Browse content similar to 24/09/2013. Check below for episodes and series from the same categories and more!
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Look, it's not easy, Mum, saying nothing. | 0:00:26 | 0:00:28 | |
Do you think I don't know that? | 0:00:28 | 0:00:30 | |
Especially when I can help him. | 0:00:30 | 0:00:33 | |
What? | 0:00:33 | 0:00:35 | |
You heard? | 0:00:35 | 0:00:37 | |
I'm a match, for all the good it does. | 0:00:37 | 0:00:39 | |
It changes nothing, though, yeah. Mum, man... | 0:00:42 | 0:00:45 | |
You know it can't. All right? | 0:00:45 | 0:00:47 | |
Do I? Dexter, this is the right thing. | 0:00:47 | 0:00:50 | |
I can't lose both of you. | 0:00:50 | 0:00:51 | |
You know we've got to live with this now, innit? | 0:00:51 | 0:00:54 | |
We will. Somehow. | 0:00:54 | 0:00:56 | |
I got a reply! Someone likes my profile. | 0:00:58 | 0:01:03 | |
Oh, she's nice. Did you join a dating site? | 0:01:03 | 0:01:06 | |
Hundreds of them. Tam, look. | 0:01:06 | 0:01:08 | |
Hey, Tam. Yeah, it's a woman. | 0:01:10 | 0:01:13 | |
I'm only trying to catch up with you guys. | 0:01:13 | 0:01:15 | |
You've got Carol, you've got Alice, I'm like the lonely, yet handsome, gooseberry, aren't I, | 0:01:15 | 0:01:19 | |
you naughty little nonsmoker? | 0:01:19 | 0:01:21 | |
Well, if you do find someone, just don't give them a balloon. | 0:01:21 | 0:01:25 | |
What are you doing? He didn't bother. | 0:01:34 | 0:01:36 | |
What? Tamwar. He didn't call you. | 0:01:36 | 0:01:38 | |
You're going through my phone. | 0:01:38 | 0:01:40 | |
You left it lying around. | 0:01:40 | 0:01:41 | |
You can't do that. | 0:01:41 | 0:01:43 | |
What are you getting angry for? I'm looking out for you. | 0:01:43 | 0:01:45 | |
I didn't want him upsetting you. | 0:01:45 | 0:01:47 | |
OK, well, I'd just really rather you didn't. | 0:01:48 | 0:01:51 | |
OK, I won't. | 0:01:51 | 0:01:52 | |
Sorry, that was wrong. | 0:01:54 | 0:01:56 | |
OK. But it was necessary. Do you see? | 0:01:57 | 0:02:01 | |
See, you've got good on one hand and bad on the other. | 0:02:01 | 0:02:05 | |
Kind of balances itself out. | 0:02:05 | 0:02:08 | |
OK. OK. | 0:02:10 | 0:02:12 | |
Morning, Butcher HQ. Over. Morning, Beale One. Over. | 0:02:12 | 0:02:16 | |
Beale One to Butcher HQ. I miss you. Over. | 0:02:16 | 0:02:19 | |
Aw... Over. | 0:02:19 | 0:02:21 | |
Big Bear approaching. Hang five. Over. | 0:02:21 | 0:02:24 | |
All right, come on, you. Time to get to school. | 0:02:25 | 0:02:27 | |
I'll be glad when you can get there on your own. | 0:02:27 | 0:02:29 | |
Which you might have to do, when I go on this catering course. | 0:02:29 | 0:02:31 | |
'Hello?' Do you hear a voice? | 0:02:31 | 0:02:34 | |
A voice? Yeah. | 0:02:34 | 0:02:36 | |
I must be working too hard. Come on, let's get to school. | 0:02:39 | 0:02:41 | |
So, he said no to you then? Yeah. | 0:02:56 | 0:02:59 | |
That's good. Good? | 0:02:59 | 0:03:01 | |
I think I got Sam wrong. | 0:03:01 | 0:03:04 | |
Dexter? Yes? | 0:03:04 | 0:03:07 | |
You need to talk to him again. Steady. | 0:03:07 | 0:03:10 | |
Look, I don't understand, yesterday, you said you wanted to help and... | 0:03:10 | 0:03:13 | |
Yesterday was yesterday, innit? | 0:03:13 | 0:03:15 | |
Why don't you keep out of it, cos you told me he needs to make up his own mind up. | 0:03:15 | 0:03:18 | |
Yeah, but that is... He's... Guys! | 0:03:18 | 0:03:21 | |
What's changed? | 0:03:21 | 0:03:22 | |
I ain't actually told him. So he doesn't know? | 0:03:22 | 0:03:25 | |
Nice one. | 0:03:25 | 0:03:26 | |
How can you say that? | 0:03:26 | 0:03:28 | |
Because I care about my mate. | 0:03:28 | 0:03:30 | |
Are you sure about this? Well, I promised my mum. | 0:03:30 | 0:03:32 | |
So that's how it's got to stay. | 0:03:32 | 0:03:34 | |
She was scared. Like proper scared. For me, I mean. | 0:03:34 | 0:03:39 | |
And I know... I know it sounds cruel, | 0:03:39 | 0:03:40 | |
but it's like she's weighed up all the options and this is the way it's got to be now. Your mum's right. | 0:03:40 | 0:03:44 | |
You reckon? Yeah. | 0:03:44 | 0:03:47 | |
I was against it and I'm only your mate. Imagine what she'd think. | 0:03:47 | 0:03:50 | |
Jay, can I take a couple of hours off? | 0:03:50 | 0:03:51 | |
I don't feel like working right now. Yeah, go on, mate. | 0:03:51 | 0:03:54 | |
So much for being a superhero. | 0:03:54 | 0:03:57 | |
I mean, Super Dex? Who's that? | 0:03:57 | 0:03:59 | |
You look as if you've got half of Savile Row there. | 0:04:06 | 0:04:10 | |
It's all for a good cause. | 0:04:10 | 0:04:12 | |
This is Michael's dry cleaning. | 0:04:12 | 0:04:14 | |
Alice, have you got a minute? | 0:04:14 | 0:04:18 | |
Yeah. I'm so sorry, I've forgotten my purse. | 0:04:18 | 0:04:21 | |
I've heard every excuse under the sun now. I've got some change. | 0:04:21 | 0:04:24 | |
Well, never mind. Oh, sorry. | 0:04:28 | 0:04:31 | |
I got a bun at the cafe, so... | 0:04:31 | 0:04:34 | |
Anyway... Now I've got you on your own... | 0:04:34 | 0:04:36 | |
PHONE RINGS | 0:04:36 | 0:04:37 | |
Well, sort of. So sorry. One sec. | 0:04:37 | 0:04:39 | |
It's Michael. Hello. | 0:04:39 | 0:04:42 | |
Just taking your suits in. | 0:04:43 | 0:04:45 | |
I just saw them lying there. | 0:04:46 | 0:04:47 | |
Tell him they'll be ready tomorrow. | 0:04:47 | 0:04:51 | |
Thank you. I just want to help. | 0:04:51 | 0:04:54 | |
OK, bye. | 0:04:55 | 0:04:57 | |
Sorry, Tam... | 0:04:57 | 0:04:59 | |
No, no, no, that is not acceptable. | 0:04:59 | 0:05:02 | |
So, why don't you go back, | 0:05:02 | 0:05:03 | |
think about your offer, before you embarrass yourself again? | 0:05:03 | 0:05:07 | |
Goodbye. | 0:05:07 | 0:05:08 | |
Why are you staring at me? | 0:05:11 | 0:05:13 | |
I'm failing to locate my daughter. | 0:05:13 | 0:05:15 | |
Oh, my God, where is she? | 0:05:15 | 0:05:18 | |
Billy's got her for a bit. | 0:05:18 | 0:05:19 | |
I did try Alice, but apparently she's tied up. | 0:05:19 | 0:05:22 | |
Yeah, that would be my fault. No, really? | 0:05:22 | 0:05:25 | |
Yeah. She likes doing things for me. | 0:05:25 | 0:05:28 | |
You are aware that that is borderline grooming, Michael? | 0:05:28 | 0:05:33 | |
It works better than a marriage. | 0:05:33 | 0:05:34 | |
Sometimes I want a woman's touch, but I don't want to touch a woman, | 0:05:34 | 0:05:37 | |
know what I mean? | 0:05:37 | 0:05:39 | |
Tamwar, what happened? We were talking and then we weren't talking. | 0:05:41 | 0:05:45 | |
You ignored me. | 0:05:45 | 0:05:47 | |
I was on the phone. Yeah, to the great Michael. | 0:05:47 | 0:05:50 | |
What's that supposed to mean? | 0:05:50 | 0:05:51 | |
He burst my balloon. | 0:05:51 | 0:05:54 | |
Is that all you can say? | 0:05:54 | 0:05:56 | |
Should I buy another one? Tamwar... | 0:05:56 | 0:05:58 | |
What do you want me to buy? Or say? Or do? | 0:05:58 | 0:06:01 | |
Or think? Whatever. Just tell me. | 0:06:01 | 0:06:03 | |
You're going to have to work that one out yourself. Because I don't know either. Sorry. | 0:06:05 | 0:06:09 | |
Ah! Damn it. Sorry, hot tea coming through. | 0:06:09 | 0:06:13 | |
Yeah, I am free on Thursday. | 0:06:13 | 0:06:16 | |
What, just the two of us? | 0:06:16 | 0:06:18 | |
But I thought you were up to your neck with kids? | 0:06:18 | 0:06:20 | |
Yeah, I think so. | 0:06:20 | 0:06:23 | |
That tea is a health hazard. | 0:06:23 | 0:06:26 | |
Come on, bro, be serious. | 0:06:26 | 0:06:28 | |
I'm being serious. Someone could slip on it. So clear it up. | 0:06:28 | 0:06:30 | |
Yeah, but there's already been rain, OK? There's like 12 puddles already. | 0:06:30 | 0:06:33 | |
Yeah, exactly, I don't need any more. | 0:06:33 | 0:06:35 | |
Yo. Listen, brother, don't take it out on me, man. I'm just doing my job. | 0:06:35 | 0:06:38 | |
Clear up the tea. Tam? | 0:06:38 | 0:06:41 | |
I'm working. Yeah, yeah, working on being a fool. | 0:06:41 | 0:06:44 | |
Well, that's just slander. So no pitch for you. Tamwar... | 0:06:44 | 0:06:46 | |
What? Two things. | 0:06:46 | 0:06:49 | |
Don't use that tone with me and secondly, it's just spilt tea. Thank you, Mr Mas. | 0:06:49 | 0:06:53 | |
It's not about the tea, is it? | 0:06:56 | 0:06:58 | |
I think we all know that. | 0:06:59 | 0:07:01 | |
Where's Michael? | 0:07:08 | 0:07:10 | |
Oh, well, he got a phone call, said he had to dash. | 0:07:10 | 0:07:14 | |
So much for lunch then. | 0:07:14 | 0:07:16 | |
Yeah, well, that's what happens when you enter the world of Michael. | 0:07:16 | 0:07:20 | |
One minute he's here and the next he's not. | 0:07:20 | 0:07:22 | |
It's kind of like magic. But just really bad magic. | 0:07:22 | 0:07:26 | |
You would say that. | 0:07:26 | 0:07:27 | |
Seriously. Where is he? | 0:07:29 | 0:07:31 | |
I'd get out if I were you, Alice. | 0:07:33 | 0:07:35 | |
Before it all just gets too dark. | 0:07:36 | 0:07:39 | |
It's very simple. Girls are girls. | 0:07:41 | 0:07:45 | |
Is that it? Girls are girls. Well, they are. | 0:07:46 | 0:07:49 | |
Dad, I've not liked anyone properly since... | 0:07:49 | 0:07:54 | |
Afia... | 0:07:54 | 0:07:55 | |
Yeah, and that's Afia who left on a moped with my torn up heart | 0:07:55 | 0:08:01 | |
in her top box. Yeah, well, that's a bit dramatic. | 0:08:01 | 0:08:04 | |
She was my wife, OK? | 0:08:04 | 0:08:07 | |
And she said, "Don't wait around looking out the window, | 0:08:07 | 0:08:10 | |
"waiting for me to come back." | 0:08:10 | 0:08:12 | |
Yeah, well, that's good advice. Yeah. | 0:08:12 | 0:08:14 | |
So after about a year of doing precisely that, I thought, | 0:08:14 | 0:08:17 | |
"No, I'm going to sort myself out, get back out there onto the scene." | 0:08:17 | 0:08:22 | |
But? But? | 0:08:22 | 0:08:24 | |
I can see a big but coming. Well, I don't think Alice is that keen. | 0:08:24 | 0:08:27 | |
Has she said that? No. Not outright. | 0:08:27 | 0:08:30 | |
You're still in there then. I don't know. | 0:08:30 | 0:08:33 | |
I don't know whether I'm in or out or... | 0:08:33 | 0:08:35 | |
# Shake it all about. # | 0:08:35 | 0:08:37 | |
It's not helping. | 0:08:37 | 0:08:38 | |
OK. Has she said anything? | 0:08:38 | 0:08:42 | |
Not really. OK, then when she does, you do the opposite. | 0:08:42 | 0:08:46 | |
Why would I do that? | 0:08:46 | 0:08:47 | |
Because, when it comes to women, they say one thing and mean another. | 0:08:47 | 0:08:50 | |
Oi, Sam, what you doing in here? | 0:08:54 | 0:08:58 | |
Kitchen. | 0:08:58 | 0:08:59 | |
You making lunch in there or something. | 0:08:59 | 0:09:01 | |
You got me, I'm the new chef. | 0:09:01 | 0:09:03 | |
Alfie's asked me to sort out a few things. | 0:09:04 | 0:09:07 | |
Plus your mum's at home and she's kind of treating me | 0:09:07 | 0:09:10 | |
like I've got minutes to live. | 0:09:10 | 0:09:12 | |
Which is nice, but... | 0:09:12 | 0:09:14 | |
Yeah, I know. I know my mum. | 0:09:14 | 0:09:15 | |
Do you want me to help you though? | 0:09:17 | 0:09:18 | |
Ain't you got work? | 0:09:20 | 0:09:21 | |
I was in work early, so I'm due a couple of hours. | 0:09:21 | 0:09:24 | |
What do you know about electrics? | 0:09:24 | 0:09:26 | |
Not a lot, but I'm sure you can teach me. | 0:09:26 | 0:09:29 | |
Passing on my skills, huh? | 0:09:30 | 0:09:32 | |
Look, if you don't want to, then you don't have... It's cool. | 0:09:33 | 0:09:36 | |
But I'm not talking about kidneys and organs and stuff. | 0:09:36 | 0:09:39 | |
We do the job and that's that. | 0:09:41 | 0:09:43 | |
Yeah. | 0:09:45 | 0:09:46 | |
Come. | 0:09:48 | 0:09:50 | |
DOOR BELL RINGS | 0:09:54 | 0:09:57 | |
Hi. Hey. OK. I am doing and saying things. | 0:10:02 | 0:10:06 | |
I'm actually a bit busy, Tamwar. | 0:10:06 | 0:10:07 | |
Which actually means you're not. | 0:10:07 | 0:10:09 | |
What? See, I know how it works now. | 0:10:10 | 0:10:13 | |
I've got to take what you say and then reinterpret it as the opposite. | 0:10:13 | 0:10:16 | |
OK, no, but I am actually busy. No, it's fine. | 0:10:16 | 0:10:19 | |
Put your feet up, sit back, relax | 0:10:19 | 0:10:21 | |
and immerse yourself in the Pertwee Years. | 0:10:21 | 0:10:24 | |
The what? | 0:10:24 | 0:10:25 | |
Do you want a cup of tea? | 0:10:25 | 0:10:27 | |
Erm, OK. | 0:10:27 | 0:10:28 | |
OK, though it'll actually be coffee, yeah? | 0:10:28 | 0:10:32 | |
Stand up, by which I mean sit down. | 0:10:32 | 0:10:34 | |
Have you taken something? No. | 0:10:36 | 0:10:38 | |
Does that mean yes? | 0:10:38 | 0:10:39 | |
No. Yes. Yeah? No. Alice? | 0:10:39 | 0:10:42 | |
Ali... I've lost my phone. You seen it? | 0:10:42 | 0:10:46 | |
Erm, no, I haven't, sorry. | 0:10:46 | 0:10:49 | |
It's got all my details on it, it's got my bank, all my contacts, everything. | 0:10:49 | 0:10:53 | |
Come on, give me a hand, will you? | 0:10:53 | 0:10:55 | |
Come on. | 0:10:55 | 0:10:57 | |
Lock the door behind you. | 0:10:58 | 0:11:00 | |
Psst. (Don't steal nothing.) | 0:11:02 | 0:11:05 | |
TV: EXTERMINATE! | 0:11:11 | 0:11:13 | |
You see this? Useless. | 0:11:14 | 0:11:17 | |
When they refurbished this place, they cut a few corners somewhere. | 0:11:18 | 0:11:23 | |
See me, I've made a career out of repairing cowboy work. | 0:11:23 | 0:11:26 | |
What? | 0:11:33 | 0:11:35 | |
Nah... | 0:11:35 | 0:11:37 | |
I'm just... I'm watching and learning. | 0:11:37 | 0:11:41 | |
I'd say you were someplace else. | 0:11:41 | 0:11:44 | |
No. Not me. | 0:11:44 | 0:11:45 | |
You're doing it now. | 0:11:52 | 0:11:54 | |
Doing what? | 0:11:54 | 0:11:56 | |
Looking at me just like your mum was. | 0:11:56 | 0:11:58 | |
I ain't about to pop my clogs any second. | 0:12:01 | 0:12:03 | |
I'll be around for a long time. | 0:12:04 | 0:12:06 | |
I just need a little bit of luck. | 0:12:10 | 0:12:13 | |
So, what? Is that what this is down to now, yeah? | 0:12:14 | 0:12:17 | |
What? A bit of luck. | 0:12:17 | 0:12:19 | |
I'd say so, yeah. | 0:12:20 | 0:12:22 | |
All right, so how lucky do you actually think you are? | 0:12:22 | 0:12:26 | |
Cos I'm sorry, Sam, this illness that you have suggests otherwise. | 0:12:26 | 0:12:30 | |
You're looking at it wrong, Dex. | 0:12:31 | 0:12:33 | |
I've got your mum, and I'm stood here talking to you. | 0:12:35 | 0:12:38 | |
Now that's proper luck there. | 0:12:41 | 0:12:44 | |
All right, so if all this was so good then why did you even..? Ah. | 0:12:48 | 0:12:51 | |
Why did I run out on you all those years ago? | 0:12:54 | 0:12:56 | |
Yeah. | 0:12:57 | 0:12:58 | |
Simple answer is I wasn't strong enough. | 0:13:02 | 0:13:07 | |
Big man like me and I couldn't cope. | 0:13:10 | 0:13:12 | |
Couldn't take the strain. | 0:13:14 | 0:13:15 | |
My head filled up with panic. | 0:13:19 | 0:13:22 | |
Panic about being a dad, panic about being a husband... | 0:13:24 | 0:13:30 | |
..and I got... | 0:13:32 | 0:13:35 | |
I got terrified about it all. | 0:13:35 | 0:13:37 | |
It wasn't you and Ava I ran out on. | 0:13:39 | 0:13:42 | |
It was all the things I found out about myself. | 0:13:44 | 0:13:47 | |
So what's different now? | 0:13:51 | 0:13:52 | |
I'm less of a fool. | 0:13:57 | 0:13:59 | |
More of a man and less of a fool. | 0:14:01 | 0:14:05 | |
You're lucky. | 0:14:11 | 0:14:12 | |
Don't I know it. | 0:14:14 | 0:14:15 | |
I mean proper lucky. | 0:14:18 | 0:14:20 | |
Because I... | 0:14:24 | 0:14:26 | |
I'm going to help you. | 0:14:26 | 0:14:27 | |
That's right. | 0:14:29 | 0:14:31 | |
Your ship just came in. | 0:14:33 | 0:14:34 | |
Cos you're looking at your match. | 0:14:36 | 0:14:38 | |
We said we weren't going to talk about that. Yeah, well, we kind of have to now. | 0:14:39 | 0:14:43 | |
Because I'm going to help you. | 0:14:43 | 0:14:44 | |
Nope. What do you mean, no? | 0:14:50 | 0:14:52 | |
Come and hold this torch. | 0:14:52 | 0:14:55 | |
Wait. Sam, what are you talking about? | 0:14:55 | 0:14:57 | |
We're here to do a job. | 0:14:57 | 0:14:59 | |
You know, I don't get you, you know? | 0:15:01 | 0:15:03 | |
Cos if this was me, I'd be in an alley somewhere | 0:15:03 | 0:15:05 | |
waiting with a scalpel by now. | 0:15:05 | 0:15:07 | |
No, I'm serious. | 0:15:07 | 0:15:09 | |
I like it. | 0:15:09 | 0:15:10 | |
Look, you see Mum, yeah? She knows that I'm a match. | 0:15:12 | 0:15:16 | |
But she said I shouldn't tell you. | 0:15:16 | 0:15:19 | |
Everyone's keeping something to themselves. | 0:15:20 | 0:15:24 | |
Yeah, but that's only because she's... Scared. Yeah. | 0:15:24 | 0:15:28 | |
But I told you that. | 0:15:28 | 0:15:29 | |
And now you've seen it in her, you get it, right? | 0:15:31 | 0:15:35 | |
I guess so. | 0:15:37 | 0:15:40 | |
Good. | 0:15:41 | 0:15:43 | |
What you doing? Oh, just sitting. | 0:15:49 | 0:15:52 | |
Let me see. See what? | 0:15:55 | 0:15:57 | |
That. Hand it over. | 0:15:57 | 0:15:59 | |
"Dear Tiff, I was thinking about you all afternoon." | 0:16:04 | 0:16:08 | |
Well, I was. | 0:16:08 | 0:16:11 | |
Paper. OK. | 0:16:11 | 0:16:13 | |
Pen. Yeah. | 0:16:13 | 0:16:15 | |
Good. Right... | 0:16:15 | 0:16:16 | |
This is how you write a letter. | 0:16:18 | 0:16:21 | |
"Dear Tiffany..." | 0:16:21 | 0:16:22 | |
We have light. | 0:16:32 | 0:16:34 | |
All right, so what's next then? Hmm? | 0:16:34 | 0:16:37 | |
I mean, you got any more jobs? | 0:16:37 | 0:16:38 | |
I have, but so have you. | 0:16:38 | 0:16:40 | |
Yeah, that can wait. | 0:16:40 | 0:16:42 | |
Dex, you shouldn't be letting people down. | 0:16:42 | 0:16:44 | |
Look, I told you, I'm due some time off anyway. | 0:16:44 | 0:16:47 | |
All the same. | 0:16:47 | 0:16:48 | |
What, you don't want me around, is that it? | 0:16:48 | 0:16:51 | |
Dex, I'm loving it. OK, no, no, no. I get it. | 0:16:51 | 0:16:53 | |
I knew you couldn't be that all right with everything. Dex, all I'm trying to say is... | 0:16:53 | 0:16:56 | |
Do you know how much more of this we could have? Say, "Go on, Dexter, I need you." | 0:16:56 | 0:17:00 | |
Go to work, Dexter. | 0:17:00 | 0:17:02 | |
The lights are on. | 0:17:04 | 0:17:06 | |
What was that? | 0:17:18 | 0:17:19 | |
Tiff? | 0:17:26 | 0:17:27 | |
"Dear Tiff, it is with huge regret that I..." | 0:17:30 | 0:17:33 | |
He doesn't like me any more. | 0:17:33 | 0:17:34 | |
Tiff, wait. | 0:17:37 | 0:17:38 | |
What's the point? Come on, love. | 0:17:38 | 0:17:41 | |
Oh, is it a ghost? Am I dreaming? | 0:17:43 | 0:17:46 | |
Shall I slap myself? | 0:17:46 | 0:17:48 | |
Jay had a call out this afternoon, | 0:17:48 | 0:17:50 | |
and so I ain't had time to go online and check my likes. | 0:17:50 | 0:17:55 | |
Jay... | 0:18:05 | 0:18:07 | |
I think you're needed, man. | 0:18:07 | 0:18:09 | |
Hey. | 0:18:10 | 0:18:12 | |
I am going to cook your favourite. | 0:18:14 | 0:18:16 | |
I could get used to this. Good. | 0:18:19 | 0:18:21 | |
Because something's going to come up. | 0:18:23 | 0:18:25 | |
It will. | 0:18:25 | 0:18:26 | |
Something already has. | 0:18:28 | 0:18:29 | |
Did he tell you? | 0:18:34 | 0:18:36 | |
And he told me a lot more besides. | 0:18:39 | 0:18:41 | |
Look, it was me who told him to ignore the test results, OK? | 0:18:41 | 0:18:46 | |
Because... I know why, Ava. | 0:18:46 | 0:18:48 | |
It's cool. I get it. | 0:18:50 | 0:18:52 | |
But, to be honest with you, he had to say something. | 0:18:53 | 0:18:57 | |
I knew he'd been tested, | 0:18:57 | 0:19:00 | |
so it would've been pretty weird - him not saying anything. | 0:19:00 | 0:19:02 | |
I said no. That I'm not interested. | 0:19:04 | 0:19:07 | |
Yeah, but not before you agreed to him being tested. | 0:19:07 | 0:19:11 | |
So what changed? It wasn't like that. | 0:19:11 | 0:19:13 | |
Did you put the thought in his head, Sam? No. | 0:19:13 | 0:19:15 | |
Because if you did, I will never... Listen to me. This was all his idea. | 0:19:15 | 0:19:20 | |
It was his call, I swear to you. | 0:19:20 | 0:19:23 | |
Would I really be begging him not to have the operation | 0:19:24 | 0:19:27 | |
if I suggested the test in the first place? | 0:19:27 | 0:19:29 | |
He's my son, OK? What was I meant to do? | 0:19:31 | 0:19:34 | |
Look. | 0:19:34 | 0:19:37 | |
I'm with you, I don't want to see him get ill or damaged either. | 0:19:37 | 0:19:41 | |
But we really shouldn't keep secrets from each other, should we? | 0:19:42 | 0:19:49 | |
No. | 0:19:51 | 0:19:54 | |
Not any more. | 0:19:54 | 0:19:56 | |
We stand together from now on. | 0:19:58 | 0:20:00 | |
Well, I say that, but me and Dexter just had a falling out. | 0:20:07 | 0:20:12 | |
What, about the test results? | 0:20:12 | 0:20:15 | |
No. Banned subject. | 0:20:15 | 0:20:19 | |
But you know what? | 0:20:19 | 0:20:20 | |
The row, it felt real. | 0:20:20 | 0:20:23 | |
Fathers and sons do it all the time, | 0:20:25 | 0:20:26 | |
and there's me and Dexter bickering and shouting at him. | 0:20:26 | 0:20:31 | |
Thank you for finding my phone. | 0:20:49 | 0:20:52 | |
Impressive. You could work in an airport as a cute sniffer dog. | 0:20:52 | 0:20:56 | |
Charming. Thank you. | 0:20:56 | 0:20:58 | |
You're very welcome. Thanks, though, seriously. | 0:20:58 | 0:21:00 | |
My whole life's on there, so you've done me a favour. | 0:21:00 | 0:21:03 | |
Can I get you a drink? I'm OK. | 0:21:03 | 0:21:05 | |
Sure? Yeah. | 0:21:05 | 0:21:06 | |
Alice. | 0:21:06 | 0:21:08 | |
What is it? | 0:21:17 | 0:21:19 | |
I'm waiting for you to move out the way. | 0:21:19 | 0:21:21 | |
For? | 0:21:21 | 0:21:23 | |
OK, two questions. What do you actually want with Alice? | 0:21:23 | 0:21:27 | |
And why are you still stood here? | 0:21:27 | 0:21:30 | |
One answer. Be careful. | 0:21:30 | 0:21:32 | |
I texted you this morning. No reply. | 0:21:34 | 0:21:37 | |
I didn't get a text. | 0:21:37 | 0:21:39 | |
First thing this morning. | 0:21:39 | 0:21:40 | |
Did you delete my text? | 0:21:43 | 0:21:45 | |
Yeah, I did. | 0:21:45 | 0:21:48 | |
In my defence though, it was to avoid this situation with... | 0:21:48 | 0:21:51 | |
That's going way too far. | 0:21:53 | 0:21:54 | |
Please... | 0:22:01 | 0:22:03 | |
Dr Who, the Pertwee years. I watched it ages ago. | 0:22:03 | 0:22:06 | |
What? Carnival Of Monsters. | 0:22:07 | 0:22:09 | |
Yeah. And The Curse Of The... | 0:22:09 | 0:22:13 | |
The... The Peladon. Yeah. | 0:22:13 | 0:22:15 | |
I'm sorry. | 0:22:20 | 0:22:22 | |
That's all right. | 0:22:22 | 0:22:24 | |
I mean, it was all right. | 0:22:38 | 0:22:39 | |
It was all right when we was doing the wiring and that. | 0:22:39 | 0:22:42 | |
I mean, it kind of threw me a bit, but... | 0:22:42 | 0:22:44 | |
Stay on track, mate. | 0:22:47 | 0:22:48 | |
Did you ever get to do things like that with your dad? | 0:22:50 | 0:22:52 | |
Yeah, we did things, I suppose. | 0:22:54 | 0:22:56 | |
Did you enjoy them? | 0:22:56 | 0:22:58 | |
Yeah, of course. But an hour with Sam won't make a difference. | 0:22:58 | 0:23:03 | |
It's all them hours with your mum, that's what matter. | 0:23:04 | 0:23:07 | |
Yeah, but you lost your dad though, right? | 0:23:09 | 0:23:12 | |
Yeah. | 0:23:13 | 0:23:14 | |
So why are you so against me helping Sam then? | 0:23:14 | 0:23:16 | |
That doesn't even make sense. Yeah, it does. | 0:23:16 | 0:23:19 | |
My dad, he left me with nothing. | 0:23:20 | 0:23:23 | |
I loved him, but that only made it worse. | 0:23:25 | 0:23:28 | |
He used to do all this stuff and used to say it was for me, | 0:23:30 | 0:23:34 | |
but all I ended up with was a dead dad. | 0:23:34 | 0:23:37 | |
Yeah, that's what I'm looking at right now. | 0:23:37 | 0:23:40 | |
But if you help him. | 0:23:40 | 0:23:42 | |
If you go that far, you form a bond. | 0:23:43 | 0:23:48 | |
And you'll have to tell yourself, accept that you love him... | 0:23:50 | 0:23:55 | |
..and then when something goes wrong or it doesn't work, | 0:23:57 | 0:24:01 | |
you're going to be disappointed. | 0:24:01 | 0:24:03 | |
What I'm saying is, don't get too close to him. | 0:24:05 | 0:24:10 | |
Because trust me, mate, it's going to hurt like you can never imagine. | 0:24:12 | 0:24:17 | |
I used to love this programme. | 0:24:28 | 0:24:29 | |
Hey! | 0:24:32 | 0:24:33 | |
Are we going to be all right, Sam? | 0:24:34 | 0:24:36 | |
We will if you stop asking questions like those. | 0:24:36 | 0:24:39 | |
I can't just pretend it's not happening. | 0:24:39 | 0:24:41 | |
Anyway, where did this tough guy come from? | 0:24:41 | 0:24:44 | |
You're the guy who runs away. Remember? | 0:24:44 | 0:24:47 | |
I'm also the guy who grew up. | 0:24:47 | 0:24:48 | |
Where you been? | 0:24:51 | 0:24:53 | |
I just had some work to catch up on. | 0:24:54 | 0:24:57 | |
Are you two going to talk? | 0:24:57 | 0:24:59 | |
Listen... | 0:25:03 | 0:25:04 | |
..about earlier. Forget it, man. | 0:25:06 | 0:25:07 | |
You sure? Yeah. | 0:25:09 | 0:25:11 | |
Yeah, it was just sitting there, Saturday morning. You need to change your milkman. | 0:25:24 | 0:25:27 | |
What, do you think I should keep it then? And drink it. | 0:25:27 | 0:25:30 | |
Are you trying to get me drunk, Mr Postman? | 0:25:30 | 0:25:32 | |
THEY CHUCKLE | 0:25:32 | 0:25:35 | |
All right, love? | 0:25:35 | 0:25:37 | |
I don't want it to be over. | 0:25:37 | 0:25:39 | |
Why do you say it's over? Because Bobby wrote me a letter. | 0:25:39 | 0:25:42 | |
Oh. Have you talked to him about it? | 0:25:43 | 0:25:46 | |
There's no point. | 0:25:46 | 0:25:48 | |
Was it out of the blue? | 0:25:48 | 0:25:49 | |
We were together all playtime. | 0:25:49 | 0:25:51 | |
See... Sometimes men panic. | 0:25:53 | 0:25:58 | |
Especially when they really like someone - they don't know how to cope with it. | 0:25:59 | 0:26:03 | |
Really? | 0:26:03 | 0:26:05 | |
Boys and men, they get scared. | 0:26:05 | 0:26:09 | |
They pretend they don't, but they do. | 0:26:09 | 0:26:11 | |
The worst time is when they really, really like someone. | 0:26:11 | 0:26:14 | |
I don't understand that. | 0:26:17 | 0:26:18 | |
Yeah. No-one does, but it happens all the time. | 0:26:18 | 0:26:21 | |
Still hurts, though. I mean, really hurts. | 0:26:25 | 0:26:28 | |
Look, you know, you'll see Bobby tomorrow and he'll probably... | 0:26:28 | 0:26:31 | |
He'll probably be feeling a little bit silly. | 0:26:31 | 0:26:34 | |
And he'll rush over and he'll have another note | 0:26:34 | 0:26:37 | |
and it'll explain that he was just scared because he was about to | 0:26:37 | 0:26:40 | |
give you his heart, but he wanted you to be gentle with it. | 0:26:40 | 0:26:44 | |
Because hearts are important and you don't just give them away, | 0:26:44 | 0:26:49 | |
not unless it's someone really special. | 0:26:49 | 0:26:51 | |
We were watching that. Hey! | 0:27:02 | 0:27:05 | |
Oh, you like this, do you? | 0:27:05 | 0:27:07 | |
What, sitting in front of the TV, like a normal couple. | 0:27:07 | 0:27:11 | |
I mean, don't you know that I can give that to you? | 0:27:11 | 0:27:14 | |
Dexter... Look, you've already made it perfectly clear | 0:27:14 | 0:27:17 | |
that you don't want my help. | 0:27:17 | 0:27:18 | |
And you... You said I'm not allowed to do it anyway. | 0:27:18 | 0:27:20 | |
And nothing's changed there. Do you want to bet? No, Dexter, nothing's changed. | 0:27:20 | 0:27:24 | |
Look, Mum, I've got too close. | 0:27:24 | 0:27:25 | |
I'm your son. | 0:27:26 | 0:27:28 | |
And that's who and what I am. | 0:27:30 | 0:27:31 | |
Dexter, please. Look, stop calling me that. | 0:27:33 | 0:27:37 | |
It's son, ain't it? | 0:27:37 | 0:27:40 | |
Ain't it, Dad? | 0:27:42 | 0:27:44 | |
Look, I'm going to help you. | 0:27:47 | 0:27:49 | |
So don't you go rejecting me, because it's too late for that now. | 0:27:53 | 0:27:56 | |
Subtitles by Red Bee Media Ltd | 0:28:05 | 0:28:08 |