Browse content similar to 15/03/2018. Check below for episodes and series from the same categories and more!
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-WHISPERING: -I'll give you a call later, yeah? -Yes. Now, off you go. | 0:00:32 | 0:00:35 | |
-Can I have a kiss before I go? -No, just...just go! | 0:00:35 | 0:00:39 | |
No, just... | 0:00:39 | 0:00:40 | |
Unbelievable. | 0:00:42 | 0:00:44 | |
Keanu, let me explain. | 0:00:44 | 0:00:45 | |
You lied to me, Mum. | 0:00:45 | 0:00:48 | |
DOOR SLAMS | 0:00:48 | 0:00:51 | |
How did I know this would happen? | 0:00:51 | 0:00:52 | |
Because it was meant to happen. | 0:00:52 | 0:00:54 | |
Like we were meant to happen. | 0:00:54 | 0:00:56 | |
-Everything happens for a reason, baby. -No, you've got to go. | 0:00:56 | 0:00:58 | |
No. | 0:00:58 | 0:01:00 | |
No. This is the universe telling us that | 0:01:00 | 0:01:02 | |
we shouldn't be doing it like this. | 0:01:02 | 0:01:04 | |
We're not kids. | 0:01:04 | 0:01:05 | |
Right, breakfast! Where do you keep your eggs? | 0:01:05 | 0:01:08 | |
You all right? | 0:01:17 | 0:01:18 | |
Yes, thanks. | 0:01:18 | 0:01:20 | |
It's opening night soon, yeah? How's Hunter? | 0:01:20 | 0:01:23 | |
Yeah, settling in. | 0:01:23 | 0:01:26 | |
Good. Good, I'll leave you to it, then. | 0:01:26 | 0:01:29 | |
Cheers. | 0:01:29 | 0:01:31 | |
Oh, and let me know if you change your mind. | 0:01:33 | 0:01:35 | |
About what? | 0:01:36 | 0:01:38 | |
Backing off. | 0:01:38 | 0:01:40 | |
Oh, the builders are coming in next week to take that wall down. | 0:01:47 | 0:01:52 | |
Did you get that? | 0:01:52 | 0:01:55 | |
-Ian... -Hmm? | 0:01:55 | 0:01:57 | |
Can you explain to me how taking Mel Owen out last night | 0:01:58 | 0:02:02 | |
fits in with all this "dispensing of the past" nonsense? | 0:02:02 | 0:02:05 | |
Oh, it's not nonsense. | 0:02:05 | 0:02:07 | |
Well, the proof's in the pudding, isn't it? | 0:02:07 | 0:02:09 | |
I mean, everything I've been through these last couple of years, | 0:02:09 | 0:02:12 | |
I should be depressed, self-sabotaging, suicidal, | 0:02:12 | 0:02:14 | |
but I'm not. | 0:02:14 | 0:02:16 | |
My eyes are focused firmly forward. | 0:02:16 | 0:02:18 | |
The past is behind me. It's all about the now. | 0:02:18 | 0:02:21 | |
And you said this to Mel last night, did you? | 0:02:21 | 0:02:23 | |
Well, she's not come back here by accident. | 0:02:23 | 0:02:26 | |
-Something's drawn her here. -Oh, yeah? What's that, then? | 0:02:26 | 0:02:30 | |
I'm going to marry her. | 0:02:30 | 0:02:32 | |
-Again? -Yeah, properly this time. | 0:02:32 | 0:02:34 | |
But you're still married to Jane! | 0:02:34 | 0:02:35 | |
Legally, yes, | 0:02:35 | 0:02:37 | |
-but in every other respect, no. -Is Mel aware of this? | 0:02:37 | 0:02:40 | |
Not yet. | 0:02:40 | 0:02:42 | |
But when I've made my mind up about something, | 0:02:42 | 0:02:45 | |
I mean, harnessing the power of now, once I've made my mind up, | 0:02:45 | 0:02:48 | |
I make it happen. | 0:02:48 | 0:02:50 | |
Oh, Ian... | 0:02:50 | 0:02:52 | |
Dump that anxiety, Mum, won't do you any good. | 0:02:52 | 0:02:55 | |
SHE SIGHS | 0:02:55 | 0:02:57 | |
So how was your date with Mr Chips? | 0:02:57 | 0:03:01 | |
How many more times? It wasn't a date. | 0:03:01 | 0:03:02 | |
TEXT MESSAGE ALERT | 0:03:02 | 0:03:04 | |
Oh, look what you've done now - you've summoned him. | 0:03:04 | 0:03:07 | |
What is it? Picture message? | 0:03:07 | 0:03:09 | |
Shouldn't you be at school? | 0:03:09 | 0:03:11 | |
Who's that? | 0:03:14 | 0:03:15 | |
Oh, nobody. | 0:03:15 | 0:03:17 | |
-No sign of wedding bells again, then? -In his dreams. | 0:03:18 | 0:03:21 | |
He's still the same little immature weasel he was when I first met him. | 0:03:21 | 0:03:24 | |
I still can't believe that you were married to him. | 0:03:24 | 0:03:28 | |
Maybe you should give it another go and see if... | 0:03:28 | 0:03:30 | |
Licensing bloke's here. | 0:03:30 | 0:03:32 | |
Mum, think of all the free fish and chips. | 0:03:32 | 0:03:34 | |
School, now! | 0:03:34 | 0:03:36 | |
-Billy... -Yeah? | 0:03:39 | 0:03:42 | |
..which one's Ronnie again? | 0:03:42 | 0:03:44 | |
That one. | 0:03:44 | 0:03:47 | |
Why'd you ask? | 0:03:47 | 0:03:48 | |
Just curious. | 0:03:48 | 0:03:50 | |
Listen... | 0:03:50 | 0:03:51 | |
..would you take that over to Jack Branning? | 0:03:51 | 0:03:54 | |
It's probably not important, but you never know. | 0:03:54 | 0:03:57 | |
-All right. -Cheers. | 0:03:57 | 0:03:59 | |
TEXT MESSAGE ALERT | 0:04:07 | 0:04:09 | |
Listen, we need to talk about Masood and the chippie, OK? | 0:04:12 | 0:04:15 | |
So will you pop in later? | 0:04:15 | 0:04:17 | |
Yeah, yeah. Yeah, sure. | 0:04:17 | 0:04:19 | |
-Are you all right? -Yeah. | 0:04:19 | 0:04:21 | |
Every setback is the foothold for your next endeavour. | 0:04:23 | 0:04:26 | |
-Right. -KNOCK AT DOOR | 0:04:26 | 0:04:29 | |
Oh, thanks. | 0:04:29 | 0:04:30 | |
Oh. | 0:04:30 | 0:04:33 | |
Oh, yeah. What have you been buying yourself? | 0:04:33 | 0:04:35 | |
You'll see... | 0:04:35 | 0:04:37 | |
..later. | 0:04:37 | 0:04:39 | |
Hey. | 0:04:47 | 0:04:48 | |
-What are you doing here? -I'm making you breakfast. | 0:04:48 | 0:04:51 | |
-Where's Mum? -Ah, she's sorting out your big brother. | 0:04:51 | 0:04:53 | |
You ever tasted my French toast, hm? | 0:04:54 | 0:04:57 | |
Hm? | 0:04:57 | 0:04:58 | |
What's the matter, son? You don't seem happy to see me. | 0:05:00 | 0:05:03 | |
-Did you stay here last night? -Keanu, please. | 0:05:03 | 0:05:05 | |
What if I promise he won't be here tonight? | 0:05:05 | 0:05:06 | |
What, like you promised he wouldn't be here last night, you mean? | 0:05:06 | 0:05:09 | |
-Where you going, son? I'm making us breakfast. -I am NOT your son. -Mum! | 0:05:09 | 0:05:12 | |
Oh, for God's sake. | 0:05:12 | 0:05:14 | |
There's a tide, son, sweeping us along. | 0:05:18 | 0:05:21 | |
Catch a wave, you're king of the world. | 0:05:21 | 0:05:23 | |
DOOR CLOSES | 0:05:23 | 0:05:25 | |
But that brother of yours... | 0:05:30 | 0:05:32 | |
..sadly... | 0:05:34 | 0:05:36 | |
So... | 0:05:36 | 0:05:38 | |
..which way you going to swim? | 0:05:38 | 0:05:40 | |
Are you with me or against me? | 0:05:40 | 0:05:42 | |
Hm? | 0:05:42 | 0:05:45 | |
HE SIGHS | 0:05:45 | 0:05:46 | |
Are we out of milk? | 0:05:46 | 0:05:49 | |
Hm? Oh, yeah, sorry, it's my fault. | 0:05:49 | 0:05:51 | |
I've just had an e-mail from Kush. | 0:05:52 | 0:05:54 | |
He's not going to be back till next week at the earliest now. | 0:05:54 | 0:05:58 | |
-Oh, dear. Why? -I don't know. | 0:05:58 | 0:06:01 | |
I'm guessing that his brother's marriage is still | 0:06:01 | 0:06:03 | |
firmly on the rocks. | 0:06:03 | 0:06:05 | |
You are going to miss him. | 0:06:05 | 0:06:07 | |
I'll live. | 0:06:07 | 0:06:09 | |
-While I've got you... -Hm? | 0:06:10 | 0:06:12 | |
..why have you been researching flights to Trinidad? | 0:06:12 | 0:06:16 | |
-Ah... -Is this what your windfall's going on? | 0:06:16 | 0:06:19 | |
I thought we were going to get a new three piece suite? | 0:06:19 | 0:06:21 | |
-You mean you did. -Oh, come on, it's like you go every year... -So? | 0:06:21 | 0:06:24 | |
So, it's just... | 0:06:24 | 0:06:26 | |
It... I don't know. It feels like a little bit... | 0:06:26 | 0:06:30 | |
-..selfish. -Pardon? | 0:06:30 | 0:06:31 | |
-Well, it's your money. -Oh, there's no need for that. | 0:06:31 | 0:06:34 | |
Look, a trip to Trinidad, that's going to last a fortnight. | 0:06:34 | 0:06:38 | |
Whereas a new three piece suite, that can last us a lifetime. | 0:06:38 | 0:06:42 | |
Oh, come on, there's nothing wrong at all with that. | 0:06:42 | 0:06:45 | |
Oh, right. You are joking. | 0:06:45 | 0:06:47 | |
Where are you going? | 0:06:49 | 0:06:50 | |
I'm going to get milk. | 0:06:50 | 0:06:52 | |
Unless that's not sensible enough for you. | 0:06:52 | 0:06:55 | |
-We'll talk about this when you get back, yeah? -Ah! | 0:06:55 | 0:06:58 | |
DOOR CLOSES | 0:06:58 | 0:07:00 | |
Mm, this is lovely. | 0:07:00 | 0:07:01 | |
French toast is my signature dish, darling. | 0:07:01 | 0:07:03 | |
His only dish, more like. | 0:07:03 | 0:07:05 | |
He ain't answering. | 0:07:05 | 0:07:07 | |
Well, if he only knew what he were missing, eh? | 0:07:07 | 0:07:09 | |
Well, I'm going to have to pop round there, have a word. | 0:07:09 | 0:07:12 | |
No, no, no, no. It's me he's got the problem with. | 0:07:12 | 0:07:14 | |
It's only right I sort it out. Argh. | 0:07:14 | 0:07:16 | |
There's no time like the present, is there? | 0:07:17 | 0:07:19 | |
You ain't going to ruck with him, are you? | 0:07:19 | 0:07:21 | |
Ruck? When did Mitch Baker ever ruck? | 0:07:21 | 0:07:24 | |
I'm too diplomatic, darling, you know that. | 0:07:24 | 0:07:26 | |
That's my problem. But first, I've got to... | 0:07:26 | 0:07:28 | |
..answer the call of nature. | 0:07:28 | 0:07:30 | |
Don't worry, I'll open the windows. | 0:07:30 | 0:07:32 | |
Oh. | 0:07:32 | 0:07:33 | |
Erm... | 0:07:33 | 0:07:35 | |
..why isn't there a sofa in this flat? | 0:07:35 | 0:07:37 | |
Look, I know what you're both thinking. | 0:07:41 | 0:07:43 | |
And, you know, it's not a permanent arrangement. | 0:07:43 | 0:07:45 | |
I mean, it's not like he's moving in or anything, you know. | 0:07:45 | 0:07:48 | |
So you've got nothing to worry about. | 0:07:48 | 0:07:50 | |
Who's worried? Especially if we're getting this for brekkie every day. | 0:07:50 | 0:07:53 | |
Keegan? | 0:07:53 | 0:07:54 | |
Seems all right. | 0:07:56 | 0:07:58 | |
Hey, that's a lot of scratchcards. | 0:08:05 | 0:08:07 | |
-Any luck? -No. | 0:08:07 | 0:08:09 | |
Anybody ever tell you that gambling is the road to perdition? | 0:08:10 | 0:08:14 | |
You won't tell Ted, will you? | 0:08:14 | 0:08:15 | |
Are you OK? | 0:08:15 | 0:08:18 | |
No, I just feel a bit of a fool, you know? | 0:08:18 | 0:08:20 | |
Like I can afford to waste ten quid on scratchcards. | 0:08:20 | 0:08:23 | |
Will Ted be coming down to the allotment later? | 0:08:23 | 0:08:25 | |
-I doubt it, love. -Why, what's the matter with him? | 0:08:25 | 0:08:27 | |
He's just a bit off colour. | 0:08:27 | 0:08:29 | |
If he's like you say he is, he'll be gone in a couple of days, won't he? | 0:08:33 | 0:08:36 | |
And who's going to be the one clearing up the mess? | 0:08:36 | 0:08:39 | |
Has he ever hit you? | 0:08:39 | 0:08:41 | |
No. | 0:08:41 | 0:08:42 | |
-What about your mum? -No. | 0:08:42 | 0:08:45 | |
Did he ever got drunk and smash the gaff up? | 0:08:45 | 0:08:47 | |
No. | 0:08:47 | 0:08:48 | |
So what are you moaning about, then? | 0:08:48 | 0:08:51 | |
Hey. | 0:08:53 | 0:08:54 | |
Can I have a quick word with Keanu? | 0:08:55 | 0:08:58 | |
As long as you don't stop him from working. | 0:08:58 | 0:09:00 | |
All right, look, you got a problem with me. | 0:09:07 | 0:09:10 | |
I understand that. | 0:09:10 | 0:09:11 | |
Yeah, you may be able to fool Mum, but you can't fool me. | 0:09:11 | 0:09:14 | |
-What are you frightened of, son? -Nah, I'm not frightened. | 0:09:14 | 0:09:16 | |
Certainly not of you. | 0:09:16 | 0:09:18 | |
I know my failings, son. | 0:09:19 | 0:09:21 | |
Do NOT call me your son. | 0:09:21 | 0:09:23 | |
But like I said yesterday, the universe has brought me | 0:09:23 | 0:09:27 | |
here for a reason. | 0:09:27 | 0:09:29 | |
Quit with the airy fairy cobblers, yeah? | 0:09:29 | 0:09:32 | |
-Me and your mum have got a strong connection, boy. -Oh, please. | 0:09:32 | 0:09:35 | |
-Yeah, we're like magnets. -Oh, give me a break. | 0:09:35 | 0:09:37 | |
This time next week, you'll be gone, | 0:09:39 | 0:09:41 | |
leaving her in pieces, | 0:09:41 | 0:09:42 | |
and we'll be the ones picking her back up again - | 0:09:42 | 0:09:45 | |
not you. | 0:09:45 | 0:09:47 | |
So jog on. | 0:09:47 | 0:09:50 | |
Is it me you're really angry with? | 0:09:50 | 0:09:52 | |
-You hear from your dad lately? -Drop dead. | 0:09:54 | 0:09:56 | |
That'd be a "no" then. | 0:09:56 | 0:09:58 | |
Completely different situation. | 0:09:58 | 0:10:01 | |
Him and Mum were never a proper couple from the start, | 0:10:01 | 0:10:03 | |
so don't go dumping all this on him. | 0:10:03 | 0:10:04 | |
-Look, I didn't know my old man either. -Yeah, I think you're | 0:10:04 | 0:10:07 | |
-mixing me up with someone who gives a damn. -Yeah, but your brother, | 0:10:07 | 0:10:10 | |
-he might feel different. -Cos he hasn't seen through you yet. -Look, | 0:10:10 | 0:10:13 | |
look, you don't need me, yeah? I get it. | 0:10:13 | 0:10:15 | |
But Keegan might. | 0:10:15 | 0:10:17 | |
And for me to make it up to him, you need to give me a chance, boy. | 0:10:17 | 0:10:21 | |
But that's down to you, yeah? | 0:10:21 | 0:10:23 | |
You're your own man. | 0:10:25 | 0:10:26 | |
Nice speaking to you, son. | 0:10:28 | 0:10:30 | |
DOOR CLOSES | 0:10:33 | 0:10:35 | |
Never had you down as a reader, Ian. | 0:10:41 | 0:10:44 | |
Ordered it yesterday, came today. Brilliant. | 0:10:44 | 0:10:46 | |
Oh, yeah? Let's have a pipe, go on. | 0:10:46 | 0:10:49 | |
Looks like one of them... | 0:10:54 | 0:10:56 | |
..snake oil salesman to me. | 0:10:56 | 0:10:58 | |
That, my dear Michael, is where you are wrong. | 0:10:58 | 0:11:01 | |
OK, you are trapped in negative thinking. | 0:11:01 | 0:11:04 | |
OK? Adopt a positive attitude and anything's possible. | 0:11:04 | 0:11:07 | |
Look, I'm living proof of that. | 0:11:07 | 0:11:09 | |
-Oh, yeah? -Yeah, I mean... | 0:11:09 | 0:11:12 | |
I was dreading coming home, OK, and then, | 0:11:12 | 0:11:15 | |
I read an article by this bloke on the plane, | 0:11:15 | 0:11:18 | |
and it all made sense. | 0:11:18 | 0:11:20 | |
That dread that I was feeling in my head, | 0:11:20 | 0:11:22 | |
it's only in my head. | 0:11:22 | 0:11:24 | |
It's not out there in the real world. | 0:11:24 | 0:11:26 | |
The only thing holding me back was me. | 0:11:26 | 0:11:30 | |
Change your attitude, change your life. | 0:11:30 | 0:11:33 | |
Now...there's nothing I can't do. | 0:11:33 | 0:11:36 | |
Well, in that case, why don't you whack your name down for this? | 0:11:36 | 0:11:39 | |
Cos so far, I ain't got any takers. | 0:11:39 | 0:11:42 | |
Not really my sort of thing. | 0:11:42 | 0:11:43 | |
What happened to "nothing I can't do"? | 0:11:43 | 0:11:46 | |
Is that a challenge? | 0:11:46 | 0:11:47 | |
Well, what're you going to do, eh? Bird impressions? | 0:11:47 | 0:11:50 | |
You going to do the old... the old Limbo? | 0:11:50 | 0:11:53 | |
Put my name down. | 0:11:53 | 0:11:55 | |
No, Ian, listen, I'm only joking. | 0:11:55 | 0:11:57 | |
I don't want see you make yourself look like a plum. | 0:11:57 | 0:11:59 | |
PHONE RINGS | 0:11:59 | 0:12:02 | |
Yes, Mum? Yeah. All right, all right. | 0:12:02 | 0:12:05 | |
Hold on, hold on. | 0:12:05 | 0:12:07 | |
Look, if it means that much to you... | 0:12:07 | 0:12:09 | |
..give him his job back, OK? | 0:12:09 | 0:12:12 | |
Yes. | 0:12:12 | 0:12:14 | |
Look, I've got more important things to worry about. | 0:12:14 | 0:12:16 | |
I'll catch you later, yeah? All right, Bye. | 0:12:16 | 0:12:20 | |
Michael, put my name down and, afterwards, you will be amazed. | 0:12:20 | 0:12:25 | |
Hark at him. Look. | 0:12:25 | 0:12:27 | |
Lovely. | 0:12:27 | 0:12:29 | |
Hello? | 0:12:33 | 0:12:35 | |
Yeah, Joyce, I was wondering if Ted fancied a visit. | 0:12:35 | 0:12:38 | |
Oh, like I said this morning, he's a bit under the weather, Patrick. | 0:12:38 | 0:12:42 | |
I am sorry. | 0:12:42 | 0:12:44 | |
Well, let me in now, man. I've brought a bit of Caribbean sunshine. | 0:12:44 | 0:12:49 | |
It's not a good idea. | 0:12:49 | 0:12:50 | |
I've some rum in my pocket. | 0:12:52 | 0:12:54 | |
Hang on. | 0:12:54 | 0:12:56 | |
Wait there. | 0:12:56 | 0:12:58 | |
-What, is he ill? -Sort of. | 0:13:02 | 0:13:04 | |
-Well, what do you mean? -Well, it's not something | 0:13:04 | 0:13:06 | |
-I can talk about out here. -Well, then let me in. | 0:13:06 | 0:13:08 | |
I can't really do that either. | 0:13:08 | 0:13:10 | |
I tell you what, | 0:13:10 | 0:13:12 | |
why don't I meet you down the cafe in say... | 0:13:12 | 0:13:15 | |
-..15 minutes? -Can't you give me a clue? | 0:13:15 | 0:13:18 | |
In the cafe. | 0:13:18 | 0:13:19 | |
Go on. I'll make an excuse. | 0:13:19 | 0:13:22 | |
See you. | 0:13:22 | 0:13:23 | |
Yeah, he's got a bit of a stubborn streak, that one. | 0:13:28 | 0:13:31 | |
Rule number one - you do not slag off my kids. | 0:13:31 | 0:13:34 | |
I'm not slagging him off. | 0:13:34 | 0:13:36 | |
I like the boy. | 0:13:36 | 0:13:38 | |
And you're going to have to sleep somewhere else tonight, | 0:13:38 | 0:13:40 | |
-you do realise that? -Oh, don't do me that! | 0:13:40 | 0:13:42 | |
Last night was so good. | 0:13:42 | 0:13:44 | |
Too bad. | 0:13:44 | 0:13:46 | |
Keanu comes first. | 0:13:46 | 0:13:48 | |
You know, he's got it in his head that I'm this bad man. | 0:13:48 | 0:13:52 | |
Cos you are. | 0:13:52 | 0:13:54 | |
Not as bad as some. | 0:13:54 | 0:13:56 | |
What do you mean? | 0:13:56 | 0:13:58 | |
Keanu doesn't know yet, does he? | 0:13:58 | 0:14:00 | |
No-one round here knows. | 0:14:00 | 0:14:02 | |
I thought we'd agreed that you'd tell him when he gets to 18. | 0:14:02 | 0:14:04 | |
Yeah, and then you went and slung your hook, | 0:14:04 | 0:14:07 | |
and I couldn't handle it on my own. | 0:14:07 | 0:14:08 | |
Well, you're not on your own now, are you? Put yourself in his shoes. | 0:14:08 | 0:14:12 | |
-Wouldn't you want to know? -Actually, no... | 0:14:12 | 0:14:14 | |
-No, I don't think I would. -Well, suppose he finds out some other way? | 0:14:14 | 0:14:18 | |
Look, I could tell him, but he'd never buy that. | 0:14:18 | 0:14:20 | |
But coming from you... | 0:14:20 | 0:14:23 | |
Listen, I didn't say this wasn't going to be hard. | 0:14:23 | 0:14:27 | |
Yeah? But the longer we take... | 0:14:27 | 0:14:29 | |
Look at me. | 0:14:29 | 0:14:31 | |
You want this thing to work, this time round, yeah? | 0:14:34 | 0:14:37 | |
Well, it means that we all have to be honest with each other. | 0:14:37 | 0:14:41 | |
Just take him out for a drink. | 0:14:41 | 0:14:43 | |
Break it to him gently. | 0:14:43 | 0:14:45 | |
You know, show him that he's loved. | 0:14:45 | 0:14:47 | |
Why did you have to come back? | 0:14:47 | 0:14:50 | |
Maybe for this very reason. | 0:14:53 | 0:14:55 | |
"Depressed"? But he was perfectly OK yesterday. | 0:15:03 | 0:15:08 | |
Well, he's very good at putting on an act, love, | 0:15:08 | 0:15:10 | |
until the moment comes when he can't. | 0:15:10 | 0:15:12 | |
Yeah, but surely if I pop round with the chessboard | 0:15:12 | 0:15:15 | |
and a drop of rum it's going to be all right. | 0:15:15 | 0:15:18 | |
Love, once he gets in this state... | 0:15:18 | 0:15:22 | |
..he just refuses point blank to see anyone. | 0:15:22 | 0:15:24 | |
It'll be a waste of time, Patrick. | 0:15:24 | 0:15:27 | |
But what brings it on? | 0:15:27 | 0:15:29 | |
Well, we wanted to go to Australia this year. | 0:15:29 | 0:15:33 | |
He had his heart set on it and... | 0:15:33 | 0:15:36 | |
..we were saving and saving. | 0:15:36 | 0:15:38 | |
It's very difficult to do that on a pension, y'know. | 0:15:38 | 0:15:40 | |
And then suddenly a bill comes out of the blue | 0:15:40 | 0:15:43 | |
unexpectedly, like it did this morning and, well... | 0:15:43 | 0:15:47 | |
And he so wanted to fix things, you know. | 0:15:47 | 0:15:50 | |
Whilst there's still time. | 0:15:50 | 0:15:52 | |
-With your son? -Mm. | 0:15:52 | 0:15:54 | |
So that's what the scratchcards were all about, hm? | 0:15:56 | 0:15:59 | |
-Well, that was a bit stupid, wasn't it? -Yeah. | 0:15:59 | 0:16:01 | |
THEY LAUGH | 0:16:01 | 0:16:03 | |
See, things you do when you're desperate. | 0:16:03 | 0:16:05 | |
-Is there anything at all I can do? -No, love. | 0:16:05 | 0:16:07 | |
Just don't talk to anyone about this. | 0:16:09 | 0:16:11 | |
He'd hate to think that we were gossiping about him. | 0:16:11 | 0:16:14 | |
-Course not. -I'd better go. | 0:16:14 | 0:16:16 | |
I only said I was popping out for tea bags. | 0:16:16 | 0:16:20 | |
Oh, thank you, Patrick. | 0:16:21 | 0:16:24 | |
-Thanks, love. -It's OK. | 0:16:24 | 0:16:26 | |
KNOCK AT DOOR | 0:16:35 | 0:16:37 | |
Come in. Oh, hi. | 0:16:37 | 0:16:39 | |
Just passing on my way to pick up the kids from school. | 0:16:39 | 0:16:42 | |
Oh, surely your nanny does that? | 0:16:42 | 0:16:43 | |
Not all the time. | 0:16:43 | 0:16:45 | |
Listen, I just wanted to say thanks... | 0:16:45 | 0:16:47 | |
..you know, for sending Billy over with the letter. | 0:16:47 | 0:16:50 | |
Was it important? | 0:16:50 | 0:16:52 | |
No, not really, but it was kind of you. | 0:16:52 | 0:16:55 | |
It's no problem. | 0:16:55 | 0:16:58 | |
Listen, the Vic's having an open mic tomorrow night. | 0:16:58 | 0:17:00 | |
-Oh, yeah? -Yeah, chances are I'll be dropping by, if you fancy it. | 0:17:00 | 0:17:04 | |
I'll probably be too tired. | 0:17:04 | 0:17:06 | |
-Just a thought. -KNOCK AT DOOR | 0:17:07 | 0:17:09 | |
We need a gas safety certificate, apparently. | 0:17:09 | 0:17:11 | |
-All right, Bill? -Yeah, yeah. | 0:17:11 | 0:17:13 | |
-Not interrupting anything, am I? -No, no. I'm just going. | 0:17:13 | 0:17:16 | |
-See you later. -See you. | 0:17:17 | 0:17:19 | |
What? | 0:17:21 | 0:17:23 | |
I ain't said nothing! | 0:17:23 | 0:17:25 | |
Look, what I was going to say was... | 0:17:25 | 0:17:28 | |
Well, it hasn't been that long, you know, since Ronnie... | 0:17:28 | 0:17:31 | |
And it ain't been that long since you got this job, has it? | 0:17:31 | 0:17:34 | |
No. | 0:17:34 | 0:17:36 | |
Where did it come from? | 0:17:41 | 0:17:42 | |
Ask me no questions, I'll tell you no lies. | 0:17:42 | 0:17:44 | |
-Right, I'm going to the pub to see your brother. -Yeah. | 0:17:44 | 0:17:47 | |
Get him a pint on me, yeah? | 0:17:50 | 0:17:51 | |
Ta. I'm dreading this. | 0:17:51 | 0:17:53 | |
Do you know what you're going to say? | 0:17:53 | 0:17:55 | |
Not a Scooby. | 0:17:55 | 0:17:57 | |
-I'll think of something. -All right. | 0:17:57 | 0:17:59 | |
Mm! | 0:17:59 | 0:18:00 | |
What was all that about? | 0:18:05 | 0:18:06 | |
Nothing for you to worry about, my son. | 0:18:06 | 0:18:09 | |
Right... | 0:18:09 | 0:18:11 | |
..where are the biscuits? | 0:18:11 | 0:18:13 | |
Ah-ha! | 0:18:17 | 0:18:18 | |
-Yeah, that's Mum's. -So? | 0:18:18 | 0:18:20 | |
So you don't mess with her emergency stash. | 0:18:20 | 0:18:23 | |
I just gave her 20 quid! She can buy another one. | 0:18:23 | 0:18:25 | |
Want some? | 0:18:27 | 0:18:29 | |
Hm? Hm? Hm? Hm? | 0:18:29 | 0:18:32 | |
Come on. | 0:18:33 | 0:18:35 | |
Life is for the living! | 0:18:35 | 0:18:38 | |
I'll clear it with Mum later. | 0:18:41 | 0:18:43 | |
Go on. | 0:18:44 | 0:18:46 | |
Yeah! | 0:18:46 | 0:18:47 | |
THEY LAUGH | 0:18:47 | 0:18:49 | |
Yeah. | 0:18:51 | 0:18:53 | |
DOOR CLOSES | 0:18:53 | 0:18:55 | |
-Hiya. -Hiya. | 0:18:56 | 0:18:59 | |
Did you put that money in the bank? | 0:18:59 | 0:19:01 | |
Oh, Patrick. | 0:19:01 | 0:19:03 | |
I just never get round to it. | 0:19:03 | 0:19:06 | |
It's all right, it's perfectly safe. | 0:19:06 | 0:19:09 | |
-Uh-huh? -Why are you looking at me like that for? | 0:19:09 | 0:19:13 | |
I'm just wondering if there's something you want to say to me, | 0:19:14 | 0:19:17 | |
that's all. | 0:19:17 | 0:19:18 | |
You want to talk about the three piece suite, huh? | 0:19:18 | 0:19:21 | |
-Patrick. -What? | 0:19:21 | 0:19:23 | |
If you're going to ogle pretty young women in their swimsuits over the | 0:19:23 | 0:19:27 | |
internet, you'd do as well to clear your search history afterwards. | 0:19:27 | 0:19:30 | |
That's all I'm saying. | 0:19:30 | 0:19:32 | |
Miss Trinidad and Tobago 1963. | 0:19:33 | 0:19:37 | |
Oh, it's all coming back to you now, is it? | 0:19:37 | 0:19:39 | |
Oh, come on, there was a reason for that, you know. | 0:19:39 | 0:19:42 | |
And who on Earth is Chaconia? | 0:19:42 | 0:19:45 | |
What the devil have you done, huh? | 0:19:46 | 0:19:48 | |
Well, if you don't want me to know about her, | 0:19:48 | 0:19:50 | |
you shouldn't have left her face up on the flaming screen. | 0:19:50 | 0:19:52 | |
Look, I'm going to have a shower and change my clothes, all right? | 0:19:52 | 0:19:55 | |
I'm not going to let this drop, Patrick! | 0:19:58 | 0:20:00 | |
DOOR CLOSES | 0:20:00 | 0:20:02 | |
-You can't make me like him, Mum. -You're not giving him a chance. | 0:20:04 | 0:20:07 | |
Of course he's being the nice guy now. | 0:20:07 | 0:20:10 | |
He's worming his way in again, ain't he? | 0:20:10 | 0:20:12 | |
-You know what's going to happen. -Not necessarily. | 0:20:12 | 0:20:15 | |
-He's got form, Mum. -I'm not saying he's perfect. | 0:20:15 | 0:20:18 | |
Remember what happened last time he left, huh? | 0:20:18 | 0:20:21 | |
What it did to you? How you ended up? | 0:20:21 | 0:20:24 | |
This isn't about me. I'm thinking of you. | 0:20:24 | 0:20:27 | |
It's not even Mitch I want to talk about. | 0:20:27 | 0:20:30 | |
-Go on. -It's about your own dad. | 0:20:30 | 0:20:32 | |
What about him? | 0:20:32 | 0:20:34 | |
Oh, I get it. This is where you slag off some bloke | 0:20:37 | 0:20:39 | |
-I hardly knew just to make that slimeball look good. -No. | 0:20:39 | 0:20:42 | |
Oh, come on, Mum, he put you up to this, didn't he? | 0:20:42 | 0:20:44 | |
-No. -Don't insult my intelligence. He must have done. Well? | 0:20:44 | 0:20:47 | |
All right, all right. We discussed it, yes. | 0:20:47 | 0:20:49 | |
That's all I needed to know. | 0:20:49 | 0:20:52 | |
Keanu, please, I beg you... | 0:20:52 | 0:20:54 | |
You're being played here, Mum, and you can't even see it. | 0:20:54 | 0:20:58 | |
I'll be sleeping at Jay's tonight. | 0:20:58 | 0:21:01 | |
Let me know when he's gone. | 0:21:01 | 0:21:03 | |
-What, Ian's going to do a turn? -I was only winding him up. | 0:21:07 | 0:21:09 | |
-I didn't think he'd take me up on it. -So what's he going to do? | 0:21:09 | 0:21:12 | |
Well, that's what everyone's been asking. | 0:21:12 | 0:21:14 | |
Apart from making a total prat of himself. | 0:21:14 | 0:21:16 | |
It'll get the punters in, won't it? | 0:21:16 | 0:21:17 | |
No-one's going to want to miss that. Spread the word, Phil. | 0:21:17 | 0:21:20 | |
Spread the word. | 0:21:20 | 0:21:22 | |
So we fill this football with concrete, right? | 0:21:24 | 0:21:27 | |
Put it at the front of the houses. The kids, | 0:21:27 | 0:21:29 | |
they come home from school, getting ready to chuck more stones at us, | 0:21:29 | 0:21:32 | |
yeah? This big kid, he sees the ball and reckons he's going to put | 0:21:32 | 0:21:34 | |
one of the windows out. Does the run up... | 0:21:34 | 0:21:38 | |
..bam! Looks down, his foot's facing the wrong way. | 0:21:38 | 0:21:41 | |
He opened his mouth to scream and nothing came out. | 0:21:41 | 0:21:44 | |
He just had bogie in his nose, he had tears in his eyes... | 0:21:44 | 0:21:49 | |
All right, Kaz? | 0:21:49 | 0:21:50 | |
Not really. | 0:21:50 | 0:21:52 | |
Sorry, we ate your chocolate. | 0:21:52 | 0:21:55 | |
Guys, you nip out to the shops, | 0:21:56 | 0:21:57 | |
-yeah, you can get your mum another bar. -Don't need two of us. | 0:21:57 | 0:22:01 | |
-I need to talk to your mum. -Well, let him do it. | 0:22:03 | 0:22:05 | |
I'm going to my room. | 0:22:05 | 0:22:07 | |
There you go, son. Don't rush back. | 0:22:07 | 0:22:10 | |
Is there a problem here? | 0:22:10 | 0:22:11 | |
No, look, don't argue, please. Just take that. | 0:22:11 | 0:22:14 | |
Get something for yourself. | 0:22:14 | 0:22:16 | |
I take it it didn't go too well, then? | 0:22:25 | 0:22:27 | |
All right, all right, all right. | 0:22:28 | 0:22:32 | |
-What did you say, huh? -Nothing. He wouldn't let me. | 0:22:32 | 0:22:35 | |
Just storms off, says he's going to stay with Jay from now on. | 0:22:35 | 0:22:38 | |
You're kidding me. | 0:22:38 | 0:22:40 | |
It's all your fault. | 0:22:40 | 0:22:42 | |
-You know, why did you have to come back? -It's all right. | 0:22:42 | 0:22:45 | |
Don't. | 0:22:45 | 0:22:47 | |
Right. | 0:22:52 | 0:22:54 | |
Right, right, right. So I've been putting two and two together. | 0:22:54 | 0:22:58 | |
This Chaconia that you've been chatting with, | 0:23:00 | 0:23:03 | |
was she Miss Trinidad and Tobago 1963 by any chance? | 0:23:03 | 0:23:06 | |
No. | 0:23:06 | 0:23:09 | |
Oh, so she was one of the other contestants, then? | 0:23:09 | 0:23:12 | |
No. | 0:23:12 | 0:23:14 | |
So explain. | 0:23:16 | 0:23:18 | |
Look, I.... | 0:23:21 | 0:23:23 | |
Look, I've known Renee de Boyne since she was in pigtails... | 0:23:25 | 0:23:30 | |
Hang on. | 0:23:30 | 0:23:31 | |
Renee de Boyne? I thought her name was Chaconia? | 0:23:31 | 0:23:34 | |
No, Chaconia is the national flowers of Trinidad and Tobago. | 0:23:34 | 0:23:39 | |
It's the name she uses on the internet. | 0:23:39 | 0:23:42 | |
Go on. | 0:23:44 | 0:23:45 | |
Look, she was... | 0:23:48 | 0:23:50 | |
She was supposed to be one of the other contestants... | 0:23:51 | 0:23:55 | |
..only she got disqualified. | 0:23:55 | 0:23:57 | |
How come? | 0:23:57 | 0:23:58 | |
She was found engaging in what the local call... | 0:24:01 | 0:24:04 | |
..immoral congress. | 0:24:06 | 0:24:09 | |
Look now, man... | 0:24:09 | 0:24:11 | |
We were young and crazy about each another, you know. | 0:24:11 | 0:24:16 | |
Till she father found out. | 0:24:16 | 0:24:18 | |
Presbyterian Pastor. | 0:24:18 | 0:24:20 | |
I mean, I tell you, all hell let loose. | 0:24:22 | 0:24:26 | |
I never saw her again till... | 0:24:28 | 0:24:30 | |
..till last week when I got a message from her. | 0:24:32 | 0:24:34 | |
Along with... | 0:24:39 | 0:24:42 | |
..with... | 0:24:42 | 0:24:44 | |
..this photo. | 0:24:44 | 0:24:46 | |
She kept it all these years. | 0:24:47 | 0:24:49 | |
-She's gorgeous. -Yeah. | 0:24:51 | 0:24:54 | |
And so are you for that matter. | 0:24:55 | 0:24:58 | |
You know, it's like the last 55 years never happened. | 0:24:58 | 0:25:01 | |
Turns out we are still in love. | 0:25:03 | 0:25:06 | |
We want to get married. | 0:25:08 | 0:25:10 | |
Yeah. | 0:25:10 | 0:25:12 | |
This always happens to me. | 0:25:17 | 0:25:19 | |
You know, I do something with the best intentions, | 0:25:19 | 0:25:22 | |
and it ends up like this. | 0:25:22 | 0:25:25 | |
No, I'm not blaming you. | 0:25:25 | 0:25:27 | |
Yes, you were, you said it was all my fault. | 0:25:27 | 0:25:30 | |
No, if it's anyone's fault, it's my fault. | 0:25:30 | 0:25:33 | |
You know, I should've told him years ago. | 0:25:33 | 0:25:35 | |
Maybe... | 0:25:35 | 0:25:38 | |
..but we are where we are, right? | 0:25:38 | 0:25:40 | |
-I should leave. -No! | 0:25:46 | 0:25:49 | |
Look, if you want Keanu back, that's the quickest way of doing it. | 0:25:49 | 0:25:53 | |
I mean, he'll be happy, cos he would've won. | 0:25:53 | 0:25:56 | |
No, what about Keegan? Bernie? I mean, how will they take it? | 0:25:56 | 0:26:00 | |
They've got over me before, they can get over it again. | 0:26:00 | 0:26:02 | |
No. No, there must be another way. | 0:26:02 | 0:26:06 | |
-All right, I'll go and see him now. -And say what? | 0:26:06 | 0:26:10 | |
Well, tell him what you were going to tell him. | 0:26:10 | 0:26:12 | |
-He won't even let you in the door. -Well, I'll stick to the facts. | 0:26:12 | 0:26:14 | |
-Which ones? -All right, I'll sugar coat it, you know. | 0:26:14 | 0:26:18 | |
Break it to him gently. | 0:26:18 | 0:26:19 | |
So how're you going to do that? | 0:26:19 | 0:26:22 | |
The man, he tried to stab me to death, y'know. | 0:26:22 | 0:26:25 | |
He put me in intensive care! | 0:26:25 | 0:26:27 | |
Look, he don't want to know all of that. | 0:26:27 | 0:26:30 | |
All right? I'll just tell him he weren't right in his head. | 0:26:30 | 0:26:33 | |
That he didn't know what he was doing. | 0:26:33 | 0:26:35 | |
He knew exactly what he was doing. That's why he got life. | 0:26:35 | 0:26:37 | |
No, Keanu don't need to know that! | 0:26:37 | 0:26:40 | |
All right, so we just leave him in the dark? | 0:26:40 | 0:26:43 | |
Yeah. | 0:26:43 | 0:26:45 | |
FLOORBOARDS CREAK | 0:26:45 | 0:26:47 | |
Keegan? Is that you? | 0:26:47 | 0:26:48 | |
-Yeah. -Don't say nothing to him. Promise? | 0:26:48 | 0:26:50 | |
Scout's honour. | 0:26:50 | 0:26:53 | |
-Hey. -All right? | 0:26:53 | 0:26:56 | |
It's all right, son, me and your mum sorted it out. | 0:26:56 | 0:26:58 | |
-Haven't we, Kaz? -Yeah. | 0:26:58 | 0:27:00 | |
Well, give her the chocolate before she collapses. | 0:27:00 | 0:27:03 | |
I'll... I'll leave you two to it, yeah? | 0:27:03 | 0:27:06 | |
-No, you don't have to go, son. -No. -Come on, stay with us. | 0:27:06 | 0:27:09 | |
I've got stuff to do anyway. | 0:27:09 | 0:27:11 | |
MUFFLED: I'm sorry, but this can't get out. | 0:27:17 | 0:27:19 | |
He can never know what his dad did to me. | 0:27:19 | 0:27:22 |