Browse content similar to 02/07/2013. Check below for episodes and series from the same categories and more!
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-BILLY: -Janine, I'm here. | 0:00:43 | 0:00:45 | |
I'm here! | 0:00:47 | 0:00:48 | |
Blimey, what do you want me to do? Text you a photo? | 0:00:48 | 0:00:51 | |
Meantime, my tea's on the table at home, getting cold. | 0:00:52 | 0:00:56 | |
Yes. I've been in and out about half a dozen times already. | 0:00:56 | 0:00:59 | |
Well, if you want me to stick a flag on my head | 0:01:01 | 0:01:03 | |
and turn the sound system up, I can do that. | 0:01:03 | 0:01:05 | |
Reticent? | 0:01:07 | 0:01:08 | |
Yes. Yes, I do know what "reticent" means, actually, Janine. | 0:01:10 | 0:01:12 | |
I can do "reticent", thank you very much. | 0:01:12 | 0:01:15 | |
So, are you actually coming back, Janine? | 0:01:15 | 0:01:17 | |
All right. OK. | 0:01:18 | 0:01:20 | |
Message received and understood. | 0:01:20 | 0:01:22 | |
Listen, Janine, just... | 0:01:24 | 0:01:26 | |
Look, I know it's not my place and call me old fashioned, | 0:01:26 | 0:01:28 | |
but all this messing him about... | 0:01:28 | 0:01:31 | |
Why don't you just call Michael and tell him where you are? | 0:01:31 | 0:01:33 | |
And where's the fun in that? | 0:01:33 | 0:01:36 | |
Michael doesn't do straight talking. | 0:01:36 | 0:01:39 | |
The truth brings him out in a rash. | 0:01:39 | 0:01:41 | |
Speak to you later. | 0:01:41 | 0:01:43 | |
TICKING | 0:01:50 | 0:01:53 | |
TIMER BUZZES | 0:02:07 | 0:02:09 | |
No pressure. Absolutely no pressure. | 0:02:24 | 0:02:27 | |
It's just a souffle. | 0:02:27 | 0:02:29 | |
It's not JUST a souffle, is it? I mean, it's on the specials board | 0:02:31 | 0:02:34 | |
and it's got a unique selling point - you know, "share a souffle". | 0:02:34 | 0:02:38 | |
You did make sure that your mixing bowl was absolutely spotless, didn't you? | 0:02:38 | 0:02:42 | |
Jean, just relax. | 0:02:42 | 0:02:44 | |
-Oh! -Oh, for crying out loud! | 0:02:47 | 0:02:49 | |
You! You... | 0:02:49 | 0:02:51 | |
I... Oh, never mind. | 0:02:51 | 0:02:54 | |
Never mind?! That looked like it had risen! | 0:02:54 | 0:02:56 | |
Well, better luck next time. | 0:02:56 | 0:02:58 | |
I'm not made of money. | 0:02:58 | 0:02:59 | |
-Look, Jean, I know you're doing your best, OK? -Yeah. | 0:03:04 | 0:03:07 | |
But next time maybe do an individual one. | 0:03:07 | 0:03:10 | |
You know, look... Size doesn't matter, does it? | 0:03:10 | 0:03:13 | |
I'm disappointed in you, Bill. This is my disappointed face. | 0:03:16 | 0:03:20 | |
I find your intransigence frustrating. | 0:03:20 | 0:03:24 | |
You either know where she is, Billy, or you don't know where she is. | 0:03:24 | 0:03:28 | |
All right, all right, keep your hair on, will you? | 0:03:28 | 0:03:30 | |
I'm just trying to be, you know...reticent. | 0:03:30 | 0:03:34 | |
-What was that? -Reticent. | 0:03:34 | 0:03:36 | |
Yeah! | 0:03:36 | 0:03:38 | |
Yeah, yeah. Yeah, course you are. Course you are. | 0:03:38 | 0:03:41 | |
I like you, Bill. | 0:03:43 | 0:03:45 | |
-You know I've always had a very soft spot for you. -Yeah. -Yeah. | 0:03:45 | 0:03:50 | |
You know that, right? | 0:03:50 | 0:03:52 | |
I'm confused. I don't know what to make of it all. | 0:03:52 | 0:03:55 | |
I suppose that's all I'm saying. | 0:03:55 | 0:03:56 | |
You and me both neither! | 0:03:56 | 0:03:59 | |
I was halfway through my egg and chips. | 0:03:59 | 0:04:01 | |
-Hmm. -It's women, though, right? | 0:04:01 | 0:04:04 | |
-Is it? -Like to keep you on your toes. | 0:04:04 | 0:04:07 | |
Yeah. | 0:04:07 | 0:04:08 | |
They do. That's right. | 0:04:10 | 0:04:11 | |
Never mind. Out of sight, out of mind. | 0:04:13 | 0:04:15 | |
That's got to be the way forward, ain't it? | 0:04:15 | 0:04:17 | |
Out of sight, out of mind. | 0:04:17 | 0:04:19 | |
She knows where I am - Janine. She knows where I am. | 0:04:20 | 0:04:23 | |
If she's going to let me see my daughter again, she can just get in contact with me. | 0:04:23 | 0:04:26 | |
Thanks for that, Bill. | 0:04:27 | 0:04:30 | |
Luxley Hotel. | 0:04:30 | 0:04:31 | |
That's where Janine is. Luxley Hotel. | 0:04:34 | 0:04:37 | |
You know it, apparently. | 0:04:37 | 0:04:39 | |
-Do I? -She says that you do. | 0:04:39 | 0:04:41 | |
Does she? | 0:04:41 | 0:04:43 | |
Oh, yeah. Yeah, yeah, I do. | 0:04:43 | 0:04:45 | |
Very good room service, as I recall. | 0:04:46 | 0:04:48 | |
Look, she's checking out tonight. I don't know where she's going. | 0:04:48 | 0:04:52 | |
Somewhere foreign, presumably, this time of year. | 0:04:52 | 0:04:55 | |
Shouldn't be too hard to get a replacement passport. | 0:04:55 | 0:04:58 | |
Thanks, Bill. | 0:04:58 | 0:05:00 | |
-Hi! -Hi. -Gin and tonic, please, Tracey. -OK. | 0:05:25 | 0:05:27 | |
-And whatever Cora's having. -OK. | 0:05:32 | 0:05:35 | |
SHIRLEY: I know that look. | 0:05:43 | 0:05:45 | |
H-H-He managed to get it out of me. | 0:05:56 | 0:05:58 | |
He knows where you're staying. | 0:05:59 | 0:06:01 | |
What else is he going to do, eh? | 0:06:03 | 0:06:06 | |
He just jumped straight into a cab. | 0:06:06 | 0:06:08 | |
Reticent. When does Billy Mitchell use a word like "reticent"? | 0:06:15 | 0:06:18 | |
He's a weapons-grade moron. | 0:06:18 | 0:06:21 | |
That is so her word. | 0:06:21 | 0:06:23 | |
She has got replacement passports, through. | 0:06:23 | 0:06:25 | |
Isn't that all the more reason to go to the hotel? For Scarlett's sake? | 0:06:25 | 0:06:29 | |
Are you deaf or just thick? | 0:06:29 | 0:06:31 | |
I must be. Seeing as I'm sat here talking to you. | 0:06:31 | 0:06:33 | |
You've spent every single day since Janine took Scarlett trying to find out where they are. | 0:06:33 | 0:06:37 | |
Now you know and you're not going because...Janine wants you to? | 0:06:37 | 0:06:40 | |
Oh, brilliant. Lucky Scarlett. | 0:06:40 | 0:06:42 | |
No, it's not that. She's trying to set me up, Alice. She's trying to punish me. | 0:06:42 | 0:06:46 | |
For what? Because she thought I was her friend? | 0:06:46 | 0:06:48 | |
-That's a really dumb question. -Don't talk to me like that. -Let me walk you through it again. | 0:06:48 | 0:06:52 | |
She really resents me because I wasn't there for them when... | 0:06:52 | 0:06:55 | |
When Scarlett was born, you know, I kind of disappeared for a bit. | 0:06:55 | 0:06:58 | |
And deep down inside, she realises that Scarlett loves me so much more. | 0:06:59 | 0:07:03 | |
And in the final analysis, | 0:07:03 | 0:07:06 | |
she realises she's an awful mother. | 0:07:06 | 0:07:09 | |
Marriage is... | 0:07:09 | 0:07:10 | |
It's complicated. | 0:07:12 | 0:07:13 | |
Fine. Whatever. It's not even any of my business. | 0:07:13 | 0:07:17 | |
I was just Scarlett's childminder whenever you had something better to do. | 0:07:18 | 0:07:21 | |
And I loved her. | 0:07:23 | 0:07:24 | |
But what do I know? | 0:07:24 | 0:07:26 | |
I'm not as experienced or as toxic as you, am I, Michael? | 0:07:26 | 0:07:30 | |
In my world, in the real world, there's only one reason a woman wants a man to chase after her. | 0:07:30 | 0:07:34 | |
-I don't like playing games. -Really? | 0:07:34 | 0:07:36 | |
Because it seems to me that you and Janine get off on them | 0:07:36 | 0:07:39 | |
just as much as each other. | 0:07:39 | 0:07:41 | |
And, you know, for Scarlett's sake, the least you can do is win. | 0:07:41 | 0:07:44 | |
SHE SIGHS | 0:08:01 | 0:08:03 | |
PHONE RINGS | 0:08:15 | 0:08:17 | |
It's harassment. | 0:08:21 | 0:08:22 | |
I think it's sexual harassment. | 0:08:24 | 0:08:26 | |
Blowing hot and cold. Keeping tabs on me all the time. | 0:08:28 | 0:08:31 | |
I mean, yesterday he was so horrible to me. | 0:08:32 | 0:08:34 | |
He's overwhelmed with... | 0:08:37 | 0:08:39 | |
..feelings. Ugh! | 0:08:41 | 0:08:43 | |
Isn't he? | 0:08:43 | 0:08:45 | |
I mean, no wonder my souffle's sloppy. I can't concentrate. | 0:08:47 | 0:08:51 | |
So...your horoscope said that the moon was in Uranus. | 0:08:51 | 0:08:56 | |
Does that mean, "Beware of Ian Beale in the kitchen"? | 0:08:56 | 0:08:59 | |
No! My horoscope said... | 0:08:59 | 0:09:02 | |
Here. "Be on the lookout for little treats. They could signal romance." | 0:09:02 | 0:09:08 | |
-And Ian Beale gave you a glass of wine? -Yes. And called it a "little treat". | 0:09:08 | 0:09:12 | |
Give us them back. I don't want you misunderstanding my bourbons. | 0:09:12 | 0:09:15 | |
No, you're not winking at me, are you, Shirley? | 0:09:15 | 0:09:17 | |
-Ian Beale winked at you? -Yes! | 0:09:17 | 0:09:19 | |
And praising me and flattering me and squeezing my hand. | 0:09:19 | 0:09:23 | |
-I've not had a wink in years. -It was a twitch. -It's a worry. | 0:09:25 | 0:09:28 | |
-DENISE: -Shirley! | 0:09:28 | 0:09:31 | |
Hardly surprising, is it? | 0:09:31 | 0:09:32 | |
I know that Ian and I share mental health issues and a love of cooking, | 0:09:32 | 0:09:38 | |
but I swear, Shirley, I've never given Ian Beale one iota of encouragement. | 0:09:38 | 0:09:44 | |
Shirley Carter, if you're back there scoffing them biscuits, they are coming out of your wages. | 0:09:44 | 0:09:48 | |
Yes, your highness. Two minutes, your highness. | 0:09:48 | 0:09:51 | |
I mean, how difficult and demanding do you think it is living with her? | 0:09:54 | 0:09:58 | |
-Poor fella just needs a bit of comfort. -Shirley! | 0:09:59 | 0:10:02 | |
You've got to slap him down, Jean. | 0:10:04 | 0:10:06 | |
I've got some shrapnel for you. | 0:10:15 | 0:10:17 | |
Yes. I'm sure you have. | 0:10:17 | 0:10:20 | |
But I think you'll find that a good name is rather to be chosen than great riches. | 0:10:21 | 0:10:26 | |
And loving favour, than silver or gold. | 0:10:26 | 0:10:30 | |
That is Proverbs. Chapter 22, verse one. | 0:10:30 | 0:10:34 | |
Sorry, Dot. | 0:10:34 | 0:10:35 | |
You know, lying always catches up with you. | 0:10:37 | 0:10:41 | |
But it'll pass. They'll find something else to talk about. | 0:10:42 | 0:10:46 | |
Do you know that Cora? She actually come into the launderette | 0:10:46 | 0:10:49 | |
specially to tell me, on account of my not knowing nothing about it. | 0:10:49 | 0:10:52 | |
I mean, why should I? Weren't none of my business. Nor hers. | 0:10:52 | 0:10:55 | |
So said to her, I said, | 0:10:55 | 0:10:57 | |
"Let he who is without sin cast the first stone". | 0:10:57 | 0:11:01 | |
So you keep your head held up. | 0:11:02 | 0:11:04 | |
And don't you mope. | 0:11:04 | 0:11:06 | |
You've got to eat. | 0:11:06 | 0:11:08 | |
And if you want to give me back them little bootees, | 0:11:08 | 0:11:12 | |
you could always post them through my letterbox. | 0:11:12 | 0:11:15 | |
Cos there's a woman at my church, Maureen - | 0:11:15 | 0:11:17 | |
she does the flowers and her daughter's expecting. | 0:11:17 | 0:11:21 | |
A little grandson. | 0:11:22 | 0:11:24 | |
So... | 0:11:29 | 0:11:30 | |
This is nice, innit? | 0:11:32 | 0:11:33 | |
Pubs ain't the same since they stopped letting you smoke in 'em. | 0:11:36 | 0:11:41 | |
What, all that breathing clean air and drinking? | 0:11:42 | 0:11:45 | |
Still, you've done well, though, haven't you? Giving up smoking. | 0:11:48 | 0:11:54 | |
Thank you. You got a little gold star you can give me? | 0:11:54 | 0:11:57 | |
I think... | 0:12:00 | 0:12:02 | |
maybe some people just don't have that much in common. | 0:12:02 | 0:12:07 | |
Right. | 0:12:07 | 0:12:08 | |
My thoughts exactly. | 0:12:09 | 0:12:11 | |
It's...a personality kind of thing. | 0:12:12 | 0:12:16 | |
I'VE always found honesty is the best policy. | 0:12:18 | 0:12:23 | |
If you want to say something, just go ahead and say it. | 0:12:25 | 0:12:28 | |
Yeah, I will. It's not just about Tanya. | 0:12:28 | 0:12:32 | |
Your sister Rainie's the same. | 0:12:32 | 0:12:34 | |
Not one of you can pick a decent fella. | 0:12:34 | 0:12:37 | |
Like a well-oiled machine. You know what I like, Jean? | 0:12:42 | 0:12:45 | |
Just you and me together on our own doing the business. | 0:12:46 | 0:12:49 | |
-You know what I like about you? -No. | 0:12:52 | 0:12:55 | |
Your enthusiasm. You're eager to please. | 0:12:55 | 0:12:59 | |
You don't have these nights off | 0:12:59 | 0:13:01 | |
and throw in the towel like the others. | 0:13:01 | 0:13:03 | |
You're like my right hand, only better. | 0:13:04 | 0:13:07 | |
Well, what did you tell him? | 0:13:13 | 0:13:15 | |
I just said what you told me to say. | 0:13:15 | 0:13:18 | |
Well, you obviously didn't say it right. | 0:13:18 | 0:13:20 | |
Janine, I'm just a normal bloke, all right? I don't understand what you're doing. | 0:13:20 | 0:13:25 | |
-I don't understand how I could say it in any other way. -Fine. | 0:13:25 | 0:13:29 | |
Fine. You go back and you tell Michael he blew it, all right? | 0:13:29 | 0:13:34 | |
You tell him he will never have another chance | 0:13:34 | 0:13:38 | |
with Scarlett. His daughter. He will never see her again. | 0:13:38 | 0:13:42 | |
You tell him that. | 0:13:42 | 0:13:43 | |
MICHAEL: You can tell me yourself. DOOR CLOSES | 0:13:47 | 0:13:50 | |
This is the part in the film where you leave, Bill. | 0:13:56 | 0:13:58 | |
Yeah. Yeah, right. | 0:13:58 | 0:14:01 | |
I'll, erm, be on me way, then. | 0:14:01 | 0:14:03 | |
-Oh, Billy. -Yeah? | 0:14:03 | 0:14:05 | |
You're fired. | 0:14:05 | 0:14:07 | |
I think you probably lost the right to tell me what to do | 0:14:24 | 0:14:28 | |
over 40 years ago. | 0:14:28 | 0:14:29 | |
Yes, every time. | 0:14:29 | 0:14:32 | |
But just cos you went out and got yourself an education, lady, | 0:14:34 | 0:14:38 | |
that don't mean you've got any common sense. | 0:14:38 | 0:14:40 | |
It's none of my business who you drop your knickers for. | 0:14:41 | 0:14:45 | |
But if I can find out, don't you think Dexter's going to get wind of it? | 0:14:45 | 0:14:49 | |
You and I might not have anything in common, Ava, | 0:14:50 | 0:14:54 | |
but me and my grandson, we're friends. | 0:14:54 | 0:14:56 | |
I think you've got a choice. | 0:14:58 | 0:15:00 | |
End it with Sam or tell Dexter the truth. | 0:15:00 | 0:15:04 | |
Then, what do I know? | 0:15:05 | 0:15:07 | |
I'm just the woman who gave birth to you. | 0:15:07 | 0:15:10 | |
Quite frankly, that's another compromising position | 0:15:14 | 0:15:17 | |
I could have done without. | 0:15:17 | 0:15:20 | |
I said to her, I said, "Lola, I am the official manager now." | 0:15:21 | 0:15:27 | |
You are the official manager. | 0:15:27 | 0:15:28 | |
So I said, "Lola, roots? Really?" | 0:15:28 | 0:15:31 | |
What kind of image are we presenting? | 0:15:31 | 0:15:33 | |
Like, er...hairdressers that can't do hair properly. | 0:15:33 | 0:15:37 | |
Exactly, and how many people want hairdressers that don't dye their own hair properly? | 0:15:37 | 0:15:41 | |
-Hi, a white wine spritzer with a dash of lime, please. -And an orange juice. | 0:15:41 | 0:15:44 | |
What did Lola say? | 0:15:44 | 0:15:46 | |
She said all kinds of things in the stock room, cos I heard her. | 0:15:46 | 0:15:49 | |
-You've got to let that pass. -I did. I did. I let that pass. | 0:15:49 | 0:15:52 | |
But, you know, time-keeping, now that is where I'm drawing the line. | 0:15:52 | 0:15:55 | |
She's not going to like that. | 0:15:55 | 0:15:57 | |
No, she did not like that. And, you know, I don't blame her. | 0:15:57 | 0:16:01 | |
These things, they can easily become a habit. | 0:16:01 | 0:16:03 | |
Like, if I don't put all my little bits out by my shoes the night before, | 0:16:03 | 0:16:07 | |
I ain't going to sleep, Alice, you know? Cos I think I'll forget 'em. | 0:16:07 | 0:16:11 | |
I think that's a good habit, but anyway, I'm not being mean, yeah? | 0:16:11 | 0:16:14 | |
But you cannot turn up 20 minutes after your client. | 0:16:14 | 0:16:17 | |
Right? I mean, how does that look? | 0:16:17 | 0:16:20 | |
Like a beauty salon that can't be bothered. | 0:16:20 | 0:16:22 | |
They don't mention that in the "how to teach yourself management" book, do they? | 0:16:22 | 0:16:27 | |
You know, I've had four mint teas and a banana for the pressure. | 0:16:27 | 0:16:31 | |
Oh, babe! | 0:16:31 | 0:16:32 | |
Fats got me a little lunchbox with "manager" on it! | 0:16:32 | 0:16:36 | |
Seriously though, I'm not sure I'm cut out. | 0:16:36 | 0:16:38 | |
You ARE cut out. | 0:16:38 | 0:16:40 | |
I said to him, | 0:16:41 | 0:16:42 | |
"Shaking this tin is a relief after being in charge." | 0:16:42 | 0:16:47 | |
Even if it does mean he's got to do all the bits on the list - | 0:16:47 | 0:16:50 | |
-you know, pick up the washing and that. -What did Fat Boy say? | 0:16:50 | 0:16:54 | |
He said he had created a monster and he wanted his lunchbox back. | 0:16:54 | 0:16:58 | |
-There you go. -Thanks. As a joke. He said it as a joke. | 0:16:58 | 0:17:02 | |
But if I'm being honest, I didn't find it all that funny. | 0:17:02 | 0:17:06 | |
Kirst? Come on. | 0:17:09 | 0:17:11 | |
Come out for dinner. Somewhere nice. | 0:17:11 | 0:17:15 | |
You've still got to eat, even if it's just for one now. | 0:17:15 | 0:17:18 | |
Come on. | 0:17:19 | 0:17:20 | |
You know you want to. | 0:17:22 | 0:17:23 | |
I'd rather starve. | 0:17:26 | 0:17:27 | |
You know I mean it. | 0:17:28 | 0:17:30 | |
Say goodbye, Michael. | 0:17:38 | 0:17:40 | |
Again? You look well by the way. | 0:17:42 | 0:17:44 | |
YOU can do one. | 0:17:44 | 0:17:46 | |
Not the Caribbean, no? If you want me to continue to chase you, | 0:17:51 | 0:17:55 | |
you'll have to bear in mind my limited budget. I'm rather impecunious. | 0:17:55 | 0:17:58 | |
I'm presuming the passports have come through. | 0:17:58 | 0:18:01 | |
I didn't ever want you to chase me. I never want to see you again. | 0:18:01 | 0:18:05 | |
That's patently rubbish cos you set Billy up to tell me where you were. | 0:18:05 | 0:18:09 | |
And we share a daughter. Had you overseen that? | 0:18:09 | 0:18:11 | |
We're inextricably linked, Janine, unfortunately. | 0:18:11 | 0:18:15 | |
But, in retrospect, | 0:18:15 | 0:18:17 | |
I would do it all again. I would. | 0:18:17 | 0:18:19 | |
I would. Because you're worth it. | 0:18:19 | 0:18:21 | |
Has her back tooth come through yet? | 0:18:22 | 0:18:24 | |
I don't... | 0:18:26 | 0:18:28 | |
Yes. Yes. I think... I think so. | 0:18:28 | 0:18:30 | |
Will you just say goodbye? We've got to check in. | 0:18:30 | 0:18:32 | |
No. I won't. | 0:18:32 | 0:18:34 | |
Cos it's not very kind. And it's certainly not good for her. | 0:18:35 | 0:18:38 | |
It's a constant upheaval, isn't it? It's just not very kind. | 0:18:38 | 0:18:41 | |
But then YOU'RE not very kind, are you? | 0:18:41 | 0:18:43 | |
Think about when you were small. Think about Frank. | 0:18:43 | 0:18:45 | |
You whinged about it enough. | 0:18:45 | 0:18:47 | |
Doesn't she, darling? | 0:18:48 | 0:18:49 | |
When you coming back to the Square? | 0:18:49 | 0:18:51 | |
I wasn't expecting you, OK? You've got to remember this is a legitimate business - | 0:18:53 | 0:18:57 | |
I can't just lay my hands on fistfuls of cash whenever you turn up. | 0:18:57 | 0:19:01 | |
I suppose a menu'll have to do, then. | 0:19:06 | 0:19:08 | |
For now. | 0:19:11 | 0:19:12 | |
Uh-oh. | 0:19:17 | 0:19:19 | |
Good mood's over, I'm telling you. | 0:19:19 | 0:19:21 | |
She's very demanding, apparently. | 0:19:21 | 0:19:24 | |
Who? Denise is? | 0:19:24 | 0:19:26 | |
Is she? Cos that's what I heard. | 0:19:26 | 0:19:28 | |
I don't know how Ian can sit down and have dinner with her every evening. | 0:19:28 | 0:19:32 | |
It's understandable that he would be looking for... | 0:19:32 | 0:19:36 | |
comfort wherever he can... | 0:19:36 | 0:19:38 | |
You quit, so either order something or leave. | 0:19:39 | 0:19:42 | |
Souffle. OK? We've got one on order. One of the first individual souffles. | 0:19:42 | 0:19:45 | |
Jean, no pressure, but all eyes are going to be on you. Don't mess up. | 0:19:45 | 0:19:48 | |
I put her name down for the Baptist church on the high street. | 0:20:27 | 0:20:30 | |
My daughter is not going to a church nursery. | 0:20:30 | 0:20:33 | |
I knew you'd say that. | 0:20:33 | 0:20:34 | |
So I looked into this prep school outside of Walford. | 0:20:34 | 0:20:36 | |
It's a posh one. You'll like it. It's expensive, long waiting list. | 0:20:36 | 0:20:40 | |
Not my money to spend, though. | 0:20:40 | 0:20:42 | |
And that's what this is all about, isn't it, in essence? Money. | 0:20:42 | 0:20:46 | |
-I never wanted it, did I? Never took it. -Oh, yes. | 0:20:47 | 0:20:49 | |
Yes. I get the message. | 0:20:49 | 0:20:51 | |
Do you, though? I'm not sure you do. | 0:20:55 | 0:20:57 | |
Let's see if you do. | 0:20:57 | 0:20:58 | |
450 THOUSAND pounds. That's a lot of money. | 0:20:58 | 0:21:02 | |
Have you ever considered what it would've been like if I'd said yes that night that you left me | 0:21:03 | 0:21:08 | |
on my own, holding the baby? | 0:21:08 | 0:21:10 | |
And it's me that whinges? | 0:21:10 | 0:21:11 | |
Possibilities would've been endless. I could've got myself a decent lawyer | 0:21:11 | 0:21:15 | |
instead of that chocolate fireguard Norman Pike. | 0:21:15 | 0:21:17 | |
Could've given yours a good run for her money, couldn't I? | 0:21:17 | 0:21:20 | |
You would've liked that. Another fight. | 0:21:20 | 0:21:23 | |
Can you tell me what possible reason I would have to come back to the Square? | 0:21:23 | 0:21:27 | |
Me. | 0:21:29 | 0:21:31 | |
He doesn't look like a souffle sort of person. Who is he? | 0:21:46 | 0:21:50 | |
You're still here? | 0:21:50 | 0:21:52 | |
Why is she still here? It's the staff-only area. | 0:21:52 | 0:21:54 | |
I'm collecting money for charity, actually, thank you very much. | 0:21:54 | 0:21:58 | |
And Mrs Branning's already done the pub so... | 0:21:58 | 0:22:00 | |
What does a souffle person actually look like? | 0:22:00 | 0:22:03 | |
-Hmm, not like him. -THEY CHUCKLE | 0:22:03 | 0:22:06 | |
Jean, will you please open the doors? | 0:22:09 | 0:22:12 | |
I am waiting for the beep. | 0:22:12 | 0:22:14 | |
-TIMER RINGS -Ah, right! There we go. | 0:22:18 | 0:22:20 | |
This is it, then. Oh! | 0:22:20 | 0:22:22 | |
What if it's another failure, like...? No, no, no! It won't be. I just... | 0:22:24 | 0:22:27 | |
Erm...yeah... | 0:22:27 | 0:22:30 | |
I can't actually bring myself to open the oven door. | 0:22:31 | 0:22:33 | |
Do I have to do EVERYTHING myself? | 0:22:33 | 0:22:35 | |
Well, no. Not if you were a good manager. | 0:22:35 | 0:22:37 | |
I mean, no offence, but good management is in the art of delegation. | 0:22:37 | 0:22:41 | |
A waitress who can't waitress. A chef that can't open a door, | 0:22:41 | 0:22:44 | |
and a souffle that's going to be burnt and... | 0:22:44 | 0:22:46 | |
SHE GASPS | 0:22:55 | 0:22:56 | |
I'll get the plate. | 0:22:56 | 0:22:59 | |
Jean, it is perfect! | 0:22:59 | 0:23:01 | |
Jean, you did it! | 0:23:02 | 0:23:04 | |
-You know what? I could kiss you. -No, please don't. -I could actually kiss you. -NO, Ian! | 0:23:04 | 0:23:08 | |
No means no! | 0:23:10 | 0:23:12 | |
Can you just take her in there, please? | 0:23:18 | 0:23:21 | |
-My life's been better without you, actually. -Leave. You need to get out. | 0:23:29 | 0:23:33 | |
It has been infinitely richer. | 0:23:33 | 0:23:35 | |
Do you know what? You really are an arrogant, pathetic man. | 0:23:35 | 0:23:38 | |
Do you really rate yourself that highly? | 0:23:38 | 0:23:40 | |
Yeah. Yeah, I do. | 0:23:40 | 0:23:42 | |
You think you can bypass being decent just cos you're loaded. | 0:23:42 | 0:23:45 | |
That's your problem. | 0:23:45 | 0:23:46 | |
The last little fragment of your heart has rotted away. | 0:23:46 | 0:23:51 | |
Look at you. Can you see how grotesque you are? | 0:23:51 | 0:23:53 | |
-Do you know where you're headed? -Yeah. The Caribbean and it's not that far. | 0:23:55 | 0:23:58 | |
I gather it's warm this time of year. You have a nice time. | 0:23:58 | 0:24:01 | |
You haven't even said goodbye to your precious daughter. | 0:24:01 | 0:24:03 | |
And also, technically, we're still married, aren't we? | 0:24:03 | 0:24:07 | |
Which means I have rights to certain assets along the line. | 0:24:07 | 0:24:10 | |
-Do you think? -Oh, please! | 0:24:10 | 0:24:12 | |
Oh, dear, if only we hadn't ripped up that prenup. | 0:24:14 | 0:24:17 | |
And do you really think that your pathetic, sweaty little lawyer | 0:24:18 | 0:24:22 | |
Norman's blood pressure is up to it? | 0:24:22 | 0:24:24 | |
I don't want you back on the Square. Where's the incentive for me? | 0:24:24 | 0:24:27 | |
With your patronising, condescending tone? | 0:24:27 | 0:24:30 | |
Treating me like a lackey while my daughter watches on? | 0:24:30 | 0:24:33 | |
No, no, no. This'll all pass. | 0:24:35 | 0:24:37 | |
I'll wait. I'll bide my time. Cos I'm patient. | 0:24:37 | 0:24:40 | |
Cos I'm still married to you. I'm still your husband. And she'll always be my daughter. | 0:24:41 | 0:24:46 | |
So that means half, Janine. | 0:24:47 | 0:24:49 | |
That means half of all you own will be mine. | 0:24:49 | 0:24:52 | |
In your dreams. | 0:24:52 | 0:24:54 | |
No, no. I think you'll find you're very, very mistaken. | 0:24:54 | 0:24:57 | |
Even the poor people get to go to Citizens Advice. | 0:24:58 | 0:25:00 | |
No, I think you'll find it'll be you looking out the window, | 0:25:02 | 0:25:05 | |
hoping, praying, to see if I show up with her. | 0:25:05 | 0:25:08 | |
Maybe I will. | 0:25:11 | 0:25:12 | |
Maybe I won't. | 0:25:13 | 0:25:14 | |
But for now, for today, I'm done here. | 0:25:17 | 0:25:19 | |
Cos I can't wait for you to grow up any more, cos you're an emotional dwarf. | 0:25:19 | 0:25:23 | |
And you couldn't put that child before you even if you tried. | 0:25:23 | 0:25:27 | |
So we can do the legal thing - just go through the lawyers | 0:25:29 | 0:25:31 | |
and all that horrible toxic stuff. That's fine. | 0:25:31 | 0:25:35 | |
But I'm not here to say goodbye to her. | 0:25:35 | 0:25:37 | |
I'm here to say goodbye to you. | 0:25:37 | 0:25:39 | |
Bye, then. | 0:25:40 | 0:25:41 | |
And stay away from the Square. | 0:25:44 | 0:25:46 | |
Can you come in here? | 0:26:07 | 0:26:09 | |
Get those suitcases in the car. | 0:26:20 | 0:26:22 | |
We're leaving. | 0:26:27 | 0:26:28 | |
Subtitles by Red Bee Media Ltd | 0:27:09 | 0:27:12 |