
Browse content similar to 27/11/2017. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Come here. | 0:00:31 | 0:00:32 | |
What's got into you? | 0:00:33 | 0:00:34 | |
Don't know. I like a bit of danger. | 0:00:34 | 0:00:36 | |
HORN HONKS | 0:00:36 | 0:00:38 | |
Someone's the new favourite. | 0:00:43 | 0:00:45 | |
Not seen him in ages, but he's due back this morning. | 0:00:55 | 0:00:58 | |
Looking forward to it. | 0:00:58 | 0:01:00 | |
Mm. Yeah, you and me both. | 0:01:01 | 0:01:02 | |
Everything OK? | 0:01:04 | 0:01:05 | |
Yeah, yeah. Can you just tell him that I won't be in work today? | 0:01:05 | 0:01:09 | |
And I really need to talk to him, so I'll be in the caff. | 0:01:09 | 0:01:13 | |
OK, but it might not be straight away. | 0:01:13 | 0:01:16 | |
Mm. | 0:01:17 | 0:01:19 | |
OK, see you later. | 0:01:19 | 0:01:20 | |
There's no need for all that, all right? I'll talk to her. | 0:01:24 | 0:01:27 | |
Well, I'll be done by 12. | 0:01:27 | 0:01:28 | |
Let's meet again here, and we'll see what there is or isn't need for. | 0:01:28 | 0:01:32 | |
I have every faith in you, Maxwell. | 0:01:32 | 0:01:34 | |
-Everything OK? -Yeah. | 0:01:45 | 0:01:46 | |
-Oi! -What? | 0:01:59 | 0:02:00 | |
-Did you nick a quid from my jeans? -No. | 0:02:00 | 0:02:02 | |
-Yes, you have! -I haven't even been in your room! | 0:02:02 | 0:02:04 | |
What? Did the tooth fairy take it, then? | 0:02:04 | 0:02:06 | |
Might have, you used to nick my tooth money. | 0:02:06 | 0:02:08 | |
-Just give it back, you little tramp! -I ain't got it! Get off, Keegan! | 0:02:08 | 0:02:11 | |
-You sh... -Get off! -Oi! | 0:02:11 | 0:02:13 | |
Yeah? | 0:02:13 | 0:02:15 | |
-Thought I recognised the voice. -Yeah, well, do you? | 0:02:15 | 0:02:18 | |
-No. -Where you going?! | 0:02:18 | 0:02:21 | |
Must have been some other squeaky little git's voice I heard. | 0:02:21 | 0:02:23 | |
-You what? -Just kidding you. | 0:02:25 | 0:02:27 | |
-That your sister? -Who's asking? | 0:02:28 | 0:02:30 | |
What are you so angry at? | 0:02:30 | 0:02:32 | |
A quid? | 0:02:32 | 0:02:34 | |
That was a rhetorical question. Frankly, I don't give a monkey's, | 0:02:34 | 0:02:37 | |
it's just that you ruined the best part of my cigar. | 0:02:37 | 0:02:40 | |
Bit of advice - | 0:02:46 | 0:02:48 | |
showing your feelings make you weak. | 0:02:48 | 0:02:51 | |
Showing anger, weaker still. | 0:02:51 | 0:02:54 | |
Hide your anger, and people don't know what you're thinking. Got it? | 0:02:55 | 0:03:00 | |
And that's a bit of advice worth a quid. | 0:03:03 | 0:03:05 | |
-KNOCK AT DOOR -Come in. | 0:03:11 | 0:03:13 | |
-You all right, Ian? -Yeah. -Need to speak to Lauren. | 0:03:13 | 0:03:16 | |
Well, she's not here. She told me she had a day off. | 0:03:16 | 0:03:19 | |
Where is she? | 0:03:19 | 0:03:20 | |
Well, she's gone out. Just calm down, Max. | 0:03:20 | 0:03:22 | |
Sorry. Have you seen her? | 0:03:22 | 0:03:24 | |
Well, she went out about as wound up as you are now. | 0:03:24 | 0:03:26 | |
If you do catch up with her, though, tell her that I'm fine | 0:03:26 | 0:03:28 | |
looking after the little one, OK? And to enjoy her day off. | 0:03:28 | 0:03:31 | |
And if I was you, I'd have a day off as well. | 0:03:31 | 0:03:33 | |
Yeah, yeah. See you later. | 0:03:33 | 0:03:36 | |
Goodbye, Grandad Max. | 0:03:36 | 0:03:38 | |
LAUREN ON VOICEMAIL: Sorry I didn't get to my phone in time. | 0:03:38 | 0:03:40 | |
Leave a message. Make it a good one. | 0:03:40 | 0:03:42 | |
PHONE RINGS | 0:03:44 | 0:03:47 | |
Josh, it's me, again. Can you call me back, please? | 0:03:53 | 0:03:57 | |
I thought we were on the same side. I do... | 0:03:59 | 0:04:02 | |
I don't know what to do. | 0:04:02 | 0:04:03 | |
Look, just call me back. | 0:04:05 | 0:04:06 | |
-How long you been waiting? -Ages. | 0:04:32 | 0:04:35 | |
Oh, I forgot to tell you, the element's gone. | 0:04:35 | 0:04:37 | |
I'll pick up a new one on the way home. | 0:04:37 | 0:04:39 | |
I wish I hadn't told you. | 0:04:39 | 0:04:41 | |
Might still have been here when I got back! | 0:04:41 | 0:04:44 | |
Look, Phil, why don't you make yourself useful, huh? | 0:04:44 | 0:04:47 | |
Put some batteries in that massage ball. | 0:04:47 | 0:04:49 | |
Maybe we could use it when I get back, mm? | 0:04:49 | 0:04:53 | |
-See you in a bit. -Yeah. | 0:04:53 | 0:04:54 | |
PHIL SIGHS | 0:05:00 | 0:05:03 | |
-Morning. -Morning. | 0:05:03 | 0:05:05 | |
Yeah, go on, mate. | 0:05:08 | 0:05:10 | |
Let me go somewhere a bit more private. | 0:05:10 | 0:05:12 | |
Yeah, go on. | 0:05:12 | 0:05:14 | |
PHIL SIGHS | 0:05:19 | 0:05:21 | |
DOORBELL RINGS | 0:05:21 | 0:05:23 | |
Hallelujah. | 0:05:25 | 0:05:26 | |
PHIL CHUCKLES | 0:05:34 | 0:05:36 | |
No! | 0:05:36 | 0:05:38 | |
As I live and breathe. | 0:05:38 | 0:05:39 | |
Not in bother, am I? | 0:05:41 | 0:05:43 | |
Now, that hurts, Philip. Would I come if you were in a bit of bother? | 0:05:43 | 0:05:48 | |
No, I'd pay some other mug to come and deal with you. | 0:05:48 | 0:05:52 | |
Good to see you. | 0:05:52 | 0:05:55 | |
Come in, and sit down, old man, before you fall down. | 0:05:55 | 0:05:58 | |
Less of the "old man". | 0:05:58 | 0:06:00 | |
I thought you were at school. | 0:06:06 | 0:06:08 | |
Er, no, it's inset day. | 0:06:08 | 0:06:11 | |
Oh. Er, what are your plans? | 0:06:11 | 0:06:14 | |
Here. | 0:06:26 | 0:06:29 | |
Go and see a film. Treat yourself. | 0:06:29 | 0:06:32 | |
What, on my own? | 0:06:32 | 0:06:33 | |
Take someone else. | 0:06:33 | 0:06:35 | |
That's not enough. | 0:06:35 | 0:06:37 | |
Well, spend some time on your own, then. | 0:06:37 | 0:06:39 | |
I need you out from under my feet. | 0:06:39 | 0:06:41 | |
Why? What are you doing? | 0:06:41 | 0:06:43 | |
I need to, erm... | 0:06:43 | 0:06:45 | |
..tidy up. | 0:06:45 | 0:06:46 | |
Ooh! | 0:06:48 | 0:06:50 | |
Max? Max? | 0:06:53 | 0:06:55 | |
Max! | 0:06:55 | 0:06:57 | |
You all right? Just right in the middle of something. | 0:06:57 | 0:06:59 | |
I'll give you a call later, yeah? | 0:06:59 | 0:07:01 | |
-You're winding me up. -I swear, not a drop in the house. | 0:07:06 | 0:07:09 | |
So what are we going to drink? Green tea? | 0:07:09 | 0:07:12 | |
Well, ain't even got a kettle till the missus gets back. | 0:07:12 | 0:07:15 | |
I've, er... | 0:07:16 | 0:07:18 | |
-I've got pop. -Pop? | 0:07:18 | 0:07:20 | |
MASSAGE BALL VIBRATES Yeah, fizzy pop. | 0:07:20 | 0:07:23 | |
JP CHUCKLES | 0:07:23 | 0:07:24 | |
If you haven't got one of those curly straws, I am not interested. | 0:07:24 | 0:07:27 | |
There we go. | 0:07:30 | 0:07:32 | |
Oh, I don't know. Cherryade! | 0:07:32 | 0:07:35 | |
Brilliant, I haven't seen that since school days. | 0:07:36 | 0:07:39 | |
Cheers. | 0:07:41 | 0:07:43 | |
Cheers. | 0:07:43 | 0:07:44 | |
I was in the neighbourhood. | 0:07:44 | 0:07:45 | |
I thought I'd visit an old pad-mate. | 0:07:47 | 0:07:49 | |
It's only taken you 12 years. | 0:07:49 | 0:07:51 | |
Well, it takes two to stay in touch. | 0:07:51 | 0:07:53 | |
How's the missus? | 0:07:53 | 0:07:55 | |
There's the thing. | 0:07:55 | 0:07:57 | |
She left me for a younger model, | 0:07:58 | 0:08:01 | |
-with half me money. -Sorry to hear that. | 0:08:01 | 0:08:04 | |
So was he when I sent a couple of mugs around to deal with him. | 0:08:04 | 0:08:06 | |
DOOR CLOSES | 0:08:06 | 0:08:08 | |
Apparently, he was lucky he was wearing tight trousers, | 0:08:08 | 0:08:10 | |
-or it would've been everywhere. -THEY CHUCKLE | 0:08:10 | 0:08:12 | |
You all right? This is JP. Aidan. | 0:08:12 | 0:08:16 | |
-This is Sharon, my missus. -Hi. | 0:08:16 | 0:08:18 | |
Ah, very pleased to meet you, Sharon. | 0:08:18 | 0:08:21 | |
Phil's being a bit cagey, but I know women, | 0:08:21 | 0:08:23 | |
and it's best to be honest straight up front. | 0:08:23 | 0:08:26 | |
Phil and I shared a cell together, | 0:08:26 | 0:08:29 | |
for some wonderful months, back in the bad old days. | 0:08:29 | 0:08:32 | |
Right. Well, it's lovely to meet you, too. | 0:08:34 | 0:08:37 | |
Could I interest you in some cherryade? | 0:08:38 | 0:08:41 | |
No, I'm going to test out my new kettle. | 0:08:41 | 0:08:44 | |
What are you looking at? | 0:08:49 | 0:08:50 | |
I just saved you 20 difficult questions. | 0:08:50 | 0:08:52 | |
You can thank me later. | 0:08:54 | 0:08:56 | |
Yes, love? | 0:09:01 | 0:09:03 | |
Hello?! | 0:09:04 | 0:09:06 | |
Oh, sorry. | 0:09:06 | 0:09:07 | |
-We back in the room? -Yeah, could I just get this, please? | 0:09:07 | 0:09:10 | |
What's so interesting? | 0:09:12 | 0:09:13 | |
Huh? | 0:09:13 | 0:09:15 | |
Oh, nothing much. | 0:09:15 | 0:09:16 | |
Just some prince bloke marrying some actress. | 0:09:16 | 0:09:18 | |
-What?! Harry and Meghan?! -Oi! | 0:09:18 | 0:09:21 | |
"Nothing much". | 0:09:21 | 0:09:23 | |
You kids. | 0:09:23 | 0:09:24 | |
Ohhh. | 0:09:24 | 0:09:26 | |
-My phone...? -Yeah, it's on the house. | 0:09:26 | 0:09:28 | |
Hiya. That's 60 pence, please. | 0:09:35 | 0:09:37 | |
-This is my money. Mum gave it to me. -Nah, it's fine. | 0:09:39 | 0:09:42 | |
Probably Chatham or Riley took it. | 0:09:42 | 0:09:43 | |
60p? | 0:09:45 | 0:09:47 | |
Don't want it. Here. | 0:09:48 | 0:09:50 | |
You all right, Honey? You ain't seen Lauren today, have you? | 0:09:57 | 0:09:59 | |
-Not today, no. -PHONE RINGS | 0:09:59 | 0:10:04 | |
You all right, Carmel? | 0:10:04 | 0:10:05 | |
Is everything OK? You seemed worried this morning. | 0:10:05 | 0:10:09 | |
No. Yeah, it's fine. It's nothing serious, just a bit of family stuff. | 0:10:09 | 0:10:13 | |
Oh. Is that why Lauren came round earlier? | 0:10:13 | 0:10:17 | |
-Did she? -Yeah. | 0:10:17 | 0:10:18 | |
Er, did she tell you anything? | 0:10:19 | 0:10:21 | |
What are you doing here? | 0:10:38 | 0:10:39 | |
Very annoying knocking from the steering. | 0:10:39 | 0:10:42 | |
So many potholes around here, | 0:10:44 | 0:10:45 | |
I think the council are working for you. | 0:10:45 | 0:10:47 | |
You come highly recommended, all the same. | 0:10:47 | 0:10:49 | |
I don't want to do myself out of work... | 0:10:51 | 0:10:53 | |
I was just telling this gent, you're supposed to go to the dealersh... | 0:10:53 | 0:10:57 | |
-This recommendation? -Yes? | 0:10:59 | 0:11:01 | |
Didn't happen to be your son, did it? | 0:11:01 | 0:11:03 | |
Oh, he speaks very highly of you. He's telling everyone. | 0:11:03 | 0:11:07 | |
Oh, so sorry to hear it didn't work out, | 0:11:07 | 0:11:10 | |
but he's throwing you a bone or two still, so maybe there's hope. | 0:11:10 | 0:11:14 | |
Tell him I don't need his charity. | 0:11:14 | 0:11:16 | |
Your tyres are fine. | 0:11:17 | 0:11:19 | |
No charge. | 0:11:19 | 0:11:21 | |
There was I, thinking times were hard for small businesses. | 0:11:21 | 0:11:24 | |
Just tell him! | 0:11:24 | 0:11:26 | |
Kathy, can I get another coffee, please? | 0:11:33 | 0:11:36 | |
You want to be careful. | 0:11:36 | 0:11:37 | |
I'll be pulling you off the ceiling with all this caffeine. | 0:11:37 | 0:11:39 | |
Yeah, no chance of that - not slept. | 0:11:39 | 0:11:42 | |
Well, you know what toddlers are like. | 0:11:42 | 0:11:44 | |
I'll tell you what, I'll put another shot in, on the house. | 0:11:44 | 0:11:47 | |
Lauren? | 0:11:47 | 0:11:49 | |
Oi, Lauren. You all right? | 0:11:49 | 0:11:50 | |
I got some kiddie's t-shirts, and I reckon you'll like them. | 0:11:50 | 0:11:53 | |
Do a little special discount, yeah? | 0:11:53 | 0:11:55 | |
-Oh, yeah. OK, I'll come and have a look. Cheers, Kush. -All right. | 0:11:55 | 0:12:00 | |
-You all right? -Where have you been? | 0:12:00 | 0:12:02 | |
Listen, you didn't say anything, did you? | 0:12:05 | 0:12:08 | |
To Carmel about the Square, or Weylands? | 0:12:08 | 0:12:10 | |
So you knew about that? | 0:12:10 | 0:12:11 | |
Listen, you haven't told anyone else about what you saw? | 0:12:11 | 0:12:14 | |
Just Josh, who I thought would keep quiet, but clearly not. | 0:12:14 | 0:12:17 | |
-Lauren, you need to delete that. -No chance! | 0:12:26 | 0:12:29 | |
-Can I get a sausage sandwich, please? -Yeah. | 0:12:29 | 0:12:31 | |
That photo's illegal, all right? That's industrial espionage. | 0:12:33 | 0:12:37 | |
We could both lose our jobs. | 0:12:37 | 0:12:38 | |
Did you know, Dad? | 0:12:38 | 0:12:40 | |
Did you know that they are planning to destroy the whole Square? | 0:12:40 | 0:12:44 | |
All right, come on, come with me. | 0:12:46 | 0:12:48 | |
Come on, I want to show you something. | 0:12:49 | 0:12:51 | |
Yeah, scrap that, Kath. Sorry. | 0:12:57 | 0:12:59 | |
Lovely! | 0:13:00 | 0:13:01 | |
Saves me a job. | 0:13:07 | 0:13:08 | |
What? | 0:13:09 | 0:13:10 | |
-Oh, sorry, Mick. I'm... -You expecting trouble? | 0:13:10 | 0:13:14 | |
-Go on. -Er, I, er... | 0:13:15 | 0:13:19 | |
..got offered a bar in Malaga. | 0:13:19 | 0:13:21 | |
Well, I can see why you're miserable, you know, | 0:13:21 | 0:13:23 | |
someone making an offer like that. That's terrible, innit? | 0:13:23 | 0:13:27 | |
No, the job's great, obviously, but, erm... | 0:13:27 | 0:13:30 | |
..I'd have to leave straight away. | 0:13:30 | 0:13:32 | |
Ah. Whitney. | 0:13:32 | 0:13:34 | |
Yeah, Whitney. | 0:13:34 | 0:13:37 | |
You all right, Mick? | 0:13:37 | 0:13:39 | |
You're starting early, ain't you? | 0:13:39 | 0:13:40 | |
Er, no, no, no. Got a bit of a weird request. | 0:13:40 | 0:13:43 | |
Can me and my dad go to the roof? | 0:13:45 | 0:13:46 | |
It is a weird request, innit? Why? | 0:13:48 | 0:13:50 | |
Er, nothing, no. Just do a little recce for Santa. | 0:13:50 | 0:13:54 | |
We won't be long. Please? | 0:13:55 | 0:13:56 | |
Go on. And don't come flying off, I have just cleaned the pavement. | 0:13:56 | 0:14:00 | |
What are they doing? | 0:14:06 | 0:14:07 | |
I'm going to go and change the old khazi rolls. | 0:14:07 | 0:14:09 | |
Quilted, it's cost me a bomb. | 0:14:09 | 0:14:10 | |
I don't want them wiping their bottle on that. Cor! | 0:14:10 | 0:14:13 | |
Is it me? | 0:14:16 | 0:14:17 | |
Come sit down with me, babe. | 0:14:20 | 0:14:21 | |
I've got to tell you something. | 0:14:21 | 0:14:23 | |
Some halfwit trips the guard, he goes crashing into Phil, | 0:14:23 | 0:14:28 | |
who thinks he's being mugged, and all hell breaks loose. | 0:14:28 | 0:14:31 | |
ALL LAUGH | 0:14:31 | 0:14:34 | |
The best bit is they have to apologise to Phil | 0:14:34 | 0:14:37 | |
when they look back at the CCTV. | 0:14:37 | 0:14:39 | |
Worst apology I've ever heard! | 0:14:39 | 0:14:42 | |
You make it sound like fun! | 0:14:42 | 0:14:44 | |
No, it's boring, innit? Prison stories. | 0:14:44 | 0:14:47 | |
Ah, you know us blokes, Sharon, we like to put a spin on everything. | 0:14:47 | 0:14:51 | |
But that man of yours, he was like a rock to me in prison. | 0:14:51 | 0:14:55 | |
There are days in there, you know, | 0:14:56 | 0:14:58 | |
and we all had them, when you just... | 0:14:58 | 0:15:00 | |
You just don't see the point in going on. | 0:15:02 | 0:15:05 | |
You remember the night I came to you and woke you up? | 0:15:05 | 0:15:09 | |
I was like a ghost. I was finished. | 0:15:09 | 0:15:12 | |
I had tears in me eyes. I said, "I want to do myself in, Phil. | 0:15:14 | 0:15:17 | |
"I want to smash me head against these walls, | 0:15:20 | 0:15:23 | |
"until there's nothing left of me." | 0:15:23 | 0:15:25 | |
I missed me wife, I missed me privacy, I just... | 0:15:27 | 0:15:33 | |
..thought there was nothing left of me. | 0:15:33 | 0:15:35 | |
And you know what he said? God bless him. | 0:15:36 | 0:15:39 | |
He leaned in to me, and he said... | 0:15:40 | 0:15:42 | |
.."Can I have your radio?" | 0:15:44 | 0:15:46 | |
You had me going then! | 0:15:51 | 0:15:54 | |
Do you want a top up? | 0:15:54 | 0:15:56 | |
Oh, God, no, no, no. | 0:15:56 | 0:15:58 | |
-If I'm going to be up all night, it has to be worth it. -All right. | 0:15:58 | 0:16:00 | |
You're loving this, ain't you? | 0:16:05 | 0:16:07 | |
Do you remember what you did say? | 0:16:07 | 0:16:09 | |
You said, "It's dark, and things are always worse in the dark". | 0:16:12 | 0:16:17 | |
I'd better be going. It's great seeing you, | 0:16:22 | 0:16:26 | |
but I hate saying goodbye. | 0:16:26 | 0:16:29 | |
But maybe just show me to the door, and I'll see you again soon. | 0:16:29 | 0:16:34 | |
Why are you in Walford, JP? | 0:16:35 | 0:16:36 | |
JP SIGHS | 0:16:39 | 0:16:41 | |
I'll see you soon. | 0:16:42 | 0:16:44 | |
I'll never forgot those words, Philip. | 0:16:58 | 0:17:01 | |
Never. | 0:17:01 | 0:17:02 | |
I don't like it up here. | 0:17:14 | 0:17:16 | |
It's important, Lauren. | 0:17:17 | 0:17:19 | |
Reminds me of Bradley. | 0:17:19 | 0:17:20 | |
So, what are you planning on doing? | 0:17:23 | 0:17:25 | |
Go public? | 0:17:26 | 0:17:28 | |
Go public! You're not WikiLeaks. | 0:17:28 | 0:17:31 | |
Don't laugh at me, Dad. | 0:17:31 | 0:17:32 | |
Sorry, Lauren. It's just complicated. | 0:17:32 | 0:17:35 | |
What? You're buying out all the businesses so that you can | 0:17:35 | 0:17:39 | |
level it out and put flats on it. It's quite straightforward. | 0:17:39 | 0:17:42 | |
No, they're proposing to. There's a big difference. | 0:17:42 | 0:17:45 | |
Why are you helping them? | 0:17:45 | 0:17:48 | |
This is where we live! | 0:17:48 | 0:17:49 | |
You take a look down there. | 0:17:51 | 0:17:52 | |
What do you see, Lauren? | 0:17:53 | 0:17:54 | |
Houses, shops, the market. | 0:17:56 | 0:18:00 | |
Yeah, well, I see the past. | 0:18:00 | 0:18:01 | |
What about all the bad things that have happened here? | 0:18:05 | 0:18:08 | |
Bradley, Steven. | 0:18:08 | 0:18:09 | |
What, so no market? | 0:18:11 | 0:18:14 | |
No place for Grandma Dot? No allotments? | 0:18:16 | 0:18:19 | |
Dad, this isn't right. | 0:18:19 | 0:18:21 | |
Look, it was meant to be a surprise, me bringing you up here. | 0:18:25 | 0:18:28 | |
Yeah? | 0:18:29 | 0:18:31 | |
Penthouse suite, third floor, underground parking, | 0:18:32 | 0:18:38 | |
open plan, state of the art, all the bells and whistles. | 0:18:38 | 0:18:41 | |
Could be ours. | 0:18:42 | 0:18:44 | |
You, me, Louie, Abi if she sorts herself out. | 0:18:44 | 0:18:47 | |
I mean, Weylands have offered me a massive discount, Lauren, | 0:18:47 | 0:18:49 | |
-absolutely massive. -LAUREN SCOFFS | 0:18:49 | 0:18:51 | |
We're sitting pretty in the future, not stuck in the past in this place. | 0:18:51 | 0:18:56 | |
Look, the world turns, Lauren. | 0:18:56 | 0:18:58 | |
Listen, everyone's going to do well out of this. | 0:18:59 | 0:19:01 | |
I wouldn't be involved if I didn't think that. | 0:19:01 | 0:19:03 | |
All right, yeah, Weylands ARE going to make some money, | 0:19:03 | 0:19:07 | |
and some people are going to have to be rehoused, happens all the time, | 0:19:07 | 0:19:11 | |
but I promise you, all right, it's all going to be much better for it. | 0:19:11 | 0:19:14 | |
You know what I have always wanted? | 0:19:18 | 0:19:20 | |
One of them taps - you've got the hot and the cold together. | 0:19:21 | 0:19:24 | |
It's like a little mini-waterfall, you know? | 0:19:24 | 0:19:27 | |
And then there's another tap - boiling water straight away | 0:19:27 | 0:19:30 | |
for your teas and coffees. | 0:19:30 | 0:19:32 | |
LAUREN CHUCKLES | 0:19:32 | 0:19:34 | |
It's yours. | 0:19:34 | 0:19:36 | |
It's cold up here, innit? | 0:19:39 | 0:19:41 | |
Yeah. | 0:19:41 | 0:19:43 | |
Shall we get back down? | 0:19:43 | 0:19:44 | |
Listen, don't say anything about this until it's definite, yeah? | 0:19:45 | 0:19:49 | |
OK. | 0:19:50 | 0:19:52 | |
Are you lost, old man? | 0:20:07 | 0:20:09 | |
Oh, planning my escape route. | 0:20:09 | 0:20:11 | |
Like a cat, I need to know all the exit points. | 0:20:13 | 0:20:15 | |
And how's the angriest kid in Walford? | 0:20:17 | 0:20:19 | |
Calm. | 0:20:19 | 0:20:21 | |
Here. | 0:20:22 | 0:20:23 | |
A quid? | 0:20:26 | 0:20:27 | |
Thanks. I'll spend it wisely. | 0:20:29 | 0:20:31 | |
Come on, Whit, can we talk about it? I ain't even said yes yet. | 0:20:39 | 0:20:42 | |
Moose again? | 0:20:44 | 0:20:45 | |
No, Woody's got a job in Spain, starting ASAP. | 0:20:45 | 0:20:48 | |
Whitney's got the hump cos she thinks he's going to leave her. | 0:20:48 | 0:20:52 | |
Whit, please. | 0:20:52 | 0:20:53 | |
Right, I'm just going to sit here until you come out, then. | 0:20:53 | 0:20:55 | |
Psst! | 0:21:00 | 0:21:02 | |
Have you got an apartment with this job? | 0:21:02 | 0:21:05 | |
Yeah, yeah. They call them pensions. | 0:21:05 | 0:21:07 | |
I don't care what they call them. Is there room enough for two? | 0:21:07 | 0:21:10 | |
Whit... | 0:21:12 | 0:21:13 | |
..look, you ain't really given me a chance to say or anything, | 0:21:13 | 0:21:16 | |
but, erm... | 0:21:16 | 0:21:17 | |
..I want you to come with me. | 0:21:21 | 0:21:22 | |
DOOR OPENS | 0:21:24 | 0:21:25 | |
Come here. | 0:21:27 | 0:21:29 | |
Yeah? | 0:21:35 | 0:21:37 | |
WHITNEY CHUCKLES | 0:21:37 | 0:21:39 | |
Stick the kettle on. | 0:21:43 | 0:21:44 | |
Where do you want it? There? Like that? | 0:21:48 | 0:21:50 | |
-Yeah? -There. | 0:21:50 | 0:21:53 | |
-Yeah. -I can't do it. | 0:21:53 | 0:21:56 | |
Uh-oh, busted. | 0:21:56 | 0:21:59 | |
He loves his bricks. | 0:21:59 | 0:22:01 | |
Yeah, and, to be honest, so do I. | 0:22:01 | 0:22:04 | |
Go on, you go out, enjoy your day off, I'm quite happy here with him. | 0:22:05 | 0:22:08 | |
Oh, did you catch up with your dad? | 0:22:08 | 0:22:11 | |
Yeah, everything all right? | 0:22:11 | 0:22:13 | |
Yeah, yeah, turned out to be nothing. | 0:22:13 | 0:22:15 | |
Oh, really? | 0:22:15 | 0:22:16 | |
Could've fooled me, the way he was with this little one here. | 0:22:16 | 0:22:19 | |
But, then again, that's your dad, isn't it? | 0:22:19 | 0:22:21 | |
Once he puts his mind to something, he just commits, and he just gets... | 0:22:21 | 0:22:24 | |
Doesn't see anyone else, he just gets tunnel vision. | 0:22:24 | 0:22:27 | |
Ian, can you imagine living anywhere else but Walford? | 0:22:30 | 0:22:34 | |
Thinking of moving away? | 0:22:36 | 0:22:37 | |
No, just wondering, do you even still like it round here? | 0:22:37 | 0:22:41 | |
IAN CHUCKLES | 0:22:41 | 0:22:43 | |
Well, it's seen better days. | 0:22:43 | 0:22:45 | |
I mean, me and Jane were thinking of moving away, but... | 0:22:45 | 0:22:48 | |
Look, I know it's a dump, but it's home, | 0:22:48 | 0:22:52 | |
and we cling to that, don't we? | 0:22:52 | 0:22:54 | |
Right. Well, I'll go get him some grapes, then, yeah? | 0:23:00 | 0:23:04 | |
Yeah, Mummy get you some grapes? Yeah? | 0:23:04 | 0:23:07 | |
-What's that? -What's that? I don't know what he's called. | 0:23:07 | 0:23:11 | |
-Fish man? -Yeah. -Fish man. | 0:23:11 | 0:23:13 | |
Put it up here. | 0:23:13 | 0:23:15 | |
Put it up here, OK. So is that his hat? | 0:23:15 | 0:23:18 | |
-Yes. -Yeah, is it? | 0:23:18 | 0:23:19 | |
Here, Lauren, come here, look. Check these out, hot off the press. | 0:23:36 | 0:23:41 | |
-Eh? -Very East End. | 0:23:41 | 0:23:43 | |
-What do you reckon? -Oh, that is cute. | 0:23:43 | 0:23:46 | |
Innit, eh? £6 each, or two for a tenner, all right? | 0:23:46 | 0:23:48 | |
And that is mate's rates, cos they're a tenner each on the stall. | 0:23:48 | 0:23:51 | |
-Yeah? -Don't put yourself out. | 0:23:51 | 0:23:53 | |
No, I'm still making a little bit of a profit. | 0:23:53 | 0:23:55 | |
Nobody's that generous, are they? | 0:23:55 | 0:23:57 | |
-Mm? -Yeah, go on, then. | 0:23:57 | 0:23:59 | |
Yes, all right. Well, you just bring him over | 0:23:59 | 0:24:01 | |
if they don't fit, all right? Cos I have got plenty of sizes. | 0:24:01 | 0:24:05 | |
Here we are. | 0:24:05 | 0:24:06 | |
-Thank you. -Thank YOU. | 0:24:07 | 0:24:09 | |
Hi, can I get some grapes as well, please? | 0:24:12 | 0:24:14 | |
-Hey. -Hiya. | 0:24:14 | 0:24:17 | |
-Guess what? -What? | 0:24:17 | 0:24:21 | |
I'm moving to Malaga with Woody! | 0:24:21 | 0:24:23 | |
It's not permanent, I couldn't go for good. | 0:24:23 | 0:24:25 | |
-I'm really happy for you. -Thanks. | 0:24:27 | 0:24:29 | |
I've gotta go and get some other bits, | 0:24:29 | 0:24:32 | |
but I will pop over later, all right? | 0:24:32 | 0:24:34 | |
-Yeah. -OK. | 0:24:34 | 0:24:35 | |
Timekeeping skills - ten out of ten. | 0:25:14 | 0:25:17 | |
How are you at convincing your daughter? | 0:25:17 | 0:25:20 | |
-Yeah, she's convinced. -Very good. | 0:25:20 | 0:25:23 | |
I have trouble persuading my children to do anything. | 0:25:23 | 0:25:25 | |
What's your secret? | 0:25:25 | 0:25:27 | |
Well, she takes after me. I just appeal to her nature. | 0:25:27 | 0:25:30 | |
One difficulty with this conversation. | 0:25:30 | 0:25:33 | |
What's that? | 0:25:33 | 0:25:34 | |
She's charging towards us with a face like thunder. | 0:25:34 | 0:25:37 | |
Done it again, ain't you? | 0:25:40 | 0:25:41 | |
Trying to talk your way out of it? Well, I'm not buying it this time. | 0:25:41 | 0:25:44 | |
WE might do well, but I've got friends that live round here. | 0:25:44 | 0:25:48 | |
Louie's got family! What, you going to look after them, | 0:25:48 | 0:25:51 | |
-are you? -Lauren, please... -You going to look after Ian? | 0:25:51 | 0:25:53 | |
This is where I live! This is my home! | 0:25:53 | 0:25:56 | |
I'd have thought Lauren would have been your first point of call, Max. | 0:25:56 | 0:26:00 | |
Telling her the good news. | 0:26:00 | 0:26:01 | |
James. Lovely to meet you. | 0:26:03 | 0:26:06 | |
I hope it's not too old-fashioned to mention | 0:26:07 | 0:26:09 | |
what a beautiful young woman you are. | 0:26:09 | 0:26:11 | |
Who's this? | 0:26:13 | 0:26:15 | |
The Albert Square project has been shut down. | 0:26:15 | 0:26:18 | |
The investors were slightly more shrewd | 0:26:18 | 0:26:20 | |
than they've been given credit for. | 0:26:20 | 0:26:21 | |
It seems they've done their homework. | 0:26:21 | 0:26:24 | |
Hundreds of years of tunnel building, sewer systems, | 0:26:24 | 0:26:27 | |
underground trains, and so on. | 0:26:27 | 0:26:29 | |
The risk was too high, the potential profit too small. | 0:26:29 | 0:26:32 | |
Weylands move on to plan B. Do you know the Barking Dockside? | 0:26:34 | 0:26:39 | |
No residents to displace. | 0:26:41 | 0:26:43 | |
Oh, lots more red tape to circumnavigate, | 0:26:43 | 0:26:46 | |
but we will endeavour. It's the Weylands way. | 0:26:46 | 0:26:50 | |
So, you're not going to change this place? | 0:26:50 | 0:26:52 | |
Oh, we might help it along with a face-lift on a few properties, | 0:26:52 | 0:26:54 | |
but the full transformation is beyond us. | 0:26:54 | 0:26:59 | |
Yeah, that's how business goes sometimes. | 0:26:59 | 0:27:02 | |
But, please, Lauren, dear, know that your job is there if you want it. | 0:27:02 | 0:27:06 | |
Although I beg you to keep those initial plans between us. | 0:27:06 | 0:27:10 | |
Communities like these have a horrid way of over-reacting | 0:27:10 | 0:27:13 | |
over nothing at all. | 0:27:13 | 0:27:14 | |
Maybe you should delete that photo, Lauren. | 0:27:16 | 0:27:19 | |
Oh, yes, please, we've trashed that thing already. | 0:27:19 | 0:27:23 | |
Could do without it appearing again! | 0:27:23 | 0:27:25 | |
Sorry for over-reacting. | 0:27:34 | 0:27:36 | |
All worked out. At least we kept our jobs. | 0:27:40 | 0:27:43 | |
Right, better go get Louie. Been with Ian all day. | 0:27:43 | 0:27:46 | |
See you. | 0:27:46 | 0:27:48 | |
We live in a post-truth society, Maxwell. | 0:27:54 | 0:27:57 | |
Say it convincingly enough, and they will buy into it. | 0:27:58 | 0:28:01 | |
Nice girl. Let's make sure she stays on message. | 0:28:03 | 0:28:06 | |
Because naughty girls go over my knee. | 0:28:08 | 0:28:11 |