
Browse content similar to 20/06/2014. Check below for episodes and series from the same categories and more!
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There we go. | 0:00:02 | 0:00:03 | |
How much extra booze did you buy? | 0:00:04 | 0:00:07 | |
Well, better to over-order than under. | 0:00:07 | 0:00:10 | |
Besides, it's not like it's going to go off, is it? | 0:00:10 | 0:00:13 | |
No, but this lot will, won't it? And, er... | 0:00:13 | 0:00:15 | |
..what is one of these? | 0:00:16 | 0:00:18 | |
A lychee. They go in a Martini. | 0:00:18 | 0:00:20 | |
If you say so. | 0:00:20 | 0:00:22 | |
You know, I've got a really good feeling about tonight. | 0:00:22 | 0:00:25 | |
I reckon this is going to put the Albert well and truly on the map. | 0:00:25 | 0:00:28 | |
Yeah, it's going to be great. Proud of you. | 0:00:28 | 0:00:30 | |
-Aw, you big old softie, Phil Mitchell. Give us a kiss. -Mwah! | 0:00:30 | 0:00:34 | |
Listen, thanks for your support, yeah? | 0:00:34 | 0:00:37 | |
I'm sorry I've got to go back to work when you've only just got back. | 0:00:43 | 0:00:47 | |
No, don't be silly, Ian. It's your job. | 0:00:47 | 0:00:50 | |
And besides, I've got loads of trashy telly to catch up on. | 0:00:50 | 0:00:53 | |
You need to talk to Emma, Dad, cos they won't listen to me. | 0:00:58 | 0:01:01 | |
-What? -I told the investigating officer what the cabbie said - | 0:01:01 | 0:01:04 | |
that Jake was too drunk to get out the taxi, let alone... | 0:01:04 | 0:01:06 | |
Hold on, Peter. We went over this at the weekend. | 0:01:06 | 0:01:09 | |
Yeah, I know, but the point is... he said he'd look into it, | 0:01:09 | 0:01:11 | |
but it was just a brush-off - I could tell. | 0:01:11 | 0:01:14 | |
-So you need to call Emma. Because we can't just give up, can we? -No. You need to calm down. | 0:01:14 | 0:01:18 | |
I swear, if I hear that one more time today... | 0:01:18 | 0:01:21 | |
All right, OK, fine. All right, I will call Emma. | 0:01:21 | 0:01:24 | |
You promise? | 0:01:24 | 0:01:25 | |
PHONE VIBRATES | 0:01:25 | 0:01:27 | |
I've, er... I've got to get to the restaurant. | 0:01:27 | 0:01:31 | |
Oh, Ian, can I book a table for two later, please? | 0:01:36 | 0:01:39 | |
-Thought I'd treat Dot - about half seven? -Yeah, yeah. Fine. | 0:01:39 | 0:01:42 | |
Don't let your mother catch you doing that in here, she'll get the 'ump. | 0:01:47 | 0:01:50 | |
-2-1 was a joke. I don't understand what happened. -I'll tell you. | 0:01:50 | 0:01:53 | |
-Balotelli happened. -Yeah. | 0:01:53 | 0:01:55 | |
I reckon I should be in Brazil. My country clearly needs me. | 0:01:55 | 0:01:58 | |
Yeah, well, we could be out on Thursday. | 0:01:58 | 0:02:01 | |
-But, listen, keep the faith, keep the faith. -I've got the faith! | 0:02:01 | 0:02:04 | |
-On your 'ead. -Go on. | 0:02:04 | 0:02:05 | |
Get hold of that. | 0:02:05 | 0:02:06 | |
Right, boys, before the fun starts, | 0:02:09 | 0:02:11 | |
I want to make sure we're on the same page. | 0:02:11 | 0:02:13 | |
Now, try and keep a low profile, yeah? | 0:02:13 | 0:02:15 | |
And there's some rules - | 0:02:15 | 0:02:17 | |
no drinking, no smoking, no flirting... | 0:02:17 | 0:02:20 | |
No heavy petting? | 0:02:20 | 0:02:21 | |
PHIL CHUCKLES | 0:02:21 | 0:02:23 | |
And no manhandling unless strictly necessary, OK? Thank you. | 0:02:23 | 0:02:26 | |
Listen, boss. You know we're happy to help out, | 0:02:30 | 0:02:33 | |
but we've got birds at home yakking in our ears an' all. | 0:02:33 | 0:02:35 | |
What you saying? | 0:02:36 | 0:02:37 | |
Well, what's the deal here? | 0:02:37 | 0:02:39 | |
I mean, is this a regular thing or just a one-off? | 0:02:39 | 0:02:41 | |
Thursdays, Fridays, Saturdays and any special events like tonight. | 0:02:43 | 0:02:46 | |
Sound good? | 0:02:46 | 0:02:47 | |
Sweet. | 0:02:47 | 0:02:49 | |
And any problems - I'm the one to deal with, all right? | 0:02:49 | 0:02:52 | |
What's all this? | 0:03:02 | 0:03:03 | |
Delivery for Dean - right in the way of everything. | 0:03:03 | 0:03:06 | |
How come he's having it all sent here? | 0:03:06 | 0:03:07 | |
Apparently we're sitting around waiting for his stuff to turn up, whereas Dean - he's a busy boy. | 0:03:07 | 0:03:12 | |
Hold on, let me shift some of these. | 0:03:12 | 0:03:14 | |
HE GROANS Oh, Johnny, stop. | 0:03:14 | 0:03:17 | |
You'll do yourself an injury. Mick! | 0:03:17 | 0:03:19 | |
No, put it down. Your dad'll do it. | 0:03:19 | 0:03:22 | |
Look, shift this lot, would you? | 0:03:22 | 0:03:23 | |
-Is this Dean's stuff? -Mm. | 0:03:23 | 0:03:25 | |
-Cor! What's he got in here - gold? -Mick! | 0:03:26 | 0:03:29 | |
All right, Shirl, get him on the dog. We're not a delivery service. | 0:03:29 | 0:03:32 | |
Careful! | 0:03:32 | 0:03:33 | |
-Right, I'm going to shoot off, then. -All right, love. | 0:03:35 | 0:03:37 | |
If you get some time, | 0:03:37 | 0:03:38 | |
I've been practising my cocktail-making skills... | 0:03:38 | 0:03:41 | |
Careful! Left a bit. | 0:03:41 | 0:03:42 | |
-Hey. I just popped by to collect my wages from the other night. -PHONE CHIMES | 0:03:52 | 0:03:57 | |
Ian? | 0:03:57 | 0:03:59 | |
Yeah, right. Er... | 0:03:59 | 0:04:01 | |
yeah, your wages. | 0:04:01 | 0:04:02 | |
-Your burgers could do with a flip. -Yeah. | 0:04:02 | 0:04:04 | |
I know, I know. Where's that waiter when you need him? | 0:04:08 | 0:04:12 | |
Ian? My wages? | 0:04:12 | 0:04:14 | |
Can't you see I'm busy? | 0:04:14 | 0:04:16 | |
-What table? -One. | 0:04:18 | 0:04:21 | |
Ta-da! | 0:04:30 | 0:04:32 | |
-Very nice. -So, where are you taking me? | 0:04:32 | 0:04:35 | |
Well, I, er... | 0:04:36 | 0:04:38 | |
thought we might stay home and watch a DVD. | 0:04:38 | 0:04:41 | |
What? | 0:04:43 | 0:04:44 | |
So, you know when I forgave you | 0:04:45 | 0:04:47 | |
for taking money off my sister to date me? | 0:04:47 | 0:04:51 | |
I don't think you realise you weren't off the hook, OK? | 0:04:51 | 0:04:54 | |
You've got a lot of making up to do, sunshine, and let me give you a little hint - | 0:04:54 | 0:04:58 | |
a night in, in front of the telly, | 0:04:58 | 0:04:59 | |
with a can of lager and a DVD is not going to cut it. | 0:04:59 | 0:05:03 | |
OK? | 0:05:05 | 0:05:06 | |
Right, I want you to focus on the top four, | 0:05:11 | 0:05:13 | |
so don't over-complicate it. | 0:05:13 | 0:05:15 | |
And remember - keep it interactive and fun. | 0:05:15 | 0:05:18 | |
Er, not ALL fun, you. | 0:05:18 | 0:05:20 | |
PHONE RINGS | 0:05:20 | 0:05:22 | |
Hello. | 0:05:23 | 0:05:24 | |
Well, no, you're due in half an hour - you can't cancel now! | 0:05:27 | 0:05:30 | |
Yeah, well, fine. But I'll be keeping your deposit. | 0:05:32 | 0:05:34 | |
What? | 0:05:36 | 0:05:37 | |
OK. | 0:05:39 | 0:05:41 | |
That was the hen party. | 0:05:43 | 0:05:45 | |
They've cancelled cos the bride's been dumped. | 0:05:45 | 0:05:47 | |
-Couldn't even lose my rag. -So you don't know if anyone's coming to this event? | 0:05:47 | 0:05:51 | |
Well, I advertised online - should bring some people in. | 0:05:51 | 0:05:53 | |
Everybody loves cocktail making, don't they? | 0:05:53 | 0:05:56 | |
It'll be fine, Sharon. Be fine. | 0:05:56 | 0:05:59 | |
And you got the boys keeping an eye on things. | 0:05:59 | 0:06:01 | |
Right, two Old Schools with chips, one Veggie with salad. | 0:06:08 | 0:06:11 | |
You decided to hang about, then? | 0:06:13 | 0:06:15 | |
Yeah, I just got caught up, you know, at the counter. | 0:06:15 | 0:06:17 | |
You know how it is. | 0:06:17 | 0:06:18 | |
-HE CLEARS THROAT -Ian... | 0:06:18 | 0:06:20 | |
MASOOD CLAPS | 0:06:20 | 0:06:22 | |
One Veggie with chips. | 0:06:22 | 0:06:24 | |
-No. Salad. -No chips? | 0:06:24 | 0:06:26 | |
Yeah. Two chips with the Old Schools. | 0:06:26 | 0:06:29 | |
-Ian...you can't serve those. -Why not? | 0:06:31 | 0:06:33 | |
-Cos they're burnt. -They wanted 'em well done. | 0:06:33 | 0:06:35 | |
-Yeah, not cremated. -I'm the chef! -Ian, just look at them! | 0:06:35 | 0:06:38 | |
Ow! | 0:06:43 | 0:06:44 | |
Er, just tell the customers they're going to have to wait. | 0:06:44 | 0:06:48 | |
Ian... | 0:06:50 | 0:06:52 | |
why don't you take a bit of time out? | 0:06:52 | 0:06:54 | |
I'm fine, all right? I just need a plaster. | 0:06:55 | 0:06:57 | |
Just go round the block. Get some fresh air. I'll cover you. | 0:06:57 | 0:07:00 | |
PHONE RINGS Thank you. | 0:07:00 | 0:07:02 | |
Is that it? Everything there? | 0:07:17 | 0:07:19 | |
Checking, aren't I? | 0:07:19 | 0:07:20 | |
So, you going to give me a discount when I let you cut my hair? | 0:07:21 | 0:07:25 | |
I don't think that's a good idea. You, me and a pair of scissors? | 0:07:25 | 0:07:28 | |
Listen, just so we're clear - | 0:07:30 | 0:07:32 | |
I'm only sticking around cos this is too good an opportunity for me to pass up. | 0:07:32 | 0:07:35 | |
SHE SIGHS | 0:07:41 | 0:07:43 | |
There's not enough passing customers. | 0:07:45 | 0:07:47 | |
We're not getting any footfall. | 0:07:47 | 0:07:49 | |
There'll be other chances. | 0:07:49 | 0:07:51 | |
Oh, Johnny, not now - I really don't fancy a drink. | 0:07:51 | 0:07:54 | |
They're not for you - they're promotional. If punters won't come to us, we'll go to them. | 0:07:54 | 0:07:57 | |
That is not a bad idea. Not just a pretty face, eh? | 0:07:57 | 0:08:01 | |
Curtis, you do the same. | 0:08:01 | 0:08:03 | |
-And remember, tell them it's a cocktail-making evening, all right? -Yeah, course. | 0:08:03 | 0:08:06 | |
He's quite smart, that boy, ain't he? | 0:08:06 | 0:08:09 | |
Yeah. Giving away free booze? Watch out, Einstein. | 0:08:09 | 0:08:11 | |
Look, if you're bored, why don't you leave me to it? | 0:08:11 | 0:08:14 | |
I ain't bored. Unless you don't want me here? | 0:08:14 | 0:08:16 | |
Course I do. Thinking of you, darling. | 0:08:16 | 0:08:18 | |
-MASOOD: -Ian. | 0:08:26 | 0:08:27 | |
Look, I'm sorry. I can't find the extra burger buns. | 0:08:29 | 0:08:32 | |
HE SIGHS | 0:08:32 | 0:08:34 | |
What? | 0:08:34 | 0:08:35 | |
I forgot to order them. | 0:08:35 | 0:08:37 | |
Right, OK. | 0:08:37 | 0:08:39 | |
I-I'm a mess. I'm completely out of control. | 0:08:39 | 0:08:41 | |
-I can't keep on top of things. -It's all right. It's just a bit of bread. | 0:08:41 | 0:08:44 | |
-I can get some more from the Minute Mart. -No, it's not that. | 0:08:44 | 0:08:47 | |
It's Peter, it's the investigation, it's work, | 0:08:47 | 0:08:49 | |
it's Denise, it's... | 0:08:49 | 0:08:51 | |
All right, OK. | 0:08:51 | 0:08:52 | |
No. I don't know... | 0:08:52 | 0:08:54 | |
I don't know what I'm supposed to be feeling from one minute to the next, all right? | 0:08:54 | 0:08:58 | |
I mean, what am I supposed to do? | 0:08:58 | 0:09:00 | |
How am I supposed to live normally? | 0:09:00 | 0:09:03 | |
How are things between you and Denise, since...? | 0:09:06 | 0:09:08 | |
All right, sorry - none of my business. | 0:09:08 | 0:09:10 | |
She's home. | 0:09:12 | 0:09:14 | |
Which, to be honest, I was dreading, | 0:09:14 | 0:09:17 | |
and then she walked through the door and it gave me a bit of hope. | 0:09:17 | 0:09:20 | |
That's good, isn't it? | 0:09:20 | 0:09:22 | |
Yeah. But then this morning, it's like we're strangers again. | 0:09:22 | 0:09:25 | |
Have you talked to her? | 0:09:25 | 0:09:26 | |
OK, look, why don't you let me run the restaurant tonight? | 0:09:29 | 0:09:32 | |
You've only worked there one night. | 0:09:32 | 0:09:34 | |
Yeah, well, I've worked kitchens before. | 0:09:34 | 0:09:36 | |
Besides, you've only got 12 orders. | 0:09:36 | 0:09:39 | |
I think I'll survive. | 0:09:39 | 0:09:40 | |
You go and talk to Denise. | 0:09:40 | 0:09:42 | |
Why are you doing this? | 0:09:43 | 0:09:45 | |
Er... | 0:09:46 | 0:09:48 | |
Well, you know. I went off on one about Jane | 0:09:48 | 0:09:50 | |
and I said some horrible things. | 0:09:50 | 0:09:52 | |
Yeah, but you were angry. | 0:09:52 | 0:09:53 | |
Yeah, but I want to make it up to you - properly. | 0:09:53 | 0:09:56 | |
Go on, go. | 0:10:00 | 0:10:01 | |
Oh! Looks like you guys have had a long day. | 0:10:12 | 0:10:15 | |
Why not let your hair down and come to one of our mixing classes? | 0:10:16 | 0:10:20 | |
Try one - it's totally free. | 0:10:20 | 0:10:23 | |
The bar's just over there, you know - the Albert. | 0:10:23 | 0:10:25 | |
-Is this what the lady wants? -Aw, is it free? -That's right. | 0:10:25 | 0:10:28 | |
Put it back. Put it back. No, thanks. | 0:10:28 | 0:10:31 | |
I want a slap-up meal - full price this time - | 0:10:31 | 0:10:33 | |
and the best bottle of wine they have. Let's go. Come on. | 0:10:33 | 0:10:36 | |
ANTIQUES SHOW PLAYS ON TV DOOR CLOSES | 0:10:36 | 0:10:39 | |
What're you doing back? | 0:10:39 | 0:10:40 | |
-Restaurant was quiet, so... -So you just shut up? | 0:10:42 | 0:10:45 | |
No, Masood's taken over for me. | 0:10:45 | 0:10:48 | |
Really? I didn't know you hired him. | 0:10:48 | 0:10:51 | |
You OK? | 0:10:53 | 0:10:54 | |
Yeah. | 0:10:55 | 0:10:56 | |
Actually, er... | 0:11:10 | 0:11:11 | |
..no. TV SWITCHES OFF | 0:11:13 | 0:11:15 | |
Er... | 0:11:15 | 0:11:17 | |
I thought we needed some time. | 0:11:17 | 0:11:20 | |
Denise, I'm... | 0:11:23 | 0:11:24 | |
I'm really pleased you came home. | 0:11:24 | 0:11:27 | |
Oh, well, course I did. I was always going to. | 0:11:27 | 0:11:30 | |
Were you? | 0:11:30 | 0:11:31 | |
Look, I-I know it hasn't been easy for you | 0:11:35 | 0:11:37 | |
and, look, it would have been easier for you to stay away but... | 0:11:37 | 0:11:41 | |
..you didn't, all right? You came back and... | 0:11:42 | 0:11:45 | |
..that means a lot to me. | 0:11:47 | 0:11:48 | |
I didn't think that you'd care either way. | 0:11:50 | 0:11:53 | |
-Let's set a date. -What?! | 0:11:56 | 0:11:58 | |
-Get married. -But... | 0:11:59 | 0:12:02 | |
do you think that this is really the right time? | 0:12:02 | 0:12:05 | |
Nothing's right at the moment. | 0:12:07 | 0:12:09 | |
Let's make the most of the good things. | 0:12:11 | 0:12:14 | |
-Need a hand, Dean? -Nah, you're all right, pal. | 0:12:23 | 0:12:26 | |
Well done. You struggled a bit, didn't you, babe? | 0:12:26 | 0:12:29 | |
Oi, it's dead in here. | 0:12:29 | 0:12:31 | |
Shall we go and embarrass Johnny in front of Curtis the barman? | 0:12:31 | 0:12:34 | |
Yeah. What do you reckon, L? | 0:12:34 | 0:12:35 | |
You going to miss the footie? | 0:12:35 | 0:12:37 | |
No big games tonight. So, fancy it? | 0:12:37 | 0:12:40 | |
Nah. | 0:12:40 | 0:12:41 | |
All that faffing about with cocktail shakers - poncey, if you ask me. | 0:12:41 | 0:12:44 | |
Shut up! You love a good cocktail. | 0:12:44 | 0:12:46 | |
Not when Sharon's getting the profits. | 0:12:46 | 0:12:49 | |
Think I've got an 'ead coming on. | 0:12:49 | 0:12:51 | |
Oh. | 0:12:51 | 0:12:52 | |
You OK? | 0:12:52 | 0:12:53 | |
Yeah, course. You go if you like. | 0:12:53 | 0:12:55 | |
Promise I won't get off me nut. | 0:12:57 | 0:12:59 | |
-Knock-knock. -All right? | 0:12:59 | 0:13:00 | |
-I went to the restaurant but Masood said you were here. -Yeah, come and sit yourself down. | 0:13:00 | 0:13:04 | |
We're, er, starting to plan the wedding. | 0:13:04 | 0:13:06 | |
What, you're... You're going ahead with that? | 0:13:09 | 0:13:11 | |
Well, yeah. Won't be till next year or nothing. I mean, | 0:13:11 | 0:13:14 | |
these things take a while to plan properly. | 0:13:14 | 0:13:16 | |
Right. Have you called Emma? | 0:13:16 | 0:13:19 | |
Look, I'll do it in the morning. | 0:13:20 | 0:13:22 | |
-Am I going mad? -Peter... | 0:13:22 | 0:13:23 | |
No, seriously, am I living in some parallel universe where my sister hasn't just been murdered? | 0:13:23 | 0:13:28 | |
Look, I know what you're saying, OK... | 0:13:28 | 0:13:29 | |
I don't think you do, because all I can think about is finding out what happened that night. | 0:13:29 | 0:13:33 | |
And until I find out the truth - | 0:13:33 | 0:13:35 | |
until I know every little scrap of detail - | 0:13:35 | 0:13:38 | |
going to a wedding, it's not really on my radar. | 0:13:38 | 0:13:40 | |
Sorry(!) | 0:13:40 | 0:13:42 | |
Right. The Mojito is from South America. | 0:13:47 | 0:13:51 | |
Now, the trick is plenty of mint, plenty of ice, and, of course... | 0:13:51 | 0:13:55 | |
-plenty of rum, right? -CROWD MURMUR IN AGREEMENT | 0:13:55 | 0:13:58 | |
CROWD EXCLAIM | 0:13:59 | 0:14:02 | |
Flip it! | 0:14:02 | 0:14:03 | |
Oi-oi! Go on, my son! | 0:14:04 | 0:14:07 | |
Tom Cruise, eat your heart out. | 0:14:07 | 0:14:10 | |
So is this the usual crowd, then, | 0:14:10 | 0:14:11 | |
-or should we expect more lads on the weekend? -Weekend? | 0:14:11 | 0:14:14 | |
Yeah, Phil's booked us permanently - three nights a week. | 0:14:14 | 0:14:17 | |
-I'll get back to you. -OK. | 0:14:17 | 0:14:20 | |
I think about it too. | 0:14:40 | 0:14:41 | |
Sometimes when I... | 0:14:44 | 0:14:45 | |
When I can't sleep, I... | 0:14:47 | 0:14:48 | |
..imagine what happened. | 0:14:50 | 0:14:52 | |
Sometimes she's running away, she's... | 0:14:55 | 0:14:57 | |
crying for help. | 0:14:57 | 0:14:58 | |
Sometimes she's not even aware - she doesn't realise she's in danger. | 0:15:00 | 0:15:04 | |
Sometimes she just trips over. | 0:15:06 | 0:15:08 | |
I just... | 0:15:10 | 0:15:11 | |
-play it over and over again. -That's why we need to find out who did it. | 0:15:11 | 0:15:15 | |
No. | 0:15:15 | 0:15:17 | |
Don't you want any justice? | 0:15:17 | 0:15:18 | |
Peter, of course I do. | 0:15:18 | 0:15:20 | |
But don't you think the police, | 0:15:20 | 0:15:22 | |
with all their expertise and their training, | 0:15:22 | 0:15:25 | |
they're the best people to get us that? | 0:15:25 | 0:15:27 | |
-They don't care like we do. They don't need it. -Exactly. | 0:15:27 | 0:15:30 | |
We're too close, all right? How can we possibly see clearly? | 0:15:30 | 0:15:35 | |
They hadn't even spoken to the taxi driver. | 0:15:35 | 0:15:38 | |
Who knows what else they've missed? | 0:15:38 | 0:15:40 | |
Peter, I get it - | 0:15:40 | 0:15:41 | |
you feel powerless, you want to do something. | 0:15:41 | 0:15:44 | |
I feel exactly the same. | 0:15:44 | 0:15:45 | |
-No, you don't. You can't. -What - because I want to marry Denise? | 0:15:45 | 0:15:48 | |
I'm just trying to keep things together, for... | 0:15:50 | 0:15:54 | |
For you, for Bobby - and for me, I guess. | 0:15:54 | 0:15:57 | |
Because what's the alternative? | 0:15:59 | 0:16:01 | |
We fall apart? | 0:16:03 | 0:16:04 | |
I just want to know what happened. I just... | 0:16:04 | 0:16:06 | |
-I want the person who did this... -I know. | 0:16:06 | 0:16:09 | |
I know. | 0:16:09 | 0:16:11 | |
Look, I trust Emma. | 0:16:13 | 0:16:15 | |
She's been straight with us since this started. | 0:16:19 | 0:16:22 | |
If she gets a new lead, she'll follow it through. | 0:16:22 | 0:16:25 | |
Peter, just let her do her job, please. | 0:16:27 | 0:16:29 | |
Went all right, didn't it? | 0:16:43 | 0:16:45 | |
-We're proud of you, boy, ain't we? -Mm-hm. -So, er... | 0:16:45 | 0:16:48 | |
what happened to Mum? | 0:16:48 | 0:16:49 | |
She had a major nutache. | 0:16:49 | 0:16:50 | |
She was proper pale, weren't she, when we left? Seriously. | 0:16:50 | 0:16:54 | |
Yeah, I bet she did. | 0:16:54 | 0:16:55 | |
-Oi, Johnny. -All right? | 0:16:57 | 0:16:59 | |
Two double rum and Cokes. | 0:16:59 | 0:17:00 | |
Right. I'm going to check that with Sharon... | 0:17:00 | 0:17:02 | |
-No, Phil said it was all right. -Did he? | 0:17:02 | 0:17:04 | |
-Yeah. -Yeah, even so... | 0:17:04 | 0:17:06 | |
Look, mate, you might be a little lightweight, yeah? | 0:17:06 | 0:17:09 | |
But trust me - that's not going to touch the sides. | 0:17:09 | 0:17:12 | |
So why don't you man up and just get us those drinks, yeah? | 0:17:12 | 0:17:15 | |
-Yeah. -Good man. | 0:17:15 | 0:17:18 | |
Can I have a word? | 0:17:20 | 0:17:21 | |
Your bouncers seem to think they're on a permanent contract. | 0:17:25 | 0:17:28 | |
I'm just protecting my investment - that's all. | 0:17:28 | 0:17:31 | |
Look, Phil, it's not that I'm not grateful for your backing, but... | 0:17:31 | 0:17:35 | |
I am a partner in this bar and I need you to respect that. | 0:17:35 | 0:17:38 | |
Look, why don't you go to the Vic, eh? | 0:17:39 | 0:17:41 | |
I mean, this clearly ain't your scene and, as you can see, | 0:17:41 | 0:17:44 | |
I've got it all under control. | 0:17:44 | 0:17:47 | |
Love you. | 0:17:47 | 0:17:48 | |
-Er, listen, I'm off. Let me know if there's any trouble, yeah? -Course. | 0:17:53 | 0:17:57 | |
DOT: What's an Old School? | 0:17:58 | 0:18:00 | |
It's a type of burger. They all are. | 0:18:00 | 0:18:03 | |
You're pulling my leg. | 0:18:03 | 0:18:05 | |
Why don't you try that Docklands Lite? | 0:18:05 | 0:18:08 | |
Are they all burgers? | 0:18:08 | 0:18:09 | |
Well, Ian used to be a proper chef. | 0:18:11 | 0:18:12 | |
Look - we ain't got no cutlery. Waiter! | 0:18:12 | 0:18:15 | |
You probably don't need any - it's a burger. | 0:18:15 | 0:18:18 | |
I ain't eating with my fingers. That ain't the way I was brought up. | 0:18:18 | 0:18:21 | |
Right, I'll get you some when we order. | 0:18:21 | 0:18:23 | |
Have you seen Ronnie lately? | 0:18:24 | 0:18:27 | |
Ronnie's a very busy lady. | 0:18:27 | 0:18:29 | |
Yes, well, have you called in on her? | 0:18:29 | 0:18:32 | |
Look, I know she can be distant | 0:18:34 | 0:18:37 | |
but you don't want to let it put you off. | 0:18:37 | 0:18:40 | |
Cos she's got a very big heart. | 0:18:40 | 0:18:42 | |
So...two Old Schools, then? | 0:18:42 | 0:18:45 | |
I suppose so. | 0:18:45 | 0:18:46 | |
Hmm. Cocktail night not float your boat? | 0:18:55 | 0:18:58 | |
-How about I get you a Virgin Mary? -Er...orange juice'll do. | 0:19:00 | 0:19:03 | |
-Someone's grumpy. -Not me. | 0:19:03 | 0:19:06 | |
OK. | 0:19:06 | 0:19:07 | |
Would you trust a man in skin-tight jeans? | 0:19:08 | 0:19:11 | |
Ah. The invasion of the hipsters. | 0:19:11 | 0:19:13 | |
Ponces. | 0:19:13 | 0:19:16 | |
Well, don't worry. You're safe here. | 0:19:16 | 0:19:18 | |
Just you and me. | 0:19:18 | 0:19:19 | |
Keep 'em coming. | 0:19:25 | 0:19:26 | |
You're not serving them alcohol, are you? | 0:19:27 | 0:19:29 | |
No. Nah, just Coke. | 0:19:29 | 0:19:31 | |
Good. | 0:19:31 | 0:19:32 | |
Shame. | 0:19:38 | 0:19:40 | |
-What is? -Could be quite fit if you were to dress better. | 0:19:40 | 0:19:43 | |
That's funny, cos you'd still be that ugly no matter what you wore. | 0:19:44 | 0:19:47 | |
See, that's the problem with girls these days - you all think you're better than everyone else. | 0:19:47 | 0:19:51 | |
-Well, it's not exactly hard to be better than you, is it, mate? -D'you want to leave her alone? | 0:19:51 | 0:19:55 | |
Why? What're you going to do about it, princess? | 0:19:55 | 0:19:58 | |
-John, just leave it... -Johnny? | 0:19:58 | 0:20:01 | |
-He's bothering my sister. -He's TRYING to. | 0:20:01 | 0:20:03 | |
What did I tell you about flirting with the customers? | 0:20:03 | 0:20:05 | |
She wishes! | 0:20:05 | 0:20:07 | |
-There's alcohol in there. -One little drink, Shazza. Keep your wig on. | 0:20:09 | 0:20:12 | |
It's Sharon. And I don't have to put up with this. | 0:20:12 | 0:20:15 | |
You're fired. Both of you. | 0:20:15 | 0:20:17 | |
I don't think Phil will be very happy about that - do you? | 0:20:19 | 0:20:21 | |
Well, he's not here, is he? Now, get out. | 0:20:21 | 0:20:25 | |
-Sorry about him. -It's fine. | 0:20:33 | 0:20:35 | |
Right, shall we go? | 0:20:37 | 0:20:39 | |
No, no, no, I'm not done. | 0:20:39 | 0:20:40 | |
Excuse me. Can we get the cocktail list, please? | 0:20:40 | 0:20:43 | |
-She's joking. -No, she's not. | 0:20:43 | 0:20:45 | |
Well, I'VE had enough. | 0:20:46 | 0:20:48 | |
Oh, yeah? Costing you a bit, is it? | 0:20:49 | 0:20:52 | |
Listen, my idea of a good night out | 0:20:52 | 0:20:54 | |
is not watching you getting completely drunk. | 0:20:54 | 0:20:56 | |
No? Was it easier to just grit your teeth and take the money? | 0:20:56 | 0:21:00 | |
I thought you understood. I mean, I... | 0:21:00 | 0:21:02 | |
SHE SIGHS | 0:21:02 | 0:21:03 | |
Listen, Roxy, you need to let it go - otherwise we don't stand a chance. | 0:21:03 | 0:21:07 | |
All right, yes. I know, all right? | 0:21:09 | 0:21:11 | |
It's just, every time I think of Ronnie, my blood boils. | 0:21:11 | 0:21:14 | |
Maybe you should be having this conversation with her. | 0:21:14 | 0:21:17 | |
I know she's intense, but... | 0:21:18 | 0:21:20 | |
I think she was trying to make you happy. | 0:21:20 | 0:21:23 | |
In her own way. SHE CHUCKLES | 0:21:23 | 0:21:25 | |
What? Cos a date with you is guaranteed to put me in a good mood, is it? | 0:21:25 | 0:21:29 | |
All right. I'll talk to her. | 0:21:31 | 0:21:33 | |
Dot! How nice to see you. | 0:21:36 | 0:21:39 | |
Ian. Charlie brought me here for a surprise. | 0:21:39 | 0:21:42 | |
I never knew that burgers could be so posh. | 0:21:42 | 0:21:46 | |
Yeah, but next time you're getting your own chips. | 0:21:46 | 0:21:48 | |
One or two of yours'll do me. | 0:21:48 | 0:21:50 | |
Are you all right, Ian? | 0:21:51 | 0:21:53 | |
Only Mr Maz-mood, he said that you'd gone home early. | 0:21:53 | 0:21:58 | |
Yeah, I'm... I'm feeling better. | 0:21:58 | 0:22:00 | |
-Right. -Right, come on. Let's get you home - it's nearly 11. | 0:22:00 | 0:22:03 | |
What? Is it that late? | 0:22:03 | 0:22:05 | |
I thought it was much earlier than that! | 0:22:05 | 0:22:07 | |
-Night, Dot. -Night. | 0:22:07 | 0:22:09 | |
You take care of yourself. | 0:22:10 | 0:22:12 | |
-Night, mate. -Goodnight. | 0:22:13 | 0:22:15 | |
Everything OK? | 0:22:19 | 0:22:20 | |
Yeah. | 0:22:20 | 0:22:22 | |
Well, one broken sideplate, | 0:22:22 | 0:22:25 | |
one mixed-up order, but we avoided a full-scale riot, so good, I think. | 0:22:25 | 0:22:30 | |
How are things your end? | 0:22:30 | 0:22:32 | |
Yeah, I'm... | 0:22:32 | 0:22:33 | |
I'm getting there. | 0:22:33 | 0:22:34 | |
Listen, I... | 0:22:35 | 0:22:37 | |
I should have said this earlier, all right? | 0:22:37 | 0:22:39 | |
I'm sorry about what happened between me and Jane. | 0:22:41 | 0:22:43 | |
How would you feel about coming and working here permanently? | 0:22:47 | 0:22:50 | |
-Really? -Yeah. | 0:22:50 | 0:22:52 | |
You've proved yourself. | 0:22:53 | 0:22:55 | |
-Yeah. That'd be great. -Yeah? | 0:22:55 | 0:22:58 | |
Thanks. | 0:22:58 | 0:22:59 | |
-Thanks for coming. See you again soon, I hope. -Here, boy. That's for you. | 0:23:03 | 0:23:06 | |
-See you later, sausage. -Bye. | 0:23:06 | 0:23:09 | |
-Sharon, can I have a quick word? -Yeah. | 0:23:09 | 0:23:12 | |
You won't be too hard on my brother, will you? | 0:23:12 | 0:23:14 | |
He loves this job. He loves you - he proper looks up to you. He's always banging on about you. | 0:23:14 | 0:23:18 | |
-Come on, Nance. Let's do the slips, please. -See ya. Bye. -See you later on. Thanks, Shal. | 0:23:18 | 0:23:22 | |
Steffi, Curtis, you can get off now. | 0:23:22 | 0:23:25 | |
-Good job, tonight. -Cheers. | 0:23:25 | 0:23:27 | |
Night, guys. Speak later, yeah? | 0:23:27 | 0:23:30 | |
Johnny... | 0:23:31 | 0:23:32 | |
-..could I have a word with you? -Yeah. | 0:23:34 | 0:23:36 | |
Sharon, you know, I just wanted to say again that I'm sorry. | 0:23:36 | 0:23:39 | |
I know I was totally irresponsible. | 0:23:39 | 0:23:41 | |
No, it's, er, nothing to do with that. | 0:23:41 | 0:23:44 | |
How do you fancy being my bar manager? | 0:23:44 | 0:23:46 | |
You still trust me? | 0:23:47 | 0:23:49 | |
If it wasn't for you, tonight would have been a total flop. | 0:23:49 | 0:23:52 | |
You know, you're bright. You've got good ideas. | 0:23:52 | 0:23:55 | |
You just need to wise up a bit, but I can teach you that. | 0:23:55 | 0:23:59 | |
So long as you hold back on any more impromptu private parties, OK? | 0:23:59 | 0:24:02 | |
Yeah. Er, oh, th... | 0:24:02 | 0:24:05 | |
I think we can do better than that, don't you? | 0:24:05 | 0:24:08 | |
Come here, sweetheart, give us a hug. Come here. | 0:24:08 | 0:24:11 | |
THEY CHUCKLE | 0:24:13 | 0:24:15 | |
Did Mick say you could have a lock-in? | 0:24:19 | 0:24:22 | |
You'd better ring him - Phil can be a bit of a beast on the OJs. | 0:24:23 | 0:24:27 | |
They're not back yet, then? | 0:24:27 | 0:24:28 | |
-Send out a search party, shall I(?) -Just cos you never cared about anyone more than yourself, | 0:24:28 | 0:24:33 | |
don't criticise me for having normal feelings. | 0:24:33 | 0:24:35 | |
Stuck-up cow. | 0:24:37 | 0:24:38 | |
If only she knew, eh? | 0:24:40 | 0:24:42 | |
Knew what? | 0:24:43 | 0:24:45 | |
I'm going to get SO much chicken. | 0:24:52 | 0:24:55 | |
SHE CHUCKLES What are you doing?! | 0:24:55 | 0:24:57 | |
-MICK: -All right, Nance. We've had enough aggro for one night, haven't we? | 0:24:57 | 0:25:00 | |
HE CLEARS HIS THROAT | 0:25:15 | 0:25:17 | |
You putting off the inevitable? | 0:25:22 | 0:25:23 | |
Going back to Stepford. | 0:25:26 | 0:25:27 | |
-She obviously doesn't make you happy. -Oh, happy? | 0:25:29 | 0:25:31 | |
Happy? And you're the expert, are you? | 0:25:31 | 0:25:33 | |
You can't keep pretending, Shirl. | 0:25:36 | 0:25:38 | |
Goodnight, Phil. | 0:25:41 | 0:25:43 | |
We ain't done talking yet. | 0:25:45 | 0:25:46 | |
Seeing as you have trouble picking up the phone... | 0:26:03 | 0:26:05 | |
just thought I'd make it easy for you. | 0:26:05 | 0:26:07 | |
Drop by. | 0:26:08 | 0:26:09 | |
You know, I love this bar. | 0:26:12 | 0:26:14 | |
Might sound stupid, but... | 0:26:14 | 0:26:16 | |
when I'm here, I'm happy. Like myself. | 0:26:16 | 0:26:19 | |
I don't think it's stupid. | 0:26:20 | 0:26:22 | |
I get it. | 0:26:22 | 0:26:23 | |
-You do? -Yeah. | 0:26:23 | 0:26:26 | |
You know, it's not just about being someone's mum or someone's wife. | 0:26:26 | 0:26:31 | |
If I can make a go of this, | 0:26:32 | 0:26:35 | |
well, I know I can stand on my own two feet. | 0:26:35 | 0:26:37 | |
Er... | 0:26:38 | 0:26:40 | |
are you and Phil all right? | 0:26:40 | 0:26:42 | |
-What do you mean? -Nothing. I shouldn't pry. | 0:26:43 | 0:26:46 | |
No, no, no, no, it's fine. | 0:26:46 | 0:26:48 | |
Well, I'm probably being paranoid, but... | 0:26:49 | 0:26:52 | |
there's a part of me that thinks he wants to see me fail. | 0:26:52 | 0:26:54 | |
Oh, know the feeling! | 0:26:54 | 0:26:57 | |
Your mum? | 0:26:57 | 0:26:58 | |
Yeah. I just... | 0:26:58 | 0:27:01 | |
-You know, I wish I could make her proud of me. -You will. | 0:27:01 | 0:27:04 | |
I just wanted to say thanks for this opportunity. | 0:27:05 | 0:27:07 | |
-I ain't going to let you down. -You'd better not. | 0:27:07 | 0:27:11 | |
-Well, we did good tonight. -Yeah. | 0:27:11 | 0:27:13 | |
-To the Albert. -To the Albert! | 0:27:13 | 0:27:15 | |
-I'm going to run upstairs and grab my coat. -OK. | 0:27:21 | 0:27:24 | |
SHE SIGHS HAPPILY | 0:27:26 | 0:27:28 | |
JOHNNY CLIMBS STAIRS > | 0:27:28 | 0:27:31 | |
BANGING | 0:27:31 | 0:27:32 | |
MAN GIVES ORDERS IN FOREIGN LANGUAGE CRASHING | 0:27:35 | 0:27:38 | |
GLASS SMASHES | 0:27:40 | 0:27:42 | |
HE GRUNTS | 0:27:49 | 0:27:50 | |
No! No! | 0:27:50 | 0:27:52 | |
INTRUDERS GRUNT > | 0:27:57 | 0:27:59 | |
You can't go on like this, Shirl. | 0:28:42 | 0:28:44 | |
Bottling it up, drinking yourself into oblivion. | 0:28:44 | 0:28:47 | |
I've been there, remember? | 0:28:47 | 0:28:48 | |
I told you, I don't want to talk about it. Not now, not ever. | 0:28:48 | 0:28:51 | |
Well, maybe... maybe I'd better have this conversation with Mick. | 0:28:51 | 0:28:56 | |
You wouldn't dare. | 0:28:58 | 0:28:59 | |
What do you want? | 0:29:04 | 0:29:06 | |
Repeat business, Ian. | 0:29:07 | 0:29:09 | |
Thought you of all people would appreciate that. | 0:29:09 | 0:29:12 | |
No. All right, that night was a one-off, OK? | 0:29:12 | 0:29:15 | |
It's not going to happen again, do you understand? | 0:29:15 | 0:29:19 | |
That's what they all say. | 0:29:19 | 0:29:20 | |
Sharon! | 0:29:35 | 0:29:36 | |
Sharon! | 0:29:38 | 0:29:39 | |
Sharon? | 0:29:41 | 0:29:42 | |
Sharon! | 0:29:43 | 0:29:44 | |
Seriously, I don't know where you put that. | 0:29:49 | 0:29:52 | |
Natural metabolism of youth, innit, Pops? | 0:29:52 | 0:29:54 | |
Well, you do know you're going to be ponying for England tomorrow, don't you? | 0:29:54 | 0:29:58 | |
Well... Oi, do you think we should wait for Johnny? | 0:29:58 | 0:30:01 | |
Sharon seemed really annoyed about them bouncers. | 0:30:01 | 0:30:04 | |
Just leave 'em to it. | 0:30:04 | 0:30:05 | |
No. His little face. What if she sacks him again? | 0:30:05 | 0:30:08 | |
Just turn it in. | 0:30:08 | 0:30:09 | |
No, I've got to ring him. | 0:30:09 | 0:30:10 | |
Hello, John. Have you still got your job? | 0:30:17 | 0:30:19 | |
Nance, it's Sharon. She's been attacked! | 0:30:19 | 0:30:23 | |
What? What you talking about? | 0:30:23 | 0:30:25 | |
She's... There's been a break-in. She's bleeding. | 0:30:25 | 0:30:29 | |
-Wait, wait, calm down. Are you all right? -What's happened? | 0:30:29 | 0:30:33 | |
No, come... | 0:30:33 | 0:30:34 | |
Yeah, ambulance. | 0:30:37 | 0:30:39 | |
It's The Albert Bar. Turpin Road, E20. | 0:30:39 | 0:30:43 | |
She's not moving and she's bleeding... | 0:30:43 | 0:30:45 | |
-Johnny! -Yeah. I don't know. She's breathing but... -You OK? -It's not... | 0:30:45 | 0:30:49 | |
-I don't know! -Give me the phone. | 0:30:49 | 0:30:51 | |
Calm down, calm down. Now what happened? | 0:30:51 | 0:30:54 | |
-I dunno. I heard this crash and... -She's not conscious. -You sure you're not hurt? | 0:30:54 | 0:30:58 | |
-Yeah. They didn't touch me. -Yeah, she's got a big cut on her head. | 0:30:58 | 0:31:01 | |
Listen, listen, lucky you was here, all right, son? Jump up, come on. | 0:31:01 | 0:31:05 | |
Yeah, OK. We need to stop the bleeding. | 0:31:05 | 0:31:07 | |
OK, well, then go and get a clean towel from the bar, baby. | 0:31:07 | 0:31:10 | |
I was wrecked that day. I didn't know what I was saying. | 0:31:10 | 0:31:13 | |
You expect me to believe that, eh? | 0:31:13 | 0:31:15 | |
And why the big secret, anyway? | 0:31:15 | 0:31:18 | |
-Just leave it, Phil. I mean it. -Shirley, I'm not judging you, am I? | 0:31:18 | 0:31:22 | |
After everything that's happened between us I still care about you, don't I? | 0:31:22 | 0:31:25 | |
Then go tell Sharon, cos I ain't worth it. | 0:31:25 | 0:31:28 | |
What are you talking about? I mean, having a kid when you're young... | 0:31:28 | 0:31:31 | |
it's hardly a crime, is it? | 0:31:31 | 0:31:33 | |
What about if you try to drown 'em in the bath? | 0:31:35 | 0:31:37 | |
What are you talking about? | 0:31:37 | 0:31:39 | |
After Mum had left, I tried... | 0:31:41 | 0:31:45 | |
I tried to keep it together but I couldn't hack it. | 0:31:48 | 0:31:51 | |
And then one day I just snapped. | 0:31:52 | 0:31:54 | |
That's the type of person you're talking to here. | 0:31:56 | 0:31:58 | |
What happened? | 0:32:00 | 0:32:01 | |
Shirley, what happened?! | 0:32:07 | 0:32:10 | |
Mick was about one... | 0:32:15 | 0:32:17 | |
And we'd been doing some painting and it got everywhere. | 0:32:19 | 0:32:22 | |
You know what kids are like. | 0:32:22 | 0:32:24 | |
And I put him in the bath... | 0:32:26 | 0:32:29 | |
tried to clean him up... | 0:32:29 | 0:32:31 | |
I didn't know what I was doing until Dad burst in and dragged him out. | 0:32:33 | 0:32:37 | |
You held him underwater? Your own son? | 0:32:39 | 0:32:42 | |
I never meant to! | 0:32:42 | 0:32:45 | |
I never wanted that. | 0:32:45 | 0:32:48 | |
It was just... | 0:32:51 | 0:32:53 | |
in that one moment...that one moment... The taps were running... | 0:32:53 | 0:32:58 | |
he was screaming... | 0:32:58 | 0:33:00 | |
When we got to the hospital, Dad wouldn't let me see him. | 0:33:05 | 0:33:08 | |
That's when they took him into care? | 0:33:11 | 0:33:13 | |
No, not at first. | 0:33:13 | 0:33:17 | |
But things were never the same after that. | 0:33:20 | 0:33:22 | |
They came back to the house, they saw Dad's empty bottles | 0:33:24 | 0:33:30 | |
and what a mess I was in. | 0:33:30 | 0:33:31 | |
And it was only a matter of time before they took Mick and Tina away. | 0:33:33 | 0:33:37 | |
Shirl, that was... It's over 30 years ago. | 0:33:39 | 0:33:41 | |
You can't keep torturing yourself about it. | 0:33:41 | 0:33:44 | |
I have to look at him | 0:33:44 | 0:33:45 | |
every single day, knowing that I can't really be his mum. | 0:33:45 | 0:33:50 | |
Then maybe I deserve that. | 0:33:56 | 0:33:57 | |
SIREN WAILS | 0:34:03 | 0:34:05 | |
'Hi, this is Ian Beale. | 0:34:17 | 0:34:19 | |
'Leave a message and I'll call you back as soon as I can.' | 0:34:19 | 0:34:21 | |
I like what you've done with this place. | 0:34:24 | 0:34:27 | |
Last time I was round here, this was just some old tat-shack, weren't it, eh? | 0:34:27 | 0:34:31 | |
Straight down to business, then? | 0:34:34 | 0:34:36 | |
Just take it and go, all right? | 0:34:36 | 0:34:38 | |
Stay away from me and stay away from the Square. Do you understand? | 0:34:38 | 0:34:41 | |
What, charming as ever? Ain't you even going to offer me a drink? | 0:34:41 | 0:34:45 | |
How about something to eat? I'm starving. | 0:34:45 | 0:34:47 | |
Are you serious? | 0:34:47 | 0:34:49 | |
Don't tell me you've got that nice big kitchen back there | 0:34:49 | 0:34:52 | |
just for show? | 0:34:52 | 0:34:54 | |
Just so that we're clear, all right? Good Friday never happened. | 0:34:54 | 0:34:58 | |
You've got to stop punishing yourself. It ain't healthy. | 0:35:01 | 0:35:05 | |
How old was you back then, anyway? | 0:35:05 | 0:35:08 | |
-14, going on 15. -No wonder you couldn't cope. | 0:35:08 | 0:35:13 | |
It's no excuse, is it? | 0:35:13 | 0:35:15 | |
And what about the dad? Where was he in all this? | 0:35:15 | 0:35:18 | |
He'd long gone. | 0:35:18 | 0:35:20 | |
And your old man. I mean, he never... | 0:35:20 | 0:35:22 | |
-No, nothing like that. Is that what you think? -I don't know, do I? | 0:35:26 | 0:35:31 | |
Do you remember the first time you fell in love? | 0:35:34 | 0:35:37 | |
Yeah, you do, I can tell. | 0:35:38 | 0:35:40 | |
Andy was his name. | 0:35:42 | 0:35:43 | |
Little bit older than me. | 0:35:44 | 0:35:46 | |
Good looking, nothing complicated. | 0:35:48 | 0:35:51 | |
One of three blokes that really ever meant anything to me. | 0:35:51 | 0:35:54 | |
And you and him...? | 0:35:56 | 0:35:58 | |
First time for everything, ain't there? | 0:36:00 | 0:36:02 | |
We had a laugh until I found out he got me into trouble. | 0:36:02 | 0:36:05 | |
And you didn't ever think about, you know...getting rid? | 0:36:05 | 0:36:09 | |
Well, 'course I did. But I was just a kid. | 0:36:09 | 0:36:12 | |
I didn't know what I was doing. It was the '70s. Nobody did. | 0:36:12 | 0:36:15 | |
By the time I got my head round it, Mum had cottoned on. | 0:36:15 | 0:36:20 | |
And Dad, after his old man died, | 0:36:20 | 0:36:21 | |
he wasn't out of the pub long enough to notice. | 0:36:21 | 0:36:25 | |
But for nine months? You're telling me he never knew? | 0:36:25 | 0:36:28 | |
Mum come up with a bright idea. | 0:36:28 | 0:36:30 | |
This cock and bull story that they needed some time apart. | 0:36:30 | 0:36:33 | |
I don't know. I never asked. | 0:36:33 | 0:36:35 | |
We ended up in some grotty little caravan site in the middle of nowhere. | 0:36:35 | 0:36:41 | |
With Aunt Babe and a chemical toilet. | 0:36:41 | 0:36:44 | |
And I swear it rained every single miserable day. | 0:36:44 | 0:36:49 | |
Until we got back. | 0:36:52 | 0:36:53 | |
And Dad had the son he always wanted. | 0:36:56 | 0:36:59 | |
And me and Tina had a little baby brother. | 0:36:59 | 0:37:02 | |
And nobody ever asked any questions. | 0:37:02 | 0:37:05 | |
No, nothing was said. We just carried on. | 0:37:05 | 0:37:08 | |
Aunt Babe and Mum took over and I'd grab a bottle of that, | 0:37:08 | 0:37:12 | |
go down the park and drink to forget. | 0:37:12 | 0:37:14 | |
And Mick? He don't know any of this? | 0:37:14 | 0:37:18 | |
No. And he's not going to. | 0:37:18 | 0:37:22 | |
Why? Why keep on lying? | 0:37:22 | 0:37:24 | |
Because he would never forgive me. | 0:37:24 | 0:37:27 | |
All these years. Haven't you wanted to tell him? | 0:37:27 | 0:37:30 | |
Of course I have. | 0:37:30 | 0:37:32 | |
But the longer it went on, the harder it got. | 0:37:32 | 0:37:35 | |
Once he was taken into care, that was it, I'd lost him. | 0:37:35 | 0:37:39 | |
Blimey. | 0:37:39 | 0:37:41 | |
Shirl, you're both adults now, you're living in the same place. | 0:37:41 | 0:37:44 | |
You could set the record straight any time. | 0:37:44 | 0:37:47 | |
Too late. 37 years too late. | 0:37:47 | 0:37:51 | |
Well, don't you think it's time you said something? | 0:37:51 | 0:37:54 | |
What, so he can see what a train wreck of a mother he's got? | 0:37:54 | 0:37:57 | |
That's right, poor old Shirl, always playing the martyr, ain't you? | 0:37:57 | 0:38:00 | |
Well, he's not going to thank me, is he? Would you? Would anyone? | 0:38:00 | 0:38:03 | |
Shirley, you're his mum. | 0:38:03 | 0:38:04 | |
So what? Look at Carly and Deano. | 0:38:04 | 0:38:08 | |
Fat lot of good I did them. | 0:38:08 | 0:38:09 | |
And don't even get me started on Jimbo. | 0:38:09 | 0:38:11 | |
Mick, he never had the chance for me to screw up his life. | 0:38:12 | 0:38:17 | |
He's come through it all clean. Good. Pure. | 0:38:17 | 0:38:20 | |
Perfect. | 0:38:20 | 0:38:21 | |
-Well, don't you think he deserves to know the truth? -No. | 0:38:21 | 0:38:26 | |
Cos I don't want to ruin what we've got now. | 0:38:26 | 0:38:29 | |
This stays between us. | 0:38:29 | 0:38:31 | |
SIREN APPROACHES | 0:38:33 | 0:38:35 | |
There's got to be something in here. | 0:38:37 | 0:38:39 | |
-Phil? -Sharon? Sharon? | 0:38:39 | 0:38:42 | |
-Don't move. -Right, listen, it's going to be OK. Just try not to move, please, yeah? | 0:38:42 | 0:38:46 | |
-Good girl. -All right, thank you, the ambulance is here. | 0:38:46 | 0:38:48 | |
-Right, come on, lively. Lively. -Phil... | 0:38:48 | 0:38:50 | |
I've got to go and get him. | 0:38:50 | 0:38:52 | |
That's it. That's it. | 0:38:52 | 0:38:53 | |
You're all right. | 0:38:54 | 0:38:56 | |
-She's just down there. Round the front. -Round here, please. | 0:38:56 | 0:39:00 | |
-What's her name? -Sharon. | 0:39:00 | 0:39:02 | |
Can you hear me? | 0:39:02 | 0:39:03 | |
Listen, I'm not going to say anything to Mick, of course I'm not... | 0:39:05 | 0:39:10 | |
but if you need to talk, you know where I am, don't you? | 0:39:11 | 0:39:15 | |
And you know that you can tell me stuff if you need to? | 0:39:15 | 0:39:18 | |
Just because you're a big hard man | 0:39:18 | 0:39:20 | |
doesn't mean to say you can't let people in. | 0:39:20 | 0:39:23 | |
You're drunk. | 0:39:23 | 0:39:24 | |
And you're bald, but I'll be sober in the morning. | 0:39:24 | 0:39:28 | |
But seriously, you're a good listener when you want to be. | 0:39:28 | 0:39:31 | |
Means a lot. | 0:39:31 | 0:39:32 | |
Night. | 0:39:38 | 0:39:39 | |
Night. | 0:39:41 | 0:39:42 | |
Phil! Phil, I've been trying to find you. | 0:40:12 | 0:40:16 | |
What? | 0:40:17 | 0:40:19 | |
-It's Sharon. -What? | 0:40:19 | 0:40:21 | |
Do you think she'll be all right? | 0:40:21 | 0:40:23 | |
Let's hope so, eh? | 0:40:23 | 0:40:24 | |
Sharon! | 0:40:26 | 0:40:28 | |
-Sharon! -Phil! | 0:40:28 | 0:40:30 | |
She came round. She was talking. | 0:40:31 | 0:40:33 | |
-They got here lively. -What happened?! | 0:40:33 | 0:40:35 | |
-There was a break-in. -Well, what about the bouncers? | 0:40:35 | 0:40:38 | |
-She sent them home. -She what?! | 0:40:38 | 0:40:40 | |
That's all I know. | 0:40:40 | 0:40:42 | |
Where was you in all this, eh? | 0:40:42 | 0:40:44 | |
Listen, it weren't his fault. | 0:40:44 | 0:40:46 | |
I reckon he scared 'em off, didn't you? | 0:40:46 | 0:40:48 | |
She was asking for you. | 0:40:48 | 0:40:50 | |
Come on, I'll run you up the hospital. Come on. | 0:40:51 | 0:40:54 | |
It's all changed round here, ain't it, eh? | 0:41:02 | 0:41:04 | |
My old mum still knocking about? | 0:41:06 | 0:41:09 | |
Or have the fags finally finished her off? | 0:41:09 | 0:41:11 | |
Can you hurry up? You're not here for a chat. | 0:41:11 | 0:41:15 | |
What about Tanya? | 0:41:15 | 0:41:17 | |
You all still mates? | 0:41:17 | 0:41:19 | |
No. She doesn't live round here any more. | 0:41:19 | 0:41:21 | |
Funny how things work out, isn't it? | 0:41:21 | 0:41:23 | |
I mean, of all the kerbs in all of London, you had to crawl on to mine. | 0:41:24 | 0:41:29 | |
That night... it was a mistake, OK? | 0:41:31 | 0:41:33 | |
It was a moment of madness. | 0:41:35 | 0:41:37 | |
I had no idea you were going to be there. | 0:41:37 | 0:41:39 | |
Still couldn't resist though, could you? | 0:41:39 | 0:41:42 | |
Look, you've got to stop doing this, all right? | 0:41:43 | 0:41:45 | |
You can't keep calling all hours, all right? | 0:41:45 | 0:41:49 | |
After tonight, I never want to see you again. | 0:41:49 | 0:41:51 | |
You're breaking my heart, Ian. | 0:41:51 | 0:41:54 | |
Look, you've had your money... | 0:41:54 | 0:41:56 | |
Ian? Ian, are you in here? | 0:41:56 | 0:42:00 | |
-It's Denise! -I'm game if you are. | 0:42:00 | 0:42:04 | |
Get in the kitchen. Go. Get in the kitchen. | 0:42:04 | 0:42:06 | |
Coming, love... | 0:42:08 | 0:42:10 | |
What are you doing over here in the dark? | 0:42:15 | 0:42:17 | |
This is all my fault. | 0:42:21 | 0:42:23 | |
-Shut up. How is it your fault? -Sharon wouldn't have sent them... | 0:42:23 | 0:42:26 | |
she wouldn't have sent them bouncers home if I hadn't messed up. | 0:42:26 | 0:42:29 | |
Do me a favour. Them meat-heads had it coming all night. | 0:42:29 | 0:42:32 | |
I should've stayed with her but I just... | 0:42:32 | 0:42:34 | |
-Drink that. -Nah. | 0:42:36 | 0:42:40 | |
The only ones to blame here are the scumbags who actually did it. | 0:42:40 | 0:42:44 | |
Just don't wake Mum and Grandad, yeah? | 0:42:44 | 0:42:47 | |
All right. More chance of waking a doped-up elephant. | 0:42:47 | 0:42:50 | |
I just know they'll think I'm weak and soft. | 0:42:50 | 0:42:54 | |
Like I can't look out for myself. | 0:42:56 | 0:42:58 | |
-Why? Why would they think that? -You know why. | 0:42:58 | 0:43:01 | |
John, you have nothing to be ashamed of tonight. You know that, don't you? | 0:43:03 | 0:43:06 | |
You try telling that to Mum. | 0:43:06 | 0:43:08 | |
She ain't even bothered showing her face again. | 0:43:08 | 0:43:11 | |
That's her loss. | 0:43:11 | 0:43:13 | |
Look, Nance, I just want to go get some sleep | 0:43:14 | 0:43:17 | |
and see how Sharon's doing in the morning. Please, yeah? | 0:43:17 | 0:43:20 | |
-All right. -Thank you. | 0:43:20 | 0:43:21 | |
What time do you call this? | 0:43:21 | 0:43:23 | |
Does nobody in this family know how to text? | 0:43:23 | 0:43:26 | |
So come on then, what's your excuse? | 0:43:26 | 0:43:28 | |
Johnny, what's happened? | 0:43:32 | 0:43:34 | |
It's getting on for midnight! When you didn't answer your phone, I didn't know what to think. | 0:43:35 | 0:43:39 | |
I was just sat here thinking about what Peter said... | 0:43:39 | 0:43:42 | |
and maybe he's right. | 0:43:42 | 0:43:45 | |
Oh, come here. | 0:43:45 | 0:43:47 | |
Hey, look, Peter will come around. | 0:43:48 | 0:43:51 | |
And you've got nothing to feel guilty about. | 0:43:51 | 0:43:53 | |
I know. I know. | 0:43:53 | 0:43:55 | |
OK. Look, after the trial, it'll get better. You'll see. | 0:43:55 | 0:44:00 | |
Look, I know nothing can bring Lucy back, | 0:44:00 | 0:44:03 | |
but once it's all over and Jake is in prison... | 0:44:05 | 0:44:08 | |
we can start to put Good Friday behind us, OK? | 0:44:09 | 0:44:12 | |
Come on. Let's get you home. | 0:44:15 | 0:44:17 | |
Look, I'll just clear this up first. | 0:44:17 | 0:44:19 | |
-Ian... -I'll be five minutes, promise. | 0:44:19 | 0:44:22 | |
Sharon Rickman. Where is she? | 0:44:41 | 0:44:43 | |
Do I have to find her myself? Or search the place... | 0:44:43 | 0:44:46 | |
-Phil... Phil, you've got to calm down. -Sharon. | 0:44:46 | 0:44:48 | |
I don't need to calm down. I need to find where Sharon is! | 0:44:48 | 0:44:50 | |
-Can I help? -Sharon Rickman. -I heard you. Are you family? | 0:44:50 | 0:44:53 | |
-Yeah. Well, as good as, yeah. -He's her other half. This is Phil Mitchell. | 0:44:53 | 0:44:57 | |
-Where is she? -She's been taken through to resus. | 0:44:57 | 0:44:59 | |
She has some internal injuries which we're investigating now.... | 0:44:59 | 0:45:03 | |
-How bad? -They're serious but we're working to find the best way to manage them. | 0:45:04 | 0:45:09 | |
We really are doing all we can for her. | 0:45:09 | 0:45:11 | |
She was talking though, right? I mean, that's a good sign, isn't it? | 0:45:14 | 0:45:17 | |
Yeah. And the ambulance guys were amazing. | 0:45:17 | 0:45:19 | |
And are you sure they didn't hurt you? | 0:45:19 | 0:45:22 | |
-Yeah! -Sit down, you're in shock. -He's not in shock, Mum. | 0:45:22 | 0:45:25 | |
-Look at him, he's shaking. -I'm not in shock! | 0:45:25 | 0:45:27 | |
-I'll make us all some hot chocolate. -Mum, just leave it. | 0:45:27 | 0:45:29 | |
-Mums fuss. It's what we do. -How many times? I'm fine. | 0:45:29 | 0:45:33 | |
I can't stop thinking about poor Sharon. I'm going to call your dad. | 0:45:33 | 0:45:36 | |
He'd have rung if there was any news, wouldn't he? | 0:45:36 | 0:45:39 | |
-What are you all still doing up? -There was a break-in at The Albert. | 0:45:40 | 0:45:45 | |
Mick had to give Phil a lift up the hospital. | 0:45:45 | 0:45:47 | |
-Here you are. -Cheers. | 0:45:52 | 0:45:54 | |
Still no news, I take it? | 0:45:55 | 0:45:58 | |
No. Just waiting. | 0:45:58 | 0:45:59 | |
Linda called. She said they're all thinking of you and Sharon. | 0:46:01 | 0:46:05 | |
She said she'd slip round, go and see Dennis, | 0:46:06 | 0:46:08 | |
see if he's all right if you want. | 0:46:08 | 0:46:10 | |
No, there's no sense in waking him. | 0:46:10 | 0:46:13 | |
Sure? | 0:46:13 | 0:46:14 | |
No. | 0:46:14 | 0:46:16 | |
Jay's looking after him. | 0:46:16 | 0:46:19 | |
Might as well leave 'em until we know something. | 0:46:19 | 0:46:21 | |
You know some people hate the smell of hospitals, don't they? | 0:46:23 | 0:46:28 | |
Disinfectant or whatever it is. | 0:46:28 | 0:46:30 | |
But me, it just reminds me of when my kids were born. | 0:46:32 | 0:46:34 | |
Little Nancy, coming out kicking and screaming. Proper little fighter. | 0:46:34 | 0:46:39 | |
Johnny... | 0:46:39 | 0:46:41 | |
we was in and out of that neo-natal for weeks, | 0:46:41 | 0:46:44 | |
never knew if he was going to make it. | 0:46:44 | 0:46:47 | |
-Kids, who'd have 'em, eh? -Yeah. | 0:46:47 | 0:46:52 | |
Don't get me wrong, living with Shirl | 0:46:54 | 0:46:57 | |
and having everyone wrapped round me under the same roof... | 0:46:57 | 0:46:59 | |
I've never been happier. | 0:46:59 | 0:47:01 | |
Suppose what I'm trying to say is - that smell, | 0:47:01 | 0:47:05 | |
it reminds me that this place is where people save lives. | 0:47:05 | 0:47:10 | |
It's where miracles happen. | 0:47:10 | 0:47:12 | |
-Mr Mitchell? -Yeah, what's happening? -Follow me and we can talk somewhere more private. | 0:47:13 | 0:47:18 | |
I don't need somewhere private. I just need to know how Sharon is. | 0:47:18 | 0:47:20 | |
She's stable for now but there's still some concern. | 0:47:20 | 0:47:23 | |
-We suspect she may have ruptured her spleen. -Can I see her? | 0:47:23 | 0:47:26 | |
She's unconscious from the anaesthetic she was given in resus. | 0:47:26 | 0:47:29 | |
We're preparing to take her into surgery. | 0:47:29 | 0:47:31 | |
PHONE BEEPS | 0:47:33 | 0:47:35 | |
Right, your taxi's here. I told it to wait on George Street. | 0:47:35 | 0:47:38 | |
Cost a fortune at this hour. | 0:47:39 | 0:47:41 | |
-I've only got twenties. -Perfect. | 0:47:43 | 0:47:46 | |
Make sure you're not seen. | 0:47:47 | 0:47:50 | |
I'm so sorry about Lucy, by the way. | 0:47:50 | 0:47:52 | |
Doesn't bear thinking about. | 0:47:54 | 0:47:56 | |
Her last night on earth while you and me were... | 0:47:56 | 0:48:00 | |
Yeah. Biggest mistake of my life. | 0:48:00 | 0:48:03 | |
And one that I will have to live with. | 0:48:03 | 0:48:05 | |
You don't have to worry. | 0:48:05 | 0:48:08 | |
I won't breathe a word. | 0:48:08 | 0:48:10 | |
-Thank you. -It's not something you'd want getting out. | 0:48:11 | 0:48:15 | |
Especially given the circumstances. | 0:48:15 | 0:48:16 | |
No. I appreciate that. | 0:48:16 | 0:48:18 | |
We'll say the same amount tomorrow then, shall we? | 0:48:20 | 0:48:22 | |
What? | 0:48:24 | 0:48:25 | |
Well, what would Denise think if she knew where you really were? | 0:48:26 | 0:48:30 | |
-Never mind Peter. -Now, hold on a minute. | 0:48:30 | 0:48:32 | |
I can make it the end of the week, or whenever. I'm easy. | 0:48:32 | 0:48:35 | |
-You can't do this. -Just chill, man. Sounds like you're getting off cheap. | 0:48:35 | 0:48:40 | |
Just the way you like it. | 0:48:41 | 0:48:43 | |
I'll catch you next time, Ian. | 0:48:49 | 0:48:51 | |
Well, we was on the phone to the ambulance people, | 0:48:59 | 0:49:01 | |
but Dad was in there in, like, full action man mode. | 0:49:01 | 0:49:04 | |
I'm so proud of you three. | 0:49:04 | 0:49:06 | |
He was the one who chased 'em off. He should get all the glory. | 0:49:06 | 0:49:08 | |
-That's my sausage. -It weren't like that. | 0:49:08 | 0:49:10 | |
Don't be so modest. If you hadn't been there to see them off, | 0:49:10 | 0:49:13 | |
Lord knows what might've happened. | 0:49:13 | 0:49:15 | |
-PHONE RINGS -Sorry, I've still got your phone. It's unknown. | 0:49:15 | 0:49:19 | |
Shall I answer it? | 0:49:19 | 0:49:21 | |
Hello? | 0:49:21 | 0:49:22 | |
I can't imagine what it must've been like. | 0:49:26 | 0:49:29 | |
I worry about your brother halfway round the world | 0:49:29 | 0:49:31 | |
-when something like this happens on your own doorstep. -It's OK. | 0:49:31 | 0:49:34 | |
-After poor Lucy Beale... makes you think, don't it? -It's all right. | 0:49:34 | 0:49:37 | |
At least you're all right. You should get danger money for riding to the rescue. | 0:49:37 | 0:49:40 | |
-Look at you... -MUM! Can you please just leave it? Please! | 0:49:40 | 0:49:43 | |
That was the police. They're round The Albert now. | 0:49:49 | 0:49:52 | |
Well? What did they say? | 0:49:52 | 0:49:54 | |
They're going to come here and ask us some questions. | 0:49:54 | 0:49:58 | |
Fine. | 0:49:58 | 0:49:59 | |
-Sharon! -You need to wait here. | 0:50:38 | 0:50:40 | |
-I just want to talk to her. -We have to get her up to theatre. It'll be at least a few hours. | 0:50:40 | 0:50:44 | |
-Sharon, I'm here for you, all right? Sharon! -Mr Mitchell, please. -She's in good hands. | 0:50:44 | 0:50:47 | |
Just let them do what they've got to do. | 0:50:47 | 0:50:49 | |
Listen, I'm not being funny or anything, all right, but why don't you get off? | 0:50:49 | 0:50:53 | |
-What, leave you climbing the walls? -I'm fine, OK? | 0:50:53 | 0:50:55 | |
Thanks for what you did, but I can deal with this on my own. | 0:50:55 | 0:50:58 | |
-You're all right, Mick. I've got this. -What you doing here? | 0:50:58 | 0:51:02 | |
I thought you could use a mate. | 0:51:02 | 0:51:04 | |
You better get back. Johnny's really shook up. | 0:51:04 | 0:51:09 | |
If you need anything, Phil, you just let me know, yeah? | 0:51:11 | 0:51:15 | |
Get back to your boy, Mick. | 0:51:15 | 0:51:17 | |
We'd closed up for the night. I'd gone upstairs to get my coat... | 0:51:26 | 0:51:31 | |
Were the front doors locked? | 0:51:31 | 0:51:33 | |
-Yeah. I think so. I dunno. -Can't this wait till the morning? You can see he's shattered. | 0:51:33 | 0:51:37 | |
It's best if we can get as much detail as possible while it's fresh in your mind. | 0:51:37 | 0:51:42 | |
It was kind of all over before I knew it, really. | 0:51:42 | 0:51:44 | |
How many of them were there? | 0:51:46 | 0:51:48 | |
It was dark. | 0:51:49 | 0:51:50 | |
Take your time. Try to remember. | 0:51:51 | 0:51:54 | |
I don't know. Three, maybe. | 0:51:58 | 0:52:00 | |
What did they look like? | 0:52:01 | 0:52:03 | |
Uh...it's all a bit of blur. I can't really think straight. | 0:52:04 | 0:52:07 | |
Maybe tomorrow, eh? | 0:52:07 | 0:52:09 | |
The sooner we can get a description, the better. | 0:52:09 | 0:52:12 | |
I didn't see... | 0:52:14 | 0:52:16 | |
-How about what they were wearing? -I don't know! | 0:52:18 | 0:52:20 | |
You must've caught a glimpse... | 0:52:20 | 0:52:22 | |
I don't know, cos I was upstairs, all right? | 0:52:22 | 0:52:24 | |
When Sharon was down there, getting battered half to death... | 0:52:24 | 0:52:27 | |
I sat upstairs and hid. | 0:52:27 | 0:52:29 | |
I think that's enough for tonight, don't you? | 0:52:31 | 0:52:33 | |
We'll leave it there for now. | 0:52:33 | 0:52:36 | |
But we'd better speak to your daughter too, if that's OK? | 0:52:36 | 0:52:39 | |
Yeah, course. She's downstairs. | 0:52:39 | 0:52:42 | |
HE SOBS | 0:52:42 | 0:52:44 | |
I'm sorry. | 0:52:47 | 0:52:50 | |
I'm sorry. | 0:52:50 | 0:52:51 | |
-Thought you hated these places. -I do. But I owe you. | 0:52:58 | 0:53:01 | |
How you holding up? | 0:53:02 | 0:53:04 | |
I'm not the one in surgery, am I? | 0:53:05 | 0:53:07 | |
Still. Must be rough, though. | 0:53:08 | 0:53:10 | |
Look, Phil, you and Mick, you... | 0:53:13 | 0:53:16 | |
Do you know what, Sharon is fighting for her life in there, | 0:53:17 | 0:53:20 | |
-so right now I couldn't give a monkey's about your little secret, OK? -Yeah. Sorry. | 0:53:20 | 0:53:24 | |
So what happened at The Albert? Couple of dodgy punters? | 0:53:25 | 0:53:28 | |
How the hell would I know? I was too busy listening to your life story, weren't I? | 0:53:28 | 0:53:32 | |
-Oh, so this is my fault? -No, it's mine. | 0:53:32 | 0:53:34 | |
What do you mean? | 0:53:37 | 0:53:38 | |
It's all right, they've gone. | 0:53:48 | 0:53:50 | |
Mum, I tried. I tried to tell you. | 0:53:50 | 0:53:53 | |
You didn't have to lie to us. | 0:53:53 | 0:53:55 | |
I didn't lie! Everybody just assumed. | 0:53:55 | 0:53:57 | |
Mum, if I could go back... | 0:53:58 | 0:54:00 | |
We'll have none of that. You did what anyone would've done. | 0:54:00 | 0:54:04 | |
Yeah. Not Dad or Lee or Nancy. | 0:54:05 | 0:54:07 | |
No, they would have gone down there and taken 'em all on. | 0:54:07 | 0:54:11 | |
And who raised the alarm in the first place, eh? You did. That's what matters. | 0:54:11 | 0:54:15 | |
Yeah, but what if... Mum, what if she dies? | 0:54:15 | 0:54:20 | |
That is not going to happen, you hear me? | 0:54:20 | 0:54:22 | |
I wanted to do something... you know, wanted to go down there and help her... | 0:54:22 | 0:54:26 | |
I know, sausage. I know. It's OK. | 0:54:26 | 0:54:28 | |
I don't want another Lee to worry about. | 0:54:30 | 0:54:32 | |
I'd rather my little boy kept himself out of harm's way. | 0:54:33 | 0:54:38 | |
What does that mean? | 0:54:38 | 0:54:40 | |
There's no shame in staying out of trouble. | 0:54:40 | 0:54:43 | |
We both know you've got more sense than to go flying in with your fists. | 0:54:43 | 0:54:48 | |
-You know, I knew you'd be like this. -What? What've I said? | 0:54:48 | 0:54:52 | |
Mum, I left Sharon to die down there, do you not get that? | 0:54:52 | 0:54:55 | |
She's laid up in that hospital cos of me! | 0:54:55 | 0:54:57 | |
Pipe down, pipe down, you'll wake the old boy up. | 0:54:57 | 0:54:59 | |
Now what's the agg? | 0:54:59 | 0:55:01 | |
Well, go on, then, tell him. | 0:55:01 | 0:55:03 | |
Tell him how proud we must be to have this coward in the family. | 0:55:03 | 0:55:07 | |
Johnny... | 0:55:08 | 0:55:11 | |
You can't blame yourself. | 0:55:16 | 0:55:19 | |
You weren't to know what was happening. | 0:55:19 | 0:55:22 | |
-What if she don't make it? -She will. | 0:55:22 | 0:55:24 | |
What if she don't? | 0:55:24 | 0:55:25 | |
Stop worrying about that, and worry about finding | 0:55:25 | 0:55:28 | |
the low-lives that did it and making them pay. | 0:55:28 | 0:55:30 | |
-I can't do that. -Why? | 0:55:30 | 0:55:32 | |
Cos I'm the one... | 0:55:36 | 0:55:38 | |
I'm the one who sent them over there in the first place. | 0:55:39 | 0:55:41 | |
What? | 0:55:41 | 0:55:44 | |
They was... | 0:55:44 | 0:55:46 | |
They was only meant to scare her. | 0:55:46 | 0:55:48 | |
-Any news on Sharon? -Not since last night. | 0:56:14 | 0:56:18 | |
You should have seen the state they left her in, Shirl. | 0:56:19 | 0:56:21 | |
What kind of scum does that to a woman? | 0:56:21 | 0:56:24 | |
Let's get out of here. | 0:56:32 | 0:56:33 | |
-What time is it? -Gone nine. -Why isn't my alarm working? | 0:56:41 | 0:56:44 | |
Because we've run out of leccy. | 0:56:44 | 0:56:46 | |
Well, why ain't you gone and topped it up then? | 0:56:46 | 0:56:48 | |
Cos I had to be up first thing to get Janet ready for her school trip. | 0:56:48 | 0:56:51 | |
It wouldn't do you two any harm to stick your hand in your pocket | 0:56:51 | 0:56:55 | |
-now and again. -Someone got out of the wrong side of bed this morning! | 0:56:55 | 0:56:58 | |
-Sharon almost died last night, OK?! -What? | 0:56:58 | 0:57:01 | |
And it ain't looking good. | 0:57:03 | 0:57:04 | |
MONITORS BEEP, VENTILATOR PUMPS | 0:57:08 | 0:57:11 | |
Her blood pressure is improving. | 0:57:18 | 0:57:20 | |
Why isn't she awake? | 0:57:23 | 0:57:24 | |
Mrs Rickman lost a lot of blood. Her spleen was very badly damaged. | 0:57:24 | 0:57:28 | |
We had to remove it during the surgery. | 0:57:28 | 0:57:30 | |
We're giving her a period of stability before waking her. | 0:57:30 | 0:57:33 | |
-She's going to be all right, though? -She had a big operation, | 0:57:34 | 0:57:38 | |
but her recovery appears to be going in the right direction. | 0:57:38 | 0:57:41 | |
We'll continue monitoring her. | 0:57:41 | 0:57:43 | |
Are me and you friends again? I told you, didn't I? | 0:58:00 | 0:58:04 | |
I mean, everything feels better after a good night's sleep. | 0:58:04 | 0:58:06 | |
I've sent your sister off to your gran's. | 0:58:06 | 0:58:09 | |
-I thought me and you could dig out my Friends box set. -I can't. | 0:58:09 | 0:58:13 | |
-I'm going to tell Phil. -I feel like a crumpet. | 0:58:13 | 0:58:17 | |
-Do you want me to make you one? -Mum... This ain't right. | 0:58:17 | 0:58:20 | |
-People thinking I'm some sort of hero. -You are, in my eyes. -Here you go again. | 0:58:20 | 0:58:23 | |
What do you want me to say, Johnny? | 0:58:23 | 0:58:25 | |
Go out there and tell everyone you hid whilst Sharon got the stuffing knocked out of her? | 0:58:25 | 0:58:29 | |
Because people round here... They ain't a forgiving bunch, believe me. | 0:58:29 | 0:58:32 | |
So you want me to lie, then? | 0:58:32 | 0:58:34 | |
I just don't want you making life harder for yourself. | 0:58:34 | 0:58:36 | |
-HE SIGHS -Yeah, what's the point? | 0:58:36 | 0:58:39 | |
-SHE SCOFFS -I can't do right for doing wrong these days. | 0:58:39 | 0:58:42 | |
-Just let the boy cool down. -I tried calling the hospital. -And? | 0:58:42 | 0:58:47 | |
-They won't tell me anything. -What about your crumpet? | 0:58:47 | 0:58:51 | |
-I ain't hungry. -Steady. | 0:58:51 | 0:58:55 | |
Tracey let me in. I was looking for Grandad. | 0:58:55 | 0:58:57 | |
I saw him whacking on a drop of Brut earlier. | 0:58:57 | 0:59:00 | |
So chances are he's wrapped round that Cora treacle. | 0:59:00 | 0:59:02 | |
Listen, them deliveries downstairs...I'd appreciate | 0:59:02 | 0:59:06 | |
you clearing them. | 0:59:06 | 0:59:07 | |
-Yeah, I'm on to it. -So, it's all taking shape, is it? | 0:59:07 | 0:59:10 | |
Yeah, it's all coming together. | 0:59:10 | 0:59:11 | |
Who'd have thought it, eh? Us Carters. | 0:59:11 | 0:59:14 | |
-Practically running this square. -I'm a Wicks. -Here he is. | 0:59:14 | 0:59:19 | |
-Walford's answer to Vidal Sassoon. -Oi. Oi. | 0:59:19 | 0:59:23 | |
You don't live here no more, you. | 0:59:23 | 0:59:24 | |
Well, then, tell pretty boy then to stop guzzling all the milk. | 0:59:24 | 0:59:27 | |
I've gotta shift those boxes. | 0:59:27 | 0:59:28 | |
-Come on, then! Show us your moves! -Teen... -What are you talking about? | 0:59:30 | 0:59:33 | |
Everybody on the market's talking about it. | 0:59:33 | 0:59:35 | |
How you took on them robbers single-handed. | 0:59:35 | 0:59:37 | |
Listen, where're you going? | 0:59:37 | 0:59:39 | |
Going to see if Phil needs help clearing up. | 0:59:39 | 0:59:41 | |
-Do you think that's wise? -I've got to do something, haven't I? | 0:59:41 | 0:59:45 | |
MONITORS BEEP, VENTILATOR PUMPS | 0:59:49 | 0:59:53 | |
PHIL SIGHS | 0:59:53 | 0:59:55 | |
Ronnie's...Ronnie's taken Denny to school. | 0:59:55 | 0:59:59 | |
I told him you had a little bump on the head, | 0:59:59 | 1:00:02 | |
but that there was nothing to worry about. | 1:00:02 | 1:00:04 | |
-I'm sorry, Sharon, I'm so... I'm so sorry. -Phil? | 1:00:07 | 1:00:13 | |
I had no idea it was this bad. | 1:00:19 | 1:00:21 | |
Billy said they've had to remove her spleen. Is that right? | 1:00:24 | 1:00:27 | |
What sort of world are we living in? | 1:00:29 | 1:00:32 | |
I mean, they could've killed her. | 1:00:32 | 1:00:34 | |
-I need some air. -Phil... | 1:00:36 | 1:00:39 | |
I thought I'd lost her. | 1:00:43 | 1:00:44 | |
-CORA: How's Johnny holding up? -STAN: Still a bit shaken. | 1:01:02 | 1:01:05 | |
From what I heard, he had a lucky escape. Has he said how it happened? | 1:01:05 | 1:01:09 | |
-All over in a flash, apparently. -Put up a good fight, though. | 1:01:09 | 1:01:14 | |
-Brave kid. -Yeah. | 1:01:14 | 1:01:15 | |
Thank you. | 1:01:22 | 1:01:23 | |
-How is she? -She's... She's not good, Dot. | 1:01:25 | 1:01:29 | |
What have they said? | 1:01:31 | 1:01:33 | |
The nurse said that she had a comfortable night. | 1:01:33 | 1:01:36 | |
They always say that. | 1:01:36 | 1:01:37 | |
Who'd do this to her? | 1:01:41 | 1:01:42 | |
Oh, don't you worry, Ian. | 1:01:44 | 1:01:47 | |
It'll take more than a couple of hooligans to knock | 1:01:47 | 1:01:49 | |
Sharon Watts off her perch. | 1:01:49 | 1:01:51 | |
-Shirl... -I don't want to hear it. | 1:02:19 | 1:02:21 | |
She's your partner, Phil. What were you thinking?! | 1:02:27 | 1:02:30 | |
Yeah... | 1:02:37 | 1:02:39 | |
Yeah, OK - well, look, if you hear anything you let me know, OK? | 1:02:39 | 1:02:42 | |
-How is she? -Phil, I just spoke to one of the blokes who used to do | 1:02:45 | 1:02:48 | |
security at the club. And he's going to put the word about, OK? | 1:02:48 | 1:02:51 | |
Five minutes alone with them in a room. That'd do me. | 1:02:51 | 1:02:53 | |
-Phil, have you even slept? -What about the Old Bill? | 1:02:53 | 1:02:56 | |
There's nothing they can do until the doctors bring her round. | 1:02:58 | 1:03:01 | |
-Yeah...IF they bring her round. -How much did they get away with? | 1:03:01 | 1:03:05 | |
-Nothing. -They go to all that trouble and come away empty-handed?! | 1:03:05 | 1:03:09 | |
-I don't believe that! -Listen, you lot go, yeah? | 1:03:09 | 1:03:12 | |
I'm going to go and collect Denny from school. | 1:03:12 | 1:03:14 | |
-Well, no, let me stay and help. -Look, just GO! | 1:03:14 | 1:03:17 | |
Just go, please. | 1:03:17 | 1:03:18 | |
FRONT DOOR CLOSES | 1:03:30 | 1:03:32 | |
The Arches. Yeah. In an hour. | 1:03:36 | 1:03:40 | |
-Hey, Dad... -You all right? -MOBILE RINGS | 1:03:42 | 1:03:45 | |
-How's Sharon? -Yeah, she's... | 1:03:45 | 1:03:47 | |
-You all right? -Yeah, I'm fine. | 1:03:47 | 1:03:50 | |
Ah, Mr Beale... How are things at home? Getting easier, I hope? | 1:03:50 | 1:03:54 | |
I'm due at the restaurant, Mr Coker, I'm... | 1:03:54 | 1:03:56 | |
It's just that I was wondering | 1:03:56 | 1:03:58 | |
when you were thinking about settling your account. | 1:03:58 | 1:04:02 | |
Of course there's no rush, but I do have my own overheads to consider. | 1:04:02 | 1:04:06 | |
-You'll get your money. -I understand emotions must be... | 1:04:06 | 1:04:10 | |
-Look, I said I'd do it, didn't I?! -Dad? | 1:04:10 | 1:04:12 | |
Thank you, Mr Beale. Much appreciated. | 1:04:13 | 1:04:16 | |
-Roxy... Is Phil about? -Oh... | 1:04:22 | 1:04:27 | |
I wouldn't bother him, if I was you. | 1:04:27 | 1:04:29 | |
I was just wondering if you needed some help cleaning up | 1:04:29 | 1:04:31 | |
The Albert, once the police have gone. | 1:04:31 | 1:04:33 | |
-No, don't be silly, you don't have to do that! -I want to. | 1:04:33 | 1:04:36 | |
-Look, thank you for what you did for Sharon. -Nothing. It's nothing. | 1:04:36 | 1:04:42 | |
RADIO ON IN THE BACKGROUND Jay. | 1:04:50 | 1:04:52 | |
-Take an early lunch, will you? -No, you're all right. | 1:04:52 | 1:04:55 | |
It's LUNCH TIME. Yeah?! | 1:04:58 | 1:05:00 | |
-Cora Cross! What do you think you're playing at? -Here we go. | 1:05:08 | 1:05:14 | |
I give you strict instructions as to what to do in my absence | 1:05:14 | 1:05:16 | |
and what do I find when I get back? A liquid lunch at 11:30. | 1:05:16 | 1:05:21 | |
I've just spent a very trying morning in the hospital. | 1:05:21 | 1:05:24 | |
The last thing I need is an unruly workforce. | 1:05:24 | 1:05:27 | |
-How's Sharon, Mrs Branning? -Hooked up to all sorts of machines. | 1:05:27 | 1:05:31 | |
I heard it's touch and go. Brain damage. | 1:05:31 | 1:05:35 | |
You should be ashamed of yourself. | 1:05:35 | 1:05:37 | |
-A grown man like you sitting around gossiping. -I say it as I see it. | 1:05:37 | 1:05:42 | |
-Who's Cora hooked herself up with? -That's Stan, it's Mick's dad. | 1:05:42 | 1:05:47 | |
She passed a comfortable night, according to the doctors. | 1:05:47 | 1:05:52 | |
-Have they any idea at all who might be behind it? -Oh, Patrick... | 1:05:52 | 1:05:56 | |
-I'll have a tomato juice. -Of course. | 1:05:56 | 1:05:59 | |
..Whoever them hooligans were, they've left her as good as dead. | 1:05:59 | 1:06:04 | |
-I heard it was gangland related. -Who said that? -Marie told Donna. | 1:06:04 | 1:06:09 | |
-Don't be so stupid. -You think they might be after Phil? | 1:06:09 | 1:06:12 | |
Well, he's not short of enemies. | 1:06:12 | 1:06:14 | |
It was just a break-in that went wrong, that's all! | 1:06:14 | 1:06:16 | |
Now, can we talk about something else, please?! | 1:06:16 | 1:06:18 | |
There's something I don't understand. | 1:06:18 | 1:06:20 | |
-Why did they go after Sharon and not Johnny? -What're you saying, Stan? | 1:06:20 | 1:06:23 | |
-That it should be Johnny in that hospital?! -L. -The boy was there. | 1:06:23 | 1:06:26 | |
He saw it all. He comes away without a scratch. | 1:06:26 | 1:06:29 | |
He was upstairs cashing up. He didn't hear anything. Honestly! | 1:06:29 | 1:06:33 | |
Have you lot got nothing better to do than sit around and gossip?! | 1:06:33 | 1:06:36 | |
One second. | 1:06:37 | 1:06:39 | |
-Where're you going? -I want to be with my boy. | 1:06:39 | 1:06:41 | |
-He's not here. -Well, where is he? | 1:06:41 | 1:06:44 | |
He wanted to make a start on clearing up The Albert. | 1:06:44 | 1:06:47 | |
And you let him go?! I can't believe you sometimes, Mick Carter! | 1:06:47 | 1:06:51 | |
-You need to get over to The Arches. -I'm busy. | 1:06:57 | 1:07:00 | |
It's Phil. | 1:07:00 | 1:07:02 | |
-He's not in a good place. -Phil can fight his own battles. | 1:07:02 | 1:07:06 | |
He needs you, Shirl. | 1:07:06 | 1:07:08 | |
Smash the place up a bit, I told you! Break a few glasses! | 1:07:18 | 1:07:22 | |
You nearly killed her! | 1:07:22 | 1:07:23 | |
-You said there'd be someone on the door! -Yeah, they got sent home! | 1:07:23 | 1:07:26 | |
-She attacked us! -So what?! | 1:07:26 | 1:07:28 | |
You thought you'd give her a taste of her own medicine? | 1:07:28 | 1:07:31 | |
-Is that it, eh?! -It's not our fault! -Then whose fault is it, you mug?! | 1:07:31 | 1:07:34 | |
YOU! You did this! | 1:07:34 | 1:07:36 | |
Phil, stop it! He's not worth it! | 1:07:36 | 1:07:39 | |
-What about our money?! -Just go! -No! We did our job! You pay us now! | 1:07:42 | 1:07:46 | |
All right, all right! You come back at four o'clock, all right? | 1:07:46 | 1:07:50 | |
You'll get your damn money! I need to sort him out first, just go! | 1:07:50 | 1:07:54 | |
What the hell were you thinking?! Ain't you in enough trouble?! | 1:07:58 | 1:08:02 | |
Thank you. | 1:08:05 | 1:08:06 | |
And it's not just the physical scars, you know. | 1:08:06 | 1:08:09 | |
A trauma like that...it can take months, years even to get over. | 1:08:09 | 1:08:14 | |
-Your husband. He's not at the shop. -He's out on a job. Can I help? | 1:08:14 | 1:08:18 | |
My dad's got enough on his plate, without you lot hassling him. | 1:08:18 | 1:08:22 | |
I'm sure there's some kind of mistake... | 1:08:22 | 1:08:24 | |
No, he was out there this morning. Hounding him for cash. | 1:08:24 | 1:08:27 | |
That doesn't sound right. | 1:08:27 | 1:08:29 | |
You just tell him, next time he's got a problem, talk to me. OK? | 1:08:29 | 1:08:32 | |
Of course. And I'm very sorry. | 1:08:32 | 1:08:37 | |
You know, we were going to have to pay the bill at some point, | 1:08:41 | 1:08:44 | |
you know, Peter. Mr Coker's only doing his job. | 1:08:44 | 1:08:47 | |
-Yeah, I know, I just hate seeing Dad so stressed. -Yeah. | 1:08:47 | 1:08:50 | |
It takes a lot out of you, doesn't it? | 1:08:53 | 1:08:55 | |
Having other people to worry about. | 1:08:55 | 1:08:57 | |
You look tired. | 1:09:00 | 1:09:02 | |
-Lexi kept us up all night. -And that's all it was? | 1:09:02 | 1:09:06 | |
Sharon was lucky. | 1:09:08 | 1:09:10 | |
-They got to her in time... -Oh, Peter... | 1:09:12 | 1:09:15 | |
Listen, why don't you treat yourselves to a night off | 1:09:17 | 1:09:20 | |
and I'll look after Lexi for you. | 1:09:20 | 1:09:21 | |
-I can't ask you to do that. -Well, you're not. I'm offering. | 1:09:21 | 1:09:25 | |
-Are you sure? -Yeah... Yeah. | 1:09:25 | 1:09:28 | |
-I could do with some adult company for a change. -Thank you. | 1:09:28 | 1:09:33 | |
You're welcome. | 1:09:33 | 1:09:34 | |
We saw the door open... | 1:09:48 | 1:09:49 | |
Just wondered if we could do anything to help. | 1:09:49 | 1:09:53 | |
No, you're all right. | 1:09:53 | 1:09:56 | |
Just look at the state of it. | 1:09:56 | 1:09:58 | |
What happened to the police? | 1:09:58 | 1:10:00 | |
I think they finished up about an hour ago. | 1:10:00 | 1:10:03 | |
I expect they'll want you to do some sort of a line-up. | 1:10:03 | 1:10:08 | |
Assuming you got a good look at 'em. | 1:10:08 | 1:10:11 | |
Well - come on. Tall, short, | 1:10:11 | 1:10:14 | |
-fat, thin...? What do you remember? -They were... | 1:10:14 | 1:10:17 | |
They were tall, I think. | 1:10:17 | 1:10:19 | |
-Well, that's a start. -What about an accent? | 1:10:19 | 1:10:22 | |
Yeah, maybe. I don't know. | 1:10:22 | 1:10:24 | |
Immigrants, I bet. | 1:10:24 | 1:10:26 | |
We let 'em in to our country and how do they repay us? | 1:10:26 | 1:10:29 | |
By robbing us blind, thank you very much. | 1:10:29 | 1:10:31 | |
Yeah, well not everyone's as racist in their thinking | 1:10:31 | 1:10:33 | |
as your grandad, are they? | 1:10:33 | 1:10:35 | |
-What're you doing here? -Your mum thought we could lend a hand. | 1:10:35 | 1:10:37 | |
She's over at the Minute Mart buying some bleach. | 1:10:37 | 1:10:40 | |
You know how she likes to busy herself. | 1:10:40 | 1:10:42 | |
Why does she always have to interfere, though? | 1:10:42 | 1:10:45 | |
She's just looking out for you, that's all. | 1:10:45 | 1:10:48 | |
Well, you going to stay and help? It was your idea, after all. | 1:10:48 | 1:10:50 | |
Nah, you're all right. | 1:10:50 | 1:10:53 | |
Your cousin could do with some help in his salon. | 1:10:53 | 1:10:55 | |
I better go an' all. Assuming Dot ain't given me the sack. | 1:11:00 | 1:11:04 | |
You're not helping, old man. | 1:11:05 | 1:11:08 | |
Go on...jog on. | 1:11:08 | 1:11:09 | |
How's Sharon? | 1:11:15 | 1:11:16 | |
It's too soon to tell. | 1:11:18 | 1:11:19 | |
Why did you do it, Phil? | 1:11:21 | 1:11:22 | |
I mean, most blokes...they give the silent treatment or | 1:11:24 | 1:11:27 | |
get their leg over on the side. | 1:11:27 | 1:11:29 | |
-I mean, but you...?! -I just wanted to teach her a lesson. | 1:11:29 | 1:11:33 | |
By getting someone to beat the living daylights out of her? | 1:11:33 | 1:11:36 | |
The bouncers were supposed to see them off. | 1:11:36 | 1:11:39 | |
Look, all I wanted them to do was to scare her a bit, you know. | 1:11:39 | 1:11:42 | |
-Cause a bit of a scene. -But why? | 1:11:42 | 1:11:45 | |
Because I was fed up of getting pushed out, that's why. | 1:11:45 | 1:11:47 | |
I mean, I bankrolled that place. I made it happen. | 1:11:47 | 1:11:50 | |
I should have a say on how it's run. | 1:11:50 | 1:11:51 | |
Sharon...she might know how to run a bar. But security, | 1:11:51 | 1:11:54 | |
who to put on the door, stuff like that... That's my world. | 1:11:54 | 1:11:57 | |
Pity the woman that stands up to you, then! | 1:11:57 | 1:11:59 | |
-They could've killed her, Phil. -Yes, don't you think I know that? Eh? | 1:12:02 | 1:12:06 | |
Every time I look at little Denny's face I feel sick, | 1:12:06 | 1:12:08 | |
I feel like someone's stuck a knife in my guts. | 1:12:08 | 1:12:11 | |
And now I just... I don't know what to do, Shirley... | 1:12:11 | 1:12:14 | |
-HE SIGHS -Then we sort it. | 1:12:17 | 1:12:19 | |
-How? -Well, those two runts from earlier, I take it they're illegal. | 1:12:22 | 1:12:25 | |
-Yeah. -That's a start. | 1:12:25 | 1:12:28 | |
Come on, Phil. | 1:12:31 | 1:12:32 | |
You've got yourself out of bigger holes than this before. | 1:12:32 | 1:12:36 | |
And what if Sharon finds out? | 1:12:39 | 1:12:41 | |
That's not going to happen. Cos you and me, we're going to sort this. Together. | 1:12:44 | 1:12:49 | |
PHONE BEEPS | 1:12:55 | 1:12:57 | |
-Hey. -Oh, hey. | 1:13:10 | 1:13:12 | |
What're you doing later? | 1:13:12 | 1:13:14 | |
Probably going to eat some cold pizza in front of the TV... | 1:13:14 | 1:13:17 | |
Just like I did last night. | 1:13:17 | 1:13:19 | |
What are you grinning at me for? | 1:13:20 | 1:13:22 | |
-Because I'm taking you out. -Oh, really? | 1:13:22 | 1:13:25 | |
Yeah, Dad and Denise are going to baby-sit. | 1:13:25 | 1:13:28 | |
Yeah, I don't know about that. | 1:13:28 | 1:13:30 | |
What're you doing? | 1:13:32 | 1:13:34 | |
I was about to take that to the bank. | 1:13:34 | 1:13:36 | |
It's my money, I'll take it as and when I need it. | 1:13:36 | 1:13:38 | |
What am I supposed to do for change? | 1:13:38 | 1:13:41 | |
If this is about Les, I spoke to Pam and she... | 1:13:41 | 1:13:43 | |
-You reckon you might have a job for me here? -You've got a job. | 1:13:46 | 1:13:49 | |
-I don't think Sharon's going to want me back. -After saving her life? | 1:13:49 | 1:13:52 | |
-I'd expect a promotion at least. -So when do you open up? | 1:13:52 | 1:13:56 | |
-Next week, hopefully. -How come none of the sinks are plumbed in yet? | 1:13:56 | 1:14:00 | |
Well, I haven't got round to it yet. | 1:14:00 | 1:14:02 | |
Well, isn't that one of the first things you'd do? | 1:14:02 | 1:14:05 | |
And there's still no electricity. | 1:14:05 | 1:14:07 | |
What's it gotta do with you? You a tradesman(?) | 1:14:07 | 1:14:09 | |
-No, it's just a question. -I'm sorry. | 1:14:09 | 1:14:13 | |
There's still a lot to sort out. Listen. You don't have to stay here. | 1:14:13 | 1:14:17 | |
I can do the rest myself. | 1:14:17 | 1:14:19 | |
Beats having yet ANOTHER row with my mum, don't it? | 1:14:19 | 1:14:21 | |
I know she does your nut in, but she's your mum, she's supposed to. | 1:14:21 | 1:14:25 | |
You're lucky to have her. | 1:14:25 | 1:14:26 | |
Well, hopefully that's one less thing for Sharon to worry about. | 1:14:31 | 1:14:34 | |
Then again...if I was her, I'd think about giving the place | 1:14:34 | 1:14:37 | |
the once-over. | 1:14:37 | 1:14:38 | |
I mean, half of that stuff looks like it's come from a jumble sale. | 1:14:38 | 1:14:41 | |
And don't even get me started on the plastic stags. ..Johnny! | 1:14:41 | 1:14:44 | |
-Maybe he's not back yet. -I'll call his mobile. | 1:14:44 | 1:14:47 | |
Just leave him, will you? | 1:14:47 | 1:14:48 | |
L, I've told you a million times. | 1:14:50 | 1:14:52 | |
-Please... Let the boy grow up. -I'm trying. | 1:14:52 | 1:14:56 | |
If he wants to front this out, | 1:14:56 | 1:14:58 | |
it's his choice, it's not ours. OK? | 1:14:58 | 1:15:01 | |
Aw, she seems to love it up there in Bobby's room. | 1:15:03 | 1:15:07 | |
-Oh, we're looking after Lexi for the night. -That's if you're up to it. | 1:15:07 | 1:15:11 | |
-She doesn't have to stay here... -No, no. It's fine. Isn't it, Ian? -Yeah. | 1:15:11 | 1:15:17 | |
-We've got everything you'll need. -I can see... -Nappies, yoghurts. | 1:15:17 | 1:15:20 | |
And this is her giraffe... | 1:15:20 | 1:15:22 | |
So that means that you two can go off and have your fun. | 1:15:22 | 1:15:25 | |
Are you sure you're going to be all right? | 1:15:25 | 1:15:26 | |
-Yes, I think we can manage between the pair of us. -That giraffe... | 1:15:26 | 1:15:29 | |
-Yes, got it. -Thank you. See ya... | 1:15:29 | 1:15:33 | |
That money you took earlier. | 1:15:33 | 1:15:35 | |
-Yeah, it's all sorted. -So you paid Les in full? | 1:15:35 | 1:15:39 | |
-I said I would, didn't I? -OK. | 1:15:39 | 1:15:42 | |
Where's Johnny? | 1:15:52 | 1:15:53 | |
-You've just missed him. -How're you getting on? | 1:15:53 | 1:15:57 | |
-You're just in time, actually. -For what? -The grand unveiling. | 1:15:57 | 1:16:01 | |
-HE LAUGHS -That takes me back. | 1:16:03 | 1:16:06 | |
-What? To when you had hair? -Cheeky devil. | 1:16:06 | 1:16:09 | |
Try it out for size. | 1:16:09 | 1:16:11 | |
-Yeah, I could get used to this. -Yeah. | 1:16:13 | 1:16:15 | |
Paying customers only. | 1:16:15 | 1:16:17 | |
Well, you'll be seeing a lot more of me once this place is up and running. | 1:16:17 | 1:16:20 | |
-Is that right? -Mm. I've got to keep an eye on my investment. | 1:16:20 | 1:16:24 | |
My mate Jimmy rang earlier. | 1:16:26 | 1:16:27 | |
-He's the fella who was going to sort out your shop sign. -And? | 1:16:28 | 1:16:34 | |
He still hasn't heard from you. | 1:16:34 | 1:16:35 | |
-That's because I wanted to talk to you first. -What about? | 1:16:37 | 1:16:41 | |
-You'll think it's silly... -Well, try me. | 1:16:41 | 1:16:44 | |
Been racking my brain trying to think of a name for this place | 1:16:44 | 1:16:47 | |
-and all of a sudden it hit me. -Well, come on. Spit it out. | 1:16:47 | 1:16:50 | |
Stan's. | 1:16:53 | 1:16:54 | |
HE GASPS | 1:16:54 | 1:16:56 | |
You don't have to do that. | 1:16:58 | 1:17:00 | |
I wouldn't be here if it wasn't for you. | 1:17:00 | 1:17:03 | |
Well, in that case I'd be honoured. | 1:17:03 | 1:17:05 | |
Is that a tear I see? | 1:17:07 | 1:17:09 | |
-Oh, don't be stupid. -Aw! You're an old softie really, aren't you? | 1:17:09 | 1:17:12 | |
I ought to knock you into the middle of next week. | 1:17:12 | 1:17:14 | |
Yeah? Well, I'd like to see you try! | 1:17:14 | 1:17:16 | |
Dean... | 1:17:16 | 1:17:17 | |
I'm proud of you. | 1:17:20 | 1:17:21 | |
I'll leave you to it. | 1:17:24 | 1:17:26 | |
The final delivery arrives tomorrow. | 1:17:34 | 1:17:37 | |
I want cash. | 1:17:37 | 1:17:38 | |
Why're we just sat here? | 1:17:45 | 1:17:47 | |
Cos you don't wanna be there when Border Control turn up at your door. | 1:17:47 | 1:17:51 | |
-Border Control? -Anonymous tip-off, apparently. | 1:17:51 | 1:17:55 | |
Two undesirables lurking around The Arches. | 1:17:55 | 1:17:58 | |
What can I say? I learnt from the best. | 1:17:58 | 1:18:00 | |
What time is it? | 1:18:03 | 1:18:04 | |
Just gone quarter past. | 1:18:05 | 1:18:07 | |
-I need to get back to the hospital. -Phil, you had a look at yourself? | 1:18:07 | 1:18:11 | |
You need to go home, have a shower, and I'll sort you out a clean shirt. | 1:18:11 | 1:18:15 | |
-You don't have to do this. -Yeah, I do. | 1:18:15 | 1:18:17 | |
Just one little, tiny mouthful for your Auntie D... Come on! | 1:18:22 | 1:18:29 | |
I don't know why Auntie D's bothering. | 1:18:29 | 1:18:31 | |
If she's not hungry, she won't eat. | 1:18:31 | 1:18:33 | |
Lucy was exactly the same at that age. | 1:18:33 | 1:18:35 | |
All right, what do YOU suggest then? | 1:18:35 | 1:18:37 | |
I'll have a go. | 1:18:39 | 1:18:41 | |
I did have two kids of my own, you know. Neither of which starved. | 1:18:41 | 1:18:44 | |
What we got? | 1:18:44 | 1:18:46 | |
Aw! Look at that, that's my favourite, that is. | 1:18:46 | 1:18:51 | |
That smells lovely, doesn't it? | 1:18:51 | 1:18:52 | |
Look, this is like a spade digging in the garden. | 1:18:52 | 1:18:55 | |
Look at the wiggly worms. Awww! | 1:18:55 | 1:18:58 | |
Shall I have some and you have some? | 1:18:58 | 1:19:00 | |
I'll tell you what, let's pretend it's big rocket... | 1:19:00 | 1:19:02 | |
And it's all the way over here. | 1:19:02 | 1:19:04 | |
Since when did you know one end of an ironing board from another, eh? | 1:19:04 | 1:19:08 | |
I'm full of surprises, me. | 1:19:08 | 1:19:10 | |
You can say that again. | 1:19:11 | 1:19:13 | |
Do you need a hand with anything? | 1:19:22 | 1:19:24 | |
-You can make a start on those empties. -Any news of an arrest? | 1:19:24 | 1:19:29 | |
They'll be long gone, I expect. | 1:19:29 | 1:19:32 | |
-Makes you wonder if Phil Mitchell's got a price on his head. -Cora... | 1:19:32 | 1:19:36 | |
-It's all right, Mick. Something you want to say? -Lola... | 1:19:36 | 1:19:39 | |
No, I want to hear what Cora's got to say. | 1:19:39 | 1:19:41 | |
I just can't think why anyone would want to hurt Sharon. | 1:19:41 | 1:19:45 | |
I see. | 1:19:45 | 1:19:46 | |
Whereas Phil... | 1:19:46 | 1:19:48 | |
He ain't exactly known for his philanthropic endeavours, is he? | 1:19:48 | 1:19:51 | |
-Johnny was there, weren't you? -Do we have to keep dragging this up? | 1:19:51 | 1:19:54 | |
-The boy saw nothing. -I still don't get it. | 1:19:54 | 1:19:56 | |
-You say he was cashing up and couldn't hear nothing. -That's right. | 1:19:56 | 1:20:00 | |
You saw all that broken glass. I mean, what is he, | 1:20:00 | 1:20:03 | |
-stone deaf or something? -ROXY: -Either that... | 1:20:03 | 1:20:05 | |
-He wouldn't have left Sharon on her own. All right? -The thing is... | 1:20:05 | 1:20:08 | |
No, no, it's all right, Johnny. I've got this. | 1:20:08 | 1:20:10 | |
So he hid upstairs out of harm's way. And do you know why? | 1:20:10 | 1:20:13 | |
Because he's got his head screwed on, that's why. | 1:20:13 | 1:20:15 | |
If he'd gone charging in, who would have raised the alarm, eh? | 1:20:15 | 1:20:18 | |
Who would have called the ambulance and waited with Sharon | 1:20:18 | 1:20:20 | |
until the police arrived? So he didn't go in there all guns blazing. | 1:20:20 | 1:20:23 | |
And I for one am glad he didn't! Cos it wouldn't just be Sharon lying in | 1:20:23 | 1:20:26 | |
intensive care! So if any of you have anything you want to | 1:20:26 | 1:20:28 | |
say in the future, you can say it to me, all right?! | 1:20:28 | 1:20:31 | |
-Johnny... -You just can't help yourself, can you? | 1:20:35 | 1:20:38 | |
-What're you talking about? -I can speak for myself, I don't need you to do it for me. | 1:20:38 | 1:20:42 | |
What did I say to you? | 1:20:44 | 1:20:46 | |
Mr Beale... | 1:20:49 | 1:20:51 | |
-Les has got something he'd like to say to you. -Before you do... | 1:20:51 | 1:20:54 | |
I just want to say I'm sorry for having a go at you earlier. | 1:20:54 | 1:20:57 | |
I know your husband was just doing his job. | 1:20:57 | 1:20:59 | |
Well, perhaps I came across a little heavy-handed. | 1:20:59 | 1:21:01 | |
What Les is trying to say is that we know your father has had | 1:21:01 | 1:21:04 | |
a difficult couple of months. | 1:21:04 | 1:21:05 | |
I think therefore it's only right we give him | 1:21:05 | 1:21:08 | |
a little extra time to settle any outstanding debts. | 1:21:08 | 1:21:11 | |
But he's already paid them. | 1:21:12 | 1:21:13 | |
I haven't seen your father since this morning, Mr Beale. | 1:21:15 | 1:21:18 | |
Why do you do it, eh? | 1:21:25 | 1:21:27 | |
-Do what? -Iron my shirts, | 1:21:27 | 1:21:29 | |
sit there handing out advice. | 1:21:29 | 1:21:32 | |
-If it was me, I'd... -You'd what? | 1:21:32 | 1:21:34 | |
Listen to me, | 1:21:36 | 1:21:37 | |
I'm so wrapped up in myself I forgot to ask you how you're doing. | 1:21:37 | 1:21:42 | |
Don't worry about me. | 1:21:42 | 1:21:43 | |
Have you decided what you're going to say to Mick? | 1:21:43 | 1:21:46 | |
I don't want to talk about it. | 1:21:46 | 1:21:48 | |
-Shirl... Sometimes... -Sometimes what?! | 1:21:51 | 1:21:55 | |
Sometimes you just gotta say the thing that scares you the most... | 1:21:55 | 1:21:59 | |
He's your boy, Shirl. | 1:22:01 | 1:22:02 | |
No, he's not. Not any more. | 1:22:04 | 1:22:06 | |
He might find it hard at first, | 1:22:06 | 1:22:09 | |
but given time...he'd realise just how lucky he is to have you. | 1:22:09 | 1:22:14 | |
Please don't... | 1:22:17 | 1:22:19 | |
You know, if you weren't here, Shirl, I don't know what I'd do... | 1:22:19 | 1:22:22 | |
I really don't. PHONE RINGS | 1:22:22 | 1:22:24 | |
-JAY: -I'll get it! | 1:22:24 | 1:22:27 | |
-And if there's anything you want - anything at all... -Hello...? | 1:22:27 | 1:22:31 | |
..you just tell me, yeah? | 1:22:31 | 1:22:34 | |
I love you. | 1:22:34 | 1:22:35 | |
Phil... | 1:22:36 | 1:22:37 | |
Not now, Jay. | 1:22:37 | 1:22:40 | |
It's the hospital. | 1:22:40 | 1:22:42 | |
Sharon's been rushed into theatre. | 1:22:42 | 1:22:44 | |
You know Mum was right about it being best | 1:22:52 | 1:22:55 | |
that you didn't confront them. | 1:22:55 | 1:22:57 | |
Well, let's face it, you're no Jason Statham. | 1:22:57 | 1:22:59 | |
Right, yous two, what you doing? You helping your cousin or not? | 1:22:59 | 1:23:03 | |
Dean? You've still got a mirror in the hallway when you're done. | 1:23:03 | 1:23:07 | |
It's next on my list, Mick. | 1:23:07 | 1:23:08 | |
Johnny. | 1:23:08 | 1:23:10 | |
I...I was thinking about going to see Sharon later. | 1:23:10 | 1:23:13 | |
Get in there before the vultures start circling. | 1:23:13 | 1:23:16 | |
What do you think? | 1:23:16 | 1:23:18 | |
We can tell her together... | 1:23:18 | 1:23:19 | |
Strength in numbers and all that. | 1:23:19 | 1:23:21 | |
So you can put words in my mouth, you mean? | 1:23:21 | 1:23:25 | |
No. | 1:23:25 | 1:23:26 | |
Johnny... | 1:23:27 | 1:23:28 | |
Mr Mitchell. | 1:23:40 | 1:23:42 | |
-What is it? What's happened? -Don't worry. It's good news. | 1:23:42 | 1:23:44 | |
We managed to locate Mrs Rickman's bleed and stop it. | 1:23:44 | 1:23:47 | |
She's been nice and stable since. | 1:23:47 | 1:23:50 | |
Is she going to be all right? | 1:23:50 | 1:23:51 | |
Your partner is a very lucky woman, Mr Mitchell. | 1:23:52 | 1:23:56 | |
The outcome could have been very different. | 1:23:56 | 1:23:58 | |
Hiya. Thanks for having her. How was she? | 1:24:05 | 1:24:08 | |
Yeah, barely got a wink of... | 1:24:08 | 1:24:10 | |
She slept right through. | 1:24:10 | 1:24:12 | |
She's been a little angel, actually. | 1:24:12 | 1:24:14 | |
Her table manners leave a lot to be desired. | 1:24:14 | 1:24:16 | |
Right. Those wine gums aren't going to price themselves, so... See you. | 1:24:16 | 1:24:20 | |
See you. | 1:24:20 | 1:24:21 | |
I've been meaning to ask... | 1:24:22 | 1:24:24 | |
Did you get a receipt for the Cokers' bill? | 1:24:24 | 1:24:27 | |
Yes, at the restaurant, amongst the invoices. | 1:24:27 | 1:24:30 | |
Well, don't you think we should keep that stuff | 1:24:30 | 1:24:32 | |
-all together in one place? -Peter, what is all this? | 1:24:32 | 1:24:34 | |
Nothing. | 1:24:34 | 1:24:36 | |
I've got to go... I've got to meet a supplier at half past. | 1:24:36 | 1:24:39 | |
Phil. | 1:24:55 | 1:24:57 | |
How're you feeling? | 1:25:00 | 1:25:01 | |
Last thing I... | 1:25:03 | 1:25:06 | |
I remember, I was in the bar. | 1:25:06 | 1:25:08 | |
And the sirens. | 1:25:10 | 1:25:12 | |
Where's Denny? | 1:25:15 | 1:25:16 | |
It's OK, Sharon. Ronnie's taken him to school. | 1:25:16 | 1:25:19 | |
I told him that you had a little bump on the head | 1:25:19 | 1:25:21 | |
but it was nothing to worry about, OK? | 1:25:21 | 1:25:22 | |
-I want him here. -Yeah, all right, all right. | 1:25:22 | 1:25:25 | |
I'll pick him up and bring him over this afternoon. | 1:25:25 | 1:25:27 | |
Do you remember anything about what happened? | 1:25:27 | 1:25:29 | |
Not now, Rox, all right? | 1:25:29 | 1:25:30 | |
I was about to cash up, and... | 1:25:33 | 1:25:36 | |
..I heard a smash. | 1:25:37 | 1:25:38 | |
You don't have to think about this now, OK? | 1:25:38 | 1:25:41 | |
I tried to stop them. | 1:25:41 | 1:25:42 | |
-Rox, will you get her some water, please? -Yeah. | 1:25:42 | 1:25:44 | |
I thought they were going to kill me, Phil. | 1:25:47 | 1:25:50 | |
I remember lying there thinking, "This is it. | 1:25:51 | 1:25:55 | |
"Who's going to look after my boys now?" | 1:25:57 | 1:25:59 | |
I'm sorry, Sharon. I'm so sorry. | 1:25:59 | 1:26:01 | |
It's not your fault. | 1:26:03 | 1:26:04 | |
I was the one who sent the bouncers packing. | 1:26:06 | 1:26:08 | |
What about Johnny? | 1:26:10 | 1:26:11 | |
Johnny was with me. | 1:26:13 | 1:26:14 | |
He's fine, all right? | 1:26:14 | 1:26:16 | |
Now, stop thinking about what's happened | 1:26:16 | 1:26:18 | |
and you just...you just focus on getting better. | 1:26:18 | 1:26:21 | |
Cos it's over. | 1:26:23 | 1:26:25 | |
Over. | 1:26:25 | 1:26:26 | |
-KNOCK ON DOOR -Mrs Rickman? | 1:26:27 | 1:26:29 | |
I'm DS Bain. | 1:26:31 | 1:26:32 | |
We're, uh, investigating the break-in at your bar. | 1:26:33 | 1:26:37 | |
Do you mind if we ask you a couple of questions? | 1:26:37 | 1:26:40 | |
No. | 1:26:42 | 1:26:43 | |
Who you texting? | 1:26:49 | 1:26:50 | |
-Mind your own business. -It's a bloke, isn't it? | 1:26:50 | 1:26:52 | |
-I'm not having this conversation. -Do I know him? | 1:26:52 | 1:26:54 | |
-Tina, just go away, will you? -Does he live around here? | 1:26:54 | 1:26:57 | |
I can't hear you. | 1:26:57 | 1:26:58 | |
He ain't that delivery man with the dodgy eye, is it? | 1:26:58 | 1:27:00 | |
I swear, Tina. I'm going to smack you in a minute. | 1:27:00 | 1:27:02 | |
Oh, come on, Shirl. I might've got off the horse, | 1:27:02 | 1:27:04 | |
-but I still know what it's like to be in the saddle. -Don't you... | 1:27:04 | 1:27:07 | |
Tina! Tina! | 1:27:07 | 1:27:09 | |
Phil? | 1:27:10 | 1:27:11 | |
I thought he was still with Sharon... | 1:27:13 | 1:27:15 | |
Nothing gets past you, does it, Sherlock? | 1:27:15 | 1:27:17 | |
What are you going to do? | 1:27:17 | 1:27:19 | |
Curl up and die. | 1:27:19 | 1:27:20 | |
HE GRUNTS | 1:27:25 | 1:27:27 | |
If you break that, we might as well pack up now. | 1:27:28 | 1:27:31 | |
I never had you down as the superstitious type. | 1:27:31 | 1:27:34 | |
A gypsy put a curse on me once. | 1:27:34 | 1:27:35 | |
All because I wouldn't buy any pegs. | 1:27:35 | 1:27:37 | |
A curse? | 1:27:37 | 1:27:38 | |
I swear, until that day, my hair had a natural kink in it. | 1:27:38 | 1:27:42 | |
You don't want to keep Sharon waiting, babe, do you? | 1:27:42 | 1:27:44 | |
I thought Johnny might've changed his mind. | 1:27:44 | 1:27:46 | |
Just give him some time, yeah? | 1:27:46 | 1:27:48 | |
You two boys play nicely, now. | 1:27:48 | 1:27:50 | |
She's a good girl, Linda. | 1:27:51 | 1:27:53 | |
You know what, Dean? She's perfect. | 1:27:53 | 1:27:55 | |
When she's not driving me insane. | 1:27:55 | 1:27:57 | |
Right. | 1:27:57 | 1:27:59 | |
Before we do that, there's something I want to say to you. | 1:27:59 | 1:28:02 | |
I know me and you didn't get off to the best of starts. | 1:28:03 | 1:28:06 | |
It was a lucky punch. | 1:28:06 | 1:28:09 | |
Still hurt, though. | 1:28:09 | 1:28:10 | |
I just want to thank you for taking Johnny under your wing yesterday. | 1:28:11 | 1:28:14 | |
Cos I know him and Nancy have enjoyed having you around, and... | 1:28:16 | 1:28:20 | |
Well, your grandad, he's bowling about giving it the big, | 1:28:20 | 1:28:23 | |
and thinking he's Nicky Clarke. | 1:28:23 | 1:28:26 | |
What about you, Mick? | 1:28:26 | 1:28:28 | |
You pleased I'm back? | 1:28:28 | 1:28:30 | |
Well... | 1:28:30 | 1:28:32 | |
let's not get too carried away, eh? | 1:28:32 | 1:28:34 | |
Right, come on, then. | 1:28:36 | 1:28:38 | |
Oh! | 1:28:38 | 1:28:40 | |
They were smashing my bar in. | 1:28:41 | 1:28:44 | |
I thought it was going to be me next. | 1:28:44 | 1:28:46 | |
Do we have to do this now? She's just come out of surgery. | 1:28:46 | 1:28:49 | |
And then what happened? | 1:28:49 | 1:28:51 | |
I don't know. | 1:28:52 | 1:28:53 | |
I remember my... | 1:28:55 | 1:28:57 | |
my head smashing the bar on the way down. | 1:28:57 | 1:28:59 | |
Did you get a look at the suspects? Can you describe them? | 1:28:59 | 1:29:02 | |
It happened so quickly. | 1:29:03 | 1:29:05 | |
I know this is very difficult for you, Mrs Rickman, | 1:29:05 | 1:29:09 | |
but even the smallest detail might be very useful. | 1:29:09 | 1:29:12 | |
I'm sorry. | 1:29:12 | 1:29:13 | |
What were they wearing? | 1:29:13 | 1:29:15 | |
I don't remember. | 1:29:16 | 1:29:18 | |
Did they have an accent? | 1:29:18 | 1:29:19 | |
An item of jewellery you might recognise again? | 1:29:21 | 1:29:24 | |
A tattoo, perhaps? | 1:29:24 | 1:29:25 | |
I'm sorry. | 1:29:25 | 1:29:26 | |
OK, look, do you not think she's upset enough? | 1:29:26 | 1:29:29 | |
Does she really have to relive it all again? | 1:29:29 | 1:29:31 | |
-Mrs Rickman? -Right that's it, I want you out of here. -Phil, Phil... | 1:29:31 | 1:29:34 | |
We're just trying to establish what happened, Mr Mitchell. | 1:29:34 | 1:29:36 | |
You either leave, or I throw you out. What do you want, eh? | 1:29:36 | 1:29:39 | |
Perhaps we could continue this conversation another day? | 1:29:41 | 1:29:45 | |
Thank you. | 1:29:47 | 1:29:48 | |
What if they come back? | 1:29:51 | 1:29:54 | |
Sharon, that ain't going to happen. | 1:29:55 | 1:29:56 | |
-What if they try and finish what they started? -Sharon... | 1:29:56 | 1:29:59 | |
Phil? | 1:30:07 | 1:30:08 | |
Ian? | 1:30:11 | 1:30:12 | |
Sorry, is this a bad time? | 1:30:14 | 1:30:16 | |
No, as long as you're quick. | 1:30:16 | 1:30:18 | |
It's just, Lexi wanted to give her uncle this. | 1:30:18 | 1:30:21 | |
It's just a little thank-you card for letting her stay last night. | 1:30:22 | 1:30:26 | |
Ian, I know me and you have had our differences in the past, but... | 1:30:31 | 1:30:34 | |
That's an understatement. | 1:30:34 | 1:30:35 | |
But, I actually think you and Denise are well all right. | 1:30:35 | 1:30:38 | |
Thank you. | 1:30:38 | 1:30:40 | |
I think. | 1:30:40 | 1:30:41 | |
I mean, Pops reckons that you was punching | 1:30:41 | 1:30:43 | |
way above your weight when you bagged her. | 1:30:43 | 1:30:45 | |
-Oh, did he now? -Yeah! | 1:30:45 | 1:30:46 | |
But I actually think you two are quite good together, you know? | 1:30:46 | 1:30:49 | |
So, come on then, give me the details. When's the big day? | 1:30:50 | 1:30:53 | |
Uh, well... | 1:30:53 | 1:30:54 | |
We're not quite there yet. | 1:30:54 | 1:30:56 | |
How come? | 1:30:56 | 1:30:58 | |
There's a lot to sort out, ain't there? | 1:30:58 | 1:31:00 | |
Ah, that sounds like an excuse to me. | 1:31:00 | 1:31:03 | |
And then there's Peter. | 1:31:03 | 1:31:05 | |
Ian, Peter just wants you to be happy, you know? | 1:31:05 | 1:31:07 | |
Right, I better be off. | 1:31:10 | 1:31:12 | |
Lola... | 1:31:12 | 1:31:13 | |
Yeah? | 1:31:13 | 1:31:15 | |
If you ever need a baby-sitter, | 1:31:15 | 1:31:17 | |
you know where to find us. | 1:31:17 | 1:31:19 | |
See ya. | 1:31:19 | 1:31:21 | |
Phil? | 1:31:29 | 1:31:31 | |
I'm fine. | 1:31:31 | 1:31:32 | |
You're lucky that copper didn't arrest you. | 1:31:32 | 1:31:35 | |
Just...just go home, Rox. | 1:31:35 | 1:31:37 | |
I don't get you. | 1:31:37 | 1:31:39 | |
I've put a call out. I've got people looking for those scumbags, | 1:31:39 | 1:31:42 | |
and what're you doing? | 1:31:42 | 1:31:43 | |
Have you seen the state of her? They could've killed her, Phil. | 1:31:43 | 1:31:46 | |
And here you are acting like nothing's happened. | 1:31:46 | 1:31:48 | |
Just... | 1:31:48 | 1:31:50 | |
just go home. | 1:31:50 | 1:31:51 | |
Get off me! Nancy, stop it! | 1:31:59 | 1:32:01 | |
Tina, get off! | 1:32:01 | 1:32:03 | |
What're you doing? | 1:32:03 | 1:32:04 | |
Giving him a number-one. | 1:32:04 | 1:32:06 | |
It's not a toy. | 1:32:06 | 1:32:08 | |
You lot don't have to stick around, you know? | 1:32:08 | 1:32:10 | |
-Yeah, we do. -Grandad's paying us. | 1:32:10 | 1:32:12 | |
Paying you? What are you talking about? | 1:32:12 | 1:32:14 | |
-This is my salon. -OUR salon. | 1:32:14 | 1:32:17 | |
Do me a favour, I need all the stuff at the Vic | 1:32:17 | 1:32:18 | |
-brought over here by this afternoon. -What's the hurry? | 1:32:18 | 1:32:21 | |
Just because I don't need your old man chewing my ear off | 1:32:21 | 1:32:24 | |
about clogging his hallway up. | 1:32:24 | 1:32:25 | |
Oh, you're so pretty you are, you're so pretty! | 1:32:25 | 1:32:27 | |
Get off me, Tina! | 1:32:27 | 1:32:30 | |
You sure you ain't adopted? | 1:32:30 | 1:32:32 | |
MOBILE PHONE RINGS | 1:32:32 | 1:32:34 | |
Yeah...I'll be there for the van at 5:00. | 1:32:39 | 1:32:41 | |
Talk of the devil. | 1:32:44 | 1:32:46 | |
I was just wondering where you'd got to. | 1:32:46 | 1:32:49 | |
I, uh... | 1:32:49 | 1:32:51 | |
I just had to make a phone call, that's all. | 1:32:51 | 1:32:53 | |
No, Phil. | 1:32:53 | 1:32:55 | |
I don't want you getting involved in this. | 1:32:55 | 1:32:57 | |
-Please leave it with the police. -All right. | 1:32:57 | 1:32:59 | |
After everything they've done to me, | 1:32:59 | 1:33:00 | |
-I couldn't bear it if they hurt you. -Sh, sh... | 1:33:00 | 1:33:02 | |
It's criminal what they're charging for that car park. | 1:33:06 | 1:33:09 | |
£3 an hour! | 1:33:09 | 1:33:10 | |
God forbid I was in here for major surgery. | 1:33:10 | 1:33:12 | |
You can go if you like. | 1:33:15 | 1:33:17 | |
You sure? | 1:33:17 | 1:33:19 | |
I'm fine. Honest. | 1:33:19 | 1:33:21 | |
Aw, he's like a big bear, isn't he? | 1:33:23 | 1:33:25 | |
No woman needs to worry when you're around, eh? | 1:33:25 | 1:33:28 | |
So, come on. Enough of that front. | 1:33:35 | 1:33:38 | |
You must have been terrified. | 1:33:38 | 1:33:40 | |
Come here. Oh, sweetheart. | 1:33:43 | 1:33:46 | |
Oh! So THAT'S what my lino looks like. | 1:33:51 | 1:33:53 | |
Johnny, before you go... | 1:33:55 | 1:33:56 | |
Your mother...she's just looking out for you. You know that, don't you? | 1:33:59 | 1:34:03 | |
Don't get me wrong, the bird goes in like a bulldozer, | 1:34:03 | 1:34:05 | |
but her heart is in the right place. | 1:34:05 | 1:34:08 | |
Why do you always have to defend her? | 1:34:08 | 1:34:10 | |
Because...someone has to. | 1:34:10 | 1:34:12 | |
-You want us to treat you like an adult. -Yeah, yeah, I do. | 1:34:14 | 1:34:17 | |
And yet when it comes to finding Sharon, | 1:34:17 | 1:34:20 | |
-you let your mother go. -I didn't ask her to, did I? | 1:34:20 | 1:34:23 | |
I know, I know. | 1:34:23 | 1:34:25 | |
It's just, you can't have it both ways, son. | 1:34:27 | 1:34:29 | |
You know that's the first time I've cried in five years? | 1:34:44 | 1:34:47 | |
I know, baby, I know. | 1:34:47 | 1:34:48 | |
50 years of hurt. 50 poxy years. | 1:34:48 | 1:34:52 | |
Far as I'm concerned, summer's over. | 1:34:52 | 1:34:55 | |
If that Suarez comes in this boozer, you tell him he's barred. | 1:34:55 | 1:34:58 | |
To be fair, he's a proper player. Just a shame he looks like a horse. | 1:34:59 | 1:35:03 | |
Anyway, that's it. I'm hanging up my scarf. | 1:35:03 | 1:35:08 | |
You mean until the Euros, don't you, Pop? | 1:35:08 | 1:35:10 | |
I'm going to give England one last chance... | 1:35:12 | 1:35:14 | |
and then it's over between us. | 1:35:14 | 1:35:16 | |
You're not getting broody, are you? | 1:35:20 | 1:35:22 | |
That ship sailed a long time ago, believe me. | 1:35:22 | 1:35:24 | |
Yeah, that's what my mum said. | 1:35:24 | 1:35:26 | |
And then nine months later out popped Kamil. | 1:35:26 | 1:35:28 | |
You all right? | 1:35:28 | 1:35:29 | |
Why aren't you at the restaurant? | 1:35:29 | 1:35:31 | |
-I took the afternoon off. -Is it VAT day? | 1:35:31 | 1:35:34 | |
No, I thought we could spend some time together. | 1:35:34 | 1:35:36 | |
That's if Shabnam don't mind. | 1:35:36 | 1:35:38 | |
Who am I to stand in the way of true love? | 1:35:38 | 1:35:40 | |
Doing what exactly? | 1:35:40 | 1:35:41 | |
There's a wedding fair in Kent. Thought we could go. | 1:35:41 | 1:35:43 | |
Sounds like a guilty conscience to me. | 1:35:43 | 1:35:46 | |
I can't just, you know, leave the shop. | 1:35:48 | 1:35:51 | |
Oh, come on. When was the last time we spent some proper time together? | 1:35:51 | 1:35:54 | |
A wedding fair? | 1:35:54 | 1:35:56 | |
Yeah. I'll pick you up from the house at 2:00. | 1:35:56 | 1:35:58 | |
OK. Come on, out with it. | 1:35:58 | 1:36:01 | |
What have you done? | 1:36:01 | 1:36:02 | |
Look, not a peep out of you all day yesterday. | 1:36:04 | 1:36:06 | |
And then today... | 1:36:06 | 1:36:07 | |
Let's just say someone's reminded me what's important. | 1:36:07 | 1:36:10 | |
-So, Dean's at the salon. -So? | 1:36:21 | 1:36:23 | |
Well, I know he'd love to see you. | 1:36:23 | 1:36:24 | |
Well, he said that, did he? | 1:36:24 | 1:36:26 | |
You never know. | 1:36:26 | 1:36:27 | |
He might be able to sort that mop out of yours. | 1:36:27 | 1:36:30 | |
Did you get my text? | 1:36:35 | 1:36:37 | |
My phone was switched off. | 1:36:37 | 1:36:40 | |
How's Sharon? | 1:36:40 | 1:36:42 | |
Yeah, she's through the worst. | 1:36:42 | 1:36:43 | |
I need a shower. | 1:36:46 | 1:36:48 | |
This ain't fair, Phil. | 1:36:48 | 1:36:49 | |
Keeping me hanging like this. | 1:36:50 | 1:36:52 | |
How's Johnny? | 1:36:56 | 1:36:58 | |
A bit shaken, but over the worst of it. | 1:36:58 | 1:37:01 | |
He wasn't hurt? | 1:37:01 | 1:37:03 | |
Just a few scratches. | 1:37:03 | 1:37:05 | |
You know it was him who raised the alarm, don't you? | 1:37:07 | 1:37:10 | |
Lord knows how long you'd have been laying there | 1:37:10 | 1:37:12 | |
if he hadn't acted so quickly. | 1:37:12 | 1:37:13 | |
He's a good kid. | 1:37:13 | 1:37:15 | |
I just wish... | 1:37:16 | 1:37:18 | |
What? | 1:37:18 | 1:37:19 | |
It doesn't matter. | 1:37:20 | 1:37:22 | |
You've started now. | 1:37:22 | 1:37:23 | |
Well, Johnny's one of the reasons I had to send the bouncers home. | 1:37:25 | 1:37:28 | |
It wasn't his fault, Linda. | 1:37:30 | 1:37:32 | |
You know, he wasn't to know | 1:37:32 | 1:37:33 | |
they shouldn't have been drinking on the job. | 1:37:33 | 1:37:35 | |
Of course he shouldn't. | 1:37:35 | 1:37:37 | |
He's there to run the bar. Not manage your door. | 1:37:37 | 1:37:39 | |
Yeah, you're right. | 1:37:39 | 1:37:41 | |
I've only got myself to blame. | 1:37:41 | 1:37:42 | |
Mrs Rickman? | 1:37:46 | 1:37:48 | |
Good news. We're ready to move you to the general ward. | 1:37:49 | 1:37:52 | |
Oh, you hear that? You're practically good to go. | 1:37:52 | 1:37:55 | |
I wouldn't say that, exactly. | 1:37:55 | 1:37:57 | |
Mrs Rickman sustained some significant injuries. | 1:37:57 | 1:37:59 | |
Linda's boy raised the alarm. | 1:37:59 | 1:38:02 | |
If it wasn't for him, | 1:38:03 | 1:38:05 | |
I don't think I'd be here today. | 1:38:05 | 1:38:07 | |
So, are we just going to sit here? | 1:38:22 | 1:38:24 | |
I don't know what to say. | 1:38:27 | 1:38:28 | |
How about "I love you too, Shirl." | 1:38:28 | 1:38:30 | |
-It's complicated. -Don't give me that flannel. | 1:38:32 | 1:38:35 | |
I love Sharon, don't I? | 1:38:35 | 1:38:37 | |
You put her in hospital, Phil. That's not love. | 1:38:37 | 1:38:39 | |
Why can't we just stay as we are? | 1:38:39 | 1:38:41 | |
Because I'm sick of spending my life in somebody else's shadow. | 1:38:41 | 1:38:44 | |
You and me, Phil... | 1:38:48 | 1:38:50 | |
We're from the same cloth. | 1:38:51 | 1:38:53 | |
We understand each other. | 1:38:54 | 1:38:56 | |
I'm putting myself on the line here. | 1:39:01 | 1:39:03 | |
The least you can do is meet me halfway. | 1:39:03 | 1:39:05 | |
What do you want me to say? | 1:39:06 | 1:39:08 | |
That there's something worth fighting for here. | 1:39:10 | 1:39:13 | |
So, what will it be? | 1:39:16 | 1:39:17 | |
Shirl... | 1:39:20 | 1:39:22 | |
You know I care about you. | 1:39:24 | 1:39:26 | |
You care about a dog, Phil. | 1:39:26 | 1:39:29 | |
This is... It's just the wrong, wrong time. | 1:39:29 | 1:39:32 | |
Well, when's the right time? | 1:39:32 | 1:39:34 | |
It's just three little words. | 1:39:37 | 1:39:39 | |
Why can't you just say them? | 1:39:42 | 1:39:43 | |
Don't, don't, no... | 1:39:47 | 1:39:48 | |
I can't do this, Shirley. Not now. | 1:39:50 | 1:39:52 | |
Well, I'm not going to let you leave. | 1:39:53 | 1:39:54 | |
Denny's waiting. | 1:39:59 | 1:40:00 | |
Phil! | 1:40:03 | 1:40:04 | |
-Hiya. -Oh, hiya. | 1:40:22 | 1:40:24 | |
-Where you off to? -Oh, your dad's taking me to a wedding fair. | 1:40:24 | 1:40:27 | |
But maybe thinking about it, it's probably best we just... | 1:40:27 | 1:40:30 | |
We can go another day. | 1:40:30 | 1:40:32 | |
No, Denise. | 1:40:32 | 1:40:33 | |
I don't mind. Honestly. | 1:40:33 | 1:40:35 | |
Are you sure? | 1:40:35 | 1:40:38 | |
Yeah, I want you to be happy. | 1:40:38 | 1:40:39 | |
-All right, ready, love? -Yeah. | 1:40:39 | 1:40:42 | |
-All right, son? -All right. | 1:40:42 | 1:40:44 | |
Are you sure this is what you want? | 1:40:52 | 1:40:54 | |
I said so, didn't I? | 1:40:54 | 1:40:55 | |
So we're going to set a date, then? | 1:40:57 | 1:40:58 | |
You name it. I'll be there. | 1:40:58 | 1:41:00 | |
CAR ENGINE FALTERS | 1:41:00 | 1:41:02 | |
Excuse me, I've just given Tina a bit of a cut and finish. | 1:41:10 | 1:41:14 | |
See what you think. | 1:41:14 | 1:41:16 | |
THEY LAUGH | 1:41:16 | 1:41:18 | |
Have I got the job? | 1:41:18 | 1:41:20 | |
That is mental. | 1:41:20 | 1:41:21 | |
Good look, that. The old Ken Dodd look! | 1:41:23 | 1:41:26 | |
Right, I think this calls for something bubbly. | 1:41:26 | 1:41:28 | |
Oi, hold up! Oi, is that mine? | 1:41:28 | 1:41:30 | |
-Well, I couldn't afford the good stuff. -Oh, cheers. | 1:41:30 | 1:41:32 | |
Right, what would you do for Mick's hair, Dean? | 1:41:32 | 1:41:34 | |
Something's got to drag him out of the '90s. | 1:41:34 | 1:41:36 | |
There's nothing wrong with my canister. | 1:41:36 | 1:41:38 | |
-You know, he used to have curtains. -Oi! | 1:41:38 | 1:41:40 | |
He did! With blonde bits at the front. He made me use Sun-In! | 1:41:40 | 1:41:43 | |
Yeah, all right, all right. | 1:41:43 | 1:41:44 | |
Nance, ever need a reason not to take drugs, | 1:41:44 | 1:41:46 | |
just have a pipe at your Auntie Tina. Look at the state of her. | 1:41:46 | 1:41:49 | |
-Well, I suppose I should say a few words. -Oh, here we go. | 1:41:49 | 1:41:52 | |
-To pretty boy. -Well done, Dean. | 1:41:52 | 1:41:55 | |
Yeah, he's a chip off the old block, all right. | 1:41:55 | 1:41:57 | |
As much as I'm enjoying this positive reinforcement, | 1:41:57 | 1:41:59 | |
you have to go. I need to close up. | 1:41:59 | 1:42:01 | |
We've got all this stuff to unpack first. | 1:42:01 | 1:42:02 | |
And I've got a supplier to meet in town. | 1:42:02 | 1:42:04 | |
Oh, what. Blonde, Essex, suitcase full of shampoo. | 1:42:04 | 1:42:07 | |
Something like that. | 1:42:07 | 1:42:08 | |
That's my boy. | 1:42:08 | 1:42:09 | |
-See you later! -See you. | 1:42:11 | 1:42:14 | |
-Will we see you later? -Yeah, maybe. | 1:42:14 | 1:42:16 | |
Come on, soppy. Can't you see he's on a promise? | 1:42:16 | 1:42:18 | |
HE LOCKS THE DOOR | 1:42:21 | 1:42:23 | |
Johnny? | 1:42:40 | 1:42:42 | |
Hey. | 1:42:43 | 1:42:45 | |
Your mum came in earlier. | 1:42:47 | 1:42:50 | |
She told me how you raised the alarm. | 1:42:50 | 1:42:52 | |
I've got a lot to thank you for, by all accounts. | 1:42:52 | 1:42:55 | |
No, you ain't. | 1:42:55 | 1:42:56 | |
I just... | 1:42:57 | 1:42:59 | |
I hid upstairs. | 1:43:03 | 1:43:04 | |
What are you saying? | 1:43:05 | 1:43:07 | |
When those guys came in. | 1:43:07 | 1:43:09 | |
I was... | 1:43:10 | 1:43:12 | |
I was too scared to help you. | 1:43:12 | 1:43:14 | |
-But your mum said that you... -She's lying. | 1:43:15 | 1:43:18 | |
I'm... | 1:43:19 | 1:43:20 | |
I'm sorry. | 1:43:22 | 1:43:23 | |
Johnny... Johnny, come back. | 1:43:25 | 1:43:27 | |
She's right, ain't she? What use am I to anyone? | 1:43:27 | 1:43:30 | |
I'm no use to anyone. | 1:43:30 | 1:43:32 | |
Well, I wouldn't say that. | 1:43:32 | 1:43:34 | |
You called the police, didn't you? | 1:43:34 | 1:43:36 | |
What more could you have done? | 1:43:36 | 1:43:37 | |
I should've helped you. | 1:43:40 | 1:43:41 | |
By doing what, Johnny? | 1:43:41 | 1:43:43 | |
It was over in a flash. | 1:43:43 | 1:43:45 | |
And as for your mum, | 1:43:48 | 1:43:50 | |
all she could do today was go on about how proud she was. | 1:43:50 | 1:43:53 | |
You know she'll never stop fighting your corner. | 1:43:54 | 1:43:56 | |
We missed you over at Dean's. | 1:44:05 | 1:44:07 | |
So did you talk to baldy? | 1:44:10 | 1:44:12 | |
You could say that. | 1:44:12 | 1:44:13 | |
-Something's happened, ain't it? -Not exactly. | 1:44:15 | 1:44:17 | |
But he still likes you, yeah? | 1:44:19 | 1:44:20 | |
It's too late. | 1:44:20 | 1:44:22 | |
Ain't never too late. | 1:44:22 | 1:44:24 | |
Oh, come on. | 1:44:24 | 1:44:26 | |
Since when did Shirley Carter ever take "no" for an answer? | 1:44:26 | 1:44:29 | |
If you want him, go and get him. | 1:44:29 | 1:44:31 | |
At least we've been able to salvage something from today. | 1:44:38 | 1:44:40 | |
It's not quite what I had in mind, though. | 1:44:40 | 1:44:42 | |
Always reminds me of rainy days with the kids. | 1:44:44 | 1:44:47 | |
Lucy used to go and get all the board games out. | 1:44:49 | 1:44:51 | |
Monopoly, Risk, Cluedo... You name it, she'd grab it. | 1:44:51 | 1:44:55 | |
Ah... | 1:44:57 | 1:44:59 | |
Here we go. | 1:44:59 | 1:45:01 | |
Get me! | 1:45:01 | 1:45:03 | |
Eight-letter word. | 1:45:03 | 1:45:07 | |
That's not a word. | 1:45:09 | 1:45:10 | |
-Of course it is. -What's it mean? | 1:45:10 | 1:45:12 | |
Well, it's the opposite of punctual, ain't it? | 1:45:12 | 1:45:14 | |
Use it in a sentence. | 1:45:16 | 1:45:17 | |
Kim was always tinctual. | 1:45:19 | 1:45:23 | |
What's the matter? | 1:45:32 | 1:45:33 | |
Oh, Ian, sweetheart. | 1:45:35 | 1:45:37 | |
You're allowed to be happy, you know? | 1:45:39 | 1:45:41 | |
I'll look it up. | 1:45:47 | 1:45:49 | |
Hey, Shirl. | 1:45:54 | 1:45:56 | |
Listen, I'm really sorry but you've just missed Phil. | 1:45:56 | 1:45:59 | |
He's just left for the hospital a couple of minutes ago. | 1:45:59 | 1:46:01 | |
But I thought I might stick around cos Ronnie's got Amy. | 1:46:01 | 1:46:04 | |
So, you know, you never know if I could be some sort of help. | 1:46:04 | 1:46:07 | |
Shirley? | 1:46:09 | 1:46:10 | |
Oi, Shirl! | 1:46:11 | 1:46:13 | |
Oh, no! | 1:46:19 | 1:46:20 | |
I think me and you need to have words. | 1:46:31 | 1:46:34 | |
-You all right? -Mm-hm. | 1:46:43 | 1:46:44 | |
I, um... | 1:46:49 | 1:46:51 | |
I went and saw Sharon. | 1:46:51 | 1:46:52 | |
Your dad needs me downstairs, so... | 1:46:55 | 1:46:57 | |
Listen, I found that Friends box set. | 1:47:00 | 1:47:03 | |
That's if you're not too busy. | 1:47:03 | 1:47:05 | |
Well, I'll make a start on dinner, shall I? | 1:47:07 | 1:47:10 | |
How does sausages, spaghetti hoops and oven chips sound? | 1:47:10 | 1:47:13 | |
I never wanted to come back here in the first place. | 1:47:23 | 1:47:25 | |
So you thought you'd fleece an old man? | 1:47:25 | 1:47:27 | |
I needed the cash. | 1:47:27 | 1:47:29 | |
What else was I supposed to do? | 1:47:31 | 1:47:33 | |
You really are angry, aren't you? | 1:47:33 | 1:47:35 | |
I wanted to get out of Walford. | 1:47:37 | 1:47:38 | |
I wanted to get away from that woman. | 1:47:41 | 1:47:43 | |
So this is all about Shirley, is it? | 1:47:43 | 1:47:46 | |
Yes. | 1:47:46 | 1:47:47 | |
No! | 1:47:47 | 1:47:49 | |
-I don't fit into all of this. -All what? | 1:47:49 | 1:47:51 | |
The whole happy family thing. It's not me. | 1:47:51 | 1:47:54 | |
Oh, dear. Here we go again. | 1:47:54 | 1:47:55 | |
Poor Dean, abandoned by his mother. | 1:47:55 | 1:47:58 | |
Blames everyone except himself. | 1:47:58 | 1:48:00 | |
Look, I've seen you... | 1:48:00 | 1:48:02 | |
laughing with Linda. | 1:48:02 | 1:48:04 | |
Hanging out with your cousins. | 1:48:04 | 1:48:06 | |
Go on, admit it if you can. | 1:48:06 | 1:48:09 | |
You can't, can you? | 1:48:10 | 1:48:11 | |
Because no matter how angry you get with the world, | 1:48:11 | 1:48:15 | |
everyone needs to believe they belong to something. | 1:48:15 | 1:48:17 | |
And you're no exception. | 1:48:20 | 1:48:22 | |
You can find your stuff at my lock-up in Stratford. | 1:48:25 | 1:48:27 | |
The choice is yours, son. | 1:48:29 | 1:48:31 | |
Mum! | 1:48:37 | 1:48:39 | |
Come here, sweetheart! | 1:48:39 | 1:48:40 | |
Oh, hello, darling. | 1:48:43 | 1:48:44 | |
D. | 1:48:53 | 1:48:54 | |
E. | 1:48:55 | 1:48:56 | |
V. | 1:48:57 | 1:48:59 | |
Do you know what? | 1:49:04 | 1:49:05 | |
I think it's either get longer arms, or finally go to the opticians | 1:49:05 | 1:49:08 | |
and pick up them glasses. | 1:49:08 | 1:49:09 | |
DOOR OPENS | 1:49:09 | 1:49:10 | |
-Dad? -Yeah, in here. -Yeah, in here, Peter. | 1:49:10 | 1:49:13 | |
-I can't see, you look. -Is now a bad time? | 1:49:13 | 1:49:15 | |
-No, it's fine. -Oh, no, I think we can interrupt this game | 1:49:15 | 1:49:18 | |
for just a few minutes, can't we, Ian? | 1:49:18 | 1:49:20 | |
Give Denise some time to come up with her latest three-letter triumph. | 1:49:20 | 1:49:24 | |
Look, it's just, I've got this coupon for McKlunky's. Family meal. | 1:49:24 | 1:49:29 | |
Yeah, she thought we could all go together. | 1:49:29 | 1:49:31 | |
McKlunky's? | 1:49:32 | 1:49:34 | |
Yeah, I thought it was a bad idea. | 1:49:34 | 1:49:36 | |
No, no. It's fine, I can do McKlunky's. | 1:49:36 | 1:49:39 | |
-Denise? -Oh, and we were having such fun here. | 1:49:39 | 1:49:42 | |
I'll just go and freshen myself up. | 1:49:42 | 1:49:43 | |
Yeah, hold on, we can resume the game later. | 1:49:43 | 1:49:45 | |
I'll go and get my coat out the car. | 1:49:45 | 1:49:48 | |
Peter, did you see this? | 1:49:49 | 1:49:51 | |
Look, a little card Lexi... | 1:49:51 | 1:49:53 | |
What're you doing? | 1:49:53 | 1:49:54 | |
Peter, what are you doing? | 1:49:55 | 1:49:57 | |
My dad lied to me about paying Lucy's funeral bill. | 1:49:57 | 1:50:00 | |
Maybe he just didn't want to worry you. | 1:50:01 | 1:50:03 | |
Or maybe he thought you had too much on your plate. | 1:50:03 | 1:50:06 | |
Peter, you need to stop! | 1:50:06 | 1:50:07 | |
DOOR OPENS | 1:50:07 | 1:50:09 | |
There we go. | 1:50:09 | 1:50:11 | |
All right? | 1:50:13 | 1:50:14 | |
-Yeah, fine, yeah. -Yeah, yeah, fine. | 1:50:14 | 1:50:16 | |
Put them out. | 1:50:19 | 1:50:20 | |
How many of us are eating? | 1:50:23 | 1:50:24 | |
Five. | 1:50:24 | 1:50:26 | |
Make that six. | 1:50:26 | 1:50:28 | |
All right. | 1:50:30 | 1:50:31 | |
Mum? I need the loo. | 1:50:35 | 1:50:37 | |
It's just outside, mate. In the hall. | 1:50:39 | 1:50:40 | |
OK. | 1:50:40 | 1:50:41 | |
-See you in a minute. -See you in a minute. | 1:50:41 | 1:50:43 | |
You're quiet. | 1:50:50 | 1:50:51 | |
Am I? | 1:50:52 | 1:50:54 | |
You must have had a right scare. | 1:50:54 | 1:50:56 | |
I've been so selfish, Phil. | 1:50:57 | 1:50:59 | |
Don't say that. | 1:51:00 | 1:51:02 | |
I put the bar before you and Denny. | 1:51:02 | 1:51:04 | |
-He's already lost one parent... -Stop it, stop it. | 1:51:05 | 1:51:08 | |
Maybe I brought this on myself. | 1:51:08 | 1:51:10 | |
I'm getting too big for my boots, ain't I? | 1:51:11 | 1:51:13 | |
Marry me. | 1:51:19 | 1:51:20 | |
Sorry? | 1:51:23 | 1:51:24 | |
Sharon... | 1:51:29 | 1:51:30 | |
Marry me? | 1:51:32 | 1:51:34 | |
Yeah. | 1:51:36 | 1:51:37 | |
Yeah. | 1:51:37 | 1:51:38 |