Browse content similar to 29/12/2013. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I heard you up and about in the night. | 0:00:25 | 0:00:28 | |
Perhaps you should've had one of your sleeping tablets, eh? | 0:00:28 | 0:00:31 | |
Where are you going? I've got to get to work, ain't I? | 0:00:31 | 0:00:35 | |
You know the things I told you about Michael? | 0:00:35 | 0:00:38 | |
That is going to stay between me and you. We're going to keep that between us? | 0:00:38 | 0:00:41 | |
Because if it ever got out, my life would be over and Scarlett's life... | 0:00:41 | 0:00:45 | |
Janine! Just promise me. | 0:00:45 | 0:00:46 | |
I'm not going to say anything. | 0:00:46 | 0:00:48 | |
Say it. Say you promise. | 0:00:49 | 0:00:51 | |
I promise on my mother's grave, OK? That good enough for you? | 0:00:52 | 0:00:55 | |
If it was me, I'd probably use it. | 0:00:57 | 0:01:00 | |
I'd find my moment and then I'd use it. | 0:01:00 | 0:01:02 | |
I'm not going to say a word. | 0:01:02 | 0:01:05 | |
Come on, think about the Vic. | 0:01:05 | 0:01:07 | |
You really think things are going to be good again? | 0:01:09 | 0:01:12 | |
Course I do. You're going home, Janine. | 0:01:12 | 0:01:15 | |
So. We're actually going to do this then? | 0:01:36 | 0:01:38 | |
Yeah. We're actually going to do it. | 0:01:38 | 0:01:40 | |
You know they're going to say no. | 0:01:40 | 0:01:42 | |
Think positive. | 0:01:42 | 0:01:43 | |
Yeah, this is me thinking positive. | 0:01:43 | 0:01:45 | |
Look at Pops, he's already made a mess of things. | 0:01:45 | 0:01:47 | |
But this is what we want though, yeah? | 0:01:47 | 0:01:49 | |
Us together on Christmas Day. | 0:01:49 | 0:01:50 | |
Yes, of course it is. But it's the Mitchells and the Beales. | 0:01:50 | 0:01:55 | |
It's you and me. Come on. | 0:01:55 | 0:01:57 | |
Yes, all right. Yes, we can do this. | 0:01:59 | 0:02:01 | |
We can totally do this. Peter... | 0:02:01 | 0:02:03 | |
SHE GIGGLES | 0:02:06 | 0:02:08 | |
Maybe... Maybe we need... | 0:02:13 | 0:02:15 | |
We should have a plan B. | 0:02:15 | 0:02:16 | |
Plan B. You know, just in case. | 0:02:16 | 0:02:18 | |
Dad! The lights have gone again. | 0:02:21 | 0:02:24 | |
You're having a laugh, ain't ya? | 0:02:24 | 0:02:25 | |
I wish I was. | 0:02:25 | 0:02:27 | |
Nan. How do you spell "nunchucks?" | 0:02:27 | 0:02:29 | |
Hmm? You can't ask Father Christmas for nunchucks. | 0:02:29 | 0:02:32 | |
Nan? | 0:02:32 | 0:02:33 | |
Nan? | 0:02:35 | 0:02:36 | |
Nan? Why are you sad? Do you miss Granddad? | 0:02:39 | 0:02:42 | |
I do too. | 0:02:42 | 0:02:44 | |
Can I just have a bit of peace and quiet please? | 0:02:44 | 0:02:47 | |
How we going to do this without a proper chimbley? | 0:02:50 | 0:02:52 | |
Chimney. That's what I said. | 0:02:52 | 0:02:54 | |
Tel! Down here! | 0:02:54 | 0:02:57 | |
That'll have to wait. | 0:02:57 | 0:02:58 | |
Right, we're going to burn 'em in this, OK? | 0:02:58 | 0:03:02 | |
Nothing says Christmas like burning stuff in a bucket, does it, eh? | 0:03:02 | 0:03:05 | |
Yeah, and Mum threw up in that once. | 0:03:05 | 0:03:07 | |
ALL: Urgh! | 0:03:07 | 0:03:08 | |
The lights have gone again. Yeah, I know. It's the fuse. | 0:03:08 | 0:03:11 | |
I'm trying to fix it. You said that last time. | 0:03:11 | 0:03:13 | |
Yeah, it'll be all right. Right, come on, let's have a look, then. | 0:03:13 | 0:03:15 | |
Spud, what you got? Right. | 0:03:15 | 0:03:18 | |
"Dear Father Christmas, please can I have some turkey, | 0:03:18 | 0:03:21 | |
"roast potatoes, them little sausage things in bacon, some..." | 0:03:21 | 0:03:24 | |
I don't think you're quite grasping the concept of this, darling. | 0:03:24 | 0:03:28 | |
You said to write what I wanted. | 0:03:28 | 0:03:31 | |
And I want a Christmas dinner. | 0:03:31 | 0:03:33 | |
DOORBELL RINGS | 0:03:33 | 0:03:34 | |
ALL: Door! | 0:03:34 | 0:03:37 | |
How comes TJ and Liam aren't writing letters? | 0:03:37 | 0:03:39 | |
That's a good point, actually. Cos we have some dignity. | 0:03:39 | 0:03:42 | |
Well, write. | 0:03:42 | 0:03:43 | |
DOORBELL RINGS ALL: Door! | 0:03:43 | 0:03:45 | |
What is the matter with you lot? | 0:03:45 | 0:03:47 | |
Have you lost the use of your legs or something? | 0:03:47 | 0:03:50 | |
Hiya. Your lights are on the blink. | 0:03:52 | 0:03:54 | |
Patrick! | 0:03:57 | 0:03:59 | |
Er, Mr Trueman. | 0:03:59 | 0:04:01 | |
Sir? | 0:04:02 | 0:04:04 | |
Sir? Yeah, yeah. | 0:04:04 | 0:04:06 | |
Erm... | 0:04:06 | 0:04:08 | |
There's something I've been meaning to ask you for quite a while. | 0:04:08 | 0:04:12 | |
Go on, then. | 0:04:14 | 0:04:16 | |
Well, with you being the nearest thing Denise has got to a father. | 0:04:16 | 0:04:21 | |
I mean, to all intents and purposes, you are. | 0:04:21 | 0:04:23 | |
Just not in the biological sense. | 0:04:23 | 0:04:26 | |
I just thought that it was appropriate... | 0:04:26 | 0:04:29 | |
..you know, with Christmas on its way and everything, you know, | 0:04:30 | 0:04:35 | |
to make a gesture. | 0:04:35 | 0:04:36 | |
A romantic gesture. | 0:04:37 | 0:04:39 | |
To me? | 0:04:39 | 0:04:40 | |
No, not to you, to Denise. | 0:04:40 | 0:04:42 | |
PATRICK CHUCKLES | 0:04:42 | 0:04:44 | |
You want my permission? | 0:04:44 | 0:04:45 | |
Yeah, in a manner of speaking. | 0:04:47 | 0:04:49 | |
In a manner of speaking or actually? | 0:04:49 | 0:04:52 | |
Actually. | 0:04:52 | 0:04:54 | |
No, no, you're losing me there, you know, Ian. | 0:04:54 | 0:04:57 | |
Is it OK? | 0:04:57 | 0:04:59 | |
Is what OK? Look, just yes or no. | 0:04:59 | 0:05:01 | |
Well, yes. | 0:05:02 | 0:05:03 | |
Good. | 0:05:03 | 0:05:04 | |
You're late. I know, I know, sorry. | 0:05:07 | 0:05:10 | |
Alfie? We need milk and wet wipes. | 0:05:31 | 0:05:35 | |
What are you doing here? | 0:05:37 | 0:05:38 | |
I'm carrying a box. Billy? | 0:05:38 | 0:05:41 | |
Billy! Excuse me? | 0:05:42 | 0:05:44 | |
Is this a load-bearing wall? | 0:05:44 | 0:05:46 | |
What? You know what, never mind. It's coming out anyway. | 0:05:46 | 0:05:48 | |
Alfie! And these fixtures and fittings, | 0:05:48 | 0:05:51 | |
somebody actively chose those lights. | 0:05:51 | 0:05:53 | |
Kat, I know you said milk but what was the other thing you wanted? | 0:05:53 | 0:05:56 | |
Wet wipes. | 0:05:56 | 0:05:57 | |
What you doing? I'm carrying a box. | 0:05:58 | 0:06:00 | |
Over there please, Billy. No you don't, Billy. Yes you do, Billy. | 0:06:00 | 0:06:03 | |
No, no, whoa, whoa, hold on. This is trespassing, all right? | 0:06:03 | 0:06:06 | |
It can't be trespassing, actually. Not when you own the place. | 0:06:06 | 0:06:09 | |
You don't yet. So just get out. | 0:06:09 | 0:06:11 | |
No, Alfie, let her have her fun. | 0:06:11 | 0:06:13 | |
You don't like the fixtures and fittings, no? | 0:06:13 | 0:06:15 | |
There you go. | 0:06:21 | 0:06:22 | |
You really have no heart, eh, Janine. | 0:06:26 | 0:06:30 | |
You really have no home. | 0:06:30 | 0:06:32 | |
I know who I'd rather be. | 0:06:32 | 0:06:34 | |
Phil? | 0:06:40 | 0:06:41 | |
All right? | 0:06:41 | 0:06:43 | |
What's with the train set? | 0:06:43 | 0:06:45 | |
Every kid needs a train set, don't they? | 0:06:46 | 0:06:48 | |
Don't know if you've noticed but Lexi's a girl. | 0:06:48 | 0:06:51 | |
Hang on a minute, this says 12 years and over. | 0:06:52 | 0:06:55 | |
This is definitely for you and Pops, I know it is. | 0:06:55 | 0:06:59 | |
You after something? What? No. | 0:06:59 | 0:07:02 | |
You got that look. I know that look. | 0:07:02 | 0:07:05 | |
Why would I want anything? | 0:07:05 | 0:07:07 | |
Just ask, Lo, will ya? | 0:07:07 | 0:07:10 | |
OK. Right, I've got this idea. It's a little bit crazy but... | 0:07:10 | 0:07:14 | |
Peter, will you just get to the salient point? | 0:07:14 | 0:07:17 | |
OK, er... | 0:07:17 | 0:07:19 | |
Christmas Day. | 0:07:19 | 0:07:20 | |
All the Mitchells and all the Beales. | 0:07:22 | 0:07:24 | |
Dinner together. What do you think? | 0:07:24 | 0:07:27 | |
The Mitchells? The Mitchells and the Beales? | 0:07:27 | 0:07:30 | |
Yeah. It's not that ridiculous, is it? | 0:07:30 | 0:07:31 | |
Think about it, Lexi can have all her family around her. | 0:07:31 | 0:07:34 | |
And Ian is her uncle. No, he ain't. Well, half. | 0:07:34 | 0:07:37 | |
If Ian Beale is round here on Christmas Day, the turkey | 0:07:37 | 0:07:40 | |
won't be the only thing with sage and onion stuffed up its jacksy. | 0:07:40 | 0:07:43 | |
No! No, no, no. | 0:07:43 | 0:07:47 | |
And no. Just, no! No! It was just an idea. | 0:07:47 | 0:07:49 | |
The Mitchells... | 0:07:49 | 0:07:51 | |
..and the Beales. The Beales! | 0:07:51 | 0:07:53 | |
It weren't supposed to be funny. | 0:07:53 | 0:07:54 | |
DOORBELL RINGS | 0:07:54 | 0:07:56 | |
Peter, we need a plan B. | 0:08:03 | 0:08:06 | |
Paperwork. | 0:08:06 | 0:08:07 | |
All you have to do is sign and my 40% of the club is yours. | 0:08:10 | 0:08:13 | |
Right, well, that was painless. | 0:08:35 | 0:08:39 | |
So, wait to hear from my solicitor and we can finalise the Vic sale. | 0:08:40 | 0:08:44 | |
Oh, yeah, erm, about that. | 0:08:44 | 0:08:48 | |
It, er, ain't going to happen. | 0:08:48 | 0:08:51 | |
What? | 0:08:53 | 0:08:55 | |
I've had another offer. | 0:08:55 | 0:08:56 | |
A bigger offer? Well, that's how it usually works, Janine. | 0:08:58 | 0:09:01 | |
How much? Well, if you want to get your hands on the Vic, | 0:09:01 | 0:09:04 | |
you're going to need another 400 grand. | 0:09:04 | 0:09:06 | |
No, no, no, no, no. | 0:09:06 | 0:09:07 | |
You're playing me. By Christmas. | 0:09:07 | 0:09:10 | |
There is no other offer is there? | 0:09:11 | 0:09:12 | |
And I'll need proof you can get the money by the end of today. | 0:09:12 | 0:09:16 | |
You're definitely playing me. | 0:09:16 | 0:09:18 | |
Or you're out of the running. It's your call, Janine. | 0:09:18 | 0:09:21 | |
Now, if you don't mind, I've got business to attend to. | 0:09:21 | 0:09:24 | |
It is the one you wanted, isn't it? Yeah. | 0:09:37 | 0:09:40 | |
Are you going to cry? | 0:09:40 | 0:09:42 | |
No, shut up. | 0:09:42 | 0:09:44 | |
O...M...G! | 0:09:47 | 0:09:51 | |
It's a onesie! | 0:09:51 | 0:09:53 | |
I love you. | 0:09:53 | 0:09:55 | |
I love you too, baby. | 0:09:55 | 0:09:57 | |
How comes they get to open their presents and we don't? | 0:10:02 | 0:10:06 | |
Because they are what you call a product of a broken home. | 0:10:06 | 0:10:09 | |
So are we. I'm so going to be an air hostess when I grow up. | 0:10:09 | 0:10:12 | |
No, you're not. | 0:10:12 | 0:10:14 | |
She does that all the time. She's trying to buy their love. | 0:10:14 | 0:10:17 | |
Well, she's their mum, ain't she? | 0:10:17 | 0:10:19 | |
She might be a mum that serves people drinks for a living. | 0:10:19 | 0:10:23 | |
Or she might be a mum that does this for a living. | 0:10:23 | 0:10:27 | |
I'd certainly like to show her the nearest exit. | 0:10:27 | 0:10:30 | |
What? You... | 0:10:30 | 0:10:32 | |
Listen, she... | 0:10:32 | 0:10:35 | |
ain't going to see your kids on Christmas Day. | 0:10:35 | 0:10:39 | |
Just let her have her moment. | 0:10:39 | 0:10:40 | |
Look at me! | 0:10:41 | 0:10:43 | |
THEY LAUGH | 0:10:46 | 0:10:48 | |
No. Yep. | 0:10:50 | 0:10:51 | |
You're sure? 100%. | 0:10:53 | 0:10:56 | |
He was asking for your hand in marriage. | 0:10:56 | 0:10:58 | |
It's 2013. Who does that? | 0:10:58 | 0:11:00 | |
He really said, "My hand in marriage?" | 0:11:00 | 0:11:02 | |
Well, I mean, not exactly those words. | 0:11:02 | 0:11:04 | |
As a matter of fact, he really didn't make a lot of sense, you know. | 0:11:04 | 0:11:07 | |
You're freaking me out now. | 0:11:07 | 0:11:09 | |
You know what you need? A stiff drink? | 0:11:09 | 0:11:11 | |
Proof. The ring. It must be somewhere. | 0:11:11 | 0:11:15 | |
DOOR OPENS | 0:11:15 | 0:11:16 | |
'Denise?' | 0:11:16 | 0:11:18 | |
You won't believe this. | 0:11:20 | 0:11:22 | |
This one has suggested we spend Christmas dinner with the Mitchells. | 0:11:22 | 0:11:25 | |
Not the most insane thing I've heard all day. | 0:11:25 | 0:11:27 | |
I hate Phil. You hate Phil. Yes, I know. I'm just saying, | 0:11:27 | 0:11:29 | |
people, they do crazy, | 0:11:29 | 0:11:34 | |
ill-advised things at Christmas, don't they? | 0:11:34 | 0:11:36 | |
Ian, do you have a better proposal? | 0:11:36 | 0:11:40 | |
What? Nothing. We've just, you know... | 0:11:40 | 0:11:44 | |
You want a tea, coffee, anyone? Yeah, coffee. | 0:11:44 | 0:11:46 | |
Yeah, women are a mystery to me. | 0:11:50 | 0:11:52 | |
Look, all I'm saying is maybe it's time you buried the hatchet? | 0:11:52 | 0:11:56 | |
What, in Phil Mitchell's head? That would be preferable. | 0:11:56 | 0:11:58 | |
Only reason I asked is cos he brought it up. | 0:12:00 | 0:12:02 | |
Phil? Phil suggested we have Christmas dinner together? | 0:12:04 | 0:12:07 | |
Yeah, yeah. He said he felt really bad about yesterday. | 0:12:07 | 0:12:10 | |
What, he's got feelings? | 0:12:10 | 0:12:12 | |
Well, seemed pretty genuine to me. | 0:12:12 | 0:12:14 | |
Maybe he's more willing to forgive and forget than you are. | 0:12:14 | 0:12:18 | |
Nah. Nah, he's just trying to get in my head. | 0:12:20 | 0:12:22 | |
That's what he does. | 0:12:22 | 0:12:24 | |
I'm not so sure. And there was me thinking you were the bigger man. | 0:12:24 | 0:12:28 | |
?400,000. | 0:12:31 | 0:12:33 | |
I mean, where the hell am I going to find 400 grand from? | 0:12:33 | 0:12:37 | |
All of my money is tied up, in properties or in the business! | 0:12:37 | 0:12:40 | |
He is laughing at me, David. | 0:12:40 | 0:12:43 | |
And this offer, this other offer! It doesn't even exist! | 0:12:43 | 0:12:46 | |
Stop. Stop. Stop for just one second. | 0:12:46 | 0:12:49 | |
I want the Vic. Yeah, and you're going to get it. | 0:12:49 | 0:12:52 | |
We'll find you the money, Janine. Come on. | 0:12:53 | 0:12:56 | |
(OK.) | 0:12:58 | 0:13:00 | |
(It's all right, calm down.) | 0:13:00 | 0:13:02 | |
Why don't we ask Nan? | 0:13:07 | 0:13:09 | |
No. Why not? | 0:13:09 | 0:13:12 | |
Cos moving in with her would be like admitting defeat. | 0:13:12 | 0:13:15 | |
It's like a charity. No, it ain't charity. | 0:13:15 | 0:13:17 | |
Kat, listen, I know it sounds stupid, | 0:13:18 | 0:13:20 | |
but a man should be able to provide for his missus and his kid! | 0:13:20 | 0:13:24 | |
Yeah, all right. It does sound stupid. Thank you. | 0:13:24 | 0:13:27 | |
I'll ask Nan. No! | 0:13:27 | 0:13:29 | |
Alfie, come on! | 0:13:29 | 0:13:31 | |
Kat, listen, I ain't got a job, I ain't got us a place to live, | 0:13:31 | 0:13:35 | |
I can't even afford 50 quid for presents... | 0:13:35 | 0:13:37 | |
Things will work out. They always do. | 0:13:37 | 0:13:39 | |
Yeah, all right, and what if it doesn't this time? | 0:13:39 | 0:13:41 | |
Ask Nan. | 0:13:41 | 0:13:43 | |
I'm going to find us a place, all right? | 0:13:45 | 0:13:47 | |
It's the green ones. | 0:13:52 | 0:13:54 | |
It's always the bleedin' green ones. | 0:13:54 | 0:13:57 | |
It's a conspiracy. | 0:13:57 | 0:13:58 | |
Mum's going to be all on her own on Christmas Day. | 0:13:58 | 0:14:00 | |
Well, with the two blokes she lives with. But still... | 0:14:00 | 0:14:03 | |
You know what I think? I think there's someone out there | 0:14:05 | 0:14:07 | |
making a fortune out of green bulbs. | 0:14:07 | 0:14:09 | |
It's the green bulbs. The lights used to go every Christmas. | 0:14:10 | 0:14:14 | |
It became a bit of a running joke. | 0:14:14 | 0:14:15 | |
Hilarious. | 0:14:15 | 0:14:17 | |
You ever want any duty free, perfume or whatever, | 0:14:18 | 0:14:20 | |
let me know and I'll pick you some up. | 0:14:20 | 0:14:23 | |
You know it was the worst mistake of your life letting Terry go, don't you? | 0:14:23 | 0:14:26 | |
Suppose you think you can come back here and get in his pants. | 0:14:26 | 0:14:30 | |
Sorry Nikki, he's taken. | 0:14:30 | 0:14:32 | |
Him and his pants. | 0:14:32 | 0:14:34 | |
I'm here to see my kids. | 0:14:34 | 0:14:36 | |
Terry said you used to go weeks, sometimes months, | 0:14:36 | 0:14:39 | |
without seeing them. | 0:14:39 | 0:14:41 | |
So why are you all interested now? | 0:14:41 | 0:14:44 | |
What else did Terry say? | 0:14:44 | 0:14:46 | |
Did he tell you that he begged me not to leave him? | 0:14:46 | 0:14:48 | |
It still ain't working. | 0:14:50 | 0:14:51 | |
I'm going to head off. | 0:14:51 | 0:14:53 | |
Are you not staying for a cuppa? | 0:14:53 | 0:14:54 | |
BOTH: No. | 0:14:54 | 0:14:56 | |
Kids! Your mum's leaving. | 0:14:56 | 0:14:58 | |
I meant what I said, Bianca. | 0:14:58 | 0:15:00 | |
You ever want any duty free, let me know. | 0:15:00 | 0:15:04 | |
See you later, darling. | 0:15:04 | 0:15:05 | |
All the remaining properties. The flats in Kenwyn House. | 0:15:10 | 0:15:13 | |
Sell them. All of them? Just do it, Billy. | 0:15:13 | 0:15:15 | |
That ain't going to help, Janine. | 0:15:15 | 0:15:17 | |
47a and 47b Albert Square. | 0:15:17 | 0:15:19 | |
No. You'll be waiting months. | 0:15:19 | 0:15:21 | |
Shares. Shares. I've got shares in somewhere, I know I do. | 0:15:21 | 0:15:24 | |
Janine, you need the cash up front. | 0:15:24 | 0:15:26 | |
Is someone going to tell me what's happening here? | 0:15:26 | 0:15:28 | |
If you give him all that lot plus a bit of cash, | 0:15:28 | 0:15:30 | |
you can sell your car, he's never going to say no, is he? | 0:15:30 | 0:15:32 | |
Sorry, why are you listening to him? Get my solicitor on the phone. | 0:15:32 | 0:15:35 | |
Janine, I really don't think you want to do that. | 0:15:35 | 0:15:37 | |
Shut up, Billy! I'm not losing the Vic. Not now. | 0:15:37 | 0:15:39 | |
Keys. | 0:15:41 | 0:15:42 | |
I paid 50 grand for that car. | 0:15:46 | 0:15:48 | |
I'll see what I can do. | 0:15:48 | 0:15:50 | |
So. Christmas. | 0:16:01 | 0:16:03 | |
The season of good will to men and all that sort of stuff. | 0:16:03 | 0:16:07 | |
Behold, I bring you tidings of great joy! | 0:16:08 | 0:16:10 | |
You about to tell me you're up the duff or something? | 0:16:10 | 0:16:13 | |
No. Beales. Mitchells. Christmas dinner. What do you say? | 0:16:13 | 0:16:16 | |
I'd rather eat my own face. | 0:16:16 | 0:16:18 | |
I thought this was your idea. | 0:16:18 | 0:16:19 | |
Does it sound like one of my ideas? | 0:16:19 | 0:16:21 | |
I'm trying to be the bigger man. You'll never be the bigger man. | 0:16:21 | 0:16:24 | |
I don't know why I bothered. Why did you bother? | 0:16:24 | 0:16:26 | |
You'll never get to taste my honey glazed chipolatas. And that is a tragedy. | 0:16:26 | 0:16:29 | |
You ain't very good at this, are you? | 0:16:33 | 0:16:35 | |
Fine. I didn't want to have to do it this way, but... | 0:16:35 | 0:16:38 | |
Do what? What way? | 0:16:38 | 0:16:40 | |
We all spend Christmas day together or you don't see Lexi. | 0:16:41 | 0:16:44 | |
And I know you think I won't go through with it, but I will. | 0:16:44 | 0:16:47 | |
Cos I'm a Mitchell. We don't make empty threats. | 0:16:47 | 0:16:50 | |
Think about it. | 0:16:50 | 0:16:51 | |
Look I reckon we should just bung 'em in. | 0:16:54 | 0:16:56 | |
We should wait for Nan. She seems a bit sad. | 0:16:56 | 0:17:00 | |
No, she's all right, darling. | 0:17:00 | 0:17:02 | |
She's just a bit miserable cos Granddad's being an idiot. | 0:17:02 | 0:17:04 | |
Probably just her hormones. | 0:17:04 | 0:17:06 | |
Right, are we all ready? | 0:17:06 | 0:17:07 | |
OK, Father Christmas, Big Man, Santa Claus. | 0:17:07 | 0:17:11 | |
We know you're right busy at this time of year but we are sending you | 0:17:11 | 0:17:14 | |
these letters with hope that you would consider our requests. | 0:17:14 | 0:17:18 | |
Although, I do feel that probably Morgan's anti-gravity boots | 0:17:18 | 0:17:21 | |
might be a little bit out your league. | 0:17:21 | 0:17:23 | |
Best wishes to your good wife, Mary Christmas, | 0:17:23 | 0:17:26 | |
and of course all the reindeer. Donner, Prancer, er... | 0:17:26 | 0:17:31 | |
Kebab, er, Rudolf, Lionel Messi, | 0:17:31 | 0:17:34 | |
and, of course, Keith. | 0:17:34 | 0:17:35 | |
Keith? Don't matter. | 0:17:35 | 0:17:37 | |
Yours sincerely, from all of us, lots of love, all the best. | 0:17:37 | 0:17:40 | |
Oh, PS, we're going to leave you out a right nice mince pie. | 0:17:40 | 0:17:44 | |
Right, let's burn these bad boys. | 0:17:44 | 0:17:46 | |
Right, we ready? Here we go, then. | 0:17:48 | 0:17:50 | |
Stay back, get back. | 0:17:51 | 0:17:53 | |
Little Tel. What's wrong with him? | 0:17:56 | 0:17:58 | |
Probably his hormones. | 0:17:58 | 0:17:59 | |
Right, he's hid 'em at the bottom of the wardrobe. | 0:18:05 | 0:18:09 | |
I wonder if he's gone for platinum or gold? | 0:18:09 | 0:18:11 | |
This is Ian you're talking about, you know. | 0:18:11 | 0:18:13 | |
Fair play. Be lucky if it ain't an onion ring. | 0:18:13 | 0:18:17 | |
So, what are you going to say? | 0:18:17 | 0:18:19 | |
Bearing in mind this might all be a figment of your wild imagination... | 0:18:19 | 0:18:23 | |
Just answer the question now, man. | 0:18:23 | 0:18:25 | |
Honestly? | 0:18:25 | 0:18:26 | |
Oh, I dunno. | 0:18:26 | 0:18:29 | |
What, you have doubts? | 0:18:29 | 0:18:30 | |
No! You'd be the fifth Mrs Beale, you know. | 0:18:30 | 0:18:33 | |
You have to be practical about these things. | 0:18:34 | 0:18:37 | |
No, you don't have to be practical about anything. | 0:18:37 | 0:18:39 | |
What is your heart telling you? | 0:18:39 | 0:18:40 | |
I dunno. | 0:18:40 | 0:18:42 | |
My heart is saying... | 0:18:43 | 0:18:46 | |
This one's squishy. | 0:18:46 | 0:18:47 | |
Rip it open, then. | 0:18:47 | 0:18:49 | |
No! Just the corner then. | 0:18:49 | 0:18:53 | |
Patrick, just the corner! | 0:18:53 | 0:18:55 | |
Oven gloves. | 0:19:03 | 0:19:05 | |
African oven gloves. | 0:19:06 | 0:19:08 | |
Could be useful. | 0:19:09 | 0:19:10 | |
He's bought me vaguely racist oven gloves. | 0:19:10 | 0:19:13 | |
Are you opening your presents? | 0:19:15 | 0:19:17 | |
Do you want me to talk to him? | 0:19:19 | 0:19:21 | |
I don't know how long it'd be for. | 0:19:21 | 0:19:22 | |
Kat, it doesn't matter. You sure? Stay as long as you like. | 0:19:22 | 0:19:26 | |
As long as you can put up with Joey wandering around in his pants. | 0:19:26 | 0:19:29 | |
I've seen that plenty of times. | 0:19:29 | 0:19:31 | |
And you know there's nothing I like more | 0:19:31 | 0:19:33 | |
than a bit of illegal sub-letting. | 0:19:33 | 0:19:35 | |
Just let him think it was his idea, yeah? | 0:19:35 | 0:19:39 | |
Manhood dented a bit, is it? | 0:19:39 | 0:19:41 | |
A bit. | 0:19:41 | 0:19:42 | |
Same thing happened with Fat Elvis once. Walked funny for weeks. | 0:19:42 | 0:19:46 | |
Good afternoon, sir. Can I interest you in a car? | 0:19:49 | 0:19:53 | |
It's Nana Carol. She seems sad all the time. | 0:19:53 | 0:19:57 | |
Mum thinks it's your fault, and Tiff thinks it's her hormones. | 0:19:57 | 0:20:02 | |
And what do you reckon? | 0:20:02 | 0:20:03 | |
Well, I think there's something wrong. | 0:20:05 | 0:20:07 | |
There he is. Stay there, don't move and don't touch anything. | 0:20:07 | 0:20:11 | |
I won't be a sec. | 0:20:11 | 0:20:13 | |
Why else would you come and see me, then? | 0:20:13 | 0:20:15 | |
Good point. Cos I might have been planning a surprise. | 0:20:15 | 0:20:18 | |
Not a propose-y surprise? | 0:20:18 | 0:20:21 | |
No, look, we've only been together a few months, haven't we? | 0:20:21 | 0:20:24 | |
It's longer than that. Is it? Yes! | 0:20:24 | 0:20:26 | |
Well, we've got enough failed marriages between us to know it's not a good idea. That's true. | 0:20:26 | 0:20:30 | |
We're happy as we are, aren't we? Yeah, course we are, darling. | 0:20:30 | 0:20:33 | |
Look, I can assure you, | 0:20:33 | 0:20:34 | |
I've got absolutely no intention of proposing to you. | 0:20:34 | 0:20:37 | |
Great. Thank you. | 0:20:37 | 0:20:39 | |
Ian, you really have a way with the ladies, don't you? | 0:20:39 | 0:20:41 | |
So, no ring, then? No ring. | 0:20:41 | 0:20:44 | |
You have an oven glove, though. | 0:20:44 | 0:20:46 | |
Yeah, it's a Guyanese tribal print. | 0:20:46 | 0:20:49 | |
You're originally from Guyana, aren't you? | 0:20:51 | 0:20:53 | |
BOTH: No. | 0:20:53 | 0:20:54 | |
DOOR OPENS | 0:20:54 | 0:20:57 | |
Ian? | 0:20:57 | 0:20:58 | |
Phil's got something he wants to ask you. | 0:21:01 | 0:21:04 | |
Christmas dinner at ours. You in or not? | 0:21:04 | 0:21:06 | |
Seeing as you put it so nicely. Well, I won't ask again. | 0:21:07 | 0:21:10 | |
Please... Dad. | 0:21:11 | 0:21:13 | |
All right, we accept. We do? | 0:21:13 | 0:21:15 | |
Yes. Cos it takes the bigger man to accept than to ask. | 0:21:15 | 0:21:19 | |
You don't half talk a lot of rubbish sometimes. | 0:21:19 | 0:21:21 | |
You going to be providing the booze, Phil? | 0:21:21 | 0:21:23 | |
Well, I'm a recovering alcoholic. Why the hell not? | 0:21:23 | 0:21:25 | |
What about Patrick and Kim? | 0:21:25 | 0:21:27 | |
We've got plans. No, you haven't. We have now. | 0:21:27 | 0:21:30 | |
Well, that's that then, anyway, innit? | 0:21:30 | 0:21:32 | |
Yep. That's that. | 0:21:32 | 0:21:33 | |
Thank you. Thank you. | 0:21:35 | 0:21:37 | |
Thank you, Phil. | 0:21:39 | 0:21:41 | |
Don't ever blackmail me again. | 0:21:43 | 0:21:45 | |
Especially not using my granddaughter. Do you understand? | 0:21:45 | 0:21:48 | |
Mm-hm. | 0:21:48 | 0:21:49 | |
JANINE ON TAPE RECORDER: 'He had his hands around my neck | 0:21:53 | 0:21:55 | |
'and he was squeezing the life out of me...' | 0:21:55 | 0:21:58 | |
Morgan! | 0:21:58 | 0:21:59 | |
I told you not to touch anything. | 0:21:59 | 0:22:01 | |
Mate. Come on, sorry. | 0:22:07 | 0:22:10 | |
Come on. Let's go and get you some sweets, yeah? | 0:22:10 | 0:22:12 | |
Oh, Morgan. | 0:22:17 | 0:22:18 | |
Scratching? Nah, no. | 0:22:26 | 0:22:28 | |
They're yours. | 0:22:28 | 0:22:30 | |
Mo... Alfie. | 0:22:30 | 0:22:31 | |
Listen, I've been looking for flats now for a while... | 0:22:33 | 0:22:36 | |
Course you can. | 0:22:36 | 0:22:37 | |
Really? As long as you want. | 0:22:39 | 0:22:42 | |
Ahh, you're a diamond. | 0:22:42 | 0:22:43 | |
That weren't so hard, was it? What? | 0:22:43 | 0:22:46 | |
How's that manhood of yours feeling? Not too dented I hope. | 0:22:46 | 0:22:49 | |
I get it. Yes, Kat sent you down here, didn't she? | 0:22:49 | 0:22:51 | |
Course she did. | 0:22:51 | 0:22:53 | |
Cos she loves you. | 0:22:53 | 0:22:55 | |
Come here, you. | 0:22:56 | 0:22:57 | |
Just dropping a stray off. Morgan came to see me. | 0:23:07 | 0:23:11 | |
He's worried about you, Carol. | 0:23:11 | 0:23:13 | |
Me? I'm fine. | 0:23:13 | 0:23:15 | |
Well, he don't seem to think so. | 0:23:15 | 0:23:17 | |
He says you're on the verge of tears all the time. | 0:23:18 | 0:23:21 | |
Is it Bianca? Yeah, cos it's always about someone else, isn't it? | 0:23:21 | 0:23:24 | |
I've always got to put the kids first and Bianca... | 0:23:24 | 0:23:26 | |
What is it, Carol? Tell me. | 0:23:26 | 0:23:29 | |
I know you. | 0:23:30 | 0:23:32 | |
I know you, Carol. | 0:23:33 | 0:23:34 | |
'Dad, they're working!' | 0:23:37 | 0:23:39 | |
Yes! | 0:23:39 | 0:23:41 | |
Right, no-one go near that plug, you understand? | 0:23:41 | 0:23:44 | |
Yep. | 0:23:44 | 0:23:45 | |
Look, TJ, your Mum's going to be on her own this Christmas, so... | 0:23:47 | 0:23:52 | |
Well, not on her own, cos she'll be with those two gay blokes, | 0:23:52 | 0:23:54 | |
Steve, and what's the other one called? Steve. Really? | 0:23:54 | 0:23:58 | |
Well, look, maybe you should go over and spend Christmas Day with her. | 0:23:58 | 0:24:03 | |
What? You sure? | 0:24:03 | 0:24:04 | |
If it makes you happy, yeah. | 0:24:04 | 0:24:06 | |
What about what makes you happy? | 0:24:06 | 0:24:08 | |
Sorry. None of my business. | 0:24:08 | 0:24:10 | |
If TJ's going, I'm going too. | 0:24:10 | 0:24:14 | |
You'll be all right, won't you? You've got everyone else. | 0:24:14 | 0:24:17 | |
Yeah, you'll be all right, won't you? | 0:24:17 | 0:24:19 | |
Yeah, and we're going to see | 0:24:20 | 0:24:22 | |
Father Christmas tomorrow, aren't we? Definitely. | 0:24:22 | 0:24:24 | |
MOUTHS SILENTLY | 0:24:26 | 0:24:28 | |
Ooh, what's that for? | 0:24:33 | 0:24:34 | |
You ever need any more hugs, you know where I am. | 0:24:36 | 0:24:39 | |
Right, I got you 35 for the car. | 0:24:46 | 0:24:48 | |
OK. I'll give the cash tomorrow and sort you out a little runaround. | 0:24:48 | 0:24:51 | |
Phil can't say no, can he? I don't see why he would. | 0:24:51 | 0:24:54 | |
It's just the only place that's ever felt like home. | 0:24:54 | 0:24:57 | |
It's the only place when I've ever really...felt like me. | 0:24:57 | 0:25:00 | |
Does that sound stupid? No. | 0:25:00 | 0:25:03 | |
I keep thinking that it's all going to fall through. I've gotten this far before... | 0:25:03 | 0:25:07 | |
It's going to be yours, don't worry. OK. Thank you. | 0:25:07 | 0:25:11 | |
Don't thank me yet. | 0:25:11 | 0:25:12 | |
Shut up, Billy. | 0:25:16 | 0:25:17 | |
I will have the paperwork for you tomorrow. | 0:25:46 | 0:25:48 | |
And ?250,000 in cash. | 0:25:48 | 0:25:50 | |
Christmas Day? Christmas Day. | 0:25:52 | 0:25:54 | |
See what you can do when you put your mind to it? | 0:25:56 | 0:25:58 | |
So it's mine? | 0:25:58 | 0:25:59 | |
It's all yours. | 0:26:00 | 0:26:02 | |
SHE EXHALES WEARILY | 0:26:04 | 0:26:07 | |
SHE CLEARS HER THROAT | 0:26:07 | 0:26:09 | |
There, erm... | 0:26:10 | 0:26:12 | |
There never was another offer, was there? | 0:26:12 | 0:26:15 | |
I suppose you'll never know, Janine, will you? | 0:26:15 | 0:26:18 | |
For a minute there I really thought it was all going to fall through. | 0:26:59 | 0:27:02 | |
But it didn't. Smooth sailing from here on in, eh? | 0:27:02 | 0:27:05 | |
You didn't doubt it for a second, did you? | 0:27:08 | 0:27:10 | |
Not for a second. Cheers. | 0:27:10 | 0:27:12 | |
You have that much faith in me? | 0:27:12 | 0:27:15 | |
Course I do. | 0:27:15 | 0:27:17 | |
I knew you'd have no trouble getting that money for me. | 0:27:17 | 0:27:20 | |
For you? | 0:27:22 | 0:27:23 | |
Yeah. The quarter of a million cash. | 0:27:23 | 0:27:26 | |
You're going to give it all to me. | 0:27:26 | 0:27:28 | |
Sorry, er... | 0:27:30 | 0:27:32 | |
Why would I do that? | 0:27:34 | 0:27:35 | |
DICTAPHONE PLAYS: 'I stabbed him. | 0:27:38 | 0:27:40 | |
'I killed him, David, and I didn't feel a thing. | 0:27:40 | 0:27:44 | |
'One minute he was alive and the next minute he was gone.' | 0:27:44 | 0:27:49 | |
JANINE GRUNTS | 0:27:49 | 0:27:51 | |
No! | 0:27:51 | 0:27:52 | |
Patience, Janine. | 0:27:57 | 0:27:58 | |
Patience. | 0:28:00 | 0:28:02 | |
250 grand, in cash. | 0:28:02 | 0:28:04 | |
Or it's all over. | 0:28:06 | 0:28:07 | |
Here's to the future. | 0:28:10 | 0:28:12 | |
Merry Christmas. | 0:28:35 | 0:28:37 | |
Hi. How much for these? | 0:28:45 | 0:28:46 | |
Those ones are three pounds each. | 0:28:46 | 0:28:48 | |
Can I give you 15 for the lot? Yeah, of course. | 0:28:48 | 0:28:50 | |
Merry Christmas. Merry Christmas. | 0:28:50 | 0:28:54 | |
Hello! All right, mate! | 0:28:54 | 0:28:55 | |
You got my letter, then? | 0:28:55 | 0:28:57 | |
All right, mate. How you doing? Merry Christmas. Man in a hurry. | 0:28:57 | 0:29:01 | |
Merry Christmas. All right, Karl, how's your nuts? | 0:29:01 | 0:29:04 | |
Lovely, mate. Want a bag? Yeah, go on, then. What do I owe you? | 0:29:04 | 0:29:08 | |
I will not be blackmailed by a middle-aged, | 0:29:10 | 0:29:13 | |
washed-up car salesman! | 0:29:13 | 0:29:14 | |
Ten grand. | 0:29:18 | 0:29:19 | |
?20,000. | 0:29:22 | 0:29:24 | |
Look, we can do this back and forth all day long, Janine. | 0:29:24 | 0:29:28 | |
But the way I see it - 250 grand cash, | 0:29:28 | 0:29:31 | |
quarter of a million to stop you going to jail | 0:29:31 | 0:29:34 | |
for the rest of your life - I think that's a good deal. | 0:29:34 | 0:29:36 | |
Why are you doing this? | 0:29:39 | 0:29:40 | |
Because I got plans. I've been telling you for weeks. | 0:29:41 | 0:29:43 | |
Plans that need money. | 0:29:43 | 0:29:45 | |
To buy this scuzzy car lot? | 0:29:46 | 0:29:50 | |
Everything you said by that grave. | 0:29:50 | 0:29:52 | |
About Pat. Everything you said, you meant it, I know you did. | 0:29:52 | 0:29:56 | |
Come on, we're family. | 0:29:56 | 0:29:58 | |
We're family, David, I mean, you're practically my brother... | 0:29:58 | 0:30:01 | |
Please, now you're just insulting both of us. | 0:30:01 | 0:30:03 | |
?50,000. And that is my final offer. | 0:30:08 | 0:30:12 | |
SHE SCREAMS | 0:30:16 | 0:30:18 | |
You really don't want to mess with me. Look at that. | 0:30:24 | 0:30:27 | |
Turns out you can be blackmailed by a middle-aged car salesman. | 0:30:27 | 0:30:31 | |
Yeah, Carol? It's me. | 0:30:43 | 0:30:44 | |
The hearing's in half an hour - you coming or not? | 0:30:44 | 0:30:47 | |
'Twas the night before Christmas, and all through the house, | 0:30:50 | 0:30:55 | |
not a creature was stirring, not even a mouse. | 0:30:55 | 0:30:59 | |
The stockings were hung by the chimbley with care... | 0:30:59 | 0:31:02 | |
ALL: Chimney! | 0:31:02 | 0:31:04 | |
That's what I said. | 0:31:04 | 0:31:06 | |
In hopes that St Nicholas soon would be there... | 0:31:06 | 0:31:11 | |
Right, Mum. Three o'clock - | 0:31:11 | 0:31:13 | |
shopping centre off the North Circular Road, yeah? | 0:31:13 | 0:31:16 | |
Why we've got to go over there | 0:31:16 | 0:31:17 | |
when there's a Santa on every flamin' corner, I don't know. | 0:31:17 | 0:31:20 | |
It's traditional. And I ain't got the kids tomorrow, have I? | 0:31:20 | 0:31:23 | |
So we're doing it. Now give us a kiss. | 0:31:23 | 0:31:25 | |
No. | 0:31:25 | 0:31:27 | |
Mum, don't be late. Three o'clock, yeah? Bianca... | 0:31:27 | 0:31:30 | |
I love you. I love you too. | 0:31:30 | 0:31:32 | |
Right, kids, can we start getting ready, please? | 0:31:32 | 0:31:35 | |
For what? Going out. | 0:31:35 | 0:31:37 | |
Where you off to? Last minute bit of shopping? | 0:31:39 | 0:31:43 | |
What is it, Carol? | 0:31:44 | 0:31:45 | |
I've got to catch a bus. | 0:31:45 | 0:31:46 | |
Look, you wanted to tell me something yesterday. | 0:31:46 | 0:31:49 | |
I know you did. I know you, Carol... | 0:31:49 | 0:31:52 | |
Please leave it - it's really pretty. | 0:32:04 | 0:32:07 | |
We... we are still going Midnight Mass, ain't we? | 0:32:12 | 0:32:15 | |
I used to love that as a little girl. | 0:32:15 | 0:32:18 | |
Walking there hand in hand with me mum and dad, in the dark, you know. | 0:32:18 | 0:32:22 | |
All the lovely carols and the candles... | 0:32:22 | 0:32:25 | |
I ain't going to Midnight Mass. | 0:32:25 | 0:32:28 | |
But it's Christmas. | 0:32:28 | 0:32:29 | |
Well, it don't feel like Christmas. Not to me. | 0:32:29 | 0:32:33 | |
You don't mean that, Mrs Branning. | 0:32:33 | 0:32:34 | |
It ain't coming. It'll be here in a minute. | 0:32:48 | 0:32:50 | |
I wouldn't bet on it. | 0:32:50 | 0:32:51 | |
What is it, Carol? | 0:32:53 | 0:32:54 | |
Eh? | 0:32:56 | 0:32:57 | |
All right, suit yourself. | 0:32:59 | 0:33:01 | |
David... | 0:33:02 | 0:33:03 | |
Right, where we going? | 0:33:10 | 0:33:12 | |
We said 50 quid max. There's more than 50 quid here. | 0:33:22 | 0:33:25 | |
It's going to make mine look poxy now. Course it won't. | 0:33:25 | 0:33:28 | |
It don't matter. You broke the rule. | 0:33:28 | 0:33:30 | |
Well, then, the rules are supposed to be broken. | 0:33:30 | 0:33:32 | |
Cos everyone caves in in the end, don't they, Mo? | 0:33:32 | 0:33:34 | |
Everyone knows that. | 0:33:34 | 0:33:35 | |
I thought you was helping with the packing. | 0:33:35 | 0:33:37 | |
Can't take 'em with you, can you? What's she on about? | 0:33:37 | 0:33:40 | |
Listen, it doesn't matter if you've got me nothing at all... | 0:33:40 | 0:33:42 | |
It's not a problem. It's fine. | 0:33:42 | 0:33:44 | |
It's weird, ain't it? | 0:33:44 | 0:33:45 | |
Yeah. Yeah, it is. Our last night, innit? | 0:33:46 | 0:33:51 | |
Are you going to cry, Alfie? | 0:33:51 | 0:33:53 | |
I bet you a fiver there's tears before midnight. | 0:33:53 | 0:33:56 | |
Shut up, you dopey cow. | 0:33:56 | 0:33:57 | |
Last time I cried was when West Ham was relegated back in May 2011. | 0:33:57 | 0:34:00 | |
Why don't you choke on a pickled onion or something? | 0:34:00 | 0:34:02 | |
He's going to bawl his eyes out. | 0:34:02 | 0:34:04 | |
Janine? You decent? I'm coming in... | 0:34:06 | 0:34:09 | |
Those foldy tables have arrived for the street party. | 0:34:09 | 0:34:13 | |
And I've put all your posters... | 0:34:13 | 0:34:14 | |
Janine? | 0:34:16 | 0:34:17 | |
Janine? What's happened here? | 0:34:18 | 0:34:22 | |
David did it. I'm so scared... | 0:34:22 | 0:34:26 | |
Come here. Come here. | 0:34:28 | 0:34:29 | |
Why don't we just get a bargain bucket? | 0:34:32 | 0:34:35 | |
A Christmas bargain bucket... | 0:34:35 | 0:34:37 | |
Yeah, well, I ain't that big on turkey. | 0:34:37 | 0:34:39 | |
No-one likes turkey, do they? | 0:34:39 | 0:34:40 | |
I like it! | 0:34:40 | 0:34:42 | |
What's the big deal, anyway? It's just another day, innit... | 0:34:42 | 0:34:45 | |
The spirit of Christmas is truly alive with you two. | 0:34:45 | 0:34:47 | |
Yeah, well, it's not the same, is it, Abs? Without your mum, Oscar. | 0:34:47 | 0:34:51 | |
Well, we've still got to make the effort... | 0:34:51 | 0:34:53 | |
'Scuse me a second. | 0:34:53 | 0:34:55 | |
Sorry to disturb you... It's your gran. | 0:34:56 | 0:35:00 | |
I'm really worried about her... | 0:35:00 | 0:35:02 | |
Maybe this whole dinner thing's a bad idea... | 0:35:02 | 0:35:04 | |
No. Don't say it - it's going to be great... | 0:35:04 | 0:35:06 | |
But Dad's not that keen on... | 0:35:06 | 0:35:07 | |
Don't worry about Phil, he'll be on his best behaviour, OK? | 0:35:07 | 0:35:10 | |
Yeah, right. He will. I'll personally make sure of it. | 0:35:10 | 0:35:12 | |
Look, I just want you, me and Lexi to be together tomorrow. | 0:35:12 | 0:35:15 | |
I thought you wanted that too. Yeah, course. | 0:35:15 | 0:35:17 | |
Oh, that doesn't sound very convincing... You in a strop? No. | 0:35:17 | 0:35:20 | |
You are, aren't you? You're in a strop. | 0:35:20 | 0:35:22 | |
I'm not in a strop. | 0:35:22 | 0:35:23 | |
David is saying that I killed Michael. | 0:35:28 | 0:35:30 | |
He says that he can prove it. And I've got to get him money... | 0:35:30 | 0:35:33 | |
He can't prove anything, he ain't got nothing on you. | 0:35:33 | 0:35:35 | |
Just go to the Old Bill and tell them. No, no, no, I can't. | 0:35:35 | 0:35:38 | |
I don't understand. Why not? | 0:35:38 | 0:35:39 | |
Because David is clever, all right? And he's greedy. | 0:35:39 | 0:35:42 | |
And he will do whatever it takes to get this money. | 0:35:42 | 0:35:44 | |
Well, how much we talking here? | 0:35:44 | 0:35:46 | |
?250,000 | 0:35:46 | 0:35:48 | |
250 grand?! Yes, and he's set me up, Billy. | 0:35:48 | 0:35:52 | |
He's planted something, he said - something that will have me put away. | 0:35:52 | 0:35:55 | |
Janine, listen, he's bluffing you. | 0:35:55 | 0:35:56 | |
I don't even know why you give him the time of day. | 0:35:56 | 0:35:58 | |
No, no, no, he's threatened Scarlett. He's said that he will hurt her. | 0:35:58 | 0:36:02 | |
I can't let him do that. | 0:36:02 | 0:36:03 | |
Look, it ain't going to come to that, all right? | 0:36:03 | 0:36:05 | |
I won't let that happen. | 0:36:05 | 0:36:07 | |
Come here. We'll think of something, all right? | 0:36:07 | 0:36:12 | |
(Don't worry.) | 0:36:13 | 0:36:15 | |
You can't make me drive all the way here and then not tell me | 0:36:50 | 0:36:52 | |
what's going on. Thanks for the lift. Carol! | 0:36:52 | 0:36:55 | |
Carol! HORN SOUNDS | 0:36:58 | 0:37:00 | |
All right! | 0:37:00 | 0:37:01 | |
HORN SOUNDS | 0:37:10 | 0:37:12 | |
Oi! That's my space! | 0:37:12 | 0:37:14 | |
Mrs Branning? | 0:37:19 | 0:37:21 | |
ALARM KEYS BEEP | 0:37:21 | 0:37:23 | |
What's the code? | 0:37:23 | 0:37:25 | |
I don't know. She must've changed it. | 0:37:25 | 0:37:27 | |
ALARM SOUNDS | 0:37:27 | 0:37:29 | |
Grandma? Grandma Dot? Mrs Branning? Mrs Branning, what's the code? | 0:37:29 | 0:37:33 | |
Grandma, what are you doing? | 0:37:33 | 0:37:35 | |
What's wrong? | 0:37:35 | 0:37:36 | |
I don't want to be scared no more. | 0:37:36 | 0:37:39 | |
Carol Jackson? | 0:37:43 | 0:37:44 | |
Carol... | 0:37:44 | 0:37:46 | |
Sorry for the wait. It's been a bit chaotic today. | 0:37:47 | 0:37:50 | |
Can my friend come in with me? | 0:37:51 | 0:37:53 | |
Of course. Yes, please. | 0:37:53 | 0:37:54 | |
Have a seat. | 0:37:59 | 0:38:00 | |
I'm Mr Rana. So, your GP referred you to us. Doctor... | 0:38:03 | 0:38:08 | |
Dr Hall. | 0:38:08 | 0:38:09 | |
With a lump in your right breast. | 0:38:09 | 0:38:12 | |
Yeah, I didn't know if it was something or nothing. | 0:38:12 | 0:38:15 | |
Firstly I'd like to do a full history, | 0:38:15 | 0:38:17 | |
a physical examination and then send you for a mammogram. | 0:38:17 | 0:38:21 | |
He was ever such a nice young man. | 0:38:23 | 0:38:26 | |
But while he was talking to me, someone else, they come in and | 0:38:26 | 0:38:29 | |
there was my biscuit tin and the money for the church roof... | 0:38:29 | 0:38:33 | |
You should've gone to the police. | 0:38:33 | 0:38:34 | |
It was me own fault. I should have known better. | 0:38:34 | 0:38:38 | |
No. I let him in, Abi. | 0:38:38 | 0:38:40 | |
Yeah, that doesn't matter. | 0:38:40 | 0:38:42 | |
I mean, we'll tell them - they'll understand. | 0:38:42 | 0:38:44 | |
But hang on, the church - they got their money. | 0:38:44 | 0:38:47 | |
You did the cheque in the paper and all that. | 0:38:47 | 0:38:49 | |
You used your own money, didn't you? | 0:38:51 | 0:38:53 | |
Oh, I feel such a fool. | 0:38:53 | 0:38:56 | |
I mean, it's happened to me before. | 0:38:56 | 0:38:58 | |
Why is the world such a horrible place? | 0:38:58 | 0:39:02 | |
No. No, it isn't. It really isn't. | 0:39:02 | 0:39:04 | |
No, there's so much good - you know there is. | 0:39:04 | 0:39:08 | |
And if you stay in here, you'll just focus on the bad things. | 0:39:08 | 0:39:11 | |
You won't see all the lovely things. And there are so many. | 0:39:11 | 0:39:14 | |
You should see it out there, with all the lights. It's so pretty. | 0:39:14 | 0:39:17 | |
Why was that man so cruel to me? | 0:39:19 | 0:39:22 | |
Come to church with us. | 0:39:25 | 0:39:27 | |
Please... | 0:39:28 | 0:39:30 | |
Alice Branning, please stand. | 0:39:33 | 0:39:34 | |
You are charged on this indictment with one count of murder. | 0:39:39 | 0:39:42 | |
That on the 31st day of October 2013 you murdered Michael Moon. | 0:39:42 | 0:39:48 | |
To this charge, do you plead guilty or not guilty? | 0:39:49 | 0:39:52 | |
Guilty. | 0:39:57 | 0:39:58 | |
Alice, babe. What you doing? | 0:39:58 | 0:40:00 | |
Please be quiet or I'll hold you in contempt. | 0:40:00 | 0:40:02 | |
PHONE RINGS | 0:40:19 | 0:40:21 | |
RINGING STOPS | 0:40:30 | 0:40:32 | |
Just come in for me. Just try and relax. | 0:40:35 | 0:40:37 | |
Head to the side. Well done. OK, compression's coming down now. | 0:40:37 | 0:40:41 | |
It will start to get quite tight, OK? Just try to relax. | 0:40:41 | 0:40:46 | |
Well done. | 0:40:46 | 0:40:47 | |
OK. Just hold your breath. Don't breathe. | 0:40:49 | 0:40:52 | |
Fat Elvis has got a job lot of them Brevilles | 0:40:54 | 0:40:57 | |
if you're getting desperate. No, I've got something for Alfie. | 0:40:57 | 0:40:59 | |
You crafty cow. Go on, then, tell me... | 0:40:59 | 0:41:02 | |
Harry, I'll have five of them, please. How much is that? Five. | 0:41:02 | 0:41:04 | |
All right, lovely. Cheers. | 0:41:04 | 0:41:07 | |
It's big then...fish tank? No. | 0:41:07 | 0:41:09 | |
Motorbike? I ain't going to tell you. | 0:41:09 | 0:41:11 | |
Well, I got a surprise too. | 0:41:11 | 0:41:13 | |
No, you ain't. If I tell you, then you could tell me yours. | 0:41:13 | 0:41:16 | |
Shut up, Nan... | 0:41:16 | 0:41:18 | |
Oi, come here! | 0:41:18 | 0:41:20 | |
All right? Yeah. | 0:41:23 | 0:41:25 | |
Here you are. Thanks. | 0:41:29 | 0:41:30 | |
Does Bianca know? | 0:41:34 | 0:41:36 | |
No-one knows. | 0:41:37 | 0:41:38 | |
The sentence for murder prescribed by law is custody for life. | 0:41:49 | 0:41:54 | |
I'll adjourn sentence to the 24th January, 2014 | 0:41:56 | 0:42:01 | |
for the preparation of the pre-sentence report. | 0:42:01 | 0:42:04 | |
You will be remanded in custody until that date. | 0:42:05 | 0:42:08 | |
Take her down, please. | 0:42:10 | 0:42:11 | |
All rise. | 0:42:11 | 0:42:13 | |
Alice. Alice, babe, tell them it weren't murder. I'll sort it out. | 0:42:13 | 0:42:16 | |
I'll get you out of here. I promise you, Al, I will. | 0:42:16 | 0:42:18 | |
I'm so sorry, Joey. | 0:42:20 | 0:42:21 | |
We've had a look at the mammogram and, I have to be honest, | 0:42:26 | 0:42:29 | |
it's given us some cause for concern. | 0:42:29 | 0:42:31 | |
As well as the larger lump, | 0:42:31 | 0:42:33 | |
there are a few smaller ones in the right breast. | 0:42:33 | 0:42:36 | |
We'd like to take a few minutes to do a biopsy on them | 0:42:36 | 0:42:39 | |
and the lymph nodes in your right armpit. Just to be sure. | 0:42:39 | 0:42:43 | |
Now? If that's possible. | 0:42:45 | 0:42:47 | |
Erm... | 0:42:47 | 0:42:48 | |
Erm...yeah, OK...OK, yeah. | 0:42:50 | 0:42:53 | |
That's fine. Yeah. Good. | 0:42:53 | 0:42:55 | |
Ho, ho, ho! Merry Christmas. Thanks for coming! | 0:43:00 | 0:43:03 | |
Do you think his beard's real? Definitely. | 0:43:10 | 0:43:13 | |
Can me and TJ get a burger? No. | 0:43:13 | 0:43:16 | |
You know, I ain't missed a Christmas Day with them. Ain't going to feel right. | 0:43:16 | 0:43:19 | |
Can me and Liam go and get... No! | 0:43:19 | 0:43:20 | |
Where's my mum? Three o'clock, she said. She never listens. | 0:43:20 | 0:43:23 | |
Mum! | 0:43:23 | 0:43:25 | |
Hello, darling. You not taken that thing off yet? | 0:43:25 | 0:43:27 | |
Be nice. | 0:43:27 | 0:43:29 | |
Hello, Tel. You all right? | 0:43:29 | 0:43:30 | |
Big day planned for tomorrow? | 0:43:36 | 0:43:38 | |
Yeah, I live with my daughter. She's got four kids. | 0:43:38 | 0:43:42 | |
Her partner's got two. Wow. | 0:43:42 | 0:43:43 | |
I know... | 0:43:43 | 0:43:44 | |
OK, now you're going to feel a slight pressure | 0:43:44 | 0:43:47 | |
and hear that loud click we talked about. OK. | 0:43:47 | 0:43:50 | |
I've bought them all stockings. I left them at home decorating them. | 0:43:52 | 0:43:56 | |
Well done. Bits of glitter... | 0:43:56 | 0:43:59 | |
Just put your hand there for me. Press down hard. | 0:43:59 | 0:44:03 | |
Loads of glitter everywhere and those little letter stickers. | 0:44:03 | 0:44:08 | |
They're going to see Father Christmas later on. | 0:44:08 | 0:44:10 | |
They pretend that they're too grown up for it. | 0:44:10 | 0:44:13 | |
But, you know, they love it really. They're really sweet kids... | 0:44:13 | 0:44:16 | |
OK. We're all done. OK. | 0:44:16 | 0:44:19 | |
You should get the results back in just over a week. | 0:44:19 | 0:44:22 | |
Thank you. | 0:44:22 | 0:44:23 | |
Come on, Morgan, smile. | 0:44:26 | 0:44:29 | |
I like your beard. | 0:44:29 | 0:44:30 | |
Come on, then. | 0:44:30 | 0:44:32 | |
Right, Spud, you're up... "I like your beard"? | 0:44:32 | 0:44:35 | |
What? It's nice. | 0:44:35 | 0:44:37 | |
How do you do? Rosie Spraggan, 31 Albert Square, E20. | 0:44:40 | 0:44:46 | |
I'm a big fan. | 0:44:46 | 0:44:47 | |
And what would you like for Christmas, Rosie? | 0:44:47 | 0:44:49 | |
I'd like my mum and my dad and everyone I love | 0:44:49 | 0:44:54 | |
to be in the same house and to open all our presents together. | 0:44:54 | 0:44:58 | |
Oh, and a One Direction T-shirt with Zayn's face on it. | 0:44:58 | 0:45:03 | |
Oh, well. Least she'll be getting her T-shirt. | 0:45:03 | 0:45:05 | |
(Thank you.) | 0:45:07 | 0:45:08 | |
I think it's cancer. | 0:45:15 | 0:45:17 | |
Don't say that. | 0:45:17 | 0:45:18 | |
I think it is. I think it's cancer. | 0:45:18 | 0:45:21 | |
I just said thank you, like I'd just bought my groceries from them. | 0:45:21 | 0:45:25 | |
Like it was nothing... I need a drink. | 0:45:25 | 0:45:27 | |
No, you don't. I do. | 0:45:27 | 0:45:29 | |
I need a really big drink. | 0:45:29 | 0:45:31 | |
Alice had her hearing today. | 0:45:40 | 0:45:42 | |
We completely forgot. I'm so sorry. | 0:45:43 | 0:45:46 | |
You should've said something. Yeah, well, it don't matter now. | 0:45:46 | 0:45:49 | |
I was the only one who turned up anyway. | 0:45:49 | 0:45:51 | |
People care, Joey. Yeah? Who cares, Lauren? | 0:45:51 | 0:45:53 | |
Me. | 0:45:53 | 0:45:54 | |
I do. | 0:45:56 | 0:45:57 | |
And I hope you know that. | 0:45:58 | 0:46:00 | |
Listen, I'm going to meet my dad in the Vic if you want to come. | 0:46:03 | 0:46:07 | |
(No.) | 0:46:07 | 0:46:08 | |
OK, well, you know where I am. | 0:46:10 | 0:46:12 | |
# Good King Wenceslas looked out on the Feast of Stephen | 0:46:19 | 0:46:24 | |
# When the snow lay round about, deep and crisp and even | 0:46:24 | 0:46:28 | |
# Brightly shone the moon that night, tho' the frost was cruel | 0:46:28 | 0:46:33 | |
# When a poor man came in sight... # | 0:46:33 | 0:46:34 | |
It's all a little bit crooked, ain't it? | 0:46:34 | 0:46:36 | |
It's shabby chic. Yes, it's crooked. And there are no mince pies. | 0:46:36 | 0:46:40 | |
Our oven's broken. So... We'll manage. | 0:46:40 | 0:46:42 | |
End of the day, this street party's Janine's problem, ain't it? | 0:46:42 | 0:46:45 | |
Anyway, drinks on the house. Alfie... | 0:46:45 | 0:46:47 | |
Like I said, Janine's problem. | 0:46:47 | 0:46:49 | |
All right. Who's up for some bubbly? | 0:46:49 | 0:46:51 | |
CHEERING | 0:46:51 | 0:46:53 | |
There's always McKlunky's. Don't even joke. | 0:46:53 | 0:46:55 | |
I just really wanted this year to be perfect, you know? | 0:46:55 | 0:46:58 | |
Tell me about it. | 0:46:58 | 0:46:59 | |
Don't mind if I do. | 0:47:01 | 0:47:03 | |
Oh, look who it is! Charlie! | 0:47:03 | 0:47:05 | |
Charlie. Look, it's Charlie! | 0:47:05 | 0:47:08 | |
Mo! Hello, old girl. | 0:47:08 | 0:47:11 | |
Hello, mate. Nice to see you, buddy. Hello, Alfie. | 0:47:11 | 0:47:14 | |
Dad! What you doing here? | 0:47:14 | 0:47:16 | |
Ain't going to miss your last night, am I? Not for the world. | 0:47:16 | 0:47:19 | |
Has he blubbed yet? Oh, shut up, course I haven't! | 0:47:19 | 0:47:22 | |
Listen to him. "Blubbed." | 0:47:22 | 0:47:23 | |
I'm taking bets, if you're interested. | 0:47:23 | 0:47:25 | |
Yeah, very funny, Mo. Come on, let's have a drink, Charlie. | 0:47:25 | 0:47:28 | |
Told you I had a surprise. Now tell me yours. | 0:47:28 | 0:47:31 | |
Nice try, Nan. | 0:47:31 | 0:47:32 | |
Thought we could Skype Oscar later. | 0:47:34 | 0:47:36 | |
What do you reckon? Do you remember Oscar? | 0:47:37 | 0:47:40 | |
Your brother? He's about that high... | 0:47:40 | 0:47:42 | |
Yeah, yeah. Whatever. If you want. | 0:47:42 | 0:47:45 | |
Lauren, is it too much, you being here? | 0:47:45 | 0:47:46 | |
No, it's fine. It's great. | 0:47:46 | 0:47:48 | |
All my mates are out on the town and I'm stuck here with a tonic water. | 0:47:50 | 0:47:54 | |
That's how cool I am - hanging out with my depressed, single dad. | 0:47:54 | 0:47:59 | |
What's not to love about that? | 0:47:59 | 0:48:01 | |
Well, great, thanks. I appreciate it. | 0:48:01 | 0:48:03 | |
I'm only joking, Dad. Come here... | 0:48:06 | 0:48:09 | |
Maybe you could cook it at Scarlett's and then bring it back | 0:48:13 | 0:48:16 | |
to the house. What do you reckon? What? BOTH: The turkey! | 0:48:16 | 0:48:19 | |
Yeah, yeah, yeah, sounds like a plan. | 0:48:19 | 0:48:21 | |
Only one more sleep, Miss Bella. | 0:48:21 | 0:48:24 | |
My tummy's getting all twirly. | 0:48:24 | 0:48:26 | |
Carol, Carol, let's go over here. Look... | 0:48:31 | 0:48:36 | |
Let's get drunk like we used to. | 0:48:36 | 0:48:38 | |
If it comes to it and you need treatment... | 0:48:38 | 0:48:40 | |
..and dance all night and watch the sun come up. | 0:48:40 | 0:48:42 | |
I'm serious - if you have to go private, I'll pay for it. | 0:48:42 | 0:48:44 | |
You can't afford it. | 0:48:44 | 0:48:45 | |
No, I'm going to look after you. I promise you. | 0:48:45 | 0:48:49 | |
Here's Bianca. | 0:48:49 | 0:48:50 | |
Oh, here she is. Look! In the bleeding pub. | 0:48:50 | 0:48:52 | |
Where were you? I was just... | 0:48:52 | 0:48:55 | |
I just got caught up with stuff. | 0:48:55 | 0:48:57 | |
Oh, "stuff". Can I have a word, please? | 0:48:57 | 0:49:00 | |
What's the matter? It's Terry, ain't it? | 0:49:02 | 0:49:04 | |
That's why you're acting all weird with me. | 0:49:04 | 0:49:06 | |
You don't like him, do you, Mum? Just say it. Of course I like him. | 0:49:06 | 0:49:09 | |
But you don't want me to be with him, though, do you? | 0:49:09 | 0:49:11 | |
This is my decision... | 0:49:11 | 0:49:12 | |
Just shut up a minute, Bianca. All right? I like Terry! | 0:49:12 | 0:49:15 | |
I think he's the best thing that's happened to you in a long time, | 0:49:15 | 0:49:18 | |
all right? I like his kids and I love your kids. | 0:49:18 | 0:49:22 | |
I just want tomorrow to be a really nice day. | 0:49:22 | 0:49:25 | |
I just want no arguments. No shouting. No tears. | 0:49:25 | 0:49:28 | |
Just one really nice day. Can you promise me that? | 0:49:28 | 0:49:31 | |
All right, what's dad done to upset you then? | 0:49:31 | 0:49:33 | |
Just promise me. I'm going to sing some carols now. | 0:49:33 | 0:49:37 | |
You going to tell her? | 0:49:41 | 0:49:42 | |
Not today. | 0:49:42 | 0:49:44 | |
Look, Bianca - what I'm about to say ain't going to make me popular. | 0:49:46 | 0:49:49 | |
Well, here goes nothing. | 0:49:49 | 0:49:51 | |
Look, my kids are unhappy, I'm unhappy, | 0:49:52 | 0:49:54 | |
cos I want to spend Christmas Day together as a family. | 0:49:54 | 0:49:57 | |
And if that means Nikki too, then... | 0:49:57 | 0:49:59 | |
Yeah. You know what, it's fine. Really? | 0:49:59 | 0:50:01 | |
Yes. Let's just go and tell them. Honestly, before I change my mind. | 0:50:01 | 0:50:04 | |
I'm that close to taking it back. | 0:50:04 | 0:50:06 | |
BELL RINGS | 0:50:06 | 0:50:08 | |
All right, listen up, everybody. If I could have your attention. | 0:50:08 | 0:50:11 | |
Thank you. This won't take long, I promise you. | 0:50:11 | 0:50:14 | |
Now, a lot of you are probably aware that this is me and Kat's | 0:50:14 | 0:50:17 | |
last night in charge of the Queen Vic... | 0:50:17 | 0:50:20 | |
VARIOUS: Awww. | 0:50:20 | 0:50:22 | |
Thank you. But I'd be lying if I said we'd loved every minute... | 0:50:22 | 0:50:25 | |
Nearly every minute. | 0:50:25 | 0:50:27 | |
But it's been a blast - and it's been a laugh. | 0:50:27 | 0:50:32 | |
Most of the time. | 0:50:32 | 0:50:34 | |
There's been some ups and some downs, but it was here about... | 0:50:34 | 0:50:39 | |
what, 12 years ago? | 0:50:39 | 0:50:41 | |
..that I met the love of my life. | 0:50:42 | 0:50:44 | |
God, we were young then, weren't we? | 0:50:44 | 0:50:47 | |
And this was also where our beautiful baby boy was born... | 0:50:47 | 0:50:52 | |
He's going, he's going. I told you. | 0:50:52 | 0:50:54 | |
Before midnight. I told you. | 0:50:54 | 0:50:56 | |
Oi! Let him finish! | 0:50:56 | 0:50:58 | |
Seriously, though, from the bottom of me and Kat's heart, | 0:50:58 | 0:51:02 | |
we just want to say... | 0:51:02 | 0:51:04 | |
Thank you very much, everybody. Thank you. Thank you. | 0:51:04 | 0:51:07 | |
Cheers. Cheers. | 0:51:07 | 0:51:08 | |
Three cheers to Alfie and Kat. Hip hip... | 0:51:08 | 0:51:11 | |
ALL: Hooray! Hip hip... | 0:51:11 | 0:51:13 | |
Hooray! Hip hip... | 0:51:13 | 0:51:14 | |
Hooray! | 0:51:14 | 0:51:15 | |
And remember. Street party tomorrow. | 0:51:17 | 0:51:20 | |
We'll see you there. | 0:51:20 | 0:51:21 | |
And it's going to be a party to end all street parties! | 0:51:21 | 0:51:26 | |
CHEERING | 0:51:26 | 0:51:28 | |
You know what? I love you the most. | 0:51:28 | 0:51:31 | |
I love you more. | 0:51:31 | 0:51:33 | |
What I don't get is, how does Santa do it all in one night? | 0:51:36 | 0:51:40 | |
It's not possible. | 0:51:40 | 0:51:42 | |
Go on. Say it. | 0:51:42 | 0:51:43 | |
Nik, how do you feel about spending the day with us tomorrow? | 0:51:45 | 0:51:49 | |
What? Here? For real? | 0:51:49 | 0:51:51 | |
Where would we go? | 0:51:51 | 0:51:52 | |
You'd be here as well, you muppet! | 0:51:52 | 0:51:55 | |
Thanks, Santa! | 0:51:55 | 0:51:57 | |
Thank you. | 0:51:57 | 0:51:58 | |
What? | 0:52:06 | 0:52:08 | |
Your daughter is in there, and your wife. I hate this. | 0:52:10 | 0:52:14 | |
I hate myself... | 0:52:14 | 0:52:16 | |
You think I don't? | 0:52:16 | 0:52:18 | |
I've tried to stay away. | 0:52:19 | 0:52:21 | |
I've tried, but it's like I can't stop, Lauren. | 0:52:23 | 0:52:25 | |
I need you. | 0:52:27 | 0:52:28 | |
It's beautiful, ain't it? | 0:53:00 | 0:53:01 | |
Now, look, I know it might not seem like it now, | 0:53:04 | 0:53:08 | |
but things will get better, OK? | 0:53:08 | 0:53:11 | |
Yeah, they will. The Lord is your strength and your shield. | 0:53:11 | 0:53:16 | |
That's Psalm 28, verse 7 - how'd you know about that? | 0:53:16 | 0:53:21 | |
I've heard you say it enough times. | 0:53:21 | 0:53:23 | |
The Lord is my strength and my shield. | 0:53:23 | 0:53:27 | |
Ah, the inimitable Mrs Branning! | 0:53:27 | 0:53:29 | |
Vicar... We were starting to worry you wouldn't come. | 0:53:29 | 0:53:32 | |
Are you ready for your star turn? | 0:53:32 | 0:53:34 | |
I thought you might need this. | 0:53:40 | 0:53:41 | |
Are you having second thoughts? | 0:53:53 | 0:53:54 | |
Is that why you don't want to do the dinner? | 0:53:54 | 0:53:57 | |
No. Not at all. Look, I know I'm not exactly girlfriend material | 0:53:57 | 0:54:00 | |
for someone like you, but... | 0:54:00 | 0:54:01 | |
Peter, I can feel myself falling for you | 0:54:03 | 0:54:05 | |
and I don't want to if that's not how you feel | 0:54:05 | 0:54:08 | |
because I do kinda love you and I... | 0:54:08 | 0:54:11 | |
Lola... | 0:54:12 | 0:54:14 | |
I think I kinda love you too. | 0:54:14 | 0:54:15 | |
Really? | 0:54:17 | 0:54:18 | |
Yeah. And tomorrow, we're going to tell everyone. | 0:54:18 | 0:54:21 | |
What's this? Oh... | 0:54:24 | 0:54:27 | |
# Christmas is here Bringing good cheer | 0:54:33 | 0:54:35 | |
# To young and old Meek and the bold | 0:54:35 | 0:54:38 | |
# Ding dong, ding dong # That is their song | 0:54:38 | 0:54:40 | |
# With joyful ring All carolling | 0:54:40 | 0:54:43 | |
# One seems to hear Words of good cheer | 0:54:43 | 0:54:45 | |
# From ev'rywhere Filling the air | 0:54:45 | 0:54:47 | |
# Oh how they pound Raising the sound | 0:54:47 | 0:54:50 | |
# O'er hill and dale Telling their tale | 0:54:50 | 0:54:52 | |
# Gaily they ring While people sing | 0:54:52 | 0:54:55 | |
# Songs of good cheer Christmas is here | 0:54:55 | 0:54:57 | |
# Merry, merry, merry, merry Christmas | 0:54:57 | 0:55:02 | |
# On, on they send On without end | 0:55:02 | 0:55:04 | |
# Their joyful tone To ev'ry home | 0:55:04 | 0:55:07 | |
# Hark! How the bells Sweet silver bells | 0:55:07 | 0:55:09 | |
# All seem to say "Throw cares away" | 0:55:09 | 0:55:12 | |
# Christmas is here Bringing good cheer | 0:55:12 | 0:55:14 | |
# To young and old Meek and the bold | 0:55:14 | 0:55:17 | |
# Ding dong, ding dong That is their song | 0:55:17 | 0:55:19 | |
# With joyful ring All carolling | 0:55:19 | 0:55:22 | |
# One seems to hear Words of good cheer | 0:55:22 | 0:55:24 | |
# From ev'rywhere Filling the air | 0:55:24 | 0:55:26 | |
# Oh, how they pound Raising the sound | 0:55:26 | 0:55:29 | |
# O'er hill and dale Telling their tale | 0:55:29 | 0:55:32 | |
# Gaily they ring While people sing | 0:55:32 | 0:55:34 | |
# Songs of good cheer Christmas is here | 0:55:34 | 0:55:36 | |
# Merry, merry, merry, merry Christmas | 0:55:36 | 0:55:41 | |
# On, on they send On without end | 0:55:41 | 0:55:44 | |
# Their joyful tone To ev'ry home... # | 0:55:44 | 0:55:46 | |
SHE SOBS | 0:56:23 | 0:56:26 | |
You're going to be fine. | 0:56:34 | 0:56:37 | |
Do you know how I know? | 0:56:37 | 0:56:39 | |
Cos you are amazing and you're strong. | 0:56:41 | 0:56:44 | |
PHONE RINGS | 0:56:46 | 0:56:48 | |
I'm sorry. That's all right. Take it. | 0:56:48 | 0:56:50 | |
You took your time. | 0:56:54 | 0:56:56 | |
'I've got your money. You can have it tomorrow.' | 0:56:56 | 0:56:59 | |
Good. | 0:56:59 | 0:57:00 | |
'You're going to rot in hell, David.' | 0:57:00 | 0:57:03 | |
I already knew that. | 0:57:03 | 0:57:04 | |
Do I look a mess? | 0:57:07 | 0:57:08 | |
Yeah, you do a bit. | 0:57:08 | 0:57:10 | |
Move back in, David. | 0:57:12 | 0:57:13 | |
The kids would love it. | 0:57:15 | 0:57:16 | |
Come here. | 0:57:18 | 0:57:19 | |
What you going to do? | 0:57:24 | 0:57:27 | |
I need your help... | 0:57:27 | 0:57:28 | |
Anything. Just tell me. | 0:57:28 | 0:57:30 | |
I want him gone. | 0:57:33 | 0:57:34 | |
I want him dead. | 0:57:37 | 0:57:39 | |
SHE SIGHS | 0:58:03 | 0:58:05 | |
SHE BREATHES RAPIDLY | 0:58:31 | 0:58:32 | |
BABY GURGLES | 0:58:41 | 0:58:43 | |
"JINGLE BELL ROCK" PLAYS | 0:58:53 | 0:58:55 | |
BABY GURGLES | 0:58:55 | 0:58:57 | |
'I stabbed him... | 0:59:16 | 0:59:19 | |
'I killed him, David, and I didn't feel a thing. | 0:59:19 | 0:59:22 | |
'One minute he was alive and...' | 0:59:22 | 0:59:24 | |
Ah. Happy Christmas to you, Scarlett. | 0:59:26 | 0:59:29 | |
Not you. I'll be around after the party to collect the keys. | 0:59:29 | 0:59:32 | |
Can you make sure your stuff is all packed and ready to go? | 0:59:32 | 0:59:35 | |
Not a problem, Janine. You know what, I've even arranged | 0:59:35 | 0:59:37 | |
a lovely red carpet all the way from yours to ours | 0:59:37 | 0:59:40 | |
so you don't get your dainty little feet wet. All right? | 0:59:40 | 0:59:42 | |
Alfie! Come on, it's getting cold. | 0:59:42 | 0:59:44 | |
All right, sweetheart. | 0:59:44 | 0:59:46 | |
Excuse me while I go and stuff my face with turkey, won't you? | 0:59:46 | 0:59:49 | |
Merry Christmas, Phil. | 0:59:49 | 0:59:51 | |
Oh, here he is, Santa's little helper. | 0:59:58 | 1:00:00 | |
I bring fine wine and selected delicacies. | 1:00:00 | 1:00:03 | |
Well, you shouldn't have done. | 1:00:03 | 1:00:04 | |
Everything you need to eat is waiting on that table in there. | 1:00:04 | 1:00:07 | |
Yeah, I'm sure, | 1:00:07 | 1:00:08 | |
but I'm a trained professional, available should the need arise. | 1:00:08 | 1:00:11 | |
Well, it won't. But thanks. | 1:00:11 | 1:00:13 | |
Well go on, go and make yourselves at home. | 1:00:13 | 1:00:16 | |
We wait till they're drunk. Then we tell 'em. Yeah? | 1:00:23 | 1:00:26 | |
Let's see how it goes. | 1:00:26 | 1:00:27 | |
You, erm, got anything in there for me? | 1:00:30 | 1:00:32 | |
Later. What, Santa's going to deliver | 1:00:32 | 1:00:34 | |
a few hundred grand on his sledge? Is that what you're saying? | 1:00:34 | 1:00:37 | |
I'll give it to you tonight. I promise. | 1:00:37 | 1:00:39 | |
No. Five o'clock. | 1:00:39 | 1:00:40 | |
Not a minute later or I sell it to this other geezer. | 1:00:40 | 1:00:43 | |
What, your imaginary friend? He exists, all right. | 1:00:43 | 1:00:45 | |
Tell you what, I'm going to text him right now. | 1:00:45 | 1:00:47 | |
Put him on stand-by. | 1:00:47 | 1:00:48 | |
Five o'clock. Not a minute later. | 1:00:48 | 1:00:50 | |
Billy. | 1:00:52 | 1:00:54 | |
I made the call. The fella's going to drop it round here. | 1:00:56 | 1:01:01 | |
Couple of hours, tops. | 1:01:01 | 1:01:02 | |
Text me as soon as it's here. | 1:01:02 | 1:01:04 | |
You sure about this? | 1:01:04 | 1:01:06 | |
Maybe he's got the wrong end of the stick. | 1:01:06 | 1:01:08 | |
If you just tried reasoning with him... | 1:01:08 | 1:01:10 | |
David is going to have me put away for something I didn't do | 1:01:10 | 1:01:13 | |
unless I pay up. | 1:01:13 | 1:01:14 | |
There is no reasoning with that. | 1:01:14 | 1:01:16 | |
But this is the most serious crime you can commit. | 1:01:16 | 1:01:19 | |
And for what? | 1:01:19 | 1:01:20 | |
What would Phil do? Huh? This situation. | 1:01:22 | 1:01:26 | |
What would the big man do? | 1:01:26 | 1:01:27 | |
I don't know, Janine, cos I'm not Phil, am I? | 1:01:27 | 1:01:29 | |
Now's your chance to step up. | 1:01:29 | 1:01:32 | |
Be a man. Be a Mitchell. | 1:01:32 | 1:01:35 | |
Anyway, you can't back out now. You're an accessory. | 1:01:36 | 1:01:40 | |
What?! | 1:01:40 | 1:01:41 | |
I've told you about it. | 1:01:41 | 1:01:42 | |
So if I go down...I'm taking you down with me. | 1:01:42 | 1:01:46 | |
Janine, Janine, wait! Just give him a chance, will you? | 1:01:46 | 1:01:50 | |
Maybe he'll come round. | 1:01:50 | 1:01:52 | |
Merry Christmas. Merry Christmas. | 1:01:52 | 1:01:54 | |
Yeah. I'll give him a chance. Good. | 1:01:59 | 1:02:03 | |
One chance. | 1:02:03 | 1:02:04 | |
And if he backs off, fine. | 1:02:05 | 1:02:08 | |
If not... | 1:02:08 | 1:02:09 | |
..he's a dead man. | 1:02:11 | 1:02:13 | |
Hey, pack it in! | 1:02:18 | 1:02:21 | |
Hello. Wotcha. | 1:02:21 | 1:02:22 | |
Mum! | 1:02:22 | 1:02:23 | |
Hello! Merry Christmas. Hello. You all right? | 1:02:23 | 1:02:27 | |
Thank you. It's not too formal, is it? | 1:02:29 | 1:02:32 | |
No, no. You look great. I didn't know what to wear. | 1:02:32 | 1:02:34 | |
She looks all right, don't she? | 1:02:34 | 1:02:35 | |
Yeah. You look lovely. | 1:02:35 | 1:02:37 | |
Oh, thank you. You look nice too. | 1:02:37 | 1:02:38 | |
I'm cooking! | 1:02:38 | 1:02:40 | |
Well, here you go. Little contribution. Not much. | 1:02:40 | 1:02:45 | |
Brandy butter. He loves the stuff. | 1:02:45 | 1:02:47 | |
I know. I've got some. Home-made? | 1:02:47 | 1:02:49 | |
No, but... That's home-made. He'll only eat home-made. | 1:02:49 | 1:02:52 | |
He's funny like that. | 1:02:52 | 1:02:54 | |
Sorry. You live with the bloke. Why am I telling you? | 1:02:54 | 1:02:57 | |
Right, erm, I better get on. | 1:02:57 | 1:03:00 | |
Here you go. Get that down you. Merry Christmas. | 1:03:00 | 1:03:03 | |
Nibbles there if you want. | 1:03:03 | 1:03:05 | |
Hey. Give us it here. | 1:03:05 | 1:03:07 | |
It's all right, David. I can lift a chair. | 1:03:07 | 1:03:08 | |
Let me do it. | 1:03:08 | 1:03:09 | |
Merry Christmas, everybody. | 1:03:12 | 1:03:13 | |
ALL: Merry Christmas! | 1:03:13 | 1:03:14 | |
Who wants presents? CHILDREN: Me, me! | 1:03:14 | 1:03:17 | |
All right. OK, slow down. Hope you don't mind me popping over. | 1:03:17 | 1:03:20 | |
Just thought it'd be nice for Scarlett to spend some time | 1:03:20 | 1:03:22 | |
with her family on Christmas Day. | 1:03:22 | 1:03:24 | |
Yeah. More the merrier, Janine. Make yourself at home. | 1:03:24 | 1:03:27 | |
Hang on a minute, you two. Get back there. It's... Oh. | 1:03:27 | 1:03:29 | |
We'll hand them out one at a time. | 1:03:29 | 1:03:31 | |
That for me? I wonder what that is. | 1:03:31 | 1:03:34 | |
I don't want to spoil the surprise. | 1:03:34 | 1:03:37 | |
Have you got one for me? Something special, I hope? | 1:03:37 | 1:03:40 | |
You'll get what you deserve, Janine. I promise. | 1:03:41 | 1:03:44 | |
Eat up, Tommy. | 1:03:53 | 1:03:54 | |
I've got that turkey lovely, I have. | 1:03:54 | 1:03:56 | |
Oi, you! No peeking. | 1:03:56 | 1:03:58 | |
No presents till after dinner. | 1:03:58 | 1:04:00 | |
No, after midnight, they're my rules, you see. | 1:04:00 | 1:04:03 | |
Santa's done his business. | 1:04:03 | 1:04:04 | |
Then we get to open 'em all. Ain't that right, Charlie? | 1:04:04 | 1:04:06 | |
I dunno about that, Alfie. I never argue with a woman. | 1:04:06 | 1:04:09 | |
I learnt that lesson a long time ago. | 1:04:09 | 1:04:11 | |
Why can't more blokes be like that? Extra spuds, Charlie? | 1:04:11 | 1:04:15 | |
There you go. Don't mind if I do. | 1:04:15 | 1:04:16 | |
Kat, be honest, you've spent more than 50 quid, haven't you? | 1:04:16 | 1:04:18 | |
I swear on my life that wasn't a penny over 50 quid. | 1:04:18 | 1:04:21 | |
Hope you like it. | 1:04:23 | 1:04:24 | |
GLASSES CLINK | 1:04:33 | 1:04:35 | |
What do you reckon then, Ian? Is it up to your exacting standards? | 1:04:42 | 1:04:46 | |
Yeah. It's, erm, it's very tasty. Your handiwork? | 1:04:47 | 1:04:50 | |
No. It was Phil. You should see him in a pinny. | 1:04:50 | 1:04:54 | |
It's really quite a sight. | 1:04:54 | 1:04:56 | |
I can imagine. | 1:04:56 | 1:04:57 | |
Go on, Phil. Get your pinny on and give Denise a thrill. | 1:04:57 | 1:04:59 | |
Please don't. | 1:04:59 | 1:05:02 | |
What you need is a woman around the house. A new wife. | 1:05:02 | 1:05:06 | |
What for? | 1:05:06 | 1:05:07 | |
You know... Clean and cook. | 1:05:07 | 1:05:10 | |
What? | 1:05:14 | 1:05:16 | |
You're an expert, are you? On marriage? | 1:05:16 | 1:05:19 | |
This is nice, innit, us all being together? | 1:05:21 | 1:05:24 | |
Having done it four times. | 1:05:24 | 1:05:26 | |
Well, sometimes it does take a while to find the right person. | 1:05:26 | 1:05:28 | |
Oh, you've found the right person, have you?! | 1:05:28 | 1:05:31 | |
Maybe. | 1:05:31 | 1:05:32 | |
Yeah, Phil, there's nothing wrong with a bit of romance. | 1:05:32 | 1:05:35 | |
Is there, Pops? Eh? | 1:05:35 | 1:05:37 | |
Romance...? | 1:05:37 | 1:05:38 | |
Oh. Yeah, yeah, course. | 1:05:38 | 1:05:40 | |
Thanks, Janine. | 1:05:43 | 1:05:45 | |
CHILDREN ARGUE IN BACKGROUND | 1:05:50 | 1:05:52 | |
A tankard. What a lovely surprise. | 1:06:06 | 1:06:10 | |
Well, I thought you could keep it behind the bar. | 1:06:10 | 1:06:13 | |
At the Vic. | 1:06:13 | 1:06:14 | |
Seeing as this time tomorrow I'm going to be in charge. | 1:06:14 | 1:06:17 | |
Wow, Auntie Janine. Thanks! It's amazing! | 1:06:20 | 1:06:22 | |
That's a real diamond, by the way. | 1:06:23 | 1:06:26 | |
David, can I borrow your phone? Mine's flat. | 1:06:27 | 1:06:31 | |
Oh, don't seem to have it on me, Janine. Sorry. | 1:06:33 | 1:06:36 | |
Yeah, that's right nice, that. | 1:06:36 | 1:06:38 | |
I picked it up in Hong Kong. | 1:06:38 | 1:06:40 | |
100% cashmere, it is. That's really nice. Thank you very much. | 1:06:40 | 1:06:42 | |
Thanks. | 1:06:42 | 1:06:44 | |
Oh, here's the stressed cook. How's it going? | 1:06:44 | 1:06:46 | |
Nearly done... | 1:06:46 | 1:06:48 | |
Just going to go and powder my nose. | 1:06:48 | 1:06:50 | |
Hurry up, Janine, please. It's nearly ready. | 1:06:50 | 1:06:52 | |
I'll give you a hand. No, you're all right, honestly. | 1:06:52 | 1:06:54 | |
No, I insist. I'm a whizz in the kitchen. A regular Delia. | 1:06:54 | 1:06:57 | |
Where you going? Just going to get another chair. Leg's a bit wobbly. | 1:06:57 | 1:07:01 | |
Oh! Merry Christmas. | 1:07:03 | 1:07:05 | |
Hello. We're running a bit late, I'm afraid. | 1:07:05 | 1:07:08 | |
Can I take your coat? I was going upstairs. | 1:07:08 | 1:07:10 | |
No, thanks. I'm not staying. I'm just delivering pressies. | 1:07:10 | 1:07:13 | |
Stay for a quick drink. David, could you get Masood a drink? | 1:07:13 | 1:07:17 | |
You look stunning. Thanks. | 1:07:17 | 1:07:19 | |
Soft drink? | 1:07:19 | 1:07:21 | |
Still a Muslim. | 1:07:21 | 1:07:22 | |
I love playing Mum. | 1:07:24 | 1:07:26 | |
Dishing out all the food, seeing all their hungry faces. | 1:07:26 | 1:07:29 | |
There's nothing better than to see your kids happy at Christmas. | 1:07:29 | 1:07:32 | |
Don't you think? Yeah. Is that why you're here then? | 1:07:32 | 1:07:34 | |
To make sure your kids are happy at Christmas? | 1:07:34 | 1:07:37 | |
Yeah. What else? | 1:07:37 | 1:07:38 | |
You really don't like me, do you? Go on, just say it. | 1:07:40 | 1:07:42 | |
You know what, Nikki, I've got nothing against you. Not personally. | 1:07:42 | 1:07:45 | |
But it just seems like every time I turn round, you're there. | 1:07:45 | 1:07:48 | |
You know, me and Terry... Yeah? | 1:07:48 | 1:07:50 | |
We're just trying to start a life together. You know, move on. | 1:07:50 | 1:07:54 | |
It's just a bit hard with the ex hanging about all the time. | 1:07:56 | 1:08:00 | |
He's here in your house. My kids, too. | 1:08:00 | 1:08:03 | |
What more do you want? | 1:08:04 | 1:08:05 | |
I want you to let him go. | 1:08:07 | 1:08:09 | |
Me? Bianca, I let him go three years ago. | 1:08:09 | 1:08:14 | |
It's him that can't cut the cord. And do you know what? | 1:08:14 | 1:08:17 | |
He probably never will. | 1:08:17 | 1:08:19 | |
What you saying? | 1:08:23 | 1:08:24 | |
I didn't just barge in here. He asked me. | 1:08:24 | 1:08:27 | |
Terry asked me to come. | 1:08:27 | 1:08:28 | |
Why do you think he did that? | 1:08:28 | 1:08:31 | |
For the kids. | 1:08:31 | 1:08:32 | |
For the kids. Yeah, right(!) | 1:08:32 | 1:08:36 | |
Cos that's what Terry cares about, ain't it, the kids(!) | 1:08:36 | 1:08:39 | |
That turkey looks dry as a bone. | 1:08:45 | 1:08:47 | |
FRUSTRATED GROWL | 1:08:57 | 1:08:58 | |
Come on, come on... | 1:09:00 | 1:09:01 | |
Lost something, Janine? | 1:09:05 | 1:09:07 | |
Where's my money? | 1:09:10 | 1:09:12 | |
It's coming. Yeah? I'm going to pick it up in an hour or so. | 1:09:12 | 1:09:16 | |
I'll give you a call. | 1:09:16 | 1:09:18 | |
You're trembling, Janine. | 1:09:18 | 1:09:20 | |
What's the matter? Guilty conscience? | 1:09:20 | 1:09:24 | |
Crimes catching up with you? | 1:09:24 | 1:09:25 | |
Why are you being so horrible to me? | 1:09:25 | 1:09:28 | |
Horrible! Is that what I am? A horrible, horrible man? | 1:09:29 | 1:09:34 | |
Maybe if you'd have helped me when I asked, the poor relation, | 1:09:35 | 1:09:39 | |
the step-brother begging for a hand-out, | 1:09:39 | 1:09:41 | |
I wouldn't be so hard on you now. | 1:09:41 | 1:09:42 | |
I didn't know you were so desperate. If I had... You knew, Janine. | 1:09:42 | 1:09:47 | |
You knew. You just didn't care. | 1:09:47 | 1:09:50 | |
But then that's you all over, innit? You don't care about anyone. | 1:09:50 | 1:09:54 | |
You're wrong. I care about you. I care about my family. | 1:09:54 | 1:09:58 | |
I do! | 1:09:58 | 1:10:00 | |
Remember when Pat died? | 1:10:02 | 1:10:04 | |
Right here in this bed. | 1:10:07 | 1:10:09 | |
She put her arms around me, told me that she loved me. | 1:10:13 | 1:10:18 | |
And that I could turn my life around. | 1:10:22 | 1:10:23 | |
All I needed was a little bit of help. | 1:10:26 | 1:10:28 | |
Couldn't you give me that help? | 1:10:31 | 1:10:33 | |
I mean, she saw the good in me. | 1:10:37 | 1:10:39 | |
And she was right. I've been forced into this by Michael | 1:10:39 | 1:10:43 | |
and by what he did. | 1:10:43 | 1:10:45 | |
Why don't you think again? | 1:10:48 | 1:10:50 | |
I could give you some money. Not as much, but... | 1:10:56 | 1:10:58 | |
Unbelievable. Maybe we can strike a deal. | 1:10:58 | 1:11:01 | |
I don't want to do these bad things. | 1:11:03 | 1:11:05 | |
I want to be good. | 1:11:05 | 1:11:06 | |
Is this good, Janine? | 1:11:08 | 1:11:10 | |
'In that moment...' | 1:11:12 | 1:11:14 | |
Is it? '..I wanted him dead.' | 1:11:14 | 1:11:18 | |
'So I stabbed him...' | 1:11:21 | 1:11:24 | |
Is this what you want everyone to hear? The police to hear? | 1:11:24 | 1:11:27 | |
'I killed him, David, and I didn't feel a thing. | 1:11:27 | 1:11:32 | |
'One minute he was alive | 1:11:32 | 1:11:34 | |
'and the next minute he was... He was gone.' | 1:11:34 | 1:11:36 | |
250 grand. Two hours. | 1:11:36 | 1:11:40 | |
Or I go to the police. | 1:11:40 | 1:11:43 | |
And I mean it. | 1:11:43 | 1:11:45 | |
DOOR OPENS | 1:11:48 | 1:11:50 | |
Dinner's ready. | 1:11:50 | 1:11:52 | |
Great. I'm starving. | 1:11:52 | 1:11:54 | |
Just going to go and wash my hands. | 1:11:54 | 1:11:56 | |
Come on, then. | 1:11:57 | 1:11:58 | |
What just happened here? What were you talking about? | 1:11:58 | 1:12:01 | |
Er... Do you really want to know? Yeah. Yeah, I want to know. | 1:12:02 | 1:12:06 | |
We were talking about my mum. Last time we saw her. | 1:12:08 | 1:12:11 | |
Dying in that bed. | 1:12:11 | 1:12:13 | |
I'm sorry, I didn't mean to... It's all right. | 1:12:17 | 1:12:19 | |
Mum, Dad, it's ready! Yeah, coming! | 1:12:19 | 1:12:21 | |
Come on. | 1:12:21 | 1:12:23 | |
I tried talking to him. It's no good. | 1:12:28 | 1:12:31 | |
We need to get this done. | 1:12:31 | 1:12:33 | |
Soon as you get it... | 1:12:33 | 1:12:35 | |
call me. | 1:12:35 | 1:12:37 | |
Ian, Christmas pud? | 1:12:43 | 1:12:46 | |
Why not? Might get lucky and find a sixpence in there. | 1:12:46 | 1:12:49 | |
Yeah. If you can travel back in time. It's 2013, ain't it? | 1:12:49 | 1:12:52 | |
All right, maybe a shiny new ten-pence piece then. | 1:12:52 | 1:12:55 | |
I don't think there's anything in there. What? | 1:12:55 | 1:12:57 | |
Oh, come on, it's traditional, you gotta have a coin in your pud. | 1:12:57 | 1:13:00 | |
You got any other criticisms? | 1:13:00 | 1:13:01 | |
I saw you left half your veg and half your turkey an' all. | 1:13:01 | 1:13:04 | |
I had a big breakfast. | 1:13:04 | 1:13:06 | |
So it was all perfectly cooked, in your professional opinion, was it? | 1:13:06 | 1:13:10 | |
Perfect. You wouldn't lie to me, Ian, would you? | 1:13:10 | 1:13:12 | |
Phil. Can you just leave it? Let everyone enjoy themselves. | 1:13:12 | 1:13:15 | |
I am enjoying myself. So's Ian. Ain't you, Ian? | 1:13:15 | 1:13:17 | |
No. He's not. No-one is. | 1:13:17 | 1:13:19 | |
I just wanted everyone to get on so we could be honest for once. | 1:13:19 | 1:13:22 | |
About what? | 1:13:22 | 1:13:24 | |
Tell 'em. | 1:13:27 | 1:13:29 | |
Go on, tell them. | 1:13:32 | 1:13:33 | |
Me and Peter.... We're together. | 1:13:38 | 1:13:41 | |
We're a couple. | 1:13:41 | 1:13:43 | |
Pull it over your head. That's it! | 1:13:46 | 1:13:49 | |
Peek-a-boo! | 1:13:49 | 1:13:51 | |
I tell you what, you should be wearing a sports bra, look at that. | 1:13:51 | 1:13:54 | |
You look like a supermodel to me, you look beautiful! | 1:13:54 | 1:13:57 | |
Right, my turn, my turn! You have gone to town on this, Kat. | 1:13:57 | 1:14:00 | |
I know, is it a plasma? | 1:14:00 | 1:14:02 | |
Is it a...? Could be a hi-fi, could be an exercise bike. | 1:14:02 | 1:14:05 | |
You'll find out soon enough. | 1:14:05 | 1:14:07 | |
Never mind "soon enough", I'm going to find out right now. Here we go! | 1:14:07 | 1:14:10 | |
Come on. Let's have it. | 1:14:10 | 1:14:11 | |
What...? | 1:14:13 | 1:14:15 | |
All right... Come on, get a move on. | 1:14:18 | 1:14:20 | |
Take any longer we'll be living with Janine. | 1:14:20 | 1:14:22 | |
Right. All right. Not to worry. | 1:14:22 | 1:14:24 | |
Did you know about this? No. Of course not. | 1:14:27 | 1:14:29 | |
Phil, look... Shut up. I weren't talking to you. | 1:14:29 | 1:14:31 | |
Don't tell him to shut up. Look, we are together. | 1:14:31 | 1:14:34 | |
Now you either accept that or I'll go upstairs, | 1:14:34 | 1:14:36 | |
get Lexi and I'll walk out this house and I won't come back. | 1:14:36 | 1:14:40 | |
All right. Whatever you want. It's got nothing to do with me. | 1:14:47 | 1:14:50 | |
Really? | 1:14:50 | 1:14:51 | |
All of a sudden I've lost my appetite. | 1:14:54 | 1:14:56 | |
Yeah, why don't we go out to that party? I can hear the music now. | 1:14:56 | 1:14:59 | |
Give Kat and Alfie... a proper send-off. | 1:14:59 | 1:15:01 | |
No, you're all right, I think I'll stay here. | 1:15:01 | 1:15:03 | |
I'll start clearing the plates. | 1:15:05 | 1:15:07 | |
Phil? | 1:15:12 | 1:15:15 | |
Are we OK? | 1:15:15 | 1:15:16 | |
Yeah. Course. | 1:15:16 | 1:15:18 | |
You can't hurt him. You can't touch him. | 1:15:19 | 1:15:23 | |
What do you take me for? Eh? | 1:15:23 | 1:15:26 | |
I won't lay a finger on him. Now get your coat on. | 1:15:26 | 1:15:30 | |
Get Lexi wrapped up nice and warm, | 1:15:30 | 1:15:32 | |
and we'll go to this party, all right? | 1:15:32 | 1:15:35 | |
Did you know about this? Him and Lola? | 1:15:53 | 1:15:55 | |
No. I didn't. I swear. | 1:15:55 | 1:15:57 | |
Look, I've gotta go. Janine needs me. | 1:15:57 | 1:16:00 | |
Tell her she's got 20 minutes. I ain't kidding. | 1:16:00 | 1:16:02 | |
One phone call and that pub's gone. | 1:16:02 | 1:16:04 | |
All right. Yeah, I will. | 1:16:04 | 1:16:06 | |
Happy Christmas, everyone. | 1:16:23 | 1:16:25 | |
Merry Christmas. Merry Christmas. | 1:16:27 | 1:16:29 | |
Scarlett's asleep. | 1:16:30 | 1:16:33 | |
CRACKER BANGS Hurrah! | 1:16:33 | 1:16:35 | |
You look nice. | 1:16:40 | 1:16:41 | |
Mum, you look amazing. | 1:16:41 | 1:16:42 | |
Dinner's gorgeous, darling. | 1:16:42 | 1:16:44 | |
Next year, we'll all be over at mine, at the Vic. | 1:16:48 | 1:16:51 | |
It will be a magnificent spread. | 1:16:51 | 1:16:54 | |
I was thinking, a nice long table down at the bar. | 1:16:54 | 1:16:58 | |
Candles everywhere. Free drinks for all of you, all year round. | 1:16:58 | 1:17:03 | |
For my family. | 1:17:03 | 1:17:04 | |
Pass the spuds, please, love. | 1:17:10 | 1:17:11 | |
Sure you're going to be able to afford all that, Janine? | 1:17:11 | 1:17:14 | |
The Vic? With all your other expenses? | 1:17:14 | 1:17:16 | |
PHONE VIBRATES | 1:17:16 | 1:17:17 | |
Course she can. She can afford anything. | 1:17:17 | 1:17:19 | |
She's rich. | 1:17:19 | 1:17:21 | |
If only that were true. | 1:17:21 | 1:17:22 | |
I thought your phone was dead? | 1:17:22 | 1:17:24 | |
Oh, I'm really sorry. There's been a hitch with the party. | 1:17:26 | 1:17:29 | |
I've got to go. What, now? | 1:17:29 | 1:17:31 | |
Do you know how long it took me to cook all this food, Janine? | 1:17:31 | 1:17:34 | |
I won't be long. I promise. | 1:17:34 | 1:17:36 | |
Can you keep an eye on Scarlett for me? Yeah. | 1:17:36 | 1:17:38 | |
Make sure you come back, eh? | 1:17:38 | 1:17:41 | |
I'll see you in a bit. | 1:17:41 | 1:17:42 | |
See you later. Bye. Merry Christmas. | 1:17:42 | 1:17:46 | |
Well, this is fun, ain't it? | 1:17:47 | 1:17:49 | |
You ain't eaten much. What's wrong with you? | 1:17:49 | 1:17:52 | |
It's the turkey, innit? It's a bit dry. | 1:17:53 | 1:17:56 | |
Have some gravy. No, I'm all right, thanks. I don't need any gravy. | 1:17:56 | 1:18:00 | |
Here you are. | 1:18:00 | 1:18:01 | |
She don't want it. She don't want it! | 1:18:02 | 1:18:05 | |
I'm so sorry. I'm so sorry. Are you all right? | 1:18:05 | 1:18:09 | |
No, come on. Let me. | 1:18:09 | 1:18:11 | |
Is it new? | 1:18:11 | 1:18:12 | |
Here you are. | 1:18:15 | 1:18:16 | |
No! | 1:18:30 | 1:18:31 | |
SCREAMING | 1:18:31 | 1:18:33 | |
Bianca! | 1:18:33 | 1:18:34 | |
What're you doing? | 1:18:34 | 1:18:36 | |
You're mad! | 1:18:36 | 1:18:38 | |
Stop it! | 1:18:38 | 1:18:39 | |
What are you doing? What are you doing? | 1:18:39 | 1:18:42 | |
What are you doing?! | 1:18:44 | 1:18:46 | |
What are you doing?! Look at me! | 1:18:46 | 1:18:49 | |
THEY LAUGH | 1:18:52 | 1:18:55 | |
Are you all right, darling? | 1:18:58 | 1:19:00 | |
Just get out. Just get out! | 1:19:04 | 1:19:08 | |
Just get out! | 1:19:08 | 1:19:09 | |
Just take your kids and take your wife and get out. | 1:19:09 | 1:19:13 | |
Get out of my house! | 1:19:13 | 1:19:16 | |
Just get out! | 1:19:16 | 1:19:18 | |
CHRISTMAS MUSIC PLAYS | 1:19:24 | 1:19:27 | |
This is like Russian dolls, isn't it? Here we go, another box. | 1:19:55 | 1:20:01 | |
Let me guess. It's... | 1:20:01 | 1:20:02 | |
definitely an electric shaver. | 1:20:02 | 1:20:05 | |
Who knows? It might be nothing. | 1:20:05 | 1:20:07 | |
You might just keep on unwrapping | 1:20:07 | 1:20:08 | |
and it might be a little speck of dust. | 1:20:08 | 1:20:11 | |
We'll have to wait and see, won't we? Let's have a look. | 1:20:11 | 1:20:14 | |
That is...a pen? | 1:20:18 | 1:20:21 | |
Is it a pen? | 1:20:21 | 1:20:22 | |
Merry Christmas, Alfie. | 1:20:47 | 1:20:49 | |
You're going to be a dad! | 1:20:54 | 1:20:57 | |
Congratulations, son. | 1:20:57 | 1:20:59 | |
You serious? Yeah. | 1:20:59 | 1:21:01 | |
Your mummy's going to have a baby! | 1:21:01 | 1:21:03 | |
You serious? I'm going to be a dad. | 1:21:05 | 1:21:08 | |
I'm going to be a dad! I don't believe it! | 1:21:08 | 1:21:11 | |
You are hers, you're still hers. You always have been. | 1:21:11 | 1:21:16 | |
You're just too stupid to see it. | 1:21:16 | 1:21:19 | |
What you talking about? That ain't true. | 1:21:19 | 1:21:20 | |
It is. This. All of this. It's just one big mistake. | 1:21:20 | 1:21:24 | |
I just want you to go. Bianca... | 1:21:26 | 1:21:28 | |
I just want you to go. Just go now. | 1:21:28 | 1:21:30 | |
Is she all right? No. | 1:21:47 | 1:21:49 | |
We gotta go. | 1:21:49 | 1:21:50 | |
But we're having dinner. | 1:21:50 | 1:21:51 | |
Don't worry about that. Come on. What about our stuff? | 1:21:51 | 1:21:53 | |
Just put your coat on. Come on. | 1:21:53 | 1:21:55 | |
Come on! | 1:21:58 | 1:22:00 | |
Say thank you to Bianca for me. | 1:22:00 | 1:22:03 | |
That woman has got some temper on her... | 1:22:08 | 1:22:10 | |
Don't. | 1:22:10 | 1:22:12 | |
You did this. | 1:22:12 | 1:22:13 | |
I wouldn't worry about it. They're both young. | 1:22:19 | 1:22:22 | |
He'll get bored of her, and it'll just fizzle out. | 1:22:22 | 1:22:25 | |
Yeah. That's right. It will. | 1:22:26 | 1:22:30 | |
Cos you're going to make sure of it. | 1:22:30 | 1:22:32 | |
You're going to talk to that boy of yours. | 1:22:32 | 1:22:34 | |
And you're going to make it very clear that there's no way | 1:22:34 | 1:22:36 | |
he can be with Lola. | 1:22:36 | 1:22:38 | |
Pull his heartstrings, have a breakdown, wet your pants. | 1:22:38 | 1:22:41 | |
Whatever it takes to stop it. | 1:22:41 | 1:22:43 | |
Because there's no way I'm having my granddaughter with a Beale. | 1:22:43 | 1:22:47 | |
Do you understand? | 1:22:47 | 1:22:50 | |
Yeah. | 1:22:50 | 1:22:52 | |
Good. | 1:22:52 | 1:22:53 | |
Oh, and, Ian. If anyone asks, | 1:22:53 | 1:22:58 | |
it was you who didn't want them together. Not me. | 1:22:58 | 1:23:02 | |
Have you got it? | 1:23:19 | 1:23:21 | |
Good. Good. | 1:23:21 | 1:23:23 | |
Right, I'm going to call David and I'll get him up here. | 1:23:23 | 1:23:26 | |
Janine. No excuses. | 1:23:26 | 1:23:29 | |
There are people on the square already. | 1:23:29 | 1:23:31 | |
Give it a half-hour, it'll be rammed. | 1:23:31 | 1:23:33 | |
Yes. Exactly. It'll be loud, the odd firework will be going off. | 1:23:33 | 1:23:37 | |
It's perfect. Listen to me. | 1:23:37 | 1:23:38 | |
I don't think you're in the right state of mind to decide this. | 1:23:38 | 1:23:41 | |
It's decided, Billy! | 1:23:41 | 1:23:43 | |
Look at you, Janine. You're not well. | 1:23:43 | 1:23:45 | |
Billy, you try and back out of this, | 1:23:45 | 1:23:47 | |
you know what will happen. | 1:23:47 | 1:23:49 | |
I don't care. | 1:23:51 | 1:23:52 | |
What are you doing? | 1:23:55 | 1:23:56 | |
I am going to the party. | 1:23:56 | 1:23:57 | |
I'm going to spend some time with my family. | 1:23:57 | 1:23:59 | |
With people who actually care about me. No, Billy. | 1:23:59 | 1:24:02 | |
If you walk away now and I get caught, | 1:24:02 | 1:24:03 | |
I am taking you down with me. | 1:24:03 | 1:24:05 | |
Yeah, well, I'll take that chance, | 1:24:05 | 1:24:07 | |
because this is sick. And you're sick. | 1:24:07 | 1:24:09 | |
Billy, Billy. Billy, please. | 1:24:10 | 1:24:12 | |
All right. I can't go back to prison. | 1:24:12 | 1:24:15 | |
Then just give him the money. Have done with it. | 1:24:15 | 1:24:17 | |
What about the Vic? I can't lose the Vic. I can't! | 1:24:17 | 1:24:21 | |
I've sold everything, and I have nothing. | 1:24:21 | 1:24:23 | |
I'm sorry, Janine. I can't be a part of this. | 1:24:25 | 1:24:28 | |
From now on, you're on your own. | 1:24:30 | 1:24:31 | |
I was just desperate. | 1:24:37 | 1:24:39 | |
I was. I was desperate. | 1:24:39 | 1:24:41 | |
And he was just so nice and so lovely, I just grabbed it. | 1:24:41 | 1:24:46 | |
And I forced it. I did. I forced it. | 1:24:46 | 1:24:48 | |
And now I'm just going to end up on my own again. | 1:24:48 | 1:24:50 | |
No, you're not. You're not. I'm going to make sure you're not. | 1:24:50 | 1:24:54 | |
Hey, look at me. I'm going to make everything all right. | 1:24:54 | 1:24:59 | |
I promise you. | 1:24:59 | 1:25:00 | |
Come here. Oh, darling. SHE SOBS | 1:25:02 | 1:25:06 | |
That's it, you have a cry on your dad. | 1:25:06 | 1:25:09 | |
Whatever happens, you've always got me. Hey? You've always got me. | 1:25:09 | 1:25:16 | |
Listen, why don't you go upstairs and wash your face? | 1:25:16 | 1:25:19 | |
Get yourself changed and we'll take the kids outside to the party. | 1:25:19 | 1:25:22 | |
Have a bit of fun. | 1:25:22 | 1:25:23 | |
Yeah. Yeah. Thanks. Sorry. | 1:25:23 | 1:25:26 | |
Don't be daft. | 1:25:26 | 1:25:27 | |
MOBILE BEEPS | 1:25:32 | 1:25:34 | |
Poor thing. | 1:25:37 | 1:25:38 | |
You were very sweet with her. | 1:25:40 | 1:25:43 | |
Really. | 1:25:44 | 1:25:46 | |
You're a good dad. | 1:25:47 | 1:25:48 | |
I'll never be a patch on you, though, eh? | 1:25:51 | 1:25:53 | |
She's going to need you if I'm not here. | 1:25:56 | 1:25:58 | |
Stop it. I mean it. Stop it. That's not going to happen. | 1:26:00 | 1:26:05 | |
I'm going to look after you. | 1:26:05 | 1:26:07 | |
I am. | 1:26:07 | 1:26:10 | |
Whatever you need, | 1:26:10 | 1:26:11 | |
I'm going to get it. I am. | 1:26:11 | 1:26:14 | |
I'm going to get it. | 1:26:14 | 1:26:16 | |
Look, I'm just going to... David. | 1:26:18 | 1:26:21 | |
What? | 1:26:21 | 1:26:23 | |
I love you. | 1:26:29 | 1:26:30 | |
MOBILE BEEPS | 1:26:46 | 1:26:48 | |
Who is it? | 1:26:48 | 1:26:51 | |
It's Terry. | 1:26:54 | 1:26:56 | |
Er, I think I'll nip out. See if I can sort this out. | 1:26:57 | 1:27:03 | |
Oh. Yeah, all right. | 1:27:03 | 1:27:05 | |
I'll only be a tick, all right? OK. | 1:27:10 | 1:27:13 | |
Don't leave till I get back, yeah? All right. Ta-ta. | 1:27:36 | 1:27:40 | |
NEON SIGN CRACKLES | 1:28:23 | 1:28:25 | |
HE KNOCKS ON DOOR | 1:28:34 | 1:28:36 | |
Janine? | 1:28:38 | 1:28:40 | |
HE KNOCKS ON DOOR Janine? | 1:28:47 | 1:28:50 | |
NEON SIGN CRACKLES | 1:28:50 | 1:28:52 | |
RATTLING | 1:28:58 | 1:29:00 | |
GLASS BOTTLES CLANK | 1:29:03 | 1:29:05 | |
CLANKING | 1:29:26 | 1:29:28 | |
CAT MIAOWS | 1:29:29 | 1:29:31 | |
CAR APPROACHES | 1:29:34 | 1:29:37 | |
TYRES SCREECH | 1:29:37 | 1:29:39 | |
SHE BREATHES HEAVILY | 1:29:54 | 1:29:56 | |
HE GROANS | 1:30:29 | 1:30:31 | |
JANINE SCREAMS | 1:30:53 | 1:30:54 | |
TYRES SCREECH | 1:30:54 | 1:30:56 | |
No... Give me the phone. | 1:31:04 | 1:31:06 | |
Janine! | 1:31:06 | 1:31:07 | |
Give me the phone. | 1:31:07 | 1:31:10 | |
Right. Hats, coats, scarves. It's cold out there. | 1:31:10 | 1:31:12 | |
Where's Dad? | 1:31:12 | 1:31:14 | |
He's going to meet us over there, he knows where we are. | 1:31:14 | 1:31:17 | |
That's not mine. | 1:31:30 | 1:31:32 | |
Where is it? | 1:31:42 | 1:31:44 | |
I will finish you, David. | 1:31:44 | 1:31:46 | |
You know I will and you know that I can. | 1:31:46 | 1:31:47 | |
But you didn't, did you? You didn't... | 1:31:47 | 1:31:49 | |
because you couldn't. | 1:31:49 | 1:31:51 | |
What did you think you were going to do? | 1:31:53 | 1:31:55 | |
Eh? Just run me down? And get away with it? | 1:31:55 | 1:31:58 | |
It's a stolen car. Hit and run. Drunk driver. | 1:31:58 | 1:32:01 | |
It happens all the time. | 1:32:01 | 1:32:02 | |
Where'd you get it? | 1:32:02 | 1:32:03 | |
Who else is involved? | 1:32:03 | 1:32:05 | |
No-one. | 1:32:05 | 1:32:07 | |
You're lying. Tell me. | 1:32:07 | 1:32:10 | |
Is someone else going to come round that corner? | 1:32:11 | 1:32:14 | |
It's just me. | 1:32:14 | 1:32:16 | |
What you doing? | 1:32:19 | 1:32:20 | |
Where we going? | 1:32:20 | 1:32:22 | |
Move. | 1:32:22 | 1:32:24 | |
Come on. | 1:32:34 | 1:32:36 | |
Hello, Harry. All right? | 1:32:36 | 1:32:39 | |
Come on, kids. That's it. | 1:32:39 | 1:32:40 | |
Go. | 1:32:40 | 1:32:42 | |
Time's up. You got my money? | 1:32:46 | 1:32:49 | |
Yeah. Yeah. I'm just going to pick it up. | 1:32:49 | 1:32:52 | |
No, she ain't. Stop mucking around, all right? | 1:32:52 | 1:32:54 | |
You either give me the money now or the deal's off. | 1:32:54 | 1:32:57 | |
Just let me speak to Phil. | 1:32:57 | 1:32:58 | |
Get inside. | 1:32:58 | 1:33:00 | |
What's the matter? Nothing. | 1:33:10 | 1:33:11 | |
It's Phil, Phil Mitchell. You still interested in buying my boozer? | 1:33:17 | 1:33:23 | |
If you can get the money together | 1:33:24 | 1:33:26 | |
and be here within 15 minutes, you got yourself a deal. | 1:33:26 | 1:33:29 | |
15? That's a push, mate. | 1:33:29 | 1:33:32 | |
I'll do my best. | 1:33:34 | 1:33:35 | |
DOOR UNLOCKS | 1:33:43 | 1:33:45 | |
Sorry, mate, we're closed at the moment. | 1:33:45 | 1:33:48 | |
I helped myself. Hope you don't mind. | 1:33:48 | 1:33:51 | |
Money's on the bar. | 1:33:51 | 1:33:53 | |
Oh, right. Well, listen, there's a party outside if you fancy it. | 1:33:53 | 1:33:56 | |
Free mulled wine and all that. That pump's not pulling right. | 1:33:56 | 1:33:58 | |
It's a nice boozer, though. | 1:34:01 | 1:34:02 | |
Yeah. It is. It's the best boozer in London. | 1:34:05 | 1:34:09 | |
The best. | 1:34:11 | 1:34:13 | |
What is wrong with you? You're going to "pick up" the money? | 1:34:23 | 1:34:25 | |
You ain't buying the Vic, Janine! I am. | 1:34:25 | 1:34:28 | |
No, you're not. I am. | 1:34:28 | 1:34:29 | |
You're not. It's gone. It's over. | 1:34:29 | 1:34:32 | |
Because you're going to give all the money to me. | 1:34:32 | 1:34:35 | |
Now, where is it? | 1:34:35 | 1:34:38 | |
Where is it, Janine? | 1:34:38 | 1:34:40 | |
One call. To the police. | 1:34:40 | 1:34:42 | |
Where is it?! | 1:34:48 | 1:34:49 | |
It's in there. | 1:34:51 | 1:34:52 | |
Where is it? | 1:34:57 | 1:34:58 | |
This it? | 1:35:04 | 1:35:05 | |
Is it all there? | 1:35:12 | 1:35:13 | |
Quarter of a million. | 1:35:13 | 1:35:15 | |
Look at that. | 1:35:16 | 1:35:18 | |
Lovely. | 1:35:18 | 1:35:20 | |
The Vic's gone, Janine. | 1:35:22 | 1:35:23 | |
You can forget about that. | 1:35:23 | 1:35:25 | |
What are you going to do now? | 1:35:25 | 1:35:27 | |
I'm going to take the money, go to a hospital | 1:35:27 | 1:35:29 | |
and call the police. | 1:35:29 | 1:35:30 | |
But that wasn't the deal. The deal's changed. | 1:35:30 | 1:35:32 | |
Wait. Wait. You can't! | 1:35:32 | 1:35:34 | |
Watch me. I'll ring them and I'll tell them. | 1:35:34 | 1:35:37 | |
I'll tell them about that lot. | 1:35:37 | 1:35:38 | |
Do you think they'll believe you? | 1:35:38 | 1:35:40 | |
You've betrayed me. I'm your sister and you're stealing from me... | 1:35:41 | 1:35:45 | |
You're not my sister! You're nothing. | 1:35:45 | 1:35:48 | |
You don't need this. All right? You don't need it. I do. | 1:35:48 | 1:35:52 | |
I do, actually. I do need it. I need every penny. | 1:35:52 | 1:35:55 | |
I'm sick of being treated like dirt. | 1:35:58 | 1:36:00 | |
I used to be someone round here. Silk suits, keys to a Merc. | 1:36:00 | 1:36:04 | |
Now look at me, tussling with Max Branning for change. | 1:36:04 | 1:36:08 | |
Watching Bianca scraping for pennies. Well, not any more. | 1:36:08 | 1:36:11 | |
Not any more. I got my stake now. | 1:36:11 | 1:36:13 | |
I got my stake and I'm going to build it. | 1:36:13 | 1:36:15 | |
You are just as bad as me. No, I'm not. Selfish, greedy. | 1:36:15 | 1:36:19 | |
Wrong. I'm not doing it for me though, am I? | 1:36:19 | 1:36:22 | |
I'm doing it for my family. | 1:36:22 | 1:36:23 | |
Family? Yeah, that's what you tell yourself. But I know you, David. | 1:36:23 | 1:36:26 | |
I know you. And you will spend every last penny on yourself. | 1:36:26 | 1:36:30 | |
You're wrong. No. New car. New suits. | 1:36:30 | 1:36:34 | |
I tell you what, | 1:36:34 | 1:36:35 | |
why don't you just move in here and take my whole life? | 1:36:35 | 1:36:38 | |
Because I don't want your life, Janine. I don't want it. | 1:36:38 | 1:36:41 | |
It looks lonely and sad and pointless. | 1:36:41 | 1:36:45 | |
A little girl, can't even look at her. | 1:36:45 | 1:36:47 | |
That's not true. | 1:36:47 | 1:36:48 | |
It is, Janine. It is. Well, I've got something real. | 1:36:48 | 1:36:51 | |
Real, over there. That's what this money is for. | 1:36:51 | 1:36:54 | |
What? Bianca and the kids? | 1:36:54 | 1:36:55 | |
Bianca, Carol... | 1:36:55 | 1:36:57 | |
She's with another man. She's with Masood. | 1:36:57 | 1:36:59 | |
Not any more. She wants me. She needs me. | 1:36:59 | 1:37:02 | |
For the first time in her life since she was 14 and pregnant, | 1:37:03 | 1:37:06 | |
she actually needs me. | 1:37:06 | 1:37:08 | |
She needs this money. | 1:37:08 | 1:37:10 | |
For what? Jewellery, a fur? | 1:37:11 | 1:37:13 | |
I can hardly see Carol dressed up to the nines, hanging off your arm. | 1:37:13 | 1:37:16 | |
She doesn't want the money. That's not what she's interested in. | 1:37:16 | 1:37:19 | |
You can't buy her, David. | 1:37:19 | 1:37:20 | |
I'm not trying to buy her! I'm trying to protect her. | 1:37:20 | 1:37:24 | |
From what? Cancer! | 1:37:24 | 1:37:26 | |
She might be ill. | 1:37:31 | 1:37:33 | |
She might be very ill. | 1:37:34 | 1:37:36 | |
And if she is, she's going to need treatment. | 1:37:37 | 1:37:40 | |
The very best treatment that money can buy. | 1:37:40 | 1:37:42 | |
I'm going to make sure she gets it. | 1:37:42 | 1:37:44 | |
Whatever happens, I want to be there for her. | 1:37:44 | 1:37:46 | |
Because, you see, that's the difference between you and me, | 1:37:48 | 1:37:52 | |
Janine. | 1:37:52 | 1:37:53 | |
I've learnt my lesson. | 1:37:53 | 1:37:55 | |
Finally. | 1:37:55 | 1:37:57 | |
I missed out on all those years with her. | 1:37:57 | 1:38:00 | |
All those years with Bianca. | 1:38:00 | 1:38:02 | |
Well, I'm not missing out on any more. | 1:38:02 | 1:38:04 | |
I know what's important. | 1:38:05 | 1:38:08 | |
Unlike you. | 1:38:08 | 1:38:09 | |
Running around, trying to buy the Vic, chasing money, | 1:38:10 | 1:38:13 | |
while the one thing you actually need is right in front of your nose. | 1:38:13 | 1:38:17 | |
And you... You can't even bear to look at her. | 1:38:17 | 1:38:20 | |
A beautiful little girl and you can't even bear to look at her. | 1:38:21 | 1:38:25 | |
And why do you think that is? | 1:38:25 | 1:38:28 | |
Because every time I do, | 1:38:30 | 1:38:33 | |
I see Michael. | 1:38:33 | 1:38:35 | |
I see Michael. | 1:38:37 | 1:38:39 | |
Yeah, who you killed right there in that kitchen. | 1:38:39 | 1:38:44 | |
Blood on the floor, | 1:38:44 | 1:38:46 | |
and blood on your hands. | 1:38:46 | 1:38:48 | |
Don't you think that I don't know that? | 1:38:48 | 1:38:50 | |
Don't you think that I don't feel that? | 1:38:52 | 1:38:55 | |
I don't think you feel anything, Janine. You're a monster. | 1:38:55 | 1:38:59 | |
That is not true. | 1:38:59 | 1:39:02 | |
HE was the monster. | 1:39:02 | 1:39:05 | |
He used me and he broke my heart. | 1:39:05 | 1:39:07 | |
He was going to see me dead! Poisoned me, and he didn't care. | 1:39:07 | 1:39:12 | |
I go to bed every night | 1:39:14 | 1:39:17 | |
and I see his face staring up at me from that kitchen floor | 1:39:17 | 1:39:20 | |
with nothing in his eyes. | 1:39:20 | 1:39:22 | |
And every time I look at Scarlett... | 1:39:24 | 1:39:26 | |
Every time I look at Scarlett, I see the same thing. | 1:39:29 | 1:39:32 | |
I can't sleep. I can't... | 1:39:34 | 1:39:38 | |
I can't think straight. | 1:39:38 | 1:39:40 | |
My hands are trembling. My hands, they tremble, look. | 1:39:40 | 1:39:43 | |
I mean, look at them. I didn't want any of this to happen. | 1:39:43 | 1:39:50 | |
And I don't WANT to feel like this. | 1:39:50 | 1:39:53 | |
I wish I could bring him back. | 1:39:55 | 1:39:57 | |
Walk away. | 1:39:57 | 1:39:59 | |
But I can't. | 1:39:59 | 1:40:00 | |
I can't. | 1:40:03 | 1:40:04 | |
So you turn your back on your daughter? | 1:40:10 | 1:40:12 | |
The only thing you've got left. | 1:40:14 | 1:40:16 | |
I don't want to. Please believe me, I don't want to. | 1:40:16 | 1:40:21 | |
I'm just scared that when I look into her eyes, she's going to... | 1:40:22 | 1:40:26 | |
She's going to know. | 1:40:27 | 1:40:29 | |
She's going to know what I did. and she's going to hate me. | 1:40:29 | 1:40:33 | |
SHE SOBS | 1:40:33 | 1:40:35 | |
Janine. Janine. | 1:40:35 | 1:40:38 | |
That little girl is the only person in the world who doesn't hate you. | 1:40:38 | 1:40:41 | |
She's the only thing you've got that's good. | 1:40:41 | 1:40:44 | |
And you're going to miss out on that, just like I did. | 1:40:46 | 1:40:51 | |
Five years old, she's going to be visiting you in prison. | 1:40:51 | 1:40:55 | |
No. No. No, please! Just give me one more chance. | 1:40:55 | 1:40:58 | |
Just give me one more. I want what you've got with Bianca. | 1:40:58 | 1:41:00 | |
I do. I want to put this right. | 1:41:00 | 1:41:03 | |
I so want to put this right and I just want to put it all behind me. | 1:41:03 | 1:41:06 | |
Just forget the police. Please forget the police. | 1:41:06 | 1:41:10 | |
They don't need to know. | 1:41:10 | 1:41:12 | |
And what about Alice? | 1:41:13 | 1:41:16 | |
David, she stabbed him. | 1:41:16 | 1:41:19 | |
And she's pleaded guilty. | 1:41:19 | 1:41:21 | |
So I get to send her down? | 1:41:22 | 1:41:25 | |
This is the daughter of the man who's kept Carol away from you | 1:41:25 | 1:41:30 | |
for all these years. And kept Bianca away from you. | 1:41:30 | 1:41:34 | |
So I get to take all that out on her? | 1:41:34 | 1:41:36 | |
No. | 1:41:40 | 1:41:42 | |
I'm not doing that. I'm not. | 1:41:42 | 1:41:44 | |
No, wait. What's changed? You were going to yesterday | 1:41:44 | 1:41:48 | |
and the day before. What's changed? Carol. I'm not doing that to Carol. | 1:41:48 | 1:41:52 | |
She'll never know. I'll know, Janine. I'll know. | 1:41:52 | 1:41:55 | |
And I'm not prepared to take that risk. | 1:41:55 | 1:41:57 | |
Me and Carol, I want to do what's right. | 1:41:57 | 1:41:59 | |
Just let me get a head start, then. | 1:41:59 | 1:42:01 | |
Let me get Scarlett and I'll go. | 1:42:01 | 1:42:03 | |
What you talking about? I'll go now. Tonight. | 1:42:03 | 1:42:05 | |
Just let me take Scarlett and I'll run. | 1:42:05 | 1:42:07 | |
Just one day. One day, that's all I need. | 1:42:07 | 1:42:09 | |
Then you can call the police, you can do whatever you want. | 1:42:09 | 1:42:12 | |
A day? One day? | 1:42:12 | 1:42:14 | |
That's all I need. | 1:42:14 | 1:42:15 | |
For Pat. | 1:42:19 | 1:42:21 | |
Please, David. | 1:42:23 | 1:42:26 | |
Please. | 1:42:26 | 1:42:28 | |
One day. | 1:42:31 | 1:42:32 | |
24 hours, and then I will call the police. | 1:42:32 | 1:42:35 | |
Thank you. | 1:42:38 | 1:42:39 | |
Now pack up your stuff and go. | 1:42:39 | 1:42:42 | |
Just go. | 1:42:42 | 1:42:44 | |
Phil Mitchell? | 1:42:54 | 1:42:56 | |
Brought you a present. | 1:42:57 | 1:42:59 | |
That was quick. | 1:42:59 | 1:43:01 | |
Don't worry, it's all there. | 1:43:01 | 1:43:03 | |
I'm an honest man. | 1:43:03 | 1:43:05 | |
I'll count it later. | 1:43:05 | 1:43:07 | |
So, do you want to have a look round? | 1:43:07 | 1:43:10 | |
Nah, not without the missus. She'd kill me. | 1:43:10 | 1:43:13 | |
Wear the trousers, does she? | 1:43:13 | 1:43:15 | |
She thinks she does. | 1:43:15 | 1:43:17 | |
Right, well... | 1:43:18 | 1:43:20 | |
..you've bought yourself a boozer. | 1:43:24 | 1:43:26 | |
HE GROANS | 1:43:35 | 1:43:38 | |
You lost something? | 1:43:53 | 1:43:55 | |
Er, yeah. I left my phone. I was just about to call you. | 1:43:55 | 1:43:58 | |
Did you see Terry? | 1:43:58 | 1:44:01 | |
Yeah, yeah, he's pretty upset. | 1:44:01 | 1:44:02 | |
We're going to talk tomorrow when everything's calmed down. | 1:44:02 | 1:44:05 | |
What've you done to yourself? | 1:44:05 | 1:44:06 | |
Couple of drunks knocked into me. I fell against a wall. It's nothing. | 1:44:06 | 1:44:10 | |
Don't worry about it. | 1:44:10 | 1:44:12 | |
Where's the kids? Outside? | 1:44:12 | 1:44:14 | |
Yeah, they're outside with Bianca. | 1:44:14 | 1:44:16 | |
Why aren't you out there? Why aren't you out there too? Come on. | 1:44:16 | 1:44:19 | |
It's lovely, it's all Christmassy. | 1:44:19 | 1:44:20 | |
Because I'm here, David. I'm talking to you. | 1:44:20 | 1:44:22 | |
Why are you upset? | 1:44:30 | 1:44:32 | |
Eh? | 1:44:32 | 1:44:34 | |
You don't feel guilty about what happened, do you? | 1:44:34 | 1:44:37 | |
This is good. | 1:44:40 | 1:44:42 | |
Me and you. | 1:44:42 | 1:44:43 | |
It's right. It feels right. | 1:44:43 | 1:44:46 | |
Does it? Does it, really? | 1:44:46 | 1:44:48 | |
And I can trust you? | 1:44:49 | 1:44:51 | |
I'm going to be there. I'm going to be there all the way. | 1:44:54 | 1:44:57 | |
I meant everything I said. | 1:44:57 | 1:45:00 | |
There's nothing you're not telling me? | 1:45:00 | 1:45:03 | |
Like what? | 1:45:03 | 1:45:04 | |
I know. | 1:45:06 | 1:45:08 | |
Know? Know what? I found it. | 1:45:08 | 1:45:09 | |
I found your phone. | 1:45:09 | 1:45:11 | |
I don't know what you're talking about. | 1:45:13 | 1:45:15 | |
I watched it, David. I watched it all. It's not what you think. | 1:45:15 | 1:45:18 | |
No? A confession on your phone. Janine's confession. | 1:45:18 | 1:45:21 | |
How can that possibly be? Huh? | 1:45:21 | 1:45:22 | |
It's complicated, Carol. | 1:45:22 | 1:45:25 | |
No, it's not. No, it is simple. It's very, very simple. | 1:45:25 | 1:45:29 | |
She did it. You know it. | 1:45:29 | 1:45:30 | |
And Alice is rotting in prison for something she didn't do. | 1:45:30 | 1:45:33 | |
Am I missing something? Am I being thick here? | 1:45:33 | 1:45:36 | |
Sit down. | 1:45:36 | 1:45:38 | |
Come on, sit down. | 1:45:38 | 1:45:40 | |
I got that confession out of her. | 1:45:40 | 1:45:43 | |
I tricked her, I broke her down. | 1:45:44 | 1:45:47 | |
No-one else could. | 1:45:47 | 1:45:48 | |
I did it because I know what makes her tick. | 1:45:48 | 1:45:50 | |
Yeah? So what's it still doing on your phone? | 1:45:50 | 1:45:53 | |
I was trying to decide what to do, weren't I? | 1:45:53 | 1:45:55 | |
What's to decide? You've got a confession. You go to the police. | 1:45:55 | 1:45:58 | |
What were you waiting for? | 1:45:58 | 1:45:59 | |
I wanted to tell you first, didn't I? | 1:45:59 | 1:46:01 | |
I did. I did! | 1:46:01 | 1:46:04 | |
But yesterday, at the hospital... how could I? | 1:46:05 | 1:46:08 | |
Alice pleaded guilty yesterday. | 1:46:08 | 1:46:10 | |
I needed to sort things with Janine. Give her a chance. | 1:46:10 | 1:46:12 | |
To do what? | 1:46:12 | 1:46:14 | |
To come clean. | 1:46:14 | 1:46:16 | |
What's in that bag? | 1:46:23 | 1:46:24 | |
What? The bag you came in with. | 1:46:26 | 1:46:28 | |
Nothing. Nothing. Stuff. Stuff from the office. | 1:46:28 | 1:46:31 | |
You went over the office? | 1:46:31 | 1:46:32 | |
No, it's from the car. It's for the kids. | 1:46:32 | 1:46:35 | |
Carol. Carol, don't. Get off. | 1:46:40 | 1:46:43 | |
Carol, please. | 1:46:43 | 1:46:45 | |
This is for the kids?! What do the kids need with this? Huh? | 1:46:47 | 1:46:51 | |
It's for you. Me? | 1:46:51 | 1:46:52 | |
Yes. I told you. I told you I was going to look after you | 1:46:52 | 1:46:55 | |
and I meant it. This is for you. | 1:46:55 | 1:46:57 | |
For your treatment, if you need it. | 1:46:57 | 1:47:00 | |
The very best that money can buy. This is for you. | 1:47:00 | 1:47:02 | |
This, this is Janine's money. | 1:47:02 | 1:47:04 | |
Yeah. For you. To make you well. | 1:47:04 | 1:47:06 | |
I meant what I said, Carol. I'm going to look after you. | 1:47:06 | 1:47:09 | |
You've been blackmailing her. You get that confession | 1:47:09 | 1:47:12 | |
and you're blackmailing her for a bag of money? | 1:47:12 | 1:47:15 | |
She offered. She pushed it on me. | 1:47:15 | 1:47:17 | |
That's what you two were talking about earlier, upstairs? | 1:47:17 | 1:47:19 | |
Exactly. Exactly. That is why she came round. | 1:47:19 | 1:47:21 | |
Look, she owes us, Carol. She owes this family. | 1:47:21 | 1:47:24 | |
This, this can be our stake. | 1:47:24 | 1:47:27 | |
You, your health. | 1:47:27 | 1:47:29 | |
Bianca, I dunno, a little business. No more scraping around, | 1:47:29 | 1:47:32 | |
chasing after pennies. I can turn this into a fortune for us. | 1:47:32 | 1:47:36 | |
I can. Yeah? And what about Janine? | 1:47:36 | 1:47:37 | |
She ain't going to be around. Why not? | 1:47:37 | 1:47:40 | |
Because I've given her a chance, Carol. A second chance. | 1:47:43 | 1:47:46 | |
With the kid. The kind of chance I never had. | 1:47:46 | 1:47:49 | |
The kind of chance my mum never gave her when she stuck her inside. | 1:47:49 | 1:47:52 | |
This isn't about Pat or Janine. This is about you. | 1:47:52 | 1:47:55 | |
To think I let myself feel something again for you. | 1:47:55 | 1:48:00 | |
I mean, to trust you, to tell you about this... | 1:48:00 | 1:48:03 | |
this thing. | 1:48:03 | 1:48:06 | |
You told me cos you love me. | 1:48:06 | 1:48:09 | |
And I love you. | 1:48:09 | 1:48:10 | |
None of this, none of this matters. None of this affects that. | 1:48:12 | 1:48:16 | |
Of course it does. How can I love you? How can I? | 1:48:16 | 1:48:19 | |
Cos this is what you're like. | 1:48:19 | 1:48:21 | |
This is what you've always been like | 1:48:21 | 1:48:23 | |
and the same thing has happened again. | 1:48:23 | 1:48:26 | |
You know, just...just for a moment, I forgot... | 1:48:26 | 1:48:29 | |
No. No. | 1:48:29 | 1:48:31 | |
Carol. Carol. Carol. Carol, look at me. | 1:48:31 | 1:48:35 | |
I'm going to call the police, I am. I'm going to call them. | 1:48:35 | 1:48:39 | |
I'm going to get Alice out. It's all part of the plan. | 1:48:39 | 1:48:42 | |
Plan? What plan? | 1:48:42 | 1:48:44 | |
I just want to give her a start. Just a few hours. | 1:48:44 | 1:48:47 | |
Then I'll tell 'em everything. I will. | 1:48:47 | 1:48:50 | |
Well...tell 'em about that money as well. | 1:48:50 | 1:48:55 | |
Not that. No. Obviously. | 1:48:55 | 1:48:58 | |
Oh, Carol, listen. Before I came back here, | 1:49:00 | 1:49:03 | |
I had money. I had cash. | 1:49:03 | 1:49:05 | |
I turned up with a bag full of the stuff. | 1:49:07 | 1:49:10 | |
I had everything... | 1:49:10 | 1:49:12 | |
but I never had you. | 1:49:12 | 1:49:14 | |
Now, now I've got both. | 1:49:16 | 1:49:18 | |
I've got family. I've got you. | 1:49:18 | 1:49:20 | |
You well. That is what I want. | 1:49:22 | 1:49:25 | |
That...and the family we never had. | 1:49:25 | 1:49:28 | |
It's too late. It's too late. | 1:49:32 | 1:49:34 | |
OK, fine. | 1:49:36 | 1:49:38 | |
Fine, I'll give it back. | 1:49:38 | 1:49:40 | |
I'll keep enough just for your treatment. | 1:49:40 | 1:49:42 | |
Just in case you need it. I don't want a penny of that money. | 1:49:42 | 1:49:45 | |
OK, fine. All right, Carol, I'll give it back. | 1:49:45 | 1:49:48 | |
I'll give it all back. I'll go and do it now. | 1:49:48 | 1:49:49 | |
It's too late, David. It's never too late. | 1:49:49 | 1:49:52 | |
Yes, it is! | 1:49:52 | 1:49:54 | |
What do you mean? | 1:49:54 | 1:49:55 | |
Where's the phone? | 1:50:01 | 1:50:02 | |
What have you done with the phone, Carol? | 1:50:05 | 1:50:07 | |
What have you done with my phone?! | 1:50:09 | 1:50:11 | |
Oh! Careful, girl. | 1:50:16 | 1:50:17 | |
Sorry. Tell your mates. Tomorrow, in the Vic. | 1:50:17 | 1:50:20 | |
First drink's on the house. | 1:50:20 | 1:50:22 | |
Merry Christmas. | 1:50:31 | 1:50:32 | |
Auntie Janine! | 1:50:54 | 1:50:56 | |
You'll never guess what happened. | 1:50:56 | 1:50:58 | |
Mum flipped out, threw gravy all over Rosie's mum. | 1:50:58 | 1:51:00 | |
They had a massive fight, and now they've all left. | 1:51:00 | 1:51:03 | |
It's a disaster! Where's Scarlett? | 1:51:03 | 1:51:05 | |
She's over there, with Whitney. She got a bit scared. | 1:51:05 | 1:51:08 | |
Thank you. | 1:51:12 | 1:51:13 | |
Talk to Mum. Sort her out. She's a right nutter. | 1:51:17 | 1:51:20 | |
You going somewhere? | 1:51:22 | 1:51:24 | |
Yeah. To play with my daughter. | 1:51:24 | 1:51:27 | |
It's Christmas Day! | 1:51:27 | 1:51:29 | |
And my sister is inside. | 1:51:29 | 1:51:31 | |
Yeah, I know. She murdered my husband. | 1:51:31 | 1:51:35 | |
Now, if you don't mind... | 1:51:35 | 1:51:36 | |
You know what, Janine, I do. I really do mind. | 1:51:36 | 1:51:40 | |
Get your hands off me. | 1:51:40 | 1:51:42 | |
Carol gave me a little present, Janine. | 1:51:42 | 1:51:44 | |
I've listened to it. | 1:51:45 | 1:51:47 | |
Every single word. | 1:51:47 | 1:51:49 | |
I don't know what you're talking about. | 1:51:49 | 1:51:51 | |
Well, let's see if the police do. | 1:51:51 | 1:51:54 | |
If they understand what I'm talking about, Janine. | 1:51:54 | 1:51:57 | |
They're coming for you. | 1:51:57 | 1:51:59 | |
SIREN WAILS | 1:51:59 | 1:52:00 | |
I've called 'em. I've called the police. | 1:52:00 | 1:52:02 | |
Janine, this wasn't my fault. I swear. | 1:52:02 | 1:52:05 | |
It wasn't. | 1:52:05 | 1:52:07 | |
Janine. Janine! | 1:52:07 | 1:52:09 | |
Give me that phone. I don't think so, David. | 1:52:09 | 1:52:11 | |
Give me that phone! I don't think so. | 1:52:11 | 1:52:13 | |
I got that confession out of her. I'm on your side. | 1:52:13 | 1:52:15 | |
Let's just see what the police have to say, eh, David? Joey. | 1:52:15 | 1:52:17 | |
She's getting away. Janine! | 1:52:17 | 1:52:18 | |
What's the matter? Where you going? | 1:52:18 | 1:52:20 | |
Janine! | 1:52:20 | 1:52:21 | |
Janine! | 1:52:22 | 1:52:24 | |
Janine, you can't do this. Janine. Don't run. | 1:52:26 | 1:52:30 | |
You can't. | 1:52:30 | 1:52:31 | |
Give me the baby. Janine! | 1:52:31 | 1:52:33 | |
BABY CRIES | 1:52:33 | 1:52:36 | |
Janine! | 1:52:36 | 1:52:37 | |
SIREN WAILS | 1:52:37 | 1:52:40 | |
Give us the baby! | 1:52:40 | 1:52:43 | |
CAR HORN BEEPS | 1:52:46 | 1:52:48 | |
Janine! | 1:52:48 | 1:52:49 | |
BABY CRIES | 1:52:49 | 1:52:51 | |
Janine, don't do this. You're going to make it worse. | 1:53:03 | 1:53:07 | |
Janine! Janine. My baby... | 1:53:07 | 1:53:09 | |
Please, let me have my baby. Don't you touch her. | 1:53:09 | 1:53:13 | |
Get off me! She's mine. She's my little girl. | 1:53:13 | 1:53:16 | |
Janine Butcher, you're under arrest | 1:53:16 | 1:53:18 | |
for the murder of Michael Moon... Please! | 1:53:18 | 1:53:20 | |
You are not obliged to say anything but it may harm your defence | 1:53:20 | 1:53:24 | |
if you do not mention when questioned | 1:53:24 | 1:53:26 | |
something which you later rely on in court. You can't take my baby! | 1:53:26 | 1:53:29 | |
Anything you do say may be given in evidence. Do you understand? | 1:53:29 | 1:53:32 | |
Scarlett! Get off! | 1:53:36 | 1:53:38 | |
Scarlett! | 1:53:40 | 1:53:41 | |
Scarlett... | 1:53:44 | 1:53:45 | |
SIREN WAILS | 1:53:58 | 1:54:00 | |
SHE SOBS | 1:54:04 | 1:54:06 | |
SHE SOBS HYSTERICALLY | 1:54:17 | 1:54:20 | |
Ah. | 1:54:43 | 1:54:44 | |
Do you want a hanky? | 1:54:44 | 1:54:46 | |
Or would you prefer a helmet... | 1:54:46 | 1:54:48 | |
for when your mum finds out about what you've done | 1:54:48 | 1:54:51 | |
and she decides to bash your brains in? | 1:54:51 | 1:54:53 | |
What do you know about anything? | 1:54:53 | 1:54:56 | |
Baby Boy Mitchell. RIP. | 1:54:56 | 1:55:00 | |
Nice. | 1:55:05 | 1:55:06 | |
I reckon this little baby's going to bring us luck. Yeah. | 1:55:11 | 1:55:14 | |
I can feel it. | 1:55:14 | 1:55:15 | |
And as for Janine, well... | 1:55:15 | 1:55:18 | |
she can just rot in prison... | 1:55:18 | 1:55:19 | |
..and we can stay here. | 1:55:22 | 1:55:23 | |
That's if the sale falls through. It's bound to. | 1:55:27 | 1:55:30 | |
Kat, you can't run a pub from Holloway, can you? | 1:55:30 | 1:55:33 | |
I can see us being here a while now. | 1:55:33 | 1:55:35 | |
You reckon, do you? | 1:55:35 | 1:55:37 | |
All right. So, when do I get to see her, then? | 1:55:44 | 1:55:47 | |
Yeah, so get her bailed, mate. Alice is innocent. | 1:55:48 | 1:55:52 | |
Look, Mark, get her to talk to the police again, | 1:55:52 | 1:55:55 | |
redo the interview, get her to withdraw her confession | 1:55:55 | 1:55:57 | |
and get her out. | 1:55:57 | 1:55:59 | |
Yes. | 1:55:59 | 1:56:00 | |
Look, mate, I'm going to go and get the champagne in now, | 1:56:00 | 1:56:02 | |
so let's meet up once you've got things rolling, all right? | 1:56:02 | 1:56:05 | |
All right, Phil? Just the man I want to see. | 1:56:13 | 1:56:16 | |
Bit parky out here, innit? | 1:56:16 | 1:56:18 | |
I've put the kettle on. | 1:56:18 | 1:56:20 | |
Anyway, listen, I thought me and you could talk strategy. | 1:56:20 | 1:56:24 | |
Me and Kat are more than happy to stay on, you know. | 1:56:24 | 1:56:28 | |
No hard feelings. Sounds like a plan. | 1:56:28 | 1:56:30 | |
Thank you. Yeah, it's a good plan. | 1:56:31 | 1:56:35 | |
Listen, I know what you're really like, Phil. | 1:56:35 | 1:56:37 | |
You know, underneath, you're this big ball of soft-heartedness, | 1:56:37 | 1:56:41 | |
But not a plan I'm interested in. Now, you've already had an extra day. | 1:56:41 | 1:56:45 | |
You should've moved out yesterday. | 1:56:45 | 1:56:46 | |
You've got till 12 o'clock to move out. | 1:56:46 | 1:56:48 | |
Phil, please, listen. | 1:56:48 | 1:56:50 | |
OK. Between me and you, Kat's up the duff. | 1:56:50 | 1:56:53 | |
You can't throw a pregnant woman out onto the street. Please... | 1:56:53 | 1:56:57 | |
12 o'clock. | 1:56:57 | 1:56:58 | |
Then I'll call some friends to help you move | 1:56:58 | 1:57:01 | |
and there might well be some breakages. | 1:57:01 | 1:57:04 | |
Someone needs to tell him it's the season to be jolly! | 1:57:05 | 1:57:09 | |
You all right, darling? | 1:57:28 | 1:57:30 | |
No, 'course you're not. | 1:57:30 | 1:57:33 | |
Hey, is that nice? | 1:57:33 | 1:57:35 | |
MOBILE RINGS | 1:57:35 | 1:57:37 | |
It's Kat. | 1:57:37 | 1:57:40 | |
Oh, come here, love. | 1:57:45 | 1:57:48 | |
It's OK. | 1:57:49 | 1:57:50 | |
Yeah, 'course I'll be there, Alfie. I'll see who else I can drag along. | 1:57:53 | 1:57:56 | |
All right, mate. See you in a minute. | 1:57:56 | 1:57:59 | |
Time to put those muscles to use. We're needed. | 1:57:59 | 1:58:02 | |
OK. I've just got to call Lola. Why? | 1:58:02 | 1:58:06 | |
She's my girlfriend. It's kind of what you do. | 1:58:06 | 1:58:09 | |
Yeah, but Alfie needs us. | 1:58:09 | 1:58:11 | |
Hey, babe. What you doing? | 1:58:11 | 1:58:12 | |
OK. | 1:58:14 | 1:58:16 | |
Eurgh! | 1:58:17 | 1:58:19 | |
Was that you? | 1:58:20 | 1:58:21 | |
What do you want? | 1:58:24 | 1:58:26 | |
Charming. I come down here to save you from hypothermia | 1:58:27 | 1:58:30 | |
and that's the best you can do. | 1:58:30 | 1:58:32 | |
It's the best that I've got right now. It's your fault. | 1:58:32 | 1:58:35 | |
Spending all that money on just booze and turkey. | 1:58:35 | 1:58:38 | |
Well, that's what Christmas is about, | 1:58:38 | 1:58:40 | |
when you strip it all back. | 1:58:40 | 1:58:42 | |
Turkey, plus booze. | 1:58:42 | 1:58:45 | |
SHE WHISPERS: Looks like it's moving day. What? | 1:58:47 | 1:58:50 | |
Oh, all right? | 1:58:53 | 1:58:56 | |
Is that...? No, I've got a bit of a bad head on. | 1:58:56 | 1:58:58 | |
Cup of tea, please, Marie. | 1:59:02 | 1:59:04 | |
Hiya. | 1:59:04 | 1:59:05 | |
Can't believe I made it to Boxing Day. | 1:59:05 | 1:59:08 | |
I'm making myself a promise and you can hold me to this. | 1:59:08 | 1:59:11 | |
I am never, ever, spending Christmas Day in a B again. | 1:59:11 | 1:59:14 | |
You should've come round to my place. It was even worse. | 1:59:14 | 1:59:17 | |
I just saw Alfie moving a load of stuff outside. | 1:59:17 | 1:59:19 | |
Yeah, they're leaving. I thought the sale would've fallen through. | 1:59:19 | 1:59:23 | |
Well, it did, but someone else stepped in. Who? | 1:59:23 | 1:59:27 | |
Oh, just this family. | 1:59:27 | 1:59:28 | |
Oh, good. For a minute, I thought you were stuck with the place. | 1:59:28 | 1:59:32 | |
It weren't all bad, I suppose. A few good memories, | 1:59:32 | 1:59:35 | |
like Mum and Dad, when they liked each other, | 1:59:35 | 1:59:38 | |
Michelle, Grant... | 1:59:38 | 1:59:40 | |
you. | 1:59:40 | 1:59:43 | |
We were bad, weren't we, eh? | 1:59:43 | 1:59:44 | |
Terrible. Unforgiveable, really. | 1:59:44 | 1:59:47 | |
So, tell me, then. Who's bought it? | 1:59:47 | 1:59:50 | |
Roxy, it's David Wicks. Give us a tinkle back on this number | 1:59:50 | 1:59:52 | |
when you can, please. I want to run something by you. All right, lovely. | 1:59:52 | 1:59:55 | |
Ta. Bye. | 1:59:55 | 1:59:58 | |
Thanks. Thank you. | 1:59:58 | 1:59:59 | |
Don't know why you're doing business on Boxing Day. | 1:59:59 | 2:00:02 | |
No, it's just a thought I had. Didn't want to forget it. | 2:00:02 | 2:00:05 | |
Right, here you go. Ta. | 2:00:05 | 2:00:07 | |
Two now, and two four hours later. Thank you, Matron. | 2:00:07 | 2:00:10 | |
Oh, don't start with that. I've done my bit. | 2:00:10 | 2:00:13 | |
As soon as Diane's collected Scarlett, I'm going round to Mas's. | 2:00:13 | 2:00:17 | |
No, stay. Please. Please. | 2:00:17 | 2:00:19 | |
And why would I want to do that? | 2:00:19 | 2:00:20 | |
I want to explain myself, Carol. | 2:00:22 | 2:00:24 | |
I know I messed up, but I was really shocked by what Janine did. | 2:00:24 | 2:00:28 | |
I mean, I was reeling, you know? Who wouldn't be? | 2:00:28 | 2:00:32 | |
Right, the sooner we get this done, the quicker we'll get in the Vic, | 2:00:36 | 2:00:40 | |
And the first drink's on us and after that it's ?1 a drink. | 2:00:40 | 2:00:44 | |
It's going to be a Happy Happy Hour! | 2:00:44 | 2:00:47 | |
There you go. | 2:00:47 | 2:00:49 | |
Steady on, handsome. Bit keen, aren't you? | 2:00:49 | 2:00:52 | |
Ain't you got big! | 2:00:54 | 2:00:56 | |
When you're done, son, I'll give you a little rub-down. | 2:00:56 | 2:00:59 | |
I don't think so. He's spoken for. Ooh! | 2:00:59 | 2:01:02 | |
Um, can you get a move on, please? All right. Calm down. | 2:01:02 | 2:01:07 | |
It's getting cold out here. Sorry about the Vic. | 2:01:07 | 2:01:09 | |
It's all right. We were thinking of jacking it in anyway, | 2:01:09 | 2:01:12 | |
all them late nights. No, thanks. | 2:01:12 | 2:01:14 | |
Kat, who's taking over the Vic, anyway? I don't know | 2:01:14 | 2:01:16 | |
and I don't care, really. Well, Phil's sold it to someone though. | 2:01:16 | 2:01:19 | |
Probably one of his friends. The next thing you know, | 2:01:19 | 2:01:21 | |
it'll be the Krays all over again. Very positive, Patrick(!) | 2:01:21 | 2:01:25 | |
That's it. Come on. Keep it coming. | 2:01:29 | 2:01:31 | |
Beautiful. Lovely. Here you go, sweetheart. | 2:01:31 | 2:01:34 | |
So, B, where's Terry, then? Too many mince pies? | 2:01:34 | 2:01:36 | |
Trying to work them off, is he? I don't know where Terry is, actually. | 2:01:36 | 2:01:39 | |
I'll give him a ring if you want. No. | 2:01:39 | 2:01:42 | |
Just leave it, yeah? | 2:01:42 | 2:01:44 | |
Yeah, all right. No problem. | 2:01:45 | 2:01:47 | |
Shouldn't we be helping? | 2:01:47 | 2:01:49 | |
Nah. We'd just get in the way. | 2:01:49 | 2:01:51 | |
Working up a sweat there, ladies. | 2:01:51 | 2:01:53 | |
Oh, do you hear that, Tina? That's humour, that is. | 2:01:53 | 2:01:56 | |
Well, I guess it's times like these you work out who your friends are. | 2:01:56 | 2:02:00 | |
We're giving them moral support. Just as important. | 2:02:00 | 2:02:03 | |
All right, Lauren. You got a sec? | 2:02:06 | 2:02:09 | |
What, right now? Yeah. | 2:02:09 | 2:02:12 | |
Lauren, concentrate, will you, please? | 2:02:12 | 2:02:15 | |
Sorry. Mind you don't step in the glass. | 2:02:15 | 2:02:17 | |
I'll speak to you later, yeah? Yeah. Yeah. | 2:02:22 | 2:02:24 | |
I'd, er... | 2:02:26 | 2:02:28 | |
I'd keep an eye on him, if I were you. | 2:02:28 | 2:02:30 | |
Peter, why don't you nip home and get a dustpan and brush? Me? | 2:02:33 | 2:02:36 | |
Yeah, you. Send Cindy. I'm asking YOU. | 2:02:36 | 2:02:40 | |
Miss you already! | 2:02:42 | 2:02:43 | |
Is it true about Auntie Janine? | 2:02:47 | 2:02:48 | |
Is she really going to be locked up forever? I don't know. | 2:02:48 | 2:02:51 | |
Can we go and visit her? Oh, kids, please. | 2:02:51 | 2:02:55 | |
Mind if I join the chain? Be my guest. | 2:02:55 | 2:02:59 | |
There's a spot right over there. | 2:02:59 | 2:03:00 | |
You didn't have to come an' all. Yes, I did. | 2:03:04 | 2:03:06 | |
I had to come out and help my mate, didn't I? | 2:03:06 | 2:03:08 | |
What, and show off your lovely new coat? | 2:03:08 | 2:03:10 | |
The kids got it for me. | 2:03:10 | 2:03:12 | |
We'll have a chat later, yeah? Yeah. | 2:03:12 | 2:03:16 | |
Got the photos? Yeah. Lovely. Fragile, fragile, fragile. | 2:03:16 | 2:03:19 | |
There you go, sweetheart. Listen, is B all right? | 2:03:19 | 2:03:22 | |
Yeah, she's fine. Also, this ?1 a drink - | 2:03:22 | 2:03:25 | |
why don't we just give it away? | 2:03:25 | 2:03:27 | |
We are not leaving empty-handed. What about Phil? | 2:03:27 | 2:03:29 | |
He can't touch us. Not any more. | 2:03:29 | 2:03:31 | |
Right! Come on, people. Keep it moving! | 2:03:34 | 2:03:36 | |
I was just coming. | 2:03:43 | 2:03:45 | |
Yeah. Um... | 2:03:45 | 2:03:46 | |
Can we, um... | 2:03:46 | 2:03:48 | |
Can we have a moment? | 2:03:48 | 2:03:51 | |
Er, yeah, if you want. | 2:03:51 | 2:03:53 | |
This is... | 2:03:54 | 2:03:56 | |
It's probably going to sound odd, but... | 2:03:56 | 2:03:59 | |
I need you to stop seeing Lola. | 2:03:59 | 2:04:01 | |
Yes! Beat me again. You cheating or something, eh? | 2:04:04 | 2:04:07 | |
I'm beginning to wonder who you invited round - me or Denny. | 2:04:07 | 2:04:10 | |
All right. Well, you can have a game. | 2:04:10 | 2:04:12 | |
But no girl's beating us, all right? Oh! Well, we'll see about that, | 2:04:12 | 2:04:15 | |
thank you very much. | 2:04:15 | 2:04:17 | |
Come on, Denny. Show your mother. | 2:04:17 | 2:04:21 | |
Right. | 2:04:21 | 2:04:22 | |
I know that! | 2:04:24 | 2:04:26 | |
She's far too young to get serious about. | 2:04:26 | 2:04:28 | |
I think you'll find that's my decision, not yours. And she's a got a kid. So? | 2:04:28 | 2:04:32 | |
Peter, you don't want to spend the best years of your life | 2:04:32 | 2:04:35 | |
pretending to be a daddy, do you? | 2:04:35 | 2:04:36 | |
Erm, if it means being with Lola, then, yeah. | 2:04:36 | 2:04:40 | |
I know it might not feel like it now, | 2:04:40 | 2:04:42 | |
but if you end this before it's too serious, | 2:04:42 | 2:04:45 | |
then one day, you're going to thank me. | 2:04:45 | 2:04:48 | |
I thought you liked her. | 2:04:48 | 2:04:49 | |
You're kidding? | 2:04:49 | 2:04:51 | |
Everyone else is fine about it, | 2:04:53 | 2:04:55 | |
so if you've got a problem, then tough. | 2:04:55 | 2:04:57 | |
Watching all those people working's worn me out. | 2:05:01 | 2:05:04 | |
Can I have two big coffees, please? | 2:05:04 | 2:05:07 | |
I can't believe Ian's opened up today. | 2:05:08 | 2:05:11 | |
Do anything for a bit of cash. | 2:05:11 | 2:05:12 | |
Hello again. All right? You on your own? Yeah. | 2:05:12 | 2:05:15 | |
No, not today, Tina. I was just being friendly! | 2:05:15 | 2:05:18 | |
Not when I've got a hangover. | 2:05:18 | 2:05:20 | |
All right? All right? | 2:05:20 | 2:05:22 | |
That was productive. What did they say? | 2:05:22 | 2:05:25 | |
Janine's not budging on her story. | 2:05:25 | 2:05:27 | |
They've charged her with murder though. | 2:05:27 | 2:05:30 | |
I know. They said that, it turned my stomach. | 2:05:30 | 2:05:33 | |
I mean, Janine's a lot of things, but that's done my head in, that has. | 2:05:33 | 2:05:36 | |
So, she's saying she didn't do it? Well, you would do, wouldn't you? | 2:05:36 | 2:05:39 | |
There's nothing's proven, is there? | 2:05:39 | 2:05:40 | |
They've still got Alice's confession. It's all up in the air. | 2:05:40 | 2:05:44 | |
Pity. | 2:05:44 | 2:05:45 | |
I need a drink. | 2:05:46 | 2:05:48 | |
Well, you'll have to wait | 2:05:48 | 2:05:49 | |
because, as of today, the Vic is under new management. | 2:05:49 | 2:05:53 | |
What? Yep. Who's bought it now? I don't know. | 2:05:53 | 2:05:55 | |
It's going to be a gay bar. Yeah, right(!) I've seen the plans. | 2:05:56 | 2:06:00 | |
It's got all little rainbow flags outside, | 2:06:01 | 2:06:04 | |
going to paint it pink. | 2:06:04 | 2:06:06 | |
There's loads of drawings of these oiled-up men suspended in cages. | 2:06:06 | 2:06:10 | |
I like it. I like it. I might call Christian. | 2:06:10 | 2:06:12 | |
But that's my local! It still will be. | 2:06:12 | 2:06:14 | |
You'll just have to oil up, Billy. | 2:06:14 | 2:06:16 | |
That's it. Welcome, everybody. Come in out of the cold. | 2:06:42 | 2:06:46 | |
Welcome to Kat and Alfie's Happy Happy Hour. | 2:06:46 | 2:06:48 | |
Yeah, man. A shot of rum for my tum-tum, please. | 2:06:48 | 2:06:51 | |
Coming up, Patrick. Hey, hey, hey. | 2:06:51 | 2:06:53 | |
The both of you going to be OK, though? How can we not be? | 2:06:53 | 2:06:56 | |
We fall, we bounce. Isn't that right, Alfie? | 2:06:56 | 2:07:01 | |
Don't you worry about us, Paddy. | 2:07:01 | 2:07:02 | |
Get it down your neck, mate. That's it. Lovely. | 2:07:02 | 2:07:05 | |
The first ten are on the house for you. | 2:07:06 | 2:07:08 | |
I'm going to need a few more than that. | 2:07:08 | 2:07:10 | |
Hey, Alfie. You're sure you don't know who's taking over? | 2:07:10 | 2:07:13 | |
I haven't asked and, quite frankly, I couldn't care less. | 2:07:13 | 2:07:16 | |
Gays are. Gays are what? Taking over. | 2:07:16 | 2:07:18 | |
What, you mean like taking over the world? No! In here. | 2:07:18 | 2:07:21 | |
The Vic. I've got it on good authority. | 2:07:21 | 2:07:24 | |
Pint, please, Alf. | 2:07:24 | 2:07:25 | |
Blimey. Pound a drink? How much cash you got left? | 2:07:27 | 2:07:31 | |
You know what they say, "If you can't beat 'em, join 'em." | 2:07:31 | 2:07:34 | |
Four vodkas and four bottles of beer. Yeah, all right. | 2:07:34 | 2:07:37 | |
Yes, yes. First drink's on the house, I know. Give us a sec. | 2:07:37 | 2:07:40 | |
So, did anyone see you? | 2:07:44 | 2:07:46 | |
No. I'm way too clever for that. | 2:07:46 | 2:07:49 | |
Oh, I know you are. | 2:07:49 | 2:07:50 | |
Hello, mate. All right? | 2:08:05 | 2:08:07 | |
Listen, don't think I don't appreciate you coming out today. | 2:08:07 | 2:08:10 | |
That goes for me and Alice. Joey, I'm afraid it's not good news. | 2:08:10 | 2:08:14 | |
Although Janine has been charged with murder, | 2:08:14 | 2:08:17 | |
Alice also pled guilty. | 2:08:17 | 2:08:19 | |
Right. It means Alice is still facing a murder charge. | 2:08:20 | 2:08:23 | |
No, no, cos I thought her confession would just be thrown out. | 2:08:25 | 2:08:28 | |
Look, we need to go to the judge and get him to accept a new plea. | 2:08:28 | 2:08:32 | |
But the prosecution will still try and prove | 2:08:32 | 2:08:36 | |
that Alice and Janine were acting together. | 2:08:36 | 2:08:39 | |
There's a long way to go yet. | 2:08:39 | 2:08:40 | |
I thought she was coming home. | 2:08:44 | 2:08:46 | |
Well, does someone want to start talking to me? | 2:08:46 | 2:08:48 | |
You, just get out of my sight. | 2:08:59 | 2:09:02 | |
Do you hear what I said, mate? What are you looking at her for? | 2:09:02 | 2:09:04 | |
I told you, get out my sight. Out! Get lost! Max... | 2:09:04 | 2:09:08 | |
This is my fault. It's me, not Lauren. | 2:09:08 | 2:09:10 | |
I tell you what, mate, why don't you go home, | 2:09:10 | 2:09:13 | |
go and see your wife and your daughter? Dad, stop! | 2:09:13 | 2:09:15 | |
Go and spend Boxing Day with your family. | 2:09:15 | 2:09:17 | |
Can I just talk to my dad, please? | 2:09:17 | 2:09:20 | |
That's great, Lauren. So, that's what you do now, | 2:09:33 | 2:09:35 | |
you chase around after married men twice your age. No, it's not like that. | 2:09:35 | 2:09:39 | |
I'm all sorted now, I'm loads better | 2:09:39 | 2:09:41 | |
and that's because of him, Dad. | 2:09:41 | 2:09:43 | |
Right. And what are you to him? | 2:09:45 | 2:09:47 | |
The same. | 2:09:49 | 2:09:50 | |
He's messed up. He's not happy, and his wife... His wife? | 2:09:51 | 2:09:56 | |
What are you going to tell me about his wife, Lauren? | 2:09:56 | 2:09:59 | |
Is it that his wife don't understand him? No. | 2:09:59 | 2:10:01 | |
No, she doesn't, actually. If he's so desperately unhappy, Lauren, why is he still with her? | 2:10:01 | 2:10:06 | |
Because... | 2:10:06 | 2:10:07 | |
Yeah, because? | 2:10:08 | 2:10:10 | |
No, go on, Lauren. I tell you what, you convince me that this is right | 2:10:12 | 2:10:15 | |
and I'll walk out that door and I won't say anything. | 2:10:15 | 2:10:18 | |
Right. Well, there you go. Don't say I didn't give you a chance, Lauren. Where are you going? | 2:10:24 | 2:10:29 | |
This stops, all right? One way or the other. | 2:10:29 | 2:10:31 | |
DOORBELL RINGS | 2:10:36 | 2:10:37 | |
Oh, hiya. David in? Yeah, why? | 2:10:37 | 2:10:39 | |
My sister isn't getting out of prison now, Carol, | 2:10:39 | 2:10:41 | |
and it's all his fault. All right, get up. | 2:10:41 | 2:10:44 | |
You having a laugh? With this arm? On your feet now. Come on. | 2:10:44 | 2:10:47 | |
Shut up. He kept that recording to himself and I want to know why. | 2:10:47 | 2:10:50 | |
Why did you do it, eh, David? How long did you know about it? | 2:10:50 | 2:10:54 | |
How long were you going to let my sister rot! Calm down. | 2:10:54 | 2:10:57 | |
How long, David?! That's enough. He's injured! For crying out loud. | 2:10:57 | 2:11:00 | |
I can't believe you're defending him. What? | 2:11:00 | 2:11:02 | |
You know what, I used to think you were smart, Carol. | 2:11:02 | 2:11:05 | |
But you're just as stupid as he needs you to be. Hark at him. | 2:11:05 | 2:11:08 | |
So, you want to ask him something, ask him now. There's no point now, is there? | 2:11:08 | 2:11:12 | |
Let's have a little chat, Joey. Nothing you say is true. Nothing you do is honest, is it? | 2:11:12 | 2:11:15 | |
Like father like son. He needs his head examined. | 2:11:18 | 2:11:22 | |
No, I'm the one who needs her head examined. Carol... | 2:11:22 | 2:11:24 | |
I should never have trusted you or let you in here. | 2:11:24 | 2:11:27 | |
What, you're going to chuck me out again? | 2:11:27 | 2:11:29 | |
No. By all means, you can stay, but... | 2:11:29 | 2:11:32 | |
know this - we're not together. | 2:11:32 | 2:11:34 | |
Max. Hi. Hi, you all right? | 2:11:48 | 2:11:50 | |
Yeah, good. | 2:11:50 | 2:11:51 | |
How was your Christmas? | 2:11:53 | 2:11:55 | |
Yeah, it was great, thanks. Do you want to come in? | 2:11:55 | 2:11:58 | |
No, no. No, thanks. No, just a flying visit. | 2:11:58 | 2:12:01 | |
Is Jake in, please? Yeah, he's just got back. | 2:12:01 | 2:12:03 | |
Great. Could you call him for me? Sure. Cheers. | 2:12:03 | 2:12:07 | |
Jake! | 2:12:09 | 2:12:10 | |
Bella wants you upstairs, love. Sure. | 2:12:22 | 2:12:26 | |
Listen, you go near my daughter again... | 2:12:35 | 2:12:38 | |
all this, your house, your wife, your daughter... | 2:12:38 | 2:12:43 | |
it'll be gone, because I'll finish it for you. Do you understand? | 2:12:43 | 2:12:46 | |
Do you understand what I'm saying to you? | 2:12:49 | 2:12:52 | |
Good. | 2:12:54 | 2:12:56 | |
It's over, Lauren. | 2:13:00 | 2:13:02 | |
Don't forget, my nan's going to give you that rub-down later. Hey, hey! | 2:13:21 | 2:13:25 | |
Bianca! | 2:13:33 | 2:13:35 | |
I had to get through 100 people to get to you. | 2:13:37 | 2:13:39 | |
I think I had sexual relations with half of them. | 2:13:39 | 2:13:43 | |
Look, Nikki's gone back to the flat so... | 2:13:43 | 2:13:46 | |
who knows, maybe she'll stay there and not come back. | 2:13:46 | 2:13:48 | |
You should join her. | 2:13:51 | 2:13:53 | |
Bianca, don't do this. There's nothing for you here, Terry. | 2:13:53 | 2:13:56 | |
# Step outside | 2:14:01 | 2:14:03 | |
# The summertime's in bloom | 2:14:03 | 2:14:05 | |
# Stand up beside the fireplace | 2:14:07 | 2:14:10 | |
# Take that look from off your face... # | 2:14:10 | 2:14:12 | |
I know what you want to say, but just don't bother. | 2:14:12 | 2:14:15 | |
Peter, it isn't me. It really isn't. | 2:14:15 | 2:14:17 | |
As long as you're happy, I couldn't give a monkeys what you do, but... | 2:14:17 | 2:14:20 | |
it's someone else, someone... | 2:14:20 | 2:14:23 | |
Who? | 2:14:23 | 2:14:25 | |
Are you talking about Phil? | 2:14:25 | 2:14:26 | |
Because he was fine about me and Lola. No, Peter, he's not. | 2:14:26 | 2:14:30 | |
It's just an act, OK? | 2:14:30 | 2:14:31 | |
He's told me exactly how he feels about it | 2:14:31 | 2:14:34 | |
and he's told me what he wants me to do about it. | 2:14:34 | 2:14:37 | |
Peter, please. He could walk through those doors any minute and see you two together. | 2:14:37 | 2:14:40 | |
I'm not just going to walk away from her. | 2:14:42 | 2:14:44 | |
I'm begging you, OK? I'm begging you. | 2:14:44 | 2:14:47 | |
Dad? | 2:14:51 | 2:14:53 | |
He will make all our lives hell. | 2:14:53 | 2:14:57 | |
He will not stop until he has split you and Lola up. | 2:14:57 | 2:15:01 | |
I have had over 20 years of him, 20 years! | 2:15:02 | 2:15:07 | |
Look at me. Do you want to end up like this? | 2:15:09 | 2:15:11 | |
What you going to do now? Must have a plan, right? | 2:15:18 | 2:15:21 | |
No, nothing after tomorrow. | 2:15:21 | 2:15:22 | |
Time's almost up, sweetheart. Is it? | 2:15:25 | 2:15:28 | |
Yeah. | 2:15:28 | 2:15:31 | |
The end of an era. Yeah. | 2:15:31 | 2:15:34 | |
# So, Sally can wait | 2:15:36 | 2:15:40 | |
# But don't look back in anger | 2:15:40 | 2:15:43 | |
# I heard you say... # | 2:15:43 | 2:15:45 | |
Bill, does Phil know about this? | 2:15:49 | 2:15:52 | |
Taking a wild guess, I'd say no. | 2:15:53 | 2:15:54 | |
This is going to be fun. | 2:16:01 | 2:16:02 | |
Well, I phoned my mum. Can you believe that? | 2:16:06 | 2:16:11 | |
Told me to get Alice and come home. | 2:16:11 | 2:16:13 | |
I suppose I can still do one of them things, eh? | 2:16:15 | 2:16:18 | |
I take it that you're leaving, then? Yeah. | 2:16:21 | 2:16:24 | |
Yeah, well, I ain't got nothing here for me now, have I? | 2:16:25 | 2:16:28 | |
Got no mates. | 2:16:28 | 2:16:30 | |
I don't trust no-one and you've got Jake now so... | 2:16:30 | 2:16:34 | |
I saw you kissing him. | 2:16:36 | 2:16:38 | |
He ain't the answer though, Lauren. You don't know that. | 2:16:40 | 2:16:43 | |
Well, I know enough to know that you aren't happy. | 2:16:43 | 2:16:46 | |
I mean, how can you be? You're sharing him with his wife. | 2:16:47 | 2:16:50 | |
Yeah, well, we're not together any more anyway. | 2:16:50 | 2:16:54 | |
Sorry. | 2:16:56 | 2:16:57 | |
You deserve better anyway. | 2:17:00 | 2:17:02 | |
I never stopped loving you, Lauren. | 2:17:07 | 2:17:10 | |
Never will. | 2:17:10 | 2:17:12 | |
Come with me. | 2:17:15 | 2:17:17 | |
What? It's too late for that. All you've got to do, Lauren, | 2:17:18 | 2:17:22 | |
is think about how good we were together... | 2:17:22 | 2:17:26 | |
what we had. | 2:17:26 | 2:17:28 | |
Please, Lauren, come with me. | 2:17:31 | 2:17:34 | |
Look, I'll be at the station in ten minutes, all right? | 2:17:40 | 2:17:43 | |
Hello, you. Come here. | 2:17:52 | 2:17:54 | |
What's the matter? | 2:17:55 | 2:17:57 | |
Look, it's been fun. But it's just not been fun enough. | 2:17:57 | 2:18:01 | |
What you talking about? | 2:18:01 | 2:18:03 | |
This. Us. | 2:18:03 | 2:18:05 | |
It was a mistake. | 2:18:07 | 2:18:08 | |
What do you mean it was a mistake? | 2:18:08 | 2:18:10 | |
Do you want me to spell it out for you? Yeah, yeah, I do, | 2:18:10 | 2:18:13 | |
cos five minutes ago you were fine. | 2:18:13 | 2:18:14 | |
It's just not going to work. | 2:18:14 | 2:18:17 | |
You're too young, | 2:18:17 | 2:18:18 | |
you've got a kid, | 2:18:18 | 2:18:20 | |
I'm not ready for that. | 2:18:20 | 2:18:23 | |
You said... | 2:18:23 | 2:18:24 | |
You said that didn't matter. Yeah, well, it does. Big time. | 2:18:24 | 2:18:28 | |
Joey! | 2:18:56 | 2:18:57 | |
Where's your bags? | 2:19:01 | 2:19:02 | |
I came to say goodbye. | 2:19:04 | 2:19:06 | |
Babe, I don't get it. | 2:19:11 | 2:19:14 | |
What's here for you, eh? | 2:19:15 | 2:19:18 | |
Right now, I don't know. | 2:19:20 | 2:19:22 | |
But...we would be together if it was right. | 2:19:24 | 2:19:28 | |
We would, wouldn't we, Joey? | 2:19:30 | 2:19:32 | |
But it isn't, is it? | 2:19:34 | 2:19:36 | |
No. | 2:19:40 | 2:19:41 | |
Right. OK. | 2:19:46 | 2:19:50 | |
I suppose this is it then, yeah? | 2:19:50 | 2:19:52 | |
I'm really going to miss you. | 2:19:56 | 2:19:58 | |
Make sure it goes your way, yeah? | 2:20:14 | 2:20:17 | |
BELL RINGS | 2:20:35 | 2:20:37 | |
Can I just have your attention, please? | 2:20:37 | 2:20:39 | |
Just to let you know that | 2:20:39 | 2:20:40 | |
me and Kat are going to be slipping off into the night - | 2:20:40 | 2:20:43 | |
or day, should I say. | 2:20:43 | 2:20:44 | |
I just want to say, from the bottom of our hearts, | 2:20:44 | 2:20:46 | |
it's been something else and God bless you all. Thank you. | 2:20:46 | 2:20:49 | |
CHEERING | 2:20:49 | 2:20:52 | |
What do you think? | 2:21:27 | 2:21:30 | |
Do you like it? | 2:21:30 | 2:21:32 | |
Call yourself a Mitchell, eh? | 2:21:34 | 2:21:36 | |
It's different. | 2:21:40 | 2:21:41 | |
Come on. Out. Everyone, out. | 2:21:45 | 2:21:49 | |
You're like an angry sheepdog, rounding everyone up. | 2:21:49 | 2:21:51 | |
You, out. Come on. Out. | 2:21:51 | 2:21:54 | |
Out. Leave her alone! Out. Out. Don't worry, Shirley. | 2:21:54 | 2:21:57 | |
I'm sure you'll be next. | 2:21:57 | 2:21:58 | |
You know, Peroxide, I get it, I really do. | 2:21:58 | 2:22:02 | |
Well, up yours, Queen Vic! | 2:22:02 | 2:22:05 | |
Come on. Out! Out! | 2:22:06 | 2:22:08 | |
And you. Out. | 2:22:08 | 2:22:10 | |
I haven't finished me drink yet. How many times, Shirley? Get out. | 2:22:10 | 2:22:13 | |
Come on. Out. What is that? Where has that come from? | 2:22:13 | 2:22:15 | |
This is no way to treat a lady. Just get out. How would you know, Shirley? Is there a problem? | 2:22:15 | 2:22:20 | |
Just chucking out the rubbish. Come on. Out, Shirley. Out. | 2:22:20 | 2:22:22 | |
Wasn't talking to you. | 2:22:22 | 2:22:24 | |
You all right? | 2:22:24 | 2:22:25 | |
You know her? | 2:22:25 | 2:22:28 | |
Everybody... | 2:22:28 | 2:22:29 | |
..meet the new owner of the Vic. | 2:22:30 | 2:22:33 | |
Phil... | 2:22:38 | 2:22:39 | |
meet Mick... | 2:22:39 | 2:22:42 | |
my brother. | 2:22:42 | 2:22:43 | |
DOG GROWLS | 2:22:47 | 2:22:49 | |
Mick, don't. | 2:23:03 | 2:23:05 | |
Mick! | 2:23:06 | 2:23:07 | |
That ain't me. | 2:23:09 | 2:23:09 | |
We really DO need to get an alarm clock. | 2:23:14 | 2:23:16 | |
Come on, then. There's a good girl. Come on. | 2:23:19 | 2:23:22 | |
Come on, then, big jump. | 2:23:22 | 2:23:24 | |
Yes! Good girl. | 2:23:24 | 2:23:26 | |
Make yourself at home, then. | 2:23:26 | 2:23:28 | |
So, this is it, L. | 2:23:31 | 2:23:32 | |
First day of the rest of our lives. | 2:23:34 | 2:23:36 | |
BANGING ON DOOR | 2:23:36 | 2:23:37 | |
Who on earth's that? | 2:23:37 | 2:23:39 | |
What the hell? Yeah... | 2:23:42 | 2:23:44 | |
there was something I forgot to tell you. | 2:23:44 | 2:23:46 | |
They definitely know we're moving in? Yes! | 2:23:50 | 2:23:53 | |
Why aren't they opening the door? | 2:23:53 | 2:23:55 | |
I couldn't say no to 'em. If it wasn't for Shirley, we wouldn't even be here. | 2:24:00 | 2:24:03 | |
A thank you card would've been enough. | 2:24:03 | 2:24:04 | |
Tina, big tick, she can live here. | 2:24:04 | 2:24:07 | |
But Shirley, there's no flaming way! | 2:24:07 | 2:24:08 | |
So I let one of them move in, and the other one... | 2:24:08 | 2:24:11 | |
Finds what shelter she can. | 2:24:11 | 2:24:13 | |
Well, that's just not an option. | 2:24:13 | 2:24:14 | |
Then I'm out of here. | 2:24:14 | 2:24:16 | |
L... | 2:24:17 | 2:24:19 | |
I am, Mick, I am gone. | 2:24:19 | 2:24:20 | |
BANGING ON DOOR | 2:24:21 | 2:24:23 | |
'We're getting pneumonia out here!' | 2:24:23 | 2:24:25 | |
Hear me out. | 2:24:27 | 2:24:28 | |
I wanted this pub because I want my sisters with me, L. | 2:24:35 | 2:24:39 | |
I haven't had that in years. | 2:24:39 | 2:24:41 | |
So, if you're going to be mad, you be mad at me. I am mad at you. | 2:24:43 | 2:24:46 | |
I mean proper mad. | 2:24:46 | 2:24:47 | |
I mean like chucking cups and plates mad. | 2:24:47 | 2:24:50 | |
Well, how about a frying pan round the head? | 2:24:50 | 2:24:52 | |
Yeah, if it helps. But we do have a pub to open. | 2:24:52 | 2:24:54 | |
It might be a bit difficult pulling pints from a hospital bed. | 2:24:54 | 2:24:57 | |
BANGING ON DOOR | 2:25:00 | 2:25:03 | |
I get how you feel, I do. | 2:25:03 | 2:25:05 | |
But I need you to get how I feel as well. | 2:25:07 | 2:25:10 | |
It's important. They're important to me. | 2:25:10 | 2:25:13 | |
What's she going to do here, though? | 2:25:14 | 2:25:16 | |
You put her behind the bar, people'll run a mile. | 2:25:16 | 2:25:19 | |
BANGING ON DOOR | 2:25:19 | 2:25:20 | |
BANGING ON DOOR | 2:25:24 | 2:25:25 | |
All right, I'm coming. | 2:25:25 | 2:25:27 | |
Morning, Johnny! | 2:25:40 | 2:25:42 | |
Oh, hi... | 2:25:42 | 2:25:44 | |
Be a little prince, fetch them bags in. You...what? | 2:25:44 | 2:25:49 | |
We've come to stay. Oh. | 2:25:49 | 2:25:53 | |
Oi, Mick! | 2:25:53 | 2:25:54 | |
They're inside! They've broken in! Easy, L, easy. | 2:25:54 | 2:25:56 | |
A new start, you said, a new adventure. | 2:25:56 | 2:25:58 | |
As long as I've got you and you've got me we can do anything. | 2:25:58 | 2:26:01 | |
After all she's done? She stole money from us... | 2:26:01 | 2:26:03 | |
And I spoke to her and that will never happen again. | 2:26:03 | 2:26:06 | |
She will make it up to us. I'll have her cleaning out the khazis or something. | 2:26:06 | 2:26:09 | |
Here's the deal. | 2:26:12 | 2:26:14 | |
The minute it goes wrong, and it WILL go wrong, you need to step up. | 2:26:14 | 2:26:19 | |
You know I will. | 2:26:20 | 2:26:22 | |
Nothing damages us, that's the bottom line here. | 2:26:32 | 2:26:35 | |
Smile? Check. | 2:26:37 | 2:26:39 | |
Happy eyes? Check. | 2:26:39 | 2:26:42 | |
Let's go. | 2:26:42 | 2:26:43 | |
Hello! Welcome, one and all. | 2:26:47 | 2:26:49 | |
For a second there, we thought you might change your mind. | 2:26:49 | 2:26:51 | |
Us? Never. | 2:26:51 | 2:26:54 | |
So, the good news, there's room for both of you. | 2:26:54 | 2:26:58 | |
The bad news is it's in the same room. | 2:26:58 | 2:27:02 | |
Listen, we need the other room just in case Nancy ever shows up. | 2:27:02 | 2:27:06 | |
I wouldn't hold my breath. | 2:27:06 | 2:27:08 | |
Oi, never say never. | 2:27:08 | 2:27:10 | |
So here we are. | 2:27:12 | 2:27:14 | |
The Carters, the Vic. | 2:27:14 | 2:27:17 | |
And Lady Di. | 2:27:20 | 2:27:21 | |
Oh, Lady Di. Hello, girl. | 2:27:21 | 2:27:26 | |
Hello. | 2:27:26 | 2:27:28 | |
I can't believe you let her, Phil. | 2:27:52 | 2:27:54 | |
I can't believe you let that nasty, evil cow take over my old home. | 2:27:54 | 2:27:57 | |
I mean, how could you? Surely you heard the name Carter? | 2:27:57 | 2:28:01 | |
Well, there's millions of Carters, ain't there? | 2:28:01 | 2:28:03 | |
Anyway, you're the one who told me I was well rid of it. | 2:28:03 | 2:28:05 | |
Yeah, but this is Shirley! | 2:28:05 | 2:28:06 | |
You should be dragging the lot of them out of there. | 2:28:06 | 2:28:09 | |
Toast, dear? | 2:28:16 | 2:28:17 | |
Don't mind if I do, dear. | 2:28:17 | 2:28:19 | |
Don't encourage it. | 2:28:23 | 2:28:24 | |
It's a "she". It's an "it". | 2:28:24 | 2:28:26 | |
You ignore her. | 2:28:27 | 2:28:29 | |
Don't you take any notice of her, you beautiful girl. | 2:28:29 | 2:28:32 | |
Don't you let anybody tell you any different. | 2:28:32 | 2:28:34 | |
MUSIC: "Wonderwall" by Oasis | 2:28:34 | 2:28:37 | |
You glad you came? | 2:28:52 | 2:28:53 | |
I couldn't be happier. | 2:28:56 | 2:28:58 | |
Once I've unpacked all this lot. | 2:28:58 | 2:29:01 | |
What about Linda? | 2:29:02 | 2:29:03 | |
Crying with joy. | 2:29:03 | 2:29:05 | |
Well, the main thing is that you're here. | 2:29:08 | 2:29:11 | |
Yeah. | 2:29:11 | 2:29:12 | |
We've got a lot of catching up to do, Shirl. | 2:29:15 | 2:29:17 | |
I know. | 2:29:20 | 2:29:21 | |
I love this song! | 2:29:24 | 2:29:26 | |
Save your energy, Teen. | 2:29:26 | 2:29:28 | |
We've got a lot to do before opening time, all right? | 2:29:28 | 2:29:31 | |
You're at uni, you should know how to fix these things. | 2:29:31 | 2:29:33 | |
It's just the wi-fi playing up, give it a minute. | 2:29:33 | 2:29:36 | |
I need to Skype Lee. | 2:29:36 | 2:29:37 | |
He still out in Iraq, then? | 2:29:37 | 2:29:39 | |
He's in Afghanistan. | 2:29:39 | 2:29:40 | |
Same thing. | 2:29:40 | 2:29:42 | |
Right, well, now that we're all together, | 2:29:44 | 2:29:47 | |
I brought a little something for us to celebrate with. | 2:29:47 | 2:29:50 | |
Aw, that's lovely, that is. | 2:29:50 | 2:29:52 | |
Shall we open it now, before it goes stale? | 2:29:52 | 2:29:54 | |
So, which one's Patty and which one's Selma? | 2:29:56 | 2:29:58 | |
The Simpsons. | 2:30:00 | 2:30:02 | |
Oh, never mind. | 2:30:02 | 2:30:03 | |
Right, stand back. Clear a little space, clear a little space. | 2:30:05 | 2:30:08 | |
OK, right. | 2:30:08 | 2:30:09 | |
As of 11am today, there is to be a new world order. | 2:30:11 | 2:30:17 | |
The Age of the Carters is upon us. | 2:30:18 | 2:30:22 | |
Are you ready for this? This is massive. Are you ready? | 2:30:23 | 2:30:26 | |
Right, then, three, two, one! | 2:30:26 | 2:30:29 | |
Welcome to Walford! | 2:30:33 | 2:30:35 | |
Careful. | 2:30:41 | 2:30:42 | |
Not working today? | 2:30:44 | 2:30:46 | |
Nope. | 2:30:46 | 2:30:48 | |
Does your dad know that? | 2:30:48 | 2:30:49 | |
Look, I'm not in the mood. | 2:30:49 | 2:30:51 | |
If you must know, me and Lola broke up yesterday. | 2:30:52 | 2:30:56 | |
BANGING ON DOOR | 2:30:56 | 2:30:57 | |
That's a shame. | 2:30:57 | 2:30:58 | |
Don't start. | 2:30:58 | 2:30:59 | |
Hello. Hey, trouble. | 2:31:03 | 2:31:05 | |
All right, so where have you been? | 2:31:05 | 2:31:07 | |
Oh, I had to go to my mum and dad's. | 2:31:08 | 2:31:11 | |
You know, duty calls and all that. | 2:31:11 | 2:31:12 | |
So, you couldn't answer your phone? | 2:31:12 | 2:31:14 | |
Well, it was one of them Christmases, weren't it? | 2:31:14 | 2:31:17 | |
Staring at the telly waiting for it to finish. | 2:31:17 | 2:31:19 | |
But I did get you a little something, though. | 2:31:19 | 2:31:21 | |
I meant to give it to you before, but... | 2:31:24 | 2:31:26 | |
So, do you like it? | 2:31:28 | 2:31:30 | |
I love it. | 2:31:30 | 2:31:32 | |
What's the matter with him? Santa not good to him this year? | 2:31:39 | 2:31:42 | |
Darling, Peter is an idiot. | 2:31:42 | 2:31:45 | |
Don't call Peter an idiot. | 2:31:45 | 2:31:46 | |
Thought you hated him now. | 2:31:46 | 2:31:48 | |
Yes, I do! But... | 2:31:48 | 2:31:49 | |
but I don't. Pops, why has he done this to me? | 2:31:49 | 2:31:52 | |
Brilliant. I haven't even got Janine's password. | 2:31:52 | 2:31:54 | |
SHE SCOFFS | 2:31:54 | 2:31:56 | |
Lo! Darling, I didn't mean... | 2:31:56 | 2:31:58 | |
Hello, you all right? All right, mate, yeah. | 2:32:01 | 2:32:03 | |
You open? Yeah, just logging on. What can I help you with? | 2:32:03 | 2:32:06 | |
I'm looking for a flat. | 2:32:06 | 2:32:07 | |
Anywhere in mind? | 2:32:07 | 2:32:08 | |
Yeah. | 2:32:08 | 2:32:09 | |
Right here. | 2:32:09 | 2:32:11 | |
You're wasting your time. | 2:32:17 | 2:32:19 | |
Where's Denise? | 2:32:20 | 2:32:21 | |
Day off. | 2:32:21 | 2:32:22 | |
So open up. | 2:32:22 | 2:32:24 | |
I don't work here any more. I'm in the Vic now. | 2:32:24 | 2:32:27 | |
Do you know it? | 2:32:27 | 2:32:29 | |
Oh, course you do, you used to live there, right? | 2:32:29 | 2:32:32 | |
I bet you still miss it. | 2:32:32 | 2:32:34 | |
Well, don't you worry your pouty little head, | 2:32:34 | 2:32:37 | |
cos it's in safe hands now. | 2:32:37 | 2:32:38 | |
It won't last, Shirley. You'll blow it, just like you blow everything. | 2:32:46 | 2:32:51 | |
Oh, here he is, Tweedledum. | 2:32:58 | 2:33:00 | |
Go on, have a go. Get it over with. | 2:33:00 | 2:33:02 | |
You done me a favour. Glad to be shot of it. | 2:33:02 | 2:33:04 | |
You keep telling yourself that. | 2:33:04 | 2:33:06 | |
Kat and Alfie was the problem, not you. | 2:33:06 | 2:33:08 | |
Right, let me get this straight, I'm serving behind the bar, | 2:33:08 | 2:33:11 | |
you come in and ask for an orange juice and then what? | 2:33:11 | 2:33:14 | |
Then I drink it. | 2:33:14 | 2:33:16 | |
And if I like the service, I'll order some crisps. | 2:33:16 | 2:33:19 | |
No, my life is looking really good. | 2:33:29 | 2:33:32 | |
We're just getting ready for opening now. | 2:33:32 | 2:33:35 | |
Of course I miss my mother-in-law. Don't be so stupid. | 2:33:35 | 2:33:40 | |
Elaine, you don't live that far. | 2:33:40 | 2:33:43 | |
You can come and visit us, whenever you want. | 2:33:43 | 2:33:46 | |
We... No, we was getting on top of each other at the other place, | 2:33:46 | 2:33:50 | |
you even said that yourself. | 2:33:50 | 2:33:51 | |
Listen, the only reason we know how to run a pub is | 2:33:53 | 2:33:55 | |
cos of what we learned from you. | 2:33:55 | 2:33:56 | |
Linda would tell you that herself, she will. | 2:33:56 | 2:34:00 | |
If she was about she would. Course she would. | 2:34:00 | 2:34:03 | |
Anyway, you keep your advice coming and I've got to go | 2:34:03 | 2:34:09 | |
cos I've got to crack on. | 2:34:09 | 2:34:10 | |
But we love you and I'll speak to you soon. | 2:34:10 | 2:34:13 | |
All right. Ta-ta. | 2:34:13 | 2:34:14 | |
We do know what we're doing. Yeah, I was just being polite. | 2:34:14 | 2:34:17 | |
So, let's all prove to ourselves we can do this. | 2:34:17 | 2:34:20 | |
Cos that clock is ticking. | 2:34:20 | 2:34:21 | |
Mick, look. | 2:34:21 | 2:34:23 | |
West Ham? It's a sign. | 2:34:23 | 2:34:25 | |
It's a signed sign. | 2:34:25 | 2:34:26 | |
It's a signed sign. | 2:34:26 | 2:34:27 | |
Kat and Alfie's probably turned 'em off. | 2:34:30 | 2:34:33 | |
Right, well, I'm going to nip down to the cellar. All right. | 2:34:33 | 2:34:36 | |
Oh, sorry, love. We're not open yet. | 2:34:37 | 2:34:40 | |
I work here. | 2:34:40 | 2:34:41 | |
Sit down a sec, love. Yeah. | 2:34:43 | 2:34:47 | |
There ain't a pretty way of saying this | 2:34:52 | 2:34:55 | |
but we won't actually be needing anyone. | 2:34:55 | 2:34:58 | |
Thing is, we've always done it ourselves, and, | 2:34:58 | 2:35:00 | |
well, now Mick's sisters are here, | 2:35:00 | 2:35:02 | |
so we're pretty much covered bar-wise. But I've been working... | 2:35:02 | 2:35:04 | |
Obviously we'll pay you to the end of the week. | 2:35:04 | 2:35:07 | |
And, please, do come in. Don't... Don't be a stranger and all that. | 2:35:07 | 2:35:13 | |
How rude was that? You can't get rid of her. | 2:35:13 | 2:35:17 | |
That's like the ravens leaving the Tower of London. | 2:35:17 | 2:35:19 | |
What's that mean? The Vic's going to fall on our heads now? | 2:35:19 | 2:35:22 | |
I don't believe this. We've got an hour and a half before we open | 2:35:22 | 2:35:25 | |
and I don't think we've got any beer. See? Ravens. | 2:35:25 | 2:35:27 | |
DOOR CLOSES | 2:35:35 | 2:35:36 | |
You all right? Yeah. | 2:35:39 | 2:35:41 | |
This Dracula chair's got to go. It gives me the creeps. | 2:35:41 | 2:35:44 | |
You heard from Joey? No. I phoned him, texted him. Nothing. | 2:35:44 | 2:35:48 | |
But he said he was going, so I suppose he's gone. | 2:35:48 | 2:35:50 | |
Poor kid. | 2:35:50 | 2:35:51 | |
We still need to move things around. Later, yeah? | 2:35:54 | 2:35:58 | |
Handed the keys back. | 2:36:01 | 2:36:03 | |
Come on, Alfie. Endings are just beginnings and all that. | 2:36:09 | 2:36:14 | |
Yeah, but what do we do? Seriously, what do we do now, yeah? | 2:36:15 | 2:36:19 | |
We've got a baby on the way. | 2:36:21 | 2:36:23 | |
And all we've got to do is make sure that he or she | 2:36:23 | 2:36:26 | |
wakes up in a world that you've made brilliant. | 2:36:26 | 2:36:29 | |
So come on. Get up and make it happen. | 2:36:30 | 2:36:33 | |
Right, yeah. Come on. | 2:36:36 | 2:36:38 | |
Oi. | 2:36:46 | 2:36:47 | |
Where you going? Sales. | 2:36:50 | 2:36:51 | |
And you've got to tiptoe to those, do you? | 2:36:53 | 2:36:56 | |
Yes. She's fallen asleep in there. I didn't want to wake her. | 2:36:56 | 2:37:00 | |
Oh. What you after? | 2:37:00 | 2:37:03 | |
What do you think? A bargain. | 2:37:03 | 2:37:04 | |
DOOR OPENS | 2:37:36 | 2:37:38 | |
Forgot my purse. | 2:37:38 | 2:37:39 | |
Oh. | 2:37:42 | 2:37:43 | |
Since when were you so loaded? | 2:37:43 | 2:37:45 | |
The barrels are empty. All of 'em. | 2:37:48 | 2:37:50 | |
How many people were drinking in here yesterday? A million? | 2:37:50 | 2:37:54 | |
Well, the Moons had a deal on. It was a pound a drink. | 2:37:54 | 2:37:57 | |
Now she tells us. | 2:37:57 | 2:37:58 | |
And hang on a minute - weren't you one of those people? | 2:37:58 | 2:38:01 | |
Tina was there an' all. So what do we do now? | 2:38:01 | 2:38:03 | |
You're almost out of spirits. Same with the snacks. | 2:38:03 | 2:38:06 | |
You work in a supermarket... Worked. | 2:38:06 | 2:38:08 | |
..can't you grab us some stuff? | 2:38:08 | 2:38:09 | |
We'll need it on tick though. You can do that for us, right? | 2:38:09 | 2:38:12 | |
I don't work there any more. I chucked it in earlier. | 2:38:12 | 2:38:14 | |
Outstanding! Really and truly. | 2:38:14 | 2:38:16 | |
I didn't know it was going to happen, did I? | 2:38:16 | 2:38:18 | |
Mick, time to step up. Bye, Shirley. | 2:38:18 | 2:38:21 | |
It's not my fault, is it? | 2:38:21 | 2:38:23 | |
You're bad luck. Always have been, always will be. | 2:38:23 | 2:38:25 | |
I tell you what, Linda, why don't you go and talk to Lee | 2:38:25 | 2:38:27 | |
and when you get back I will have this sorted. | 2:38:27 | 2:38:29 | |
Her or the pub? | 2:38:29 | 2:38:31 | |
Just...give him our love, yeah? | 2:38:31 | 2:38:34 | |
DOOR SLAMS | 2:38:39 | 2:38:40 | |
If you've got any bright ideas, now's the time. | 2:38:40 | 2:38:43 | |
Look at this. I could be a white van man | 2:38:45 | 2:38:47 | |
or hold up the golf sign in the high street. | 2:38:47 | 2:38:49 | |
You'll be all right. Something will come up. | 2:38:49 | 2:38:52 | |
Ah, is he moaning? Didn't have to be this way. | 2:38:52 | 2:38:57 | |
Right, where are you? I haven't got all day, have I? | 2:39:01 | 2:39:05 | |
Carl, you were meant to be here ten minutes ago. | 2:39:05 | 2:39:07 | |
Dad. Yeah? | 2:39:07 | 2:39:10 | |
You might want to look at this. What? | 2:39:10 | 2:39:12 | |
Where'd you get that? | 2:39:16 | 2:39:18 | |
You remember that camping trip? Yeah. | 2:39:18 | 2:39:20 | |
Well, ten grand went missing. | 2:39:20 | 2:39:23 | |
Cindy took it. | 2:39:23 | 2:39:25 | |
Cindy? | 2:39:25 | 2:39:26 | |
Dad, it's Phil's money. | 2:39:26 | 2:39:28 | |
Wi-fi's down. Looking for a signal. | 2:39:42 | 2:39:46 | |
Come on, Denny. Loving this place(!) | 2:39:46 | 2:39:50 | |
Did you say something? I'm loving the way you're so kind and helpful. | 2:39:50 | 2:39:53 | |
It warms the cockles, really. | 2:39:53 | 2:39:55 | |
I couldn't be happier knowing I have such fine upstanding neighbours(!) | 2:39:55 | 2:39:58 | |
So move, then. You're a sweetheart, ain't you? | 2:39:58 | 2:40:01 | |
All I need is a bit of wi-fi. | 2:40:01 | 2:40:03 | |
My eldest boy goes out on patrol in ten minutes. | 2:40:03 | 2:40:07 | |
Wait. No, forget it. I'll try shouting, he might still hear me. | 2:40:07 | 2:40:10 | |
Save your voice, we've got wi-fi. | 2:40:10 | 2:40:13 | |
Your cockles warmed yet? | 2:40:15 | 2:40:16 | |
Where the hell is she? I'm going to throttle her. Forget Cindy. | 2:40:21 | 2:40:23 | |
The main thing is you need to give that money back to Phil. | 2:40:23 | 2:40:26 | |
And you need to tell him that you found it. I can't do that. | 2:40:26 | 2:40:29 | |
Why not? | 2:40:29 | 2:40:31 | |
If I do that it'll all kick off again. | 2:40:31 | 2:40:33 | |
You do realise that Dexter's been paying that back. | 2:40:33 | 2:40:36 | |
We all have, bit by bit. | 2:40:36 | 2:40:37 | |
Just scraping it together, doing whatever we can. | 2:40:37 | 2:40:41 | |
I'm sorry, Peter, that's just the way it's got to be. | 2:40:41 | 2:40:43 | |
We never saw this money before. | 2:40:43 | 2:40:46 | |
So I do you a favour and then I just get nothing in return? | 2:40:46 | 2:40:50 | |
No wonder Phil hates you! | 2:40:50 | 2:40:52 | |
All right? All right? | 2:40:55 | 2:40:56 | |
Right then, Mr Moon. | 2:40:59 | 2:41:00 | |
What wild and crazy idea you got to rock my world? | 2:41:00 | 2:41:04 | |
Take your pick, sweetheart. | 2:41:04 | 2:41:05 | |
We've been knocking on your door. | 2:41:05 | 2:41:07 | |
You left this behind. | 2:41:10 | 2:41:11 | |
But that's not the reason we're looking for you. | 2:41:11 | 2:41:13 | |
Shirl, just let me. | 2:41:13 | 2:41:15 | |
So... I was thinking, how do I play this? | 2:41:15 | 2:41:21 | |
Do I try tears? Do I sit here bawling my eyes out | 2:41:21 | 2:41:25 | |
cos there's no beer in the barrels? Or do I come to you | 2:41:25 | 2:41:27 | |
and hope you're decent people and ask for your help? | 2:41:27 | 2:41:31 | |
And you thought a football shirt would ease the way? | 2:41:32 | 2:41:35 | |
No. | 2:41:35 | 2:41:36 | |
It is West Ham. Come on, Alfie! You owe Mick. | 2:41:38 | 2:41:40 | |
You drained the Vic dry. Shirl. | 2:41:40 | 2:41:43 | |
I know how you feel, and I would be the exact same, | 2:41:45 | 2:41:48 | |
but from one West Ham fan to another, I need help. | 2:41:48 | 2:41:52 | |
Sorry, we're out of that game now. | 2:41:56 | 2:41:58 | |
All right, you've got contacts though, right, we know that! | 2:41:58 | 2:42:01 | |
Fair enough. I thought it was a long shot. | 2:42:04 | 2:42:08 | |
Look, you got any problems, right, they're with Phil, not with us. | 2:42:08 | 2:42:11 | |
Shirl, Shirl. When I say, "Keep schtum, I'll handle it," | 2:42:11 | 2:42:14 | |
what exactly do you think I mean by that? | 2:42:14 | 2:42:16 | |
Oh, and you call that handling it? | 2:42:16 | 2:42:19 | |
Like we ain't got enough to think about, eh? | 2:42:21 | 2:42:24 | |
TV: 'It's one of the things that frightens people in the world | 2:42:30 | 2:42:33 | |
'more than anything. There's no way I can go home without...' | 2:42:33 | 2:42:37 | |
I remember mine being that age. | 2:42:37 | 2:42:40 | |
Can't believe they're grown up now. | 2:42:40 | 2:42:42 | |
Well, Johnny almost is. | 2:42:42 | 2:42:44 | |
COMPUTER BEEPS | 2:42:44 | 2:42:46 | |
Right, there you go. | 2:42:46 | 2:42:48 | |
Denny, come and have a look at this. Linda's son's a soldier. | 2:42:48 | 2:42:52 | |
Not that I'm ever going to let you be one, mind. | 2:42:52 | 2:42:54 | |
Come on, darling. | 2:42:54 | 2:42:56 | |
TV CHATTERS IN BACKGROUND | 2:42:56 | 2:42:58 | |
SHE GASPS | 2:43:13 | 2:43:15 | |
Hello, darling. Happy Christmas! | 2:43:15 | 2:43:17 | |
Did you get your Christmas dinner? | 2:43:20 | 2:43:23 | |
Ours was awful. I burnt the turkey! | 2:43:23 | 2:43:26 | |
Phil, I need a favour. | 2:43:31 | 2:43:33 | |
No, don't laugh. The Vic is drier than a desert. | 2:43:33 | 2:43:37 | |
You must have some contacts or mates that can help. | 2:43:37 | 2:43:40 | |
It's not really my world any more. | 2:43:40 | 2:43:42 | |
Well, the R's got plenty of booze. | 2:43:42 | 2:43:44 | |
Sharon would rather drink it herself than let you have any of it. | 2:43:44 | 2:43:47 | |
Oh, so this is you now, is it? | 2:43:47 | 2:43:49 | |
What do you mean? | 2:43:49 | 2:43:51 | |
Well, what happened to, "I don't care," earlier? | 2:43:51 | 2:43:53 | |
Still stands. | 2:43:53 | 2:43:55 | |
Well, then pull your finger out and help me. I want to show that | 2:43:55 | 2:43:58 | |
stuck-up sister-in-law of mine what I'm made of. | 2:43:58 | 2:44:00 | |
And how am I going to explain that to Sharon, eh? | 2:44:00 | 2:44:02 | |
Explain? You? | 2:44:02 | 2:44:04 | |
I'm sorry, I thought I was talking to Phil Mitchell, | 2:44:04 | 2:44:08 | |
not Colonel Wimp. | 2:44:08 | 2:44:09 | |
All right, you, be safe. Don't be a hero. | 2:44:11 | 2:44:15 | |
We all love you. Bye. | 2:44:15 | 2:44:18 | |
You all done? | 2:44:31 | 2:44:32 | |
Yeah, thanks. And I'm sorry for mouthing off. | 2:44:32 | 2:44:36 | |
Crowface turned up this morning. Threw me a bit. | 2:44:36 | 2:44:39 | |
Crowface? | 2:44:39 | 2:44:41 | |
Shirley. But you didn't hear me say that. | 2:44:41 | 2:44:44 | |
Oh, so you two don't get on, then? | 2:44:44 | 2:44:46 | |
We have major history. She's done things you wouldn't believe. | 2:44:46 | 2:44:50 | |
She's done plenty round here an' all. | 2:44:50 | 2:44:52 | |
Not like this, she hasn't. | 2:44:52 | 2:44:54 | |
If I could put a continent between us, I would. | 2:44:54 | 2:44:58 | |
You take my advice, steer well clear. | 2:44:58 | 2:45:00 | |
You don't know the half of that woman. | 2:45:00 | 2:45:03 | |
Yes. | 2:45:03 | 2:45:06 | |
Home, sweet home. | 2:45:06 | 2:45:07 | |
Yeah, see, Phil ain't winning any more. | 2:45:07 | 2:45:09 | |
You want to get in there now, do you? | 2:45:16 | 2:45:18 | |
You should've thought about that. | 2:45:18 | 2:45:19 | |
How about I use your head to open that door? | 2:45:19 | 2:45:21 | |
Not in the Vic? It's almost opening time. | 2:45:21 | 2:45:24 | |
Or is it going wrong already? | 2:45:24 | 2:45:25 | |
SHARON LAUGHS | 2:45:25 | 2:45:27 | |
And how long did that last, Shirley? An hour? | 2:45:27 | 2:45:31 | |
You're pathetic. | 2:45:31 | 2:45:32 | |
PHONE RINGS | 2:45:35 | 2:45:37 | |
Yeah? | 2:45:41 | 2:45:42 | |
Here. This was on the floor this morning. | 2:45:50 | 2:45:52 | |
Let's just get the pub open, yeah? | 2:45:57 | 2:45:59 | |
Yeah. You'll be lucky. Auntie Shirley was right, weren't she? | 2:45:59 | 2:46:03 | |
About the ravens? | 2:46:03 | 2:46:04 | |
Listen, you're meant to be a smart boy. | 2:46:04 | 2:46:07 | |
Who in their right mind would believe that? | 2:46:07 | 2:46:09 | |
It was all a bit hasty and we'd love you to stay working here. | 2:46:09 | 2:46:12 | |
KNOCKING | 2:46:14 | 2:46:15 | |
ALFIE: Anyone home? I've got some booze and crisps out here. | 2:46:15 | 2:46:18 | |
Mum, you've got it going on. | 2:46:21 | 2:46:23 | |
Come on, the Hammers! | 2:46:30 | 2:46:33 | |
Where'd you get this? I'm just that type of bloke, ain't I? | 2:46:33 | 2:46:35 | |
So can you get hold of anything? | 2:46:35 | 2:46:37 | |
Absolutely. What you got in mind, young man? | 2:46:37 | 2:46:38 | |
Exam papers would go down a treat. Along with the answers. | 2:46:38 | 2:46:41 | |
Listen to him. | 2:46:41 | 2:46:42 | |
Mick Carter. | 2:46:42 | 2:46:44 | |
Alfie Moon. | 2:46:45 | 2:46:47 | |
What changed your mind? | 2:46:47 | 2:46:48 | |
I think it's called moving on. | 2:46:52 | 2:46:54 | |
There you go, Mick. There's one there for you. | 2:46:54 | 2:46:58 | |
So, do you get down the Hammers much? | 2:46:58 | 2:47:00 | |
Yeah, love it. Love it. | 2:47:00 | 2:47:01 | |
You could...stay at mine. On the sofa. | 2:47:02 | 2:47:08 | |
And then we could go out first thing and start looking for jobs. | 2:47:08 | 2:47:12 | |
Well, it'd certainly beat dossing on my mate's floor. | 2:47:12 | 2:47:15 | |
That is if your dad doesn't mind. | 2:47:15 | 2:47:17 | |
He'll do what I tell him. | 2:47:19 | 2:47:20 | |
It'd only be for a few days anyway. | 2:47:22 | 2:47:24 | |
If nothing comes up I'll probably move on. | 2:47:24 | 2:47:26 | |
Something will come up. | 2:47:28 | 2:47:29 | |
I hope so. I'm starting to enjoy myself here. | 2:47:31 | 2:47:35 | |
It's on the house. | 2:47:44 | 2:47:45 | |
SHE SIGHS | 2:47:51 | 2:47:52 | |
So, how much do you need? | 2:47:59 | 2:48:01 | |
Everything you've got. | 2:48:01 | 2:48:02 | |
That place has got to be open in ten minutes. | 2:48:02 | 2:48:04 | |
Well, you know what they say, don't you? | 2:48:04 | 2:48:06 | |
One good turn deserves another. | 2:48:06 | 2:48:09 | |
What did you have in mind? | 2:48:11 | 2:48:12 | |
Ron? Amy? | 2:48:18 | 2:48:21 | |
DOOR CLOSES | 2:48:21 | 2:48:24 | |
RONNIE: Let's put the bags down, shall we? | 2:48:24 | 2:48:27 | |
Hi. Hey. Hi. | 2:48:27 | 2:48:30 | |
Has Auntie Ronnie been spoiling you, has she? | 2:48:30 | 2:48:33 | |
Did you have a nice day? | 2:48:33 | 2:48:35 | |
Yeah. She loved it. | 2:48:35 | 2:48:36 | |
Good. Good. Well, I had a nice day. | 2:48:36 | 2:48:40 | |
Thanks for asking. | 2:48:40 | 2:48:41 | |
I saw you. | 2:48:42 | 2:48:44 | |
What, at the sales? | 2:48:44 | 2:48:46 | |
No, with Carl. | 2:48:46 | 2:48:47 | |
I bumped into him. | 2:48:49 | 2:48:50 | |
I didn't really see you. | 2:48:53 | 2:48:54 | |
Then again, I suppose I didn't need to, did I, hey? | 2:48:56 | 2:48:59 | |
Here. Grab this. | 2:48:59 | 2:49:00 | |
Sun cream. | 2:49:02 | 2:49:04 | |
It's winter, Ronnie. | 2:49:04 | 2:49:05 | |
Not in Ibiza. | 2:49:05 | 2:49:07 | |
I'm taking you and Amy for a little holiday. | 2:49:07 | 2:49:10 | |
Right then. Shall we put ourselves on the map? | 2:49:13 | 2:49:18 | |
Yes. | 2:49:18 | 2:49:19 | |
Five! Four! | 2:49:19 | 2:49:20 | |
Hang on a minute. What about Shirl? She should be... Three! | 2:49:20 | 2:49:23 | |
Two. One! | 2:49:23 | 2:49:24 | |
Oh. | 2:49:28 | 2:49:29 | |
Bit slow, innit? | 2:49:47 | 2:49:48 | |
All right, Mick? Alfie. | 2:49:52 | 2:49:54 | |
I thought I'd introduce you to some of the usual suspects. | 2:49:54 | 2:49:56 | |
This is Billy and Tel. They're all dying for a bevvy. | 2:49:56 | 2:49:59 | |
Don't look like a gay bar, does it? | 2:50:01 | 2:50:02 | |
How many you been in? | 2:50:02 | 2:50:04 | |
I haven't. | 2:50:04 | 2:50:05 | |
What'll it be, handsome? | 2:50:05 | 2:50:07 | |
ALFIE: He'll have a snowball. | 2:50:07 | 2:50:08 | |
Three pints of lager, please. Done. | 2:50:10 | 2:50:12 | |
Is it cold out there? It's freezing, sweetheart. | 2:50:18 | 2:50:21 | |
Just like old times, eh? | 2:50:28 | 2:50:30 | |
You said it. | 2:50:32 | 2:50:33 |