Browse content similar to 13/09/2012. Check below for episodes and series from the same categories and more!
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BABY CRIES | 0:00:48 | 0:00:51 | |
DOOR CLOSES | 0:01:02 | 0:01:04 | |
What were you thinking? Imagine if Alfie had opened that card. | 0:01:05 | 0:01:10 | |
Do you want us to get caught? I said I'd contact you. | 0:01:10 | 0:01:13 | |
Angry? I'm furious. | 0:01:16 | 0:01:18 | |
I don't care what you wrote in the card. | 0:01:19 | 0:01:21 | |
No, I don't. Really. | 0:01:22 | 0:01:25 | |
It means nothing. | 0:01:25 | 0:01:27 | |
He loves me, he loves me not. He loves me. | 0:01:32 | 0:01:35 | |
There. | 0:02:35 | 0:02:36 | |
No, thanks. | 0:02:37 | 0:02:38 | |
-Babe, you got to eat. -Why? | 0:02:40 | 0:02:42 | |
Well, because... | 0:02:44 | 0:02:45 | |
Yeah, see. | 0:02:47 | 0:02:48 | |
FOOTSTEPS APPROACH | 0:02:48 | 0:02:51 | |
Oh, darling, eat up. | 0:02:51 | 0:02:54 | |
-No, thanks. -Tell her, Max. | 0:02:54 | 0:02:56 | |
I just have. | 0:02:56 | 0:02:57 | |
D'you want a cup of tea? | 0:02:59 | 0:03:00 | |
Right. Right, well that settles it. You and me, we're staying in. | 0:03:04 | 0:03:08 | |
We're going to give her some TLC. | 0:03:08 | 0:03:09 | |
-Well, says who? -Says me. | 0:03:09 | 0:03:11 | |
Then maybe you can tell me what you were doing down here at six o'clock this morning. | 0:03:11 | 0:03:15 | |
I was just, you know, just worrying. | 0:03:16 | 0:03:19 | |
About Abi. | 0:03:21 | 0:03:22 | |
Good choice. You will not find tastier in the whole of London. | 0:03:26 | 0:03:29 | |
That's a pound, thank you. | 0:03:29 | 0:03:31 | |
You see that? | 0:03:31 | 0:03:32 | |
I'm channelling your grandfather and your great-grandfather. | 0:03:32 | 0:03:35 | |
I was wondering, can I have this afternoon off? | 0:03:35 | 0:03:38 | |
No, I don't think so. | 0:03:39 | 0:03:41 | |
Yeah, it's just... | 0:03:41 | 0:03:43 | |
Where would we get cover at such short notice? | 0:03:43 | 0:03:45 | |
You just keep channelling. | 0:03:45 | 0:03:46 | |
VACUUM HUMS KAT LAUGHS | 0:03:50 | 0:03:52 | |
What...? | 0:03:52 | 0:03:53 | |
What, am I in another dimension? Kat Moon with a vacuum? | 0:03:56 | 0:03:58 | |
-I had an urge. -Yeah? I'm feeling the urge too, come on. | 0:03:58 | 0:04:02 | |
Nah, I'm a busy little char lady. | 0:04:02 | 0:04:04 | |
VACUUM STARTS AGAIN | 0:04:04 | 0:04:05 | |
-Kat, no offence, darling, but are you feeling all right? -I'm feeling wonderful. | 0:04:05 | 0:04:09 | |
These flowers really shouldn't have wilted this quickly. | 0:04:09 | 0:04:11 | |
I think you should phone the florist and tell them. It's not good enough. | 0:04:13 | 0:04:16 | |
-They're only flowers. -Well, I'll phone them. I don't mind. | 0:04:16 | 0:04:19 | |
Woah, Kat? | 0:04:20 | 0:04:21 | |
Hey, Alice... You know, I've been thinking, and... | 0:04:23 | 0:04:27 | |
I've been trying to weigh it up and do the sums and that... | 0:04:27 | 0:04:32 | |
Oh... | 0:04:32 | 0:04:33 | |
Fats, you promised. You said I could move in with you. | 0:04:33 | 0:04:37 | |
Yeah, I know, but I've got Roxy staying with me...and her kid. | 0:04:37 | 0:04:41 | |
And plus, when Anthony comes back... you know what I mean? | 0:04:41 | 0:04:43 | |
He's coming back? | 0:04:43 | 0:04:45 | |
Well, of course. He's got his fine girl here. | 0:04:45 | 0:04:47 | |
You know, he's got the Emporium. | 0:04:47 | 0:04:49 | |
Yeah, he has. But I know what you're really saying. | 0:04:49 | 0:04:53 | |
Good. | 0:04:53 | 0:04:54 | |
Good to know you know what I'm saying when I'm saying it. | 0:04:54 | 0:04:57 | |
My dad scares you. | 0:04:57 | 0:04:58 | |
No. I ain't...scared of him. | 0:04:58 | 0:05:01 | |
He scares you. | 0:05:02 | 0:05:03 | |
-KNOCK AT DOOR -It's open. | 0:05:03 | 0:05:06 | |
-Coo-ee! -Come in, come in. | 0:05:07 | 0:05:09 | |
You wanted to see me, Janice? | 0:05:10 | 0:05:13 | |
Whitney's away and... Well, I need a big favour. | 0:05:13 | 0:05:17 | |
-Seriously? -Seriously... | 0:05:18 | 0:05:21 | |
Since when did you get the idea I was good with babies? | 0:05:21 | 0:05:23 | |
You don't have to be good, you just have to be there. | 0:05:23 | 0:05:26 | |
Oh, but I've got things to do, babe. I've got plans. | 0:05:26 | 0:05:29 | |
-I'm a busy bee, me. -Look at this watch I've got Michael. | 0:05:29 | 0:05:32 | |
Oh, that's nice. Is it his birthday? | 0:05:32 | 0:05:35 | |
No. Not exactly. It's... | 0:05:35 | 0:05:38 | |
It's a different kind of day. | 0:05:39 | 0:05:41 | |
-Cheers, mate. -Cheers. Thanks. | 0:05:44 | 0:05:46 | |
-What's that? -Well, don't ask me. | 0:05:56 | 0:05:58 | |
Right, are you going to carry on playing with the cars, or are you | 0:06:24 | 0:06:27 | |
going to come and help me cheer Abi up? | 0:06:27 | 0:06:29 | |
Not in the mood, am I? | 0:06:29 | 0:06:31 | |
Tell me about it. | 0:06:31 | 0:06:32 | |
I'm still waiting for you to make it up to me, you know? | 0:06:32 | 0:06:35 | |
Couldn't think of anything, could I? Too tired. | 0:06:35 | 0:06:39 | |
Well, you shouldn't stay out till all hours, should you? | 0:06:39 | 0:06:42 | |
How about a curry later? | 0:06:45 | 0:06:46 | |
Hark at Mr Romance. | 0:06:46 | 0:06:48 | |
Babe, honestly, seriously, I could just do without all this, all right? | 0:06:48 | 0:06:52 | |
What's wrong? | 0:06:54 | 0:06:55 | |
-It's just... -What? | 0:07:00 | 0:07:03 | |
It's just not working out right now, is it? | 0:07:06 | 0:07:07 | |
What isn't? | 0:07:09 | 0:07:10 | |
The business. | 0:07:13 | 0:07:15 | |
Just not coming together. I need more cars from Phil, that's all. | 0:07:15 | 0:07:18 | |
Is that all it is? | 0:07:20 | 0:07:21 | |
Why? What else would it be? | 0:07:22 | 0:07:24 | |
I dunno, just... | 0:07:26 | 0:07:28 | |
You all right sorting out Abi, yeah? | 0:07:30 | 0:07:32 | |
Yeah. | 0:07:32 | 0:07:33 | |
Yeah, I'll take her to Booty's, give her a manicure. | 0:07:34 | 0:07:36 | |
Stop worrying. | 0:07:38 | 0:07:39 | |
You'll work your magic. | 0:07:41 | 0:07:42 | |
-Is Dad in there? -No. | 0:08:04 | 0:08:06 | |
-What, he's just walked off? -Well he's got a lot on today. | 0:08:06 | 0:08:09 | |
-Yeah, selling fruit. -Oh, he hasn't told you? | 0:08:09 | 0:08:11 | |
-Told me what? -Well, he's got to see his mental health people today. | 0:08:12 | 0:08:15 | |
They're going to assess him and see what he needs. | 0:08:15 | 0:08:18 | |
But what he doesn't need, Lucy, is you getting on his case, OK? | 0:08:18 | 0:08:21 | |
Luce, I've got someone to cover me. | 0:08:24 | 0:08:26 | |
Here we go. Oh look, there's Mummy. | 0:08:31 | 0:08:34 | |
-What's with all the boxes? -It's for charity. | 0:08:34 | 0:08:36 | |
Yeah? What's got into you then? | 0:08:36 | 0:08:38 | |
-Listen, you rung Charlie? -What, my dad? | 0:08:38 | 0:08:41 | |
-Yeah, just to say thanks. -Yeah, already did. | 0:08:41 | 0:08:43 | |
-Mum. -How is he? | 0:08:43 | 0:08:45 | |
He's good, yeah. He's good. | 0:08:45 | 0:08:47 | |
That reminds me - I need to ring him, see how he is. | 0:08:47 | 0:08:49 | |
It's been a while since we spoke to him. | 0:08:49 | 0:08:51 | |
Have you got the card that came with these so I can get the number? | 0:08:51 | 0:08:54 | |
Jean, I chucked them out for a reason! | 0:08:54 | 0:08:56 | |
Yeah, it probably cost him a lot of money, darling. | 0:08:56 | 0:08:58 | |
All right, I'll send him the money. | 0:08:58 | 0:09:00 | |
DOOR CLOSES | 0:09:03 | 0:09:06 | |
BABY CRIES | 0:09:06 | 0:09:08 | |
All right, we're home now. Yes. | 0:09:08 | 0:09:11 | |
We're home. Have you got earplugs? | 0:09:11 | 0:09:15 | |
Because that kid could cry for England. | 0:09:15 | 0:09:17 | |
Kim, I've got enough to do today. Please just take her away. | 0:09:17 | 0:09:21 | |
Janice, listen, I'm not...evolved for this, you know? | 0:09:21 | 0:09:26 | |
She needs her mum. | 0:09:26 | 0:09:27 | |
Look, why don't you have a look in that catalogue? | 0:09:29 | 0:09:31 | |
And I will buy you something nice for your troubles. | 0:09:31 | 0:09:34 | |
Janice, no offence or nothing, but are you all right? | 0:09:36 | 0:09:41 | |
Actually, no. No. | 0:09:42 | 0:09:44 | |
No, I'm not. I'm not happy. | 0:09:44 | 0:09:48 | |
OK. OK. Well, we're getting somewhere... | 0:09:48 | 0:09:50 | |
I mean just look at the state of that suitcase. | 0:09:50 | 0:09:52 | |
I can't use that. Please just make her be quiet. | 0:09:52 | 0:09:57 | |
BABY CONTINUES CRYING | 0:09:57 | 0:10:00 | |
OK, OK, OK, OK. | 0:10:04 | 0:10:06 | |
That is a lovely bit of smutter, that is. | 0:10:10 | 0:10:14 | |
But there's more. | 0:10:14 | 0:10:15 | |
Where'd that come from? | 0:10:17 | 0:10:18 | |
-Express delivery. -You put that there? | 0:10:18 | 0:10:21 | |
No, I didn't. Some bloke just turned up with it. | 0:10:21 | 0:10:23 | |
What did you do to deserve that, eh? | 0:10:27 | 0:10:28 | |
-It's broken. -No... | 0:10:33 | 0:10:34 | |
Yeah. Look, the hands don't move. | 0:10:34 | 0:10:37 | |
Hands are stuck at eight o'clock. | 0:10:37 | 0:10:39 | |
Maybe it just needs winding, or a new battery or something. | 0:10:40 | 0:10:43 | |
Oh yeah... | 0:10:43 | 0:10:45 | |
Wish I had a woman like that. | 0:10:45 | 0:10:47 | |
Play your cards right and you can have Janine when I drop her. | 0:10:47 | 0:10:50 | |
-That's a joke. -Oh, right. | 0:10:52 | 0:10:55 | |
Look, I know it's none of my business, | 0:11:04 | 0:11:07 | |
but if you want to go to him, then you should go. | 0:11:07 | 0:11:12 | |
Go to who? | 0:11:13 | 0:11:15 | |
I notice things, Kat, that other people don't. | 0:11:15 | 0:11:17 | |
I've learnt to take things in. | 0:11:18 | 0:11:21 | |
What are you saying, Jean? | 0:11:24 | 0:11:25 | |
The flowers. | 0:11:26 | 0:11:28 | |
We both know what they're really about, don't we? | 0:11:29 | 0:11:33 | |
You see a lot, then. | 0:11:37 | 0:11:38 | |
Look, I said "no", I did. I said "no". | 0:11:42 | 0:11:45 | |
-And I said to him, "Just leave it." -Look, if you want to go to Charlie, go. | 0:11:45 | 0:11:49 | |
I know you want to stay here for Tommy, but me and Alfie'll cope. | 0:11:49 | 0:11:54 | |
No, I'm not going anywhere. | 0:11:54 | 0:11:56 | |
He wants you to, though, doesn't he? | 0:11:58 | 0:11:59 | |
That's why he sent the flowers. | 0:12:00 | 0:12:03 | |
Yeah. Yeah, he wants me. | 0:12:03 | 0:12:05 | |
Ask yourself what really matters, that's what you need to do. | 0:12:09 | 0:12:14 | |
I am. I've been asking it all day. | 0:12:16 | 0:12:19 | |
There you go. Look at these beauties, look. Eh? | 0:12:32 | 0:12:35 | |
All state of the art, you know? Unlocked and magnificent. | 0:12:36 | 0:12:40 | |
All you've got to do is slip your old SIM in and away you go. | 0:12:40 | 0:12:42 | |
Look at that. That's lovely. | 0:12:42 | 0:12:44 | |
Yeah. How much? | 0:12:44 | 0:12:46 | |
How...? | 0:12:46 | 0:12:48 | |
You're blood. You don't take money off of blood. | 0:12:48 | 0:12:50 | |
How many times have I got to tell you? | 0:12:50 | 0:12:52 | |
-Besides I've got a vanload of 'em to shift. -Yeah. | 0:12:52 | 0:12:54 | |
-Oh yeah? Fat Boy used to have a phone stall, he's probably your man. -Did he now? | 0:12:54 | 0:12:58 | |
So can you book restaurants with this? | 0:12:58 | 0:13:00 | |
-Why, who you taking out? -Yeah, for me to know. | 0:13:00 | 0:13:03 | |
Well, cheers, Del. I needed a new phone. | 0:13:04 | 0:13:07 | |
Can it sort out domestics on this? | 0:13:07 | 0:13:08 | |
If only. Call 'em a leaving present. | 0:13:08 | 0:13:12 | |
I think I might be making tracks soon. | 0:13:13 | 0:13:15 | |
Oh yeah, where you going to go? | 0:13:15 | 0:13:17 | |
Somewhere where I'm loved would be good. | 0:13:17 | 0:13:19 | |
This about Alice moving out, is it? | 0:13:19 | 0:13:20 | |
Oh, I dunno. I just think I'm going soft, made too many mistakes. | 0:13:20 | 0:13:24 | |
-I mean, there's got to be more out there, ain't there? -Yeah. | 0:13:24 | 0:13:28 | |
That's the thing, Del, there is. There's loads more. | 0:13:28 | 0:13:31 | |
It's about grabbing everything that comes your way. | 0:13:32 | 0:13:35 | |
Thanks, I didn't think you were going to let me get away. | 0:13:39 | 0:13:42 | |
You've been working hard. | 0:13:42 | 0:13:44 | |
Thank you. So, do I look all right? | 0:13:44 | 0:13:47 | |
Course. | 0:13:47 | 0:13:49 | |
-Right, I'll be back as soon as I can, yeah. -No worries. | 0:13:49 | 0:13:51 | |
Yeah. Yeah. Ask me the time. | 0:13:54 | 0:13:56 | |
-I'm just leaving. -You ask me. | 0:13:56 | 0:14:00 | |
-What's the time? -Dunno, no idea. | 0:14:00 | 0:14:03 | |
Though if you keep asking me, of course, it will be right eventually. | 0:14:03 | 0:14:07 | |
Cos the clock will just keep ticking round, won't it, till it | 0:14:07 | 0:14:10 | |
reaches eight again and then... And then the world'll be on time again. | 0:14:10 | 0:14:14 | |
Thanks. | 0:14:20 | 0:14:21 | |
You've...had another delivery. | 0:14:30 | 0:14:32 | |
How d'you know where I am all the time? | 0:14:32 | 0:14:34 | |
I don't, I just...guessed. | 0:14:34 | 0:14:36 | |
It's like having a stalker, Bill. It's a bit weird. | 0:14:36 | 0:14:38 | |
-What is all this, Billy? -I don't know. | 0:14:46 | 0:14:47 | |
Course you do. What's she got planned? | 0:14:47 | 0:14:49 | |
You're talking to the wrong person. | 0:14:49 | 0:14:51 | |
Don't lie to me. You're in on it, you must be. | 0:14:51 | 0:14:53 | |
I'm really sorry, Michael, but I've got to get back. | 0:14:53 | 0:14:56 | |
No. No. Any more of this nonsense and she's all yours, all right? | 0:14:56 | 0:14:59 | |
Because this is weirding me out and I've had enough. | 0:14:59 | 0:15:02 | |
You tell her that. | 0:15:02 | 0:15:03 | |
-Hello, darling. -You all right? | 0:15:12 | 0:15:14 | |
Yeah. | 0:15:14 | 0:15:16 | |
Where's Ab? | 0:15:16 | 0:15:18 | |
Well, we ended up going shopping in the end | 0:15:18 | 0:15:20 | |
and she bumped into a mate, so I've come home. | 0:15:20 | 0:15:23 | |
I can't do it like I used to. Feet are killing me. | 0:15:23 | 0:15:25 | |
Tell you what, pop the kettle on, will you? | 0:15:25 | 0:15:27 | |
And then, maybe if you loved me, you could give my feet a rub. | 0:15:27 | 0:15:31 | |
Hello? | 0:15:33 | 0:15:35 | |
Oh yeah, yeah, I'll put the kettle on. | 0:15:35 | 0:15:37 | |
Is that new? | 0:15:37 | 0:15:39 | |
Yep. Yeah, it's nice, innit? Broke the other one. | 0:15:39 | 0:15:42 | |
Right, so the business is struggling | 0:15:42 | 0:15:44 | |
but we can still splash the cash on a phone like that? | 0:15:44 | 0:15:46 | |
Well, it's secondhand, innit? Got it for next to nothing. | 0:15:46 | 0:15:49 | |
Oh, right. It's a good job, innit? | 0:15:49 | 0:15:52 | |
Cos we need to be watching the pennies. | 0:15:52 | 0:15:54 | |
Do we? Why? | 0:15:54 | 0:15:55 | |
Because we've got a little wedding coming up. | 0:15:57 | 0:16:00 | |
-Yeah. -Yeah. | 0:16:01 | 0:16:03 | |
Well, I'll stick the kettle on. | 0:16:06 | 0:16:08 | |
BABY MUMBLES | 0:16:16 | 0:16:17 | |
Doggy. It's a doggy. | 0:16:17 | 0:16:19 | |
PHONE VIBRATES | 0:16:19 | 0:16:21 | |
-Mum! -Yeah? | 0:16:32 | 0:16:33 | |
Janice ain't right, you know? | 0:16:33 | 0:16:35 | |
She's got this weird look in her eye. | 0:16:35 | 0:16:36 | |
What, and you told her that? | 0:16:36 | 0:16:38 | |
I thinking that was more your field. Think about it - | 0:16:38 | 0:16:41 | |
she's got me, ME, looking after her kid. | 0:16:41 | 0:16:43 | |
Yeah, I know... | 0:16:43 | 0:16:44 | |
Bin it. | 0:16:45 | 0:16:46 | |
Hey, no. | 0:16:46 | 0:16:47 | |
Yeah, bin it, burn it, launch it, wear it, do what you like with it. | 0:16:47 | 0:16:51 | |
No. Michael, I think it's because she wants you to meet her... | 0:16:51 | 0:16:54 | |
-Got it, just take a seat. -Thanks. | 0:16:56 | 0:16:59 | |
-What's that for? -For you. | 0:17:22 | 0:17:25 | |
So, how'd it go? | 0:17:26 | 0:17:27 | |
Yeah. Yeah, it was good seeing my old mate. | 0:17:29 | 0:17:32 | |
Dad. I know. | 0:17:34 | 0:17:35 | |
How? | 0:17:37 | 0:17:39 | |
Lucy, you weren't meant to, cos... | 0:17:39 | 0:17:42 | |
I didn't want you knowing that I was seeing a specialist, cos... | 0:17:45 | 0:17:48 | |
You've already got enough on your plate. | 0:17:50 | 0:17:52 | |
Well, what did they say? | 0:17:53 | 0:17:55 | |
Can we talk about something else? | 0:17:56 | 0:17:58 | |
Dad, it's OK. Honest. I want to know. | 0:17:58 | 0:18:01 | |
They, um...they asked me... | 0:18:05 | 0:18:07 | |
They asked me lots of questions. And I... | 0:18:13 | 0:18:16 | |
I didn't know the answers. I tried. | 0:18:17 | 0:18:21 | |
Dad, you're going to get better. | 0:18:25 | 0:18:28 | |
You know how I know this? | 0:18:28 | 0:18:30 | |
Cos I am going to be there for you. I promise. | 0:18:31 | 0:18:36 | |
-All right, Alf. -Oh, hello, mate. | 0:18:47 | 0:18:49 | |
-Is Tommy upstairs? Can I give him this? -Yeah, if you want. | 0:18:49 | 0:18:51 | |
-All right? -Yeah, Yeah. It's for the boy. | 0:18:52 | 0:18:55 | |
He's asleep. | 0:18:55 | 0:18:56 | |
Is he? Can I take it up to him? | 0:18:58 | 0:19:01 | |
No, just leave it here, yeah? Cheers. | 0:19:01 | 0:19:03 | |
Like that, is it? | 0:19:03 | 0:19:05 | |
It's not like anything, Michael. | 0:19:05 | 0:19:07 | |
Maybe you can get a refund. | 0:19:14 | 0:19:16 | |
It's ugly anyway. A dog wouldn't wear that. | 0:19:16 | 0:19:19 | |
Listen, Janine, I really think you should just | 0:19:24 | 0:19:26 | |
concentrate on the good things, you know? | 0:19:26 | 0:19:28 | |
Yeah, Scarlett's probably sensing that you're upset. | 0:19:28 | 0:19:31 | |
Where is Michael? | 0:19:31 | 0:19:33 | |
-We don't know. -And what did I say to you about keeping an eye on him? | 0:19:33 | 0:19:35 | |
It's you that I'm worried about, Janine. | 0:19:35 | 0:19:37 | |
Wearing the new suit, I suppose, is he? | 0:19:37 | 0:19:39 | |
And the new watch I bought him? | 0:19:39 | 0:19:40 | |
Strutting around looking a million dollars. | 0:19:40 | 0:19:42 | |
You know what I'm thinking? | 0:19:42 | 0:19:44 | |
We should put Scarlett in the spare room, | 0:19:44 | 0:19:46 | |
because you need some serious sleep. | 0:19:46 | 0:19:48 | |
-Get out. -Janine, we're just trying to help. | 0:19:48 | 0:19:51 | |
Both of you! | 0:19:51 | 0:19:53 | |
Out. I mean it, all right! | 0:19:53 | 0:19:56 | |
GET THE HELL OUT! | 0:19:56 | 0:19:58 | |
Well, that looks heavy. | 0:20:17 | 0:20:19 | |
Do you want me to give you a hand over to Fat Boy's with it? | 0:20:19 | 0:20:22 | |
There's no room for me over there any more. | 0:20:22 | 0:20:24 | |
Oh, right. | 0:20:25 | 0:20:26 | |
Cos he thinks Anthony's coming back for the Emporium. | 0:20:26 | 0:20:29 | |
Shame I can't tell him otherwise. | 0:20:29 | 0:20:32 | |
But you're still packing. | 0:20:32 | 0:20:33 | |
I thought I might give Mum a call. | 0:20:35 | 0:20:37 | |
I didn't think you two were talking. | 0:20:37 | 0:20:38 | |
We're not. I suppose we had better start. | 0:20:38 | 0:20:42 | |
Right. | 0:20:44 | 0:20:45 | |
So I should call her? | 0:20:49 | 0:20:50 | |
You've obviously made up your mind to, so... | 0:20:53 | 0:20:55 | |
I'm getting a bit restless, myself. Might have a whim, hit the road. | 0:20:58 | 0:21:04 | |
Really? | 0:21:04 | 0:21:06 | |
Without you here there's nothing for me, is there? | 0:21:06 | 0:21:08 | |
But your family's here. | 0:21:08 | 0:21:10 | |
You're my family, Alice. | 0:21:10 | 0:21:12 | |
But I can't be. Not really! | 0:21:12 | 0:21:15 | |
Because people respect their families and give them space, | 0:21:15 | 0:21:19 | |
you don't seem to be able to do that. | 0:21:19 | 0:21:21 | |
Well, I'm letting you move out, ain't I? | 0:21:21 | 0:21:23 | |
It's not as straightforward as that. | 0:21:23 | 0:21:26 | |
You need to be able to promise me you're going to let me breathe, | 0:21:26 | 0:21:29 | |
show me that you can give me my space and not smother me. | 0:21:29 | 0:21:33 | |
Dad, I really liked Anthony, | 0:21:35 | 0:21:38 | |
and I think he started to really like me. | 0:21:38 | 0:21:41 | |
But you made sure that wasn't going to go anywhere. | 0:21:41 | 0:21:43 | |
I just thought you could do better... | 0:21:43 | 0:21:45 | |
But that's for me to decide, not you. | 0:21:45 | 0:21:48 | |
I won't ever interfere in your personal life again... | 0:21:51 | 0:21:54 | |
So long as you stay. | 0:21:56 | 0:21:58 | |
Are you going to behave yourself? | 0:22:03 | 0:22:04 | |
-Deal? -Deal. | 0:22:08 | 0:22:10 | |
Ain't you got a home to go to? | 0:22:19 | 0:22:21 | |
Not one I want to be in. | 0:22:21 | 0:22:23 | |
I thought you were the happiest man on the Square. | 0:22:23 | 0:22:25 | |
Should've known, you know. Once a nutter, always a nutter. | 0:22:27 | 0:22:31 | |
-What, you talking about Janine? -Yeah. She's gone weird. | 0:22:31 | 0:22:34 | |
Michael. The girl loves you, don't she? | 0:22:34 | 0:22:36 | |
She's given you a cracking daughter, | 0:22:36 | 0:22:37 | |
all them millions in the bank, buy anything you want. | 0:22:37 | 0:22:40 | |
If that's weird I think you're even weirder. | 0:22:40 | 0:22:42 | |
-Do you a swap, then. -Yeah, sure. | 0:22:43 | 0:22:45 | |
Yeah, Janine's millions for...Kat. | 0:22:45 | 0:22:49 | |
Hmm? | 0:22:49 | 0:22:51 | |
-Right here, right now. -Steady on, Michael. | 0:22:51 | 0:22:53 | |
Don't you ever just feel like that, though? | 0:22:55 | 0:22:57 | |
Just jacking it all in. Just starting somewhere new, | 0:22:57 | 0:23:01 | |
with someone new. | 0:23:01 | 0:23:03 | |
Got everything I want right here. | 0:23:04 | 0:23:05 | |
You have no idea. | 0:23:09 | 0:23:10 | |
Oh, yeah. Yeah, I could go there. | 0:23:26 | 0:23:32 | |
Well jel. | 0:23:32 | 0:23:33 | |
It's what you come back to though, isn't it? | 0:23:35 | 0:23:37 | |
Oh, darling... Sometimes you think you've found the right person | 0:23:40 | 0:23:44 | |
and you haven't. | 0:23:44 | 0:23:45 | |
You know, Jay might be, what, 90% right for you, | 0:23:45 | 0:23:49 | |
and you need to find 100% right - | 0:23:49 | 0:23:51 | |
like me and your dad. | 0:23:51 | 0:23:53 | |
Babe. Just popping out for a pint. | 0:23:55 | 0:23:58 | |
All right. Don't be late. | 0:23:58 | 0:24:01 | |
See you soon. Night, Abs. | 0:24:02 | 0:24:04 | |
Night. | 0:24:04 | 0:24:05 | |
See, that right there, that's a 100%, that is. | 0:24:07 | 0:24:09 | |
Mum, no offence, right. But half the time you're either split up | 0:24:11 | 0:24:14 | |
or trying to hurt each other. | 0:24:14 | 0:24:15 | |
Is that how you see us? | 0:24:17 | 0:24:18 | |
Well, maybe I am like you and it doesn't matter what Jay's done, | 0:24:21 | 0:24:25 | |
I still love him - like you and Dad. | 0:24:25 | 0:24:28 | |
Come here, you. | 0:24:32 | 0:24:33 | |
Oh dear, what are we like? | 0:24:35 | 0:24:39 | |
FRONT DOOR OPENS | 0:24:44 | 0:24:47 | |
KEYS DROP ON TABLE | 0:24:49 | 0:24:50 | |
Only three hours late. | 0:25:01 | 0:25:04 | |
-Been for a stroll? -Maybe. | 0:25:05 | 0:25:08 | |
You got my presents. See I get it now, Michael. | 0:25:08 | 0:25:11 | |
I get the message loud and clear. | 0:25:11 | 0:25:12 | |
-Open the suitcase. -Why? | 0:25:17 | 0:25:20 | |
Because it's got everything you've ever wanted... | 0:25:20 | 0:25:24 | |
..everything your heart desires. | 0:25:25 | 0:25:27 | |
Open it. | 0:25:28 | 0:25:30 | |
Here, Kat... Look. | 0:26:03 | 0:26:05 | |
I rescued it. | 0:26:05 | 0:26:07 | |
Thank you. | 0:26:09 | 0:26:10 | |
Dads don't send roses, do they? | 0:26:14 | 0:26:16 | |
Mine does. | 0:26:19 | 0:26:20 | |
Come here. | 0:26:21 | 0:26:22 | |
Talk to me, yeah. Tell me something good. | 0:26:26 | 0:26:29 | |
Like what? | 0:26:31 | 0:26:32 | |
Well, I don't know. That I'm still your fella. | 0:26:32 | 0:26:35 | |
Course you are. | 0:26:35 | 0:26:37 | |
Were you really at Kim's the other night? | 0:26:42 | 0:26:45 | |
It's just... All the flowers, you know? It don't feel right. | 0:26:45 | 0:26:51 | |
Who sent 'em? | 0:26:53 | 0:26:54 | |
My dad did. | 0:26:56 | 0:26:57 | |
Kat, sweetheart, listen. | 0:27:00 | 0:27:01 | |
You don't have to lie to protect me, all right? | 0:27:01 | 0:27:04 | |
I'm Alfie Moon, I'll be standing. | 0:27:04 | 0:27:07 | |
But if there is someone else, I need to know, yeah? | 0:27:07 | 0:27:10 | |
No. | 0:27:12 | 0:27:13 | |
That better? | 0:27:16 | 0:27:17 | |
-Better? -Do you feel better now? | 0:27:19 | 0:27:21 | |
You don't have to lie to me to spare my feelings. | 0:27:40 | 0:27:42 | |
You don't have to mug me off, Kat. | 0:27:44 | 0:27:45 | |
Just...please give me some dignity, yeah? | 0:27:47 | 0:27:51 | |
Can you do that? | 0:27:53 | 0:27:54 | |
Is there someone else? | 0:27:58 | 0:27:59 | |
Yeah. | 0:28:07 | 0:28:09 | |
Subtitles by Red Bee Media Ltd | 0:28:15 | 0:28:17 |