Browse content similar to 20/01/2013. Check below for episodes and series from the same categories and more!
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What is all the noise about? | 0:00:25 | 0:00:27 | |
Your sister's ill. Right, there you go. | 0:00:27 | 0:00:30 | |
Right, put your head up. Well done. | 0:00:30 | 0:00:32 | |
What's wrong with you, then? | 0:00:32 | 0:00:34 | |
I'm going to fail. | 0:00:34 | 0:00:35 | |
You are not going to fail. | 0:00:35 | 0:00:37 | |
Well, I haven't slept, my head is killing me - | 0:00:37 | 0:00:39 | |
how am I meant to do two exams like this? | 0:00:39 | 0:00:41 | |
Don't be like that. | 0:00:41 | 0:00:42 | |
Lauren, would you go to the shop, get some paracetamol? | 0:00:42 | 0:00:45 | |
Mum, I've just woken up. | 0:00:45 | 0:00:46 | |
Ooh, I'm sorry, are we making you late for work? | 0:00:46 | 0:00:48 | |
-I don't mind going. -You can't. You haven't got time. | 0:00:48 | 0:00:51 | |
-Are you all right to take Oscar to the dentist later? -Why, where are you going? | 0:00:51 | 0:00:55 | |
-I've got an auction. I told you. -Did you? I don't remember. | 0:00:55 | 0:00:57 | |
Well, I did. | 0:00:57 | 0:00:59 | |
I'll see you later. | 0:00:59 | 0:01:00 | |
ABI SIGHS Abi, good luck, baby. | 0:01:00 | 0:01:02 | |
If I mess up these exams, I don't get the grades. | 0:01:04 | 0:01:07 | |
And if I don't get the grades, I don't get into uni. And then I end up... | 0:01:07 | 0:01:11 | |
-Oh, like me? -Do you want a hot lemon and honey, yeah? | 0:01:11 | 0:01:14 | |
No, that won't make a difference! | 0:01:14 | 0:01:16 | |
I might have some ibuprofen upstairs. | 0:01:16 | 0:01:18 | |
You going to stand there all day or what? | 0:01:30 | 0:01:31 | |
Come on, Kat, don't worry about 'em. It's only a job. | 0:01:33 | 0:01:35 | |
-Yeah. -Oi, you're late. | 0:01:35 | 0:01:38 | |
What are you going to do? Dock my wages on my first day? | 0:01:38 | 0:01:40 | |
Here, listen, don't worry about her. | 0:01:44 | 0:01:46 | |
If she says anything, I have no problem knocking her spark out. | 0:01:46 | 0:01:49 | |
No, Bianca, leave it. It's not worth it. | 0:01:49 | 0:01:51 | |
Come on, let's go, it's freezing. | 0:01:51 | 0:01:53 | |
What's the matter, you got lead in your boots? | 0:01:55 | 0:01:58 | |
SHE SIGHS | 0:02:04 | 0:02:06 | |
SNORING | 0:02:06 | 0:02:08 | |
You have a bed. This is not it. | 0:02:10 | 0:02:12 | |
HE GASPS, SHE CHUCKLES | 0:02:13 | 0:02:15 | |
That was cold. | 0:02:16 | 0:02:18 | |
And gin. | 0:02:18 | 0:02:19 | |
Is this your plan, huh? | 0:02:20 | 0:02:22 | |
-Woo the girl with your naked flesh? -Zee? | 0:02:22 | 0:02:25 | |
-Can you come in here and sort your brother out? -What have I done? | 0:02:25 | 0:02:27 | |
What have...? You think this is acceptable? | 0:02:27 | 0:02:29 | |
Parading around in your smalls, corrupting an innocent girl? | 0:02:29 | 0:02:33 | |
Is everything OK? | 0:02:33 | 0:02:34 | |
Hello, good morning, Ayesha! Everything's fine. We're just... | 0:02:34 | 0:02:38 | |
This is us starting our day off. It's a Masood family tradition. | 0:02:38 | 0:02:41 | |
-Would you like to go and help yourself to some breakfast? -OK. | 0:02:41 | 0:02:44 | |
OK. Masood, can you go with her? | 0:02:44 | 0:02:48 | |
Keep her as far away as possible from that. | 0:02:48 | 0:02:51 | |
Ayesha... | 0:02:51 | 0:02:52 | |
Is that my jumper? | 0:02:54 | 0:02:56 | |
I-I didn't know it was yours. I was cold. | 0:02:56 | 0:02:58 | |
-Do you want it back? -Oh, er... No, no, no. You...keep it on. | 0:03:00 | 0:03:05 | |
I... I... I've got to get Kamil ready for nursery. I... | 0:03:05 | 0:03:11 | |
They ain't got any plasters. | 0:03:21 | 0:03:22 | |
Keep an eye on him. You stay with your Uncle Jack, all right? | 0:03:22 | 0:03:25 | |
-All right, mate? -Is he all right? | 0:03:27 | 0:03:30 | |
Yeah, he'll be fine. | 0:03:30 | 0:03:32 | |
Magic Sponge in my day. | 0:03:33 | 0:03:35 | |
That before they invented antiseptic, was it? | 0:03:35 | 0:03:38 | |
Did you fall? Let's see what I've got for you. | 0:03:38 | 0:03:41 | |
You've got a way with kids, have you? | 0:03:41 | 0:03:43 | |
How about...one of these? | 0:03:43 | 0:03:46 | |
-What do you think you're doing? -I'm trying to help. | 0:03:46 | 0:03:48 | |
What, by choking him? | 0:03:48 | 0:03:51 | |
I'll leave it to the boys, then, shall I? | 0:03:51 | 0:03:54 | |
I can see you two are more than capable. | 0:03:54 | 0:03:56 | |
Let's have a look at you. | 0:04:02 | 0:04:03 | |
TELEVISION PLAYS | 0:04:03 | 0:04:05 | |
Oh, are my eyes still red? | 0:04:05 | 0:04:07 | |
No, darling. Stop worrying, you look fine. It's going to be fine. | 0:04:07 | 0:04:11 | |
Pure Cod 1 and Pure Cod 2. | 0:04:11 | 0:04:13 | |
You know those modules back to front. I know you do. | 0:04:13 | 0:04:16 | |
-Mum, it's Pure Core, not Cod. -You know what I mean. | 0:04:16 | 0:04:19 | |
The point is, I'm very, very proud of you. | 0:04:19 | 0:04:22 | |
-Mum... -What? Can't a mother tell her daughter how proud she is? | 0:04:22 | 0:04:26 | |
-That not very cool, no, in 2013? -Good luck, Abs. | 0:04:26 | 0:04:29 | |
Thanks. | 0:04:29 | 0:04:30 | |
Good luck! Right, give us a call, soon as you've finished, | 0:04:30 | 0:04:34 | |
-tell us how it went, all right? Bye-bye, darling. -See you. | 0:04:34 | 0:04:37 | |
-BOTH: See you. -Bye. Oh, bless her. | 0:04:37 | 0:04:41 | |
-She'll be all right, though, won't she? -Of course she will. She'll be fine. | 0:04:41 | 0:04:45 | |
She's going to go far with her brains, goodness me. | 0:04:45 | 0:04:47 | |
MOBILE RINGS | 0:04:47 | 0:04:49 | |
Oh, hello, Lola. | 0:04:49 | 0:04:50 | |
Oh, dear. | 0:04:51 | 0:04:53 | |
Oh, right. Um... | 0:04:53 | 0:04:55 | |
do you think you could make it in maybe for the afternoon? | 0:04:55 | 0:04:58 | |
No, Poppy's on a course. | 0:04:59 | 0:05:01 | |
All right, yep, OK, just give us a call if you feel better. | 0:05:02 | 0:05:06 | |
All right, then. Bye, Lola. Bye. | 0:05:06 | 0:05:08 | |
Ohh. Happy Monday, Tanya(!) | 0:05:08 | 0:05:11 | |
I could go in, help you out. | 0:05:12 | 0:05:14 | |
I don't think that's a very good idea, do you? | 0:05:16 | 0:05:19 | |
Why not? Is it just Abi that you're proud of? | 0:05:19 | 0:05:23 | |
Why does it have to be AJ that she likes? Of all the people in all the whole world... | 0:05:26 | 0:05:30 | |
We don't know it's AJ. Not for sure. I'm not convinced it's AJ. | 0:05:30 | 0:05:33 | |
Who else could it be? Face it, that girl has terrible taste in men. | 0:05:33 | 0:05:37 | |
I mean, why couldn't she just like our Tamwar? You know, he's young, | 0:05:37 | 0:05:40 | |
he's virile, his legs are far more shapely than AJ's... | 0:05:40 | 0:05:44 | |
Did AJ have rickets as a child? | 0:05:44 | 0:05:46 | |
What have I done? | 0:05:46 | 0:05:48 | |
Oh, unbelievable! | 0:05:48 | 0:05:50 | |
Can we just take a second and talk about this calmly? Er... | 0:05:50 | 0:05:53 | |
Where are you going? | 0:05:53 | 0:05:55 | |
-I've been put to work. -It's nice to go out, isn't it? | 0:05:55 | 0:05:58 | |
I'm looking forward to it. | 0:05:58 | 0:05:59 | |
-You sort your brother out, OK? -MOBILE RINGS | 0:05:59 | 0:06:01 | |
I want to put an end to this lusting once and for all. | 0:06:01 | 0:06:04 | |
Bruv, bruv, tell him I'm sick! | 0:06:04 | 0:06:07 | |
Has she said anything to you? Ayesha? Has she said anything about...? | 0:06:15 | 0:06:21 | |
About? | 0:06:21 | 0:06:22 | |
All right, forget it. Just stay out of the way, OK? | 0:06:24 | 0:06:27 | |
MOBILE RINGS | 0:06:30 | 0:06:32 | |
HE GROANS | 0:06:32 | 0:06:35 | |
You all right? You been up to see Tommy? | 0:06:49 | 0:06:53 | |
Yeah. Couldn't prise him away from Jean, though. | 0:06:53 | 0:06:57 | |
Little love. | 0:06:57 | 0:06:58 | |
-Bianca's doing out the front... -OK. -..and I'm doing the back. | 0:07:02 | 0:07:05 | |
Division of labour. It's good. | 0:07:05 | 0:07:07 | |
Kat, I don't want things to be awkward between us, | 0:07:09 | 0:07:11 | |
-you know, after last week. -No. They won't. They won't. | 0:07:11 | 0:07:14 | |
Listen, I know it's not much, | 0:07:14 | 0:07:16 | |
but it's not every day someone turns 50, so... | 0:07:16 | 0:07:18 | |
Oi, you, shut your trap! | 0:07:18 | 0:07:20 | |
-Ray needs to start prepping in here in a minute, OK? -Right, yeah. | 0:07:24 | 0:07:28 | |
-You got everything you need? -Yes, thank you. | 0:07:28 | 0:07:31 | |
SHE SIGHS | 0:07:48 | 0:07:51 | |
Perfect. Thank you. Yeah. We'll see you then. | 0:07:51 | 0:07:53 | |
Thursday at four. | 0:07:53 | 0:07:54 | |
OK, bye. Bye. | 0:07:56 | 0:07:59 | |
There you go. Well done. So you've... | 0:07:59 | 0:08:02 | |
Oh, you've booked her in for Wednesday at four o'clock. | 0:08:02 | 0:08:06 | |
That's the Wednesday column there. Oh, never mind. | 0:08:06 | 0:08:08 | |
Give her a call, rebook. Hello, love. | 0:08:08 | 0:08:12 | |
Hi. Hello. | 0:08:12 | 0:08:13 | |
Oh, I thought we were meeting for lunch? | 0:08:13 | 0:08:16 | |
Yeah. Yeah, we are, babe. | 0:08:16 | 0:08:17 | |
-Look, Fats wants us to go down the pub later. You up for it? -Mrs Dickinson, hi, | 0:08:17 | 0:08:21 | |
it's Lauren again from Booty's. Yeah. | 0:08:21 | 0:08:23 | |
(I'm really busy, Joey.) | 0:08:23 | 0:08:25 | |
Yeah, basically, I'm really sorry about this, | 0:08:25 | 0:08:28 | |
but Thursday we're actually fully booked. | 0:08:28 | 0:08:31 | |
I know. Would you be able to come in on Wednesday? | 0:08:31 | 0:08:34 | |
Yep, same time, four o'clock. | 0:08:34 | 0:08:36 | |
Perfect. Thank you. Thank you, bye. | 0:08:36 | 0:08:40 | |
Ahh! | 0:08:40 | 0:08:41 | |
Ayesha, if you're going to do it, do it properly. | 0:08:43 | 0:08:46 | |
-You're going to have to help her... -What is going on? | 0:08:46 | 0:08:49 | |
She's gone mad. | 0:08:49 | 0:08:50 | |
Did you speak to him? | 0:08:51 | 0:08:53 | |
It's a little bit more delicate than we thought. | 0:08:53 | 0:08:55 | |
If you're not going to deal with this, then I will. | 0:08:55 | 0:08:57 | |
I've spoken to AJ - he's not in the business of encouraging her. | 0:08:57 | 0:09:00 | |
-So let me just speak to Ayesha and get her side of the story. -I'll tell you how the story ends. | 0:09:00 | 0:09:05 | |
If you keep pushing, you will drive them further together. | 0:09:05 | 0:09:08 | |
We've all read Romeo And Juliet. | 0:09:08 | 0:09:10 | |
Oh! | 0:09:10 | 0:09:11 | |
Ayesha, grab your coat. Early lunch. | 0:09:11 | 0:09:14 | |
-Don't you dare let me down. -All right. | 0:09:15 | 0:09:18 | |
-Where did you get this? It's a death trap. -I borrowed it. | 0:09:18 | 0:09:21 | |
I didn't know it was going to break down. Mum, where are you going? | 0:09:21 | 0:09:24 | |
Walking. To my interview. Thanks for that(!) | 0:09:24 | 0:09:29 | |
Yeah, I think it's just one of those 24 hour things, you know. | 0:09:29 | 0:09:32 | |
Just a quiet day in bed. Oh, cheers, Phil. | 0:09:32 | 0:09:36 | |
OK, I'll see you tomorrow. | 0:09:36 | 0:09:38 | |
Oi, listen, mate, is there a garage around here? | 0:09:40 | 0:09:43 | |
TABLE CREAKS | 0:09:47 | 0:09:49 | |
Sorry, was that you? | 0:09:49 | 0:09:50 | |
-No. -Table leg. | 0:09:51 | 0:09:55 | |
Easy mistake. | 0:09:55 | 0:09:56 | |
Table leg, real leg. | 0:09:56 | 0:09:58 | |
I'm sorry if I made you feel uncomfortable. | 0:10:03 | 0:10:06 | |
Me? Uncomfortable? No. HE LAUGHS AWKWARDLY | 0:10:06 | 0:10:10 | |
Uncle-Ji... | 0:10:10 | 0:10:11 | |
What I do need to know...is...erm... | 0:10:11 | 0:10:14 | |
..the leg...the caressing... | 0:10:16 | 0:10:21 | |
It wasn't for me, was it? | 0:10:23 | 0:10:25 | |
Oh. | 0:10:30 | 0:10:31 | |
OK. | 0:10:33 | 0:10:34 | |
Wow. Erm... | 0:10:38 | 0:10:40 | |
You know Zainab thinks you have feelings for AJ? | 0:10:43 | 0:10:47 | |
You mean throwing water over Uncle AJ isn't a Masood family tradition? | 0:10:49 | 0:10:53 | |
I didn't...plan for it, if that makes sense? | 0:10:58 | 0:11:01 | |
No, it doesn't. Explain it to me. | 0:11:04 | 0:11:08 | |
I can't. | 0:11:08 | 0:11:11 | |
Uncle-Ji, I don't even understand it myself. | 0:11:11 | 0:11:14 | |
Well...maybe I do understand it. | 0:11:18 | 0:11:22 | |
-You lost your father very suddenly... -This isn't about my father. | 0:11:23 | 0:11:27 | |
I know, I'm not saying it is, but subconsciously it might be. | 0:11:27 | 0:11:31 | |
Ayesha, I remember my first crush. | 0:11:33 | 0:11:35 | |
I was about 10 or 11. | 0:11:36 | 0:11:38 | |
I was in the playground and my friend comes over to me and he says, "Meera loves you." | 0:11:38 | 0:11:43 | |
My heart started to beat faster and I started to sweat, | 0:11:46 | 0:11:50 | |
and then I looked over, and... | 0:11:50 | 0:11:51 | |
..there she was, | 0:11:53 | 0:11:55 | |
just staring right back at me, | 0:11:55 | 0:11:58 | |
this beautiful thing, just... | 0:11:58 | 0:12:00 | |
..just staring. | 0:12:02 | 0:12:04 | |
What did you do? | 0:12:04 | 0:12:06 | |
I ran away. SHE LAUGHS | 0:12:06 | 0:12:10 | |
Ayesha, what I'm trying to say is... | 0:12:10 | 0:12:12 | |
..people react differently to situations and events. | 0:12:14 | 0:12:17 | |
You've been through a huge trauma. Whether you realise it or not, | 0:12:18 | 0:12:21 | |
you still have to come to terms with it. | 0:12:21 | 0:12:24 | |
Thank you...for being so nice. | 0:12:26 | 0:12:30 | |
-Have you spoken to your dad today? -Relax, Mum. He's at that auction. | 0:12:35 | 0:12:38 | |
Yeah. Right, I shouldn't be any later than three o'clock. | 0:12:38 | 0:12:42 | |
Unless you want to take Oscar to the dentist? | 0:12:42 | 0:12:45 | |
-Cos you don't trust me here? -No. Of course I...trust you. | 0:12:47 | 0:12:51 | |
I might not be taking my two maths exams today, Mum, | 0:12:51 | 0:12:55 | |
but I am capable of answering a phone. | 0:12:55 | 0:12:57 | |
I'm going. I'll see you. | 0:12:57 | 0:12:59 | |
See you. | 0:12:59 | 0:13:01 | |
You OK? | 0:13:17 | 0:13:18 | |
Look, you made a mistake. We all make mistakes. | 0:13:22 | 0:13:25 | |
Let's say no more about it and I'll sort things out with Zee. | 0:13:26 | 0:13:30 | |
I'll be discreet. | 0:13:32 | 0:13:33 | |
Dessert? | 0:13:39 | 0:13:41 | |
Why not? | 0:13:41 | 0:13:42 | |
Thank you, Masood. | 0:13:46 | 0:13:48 | |
You're a very kind man. | 0:13:49 | 0:13:51 | |
(Masood.) | 0:14:01 | 0:14:02 | |
You're having a laugh. I ain't helping you. | 0:14:05 | 0:14:07 | |
-Stop being stupid. Abi said you would. -Speaking to you now, is she? -Yeah, she is. | 0:14:07 | 0:14:10 | |
-When did you speak to her? -Just a minute ago. | 0:14:10 | 0:14:12 | |
Nice one - she's in the exam and her phone's off. | 0:14:12 | 0:14:14 | |
Listen, you'll have to get this out of here - I've got a cam belt change due in. | 0:14:14 | 0:14:18 | |
-What, you run this place by yourself? -Yeah. Most of the time. | 0:14:18 | 0:14:21 | |
Sometimes. Well, not really. What's it to you? | 0:14:21 | 0:14:24 | |
Look, let me use the kit and I'll give you a hand with the cam belt. | 0:14:24 | 0:14:26 | |
And what do you know about cars? | 0:14:26 | 0:14:28 | |
Enough to know it'll be quicker if I help. Deal? | 0:14:28 | 0:14:32 | |
Finally. Working isn't all late starts and early breaks, you know. Here. | 0:14:36 | 0:14:40 | |
It's not AJ. | 0:14:45 | 0:14:46 | |
What? Then who? Who is it? | 0:14:46 | 0:14:49 | |
Zee, we have to let this one go. She's been through a terrible time. | 0:14:49 | 0:14:52 | |
You know, all this - the letter, the lusting - it's classic displacement. | 0:14:52 | 0:14:57 | |
Classic displacement...? | 0:14:57 | 0:14:58 | |
-You know who it is, don't you? -Sorry, guys, on lunch shift. Cheers. | 0:15:00 | 0:15:04 | |
-Either you tell me or I'm going to go ask her myself. -It's Ray. | 0:15:04 | 0:15:07 | |
What, him?! | 0:15:07 | 0:15:09 | |
Yeah. It's just a small crush, Zee. | 0:15:09 | 0:15:12 | |
Just promise me you won't say anything. | 0:15:12 | 0:15:14 | |
-Ray?! -Zee! | 0:15:14 | 0:15:16 | |
OK, fine, I promise. | 0:15:16 | 0:15:18 | |
The sooner that we find her a respectable man, | 0:15:18 | 0:15:20 | |
the sooner I can relax. | 0:15:20 | 0:15:22 | |
Come on, put some muscle into it! | 0:15:23 | 0:15:26 | |
Abi called. And she said the two exams went really well. | 0:15:27 | 0:15:31 | |
She's answered all the questions so she's feeling much better. | 0:15:31 | 0:15:34 | |
That's good, isn't it? Oh, where did you find that? | 0:15:34 | 0:15:38 | |
Does it matter where I found it? | 0:15:38 | 0:15:40 | |
No, of course not. It's not like it's a secret or anything. | 0:15:40 | 0:15:42 | |
It was just a little chat with my old nurse. | 0:15:42 | 0:15:45 | |
Went well, did it? | 0:15:45 | 0:15:47 | |
Yeah. Yeah, it was good. | 0:15:47 | 0:15:50 | |
So how come when you were meant to be at the hospital last Wednesday, | 0:15:50 | 0:15:54 | |
you were giving Roxy Mitchell a pedicure? | 0:15:54 | 0:15:56 | |
Yes, it turns out I can use the booking system, after all. | 0:15:56 | 0:16:00 | |
Well, it was a mistake, wasn't it? | 0:16:00 | 0:16:02 | |
Probably. I mean, you made one yourself this morning. | 0:16:02 | 0:16:04 | |
You see how easy it is. | 0:16:04 | 0:16:06 | |
PHONE RINGS | 0:16:06 | 0:16:08 | |
Are you going to answer that? | 0:16:09 | 0:16:12 | |
Lauren, I'm not going to get into this with you. | 0:16:12 | 0:16:14 | |
Honestly, you wouldn't understand, | 0:16:14 | 0:16:16 | |
-it was just a little chat with my old nurse. -RINGING CONTINUES | 0:16:16 | 0:16:18 | |
Well, are you going to make another appointment? | 0:16:18 | 0:16:20 | |
Are you going to answer the phone? | 0:16:20 | 0:16:22 | |
RINGING CONTINUES | 0:16:22 | 0:16:24 | |
Good afternoon, Booty's. How can I help you? | 0:16:26 | 0:16:29 | |
Yes, of course. What day would be good for you? | 0:16:29 | 0:16:32 | |
Let me have a look for you. | 0:16:32 | 0:16:35 | |
Yeah, that should be fine. What sort of time? | 0:16:37 | 0:16:40 | |
Zee, do I really need to be doing this on my day off? | 0:16:42 | 0:16:44 | |
If I want the regional manager's job, then I have to show initiative, | 0:16:44 | 0:16:47 | |
and this is initiative. | 0:16:47 | 0:16:49 | |
This is slave labour. | 0:16:49 | 0:16:50 | |
Zainab, I ain't being funny, but this milk is two days old. | 0:16:50 | 0:16:53 | |
-You have got some nerve. -Have I? | 0:16:53 | 0:16:56 | |
-Mum... -You think I don't know that the Vic has its own special delivery of milk every morning? | 0:16:56 | 0:17:00 | |
-We ran out. What's the problem? -Zee, give him his refund. | 0:17:00 | 0:17:03 | |
That poor girl has been through an unimaginable ordeal, all right? | 0:17:03 | 0:17:07 | |
So you are just a rebound. Nothing more than that, OK? | 0:17:07 | 0:17:11 | |
-So this tiptoeing courtship of yours, it can end any time. -What? | 0:17:11 | 0:17:14 | |
-What? You think I like him? -SHE LAUGHS | 0:17:14 | 0:17:17 | |
-You can drop the act, Ayesha, we read the letter, we know you like him. -Oh! | 0:17:17 | 0:17:20 | |
You read my letter? | 0:17:20 | 0:17:22 | |
-Not on purpose. -What letter? | 0:17:22 | 0:17:25 | |
I think there's been a... misunderstanding. | 0:17:25 | 0:17:27 | |
Well, actually, you are kind of cute. | 0:17:27 | 0:17:29 | |
-Hey! -All right, that's enough! I think it's time for you to go. | 0:17:29 | 0:17:32 | |
-Zainab is sorry about the milk. -I am not! | 0:17:32 | 0:17:34 | |
-And that money's for you. Please don't talk to Ayesha like that again. -All right. -Thank you. Sorry. | 0:17:34 | 0:17:39 | |
Somebody needs to tell me exactly what is going on here. | 0:17:41 | 0:17:46 | |
Kat, what are you doing? | 0:17:51 | 0:17:53 | |
This was supposed to be done two hours ago. | 0:17:53 | 0:17:55 | |
Yeah, I'll get the swing of it by tomorrow. | 0:17:55 | 0:17:57 | |
Bianca's just finishing off in the toilets. Hello, Amy. | 0:17:57 | 0:18:00 | |
-Hey, darling, what you got there? -Amy, you ready? | 0:18:00 | 0:18:04 | |
-Um... She's got one of Tommy's toys. -Has she? That's nice. | 0:18:04 | 0:18:07 | |
-Amy, come on, let's go. -Amy, hold on a minute, darling. | 0:18:07 | 0:18:10 | |
Don't tell my daughter what to do, OK? | 0:18:10 | 0:18:12 | |
Yeah, well, if you didn't let her take Tommy's toys, I wouldn't have to. Can I have that? | 0:18:12 | 0:18:16 | |
Amy, you go wait and in the bar for Mummy, OK? Go on. Be a good girl. | 0:18:16 | 0:18:20 | |
All right, now, that is enough. | 0:18:20 | 0:18:22 | |
-I don't know who you think you are. -Really? -Yeah, really! | 0:18:22 | 0:18:25 | |
Oi, oi, what's with the racket, eh? | 0:18:25 | 0:18:27 | |
Nothing. I was just getting Tommy's toy back from Amy, that's all. | 0:18:27 | 0:18:30 | |
-OK, so what's the problem, then? -ROXY LAUGHS | 0:18:30 | 0:18:32 | |
-What are you smirking at? -Kat, don't start, darling, all right? | 0:18:32 | 0:18:35 | |
-Look at her - giving orders like she's the Queen of Sheba. -You know what? | 0:18:35 | 0:18:38 | |
All I've done is be nice to you | 0:18:38 | 0:18:40 | |
-and all you've done is come in here shouting the odds again. -Yeah? | 0:18:40 | 0:18:43 | |
-Well, you can stick your nice and you can stick your job! -Good. | 0:18:43 | 0:18:47 | |
-Can you believe that? Can you believe that?! -Let it go, Rox. | 0:18:49 | 0:18:52 | |
-You get Jean back here, all right? Cos she's gone and the other one's gone as well, all right? -Sssh! | 0:18:52 | 0:18:56 | |
Stop shouting. Calm down. | 0:18:56 | 0:18:58 | |
It's not worth it, all right? Just... Come on. | 0:18:58 | 0:19:01 | |
Let it go, yeah? | 0:19:01 | 0:19:03 | |
I don't care that she didn't tell me, just lying to my face - that's pathetic. | 0:19:07 | 0:19:12 | |
It's like she don't remember what happened last time. | 0:19:12 | 0:19:15 | |
Well, why don't you go and talk to her, eh? | 0:19:15 | 0:19:18 | |
No, I'm done talking now. | 0:19:18 | 0:19:21 | |
FRONT DOOR OPENS | 0:19:21 | 0:19:24 | |
-Sorry, I didn't know there was anyone in. -You all right? | 0:19:26 | 0:19:29 | |
Yeah, I'm fine. | 0:19:29 | 0:19:31 | |
Yeah, you were right, your valve stem oil seal's knackered. | 0:19:36 | 0:19:39 | |
-Oh. Can you get one at trade price? -Over my dead body. | 0:19:39 | 0:19:42 | |
Phil, do you know Dexter? | 0:19:43 | 0:19:45 | |
No, I don't. Is he paying? | 0:19:45 | 0:19:48 | |
No, I didn't think so. Now, get this motor out of here and get cracking on what I pay you to do. | 0:19:49 | 0:19:53 | |
-Hold on, can I just say...? -No, you can't say anything. | 0:19:53 | 0:19:56 | |
-Excuse me? Is there a problem? -And you are? | 0:19:56 | 0:19:59 | |
No, it's all right, Mum. I got this. | 0:19:59 | 0:20:01 | |
Mummy to the rescue. Do me a favour! | 0:20:01 | 0:20:04 | |
Listen, old man, I don't know who you are or what you want. | 0:20:04 | 0:20:07 | |
-I own this place. -Then you should be thanking me for helping out Jay. | 0:20:07 | 0:20:09 | |
I'll thank you when you pay me some money. | 0:20:09 | 0:20:12 | |
I've got money. How much is it? | 0:20:12 | 0:20:13 | |
Mum, what's wrong with you? Put it away, man, we ain't got it. I'm dealing with it. | 0:20:13 | 0:20:17 | |
So what do you know about motors? | 0:20:17 | 0:20:19 | |
I watch Top Gear every week. | 0:20:19 | 0:20:21 | |
-No, I'm joking. I could strip these in my sleep. -All right. | 0:20:21 | 0:20:25 | |
You come back tomorrow and you pay me back in time. | 0:20:25 | 0:20:28 | |
Now, get this place cleaned up. | 0:20:28 | 0:20:30 | |
So how was the interview, Mum? | 0:20:35 | 0:20:36 | |
Yeah, fine. Did he just offer you a job? | 0:20:36 | 0:20:39 | |
Stop crowding me! | 0:20:43 | 0:20:45 | |
But it smells so good. | 0:20:45 | 0:20:46 | |
-You won't be able to smell anything in a minute if you don't back up! -Everything all right, Zee? | 0:20:46 | 0:20:50 | |
I don't know, why don't you ask Ray? | 0:20:50 | 0:20:53 | |
OK, I'm still a bit confused as to what actually happened. | 0:20:53 | 0:20:55 | |
-Yes, that makes two of us. -Here, you - make yourself useful. | 0:20:55 | 0:20:59 | |
So she doesn't actually like Ray but she wrote him a letter? | 0:20:59 | 0:21:03 | |
No, she didn't. | 0:21:03 | 0:21:04 | |
Why would she like Ray, anyway? | 0:21:04 | 0:21:06 | |
OK, sure, you look at Ray and you think, "Ooh, steak, | 0:21:06 | 0:21:09 | |
"sirloin, meaty." Am I right, Zainab? | 0:21:09 | 0:21:14 | |
-Huh? -But after steak, you feel bloated, cheap. Ayesha is classy. | 0:21:14 | 0:21:19 | |
-She's more...sushi than steak. -All right. | 0:21:19 | 0:21:21 | |
Look, can we just respect her privacy, please? Just a little? | 0:21:21 | 0:21:25 | |
Thank you, Masood. This is what I'm saying. | 0:21:25 | 0:21:28 | |
A piece of skirt like that deserves respect, innit? | 0:21:28 | 0:21:30 | |
-I'm all about the feminism. I bet that letter was proper dirty, though. -Oi, that's enough! | 0:21:30 | 0:21:34 | |
-Give me a taster... -ZAINAB CLEARS HER THROAT | 0:21:34 | 0:21:38 | |
Oh. Hi. | 0:21:38 | 0:21:39 | |
AJ CLEARS HIS THROAT | 0:21:39 | 0:21:42 | |
How are you? | 0:21:42 | 0:21:43 | |
I wanted some water. | 0:21:43 | 0:21:45 | |
And instead you got an earful from a Neanderthal. All of you, out, please. | 0:21:45 | 0:21:49 | |
Will you just help me finish laying the table, please? | 0:21:49 | 0:21:52 | |
That means now, Tam. Let's go. | 0:21:52 | 0:21:53 | |
-Out. -OK! | 0:21:53 | 0:21:55 | |
Ah, isn't that nice? | 0:22:02 | 0:22:04 | |
Finally some peace and quiet. | 0:22:04 | 0:22:07 | |
It's why I like to cook. You know, it gives me some me time, | 0:22:09 | 0:22:13 | |
some time to just relax... in private. | 0:22:13 | 0:22:17 | |
Which is what you have here, Ayesha. You have privacy... | 0:22:18 | 0:22:22 | |
if you want it. | 0:22:22 | 0:22:24 | |
But if you leave things lying about like that, then, you know... | 0:22:24 | 0:22:27 | |
I understand. Thank you. | 0:22:29 | 0:22:31 | |
CUTLERY RATTLES | 0:22:33 | 0:22:36 | |
Yeah, yeah, you know, that skirting board, | 0:22:39 | 0:22:41 | |
that's going to need replacing. | 0:22:41 | 0:22:44 | |
These are on me. | 0:22:45 | 0:22:47 | |
No, they ain't. | 0:22:47 | 0:22:49 | |
It's just a drink. | 0:22:49 | 0:22:50 | |
-What? -Why don't you go home, eh? Go and see your wife. | 0:23:01 | 0:23:04 | |
You know, the other one. | 0:23:04 | 0:23:06 | |
See you later. | 0:23:06 | 0:23:08 | |
-Service that bad, is it? -In what world do you think this ends well? | 0:23:12 | 0:23:14 | |
So there were, like, 15 of us, right... | 0:23:16 | 0:23:19 | |
-15? Wow. -Yeah, and there were four modules to complete. | 0:23:19 | 0:23:23 | |
And at the end they gave us this, like, little USB with all the presentations on. | 0:23:23 | 0:23:27 | |
You know what? I think I've got it in here somewhere. It's so cool. | 0:23:27 | 0:23:30 | |
And the guy who was, like, running it all, | 0:23:30 | 0:23:32 | |
he said I had a natural talent. | 0:23:32 | 0:23:35 | |
Oh, you see? That is my baby. Look at you. | 0:23:35 | 0:23:38 | |
-Now, you see this guy? -Mmm. -He wasn't sexier than Fats, was he? | 0:23:38 | 0:23:41 | |
How could he be sexier than you? | 0:23:41 | 0:23:43 | |
Oh, you sexy little thing, you. | 0:23:43 | 0:23:45 | |
Come here. You're so beautiful. You're so clever. | 0:23:45 | 0:23:48 | |
-POPPY GIGGLES -Look at your hair, so shiny. | 0:23:48 | 0:23:52 | |
Lauren, how drunk are you? Eh? | 0:23:59 | 0:24:01 | |
Just get me the same again. | 0:24:03 | 0:24:05 | |
Actually, no, I'll have slimline this time, yeah? Thank you. | 0:24:05 | 0:24:08 | |
You all right? | 0:24:11 | 0:24:12 | |
May I be excused? | 0:24:27 | 0:24:28 | |
-So when do I get to see this letter? -Good day at work, was it? | 0:24:38 | 0:24:42 | |
-I was ill. -You were hungover. | 0:24:42 | 0:24:44 | |
Excuse me. | 0:24:44 | 0:24:45 | |
Ayesha? Er... | 0:24:48 | 0:24:51 | |
Zainab found the letter. We weren't rooting around. | 0:24:53 | 0:24:56 | |
And I'm really sorry about that whole Ray thing. | 0:24:56 | 0:24:59 | |
It's not your fault. You were just protecting us. | 0:25:02 | 0:25:05 | |
Was I? Yeah, well, I suppose I was. | 0:25:05 | 0:25:09 | |
Thank you, Masood. | 0:25:09 | 0:25:11 | |
You know, for not telling Aunty-Ji who the letter was really for. | 0:25:11 | 0:25:15 | |
Yes, that's because you said it didn't mean anything. | 0:25:15 | 0:25:18 | |
So why not tell her the truth? | 0:25:18 | 0:25:20 | |
Because there's no truth to tell. | 0:25:20 | 0:25:22 | |
Listen, Ayesha, I've tried to be nice and understanding about all this, | 0:25:23 | 0:25:27 | |
but whatever you're feeling, it's not real, and it has to end now. Do you understand? | 0:25:27 | 0:25:31 | |
-Where did you get Cora's keys from? -They're not Cora's, they're Poppy's. | 0:25:41 | 0:25:44 | |
-You nicked them? Lauren, she's going to notice. -Yes, well, we'd better be quick, then. | 0:25:44 | 0:25:49 | |
Oh, I say. | 0:26:34 | 0:26:35 | |
KNOCK AT DOOR | 0:26:45 | 0:26:47 | |
Who is it? | 0:26:57 | 0:26:58 | |
It's Bianca. | 0:26:58 | 0:27:00 | |
You all right? | 0:27:02 | 0:27:03 | |
You're lucky I didn't keep it all for myself. | 0:27:08 | 0:27:12 | |
Cheers. | 0:27:12 | 0:27:13 | |
She paid us for a full day. | 0:27:13 | 0:27:15 | |
And, yeah, I got the sack and all. | 0:27:15 | 0:27:18 | |
I'm sorry, Bianca. | 0:27:18 | 0:27:19 | |
It's all right. Look, you left these. | 0:27:19 | 0:27:21 | |
Oh. | 0:27:21 | 0:27:23 | |
I forgot about them. | 0:27:23 | 0:27:24 | |
None of this would have happened if you'd have just let me knock her out. | 0:27:26 | 0:27:30 | |
BOTH LAUGH | 0:27:30 | 0:27:32 | |
-Roxy wasn't really up for talking about any kind of pay-off, but I got this. -She gave it to you? | 0:27:32 | 0:27:36 | |
No, but finders keepers, I say. | 0:27:36 | 0:27:40 | |
I'll get the glasses. | 0:27:40 | 0:27:41 | |
Getting stuck in, Dot? | 0:28:24 | 0:28:26 | |
They're not mine. | 0:28:30 | 0:28:32 | |
-I haven't got 'em. -You know what that means, don't you? | 0:28:36 | 0:28:39 | |
Oh, great. Great. Why don't you go round there and pick them up? | 0:28:39 | 0:28:42 | |
Why don't you introduce yourself while you're there? | 0:28:42 | 0:28:44 | |
Joey, go and make yourself useful, will ya? | 0:28:44 | 0:28:47 | |
All right. See ya. | 0:28:47 | 0:28:48 | |
You going to get dressed today or what? | 0:28:52 | 0:28:55 | |
You know you make it very hard for me and your mum | 0:28:55 | 0:28:57 | |
to be proud of you, Lauren. | 0:28:57 | 0:28:58 | |
Oh, thanks. | 0:28:58 | 0:29:00 | |
When was the last time you had a shower? | 0:29:00 | 0:29:02 | |
Hello, dar... | 0:29:04 | 0:29:06 | |
I got enough on my plate without the latest Lauren drama. | 0:29:06 | 0:29:09 | |
We need to talk about Kirsty. | 0:29:09 | 0:29:10 | |
-Babe, can we do it later? I got to make this phone call. -Max! | 0:29:10 | 0:29:13 | |
Hang on. | 0:29:13 | 0:29:15 | |
Hello, mate. You all right? | 0:29:15 | 0:29:17 | |
It isn't funny. | 0:29:17 | 0:29:19 | |
No, it's not. It's hilarious. | 0:29:19 | 0:29:21 | |
She's your granddaughter. | 0:29:21 | 0:29:24 | |
Thanks for pointing that out, Dot, | 0:29:24 | 0:29:26 | |
but I don't think Alzheimer's has set in just yet. | 0:29:26 | 0:29:30 | |
Where are you going? | 0:29:30 | 0:29:32 | |
Work. | 0:29:32 | 0:29:34 | |
Work? | 0:29:34 | 0:29:35 | |
Oh, hello, Mrs Branning. Um. | 0:29:39 | 0:29:42 | |
We haven't properly met yet, which is funny, | 0:29:42 | 0:29:46 | |
seeing as I live in your house. | 0:29:46 | 0:29:48 | |
Yes, highly amusing. | 0:29:48 | 0:29:51 | |
I'm Poppy. | 0:29:51 | 0:29:53 | |
How do you do? | 0:29:53 | 0:29:55 | |
KNOCK ON DOOR | 0:29:55 | 0:29:56 | |
Mrs B? Mrs B! I haven't seen you in so long. | 0:30:02 | 0:30:06 | |
It's so good to see you. I have missed you so much. | 0:30:06 | 0:30:10 | |
Oh, my goodness. Look at you. You are looking good. | 0:30:10 | 0:30:12 | |
And those earrings, they're looking sharp. So sharp they're dangerous. | 0:30:12 | 0:30:15 | |
-SHE LAUGHS -I've had 'em pierced. | 0:30:15 | 0:30:17 | |
It was all down to Dotty, I'll tell you about it later. | 0:30:17 | 0:30:20 | |
Oh, I've missed you, Arthur. | 0:30:20 | 0:30:23 | |
-There was no need to make such a fuss of me. -What? | 0:30:23 | 0:30:27 | |
Still, you've bought them now, so... Thank you very much. | 0:30:27 | 0:30:31 | |
Yeah, well...of course. I mean, welcome home, Mrs B. | 0:30:31 | 0:30:35 | |
To the prettiest Poppy on the block. | 0:30:35 | 0:30:39 | |
Poppy? | 0:30:39 | 0:30:40 | |
HE CHUCKLES AWKWARDLY | 0:30:42 | 0:30:44 | |
Yes. Poppy. | 0:30:44 | 0:30:46 | |
Morning. Sleep well? | 0:30:56 | 0:31:00 | |
It's midday. | 0:31:00 | 0:31:02 | |
So it is. Would you like a tea? | 0:31:03 | 0:31:07 | |
Kettle's just boiled. | 0:31:07 | 0:31:10 | |
Or there's juice in the fridge. | 0:31:10 | 0:31:12 | |
With bits, I think, if you like bits. | 0:31:12 | 0:31:16 | |
If you don't mind them. I like it smooth. | 0:31:16 | 0:31:19 | |
But does Zainab ever listen? | 0:31:19 | 0:31:21 | |
Or at least she does and then she wilfully ignores me, | 0:31:21 | 0:31:24 | |
which isn't out of character... | 0:31:24 | 0:31:26 | |
-Ayesha, about last night... -Where's Aunty-Ji? | 0:31:29 | 0:31:32 | |
Minute Mart. | 0:31:32 | 0:31:33 | |
Kim. | 0:31:41 | 0:31:42 | |
Wait up. Kim! | 0:31:42 | 0:31:45 | |
You keep 'em. | 0:31:48 | 0:31:50 | |
Don't you like them? | 0:31:50 | 0:31:51 | |
No, no, it's not that. | 0:31:51 | 0:31:53 | |
Where am I going to put a vase of flowers when I'm homeless? | 0:31:53 | 0:31:57 | |
Mrs B hasn't chucked you out. | 0:31:57 | 0:31:59 | |
No. Not yet. But she don't like me though. | 0:31:59 | 0:32:02 | |
Oh, baby, how could she not like you, huh? | 0:32:02 | 0:32:06 | |
You did not see the way she looked at me. | 0:32:06 | 0:32:08 | |
Right, listen. Mrs B, she's just like a pussycat. | 0:32:08 | 0:32:12 | |
Yeah? You've just got to know how to stroke her. | 0:32:12 | 0:32:15 | |
Will you teach me? | 0:32:16 | 0:32:18 | |
Course. Come on. | 0:32:20 | 0:32:22 | |
Babe, please, I'm really hungry. | 0:32:22 | 0:32:23 | |
Meaning what? You're incapable of human thought? | 0:32:23 | 0:32:26 | |
-I've got work in five minutes. -I have got a job too, Max. | 0:32:26 | 0:32:28 | |
Which is exactly why we need to sort this out | 0:32:28 | 0:32:30 | |
so we can both get on with our lives. | 0:32:30 | 0:32:32 | |
-You've got to do something. -What do you mean? Like what? | 0:32:32 | 0:32:35 | |
Well, I don't know. Get on to your solicitor, threaten her, something! | 0:32:35 | 0:32:38 | |
Don't be silly. That's exactly what she wants. | 0:32:38 | 0:32:41 | |
No, Max, it's what I want. | 0:32:41 | 0:32:42 | |
DOORBELL RINGS | 0:32:42 | 0:32:44 | |
You all right, Dot? Welcome back. | 0:32:50 | 0:32:53 | |
Thank you. | 0:32:53 | 0:32:54 | |
Oh, hello, Dot. It's lovely to see you. Come in. | 0:32:54 | 0:32:57 | |
Thank you very much. Now, I'm not stopping. | 0:32:57 | 0:32:59 | |
I've come to see you as a matter of priority. | 0:32:59 | 0:33:02 | |
Oh, right. Come through. | 0:33:02 | 0:33:04 | |
Can I take your coat? | 0:33:04 | 0:33:06 | |
No, well, I don't think I'll stay for long. | 0:33:06 | 0:33:08 | |
You smell that? Beautiful. | 0:33:11 | 0:33:13 | |
Oi! Patience. | 0:33:14 | 0:33:16 | |
Never been big on that. | 0:33:16 | 0:33:18 | |
Oh, yeah? | 0:33:18 | 0:33:19 | |
Now what if I told you that this was going to be the richest, darkest, | 0:33:19 | 0:33:23 | |
finest piece of damn chocolate pudding you've ever tasted? | 0:33:23 | 0:33:27 | |
How do you know what I've tasted? | 0:33:27 | 0:33:29 | |
Oh, hello. Something tells me... | 0:33:29 | 0:33:31 | |
Just teasing. | 0:33:31 | 0:33:33 | |
Kim, hi. | 0:33:33 | 0:33:35 | |
All right? What you looking so jumpy for? | 0:33:35 | 0:33:37 | |
I haven't got a bunny up my top. | 0:33:37 | 0:33:38 | |
However, I've got a couple of puppies. | 0:33:38 | 0:33:40 | |
SHE LAUGHS | 0:33:40 | 0:33:42 | |
-What you doing here? -Clubbing, by the looks of it. | 0:33:42 | 0:33:44 | |
Was passing by and I thought I'd drop by to tell you... | 0:33:44 | 0:33:50 | |
I've got some of your stuff. | 0:33:50 | 0:33:52 | |
What stuff? | 0:33:52 | 0:33:53 | |
Stuff that belongs to you, like CDs... | 0:33:53 | 0:33:58 | |
-Keep them. -And other stuff as well. | 0:33:58 | 0:34:02 | |
So I was thinking that, if you want to pop by later, | 0:34:04 | 0:34:09 | |
I can get some wine in. | 0:34:09 | 0:34:11 | |
Look, I'm working. | 0:34:11 | 0:34:13 | |
Yeah, but I stay up late. You know that. | 0:34:13 | 0:34:15 | |
-I'll give you two some space. -There's no need for that. | 0:34:15 | 0:34:18 | |
That'd be great, yeah. | 0:34:18 | 0:34:19 | |
Look, we're not together any more, Kim. | 0:34:22 | 0:34:25 | |
I know. I know that, Ray. | 0:34:25 | 0:34:28 | |
But it doesn't mean that we can't be friends, does it? | 0:34:28 | 0:34:32 | |
So, pop round later, glass of wine. That's what friends do, innit? | 0:34:34 | 0:34:39 | |
There you go. | 0:34:43 | 0:34:45 | |
I've just been saying to Tanya, I went to visit your father. | 0:34:45 | 0:34:48 | |
Oh, yeah? | 0:34:48 | 0:34:49 | |
He's still heartbroken. His eldest, cut down at such a tender age. | 0:34:49 | 0:34:55 | |
Such a nice, generous man. Lovely manners. | 0:34:55 | 0:34:59 | |
Yeah, we're all still reeling, to be honest. | 0:34:59 | 0:35:01 | |
FLOORBOARDS CREAK | 0:35:01 | 0:35:02 | |
Lauren, is that you? Come and say hello to your Grandma. | 0:35:02 | 0:35:05 | |
Hi, Grandma. | 0:35:05 | 0:35:06 | |
Lauren. | 0:35:06 | 0:35:08 | |
-It's nice to see you, but I'm late. -Late? | 0:35:08 | 0:35:11 | |
Yeah. For a thing. | 0:35:11 | 0:35:14 | |
Lauren? | 0:35:14 | 0:35:15 | |
I'm so sorry, Dot. I'll be talking to her later. | 0:35:15 | 0:35:18 | |
Well, actually, I was hoping to see her later on by myself. | 0:35:18 | 0:35:23 | |
You know, time has taught me that death casts a long shadow | 0:35:23 | 0:35:28 | |
and Jim has made me promise on his behalf, | 0:35:28 | 0:35:32 | |
that I would take care of the whole family. | 0:35:32 | 0:35:34 | |
Starting from tonight. | 0:35:34 | 0:35:36 | |
You're all invited for a meal at 5.00 at mine. | 0:35:36 | 0:35:40 | |
You know, Jack, Carol, children, grandchildren, everyone. | 0:35:40 | 0:35:45 | |
Oh, Dot, that's a lovely gesture, but there's a lot of us though. | 0:35:45 | 0:35:48 | |
Sure you've got room? | 0:35:48 | 0:35:49 | |
I'm not talking about a banquet, Tanya, | 0:35:49 | 0:35:51 | |
I'm talking about a family gathering at a time of crisis. | 0:35:51 | 0:35:55 | |
Well, I could always sit on Jack's knee. | 0:35:55 | 0:35:57 | |
I tell you what, why don't we go to the Vic for the gathering? | 0:35:57 | 0:36:00 | |
-On Max, of course. -Yeah, or a curry? | 0:36:00 | 0:36:03 | |
Oh, no. Oh, no, them spices, they play havoc with my stomach. | 0:36:03 | 0:36:07 | |
What's wrong with the Vic? | 0:36:07 | 0:36:08 | |
Nothing. | 0:36:08 | 0:36:10 | |
Good. Right, well, that's decided then. | 0:36:10 | 0:36:12 | |
All right. Ooh, we mustn't forget Alice. | 0:36:12 | 0:36:16 | |
And Derek's son. What's his name? | 0:36:16 | 0:36:19 | |
Joey. | 0:36:19 | 0:36:21 | |
Joey. It's about time I got to know him. | 0:36:21 | 0:36:24 | |
-Rashid? I thought that was... -You think it's a bad idea? | 0:36:27 | 0:36:30 | |
No, no, I did not say that. | 0:36:30 | 0:36:32 | |
I just think it's going to take a bit of delicate handling. | 0:36:32 | 0:36:36 | |
Luckily for you, I was born with a pair of kid gloves. | 0:36:36 | 0:36:39 | |
SHE LAUGHS LOUDLY | 0:36:39 | 0:36:40 | |
Now, where did I put Rashid's mother's number? | 0:36:40 | 0:36:43 | |
Here, Ayesha, you sure you want to do this? | 0:36:45 | 0:36:48 | |
Why? | 0:36:49 | 0:36:51 | |
Cos in the real world, match making don't work... | 0:36:51 | 0:36:54 | |
No, scratch that, relationships don't work. End of. | 0:36:54 | 0:36:59 | |
Don't you listen to her, OK. | 0:36:59 | 0:37:00 | |
This isn't match making, this is finding a husband. It's different. | 0:37:00 | 0:37:04 | |
OK, are we ready? | 0:37:04 | 0:37:06 | |
I didn't want to say nothing in front of Max, | 0:37:09 | 0:37:11 | |
seeing as he's in mourning. But now I've got you... | 0:37:11 | 0:37:15 | |
-Oh, whose are those? -That is a good question. | 0:37:16 | 0:37:20 | |
And one that I would be asking your daughter | 0:37:20 | 0:37:22 | |
if she'd had the courage to face me. | 0:37:22 | 0:37:24 | |
Sorry, Dot. You've lost me. | 0:37:24 | 0:37:26 | |
Well, yesterday was not a good day. | 0:37:26 | 0:37:29 | |
Sandy had bought me one of them Sat-things, you know, so I | 0:37:29 | 0:37:31 | |
didn't get lost, and she took me so many times around a roundabout | 0:37:31 | 0:37:35 | |
that I had one of my dizzy turns. | 0:37:35 | 0:37:36 | |
When she finally got me back on track, | 0:37:36 | 0:37:39 | |
my nerves were shot to pieces and I had to stop for a cup of strong tea. | 0:37:39 | 0:37:43 | |
And you know them motorway cafes, | 0:37:43 | 0:37:45 | |
they don't know the meaning of the word strong. | 0:37:45 | 0:37:48 | |
Sorry, what's all this got to do with Lauren? | 0:37:48 | 0:37:50 | |
Well, the only thing that was getting me through | 0:37:50 | 0:37:53 | |
was the thought of being back in my own home, in my own sitting room, | 0:37:53 | 0:37:57 | |
sitting on my own sofa with a cup of strong tea. | 0:37:57 | 0:38:00 | |
And what do I find when I open the door? | 0:38:00 | 0:38:03 | |
Your daughter, sprawled on my sofa with the mystery owner of these. | 0:38:03 | 0:38:09 | |
I shall never be able to look at my anti-maccasars again. | 0:38:09 | 0:38:11 | |
Well, not until they've had a good wash. | 0:38:11 | 0:38:14 | |
I don't know what to say, Dot. | 0:38:14 | 0:38:17 | |
I know that Lauren is taking her uncle's death to heart, | 0:38:17 | 0:38:21 | |
but that is no reason why such behaviour should go unchecked. | 0:38:21 | 0:38:26 | |
Well, no. You're absolutely right, Dot. | 0:38:26 | 0:38:29 | |
Trust me, it won't. Thank you. | 0:38:29 | 0:38:31 | |
What's all that about? | 0:38:41 | 0:38:42 | |
We've got a problem. | 0:38:42 | 0:38:44 | |
Well, yes, of course. We understand, yeah. OK. Thank you. | 0:38:44 | 0:38:49 | |
Bye-bye. | 0:38:49 | 0:38:50 | |
Aunty-Ji? | 0:38:54 | 0:38:55 | |
Rashid is coming over tomorrow for tea. | 0:38:58 | 0:39:00 | |
That is not the reaction that I was expecting. | 0:39:02 | 0:39:05 | |
Just imagine, Ayesha, you could be starting your life again. Imagine that. | 0:39:05 | 0:39:10 | |
I think she is. | 0:39:10 | 0:39:12 | |
I'm excited. Really. | 0:39:12 | 0:39:14 | |
It's OK to be nervous, you know. | 0:39:14 | 0:39:16 | |
No, no. I'm not nervous. It's just... | 0:39:16 | 0:39:19 | |
What will I say after last time? | 0:39:19 | 0:39:21 | |
And how will I know if I like him? | 0:39:23 | 0:39:25 | |
How will I know if he likes me? | 0:39:27 | 0:39:29 | |
Luckily for you, I am very experienced in these matters. | 0:39:29 | 0:39:32 | |
Ooh, we doing advice? Excellent, grab a pen. | 0:39:32 | 0:39:35 | |
A pen? | 0:39:35 | 0:39:36 | |
That's what you dragged me here for? | 0:39:40 | 0:39:42 | |
Dad, I don't want to go back to college. | 0:39:42 | 0:39:44 | |
Lauren, it isn't a yes or a no sort of a deal. | 0:39:44 | 0:39:46 | |
Pick a course, will ya? | 0:39:46 | 0:39:48 | |
I thought the Max Branning dictatorship ended when I was 18. | 0:39:48 | 0:39:51 | |
I've got two words for you - Dot's sofa. | 0:39:51 | 0:39:53 | |
I know you're young, I appreciate all that. | 0:39:53 | 0:39:55 | |
But you go around acting like nothing you do matters. | 0:39:55 | 0:39:58 | |
-That's what Mum does, I don't. -Prove it. Start taking life seriously. | 0:39:58 | 0:40:01 | |
And that's it? You ain't going to yell at me, or..? | 0:40:01 | 0:40:03 | |
What do you want me to do? Dock your pocket money? | 0:40:03 | 0:40:06 | |
Think we're moved on from that, Lauren, don't you? | 0:40:06 | 0:40:09 | |
You're an intelligent young woman. Just start acting like one. | 0:40:09 | 0:40:12 | |
Oh, and we've got a family dinner in the Vic, yeah? 5 o'clock. | 0:40:18 | 0:40:20 | |
Family? | 0:40:20 | 0:40:22 | |
Yep. It's all right, don't panic. Joey's off the guest list. | 0:40:22 | 0:40:26 | |
Ayesha does not need to worry about that particular type of man. | 0:40:26 | 0:40:28 | |
What particular type? They're all that type. | 0:40:28 | 0:40:31 | |
Hold on, what about the type that takes in damsels in distress? | 0:40:31 | 0:40:34 | |
Good point. | 0:40:34 | 0:40:35 | |
One, I'm not a damsel, two, I'm not in distress. | 0:40:35 | 0:40:39 | |
And three, this isn't about you, Ian. | 0:40:39 | 0:40:41 | |
Then there's Masood. He is a kind, honourable man. | 0:40:41 | 0:40:45 | |
Yes, they are not all bad, but they are all emotionally backward. | 0:40:45 | 0:40:50 | |
Hey, Masood happens to be highly intellectual. | 0:40:50 | 0:40:53 | |
They can be saying one thing to you, you know, | 0:40:53 | 0:40:55 | |
they can be going around telling the world that they love your sister | 0:40:55 | 0:40:58 | |
and then they can turn around the next minute | 0:40:58 | 0:41:00 | |
and they can be kissing you and no, that's no contradiction, is it? | 0:41:00 | 0:41:03 | |
You're confusing the poor girl. | 0:41:03 | 0:41:05 | |
Ignore her. | 0:41:05 | 0:41:07 | |
OK, to simplify, and write this down, | 0:41:07 | 0:41:10 | |
now when a man says something to you, | 0:41:10 | 0:41:15 | |
you don't take it at face value, yeah? | 0:41:15 | 0:41:19 | |
You look for the hidden meaning. All right? | 0:41:19 | 0:41:21 | |
-Are you quite finished? -I'm not even started yet. | 0:41:21 | 0:41:23 | |
-Masood. Masood, tell her. -Huh? | 0:41:23 | 0:41:25 | |
Tell her that you're one of the good guys. | 0:41:25 | 0:41:28 | |
What are we talking about? | 0:41:28 | 0:41:30 | |
Umm, I've decided to give it another go with Rashid. | 0:41:30 | 0:41:34 | |
OK. | 0:41:36 | 0:41:37 | |
-Lauren's going to college? -Yeah. -What's so funny about that? | 0:41:37 | 0:41:41 | |
You're not the only one with a brain, you know. | 0:41:41 | 0:41:44 | |
How was your biology exam? | 0:41:44 | 0:41:45 | |
Oh, I dunno. | 0:41:45 | 0:41:46 | |
I ran out of time, but I think I answered most of the questions. | 0:41:46 | 0:41:49 | |
-My knees just kept shaking. -I'm sure you did brilliantly. | 0:41:49 | 0:41:53 | |
I'm proud of the pair of you. | 0:41:53 | 0:41:54 | |
I hope you're going to take this college course more seriously | 0:41:54 | 0:41:57 | |
than your shift at Booty's. | 0:41:57 | 0:41:59 | |
You know why I walked out. Have you phoned the hospital yet? | 0:41:59 | 0:42:02 | |
Not now, Lauren. | 0:42:02 | 0:42:04 | |
You got a death wish, have you? | 0:42:04 | 0:42:06 | |
Shockingly, this weren't my idea. | 0:42:06 | 0:42:08 | |
The whole family, is it? | 0:42:08 | 0:42:10 | |
My invitation must've got lost in the post. | 0:42:10 | 0:42:13 | |
You don't normally wait for an invite. | 0:42:13 | 0:42:15 | |
Babe, why don't you go and sit down, I'll get the drinks in. | 0:42:15 | 0:42:19 | |
Come on then, jump down. | 0:42:19 | 0:42:21 | |
-Kirsty, play nice, will you? Please? -You know me, Max. | 0:42:22 | 0:42:25 | |
-Get us a large whisky, will ya? -Everything all right? | 0:42:25 | 0:42:28 | |
Yeah, yeah, it's fine. | 0:42:28 | 0:42:29 | |
I'm having scampi. | 0:42:29 | 0:42:31 | |
You do know scampi is fish? | 0:42:31 | 0:42:33 | |
Don't be stupid. It's not, is it, Mum? | 0:42:33 | 0:42:36 | |
Go and ask your cousin. Here you are. | 0:42:36 | 0:42:38 | |
Oh, good. I was worried I was going to be late. | 0:42:38 | 0:42:41 | |
Is Joey coming? | 0:42:41 | 0:42:43 | |
-Nah, he was busy. -Typical. | 0:42:43 | 0:42:45 | |
Oh, great. Does anyone else want to qualify as family? | 0:42:45 | 0:42:48 | |
The Masoods? Ian Beale? | 0:42:48 | 0:42:50 | |
You getting them in, Max? Whisky. Make mine a double. | 0:42:50 | 0:42:54 | |
That's brilliant, I didn't know drinks were included. | 0:42:54 | 0:42:56 | |
-They're not, Bianca. -Oh, stop it and get your wallet out. | 0:42:56 | 0:43:00 | |
Dot. | 0:43:05 | 0:43:07 | |
THEY GREET HER | 0:43:07 | 0:43:09 | |
-Ah! -Hi, Grandma. | 0:43:09 | 0:43:12 | |
Denise, wait up. You see that? | 0:43:16 | 0:43:20 | |
That there is the fourth text message that she's sent me today. | 0:43:20 | 0:43:23 | |
You need to tell your sister to leave me alone. | 0:43:23 | 0:43:26 | |
Well, considering my sister can't stand the sight of me | 0:43:26 | 0:43:28 | |
since you dumped her, I'd say the answer to that question, | 0:43:28 | 0:43:31 | |
no, sorry, demand, is no. | 0:43:31 | 0:43:34 | |
HE SIGHS | 0:43:34 | 0:43:36 | |
All right, look, listen. | 0:43:36 | 0:43:37 | |
I don't want to hurt her feelings, all right? | 0:43:37 | 0:43:39 | |
But that girl's skin is thicker than an elephant. | 0:43:39 | 0:43:41 | |
Oi. You watch it. My sister is as sensitive as they come. | 0:43:41 | 0:43:44 | |
Exactly. I mean, you know her better than anyone, right? | 0:43:44 | 0:43:48 | |
Just think about it. Save her from making a fool of herself. | 0:43:50 | 0:43:54 | |
I mean, she's got to come round, right? | 0:43:54 | 0:43:56 | |
-Oh, yeah, just the steak please. -Dripping with blood, right? | 0:44:00 | 0:44:03 | |
No, I'll have it well done. | 0:44:03 | 0:44:05 | |
Here, isn't that my overall? Let's have a look. | 0:44:05 | 0:44:10 | |
Here, look. There's that cigarette burn in my pocket. | 0:44:12 | 0:44:15 | |
-What are you doing with it? -Comes with the job, Dot. | 0:44:15 | 0:44:18 | |
Job? At the launderette? | 0:44:18 | 0:44:20 | |
Come on, Dot. Give me a break. | 0:44:20 | 0:44:23 | |
You didn't really think Mr P was going to keep the job open | 0:44:23 | 0:44:26 | |
indefinitely, did you? | 0:44:26 | 0:44:28 | |
GLASS TINKLING | 0:44:28 | 0:44:29 | |
Right. Quiet, please, you noisy lot. | 0:44:29 | 0:44:32 | |
I'd like everyone to join me in raising their glasses. | 0:44:32 | 0:44:35 | |
-It's lovely to have Dot back. -THEY CHEER | 0:44:35 | 0:44:38 | |
Where she belongs. | 0:44:38 | 0:44:40 | |
Place hasn't been the same without you, Dot. | 0:44:40 | 0:44:42 | |
I'm not so sure of that. | 0:44:42 | 0:44:44 | |
Anyway, I'm sure that Jim would send his love, if he could. | 0:44:44 | 0:44:47 | |
And I know he'd love to be here, but there we are. | 0:44:47 | 0:44:50 | |
You know, he's very fond of his family. | 0:44:50 | 0:44:52 | |
But anyway, thank you all for coming. | 0:44:52 | 0:44:56 | |
Oh, Alice, isn't your brother joining us? | 0:44:56 | 0:44:59 | |
I can call him if you like? | 0:44:59 | 0:45:01 | |
Er, no, no. He said something else on, so... | 0:45:01 | 0:45:04 | |
Anyway, Dot, what d'you think about Sharon joining the family? | 0:45:04 | 0:45:07 | |
Think that's up to Jack to break that news, isn't it? | 0:45:07 | 0:45:09 | |
Yeah, I wasn't going to tell you in such a public forum, | 0:45:09 | 0:45:12 | |
but yes, me and Sharon, we're engaged. | 0:45:12 | 0:45:15 | |
No! Oh, Sharon. Oh, how lovely! Oh, what a beautiful ring. | 0:45:15 | 0:45:21 | |
Oh, I'm ever so pleased for you. | 0:45:21 | 0:45:23 | |
Cos life hasn't been easy for you, has it? Nor for Jack. | 0:45:23 | 0:45:28 | |
How's your little boy? How's Dennis? | 0:45:28 | 0:45:30 | |
Oh, he's not so little any more. But he's gorgeous. | 0:45:30 | 0:45:33 | |
He's terrorising Ian tonight. | 0:45:33 | 0:45:34 | |
So you'll have to come and see him. | 0:45:34 | 0:45:36 | |
Oh, I'd love to. Or you could come to mine. | 0:45:36 | 0:45:38 | |
-Oi, you going to the bar? -Yeah. -You know the drill. | 0:45:38 | 0:45:41 | |
We're a bit empty here, Uncle Max. Cheers. That'd be nice. | 0:45:41 | 0:45:45 | |
Hey, Max. | 0:45:46 | 0:45:47 | |
You and Kirsty, is that a done thing or | 0:45:48 | 0:45:50 | |
we still talking present tense? | 0:45:50 | 0:45:52 | |
-Nah, nah, nah. It's all history, innit. -Yeah? | 0:45:52 | 0:45:55 | |
So I wouldn't be knocking anyone's nose out of joint if I, you know...? | 0:45:55 | 0:45:59 | |
No, it's all right. Go on. Crack on. | 0:45:59 | 0:46:01 | |
Nice one. Always like to ask. | 0:46:01 | 0:46:03 | |
You know, gentleman's code n'all that. | 0:46:03 | 0:46:05 | |
Yeah, well, thought you'd had enough of that after Kim. | 0:46:05 | 0:46:08 | |
-Eh? -High maintenance. | 0:46:08 | 0:46:09 | |
You're early. Thought you were working... | 0:46:25 | 0:46:28 | |
Kim, wait. Kim, please, just five minutes. | 0:46:28 | 0:46:32 | |
I'm busy. | 0:46:32 | 0:46:34 | |
You look nice. What, you going out? | 0:46:34 | 0:46:38 | |
SHE SIGHS | 0:46:38 | 0:46:40 | |
OK, look. No, you're right, you're right. | 0:46:40 | 0:46:43 | |
I'm not going to patronise you by dressing this up. | 0:46:44 | 0:46:48 | |
So I'm just going to come out with it | 0:46:48 | 0:46:51 | |
because it's kinder than the alternative | 0:46:51 | 0:46:54 | |
and, in the long run, I hope that you'll be able to see that... | 0:46:54 | 0:47:00 | |
This is you coming out with it? | 0:47:03 | 0:47:05 | |
Ray came to see me. | 0:47:05 | 0:47:07 | |
Look, I know this is hard, but he's moved on. | 0:47:07 | 0:47:12 | |
What? To you? | 0:47:13 | 0:47:15 | |
No, of course not. | 0:47:15 | 0:47:17 | |
You're not totally deluded, then. | 0:47:17 | 0:47:19 | |
You really think this is going to work, babe? | 0:47:28 | 0:47:30 | |
Trust me. This is going to be the start of a beautiful friendship. | 0:47:30 | 0:47:34 | |
All right? Come on. | 0:47:34 | 0:47:36 | |
S'cuse me. | 0:47:41 | 0:47:42 | |
S'cuse me. Yeah, you. | 0:47:45 | 0:47:48 | |
Can I have another glass, please? That's got lipstick on it. | 0:47:48 | 0:47:51 | |
Did another woman get there first again? | 0:47:51 | 0:47:53 | |
You going to let her talk to me like that? | 0:47:53 | 0:47:55 | |
Babe, just ignore her, will ya? | 0:47:55 | 0:47:57 | |
-You look tired, Tanya. -Excuse me? -Kirsty... | 0:47:57 | 0:47:59 | |
-Did Oscar keep you up? -Kirsty, don't do this. | 0:47:59 | 0:48:02 | |
After his bike accident, I thought he might be a bit unsettled? | 0:48:02 | 0:48:06 | |
-He's fine. -I'm glad to hear it. -Good. -Poor little poppet. | 0:48:06 | 0:48:10 | |
Talk to me. | 0:48:11 | 0:48:13 | |
It was nothing, just a little scrape that's all. Jack was there. | 0:48:13 | 0:48:16 | |
Yeah. So was she, by all accounts. Why didn't you tell me? | 0:48:16 | 0:48:19 | |
Cos there's nothing to tell. | 0:48:19 | 0:48:21 | |
Come to think of it, why didn't Oscar tell me? | 0:48:21 | 0:48:23 | |
Babe, I got no idea. | 0:48:23 | 0:48:25 | |
-Did you tell him not to? -Don't be stupid. | 0:48:25 | 0:48:27 | |
Did you tell our five-year-old son to cover for you? | 0:48:27 | 0:48:29 | |
-He didn't really do anything, I mean... -Stay out of it. | 0:48:29 | 0:48:32 | |
-Babe, don't be paranoid. -Paranoid? The woman is obsessed with you! | 0:48:32 | 0:48:36 | |
Max, you're not having another affair, are you? | 0:48:36 | 0:48:38 | |
-No, Dot, I'm not. -Who knows? | 0:48:38 | 0:48:40 | |
Strictly speaking, she's right. You are having an affair, Max. | 0:48:40 | 0:48:43 | |
With Tanya. | 0:48:43 | 0:48:45 | |
Seeing as we're the ones married. | 0:48:45 | 0:48:47 | |
It's lovely to finally meet my mother-in-law. | 0:48:48 | 0:48:51 | |
I'm Kirsty. | 0:48:53 | 0:48:55 | |
How do you do? | 0:48:55 | 0:48:56 | |
Is everything OK? | 0:49:08 | 0:49:10 | |
Masood. | 0:49:14 | 0:49:15 | |
About Rashid. Do you really think it's a good idea? | 0:49:20 | 0:49:24 | |
Well... | 0:49:27 | 0:49:28 | |
If it's what you want and you don't feel pressurised into it... | 0:49:30 | 0:49:34 | |
You think I should wait? | 0:49:34 | 0:49:36 | |
I think you should do what makes you happy, Ayesha. | 0:49:40 | 0:49:43 | |
You know, Max, I'd have thought you'd've learnt your lesson | 0:49:59 | 0:50:02 | |
with poor dear Bradley. | 0:50:02 | 0:50:04 | |
Dot, can you just give me a chance to explain? | 0:50:04 | 0:50:06 | |
And listen to more of your lies? I don't think so. | 0:50:06 | 0:50:10 | |
-Tell her, will you? -Tell her what? Frankly, I'm confused. | 0:50:10 | 0:50:13 | |
Me an' all, Max. Want to explain this one again? | 0:50:13 | 0:50:15 | |
I thought you said this was going to be boring. | 0:50:15 | 0:50:18 | |
Bianca! | 0:50:18 | 0:50:19 | |
It's simple. Uncle Max was getting married to Aunty Tanya again, | 0:50:19 | 0:50:23 | |
and then that lady turned up | 0:50:23 | 0:50:25 | |
and said she was already married to Uncle Max, so they had to | 0:50:25 | 0:50:28 | |
cancel the wedding and then Uncle Derek dropped down dead. | 0:50:28 | 0:50:31 | |
Shush, Tiffany! | 0:50:31 | 0:50:32 | |
What? She's right, that is, well, that is what happened. | 0:50:32 | 0:50:35 | |
No, it's not exactly what happened, thank you, Lauren. | 0:50:35 | 0:50:38 | |
Joey! You came. | 0:50:38 | 0:50:41 | |
Thought you were busy. | 0:50:42 | 0:50:43 | |
Come and sit down, the food's just got here. | 0:50:43 | 0:50:46 | |
Grandma Dot, this is my brother, Joey. | 0:50:46 | 0:50:50 | |
Your brother? | 0:50:52 | 0:50:53 | |
-Yeah. -What, Derek's boy? | 0:50:53 | 0:50:55 | |
Yeah. Why, what's wrong? | 0:50:55 | 0:50:57 | |
But THEY are cousins. | 0:50:58 | 0:51:01 | |
Dot, can we just do this another time, yeah, please? | 0:51:01 | 0:51:04 | |
-You knew? -Knew what? What's she talking about? | 0:51:04 | 0:51:07 | |
-Nothing, just ignore her, all right? -Are Lauren and Joey together? | 0:51:07 | 0:51:10 | |
Lauren and Joey what? | 0:51:10 | 0:51:12 | |
Seriously? | 0:51:12 | 0:51:14 | |
Lauren and Joey what, Mum? | 0:51:14 | 0:51:15 | |
Eurrgh! That's like me kissing Abi on the mouth. | 0:51:18 | 0:51:22 | |
Morgan, stop it. | 0:51:22 | 0:51:24 | |
What, no Bible quote for this one, Dorothy? | 0:51:24 | 0:51:27 | |
It isn't about religion. It's not healthy. | 0:51:27 | 0:51:30 | |
Eww! This is awful, she's going to hate it. | 0:51:38 | 0:51:41 | |
Pops, come on, babe, all right? This is her favourite. | 0:51:41 | 0:51:44 | |
One bite of this and Mrs B is going to regret | 0:51:44 | 0:51:46 | |
staying away so long, OK? | 0:51:46 | 0:51:49 | |
Makes you wonder what Max and Tanya are playing at. | 0:51:54 | 0:51:56 | |
Make sure you brush your teeth. | 0:51:56 | 0:51:58 | |
Don't try and trick me with chewing gum. | 0:51:58 | 0:52:00 | |
It's not like it's incest. They're not breaking the law. | 0:52:00 | 0:52:02 | |
It's a bit creepy though, innit? | 0:52:02 | 0:52:04 | |
Oh, come on, you can't tell me | 0:52:04 | 0:52:05 | |
you wasn't sitting there thinking the exact same thing? | 0:52:05 | 0:52:09 | |
Do you want to take your brother upstairs? | 0:52:11 | 0:52:14 | |
I'll be up in a bit. | 0:52:14 | 0:52:15 | |
You OK? | 0:52:21 | 0:52:22 | |
They're ashamed of me, aren't they? | 0:52:24 | 0:52:26 | |
Wow, if humiliating is on a scale, then what's just happened tonight | 0:52:28 | 0:52:34 | |
is so far off it, we're on another street. | 0:52:34 | 0:52:36 | |
Babe, it'll be fine, won't it? Honestly, it'll blow over. | 0:52:36 | 0:52:39 | |
That's your response to everything, innit? Head firmly in the sand. | 0:52:39 | 0:52:43 | |
About Oscar. | 0:52:47 | 0:52:48 | |
I mean, Kirsty really was just passing when he fell off his bike. | 0:52:48 | 0:52:52 | |
It's all right. I trust you. | 0:52:52 | 0:52:54 | |
Really? | 0:52:54 | 0:52:56 | |
What did Ray want? | 0:53:03 | 0:53:05 | |
What do you mean? | 0:53:05 | 0:53:06 | |
I saw you talking to him. | 0:53:06 | 0:53:08 | |
Oh, nothing. He just fancies Kirsty. | 0:53:08 | 0:53:11 | |
Really? | 0:53:11 | 0:53:13 | |
Yeah. I told him, you know, go for it. | 0:53:13 | 0:53:16 | |
High maintenance! Can't guess who told you that. | 0:53:23 | 0:53:26 | |
You saying it's not true? | 0:53:26 | 0:53:28 | |
No. Are you saying you mind? | 0:53:28 | 0:53:32 | |
No. | 0:53:32 | 0:53:33 | |
SHE GIGGLES | 0:53:33 | 0:53:35 | |
Kim? What is it? Has he said something to you? | 0:53:43 | 0:53:48 | |
If he's upset you... | 0:53:48 | 0:53:50 | |
Oh, look, just drop dead! | 0:53:50 | 0:53:51 | |
Denise? | 0:53:57 | 0:53:58 | |
I'm not a damsel in distress, Ian. | 0:53:58 | 0:54:00 | |
Do you need to stay at mine another couple of nights? | 0:54:02 | 0:54:05 | |
Thank you. | 0:54:08 | 0:54:09 | |
What is it, Arthur? | 0:54:13 | 0:54:14 | |
We've got a bit of a surprise for you, Mrs B. | 0:54:14 | 0:54:17 | |
-What? -Come through. | 0:54:17 | 0:54:19 | |
Oh, I knew you wouldn't like it! | 0:54:26 | 0:54:29 | |
It's only Fats...sorry, Arthur, Arthur said... | 0:54:29 | 0:54:33 | |
Well, he said Battenberg was your favourite and we tried to | 0:54:33 | 0:54:36 | |
follow the recipe, but it just, well, it didn't really work. | 0:54:36 | 0:54:40 | |
I do like it. It's just you didn't use enough jam. | 0:54:40 | 0:54:44 | |
That's all. That's the trick of it, you see. | 0:54:44 | 0:54:47 | |
Still, you've got plenty of time to learn... | 0:54:47 | 0:54:52 | |
since you're living in me house. | 0:54:52 | 0:54:54 | |
Oh, great. Bit of cake. | 0:54:54 | 0:54:55 | |
Missed half the meal | 0:54:55 | 0:54:57 | |
because Miss Hoity Toity here got on her high horse. | 0:54:57 | 0:55:00 | |
That family of yours is falling apart at the seams. | 0:55:00 | 0:55:03 | |
All you can do is sit back and make jokes. | 0:55:03 | 0:55:05 | |
-And it isn't funny. -At least I was here. | 0:55:05 | 0:55:08 | |
You can get out! Go on, get out. | 0:55:08 | 0:55:11 | |
You've stepped into me shoes at the launderette. | 0:55:11 | 0:55:14 | |
You make a pigsty of my house, but I'm back now and I won't stand it. | 0:55:14 | 0:55:17 | |
So you've got your marching orders. | 0:55:17 | 0:55:19 | |
You can pack your bags and you can get out of my house! | 0:55:19 | 0:55:23 | |
Oh, Oscar, will you, please, stop whining? | 0:55:25 | 0:55:29 | |
Your schoolbag's in the front room. | 0:55:29 | 0:55:31 | |
Thank you. | 0:55:34 | 0:55:35 | |
That's your dad's credit card. | 0:55:37 | 0:55:39 | |
For the BTEC Media course you're starting next week. | 0:55:41 | 0:55:43 | |
Do you remember that college you're going to go to? | 0:55:43 | 0:55:45 | |
-Well, you'll need books, won't you? -Is this how it's going to be? | 0:55:45 | 0:55:48 | |
-How what's going to be? -Talking but not talking. | 0:55:48 | 0:55:51 | |
We are talking. | 0:55:51 | 0:55:53 | |
PHONE RINGS | 0:55:53 | 0:55:55 | |
Cup of coffee to take away, please. | 0:56:10 | 0:56:13 | |
No sugar, no disapproving looks. | 0:56:13 | 0:56:14 | |
Ran out of lipstick. Had to buy a new one. | 0:56:16 | 0:56:19 | |
I didn't say anything. | 0:56:21 | 0:56:23 | |
You said plenty. You always do. | 0:56:23 | 0:56:25 | |
How are things? | 0:56:28 | 0:56:29 | |
Well, that's my business, isn't it? | 0:56:29 | 0:56:32 | |
You know where I am. | 0:56:33 | 0:56:34 | |
Cheers. | 0:56:36 | 0:56:38 | |
There you go. | 0:56:42 | 0:56:44 | |
Nice hot cuppa. | 0:56:44 | 0:56:46 | |
-I've decided today is going to be D-Day. -D-Day? | 0:56:46 | 0:56:49 | |
Dot Day. You're going to sit back while I make a big fuss of you. | 0:56:49 | 0:56:53 | |
Oh, no, you're not! I told you you're out of here by today. | 0:56:53 | 0:56:57 | |
DOORBELL RINGS I've got nowhere to go! | 0:56:57 | 0:56:59 | |
Well, you should've thought of that before. | 0:56:59 | 0:57:02 | |
Before you turned my house into a rubbish dump. | 0:57:02 | 0:57:04 | |
Ian! | 0:57:07 | 0:57:08 | |
Welcome home, Dot. | 0:57:08 | 0:57:09 | |
Ian, have a word with her. She can't just throw me out. | 0:57:09 | 0:57:12 | |
She's had fair warning, Ian. | 0:57:12 | 0:57:14 | |
Dot's spoken. | 0:57:15 | 0:57:16 | |
Oh, my aching feet. | 0:57:21 | 0:57:22 | |
-At last. Here you go, start writing. -What's this? | 0:57:22 | 0:57:25 | |
-The wedding invites. I need them done today. -So, do them. -No. | 0:57:25 | 0:57:28 | |
Some of us need to be at the Minute Mart creating a good impression. | 0:57:28 | 0:57:32 | |
-Where's Tamwar? -He's out with Kamil. Here. Start scribbling. | 0:57:32 | 0:57:35 | |
-No Brannings, then? -No. After what they've been up to lately? | 0:57:35 | 0:57:38 | |
I bet everyone's out there talking about it. | 0:57:38 | 0:57:40 | |
I didn't stop to ask. | 0:57:40 | 0:57:42 | |
Anything I can help with? | 0:57:42 | 0:57:44 | |
No, I've got it all covered, thank you. | 0:57:44 | 0:57:45 | |
Yeah, he says that but there's food needs preparing, | 0:57:45 | 0:57:48 | |
the house needs tidying. And, you two, I want it sparkling. | 0:57:48 | 0:57:50 | |
Rashid's coming over. | 0:57:50 | 0:57:52 | |
It's today? | 0:57:54 | 0:57:55 | |
Maybe I'd better help. | 0:57:57 | 0:57:59 | |
-Say cheese. -Cheese! | 0:58:02 | 0:58:05 | |
Aw, there you go. | 0:58:05 | 0:58:07 | |
D'you know, this really ain't studying for your exams, Abs. | 0:58:07 | 0:58:10 | |
I just needed to get out of the house. | 0:58:10 | 0:58:12 | |
I've got my English lit tomorrow and I can't take anything in. | 0:58:12 | 0:58:15 | |
It's like there's this horrible atmosphere there all the time. | 0:58:15 | 0:58:18 | |
Cheers for that. | 0:58:18 | 0:58:20 | |
Someone broke into the Arches last night, | 0:58:20 | 0:58:21 | |
-smashed the lock and everything. -How was she? | 0:58:21 | 0:58:24 | |
She was great. I can watch her for a bit longer if you want. | 0:58:24 | 0:58:26 | |
Ain't got to be at work till later, so... | 0:58:26 | 0:58:28 | |
Nah, I'm going to take her out. | 0:58:28 | 0:58:29 | |
You sure? I really... I don't mind. | 0:58:29 | 0:58:32 | |
How's my girl, eh? How's my girl? | 0:58:32 | 0:58:35 | |
Did you miss Daddy Phil? Did you? | 0:58:35 | 0:58:37 | |
Yeah? | 0:58:37 | 0:58:38 | |
So, you're back on the stall, then? | 0:58:43 | 0:58:45 | |
Like your father and your grandfather before you. | 0:58:45 | 0:58:48 | |
Yeah. | 0:58:48 | 0:58:49 | |
Yeah, I guess it's come full circle, hasn't it? | 0:58:49 | 0:58:52 | |
Look, I really should be getting back. | 0:58:52 | 0:58:54 | |
I only told Denise I'd be a few minutes. | 0:58:54 | 0:58:55 | |
Oh, what a shame. | 0:58:55 | 0:58:57 | |
Still, it's good of Denise, you know, to cover for you. | 0:58:57 | 0:59:00 | |
Well, she owes me. I'm letting her stay at mine at the moment. | 0:59:00 | 0:59:03 | |
-Happy now? -Happier. | 0:59:03 | 0:59:06 | |
-You know I'm homeless. -You made yourself homeless. | 0:59:06 | 0:59:09 | |
Well... | 0:59:09 | 0:59:10 | |
What can I say? | 0:59:10 | 0:59:12 | |
It's been... | 0:59:12 | 0:59:13 | |
..biblical. | 0:59:15 | 0:59:16 | |
Dot, it's great to have you back. | 0:59:20 | 0:59:23 | |
It's a pity that Cora was so irresponsible. | 0:59:23 | 0:59:25 | |
I mean, you'd have thought she'd have known better at her age. | 0:59:25 | 0:59:28 | |
It made me want to turn round and go straight back where I come from. | 0:59:28 | 0:59:31 | |
No, no, no. Not a chance, I am not letting you go again. | 0:59:31 | 0:59:34 | |
Do you think I was right to come back? | 0:59:34 | 0:59:36 | |
Cos now I'm here, I see why I left in the first place. | 0:59:36 | 0:59:40 | |
You mean Joey and Lauren? | 0:59:40 | 0:59:41 | |
Oh, dear, they must be in a state. | 0:59:42 | 0:59:45 | |
-Well, perhaps someone should go round there. -What me? -Well, yeah. | 0:59:45 | 0:59:49 | |
-I wouldn't know what to say. -Look, you've sorted this house out, OK? | 0:59:49 | 0:59:53 | |
So, why don't you go round there and sort that house out? You're Dot. | 0:59:53 | 0:59:57 | |
So have you got any advice on what makes a relationship work? | 1:00:00 | 1:00:04 | |
Er... | 1:00:05 | 1:00:06 | |
Finding a good man. That's about 90% of it. | 1:00:07 | 1:00:10 | |
Denise said it's about being honest, | 1:00:13 | 1:00:16 | |
but sometimes you have to look hard to find the honesty. | 1:00:16 | 1:00:20 | |
She would say that - you haven't met her exes. | 1:00:20 | 1:00:23 | |
To be honest, relationships are about two people clicking. | 1:00:25 | 1:00:28 | |
Like... | 1:00:29 | 1:00:30 | |
two pieces of a jigsaw snapping together perfectly. | 1:00:32 | 1:00:36 | |
I like that. | 1:00:37 | 1:00:38 | |
Did you make it up? | 1:00:39 | 1:00:40 | |
Hi, I forgot my phone. | 1:00:40 | 1:00:42 | |
Regional office said they might call, could be about the job. | 1:00:43 | 1:00:46 | |
I'll be back at lunch time. | 1:00:46 | 1:00:47 | |
I'll... I'll come with you. | 1:00:47 | 1:00:48 | |
Huh, to the Minute Mart? | 1:00:48 | 1:00:50 | |
Yeah, I'll just get changed. Got to post these. | 1:00:50 | 1:00:53 | |
Oh, my little postie, postieman! | 1:00:53 | 1:00:55 | |
He's so adorable sometimes, isn't he? See you! | 1:00:55 | 1:00:58 | |
You're not answering your phone then, no? | 1:01:08 | 1:01:10 | |
I wanted to. | 1:01:11 | 1:01:12 | |
I did. | 1:01:14 | 1:01:15 | |
Look, Lauren, you know, I'd like to hide away an' all. | 1:01:17 | 1:01:21 | |
To have a place where I can just lock everyone out, but I don't. | 1:01:21 | 1:01:25 | |
DOORBELL RINGS | 1:01:25 | 1:01:26 | |
Lauren, there ain't anyone out there you want to talk to, trust me. | 1:01:28 | 1:01:31 | |
BANGING ON DOOR | 1:01:31 | 1:01:32 | |
I'll call you, yeah? | 1:01:35 | 1:01:36 | |
You don't need to. I'm right here, ain't I? | 1:01:36 | 1:01:39 | |
BANGING ON DOOR | 1:01:39 | 1:01:41 | |
Please? | 1:01:41 | 1:01:42 | |
BANGING ON DOOR | 1:01:47 | 1:01:49 | |
Oh, Lauren, I'm so glad you're in. How are you? | 1:01:55 | 1:01:58 | |
I'm so ashamed. | 1:02:00 | 1:02:01 | |
I am so very, very ashamed. | 1:02:01 | 1:02:04 | |
Oh, right. | 1:02:04 | 1:02:05 | |
Well, listen, I need to go get some college books... | 1:02:05 | 1:02:08 | |
No, no. I mean, I'm ashamed of myself. | 1:02:08 | 1:02:11 | |
Cos I should have come back sooner. | 1:02:11 | 1:02:14 | |
I mean, you're Jim's family. | 1:02:14 | 1:02:15 | |
I should've been here, looking after you, caring for you. | 1:02:15 | 1:02:18 | |
Thank you. | 1:02:18 | 1:02:19 | |
Soon, it'll be as if it never happened. | 1:02:21 | 1:02:25 | |
What do you mean? | 1:02:27 | 1:02:28 | |
Time is a great healer, you want to hang onto that. | 1:02:28 | 1:02:33 | |
See, for a minute there, I thought you actually cared. | 1:02:35 | 1:02:37 | |
Oh, I do. I do care. | 1:02:37 | 1:02:40 | |
And I know the root cause of it all. It's the sins of the fathers. | 1:02:40 | 1:02:44 | |
It's visiting the iniquities of the fathers upon the children, | 1:02:44 | 1:02:47 | |
even unto the third and fourth generation. | 1:02:47 | 1:02:50 | |
That's Numbers, chapter 14, verse 18. | 1:02:50 | 1:02:53 | |
Right, well, I need to get on, so... | 1:02:54 | 1:02:57 | |
Look, things like this only make us stronger and wiser. | 1:02:57 | 1:03:03 | |
They show us the paths we should take, | 1:03:03 | 1:03:05 | |
as much as the paths that we shouldn't. | 1:03:05 | 1:03:08 | |
Did you have to hit them speed bumps so hard? | 1:03:12 | 1:03:14 | |
You could've done permanent damage to Denny's neck. Come on, darling. | 1:03:14 | 1:03:17 | |
Well, I tell you what. | 1:03:17 | 1:03:18 | |
Let's run him to the hospital, get him checked out, eh, Denny? | 1:03:18 | 1:03:20 | |
Very funny, very amusing. Right, I'm off to see Lexi. | 1:03:20 | 1:03:23 | |
-So why don't you watch a nice DVD with Jack, yeah? Love you. -See you. | 1:03:23 | 1:03:28 | |
Not in here. | 1:03:38 | 1:03:40 | |
Kim's rules. | 1:03:40 | 1:03:41 | |
Nice touch. | 1:03:42 | 1:03:44 | |
Oh, yeah, more of Kim's rules. | 1:03:44 | 1:03:46 | |
She told me to make the place more welcoming. | 1:03:47 | 1:03:49 | |
That's the sort of welcome I could do with. | 1:03:49 | 1:03:52 | |
Any chance of putting a freebie through the books? | 1:03:52 | 1:03:55 | |
-You've got a home. -Not any more. Long story. | 1:03:55 | 1:03:58 | |
-How about it? -I could. But... -But? | 1:03:58 | 1:04:02 | |
I'm not liking the but, Patrick. | 1:04:02 | 1:04:03 | |
Look, Kim is on the warpath about collecting rent up front. | 1:04:05 | 1:04:09 | |
A few people did a runner, you know. | 1:04:09 | 1:04:11 | |
I can pay on payday. | 1:04:11 | 1:04:12 | |
I just can't do it. I mean, she's checking up every single day. | 1:04:12 | 1:04:15 | |
I mean, it's not my rule. | 1:04:15 | 1:04:17 | |
Lauren. | 1:04:22 | 1:04:23 | |
-Just don't. -Don't what? | 1:04:23 | 1:04:26 | |
Whatever you're going to say, just don't say it. | 1:04:26 | 1:04:28 | |
-I can't just ignore it. -You're going to have to, aren't you? | 1:04:28 | 1:04:30 | |
Have you spoken to Joey? | 1:04:30 | 1:04:32 | |
-Yes. And no. -And? -And what? | 1:04:32 | 1:04:36 | |
And what are you going to do now? | 1:04:36 | 1:04:38 | |
I don't think it's any of your business, Alice. | 1:04:38 | 1:04:40 | |
I'm not judging you. | 1:04:42 | 1:04:43 | |
Ain't you? | 1:04:43 | 1:04:45 | |
It's just hard to get my head round. | 1:04:45 | 1:04:46 | |
Careful! | 1:04:50 | 1:04:51 | |
Sorry. | 1:04:51 | 1:04:53 | |
The Vic's open, innit? | 1:04:53 | 1:04:54 | |
Hope so. I'm due in at 12. | 1:04:54 | 1:04:56 | |
You left these behind. | 1:05:02 | 1:05:04 | |
I still can't believe you're working in here. | 1:05:04 | 1:05:06 | |
Oh...hello. | 1:05:06 | 1:05:09 | |
It's all right, I'll pick my stuff up later. | 1:05:09 | 1:05:11 | |
Listen, I've got to go, I'm a bit busy. | 1:05:11 | 1:05:13 | |
-You're popular. -You'll be in my grave next. | 1:05:15 | 1:05:18 | |
As long as it's rent free. | 1:05:18 | 1:05:19 | |
Another one? | 1:05:38 | 1:05:40 | |
Actually, have you got a bin? | 1:05:40 | 1:05:42 | |
Fill your boots. | 1:05:45 | 1:05:46 | |
Two things, can I have another vodka and coke, | 1:05:55 | 1:05:58 | |
and can you tell people to stop staring at me? | 1:05:58 | 1:06:01 | |
I could just turn off the lights and plunge you into darkness. | 1:06:01 | 1:06:03 | |
Yeah, that could work. | 1:06:03 | 1:06:06 | |
Or I could make you a coffee and hide you out the back. | 1:06:06 | 1:06:09 | |
Excuse me. | 1:06:09 | 1:06:11 | |
Could I have another one of these, please? | 1:06:11 | 1:06:13 | |
You don't want to appear too keen, | 1:06:16 | 1:06:18 | |
but then you don't want to appear too cold, either. | 1:06:18 | 1:06:20 | |
The really important thing, Ayesha, is that you must get what you want | 1:06:20 | 1:06:23 | |
from the man before he gets what he wants. | 1:06:23 | 1:06:27 | |
That is the golden rule. | 1:06:27 | 1:06:28 | |
It lays the foundation for a lifetime of female dominance. | 1:06:28 | 1:06:32 | |
Hey, you took your time. What? Were you hand delivering them? | 1:06:32 | 1:06:36 | |
I got chatting. | 1:06:36 | 1:06:37 | |
Oh, no, you don't. | 1:06:37 | 1:06:38 | |
I've done all the preparation, and now you and Ayesha can finish it off. | 1:06:38 | 1:06:42 | |
You are allowed a lunch break. | 1:06:43 | 1:06:45 | |
No, not when I'm trying for the regional manager's job. | 1:06:45 | 1:06:49 | |
No, I'm not spending my free time with that Dexter, right? | 1:06:55 | 1:06:57 | |
Not tonight, not any night. No. Right? It's a no. | 1:06:57 | 1:07:01 | |
You know the worst thing about love? | 1:07:06 | 1:07:09 | |
We all want it. | 1:07:09 | 1:07:10 | |
But when we get it, it usually goes totally wrong. | 1:07:10 | 1:07:12 | |
Are you trying to be nice? | 1:07:12 | 1:07:14 | |
Well, I don't want you slumped there like that. It's bad for business. | 1:07:14 | 1:07:18 | |
All right, then. I'll go. | 1:07:18 | 1:07:20 | |
I'm only joking. | 1:07:20 | 1:07:21 | |
Of course I'm being nice. Can't help it, I'm a lovely person. | 1:07:23 | 1:07:27 | |
You sure this is a good idea? | 1:07:31 | 1:07:32 | |
We've got to come in sometime, haven't we? | 1:07:32 | 1:07:34 | |
We ain't going to just hide away. | 1:07:34 | 1:07:36 | |
Do you want to get away from my daughter? | 1:07:37 | 1:07:39 | |
-We were just chatting. -Well, the chat's over. | 1:07:39 | 1:07:41 | |
Please, babe, we've had one big scene in here already this week. | 1:07:41 | 1:07:44 | |
-At least she talks to me. -What? | 1:07:44 | 1:07:46 | |
Well, I'm here now. You want a natter, | 1:07:49 | 1:07:50 | |
we'll go home, pop the kettle on and have a little chat, you and me. | 1:07:50 | 1:07:53 | |
-It's too late. -What? | 1:07:53 | 1:07:54 | |
Lauren, your mum's trying her best here. | 1:07:54 | 1:07:56 | |
-Yes, and I don't want it. -I don't think she means it. | 1:07:56 | 1:07:59 | |
Do you want to keep out of this? | 1:07:59 | 1:08:01 | |
Lauren. | 1:08:02 | 1:08:03 | |
Fine. | 1:08:08 | 1:08:10 | |
I'll see you later. We'll talk then. | 1:08:10 | 1:08:12 | |
I was only trying to help. | 1:08:23 | 1:08:24 | |
What you doing? | 1:08:30 | 1:08:31 | |
Ow! | 1:08:31 | 1:08:32 | |
Sorry, Abs. Sorry. | 1:08:32 | 1:08:34 | |
Yeah, so, anyway, Jay wants to go out tonight. | 1:08:35 | 1:08:38 | |
Well, he said, "No." Like a total "no", | 1:08:38 | 1:08:40 | |
but I'm saying "yes" so he'll do as he's told. | 1:08:40 | 1:08:42 | |
Abs, I thought you had an exam? | 1:08:42 | 1:08:45 | |
Well, yeah, if I don't know it all by now, then I never will. | 1:08:45 | 1:08:47 | |
You fancy coming? We're only going to the cafe. | 1:08:47 | 1:08:49 | |
No, ta, don't want to be a tag along. | 1:08:49 | 1:08:52 | |
No, you won't be. I'm inviting Dexter. | 1:08:52 | 1:08:54 | |
Your cousin? I thought you said Jay hated him though. | 1:08:54 | 1:08:56 | |
Well, he can stop hating him. One bad atmosphere's enough. | 1:08:56 | 1:09:00 | |
Oh! | 1:09:01 | 1:09:02 | |
I got a better idea. | 1:09:05 | 1:09:06 | |
So, what do you think? | 1:09:14 | 1:09:15 | |
Lovely. | 1:09:17 | 1:09:18 | |
No, I meant about tonight. He might be the one. | 1:09:20 | 1:09:23 | |
I've only met him the once. And that wasn't as good as it could've been. | 1:09:25 | 1:09:30 | |
Yeah, well, let's just make sure it's different this time, yeah? | 1:09:30 | 1:09:33 | |
Let's hope it all works out. | 1:09:33 | 1:09:35 | |
Steady. | 1:09:41 | 1:09:42 | |
You need to go home. | 1:09:46 | 1:09:48 | |
You were told to stay away from me. | 1:09:48 | 1:09:49 | |
Do I look like someone who does as they're told? | 1:09:49 | 1:09:53 | |
Come on, you must have somewhere you can go. | 1:09:53 | 1:09:56 | |
A friend's. | 1:09:56 | 1:09:57 | |
No. | 1:09:58 | 1:09:59 | |
Look, it's pretty quiet in here, I'll get Tracey to cover for me. | 1:10:01 | 1:10:06 | |
Why would you do that? | 1:10:07 | 1:10:09 | |
Told you, I'm lovely. | 1:10:09 | 1:10:12 | |
Are you going to go on avoiding me every time you see me? | 1:10:16 | 1:10:21 | |
I didn't, Dot. I had things to do. | 1:10:21 | 1:10:22 | |
Jay. | 1:10:24 | 1:10:25 | |
I need to talk about her. | 1:10:27 | 1:10:29 | |
I need to talk about Heather. | 1:10:30 | 1:10:31 | |
Well, it's all been said. | 1:10:34 | 1:10:35 | |
Not to me it hasn't. | 1:10:35 | 1:10:37 | |
It won't change things. | 1:10:37 | 1:10:38 | |
Course it won't. | 1:10:39 | 1:10:41 | |
But it's coming up for a year now. | 1:10:41 | 1:10:43 | |
And I need to know why. | 1:10:45 | 1:10:47 | |
-What really happened that night, Jay? -You know what happened. | 1:10:49 | 1:10:52 | |
No, I don't. Nobody has sat me down, nobody's looked me in the eye, | 1:10:52 | 1:10:55 | |
nobody's told me why. | 1:10:55 | 1:10:57 | |
Do I have to do this? | 1:10:57 | 1:10:58 | |
No. | 1:10:58 | 1:11:00 | |
No, I'm just saying, you know, it might help me. | 1:11:01 | 1:11:04 | |
But, of course, you don't have to do it. | 1:11:04 | 1:11:08 | |
Not if you don't want to. | 1:11:08 | 1:11:10 | |
Two seconds, that was all. | 1:11:10 | 1:11:13 | |
One to pick up the frame and the other to hit her with it. | 1:11:13 | 1:11:17 | |
It was a blur. I could never have stopped him. | 1:11:17 | 1:11:19 | |
Yes, but why? | 1:11:20 | 1:11:23 | |
Why did Ben do it? Why? | 1:11:25 | 1:11:28 | |
Ben thought that Heather was the one who grassed him up. | 1:11:28 | 1:11:31 | |
And she wasn't. He lost his temper and I should have grabbed him | 1:11:31 | 1:11:34 | |
but I just couldn't get there. | 1:11:34 | 1:11:36 | |
I mean, it's all I think about. | 1:11:36 | 1:11:38 | |
What if she'd been further away from him, | 1:11:38 | 1:11:41 | |
or what if he'd had to reach further to get the frame? | 1:11:41 | 1:11:43 | |
I mean it's fractions, innit? | 1:11:43 | 1:11:45 | |
That's all it is. Just fractions. | 1:11:45 | 1:11:47 | |
And I failed her, Dot. I let Heather down. | 1:11:48 | 1:11:51 | |
-No, course you didn't. -Look, can I go now? | 1:11:51 | 1:11:55 | |
Only I know you're going to hate me but I just can't do this. | 1:11:55 | 1:11:57 | |
I don't hate you. I feel sorry for you, cos you've all suffered. | 1:11:57 | 1:12:01 | |
And I'm very sorry that I've had to bring it all back to you. | 1:12:01 | 1:12:06 | |
But we have to remember Heather, you know, in a good way. | 1:12:06 | 1:12:12 | |
We've got to remember her for all the good things | 1:12:12 | 1:12:15 | |
that made her what she was. | 1:12:15 | 1:12:16 | |
What happened weren't your fault, Jay. | 1:12:18 | 1:12:21 | |
Have you booked me a room or something? Cos I do have the money. | 1:12:25 | 1:12:28 | |
Yeah, well, save it. But not for booze. | 1:12:28 | 1:12:32 | |
Still don't understand why you're doing this. | 1:12:32 | 1:12:34 | |
You get any of my calls? | 1:12:39 | 1:12:40 | |
My phone was off. | 1:12:40 | 1:12:43 | |
You like this with your customers? | 1:12:44 | 1:12:47 | |
Mum, I'm not in the mood. | 1:12:47 | 1:12:48 | |
You're going to have to be. I'm homeless. | 1:12:48 | 1:12:51 | |
What? What have you done now? | 1:12:51 | 1:12:52 | |
It's Dot, she's weird. I need my space. | 1:12:52 | 1:12:55 | |
Which is your way of saying she's kicked you out, again. | 1:12:55 | 1:12:59 | |
Tomato. AMERICAN PRONUNCIATION: Tomato. | 1:12:59 | 1:13:02 | |
I don't know how this my problem. | 1:13:02 | 1:13:03 | |
Right. | 1:13:10 | 1:13:12 | |
So you've done this before, yeah? | 1:13:12 | 1:13:13 | |
Yeah. | 1:13:13 | 1:13:14 | |
This might be more your thing, you see. | 1:13:15 | 1:13:18 | |
But whatever you do, you must not tell your mum. All right? | 1:13:18 | 1:13:23 | |
Don't tell your mum. | 1:13:23 | 1:13:24 | |
Come on, then. | 1:13:25 | 1:13:26 | |
Come on, then. | 1:13:27 | 1:13:28 | |
-Oh! -Jack? | 1:13:32 | 1:13:35 | |
That's what I'm talking about. | 1:13:37 | 1:13:39 | |
You got me in a fight, didn't you? | 1:13:39 | 1:13:41 | |
You got me! | 1:13:41 | 1:13:42 | |
-I saw Lauren earlier. -Yeah, me too. | 1:13:44 | 1:13:47 | |
-She seemed a bit... -I know. | 1:13:47 | 1:13:49 | |
I wish you'd told me about you two. | 1:13:50 | 1:13:52 | |
Come off it, Alice. You've seen how everyone reacted. | 1:13:52 | 1:13:56 | |
-How did it start? -Alice, please. | 1:13:56 | 1:13:59 | |
You've got your pick of girls, Joey. | 1:13:59 | 1:14:01 | |
And I picked her. All right? | 1:14:01 | 1:14:03 | |
I've fallen for her, Al. | 1:14:05 | 1:14:07 | |
Look, I didn't want to, I didn't go looking for it, but... | 1:14:07 | 1:14:11 | |
..I can't hide from it, can I? | 1:14:14 | 1:14:16 | |
It sounds like you're in love. | 1:14:17 | 1:14:19 | |
Yeah. | 1:14:19 | 1:14:21 | |
Yeah, might be. | 1:14:21 | 1:14:23 | |
You've finally found someone? | 1:14:24 | 1:14:26 | |
OK, well, there's issues... | 1:14:31 | 1:14:34 | |
but it's not wrong. | 1:14:34 | 1:14:37 | |
If you're happy, then I'm happy. | 1:14:37 | 1:14:41 | |
You don't want to run outside and tell everyone else that, do you? | 1:14:45 | 1:14:48 | |
Never know, they might listen to you. | 1:14:48 | 1:14:50 | |
All right? | 1:14:52 | 1:14:53 | |
You look different. | 1:14:53 | 1:14:54 | |
Different? What, different in a good way or a bad way? | 1:14:54 | 1:14:56 | |
A good way, obviously. | 1:14:56 | 1:14:58 | |
Nice one, Abi. | 1:14:58 | 1:15:00 | |
-No, it'll be fine, I promise. -You all right? | 1:15:00 | 1:15:03 | |
-You all right with this? -Are you? | 1:15:06 | 1:15:09 | |
I tell you what. I'll say it for both of you. | 1:15:09 | 1:15:11 | |
Yeah, you're all right with it. You boys happy now? | 1:15:11 | 1:15:15 | |
Well? | 1:15:15 | 1:15:16 | |
No problems here. | 1:15:18 | 1:15:20 | |
Hi. She's just through here. | 1:15:22 | 1:15:24 | |
Hello. | 1:15:24 | 1:15:27 | |
-Hey! -Hi. | 1:15:27 | 1:15:29 | |
She looks amazing, doesn't she? | 1:15:29 | 1:15:31 | |
-Yeah. -Incredible, right? | 1:15:31 | 1:15:34 | |
-She does. -Rashid, would you like to have some dinner? | 1:15:34 | 1:15:39 | |
That would be great. | 1:15:39 | 1:15:40 | |
-You do all this? -Yeah, she did. She's an amazing cook. And she's... | 1:15:41 | 1:15:45 | |
Yeah. | 1:15:45 | 1:15:46 | |
-What are you doing? -Trying to make it work. -It's fine! | 1:15:48 | 1:15:51 | |
Thanks. But you should stay well away. | 1:15:57 | 1:16:02 | |
We're not a family people usually get involved with. | 1:16:02 | 1:16:05 | |
Bit difficult when I'm your stepmum. | 1:16:07 | 1:16:08 | |
You might regret that. | 1:16:09 | 1:16:11 | |
We can't go one day without a crisis. I'm serious. | 1:16:13 | 1:16:17 | |
I've ran over my dad once, and the worst thing about that is, | 1:16:17 | 1:16:21 | |
it's not even the worst thing that's happened to us. | 1:16:21 | 1:16:25 | |
Now you put it like that. | 1:16:25 | 1:16:26 | |
I'm amazed we're all still together. | 1:16:27 | 1:16:29 | |
Sometimes, I do think we'd get on better if we weren't. | 1:16:30 | 1:16:34 | |
Yeah, well, I don't do the family thing. | 1:16:34 | 1:16:37 | |
Left home as soon as I could. | 1:16:37 | 1:16:39 | |
But don't go getting any ideas. It didn't make anything any better. | 1:16:39 | 1:16:43 | |
Not that anything could, really. | 1:16:44 | 1:16:46 | |
Stepmother sounds weird. | 1:16:46 | 1:16:48 | |
It feels weirder. | 1:16:48 | 1:16:50 | |
Are you still going to try and take my dad away? | 1:16:50 | 1:16:53 | |
-You're blunt when you want to be. -I'm just saying. | 1:16:53 | 1:16:57 | |
Are you? Cos I might come with you. | 1:16:57 | 1:16:59 | |
I should call Max. | 1:17:00 | 1:17:01 | |
No, wait, I didn't mean that, did I? I'm just mouthing off. | 1:17:01 | 1:17:06 | |
Oscar! Your dinner's ready! | 1:17:10 | 1:17:11 | |
Looks good. | 1:17:17 | 1:17:18 | |
Do you know, just once, I'd like to get it right. | 1:17:21 | 1:17:23 | |
You know, I'd like to have us all here, sitting there, having dinner, | 1:17:23 | 1:17:27 | |
having a laugh, having a chat. | 1:17:27 | 1:17:30 | |
Well, it's not all your fault, is it? | 1:17:30 | 1:17:32 | |
I'm not getting it sorted, though, am I? | 1:17:32 | 1:17:34 | |
That's what mums are supposed to do. | 1:17:34 | 1:17:36 | |
PHONE RINGS | 1:17:36 | 1:17:37 | |
Sorry. | 1:17:39 | 1:17:41 | |
Is it Lauren? | 1:17:41 | 1:17:42 | |
Er, yeah. | 1:17:42 | 1:17:43 | |
Let me talk to her. | 1:17:45 | 1:17:46 | |
You all right, Lauren? | 1:17:46 | 1:17:48 | |
Right, well, where are you? | 1:17:48 | 1:17:49 | |
No, that's all right, I'll come and get you. | 1:17:52 | 1:17:54 | |
Where is she? | 1:17:54 | 1:17:56 | |
She's in the Vic. | 1:17:57 | 1:17:58 | |
-Right, I'll get my coat. -No, she only wants me. | 1:17:58 | 1:18:00 | |
-Oh. -Sorry, babe... | 1:18:01 | 1:18:04 | |
I'll only be five minutes. | 1:18:04 | 1:18:06 | |
So, hold on a minute, your sister's shacked up with your cousin? | 1:18:14 | 1:18:17 | |
No. Well... Well, maybe. | 1:18:17 | 1:18:21 | |
And you're, like, adopted, or something. | 1:18:21 | 1:18:25 | |
And you were in a home. | 1:18:25 | 1:18:26 | |
Makes me almost normal. | 1:18:28 | 1:18:30 | |
Who wants to be normal, though? | 1:18:30 | 1:18:31 | |
Yeah, you'll have to think up a crazy story to fit in round here. | 1:18:31 | 1:18:34 | |
Well, I'm normal and proud. | 1:18:34 | 1:18:36 | |
No, you're Abi-normal. | 1:18:36 | 1:18:37 | |
Can I have a pasty and a tea to take out? | 1:18:39 | 1:18:42 | |
Do you know him? | 1:18:42 | 1:18:43 | |
You could say that. | 1:18:43 | 1:18:45 | |
Dexter talked him into doing some work in the Arches. | 1:18:45 | 1:18:48 | |
Well, sort of. | 1:18:48 | 1:18:49 | |
He don't let anyone talk him into anything. | 1:18:49 | 1:18:51 | |
He just ain't met me yet. Is that his kid? | 1:18:51 | 1:18:54 | |
Why, don't you like kids? | 1:18:55 | 1:18:56 | |
I love kids. It's parents that do my head in. | 1:18:56 | 1:18:59 | |
Even me? She's mine. | 1:19:01 | 1:19:02 | |
-You had a kid with him? -No! -Really? -Are you mad? | 1:19:03 | 1:19:08 | |
That's really your kid? Nah, you're winding me up. | 1:19:08 | 1:19:12 | |
-No, I ain't. -No? | 1:19:12 | 1:19:14 | |
No, and you don't need to look so shocked either. | 1:19:14 | 1:19:16 | |
-I'm not. -Yeah, but you are. | 1:19:16 | 1:19:18 | |
-Sorry, Cora, we're full. -Lucky I booked. | 1:19:27 | 1:19:30 | |
I didn't see your name anywhere. | 1:19:30 | 1:19:31 | |
Tanya done it. It's all paid for. Do you do breakfast in bed? | 1:19:31 | 1:19:35 | |
Linford Christie suite. Upstairs. | 1:19:37 | 1:19:41 | |
Catch you later. | 1:19:41 | 1:19:43 | |
KNOCK AT DOOR | 1:19:44 | 1:19:46 | |
-Mm? -You all right, Patrick? -Yeah. -Was that Cora? | 1:19:46 | 1:19:51 | |
It was indeed. Linford Christie suite. | 1:19:51 | 1:19:53 | |
She left something. Am I all right to pop up, yeah? | 1:19:53 | 1:19:56 | |
Yeah, no problem at all, man. Be my guest. | 1:19:56 | 1:19:58 | |
Oh, look at him. What a lovely boy. | 1:19:58 | 1:20:02 | |
You know, your dad was one of Aunty Dot's favourite people. | 1:20:02 | 1:20:05 | |
Yes. | 1:20:05 | 1:20:07 | |
Yes, he was a real gentleman. | 1:20:07 | 1:20:09 | |
And you're going to grow up just like him. | 1:20:09 | 1:20:12 | |
-Here's to you, Dot. -Thank you, Jack. | 1:20:13 | 1:20:15 | |
Lovely having you back. | 1:20:15 | 1:20:17 | |
Only warm milk for you, mate, I'm afraid. | 1:20:17 | 1:20:19 | |
It's time for bed for you, mister. Come on, I'll read you a story, yeah? | 1:20:19 | 1:20:23 | |
Can't Jack do it? He bought me a new book. | 1:20:23 | 1:20:25 | |
Yeah, cowboys and Indians. | 1:20:25 | 1:20:28 | |
Oh, he doesn't really like that sort of thing, babe. | 1:20:28 | 1:20:31 | |
He chose it. Didn't you? That's all right, isn't it? | 1:20:31 | 1:20:35 | |
Yeah, yeah. Course. Course. | 1:20:35 | 1:20:37 | |
KNOCK AT DOOR | 1:20:37 | 1:20:39 | |
-It's pokey in here, innit? -Big enough. | 1:20:54 | 1:20:57 | |
-Lauren, let's go, shall we? -No, Dad, I want to stay here. | 1:20:57 | 1:21:02 | |
-You ain't staying. Let's go, please. -All right, she's getting there. | 1:21:02 | 1:21:05 | |
-I thought you were told to keep out of it. -Dad, she's being nice to me. | 1:21:05 | 1:21:08 | |
-That's me Max, nice as pie. -Is that right? | 1:21:08 | 1:21:11 | |
You should know, you married me. | 1:21:11 | 1:21:13 | |
You know where I am if you ever need to get away. | 1:21:20 | 1:21:23 | |
-Really? -Door's always open. | 1:21:23 | 1:21:25 | |
So, tell me, what are you looking for in a man? | 1:21:33 | 1:21:36 | |
The missing piece. | 1:21:39 | 1:21:41 | |
-Sorry? -Of a jigsaw. | 1:21:41 | 1:21:43 | |
How's it going? | 1:21:45 | 1:21:47 | |
Er, OK. I think. | 1:21:49 | 1:21:50 | |
A jigsaw piece. Someone who fits us perfectly. | 1:21:50 | 1:21:54 | |
Didn't you say that to me once? | 1:21:54 | 1:21:55 | |
-What do you think? Is he the one for her? -It's too early to say. | 1:21:56 | 1:22:00 | |
Maybe we should do something, make sure it really works. | 1:22:00 | 1:22:03 | |
-OK, you're keen. -I just... -What? -I just want her to be happy. | 1:22:03 | 1:22:07 | |
Remember, not a word about where you were, all right? | 1:22:14 | 1:22:18 | |
Well, that took longer than five minutes, didn't it? | 1:22:18 | 1:22:20 | |
Oh, yeah, I was trying to walk her sober, wasn't I? | 1:22:20 | 1:22:23 | |
Yeah. Just walking me round. | 1:22:23 | 1:22:25 | |
Oh, right, you talking to me now, are you? | 1:22:25 | 1:22:27 | |
-Where did you go? -Sorry? | 1:22:33 | 1:22:36 | |
To walk her round. Where did you go? | 1:22:36 | 1:22:38 | |
Only I was looking out the window, I didn't see you. | 1:22:38 | 1:22:41 | |
Well, you know me. Keep to the shadows, don't I? | 1:22:41 | 1:22:44 | |
-Lauren. -Yeah? | 1:22:59 | 1:23:01 | |
No, it's all right. Nothing. | 1:23:04 | 1:23:06 | |
Hey! Ow... | 1:23:12 | 1:23:14 | |
Kat, we've got an injury, man down! | 1:23:14 | 1:23:16 | |
-Sorry? -Sweetheart, you might have to phone an ambulance. | 1:23:18 | 1:23:21 | |
-Did you just...? -Unless, of course, you can kiss it better for me. | 1:23:21 | 1:23:25 | |
There. | 1:23:26 | 1:23:27 | |
-You all right, babe? Oscar's ready. -Good, good. | 1:23:54 | 1:23:57 | |
Ugh... What a week, eh? One thing after the other, innit? | 1:23:57 | 1:24:01 | |
Tell me about it. | 1:24:01 | 1:24:03 | |
You had the bed, now meet the breakfast. | 1:24:05 | 1:24:08 | |
There must be somewhere you can squeeze me in tonight. | 1:24:10 | 1:24:13 | |
Cora, I wish I could. But we are fully booked. | 1:24:13 | 1:24:15 | |
I mean, there must be somewhere you can go, huh? | 1:24:15 | 1:24:18 | |
Why don't you get lost? Then I could have your room. | 1:24:21 | 1:24:25 | |
-I'm sure you'd love that. -Oh, yeah, I do. | 1:24:25 | 1:24:27 | |
There ain't nothing for you here, girl. | 1:24:27 | 1:24:29 | |
DOOR OPENS | 1:24:39 | 1:24:41 | |
DOOR SLAMS | 1:24:42 | 1:24:45 | |
You all right, babe? | 1:24:45 | 1:24:46 | |
Cor - Oscar's new teacher, bit strict, ain't she? | 1:24:46 | 1:24:50 | |
I was two minutes late, she started giving me dirty looks. | 1:24:50 | 1:24:52 | |
-You know when Lauren called you from the Vic. -Yeah? -Was she on her own? | 1:24:52 | 1:24:56 | |
Er...yeah. Why? | 1:24:56 | 1:24:59 | |
Just hate to think of her sitting there all alone. | 1:24:59 | 1:25:01 | |
It's all right. Don't worry, I got round there pretty sharpish. | 1:25:01 | 1:25:04 | |
Did anyone say anything to her about Joey? | 1:25:04 | 1:25:06 | |
Well, I didn't stop to find out - | 1:25:06 | 1:25:08 | |
I went straight in, dragged her out and took her for a walk. So... | 1:25:08 | 1:25:11 | |
Better make a move. See you later. | 1:25:11 | 1:25:13 | |
Bye. | 1:25:13 | 1:25:14 | |
Well? | 1:25:18 | 1:25:21 | |
What? | 1:25:21 | 1:25:22 | |
Rashid. Is he the one? | 1:25:22 | 1:25:25 | |
It's early days still. | 1:25:25 | 1:25:26 | |
I heard what you said... | 1:25:26 | 1:25:29 | |
about two pieces of a jigsaw clicking together. | 1:25:29 | 1:25:32 | |
-Do you know Masood said the exact same thing to me once. -Really? -Mm. | 1:25:32 | 1:25:36 | |
So? | 1:25:37 | 1:25:38 | |
Well, he's nice. I liked him. | 1:25:40 | 1:25:42 | |
Ah, you'll be seeing him again? | 1:25:42 | 1:25:44 | |
Tonight actually. I just got a text from him. | 1:25:45 | 1:25:49 | |
Tonight?! Oh, it must be written in the stars! | 1:25:49 | 1:25:52 | |
They'll bring everyone... | 1:25:52 | 1:25:53 | |
Masood, I'm going to marry everyone off. | 1:25:53 | 1:25:56 | |
Well, I'm not writing any more invites. | 1:25:56 | 1:25:58 | |
Listen, Mr Grumpy. | 1:25:58 | 1:25:59 | |
I am so thrilled for you. | 1:26:00 | 1:26:02 | |
Yes? | 1:26:15 | 1:26:16 | |
Um, I-I was looking for Cora. Is she in? | 1:26:16 | 1:26:19 | |
Oh, no, she's long gone. | 1:26:19 | 1:26:22 | |
Oh. All right, then. All right, thanks. | 1:26:22 | 1:26:25 | |
If I see her, may I say who called? | 1:26:25 | 1:26:28 | |
Um... | 1:26:28 | 1:26:30 | |
I'm actually her grandson. | 1:26:30 | 1:26:32 | |
Her grandson? | 1:26:32 | 1:26:33 | |
Oh. Ooh, I say. | 1:26:35 | 1:26:37 | |
All right, um...thanks anyway, yeah? | 1:26:39 | 1:26:41 | |
Wait. Have you got a name? | 1:26:41 | 1:26:44 | |
-Dexter. -Dexter. | 1:26:44 | 1:26:47 | |
KNOCK ON DOOR | 1:26:55 | 1:26:56 | |
Alfie up here? | 1:26:58 | 1:27:00 | |
No. | 1:27:00 | 1:27:02 | |
Well, can you sign for a delivery, then? He's in a hurry. | 1:27:02 | 1:27:06 | |
Oh, um...just sign it and pretend you're me, yeah? | 1:27:06 | 1:27:09 | |
But that might look weird, me coming up here to fetch you | 1:27:09 | 1:27:11 | |
and going back down and telling him I was you all along. | 1:27:11 | 1:27:13 | |
Just go and get Alfie, OK?! | 1:27:13 | 1:27:16 | |
But that's what I was doing. | 1:27:16 | 1:27:18 | |
I'm sorry. I'm sorry. | 1:27:18 | 1:27:20 | |
ROXY SIGHS | 1:27:20 | 1:27:22 | |
He called me "Kat" before. | 1:27:25 | 1:27:27 | |
-Ouch. -He didn't even notice. | 1:27:29 | 1:27:31 | |
Exes. They always leave a stain. | 1:27:33 | 1:27:36 | |
Yeah, she's left a bit more than a stain, hasn't she? | 1:27:36 | 1:27:39 | |
-You know what I'd do? -All suggestions very welcome. | 1:27:39 | 1:27:42 | |
I wouldn't hide up here. | 1:27:42 | 1:27:43 | |
I'd make sure he knows I'm around every second of every day. | 1:27:43 | 1:27:47 | |
He'll soon forget her, then. | 1:27:47 | 1:27:48 | |
I'll swap you this for your dad's credit card. | 1:27:58 | 1:28:01 | |
It's on the table. | 1:28:01 | 1:28:03 | |
Oh, right. | 1:28:03 | 1:28:04 | |
There you go. | 1:28:06 | 1:28:08 | |
You just going to sit there all day, are you? | 1:28:09 | 1:28:12 | |
Maybe. It's not like you're doing anything. | 1:28:12 | 1:28:14 | |
I've taken the day off - Lola and Poppy can cope. | 1:28:14 | 1:28:17 | |
It hurt, you know. | 1:28:18 | 1:28:21 | |
You calling your dad instead of me. | 1:28:21 | 1:28:23 | |
Mum, it's not like we were getting on. | 1:28:23 | 1:28:25 | |
Well, I still worry about you, don't I? | 1:28:25 | 1:28:28 | |
I mean, I was worried when it took him so long to bring you home. | 1:28:28 | 1:28:32 | |
So he found you straightaway, did he? | 1:28:32 | 1:28:34 | |
I'd barely hung up and he was there. | 1:28:34 | 1:28:36 | |
Drink your drink. | 1:28:40 | 1:28:41 | |
Come on, work! | 1:28:48 | 1:28:50 | |
Hold on! | 1:28:50 | 1:28:51 | |
If you treat them machines right, they'll treat you right. | 1:28:51 | 1:28:55 | |
They ain't alive, Dot. | 1:28:55 | 1:28:57 | |
Yes, well, show some respect. | 1:28:57 | 1:28:59 | |
Here you are. You'd better inform people of your new address. | 1:28:59 | 1:29:02 | |
Maybe I already have. | 1:29:02 | 1:29:04 | |
Oh, so you've got somewhere already? | 1:29:04 | 1:29:06 | |
Luckily enough, I have a daughter who cares very deeply for me. | 1:29:06 | 1:29:09 | |
Huh. She'll learn. | 1:29:09 | 1:29:11 | |
Oh, talking of family, your grandson was looking for you. | 1:29:11 | 1:29:16 | |
-How was he? -Ooh, I was too shocked to ask. | 1:29:16 | 1:29:19 | |
I mean, you kept that one close to your chest. | 1:29:19 | 1:29:22 | |
Did you tell him where I am? | 1:29:22 | 1:29:23 | |
It ain't my business to, Cora. | 1:29:23 | 1:29:25 | |
Here, this place has gone downhill. | 1:29:27 | 1:29:30 | |
Got your message. | 1:29:32 | 1:29:34 | |
You wanted to see me? | 1:29:34 | 1:29:36 | |
-You didn't have to come all this way. -It's my lunch hour. | 1:29:36 | 1:29:39 | |
Dexter's doing a half day at that garage | 1:29:39 | 1:29:41 | |
and he needed something, so I thought I'd kill two birds. | 1:29:41 | 1:29:44 | |
What did you want? | 1:29:44 | 1:29:46 | |
To say hello, see how you are. | 1:29:47 | 1:29:49 | |
Is it money? | 1:29:52 | 1:29:53 | |
Ooh! | 1:29:54 | 1:29:56 | |
That's hurtful. | 1:29:56 | 1:29:57 | |
Do I have to keep guessing or are you going to come out with it? | 1:29:57 | 1:30:00 | |
OK, if... | 1:30:00 | 1:30:02 | |
if you put it like that, it's pretty simple, really. | 1:30:02 | 1:30:05 | |
How do you fancy me coming to live with you? | 1:30:06 | 1:30:09 | |
SHE LAUGHS | 1:30:09 | 1:30:10 | |
Too much? | 1:30:21 | 1:30:22 | |
Er, you're probably asking the wrong person. | 1:30:24 | 1:30:27 | |
It's what men like, though. | 1:30:27 | 1:30:29 | |
Well, some men. | 1:30:29 | 1:30:31 | |
-OK, here you go. -What's this? | 1:30:31 | 1:30:33 | |
-Shopping. Bits and pieces. -I've got to be at work in a minute! | 1:30:33 | 1:30:36 | |
Perfect. Then you'll be passing the shops, won't you? | 1:30:36 | 1:30:38 | |
My feet aren't what they used to be, you know. | 1:30:38 | 1:30:41 | |
Someone expecting a kiss later? | 1:30:41 | 1:30:43 | |
I-I-I was just trying it on. | 1:30:43 | 1:30:45 | |
Oh, it's perfectly normal. | 1:30:45 | 1:30:47 | |
I-I wouldn't, though. | 1:30:48 | 1:30:50 | |
Kiss him, I mean. I-I-I wouldn't dream of it. | 1:30:50 | 1:30:53 | |
But you like him? | 1:30:53 | 1:30:54 | |
Yeah, but... | 1:30:54 | 1:30:55 | |
Yes? | 1:30:55 | 1:30:57 | |
I-I-I never... | 1:30:57 | 1:30:59 | |
I've never gone that far. | 1:31:00 | 1:31:02 | |
Really? | 1:31:02 | 1:31:03 | |
I wanted to say how sorry I am. | 1:31:11 | 1:31:13 | |
Nice timing. | 1:31:16 | 1:31:17 | |
You get kicked out of your house at the exact same time | 1:31:19 | 1:31:22 | |
you want to turn over a new leaf. | 1:31:22 | 1:31:25 | |
Remarkable. | 1:31:25 | 1:31:26 | |
It's from the heart. | 1:31:26 | 1:31:28 | |
I'm sure it is but you got it the wrong way round. | 1:31:29 | 1:31:32 | |
The apology should've come first. | 1:31:32 | 1:31:33 | |
I wanted to be upfront. Honest. | 1:31:33 | 1:31:37 | |
Nice try. | 1:31:38 | 1:31:40 | |
But it's too quick for any of that. | 1:31:40 | 1:31:42 | |
I hardly know you. | 1:31:43 | 1:31:45 | |
We could get to know each other. | 1:31:45 | 1:31:47 | |
Cheers. | 1:31:50 | 1:31:51 | |
This, this could bring us closer together. | 1:31:53 | 1:31:56 | |
The best I can offer is I've got a new job close by. | 1:32:02 | 1:32:06 | |
So, who knows? | 1:32:06 | 1:32:07 | |
If you're good, you MIGHT get to see a bit more of us. | 1:32:07 | 1:32:12 | |
What do you think? | 1:32:17 | 1:32:18 | |
So you don't believe Max or Lauren? | 1:32:18 | 1:32:20 | |
No. No, they're hiding something. | 1:32:20 | 1:32:23 | |
He's covering for something | 1:32:23 | 1:32:25 | |
and she's now covering for whatever he was covering. | 1:32:25 | 1:32:27 | |
Right. Well, I think I get that. | 1:32:27 | 1:32:29 | |
Kirsty called, I know that cos I saw it on his received call list. | 1:32:29 | 1:32:33 | |
Then he's gone to her, | 1:32:33 | 1:32:34 | |
then somehow or other, later on, he's pitched up at home with Lauren. | 1:32:34 | 1:32:37 | |
But, in between that, there are these precious moments I can't account for. | 1:32:37 | 1:32:41 | |
Well, was there only one call from her? | 1:32:41 | 1:32:43 | |
Yeah, only one that I know about. | 1:32:43 | 1:32:45 | |
You see, I can't say anything cos he's going to know I've been snooping. | 1:32:45 | 1:32:48 | |
-Which you were, Tan. -Mm. | 1:32:48 | 1:32:51 | |
Oh, come on, you must have a little look at Jack's phone now and then. | 1:32:51 | 1:32:54 | |
-No! -No? -No. | 1:32:54 | 1:32:56 | |
Really? Well, he probably has a little look at yours. | 1:32:56 | 1:32:59 | |
He's an ex-copper, ain't he? He knows how to find these things out. | 1:32:59 | 1:33:02 | |
Well, no, he's got no reason to. | 1:33:02 | 1:33:04 | |
I mean, neither of us have. | 1:33:04 | 1:33:06 | |
But, Tan, you really need to speak to Max about this. | 1:33:06 | 1:33:10 | |
I can't. I can't. | 1:33:10 | 1:33:12 | |
If I'm wrong, he'll go crazy. | 1:33:12 | 1:33:14 | |
Yeah, and you're going crazy now. | 1:33:14 | 1:33:16 | |
So talk to him. | 1:33:16 | 1:33:18 | |
That was one LONG English Lit exam. | 1:33:20 | 1:33:21 | |
Spent half of it wondering what to write. | 1:33:21 | 1:33:23 | |
I won't be going out to celebrate. | 1:33:23 | 1:33:25 | |
Shame, could've asked Phil and he could've ruined another night. | 1:33:25 | 1:33:28 | |
Well, that was you, not him. | 1:33:28 | 1:33:29 | |
Yeah, but if he hadn't come in when he did... | 1:33:29 | 1:33:31 | |
Dexter didn't care. | 1:33:31 | 1:33:32 | |
-Course he did, Scabs. -No, you just read him wrong. | 1:33:32 | 1:33:35 | |
Oh, really? | 1:33:35 | 1:33:36 | |
Oh, go over, say hello. | 1:33:36 | 1:33:38 | |
You all right, you lot? | 1:33:38 | 1:33:39 | |
Yeah! Could be better, could be worse, you know. | 1:33:39 | 1:33:42 | |
Yeah, go on. No, man, I've just been doing a bit of work. | 1:33:43 | 1:33:46 | |
-Well, what did that achieve? -He can find other friends. | 1:33:46 | 1:33:49 | |
-Well, go after him. -No, I'm not going after... Abi! | 1:33:49 | 1:33:52 | |
Dexter! | 1:33:52 | 1:33:53 | |
Yeah? | 1:33:53 | 1:33:55 | |
Er, that was Abi, not me. | 1:33:55 | 1:33:56 | |
DEXTER LAUGHS OK. | 1:33:56 | 1:33:59 | |
Um...she seems to think I fancy you but I don't. | 1:33:59 | 1:34:02 | |
Yeah, that's cool. | 1:34:02 | 1:34:03 | |
"Cool"? | 1:34:03 | 1:34:04 | |
Yeah. | 1:34:04 | 1:34:06 | |
I mean, friends I can deal with, but girlfriends? | 1:34:06 | 1:34:08 | |
-I need my freedom, babe. -Oh, right. | 1:34:08 | 1:34:11 | |
So what do friends do round here? | 1:34:11 | 1:34:15 | |
One sec, yeah? | 1:34:15 | 1:34:16 | |
ABI MOUTHS | 1:34:18 | 1:34:19 | |
I was looking for you, Nan. | 1:34:19 | 1:34:21 | |
Well, here I am. | 1:34:21 | 1:34:22 | |
Look, I just wanted to say sorry for the other day. | 1:34:22 | 1:34:24 | |
I proper didn't mean to get you in trouble, you know. | 1:34:24 | 1:34:27 | |
Don't worry about it, me and your mum are talking. | 1:34:27 | 1:34:29 | |
Oh, oh right. Cool. | 1:34:29 | 1:34:30 | |
I hope so. Early days yet... | 1:34:30 | 1:34:33 | |
but it might well be "cool". | 1:34:33 | 1:34:35 | |
THEY BOTH LAUGH | 1:34:35 | 1:34:36 | |
All right. | 1:34:36 | 1:34:37 | |
SHE MOUTHS | 1:34:39 | 1:34:40 | |
Everyone's happy. Come on. | 1:34:46 | 1:34:49 | |
My first kiss was a poster of Santosh Kumar. | 1:34:52 | 1:34:57 | |
And all I've thought ever since was, "I bet he tastes of paper." | 1:34:57 | 1:35:01 | |
SHE LAUGHS | 1:35:01 | 1:35:03 | |
M-Maybe I'm getting ahead of myself. Maybe I should just wait. | 1:35:03 | 1:35:06 | |
Are you crazy? | 1:35:06 | 1:35:08 | |
If you leave it any longer, your lips'll dry up. | 1:35:08 | 1:35:10 | |
Tell her, Masood. Tell her she has to kiss Rashid. | 1:35:10 | 1:35:13 | |
Is-isn't that up to Ayesha? | 1:35:13 | 1:35:15 | |
Well, of course it is. But that is what she should do. | 1:35:15 | 1:35:18 | |
# Da-da-da, da-da-da... # | 1:35:24 | 1:35:26 | |
Oh, sorry, Cora, we're still fully booked. No cancellations yet. | 1:35:26 | 1:35:31 | |
I've never been so popular(!) | 1:35:31 | 1:35:33 | |
First Dot, then you and now Ava. | 1:35:33 | 1:35:36 | |
Wha...? You've seen Ava? | 1:35:36 | 1:35:38 | |
And Dexter. | 1:35:38 | 1:35:39 | |
Ah. So what does it feel like, having another grandchild? | 1:35:39 | 1:35:44 | |
As long as he don't want to date Abi, I'll be happy. | 1:35:44 | 1:35:48 | |
You don't mind, do you? | 1:35:48 | 1:35:50 | |
DOOR CLOSES | 1:35:53 | 1:35:54 | |
Hello. | 1:36:02 | 1:36:03 | |
What's all this? You retired or something? | 1:36:04 | 1:36:07 | |
No, I just fancied seeing you, didn't I? | 1:36:07 | 1:36:09 | |
Well, I can understand that. | 1:36:11 | 1:36:13 | |
Do you want some wine? | 1:36:13 | 1:36:15 | |
-Er, yeah, go on. -Yeah? | 1:36:16 | 1:36:18 | |
Well, we should do lunch more often. | 1:36:18 | 1:36:20 | |
Yeah, we should, shouldn't we? | 1:36:20 | 1:36:22 | |
Well, it's been a hard few weeks, hasn't it? | 1:36:22 | 1:36:26 | |
You must've been freezing last night, | 1:36:29 | 1:36:31 | |
just walking round and round like that. | 1:36:31 | 1:36:33 | |
Yeah, we were. Yeah. | 1:36:33 | 1:36:36 | |
Took you so long, I started to get worried. | 1:36:36 | 1:36:39 | |
Thought something had happened to you. | 1:36:39 | 1:36:41 | |
-Anyway, cheers. -Cheers. | 1:36:43 | 1:36:46 | |
Was Kirsty working? | 1:36:56 | 1:36:58 | |
At the Vic. She still there? | 1:36:58 | 1:37:00 | |
Only I hate to think of her, you know, just... | 1:37:01 | 1:37:03 | |
watching with that smug look on her face. | 1:37:03 | 1:37:07 | |
Er, no, she weren't, no. | 1:37:07 | 1:37:09 | |
Must've had a night off. | 1:37:09 | 1:37:11 | |
Right. | 1:37:11 | 1:37:12 | |
DOOR OPENS | 1:37:12 | 1:37:13 | |
All right? | 1:37:13 | 1:37:15 | |
-This is for you. -Oh. | 1:37:15 | 1:37:16 | |
It's not a good time, Mum. | 1:37:16 | 1:37:18 | |
I've got a problem. | 1:37:18 | 1:37:20 | |
-You know I'm homeless. -Mum, please. | 1:37:20 | 1:37:23 | |
Bottom line is... | 1:37:23 | 1:37:25 | |
can I stay for a bit? | 1:37:25 | 1:37:27 | |
I'll earn my keep, starting with tonight. I'll cook dinner. | 1:37:27 | 1:37:30 | |
You? Cook? | 1:37:30 | 1:37:32 | |
This family needs me. | 1:37:32 | 1:37:34 | |
-Considering what's been going on. -Mum! | 1:37:34 | 1:37:36 | |
Lauren, Joey - all that. | 1:37:36 | 1:37:40 | |
Oh, and thanks for telling me, by the way! | 1:37:40 | 1:37:42 | |
All right, all right! You can stay but it's just for tonight. | 1:37:42 | 1:37:46 | |
You won't regret it, I am going to be such a help to you. | 1:37:46 | 1:37:50 | |
DOOR CLOSES | 1:37:51 | 1:37:52 | |
Babe, what did you do that for? | 1:37:52 | 1:37:54 | |
Why do any of us do anything? | 1:37:56 | 1:37:58 | |
DOOR SLAMS | 1:38:03 | 1:38:04 | |
No, it was proper nice of that buff ting to let you off early. | 1:38:04 | 1:38:07 | |
You mean Poppy? No, that's all make-up. | 1:38:07 | 1:38:10 | |
Anyway, you get the drinks in, I'll line this up. | 1:38:10 | 1:38:13 | |
You just always carry films around with you? | 1:38:13 | 1:38:15 | |
Bargain bucket on one of them market stalls. | 1:38:15 | 1:38:18 | |
Should we not wait for Jay and Abi first? | 1:38:18 | 1:38:20 | |
They can wait for the sequel. | 1:38:20 | 1:38:21 | |
Oh, planning on making a night of it, then? | 1:38:21 | 1:38:23 | |
I've got to make up for yesterday, innit? | 1:38:23 | 1:38:25 | |
I mean, you've got a kid - so what? | 1:38:25 | 1:38:27 | |
Loads of people have 'em. | 1:38:27 | 1:38:29 | |
Can you believe it? I could kill him. | 1:38:30 | 1:38:32 | |
That's if I don't kill Kirsty first. | 1:38:32 | 1:38:35 | |
Tan, I half wish I hadn't told you to talk to him now. | 1:38:35 | 1:38:37 | |
He lied to me. Course he did. | 1:38:37 | 1:38:40 | |
He acted like he hadn't heard from her, he hadn't seen her. | 1:38:40 | 1:38:43 | |
Right to my face. | 1:38:43 | 1:38:44 | |
So that'll be £9.08, please, my darling. | 1:38:47 | 1:38:49 | |
But make it a tenner and you get a smile to remember. | 1:38:49 | 1:38:52 | |
I doubt he heard you over the noise, babe. | 1:38:52 | 1:38:54 | |
What noise? | 1:38:54 | 1:38:55 | |
-Here, Peroxide, you got a sec? -No, I'm working. I'm working. | 1:38:55 | 1:38:58 | |
-Raymundo, hold the fort, mate. -All right. | 1:38:58 | 1:39:00 | |
Listen, I've just got off the phone from some bloke | 1:39:00 | 1:39:03 | |
who's trying to sell me a mechanical bull. | 1:39:03 | 1:39:05 | |
-Ah, yes, brilliant, brilliant! -"Brilliant"? | 1:39:05 | 1:39:07 | |
I've had these ideas - we should do foam parties, theme nights and cocktails. | 1:39:07 | 1:39:10 | |
-We'll be rocking every night, all night, I'm telling you. -You serious? | 1:39:10 | 1:39:14 | |
Yes. You and me, we'll be party central, all right? | 1:39:14 | 1:39:16 | |
We're going to be the hosts with the mosts, you and me. Yes, we are. | 1:39:16 | 1:39:20 | |
OK, who's next? | 1:39:20 | 1:39:22 | |
You see, I know she's your grandma, | 1:39:23 | 1:39:26 | |
but there's some things you don't touch | 1:39:26 | 1:39:28 | |
nor go moving around without a by or leave. | 1:39:28 | 1:39:32 | |
-Well, this should make you feel more at home, then. -Well, I'm hoping so. | 1:39:32 | 1:39:36 | |
Well, I better go, Nan's cooking. | 1:39:37 | 1:39:40 | |
You're glad to be back though, aren't you? | 1:39:40 | 1:39:42 | |
Well, I'm still not sure, to be honest with you. | 1:39:42 | 1:39:46 | |
Well, Jay is. | 1:39:46 | 1:39:48 | |
Jay is? What, pleased I'm back? | 1:39:48 | 1:39:51 | |
Yeah. He said you really helped him. | 1:39:51 | 1:39:54 | |
Huh. Did I? I didn't do nothing. | 1:39:54 | 1:39:57 | |
Well, you obviously did - he seems, I don't know, sort of happier. | 1:39:57 | 1:40:00 | |
And that's down to you. | 1:40:00 | 1:40:02 | |
DOT CHUCKLES | 1:40:02 | 1:40:03 | |
Well, then. Perhaps there is still room for me here, then. | 1:40:03 | 1:40:07 | |
-Bye, Abi. -See ya. | 1:40:07 | 1:40:08 | |
KNOCK ON DOOR | 1:40:13 | 1:40:14 | |
I'll get it. | 1:40:14 | 1:40:16 | |
No, wait. | 1:40:17 | 1:40:19 | |
H-H-How do I look? | 1:40:20 | 1:40:22 | |
-Yeah, you look great. -Er... | 1:40:22 | 1:40:25 | |
Promise? | 1:40:25 | 1:40:26 | |
Just...go and have a good time. | 1:40:26 | 1:40:29 | |
-Ready? -Mm-hm. | 1:40:31 | 1:40:32 | |
Hiya. | 1:40:35 | 1:40:36 | |
-Hello, you. -Hi. | 1:40:39 | 1:40:41 | |
Ooh! | 1:40:41 | 1:40:44 | |
AYESHA LAUGHS | 1:40:44 | 1:40:46 | |
Oh, thank you. | 1:40:46 | 1:40:48 | |
You ready? | 1:40:48 | 1:40:50 | |
Yeah. | 1:40:50 | 1:40:52 | |
Oh. | 1:40:55 | 1:40:57 | |
Be yourself. | 1:41:02 | 1:41:03 | |
Yes? | 1:41:13 | 1:41:14 | |
Hi, I'm Janie Rivers, from the council. | 1:41:14 | 1:41:16 | |
Oh. How do you do? | 1:41:16 | 1:41:18 | |
Name doesn't ring a bell? | 1:41:18 | 1:41:19 | |
Er, should it? | 1:41:19 | 1:41:21 | |
I wrote to you quite a few times. | 1:41:21 | 1:41:24 | |
Anyway, I'm sorry to call so late, | 1:41:24 | 1:41:26 | |
but we need to talk to you about a few things. | 1:41:26 | 1:41:28 | |
Oh? | 1:41:28 | 1:41:30 | |
-Well? -It was good. But I don't understand the bit where... | 1:41:30 | 1:41:34 | |
PHONE CHIMES | 1:41:34 | 1:41:36 | |
-SHE SCOFFS -Abi and Jay can't make it. | 1:41:36 | 1:41:39 | |
Hey, I'm starving. Can you cook? | 1:41:39 | 1:41:41 | |
Er, yeah. Beans on toast, cheese on toast | 1:41:41 | 1:41:43 | |
and my speciality is beans with cheese on toast. | 1:41:43 | 1:41:45 | |
Lucky my mum taught me, then, boi. | 1:41:45 | 1:41:48 | |
Er, you're going to cook for us? | 1:41:48 | 1:41:50 | |
Yeah. It depends on what you've got, though. | 1:41:50 | 1:41:52 | |
-I ain't really got... -KNOCK ON DOOR | 1:41:52 | 1:41:54 | |
-Thought you said Abi and that weren't coming? -Well, I thought... | 1:41:54 | 1:41:57 | |
-BANGING ON DOOR PHIL: -Lola! | 1:41:57 | 1:41:59 | |
Great(!) | 1:41:59 | 1:42:00 | |
You got any of that stuff for when she's grizzly? | 1:42:03 | 1:42:06 | |
Er, yeah. Is she all right? | 1:42:06 | 1:42:08 | |
-Yeah, she's fine. -Phil, can you wait a minute? I... | 1:42:08 | 1:42:10 | |
That's twice in two nights. | 1:42:12 | 1:42:14 | |
What is? | 1:42:14 | 1:42:15 | |
-You and him. -We're just friends. | 1:42:15 | 1:42:17 | |
Yeah, well, you could do better. | 1:42:17 | 1:42:20 | |
You gave me work. | 1:42:20 | 1:42:21 | |
Well, that's work, this is different. | 1:42:21 | 1:42:23 | |
Here you go. You sure she's all right? | 1:42:25 | 1:42:28 | |
Yeah, she's fine. And, er... | 1:42:28 | 1:42:30 | |
-Get rid of him. -What? | 1:42:30 | 1:42:32 | |
-You want to keep me happy, don't you? -But... | 1:42:32 | 1:42:36 | |
Why do you let him talk to you like that? | 1:42:39 | 1:42:41 | |
-Cos he can. -Forget Phil, man. | 1:42:41 | 1:42:44 | |
Look, I think you should probably take the films | 1:42:46 | 1:42:48 | |
and watch them with someone else. | 1:42:48 | 1:42:50 | |
Here we are. | 1:42:52 | 1:42:54 | |
We've also been calling and, when you didn't answer, | 1:42:54 | 1:42:56 | |
we were worried something might have happened. | 1:42:56 | 1:42:58 | |
Oh, no, no, everything in the garden is lovely. | 1:42:58 | 1:43:01 | |
But thank you ever so much for your concern. | 1:43:01 | 1:43:03 | |
You haven't answered our letters either. | 1:43:03 | 1:43:05 | |
Ah, well, you see, I've only just got back. | 1:43:05 | 1:43:08 | |
I ain't been here for some months. | 1:43:08 | 1:43:10 | |
-You haven't? -No. | 1:43:10 | 1:43:11 | |
But I'll look for the letters, you know. | 1:43:11 | 1:43:13 | |
I'll open then, if I can find them. | 1:43:13 | 1:43:15 | |
Well, I hope you can. | 1:43:15 | 1:43:17 | |
Only you're over £1,000 in rent arrears. | 1:43:17 | 1:43:20 | |
What? Over £1,000? | 1:43:20 | 1:43:22 | |
Oh, no. No, that can't be right. | 1:43:22 | 1:43:25 | |
I've got the paperwork if you want to see it. | 1:43:25 | 1:43:27 | |
Oh no, no, no, that must be wrong. | 1:43:27 | 1:43:30 | |
I'm afraid it isn't. | 1:43:30 | 1:43:31 | |
Well, I ain't the only one you should be asking for money from. | 1:43:31 | 1:43:34 | |
Cos, you see, there's been Cora here. And Arthur and Poppy. | 1:43:34 | 1:43:37 | |
And then there was my half-sister, Rose, and her son, Andrew. | 1:43:37 | 1:43:41 | |
And these people are...? | 1:43:41 | 1:43:43 | |
Well, they was living here. | 1:43:43 | 1:43:45 | |
They were staying here while you were away? | 1:43:45 | 1:43:48 | |
Yes, cos they was homeless, you see. | 1:43:48 | 1:43:50 | |
I'm sorry, Mrs Branning, but we might have to discuss this further. | 1:43:50 | 1:43:53 | |
Hope you're hungry. | 1:43:58 | 1:44:01 | |
Babe, I tell you now, I ain't eating that. | 1:44:01 | 1:44:03 | |
-Eh? She's trying her best. -Yeah? She's getting on my nerves. | 1:44:03 | 1:44:05 | |
-Where you going? -Just need some cigarettes. | 1:44:05 | 1:44:07 | |
Or you could give up. | 1:44:07 | 1:44:09 | |
Or you could just tell her to leave. | 1:44:09 | 1:44:11 | |
It's only for one night. | 1:44:11 | 1:44:12 | |
Yeah, I'll believe that when I see it. | 1:44:12 | 1:44:14 | |
Will you be long? | 1:44:14 | 1:44:15 | |
Well, no, shouldn't be - unless there's a MASSIVE queue. | 1:44:15 | 1:44:18 | |
Why? | 1:44:18 | 1:44:20 | |
Just I might miss you, that's all. | 1:44:20 | 1:44:22 | |
Well, I might miss you and all. | 1:44:22 | 1:44:24 | |
Max, it's a bit nippy, you m... | 1:44:27 | 1:44:29 | |
DOOR CLOSES, KEYS JANGLE | 1:44:29 | 1:44:32 | |
-RASHID: -Just one kiss. | 1:44:48 | 1:44:50 | |
Maybe next time. I... | 1:44:50 | 1:44:51 | |
You don't like me? | 1:44:53 | 1:44:54 | |
I-I-I didn't say that, I just... | 1:44:54 | 1:44:56 | |
Don't mind me. | 1:45:07 | 1:45:09 | |
I'll call you, yeah? | 1:45:09 | 1:45:10 | |
Didn't mean to ruin your big moment. | 1:45:20 | 1:45:23 | |
Wasn't that big. | 1:45:23 | 1:45:24 | |
That's why I'm back so early. | 1:45:24 | 1:45:27 | |
Aw. | 1:45:27 | 1:45:28 | |
I-I don't know what I'm doing. | 1:45:28 | 1:45:30 | |
I got dressed up and I got excited but it just... | 1:45:30 | 1:45:34 | |
..it just felt flat. | 1:45:36 | 1:45:37 | |
Well, maybe you should tell him and... | 1:45:39 | 1:45:42 | |
Yeah? | 1:45:44 | 1:45:45 | |
And think about what you want. | 1:45:47 | 1:45:49 | |
You know what that is. | 1:45:51 | 1:45:52 | |
Ayesha... | 1:45:54 | 1:45:55 | |
..you can't have those thoughts. | 1:45:58 | 1:46:00 | |
Come on. | 1:46:01 | 1:46:03 | |
Listen to me. Look... | 1:46:04 | 1:46:06 | |
..maybe finding the right guy isn't for you right now. | 1:46:08 | 1:46:12 | |
Maybe you need to think about who you are what you want to be. | 1:46:12 | 1:46:15 | |
You've got dreams, haven't you? | 1:46:17 | 1:46:20 | |
I suppose. | 1:46:20 | 1:46:23 | |
Well, my advice to you is... | 1:46:23 | 1:46:26 | |
follow them. | 1:46:26 | 1:46:27 | |
Mexican night? Eh, eh? Whoo! | 1:46:55 | 1:46:57 | |
Come on, then, let's just take a minute, eh? | 1:46:57 | 1:46:59 | |
-What, you don't fancy Mexican? -No, I love Mexican. | 1:46:59 | 1:47:02 | |
It's just that Kirsty... | 1:47:02 | 1:47:04 | |
told me what I said. About... | 1:47:04 | 1:47:07 | |
calling you Kat. Rox, why didn't you say something, eh? | 1:47:07 | 1:47:10 | |
I don't know. I just didn't know... I didn't know how, OK? | 1:47:10 | 1:47:13 | |
It was just a slip up, all right? What shall we call it? | 1:47:13 | 1:47:15 | |
Let's just call it an Alfie Moon moment of madness, yeah? | 1:47:15 | 1:47:18 | |
-Yeah, but you're still thinking about her. -No. No, no, no. | 1:47:18 | 1:47:21 | |
You must be. Come on, it's only natural, Alfie. | 1:47:21 | 1:47:23 | |
Come here. See, this is... Hand on my heart, all right? | 1:47:23 | 1:47:26 | |
On my life, on everyone's life, I'm not thinking about her. | 1:47:26 | 1:47:30 | |
Feel my heart beating there? See? Cos you're my Peroxide, ain't you? | 1:47:31 | 1:47:34 | |
You are my dyed-blonde woman of my dreams, all right? | 1:47:34 | 1:47:39 | |
-Are you sure? -Yes. What do you want me to do? | 1:47:42 | 1:47:44 | |
Run through the Square naked going, "Hey, everybody...!" ? | 1:47:44 | 1:47:47 | |
Come on, what was all that about, anyway? | 1:47:47 | 1:47:50 | |
I just want you to know that it is me here. OK? ME. Not her. | 1:47:50 | 1:47:54 | |
-You are all I see. I promise you. -I've got to make sure. | 1:47:54 | 1:47:56 | |
OK, so just get a big marker and write on all the walls, | 1:47:56 | 1:47:59 | |
everywhere anyone can see, "Alfie and Roxy." Is that what you want? | 1:47:59 | 1:48:02 | |
You're an idiot. | 1:48:02 | 1:48:03 | |
Listen, me and you Rox... | 1:48:05 | 1:48:08 | |
we don't have problems. | 1:48:08 | 1:48:10 | |
That's what makes us special, all right? No problems. | 1:48:10 | 1:48:12 | |
Cos that's not what we're about. | 1:48:12 | 1:48:15 | |
We're about... about honesty... | 1:48:15 | 1:48:18 | |
..and we're about having the... | 1:48:19 | 1:48:22 | |
the best of times. Yeah? | 1:48:22 | 1:48:24 | |
-Yeah. -Yeah, good. | 1:48:26 | 1:48:28 | |
-OK, so... -Hm? | 1:48:28 | 1:48:30 | |
..there is one more thing. | 1:48:31 | 1:48:33 | |
OK, what's that? | 1:48:33 | 1:48:34 | |
I think I'm in love with an idiot. | 1:48:34 | 1:48:37 | |
-SHE LAUGHS -Yeah? -Yeah. | 1:48:37 | 1:48:39 | |
OK, that's good. | 1:48:39 | 1:48:40 | |
All right, I think we might have something in common, then. | 1:48:40 | 1:48:43 | |
Did you just...? | 1:48:49 | 1:48:50 | |
Rox... | 1:48:52 | 1:48:53 | |
-Say it again. -OK. | 1:48:55 | 1:48:57 | |
I think... | 1:48:59 | 1:49:00 | |
..I'm in love with an idiot. | 1:49:02 | 1:49:05 | |
Oh! | 1:49:05 | 1:49:06 | |
-Why didn't you just tell me? -I was waiting till later. | 1:49:11 | 1:49:14 | |
I had a little surprise lined up for you, that's all. | 1:49:14 | 1:49:16 | |
Is it shoes? | 1:49:16 | 1:49:18 | |
-No, no, it's not shoes. -Sorry! | 1:49:18 | 1:49:21 | |
-It's a surprise. Be patient, all right? -Yeah. -OK. | 1:49:21 | 1:49:24 | |
(How can I possibly be...?) | 1:49:28 | 1:49:31 | |
I don't... | 1:49:31 | 1:49:33 | |
KNOCK ON DOOR | 1:49:39 | 1:49:41 | |
What the hell are you doing? | 1:50:50 | 1:50:52 | |
Subtitles by Red Bee Media Ltd | 1:51:02 | 1:51:05 |