Browse content similar to 22/08/2011. Check below for episodes and series from the same categories and more!
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Sorry, love, saving this for my friend. | 0:00:39 | 0:00:42 | |
MUSIC: "Hello" by Martin Solveig ft. Dragonette | 0:00:49 | 0:00:52 | |
Whitney... | 0:00:54 | 0:00:55 | |
KNOCKS Whitney! | 0:00:57 | 0:00:59 | |
Go away. | 0:01:00 | 0:01:01 | |
Pat? Pat? | 0:01:01 | 0:01:04 | |
Will you go away? There's no-one in. | 0:01:04 | 0:01:06 | |
-Go and see Lauren or something. -Just let me in. | 0:01:06 | 0:01:10 | |
-Where is everyone? -Gone to see Bianca. | 0:01:10 | 0:01:12 | |
-Why aren't you with them? -Cos I'm on holiday. In Pat's house. | 0:01:12 | 0:01:15 | |
And whose fault's that? | 0:01:15 | 0:01:16 | |
Whit, come on. It's not like I sat down and planned this, is it? | 0:01:16 | 0:01:20 | |
-Great. But it don't change nothing does it, Ry? -Sis, look... | 0:01:20 | 0:01:23 | |
-She's confused, OK? -Really? -She needed someone. She needed help. | 0:01:23 | 0:01:27 | |
That's what you're calling it? "Help"? | 0:01:27 | 0:01:29 | |
Anyway, it's finished, OK? | 0:01:29 | 0:01:31 | |
I finished it, it's over. | 0:01:31 | 0:01:33 | |
If she needed help, Ryan, why didn't she come to me? | 0:01:33 | 0:01:36 | |
Because it's hard. | 0:01:36 | 0:01:37 | |
Hard to admit when you need help. | 0:01:37 | 0:01:39 | |
Whit, come on. | 0:01:41 | 0:01:43 | |
Look, it's not like I hurt you on purpose, is it? | 0:01:43 | 0:01:46 | |
You can't hate me forever! | 0:01:47 | 0:01:49 | |
Just... | 0:01:54 | 0:01:55 | |
Fine. Promise me it's over, then. | 0:01:56 | 0:01:58 | |
And I don't hate you. | 0:01:59 | 0:02:01 | |
Much. | 0:02:01 | 0:02:02 | |
Thanks. | 0:02:02 | 0:02:04 | |
Anyway... | 0:02:04 | 0:02:06 | |
how could anyone hate this? | 0:02:06 | 0:02:08 | |
Right, better get back to work. Pub later? | 0:02:11 | 0:02:14 | |
If you're paying. | 0:02:14 | 0:02:15 | |
Obviously. See you later. | 0:02:15 | 0:02:17 | |
MOBILE RINGS | 0:02:24 | 0:02:26 | |
# Gold! | 0:02:36 | 0:02:37 | |
# Always believe in your soul | 0:02:37 | 0:02:42 | |
# You got the power to know | 0:02:42 | 0:02:44 | |
# You're indestructible... # | 0:02:44 | 0:02:47 | |
Oh. Sorry. I didn't know you were coming back, Mrs Branning. | 0:02:47 | 0:02:52 | |
I'm sure you didn't. What's all this? Are you running for Mayor? | 0:02:52 | 0:02:57 | |
They're just preparations. | 0:02:57 | 0:02:59 | |
I'm so excited, every time I think about it, I swear a bit of pee comes out. | 0:02:59 | 0:03:04 | |
Oh, Heather! | 0:03:04 | 0:03:05 | |
Um, sorry. | 0:03:06 | 0:03:08 | |
-How did you get on? -Well, this chief, all right, | 0:03:08 | 0:03:11 | |
he slams her on the slab, zooms in on her, and then - boom! - that was it! | 0:03:11 | 0:03:14 | |
Thank you, Arthur. Heather, have you seen my hand bag? | 0:03:14 | 0:03:16 | |
Yeah, you left it here this morning. I put it in the office for you. | 0:03:16 | 0:03:20 | |
See? Told you. She'd have me drive back to the hospital for it. | 0:03:20 | 0:03:22 | |
Who's "she"? The cat's aunt? | 0:03:22 | 0:03:24 | |
Psst. | 0:03:27 | 0:03:29 | |
What did they say? | 0:03:29 | 0:03:31 | |
Results out on Friday. | 0:03:31 | 0:03:33 | |
But she's proper trippin' about it. | 0:03:33 | 0:03:35 | |
She's going to be all right though, yeah? | 0:03:35 | 0:03:37 | |
I don't know. She's an old lady. | 0:03:37 | 0:03:39 | |
I don't even know what a CAT scan is. I mean, does it hurt? | 0:03:39 | 0:03:42 | |
A CAT scan is a Computerised Axial Tomography X-ray procedure. | 0:03:42 | 0:03:47 | |
And, please, don't whisper on my account. | 0:03:47 | 0:03:51 | |
But, you know, you're going to be fine, it's just a precaution... | 0:03:51 | 0:03:57 | |
A mayor and now a physician, Arthur. | 0:03:57 | 0:03:59 | |
Heather, your talents are wasted in here. | 0:03:59 | 0:04:01 | |
Arthur, would you do me a favour back at the house? | 0:04:01 | 0:04:04 | |
And, Heather, while I am still alive, this launderette is not an hovel for bric-a-brac. | 0:04:04 | 0:04:11 | |
Wait, wait. | 0:04:11 | 0:04:13 | |
Something fell out of Mrs Branning's bag earlier on. | 0:04:13 | 0:04:16 | |
-What is it? -I don't think she should be left on her own. | 0:04:16 | 0:04:19 | |
Got a few things to sort out. You all right? | 0:04:25 | 0:04:29 | |
Oh. This is cosy, innit? | 0:04:29 | 0:04:31 | |
-Eh? Ain't you meant to be at work? -What? | 0:04:31 | 0:04:34 | |
-She wanted to talk. -You're going nowhere with her. | 0:04:34 | 0:04:36 | |
-What is your problem? -Whitney, we're allowed to talk. -No. | 0:04:36 | 0:04:39 | |
Listen to me, Lauren. You're meant to be my best mate. | 0:04:39 | 0:04:42 | |
-You want to talk so much, you come and you talk to me. -What's the matter with you? | 0:04:42 | 0:04:45 | |
-What is the matter with you? -You! You're a liar! -I'm not lying! | 0:04:45 | 0:04:48 | |
-Ryan, tell her! -Please shut up, darling, yeah? Whitney, OK, you need to calm down. | 0:04:48 | 0:04:53 | |
-Stop acting like a little girl and listen. -A little girl? If I'm a little girl, | 0:04:53 | 0:04:56 | |
-you know who else is, don't you, Ry? -That's pathetic. | 0:04:56 | 0:04:59 | |
You're pathetic. Both of you. | 0:04:59 | 0:05:01 | |
I don't need you anyway. | 0:05:03 | 0:05:05 | |
-Hev. -What? | 0:05:11 | 0:05:14 | |
Couldn't do these for me could you? Sheets. | 0:05:14 | 0:05:17 | |
Teenage sheets. Probably need a hot wash. | 0:05:17 | 0:05:19 | |
-Course I can, Roadie. -Oh, um... | 0:05:19 | 0:05:21 | |
I won't be coming on the train with you to Southend any more. | 0:05:22 | 0:05:25 | |
Oh, Shirl! But I need you there! | 0:05:25 | 0:05:27 | |
I won't be coming on the train with you to Southend any more... | 0:05:27 | 0:05:31 | |
because I've managed to persuade Phil to lend us the Jag. | 0:05:31 | 0:05:35 | |
Otherwise I was going to withdraw, certain privileges. | 0:05:35 | 0:05:39 | |
Really? Really, really?! In the Jag?! That's amazing! | 0:05:39 | 0:05:43 | |
Yeah, but we still got to leave here at five when I've finished | 0:05:43 | 0:05:46 | |
because the tickets say that the Welcome Dinner starts at six thirty and there's no late admittance. | 0:05:46 | 0:05:51 | |
And then the George Michael Gala is straight after that. | 0:05:51 | 0:05:54 | |
Let me see the tickets. | 0:05:54 | 0:05:55 | |
Oh, you can't. They're packed away. Anyway, I've made a mix tape. | 0:05:55 | 0:06:01 | |
Now we can listen to it in the car on the way down. | 0:06:01 | 0:06:04 | |
-That's a shame. The car's only got a CD player. -Oh. | 0:06:04 | 0:06:07 | |
-I'll get Fat Boy to put it on a CD for me. -No, no, no, you're all right. | 0:06:07 | 0:06:10 | |
I'll get Jay to do it. | 0:06:10 | 0:06:12 | |
Oh. Thank you. That's really kind of you. | 0:06:12 | 0:06:15 | |
I've got a surprise for you, too, Shirl. | 0:06:15 | 0:06:18 | |
Southend 2011 on the front. | 0:06:25 | 0:06:28 | |
And on the back, yours says Carter. | 0:06:28 | 0:06:32 | |
-And mine says... -Trott. | 0:06:32 | 0:06:34 | |
Trott. | 0:06:35 | 0:06:37 | |
The excitement's crippling me. | 0:06:37 | 0:06:39 | |
I'll be back for these later. | 0:06:39 | 0:06:41 | |
I had to see you. | 0:07:03 | 0:07:05 | |
You know, there's a bee's nest up there. Might have to call Mr Wasp. | 0:07:10 | 0:07:14 | |
What d'you want all this stuff for, Mrs B? | 0:07:14 | 0:07:17 | |
-He couldn't look me in the eyes, Arthur. -Who? | 0:07:17 | 0:07:20 | |
The man. The man who did the scan. | 0:07:20 | 0:07:23 | |
He couldn't look me in the eyes. | 0:07:23 | 0:07:25 | |
He knew I was dying. | 0:07:25 | 0:07:27 | |
Mrs B, that guy had a lazy eye and he was a chief. | 0:07:27 | 0:07:30 | |
Come on, you've got to be more positive, all right? | 0:07:30 | 0:07:34 | |
Smell the petals. | 0:07:34 | 0:07:35 | |
Heather found your list. | 0:07:43 | 0:07:45 | |
You know, | 0:07:47 | 0:07:48 | |
even if the results come in on Friday, and they're bad - | 0:07:48 | 0:07:51 | |
which they won't be - | 0:07:51 | 0:07:53 | |
but if they are, that's exactly why you should do everything on here. | 0:07:53 | 0:07:57 | |
You know, do everything you want to do before... | 0:07:57 | 0:08:00 | |
Look, why don't we start at the top? | 0:08:01 | 0:08:05 | |
I don't want to talk to her, never again. | 0:08:05 | 0:08:07 | |
Who is she? | 0:08:07 | 0:08:09 | |
It's all that Heather Trott's fault, jaunting off to Southend. | 0:08:09 | 0:08:13 | |
That's where she lives now. | 0:08:13 | 0:08:14 | |
Oh, I don't want to talk about it. | 0:08:14 | 0:08:17 | |
OK. | 0:08:17 | 0:08:19 | |
All right, fine. Just tell me what you're looking for. | 0:08:19 | 0:08:22 | |
Memories. | 0:08:23 | 0:08:25 | |
Apart from that, I've nothing else left. | 0:08:25 | 0:08:28 | |
Oh, Mrs B, you've got loads. All right? | 0:08:28 | 0:08:30 | |
Look, you've got, you've got...Jim. | 0:08:30 | 0:08:32 | |
You got the church, you got mates. | 0:08:32 | 0:08:35 | |
You know, you should be the queen of this square! | 0:08:35 | 0:08:38 | |
I'm surprised your bust ain't on the bar across the road instead of old Lady Vic's! | 0:08:38 | 0:08:42 | |
People round here, they need you, all right? So don't go giving up now. | 0:08:42 | 0:08:45 | |
Keep busy living or keep busy dying, eh? Who was it said that? | 0:08:45 | 0:08:50 | |
-Jesus wouldn't want me to wallow in the past, would he? -Exactly. | 0:08:50 | 0:08:56 | |
I just needed to say goodbye. | 0:08:56 | 0:08:59 | |
That's all right, isn't it? | 0:08:59 | 0:09:02 | |
I'm leaving London, going back to Manchester to my mum. | 0:09:02 | 0:09:05 | |
That night, Whit, what happened? It's proper messed up. | 0:09:07 | 0:09:12 | |
Whatever happened, I don't remember, to be honest. | 0:09:15 | 0:09:18 | |
Too many drugs. | 0:09:18 | 0:09:20 | |
Way too much drink. | 0:09:20 | 0:09:22 | |
What we had before all that, though... | 0:09:22 | 0:09:26 | |
was special. | 0:09:26 | 0:09:28 | |
By the time I realised I'd screwed up, it was too late. | 0:09:28 | 0:09:33 | |
You'd already gone. | 0:09:34 | 0:09:35 | |
You'd left. | 0:09:35 | 0:09:37 | |
But it was good, though, weren't it? | 0:09:37 | 0:09:40 | |
-The good bits, they were good. -I'm meeting someone. | 0:09:40 | 0:09:42 | |
My mum's got cancer, Whit... | 0:09:42 | 0:09:44 | |
Kind of know how you feel, though. | 0:09:46 | 0:09:49 | |
With your mum being inside and all that. | 0:09:49 | 0:09:52 | |
She ain't my mum. | 0:09:52 | 0:09:53 | |
I can't imagine what it'll be like when my mum's gone. | 0:09:53 | 0:09:56 | |
Just that word... | 0:09:56 | 0:09:58 | |
..cancer. | 0:09:59 | 0:10:01 | |
Sometimes...I think it's worse than the illness. | 0:10:03 | 0:10:07 | |
I found out just as you'd left. | 0:10:09 | 0:10:11 | |
D'you know how bad that was, not having anyone to talk to? | 0:10:11 | 0:10:17 | |
I was in with a bad crowd. Bad people. | 0:10:20 | 0:10:23 | |
You called me a big fat wedge. | 0:10:25 | 0:10:27 | |
I don't remember any of that, Whit. | 0:10:27 | 0:10:29 | |
You're perfect. | 0:10:29 | 0:10:31 | |
I knew it then, and I know it now. | 0:10:31 | 0:10:35 | |
-Since my mum became ill, everything's become so clear. -What do you want, do you want sympathy? -No. | 0:10:35 | 0:10:41 | |
I'm telling you because I knew you'd understand. | 0:10:41 | 0:10:44 | |
I get you and I know you get me. Like no-one else in the world, I know you get me. | 0:10:44 | 0:10:51 | |
Everyone who comes into your life, they leave you. | 0:10:51 | 0:10:54 | |
I didn't want to do that. | 0:10:55 | 0:10:58 | |
I just wanted to say goodbye. | 0:10:58 | 0:11:02 | |
That's it. | 0:11:02 | 0:11:04 | |
You know I didn't mean... | 0:11:06 | 0:11:08 | |
I didn't mean good. | 0:11:08 | 0:11:11 | |
I know that. | 0:11:13 | 0:11:15 | |
Have you done the CD? | 0:11:26 | 0:11:28 | |
Er...nah, I'm sorry, the... | 0:11:28 | 0:11:33 | |
tape machine chewed it up. | 0:11:33 | 0:11:36 | |
You're lying. | 0:11:36 | 0:11:37 | |
All right, Columbo. It's no big deal. It's just a tape. | 0:11:37 | 0:11:40 | |
I just wanted us to have a proper holiday. To get on. | 0:11:40 | 0:11:44 | |
You know, like the old days. Like we used to. | 0:11:44 | 0:11:47 | |
Like Thelma and Louise. | 0:11:47 | 0:11:50 | |
D'you know how that film ends? | 0:11:50 | 0:11:51 | |
I just wanted you to be excited, that's all. | 0:11:53 | 0:11:55 | |
Right, here y'are... | 0:11:55 | 0:11:57 | |
That good enough for you? | 0:11:59 | 0:12:00 | |
Yeah! | 0:12:00 | 0:12:02 | |
Shirl... | 0:12:04 | 0:12:05 | |
I got something to tell you. | 0:12:05 | 0:12:07 | |
Um... | 0:12:07 | 0:12:09 | |
You know this convention... | 0:12:09 | 0:12:11 | |
It's a little bit different. | 0:12:15 | 0:12:19 | |
Different? | 0:12:19 | 0:12:21 | |
Just that there'll be loads of weird fans there. | 0:12:25 | 0:12:28 | |
That's all. | 0:12:28 | 0:12:30 | |
What? Weirder than you? | 0:12:30 | 0:12:31 | |
-How you getting to Manchester? -Tube from here to Euston. Then a train for Euston to Piccadilly. | 0:12:34 | 0:12:39 | |
Change at King's Cross. | 0:12:39 | 0:12:42 | |
Funny, that is. | 0:12:43 | 0:12:44 | |
-What? -People in London always boast about how much they know about the tube, have you noticed? | 0:12:44 | 0:12:50 | |
-HE CHUCKLES -What's all that about? | 0:12:50 | 0:12:53 | |
Hammersmith and City. | 0:12:54 | 0:12:56 | |
What? | 0:12:56 | 0:12:57 | |
You need Hammersmith and City. Not District. | 0:12:57 | 0:13:00 | |
You joker! | 0:13:00 | 0:13:02 | |
Ooh, Whit! You all right? | 0:13:07 | 0:13:08 | |
Oh, hello, Whitney. | 0:13:08 | 0:13:12 | |
What a pleasant surprise. I don't suppose you planned it, Arthur? | 0:13:12 | 0:13:15 | |
Bring the old biddy out to commune with nature, and mix with the yoot. | 0:13:15 | 0:13:19 | |
What you chatting about, man? I didn't know she'd be here. | 0:13:19 | 0:13:22 | |
-We interrupting? -No, mate. | 0:13:22 | 0:13:25 | |
Oh...sorry... | 0:13:29 | 0:13:30 | |
..this is umm... | 0:13:32 | 0:13:34 | |
This is Lee. | 0:13:34 | 0:13:36 | |
Lee! Yes, bruv! Finally good to meet you, man. | 0:13:36 | 0:13:39 | |
-Thanks. -You know, Whitney ain't stopped talking about you, bruv. | 0:13:39 | 0:13:42 | |
Well, not ain't stopped talking about you as in ain't stopped talking about, | 0:13:42 | 0:13:45 | |
kind of NORMALLY... Well, kind of, she talked about you normal, do you know what I mean? | 0:13:45 | 0:13:49 | |
Yes, well, | 0:13:49 | 0:13:51 | |
I'll leave you youngsters to continue to converse in your usual incoherent fashion. | 0:13:51 | 0:13:55 | |
Arthur, I'll see you back at the house. | 0:13:55 | 0:13:58 | |
Arthur? She's blatantly been blazing it up. | 0:13:58 | 0:14:00 | |
Trying to pack her off to Southend, innit, with the Trotters, | 0:14:00 | 0:14:05 | |
trying to get a free yard - you're welcome to come and cotch if you want? You too, Lee? | 0:14:05 | 0:14:07 | |
Oh, no, I get it - | 0:14:07 | 0:14:09 | |
three's a crowd, innit? | 0:14:09 | 0:14:11 | |
Cool, well, I'll leave you kids to it and smell yous later. | 0:14:11 | 0:14:15 | |
Oh, you look after her, all right? | 0:14:15 | 0:14:18 | |
-No, worries mate. -Nice one, Lee. Later on. | 0:14:18 | 0:14:21 | |
-And thank you. -All good, man. | 0:14:21 | 0:14:24 | |
Come down the station with me, if you want? Whit? | 0:14:25 | 0:14:29 | |
What's the matter? | 0:14:30 | 0:14:32 | |
You were the first person I loved, Rob. | 0:14:35 | 0:14:38 | |
You know, mad feelings for. | 0:14:41 | 0:14:43 | |
Sweating in my hands, sick in my stomach. | 0:14:46 | 0:14:49 | |
Then you ruined it, didn't you? | 0:14:53 | 0:14:55 | |
Do you think I'm pathetic? | 0:14:58 | 0:15:00 | |
No. | 0:15:00 | 0:15:02 | |
-I'm thirsty. -But you're definitely demanding. | 0:15:03 | 0:15:07 | |
I'll get you a drink. | 0:15:08 | 0:15:09 | |
Thanks. | 0:15:10 | 0:15:12 | |
TEXT MESSAGE | 0:15:48 | 0:15:50 | |
So, what now then? | 0:16:19 | 0:16:21 | |
OLD RECORD PLAYS | 0:16:22 | 0:16:24 | |
Is that yours? | 0:16:26 | 0:16:28 | |
No... | 0:16:28 | 0:16:30 | |
No, it weren't. | 0:16:30 | 0:16:32 | |
Whose is it? | 0:16:32 | 0:16:34 | |
You know when people die, | 0:16:36 | 0:16:38 | |
and then they come back to life? What do they call that? | 0:16:38 | 0:16:41 | |
Near death experience. | 0:16:41 | 0:16:42 | |
And their whole life flashes in front of their eyes. | 0:16:42 | 0:16:47 | |
Well, when I was in that machine, I had them flashes. | 0:16:47 | 0:16:50 | |
Only they wasn't the good bits. They were the things I hadn't done. | 0:16:50 | 0:16:55 | |
My regrets. | 0:16:55 | 0:16:57 | |
Nick and Dotty, Ashley and my Charlie... | 0:16:57 | 0:17:03 | |
and... | 0:17:03 | 0:17:05 | |
and her. | 0:17:05 | 0:17:06 | |
I don't want to go with regrets. | 0:17:08 | 0:17:12 | |
Who was she? | 0:17:12 | 0:17:14 | |
What are you talking...? | 0:17:14 | 0:17:15 | |
So I've asked Mr Oppopolous if I could have a few days if he'd cover me. | 0:17:15 | 0:17:21 | |
You see! | 0:17:21 | 0:17:23 | |
This is what I'm talking about! This will be hectic. | 0:17:23 | 0:17:26 | |
"The past can hurt. But the way I see it, you can either run from it, or learn from it." | 0:17:26 | 0:17:31 | |
You know who said that? Rafiki from The Lion King. | 0:17:31 | 0:17:34 | |
Now, THAT was a wise old man. | 0:17:34 | 0:17:36 | |
-Or wise monkey. -Baboon? -Baboon. | 0:17:36 | 0:17:39 | |
Yeah. | 0:17:39 | 0:17:40 | |
Arthur... | 0:17:42 | 0:17:44 | |
..will you drive me? | 0:17:45 | 0:17:47 | |
To Southend? | 0:17:47 | 0:17:49 | |
Yeah, but I'm not driving that car, Fats can do a lot better than that. | 0:17:49 | 0:17:53 | |
You just pack the bags and we'll be off, all right? | 0:17:53 | 0:17:55 | |
Ha-ha! Southend here we come! | 0:17:55 | 0:17:58 | |
MOBILE PHONE RINGS | 0:18:03 | 0:18:05 | |
I got to be back in a couple of days, so I can't really stay. | 0:18:17 | 0:18:20 | |
Enough time for you to see the tram. | 0:18:20 | 0:18:24 | |
Tell you what, right, | 0:18:24 | 0:18:26 | |
-just stay here two seconds and I'll grab some things. -I thought you said everyone was out? | 0:18:26 | 0:18:30 | |
Yeah, they were. | 0:18:30 | 0:18:32 | |
But I think they're back now, so... Two seconds. | 0:18:32 | 0:18:35 | |
Pat? Pat? | 0:18:54 | 0:18:56 | |
Come on, Lauren... | 0:19:08 | 0:19:10 | |
PHONE RINGS | 0:19:10 | 0:19:13 | |
Right, it's Whitney. | 0:19:13 | 0:19:15 | |
Well, I can't now, can I? I'm busy now. | 0:19:15 | 0:19:18 | |
Whit! | 0:19:42 | 0:19:43 | |
'Whit!' | 0:19:45 | 0:19:46 | |
FRANTIC KNOCK ON DOOR | 0:19:49 | 0:19:51 | |
Whitney! | 0:19:53 | 0:19:55 | |
I've already spoken to Hev. She said it was all right. | 0:20:12 | 0:20:15 | |
I've already invited the old lady now. | 0:20:15 | 0:20:17 | |
You'd better uninvite her. I'm not gonna stop for geriatric bog breaks. | 0:20:17 | 0:20:21 | |
Shirl, you do know there is a tape player in here? | 0:20:21 | 0:20:24 | |
You can't say no to a potentially dying old lady, can you? | 0:20:24 | 0:20:28 | |
Shirley, this is very Christian of you. | 0:20:28 | 0:20:31 | |
-Who said the community spirit were dead? -More the merrier, Dot. | 0:20:31 | 0:20:35 | |
-If you wanna come, you're driving. -The jag? You serious?! | 0:20:37 | 0:20:40 | |
You know who it belongs to, don't ya? | 0:20:40 | 0:20:42 | |
Phil Mitchell and if he so much finds a gnat's fart on the paintwork... | 0:20:42 | 0:20:47 | |
Do you mind? My asthma. | 0:21:00 | 0:21:02 | |
Whit! | 0:21:11 | 0:21:13 | |
Oh, my... Whit, are you alright? Oh, my goodness! | 0:21:13 | 0:21:17 | |
-Where you going? -Southend. -Can I come? | 0:21:17 | 0:21:21 | |
-Well, yeah, babe. Hop in, no worries. -You're having a laugh, in't ya? | 0:21:21 | 0:21:25 | |
Come on Hev, this was supposed to be a trip for Thelma and Louise not the Rug Rats hit Southend. | 0:21:25 | 0:21:29 | |
-Mind yourself. -Right, is everyone all right? | 0:21:29 | 0:21:33 | |
Come on Shirl, we've only got four minutes! | 0:21:55 | 0:21:59 | |
I never seen her move so fast. | 0:22:03 | 0:22:07 | |
Arthur, will you do me a favour, will you arrange me room for me? | 0:22:07 | 0:22:11 | |
I've got something I gotta put right. | 0:22:11 | 0:22:13 | |
Yeah, yeah cool. Whatever. | 0:22:13 | 0:22:15 | |
She'll be all right, won't she? | 0:22:18 | 0:22:21 | |
Mrs B? She'll be easy like Sunday morning. | 0:22:21 | 0:22:24 | |
You are so sweet with her, do you know that. | 0:22:24 | 0:22:27 | |
Yeah, whatever. So you gonna tell me the real reason you're here? | 0:22:27 | 0:22:31 | |
-What d'you mean? -Well, you've come here, no clothes. What you gonna do, borrow Shirley's? | 0:22:31 | 0:22:36 | |
Yeah. Listen I'm gonna call Pat anyway cos she's wondering | 0:22:36 | 0:22:40 | |
what I'm doing, what I'm up to. So shall I meet you back there? | 0:22:40 | 0:22:44 | |
All right then, cool. | 0:22:44 | 0:22:46 | |
Yeah, hello. I don't even know whose number this is, right. Rob? | 0:23:03 | 0:23:08 | |
Lee? I don't even care any more. | 0:23:08 | 0:23:10 | |
I am warning you, stay away from me. | 0:23:10 | 0:23:11 | |
Just leave me alone. I never, ever want to see you again. | 0:23:11 | 0:23:15 | |
"Couples Welcome Dinner?" | 0:23:27 | 0:23:31 | |
I know you said this was gonna be different but you brought me here as your lesbian lover? | 0:23:31 | 0:23:35 | |
No, no it's not like that. It's just a technicality. | 0:23:35 | 0:23:38 | |
Consider yourself dumped! | 0:23:38 | 0:23:41 | |
No, Shirl! Please don't! | 0:23:41 | 0:23:42 | |
Sorry but this is the couples Welcome Dinner. | 0:23:53 | 0:23:55 | |
Yeah but we just had our first row. | 0:23:55 | 0:23:59 | |
As the terms and conditions clearly state on the reverse of the ticket. | 0:23:59 | 0:24:04 | |
Couples. | 0:24:04 | 0:24:06 | |
Can you move away from the door please? | 0:24:10 | 0:24:13 | |
Now. | 0:24:17 | 0:24:19 | |
Good news. They got rooms. They gotta clean 'em. | 0:24:20 | 0:24:24 | |
-Gonna be about an hour. -Cool. | 0:24:24 | 0:24:27 | |
So you gonna tell me why you're really here? | 0:24:27 | 0:24:31 | |
With no toothbrush, no clothes? Or you gonna carry on treating me like a chief? | 0:24:31 | 0:24:36 | |
-Fats, you know that guy in the park. -What, Lee? | 0:24:36 | 0:24:39 | |
Yeah. Except it weren't Lee. It was Rob. | 0:24:39 | 0:24:44 | |
What?! | 0:24:44 | 0:24:46 | |
Why didn't you tell me? I mean, are you all right? | 0:24:52 | 0:24:55 | |
-No, I'm fine. He just came back to see me, and now he's gone. -Well come on. Let's call the feds. | 0:24:55 | 0:25:00 | |
No. What you talking about? I'm fine. Honestly, I am fine. He's moved back to Manchester. | 0:25:00 | 0:25:04 | |
Fats, I've done it. I've done it. I've won. He's gone. | 0:25:04 | 0:25:07 | |
You should have said something, Whit. | 0:25:10 | 0:25:13 | |
-I knew you was going a bit weird, blowing me off in the park. -I know. I'm sorry. | 0:25:13 | 0:25:17 | |
Come here. | 0:25:17 | 0:25:18 | |
-Well done, babe. -Thank you. Oh... | 0:25:21 | 0:25:25 | |
-What are you like on rides? -Me? Bigger the better, sweetheart. | 0:25:25 | 0:25:28 | |
-Yeah? You're it. -What?! Come here! Oi... Whit! | 0:25:28 | 0:25:31 | |
Look, she's just got PMT, that's all. | 0:25:45 | 0:25:48 | |
She's with me. I'm with her so can we go inside? | 0:25:48 | 0:25:50 | |
I'm sorry but it is now 6.41. You're too late. | 0:25:50 | 0:25:54 | |
-As the terms and conditions clearly state... -Do you know what? | 0:25:54 | 0:25:57 | |
I've come from London. | 0:25:57 | 0:26:00 | |
I've been looking forward to this for seven days, nine hours and approximately 37 minutes! | 0:26:00 | 0:26:05 | |
My friend here, Shirley Carter, she bought me these tickets. | 0:26:05 | 0:26:09 | |
And I lied to her, cos I wanted to be here that much. | 0:26:09 | 0:26:12 | |
To be here with people who love the same things that I love. | 0:26:12 | 0:26:15 | |
My friend hates me and I've ruined the only holiday... | 0:26:15 | 0:26:19 | |
-Hev, let me deal with this. -I'm going to get the management. | 0:26:19 | 0:26:23 | |
Wait! | 0:26:23 | 0:26:26 | |
I suppose I could possibly, just this once, | 0:26:29 | 0:26:33 | |
turn a blind eye. | 0:26:33 | 0:26:35 | |
Really? | 0:26:35 | 0:26:36 | |
Enjoy the power do you? Jobsworth. | 0:26:39 | 0:26:41 | |
That's really kind of you. | 0:26:46 | 0:26:48 | |
INAUDIBLE CONVERSATION | 0:26:59 | 0:27:02 | |
Excuse me... | 0:27:10 | 0:27:12 | |
I'm looking for someone. | 0:27:12 | 0:27:14 | |
I believe that she drinks in here occasionally. | 0:27:14 | 0:27:19 | |
You looking for her? | 0:27:19 | 0:27:20 | |
Good luck. | 0:27:24 | 0:27:25 | |
Oh, hello darling, you're shy! Don't worry, I won't bite. | 0:27:42 | 0:27:46 | |
Unless you want me to. | 0:27:46 | 0:27:49 | |
Next one to buy me a drink gets a proper dance! | 0:27:51 | 0:27:55 | |
And that's my sister. | 0:27:55 | 0:27:57 | |
WHITNEY ON VOICEMAIL: "Yeah, hello. I don't know whose number this is. | 0:28:24 | 0:28:28 | |
"Rob. Lee. I don't even care any more. | 0:28:28 | 0:28:31 | |
"I am warning you, stay away from me. Just leave me alone. | 0:28:31 | 0:28:34 | |
"I never ever want to see you again." | 0:28:34 | 0:28:37 |