Browse content similar to 28/02/2014. Check below for episodes and series from the same categories and more!
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There's a lot riding on this. | 0:00:39 | 0:00:40 | |
You seriously telling me | 0:00:40 | 0:00:41 | |
you bought every family member one of these jumpers for Christmas? | 0:00:41 | 0:00:44 | |
The market's my priority now. It's important we show the council we're a united team. | 0:00:44 | 0:00:48 | |
Well, if you want me to wear "Scarlett's" across my... you can give me double time. | 0:00:48 | 0:00:52 | |
It's just a shame that some of the team are a bunch of amateurs. | 0:00:52 | 0:00:55 | |
That's the reality of being a grown-up. You don't always get what you want. | 0:00:55 | 0:00:58 | |
Peter! Where's your sweatshirt? | 0:00:58 | 0:01:01 | |
Oh. That's him. | 0:01:01 | 0:01:02 | |
What the hell did you tell Luke that for? | 0:01:06 | 0:01:09 | |
She loves him and you screwed everything up now. | 0:01:09 | 0:01:11 | |
DOOR SLAMS | 0:01:20 | 0:01:21 | |
Stace... | 0:01:23 | 0:01:25 | |
everything's going to be all right. | 0:01:25 | 0:01:26 | |
Excuse me. | 0:01:44 | 0:01:46 | |
I don't think Cindy's breathing right. | 0:01:46 | 0:01:49 | |
What does Dex know? He's just a kid. | 0:01:54 | 0:01:56 | |
You ain't exactly perfect, Max. | 0:01:56 | 0:01:58 | |
You want to get your priorities right. | 0:01:58 | 0:02:00 | |
And that means the happiness of your family. | 0:02:00 | 0:02:02 | |
Yeah. | 0:02:04 | 0:02:05 | |
And you know what, Cora? We ain't related. | 0:02:05 | 0:02:07 | |
I'm cooking, I'm cleaning, | 0:02:07 | 0:02:09 | |
I'm suffocating with your hairspray and his feet. | 0:02:09 | 0:02:12 | |
So move out, will you? The pair of you. | 0:02:12 | 0:02:14 | |
Any time today. | 0:02:16 | 0:02:17 | |
She IS breathing. I can see her breathing. | 0:02:23 | 0:02:25 | |
Were you here when she fell over? | 0:02:25 | 0:02:27 | |
Did she have any kind of fit before she fell over? | 0:02:29 | 0:02:31 | |
Do you know what Cindy had been doing before she fell over? | 0:02:33 | 0:02:37 | |
No. It weren't... I'd only just got here. | 0:02:37 | 0:02:40 | |
-She's hammered. -She's hammered?! | 0:02:44 | 0:02:46 | |
Is she? I...look. | 0:02:46 | 0:02:49 | |
Please don't tell Ian - he'll go off his head at me. | 0:02:50 | 0:02:53 | |
Oh, fantastic(!) Right, we're going to have to stay with her. | 0:02:57 | 0:03:01 | |
You'll have to go and find a bucket, OK? | 0:03:01 | 0:03:04 | |
I can't believe she'd get this wasted when she knows she's... | 0:03:04 | 0:03:07 | |
Whoa, whoa, whoa. | 0:03:07 | 0:03:08 | |
I've got 14 hours till I'm on call and back in this uniform. | 0:03:08 | 0:03:11 | |
Well, we can't... | 0:03:11 | 0:03:13 | |
I have to stay with her. | 0:03:13 | 0:03:15 | |
So stay with her. | 0:03:16 | 0:03:18 | |
I've got plenty other friends I can have a drink down Soho with, doll. | 0:03:18 | 0:03:22 | |
What you doing, eh? Silly girl. | 0:03:28 | 0:03:31 | |
What am I? Your child minder? A mind-reader? | 0:03:32 | 0:03:35 | |
-We needed to talk. -Because Stacey thought Janine's offer was a good one? | 0:03:35 | 0:03:38 | |
-Is this with or without the medication? -No. | 0:03:38 | 0:03:41 | |
No! No, Kat. Cos Janine murdered Michael. | 0:03:41 | 0:03:44 | |
Do you want me to go in the hallway and explain what that looked like? | 0:03:44 | 0:03:47 | |
She stabbed him to death. My cousin. The father of your son. | 0:03:47 | 0:03:51 | |
And you're trying to get Janine off and land Alice right in it? | 0:03:51 | 0:03:54 | |
So you tell me, what were you talking about all night? | 0:03:54 | 0:03:57 | |
I haven't made the statement, have I? | 0:03:57 | 0:03:59 | |
Where do I stand? | 0:03:59 | 0:04:01 | |
In all of this, where do... | 0:04:01 | 0:04:03 | |
Where do I stand? | 0:04:03 | 0:04:05 | |
I'm up all night, worrying about you. | 0:04:07 | 0:04:11 | |
Like a mug. | 0:04:11 | 0:04:13 | |
Leaving you messages that you don't even pick up. | 0:04:13 | 0:04:15 | |
How did we get back there so soon, eh? | 0:04:17 | 0:04:20 | |
I'm a prize mug. | 0:04:22 | 0:04:23 | |
Alfie Moon, Mr Paranoia, just holding it all together and I can't do that no more. | 0:04:23 | 0:04:27 | |
-No! -I'm not living like this no more, Kat. -No, no. Stop it, Alfie! | 0:04:27 | 0:04:30 | |
That's not true. That's not true. | 0:04:30 | 0:04:32 | |
Listen, what if Luke goes to the police? | 0:04:34 | 0:04:37 | |
Kat, no-one has the right | 0:04:42 | 0:04:46 | |
to get away with murder...OK? | 0:04:46 | 0:04:50 | |
Listen, I didn't tell Luke to cause grief. | 0:04:50 | 0:04:53 | |
I told him cos he sussed something. | 0:04:53 | 0:04:54 | |
But come on - don't you think the bloke has a right to know? | 0:04:56 | 0:04:59 | |
They were trying for a baby. That's why she's come off her meds. | 0:05:00 | 0:05:04 | |
He won't go to the police... | 0:05:04 | 0:05:05 | |
..cos he loves her. | 0:05:07 | 0:05:08 | |
KNOCK ON DOOR | 0:05:10 | 0:05:12 | |
CINDY GROANS | 0:05:14 | 0:05:16 | |
Come on. Come on. We're doing it. | 0:05:16 | 0:05:18 | |
No! No, no, no. | 0:05:18 | 0:05:20 | |
Hey. Hey, hey, come on, me and you. | 0:05:20 | 0:05:24 | |
Me and you, babes, all right? We'll do this. | 0:05:24 | 0:05:27 | |
OK? Me and you. Come on. | 0:05:27 | 0:05:31 | |
-(They've gone. -Are you sure? Have a look out the window.) | 0:05:35 | 0:05:37 | |
No, no, it's all right. They've gone. KNOCKING | 0:05:37 | 0:05:40 | |
Come on. We're going out the back. | 0:05:40 | 0:05:42 | |
Don't you think if I'd have wanted you around that bad I'd have found a way? | 0:05:42 | 0:05:46 | |
Did I call you? Did I e-mail you? | 0:05:46 | 0:05:48 | |
Did I ask you to barge in and ruin everything that matters in my life? | 0:05:48 | 0:05:53 | |
-Did I? -We don't even know if it's the Old Bill. | 0:05:53 | 0:05:55 | |
-Lily! -No, you can't! | 0:05:55 | 0:05:57 | |
What? What choice have I got? | 0:05:57 | 0:06:00 | |
What have you left me to lose, Kat? | 0:06:00 | 0:06:02 | |
KNOCKING | 0:06:02 | 0:06:04 | |
Baby, Mummy loves you, OK? | 0:06:04 | 0:06:07 | |
I love you. | 0:06:08 | 0:06:09 | |
I love you. I love you. | 0:06:11 | 0:06:14 | |
I love you. | 0:06:14 | 0:06:17 | |
I know. | 0:06:17 | 0:06:18 | |
I know, baby. | 0:06:20 | 0:06:21 | |
-Open the door. -Stace, you don't have... -Open the door. | 0:06:28 | 0:06:31 | |
Have another drink. Let me tell you what we here at the Vic think. | 0:06:40 | 0:06:43 | |
Can I interest you in some hors d'oeuvres? | 0:06:43 | 0:06:45 | |
Us Beales, we've been on the market for generations. | 0:06:45 | 0:06:47 | |
On the house, obviously. | 0:06:47 | 0:06:49 | |
Oh, that is so typical of that woman. | 0:06:54 | 0:06:56 | |
She thinks making a poster with a felt-tip pen is professional. | 0:06:56 | 0:06:59 | |
How can we compete against free booze and feminine wiles when we've only got Sonia? | 0:06:59 | 0:07:02 | |
Well, you could be pleased to see me! | 0:07:07 | 0:07:09 | |
Has someone changed the locks or have I come out with the wrong keys again? | 0:07:09 | 0:07:12 | |
-Took your time, didn't you? -You called HER?! | 0:07:12 | 0:07:14 | |
Well, the Tube from Charlie's was a nightmare. | 0:07:14 | 0:07:17 | |
Let's have a look at you. | 0:07:17 | 0:07:19 | |
What have you done now? | 0:07:23 | 0:07:25 | |
-Stace? -> | 0:07:27 | 0:07:28 | |
That's just great. Why don't you just post it online, eh? | 0:07:42 | 0:07:44 | |
What's happened, Alfie? What's she doing back here? | 0:07:44 | 0:07:47 | |
Oh, the usual, you know. Hiding out. Splitting up from a fella. | 0:07:47 | 0:07:50 | |
Coming off her meds. Gone to visit Janine in prison. | 0:07:50 | 0:07:52 | |
Yeah, that's right, Max. Cooking up a deal where Janine will drop the lie | 0:07:52 | 0:07:55 | |
about Stacey if Kat goes and lies about who done my cousin in. | 0:07:55 | 0:07:59 | |
HE SIGHS (I can't do this.) | 0:07:59 | 0:08:02 | |
CAR HORN HOOTS | 0:08:12 | 0:08:13 | |
CAR HORN HOOTS | 0:08:15 | 0:08:16 | |
It's OK, darling, come on. | 0:08:17 | 0:08:19 | |
We're nearly there. | 0:08:20 | 0:08:22 | |
Stace? | 0:08:27 | 0:08:29 | |
So why's she come off her meds? | 0:08:32 | 0:08:34 | |
-You know how many people would be up for lynching her if they found her here? -Go away, Max. | 0:08:34 | 0:08:39 | |
You think I'm the only one that saw her shouting at cars in the middle of the Square? | 0:08:39 | 0:08:42 | |
-The clock's ticking. -This is nothing to do with you. | 0:08:42 | 0:08:45 | |
I'm her friend, Kat, all right? | 0:08:45 | 0:08:46 | |
So if she needs me, I'm going to be there for her. I'm still her friend, ain't I? | 0:08:46 | 0:08:50 | |
I can't have an ambulance cos I've already had a fire engine. | 0:09:04 | 0:09:07 | |
Well, call Ian. Or better still, I'll get Ian. Smug git. | 0:09:07 | 0:09:12 | |
My pleasure. | 0:09:12 | 0:09:13 | |
I'm not being put down by Bealey. | 0:09:13 | 0:09:16 | |
I'm not going to be patronised by that boring smug bosser. | 0:09:16 | 0:09:19 | |
Whoa. "Bosser"? | 0:09:19 | 0:09:20 | |
He been showing you how to butter bread again? | 0:09:20 | 0:09:23 | |
Look, if she's plastered, you're better off sitting with her while she sleeps it off. | 0:09:23 | 0:09:26 | |
She's pregnant. | 0:09:28 | 0:09:29 | |
I'll come with you. | 0:09:32 | 0:09:33 | |
I mean, they really are all bells and whistles, aren't they? Your average fire engine. | 0:09:38 | 0:09:42 | |
Billy, not near the food, please. | 0:09:42 | 0:09:44 | |
How's Tina supposed to notice me when I've only got a little ladder and I ain't even a lesbian? | 0:09:44 | 0:09:48 | |
-Put it on a smaller plate - makes it look bigger. -All right, you've got ten minutes, Ian. | 0:09:48 | 0:09:52 | |
Though I don't know why you can't do your own "charming". | 0:09:52 | 0:09:54 | |
-Because I'm not a woman with boobs or eyelashes or... -Charm. | 0:09:54 | 0:09:58 | |
I didn't mean that in a sexist way. | 0:09:58 | 0:10:01 | |
-What? -What? | 0:10:03 | 0:10:05 | |
Billy, you work at the chip shop. Off you trot. | 0:10:05 | 0:10:08 | |
No, no, no. I've had thoughts. | 0:10:08 | 0:10:09 | |
A valuable contribution to make to the preservation of Bridge Street Market, yeah? | 0:10:09 | 0:10:14 | |
-Yeah, and we've got a haddock delivery. -It's a pound a pint, Ian. | 0:10:14 | 0:10:18 | |
That is a crying shame, OK? When you get there, take them out and count them. | 0:10:18 | 0:10:21 | |
It's £55 a tray and I'm pretty sure I'm getting short-changed, all right? Go. | 0:10:21 | 0:10:26 | |
If you want to go abroad again, I'll sort the tickets out. | 0:10:34 | 0:10:37 | |
Or maybe if you want to go to a different part of the country. | 0:10:40 | 0:10:43 | |
Stace, come on, please. You ain't got time for this. | 0:10:48 | 0:10:50 | |
You need to get back on your meds and you need to get off this square. | 0:10:53 | 0:10:57 | |
Stacey, please. | 0:11:01 | 0:11:03 | |
Please, help me out here. | 0:11:05 | 0:11:07 | |
Can't you even look at me? | 0:11:11 | 0:11:13 | |
Come here. Come here. You listen to me. | 0:11:17 | 0:11:20 | |
What? You want to go to prison, do you? | 0:11:20 | 0:11:22 | |
You want Lily to go into care? | 0:11:22 | 0:11:24 | |
I decide! | 0:11:24 | 0:11:25 | |
-I -decide. | 0:11:26 | 0:11:28 | |
-STACEY: -What kind of life is this for a kid? | 0:11:53 | 0:11:55 | |
What kind of parent does this to a kid? | 0:11:57 | 0:11:59 | |
-You can start again, Stace. -Lies to a kid. | 0:11:59 | 0:12:01 | |
You've got to survive. And fight. | 0:12:01 | 0:12:03 | |
She's just a little girl, Max. | 0:12:03 | 0:12:04 | |
I've taught her to jump every time she hears a police siren. | 0:12:06 | 0:12:09 | |
Different hostels. Moving all the time. | 0:12:10 | 0:12:13 | |
You've come through worse, ain't you? | 0:12:13 | 0:12:15 | |
What about when you first come back here? You know, your mum's, | 0:12:15 | 0:12:18 | |
all boarded up. That estate. Kids throwing bricks. | 0:12:18 | 0:12:21 | |
-I've got nothing left, Max. -And the grief me and you kicked off. | 0:12:21 | 0:12:24 | |
You came through all that, didn't you? | 0:12:24 | 0:12:26 | |
I got nothing. I got no home. No job. No money. | 0:12:26 | 0:12:31 | |
I've lost her the person she thinks of as Dad. | 0:12:32 | 0:12:36 | |
What mum lets it get this far? | 0:12:36 | 0:12:38 | |
I can't do this any more. | 0:12:46 | 0:12:48 | |
So you're just going to sit here and give up, are you? | 0:12:52 | 0:12:55 | |
Wait for them to come and find you? Drag you out. | 0:12:56 | 0:12:59 | |
Just hold my hands up. | 0:12:59 | 0:13:01 | |
No, Stace, no. There's a way. | 0:13:01 | 0:13:03 | |
There's always a way. There's got to be. You know, what about Janine? | 0:13:05 | 0:13:08 | |
-This deal Janine's offered you. -The truth, Max. | 0:13:08 | 0:13:11 | |
All you got to do is get her to drop the charges, that's it. | 0:13:11 | 0:13:13 | |
You still don't get it, do you? It catches up with you. | 0:13:13 | 0:13:17 | |
There is no good way for this to work out any more. | 0:13:19 | 0:13:21 | |
Hey. You all right? | 0:13:34 | 0:13:36 | |
Yeah. Yeah, they're sorting it out. | 0:13:36 | 0:13:38 | |
Good. Best leave them to it. | 0:13:38 | 0:13:41 | |
If anyone's got a plan, Max Branning will, won't he? | 0:13:41 | 0:13:43 | |
I don't think you're a mug, Alfie. | 0:13:46 | 0:13:48 | |
Look, Kat, I'm... I'm tired. | 0:13:50 | 0:13:53 | |
And I know you are. And I know how you feel about Stacey. | 0:13:56 | 0:14:00 | |
You're being pulled both ways - I get it. | 0:14:00 | 0:14:02 | |
But let's just focus on us, yeah? Me, you... | 0:14:02 | 0:14:06 | |
and our family, yeah? | 0:14:06 | 0:14:09 | |
Where you going? | 0:14:12 | 0:14:14 | |
I'm going to get the kids some chocolate. Keep them happy. | 0:14:14 | 0:14:16 | |
Listen, you couldn't get a muzzle for Mo, could you? | 0:14:16 | 0:14:19 | |
Alfie... | 0:14:19 | 0:14:20 | |
I'm sorry. | 0:14:23 | 0:14:25 | |
It's all right. I love you. | 0:14:26 | 0:14:28 | |
OK. Who's next? | 0:14:28 | 0:14:29 | |
DOOR SLAMS > | 0:14:47 | 0:14:48 | |
Oi! Why aren't you at work? | 0:14:50 | 0:14:52 | |
-I'm homeless. -Just get back to work. | 0:14:54 | 0:14:56 | |
What will they do? | 0:15:21 | 0:15:24 | |
They'll do a finger-prick test. They'll find a vein. | 0:15:24 | 0:15:27 | |
They'll put a drip in the back of Cindy's hand to keep her hydrated. | 0:15:27 | 0:15:30 | |
"Breathe through your nose." Then hopefully she'll sleep it off. | 0:15:30 | 0:15:35 | |
They'll chuck her a load of leaflets and give her a massive rollicking. | 0:15:35 | 0:15:38 | |
Seriously. You want to see a baby whose mum's caned it throughout her pregnancy. | 0:15:38 | 0:15:42 | |
No, I don't. | 0:15:42 | 0:15:44 | |
They ought to phone Social Services, you know, with her being so young. | 0:15:44 | 0:15:47 | |
I had my daughter, I weren't much older. | 0:15:47 | 0:15:50 | |
Yeah. Embarrassing, I know. With a man. What can I say? | 0:15:51 | 0:15:55 | |
I was naive. | 0:15:55 | 0:15:57 | |
I experimented. | 0:15:57 | 0:15:59 | |
Don't tell anyone but I once had a relationship with the opposite sex. | 0:15:59 | 0:16:04 | |
Kept thinking if I practised enough, it might get a bit more interesting. | 0:16:05 | 0:16:09 | |
When I had my daughter, I didn't even know I was pregnant. | 0:16:11 | 0:16:14 | |
Is that why you trained as a nurse, so you could spot the signs? | 0:16:15 | 0:16:19 | |
Rebecca was adopted. | 0:16:20 | 0:16:22 | |
For a long time, I thought I'd lost her. | 0:16:23 | 0:16:25 | |
I once left Zsa Zsa on the Tube. | 0:16:29 | 0:16:31 | |
Not a natural. | 0:16:31 | 0:16:32 | |
The best thing was choosing the name. | 0:16:34 | 0:16:36 | |
Cos they don't tell you, do they? | 0:16:36 | 0:16:39 | |
Looking after a baby - it's like working in some really boring factory. | 0:16:39 | 0:16:43 | |
Unpaid. 24/7. | 0:16:43 | 0:16:46 | |
While sitting on a bag of frozen peas with your baps out. | 0:16:46 | 0:16:50 | |
Nothing maternal about me. | 0:16:51 | 0:16:53 | |
I did quite fancy a couple of the mummies, though. | 0:16:54 | 0:16:56 | |
We need to formally bring this meeting to order. | 0:17:10 | 0:17:12 | |
I think you'll find this is an informal meeting. | 0:17:12 | 0:17:14 | |
No. We need to lay down a series of proposals and discuss them professionally. | 0:17:14 | 0:17:17 | |
-Is he like this in the bedroom? -Yeah. -Can you muzzle that thing? | 0:17:17 | 0:17:20 | |
No! Dog! Dog! Look! | 0:17:20 | 0:17:22 | |
Will you shut up, please? | 0:17:24 | 0:17:25 | |
Thank you. | 0:17:27 | 0:17:29 | |
Some people are actually trying to save this market. | 0:17:29 | 0:17:32 | |
I'll get time off for good behaviour. | 0:17:39 | 0:17:42 | |
I can get a decent lawyer. | 0:17:42 | 0:17:44 | |
They've got to take into account what Archie did to me. | 0:17:44 | 0:17:48 | |
Maybe they might let Lily stay here. | 0:17:48 | 0:17:51 | |
Do you think, Max? | 0:17:51 | 0:17:52 | |
Maybe they might. | 0:17:54 | 0:17:56 | |
Because she should know who her family is. | 0:17:57 | 0:18:00 | |
Will you look out for her, Max? | 0:18:01 | 0:18:03 | |
I don't mean put yourself out, but if you see her about or if they send her away - | 0:18:03 | 0:18:07 | |
if they foster her out - please, Max, please will you stay in touch with her? | 0:18:07 | 0:18:12 | |
-Cos she's just a little girl. And none of this is her fault. -No, Stace. | 0:18:12 | 0:18:16 | |
I can't promise you that. | 0:18:18 | 0:18:21 | |
I can't even look out for my own kids. | 0:18:23 | 0:18:26 | |
Bradley died for you. | 0:18:32 | 0:18:34 | |
All we did to him - he still gave up his life so you could have yours. | 0:18:36 | 0:18:40 | |
I know you loved him, Stace. I know. | 0:18:42 | 0:18:44 | |
You know, it's what you told me at the airport. | 0:18:47 | 0:18:49 | |
You said you'd always love him. | 0:18:52 | 0:18:54 | |
I really miss him. | 0:19:00 | 0:19:01 | |
There's a big space in my life where he should be. | 0:19:04 | 0:19:07 | |
Life he never had. | 0:19:10 | 0:19:12 | |
It's just a waste. | 0:19:14 | 0:19:16 | |
So you sit here, Stace. You just give up. You just... | 0:19:19 | 0:19:23 | |
wait for them to come for you. | 0:19:23 | 0:19:25 | |
And it'll be all gone. | 0:19:28 | 0:19:30 | |
That'll be all for nothing. | 0:19:32 | 0:19:33 | |
Cos I'm telling you, you'll count on one hand the people who'll love you like that. | 0:19:35 | 0:19:39 | |
I need to get my phone. | 0:19:47 | 0:19:49 | |
There you go, Patrick. Ta. | 0:20:13 | 0:20:15 | |
Thank you so much for coming. | 0:20:34 | 0:20:36 | |
-Bye. -Oh! Success, eh? | 0:20:38 | 0:20:41 | |
That council representative works for the department of la-di-dah. | 0:20:41 | 0:20:45 | |
He's been in here hours, | 0:20:45 | 0:20:47 | |
ate all the cakes and promised us absolutely nothing. | 0:20:47 | 0:20:50 | |
I think that deserves a drink, don't you? | 0:20:52 | 0:20:54 | |
I've got some fizzy orange and crisps in the basement, if you're interested. | 0:20:54 | 0:20:59 | |
You coming on to me? | 0:20:59 | 0:21:01 | |
Yeah. | 0:21:02 | 0:21:04 | |
It's the menopause. | 0:21:04 | 0:21:05 | |
No hard feelings. | 0:21:13 | 0:21:14 | |
No, it's all right, it's not a problem. It was just a misunderstanding, weren't it? | 0:21:14 | 0:21:19 | |
All part of the learning curve. Onwards and upwards. | 0:21:19 | 0:21:21 | |
Diplomacy's in his genes. | 0:21:24 | 0:21:25 | |
Whose? | 0:21:26 | 0:21:28 | |
Well, obviously mine. It's not going to be his mum's, is it? | 0:21:28 | 0:21:31 | |
She was more vindictive than diplomatic. | 0:21:31 | 0:21:33 | |
I tell you - he has got all the makings of a good small-to-medium-sized businessman. | 0:21:33 | 0:21:37 | |
It's all part of our father/son bond. | 0:21:37 | 0:21:40 | |
I tell you what, when Cindy goes, there'll be more space. He might even move back in. | 0:21:40 | 0:21:43 | |
-More space? What? -I told you. | 0:21:43 | 0:21:46 | |
I didn't tell you? | 0:21:46 | 0:21:47 | |
-OK, Gina's moving to Portugal with her mum and they want to take Cindy with them. -Oh! -I know. | 0:21:47 | 0:21:53 | |
MONITORS BLEEP | 0:22:01 | 0:22:04 | |
PHONE RINGS OUT | 0:22:37 | 0:22:39 | |
JEAN: 'Stace?' | 0:22:43 | 0:22:45 | |
Hello? | 0:22:45 | 0:22:46 | |
'Oh, Stacey!' | 0:22:46 | 0:22:49 | |
SHE SOBS | 0:22:51 | 0:22:53 | |
Hey, hey. No, no, it's all right. It's all right. It's all right. | 0:22:54 | 0:23:00 | |
I was just waiting for them to call me. | 0:23:00 | 0:23:02 | |
I've been outside the whole time, you muppet. | 0:23:02 | 0:23:05 | |
Well, after that, Vanessa saw sense and she left me. | 0:23:10 | 0:23:12 | |
And then Tanya saw sense. She left me. Cheers. | 0:23:13 | 0:23:16 | |
And then there was Kirsty - she saw sense. | 0:23:18 | 0:23:20 | |
And she didn't even have that much sense to begin with. | 0:23:22 | 0:23:25 | |
And then Tanya saw sense again and that was it. | 0:23:25 | 0:23:28 | |
You ever thought about getting a cat or something? | 0:23:28 | 0:23:31 | |
I think it's safer if people like me and you just stay single. | 0:23:32 | 0:23:35 | |
You're still my dearest friend, though. | 0:23:35 | 0:23:38 | |
Yeah, always. | 0:23:41 | 0:23:42 | |
CAR HORN HOOTS | 0:23:50 | 0:23:51 | |
If you must know, I've finally seen sense and left Max's. | 0:23:55 | 0:24:00 | |
Ain't like we're related. | 0:24:00 | 0:24:01 | |
I'm thinking of going visiting. | 0:24:02 | 0:24:05 | |
Safe trip. | 0:24:05 | 0:24:06 | |
Although, er... | 0:24:10 | 0:24:12 | |
I did tell Dexter, when he called to say that Max had kicked you out, | 0:24:12 | 0:24:17 | |
you know, the both of you can move in. | 0:24:17 | 0:24:19 | |
Well...as a friend, | 0:24:22 | 0:24:25 | |
obviously. | 0:24:25 | 0:24:26 | |
-Honest is best. -Ian's an idiot. | 0:24:34 | 0:24:36 | |
No-one tells him I'm pregnant. He's sending me to Portugal. | 0:24:38 | 0:24:41 | |
Do you still see your little girl? | 0:24:44 | 0:24:46 | |
Yeah, of course. She lives with me, and her dad. | 0:24:46 | 0:24:49 | |
-We all live together. -So it all worked out well, then. | 0:24:49 | 0:24:52 | |
Yeah, all worked out. | 0:24:52 | 0:24:54 | |
And you know, fighting for my little girl was the best thing I ever did. | 0:24:58 | 0:25:02 | |
I've got to go. Bar in Soho. | 0:25:04 | 0:25:08 | |
Tosh rescues me in a fire engine and all she gets is a little snog - | 0:25:08 | 0:25:11 | |
no wonder she's hacked off. | 0:25:11 | 0:25:13 | |
-See her in. Do you mind? -Yes! | 0:25:13 | 0:25:15 | |
My breath smells. Does my breath smell? | 0:25:20 | 0:25:23 | |
I can't talk now, Billy. | 0:25:26 | 0:25:28 | |
I'm just coming to the end of a big family crisis. | 0:25:28 | 0:25:31 | |
All right, all right. But when you're through here, | 0:25:31 | 0:25:34 | |
-I've got three trays of haddock - 30 quid a pop. -25, and you can fetch them straight over. -Done. | 0:25:34 | 0:25:39 | |
Sounds like Ian Beale has been. | 0:25:39 | 0:25:40 | |
Vomit, beer cans everywhere, back door wide open. | 0:25:42 | 0:25:45 | |
-Ian. -Do you know what, young lady? I took you in out of the goodness of my heart. | 0:25:45 | 0:25:48 | |
I had no legal obligation to do so. | 0:25:48 | 0:25:50 | |
I tell you what - that plane cannot leave soon enough. | 0:25:50 | 0:25:53 | |
-Ian! -What? | 0:25:58 | 0:26:01 | |
-What? What are you even doing here? Have you got my sweatshirt? -No. | 0:26:01 | 0:26:05 | |
Right, well, I want it back in the morning, | 0:26:05 | 0:26:07 | |
-washed and ironed, or it's coming out your wages. -Do you know what, Ian? | 0:26:07 | 0:26:11 | |
What is it with you and all the other men that grew up round here, eh? | 0:26:11 | 0:26:14 | |
Have you not got any time to think about anyone else's feelings other than your own? | 0:26:14 | 0:26:18 | |
Have you not wondered where she's been? Why the drinking? | 0:26:18 | 0:26:21 | |
She's a teenager. | 0:26:21 | 0:26:23 | |
No, Ian, she's been to hospital. | 0:26:23 | 0:26:25 | |
Alcohol poisoning. | 0:26:25 | 0:26:28 | |
She's a very lonely little girl. | 0:26:28 | 0:26:30 | |
And she's pregnant, Ian. | 0:26:30 | 0:26:32 | |
Cindy's pregnant. | 0:26:32 | 0:26:34 | |
Mummy strap you in. There you go. | 0:26:39 | 0:26:42 | |
That's it. | 0:26:43 | 0:26:44 | |
Alfie, where's she going? | 0:26:48 | 0:26:50 | |
Where's she going? Stace? | 0:26:50 | 0:26:53 | |
Stace? Stace! | 0:26:53 | 0:26:55 | |
Keep your voice down. What? | 0:26:57 | 0:26:59 | |
You don't have to go. | 0:26:59 | 0:27:01 | |
It was her own idea. She's going to Jean's. | 0:27:01 | 0:27:04 | |
She wants to see her mum. | 0:27:04 | 0:27:06 | |
What have you done? | 0:27:08 | 0:27:09 | |
I was trying to make it all right. | 0:27:15 | 0:27:17 | |
You... You actually went and lied to the police? | 0:27:17 | 0:27:20 | |
You told them you saw Alice kill Michael? | 0:27:22 | 0:27:24 | |
I thought she had nowhere else to go. I thought there was no other choice. | 0:27:24 | 0:27:27 | |
Well, you were wrong. | 0:27:27 | 0:27:29 | |
We can go. Thanks. | 0:27:29 | 0:27:31 | |
Max. Alice, she's part of your family. You talk to her. | 0:27:36 | 0:27:40 | |
I thought you did the right thing. | 0:27:44 | 0:27:47 | |
-I just wanted her to come home. -I know. | 0:27:47 | 0:27:50 | |
I know where I stand now, Kat. | 0:27:52 | 0:27:54 | |
My family. Our family. | 0:27:54 | 0:27:56 | |
We come last. | 0:27:59 | 0:28:01 |