Browse content similar to 30/01/2018. Check below for episodes and series from the same categories and more!
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ALARM WAILS | 0:00:24 | 0:00:27 | |
ON RADIO: No sign of a break in. | 0:00:27 | 0:00:29 | |
Same here. Over. | 0:00:31 | 0:00:33 | |
Hi, we got your message, what happened? | 0:00:33 | 0:00:34 | |
-Are you the key-holder? -No, I am. | 0:00:34 | 0:00:36 | |
-Jed? -Vincent. | 0:00:39 | 0:00:40 | |
Long time, no see. | 0:00:42 | 0:00:44 | |
OK, yeah, that's all very nice, | 0:00:44 | 0:00:46 | |
but can we cut the stroll down memory lane and actually get inside? | 0:00:46 | 0:00:49 | |
-Yeah, yeah. -So this your place, then, is it? | 0:00:49 | 0:00:51 | |
Well, not for much longer if you left it up to him. | 0:00:51 | 0:00:54 | |
How is Johnny? | 0:01:01 | 0:01:03 | |
How do you know I was texting Johnny? | 0:01:03 | 0:01:05 | |
Just...just wishing him good luck for today, that's all. | 0:01:05 | 0:01:09 | |
What is happening out there? | 0:01:10 | 0:01:13 | |
I dunno. Bit of agg at The Albert. | 0:01:13 | 0:01:15 | |
Makes a change, it's usually our place in bother. | 0:01:15 | 0:01:17 | |
Well, not any more, | 0:01:17 | 0:01:19 | |
and we ain't even started celebrating yet. | 0:01:19 | 0:01:21 | |
We've been celebrating ever since Dee gave us them deeds back. | 0:01:21 | 0:01:24 | |
No, no, I mean me and you. | 0:01:24 | 0:01:26 | |
You know, cos it's been too long, L. | 0:01:26 | 0:01:27 | |
You know, me and you, doing me and you things. | 0:01:27 | 0:01:30 | |
Oh, yeah. | 0:01:30 | 0:01:31 | |
What did you have in mind? | 0:01:31 | 0:01:32 | |
Well... | 0:01:32 | 0:01:34 | |
something hot. | 0:01:34 | 0:01:36 | |
Oh, yes, something very, very hot. | 0:01:38 | 0:01:39 | |
SHE GIGGLES | 0:01:39 | 0:01:41 | |
Haven't heard from you yet. | 0:01:54 | 0:01:56 | |
Or was I just about to? | 0:01:56 | 0:01:57 | |
You're not stupid, Phil. | 0:01:58 | 0:02:00 | |
And I think I proved yesterday I'm not. | 0:02:00 | 0:02:03 | |
Not too sure about Aidan, though. | 0:02:03 | 0:02:04 | |
Don't take too long. | 0:02:06 | 0:02:08 | |
In fact, let's put a deadline on it, shall we? | 0:02:08 | 0:02:11 | |
End of the day. | 0:02:11 | 0:02:13 | |
Don't dig your own grave, Phil. | 0:02:14 | 0:02:17 | |
Or Ben's. | 0:02:17 | 0:02:18 | |
You had trouble here before? | 0:02:23 | 0:02:25 | |
Not till that dirty big great "For Sale" sign went up outside. | 0:02:25 | 0:02:28 | |
OK, Kim... | 0:02:28 | 0:02:30 | |
That's an open invitation for local chancers, that is. | 0:02:30 | 0:02:33 | |
"Come on in. Take a look. Take what you want." | 0:02:33 | 0:02:36 | |
That's ridiculous, yeah. | 0:02:36 | 0:02:37 | |
So that went off by itself, did it? | 0:02:37 | 0:02:39 | |
He's here to help, Vincent. | 0:02:39 | 0:02:42 | |
Talk to him. | 0:02:42 | 0:02:43 | |
So you two are not exactly seeing eye to eye on this, then? | 0:02:45 | 0:02:47 | |
CID should have really snapped you up by now, shouldn't they? | 0:02:47 | 0:02:50 | |
So what is it, business not doing too well? | 0:02:50 | 0:02:52 | |
No, business is actually booming. Never better. | 0:02:52 | 0:02:54 | |
But you're still selling? | 0:02:54 | 0:02:56 | |
Yeah, I need to reset that, yeah, the alarm. | 0:02:56 | 0:02:58 | |
If you're in any sort of bother... | 0:03:08 | 0:03:10 | |
Apart from the lowlifes that tried to break into my bar, you mean? | 0:03:10 | 0:03:13 | |
The sort that means you need to sell your business even though | 0:03:13 | 0:03:17 | |
you really don't want to. | 0:03:17 | 0:03:18 | |
You know where we are, yeah? | 0:03:18 | 0:03:21 | |
I can handle it. | 0:03:21 | 0:03:23 | |
Right, I'll have a little bang on this and all. | 0:03:28 | 0:03:31 | |
A man with his own pub buying booze from the corner shop? | 0:03:31 | 0:03:34 | |
-I mean, I've seen it all, Mick. -You know why, don't you? | 0:03:34 | 0:03:36 | |
Masood. Masood, he's sold all the good stuff. | 0:03:36 | 0:03:38 | |
Well, one bottle's not going to go that far. | 0:03:38 | 0:03:40 | |
This is my personal consumption. Me and my L. | 0:03:40 | 0:03:43 | |
Oh, you know what I need, some of that coconut curry sauce. | 0:03:43 | 0:03:45 | |
-That's what I need. -Right. | 0:03:45 | 0:03:47 | |
And I need some... I think some ice cream gateaux. | 0:03:47 | 0:03:51 | |
Ooh. | 0:03:51 | 0:03:52 | |
We still celebrating, Mick? | 0:03:52 | 0:03:54 | |
HE LAUGHS | 0:03:54 | 0:03:55 | |
Ah, Philip, are you celebrating? | 0:04:04 | 0:04:06 | |
-What? -Lifting a glass with Sharon to your good fortune? | 0:04:07 | 0:04:11 | |
No? | 0:04:11 | 0:04:12 | |
Well, nor am I. | 0:04:12 | 0:04:14 | |
It's been a long time. | 0:04:24 | 0:04:26 | |
But some of us have got long memories. | 0:04:26 | 0:04:28 | |
You helped me out back in the day. | 0:04:28 | 0:04:31 | |
More than once. | 0:04:31 | 0:04:33 | |
So if you ever need someone to return the favour... | 0:04:33 | 0:04:35 | |
Really is all starting to fall apart, isn't it? | 0:04:37 | 0:04:40 | |
Now one of yours is cosying up to the filth. | 0:04:40 | 0:04:43 | |
Hi, Kim! | 0:04:49 | 0:04:51 | |
All set? | 0:04:51 | 0:04:53 | |
Denise's birthday party? I tell you what, | 0:04:53 | 0:04:55 | |
just give me a few minutes to humiliate Ted and then I'll pop over | 0:04:55 | 0:04:58 | |
and help you get things ready, all right? | 0:04:58 | 0:05:01 | |
Kimmy? | 0:05:01 | 0:05:02 | |
Mas. | 0:05:15 | 0:05:17 | |
-Well? -Well, what? | 0:05:17 | 0:05:20 | |
-Have you got them? -What? -Your magic samosas! | 0:05:20 | 0:05:22 | |
-Oh! -I've been spreading the word all morning. | 0:05:22 | 0:05:24 | |
Mas, we could knock out dozens, on this market alone. | 0:05:24 | 0:05:27 | |
"We"? | 0:05:27 | 0:05:29 | |
-You supply, I distribute. -Hmmm. | 0:05:29 | 0:05:32 | |
I'm working at Bealey boy's chippy. | 0:05:32 | 0:05:35 | |
-For now. -Perfect. | 0:05:35 | 0:05:37 | |
That means you'll have a stream of ready made punters. | 0:05:37 | 0:05:40 | |
You make them, you leave 'em on the counter, | 0:05:40 | 0:05:43 | |
people say, "Hmmm, what's that?" you say, "Try them." | 0:05:43 | 0:05:47 | |
Mas, you do want to make some money, don't you? | 0:05:49 | 0:05:51 | |
I don't know about this. | 0:05:51 | 0:05:53 | |
Look, please! I don't want to sweep this market for ever, do I? | 0:05:53 | 0:05:56 | |
Look, you've got the samosas, I've got the contacts. | 0:05:56 | 0:05:59 | |
A few market traders. | 0:05:59 | 0:06:00 | |
Every great idea started small. | 0:06:00 | 0:06:03 | |
-Jiggy Jiggy sauce? -Reggae. | 0:06:04 | 0:06:06 | |
It's reggae sauce. | 0:06:07 | 0:06:09 | |
HE GASPS | 0:06:09 | 0:06:11 | |
-You know what I'm hearing? -What? | 0:06:11 | 0:06:14 | |
Excuses. | 0:06:14 | 0:06:16 | |
-You know what I should be hearing? -What? | 0:06:16 | 0:06:18 | |
The sound of tills ringing nonstop. | 0:06:18 | 0:06:20 | |
Think about it. | 0:06:20 | 0:06:22 | |
OK, OK, I'll dig out the recipe. | 0:06:24 | 0:06:26 | |
-Yes! Speak soon. -Yeah. | 0:06:26 | 0:06:29 | |
Urgh. | 0:06:31 | 0:06:32 | |
Oh, you're back, then. | 0:06:36 | 0:06:37 | |
Said I would be, didn't I? | 0:06:37 | 0:06:39 | |
Been having nightmares about Brussel sprouts all night, too. | 0:06:39 | 0:06:42 | |
Only thing is, I forgot my gloves again. | 0:06:44 | 0:06:47 | |
Have a look over there. | 0:06:47 | 0:06:48 | |
Here he is. Lamb to the slaughter. | 0:06:50 | 0:06:52 | |
Not today. | 0:06:52 | 0:06:54 | |
You what? | 0:06:54 | 0:06:55 | |
And not any day as far as the slaughter's concerned. | 0:06:55 | 0:06:58 | |
-I just can't play today, that is all. -Why not? | 0:06:58 | 0:07:00 | |
-Family problems. -Nothing trivial, I hope. | 0:07:00 | 0:07:02 | |
Mr Murray! | 0:07:02 | 0:07:04 | |
This is the final game of our 22 game accumulator. | 0:07:04 | 0:07:07 | |
There is big money at stake. | 0:07:07 | 0:07:09 | |
Or is that the real problem? | 0:07:09 | 0:07:11 | |
-What? -Are you bottling this? | 0:07:11 | 0:07:13 | |
Listen, now, man. | 0:07:13 | 0:07:15 | |
I never bottle anything at all in my life, you know. | 0:07:15 | 0:07:17 | |
And I'm going to prove it. Tomorrow. | 0:07:17 | 0:07:19 | |
But what am I supposed to do today? | 0:07:19 | 0:07:22 | |
I've polished the pieces specially. | 0:07:22 | 0:07:24 | |
Sprouts. | 0:07:30 | 0:07:31 | |
What are you doing? | 0:07:53 | 0:07:56 | |
Nothing special. | 0:07:56 | 0:07:58 | |
Ready? Well, I thought | 0:07:58 | 0:08:01 | |
we were going to book Daisy's class at the Community Centre. | 0:08:01 | 0:08:05 | |
What are you doing? | 0:08:05 | 0:08:06 | |
-Looking for nothing special. -What? | 0:08:06 | 0:08:09 | |
Oh, come on. Let's go. | 0:08:09 | 0:08:12 | |
Yeah. | 0:08:27 | 0:08:28 | |
Mmm-mmm. This don't make any sense at all. | 0:08:28 | 0:08:31 | |
That's exactly what I've been saying to Vincent. | 0:08:31 | 0:08:33 | |
Yeah, but The Albert is always packed whenever I walk past. | 0:08:33 | 0:08:36 | |
What is he not telling me, Patrick? And what's next? | 0:08:36 | 0:08:40 | |
Come on, you don't know there's anything next. | 0:08:40 | 0:08:43 | |
I didn't think that there would be this. | 0:08:43 | 0:08:45 | |
He said that we should wait to have another baby, | 0:08:48 | 0:08:51 | |
that he's thinking of me. | 0:08:51 | 0:08:53 | |
But is this the real reason? | 0:08:53 | 0:08:55 | |
Why don't I have a word with him, all right? | 0:08:57 | 0:08:59 | |
And in the meantime, | 0:08:59 | 0:09:01 | |
I want you to concentrate on your sister's birthday party, all right? | 0:09:01 | 0:09:04 | |
-Who may not be. -What? | 0:09:04 | 0:09:06 | |
But it's the same thing, isn't it? | 0:09:06 | 0:09:08 | |
I thought Dee was my sister, | 0:09:08 | 0:09:10 | |
and then it turns out that she may not be. | 0:09:10 | 0:09:12 | |
I thought me and Vincent were solid... | 0:09:12 | 0:09:14 | |
Yeah, well, you are, you are. | 0:09:14 | 0:09:15 | |
Well, you will be once he's cleared his debts. | 0:09:15 | 0:09:18 | |
I'm not just talking about the money, Patrick. | 0:09:18 | 0:09:21 | |
Look, I only found out about The Albert | 0:09:21 | 0:09:24 | |
because I thought he was having an affair. | 0:09:24 | 0:09:27 | |
We are husband and wife, | 0:09:27 | 0:09:29 | |
I should be the first to know what's going on, shouldn't I? | 0:09:29 | 0:09:32 | |
Get on that. | 0:09:35 | 0:09:37 | |
I need you to have Ollie for me. | 0:09:38 | 0:09:41 | |
Why me? | 0:09:41 | 0:09:43 | |
I need you to have Ollie for me, OK. | 0:09:43 | 0:09:45 | |
Mother, I need you to keep L out of this kitchen for a couple of hours. | 0:09:45 | 0:09:48 | |
-How? -I don't know how. | 0:09:48 | 0:09:50 | |
What are you doing? | 0:09:50 | 0:09:51 | |
I'm going to do a lovely little ruby. | 0:09:51 | 0:09:54 | |
Yeah, well, all you need is a couple of tins of sauce, | 0:09:54 | 0:09:56 | |
pour it over some chicken, that don't take two hours. | 0:09:56 | 0:09:59 | |
There ain't no tins left in the Minute Mart. | 0:09:59 | 0:10:01 | |
-Well, go somewhere else. -No, I want to do it all special, don't I? | 0:10:01 | 0:10:04 | |
So, you know, I've googled a recipe. And I've got one... | 0:10:04 | 0:10:06 | |
Oh, yes, I've got one. | 0:10:06 | 0:10:08 | |
What's his name... | 0:10:09 | 0:10:11 | |
Jamie Oliver. | 0:10:11 | 0:10:13 | |
Oh, very ethnic. | 0:10:13 | 0:10:14 | |
It's very technical, actually. Very technical. | 0:10:14 | 0:10:16 | |
Do you know what goes into your average ruby? | 0:10:16 | 0:10:19 | |
Long as I follow the instructions, all will be sweet. | 0:10:19 | 0:10:22 | |
I just need you two to play your part. | 0:10:22 | 0:10:24 | |
Ollie. | 0:10:24 | 0:10:25 | |
Guard duty. | 0:10:25 | 0:10:28 | |
I've got a very, very important phone call to make. | 0:10:28 | 0:10:30 | |
PHONE RINGS | 0:10:34 | 0:10:36 | |
Mick? I'm cooking. | 0:10:36 | 0:10:38 | |
So am I, mate. | 0:10:38 | 0:10:39 | |
A curry. And I need some tips. | 0:10:39 | 0:10:42 | |
Well, what are you asking me for? | 0:10:42 | 0:10:43 | |
What do you mean, why am I asking you? | 0:10:43 | 0:10:45 | |
Cos you're the main man, ain't you? You know, anything Indian. | 0:10:45 | 0:10:48 | |
-I'm from Pakistan. -All right. | 0:10:48 | 0:10:49 | |
So what are you telling me, what? | 0:10:49 | 0:10:51 | |
What, they don't have chicken korma in Pakistan? | 0:10:51 | 0:10:54 | |
HE LAUGHS | 0:10:54 | 0:10:56 | |
You won't find a chicken korma in the whole of South Asia, mate. | 0:10:56 | 0:10:59 | |
What is it, like an 11th commandment, is it? | 0:10:59 | 0:11:01 | |
"Thou shalt not eat korma"? | 0:11:01 | 0:11:03 | |
Mick, it's a British dish. | 0:11:05 | 0:11:07 | |
-Yeah, I know. -Mick, Mick, Mick, Mick, just open a jar, will you? OK. | 0:11:07 | 0:11:11 | |
Little liberty. | 0:11:14 | 0:11:16 | |
KNOCK ON DOOR | 0:11:21 | 0:11:23 | |
What are you doing? | 0:11:27 | 0:11:28 | |
I'm playing with myself. | 0:11:28 | 0:11:31 | |
Careful, young lady, careful. | 0:11:31 | 0:11:33 | |
I've dug up all your sprouts. | 0:11:33 | 0:11:35 | |
Oh. | 0:11:37 | 0:11:38 | |
Well, I'll be the judge of that. | 0:11:38 | 0:11:40 | |
Bernie, come on! | 0:11:43 | 0:11:45 | |
What's your game? | 0:11:51 | 0:11:52 | |
What does that mean? | 0:11:52 | 0:11:54 | |
You and the old bill? Oi, I'm talking to you. | 0:11:54 | 0:11:58 | |
It's none of your business. | 0:11:58 | 0:12:00 | |
Phil, man, look... | 0:12:01 | 0:12:03 | |
I asked you a question. | 0:12:03 | 0:12:05 | |
Look, I had some trouble in the Albert. | 0:12:05 | 0:12:06 | |
Nothing else? Only you and that copper looked very pally. | 0:12:06 | 0:12:10 | |
-If you've said something... -Look, what's the point? | 0:12:10 | 0:12:12 | |
They wouldn't be able to pin anything on Aidan anyway, | 0:12:12 | 0:12:14 | |
-it'd just be my word against his. -Yeah, well, | 0:12:14 | 0:12:17 | |
he'd pin you in a coffin if you did. | 0:12:17 | 0:12:18 | |
I can't do this any more, don't you understand that? | 0:12:18 | 0:12:20 | |
-I can't take none of it. -Grow a pair, will you? | 0:12:20 | 0:12:22 | |
All you've gotta do is sell the Albert, give Aidan his money, | 0:12:22 | 0:12:25 | |
-and move on. -It's real easy for you, isn't it? For now. | 0:12:25 | 0:12:27 | |
What's that supposed to mean? | 0:12:27 | 0:12:29 | |
OK, he's got me in his sights right now, but who's next? | 0:12:29 | 0:12:32 | |
Maybe he'll take a long, hard look at you. | 0:12:32 | 0:12:35 | |
Maybe that's what you was doing with Sharon out in Italy, | 0:12:35 | 0:12:37 | |
-counting all our money. -Watch your mouth, you. | 0:12:37 | 0:12:39 | |
He would turn on every one of us in a heartbeat. | 0:12:39 | 0:12:41 | |
If you're not going to sort it, I will. It's me or him, Phil. | 0:12:41 | 0:12:44 | |
-Yeah, you and whose army? -It's me or Aidan. | 0:12:44 | 0:12:48 | |
I knew he was up to something. | 0:12:54 | 0:12:56 | |
Oh, Chachi Ji... | 0:12:56 | 0:12:58 | |
Am I just seeing things? Or is this also "nothing special"? | 0:12:58 | 0:13:03 | |
You are going to a lot of trouble here. | 0:13:03 | 0:13:07 | |
So what is this, special occasion or something? | 0:13:07 | 0:13:11 | |
Not exactly a special occasion more a...more... | 0:13:11 | 0:13:15 | |
What? | 0:13:15 | 0:13:17 | |
Ah! Someone special? | 0:13:17 | 0:13:20 | |
-Is this a lady? -Well... | 0:13:20 | 0:13:22 | |
Well, why didn't you tell me? Is she coming for dinner? | 0:13:22 | 0:13:25 | |
Where's her family from? What's her surname? | 0:13:25 | 0:13:28 | |
What can I do to help? | 0:13:28 | 0:13:30 | |
I think we could probably best help by leaving our nephew to his date. | 0:13:30 | 0:13:35 | |
Masha Allah, Masood's got a date. | 0:13:35 | 0:13:39 | |
Four words I thought I'd never hear. | 0:13:39 | 0:13:42 | |
Shabash, Munno. | 0:13:42 | 0:13:45 | |
Well done. | 0:13:46 | 0:13:48 | |
HE LAUGHS | 0:13:49 | 0:13:51 | |
Don't mess it up. | 0:13:52 | 0:13:55 | |
Well? | 0:13:59 | 0:14:00 | |
Yeah, seem to have got 'em all up. | 0:14:00 | 0:14:03 | |
Seem to? I have. | 0:14:03 | 0:14:04 | |
And they seem to be all mine this time and all. | 0:14:04 | 0:14:08 | |
-Really hate sprouts. -I'm not that keen myself. | 0:14:08 | 0:14:11 | |
Why do you grow them, then, if you don't like them? That's mad. | 0:14:11 | 0:14:14 | |
Almost as mad as you playing chess all by yourself. | 0:14:16 | 0:14:20 | |
Least that way you can't lose, I suppose. | 0:14:20 | 0:14:23 | |
I'm not afraid of losing if that's what you're getting at. | 0:14:23 | 0:14:27 | |
I'll show you. | 0:14:27 | 0:14:29 | |
-Morning, Linda. -Morning, Maggie. | 0:14:31 | 0:14:33 | |
Linda? That boy of yours left town now, has he? | 0:14:41 | 0:14:46 | |
Saw him heading away yesterday. | 0:14:46 | 0:14:48 | |
Well, he starts a new job today. | 0:14:48 | 0:14:51 | |
Manchester, yeah? | 0:14:51 | 0:14:52 | |
Isn't it nice when life works out for you and your family? | 0:14:52 | 0:14:57 | |
'Bout time some good luck came our way, if you ask me. | 0:14:58 | 0:15:01 | |
Make your own, so they say. | 0:15:01 | 0:15:04 | |
And nothing good happens unless you make it happen. | 0:15:04 | 0:15:06 | |
They say that, too. | 0:15:08 | 0:15:10 | |
Have you lost your mind? | 0:15:19 | 0:15:20 | |
Lost just about everything else. | 0:15:20 | 0:15:22 | |
At least I'm about to, thanks to Aidan. | 0:15:22 | 0:15:24 | |
The Albert. Kim. | 0:15:24 | 0:15:27 | |
I mean, she ain't going to stop, you know, by the way. | 0:15:27 | 0:15:29 | |
She knows something's wrong and she's going to keep digging | 0:15:29 | 0:15:32 | |
-till she finds out what. -You can sort her, can't you? | 0:15:32 | 0:15:35 | |
Professional liar like you, should be meat and drink to a grass. | 0:15:35 | 0:15:38 | |
And even if I could, he ain't stopping at the Albert. | 0:15:38 | 0:15:42 | |
As far as Aidan's concerned, I'm a cash cow. | 0:15:42 | 0:15:44 | |
-You don't know that. -He hates me, Phil. | 0:15:44 | 0:15:47 | |
He hates... | 0:15:47 | 0:15:49 | |
professional liars. | 0:15:49 | 0:15:51 | |
He's had me in his sights since we started this thing. | 0:15:51 | 0:15:53 | |
I mean, I've got a family now. | 0:15:53 | 0:15:55 | |
A wife, a daughter, things that I thought I'd never have. | 0:15:55 | 0:15:59 | |
If it was just me, I'd take a chance, I'd get out, but how can | 0:15:59 | 0:16:03 | |
I do that with Kim and Pearl? How can I ask them to live like that? | 0:16:03 | 0:16:06 | |
Would you? If this was Sharon or Dennis? | 0:16:10 | 0:16:13 | |
If that lunatic had your family in his sights? | 0:16:13 | 0:16:15 | |
If it was Louise or Ben we were talking about? | 0:16:15 | 0:16:20 | |
Wouldn't you fight for them? | 0:16:20 | 0:16:22 | |
You and Aidan wouldn't be a fight. It'd be your suicide. | 0:16:22 | 0:16:25 | |
I can do more than you think. | 0:16:25 | 0:16:28 | |
And even if you did, you know... | 0:16:28 | 0:16:31 | |
you do anything to Aidan, anything happens to him, | 0:16:31 | 0:16:33 | |
there's going to be a lot of people asking a lot of awkward questions. | 0:16:33 | 0:16:36 | |
And it won't just be you in the frame, it'll be us too. | 0:16:36 | 0:16:39 | |
I told you, I haven't got a choice. | 0:16:39 | 0:16:40 | |
And even if Aidan has taken our money, | 0:16:40 | 0:16:42 | |
if he has turned us over, that'll be that, won't it? | 0:16:42 | 0:16:44 | |
You know, he's going to take that little secret to the grave. | 0:16:44 | 0:16:47 | |
So, what, I should just sit back and let him destroy me, yeah? | 0:16:47 | 0:16:49 | |
You go up against Aidan, all he's going to see is a guilty man. | 0:16:49 | 0:16:52 | |
The real guilty man should be shaking my hand. | 0:16:52 | 0:16:54 | |
Cos he won't stop until he finds him. | 0:16:54 | 0:16:56 | |
He wants blood, Phil. | 0:16:56 | 0:16:57 | |
-Leave this to me. -What? | 0:17:00 | 0:17:03 | |
-Just give me some time. -No, sorry, what does that mean? | 0:17:03 | 0:17:05 | |
End of the day. | 0:17:05 | 0:17:07 | |
End of the day and... | 0:17:08 | 0:17:10 | |
everything'll be sorted. | 0:17:10 | 0:17:12 | |
TEXT MESSAGE PINGS | 0:17:18 | 0:17:20 | |
Mick? | 0:17:35 | 0:17:37 | |
Teen... | 0:17:37 | 0:17:38 | |
Mick? | 0:17:39 | 0:17:41 | |
Tina! | 0:17:43 | 0:17:45 | |
Mick! | 0:17:45 | 0:17:46 | |
SHE SIGHS | 0:17:46 | 0:17:48 | |
Mick? Mick! | 0:17:51 | 0:17:53 | |
He ain't here. | 0:17:53 | 0:17:54 | |
Well, where is he? | 0:17:54 | 0:17:56 | |
At the suppliers. | 0:17:56 | 0:17:58 | |
-For what? -Supplies. | 0:17:58 | 0:18:00 | |
I've just had a really weird conversation with Aidan. | 0:18:01 | 0:18:04 | |
-What about? -Johnny. | 0:18:04 | 0:18:06 | |
Well, what did he say? | 0:18:06 | 0:18:08 | |
It's not what he said. It's more what he didn't... | 0:18:08 | 0:18:11 | |
What's that smell? | 0:18:11 | 0:18:13 | |
Can't smell anything. | 0:18:13 | 0:18:14 | |
It's rank. | 0:18:14 | 0:18:16 | |
Teen? | 0:18:16 | 0:18:18 | |
-It's a surprise. -What is? | 0:18:19 | 0:18:22 | |
Don't let on that you know, Linda, he's roped me and Shirley in on it. | 0:18:22 | 0:18:26 | |
-He's really put his heart and soul into it for you. -Get up there. | 0:18:26 | 0:18:28 | |
Why are you not answering your mobile? | 0:18:30 | 0:18:32 | |
Erm... | 0:18:32 | 0:18:33 | |
I've been busy. | 0:18:33 | 0:18:35 | |
So have I. | 0:18:35 | 0:18:37 | |
Talking to Kim. | 0:18:37 | 0:18:38 | |
Right, look, that's none of your business. | 0:18:40 | 0:18:43 | |
I have seen the inside of a lot of boozers in my time. | 0:18:44 | 0:18:48 | |
And you get a nose for the ones that are going to last, | 0:18:48 | 0:18:51 | |
and the ones that won't. | 0:18:51 | 0:18:53 | |
The Albert is a gold mine and you're giving it up, just like that? | 0:18:53 | 0:18:56 | |
Look, there's a lot of things you just don't understand. | 0:18:56 | 0:18:58 | |
Yes, and there's a lot of things you're not telling your wife. | 0:18:58 | 0:19:01 | |
What, like you was always honest with yours, yeah? | 0:19:01 | 0:19:03 | |
You listen to me now, man. | 0:19:03 | 0:19:05 | |
Kim and Denise, they're like daughters to me, you hear? | 0:19:05 | 0:19:08 | |
Look, I'll make sure she's all right, she will want for nothing. | 0:19:08 | 0:19:11 | |
Look, it's not the money I'm talking about, man, it's you. | 0:19:11 | 0:19:14 | |
And her. Husband and wife. | 0:19:14 | 0:19:16 | |
No secrets, no lies. | 0:19:16 | 0:19:17 | |
Isn't that how it's supposed to be? | 0:19:19 | 0:19:21 | |
Well, it is with my daughter, you hear. | 0:19:21 | 0:19:23 | |
Do what I didn't do, son. | 0:19:27 | 0:19:30 | |
Tell her the truth. Whatever it is. | 0:19:32 | 0:19:34 | |
So what do you see, Philip? Take a good look round. | 0:19:41 | 0:19:44 | |
-Don't see anything. -Exactly. | 0:19:48 | 0:19:50 | |
Everything back to normal. | 0:19:50 | 0:19:52 | |
Boozer in full swing. | 0:19:52 | 0:19:54 | |
Just days after they were supposed to be chucked out on the street. | 0:19:54 | 0:19:58 | |
All courtesy of a very valuable family heirloom. | 0:19:58 | 0:20:02 | |
Or was it a scratchcard? | 0:20:02 | 0:20:05 | |
Or some magic beans? | 0:20:05 | 0:20:08 | |
Whatever it was, he is laughing at us. | 0:20:08 | 0:20:13 | |
I believed him. | 0:20:13 | 0:20:14 | |
He's taking us for mugs. | 0:20:14 | 0:20:16 | |
The question is, what are we going to do about it? | 0:20:16 | 0:20:20 | |
Lovely, here you are, here's a ching. | 0:20:23 | 0:20:25 | |
How hard can it be to knock up a ruby? | 0:20:28 | 0:20:31 | |
Yeah, all right. Ain't you meant to be on guard duty? | 0:20:31 | 0:20:35 | |
I don't see much work going on in that kitchen. | 0:20:35 | 0:20:36 | |
Yeah, I had a bit of a nightmare with some hot oil and a dish cloth. | 0:20:36 | 0:20:39 | |
Ooh, curried dish cloth... | 0:20:39 | 0:20:41 | |
Yeah, don't sound too appetising, does it? But this smells lovely. | 0:20:41 | 0:20:45 | |
Now, go on, have a look, see if the old coast is clear. | 0:20:45 | 0:20:47 | |
Go on. | 0:20:47 | 0:20:49 | |
So have you got it all fixed in your head? | 0:20:50 | 0:20:52 | |
What moves where and how? | 0:20:52 | 0:20:55 | |
Still can't see why these are called knights | 0:20:55 | 0:20:57 | |
when they look like horses, though. | 0:20:57 | 0:20:59 | |
Same reason that these are called rooks and they look like castles. | 0:20:59 | 0:21:01 | |
Although, if your king has never moved, | 0:21:01 | 0:21:04 | |
and one of your rooks has never moved, | 0:21:04 | 0:21:06 | |
and there are no pieces in between, | 0:21:06 | 0:21:08 | |
then the king can move two spaces towards the rook | 0:21:08 | 0:21:11 | |
and the rook can jump over your king, | 0:21:11 | 0:21:13 | |
and that is called castling. | 0:21:13 | 0:21:15 | |
Yeah, it does take a bit of getting used to. | 0:21:17 | 0:21:20 | |
But these are definitely pawns? | 0:21:20 | 0:21:22 | |
-They are. -And they can move one square at a time? | 0:21:22 | 0:21:25 | |
They can. | 0:21:25 | 0:21:26 | |
Unless it's my first move, yeah? And then they can move two. | 0:21:26 | 0:21:29 | |
Your go. | 0:21:33 | 0:21:34 | |
But do you know for a fact that Michael hasn't got our money? | 0:21:37 | 0:21:41 | |
No, I just...I just had someone else in mind for this, that's all. | 0:21:41 | 0:21:45 | |
You talked to Vincent lately? | 0:21:48 | 0:21:50 | |
Vincent? | 0:21:51 | 0:21:53 | |
He is so jumpy right now, you can | 0:21:53 | 0:21:54 | |
almost see the guilt coming off of him. | 0:21:54 | 0:21:58 | |
But you're right. | 0:21:58 | 0:22:00 | |
This all stinks a lot more, don't it? | 0:22:00 | 0:22:03 | |
-Keep 'em closed. -Why? | 0:22:03 | 0:22:05 | |
What do you mean, why? Cos it's a surprise, innit? | 0:22:05 | 0:22:08 | |
-What is? -If I told you, it wouldn't be surprise, would it? | 0:22:08 | 0:22:10 | |
-Oh, Mick... -She's piped, why have you piped? | 0:22:10 | 0:22:13 | |
Right, well. | 0:22:13 | 0:22:15 | |
Lunch is served, isn't it? | 0:22:15 | 0:22:17 | |
So... Whee! | 0:22:17 | 0:22:18 | |
SHE GIGGLES | 0:22:18 | 0:22:20 | |
Crack some tunes on, I think. | 0:22:20 | 0:22:22 | |
There we go. | 0:22:24 | 0:22:26 | |
Right. | 0:22:26 | 0:22:28 | |
Have a poppadum. | 0:22:29 | 0:22:30 | |
And that's mate. | 0:22:33 | 0:22:35 | |
What is? | 0:22:35 | 0:22:37 | |
That is. You can't move, you see. | 0:22:37 | 0:22:39 | |
Not very friendly. | 0:22:39 | 0:22:41 | |
What? | 0:22:41 | 0:22:43 | |
Beat someone, you call 'em mate. | 0:22:43 | 0:22:44 | |
Checkmate. | 0:22:44 | 0:22:47 | |
You wouldn't be winding me up, would you? | 0:22:47 | 0:22:49 | |
Another game? | 0:22:50 | 0:22:53 | |
What's the point? I ain't never going to get the hang of this. | 0:22:54 | 0:22:56 | |
Well, no. You won't if you don't try. | 0:22:56 | 0:22:58 | |
Mum caught me reading my chess book last night. | 0:22:58 | 0:23:01 | |
Her and Keegan were catching jokes for an hour. | 0:23:01 | 0:23:03 | |
Bernadette, you can do anything you want, | 0:23:03 | 0:23:06 | |
and don't let anyone tell you different. | 0:23:06 | 0:23:09 | |
Look, it doesn't matter what anyone else says, | 0:23:09 | 0:23:11 | |
and it doesn't matter how much they take the mick, | 0:23:11 | 0:23:14 | |
you don't let them. Do you hear me? | 0:23:14 | 0:23:15 | |
You don't let them and you never ever give up. | 0:23:15 | 0:23:18 | |
See, you show promise. | 0:23:19 | 0:23:20 | |
You do! You keep on like this, | 0:23:22 | 0:23:24 | |
and one day you might give Patrick a game. | 0:23:24 | 0:23:27 | |
How about you? | 0:23:29 | 0:23:30 | |
-Well... -HE LAUGHS | 0:23:30 | 0:23:33 | |
Phil! | 0:23:37 | 0:23:39 | |
I ain't doing this. | 0:23:39 | 0:23:41 | |
What? | 0:23:41 | 0:23:42 | |
Sitting around waiting on your say-so. | 0:23:42 | 0:23:44 | |
This ends, Phil. Today. | 0:23:44 | 0:23:46 | |
Well, be at the Arches in five minutes. | 0:23:46 | 0:23:48 | |
And tell Billy and Keanu to be there an' all. | 0:23:48 | 0:23:52 | |
-Well, did you see him? -Mmm. | 0:23:54 | 0:23:57 | |
And? | 0:23:57 | 0:23:58 | |
So you got as much out of him as I did. | 0:24:00 | 0:24:03 | |
He told me it wasn't my business. | 0:24:03 | 0:24:06 | |
And he was right. | 0:24:06 | 0:24:09 | |
But it's definitely your business, though. | 0:24:09 | 0:24:11 | |
And I told him that. | 0:24:11 | 0:24:13 | |
You have to tell him how you feel. | 0:24:13 | 0:24:15 | |
How you really feel about you and him. | 0:24:15 | 0:24:18 | |
OK? | 0:24:18 | 0:24:19 | |
Yeah. | 0:24:20 | 0:24:23 | |
Is that for the birthday girl? | 0:24:23 | 0:24:25 | |
-For both of us. -Mmm. | 0:24:25 | 0:24:27 | |
Look at this. | 0:24:27 | 0:24:28 | |
I read about it the other day. | 0:24:28 | 0:24:30 | |
It tells you if you and someone are related or not. | 0:24:30 | 0:24:33 | |
Emerald was drunk and angry when she said all that. | 0:24:34 | 0:24:37 | |
Listen, I just want to know where I stand on one thing at least. | 0:24:37 | 0:24:42 | |
-I can't believe you made this. -Yeah. | 0:24:46 | 0:24:49 | |
No, I mean it, Mick, a professional couldn't have done any better. | 0:24:49 | 0:24:53 | |
Well, I'll... | 0:24:53 | 0:24:54 | |
I shall pass on your compliments to the chef. | 0:24:54 | 0:24:58 | |
SHE LAUGHS | 0:24:58 | 0:25:00 | |
And, no, no, what it was... | 0:25:00 | 0:25:02 | |
I had a bit of a mare while I was cooking it and... | 0:25:02 | 0:25:04 | |
Mmm-hmm. I think I smelt it. | 0:25:04 | 0:25:07 | |
Yeah. | 0:25:07 | 0:25:08 | |
I love you, Mrs Carter. | 0:25:11 | 0:25:14 | |
I love you, Mr Carter. | 0:25:14 | 0:25:16 | |
A fresh start. | 0:25:16 | 0:25:18 | |
New beginning. | 0:25:19 | 0:25:21 | |
What's for afters? | 0:25:28 | 0:25:30 | |
You ain't finished your main yet, you gannet. | 0:25:30 | 0:25:33 | |
Mmm? | 0:25:33 | 0:25:34 | |
Oh, yeah. | 0:25:34 | 0:25:36 | |
Oh, yeah. | 0:25:36 | 0:25:37 | |
DISTANT ALARM WAILS | 0:25:37 | 0:25:39 | |
HORN BLARES Is that ours? | 0:25:39 | 0:25:42 | |
Probably kids, innit, just mucking about. | 0:25:44 | 0:25:46 | |
I should check though, really, shouldn't I? | 0:25:50 | 0:25:53 | |
-Don't be long. -Well, I won't be, will I? | 0:25:53 | 0:25:55 | |
Don't you worry about that. | 0:25:55 | 0:25:57 | |
SHE LAUGHS | 0:25:57 | 0:25:59 | |
ALARM AND HORN CONTINUE TO BLARE | 0:26:02 | 0:26:04 | |
KEY BLEEPS | 0:26:05 | 0:26:06 | |
BOTH STOP | 0:26:06 | 0:26:08 | |
Oi! | 0:26:16 | 0:26:18 | |
HE GRUNTS | 0:26:18 | 0:26:20 | |
THEY GRUNT AND STRUGGLE | 0:26:48 | 0:26:50 |