:24 | |
I'm off to Charlie's. | 0:58:24 | 0:58:25 | |
All right, sweetheart. | 0:58:25 | 0:58:27 | |
Give Kat your love, shall I? | 0:58:28 | 0:58:30 | |
Yes, of course give Kat my love, and Tommy. It goes without saying, don't it? | 0:58:30 | 0:58:34 | |
-Course I will. -Right. | 0:58:34 | 0:58:36 | |
Jean... Sorry, sweetheart, | 0:58:38 | 0:58:40 | |
best not to mention to Kat about Roxy staying here - | 0:58:40 | 0:58:43 | |
not that she'd have a problem with it or anything. | 0:58:43 | 0:58:46 | |
It's just that... Well, she's got a lot on her plate | 0:58:46 | 0:58:48 | |
and I don't want to give her anything else to worry about, you know? | 0:58:48 | 0:58:52 | |
But there isn't. | 0:58:52 | 0:58:53 | |
No, exactly. No. | 0:58:53 | 0:58:55 | |
Listen, you have a safe journey, OK? | 0:58:55 | 0:58:57 | |
FRONT DOOR OPENS | 0:59:07 | 0:59:08 | |
Brought you some breakfast. | 0:59:08 | 0:59:10 | |
-Michael! -Extra bacon on yours... -No, please, out. | 0:59:10 | 0:59:14 | |
-What's...? -I'm trying on my dress! -So? | 0:59:14 | 0:59:17 | |
So it's bad luck for you to see it before the wedding. | 0:59:17 | 0:59:20 | |
-Not superstitious, are you? -I'm going to need all the luck I can get, marrying you. | 0:59:20 | 0:59:25 | |
And I've already had bad news today as well. | 0:59:25 | 0:59:27 | |
What was that? | 0:59:28 | 0:59:30 | |
Ricky's just called, and he doesn't know if he can get the time off. | 0:59:30 | 0:59:32 | |
So he doesn't know if he's coming. | 0:59:32 | 0:59:34 | |
Brilliant wedding this is turning out to be. My brother's going to be a no-show, | 0:59:34 | 0:59:38 | |
and now you've nearly seen my dress. This wedding is jinxed! | 0:59:38 | 0:59:41 | |
DOOR SLAMS | 0:59:41 | 0:59:43 | |
You on your own? | 0:59:43 | 0:59:45 | |
Now, let's get this straight. | 0:59:46 | 0:59:48 | |
You had your chance. Ben's made his decision. End of story. | 0:59:48 | 0:59:51 | |
A woman's dead, Phil. | 0:59:51 | 0:59:53 | |
Yeah, and Ben's in pieces. | 0:59:53 | 0:59:55 | |
There's nothing we can do about the first thing, not now, | 0:59:55 | 0:59:58 | |
but there's something we can do about him. | 0:59:58 | 1:00:00 | |
Who is he? I mean, how could he...? | 1:00:00 | 1:00:02 | |
What have you turned him into? | 1:00:03 | 1:00:05 | |
-Shirley's back now. -What? | 1:00:05 | 1:00:07 | |
-Well, that'll help, won't it? -She's Heather's best mate. | 1:00:07 | 1:00:09 | |
What ain't going to help is you. | 1:00:09 | 1:00:11 | |
So we've all got to pretend like everything's normal? How can we? | 1:00:13 | 1:00:16 | |
Listen, I'm going to make this nice and simple, so even you can understand it, all right? | 1:00:16 | 1:00:20 | |
Now, you go after Ben, I'll come after you. | 1:00:20 | 1:00:22 | |
If he goes down, I take you down too. | 1:00:22 | 1:00:25 | |
He's already down. | 1:00:26 | 1:00:28 | |
Right, I'm a girl, OK? | 1:00:38 | 1:00:40 | |
A girl who has an exam in three hours. | 1:00:40 | 1:00:42 | |
I should be revising, not babysitting. | 1:00:42 | 1:00:44 | |
Where's your dad? | 1:00:44 | 1:00:46 | |
He wanted me to look after him. Said he had something to do. | 1:00:46 | 1:00:48 | |
-What? -I don't know. | 1:00:48 | 1:00:50 | |
Well, I can look after him if you want. | 1:00:50 | 1:00:52 | |
I mean, I ain't got no exams. | 1:00:53 | 1:00:54 | |
-He wasn't too keen on Mandy's offer. -Well, I'm not Mandy. | 1:00:56 | 1:00:58 | |
No, you're right. You're much better looking. | 1:00:59 | 1:01:02 | |
Yeah. Yeah, OK. He's not going to object to you, is he? | 1:01:04 | 1:01:07 | |
So what happened? Did he woo you, yeah? With champagne and red roses and all that? | 1:01:09 | 1:01:13 | |
-No, it was him serenading me on the pavement that clinched it! -Oh! | 1:01:13 | 1:01:18 | |
BOTH LAUGH | 1:01:18 | 1:01:21 | |
I'm glad you're home. I am. | 1:01:21 | 1:01:23 | |
You know, you in that flat, with all Heather's stuff around. | 1:01:24 | 1:01:27 | |
She'll always be with you, you know that. In your heart. | 1:01:27 | 1:01:32 | |
Where it matters. | 1:01:32 | 1:01:34 | |
Ooh. He's really got the hump with you, hasn't he? | 1:01:45 | 1:01:47 | |
No. | 1:01:47 | 1:01:49 | |
So why did he just freeze you out? | 1:01:49 | 1:01:51 | |
He didn't. | 1:01:51 | 1:01:52 | |
Kim, that was Arctic. What exactly did you say to him yesterday? | 1:01:52 | 1:01:54 | |
I told you - nothing. | 1:01:54 | 1:01:57 | |
-Much. -I don't know why you just don't tell him the truth. | 1:01:58 | 1:02:01 | |
You planned a sexy afternoon in for the pair of you, | 1:02:01 | 1:02:04 | |
and he turned up with Sasha. | 1:02:04 | 1:02:05 | |
Kim, he'd probably just have a laugh about it. | 1:02:05 | 1:02:09 | |
I did tell him the truth. | 1:02:09 | 1:02:10 | |
He didn't find it too funny. | 1:02:10 | 1:02:12 | |
Kim. | 1:02:13 | 1:02:14 | |
I need something from you. | 1:02:14 | 1:02:16 | |
If it's a service wash you're wanting, you'll have to wait, | 1:02:41 | 1:02:43 | |
cos I'm all behind. | 1:02:43 | 1:02:46 | |
Are you OK? | 1:02:49 | 1:02:50 | |
It don't get any easier, Ian. | 1:02:50 | 1:02:52 | |
Every time I come in here, I still see her, | 1:02:52 | 1:02:56 | |
mixing up her coloureds and her whites | 1:02:56 | 1:02:59 | |
and cutting up her cheese. | 1:02:59 | 1:03:00 | |
Shirl! Shirl, listen. | 1:03:04 | 1:03:09 | |
-You sure about this? -No. | 1:03:09 | 1:03:12 | |
No. There's only one way to find out, isn't there? | 1:03:14 | 1:03:17 | |
I'm sorry, Ian. | 1:03:27 | 1:03:30 | |
I know that thinking about her all the time ain't going to change nothing, | 1:03:30 | 1:03:33 | |
nor bring her back, neither. | 1:03:33 | 1:03:36 | |
Anyway, what did you come in for? Cos you didn't bring no washing with you. | 1:03:36 | 1:03:40 | |
Admire me view, was it? Wear me flooring out? | 1:03:40 | 1:03:43 | |
What if you could? | 1:03:46 | 1:03:47 | |
Could what? | 1:03:47 | 1:03:49 | |
Change things. | 1:03:50 | 1:03:51 | |
Change what, Ian? | 1:03:52 | 1:03:55 | |
Ian! What you talking about? | 1:03:56 | 1:03:58 | |
Change what? | 1:03:58 | 1:04:00 | |
What are you doing? | 1:04:01 | 1:04:02 | |
-Ben's getting me a milkshake. -No, you get away from him! -Ian! -Get away! | 1:04:02 | 1:04:05 | |
-Ian? -Just get away from him! Come on, we're going. -Dad. Dad! | 1:04:05 | 1:04:08 | |
I'm sorry, you actually said that? | 1:04:16 | 1:04:18 | |
You actually told him that you weren't stepmother material? | 1:04:20 | 1:04:23 | |
No. I told him I couldn't hack his kid. | 1:04:24 | 1:04:26 | |
But it didn't come out the way that I wanted it to. | 1:04:26 | 1:04:29 | |
Look, Kim, Ray has got baggage, OK? | 1:04:29 | 1:04:33 | |
But you're going to have to accept that if you want to keep seeing him. | 1:04:33 | 1:04:36 | |
After all the lowlifes that you've been dating, | 1:04:36 | 1:04:38 | |
you don't want to let someone halfway-decent slip through your fingers. | 1:04:38 | 1:04:41 | |
Yeah, but then there's baggage and then there's baggage, innit? | 1:04:41 | 1:04:44 | |
An ex-wife - who cares? Some ex-girlfriend who won't let go? | 1:04:44 | 1:04:48 | |
I can deal with that. But... | 1:04:48 | 1:04:50 | |
What? | 1:04:51 | 1:04:52 | |
What, a 13-year-old kid is too hot to handle? | 1:04:52 | 1:04:55 | |
What is actually wrong with you? | 1:04:55 | 1:04:57 | |
You weren't this bothered about Morgan. | 1:04:57 | 1:04:59 | |
Yeah, but she's not 13, is she? She's like 23 going on 33. | 1:04:59 | 1:05:02 | |
-And she knows everything about everything. -Ah, I get it. | 1:05:02 | 1:05:05 | |
You're scared. | 1:05:05 | 1:05:06 | |
-Uh-uh. -Yeah, you're scared that she's going to make you look thick. -Course not. | 1:05:06 | 1:05:10 | |
Then Ray's going to have second thoughts about the two of you. | 1:05:10 | 1:05:13 | |
Which he's obviously having, anyway. | 1:05:13 | 1:05:16 | |
-Bye. -I've just phoned Ricky. | 1:05:20 | 1:05:22 | |
I've never heard of him. | 1:05:22 | 1:05:24 | |
I've told him he's coming, no excuses, | 1:05:24 | 1:05:26 | |
I'll even pay his wages if I have to. | 1:05:26 | 1:05:28 | |
Ricky is not our only problem. I've just spoken to Carol. | 1:05:28 | 1:05:30 | |
She doesn't know if the kids can get here till the day itself. | 1:05:30 | 1:05:33 | |
Some problem with the tickets, engineering work, or, | 1:05:33 | 1:05:36 | |
I don't know, something or other. I mean, can you imagine it? | 1:05:36 | 1:05:38 | |
The bridesmaids and the page boy, no rehearsals, | 1:05:38 | 1:05:41 | |
arriving on the day and just winging it. It's a total nightmare! | 1:05:41 | 1:05:44 | |
SHE SIGHS | 1:05:44 | 1:05:47 | |
What is it, Ian? | 1:05:53 | 1:05:54 | |
What was all that stuff with Lucy? | 1:05:57 | 1:05:59 | |
And screaming at poor little Bobby like that? | 1:06:01 | 1:06:04 | |
I mean, he's upstairs, he's sobbing...sobbing his little eyes out. | 1:06:05 | 1:06:09 | |
He doesn't understand. | 1:06:11 | 1:06:12 | |
And yesterday, Ian, all that stuff about me and Phil. | 1:06:17 | 1:06:21 | |
Ian, please. | 1:06:26 | 1:06:27 | |
Come on, now. You're really starting to worry me here. | 1:06:28 | 1:06:31 | |
FRONT DOOR RATTLING | 1:06:31 | 1:06:32 | |
Hello? Can I come in? It's me, Dot. | 1:06:32 | 1:06:37 | |
Would you like some cake? | 1:06:37 | 1:06:39 | |
It's left over from yesterday, so it's fresh. | 1:06:39 | 1:06:41 | |
It's from that party what the Brannings gave for Alice. | 1:06:41 | 1:06:44 | |
You know, Derek's daughter? All ended sooner than they thought. | 1:06:44 | 1:06:48 | |
Yeah, thanks, Dot. I'll get some plates, shall I? | 1:06:49 | 1:06:52 | |
Lovely, ta. Here we go. | 1:06:52 | 1:06:55 | |
Now...have some of me sponge. | 1:06:55 | 1:06:59 | |
Bit of Battenberg and a couple of iced tarts. | 1:07:00 | 1:07:03 | |
CHEERFUL SHOUTING FROM TELEVISION | 1:07:03 | 1:07:06 | |
'Woo! | 1:07:07 | 1:07:10 | |
'Yeah! Yeah!' | 1:07:12 | 1:07:14 | |
Hev's hen night. Got the DVD off of Kim. | 1:07:16 | 1:07:20 | |
I've not been able to watch it since she... | 1:07:20 | 1:07:24 | |
'Woo! | 1:07:24 | 1:07:26 | |
'Whoa! | 1:07:26 | 1:07:27 | |
-'Come on, Hev. -Yeah, yeah!' | 1:07:29 | 1:07:31 | |
Just five minutes, eh? | 1:07:31 | 1:07:33 | |
Five minutes remembering how she was. | 1:07:36 | 1:07:37 | |
'Oh, yeah! | 1:07:41 | 1:07:43 | |
'I love you more! | 1:07:45 | 1:07:47 | |
'I love you more! Woo! | 1:07:47 | 1:07:49 | |
'I'm going to do a wee-wee-wee-wee-wee.' | 1:07:54 | 1:07:56 | |
-'You're going to do a what? Do a what? -Wee-wee!' | 1:07:56 | 1:07:58 | |
ROXY CLEARS HER THROAT | 1:08:04 | 1:08:05 | |
-Oh, you all right, sweetheart? -You all right? -Mmm. | 1:08:05 | 1:08:07 | |
You been keeping away? | 1:08:09 | 1:08:10 | |
No, no, I've just been shopping, that's all. | 1:08:10 | 1:08:12 | |
-You know, I could always just move back, don't you? -What? | 1:08:12 | 1:08:16 | |
Well, if...if me being here bothers you that much, | 1:08:16 | 1:08:19 | |
-then... It was only supposed to be for a couple of nights, anyway. -HE SIGHS | 1:08:19 | 1:08:23 | |
Rox, Rox, Rox, what makes you think that, eh? | 1:08:23 | 1:08:26 | |
You reading Jean the riot act earlier. | 1:08:27 | 1:08:29 | |
Oh, Rox, come on, you know what Jean's like when she starts wagging her tongue. | 1:08:29 | 1:08:32 | |
I know you, OK? And... | 1:08:32 | 1:08:34 | |
Look, it was just one mate helping out another mate. | 1:08:34 | 1:08:37 | |
And all that stuff is ancient history, OK? | 1:08:37 | 1:08:40 | |
But if it makes you uncomfortable, then... | 1:08:42 | 1:08:45 | |
It don't. It doesn't. | 1:08:45 | 1:08:48 | |
And you said it yourself, you know, about Shirl moving back with Phil. | 1:08:48 | 1:08:52 | |
-What? So? -Do you really want to sit there with Amy watching them two canoodle on the couch? | 1:08:54 | 1:08:59 | |
Exactly. Right, cup of tea? | 1:08:59 | 1:09:01 | |
-Yeah, yeah, go on. -Right, I'll stick the kettle on. | 1:09:01 | 1:09:03 | |
Kim's made her feelings crystal clear. | 1:09:07 | 1:09:09 | |
No, she's done what she always does, | 1:09:09 | 1:09:12 | |
and that's to let her tongue run away with her. | 1:09:12 | 1:09:14 | |
Yeah, well, Sasha's a step too far, end of story. | 1:09:14 | 1:09:16 | |
Or a wake-up call. | 1:09:16 | 1:09:19 | |
Meaning? | 1:09:19 | 1:09:21 | |
You like Kim, yeah? | 1:09:23 | 1:09:24 | |
-Yeah. -No, I mean, REALLY like her? | 1:09:26 | 1:09:28 | |
Yeah. | 1:09:30 | 1:09:31 | |
I want to try something. | 1:09:32 | 1:09:34 | |
-What? -Trust me. | 1:09:34 | 1:09:36 | |
I didn't know she was going to do that. | 1:09:44 | 1:09:45 | |
She already had it on when I went in there. | 1:09:45 | 1:09:48 | |
Of course things are going to get a bit tricky now and again, | 1:09:48 | 1:09:51 | |
but give it time and let things settle down. | 1:09:51 | 1:09:54 | |
Ben, you've got to man up, you've got to front things out, whatever it is, you know. | 1:09:54 | 1:09:58 | |
It's the only way to get through this. | 1:09:58 | 1:10:01 | |
-But you will get through this, I promise you. -And you promised you'd sort Ian out. | 1:10:01 | 1:10:04 | |
-What? -You said leave him to you. | 1:10:04 | 1:10:06 | |
Why? What's happened? Ben? | 1:10:07 | 1:10:10 | |
I was getting Bobby a milkshake. | 1:10:11 | 1:10:13 | |
Lucy had an exam, and I said I'd look after him for her. | 1:10:13 | 1:10:16 | |
I just thought that if he saw us together, hanging out, | 1:10:16 | 1:10:19 | |
doing normal things, then he'd see...see that I'm not all bad. | 1:10:19 | 1:10:22 | |
But? | 1:10:22 | 1:10:24 | |
He went mental, didn't he? | 1:10:24 | 1:10:25 | |
I thought he was going to come straight out with it then and there. Tell everyone. | 1:10:25 | 1:10:29 | |
Now, look - Lou, Pauline, Pete. | 1:10:33 | 1:10:36 | |
All gone. | 1:10:36 | 1:10:37 | |
Yeah. But, I mean, there's plenty left, aren't there, Ian? | 1:10:37 | 1:10:40 | |
Lucy, Bobby, Ben. | 1:10:40 | 1:10:42 | |
I don't know what to do. | 1:10:42 | 1:10:44 | |
What about? | 1:10:44 | 1:10:46 | |
He can't do this to me. | 1:10:46 | 1:10:48 | |
Who? | 1:10:48 | 1:10:50 | |
I can't live like this! | 1:10:50 | 1:10:51 | |
What, Phil? | 1:10:54 | 1:10:56 | |
Ray's had to nip down the cash and carry. | 1:11:00 | 1:11:03 | |
And he's asked if you'll look after Sasha. | 1:11:05 | 1:11:07 | |
I still don't see why I can't just go home. | 1:11:07 | 1:11:09 | |
It's only going to be about half an hour or so, innit? | 1:11:09 | 1:11:12 | |
And Kim don't mind. Do you? | 1:11:12 | 1:11:14 | |
No. | 1:11:15 | 1:11:17 | |
Aw. | 1:11:17 | 1:11:18 | |
So how'd she take it? | 1:11:26 | 1:11:28 | |
Erm... Well. | 1:11:28 | 1:11:30 | |
Liar. | 1:11:30 | 1:11:31 | |
You've got brains. | 1:11:33 | 1:11:34 | |
And you're nice. | 1:11:36 | 1:11:37 | |
All right? All sorted. I'm so good. | 1:11:44 | 1:11:47 | |
-I've just been on the phone to a limo company. -A what? -A limo company. | 1:11:47 | 1:11:50 | |
-Liam, Morgan and...Tiffany? -Mmm. | 1:11:50 | 1:11:54 | |
Yeah. Right, no more messing around with buses, trains, | 1:11:54 | 1:11:57 | |
-they're going to be picked up and delivered, day before the wedding. -Tiffany in a limo. | 1:11:57 | 1:12:01 | |
-Yeah, all she needs now is a tiara. -PHONE RINGS | 1:12:01 | 1:12:04 | |
Hang on, that's them now. Excuse me. | 1:12:04 | 1:12:06 | |
Yeah, about ten o'clock, please. | 1:12:08 | 1:12:10 | |
Yeah, cool. How much is that? | 1:12:11 | 1:12:15 | |
It's a company account. | 1:12:19 | 1:12:21 | |
Yeah, Branning Brothers. | 1:12:22 | 1:12:25 | |
Yeah, I'll call you with the details. Cheers, mate. | 1:12:25 | 1:12:29 | |
-What have you done to Ian? -What? | 1:12:31 | 1:12:33 | |
He's in a terrible state. | 1:12:33 | 1:12:34 | |
It's nothing to do with me. | 1:12:34 | 1:12:37 | |
Well, it usually is. | 1:12:37 | 1:12:38 | |
It's probably down to that bird he's shacked up with. | 1:12:38 | 1:12:41 | |
I talked to Mandy | 1:12:41 | 1:12:43 | |
and she said that Ian has been going on about you and her. | 1:12:43 | 1:12:47 | |
What? Well, I don't know where he's got that from. | 1:12:47 | 1:12:50 | |
I won't do it. | 1:12:50 | 1:12:52 | |
I won't stand by and watch you treat Ian like you've treated poor Shirley. | 1:12:52 | 1:12:56 | |
Shirl's back. | 1:12:56 | 1:12:57 | |
What? | 1:12:57 | 1:12:59 | |
We're trying to make a go of it, you know, | 1:12:59 | 1:13:01 | |
trying to put it all behind us. | 1:13:01 | 1:13:03 | |
Shirl needs that too, you know - a good family, a proper home. | 1:13:03 | 1:13:06 | |
I mean, after what she's been through. Well, you'd understand that, Dot, wouldn't you? | 1:13:06 | 1:13:10 | |
Cos you lost a good friend and all, didn't you? | 1:13:10 | 1:13:12 | |
Yes. | 1:13:12 | 1:13:14 | |
So if I'm back with Shirley, | 1:13:14 | 1:13:16 | |
why would I go round chasing after someone else? | 1:13:16 | 1:13:19 | |
Dot, the only thing on my mind right now is looking after my family | 1:13:19 | 1:13:22 | |
and keeping them safe. But... | 1:13:22 | 1:13:23 | |
Well, if Ian's got some daft idea about me and Mandy in his head, | 1:13:23 | 1:13:27 | |
well, I'll go round there and see him and put him straight. | 1:13:27 | 1:13:32 | |
-Thank you. -All right. | 1:13:32 | 1:13:33 | |
You all right there, madam? | 1:13:43 | 1:13:44 | |
This is your fault. | 1:13:44 | 1:13:46 | |
What? What's my fault? | 1:13:46 | 1:13:47 | |
This is your fault. I had to lie down now because I'm in shock. | 1:13:47 | 1:13:49 | |
Phil and Shirley canoodling on the sofa. It's disgusting - I can't get it out of my head. | 1:13:49 | 1:13:53 | |
That's can't be good for shock, though, sweetheart, just lying there. Surely not. | 1:13:53 | 1:13:57 | |
You know what you need? Something to bring you round. | 1:13:57 | 1:13:59 | |
A kind of a shock to get you out of a shock. | 1:13:59 | 1:14:02 | |
-Don't. Don't. Don't you dare, Alfie. -Are you daring me now? | 1:14:02 | 1:14:05 | |
-I'm warning you. -Not only is Peroxide daring me, she's also warning me! | 1:14:05 | 1:14:08 | |
-Put it down. Put it down. -Say, "Please, Alfie." -Put...it... | 1:14:08 | 1:14:11 | |
-I really don't want... -What is she doing...? -Mo! | 1:14:11 | 1:14:14 | |
Agh! | 1:14:14 | 1:14:15 | |
Mo! | 1:14:15 | 1:14:17 | |
I'm so sorry. | 1:14:17 | 1:14:19 | |
-So do you want to do anything? -Such as? | 1:14:23 | 1:14:25 | |
Um... Watch something? | 1:14:25 | 1:14:28 | |
Daytime TV's for mindless idiots. | 1:14:28 | 1:14:32 | |
OK. Well, you can't do nothing all day. | 1:14:34 | 1:14:37 | |
I bet you and your dad never stop talking, do you? | 1:14:38 | 1:14:41 | |
Talking about various things, like current affairs and things, you know? | 1:14:41 | 1:14:45 | |
Like two little brainboxes. | 1:14:46 | 1:14:48 | |
Ms Kimberley Fox? | 1:14:52 | 1:14:54 | |
Of 18-20 Albert Square? | 1:14:54 | 1:14:57 | |
Oh. The B&B's closed. | 1:14:57 | 1:14:58 | |
Which is why you haven't been answering your letters, I suppose. | 1:14:58 | 1:15:01 | |
Look, we're going to open up next month, yeah? | 1:15:01 | 1:15:03 | |
Not with that sign out front, you're not. | 1:15:03 | 1:15:07 | |
Frank Hawkins, Walford Borough Council. | 1:15:07 | 1:15:09 | |
I take it this is your handiwork? | 1:15:09 | 1:15:13 | |
"Kim's Olympic Palace." What's the problem? | 1:15:13 | 1:15:16 | |
The problem is, "Olympic" is a trademark. | 1:15:16 | 1:15:19 | |
-What's that mean? -Which you have stolen. | 1:15:19 | 1:15:22 | |
Hang on a minute, hang on. Look, I paid for that myself, yeah? | 1:15:22 | 1:15:25 | |
-It's all kosher. -He means it's their intellectual property. | 1:15:25 | 1:15:28 | |
Oh. So why didn't he say so? | 1:15:31 | 1:15:33 | |
What's that mean? | 1:15:34 | 1:15:35 | |
It means you just can't put "Olympic" up anywhere you feel like. | 1:15:35 | 1:15:39 | |
Oh. | 1:15:39 | 1:15:41 | |
Are you telling me you didn't know? | 1:15:41 | 1:15:43 | |
Must be the only person in London who doesn't know. | 1:15:43 | 1:15:46 | |
And the rest of the country. | 1:15:46 | 1:15:48 | |
You could be fined thousands. | 1:15:49 | 1:15:52 | |
DRESS RIPS | 1:16:30 | 1:16:32 | |
Alfie, listen. | 1:16:39 | 1:16:41 | |
It's Mo's room, | 1:16:41 | 1:16:42 | |
it's only right that she has it back. It's OK. The sofa's fine. | 1:16:42 | 1:16:47 | |
I know it is, and that's where I'm going to be. | 1:16:47 | 1:16:49 | |
-I want you and Amy to have my bed, all right? -You don't have to do that. | 1:16:49 | 1:16:51 | |
Roxy, I insist, darling. | 1:16:51 | 1:16:53 | |
-Alfie! -Excuse me. | 1:16:53 | 1:16:55 | |
You still haven't told me what little Miss Muppet's doing here. | 1:16:55 | 1:16:58 | |
Do you want to keep your voice down? | 1:16:58 | 1:17:00 | |
-I'm just putting her up for a bit, that's all. -A bit of what? | 1:17:00 | 1:17:03 | |
-Till she finds somewhere permanent. Anyway, what are you doing here? -Jean. | 1:17:03 | 1:17:07 | |
-Jean? -I kept asking her, "What's going on back in the Vic?" | 1:17:07 | 1:17:11 | |
"Oh, I'm not supposed to say," she said. | 1:17:11 | 1:17:13 | |
So I thought I'd come back and find out for meself. | 1:17:13 | 1:17:16 | |
What are you going to do? | 1:17:29 | 1:17:31 | |
Dad, you can't. Look, this is my fault, all right? All of it. | 1:17:33 | 1:17:36 | |
If anything happens to Ian, that'll be my fault and all, won't it? | 1:17:36 | 1:17:40 | |
HEV'S HEN PLAYS ON LAPTOP | 1:17:41 | 1:17:43 | |
'Yeah! Yeah! | 1:17:45 | 1:17:47 | |
'Woo-hoo! | 1:17:49 | 1:17:52 | |
-'Go on, girl! -Oh, yeah!' | 1:17:55 | 1:17:58 | |
-Hi. -Thanks for this, babe. | 1:18:12 | 1:18:14 | |
Yeah, thanks for this. I really enjoyed it. | 1:18:15 | 1:18:18 | |
I enjoyed it too. | 1:18:18 | 1:18:19 | |
And should you ever need any more help... | 1:18:21 | 1:18:24 | |
-What? -Well, actually, Sasha's still off school tomorrow | 1:18:24 | 1:18:28 | |
because of the asbestos... | 1:18:28 | 1:18:30 | |
Oh, well, tomorrow it is, then. | 1:18:30 | 1:18:33 | |
-All right? -Yeah. | 1:18:33 | 1:18:35 | |
FRONT DOOR SLAMS | 1:18:39 | 1:18:40 | |
This it, is it? | 1:18:48 | 1:18:50 | |
Lock the door, turn the music up so no-one can hear me scream? | 1:18:50 | 1:18:56 | |
We're on the same side, Ian - | 1:18:57 | 1:18:59 | |
on Ben's side, your brother's side. | 1:18:59 | 1:19:02 | |
I don't have a brother any more. | 1:19:02 | 1:19:04 | |
Come on, Phil, do what you came here to do. | 1:19:06 | 1:19:09 | |
Make sure I don't say nothing. I don't care any more, OK? | 1:19:09 | 1:19:12 | |
You know what I could do. | 1:19:12 | 1:19:14 | |
I could really make sure you don't say anything, | 1:19:14 | 1:19:16 | |
but what would that do to Ben, eh? | 1:19:16 | 1:19:18 | |
It'd just make him worse, wouldn't it? I told you, he's in pieces. | 1:19:18 | 1:19:23 | |
And, OK, OK, maybe he deserves to be, but that's happened now | 1:19:23 | 1:19:27 | |
and there's...there's a lot of reasons why that's happened. | 1:19:27 | 1:19:31 | |
Now, a lot of those reasons are down to me - | 1:19:31 | 1:19:33 | |
I don't need some psychological report to tell me that I've messed up. | 1:19:33 | 1:19:36 | |
What psychological report? | 1:19:36 | 1:19:39 | |
I know what I've done to him. | 1:19:39 | 1:19:41 | |
And I know what he's been doing as well. | 1:19:41 | 1:19:43 | |
He's been pretending to be something that he's not. | 1:19:43 | 1:19:46 | |
But we can change that, we can change him, | 1:19:46 | 1:19:49 | |
you and me - his dad and his brother. | 1:19:49 | 1:19:52 | |
Kathy's son and Kathy's husband. | 1:19:52 | 1:19:56 | |
-Oh, right, so you're playing that one now, are you? -Well, that's what we are, Ian, | 1:19:56 | 1:19:59 | |
whether you like it or not. | 1:19:59 | 1:20:00 | |
All right. | 1:20:00 | 1:20:02 | |
So what would Kathy do? | 1:20:02 | 1:20:05 | |
You know, Phil, and so do I. | 1:20:05 | 1:20:07 | |
Kathy would never have let this happen in the first place. | 1:20:07 | 1:20:10 | |
Kathy would never have let Ben get like this. | 1:20:10 | 1:20:12 | |
But I let him get like this, and so did you, Ian. | 1:20:12 | 1:20:15 | |
Cos you were there and all, weren't you? | 1:20:15 | 1:20:18 | |
It's up to us to bring him back - | 1:20:18 | 1:20:20 | |
for you and me, the two of us, | 1:20:20 | 1:20:22 | |
to bring him back. | 1:20:22 | 1:20:23 | |
OK, OK, if you want to say, "Go to the Old Bill. | 1:20:26 | 1:20:29 | |
"We'll go to the police | 1:20:29 | 1:20:31 | |
"and tell them everything..." | 1:20:31 | 1:20:32 | |
..all right, do that. | 1:20:34 | 1:20:35 | |
But you've got to do it now. | 1:20:35 | 1:20:37 | |
Because you can't let Ben live like this, | 1:20:37 | 1:20:39 | |
have this hanging over his head. | 1:20:39 | 1:20:40 | |
What about me, all right? | 1:20:40 | 1:20:43 | |
It's hanging over me! | 1:20:43 | 1:20:45 | |
Phil, I've just known for one day and my head feels like it's going to explode! | 1:20:45 | 1:20:48 | |
So end it now. | 1:20:48 | 1:20:50 | |
Or we end something else. | 1:20:50 | 1:20:52 | |
We end 20 years of us tearing strips off each other. | 1:20:52 | 1:20:56 | |
And we start doing what we should have been doing all along. | 1:20:56 | 1:20:58 | |
We start doing what Kathy would want us to do. | 1:20:58 | 1:21:01 | |
We start putting the energy, all that energy, into making Ben right. | 1:21:01 | 1:21:05 | |
Please, Ian. | 1:21:12 | 1:21:14 | |
Well, this is a first, innit? | 1:21:16 | 1:21:18 | |
Me begging you. | 1:21:18 | 1:21:20 | |
Which only goes to show that people can change. Things can change. | 1:21:22 | 1:21:26 | |
Please. Please. | 1:21:29 | 1:21:32 | |
-KNOCK AT DOOR -Is it safe? | 1:21:38 | 1:21:41 | |
Hello? | 1:21:41 | 1:21:43 | |
Brought you some dinner. | 1:21:49 | 1:21:51 | |
Seeing as you blanked breakfast. | 1:21:52 | 1:21:54 | |
What's the matter? Another problem? Tell me what it is, we'll sort it. | 1:21:58 | 1:22:02 | |
Maybe weddings on this square just aren't meant to be. | 1:22:04 | 1:22:07 | |
I mean, look at poor old Heather. | 1:22:07 | 1:22:09 | |
-What? -I think someone's just trying to tell us something. First Ricky... | 1:22:09 | 1:22:13 | |
-Ricky's sorted. -..then Liam, Morgan and Tiffany. -They're sorted. | 1:22:13 | 1:22:16 | |
And now... Oh! And you've seen the dress too. Brilliant(!) | 1:22:16 | 1:22:19 | |
I can't do this. | 1:22:19 | 1:22:21 | |
Do what? | 1:22:21 | 1:22:23 | |
The one day I'm meant to look like a princess, I'm going to look like an elephant. | 1:22:23 | 1:22:27 | |
I am being serious, Michael. | 1:22:27 | 1:22:31 | |
It's off. | 1:22:32 | 1:22:33 | |
No, the bigger the better. | 1:22:37 | 1:22:39 | |
Yeah, I'll pop in later on, we'll get it all firmed up, yeah? | 1:22:39 | 1:22:41 | |
And, listen, I don't want no-one paying for anything. | 1:22:41 | 1:22:45 | |
Have you go that? All right. Cheers, bud. | 1:22:45 | 1:22:49 | |
Can we come out yet? | 1:22:49 | 1:22:51 | |
I should be revising! | 1:22:51 | 1:22:53 | |
All right. Close your eyes, girls. | 1:22:54 | 1:22:56 | |
Come on. | 1:22:56 | 1:22:58 | |
That's it. Stand there, keep them closed. And you, come on. | 1:22:58 | 1:23:01 | |
That's it, ladies, keep them closed. And...open! | 1:23:01 | 1:23:05 | |
-Oh! Pressies! -Pressies. | 1:23:05 | 1:23:09 | |
-Here, let me give you a hand. -No, I've got it! | 1:23:15 | 1:23:18 | |
Thank you. I've got it. | 1:23:20 | 1:23:22 | |
No! Don't open them. Just leave them. | 1:23:26 | 1:23:30 | |
Come and finish opening your presents, yeah? | 1:23:30 | 1:23:32 | |
Have you won the lottery or something? | 1:23:32 | 1:23:35 | |
I just wanted to do something nice. | 1:23:35 | 1:23:37 | |
I know that's hard to believe considering the mood I've been in. | 1:23:37 | 1:23:40 | |
Where's Bobby? | 1:23:40 | 1:23:43 | |
At...school. | 1:23:43 | 1:23:45 | |
After your performance yesterday, he couldn't wait to get there. | 1:23:45 | 1:23:48 | |
Have you even slept? | 1:23:48 | 1:23:52 | |
Last but not least... | 1:23:52 | 1:23:53 | |
Oh, Ian! Oh, this is amazing! | 1:23:58 | 1:24:03 | |
-Oh, thank you so much! -It's OK. | 1:24:03 | 1:24:06 | |
Don't forget your card. | 1:24:07 | 1:24:09 | |
Do I look like the sort of girl that opens the card before the presents? | 1:24:09 | 1:24:12 | |
-I've got to go. -You're leaving? | 1:24:12 | 1:24:14 | |
Yeah, but I'm leaving you in the knowledge that the best is yet to come. | 1:24:14 | 1:24:18 | |
It's study leave, not sleep leave. | 1:24:23 | 1:24:25 | |
I've been working. Upstairs. | 1:24:25 | 1:24:28 | |
Anyway, what's all this for? | 1:24:28 | 1:24:30 | |
I'm going round Hev's, to pack her stuff away properly. | 1:24:30 | 1:24:35 | |
Take what I can to the charity shop and give the keys back to Janine. | 1:24:35 | 1:24:39 | |
I need more tape. | 1:24:40 | 1:24:41 | |
It's good she's clearing everything out. | 1:24:43 | 1:24:45 | |
-It won't be worth anything unless you learn to live under the same roof as her. -I am. | 1:24:45 | 1:24:49 | |
Shirley? I was thinking maybe a bit later we could all go out for a curry or something? | 1:24:53 | 1:24:57 | |
Yeah. As long as he don't have a vindaloo. | 1:24:57 | 1:25:01 | |
Happy? | 1:25:03 | 1:25:04 | |
No. | 1:25:04 | 1:25:06 | |
We'll get there, though. | 1:25:06 | 1:25:07 | |
Dad, you promise Ian ain't going to say nothing? | 1:25:07 | 1:25:11 | |
I told you. It's over. | 1:25:11 | 1:25:13 | |
Yeah, but ain't you forgetting someone? | 1:25:13 | 1:25:16 | |
It's back to plain old Kimberley's Palace now, innit? | 1:25:37 | 1:25:41 | |
It's like an arrow through my heart, you know. | 1:25:41 | 1:25:43 | |
Ooh, or a javelin. | 1:25:43 | 1:25:45 | |
-What you smirking at? -Don't have a go at her. | 1:25:45 | 1:25:47 | |
Last thing you need is to be slung in front of a judge on trademark infringement. | 1:25:47 | 1:25:52 | |
KNOCK ON DOOR | 1:25:53 | 1:25:55 | |
KNOCKING CONTINUES | 1:25:55 | 1:25:57 | |
I've just been round the launderette. | 1:26:10 | 1:26:13 | |
And you weren't there. Again. | 1:26:13 | 1:26:15 | |
You watched the DVD yet? | 1:26:17 | 1:26:18 | |
No. I haven't had the time. | 1:26:18 | 1:26:22 | |
I'm just going round Hev's. Pack a few things up. | 1:26:22 | 1:26:25 | |
I thought there might be something you'd like to keep? | 1:26:26 | 1:26:29 | |
Perhaps another time. | 1:26:29 | 1:26:31 | |
There ain't going to be another time, Dot. This is it. | 1:26:31 | 1:26:34 | |
Well, I'm very happy you're in a place where you can throw her life in a box. | 1:26:34 | 1:26:40 | |
Do you really think I want to do this? | 1:26:40 | 1:26:42 | |
And why ain't you at work? | 1:26:44 | 1:26:46 | |
Some time today. | 1:26:50 | 1:26:51 | |
Sorry. That's £2.80. | 1:26:51 | 1:26:54 | |
I've just given you a fiver. | 1:26:54 | 1:26:55 | |
-TILL OPENS -No fivers in there. | 1:26:55 | 1:26:57 | |
-Well, I've paid you. -Here, I'll get it. | 1:26:57 | 1:27:01 | |
Wait. You're owed wages from The Arches. | 1:27:04 | 1:27:09 | |
Well, it's your money, you've earned it. | 1:27:11 | 1:27:13 | |
You either pick it up or it'll go into petty cash. | 1:27:13 | 1:27:15 | |
Have you seen my exam timetable? | 1:27:21 | 1:27:24 | |
You know, I don't mean to boast or anything, | 1:27:25 | 1:27:28 | |
but I reckon I got more presents than you and Bobby. | 1:27:28 | 1:27:31 | |
Do you reckon there's money in that card? | 1:27:33 | 1:27:35 | |
What does it say? | 1:27:45 | 1:27:47 | |
All right? | 1:27:48 | 1:27:50 | |
So I've drawn up a short list of bands. | 1:27:52 | 1:27:56 | |
I reckon we need to have a magician for the kids. They like that after the speeches. | 1:27:56 | 1:28:00 | |
I meant what I said. I don't want to get married. | 1:28:00 | 1:28:02 | |
Don't be ridiculous, we're having a baby together. | 1:28:02 | 1:28:05 | |
Yes, and your little swimmers have done their job, and you're done. | 1:28:05 | 1:28:10 | |
You're just feeling...hormonal. PMT. That'll be it. | 1:28:10 | 1:28:14 | |
-Really? -Yeah, yeah, you're a beautiful expectant mother. | 1:28:14 | 1:28:17 | |
Look at you. You've just got to embrace it. | 1:28:17 | 1:28:20 | |
Exactly. Look at me. | 1:28:20 | 1:28:21 | |
People won't know if it's a bride walking down the aisle, all right, | 1:28:21 | 1:28:24 | |
or Heather Trott's second coming. | 1:28:24 | 1:28:27 | |
You should lay off the carbs, then. | 1:28:27 | 1:28:29 | |
Were there any other diet tips? | 1:28:31 | 1:28:34 | |
-What's that? -The last of what I owe you. | 1:28:37 | 1:28:40 | |
I'd prefer it if you took back my criminal conviction. | 1:28:40 | 1:28:43 | |
It was benefit fraud not genocide. | 1:28:43 | 1:28:45 | |
Ray has got today off. So not only am I events manager, but I'm also head chef. | 1:28:45 | 1:28:52 | |
So not today, Mo Harris. Not today. | 1:28:52 | 1:28:55 | |
You took the fine, this is your due. Oh, I'll leave it upstairs. | 1:28:55 | 1:28:58 | |
-What's she flapping for? -She's having a bit of an off day. It's a five or a six, all right. | 1:28:59 | 1:29:04 | |
Sorry, Patrick. The fish smelt a bit fishy so I've done you corn beef hash instead. | 1:29:07 | 1:29:12 | |
You are so good to me. | 1:29:12 | 1:29:15 | |
Easy, Patrick, easy. | 1:29:15 | 1:29:18 | |
Oh, that reminds me. I found these on the bathroom floor. | 1:29:18 | 1:29:23 | |
Nearly broke me neck. | 1:29:23 | 1:29:24 | |
-Well, don't look at me. -They're not mine, are they? | 1:29:24 | 1:29:27 | |
It won't happen again. | 1:29:29 | 1:29:30 | |
Kat's going to love this, ain't she? | 1:29:31 | 1:29:34 | |
Keep it down. She's my mate and I'm doing her a favour. How many times I got to tell you? | 1:29:34 | 1:29:37 | |
Mo, how's Charlie getting on? | 1:29:37 | 1:29:40 | |
Better. That's why I'm back - to keep an eye on Casanova. | 1:29:40 | 1:29:44 | |
-Oh, shut up! -MOBILE RINGS | 1:29:44 | 1:29:47 | |
Oh. Shirley? | 1:29:47 | 1:29:49 | |
Is this some sort of sick joke? | 1:29:54 | 1:29:56 | |
What? | 1:29:56 | 1:29:57 | |
Cindy was your first wife. | 1:30:00 | 1:30:01 | |
The other day you're accusing me of sleeping with Phil, | 1:30:10 | 1:30:14 | |
yesterday you're biting Lucy and Bobby's head off, and today this. | 1:30:14 | 1:30:18 | |
Do you even love me anymore? | 1:30:19 | 1:30:21 | |
I've had a lot on my mind lately, all right? | 1:30:21 | 1:30:24 | |
Well, that makes two of us. | 1:30:24 | 1:30:26 | |
Look, it was meant to be a surprise, OK? | 1:30:27 | 1:30:29 | |
But if you want the truth, you might as well know now. | 1:30:29 | 1:30:31 | |
Know what? | 1:30:31 | 1:30:33 | |
-I've been planning a party for you. -What party? | 1:30:33 | 1:30:36 | |
-I'm throwing a surprise party for you tonight. -I get a party? -Yeah. | 1:30:36 | 1:30:40 | |
Please tell me you haven't. | 1:30:40 | 1:30:42 | |
Oh, come on, Dot, this is not like you at all. | 1:30:45 | 1:30:48 | |
-I've never known you miss a day off work. -It's unheard of. | 1:30:48 | 1:30:51 | |
What is this, the Spanish Inquisition? | 1:30:51 | 1:30:54 | |
But it's not healthy, man, | 1:30:54 | 1:30:56 | |
you moping around in your dressing gown like this. | 1:30:56 | 1:30:58 | |
I am not moping and I am not missing work. | 1:30:58 | 1:31:01 | |
I'm taking a day off, which is a very different proposition. | 1:31:01 | 1:31:05 | |
If you're having a day's leave, come to the Vic and have a drink. | 1:31:05 | 1:31:08 | |
You know very well that I never touch alcohol, | 1:31:08 | 1:31:11 | |
except on special occasions. | 1:31:11 | 1:31:13 | |
-Ooh, look! -What? | 1:31:13 | 1:31:15 | |
Another flying pig darts across the pink skies of Walford. | 1:31:15 | 1:31:21 | |
I will not tolerate sarcasm in me own home. | 1:31:21 | 1:31:24 | |
Lucy, you've got the wrong end of the stick. You really have. | 1:31:27 | 1:31:31 | |
I'm not broke. Far from it. | 1:31:31 | 1:31:33 | |
How are you planning on paying my tuition fees? | 1:31:33 | 1:31:35 | |
With bread and butter? My future for her. Thanks(!) | 1:31:35 | 1:31:39 | |
I hope you're not talking about me. | 1:31:39 | 1:31:41 | |
You're overdrawn on all your accounts. All your credit cards are maxed out. | 1:31:41 | 1:31:44 | |
Luce, Luce, OK, listen, I'm a businessman. | 1:31:44 | 1:31:48 | |
I've just moved stuff around, I've invested. | 1:31:48 | 1:31:51 | |
You don't have to worry about money. | 1:31:51 | 1:31:52 | |
There's more than enough for your tuition fees and for all of us. | 1:31:52 | 1:31:55 | |
Happy now? Drama queen. | 1:31:55 | 1:31:59 | |
So why have you been acting so weird? | 1:31:59 | 1:32:02 | |
Cos I'm a dad. That's my job! | 1:32:02 | 1:32:03 | |
Look, honestly, everything's fine, OK. Cross me heart. | 1:32:05 | 1:32:07 | |
Right. OK. Well, I've got to revise. | 1:32:09 | 1:32:12 | |
Listen, I've got a few things I need to go and sort out. Can you hold the fort for me? | 1:32:16 | 1:32:21 | |
Yeah, seeing as you're making it so worth my while. | 1:32:21 | 1:32:25 | |
I tell you what, this party is going to be the biggest party ever. | 1:32:25 | 1:32:30 | |
See you later. | 1:32:31 | 1:32:32 | |
FRONT DOOR OPENS | 1:32:32 | 1:32:34 | |
I'll have that key back too please. | 1:32:35 | 1:32:39 | |
You need to get ready. | 1:32:39 | 1:32:40 | |
-I've got you an appointment with a top body specialist person. -Oh. | 1:32:40 | 1:32:44 | |
-Michael, literally, please stop talking to me. -I'm serious. | 1:32:44 | 1:32:47 | |
He's worked with all the big names. He manages pregnancy weight. | 1:32:47 | 1:32:50 | |
Stretch marks. He loves stretch marks, this bloke. | 1:32:50 | 1:32:53 | |
-Harley Street, he's a top geezer. -Harley Street? | 1:32:53 | 1:32:57 | |
Yeah, I got you a cancellation. | 1:32:57 | 1:32:59 | |
So, you know, if you're worried about...being a fat bird, | 1:32:59 | 1:33:04 | |
he'll sort you out. Yeah? | 1:33:04 | 1:33:08 | |
He's not here. | 1:33:12 | 1:33:14 | |
-You two sorted now? -Yeah, yeah, course. | 1:33:14 | 1:33:18 | |
Good. Well, listen, tonight, the Vic, nine o'clock. | 1:33:18 | 1:33:21 | |
It's going to make one of P Diddy's parties look like a coffee morning in Richmond. | 1:33:21 | 1:33:25 | |
-Right. Can I have a cup of tea, please? -Sure. | 1:33:25 | 1:33:28 | |
-Can I sit? -No. | 1:33:35 | 1:33:37 | |
-How's life at the Brannings', then? -Well, it weren't ever permanent. | 1:33:42 | 1:33:46 | |
Jay, I don't know why you didn't come back when Dad said. | 1:33:46 | 1:33:48 | |
He ain't drinking now. It's better. | 1:33:48 | 1:33:50 | |
Jay, what do you want me to do to make it right, eh? | 1:33:53 | 1:33:56 | |
-Cos, I mean, I'll do anything. -I think that you've done enough. | 1:33:56 | 1:33:59 | |
Yeah. So much for being brothers, eh? | 1:34:01 | 1:34:04 | |
All right. Wait. | 1:34:04 | 1:34:06 | |
Your dad still owes me wages. Can you get them for me? | 1:34:11 | 1:34:15 | |
You know, when my school had asbestos, yeah, | 1:34:16 | 1:34:22 | |
I was out with my mates, having fun. | 1:34:22 | 1:34:24 | |
If someone killed you, right here, right now, | 1:34:26 | 1:34:30 | |
they would flee the scene with tiny nail particles | 1:34:30 | 1:34:33 | |
which would ultimately betray them to forensics. | 1:34:33 | 1:34:36 | |
Listen, don't even joke about that, | 1:34:36 | 1:34:38 | |
not after they bumped off Heather Trott. | 1:34:38 | 1:34:40 | |
They haven't found her killer yet, have they? | 1:34:40 | 1:34:43 | |
Is death the only thing you're interested in? | 1:34:43 | 1:34:46 | |
I told you, I'm going to be a forensic scientist when I'm older. | 1:34:46 | 1:34:49 | |
You wouldn't rather be famous? | 1:34:49 | 1:34:52 | |
Her flat is just round the corner, isn't it? | 1:34:52 | 1:34:55 | |
-Don't even think about it. -What, are you scared? | 1:34:55 | 1:34:58 | |
Dad. Jay's come to collect his wages. | 1:35:03 | 1:35:06 | |
I thought it might be the belt or the alternator. | 1:35:11 | 1:35:15 | |
-Sounds like the water pump. -Seemed all right to me. But why don't you take a look? | 1:35:15 | 1:35:20 | |
What are you looking at him for? I'm the one who's talking. | 1:35:20 | 1:35:23 | |
I just want me wages, Phil, all right? | 1:35:23 | 1:35:25 | |
-Jay! -Just leave him. -Yeah, well, what now, eh? | 1:35:27 | 1:35:31 | |
What is this place and why are we here? | 1:35:43 | 1:35:46 | |
My job isn't done. This baby's yours and mine. I want you to see that. | 1:35:46 | 1:35:49 | |
Well, I've already seen it. | 1:35:49 | 1:35:51 | |
The first two scans. | 1:35:58 | 1:35:59 | |
The scans that I weren't at? Those two scans? | 1:35:59 | 1:36:01 | |
-Are we keeping scores now? -Yeah, we are, yeah. Third time lucky. | 1:36:01 | 1:36:05 | |
Alfie, I went out with an American once. | 1:36:35 | 1:36:38 | |
He was a vegetarian, of all things. | 1:36:38 | 1:36:40 | |
Yeah. Mo, less of the bunny, all right? We've got a lot to do. | 1:36:40 | 1:36:43 | |
Nothing like a bit of notice, is there? What does he want, Vegas? | 1:36:43 | 1:36:46 | |
No, Roxy, Ian's a mate of mine, all right? | 1:36:46 | 1:36:48 | |
He's been through a tough time. I want to do something special for him. | 1:36:48 | 1:36:51 | |
-Looks a bit cheap, doesn't it? -Your mum didn't have a hand in designing it, did she? | 1:36:51 | 1:36:56 | |
I'm only doing this cos you ain't shut up about it. | 1:36:58 | 1:37:00 | |
Seriously, anyone would think you were the kid. | 1:37:00 | 1:37:02 | |
"Seriously, anyone would think you were the kid." | 1:37:02 | 1:37:05 | |
I was worried that if you took them, that would be it between us. | 1:37:17 | 1:37:21 | |
Listen, I'm not very good at this sort of thing. | 1:37:22 | 1:37:25 | |
Well, you know, you've been like a son to me | 1:37:25 | 1:37:28 | |
and a brother to Ben. | 1:37:28 | 1:37:30 | |
-Look what it's got me. -Everything that's happened, it's over. | 1:37:30 | 1:37:32 | |
There's nothing and no-one to worry about anymore. | 1:37:32 | 1:37:35 | |
Except you. | 1:37:35 | 1:37:36 | |
You're an alcoholic, violent bully | 1:37:38 | 1:37:42 | |
who was happy to let Andrew and then Billy take the rap for something that someone else did. | 1:37:42 | 1:37:46 | |
Your own cousin. | 1:37:46 | 1:37:48 | |
You won't understand until you have kids of your own. | 1:37:49 | 1:37:52 | |
-When you do, you realise you'll do anything for them. Anything. -At what cost? | 1:37:52 | 1:37:55 | |
Shirley. You. My health. | 1:37:55 | 1:37:59 | |
But I'm going to meetings again now and Shirley's come home. | 1:37:59 | 1:38:03 | |
But I'd do the same again for my boy and I'd do the same for you. | 1:38:03 | 1:38:06 | |
Listen, right now, Shirley's over at Heather's packing up her stuff. | 1:38:06 | 1:38:10 | |
She's taking it down the charity shop. The old bill ain't got a lead. No-one is going to be charged. | 1:38:10 | 1:38:14 | |
It's over. So, please, please, come back home. | 1:38:15 | 1:38:20 | |
You're a good kid. | 1:38:29 | 1:38:31 | |
I would offer you a cup of tea but we've run out of tea bags. | 1:38:35 | 1:38:39 | |
Cora was too busy and Rose forgot. | 1:38:39 | 1:38:41 | |
That's all right, I've got my caffeine hit here. | 1:38:41 | 1:38:43 | |
I was only coming round to tell you about the party. | 1:38:43 | 1:38:45 | |
Oh, I heard. It's the talk of the town. | 1:38:45 | 1:38:47 | |
I'll tell you what, no expense spared. | 1:38:47 | 1:38:50 | |
It is going to be a great night. A great night. | 1:38:50 | 1:38:52 | |
I did come to the launderette but you weren't there. | 1:38:52 | 1:38:54 | |
Why does everybody keep going on about that? | 1:38:54 | 1:38:56 | |
I'm entitled to a day off, aren't I, a little break? | 1:38:56 | 1:38:59 | |
-Why don't you sit down? -No, I'm fine. I am perfectly fine. | 1:38:59 | 1:39:02 | |
I tell you what, Dot, why don't you be fine sat down? Come on. There you go. | 1:39:02 | 1:39:06 | |
You're grieving. It's normal. | 1:39:06 | 1:39:08 | |
Yes, well, with Pat, you see, it was sudden but she'd had her life. | 1:39:08 | 1:39:12 | |
Whereas Heather, her life was only just beginning. | 1:39:12 | 1:39:16 | |
Oh, that poor girl. I can't stop thinking about it. | 1:39:16 | 1:39:19 | |
You know, it keeps going round and round in my head, like a wheel, spinning. | 1:39:19 | 1:39:23 | |
Why don't you go see a doctor or a grief counsellor? | 1:39:23 | 1:39:25 | |
I mean, I used to love going into that launderette, but now I dread it. | 1:39:25 | 1:39:28 | |
Cos every time, it's just a reminder. | 1:39:28 | 1:39:32 | |
Why don't you get away? You know, have a break? | 1:39:32 | 1:39:35 | |
What? And leave Jim in a home? I couldn't. I couldn't possibly. | 1:39:35 | 1:39:40 | |
Did Phil come and see you yesterday? | 1:39:40 | 1:39:43 | |
Cos I had a word with him. It's wrong the way he treats you. | 1:39:43 | 1:39:46 | |
Dot, don't worry, that's all sorted. | 1:39:46 | 1:39:48 | |
Listen, your Jim - Dot, he's in good hands. | 1:39:49 | 1:39:54 | |
And if I was you? Up and gone in a flash. Just get away. | 1:39:54 | 1:39:57 | |
Yeah, but you're needed here. | 1:39:57 | 1:40:00 | |
I mean, have you made it up with him? | 1:40:00 | 1:40:02 | |
-Who? -Your brother. | 1:40:02 | 1:40:05 | |
Ben. He's lost a very dear friend too. He needs you. | 1:40:05 | 1:40:08 | |
He was telling me how much he was looking forward to performing his duties at your forthcoming nuptials. | 1:40:08 | 1:40:14 | |
Oh, he's my best man! | 1:40:14 | 1:40:16 | |
Yeah, and a fine one he'll make. | 1:40:16 | 1:40:19 | |
You hadn't forgotten it, had you? | 1:40:20 | 1:40:22 | |
It just squiggles. I can't see nothing. | 1:40:33 | 1:40:36 | |
So paternal(!) | 1:40:36 | 1:40:37 | |
Don't worry, that's the 2D imaging. Now we're high-tech. | 1:40:37 | 1:40:41 | |
We're going 4D. | 1:40:41 | 1:40:42 | |
-JANINE GASPS -There we are. How's that? -Oh. | 1:40:44 | 1:40:47 | |
You can actually see its little face. It looks like a real baby. | 1:40:49 | 1:40:55 | |
It is a real baby. | 1:40:55 | 1:40:56 | |
Is it a boy or girl? | 1:40:56 | 1:40:58 | |
-I thought you said you didn't want to know? -No, please. | 1:40:59 | 1:41:01 | |
I can't keeping calling it "it". I need to know. | 1:41:01 | 1:41:04 | |
-I can give you a few minutes? -All right. Shall we? | 1:41:04 | 1:41:08 | |
Yeah, OK, we need to know. | 1:41:08 | 1:41:09 | |
OK, let's have a look, then. | 1:41:09 | 1:41:11 | |
So what do you think, Cluedo? | 1:41:16 | 1:41:19 | |
Winston, tufty head down the market, reckons that it was a robbery that went wrong. | 1:41:19 | 1:41:24 | |
And then bang, bang, bang... | 1:41:24 | 1:41:26 | |
she was battered to death with bullets by a hooded man. | 1:41:26 | 1:41:30 | |
Blood and brains were everywhere. Urgh! | 1:41:30 | 1:41:34 | |
I can see why you want to get into all this. Gives a real rush, innit? | 1:41:34 | 1:41:39 | |
Sasha, what you crying for? | 1:41:41 | 1:41:43 | |
Don't leave me on my own here! | 1:41:45 | 1:41:47 | |
-Dad! -Sasha! | 1:41:50 | 1:41:52 | |
Hey. What's wrong? What happened? | 1:41:52 | 1:41:55 | |
What have you done to my daughter? | 1:41:55 | 1:41:57 | |
If you don't take something, you're going to regret it. | 1:41:58 | 1:42:03 | |
It just don't feel the same without her here. | 1:42:03 | 1:42:06 | |
Nothing's the same. | 1:42:07 | 1:42:09 | |
But we've got to get used to different. | 1:42:10 | 1:42:13 | |
What you going to have, then, Dad? | 1:42:29 | 1:42:31 | |
I reckon I might have a peshwari naan or definitely a chapatti. | 1:42:31 | 1:42:34 | |
I might even have some rice. | 1:42:34 | 1:42:37 | |
All right? | 1:42:41 | 1:42:42 | |
Make sure you save some room for sundae at your party. | 1:43:06 | 1:43:09 | |
Why don't we just ditch this and head over there now? | 1:43:09 | 1:43:12 | |
No, I just want to spend some time, the two of us. | 1:43:12 | 1:43:15 | |
I know I've been a nightmare lately. | 1:43:15 | 1:43:18 | |
-The nightmare's over, OK? -Too many of them energy drinks. | 1:43:18 | 1:43:22 | |
What is it? What's wrong? | 1:43:32 | 1:43:34 | |
Nothing. It's a bit hot. | 1:43:35 | 1:43:37 | |
-What, a korma? -This table all right for you? -Fine, thanks. | 1:43:37 | 1:43:41 | |
-Some poppadoms, please. -Sure. | 1:43:41 | 1:43:42 | |
Yeah, and, please, if he orders a vindaloo give him a masala. | 1:43:42 | 1:43:46 | |
Why do you keep looking over? | 1:43:48 | 1:43:49 | |
I'm... No... I don't. | 1:43:51 | 1:43:53 | |
Poppadoms for the Addams family, please. | 1:43:56 | 1:44:00 | |
Are you going to eat that? | 1:44:00 | 1:44:02 | |
I need some air. I'll be two minutes. | 1:44:04 | 1:44:08 | |
So paint for the nursery. Pink? | 1:44:12 | 1:44:16 | |
Oh! Um... No. | 1:44:16 | 1:44:18 | |
This little lady is going to be more independent woman than pink pushover, thank you very much. | 1:44:18 | 1:44:23 | |
We'll discuss it and get back to you. | 1:44:23 | 1:44:25 | |
Oh, will you? | 1:44:25 | 1:44:27 | |
You still want to get married? | 1:44:27 | 1:44:30 | |
More than you'll ever know. | 1:44:30 | 1:44:32 | |
Let's do it, then, Daddy. | 1:44:33 | 1:44:36 | |
CRIES OF SURPRISE FROM INSIDE | 1:45:02 | 1:45:05 | |
BELL RINGS Listen up, folks! If I could have your attention, please. Thank you. | 1:45:09 | 1:45:14 | |
As you're all aware, half of Walford is down. Sadly, no power. | 1:45:14 | 1:45:17 | |
And due to health and safety regulations, | 1:45:17 | 1:45:20 | |
I'm afraid I'm going to have to ask you all to leave | 1:45:20 | 1:45:22 | |
until we're up and running again. ALL GROAN | 1:45:22 | 1:45:24 | |
Stop whinging, stop moaning. Come on, everybody. Everybody out. Come on, let's go. | 1:45:24 | 1:45:28 | |
That includes you, Cora. Come on, chop, chop! All out. Let's go. | 1:45:28 | 1:45:31 | |
Now, listen to me. This pub would have been doing business during the Blitz, | 1:45:31 | 1:45:37 | |
serving pints the night the Berlin Wall fell | 1:45:37 | 1:45:41 | |
and flogging pork scratchings the day Diana died. | 1:45:41 | 1:45:45 | |
-Now, come on, do your duty, my man. -Yeah! | 1:45:45 | 1:45:48 | |
Yeah. Grandad, look, it's a party. | 1:45:48 | 1:45:51 | |
Just bolt the doors and call it a lock-in. | 1:45:51 | 1:45:53 | |
-Come on, Alf, play the game, mate. -Come on, Alfie. | 1:45:53 | 1:45:56 | |
Am I the sheriff in this town, or am I the sheriff? | 1:45:56 | 1:46:00 | |
Let's have a lock-in! CHEERING | 1:46:00 | 1:46:04 | |
Take one of these and return for your free meal. Really sorry about this. | 1:46:04 | 1:46:08 | |
All right, cheers. | 1:46:08 | 1:46:10 | |
-Have you seen Ian? -Have I seen...? -Ian. -No. | 1:46:10 | 1:46:15 | |
Sorry. | 1:46:15 | 1:46:17 | |
Excuse me, guys, we really have to close up. | 1:46:19 | 1:46:22 | |
-So I can put it in a doggy bag for you if you want? -Do I look like a dog to you? -No. | 1:46:22 | 1:46:26 | |
No. It's...for the food. | 1:46:26 | 1:46:29 | |
You knew it was the water pump, didn't you? | 1:46:40 | 1:46:43 | |
Yeah. | 1:46:43 | 1:46:44 | |
Phil... | 1:46:44 | 1:46:47 | |
Here you are, mate. | 1:46:47 | 1:46:49 | |
Who let you have the vindaloo? | 1:46:56 | 1:46:58 | |
Yeah, don't worry, he's on the sofa tonight. | 1:46:58 | 1:47:00 | |
-To us. -To us. -To us. -To us. | 1:47:02 | 1:47:06 | |
ALL: # Drove my Chevy to the levee but the levee was dry | 1:47:07 | 1:47:12 | |
# Them good old boys were drinking whisky and rye | 1:47:12 | 1:47:16 | |
# Sayin' this'll be the day that I die | 1:47:16 | 1:47:20 | |
# This'll be... # | 1:47:20 | 1:47:22 | |
Patrick, I think you'd better come and see this. | 1:47:22 | 1:47:24 | |
Ian, it's Alfie. Where are you, mate? Everyone's waiting. Give me a shout when you're on your way over. | 1:47:26 | 1:47:31 | |
Hurry up. Bye. | 1:47:31 | 1:47:33 | |
It's a lock-in. | 1:47:35 | 1:47:38 | |
Alfie, I'll have a double. | 1:47:38 | 1:47:40 | |
Just tell me what's happened. | 1:47:40 | 1:47:41 | |
Look, I just don't want to talk about it, OK? I'm in pieces. | 1:47:41 | 1:47:45 | |
Oh, free food! | 1:47:46 | 1:47:49 | |
Dorothy! | 1:47:54 | 1:47:56 | |
Dot? | 1:47:57 | 1:47:59 | |
What's all this? | 1:48:01 | 1:48:03 | |
Well, I've got to get away. Suddenly it hit me - | 1:48:03 | 1:48:07 | |
the misery, people dying, moving away. | 1:48:07 | 1:48:11 | |
So I asked Jack if he'd keep a look out, you know, for Jim. | 1:48:11 | 1:48:14 | |
-Where you going? -Well, I've told you I've got to get away. | 1:48:14 | 1:48:18 | |
So I'm going to go and stay with Sandy, me daughter-in-law | 1:48:18 | 1:48:21 | |
and spend time with my little Dotty. | 1:48:21 | 1:48:24 | |
You can't leave. Who's going to make the tea in the morning? | 1:48:24 | 1:48:29 | |
I think it's a fantastic idea. Go, man. | 1:48:29 | 1:48:31 | |
Go and recharge your batteries. | 1:48:31 | 1:48:34 | |
What about me? | 1:48:34 | 1:48:36 | |
What about you? | 1:48:36 | 1:48:38 | |
You can't leave me again. | 1:48:38 | 1:48:40 | |
I never did leave you. It was you what left me, | 1:48:40 | 1:48:43 | |
taking my Charlie with you. | 1:48:43 | 1:48:44 | |
Oh, Dot. | 1:48:44 | 1:48:47 | |
That's enough, Rose Elizabeth. I ain't going to the North Pole. | 1:48:47 | 1:48:51 | |
Bye. | 1:48:53 | 1:48:54 | |
Where are you? Pick up! | 1:48:58 | 1:49:01 | |
Ian? | 1:49:05 | 1:49:06 | |
Ian, what you doing? | 1:49:09 | 1:49:11 | |
Ian, stop it. You're scaring me. | 1:49:12 | 1:49:15 | |
We need to leave. | 1:49:16 | 1:49:18 | |
Leave where? | 1:49:18 | 1:49:19 | |
Here. Straight after the wedding we're going to leave, | 1:49:19 | 1:49:22 | |
and we can never, ever come back. | 1:49:22 | 1:49:24 | |
Subtitles by Red Bee Media Ltd | 1:49:52 | 1:49:55 |