
Browse content similar to 26/05/2012. Check below for episodes and series from the same categories and more!
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# Hey, little sister | 0:00:47 | 0:00:49 | |
# What have you done? | 0:00:49 | 0:00:52 | |
# Hey, little sister Who's the only one... # | 0:00:54 | 0:00:56 | |
Oi, oi. | 0:00:56 | 0:00:58 | |
MUFFLED MUSIC CONTINUES | 0:00:58 | 0:01:01 | |
# It's a nice day for a white wedding... # | 0:01:07 | 0:01:10 | |
What on earth are you doing? | 0:01:12 | 0:01:15 | |
Practising for the wedding. Be careful of my record. | 0:01:15 | 0:01:17 | |
-You're not playing that at the wedding. -Yeah. Billy Idol. Legend. | 0:01:17 | 0:01:21 | |
Ian, I'm not so sure, you know. It's meant to be a first dance. | 0:01:21 | 0:01:24 | |
I don't even think I'd know how to dance to that. | 0:01:24 | 0:01:26 | |
Not without a pole. | 0:01:26 | 0:01:28 | |
-That's enough. -And why is there a for sale sign outside the house? | 0:01:28 | 0:01:31 | |
Because the house is for sale? I did tell you. | 0:01:31 | 0:01:34 | |
-I didn't think you meant it. -Well, now you know I do, OK? | 0:01:34 | 0:01:37 | |
The Registry Office had a cancellation for Friday. | 0:01:37 | 0:01:40 | |
The estate agent's lining up viewings. Things are coming together. | 0:01:40 | 0:01:43 | |
I'm in the middle of my exams. This is one of the most important times of my life. | 0:01:43 | 0:01:47 | |
Why are you doing this to me?! | 0:01:47 | 0:01:48 | |
Lucy, it's not all about you, OK? | 0:01:48 | 0:01:51 | |
It's about all of us. Me and Mandy'll be married Friday. | 0:01:51 | 0:01:56 | |
The estate agent will have sold the house, | 0:01:56 | 0:01:58 | |
we'll ALL be moving onto bigger and better things. OK? | 0:01:58 | 0:02:01 | |
I don't understand. What is the rush? | 0:02:01 | 0:02:03 | |
-What is so urgent that you have to jeopardise my future? -There is no rush. OK? | 0:02:03 | 0:02:07 | |
There is no panic. Tell you what, it is like the great man said, OK? | 0:02:07 | 0:02:12 | |
Nice day to start again. | 0:02:12 | 0:02:14 | |
-I was not gawping, all right? -If it's being flaunted... | 0:02:16 | 0:02:19 | |
It's not being flaunted, is it? | 0:02:19 | 0:02:21 | |
-HE SIGHS -While the Kat's away... | 0:02:21 | 0:02:23 | |
Michael, Kat's not away, is she? | 0:02:23 | 0:02:26 | |
She's not living it large in Marbella, tanning herself day after day, is she? | 0:02:26 | 0:02:29 | |
She's looking after her dad. Her sick dad. | 0:02:29 | 0:02:32 | |
-All right. -And Tommy. | 0:02:32 | 0:02:35 | |
-Listen to me. Could be worse, couldn't it? -It's worse. | 0:02:35 | 0:02:39 | |
Whoa, whoa, whoa. Where's the fire? | 0:02:39 | 0:02:41 | |
Up Mo's backside if she's not careful. She finished all the milk. | 0:02:41 | 0:02:44 | |
-Crying over spilt milk, eh? -Do I look like I'm crying? I'm going to get more. | 0:02:44 | 0:02:47 | |
Babe, listen. Don't worry about it. Take some from the pub's store. | 0:02:47 | 0:02:51 | |
Can't have a young girl going hungry, can we? | 0:02:51 | 0:02:54 | |
-Sorry, I've got it. -No, no, I'll get it. | 0:02:55 | 0:02:57 | |
HE CHUCKLES | 0:02:57 | 0:02:59 | |
Thanks. | 0:03:03 | 0:03:05 | |
-Alfie? -Jean, you've got a habit of sneaking up on people, darling. | 0:03:08 | 0:03:11 | |
I didn't mean to sneak. This came for you. | 0:03:11 | 0:03:13 | |
Jean, what you doing, sweetheart? | 0:03:13 | 0:03:15 | |
This is my personal credit card statement. | 0:03:15 | 0:03:18 | |
I know I opened it by mistake. I'm so sorry. | 0:03:18 | 0:03:21 | |
You've missed a payment, Alfie. | 0:03:21 | 0:03:23 | |
Yeah, don't worry about it. I'll take care of it. | 0:03:23 | 0:03:25 | |
You shouldn't miss payments, Alfie. The interest... | 0:03:25 | 0:03:28 | |
It was either this or the weekly shop. All right? | 0:03:28 | 0:03:30 | |
-Does Kat know? -Kat's not here! | 0:03:30 | 0:03:32 | |
I'll take care of it. It'll be fine. | 0:03:32 | 0:03:35 | |
I was 13 when this came out in 1982. | 0:03:41 | 0:03:44 | |
D'you know what, I didn't just like Billy Idol, right? | 0:03:44 | 0:03:47 | |
I wanted to be Billy Idol. | 0:03:47 | 0:03:50 | |
There was this girl at school, Sally Bateman. | 0:03:50 | 0:03:52 | |
Thinking about it, she looked a bit like your mum. | 0:03:52 | 0:03:56 | |
-I didn't half have the hots for her... -Dad. | 0:03:56 | 0:03:59 | |
I always reckoned I was going to marry Sally Bateman, | 0:03:59 | 0:04:02 | |
and Billy Idol was going to be play White Wedding at our wedding. | 0:04:02 | 0:04:07 | |
-Why are you telling me this? -Dunno. | 0:04:07 | 0:04:09 | |
Everything just seemed simpler back then. Cooler. | 0:04:09 | 0:04:15 | |
Is that what you want? To be cool? | 0:04:15 | 0:04:18 | |
No. | 0:04:18 | 0:04:20 | |
Nah, not any more. | 0:04:20 | 0:04:22 | |
What do you want, then? | 0:04:22 | 0:04:24 | |
I want to be happy. | 0:04:25 | 0:04:28 | |
I want to be safe. | 0:04:28 | 0:04:30 | |
You know, running away isn't going to make you happy. | 0:04:30 | 0:04:33 | |
Who says I'm running away? | 0:04:34 | 0:04:36 | |
The for sale sign. This marriage. | 0:04:36 | 0:04:39 | |
Leaving home, your business, friends and family. | 0:04:39 | 0:04:43 | |
The business will still be here and my family's coming with me, OK? | 0:04:43 | 0:04:47 | |
Yeah? What about Ben? Your brother. Remember? | 0:04:47 | 0:04:50 | |
What about Ben? He's made his choices, all right? | 0:04:50 | 0:04:52 | |
What is that supposed to mean? | 0:04:52 | 0:04:54 | |
Ben's a Mitchell, OK? He's not part of this family. He's... | 0:04:54 | 0:04:57 | |
We're leaving. He's staying. OK? | 0:04:59 | 0:05:02 | |
And that's all there is to it. | 0:05:02 | 0:05:04 | |
Look, I know this all happened a bit quick but... | 0:05:04 | 0:05:08 | |
And I know I've been... I haven't been myself lately. | 0:05:08 | 0:05:11 | |
I've been getting really stressed. And that needs to stop. | 0:05:11 | 0:05:15 | |
And Friday, it will. OK? You'll understand. | 0:05:15 | 0:05:18 | |
I've got my Business Studies exam. | 0:05:18 | 0:05:20 | |
Well, it was supposed to be breakfast in bed | 0:05:23 | 0:05:26 | |
but seeing as you're up, you've got eggs, bacon, toast... | 0:05:26 | 0:05:29 | |
Who stole my beans?! > | 0:05:29 | 0:05:31 | |
-Which one of you tea-leaves...? -All right, look. It wasn't her. It was me. | 0:05:33 | 0:05:37 | |
How was I supposed to know they was your beans? | 0:05:37 | 0:05:40 | |
You label your beans? | 0:05:40 | 0:05:41 | |
-I label all my foodstuffs. -Why? | 0:05:41 | 0:05:44 | |
Because when I was in the.... | 0:05:44 | 0:05:46 | |
To stop scavengers like you nicking 'em. | 0:05:46 | 0:05:48 | |
-That's mine! -Not according to the tin. | 0:05:48 | 0:05:51 | |
OK, the beans are yours. The rest's ours, yeah? | 0:05:51 | 0:05:55 | |
-You happy now? -Yeah. | 0:06:00 | 0:06:03 | |
You're not going to let him get away with that, are you? | 0:06:04 | 0:06:07 | |
-He said what? -That you made your own choices. That you're a Mitchell. | 0:06:09 | 0:06:13 | |
I don't know. He was acting really weird. | 0:06:13 | 0:06:14 | |
Ian's never really played with a full deck, has he? | 0:06:14 | 0:06:17 | |
No, I mean manic. Bringing the wedding forward, | 0:06:17 | 0:06:20 | |
-selling the house. -What? Why? | 0:06:20 | 0:06:22 | |
He said we're moving away. | 0:06:22 | 0:06:25 | |
Said he's got no friends or family left here. | 0:06:25 | 0:06:27 | |
I've never seen him like this. Mandy's wound him up so tight, | 0:06:27 | 0:06:30 | |
he's all over the place, arranging the wedding. | 0:06:30 | 0:06:32 | |
-You've got to do something. Talk some sense into him. -Me? | 0:06:32 | 0:06:36 | |
Yeah, you're his brother! In fact, you're his best man, aren't you? | 0:06:36 | 0:06:39 | |
Yeah, well, I don't think so. I dunno. Not any more, anyway. | 0:06:39 | 0:06:43 | |
Why not? What is going on between you two? | 0:06:43 | 0:06:47 | |
You said it yourself. | 0:06:47 | 0:06:48 | |
Mandy's got him not knowing whether he's coming or going. | 0:06:48 | 0:06:51 | |
But I'll have a word with him. | 0:06:51 | 0:06:54 | |
-Let him know what a big mistake he's making. -Thank you. | 0:06:54 | 0:06:57 | |
What are you going to do? | 0:06:59 | 0:07:01 | |
Whatever it takes. | 0:07:01 | 0:07:03 | |
People find out that Ian's leaving, they'll start asking questions. | 0:07:03 | 0:07:06 | |
We can't have people asking questions, can we? | 0:07:06 | 0:07:08 | |
It's just a missed payment. Alfie'll sort it. | 0:07:09 | 0:07:11 | |
It's not just that though. | 0:07:13 | 0:07:15 | |
We've missed a few bills. | 0:07:15 | 0:07:17 | |
He didn't even have enough money for the weekly shop. | 0:07:19 | 0:07:21 | |
Will there be some money coming through from my investment? | 0:07:22 | 0:07:26 | |
No, no. That's a long term thing, Jean. You need to... | 0:07:26 | 0:07:29 | |
That's a 'big picture' type deal, know what I mean? | 0:07:29 | 0:07:31 | |
I don't care about big pictures, I just want to help. | 0:07:31 | 0:07:34 | |
He's just missed a few bills. It's not the Greek national debt. | 0:07:34 | 0:07:37 | |
Slight overreaction. Why don't you just chuck in for the weekly shop? | 0:07:37 | 0:07:41 | |
Well, I would but all my money's in the investment. | 0:07:41 | 0:07:44 | |
Well, just have to get another job then. | 0:07:46 | 0:07:50 | |
-Tide us over temporarily. -That's a good idea. | 0:07:50 | 0:07:52 | |
And now there's a for sale sign out front. | 0:07:58 | 0:08:00 | |
Wonder what he's planning to do with the caff. | 0:08:00 | 0:08:03 | |
I should probably call Jane. | 0:08:04 | 0:08:06 | |
It's him, isn't it? | 0:08:07 | 0:08:09 | |
-Who is who? -The man you're mooning over. | 0:08:09 | 0:08:12 | |
-I'm not mooning over anyone. -Yeah, right. | 0:08:12 | 0:08:14 | |
So, what do you say to a nice night in? | 0:08:14 | 0:08:17 | |
What, as opposed to a murder scene? | 0:08:17 | 0:08:18 | |
Oh, how many times can I say I'm sorry? | 0:08:18 | 0:08:21 | |
I've got Sasha tonight. | 0:08:21 | 0:08:23 | |
I was thinking about the three of us. We could watch a couple of DVDs. | 0:08:23 | 0:08:26 | |
What, like a snuff movie, yeah? | 0:08:26 | 0:08:28 | |
That depends. Do they find Nemo in a shallow grave? | 0:08:28 | 0:08:32 | |
Oh, come on, Ray. I'm trying here. | 0:08:33 | 0:08:35 | |
You'll have to try harder than DVDs on a school night. | 0:08:35 | 0:08:37 | |
Do you reckon a guy and girl can ever be just friends? | 0:08:38 | 0:08:41 | |
-Hello, Sally, meet Harry. -I'm being serious. | 0:08:41 | 0:08:44 | |
Yes, guys can be friends with girls. It's just really hard. | 0:08:44 | 0:08:49 | |
Especially if one person isn't trying as much as the other. | 0:08:49 | 0:08:51 | |
I'm trying. | 0:08:51 | 0:08:53 | |
I saw you this morning, in your nightie. | 0:08:53 | 0:08:56 | |
Oh, come on, Rox. It's not fair. | 0:08:56 | 0:08:59 | |
Not to you and not to him. Someone's going to get hurt. | 0:08:59 | 0:09:04 | |
Wait, he put his name on a can of beans?! | 0:09:07 | 0:09:09 | |
Not even just his beans. The weirdo labels everything. I checked. | 0:09:09 | 0:09:13 | |
Please tell me my brother defended your honour? | 0:09:13 | 0:09:15 | |
My honour? He didn't even defend the beans! | 0:09:15 | 0:09:18 | |
What was I supposed to do? Look, it was the bloke's beans. He's got a point. | 0:09:18 | 0:09:22 | |
Tyler's labelling his food as well. | 0:09:22 | 0:09:24 | |
SHE CLUCKS LIKE A CHICKEN | 0:09:24 | 0:09:27 | |
I'm not a chicken, all right. I'm just waiting for the right time. | 0:09:27 | 0:09:31 | |
Lay a few ground rules, set him straight. | 0:09:31 | 0:09:33 | |
Well, listen, I'm not having him taking over that house. | 0:09:33 | 0:09:36 | |
He'll be labelling that TV next. | 0:09:36 | 0:09:38 | |
SHE CONTINUES CLUCKING | 0:09:38 | 0:09:39 | |
I'm sorry, I'm sorry. | 0:09:39 | 0:09:41 | |
12.30, Town Hall. That's it. | 0:09:41 | 0:09:43 | |
Brilliant. I'll see you then. Bye. | 0:09:43 | 0:09:46 | |
That's the photographer booked! | 0:09:46 | 0:09:47 | |
You're not still worried about Lucy, are you? | 0:09:50 | 0:09:53 | |
-Maybe she's got a point. -What, about Billy Idol? -No. | 0:09:54 | 0:09:58 | |
About the wedding and moving. | 0:09:58 | 0:10:01 | |
I mean, Ian, it's all happening so fast. | 0:10:01 | 0:10:04 | |
Are you running away? | 0:10:06 | 0:10:07 | |
What if I am, OK? | 0:10:11 | 0:10:13 | |
It's a big wide world out there and... | 0:10:13 | 0:10:15 | |
..maybe I've outgrown this place. | 0:10:17 | 0:10:19 | |
All the people I cared about, they're long gone. | 0:10:19 | 0:10:23 | |
There's nothing left for me here. Nothing but ghosts. | 0:10:23 | 0:10:27 | |
So, yeah, if I am running away... | 0:10:27 | 0:10:29 | |
..perhaps we're running away to a better place. | 0:10:30 | 0:10:32 | |
Once we're married, OK, everything will be fine. | 0:10:32 | 0:10:37 | |
Ian, I haven't even got a dress. | 0:10:38 | 0:10:40 | |
Tell you what, how about you take yourself into town, | 0:10:40 | 0:10:44 | |
go get yourself the sort of dress you've always dreamed of? | 0:10:44 | 0:10:48 | |
Might come to a little bit more than that, hun. | 0:10:48 | 0:10:50 | |
Yeah, it will, won't it? OK, tell you what, take this one. | 0:10:51 | 0:10:55 | |
You can remember the PIN, can't you? Usual one. | 0:10:55 | 0:10:58 | |
OK. | 0:10:58 | 0:10:59 | |
-See you. -Bye. | 0:11:02 | 0:11:04 | |
# It's a nice day for a white wedding... # | 0:11:10 | 0:11:13 | |
You forgot something, love? | 0:11:13 | 0:11:14 | |
(ALFIE) Yeah, I know. What colour is it? | 0:11:17 | 0:11:20 | |
No, no, no. That's not what I said. | 0:11:20 | 0:11:22 | |
You're not listening, that's not what I... | 0:11:22 | 0:11:24 | |
I'm not being useless, all right? | 0:11:25 | 0:11:28 | |
I just want to make a decision with you. | 0:11:28 | 0:11:30 | |
HE SIGHS | 0:11:30 | 0:11:32 | |
No, I know I'm not there. | 0:11:32 | 0:11:33 | |
But at the same time, you're not here, are you? | 0:11:33 | 0:11:36 | |
No, I'm not saying it's your fault. It's no-one's fault. | 0:11:37 | 0:11:40 | |
It's just a fact, that's all. Kat? | 0:11:40 | 0:11:43 | |
Kat? Kat? | 0:11:43 | 0:11:46 | |
Sorry. | 0:11:47 | 0:11:49 | |
Mo said you were here. I didn't mean to... | 0:11:50 | 0:11:54 | |
You know what, it's a bad time, I'll go. | 0:11:54 | 0:11:56 | |
Oi! You all right? | 0:11:58 | 0:12:00 | |
Yeah. I'm good. Never been better. | 0:12:03 | 0:12:05 | |
Ian, calm down, will you? I just want to talk to you. | 0:12:07 | 0:12:09 | |
Give me a call or send me a text or something. | 0:12:09 | 0:12:11 | |
-Just stay away from me. -I was asked to come by Lucy. -What?! | 0:12:11 | 0:12:14 | |
She thinks you're acting weird, like you've got something to hide. | 0:12:14 | 0:12:17 | |
I do. We all do, don't we? | 0:12:17 | 0:12:19 | |
-Which is why it's important to act normal. -Normal? | 0:12:19 | 0:12:21 | |
That's a laugh. What is normal about this? | 0:12:21 | 0:12:23 | |
Not pulling the plug on your life, on Lucy's. What are you thinking? | 0:12:23 | 0:12:27 | |
I was thinking about getting her as far away from here as possible. | 0:12:27 | 0:12:30 | |
I'd have thought that's what you wanted. | 0:12:30 | 0:12:32 | |
Oh, no. You... | 0:12:34 | 0:12:35 | |
You want me here so you can keep me under control, don't you? | 0:12:35 | 0:12:38 | |
Well, someone's got to, ain't they? Eh? Go back to your job. | 0:12:38 | 0:12:43 | |
Earn money. Take care of your family. And act normal. | 0:12:43 | 0:12:47 | |
Now, we had a deal, remember? | 0:12:47 | 0:12:50 | |
We don't want anyone asking any questions. | 0:12:50 | 0:12:52 | |
Cos you're in this as deep as anyone else. | 0:12:52 | 0:12:54 | |
Oh. £1,000. Cash. Interest compounded daily. | 0:13:05 | 0:13:10 | |
What was it you said on Saturday? Short term bridging loan? | 0:13:10 | 0:13:14 | |
A creditor might be a little bit nervous to see this. | 0:13:14 | 0:13:16 | |
Janine, you'll get your money, one way or another. | 0:13:16 | 0:13:18 | |
OK, well, I like the sound of "another." | 0:13:18 | 0:13:21 | |
Duvet covers. | 0:13:27 | 0:13:28 | |
-What? -Exactly. That's what me and Kat were arguing about. | 0:13:28 | 0:13:31 | |
Can you believe it? Duvet covers for Tommy. Ben 10 or In The Night Garden. | 0:13:31 | 0:13:36 | |
These are very important decisions, Alfie. | 0:13:36 | 0:13:38 | |
Tell me about it. You know, big decision to make. | 0:13:38 | 0:13:40 | |
THEY LAUGH | 0:13:40 | 0:13:43 | |
Not sure Kat sees it like that though. | 0:13:43 | 0:13:46 | |
You miss her, don't you? | 0:13:48 | 0:13:50 | |
You should go to them. | 0:13:53 | 0:13:56 | |
What, just pack up and go? I've got responsibilities. | 0:13:56 | 0:14:00 | |
At least that's what I keep telling myself. | 0:14:00 | 0:14:03 | |
Funny, you know, at times like this, the Slaters pull together as a family. | 0:14:03 | 0:14:08 | |
I'll never be a Slater. Not really. | 0:14:10 | 0:14:13 | |
But, you know, I do understand it. | 0:14:15 | 0:14:17 | |
It's just that, you know, at times like this, | 0:14:17 | 0:14:21 | |
I get lonely, miss my family, you know? | 0:14:21 | 0:14:24 | |
Yeah, I know. | 0:14:24 | 0:14:25 | |
PHONE RINGS | 0:14:28 | 0:14:30 | |
It's only Ian. I'll talk to him later. | 0:14:30 | 0:14:33 | |
SHE CLEARS THROAT | 0:14:33 | 0:14:34 | |
So what did you want? | 0:14:34 | 0:14:36 | |
I'm going to move out. | 0:14:39 | 0:14:40 | |
-What? -I know you said it's OK, I know you said it's OK but... | 0:14:40 | 0:14:43 | |
It's getting awkward with Mo and Jean and everything. | 0:14:44 | 0:14:47 | |
No, you don't have to do that, darling. Not on their account. | 0:14:47 | 0:14:50 | |
-All right, Alfie? -Hey, you all right? All right, girls? -Hiya. | 0:14:50 | 0:14:54 | |
Right. I should go. | 0:14:57 | 0:15:00 | |
Hey, listen. No, Rox. | 0:15:00 | 0:15:02 | |
How about tonight me and you go and get something to eat? | 0:15:02 | 0:15:04 | |
Maybe I dunno, grab a curry or something. Be lonely together, eh? | 0:15:04 | 0:15:08 | |
-Yeah, I'd really like that. -Yeah, me too. | 0:15:09 | 0:15:13 | |
-Catch you later then, yeah? -Bye. -See you later. Take care. | 0:15:13 | 0:15:17 | |
All right, Mush? Where's Tyler? | 0:15:17 | 0:15:19 | |
Gone to see a man about a label. | 0:15:20 | 0:15:23 | |
What I'm trying to say is that maybe for the good of the house, | 0:15:23 | 0:15:25 | |
we should all just try and muck in together. Yeah? | 0:15:25 | 0:15:28 | |
I mean, this whole labelling thing, it's a bit weird, innit? | 0:15:28 | 0:15:32 | |
Tell me, Tyler, are you aware of the term Top Dog? | 0:15:34 | 0:15:39 | |
-No. -Then let me enlighten you. | 0:15:39 | 0:15:42 | |
It's a prison term. It's how the hierarchy is set. | 0:15:43 | 0:15:47 | |
Who sleeps where. Who does what to whom. That sort of thing. | 0:15:47 | 0:15:51 | |
Now, it's called Top Dog because that's how it works in nature, | 0:15:51 | 0:15:56 | |
amongst wolves and such. It's very important to have structure. | 0:15:56 | 0:16:00 | |
To know who's boss. Otherwise, it's just chaos. | 0:16:00 | 0:16:04 | |
It's nothing personal, but it's how the pack leader, that's me, | 0:16:04 | 0:16:09 | |
keeps the bitch, that's you, in check. | 0:16:09 | 0:16:13 | |
Now I choose to mark my hierarchy by labelling my foodstuffs. | 0:16:13 | 0:16:18 | |
But there are other ways I can mark my territory. | 0:16:19 | 0:16:22 | |
We'll keep the labels, eh? | 0:16:25 | 0:16:26 | |
Yeah. Let's keep the labels, mate. | 0:16:26 | 0:16:30 | |
You looking for work? Only Janine could do with another cleaner. | 0:16:35 | 0:16:39 | |
Janine? | 0:16:39 | 0:16:40 | |
Yeah. At Butcher's Joints. I'm Executive Director of Operations. | 0:16:40 | 0:16:45 | |
I don't think so, Billy. Me and that woman hardly get on. | 0:16:45 | 0:16:49 | |
Yeah, you and most people round here. | 0:16:49 | 0:16:51 | |
We've all had run-ins with her, including myself. | 0:16:51 | 0:16:54 | |
But Michael, he'll put in a good word for you. Won't you, Michael? | 0:16:54 | 0:16:57 | |
I've got plenty of options. | 0:16:57 | 0:17:00 | |
Yeah, Alfie? Listen, do me a favour. | 0:17:00 | 0:17:02 | |
Give us a call about the wedding as soon as possible. Bye. | 0:17:02 | 0:17:05 | |
I know you and her have got history. | 0:17:07 | 0:17:09 | |
But I also know how hard it is out there at the moment. | 0:17:09 | 0:17:11 | |
I'd be your line manager, Jean. Just let me do all the talking | 0:17:11 | 0:17:14 | |
and hopefully you won't deal with her at all. | 0:17:14 | 0:17:17 | |
Come on, Jean. I'm desperate here. | 0:17:17 | 0:17:19 | |
Let me guess, having put the wedding off, Dad decided to soften the blow? | 0:17:27 | 0:17:31 | |
Put the wedding off? I've just bought the dress! | 0:17:31 | 0:17:36 | |
By the way, your dad wants us to meet him tonight in the caff. | 0:17:36 | 0:17:40 | |
Some sort of family summit. | 0:17:40 | 0:17:42 | |
DOOR SLAMS | 0:17:42 | 0:17:44 | |
I don't get it. What does he mean by marking his territory? | 0:17:44 | 0:17:47 | |
Don't dwell on it, bruv. | 0:17:47 | 0:17:49 | |
What can we do? I don't want to go back there in his "territory". I won't do it. | 0:17:49 | 0:17:52 | |
We'll make our own territory. | 0:17:54 | 0:17:56 | |
You're leaving? Why? | 0:17:59 | 0:18:01 | |
Why do you think? Mandy. | 0:18:01 | 0:18:05 | |
I hate her. | 0:18:05 | 0:18:07 | |
I hate her hair. I hate her nose. | 0:18:07 | 0:18:09 | |
I hate her lopsided, cutesy, little smile. | 0:18:09 | 0:18:13 | |
-I just want to scratch her eyes out. -Hey, whoa! | 0:18:13 | 0:18:17 | |
I mean, I don't get it. | 0:18:17 | 0:18:18 | |
I know you don't want to leave. cos that's rubbish, innit? | 0:18:18 | 0:18:21 | |
Why does Mandy get to you so much? | 0:18:21 | 0:18:23 | |
Do you think she's trying to take your mum's place or something? | 0:18:23 | 0:18:27 | |
Are you kidding? No-one can replace my mum. | 0:18:27 | 0:18:30 | |
My dad's tried hard enough. | 0:18:30 | 0:18:31 | |
Not even my mum could replace my mum. He just doesn't love her. OK? | 0:18:31 | 0:18:34 | |
-He can't. -Why? | 0:18:34 | 0:18:37 | |
Cos I'm not going to let him. | 0:18:37 | 0:18:38 | |
Karaoke? > | 0:18:40 | 0:18:42 | |
-Yuck. -Wendy houses? | 0:18:42 | 0:18:44 | |
-She's 13, not three. -You're not helping. | 0:18:44 | 0:18:47 | |
Look, I don't want to do anything. And I can't. I've got to practise. | 0:18:47 | 0:18:51 | |
-What for? -Dance recital. | 0:18:51 | 0:18:53 | |
-You like dancing? -I love it. | 0:18:53 | 0:18:56 | |
-She's really good at it. -Why didn't you say so? | 0:18:56 | 0:18:58 | |
Listen, you're looking at the former Under-17s National Bogling champion. | 0:18:58 | 0:19:04 | |
Hey, you want to nail that dance recital, you are in the right place. | 0:19:04 | 0:19:08 | |
Put some music on, Mr DJ. Let's get this party started! | 0:19:08 | 0:19:12 | |
Yeah! | 0:19:12 | 0:19:14 | |
You're going to do it, then? | 0:19:15 | 0:19:17 | |
Yep. I've got an interview with Billy tomorrow. | 0:19:17 | 0:19:20 | |
You despise Janine, with good reason. | 0:19:20 | 0:19:23 | |
I went to the Job Centre today. It was full. | 0:19:24 | 0:19:28 | |
Young people. | 0:19:30 | 0:19:32 | |
Old people. | 0:19:32 | 0:19:34 | |
Mums. Dads. | 0:19:34 | 0:19:37 | |
Sick. Healthy. | 0:19:39 | 0:19:41 | |
Disabled. | 0:19:42 | 0:19:44 | |
And the girl behind the counter, she was doing her best | 0:19:46 | 0:19:49 | |
but you could see in her eyes that... | 0:19:49 | 0:19:52 | |
You don't have to respect your employer. | 0:19:54 | 0:19:57 | |
-But you have to respect yourself. -Hm. | 0:19:58 | 0:20:01 | |
Anyway, when my investment comes through it will give me | 0:20:03 | 0:20:07 | |
the greatest of joys to tell Janine where she can shove her job. | 0:20:07 | 0:20:11 | |
You look nice, babe. | 0:20:15 | 0:20:16 | |
Thank you. Do you think I should maybe dress down a bit? | 0:20:16 | 0:20:19 | |
Depends on what you're trying to achieve. | 0:20:19 | 0:20:22 | |
Rox, he doesn't love you, all right? He's told you that. | 0:20:22 | 0:20:25 | |
What he's told me and what he means are two very different things. | 0:20:25 | 0:20:28 | |
OK? I offered to move out and he asked me to stay. | 0:20:28 | 0:20:32 | |
There's something there, Christian, I know it. | 0:20:32 | 0:20:35 | |
-Ooh! -All right, Jean? -Don't you look nice? | 0:20:38 | 0:20:41 | |
-Alfie, I've... -No. Me first. | 0:20:41 | 0:20:44 | |
Jean, I want to apologise for the way I spoke to you this morning. | 0:20:44 | 0:20:47 | |
It was bang out of order. I've just... | 0:20:47 | 0:20:49 | |
Just got a lot on my mind at the moment, you know. | 0:20:49 | 0:20:51 | |
I know. That's why I'm getting another job | 0:20:51 | 0:20:53 | |
to help with the housekeeping. | 0:20:53 | 0:20:55 | |
-No, no, sweetheart. You don't have to do that. -Yes, I do. | 0:20:55 | 0:20:58 | |
You know, Jean, you have got one big heart, you have. | 0:21:00 | 0:21:04 | |
-So do you. -See you later. | 0:21:04 | 0:21:06 | |
Alfie? | 0:21:06 | 0:21:08 | |
Kat misses you terribly, you know. | 0:21:08 | 0:21:12 | |
I know you think us Slaters are a tight bunch | 0:21:12 | 0:21:15 | |
but she's there for them. What she needs is you. | 0:21:15 | 0:21:20 | |
Are you ready to order? | 0:21:32 | 0:21:34 | |
I think I'm going to leave it another five minutes. | 0:21:35 | 0:21:38 | |
CARTOON PLAYS | 0:21:42 | 0:21:44 | |
'..3% in the last 13 weeks. Total sales increased 5%. | 0:21:50 | 0:21:55 | |
'Retail like-for-like sales at its North American unit... | 0:21:55 | 0:21:59 | |
It's interesting, Gillian, talking about retailers expanding abroad...' | 0:21:59 | 0:22:02 | |
You'll never guess who I had a visit from. Uncle Phil! | 0:22:20 | 0:22:23 | |
There's a surprise. | 0:22:23 | 0:22:25 | |
I went to see Ben. I was upset and Phil offered to help. | 0:22:25 | 0:22:29 | |
Both me and Phil, right, when we talked about it this morning, | 0:22:29 | 0:22:33 | |
want what's best for our families. | 0:22:33 | 0:22:36 | |
Selling the house, our family home, is that what's best? | 0:22:36 | 0:22:38 | |
Leaving your businesses and dragging your kids away from their friends | 0:22:38 | 0:22:42 | |
-is what's best? -Lucy, just calm down. | 0:22:42 | 0:22:44 | |
After everything we've been through, after what you've built here, | 0:22:44 | 0:22:48 | |
you're just going to throw it away to marry her? | 0:22:48 | 0:22:51 | |
You don't love her. He doesn't love you. | 0:22:51 | 0:22:54 | |
And how do you know that? | 0:22:54 | 0:22:56 | |
Because she's not Mum! | 0:22:56 | 0:22:57 | |
-What's this got to do with your mum? -It's always got to do with Mum. | 0:22:57 | 0:23:01 | |
Even that girl you were blabbering on about... | 0:23:01 | 0:23:04 | |
Sally? | 0:23:04 | 0:23:06 | |
Sally Bateman. She looked like Mum. No surprise. | 0:23:06 | 0:23:08 | |
Everyone you've ever loved kind of looked like Mum. | 0:23:08 | 0:23:11 | |
She's the closest of the lot. | 0:23:11 | 0:23:14 | |
I do not look like Cindy Beale. | 0:23:14 | 0:23:16 | |
No, you're right. You're just a pale imitation. | 0:23:16 | 0:23:19 | |
-Lucy, that's enough, all right? -It's not your fault, Mandy. | 0:23:19 | 0:23:21 | |
No-one will ever measure up. But you don't want to, do you? | 0:23:21 | 0:23:25 | |
-You're waiting for the right moment to run away. -Oh, shut up! | 0:23:25 | 0:23:28 | |
You'll bleed Dad dry until there's nothing left then move on to the next. | 0:23:28 | 0:23:32 | |
The pathetic thing is you pretend that you can change. | 0:23:32 | 0:23:35 | |
-At least my mum was honest. -You know what... | 0:23:35 | 0:23:38 | |
-Stay there. -No. -Stay there. Bobby, wait by the door, please. | 0:23:38 | 0:23:41 | |
Now. | 0:23:42 | 0:23:44 | |
Come here. I know what you're playing at. | 0:23:45 | 0:23:48 | |
I'm trying to help you. I'm trying to help us. | 0:23:48 | 0:23:51 | |
You know what, you are so like your mum sometimes, it scares me. | 0:23:51 | 0:23:55 | |
In a good way? | 0:23:56 | 0:23:59 | |
Your mum was a lying, cheating, murderous slapper | 0:23:59 | 0:24:04 | |
who would do whatever it took to get her own way. | 0:24:04 | 0:24:07 | |
Is that "in a good way"? | 0:24:07 | 0:24:09 | |
Now, you take Bobby home | 0:24:10 | 0:24:11 | |
and don't you ever pull a stunt like that again. | 0:24:11 | 0:24:14 | |
Mo, you seen Alfie? | 0:24:22 | 0:24:23 | |
-Not since he left. -Left? | 0:24:23 | 0:24:26 | |
He's gone to see Kat and Tommy, and about time too. | 0:24:26 | 0:24:30 | |
Ah, that reminds me. | 0:24:30 | 0:24:32 | |
He left you this. | 0:24:34 | 0:24:36 | |
OK, Sasha! Dance recital take one! | 0:24:49 | 0:24:53 | |
MUSIC: "Poker Face" by Lady Gaga | 0:24:53 | 0:24:55 | |
Good, ain't she? | 0:24:55 | 0:24:57 | |
She's...original. | 0:24:57 | 0:25:00 | |
TUMBLING AND CRASHING | 0:25:02 | 0:25:03 | |
It's OK. I'm not hurt! | 0:25:03 | 0:25:06 | |
What you doing awake, young lady, huh? | 0:25:06 | 0:25:09 | |
What is it, love? | 0:25:28 | 0:25:30 | |
Do you know, I can only remember being truly happy once as a child. | 0:25:33 | 0:25:40 | |
One memory. Isn't that pathetic? | 0:25:43 | 0:25:46 | |
Depends on the memory. | 0:25:46 | 0:25:48 | |
It was Easter. She made pancakes with syrup. | 0:25:49 | 0:25:53 | |
And we ate the lot. We were laughing and throwing stuff at each other. | 0:25:54 | 0:25:59 | |
Thing is, like... Why that time? | 0:26:02 | 0:26:06 | |
You know, why only that time? | 0:26:06 | 0:26:09 | |
When we're married, it'll be pancake and syrup every day. | 0:26:11 | 0:26:16 | |
Promise? | 0:26:16 | 0:26:17 | |
I have to. It's all I have. | 0:26:17 | 0:26:21 | |
And no-one can take it away from me, not now. | 0:26:23 | 0:26:25 | |
Cheers. | 0:26:30 | 0:26:32 | |
Hi. This is Mandy Salter. | 0:26:34 | 0:26:36 | |
My fiance, Ian Beale, made a booking with you. | 0:26:36 | 0:26:38 | |
I'm sorry, there's been a mix-up and we have to cancel the Registry Office for Friday. | 0:26:38 | 0:26:42 | |
Feel free to offer it to someone else. Thank you. | 0:26:42 | 0:26:46 | |
Whatever it takes. | 0:26:54 | 0:26:56 | |
So he's definitely moving, then? | 0:27:07 | 0:27:09 | |
I just got a text from Lola | 0:27:09 | 0:27:11 | |
saying that Ian's getting married the day after tomorrow. Mad house. | 0:27:11 | 0:27:14 | |
-Going to be all right having the afternoon off? Show support and that. -Yeah. Yeah, course. | 0:27:15 | 0:27:20 | |
Come on, George. I'll throw in a fish supper for you and the wife. | 0:27:23 | 0:27:26 | |
I know it hardly covers the cost of the arrangements. | 0:27:27 | 0:27:30 | |
It's just a little sweetener until the end of the month. That's all. | 0:27:31 | 0:27:36 | |
Cheers, mate. I really do appreciate it. | 0:27:37 | 0:27:40 | |
It's 12.30 at the town hall. Bring the kids, yeah? | 0:27:40 | 0:27:43 | |
All right, mate. Bye. | 0:27:43 | 0:27:45 | |
So the catering's cancelled? | 0:27:47 | 0:27:49 | |
Thank you. | 0:27:49 | 0:27:50 | |
What are you smiling at? | 0:27:54 | 0:27:56 | |
SHE SHUDDERS | 0:27:56 | 0:27:58 | |
Someone walk over your grave? | 0:27:58 | 0:27:59 | |
There she is. My beautiful bride-to-be. | 0:27:59 | 0:28:02 | |
-Got you a nice cuppa. Sit and I'll bring you some toast. -Ta. | 0:28:02 | 0:28:05 | |
-I am working here. -KNOCK ON DOOR | 0:28:05 | 0:28:07 | |
-Get that for us, love. -Love? Don't you mean cheating, murderous slapper? | 0:28:07 | 0:28:12 | |
D'you know what, I hardly slept a wink after last night. | 0:28:12 | 0:28:16 | |
I just lay there, listening to you breathe. | 0:28:16 | 0:28:18 | |
-That is creepy. -I was just thinking, "There she is. The woman I love." | 0:28:19 | 0:28:25 | |
I can't have estate agents snooping round. I'm meant to be revising. | 0:28:25 | 0:28:29 | |
-Ian, I'm not even dressed yet! -We did book. | 0:28:29 | 0:28:32 | |
The wedding, I tell you, everything is just starting to come together. | 0:28:32 | 0:28:35 | |
It's going to be the best wedding you've ever had. | 0:28:35 | 0:28:38 | |
-How many do you think I've had?! -Could we just take a quick look? | 0:28:38 | 0:28:41 | |
-Yeah. Feel free. Just go round. -Dad! | 0:28:41 | 0:28:43 | |
Love, I tell you. It is going to be magical. | 0:28:43 | 0:28:46 | |
-What, like when you married Cindy? -What? | 0:28:46 | 0:28:48 | |
Cos it won't, Ian. | 0:28:48 | 0:28:50 | |
Yeah, you might've booked a Registry Office | 0:28:50 | 0:28:52 | |
and, yeah, I expect you'll turn up, but what else? | 0:28:52 | 0:28:56 | |
-Have you even ordered a cake yet? -Oh, cake! | 0:28:56 | 0:28:59 | |
Guess not. | 0:28:59 | 0:29:00 | |
Ian, you're looking for Cindy Beale mark two. | 0:29:00 | 0:29:03 | |
I'm barely Mandy Salter mark one. | 0:29:03 | 0:29:05 | |
What are we doing? | 0:29:05 | 0:29:07 | |
Excuse me, excuse me. Masood! | 0:29:17 | 0:29:19 | |
Masood! Wait! | 0:29:20 | 0:29:22 | |
Whoa, whoa, you look terrible. | 0:29:24 | 0:29:26 | |
You got anything for number 45? | 0:29:26 | 0:29:28 | |
I dunno yet. | 0:29:28 | 0:29:30 | |
-Well, come on, it's important. -There is an order, Ian. | 0:29:30 | 0:29:33 | |
At last! My beautifully altered bridesmaid dresses. | 0:29:33 | 0:29:37 | |
-Bridesmaids. -Mandy has got bridesmaids, right? | 0:29:37 | 0:29:40 | |
Yes! Right, Town Hall Registry Office, 12.30 tomorrow. | 0:29:46 | 0:29:51 | |
Make sure you're there. Bring the missus. It's going to be magical. You don't want to miss it, OK? Yes! | 0:29:51 | 0:29:55 | |
You want to watch all three Twilight films tonight? Why? | 0:29:58 | 0:30:00 | |
-Thought you hated them? -That was before the werewolf. | 0:30:00 | 0:30:03 | |
-DOORBELL RINGS -Nah, me and Oscar are going to watch this Jason Statham film. | 0:30:03 | 0:30:07 | |
I'm not having my little boy watch that nonsense! | 0:30:07 | 0:30:09 | |
What's Twilight? That's nonsense, innit? | 0:30:09 | 0:30:12 | |
-Just topless werewolves running about. -No! | 0:30:12 | 0:30:14 | |
It's about abstinence, no nookie before marriage. | 0:30:14 | 0:30:16 | |
You two should have tried it. | 0:30:16 | 0:30:17 | |
Oi! I heard that! Hello, Jay. | 0:30:17 | 0:30:20 | |
-Your post, ma'am! -Thank you. | 0:30:20 | 0:30:23 | |
-Morning, everyone. -Jay, back me up, mate. | 0:30:23 | 0:30:25 | |
They think they're watching the Twilight films tonight. | 0:30:25 | 0:30:27 | |
Ain't that Jason Statham film on tonight? | 0:30:27 | 0:30:30 | |
Yes, exactly. Well done. You've just earned yourself a driving lesson. | 0:30:30 | 0:30:33 | |
-No, that does not mean you've won! -Yes, it does. -No. Tell him. | 0:30:33 | 0:30:36 | |
-Family's a numbers game. One, two, three. -So he's part of the family now? -Yes, he is. | 0:30:36 | 0:30:40 | |
You can't go now. You'll have to take him later. You've booked... | 0:30:40 | 0:30:43 | |
We're only going round the square. Come on, Jay. | 0:30:43 | 0:30:46 | |
Did you come to see me or my dad? | 0:30:46 | 0:30:47 | |
Sorry, sweet cheeks. I thought you was working today. | 0:30:47 | 0:30:50 | |
-I am. So leave me alone! -SHE SNORTS | 0:30:50 | 0:30:53 | |
Why you here? | 0:30:54 | 0:30:56 | |
Washing up? I'm beginning to feel like an house husband. | 0:30:56 | 0:30:59 | |
Billy, get Whitney on the phone for me, would you? | 0:30:59 | 0:31:02 | |
Charming. It's the mornings when I love you most. | 0:31:02 | 0:31:04 | |
Tell her the dresses have arrived and sound her out about moving in... | 0:31:04 | 0:31:08 | |
again. | 0:31:08 | 0:31:10 | |
-I've got to interview Jean. -I'm sure you can manage both. | 0:31:10 | 0:31:12 | |
You're not trying that woman? She'll sink the business! | 0:31:12 | 0:31:15 | |
I need cleaners. I need to know if these dresses fit. | 0:31:15 | 0:31:18 | |
And I need to know if I have to put my entire empire on hold, | 0:31:18 | 0:31:21 | |
while I play peek-a-boo for the next five years! | 0:31:21 | 0:31:24 | |
I'm Mandy Salter and I'm not getting on that boat! | 0:31:27 | 0:31:30 | |
Come on, Alfie, pick your phone up. | 0:31:30 | 0:31:32 | |
Look, you're supposed to be sharing the workload with me because you're my best man. | 0:31:32 | 0:31:35 | |
Give me a call back, please! | 0:31:35 | 0:31:37 | |
-By the way, I borrowed that money I found in your jeans. -How much? | 0:31:37 | 0:31:41 | |
Listen, I was thinking... Bridesmaids. It just occurred to me. | 0:31:41 | 0:31:44 | |
Have you asked anyone? | 0:31:44 | 0:31:45 | |
Ian, I'm going to get my nails done for YOUR wedding. | 0:31:45 | 0:31:48 | |
-You know, what more do you want from me? -Mand! | 0:31:48 | 0:31:51 | |
-Take it no-one said yes. -You do it. | 0:31:52 | 0:31:55 | |
Yeah! Mandy would love to have you as her bridesmaid. | 0:31:55 | 0:31:58 | |
-I mean, she loves you. -Are you mad? | 0:31:58 | 0:32:00 | |
-Do it for me, then. -What, after how you spoke to me yesterday? | 0:32:00 | 0:32:03 | |
When did you last do anything for me? | 0:32:03 | 0:32:05 | |
When did you do anything to deserve it? | 0:32:05 | 0:32:07 | |
-Thanks, Maria. -It's Marie. | 0:32:09 | 0:32:11 | |
Smells like compost. | 0:32:12 | 0:32:14 | |
Yeah, it calms you down. | 0:32:14 | 0:32:17 | |
I don't need calming. I need Ray to see what I see. The truth! | 0:32:17 | 0:32:20 | |
Right, you've lost me. | 0:32:20 | 0:32:22 | |
His daughter's dancing. The flailing limbs. The dis-coordination. | 0:32:22 | 0:32:27 | |
-Dis-coordination? -As in un-rhythmicality. | 0:32:27 | 0:32:29 | |
The girl dances like corn bouncing on a hotplate and not in a good way. | 0:32:29 | 0:32:33 | |
Ah, you're just mean. | 0:32:33 | 0:32:35 | |
Mean? He's the one bigging her up like she's the love child | 0:32:35 | 0:32:38 | |
of Justin Timberlake and Usher. | 0:32:38 | 0:32:40 | |
And before you say it, I know they're two blokes | 0:32:40 | 0:32:42 | |
but this love child was IVF! | 0:32:42 | 0:32:44 | |
Yes. Yes, Kim. That's exactly how IVF works. | 0:32:44 | 0:32:47 | |
I'm sorry, but is this a science class or is it | 0:32:47 | 0:32:50 | |
a Kim gets it off her resplendent chest session? | 0:32:50 | 0:32:52 | |
Maybe you should just take her to one of your Kimba classes. | 0:32:52 | 0:32:56 | |
Do me a favour. | 0:32:56 | 0:32:58 | |
You should be happy, Dad. You get to spend the day with me. | 0:32:58 | 0:33:01 | |
Oh, look at this. My two favourite women all under one roof. | 0:33:01 | 0:33:05 | |
-You all right, babe? -Yeah, yeah, I'm fine. | 0:33:05 | 0:33:08 | |
Only Sasha can't go to her school trip today | 0:33:08 | 0:33:10 | |
because someone forgot to bring home a letter for me to sign. | 0:33:10 | 0:33:13 | |
-I don't care how cotton mills work. -You can't stay at the Vic all day. | 0:33:13 | 0:33:16 | |
Oh, right. Kim was just saying that she would love to... | 0:33:16 | 0:33:20 | |
KIM KICKS HER | 0:33:20 | 0:33:21 | |
..to take your Sasha... SHE COUGHS | 0:33:21 | 0:33:24 | |
..to one of her Kimba classes, you know. | 0:33:24 | 0:33:28 | |
Yeah. That's a wicked idea. So long as it doesn't involve gravestones! | 0:33:28 | 0:33:33 | |
What do you reckon, babe? Want to show 'em how it's done? | 0:33:34 | 0:33:38 | |
Bust a couple of moves, yeah? | 0:33:38 | 0:33:39 | |
HE LAUGHS | 0:33:39 | 0:33:41 | |
-Bridesmaid! -Oh, Ian! You frightened me. | 0:34:00 | 0:34:02 | |
Mandy would love to have you as her bridesmaid. | 0:34:02 | 0:34:05 | |
No, I'm Janine's. | 0:34:05 | 0:34:06 | |
What are you? About a size ten? | 0:34:06 | 0:34:08 | |
I'm an eight. Ian, I haven't agreed to anything. | 0:34:08 | 0:34:12 | |
-Lauren, he wants me to be Mandy's bridesmaid. -I thought you were Janine's? | 0:34:12 | 0:34:16 | |
It'd make her so happy on her special day. Please. | 0:34:16 | 0:34:19 | |
-I can always slip you 50 later. -Well, ain't that a bit cheap? | 0:34:19 | 0:34:21 | |
-100? -No, I mean bribing people to like your wife. | 0:34:21 | 0:34:25 | |
I know. It's a hassle. There's fittings and dress rehearsals and all the rest of it. | 0:34:25 | 0:34:29 | |
All right. You do it then. | 0:34:29 | 0:34:30 | |
We've got that appointment thing, ain't we, with my mum? | 0:34:30 | 0:34:33 | |
So we're well late already. Sorry. | 0:34:33 | 0:34:37 | |
Look, you'll still come along to the service, won't you? | 0:34:37 | 0:34:40 | |
Town Hall Registry Office. Tomorrow. 12.30. Yeah? It'll be magical! | 0:34:40 | 0:34:44 | |
PHONE RINGS | 0:34:44 | 0:34:46 | |
Alfie, where you been? | 0:34:46 | 0:34:48 | |
Yeah, listen, mate. This is important, OK? We forgot bridesmaids! | 0:34:49 | 0:34:53 | |
What d'you mean you're not coming back? | 0:34:55 | 0:34:58 | |
The thing is I've got an interview with Billy in, um, 15 minutes! | 0:34:58 | 0:35:02 | |
So you put the money in and expect other people to do the hard work? | 0:35:02 | 0:35:05 | |
No! No. I just don't know how helpful I'll be. | 0:35:05 | 0:35:09 | |
Not very if you don't learn the figures. | 0:35:09 | 0:35:12 | |
Jean. | 0:35:12 | 0:35:13 | |
Look out there. | 0:35:14 | 0:35:16 | |
Go on. | 0:35:18 | 0:35:19 | |
A boxing gym is the heartbeat of a community. | 0:35:19 | 0:35:24 | |
Don't just nod. You've got to feel it. | 0:35:25 | 0:35:28 | |
You know, that's Walford. | 0:35:30 | 0:35:33 | |
The big, the small. | 0:35:34 | 0:35:36 | |
The rich, the poor. | 0:35:37 | 0:35:39 | |
That's the community, Jean. Just beating. | 0:35:41 | 0:35:44 | |
You don't just put money into something like that. | 0:35:46 | 0:35:49 | |
Got to put your soul into it as well. | 0:35:49 | 0:35:51 | |
Right. | 0:35:53 | 0:35:55 | |
Well, we'd better get started, then. | 0:35:55 | 0:36:00 | |
It was just so weird. Like, desperate. | 0:36:06 | 0:36:08 | |
Maybe Mandy just really likes you. | 0:36:08 | 0:36:11 | |
No-one said yes, more like. | 0:36:11 | 0:36:12 | |
Yeah, forget maid of honour, maid of last resort. | 0:36:12 | 0:36:15 | |
That's even more reason for you to do it. | 0:36:15 | 0:36:17 | |
-Babe, don't get involved. -Hello? | 0:36:17 | 0:36:19 | |
If you want to chip in, you can pay like everyone else. | 0:36:19 | 0:36:22 | |
I've already said yes to Janine. | 0:36:22 | 0:36:24 | |
It'll have to be you then, won't it? I mean, how awful must it be | 0:36:24 | 0:36:27 | |
knowing you haven't got a single friend in the world? | 0:36:27 | 0:36:29 | |
Er, no. The guilt trip is not working. | 0:36:29 | 0:36:31 | |
-You're done. -Lovely. Cheers. | 0:36:31 | 0:36:33 | |
Oh, d'you know they're moving house as well? | 0:36:33 | 0:36:36 | |
Yep, saw the sign up this morning. | 0:36:36 | 0:36:38 | |
Look at your face, look. It's going to be a disaster. | 0:36:38 | 0:36:42 | |
Oh, hello, Mandy! What can I do for you? | 0:36:42 | 0:36:44 | |
Um, nails. I suppose. | 0:36:44 | 0:36:46 | |
Right. Lovely. Thanks for the chop. | 0:36:46 | 0:36:50 | |
Don't get involved. | 0:36:50 | 0:36:51 | |
-What was he on about? -No idea. | 0:36:54 | 0:36:57 | |
OK, Kimba-ettes, thank you so much. Sorry about the change of venue. | 0:36:58 | 0:37:02 | |
They double-booked me. Come on, Jackie. Come on, Jackie. | 0:37:02 | 0:37:05 | |
Don't worry, their heads have been busted. | 0:37:05 | 0:37:08 | |
You OK there, Sasha? | 0:37:11 | 0:37:12 | |
I'm just doing my thing. | 0:37:12 | 0:37:15 | |
Yeah? Well, it's my class. And it's MY thing now. | 0:37:15 | 0:37:17 | |
So watch and learn! | 0:37:17 | 0:37:20 | |
OK. Let's go. Un, deux, trois, quatre! | 0:37:20 | 0:37:22 | |
Come on! And the arms! Bend your back, bend your back. | 0:37:22 | 0:37:26 | |
Give me the arms. Arms! | 0:37:26 | 0:37:29 | |
You must be very excited at the moment with everything that's going on. | 0:37:29 | 0:37:34 | |
With the wedding and... | 0:37:35 | 0:37:37 | |
Lauren says you're moving house. | 0:37:40 | 0:37:42 | |
Can't be great for Lucy, can it, with the exams coming up? | 0:37:43 | 0:37:46 | |
Why does everybody assume it's my fault? | 0:37:49 | 0:37:52 | |
You know, I was minding my own business, working in the club | 0:37:52 | 0:37:56 | |
and Ian dragged me back here and everything is my fault ever since. | 0:37:56 | 0:38:01 | |
Hang on, I haven't finished... | 0:38:03 | 0:38:06 | |
You haven't paid me. | 0:38:07 | 0:38:09 | |
I always thought there's a lyrical quality to your speech. | 0:38:10 | 0:38:13 | |
I mean, you'd make a perfect best man for me. | 0:38:13 | 0:38:15 | |
Ian, bruvver, why you telling me stuff I already know? | 0:38:15 | 0:38:18 | |
I was thinking you could have a word with Lauren and Whitney. I can pay. | 0:38:18 | 0:38:21 | |
I mean, do I look like a window cleaner to you? | 0:38:21 | 0:38:23 | |
I mean, where does it say in my job description window cleaner? | 0:38:23 | 0:38:27 | |
I do this the whole day. | 0:38:27 | 0:38:28 | |
I sell my soul the whole day, and for what, man? | 0:38:28 | 0:38:31 | |
When I go home, the selling stops, all right? | 0:38:31 | 0:38:33 | |
That is Fats' time, that is my time. | 0:38:33 | 0:38:35 | |
I put on some tunes. I get down with the ladies. All right? | 0:38:35 | 0:38:38 | |
I don't do Bar Mitzvahs or weddings, bruv. Best man? What you thinking? | 0:38:38 | 0:38:41 | |
Did I just hear right? | 0:38:42 | 0:38:44 | |
Alfie's gone away. He's dumped me in it. | 0:38:44 | 0:38:47 | |
And he's your best bet? | 0:38:47 | 0:38:50 | |
I was just passing, OK? Phil, it's none of your business. | 0:38:50 | 0:38:53 | |
Well, you acting weird, pulling a shotgun wedding, selling your house, that's my business. | 0:38:53 | 0:38:57 | |
-Now have I got something to worry about? -Thought you'd be pleased. | 0:38:57 | 0:39:01 | |
You all right? | 0:39:09 | 0:39:11 | |
SHE SIGHS | 0:39:11 | 0:39:13 | |
Yeah. Time travelling. | 0:39:13 | 0:39:15 | |
You know, one day I'll have worked here my whole life. | 0:39:17 | 0:39:20 | |
-Can I sit down? -Yeah. | 0:39:20 | 0:39:23 | |
You know, Mandy, | 0:39:25 | 0:39:26 | |
you don't seem like someone that's getting married in two days. | 0:39:26 | 0:39:30 | |
How should I seem? | 0:39:30 | 0:39:32 | |
Excited. Scared. Maybe up and down, left and right. | 0:39:32 | 0:39:36 | |
You just seem...down. | 0:39:36 | 0:39:39 | |
Well, there's not a lot to get up about. | 0:39:40 | 0:39:44 | |
My mum said I'd mess it up. Who am I to argue, eh? | 0:39:44 | 0:39:49 | |
Mothers, eh? | 0:39:50 | 0:39:52 | |
Ain't you one? | 0:39:53 | 0:39:55 | |
Yeah. Somewhere across town, one of my girls is hating me for something I've said without thinking. | 0:39:55 | 0:40:00 | |
No, my mum meant it. | 0:40:00 | 0:40:02 | |
You know, Mandy, when you're a mum | 0:40:05 | 0:40:07 | |
you spend so much of your life being ignored | 0:40:07 | 0:40:09 | |
that it's easy to forget how much your words mean to your kids. | 0:40:09 | 0:40:12 | |
I could say something to a mate and it's forgotten in minutes. | 0:40:12 | 0:40:15 | |
But I say something to one of my babies, | 0:40:15 | 0:40:18 | |
and they remember it for ever. | 0:40:18 | 0:40:20 | |
They hate me for it. | 0:40:20 | 0:40:23 | |
Yeah, that's true. | 0:40:23 | 0:40:24 | |
You're getting married, Mandy. You should get your mum's blessing. | 0:40:24 | 0:40:29 | |
Well, she's in hospital. I don't even know how bad it is. | 0:40:32 | 0:40:37 | |
That's even more reason then. | 0:40:38 | 0:40:40 | |
You know where I am...if you need your nails finishing. | 0:40:44 | 0:40:49 | |
-That's well above inflation so we can put that back into the business. -PHONE RINGS | 0:40:53 | 0:40:57 | |
Oh, that's Billy! | 0:40:59 | 0:41:01 | |
He says if I don't go now, I've lost the job. | 0:41:01 | 0:41:04 | |
Jean, look. Jean, look. Look at this kid. See this kid? | 0:41:04 | 0:41:09 | |
He loves nicking cars. | 0:41:09 | 0:41:11 | |
Loves it. But when he's here, we can keep him out of trouble. | 0:41:11 | 0:41:16 | |
Me and Jack, we lack a woman's touch, Jean. You know? | 0:41:16 | 0:41:19 | |
He looks so young. | 0:41:19 | 0:41:21 | |
Yeah. If you can think of this place as a home... | 0:41:21 | 0:41:25 | |
..then it needs a mother. Every boy needs his mum, right? | 0:41:26 | 0:41:29 | |
What's this? You fancy a bit of sparring do you, Jean? | 0:41:33 | 0:41:37 | |
See, look. He loves having you here. We all love having you here, Jean. | 0:41:39 | 0:41:43 | |
Come on. Let's go and celebrate. Let's have a drink. | 0:41:44 | 0:41:47 | |
-Celebrate? -Yeah, yeah. Celebrate. You're going to be rich, Jean. | 0:41:47 | 0:41:50 | |
You're going to be very, very rich. Forget Billy. Come on. | 0:41:50 | 0:41:53 | |
Hey, babe. How'd it go? | 0:41:56 | 0:41:58 | |
Standard was pretty low. Can I get changed upstairs? | 0:41:58 | 0:42:01 | |
Course you can. | 0:42:01 | 0:42:03 | |
She says my standards are low and you just smile? | 0:42:04 | 0:42:07 | |
So come on, then. How good was she? Bet they couldn't keep up, huh? | 0:42:07 | 0:42:11 | |
And now you're doing it! You're slagging off my class. | 0:42:11 | 0:42:13 | |
Babe, I didn't mean any harm by it. | 0:42:13 | 0:42:15 | |
I don't mean no harm by this. | 0:42:15 | 0:42:17 | |
That girl's dancing is unholy. It's un-bubblicious. | 0:42:17 | 0:42:19 | |
-You telling her different sets her up for one almighty fall. -HE LAUGHS | 0:42:19 | 0:42:25 | |
Does my face say laugh? No, it says run for cover. | 0:42:25 | 0:42:28 | |
What, you being serious? | 0:42:28 | 0:42:31 | |
Right. Well, thanks for looking after her, yeah? | 0:42:31 | 0:42:34 | |
-I'm just saying... -I know she's not the best, all right. | 0:42:34 | 0:42:36 | |
But what am I supposed to do? Put her down because she wouldn't win Strictly? | 0:42:36 | 0:42:40 | |
Suppose not. | 0:42:40 | 0:42:42 | |
Course I'm going to encourage her. | 0:42:42 | 0:42:44 | |
That's what you do when you're a parent. You big up your kids. | 0:42:44 | 0:42:47 | |
Sorry. | 0:42:47 | 0:42:49 | |
When I see that girl, I see everything she can be. | 0:42:52 | 0:42:55 | |
You just see everything that she can't. | 0:42:57 | 0:42:59 | |
-I dunno why you put up with me. -Cos I love you. | 0:43:01 | 0:43:05 | |
Is it? | 0:43:09 | 0:43:11 | |
You all right there, babe? | 0:43:11 | 0:43:13 | |
I love you too! | 0:43:13 | 0:43:15 | |
Your mother's just out of recovery. | 0:43:15 | 0:43:17 | |
If you wait a sec, I'll take you through. The others are here too. | 0:43:17 | 0:43:20 | |
Recovery? | 0:43:20 | 0:43:22 | |
What others? | 0:43:23 | 0:43:25 | |
Jack. You and Lauren, you're close, yeah? | 0:43:27 | 0:43:30 | |
Yeah. She's my niece. | 0:43:30 | 0:43:32 | |
What I mean is, she's a nice girl, isn't she? | 0:43:32 | 0:43:35 | |
It'd be great to have her at the wedding. | 0:43:35 | 0:43:37 | |
Town Hall, 12.30. You as well. | 0:43:37 | 0:43:38 | |
This is nice. I'm five minutes late and you get a ringer in already! | 0:43:38 | 0:43:42 | |
Well, he sat down, uninvited. | 0:43:42 | 0:43:44 | |
Marie, nice cup of tea for me, please, beautiful. | 0:43:44 | 0:43:47 | |
-So what's he been on about? -This isn't a joke, OK? | 0:43:47 | 0:43:49 | |
So far he's established that Lauren's my niece and that she's a very nice girl. | 0:43:49 | 0:43:52 | |
He'll be pointing out that we're brothers next. | 0:43:52 | 0:43:55 | |
I thought Lauren would like to be bridesmaid for Mandy. | 0:43:55 | 0:43:58 | |
I've got this one. Let me get this straight. Mandy is your aunt? | 0:43:58 | 0:44:01 | |
-Fiancee! -What? You're marrying your aunt? -Your family, Ian. God. | 0:44:01 | 0:44:05 | |
I'm still trying to work out how Phil's son is your brother. | 0:44:05 | 0:44:08 | |
Can you just shut up, please? | 0:44:08 | 0:44:10 | |
-Ooh! Charming! -That's no way to ask for a favour, is it? | 0:44:10 | 0:44:13 | |
-I need a bridesmaid, OK! -THEY LAUGH | 0:44:13 | 0:44:16 | |
No, no. Mandy needs a bridesmaid. | 0:44:16 | 0:44:17 | |
Forgive me if I get this wrong, | 0:44:17 | 0:44:19 | |
but isn't that normally the job of the bride? | 0:44:19 | 0:44:21 | |
-She ain't having cold feet, is she? -What did you say? | 0:44:21 | 0:44:24 | |
-He's only joking. -Truth hurt? -Derek. | 0:44:24 | 0:44:26 | |
No. She loves me. | 0:44:26 | 0:44:28 | |
I've had strippers fall in love with me. | 0:44:28 | 0:44:30 | |
They probably meant it until my money ran out. | 0:44:30 | 0:44:32 | |
You take that back. | 0:44:32 | 0:44:34 | |
See, what you've got to remember, | 0:44:34 | 0:44:36 | |
is there's always someone with more dough to tempt 'em away. | 0:44:36 | 0:44:38 | |
-Don't you push me. -Or what? | 0:44:38 | 0:44:40 | |
You ain't going to ask me to be your bridesmaid? | 0:44:40 | 0:44:43 | |
Right, that's it! We're closing the caff! Come on, all of you. Out! | 0:44:43 | 0:44:46 | |
-I haven't had my cuppa tea yet! -I am not a joke, all right? | 0:44:46 | 0:44:49 | |
-Go on, everybody out. -I haven't finished! | 0:44:49 | 0:44:51 | |
-You think I'm a joke, just get out! -What? | 0:44:51 | 0:44:53 | |
Come on, Jack. | 0:44:53 | 0:44:55 | |
Sorry about this place. It's disgusting. | 0:44:56 | 0:44:58 | |
They've had a dance class in here or something. | 0:44:58 | 0:45:00 | |
No, no, it's all right. | 0:45:00 | 0:45:02 | |
I was wondering what my son would make of his mum | 0:45:02 | 0:45:07 | |
becoming a business woman. | 0:45:07 | 0:45:09 | |
A venture capitalist, no less! | 0:45:10 | 0:45:12 | |
SHE LAUGHS | 0:45:12 | 0:45:14 | |
Cheers. | 0:45:15 | 0:45:18 | |
This is my daughter Stacey. | 0:45:26 | 0:45:31 | |
And Sean, my son. | 0:45:31 | 0:45:35 | |
I'll tell him later. Well, I'll tell his picture. | 0:45:35 | 0:45:40 | |
We chat all the time. | 0:45:40 | 0:45:41 | |
Sounds bonkers, I know. | 0:45:42 | 0:45:45 | |
I think it's important to stay in touch with people | 0:45:47 | 0:45:50 | |
when they're not there. | 0:45:50 | 0:45:52 | |
Especially when they're not there. Don't you think? | 0:45:52 | 0:45:55 | |
-I don't have any pictures. -Ah. | 0:45:55 | 0:45:58 | |
-Not even of your mum? -No. | 0:45:59 | 0:46:02 | |
-What is it? -There was a picture. | 0:46:08 | 0:46:12 | |
In their bedroom. | 0:46:13 | 0:46:15 | |
Old black and white one, portrait. | 0:46:16 | 0:46:18 | |
One of those old portraits. That's right. | 0:46:18 | 0:46:21 | |
She's young in it. She's younger than me. | 0:46:23 | 0:46:26 | |
Really odd when you see your parents as children, isn't it? | 0:46:26 | 0:46:30 | |
It's like an intrusion. | 0:46:30 | 0:46:33 | |
Yeah. She's wearing a white frilly dress with a bow. | 0:46:33 | 0:46:37 | |
And she's not happy about it. She's wearing one of these round her neck. | 0:46:41 | 0:46:45 | |
What happened to it? | 0:46:49 | 0:46:51 | |
Oh, my dad took it down. | 0:46:51 | 0:46:54 | |
Said she wasn't that person any more. | 0:46:54 | 0:46:56 | |
Oh, you never know. He might still have it. | 0:46:56 | 0:46:59 | |
He might be talking to her like I talk to Sean. | 0:47:00 | 0:47:03 | |
Lucky him. | 0:47:04 | 0:47:06 | |
Lauren won't be involved in that wedding now. | 0:47:10 | 0:47:12 | |
-He's barred from the Bhajee. -What's with the mothers' meeting? | 0:47:12 | 0:47:16 | |
We've just been expelled from the caff. | 0:47:16 | 0:47:18 | |
Ian didn't quite get Derek's sense of humour. | 0:47:18 | 0:47:21 | |
He went mad, slung us all out. Look, poor Marie. | 0:47:21 | 0:47:24 | |
Look, she's all upset. Come here, darling, come here. | 0:47:24 | 0:47:27 | |
-Where is he now? -Said something about the chippy. | 0:47:27 | 0:47:30 | |
Oh, don't go after him, Max. Max! | 0:47:31 | 0:47:35 | |
Who...? | 0:47:38 | 0:47:40 | |
Um, that's not my mum. | 0:47:40 | 0:47:41 | |
Lorraine Hardy? | 0:47:41 | 0:47:43 | |
No. Lorraine Stephens. | 0:47:43 | 0:47:46 | |
Oh, I'm terribly sorry. | 0:47:46 | 0:47:48 | |
-If you'd just like to come back to the day room. -What's wrong? | 0:47:48 | 0:47:52 | |
If you'd just like to come this way. | 0:47:52 | 0:47:53 | |
KNOCK ON DOOR | 0:48:03 | 0:48:05 | |
You OK, Ian? | 0:48:08 | 0:48:10 | |
Is the stall closed an' all? | 0:48:18 | 0:48:20 | |
-It ain't funny. -Who said it was? | 0:48:20 | 0:48:22 | |
People can mock me cos I want to have a best man at my wedding but... | 0:48:24 | 0:48:27 | |
But to laugh at Mandy? Why shouldn't she have a magical day? | 0:48:27 | 0:48:30 | |
And a beautiful dress and bridesmaids? | 0:48:30 | 0:48:32 | |
Course, mate. Course she deserves all that. | 0:48:32 | 0:48:34 | |
Your Lauren doesn't think so or my Lucy. | 0:48:34 | 0:48:37 | |
Sad thing is, she don't either. | 0:48:37 | 0:48:38 | |
Look, Ian, I'm sorry about my brothers. They can be idiots. | 0:48:40 | 0:48:45 | |
All I've got, right, I've got a venue, | 0:48:45 | 0:48:47 | |
I've got a honeymoon and I've got a fiancee. | 0:48:47 | 0:48:49 | |
I don't even know how many people are turning up. | 0:48:49 | 0:48:52 | |
Ian, why don't you just call it off, mate? | 0:48:52 | 0:48:55 | |
Because it'll make her feel worthless. OK? | 0:48:55 | 0:48:59 | |
She needs to have a beautiful day so... | 0:48:59 | 0:49:02 | |
..so she knows how beautiful she is. | 0:49:03 | 0:49:06 | |
So what we got here? | 0:49:14 | 0:49:16 | |
Car. I know just the man for the car. | 0:49:16 | 0:49:20 | |
Do you a good deal, an' all. Cake. | 0:49:20 | 0:49:23 | |
Sounds like best man talk. | 0:49:25 | 0:49:27 | |
Go on, then, Ian. Go on, I guess so. | 0:49:31 | 0:49:34 | |
No, you can't. I've got... | 0:49:34 | 0:49:37 | |
Don't expect a big speech, all right? I don't do 'em. | 0:49:37 | 0:49:39 | |
Here I am...again. | 0:49:50 | 0:49:52 | |
I am sorry about earlier. | 0:49:54 | 0:49:57 | |
I can be clumsy with words. | 0:49:58 | 0:50:00 | |
She was very religious, my mother. | 0:50:02 | 0:50:05 | |
Heaven and...hell. | 0:50:07 | 0:50:10 | |
Very, very real to her. | 0:50:11 | 0:50:14 | |
This - St Christopher, he is - is the patron saint of travel. | 0:50:16 | 0:50:21 | |
She gave my brother Craig one as well. | 0:50:22 | 0:50:25 | |
She said that he couldn't help her where she was going. | 0:50:25 | 0:50:30 | |
Imagine that. Imagine sending yourself to hell. | 0:50:35 | 0:50:40 | |
You said that this place needed a mum. | 0:50:44 | 0:50:47 | |
Would you like a hug? Us mums are good at hugs. | 0:50:51 | 0:50:54 | |
He's gone mad, all right. He's proper lost it, Dad. | 0:51:07 | 0:51:10 | |
-What you talking about? -Ian! He threw everyone out the chippy and the caff. | 0:51:10 | 0:51:13 | |
Shut 'em down. Apparently he was screaming in the street. | 0:51:13 | 0:51:16 | |
-When was this? -This afternoon. They're all talking about it at school. | 0:51:16 | 0:51:19 | |
Everyone is talking about it! Maybe that's what he wants though. | 0:51:19 | 0:51:22 | |
Maybe he wants people to know cos he wants it off his shoulders. | 0:51:22 | 0:51:25 | |
That's why he's losing it. Dad, you've got to do something. | 0:51:25 | 0:51:29 | |
Hello, love. You want some lunch? | 0:51:30 | 0:51:32 | |
What's up? | 0:51:33 | 0:51:35 | |
I'm Ian Beale's best man. | 0:51:37 | 0:51:39 | |
What? You said not to get involved! | 0:51:40 | 0:51:41 | |
What's happened? | 0:51:43 | 0:51:44 | |
Well, sort of volunteered, didn't I? | 0:51:44 | 0:51:47 | |
Oh. That's lovely of you. | 0:51:47 | 0:51:50 | |
I thought that Ben was Ian's best man? | 0:51:50 | 0:51:52 | |
What on earth are you going to say in your speech? | 0:51:52 | 0:51:55 | |
Talk about all the mad adventures that you two have been on? | 0:51:55 | 0:51:58 | |
If you need help, ask me. | 0:51:58 | 0:52:00 | |
Why you so keen? | 0:52:00 | 0:52:02 | |
Jane's been so worried about Bobby since she left. | 0:52:02 | 0:52:05 | |
Ian and Mandy married, that'll be the stability he needs. | 0:52:05 | 0:52:07 | |
-PHONE RINGS -Hello, Max Branning? | 0:52:07 | 0:52:09 | |
What's up, Jay? | 0:52:09 | 0:52:10 | |
Nothing. | 0:52:10 | 0:52:12 | |
You're joking me? | 0:52:12 | 0:52:14 | |
Max? | 0:52:15 | 0:52:16 | |
Ian, it's Max. Yeah, your best man. | 0:52:21 | 0:52:25 | |
Listen, mate, I called the Registry Office on the way back | 0:52:25 | 0:52:27 | |
and they've just got back to me. | 0:52:27 | 0:52:30 | |
There's something you need to know. | 0:52:30 | 0:52:33 | |
What's up with you? | 0:52:37 | 0:52:39 | |
This morning you said... | 0:52:40 | 0:52:43 | |
Catering! Cancelled by Mandy Salter. | 0:52:43 | 0:52:46 | |
Registry Office, cancelled by Mandy Salter. Were you going to tell me? | 0:52:46 | 0:52:49 | |
Were you going to let me turn up and find out that way? | 0:52:49 | 0:52:51 | |
Were you even going to bother turning up yourself? | 0:52:51 | 0:52:54 | |
-I don't understand. -Do you know what I have gone through today? | 0:52:54 | 0:52:56 | |
How much pride I've had to swallow? | 0:52:56 | 0:52:58 | |
-I've had some... -To try and give you a magical day. Your special day. | 0:52:58 | 0:53:02 | |
People warned me off you, OK? And I wouldn't have it. | 0:53:02 | 0:53:06 | |
I said no. She is not a slapper. She is not a gold digger | 0:53:06 | 0:53:08 | |
-She is capable of love. -Oh, shut up! | 0:53:08 | 0:53:11 | |
Just shut up! | 0:53:11 | 0:53:12 | |
I went to see my mum today. | 0:53:15 | 0:53:16 | |
I got there but I was... | 0:53:18 | 0:53:20 | |
I was too late. | 0:53:21 | 0:53:23 | |
My mum's dead. | 0:53:26 | 0:53:28 | |
THEY GIGGLE | 0:53:46 | 0:53:49 | |
You were doing a good job, then. | 0:53:53 | 0:53:55 | |
HE LAUGHS | 0:54:01 | 0:54:03 | |
What's funny? | 0:54:03 | 0:54:05 | |
It's amazing how you become like your parents, innit? | 0:54:05 | 0:54:07 | |
I was just about to tell you to use a glass. | 0:54:07 | 0:54:11 | |
No. | 0:54:11 | 0:54:13 | |
Good run? | 0:54:13 | 0:54:14 | |
Yeah, yeah, it was good for thinking. | 0:54:14 | 0:54:16 | |
And what d'you come up with? | 0:54:16 | 0:54:18 | |
It might be nice to have dinner tonight. | 0:54:18 | 0:54:20 | |
I'm not doing anything this evening, that'd be very nice, thank you. | 0:54:20 | 0:54:24 | |
Yeah. Yeah, funny. | 0:54:24 | 0:54:26 | |
No, I meant me and Whit - romantically. | 0:54:26 | 0:54:28 | |
Are you saying that my presence isn't conducive to romance? | 0:54:28 | 0:54:32 | |
No... No, I'm not saying that. It's just, it might... | 0:54:32 | 0:54:35 | |
-HE LAUGHS -I'm only joking! | 0:54:35 | 0:54:37 | |
I'll be out your way, son, don't worry. | 0:54:37 | 0:54:40 | |
Yeah, well, that's my offer. 40 below the asking price. | 0:54:42 | 0:54:46 | |
And I can pay cash. | 0:54:46 | 0:54:49 | |
I'm sure that that will appeal to Mr Beale, | 0:54:49 | 0:54:52 | |
given that he doesn't seem to have any. | 0:54:52 | 0:54:55 | |
Dad. | 0:55:01 | 0:55:03 | |
Shhh! | 0:55:03 | 0:55:05 | |
-How's Mandy? -She's asleep. | 0:55:05 | 0:55:08 | |
Has she said anything? About yesterday? | 0:55:08 | 0:55:11 | |
No. I think cancelling everything, it was like a reflex action... | 0:55:11 | 0:55:14 | |
So what now? | 0:55:14 | 0:55:16 | |
Well, it's up to all of us to help her get through it, isn't it. | 0:55:16 | 0:55:20 | |
You're not thinking of going ahead with the wedding? | 0:55:20 | 0:55:22 | |
Dad, her mum has just... | 0:55:22 | 0:55:23 | |
Look, it's a decent way to celebrate her life, OK. | 0:55:23 | 0:55:26 | |
And you're going to make a fantastic bridesmaid. | 0:55:26 | 0:55:28 | |
Just don't mention it to her when she wakes up. Let her... You know. | 0:55:28 | 0:55:32 | |
Are you having a laugh? It's 8 o'clock in the morning! | 0:55:37 | 0:55:39 | |
Erm, I'm doing this to pass my exams. | 0:55:39 | 0:55:41 | |
Oh, "Pass my exams." Live a little. | 0:55:41 | 0:55:44 | |
-What, like you? -Oh, you're so good. | 0:55:44 | 0:55:46 | |
Look at that - Ian Beale. He wants me to put everything back on. | 0:55:46 | 0:55:50 | |
They must have sorted things out, then. | 0:55:50 | 0:55:52 | |
How do you sort out a dead mum that quick? | 0:55:52 | 0:55:55 | |
What? | 0:55:56 | 0:55:57 | |
Well, a bit of consideration. Mandy must be devastated. | 0:55:57 | 0:56:01 | |
Yeah, your best-man speech is going to be a real tear-jerker then(!) | 0:56:01 | 0:56:04 | |
Shut up, Lauren. | 0:56:04 | 0:56:05 | |
You're just put out cos me and Jay won the TV-remote wars last night. | 0:56:05 | 0:56:10 | |
You got exams today? | 0:56:11 | 0:56:13 | |
English and Science. | 0:56:13 | 0:56:15 | |
-Feeling OK about them? -What?! | 0:56:16 | 0:56:18 | |
Dad, I ain't slept a wink. Last night, I spoke to Lola, | 0:56:18 | 0:56:21 | |
she was, you know, telling me how Ian had this mad look in his eyes | 0:56:21 | 0:56:23 | |
when he threw her out the chippy. | 0:56:23 | 0:56:25 | |
-You know, like a zombie. -Well, I'll sort it. | 0:56:25 | 0:56:27 | |
He could send us down for this. | 0:56:27 | 0:56:29 | |
I'll sort it, OK? One way or another. | 0:56:29 | 0:56:31 | |
SHE GASPS Tyler, stop it! | 0:56:35 | 0:56:38 | |
I'm late for work! Don't make me bring the pain. | 0:56:38 | 0:56:41 | |
All right, all right. Guess who's got a free house tonight... | 0:56:41 | 0:56:44 | |
Let me guess. Must be someone I know, or you wouldn't bother asking. | 0:56:44 | 0:56:47 | |
-Oh, OK. -Tamwar? -All right, all right. | 0:56:47 | 0:56:50 | |
I guess I'll have to invite someone else | 0:56:50 | 0:56:51 | |
-for a beautiful, candle-lit dinner for two, then. -Oh, really? | 0:56:51 | 0:56:55 | |
See you later. Don't bring Tamwar. | 0:56:56 | 0:56:58 | |
I won't. | 0:56:58 | 0:57:00 | |
There you are! Have you been avoiding my minions? | 0:57:00 | 0:57:02 | |
Because it's tantamount to avoiding me. | 0:57:02 | 0:57:04 | |
No, I've been busy with work and Tyler. | 0:57:04 | 0:57:07 | |
-OK, so have you given it much thought? -What? | 0:57:07 | 0:57:09 | |
Moving in! Billy said that he'd left a message. | 0:57:09 | 0:57:12 | |
I thought Michael would be moving in? He's the dad. | 0:57:12 | 0:57:14 | |
And what is that supposed to mean? | 0:57:14 | 0:57:17 | |
Nothing. Nothing, it's just... | 0:57:17 | 0:57:18 | |
most girls would die to have some sharply dressed go-getter | 0:57:18 | 0:57:21 | |
in the house. | 0:57:21 | 0:57:22 | |
Oh, please, Michael is not moving in! | 0:57:22 | 0:57:24 | |
Look, is this a yes or a no? | 0:57:24 | 0:57:26 | |
Because if it's a no, can you please just say so. | 0:57:26 | 0:57:28 | |
Janine, it's going to be all right, OK? | 0:57:28 | 0:57:30 | |
You're going to cope. Mums always do. | 0:57:30 | 0:57:33 | |
Janine? I didn't mean anything... | 0:57:33 | 0:57:36 | |
No, I'm not accepting 40 below. | 0:57:38 | 0:57:41 | |
Well, this is London, right? | 0:57:41 | 0:57:43 | |
The prices go up. It's simple economics. | 0:57:43 | 0:57:45 | |
Well, you're the estate agent, not me. | 0:57:45 | 0:57:48 | |
Oh, Ian. Are you all right? | 0:57:49 | 0:57:51 | |
Tanya. | 0:57:51 | 0:57:52 | |
I just dropped in to see how Mandy's doing. | 0:57:52 | 0:57:55 | |
Yeah, she's asleep. | 0:57:55 | 0:57:56 | |
Max told me about her mum. It's crazy, we were only talking about her yesterday. | 0:57:56 | 0:57:59 | |
Has she ask you to be bridesmaid? | 0:57:59 | 0:58:01 | |
No. Why? She wouldn't, would she? | 0:58:01 | 0:58:03 | |
She must be distraught, poor girl. | 0:58:04 | 0:58:06 | |
Yeah, it's really knocked her for six. | 0:58:06 | 0:58:08 | |
But it's good that she's got something to focus on. | 0:58:08 | 0:58:11 | |
Oh, right. So, you're still going ahead with everything? | 0:58:11 | 0:58:14 | |
Only Max said she cancelled the venue. | 0:58:14 | 0:58:16 | |
Yeah, it's only a quick phone call. Easily done. | 0:58:16 | 0:58:19 | |
-Right, you think she'll be up to that tomorrow, do you? -Yeah. | 0:58:19 | 0:58:22 | |
Thanks for coming round. She'll really appreciate it. | 0:58:22 | 0:58:25 | |
OK, well, look, if you need us to take Bobby off your hands... | 0:58:25 | 0:58:28 | |
-Yeah, absolutely. She'll be touched. -You know where we are... -See you. | 0:58:28 | 0:58:32 | |
It's not my fault you've ended up the best man! | 0:58:32 | 0:58:35 | |
I told you not to go after him! | 0:58:35 | 0:58:38 | |
Here, look, let me make it up to you. I'll make amends. | 0:58:38 | 0:58:41 | |
Come out with me for a nice drink tonight, just the two of us, eh? | 0:58:41 | 0:58:44 | |
I want to give little Tyler and Whitney space. | 0:58:44 | 0:58:45 | |
-PHONE RINGS -Hold up, it's the venue. Hang on. Hello? Yeah. | 0:58:45 | 0:58:50 | |
What, the card was declined? | 0:58:50 | 0:58:53 | |
Yeah, well, you said the admin fee was only 50 quid! | 0:58:53 | 0:58:57 | |
And it was still declined, yeah? Hold up, hold up. | 0:58:57 | 0:58:59 | |
I've got to sort this out, Del, sorry. | 0:58:59 | 0:59:01 | |
Hang on, let me just grab the card for you. Hang on. | 0:59:01 | 0:59:04 | |
Well, good luck! | 0:59:04 | 0:59:06 | |
Yeah, I know I'm going to be very, very rich... | 0:59:06 | 0:59:08 | |
Wahey! It's just that I need some money now. | 0:59:08 | 0:59:12 | |
So I was wondering if you might have a word with Billy | 0:59:14 | 0:59:17 | |
and tell him that it was your fault I missed the interview yesterday. | 0:59:17 | 0:59:20 | |
Well, not your fault exactly... | 0:59:20 | 0:59:22 | |
Course I can. It's fine, it's fine. | 0:59:22 | 0:59:24 | |
-Just leave it with me. -Thanks. | 0:59:24 | 0:59:26 | |
I've seen Million Dollar Baby - the answer's no. | 0:59:27 | 0:59:29 | |
What? No, it's Janine, actually... | 0:59:29 | 0:59:32 | |
-Is she OK? -Why? | 0:59:32 | 0:59:35 | |
Well, she asked me to move in again earlier and I said no... | 0:59:35 | 0:59:38 | |
This is ridiculous. She'll have Billy living there before me! | 0:59:38 | 0:59:42 | |
-Aren't bridesmaids supposed to get new dresses? -I'm not sure about the red one, but the green one is OK. | 0:59:42 | 0:59:46 | |
-Can't I wear black? -No, you can't wear black. | 0:59:46 | 0:59:49 | |
It's not very sensitive, is it? The green one will be lovely. | 0:59:49 | 0:59:53 | |
How you doing, love? | 0:59:53 | 0:59:54 | |
What time is it? Why didn't you wake me? | 0:59:56 | 0:59:59 | |
Cos I thought you deserved to have a lie in, OK? | 0:59:59 | 1:00:01 | |
Now, come on. Come and sit yourself down. | 1:00:01 | 1:00:03 | |
Marie's going to cover the cafe, so we haven't got to worry about that. | 1:00:03 | 1:00:06 | |
Now, you just relax and I'll go and make you a nice cup of tea. | 1:00:06 | 1:00:10 | |
About the funeral... | 1:00:10 | 1:00:11 | |
Ian, you can stick her in the allotment with the cabbages and carrots for all I care. | 1:00:11 | 1:00:15 | |
Right... | 1:00:15 | 1:00:17 | |
What about the wedding? | 1:00:17 | 1:00:19 | |
Ian... | 1:00:20 | 1:00:22 | |
I can't go through with it. Not tomorrow. | 1:00:24 | 1:00:26 | |
Yes, you can. | 1:00:26 | 1:00:28 | |
No, Ian, I just need a little bit of time. | 1:00:28 | 1:00:32 | |
I'm not saying never. I'm not. | 1:00:32 | 1:00:34 | |
Just a couple of weeks. | 1:00:34 | 1:00:36 | |
You're overreacting. | 1:00:36 | 1:00:38 | |
My mum has just died. | 1:00:38 | 1:00:41 | |
KNOCKING AT DOOR | 1:00:41 | 1:00:43 | |
All right, Ian. It's your card, mate, it's been rejected. | 1:00:48 | 1:00:51 | |
What do you mean it's been rejected? I only just got it! | 1:00:53 | 1:00:56 | |
-Ian, it wouldn't go through, mate. -What?! Oh, come with me. | 1:00:56 | 1:00:59 | |
What do you mean he said no? | 1:01:00 | 1:01:02 | |
All right, well, did you tell him that I offered to pay cash? | 1:01:02 | 1:01:05 | |
KNOCK AT DOOR | 1:01:05 | 1:01:06 | |
OK, in that case, revise my offer down by 10,000. | 1:01:06 | 1:01:11 | |
Yes, down. And then if he still says no, | 1:01:11 | 1:01:15 | |
you can tell him that the money I lent him at the weekend, | 1:01:15 | 1:01:18 | |
I would like back. Thank you. | 1:01:18 | 1:01:20 | |
You're not buying another place, are you? | 1:01:20 | 1:01:22 | |
What did you want? | 1:01:22 | 1:01:24 | |
That's very rude. I heard you were upset, yeah? | 1:01:24 | 1:01:27 | |
-But that was ten minutes ago... -Must be Whitney. | 1:01:27 | 1:01:29 | |
Yeah. She was worried. | 1:01:29 | 1:01:31 | |
Not worried enough to move in though, right? | 1:01:31 | 1:01:34 | |
Why would you even want her to? | 1:01:34 | 1:01:35 | |
Because I'm not going to let this baby get in the way of my business. | 1:01:35 | 1:01:38 | |
With the genes that baby's getting, | 1:01:38 | 1:01:40 | |
she'll be pulling a hostile takeover in months. | 1:01:40 | 1:01:42 | |
I'm being serious, Michael, all right? I've got to get on. | 1:01:42 | 1:01:45 | |
Well, listen, I'm not moving until you ask me to move in, OK? | 1:01:45 | 1:01:51 | |
Because you've asked every other no-mark in the Square. | 1:01:51 | 1:01:53 | |
So, whenever you're ready. In your own time. | 1:01:53 | 1:01:57 | |
Is that right, Ian? | 1:02:06 | 1:02:08 | |
Well, I guess that's it, mate, innit? | 1:02:11 | 1:02:13 | |
The money for the funeral - it must have come out the account. | 1:02:13 | 1:02:16 | |
Right. Must have been expensive, was it? | 1:02:16 | 1:02:19 | |
Lend it to me. | 1:02:19 | 1:02:20 | |
Come on, Max. Look, you know I'm good for it, OK? | 1:02:20 | 1:02:23 | |
I've got the caff, I've got the chippy, I've got the house... | 1:02:23 | 1:02:26 | |
I'll pay you back, it's just a cash-flow thing. | 1:02:26 | 1:02:29 | |
It's not that, it's not that, all right? | 1:02:29 | 1:02:31 | |
I ain't being funny, but it's Mandy, innit? | 1:02:31 | 1:02:33 | |
-You know, she's the one who's cancelled all this. -She's grieving! | 1:02:33 | 1:02:36 | |
Yeah, she still is. It ain't been 24 hours, Ian. | 1:02:36 | 1:02:38 | |
-She don't want to get married tomorrow... -She does want to! | 1:02:38 | 1:02:42 | |
She just doesn't realise it yet, OK? | 1:02:42 | 1:02:45 | |
If you don't want to be my best man, just say, | 1:02:47 | 1:02:49 | |
and I can find someone else. | 1:02:49 | 1:02:51 | |
Ian, I'm not saying that, all right? | 1:02:51 | 1:02:52 | |
Then help me! I tell you what, | 1:02:52 | 1:02:54 | |
we get the smaller room at the registry office, | 1:02:54 | 1:02:56 | |
we're not going to do any food or flowers or anything. | 1:02:56 | 1:02:59 | |
Just me, Mandy, you, Lucy and Bobby. It'll cost a couple of hundred quid. | 1:02:59 | 1:03:02 | |
I thought you said you wanted it to be a magical day? | 1:03:02 | 1:03:05 | |
It will be magical. Just seeing that ring on her finger. | 1:03:05 | 1:03:08 | |
Max, please, in 48 hours' time I could be stood on that deck, | 1:03:10 | 1:03:15 | |
sipping champagne, just watching the sunset go down. | 1:03:15 | 1:03:18 | |
And all this... This stuff with Mandy's mum and the money... | 1:03:18 | 1:03:22 | |
It'll all be in the past. | 1:03:22 | 1:03:23 | |
Please, Max. | 1:03:25 | 1:03:26 | |
You've got to help me get on that ship. With my wife. | 1:03:26 | 1:03:30 | |
Please. | 1:03:31 | 1:03:32 | |
Who else have you tried? Beale, have you tried Beale? | 1:03:34 | 1:03:37 | |
Oh, come on, calm down, please. | 1:03:37 | 1:03:38 | |
No. You're asking all these different people to help you out | 1:03:38 | 1:03:41 | |
and I'm right here. | 1:03:41 | 1:03:42 | |
I've asked someone to help me with my baby, | 1:03:42 | 1:03:44 | |
I need someone to help, so I offered Whitney a job. | 1:03:44 | 1:03:47 | |
Whitney, that ex-pro... | 1:03:47 | 1:03:49 | |
-Stop. What about meal times? -What about meal times? | 1:03:49 | 1:03:51 | |
I can do meal times. I am available for meal times. | 1:03:51 | 1:03:55 | |
Yeah, I can come and sit round the table, I can eat dinner. | 1:03:55 | 1:03:57 | |
-What, like happy families? -Yeah. Just like on the telly, you know. | 1:03:57 | 1:04:00 | |
All sitting round, eating cornflakes. | 1:04:00 | 1:04:02 | |
-Oh, please! Don't you think it's just a bit drastic? -Drastic? | 1:04:02 | 1:04:05 | |
We're having a baby together and you're talking about drastic? | 1:04:05 | 1:04:08 | |
How about this, look, right... | 1:04:08 | 1:04:10 | |
Let's have dinner tonight. Just me and you. | 1:04:12 | 1:04:15 | |
And then I can stay. How about that? | 1:04:15 | 1:04:17 | |
And I can wake up in the morning, we could have breakfast. | 1:04:17 | 1:04:21 | |
Then I go to work. | 1:04:21 | 1:04:22 | |
But then I'd come back, we could have dinner again. | 1:04:22 | 1:04:24 | |
Then I stay again. See, there's a pattern emerging. | 1:04:24 | 1:04:26 | |
We could just do that ad infinitum. | 1:04:26 | 1:04:28 | |
So, like, you accidentally move in? | 1:04:28 | 1:04:31 | |
Yeah. Yeah, why stop now? | 1:04:31 | 1:04:34 | |
Go on, girl. | 1:04:34 | 1:04:35 | |
You know you'd love it. | 1:04:35 | 1:04:37 | |
I've been looking for you. What's this about you shutting the caff | 1:04:43 | 1:04:46 | |
-and going out in the street, shouting? -Billy. Buy my car. | 1:04:46 | 1:04:49 | |
Oh, yeah, like I can afford a new motor. | 1:04:49 | 1:04:51 | |
-Oi, oi, I'm talking to you. -500 quid. | 1:04:51 | 1:04:53 | |
Let me see, I've got... £2.70? | 1:04:53 | 1:04:56 | |
Oi, why are you doing this? | 1:04:57 | 1:04:59 | |
I'm going to do this without Max, or Ben, or anyone else. | 1:04:59 | 1:05:02 | |
-I can do it on my own. -Max? | 1:05:02 | 1:05:03 | |
Yeah, I'm going to be jetting off to paradise this time tomorrow. | 1:05:03 | 1:05:07 | |
That's not how it looks in the book, man! | 1:05:11 | 1:05:13 | |
Oh, what is that disgusting smell? | 1:05:13 | 1:05:15 | |
What's this? Extreme Cooking? | 1:05:15 | 1:05:18 | |
A couple of lugs of this, a drizzle of that - I've got vomit. | 1:05:18 | 1:05:21 | |
Oh, what are you doing?! | 1:05:21 | 1:05:22 | |
It says, look, the longer you cook it the better, | 1:05:22 | 1:05:24 | |
-so I thought I'd start early... -No, what are you doing cooking | 1:05:24 | 1:05:27 | |
chilli con carne for a young girl? | 1:05:27 | 1:05:29 | |
This is supposed to be a romantic meal. | 1:05:29 | 1:05:32 | |
Bit of fish. Light pasta dish. | 1:05:32 | 1:05:34 | |
She's a beautiful young woman, not a rugby prop forward. | 1:05:34 | 1:05:38 | |
How do you know so much about it then? | 1:05:38 | 1:05:40 | |
Common sense. | 1:05:40 | 1:05:41 | |
Oh, you amaze me, you really do. | 1:05:41 | 1:05:42 | |
I don't know how you've lasted this long. | 1:05:42 | 1:05:45 | |
Right, bin all this and we'll start from scratch. | 1:05:45 | 1:05:47 | |
Now, what shall we do? Something fancy... | 1:05:47 | 1:05:50 | |
Something she'll respond to. | 1:05:51 | 1:05:53 | |
And you know how to cook, do you? | 1:05:53 | 1:05:55 | |
When it's the difference between sitting in a cell for a ten stretch | 1:05:55 | 1:05:59 | |
or learning how to make lasagne, it ain't long before you're pinnied up | 1:05:59 | 1:06:02 | |
and standing in front of a cooker. Well, do you want me to help you, or don't you? | 1:06:02 | 1:06:05 | |
I've got a poker game I could be organising. | 1:06:05 | 1:06:07 | |
Please, please, mate. Help me. | 1:06:07 | 1:06:09 | |
Good. Right. Let's get down the shops. | 1:06:09 | 1:06:12 | |
Now, you are the sous chef, | 1:06:12 | 1:06:14 | |
I am head chef, | 1:06:14 | 1:06:16 | |
which means that I am in charge, | 1:06:16 | 1:06:18 | |
and you are nothing but a maggot on the sole of my shoe. | 1:06:18 | 1:06:22 | |
-There's no change there then! -Well... Come on. | 1:06:22 | 1:06:24 | |
All right, Phil? | 1:06:28 | 1:06:30 | |
This about Jay? | 1:06:30 | 1:06:32 | |
-Ian. -Oh, right. | 1:06:32 | 1:06:35 | |
Don't bother kicking off, cos I'm done. | 1:06:35 | 1:06:37 | |
That's it. You know, I don't mind helping him out, | 1:06:37 | 1:06:39 | |
but I'm not going to lend him money. | 1:06:39 | 1:06:40 | |
I just want to know what he said to you. | 1:06:40 | 1:06:42 | |
He said he needed a best man. Which is fine. | 1:06:42 | 1:06:44 | |
I don't mind picking up the phone, saying a few words, | 1:06:44 | 1:06:47 | |
but I ain't going to lend him money, Phil, not the state he's in. | 1:06:47 | 1:06:49 | |
Well, the last I heard Ben was his best man. | 1:06:49 | 1:06:51 | |
Well, he told me Ben had exams or something, I don't know. | 1:06:51 | 1:06:54 | |
Still, if Ben wants the job back, that's fine. | 1:06:54 | 1:06:56 | |
Well, how much short is he? | 1:06:56 | 1:06:58 | |
500. Not likely, is it? | 1:06:58 | 1:07:00 | |
Before you know it, you've given him your credit card | 1:07:00 | 1:07:03 | |
and he's flying her off to Disneyland | 1:07:03 | 1:07:05 | |
in a Minnie Mouse helicopter. | 1:07:05 | 1:07:07 | |
Phil, you ain't going to see that money back. | 1:07:07 | 1:07:09 | |
I don't care. I just want you to do your job properly | 1:07:09 | 1:07:12 | |
and then Ben can stop worrying about his brother. | 1:07:12 | 1:07:14 | |
Do me a favour, calm him down before he gets himself sectioned. | 1:07:14 | 1:07:17 | |
You're going to need more than this, Phil. For the car an' all that. | 1:07:17 | 1:07:21 | |
I'll sort the car. | 1:07:21 | 1:07:23 | |
I lost my mum. | 1:07:29 | 1:07:31 | |
So? What, you want to be best friends now, do you? | 1:07:32 | 1:07:36 | |
Dead Mums Brigade? | 1:07:36 | 1:07:38 | |
I was just saying... | 1:07:38 | 1:07:40 | |
-Right, I'm selling the car. -Stop selling everything! | 1:07:40 | 1:07:42 | |
-No, everything's falling into place. -I need to get out of here. | 1:07:42 | 1:07:45 | |
No. You can't. I've got a surprise for you, OK? An announcement. | 1:07:45 | 1:07:49 | |
-What? -It deserves a bit of ceremony, OK. | 1:07:49 | 1:07:51 | |
Everything's got to be perfect, hasn't it? | 1:07:51 | 1:07:54 | |
So, I'm going to go get us a curry and a bottle of wine. | 1:07:54 | 1:07:56 | |
Look, I promise, everything's got to be perfect, all right? | 1:07:56 | 1:07:59 | |
Just stay there, yeah? Have you got any money? | 1:07:59 | 1:08:03 | |
I thought you'd sold the car? | 1:08:03 | 1:08:04 | |
Make sure she doesn't leave. | 1:08:04 | 1:08:06 | |
Potato rosti. Sounds well-posh. | 1:08:08 | 1:08:10 | |
Yeah, and all you've done is fry up a couple of potatoes. | 1:08:10 | 1:08:13 | |
I'm amazed they had you doing this inside, mate. | 1:08:13 | 1:08:16 | |
Well, I met this guy, fellow con. Quite a funny story, actually. | 1:08:16 | 1:08:20 | |
Oh, yeah? Go on. | 1:08:20 | 1:08:21 | |
Well, I'd been in about a year, right. | 1:08:21 | 1:08:25 | |
So I get a call up to the warden's office. | 1:08:25 | 1:08:27 | |
I walk in, he's looking at me, | 1:08:28 | 1:08:30 | |
he says, "I'm sorry, Branning, it's a Dear John." | 1:08:30 | 1:08:34 | |
Dear John? What's that? | 1:08:34 | 1:08:35 | |
It's a letter you get from your missus, | 1:08:35 | 1:08:37 | |
when she's informing you it's all over. | 1:08:37 | 1:08:39 | |
Oof! Ouch. | 1:08:39 | 1:08:40 | |
No greater ouch, mate. | 1:08:40 | 1:08:42 | |
There's nothing you can do about it on the inside. | 1:08:42 | 1:08:45 | |
You see, the screws, they all read your mail, | 1:08:45 | 1:08:47 | |
so he knew what to expect. | 1:08:47 | 1:08:48 | |
He's looking at me, he goes, | 1:08:48 | 1:08:50 | |
"Branning, you need the doctor." | 1:08:50 | 1:08:53 | |
Do you know what he gave me? | 1:08:53 | 1:08:56 | |
Three sleeping pills. Three sleeping pills for a broken heart. | 1:08:56 | 1:09:00 | |
Did she give a reason? | 1:09:00 | 1:09:02 | |
Pain of separation, she put it down to. | 1:09:02 | 1:09:05 | |
Should have tried it from my side! | 1:09:05 | 1:09:07 | |
Anyway, couple of days later, a geezer comes up to me. | 1:09:07 | 1:09:09 | |
Heard I'd had a Dear John. He'd had one the week before. | 1:09:09 | 1:09:13 | |
What, this is your chef mate, yeah? | 1:09:13 | 1:09:15 | |
Yeah. We used to sit in my cell, planning our escape. | 1:09:15 | 1:09:19 | |
How we were going to win our women back in an hail of bullets! | 1:09:19 | 1:09:23 | |
See? You can do romance! | 1:09:23 | 1:09:25 | |
And then we realised | 1:09:25 | 1:09:27 | |
that it was easier to have nothing on the outside. | 1:09:27 | 1:09:30 | |
And that's when he taught me how to cook. | 1:09:30 | 1:09:32 | |
Well, thank God for that, | 1:09:32 | 1:09:34 | |
because this salmon and rosti is going to go down a storm. | 1:09:34 | 1:09:37 | |
There you go. | 1:09:37 | 1:09:39 | |
It'll be done soon and then I'm off to the dogs. | 1:09:39 | 1:09:43 | |
Dogs? I thought you was going poker? | 1:09:43 | 1:09:44 | |
Yeah, poker. | 1:09:46 | 1:09:47 | |
-Think I got the shakes. -Let me do it, then... | 1:09:50 | 1:09:52 | |
I'm joking! | 1:09:52 | 1:09:53 | |
Did you get on it last night? | 1:09:54 | 1:09:56 | |
You are going to look so beautiful. | 1:09:58 | 1:10:00 | |
Tyler's going to do himself a mischief when he sees you. | 1:10:00 | 1:10:02 | |
Shut up! | 1:10:02 | 1:10:04 | |
Don't wiggle about, cos I'm going to ruin it. | 1:10:04 | 1:10:06 | |
Well, hurry up. I know you want a drink at the Vic. | 1:10:06 | 1:10:10 | |
I like it. | 1:10:10 | 1:10:11 | |
KNOCKING AT DOOR | 1:10:15 | 1:10:17 | |
All right, Max? | 1:10:19 | 1:10:21 | |
-You all right, Mandy? Come in. -Thanks. | 1:10:21 | 1:10:25 | |
Tanya's still at work, I think. She'll be back soon. | 1:10:25 | 1:10:28 | |
I'm... I'm sorry, you know, for your loss. | 1:10:30 | 1:10:33 | |
Have I lost something? | 1:10:33 | 1:10:35 | |
I'm always doing that. | 1:10:35 | 1:10:38 | |
My purse... | 1:10:38 | 1:10:40 | |
car keys... | 1:10:40 | 1:10:42 | |
You know, anything that's not physically attached to me... | 1:10:42 | 1:10:45 | |
-SHE SOBS -I'm so sorry. | 1:10:45 | 1:10:47 | |
It's all right. Come here. Come here. | 1:10:47 | 1:10:51 | |
Dad, we're just popping out... | 1:10:51 | 1:10:54 | |
-Come on, Mandy, it's all right. -I'm so sorry. | 1:10:57 | 1:11:00 | |
It's OK, it's all right. Come here. | 1:11:00 | 1:11:02 | |
DOOR OPENS | 1:11:02 | 1:11:04 | |
-How'd they go? -All right. | 1:11:06 | 1:11:09 | |
I dunno, I missed out a couple of questions. | 1:11:09 | 1:11:11 | |
-Well, at least they're over. -What about Ian? | 1:11:11 | 1:11:14 | |
Well, Max is best man, so hopefully it'll keep him in line. | 1:11:14 | 1:11:17 | |
-Why Max? -He trusts him, I dunno. | 1:11:17 | 1:11:20 | |
It's always Max. Everywhere I look. | 1:11:20 | 1:11:22 | |
Well, maybe he'll sort his head out. | 1:11:22 | 1:11:25 | |
Yeah, maybe he can't. | 1:11:25 | 1:11:27 | |
I mean, what if... I dunno... | 1:11:27 | 1:11:29 | |
But what if he makes a call when he's safe on the other side of the world? | 1:11:29 | 1:11:33 | |
Stop making up all these fantasies, will you? You're as bad as Ian. | 1:11:33 | 1:11:38 | |
-Is that mine? -Yep. | 1:11:38 | 1:11:39 | |
I forgot my wallet, you'll have to stick it on the tab. | 1:11:39 | 1:11:42 | |
You still owe me for the sandwich you didn't let me finish yesterday! | 1:11:42 | 1:11:45 | |
-What was that worth - a quid? Stick it on the tab. -Oi, hang on! -It's all right. I'll get it. | 1:11:45 | 1:11:48 | |
Oi! | 1:11:53 | 1:11:55 | |
What's all that about? | 1:11:56 | 1:11:58 | |
She wanted a curry. She hasn't eaten all day. | 1:11:58 | 1:12:00 | |
We need to talk. Cos I ain't having you sailing off and running away. | 1:12:00 | 1:12:03 | |
-I told you. This time tomorrow I'll be gone. -You ain't going anywhere. | 1:12:03 | 1:12:06 | |
-You ain't going on no cruise, and you ain't selling your house. -You can't tell me what to do! | 1:12:06 | 1:12:10 | |
-Me and you, we had a deal, yeah? -Her mum died, OK? | 1:12:10 | 1:12:13 | |
If I can't convince her to marry me, | 1:12:13 | 1:12:15 | |
to come on this honeymoon and make a fresh start, then it is over! | 1:12:15 | 1:12:18 | |
Now, that might suit you, | 1:12:18 | 1:12:20 | |
but if it is over, then I have got nothing to live for, OK? | 1:12:20 | 1:12:23 | |
Do you understand me? | 1:12:23 | 1:12:25 | |
-Ian, mate, just calm down, yeah.? -Mate?! -Just take it easy. | 1:12:25 | 1:12:27 | |
You've taken on too much, just put something off... | 1:12:27 | 1:12:30 | |
I haven't taken on too much, it's my life! | 1:12:30 | 1:12:32 | |
-What about our life? -You threw it away! -Just leave him alone. | 1:12:32 | 1:12:35 | |
You might think I'm the one who's cracking up, but it's not, OK? | 1:12:35 | 1:12:38 | |
It's you two that are cracking up. | 1:12:38 | 1:12:41 | |
Don't worry about me, worry about each other. | 1:12:41 | 1:12:43 | |
Phil, please! Phil! Please, Phil! | 1:12:43 | 1:12:45 | |
You're just itching to talk, aren't you? It's just bursting out of you! | 1:12:45 | 1:12:48 | |
No! I'm not the one who does that, am I? | 1:12:48 | 1:12:50 | |
Now, Ben... Ben is your brother, yeah? | 1:12:50 | 1:12:52 | |
And me, I'm like a step-dad. So you and me, | 1:12:52 | 1:12:55 | |
we're like family, really, aren't we, yeah? | 1:12:55 | 1:12:57 | |
And betraying your family is the ultimate. | 1:12:57 | 1:12:59 | |
Betraying your family | 1:12:59 | 1:13:01 | |
is crossing the line. Do you understand me? | 1:13:01 | 1:13:04 | |
I won't... I won't. | 1:13:06 | 1:13:09 | |
I just... | 1:13:09 | 1:13:11 | |
want to get married. | 1:13:11 | 1:13:13 | |
It's all I've got left. | 1:13:15 | 1:13:16 | |
Come on, then. I'll walk you round there. | 1:13:29 | 1:13:31 | |
I quite like being a chaperone. | 1:13:31 | 1:13:32 | |
Ha! I'd say more "personal taxi". | 1:13:32 | 1:13:35 | |
Oi! | 1:13:35 | 1:13:37 | |
Look at you, smiling from ear to ear. | 1:13:37 | 1:13:40 | |
Well, I just... | 1:13:40 | 1:13:43 | |
I never thought I'd get here again. | 1:13:43 | 1:13:45 | |
What, Albert Square? | 1:13:45 | 1:13:47 | |
No. You know the... | 1:13:47 | 1:13:49 | |
You know the butterfly feeling in your tummy? | 1:13:49 | 1:13:52 | |
SHE SNORTS | 1:13:52 | 1:13:54 | |
And I have come a long way from all that stuff with Rob. | 1:13:54 | 1:13:59 | |
Yeah, it's about time someone made a fuss of you, | 1:13:59 | 1:14:02 | |
cos you're all right. | 1:14:02 | 1:14:03 | |
Oh, I'm all right, am I? | 1:14:03 | 1:14:05 | |
Yes. You really are. | 1:14:05 | 1:14:07 | |
THEY GIGGLE | 1:14:10 | 1:14:12 | |
Ah, just the man. | 1:14:12 | 1:14:14 | |
If you've come to tell me I'm on washing-up duty, I've clocked off. | 1:14:14 | 1:14:17 | |
No, no, no, I've had a word with her. Won't happen again. | 1:14:17 | 1:14:19 | |
I appreciate that. Thanks, Michael. | 1:14:21 | 1:14:23 | |
That's all right, Billy. I like you. That's why I wanted to have a word. | 1:14:23 | 1:14:27 | |
Oh, yeah? | 1:14:27 | 1:14:28 | |
Yeah. When you bring someone in to any business, | 1:14:28 | 1:14:31 | |
everything they do, EVERYTHING, reflects on you, yeah? | 1:14:31 | 1:14:34 | |
If they're great, everybody loves you. If they're terrible... | 1:14:34 | 1:14:38 | |
I know it's unfair, but that's just the deal of being a worker bee. | 1:14:39 | 1:14:43 | |
Now I'm a big fan of you, Billy, like I said. | 1:14:43 | 1:14:47 | |
And that's why I don't want Janine blaming you | 1:14:47 | 1:14:50 | |
if someone else messes up. | 1:14:50 | 1:14:51 | |
You need to ask yourself the serious question, | 1:14:51 | 1:14:54 | |
"Do I feel comfortable having someone like Jean..." | 1:14:54 | 1:14:56 | |
"..represent me?" Yeah? | 1:14:58 | 1:15:01 | |
Sorry, sorry, sorry. I'm at sixes and sevens today! | 1:15:01 | 1:15:05 | |
Oh! That's better, right, OK. | 1:15:06 | 1:15:09 | |
I'm sorry, I dunno why I came here... | 1:15:09 | 1:15:12 | |
It's all right. Don't be silly, it's fine. | 1:15:12 | 1:15:16 | |
What was it, you didn't want to be alone? | 1:15:16 | 1:15:18 | |
Probably too late for that. | 1:15:20 | 1:15:23 | |
You grow up a certain way, don't you? | 1:15:23 | 1:15:25 | |
Yeah, yeah. Yeah, I guess you do, yeah. | 1:15:26 | 1:15:29 | |
How can you cry for someone you hate? | 1:15:31 | 1:15:35 | |
Mandy, look it ain't really my place to say but, you know, | 1:15:35 | 1:15:38 | |
maybe all this is, you know, a chance to move on, innit. | 1:15:38 | 1:15:42 | |
I need a lot of time to think. | 1:15:43 | 1:15:45 | |
Well, you know, you'll get that on the cruise, won't you? | 1:15:45 | 1:15:49 | |
-What cruise? -The honeymoon. | 1:15:51 | 1:15:53 | |
I weren't meant to say anything. Ian managed to sort the tickets out. | 1:15:53 | 1:15:57 | |
I think you're going the day after tomorrow. | 1:15:57 | 1:15:59 | |
Right. So that's what the big announcement's all about. | 1:15:59 | 1:16:04 | |
Yeah, well, sounds like you could do with a break. | 1:16:04 | 1:16:07 | |
And you ain't got to worry about the funeral, | 1:16:07 | 1:16:10 | |
that's all taken care of. | 1:16:10 | 1:16:11 | |
Who's taken care of it? | 1:16:11 | 1:16:13 | |
Well, Ian has. | 1:16:13 | 1:16:14 | |
But I told him, I told him not to bother. | 1:16:14 | 1:16:16 | |
Well she needs burying, don't she? | 1:16:16 | 1:16:18 | |
She's my mum, Max! Not yours. | 1:16:21 | 1:16:25 | |
Not Ian's. She's mine. | 1:16:25 | 1:16:27 | |
And if I say let her rot in them allotments, then just let her rot! | 1:16:27 | 1:16:30 | |
Your rosti does not look like Mussolini. | 1:16:34 | 1:16:36 | |
You don't even know who Mussolini is. | 1:16:36 | 1:16:38 | |
Yeah, but it's a potato, ain't it! | 1:16:38 | 1:16:40 | |
Your boy's been cooking up a storm! | 1:16:44 | 1:16:46 | |
You look beautiful. | 1:16:46 | 1:16:48 | |
Thanks. | 1:16:48 | 1:16:50 | |
Please, madam. | 1:16:50 | 1:16:51 | |
Three plates. | 1:16:53 | 1:16:54 | |
Careful, they're hot, them. | 1:16:54 | 1:16:56 | |
Yeah, I thought there was plenty of food, so, you know, I asked Derek. | 1:16:56 | 1:17:00 | |
Yeah, right, right. | 1:17:00 | 1:17:03 | |
You know what, it's always the way, innit. | 1:17:03 | 1:17:07 | |
You do the cooking and you lose your appetite. | 1:17:07 | 1:17:10 | |
No, there's plenty of food to go round, right, Ty? | 1:17:10 | 1:17:12 | |
Yeah. Yeah, I mean you've done most of the work, mate. | 1:17:12 | 1:17:15 | |
Nah. | 1:17:15 | 1:17:18 | |
I'll grab mine later. | 1:17:18 | 1:17:20 | |
Right, so it's just us then. | 1:17:27 | 1:17:29 | |
Yep. | 1:17:29 | 1:17:31 | |
So, I guess we can switch the romance back on now then, yeah? | 1:17:31 | 1:17:34 | |
-Tell Mandy I'm dishing up. Just got to lay the table. -She's gone. | 1:17:41 | 1:17:45 | |
What? | 1:17:45 | 1:17:46 | |
You booked a funeral? | 1:17:46 | 1:17:48 | |
It's OK, you haven't left... | 1:17:48 | 1:17:50 | |
When I asked you, I asked you not to? | 1:17:50 | 1:17:52 | |
-He was trying to help. -Don't! | 1:17:52 | 1:17:54 | |
Lucy, just don't. Not with this, all right? | 1:17:55 | 1:17:58 | |
So what, you think that was going to work, did you? | 1:17:58 | 1:18:01 | |
Put her in the ground. | 1:18:01 | 1:18:02 | |
Just sweep her under the carpet and everything goes away? | 1:18:02 | 1:18:05 | |
No. No, that's not how I saw it in my head, no. | 1:18:05 | 1:18:09 | |
Mandy, what I thought, right, was, I'd get us a nice curry | 1:18:09 | 1:18:12 | |
and a bottle of wine, | 1:18:12 | 1:18:14 | |
I'd set the table nicely, light some candles and then... | 1:18:14 | 1:18:18 | |
Then I'd give you these. | 1:18:20 | 1:18:21 | |
Look, I just thought that if we could get married, OK, | 1:18:23 | 1:18:26 | |
and we can get on the plane, | 1:18:26 | 1:18:29 | |
a couple of hours, you'd be in paradise. | 1:18:29 | 1:18:32 | |
Look, there'd be no more caff, no more chippy, | 1:18:33 | 1:18:36 | |
no more Albert Square, no more being laughed at. | 1:18:36 | 1:18:38 | |
And I thought, once you were on that ship, | 1:18:41 | 1:18:43 | |
you'll have time to relax and think and... | 1:18:43 | 1:18:47 | |
maybe you'd realise then that what your mum said was wrong, OK? | 1:18:47 | 1:18:52 | |
She's the one who couldn't be loved. | 1:18:52 | 1:18:56 | |
She's the one who's messed up. | 1:18:56 | 1:18:59 | |
She wanted it to be you, but it's not you, is it? | 1:18:59 | 1:19:05 | |
It can't be you. Because... | 1:19:05 | 1:19:07 | |
Because I love you. | 1:19:07 | 1:19:11 | |
Look, I just thought that, once we'd buried her, OK... | 1:19:11 | 1:19:14 | |
..you could start to look forward, instead of always looking back. | 1:19:16 | 1:19:20 | |
But I don't know how I feel about what's happened. | 1:19:21 | 1:19:25 | |
You don't need to know how you feel about all that. | 1:19:27 | 1:19:30 | |
You just need to know how you feel about me. | 1:19:30 | 1:19:33 | |
Um... | 1:19:38 | 1:19:39 | |
why don't you set the table for dinner and I'll go and get changed. | 1:19:39 | 1:19:44 | |
Here she is! My new flatmate. | 1:19:50 | 1:19:52 | |
Hello. | 1:19:52 | 1:19:54 | |
Hello. How about a celebratory bitter lemon? | 1:19:54 | 1:19:56 | |
Lovely, thank you. | 1:19:56 | 1:19:57 | |
A celebratory bitter lemon? | 1:19:57 | 1:20:00 | |
We're moving in together. | 1:20:00 | 1:20:02 | |
Michael, that woman is not a nice woman. | 1:20:02 | 1:20:05 | |
She's the mother of my unborn child, Jean. | 1:20:06 | 1:20:09 | |
Well, I've got some news. | 1:20:12 | 1:20:15 | |
Billy gave me the job! | 1:20:15 | 1:20:17 | |
So what you said worked. | 1:20:17 | 1:20:20 | |
He said, us worker bees have to stick together. | 1:20:20 | 1:20:23 | |
I'm in your debt! | 1:20:23 | 1:20:25 | |
-There you go. -Thank you. | 1:20:29 | 1:20:32 | |
I'm going to need a photo of you. | 1:20:32 | 1:20:35 | |
What for? | 1:20:35 | 1:20:36 | |
My wallet. | 1:20:36 | 1:20:37 | |
SHE CHUCKLES | 1:20:39 | 1:20:41 | |
Well, he certainly knows how to make a girl feel special, doesn't he? | 1:20:54 | 1:20:58 | |
Oh, yeah, he's upstairs, emptying a bottle of aftershave | 1:20:58 | 1:21:01 | |
all over himself, as we speak. | 1:21:01 | 1:21:03 | |
You know, it's going to be so nice, | 1:21:03 | 1:21:06 | |
not having you around on this honeymoon. | 1:21:06 | 1:21:09 | |
I'm not going to let you marry my dad. | 1:21:10 | 1:21:12 | |
Oh, I'm going to marry him. | 1:21:14 | 1:21:16 | |
Just to ruin your day. | 1:21:16 | 1:21:17 | |
All set? | 1:21:19 | 1:21:20 | |
Mm-hm. | 1:21:20 | 1:21:21 | |
Morning. | 1:21:30 | 1:21:32 | |
Morning. | 1:21:34 | 1:21:36 | |
In two hours, | 1:21:42 | 1:21:45 | |
you will be Mrs Beale. | 1:21:45 | 1:21:47 | |
You know, I could, um... I could kill a cup of tea. | 1:21:50 | 1:21:53 | |
Ah, cup of tea. | 1:21:53 | 1:21:55 | |
Hey presto! | 1:21:55 | 1:21:57 | |
See? I've thought of everything. | 1:21:58 | 1:22:01 | |
Thank you. | 1:22:01 | 1:22:02 | |
Once you've had your cup of tea, | 1:22:02 | 1:22:04 | |
I'm going to do you a nice, extra-special wedding breakfast, | 1:22:04 | 1:22:08 | |
of pancakes and syrup - | 1:22:08 | 1:22:10 | |
just like you said you liked when you were a kid. | 1:22:10 | 1:22:13 | |
That's really sweet of you. | 1:22:14 | 1:22:16 | |
I want to treat you nice. | 1:22:18 | 1:22:21 | |
I want you to have all the things that you've always wanted. | 1:22:21 | 1:22:24 | |
I don't want you to ever feel scared or lonely or cold, or anything else. | 1:22:26 | 1:22:31 | |
Not while I'm around. | 1:22:32 | 1:22:34 | |
You know... | 1:22:37 | 1:22:39 | |
Ian, you, um... You don't have to try so hard. | 1:22:40 | 1:22:44 | |
I'm just me, | 1:22:45 | 1:22:47 | |
I'm nothing special. Just Mandy. | 1:22:47 | 1:22:49 | |
I mean, we're getting married in a registry office. | 1:22:49 | 1:22:53 | |
It's hardly Will and Kate. | 1:22:53 | 1:22:55 | |
We could be getting married in a dustbin | 1:22:55 | 1:22:57 | |
in the middle of Bridge Street, | 1:22:57 | 1:22:59 | |
and it would still be the most romantic day of my life. | 1:22:59 | 1:23:01 | |
Is it going to be a themed wedding? Nightwear? | 1:23:52 | 1:23:56 | |
-I just got up. -Oh, right. | 1:23:56 | 1:23:59 | |
Where's the lucky man? He's calmed down a bit, has he? | 1:23:59 | 1:24:02 | |
Yeah, for a bloke who's going to his own execution, | 1:24:02 | 1:24:04 | |
he's in a pretty good mindset. | 1:24:04 | 1:24:05 | |
All right, great. Well, tell him I'm around, will you? | 1:24:05 | 1:24:08 | |
I've sorted out some drinks at the Vic | 1:24:08 | 1:24:10 | |
and sorted the car out, | 1:24:10 | 1:24:11 | |
so, tell him if he needs anything to give me a shout, yeah? | 1:24:11 | 1:24:14 | |
-Cheers. -How's he doing? | 1:24:14 | 1:24:17 | |
Yeah, not bad, I think. | 1:24:17 | 1:24:19 | |
-I'm just going to go and get some cigarettes. -Nervous? -No. | 1:24:19 | 1:24:23 | |
-Just a craving. -No, is Ian nervous? -I don't know, Phil. | 1:24:23 | 1:24:26 | |
-I ain't seen him. And your bloke with the Roller, he's definitely still coming? -Yeah, course. | 1:24:26 | 1:24:31 | |
-Where's your dress? -Upstairs. | 1:24:38 | 1:24:41 | |
-Oh, right. Do me a favour. Can you go get Bobby ready for me? -Dad! | 1:24:41 | 1:24:45 | |
Lucy, please. | 1:24:45 | 1:24:46 | |
Just be a loving, dutiful daughter for once in your life, OK? | 1:24:46 | 1:24:50 | |
Make me happy. Please. | 1:24:50 | 1:24:51 | |
-I was going to say I have an exam this afternoon. I've got to be back by one. -Yeah, you will be, OK? | 1:24:51 | 1:24:55 | |
It's a simple ceremony. In and out, we'll be done in an hour. | 1:24:55 | 1:24:58 | |
Now, please, just go and get Bobby ready. | 1:24:58 | 1:25:00 | |
Oh, and give Mandy a shout, as well. | 1:25:00 | 1:25:02 | |
KNOCK AT DOOR Yeah, come in. | 1:25:06 | 1:25:09 | |
Do you mind?! | 1:25:13 | 1:25:15 | |
Poor Dad. It's not a pretty sight. | 1:25:15 | 1:25:18 | |
Shut the door, will you? | 1:25:18 | 1:25:20 | |
You know, it's not too late to do a runner. | 1:25:20 | 1:25:23 | |
-You could always jump out the window. -You know what? | 1:25:23 | 1:25:25 | |
So could you. I reckon it's about time you left home. | 1:25:25 | 1:25:29 | |
You know, saw a bit of the big wide world. | 1:25:29 | 1:25:32 | |
Dad wants you downstairs. | 1:25:32 | 1:25:34 | |
Special wedding breakfast. Isn't it exciting(?) | 1:25:34 | 1:25:37 | |
I can keep my mouth shut. | 1:25:38 | 1:25:41 | |
I will. I have. Phil, I'm not going to say anything. | 1:25:41 | 1:25:43 | |
-I swear. -I want to believe you, Ian, I really do. | 1:25:43 | 1:25:46 | |
I've got my head together. | 1:25:46 | 1:25:47 | |
Because if I can't, I'm going to have to make a decision. I really don't want to do that. | 1:25:47 | 1:25:51 | |
But it might just come down to that | 1:25:51 | 1:25:53 | |
You... | 1:25:53 | 1:25:54 | |
Ben. I have to choose. | 1:25:54 | 1:25:57 | |
No, you don't. | 1:25:57 | 1:25:59 | |
You don't have to, Phil. You don't have to choose. I promise you. | 1:25:59 | 1:26:01 | |
I am 100% reliable. | 1:26:01 | 1:26:03 | |
Well, I am going to be close | 1:26:03 | 1:26:07 | |
and I am going to be watching, all right? | 1:26:07 | 1:26:09 | |
Enjoy the wedding. | 1:26:11 | 1:26:13 | |
Mandy, Lucy, Bobby - breakfast! | 1:26:31 | 1:26:33 | |
Whose is that? | 1:26:48 | 1:26:50 | |
That's Mandy's, innit? | 1:26:50 | 1:26:52 | |
You are joking? | 1:26:52 | 1:26:53 | |
I thought Ian was meant to be having cash-flow problems. | 1:26:53 | 1:26:56 | |
It's a gift, innit? It's from Phil. | 1:26:56 | 1:26:58 | |
Oh, yeah, right. Of course it is. | 1:26:58 | 1:27:00 | |
-Because those two love each other so much. -Max! | 1:27:00 | 1:27:04 | |
Can you give us a hand, darling. I need someone with a head for heights. | 1:27:04 | 1:27:07 | |
All right, give me a sec. | 1:27:07 | 1:27:09 | |
Hello, Ian. I'd like a word with you. | 1:27:11 | 1:27:15 | |
I can't talk now. I'm having a crisis. Lucy. Lucy! | 1:27:15 | 1:27:18 | |
-What is going on? -Nothing, love. Nothing at all. Hiya. | 1:27:18 | 1:27:21 | |
-Bride-to-be. You must be really excited. -Yeah. Size six. | 1:27:21 | 1:27:25 | |
-Why don't you go back upstairs and try it on, love. -What? | 1:27:25 | 1:27:28 | |
-Please, Just go try it on, for me. Please. -Did you want me? -Go on. | 1:27:28 | 1:27:31 | |
-Dad? -Yeah, I'll be back in a minute. | 1:27:31 | 1:27:33 | |
Ooh, strawberries. | 1:27:35 | 1:27:37 | |
What's the problem? | 1:27:41 | 1:27:43 | |
You told me you were skint and you've got a white Rolls-Royce | 1:27:43 | 1:27:46 | |
waiting to take you to the church. | 1:27:46 | 1:27:47 | |
-Registry office! -Whatever. -A Rolls? | 1:27:47 | 1:27:51 | |
Don't pretend like you don't know. Ian! | 1:27:51 | 1:27:54 | |
If you can afford to pay for that, then you can afford to pay me. | 1:27:54 | 1:27:59 | |
I can... | 1:27:59 | 1:28:01 | |
What... I can't. | 1:28:01 | 1:28:02 | |
I didn't pay for that. Just ask Max, he'll explain. | 1:28:02 | 1:28:05 | |
-Oh, he did. He said Phil bought it as a present. Not likely. -Phil? | 1:28:05 | 1:28:10 | |
That's what he said. | 1:28:10 | 1:28:12 | |
Now, I suggest you hand over some cash, | 1:28:12 | 1:28:14 | |
otherwise I'm going to get really nasty. | 1:28:14 | 1:28:16 | |
Janine, I can't. I haven't got a penny! | 1:28:16 | 1:28:19 | |
What, so you can afford that, a wedding, a honeymoon, | 1:28:19 | 1:28:22 | |
and a fancy dress? | 1:28:22 | 1:28:23 | |
-It's cleaned me out, OK? -Wrong. | 1:28:23 | 1:28:24 | |
I'm going to clean you out. | 1:28:24 | 1:28:26 | |
You're not going to be able to sell that house, | 1:28:26 | 1:28:28 | |
because I'm going to own it. | 1:28:28 | 1:28:29 | |
Janine, please. Have a heart, will you? It's my wedding day! | 1:28:29 | 1:28:34 | |
You're getting married yourself soon, aren't you? | 1:28:34 | 1:28:36 | |
So, come on, give us a break, yeah? | 1:28:36 | 1:28:38 | |
No. Remember, Ian, | 1:28:38 | 1:28:40 | |
I was the girl you paid fifty quid to have sex with. | 1:28:40 | 1:28:43 | |
When I had no friends, no money, | 1:28:43 | 1:28:45 | |
you were first in line, and I don't forget things like that. | 1:28:45 | 1:28:48 | |
So, I want a thousand pounds in cash by five o'clock today, | 1:28:48 | 1:28:52 | |
otherwise I'm going to call the lawyers. | 1:28:52 | 1:28:55 | |
Max! | 1:29:01 | 1:29:03 | |
-Max. -Ian, do you know what time it is? -Yeah. | 1:29:05 | 1:29:08 | |
That car... | 1:29:08 | 1:29:10 | |
Janine said Phil paid for it. | 1:29:10 | 1:29:12 | |
Yeah, yeah, pretty generous an' all. | 1:29:12 | 1:29:14 | |
-Otherwise you'd be going on a bike, Ian. -He paid for it, yeah? | 1:29:14 | 1:29:17 | |
-It's a favour. A mate of his. -Right, and that driver? | 1:29:17 | 1:29:20 | |
-I think he's a mate of Phil's. -I don't like the look of him, Max. | 1:29:20 | 1:29:24 | |
I really don't like the look of him. | 1:29:24 | 1:29:26 | |
Well, he's no oil painting, I'll give you that. | 1:29:26 | 1:29:28 | |
Look, just get rid of him. | 1:29:28 | 1:29:29 | |
-What? -Just get rid of him. You drive, yeah? -Ian? | 1:29:29 | 1:29:33 | |
I am not getting in the car with him. I'm just not, OK! I'm not. | 1:29:33 | 1:29:37 | |
And don't tell Phil, yeah? | 1:29:39 | 1:29:41 | |
-I'm SO hungry. -No, that's good. | 1:29:50 | 1:29:52 | |
It's good to have an appetite, it really is. | 1:29:52 | 1:29:55 | |
But... Just tuck this in here, | 1:29:55 | 1:29:57 | |
because I don't want you getting anything on your suit, OK? Good lad. | 1:29:57 | 1:30:01 | |
What are you doing? Why aren't you dressed yet?! | 1:30:04 | 1:30:06 | |
Why haven't you got your bridesmaid's dress on? | 1:30:06 | 1:30:09 | |
What's the rush? | 1:30:09 | 1:30:10 | |
Mandy's ring. Mandy's wedding ring, I put it here. | 1:30:10 | 1:30:13 | |
It's completely disappeared. Have you taken it? | 1:30:13 | 1:30:15 | |
No. What do you think I am? | 1:30:15 | 1:30:17 | |
Where are you going, Dad? | 1:30:19 | 1:30:21 | |
What are you doing? | 1:30:23 | 1:30:24 | |
-Where's your mum's wedding ring? -I don't know. | 1:30:26 | 1:30:29 | |
-Where's Mum's wedding ring, I need... -Dad! Dad! | 1:30:29 | 1:30:33 | |
Dad. You've got no right. | 1:30:33 | 1:30:35 | |
Give me that box. That's my stuff. That's my stuff! | 1:30:35 | 1:30:37 | |
-I need it. I need it. -Give it to me! | 1:30:37 | 1:30:39 | |
I just need it. | 1:30:39 | 1:30:41 | |
-That's Mum's. That's Mum's wedding ring. -What's she going to do, complain? -How could you? | 1:30:41 | 1:30:45 | |
How could you?! Do you think I'm stupid? | 1:30:45 | 1:30:48 | |
Do you think that ring just miraculously disappeared? | 1:30:48 | 1:30:50 | |
Bobby, go back in there and I'll deal with you in a minute, OK? | 1:30:50 | 1:30:53 | |
Please, son. Go back in there. | 1:30:53 | 1:30:54 | |
Lucy, you took the ring. I know you took the ring! | 1:30:54 | 1:30:57 | |
-What is going on? -Nothing. Nothing. | 1:30:57 | 1:30:59 | |
Oh, doesn't she look beautiful? You look so beautiful, love. | 1:30:59 | 1:31:02 | |
Doesn't she, Lucy? Doesn't she? | 1:31:02 | 1:31:03 | |
Here, try the bouquet. | 1:31:03 | 1:31:06 | |
I bet you'll look as pretty as a picture! | 1:31:06 | 1:31:08 | |
-Lucy! -If you marry that... | 1:31:08 | 1:31:10 | |
If you marry that, she will destroy your life. | 1:31:10 | 1:31:12 | |
You just don't stop, do you? | 1:31:13 | 1:31:16 | |
-He's my dad. He's got no-one else to protect him. -He doesn't need protecting, Lucy. | 1:31:16 | 1:31:19 | |
He's a grown man. | 1:31:19 | 1:31:21 | |
What, and you love him, do you? You're head-over-heels? | 1:31:21 | 1:31:24 | |
Lucy, that is enough, please. That is enough. | 1:31:24 | 1:31:27 | |
My feelings are my business. Not yours. | 1:31:27 | 1:31:30 | |
But don't. Don't pretend you care about him, Lucy, cos you don't. | 1:31:30 | 1:31:34 | |
All you care about is yourself. | 1:31:34 | 1:31:35 | |
You don't understand. You don't understand what he's been through. | 1:31:35 | 1:31:39 | |
-You think you're so different from the others! What makes YOU so different? -Lucy, that's enough, OK? | 1:31:39 | 1:31:44 | |
I need you to put your bridesmaid's dress on. Go and put your dress on. | 1:31:44 | 1:31:47 | |
-I'll go and put my suit on, OK? -Dad. | 1:31:47 | 1:31:49 | |
Please. Don't do this. She'll hurt you. Look at her. | 1:31:49 | 1:31:52 | |
You can see it in her eyes. | 1:31:52 | 1:31:54 | |
Mum broke your heart and you never recovered. | 1:31:54 | 1:31:56 | |
Never. | 1:31:56 | 1:31:58 | |
Mel was hot, blonde, bit like Mum. | 1:31:58 | 1:32:00 | |
Laura, she was just a safe bet, nice. Jane was the same. | 1:32:00 | 1:32:04 | |
But now you're trying it with her. Look at her. | 1:32:04 | 1:32:07 | |
LOOK at her! She's a scuzzy, second-rate version | 1:32:07 | 1:32:09 | |
of my beautiful mother | 1:32:09 | 1:32:11 | |
and it ain't going to make you happy. | 1:32:11 | 1:32:13 | |
No-one will make you happy like Mum did! | 1:32:13 | 1:32:15 | |
No, your mum did not make me happy. | 1:32:15 | 1:32:17 | |
-She did not make me happy, OK? -But you loved her. | 1:32:17 | 1:32:19 | |
You loved her till it drove you mad. | 1:32:19 | 1:32:21 | |
No, no, no, no! | 1:32:21 | 1:32:22 | |
Stop talking about your mum, please, OK? Don't talk about any of them. | 1:32:22 | 1:32:25 | |
All of them, they were just a mistake, all right? | 1:32:25 | 1:32:27 | |
Mandy is the right woman for me, OK? She is the right woman for me. | 1:32:27 | 1:32:30 | |
I adore her, she adores me | 1:32:30 | 1:32:31 | |
and we are going to be very happy together. Aren't we? Aren't we? | 1:32:31 | 1:32:35 | |
-She can't even answer. -Aren't we? | 1:32:35 | 1:32:37 | |
Yes, Ian. | 1:32:39 | 1:32:41 | |
You see? | 1:32:41 | 1:32:43 | |
Now, come on, let's just... | 1:32:43 | 1:32:44 | |
I got a ring, let just try it on, yeah. | 1:32:44 | 1:32:46 | |
-That's it. -What you doing? -It's a new ring, OK? | 1:32:46 | 1:32:48 | |
-Let's see if it fits. -It's Mum's ring. -No. | 1:32:48 | 1:32:49 | |
-Don't listen to her, please. -Ian, please! Ow. OW! | 1:32:49 | 1:32:52 | |
Right, it's perfect, OK. | 1:32:52 | 1:32:53 | |
Now, you finish, go and get ready. | 1:32:53 | 1:32:55 | |
Go and put your dress on. I'm going to put my suit on. | 1:32:55 | 1:32:57 | |
-Then we'll go to the registry office. -Ian, it's not even time. -We'll go early and wait, OK? | 1:32:57 | 1:33:01 | |
No! I'm not going to let you do this. | 1:33:01 | 1:33:03 | |
You're going to have to choose. | 1:33:03 | 1:33:05 | |
It's me or her. You have to choose. | 1:33:05 | 1:33:06 | |
You can't make me do that. | 1:33:06 | 1:33:09 | |
You can't make me do that. | 1:33:09 | 1:33:10 | |
Peter don't want to know. | 1:33:10 | 1:33:12 | |
Do you really want me gone too? | 1:33:12 | 1:33:14 | |
Dad, I'm your little girl. We don't need her. We're a family. | 1:33:14 | 1:33:17 | |
Please, Dad. You're going to have to choose. | 1:33:19 | 1:33:22 | |
I can't. | 1:33:22 | 1:33:25 | |
-You have to. -No. | 1:33:25 | 1:33:27 | |
Ian, it's OK. You can say. | 1:33:27 | 1:33:28 | |
-No, no, no, I can't. I can't. -Choose! | 1:33:28 | 1:33:31 | |
Ian, choose. | 1:33:31 | 1:33:34 | |
I choose Mandy. | 1:33:45 | 1:33:47 | |
-What?! -I choose Mandy. | 1:33:49 | 1:33:51 | |
-You can't. -No, I've chosen Mandy. -I'm your daughter. | 1:33:51 | 1:33:54 | |
No, that's it. That's all of it. | 1:33:55 | 1:33:58 | |
I have. I've chosen Mandy, OK? | 1:33:58 | 1:34:00 | |
-I'll go. I'll leave. I mean it. You'll never see me again! -Fine, go! Just get out of here. | 1:34:00 | 1:34:05 | |
Just take your coat and your bag, and just go. | 1:34:05 | 1:34:07 | |
Go, Lucy. Just go. | 1:34:07 | 1:34:09 | |
Dad! Dad! Dad! What are you doing? | 1:34:09 | 1:34:12 | |
Look, just take this, it's all I got left. | 1:34:12 | 1:34:14 | |
No. Dad, you're mad. You're sick. | 1:34:14 | 1:34:17 | |
Dad... | 1:34:22 | 1:34:23 | |
-Where's Lucy gone? -She's gone out. | 1:34:27 | 1:34:29 | |
Right, come on, Mand, let's get going. | 1:34:31 | 1:34:34 | |
My bouquet... It's ruined. | 1:34:34 | 1:34:37 | |
That's OK. No, it's fine. Look, I can fix it. I can. I can fix it. | 1:34:37 | 1:34:42 | |
No, no, you can't. You can't. | 1:34:42 | 1:34:46 | |
It's just a bouquet, OK. We don't actually need it. Come on, let's... | 1:34:46 | 1:34:49 | |
Ian, I haven't got a bouquet and I haven't got a bridesmaid. | 1:34:49 | 1:34:51 | |
I just think, you know, maybe we need to rethink all this, because... | 1:34:51 | 1:34:54 | |
No, no, it's all right. It's all right. Just calm down. | 1:34:54 | 1:34:57 | |
-I'll get another bouquet. I'll be back, promise. -You're not even dressed! | 1:34:57 | 1:35:00 | |
Everything's fine, OK. Everything's perfect. | 1:35:00 | 1:35:02 | |
Don't get your suit dirty. | 1:35:04 | 1:35:06 | |
Stick some flowers together - anything. | 1:35:10 | 1:35:12 | |
I'll get you the money. I'll be back. | 1:35:12 | 1:35:14 | |
Tanya, where's Max? | 1:35:21 | 1:35:23 | |
-He's getting the car, I think. -I need money. | 1:35:23 | 1:35:25 | |
Nice sarnies. | 1:35:25 | 1:35:27 | |
-She's really upset. -Luce? Luce? | 1:35:27 | 1:35:30 | |
-That money I gave you earlier, where is it? -What? | 1:35:30 | 1:35:32 | |
Where's that money? I need it. | 1:35:32 | 1:35:33 | |
-What is wrong with you?! -Is it in there? | 1:35:33 | 1:35:36 | |
-Will you calm down? -Thank you for sticking your nose in. I -beg your pardon... | 1:35:36 | 1:35:39 | |
I just spent the last half-hour putting these decorations up. | 1:35:39 | 1:35:42 | |
I never asked you to. It looks pathetic. | 1:35:42 | 1:35:44 | |
I don't want it. All I want to do is get married. Lucy, where's the money. Thanks. | 1:35:44 | 1:35:47 | |
-Ian! Come outside. -No. | 1:35:47 | 1:35:50 | |
No, I'm not going anywhere with you. | 1:35:50 | 1:35:51 | |
I know what you're playing at. I've seen that driver of yours | 1:35:51 | 1:35:54 | |
-and I'm not going with him. -Come outside. -No! | 1:35:54 | 1:35:56 | |
Get your hands off me. Otherwise I'll tell everyone what you've done. | 1:35:56 | 1:35:59 | |
What you both did, OK? How'd you like that, eh? You'd like that? | 1:35:59 | 1:36:02 | |
I think you've been on the bubbly already, ain't you? | 1:36:02 | 1:36:05 | |
You go and have a good time, mate, all right. | 1:36:05 | 1:36:07 | |
Yeah, I'm going to. | 1:36:07 | 1:36:08 | |
Cos pretty soon I'm going to be happily married. | 1:36:08 | 1:36:11 | |
Just you wait and see. | 1:36:11 | 1:36:12 | |
Just wait and see. | 1:36:12 | 1:36:14 | |
Ian, I've sorted out another motor. | 1:36:16 | 1:36:18 | |
Just keep the engine running. | 1:36:18 | 1:36:19 | |
There you go. Keep the change. | 1:36:22 | 1:36:24 | |
In a minute, OK? In a minute. | 1:36:30 | 1:36:32 | |
Mandy? | 1:36:34 | 1:36:36 | |
Mandy! | 1:36:36 | 1:36:37 | |
What you doing? | 1:36:49 | 1:36:51 | |
You need to get dressed. You need to put your dress on. | 1:36:51 | 1:36:54 | |
I'm not going to be getting changed, Ian. | 1:36:56 | 1:36:59 | |
Look. I've got you a bouquet. Here. Take it. | 1:36:59 | 1:37:01 | |
Ian. | 1:37:01 | 1:37:03 | |
I'm going. | 1:37:05 | 1:37:07 | |
What? | 1:37:08 | 1:37:10 | |
You better take this. | 1:37:11 | 1:37:13 | |
No. I can't. It's yours. You need to put it on. | 1:37:13 | 1:37:15 | |
We don't have to wait till the registry office. | 1:37:15 | 1:37:17 | |
-Ian... -Look, it'll go on. -I don't want it on! | 1:37:17 | 1:37:20 | |
Do you understand? | 1:37:20 | 1:37:21 | |
Why not? | 1:37:21 | 1:37:23 | |
I don't want that ring on my finger. | 1:37:23 | 1:37:25 | |
Why not? | 1:37:26 | 1:37:27 | |
Are you really that blind? | 1:37:28 | 1:37:30 | |
Look at you. | 1:37:30 | 1:37:33 | |
Look at us. | 1:37:33 | 1:37:35 | |
-What I've done to you. -No. | 1:37:35 | 1:37:36 | |
No, I'm fine. | 1:37:36 | 1:37:39 | |
I'm fine. | 1:37:39 | 1:37:41 | |
I've just been a bit busy, you know, what with one thing and another. | 1:37:41 | 1:37:44 | |
I just got a little bit... | 1:37:44 | 1:37:45 | |
Look, I just need to get changed, OK? | 1:37:45 | 1:37:47 | |
It'll take me ten minutes. Maybe five. | 1:37:47 | 1:37:49 | |
Yeah, I'll do that. Just wait there. You'll see. | 1:37:49 | 1:37:52 | |
Ian, I won't be here when you come back down. | 1:37:52 | 1:37:55 | |
No, you will. | 1:37:56 | 1:37:57 | |
You will. | 1:37:57 | 1:37:59 | |
No, I won't. I'm going. | 1:37:59 | 1:38:01 | |
I mean it. | 1:38:01 | 1:38:03 | |
You can't. | 1:38:05 | 1:38:07 | |
No, you can't. | 1:38:07 | 1:38:09 | |
Because I love you. | 1:38:09 | 1:38:11 | |
I want... I want to marry you. | 1:38:11 | 1:38:13 | |
Well, I don't feel the same. | 1:38:14 | 1:38:17 | |
Was it... Was it something I did? | 1:38:20 | 1:38:23 | |
Was it something I said? No. | 1:38:23 | 1:38:25 | |
Was it something Lucy said? | 1:38:25 | 1:38:26 | |
If it was something Lucy said, | 1:38:26 | 1:38:28 | |
you can't pay any attention, because she's just a selfish brat. | 1:38:28 | 1:38:30 | |
She is. She is just a selfish brat. | 1:38:30 | 1:38:33 | |
You just chucked your daughter out the house, Ian. | 1:38:33 | 1:38:36 | |
Is it because I hesitated? | 1:38:36 | 1:38:38 | |
Is that it? Is it? But I had to. | 1:38:38 | 1:38:40 | |
I had to. Just think, OK? | 1:38:40 | 1:38:42 | |
Cos Lucy... | 1:38:42 | 1:38:44 | |
I wanted you. I did. | 1:38:44 | 1:38:46 | |
I wanted you. | 1:38:46 | 1:38:48 | |
Why? | 1:38:48 | 1:38:50 | |
Why do you want me? | 1:38:50 | 1:38:51 | |
What do you think I'm going to do? | 1:38:53 | 1:38:55 | |
Solve all your problems? Make you happy? | 1:38:55 | 1:38:57 | |
Make YOU feel better about yourself? | 1:38:57 | 1:39:00 | |
Yeah, yeah, you have. You will. You do. | 1:39:00 | 1:39:03 | |
No, Ian. I won't. | 1:39:03 | 1:39:05 | |
You think I will. | 1:39:05 | 1:39:07 | |
You know, you hope I will. | 1:39:07 | 1:39:09 | |
You know, you think you'll stick that ring on my finger | 1:39:09 | 1:39:12 | |
and everything's going to be OK, you're whole world will change. | 1:39:12 | 1:39:15 | |
But it won't, Ian. It won't. | 1:39:16 | 1:39:19 | |
Because you'll still be middle-aged. | 1:39:19 | 1:39:22 | |
And I will still be empty... | 1:39:24 | 1:39:28 | |
and disgusting | 1:39:28 | 1:39:29 | |
and a complete waste of space. | 1:39:29 | 1:39:32 | |
-No, no, why are you saying that? -Because it's true, Ian. It's true. | 1:39:32 | 1:39:36 | |
I've been here before. | 1:39:36 | 1:39:38 | |
You know, this close to getting married, and I never do it. | 1:39:38 | 1:39:40 | |
And do you want to know why? | 1:39:40 | 1:39:42 | |
It's because I don't want anybody that close to me, | 1:39:42 | 1:39:47 | |
I don't want people to see me for who I really am. | 1:39:47 | 1:39:51 | |
Look, I've been that close to you, haven't I? | 1:39:51 | 1:39:53 | |
I like you. I like what I see. | 1:39:53 | 1:39:55 | |
What? What is that, Ian? | 1:39:55 | 1:39:57 | |
Some second-rate version of Cindy? | 1:39:57 | 1:40:00 | |
No. No. No. That was just Lucy spouting off, OK? | 1:40:00 | 1:40:02 | |
That was Lucy, OK? That's not true. That is not true. | 1:40:02 | 1:40:04 | |
Ian, the truth is | 1:40:04 | 1:40:07 | |
you don't see me at all. | 1:40:07 | 1:40:11 | |
You don't. | 1:40:11 | 1:40:13 | |
You know, I'm just the girl. | 1:40:13 | 1:40:15 | |
I'm just the girl that you could never get when you were sixteen. | 1:40:15 | 1:40:21 | |
You know, the girl that would never look at you. | 1:40:22 | 1:40:26 | |
You know, the one that always went off with the fit bloke. | 1:40:26 | 1:40:28 | |
But now you think you can get me, Ian. | 1:40:28 | 1:40:32 | |
You think you can wrap me up and keep me all to yourself | 1:40:32 | 1:40:36 | |
with your house and your money. | 1:40:36 | 1:40:38 | |
But you can't, Ian. You can't. | 1:40:38 | 1:40:40 | |
Because it doesn't work, you know? | 1:40:40 | 1:40:42 | |
It doesn't work upstairs | 1:40:42 | 1:40:43 | |
and it ain't working downstairs either. | 1:40:43 | 1:40:46 | |
No, look. | 1:40:46 | 1:40:48 | |
Look, I know I've had some problems in the bedroom. | 1:40:48 | 1:40:50 | |
I know, but it's stress, OK? It's stress, all right? I'm fine. | 1:40:50 | 1:40:53 | |
I am fine. I'll go see a doctor. I will. | 1:40:53 | 1:40:55 | |
No, Ian. | 1:40:55 | 1:40:57 | |
Darling, you don't need to go and see a doctor. | 1:40:57 | 1:41:02 | |
You just need someone that loves you as much as... | 1:41:02 | 1:41:06 | |
As much as you love them. | 1:41:06 | 1:41:07 | |
I really care about you, I do. | 1:41:10 | 1:41:14 | |
You're a good bloke. | 1:41:14 | 1:41:16 | |
Underneath it all, you're sweet and you're vulnerable. | 1:41:16 | 1:41:22 | |
You're a bit messed up, you know, like me. | 1:41:22 | 1:41:25 | |
But we don't fit. | 1:41:28 | 1:41:29 | |
We don't. | 1:41:31 | 1:41:34 | |
And you know it. | 1:41:34 | 1:41:36 | |
Don't go. | 1:41:40 | 1:41:42 | |
Please, don't go. | 1:41:44 | 1:41:47 | |
I can't. | 1:41:48 | 1:41:50 | |
I can't get it all wrong again. | 1:41:52 | 1:41:54 | |
Sorry. | 1:42:01 | 1:42:02 | |
Please. Please! | 1:42:21 | 1:42:23 | |
Please, don't go. Just listen, just listen, OK? | 1:42:23 | 1:42:26 | |
You're not thinking straight. | 1:42:26 | 1:42:27 | |
Look, you're scared, OK? | 1:42:27 | 1:42:30 | |
It's only natural. So am I. | 1:42:30 | 1:42:33 | |
But as soon as you're married and you're Mrs Beale, | 1:42:33 | 1:42:35 | |
you'll have the most devoted husband ever, OK? I won't leave your side. | 1:42:35 | 1:42:39 | |
Not for one second, I promise you. | 1:42:39 | 1:42:40 | |
What makes you think that is what I want? | 1:42:42 | 1:42:45 | |
Do you know anything about me? | 1:42:47 | 1:42:48 | |
I lost my mother two days ago, Ian. | 1:42:50 | 1:42:53 | |
Do you care? | 1:42:53 | 1:42:55 | |
Do you care how I feel? | 1:42:55 | 1:42:57 | |
She didn't love me one bit. Not one bit. | 1:42:58 | 1:43:01 | |
And now she's gone, I've got no-one and I still don't want this, | 1:43:01 | 1:43:06 | |
I still don't want to settle. | 1:43:06 | 1:43:08 | |
So, do you get it now, Ian? | 1:43:08 | 1:43:09 | |
Do you understand? | 1:43:09 | 1:43:12 | |
I thought... I thought I could make myself love you, Ian. | 1:43:14 | 1:43:18 | |
But I just can't. | 1:43:18 | 1:43:20 | |
Please, Mand. Mand. Mand. | 1:43:20 | 1:43:21 | |
Please, please don't. Please, don't go. | 1:43:21 | 1:43:24 | |
I'll die if you go. I'll die. | 1:43:24 | 1:43:26 | |
I really will. Please. | 1:43:26 | 1:43:29 | |
Please, Mandy, don't go. | 1:43:29 | 1:43:31 | |
-Ian, get up, you're making a fool of yourself. -I don't care! OK? | 1:43:31 | 1:43:35 | |
Mandy, please, just give me a chance. Please, I'm begging you. | 1:43:36 | 1:43:41 | |
Marry me. Please. | 1:43:43 | 1:43:46 | |
Just one chance. Please, Mandy, please. I'm begging you. | 1:43:46 | 1:43:51 | |
Marry me. Please? | 1:43:51 | 1:43:54 | |
Bye, Ian. | 1:43:58 | 1:44:00 | |
Mand? | 1:44:00 | 1:44:02 | |
Mandy! | 1:44:05 | 1:44:06 | |
Ian, darling, are you all right? | 1:44:10 | 1:44:15 | |
Did she hear me? Do you think she heard me? | 1:44:21 | 1:44:25 | |
Yeah, yeah, she definitely heard you, mate. | 1:44:25 | 1:44:28 | |
He's watching me. | 1:44:30 | 1:44:32 | |
Max, look. He's watching me. | 1:44:32 | 1:44:34 | |
Do you think he told her? | 1:44:36 | 1:44:39 | |
-Did you tell her to go? Did you? -Dad! | 1:44:39 | 1:44:43 | |
-Did you tell her to go?! -Dad? | 1:44:43 | 1:44:45 | |
What are you doing? | 1:44:45 | 1:44:47 | |
She's gone, love. | 1:44:47 | 1:44:49 | |
She's left me. | 1:44:49 | 1:44:52 | |
Just like all of them | 1:44:52 | 1:44:55 | |
None of them like me. | 1:44:55 | 1:44:57 | |
None of them. None of them love me. Why? | 1:44:57 | 1:45:02 | |
-Why? -Ian, why don't you come back inside, darling? | 1:45:02 | 1:45:05 | |
-We'll have a sit down and... -No, it's all right. | 1:45:05 | 1:45:07 | |
Come on, Dad. | 1:45:07 | 1:45:09 | |
Come on. Come on. | 1:45:09 | 1:45:12 | |
Do you think I should go after her? | 1:45:16 | 1:45:19 | |
Come on. | 1:45:19 | 1:45:20 | |
Why don't you sit down? | 1:45:31 | 1:45:33 | |
I can't sit down. | 1:45:36 | 1:45:38 | |
I can't sit down. Cos... | 1:45:38 | 1:45:41 | |
I've got things to do. I have... I've got things to do. | 1:45:43 | 1:45:47 | |
-Look at the mess in there. -Dad... | 1:45:47 | 1:45:49 | |
I've got to... | 1:45:49 | 1:45:51 | |
I've got to phone the registry office | 1:45:53 | 1:45:56 | |
and I need to phone the cruise. | 1:45:56 | 1:45:58 | |
Why don't you make Bobby breakfast? | 1:45:58 | 1:46:00 | |
-He's really hungry, aren't you, Bobby? -Yeah. | 1:46:00 | 1:46:02 | |
You could make him that lovely breakfast you were talking about. Pancakes and syrup. | 1:46:02 | 1:46:06 | |
Yeah, yeah, pancakes and... | 1:46:06 | 1:46:09 | |
-Yeah, pancakes and syrup. -Yeah. Look, it's all here. | 1:46:09 | 1:46:12 | |
-What do you say? -Yeah, yeah, pancakes and syrup. | 1:46:12 | 1:46:16 | |
Bobby, you go and watch telly. | 1:46:16 | 1:46:19 | |
I'll be right back. | 1:46:19 | 1:46:21 | |
Yeah. | 1:46:21 | 1:46:23 | |
I'll do Bobby's breakfast, yeah? | 1:46:24 | 1:46:26 | |
Yeah, pancakes and syrup. | 1:46:32 | 1:46:33 | |
TV PLAYS | 1:47:09 | 1:47:11 | |
SILENCE | 1:48:08 | 1:48:10 | |
FOOTSTEPS | 1:48:10 | 1:48:14 | |
PAPER BAG RUSTLES | 1:48:16 | 1:48:18 | |
BROOM SWEEPS | 1:48:25 | 1:48:27 | |
I mean, he's not making any sense at all. | 1:48:31 | 1:48:33 | |
-Do you think we should call a doctor? -Yeah, Lauren. | 1:48:33 | 1:48:36 | |
-Go and get a doctor. -I'll go. I'll go. | 1:48:36 | 1:48:38 | |
Why don't you go home and just keep an eye on him. | 1:48:38 | 1:48:42 | |
Lucy. | 1:48:43 | 1:48:44 | |
How bad is he? | 1:48:44 | 1:48:46 | |
I don't know. He keeps acting all weird. | 1:48:46 | 1:48:48 | |
If you're worried, | 1:48:48 | 1:48:51 | |
you know, if he does anything strange, says anything crazy, | 1:48:51 | 1:48:53 | |
you just give me a call, yeah? | 1:48:53 | 1:48:56 | |
I'll be there. Night or day. | 1:48:56 | 1:48:58 | |
Thanks, Phil. | 1:48:58 | 1:48:59 | |
Bobby, where's Dad? | 1:49:27 | 1:49:30 | |
Dad? Dad! | 1:49:31 | 1:49:34 | |
Dad! | 1:49:51 | 1:49:52 | |
Dad! | 1:49:52 | 1:49:53 | |
Dad! | 1:49:55 | 1:49:57 | |
POUNDING OF FOOTSTEPS | 1:49:59 | 1:50:01 | |
Subtitles by Red Bee Media Ltd | 1:50:43 | 1:50:46 |