Browse content similar to 16/03/2018. Check below for episodes and series from the same categories and more!
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"The dynamic individual forges his own future. | 0:00:26 | 0:00:30 | |
"Don't be swayed by the shallow... judgementalism of others." | 0:00:34 | 0:00:39 | |
Ian... | 0:00:42 | 0:00:44 | |
what's a bag of barbecue coals doing by the back door? | 0:00:44 | 0:00:47 | |
Might fancy a barbecue. | 0:00:47 | 0:00:49 | |
In March? Yeah, and what's this I hear about you doing | 0:00:49 | 0:00:52 | |
a turn at the Vic's open mic night tonight? | 0:00:52 | 0:00:55 | |
-OK? Who've you been talking to? -Well, is it true? | 0:00:55 | 0:00:57 | |
-Might be. -I hope you're not going to sing. | 0:00:57 | 0:01:00 | |
Mum, thanks for your support. | 0:01:00 | 0:01:01 | |
Well, you're not, are ya? | 0:01:01 | 0:01:04 | |
Not stand-up. Promise me you're not doing stand-up. | 0:01:04 | 0:01:07 | |
-TV: -A duty policeman has spoken of the dramatic moment | 0:01:07 | 0:01:10 | |
he tried to save a motorbike rider... | 0:01:10 | 0:01:12 | |
What're you doing on your day off? | 0:01:12 | 0:01:13 | |
Watching my favourite telly programmes. | 0:01:13 | 0:01:16 | |
Oh, not all that Police Camera cobblers, is it? | 0:01:16 | 0:01:18 | |
And Ambulances - Do Not Disturb. | 0:01:18 | 0:01:20 | |
Waste of time. Why don't you go up London? | 0:01:20 | 0:01:22 | |
Because if I go too far from here, I know you lot'll mess it up. | 0:01:22 | 0:01:25 | |
All right, well, no more horse meat or I'll have to iron you out... | 0:01:25 | 0:01:28 | |
-Shut up! -Get up there. | 0:01:28 | 0:01:30 | |
..burst into a shop front while trying to avoid a speeding car. | 0:01:30 | 0:01:33 | |
Ian? On stage? | 0:01:33 | 0:01:34 | |
Yeah, according to Phil who got it from Mick who got | 0:01:34 | 0:01:38 | |
it from the horse's mouth. | 0:01:38 | 0:01:39 | |
-What's he any good at? -Well, Phil's counting on him | 0:01:39 | 0:01:42 | |
dancing The Sugar Plum Fairy in a tutu with a kipper on his head. | 0:01:42 | 0:01:45 | |
THEY CHUCKLE | 0:01:45 | 0:01:46 | |
-You going? -Is the Pope a Catholic? | 0:01:46 | 0:01:48 | |
Here's someone who won't want to miss it. | 0:01:48 | 0:01:50 | |
What's that? | 0:01:50 | 0:01:51 | |
He'll explain. I've got to dash. | 0:01:51 | 0:01:54 | |
Got to see an electrician. | 0:01:54 | 0:01:55 | |
It's open mic night at the Vic. | 0:01:57 | 0:01:59 | |
Told you yesterday. | 0:01:59 | 0:02:01 | |
And I seem to remember saying I'd be too tired. | 0:02:01 | 0:02:04 | |
And if I told you that Ian was doing a turn? | 0:02:04 | 0:02:07 | |
Ooh, is that supposed to be an inducement? | 0:02:07 | 0:02:10 | |
Just a thought. | 0:02:10 | 0:02:11 | |
I'll probably be washing my hair. Sorry. | 0:02:11 | 0:02:13 | |
HE SIGHS | 0:02:13 | 0:02:15 | |
Cup of tea when you're ready, please. | 0:02:15 | 0:02:17 | |
All right, babe? | 0:02:21 | 0:02:23 | |
I'm going to go speak to him now. | 0:02:23 | 0:02:25 | |
I just want him home. | 0:02:25 | 0:02:27 | |
Look, he'll only blank you again. | 0:02:27 | 0:02:29 | |
But Chatham and Riley are back tonight. | 0:02:30 | 0:02:33 | |
I mean, what am I going to tell 'em | 0:02:33 | 0:02:34 | |
when they ask where their brother is? | 0:02:34 | 0:02:36 | |
Look, it's me he's got the problem with. | 0:02:36 | 0:02:38 | |
It's only right that I sort this out, OK? | 0:02:38 | 0:02:41 | |
Now go and get dressed. | 0:02:41 | 0:02:42 | |
But how? | 0:02:42 | 0:02:44 | |
I'll think of something. | 0:02:44 | 0:02:45 | |
Hey, all right, son? | 0:02:48 | 0:02:50 | |
What's the matter? | 0:02:51 | 0:02:52 | |
I heard you. | 0:02:55 | 0:02:56 | |
-Heard what? -Last night. | 0:02:57 | 0:02:59 | |
Something about Keanu's dad. | 0:02:59 | 0:03:02 | |
Are we having French toast again? | 0:03:02 | 0:03:04 | |
Er, actually no. | 0:03:04 | 0:03:05 | |
You kids have been so good to me | 0:03:05 | 0:03:07 | |
I've decided to take you all out to breakfast, one at a time! | 0:03:07 | 0:03:10 | |
Keegan today, you tomorrow, Chatham and Riley the day after, | 0:03:10 | 0:03:13 | |
just so we can get to know each other, y'know? | 0:03:13 | 0:03:15 | |
Why does he get to go first? | 0:03:15 | 0:03:16 | |
Because he was up first, all right? I'll get me coat. | 0:03:16 | 0:03:19 | |
-Oh. Morning. -Morning. | 0:03:23 | 0:03:26 | |
Shouldn't you have been at work by now? | 0:03:26 | 0:03:28 | |
-I've pulled a sickie. -Why? | 0:03:28 | 0:03:30 | |
Because I love you, Patrick, and I'm not going to sit on my hands | 0:03:30 | 0:03:34 | |
and watch you make a complete idiot of yourself. | 0:03:34 | 0:03:39 | |
We have had this conversation. | 0:03:39 | 0:03:41 | |
I get the teenage love thing, | 0:03:41 | 0:03:43 | |
y'know, when it was pure, when it was innocent. | 0:03:43 | 0:03:45 | |
Wasn't that innocent! | 0:03:45 | 0:03:47 | |
You know, it's like "the one that got away", yeah, I get that, too. | 0:03:47 | 0:03:49 | |
I'm sure she's, like, y'know... she's a lovely person, | 0:03:49 | 0:03:54 | |
but marrying her? Living in the same house? | 0:03:54 | 0:03:57 | |
With a woman that you haven't seen in the flesh for like, | 0:03:57 | 0:04:01 | |
55 years? | 0:04:01 | 0:04:03 | |
She is the love of me life. | 0:04:03 | 0:04:05 | |
Eh? I thought that was Yolande? And what about Audrey? | 0:04:05 | 0:04:08 | |
No, no, no, no... She is a special one. | 0:04:08 | 0:04:11 | |
Ah... | 0:04:11 | 0:04:12 | |
Right. | 0:04:13 | 0:04:15 | |
OK. | 0:04:15 | 0:04:17 | |
So you're going to go all the way out there | 0:04:17 | 0:04:23 | |
and marry her on the basis of what? | 0:04:23 | 0:04:26 | |
A couple of weeks' worth of online chat messages? | 0:04:26 | 0:04:30 | |
We have a spiritual connection. | 0:04:30 | 0:04:32 | |
That...that has got to come from her, innit? | 0:04:35 | 0:04:38 | |
Why would you say that? | 0:04:38 | 0:04:40 | |
Because in all the years that I have known you, Patrick, | 0:04:40 | 0:04:43 | |
I have never once heard you use the word "spiritual". | 0:04:43 | 0:04:47 | |
Yeah, well, maybe she is changing me. | 0:04:47 | 0:04:50 | |
Maybe she's bringing things out in me | 0:04:50 | 0:04:52 | |
that I just didn't know was there. | 0:04:52 | 0:04:54 | |
-Oh. -Yeah... | 0:04:54 | 0:04:57 | |
And you've spoken to her? | 0:04:57 | 0:04:58 | |
I mean, like, face-to-face? | 0:04:58 | 0:05:01 | |
-Of course not. -What's stopping ya? You're both online. | 0:05:01 | 0:05:04 | |
Me and the girls, we do it all the time. | 0:05:04 | 0:05:05 | |
Yeah, yeah, yeah, but you know me and computers. | 0:05:05 | 0:05:08 | |
Come on, Patrick, I'm not buying that one. | 0:05:08 | 0:05:10 | |
If you wanted to, you would find out how. | 0:05:10 | 0:05:13 | |
But I can tell you why you haven't - it's because you're scared. | 0:05:13 | 0:05:16 | |
You're scared of facing the reality, | 0:05:16 | 0:05:19 | |
of that little fantasy bubble bursting in your face. | 0:05:19 | 0:05:23 | |
Listen to me now, man. | 0:05:23 | 0:05:24 | |
She makes me happy and alive | 0:05:24 | 0:05:26 | |
in a way that I have never felt since I had my stroke, | 0:05:26 | 0:05:30 | |
and you're trying to take that away from me. | 0:05:30 | 0:05:33 | |
When I think of the men that you've been with over the years, | 0:05:33 | 0:05:36 | |
did I ever say anything at all to you? | 0:05:36 | 0:05:38 | |
Well, maybe you should have. | 0:05:38 | 0:05:39 | |
You might've saved me a whole load of grief. | 0:05:39 | 0:05:41 | |
Oh, where are you going now? | 0:05:41 | 0:05:42 | |
I'm going to get dressed before I say something I'll regret. | 0:05:42 | 0:05:46 | |
Thank you. Cheers, Tina. | 0:05:47 | 0:05:49 | |
Oh, look who it is. It's my little princess. | 0:05:50 | 0:05:53 | |
Hi, have you missed me? Have you missed me? | 0:05:53 | 0:05:56 | |
You all right? | 0:05:56 | 0:05:57 | |
Yeah, I've had six missed calls from my nan this morning. | 0:05:57 | 0:06:00 | |
She didn't leave a message? | 0:06:00 | 0:06:02 | |
No, she does it all the time. She drives me nuts. | 0:06:02 | 0:06:05 | |
You going to this? | 0:06:06 | 0:06:08 | |
Doubt it. Why? | 0:06:10 | 0:06:11 | |
Bex is singing and Sonia's on lates, so I've sort of got to go. | 0:06:11 | 0:06:15 | |
-Oh. Good luck with that. -Yeah. | 0:06:15 | 0:06:17 | |
Ian's doing a turn. | 0:06:17 | 0:06:19 | |
-SHE SCOFFS -Yeah. | 0:06:19 | 0:06:21 | |
I'll leave that one with you. | 0:06:21 | 0:06:22 | |
-All right. -Bye, princess. | 0:06:22 | 0:06:24 | |
-See ya. -See ya. | 0:06:24 | 0:06:26 | |
There you go. | 0:06:28 | 0:06:29 | |
-Thanks a lot. -Two full English coming up. -Bless you. | 0:06:29 | 0:06:32 | |
So go on. | 0:06:33 | 0:06:35 | |
Y'know, son, I don't think this is a good idea. | 0:06:35 | 0:06:37 | |
What? | 0:06:37 | 0:06:39 | |
-Can I trust you? -Yes. | 0:06:39 | 0:06:40 | |
I swear. | 0:06:43 | 0:06:45 | |
Even if it upsets you? | 0:06:45 | 0:06:46 | |
Dad, just... | 0:06:46 | 0:06:47 | |
All right. I don't know the details. | 0:06:49 | 0:06:53 | |
I'm only going from what your mum told me | 0:06:53 | 0:06:56 | |
and this was a long time ago, | 0:06:56 | 0:06:58 | |
but when Keanu was a baby, | 0:06:58 | 0:07:01 | |
his dad tried to kill your mum. | 0:07:01 | 0:07:04 | |
Stabbed her with a kitchen knife. She was lucky to live. | 0:07:04 | 0:07:07 | |
-Why? -Oh, just... | 0:07:07 | 0:07:09 | |
she'd dumped him, he didn't like it. | 0:07:09 | 0:07:12 | |
He was just a nasty piece of work, y'know? | 0:07:12 | 0:07:14 | |
Where was Keanu and Chantelle when all this was going on? | 0:07:14 | 0:07:16 | |
I told you, I don't know the details. | 0:07:16 | 0:07:18 | |
And, understandably, your mum don't want to chat about it. | 0:07:18 | 0:07:21 | |
So, what happened to him? | 0:07:23 | 0:07:24 | |
-Who, Shane? -That was his name? | 0:07:24 | 0:07:26 | |
Yeah, well, he was arrested. | 0:07:26 | 0:07:29 | |
He...pleaded guilty and then, erm... | 0:07:29 | 0:07:32 | |
he went down for 12 years. | 0:07:32 | 0:07:33 | |
And where is he now? | 0:07:35 | 0:07:37 | |
I don't know. | 0:07:37 | 0:07:38 | |
And Keanu don't know nothing? | 0:07:42 | 0:07:45 | |
Your mum won't tell him. | 0:07:45 | 0:07:46 | |
She keeps on bottling it. | 0:07:46 | 0:07:48 | |
That's what you heard us talking about last night. | 0:07:48 | 0:07:51 | |
There you are. | 0:07:51 | 0:07:52 | |
Thanks a lot, darlin'. | 0:07:52 | 0:07:53 | |
-Enjoy. -Lovely. | 0:07:53 | 0:07:55 | |
I'm not hungry now. | 0:07:57 | 0:07:58 | |
You can imagine what this did to your mum's state of mind. | 0:07:58 | 0:08:02 | |
And I tried to help her, yeah? | 0:08:02 | 0:08:04 | |
But when it's repeatedly chucked back in your face, | 0:08:04 | 0:08:06 | |
there's only so much a man can take, y'know? | 0:08:06 | 0:08:10 | |
Is that why you left? | 0:08:10 | 0:08:12 | |
Shamefully, yeah. | 0:08:12 | 0:08:14 | |
Look, I don't blame your mum, y'know? | 0:08:14 | 0:08:15 | |
After going through that, it's no wonder she couldn't trust a man. | 0:08:15 | 0:08:19 | |
But... | 0:08:19 | 0:08:21 | |
See, Keanu's got it in his head that I'm this big, bad wolf and I'm not. | 0:08:21 | 0:08:25 | |
I mean, the real culprit... | 0:08:25 | 0:08:26 | |
Well, you see my problem? | 0:08:26 | 0:08:29 | |
So, what are you going to do now? | 0:08:33 | 0:08:35 | |
I've only got two options, ain't I? Leave... | 0:08:35 | 0:08:37 | |
I don't want you to leave. | 0:08:37 | 0:08:39 | |
..or I could find someone he trusts to convince him | 0:08:41 | 0:08:44 | |
that I'm not as bad as he thinks I am. | 0:08:44 | 0:08:47 | |
I'll do it. | 0:08:48 | 0:08:49 | |
Yeah? | 0:08:51 | 0:08:52 | |
All right. | 0:08:53 | 0:08:54 | |
This is what I want you to say... | 0:08:56 | 0:08:58 | |
I... | 0:09:06 | 0:09:07 | |
..I hate myself for having done this and you... | 0:09:12 | 0:09:15 | |
you will probably hate me, too, | 0:09:15 | 0:09:18 | |
but I didn't feel like I had any choice and I've read your messages. | 0:09:18 | 0:09:22 | |
-You've done what? -I'm glad that I did, too. | 0:09:23 | 0:09:26 | |
How dare you?! | 0:09:26 | 0:09:27 | |
You reckon that you're in love? | 0:09:27 | 0:09:30 | |
Think you've got a "spiritual connection"? | 0:09:30 | 0:09:32 | |
It is pure filth, Patrick! Talk about explicit! | 0:09:32 | 0:09:37 | |
If you were 15 years old, I might just about get that... | 0:09:37 | 0:09:40 | |
Look, I'm having a midlife crisis! | 0:09:40 | 0:09:42 | |
You're 77! | 0:09:42 | 0:09:44 | |
She makes me feel young again, all right?! | 0:09:44 | 0:09:46 | |
You said exactly the same thing about Yolande! | 0:09:46 | 0:09:49 | |
-Leave Yolande out of it, all right? -OK, right. | 0:09:49 | 0:09:51 | |
-I think you'd better sit down for this. -Why? | 0:09:54 | 0:09:57 | |
So, after I read the messages... | 0:10:00 | 0:10:04 | |
..I put the name Renee de Boyne in a search engine | 0:10:06 | 0:10:09 | |
along with the word "Trinidad". | 0:10:09 | 0:10:12 | |
Got about 100 hits. | 0:10:13 | 0:10:15 | |
Y-you never thought to do that for yourself? | 0:10:22 | 0:10:25 | |
You know that she got divorced the back end of last year? | 0:10:25 | 0:10:29 | |
Yeah, she told me. | 0:10:29 | 0:10:31 | |
Oh, and did you also know that | 0:10:31 | 0:10:34 | |
she'd been divorced three times before that? | 0:10:34 | 0:10:36 | |
It gets worse. | 0:10:40 | 0:10:41 | |
Turns out that all of her ex-husbands were Caribbean expats... | 0:10:44 | 0:10:51 | |
..all living in the UK. | 0:10:52 | 0:10:54 | |
I can... | 0:10:59 | 0:11:00 | |
And I can show you, if you want. | 0:11:00 | 0:11:02 | |
I'm sorry. | 0:11:06 | 0:11:08 | |
Look, I, erm... I'm going down to the allotment. | 0:11:12 | 0:11:16 | |
Yeah. | 0:11:16 | 0:11:17 | |
SHE SIGHS, DOOR CLOSES | 0:11:26 | 0:11:27 | |
Mum's in bits. | 0:11:27 | 0:11:28 | |
He tell you to say that, did he? | 0:11:28 | 0:11:30 | |
It's not fair on the rest of us. | 0:11:30 | 0:11:33 | |
-Come home. -When did I start taking orders from you? | 0:11:33 | 0:11:35 | |
I'm asking you nicely. | 0:11:35 | 0:11:37 | |
I'm not an idiot, Keegan. | 0:11:38 | 0:11:40 | |
-I know he sent you. -Yeah, so what if he did? | 0:11:40 | 0:11:42 | |
Ain't you got school? | 0:11:42 | 0:11:44 | |
What if this was your dad and I was doing this to you? | 0:11:45 | 0:11:48 | |
How would you feel? | 0:11:48 | 0:11:50 | |
Please? | 0:11:51 | 0:11:52 | |
Yeah, all right. | 0:11:54 | 0:11:55 | |
Thank you. | 0:11:57 | 0:11:58 | |
Ted... | 0:12:13 | 0:12:15 | |
Man, what're you doing? | 0:12:15 | 0:12:17 | |
Joyce thinks I'm at the doctor's. | 0:12:17 | 0:12:20 | |
But don't it hurt? | 0:12:23 | 0:12:25 | |
No! That's the whole point. | 0:12:25 | 0:12:27 | |
Robbie, where do you see yourself in this world? | 0:12:27 | 0:12:30 | |
Are you a success? | 0:12:30 | 0:12:32 | |
-Well, never really thought about it. -Do you want to be? | 0:12:32 | 0:12:34 | |
What if I was to tell you that inside you, there is a superman? | 0:12:34 | 0:12:39 | |
A superman that is literally capable of anything? | 0:12:39 | 0:12:43 | |
The only thing holding you back is fear. | 0:12:43 | 0:12:45 | |
Now, you and me together, harnessing the power of now, | 0:12:45 | 0:12:49 | |
we can overcome that fear. | 0:12:49 | 0:12:51 | |
We can turn you into the man you always wanted to be. | 0:12:51 | 0:12:56 | |
You up for it? | 0:12:56 | 0:12:57 | |
Yeah. | 0:12:57 | 0:12:59 | |
Good man. | 0:12:59 | 0:13:00 | |
Now, Joyce mentioned something about Australia. | 0:13:03 | 0:13:05 | |
Talking behind me back, is she? | 0:13:07 | 0:13:09 | |
Only in passing. | 0:13:09 | 0:13:11 | |
She said something about not being able to afford it this year. | 0:13:11 | 0:13:14 | |
Doesn't help, I suppose. | 0:13:14 | 0:13:16 | |
Ted, Ted. | 0:13:16 | 0:13:18 | |
Look at me now, man. Look at me. | 0:13:18 | 0:13:19 | |
We're friends, right? Friends talk? | 0:13:19 | 0:13:23 | |
Long enough to have been at the doctor's now. | 0:13:29 | 0:13:32 | |
DOOR CLOSES | 0:13:36 | 0:13:38 | |
"Beautiful Bathsheba leaves nothing to the imagination as | 0:13:39 | 0:13:42 | |
"she strips naked to flaunt her phenomenal frame for the cameras." | 0:13:42 | 0:13:46 | |
Is this what they call news nowadays? | 0:13:46 | 0:13:48 | |
It must have gone half past by now. | 0:13:48 | 0:13:50 | |
Look, Kee said he'll come, so he'll come, all right? | 0:13:50 | 0:13:54 | |
I mean, who wants a robot woman like that, eh? | 0:13:54 | 0:13:57 | |
When they've got a real woman like you at home? Come here. | 0:13:57 | 0:14:00 | |
-DOOR OPENS -Shh. Shh. -Hello? | 0:14:00 | 0:14:03 | |
So you've come. | 0:14:09 | 0:14:10 | |
Fantastic. | 0:14:10 | 0:14:12 | |
Proud of you, son. | 0:14:12 | 0:14:13 | |
Now all you have to do is apologise and we can put this all behind us. | 0:14:13 | 0:14:16 | |
I'm sorry for being a prat. | 0:14:18 | 0:14:20 | |
-Can I come home? -You don't really have to apologise, boy. | 0:14:21 | 0:14:24 | |
Course you can! Come here. | 0:14:24 | 0:14:26 | |
Hey, stop that. | 0:14:28 | 0:14:30 | |
You'll get me crying next. | 0:14:30 | 0:14:32 | |
Now look what you made me do. | 0:14:32 | 0:14:34 | |
Give me a sec. | 0:14:34 | 0:14:35 | |
I'm doing this for Mum, not you. | 0:14:42 | 0:14:46 | |
We're going to be one happy family. | 0:14:47 | 0:14:50 | |
We both know you're going to mess this up at some point. | 0:14:50 | 0:14:53 | |
So why don't you do us all a favour and just leave now? | 0:14:53 | 0:14:56 | |
DOOR CLOSES | 0:15:00 | 0:15:02 | |
-Hi. -All right? | 0:15:06 | 0:15:08 | |
Yeah, I'm worried about Ted, though. | 0:15:10 | 0:15:14 | |
-What's the matter with him? -He... | 0:15:14 | 0:15:16 | |
HE SIGHS | 0:15:16 | 0:15:17 | |
Best not. | 0:15:17 | 0:15:19 | |
He'd hate being talked about. | 0:15:19 | 0:15:21 | |
And you? | 0:15:22 | 0:15:23 | |
What's there to say? | 0:15:26 | 0:15:27 | |
I've been a damned fool. | 0:15:28 | 0:15:31 | |
No, don't beat yourself up. | 0:15:31 | 0:15:32 | |
What you felt, it was... true, for you. | 0:15:32 | 0:15:36 | |
At the time. | 0:15:37 | 0:15:38 | |
Listen, I've been thinking. | 0:15:41 | 0:15:44 | |
You can still go to Trinidad. | 0:15:46 | 0:15:47 | |
Only now, you're armed with what you know. | 0:15:47 | 0:15:51 | |
-Yeah... -And who knows, y'know, maybe she might... | 0:15:51 | 0:15:54 | |
..she might turn out to be the real deal, y'know, after all. | 0:15:55 | 0:16:00 | |
Forget Trinidad, all right? | 0:16:00 | 0:16:01 | |
We'll get the three-piece suite. | 0:16:03 | 0:16:06 | |
I need a shower. | 0:16:06 | 0:16:08 | |
Evening, Mick. | 0:16:12 | 0:16:14 | |
What's there two of you now? | 0:16:14 | 0:16:16 | |
Yeah, we need to use your bathroom so we can get changed. | 0:16:16 | 0:16:18 | |
Bit early, in't ya? We don't kick off for ages. | 0:16:18 | 0:16:22 | |
Robbie's got to mentally prepare. | 0:16:22 | 0:16:24 | |
What's with the fire extinguisher? | 0:16:24 | 0:16:26 | |
Oi! | 0:16:28 | 0:16:29 | |
What's he doing? | 0:16:34 | 0:16:36 | |
He's jumping to a thousand. | 0:16:36 | 0:16:38 | |
And when he gets to a thousand, he starts again. | 0:16:38 | 0:16:40 | |
Does it most nights. | 0:16:40 | 0:16:42 | |
Would you like to hold him? | 0:16:42 | 0:16:44 | |
Not right now, son, if you don't mind. | 0:16:44 | 0:16:47 | |
-Is it always like this, then? -Yeah, pretty much. | 0:16:48 | 0:16:50 | |
SHE HUMS You've got a good voice... | 0:16:53 | 0:16:56 | |
Voice... | 0:16:56 | 0:16:57 | |
This is what you wanted. | 0:16:57 | 0:16:59 | |
One big, happy family. | 0:16:59 | 0:17:01 | |
Who's hungry? | 0:17:01 | 0:17:02 | |
Why don't you give it to the man of the house? | 0:17:02 | 0:17:04 | |
He's been working all day. | 0:17:04 | 0:17:06 | |
Hang on, everyone. Shh! | 0:17:06 | 0:17:07 | |
-MUFFLED: -Well, did you?! -Bernie, shut up. | 0:17:07 | 0:17:10 | |
Did you, or did you not go to the doctor's? | 0:17:10 | 0:17:12 | |
You said I don't understand?! | 0:17:12 | 0:17:14 | |
How can I ever understand when you won't even talk to me?! | 0:17:14 | 0:17:18 | |
Did you or did you not go to the doctor's?! | 0:17:18 | 0:17:21 | |
Don't you dare walk away from me! | 0:17:21 | 0:17:24 | |
-Explain the mud on your shoes! -Ted and Joyce from the Towers. | 0:17:24 | 0:17:26 | |
-Really? -She don't sound happy. -Shouldn't we do something? | 0:17:26 | 0:17:29 | |
Nah. | 0:17:29 | 0:17:30 | |
-Where are you going? -I don't know. Out! | 0:17:30 | 0:17:33 | |
DOOR SLAMS | 0:17:33 | 0:17:35 | |
As you were. | 0:17:35 | 0:17:36 | |
Here, chicken nuggets and chips. | 0:17:38 | 0:17:40 | |
-You want some sauce with that? -OK. | 0:17:41 | 0:17:44 | |
Glad to be home? | 0:17:44 | 0:17:45 | |
Oh, you've been a long time. | 0:17:50 | 0:17:53 | |
Fancy a rum? | 0:17:53 | 0:17:54 | |
OK, look, look, look... | 0:18:00 | 0:18:01 | |
I've had another idea. | 0:18:03 | 0:18:05 | |
Why don't we both go to Trinidad? | 0:18:05 | 0:18:08 | |
And you can check out that Renee and, y'know, if it doesn't work out, | 0:18:08 | 0:18:12 | |
then it's not the end of the world because we're still on holiday. | 0:18:12 | 0:18:16 | |
Will you stop trying to make me feel better? | 0:18:16 | 0:18:18 | |
We're getting the three-piece suite and that is the end of it, | 0:18:18 | 0:18:21 | |
all right?! | 0:18:21 | 0:18:23 | |
DOORBELL RINGS | 0:18:23 | 0:18:24 | |
Joyce. | 0:18:31 | 0:18:32 | |
Ted swears blind he went to the doctor today, but I know he didn't. | 0:18:32 | 0:18:35 | |
He's come back, no prescription, nothing. | 0:18:35 | 0:18:37 | |
And the doctor - amazingly - has told him to | 0:18:37 | 0:18:40 | |
"go home, take a few days rest and come back in a fortnight". | 0:18:40 | 0:18:44 | |
And that - if you'll excuse my French - is total cobblers. | 0:18:44 | 0:18:48 | |
Now I've got a feeling that he has been sagging it with you | 0:18:48 | 0:18:52 | |
down the allotment. Has he? | 0:18:52 | 0:18:53 | |
Don't diminish yourself by lying to me, Patrick. | 0:18:53 | 0:18:57 | |
He's my friend. | 0:18:57 | 0:18:59 | |
So I'll take that for a yes, then. | 0:18:59 | 0:19:02 | |
I know he's not well, but there's only so much patience... | 0:19:04 | 0:19:08 | |
I've had enough. | 0:19:10 | 0:19:11 | |
I'm going down the bingo! | 0:19:13 | 0:19:14 | |
What did she want? | 0:19:24 | 0:19:25 | |
I, erm... | 0:19:27 | 0:19:28 | |
I think I know what I'm going to do with that money. | 0:19:31 | 0:19:33 | |
ACOUSTIC GUITAR PLAYING | 0:19:36 | 0:19:37 | |
Hey, do you mind if I join you? | 0:19:37 | 0:19:39 | |
# Let me take you by the hand... # | 0:19:39 | 0:19:41 | |
I heard Ian Beale's doing a turn. | 0:19:41 | 0:19:42 | |
It's what we're all doing here. | 0:19:42 | 0:19:45 | |
# I'll show you something to make you change your mind. # | 0:19:45 | 0:19:52 | |
That was amazing, right? | 0:19:58 | 0:19:59 | |
I'm just going to go to the toilet. See you in a minute. | 0:19:59 | 0:20:02 | |
They're still in our bathroom. | 0:20:05 | 0:20:07 | |
I mean, what on earth are they doing in there? | 0:20:07 | 0:20:09 | |
Well, go and give 'em a nudge will you? | 0:20:09 | 0:20:10 | |
We've only got Shrimpy and then they're supposed to be on. | 0:20:10 | 0:20:13 | |
-You all right, Jack? Usual? -Please. | 0:20:13 | 0:20:15 | |
You all on your own? | 0:20:15 | 0:20:17 | |
Well, I thought I was. | 0:20:18 | 0:20:19 | |
Well, well, well... What made you change your mind? | 0:20:20 | 0:20:24 | |
Morbid curiosity. Don't flatter yourself. | 0:20:24 | 0:20:27 | |
What can I get you to drink? | 0:20:27 | 0:20:29 | |
Oh, I'll sort myself out, thanks, if that's all right. | 0:20:29 | 0:20:32 | |
Dry white wine, please. | 0:20:32 | 0:20:33 | |
I, er... I wrote this for a special someone. | 0:20:35 | 0:20:39 | |
It's called Intrusion. | 0:20:39 | 0:20:41 | |
You trespass on my hopes | 0:20:42 | 0:20:45 | |
Insinuate your soul | 0:20:45 | 0:20:46 | |
Between the cracks of my broken heart... | 0:20:46 | 0:20:48 | |
KNOCKING | 0:20:48 | 0:20:50 | |
How long are you two going to be? Your public are getting restless! | 0:20:50 | 0:20:52 | |
Right, won't be long, just got to get something. | 0:20:52 | 0:20:56 | |
-Well, what? -You'll see. | 0:20:56 | 0:20:57 | |
What? | 0:21:00 | 0:21:02 | |
The locks are picked | 0:21:02 | 0:21:03 | |
The bolts withdrawn... | 0:21:03 | 0:21:04 | |
All right? What are you doing here? | 0:21:04 | 0:21:06 | |
Well, I can't miss Ian's cabaret debut. | 0:21:06 | 0:21:09 | |
'Chelle's watching the kids. | 0:21:09 | 0:21:10 | |
How was Bex? | 0:21:10 | 0:21:11 | |
I'm her dad, ain't I? What do you want me to say? | 0:21:11 | 0:21:14 | |
Did you speak to Mo? | 0:21:14 | 0:21:16 | |
-Every time I call, it goes to voicemail, so I've given up. -Right. | 0:21:16 | 0:21:19 | |
APPLAUSE | 0:21:19 | 0:21:20 | |
Do you want a drink? | 0:21:20 | 0:21:21 | |
No, I'm all right. | 0:21:21 | 0:21:22 | |
Stace, come on. Let me get you a drink. | 0:21:22 | 0:21:25 | |
Usual? | 0:21:25 | 0:21:26 | |
Go on, then. | 0:21:27 | 0:21:29 | |
What on earth are you doing? | 0:21:33 | 0:21:35 | |
Mick, if you could just introduce us, yeah? | 0:21:35 | 0:21:37 | |
That's a fire hazard! I'll lose me licence! | 0:21:37 | 0:21:38 | |
Hurry up, will ya? It's hot and heavy! | 0:21:38 | 0:21:41 | |
APPLAUSE | 0:21:42 | 0:21:44 | |
Didn't take her long. | 0:21:47 | 0:21:48 | |
No... No Sharon tonight? | 0:21:48 | 0:21:50 | |
Er... We're not exactly seeing eye to eye at the moment. | 0:21:50 | 0:21:54 | |
I'll have an orange juice, please. | 0:21:54 | 0:21:55 | |
Right, ladies and gentlemen. They're the... | 0:21:55 | 0:21:57 | |
hottest act in London... Er... | 0:21:57 | 0:21:59 | |
The Queen Vic welcomes Ian Beale, Robbie Jackson. | 0:22:00 | 0:22:04 | |
Turn them lights off... Yeah, come on... Hey... | 0:22:04 | 0:22:06 | |
APPLAUSE | 0:22:06 | 0:22:07 | |
MURMURING | 0:22:10 | 0:22:12 | |
MUSIC: Also Sprach Zarathustra by Richard Strauss | 0:22:12 | 0:22:17 | |
Lights, please. | 0:22:17 | 0:22:18 | |
Thank you. Erm... | 0:22:20 | 0:22:22 | |
Ladies and gentlemen, tonight, | 0:22:22 | 0:22:25 | |
harnessing the power of now, Robbie Jackson will dispense with | 0:22:25 | 0:22:29 | |
all fear and negative thoughts, and before your very eyes, | 0:22:29 | 0:22:34 | |
walk barefoot, feeling no pain, | 0:22:34 | 0:22:38 | |
across these white-hot, burning coals. | 0:22:38 | 0:22:42 | |
Robbie, are you ready? | 0:22:49 | 0:22:52 | |
Has he gone stark raving mad? | 0:22:54 | 0:22:56 | |
BUZZES | 0:22:56 | 0:22:58 | |
Ted! | 0:22:58 | 0:22:59 | |
Ted, man! | 0:23:02 | 0:23:03 | |
The light's on, so I know you're in there, y'know. | 0:23:07 | 0:23:09 | |
I'm assuming you can hear me. | 0:23:14 | 0:23:15 | |
Look, I'm putting an envelope through the door, | 0:23:21 | 0:23:24 | |
a little something for you, | 0:23:24 | 0:23:26 | |
and I want you to pick it up straightaway, yeah? | 0:23:26 | 0:23:29 | |
Just think Australia. | 0:23:31 | 0:23:32 | |
All right, I'll go. See you soon. | 0:23:34 | 0:23:35 | |
Are you ready to use the power that dwells inside all of us? | 0:23:43 | 0:23:46 | |
Then proceed. | 0:23:48 | 0:23:49 | |
MUSIC CONTINUES | 0:23:52 | 0:23:53 | |
What are you trying to do? | 0:23:58 | 0:24:00 | |
Give everybody in here carbon monoxide poisoning, you plum? | 0:24:00 | 0:24:04 | |
-LAUGHTER -And this moron, third degree burns? | 0:24:04 | 0:24:08 | |
I knew it would all go wrong without me being down here! | 0:24:08 | 0:24:11 | |
Right now, I am going back upstairs to watch my "waste of time" telly. | 0:24:11 | 0:24:15 | |
Try not to kill anyone! | 0:24:15 | 0:24:16 | |
Ow! | 0:24:16 | 0:24:17 | |
I've got a splinter! | 0:24:20 | 0:24:21 | |
Say one thing for you, Ian - that was memorable. | 0:24:21 | 0:24:23 | |
LAUGHTER | 0:24:23 | 0:24:24 | |
DOOR CLOSES | 0:24:30 | 0:24:32 | |
TV: It's a little bit bent at the end. | 0:24:32 | 0:24:34 | |
-But again... -How much is it marked? -125. -Gosh. | 0:24:34 | 0:24:37 | |
Did you speak to him? | 0:24:37 | 0:24:39 | |
No, no... | 0:24:39 | 0:24:40 | |
..but I dread to think what he's going through, though. | 0:24:41 | 0:24:44 | |
Ah. So you're going to give him all of it, then? | 0:24:44 | 0:24:47 | |
A man can take this Good Samaritan lark a little too far, you know. | 0:24:47 | 0:24:50 | |
Nah, man. | 0:24:50 | 0:24:51 | |
I kept 500 smackers for myself, | 0:24:51 | 0:24:55 | |
so you'd better get your glad rags on, baby - | 0:24:55 | 0:24:57 | |
we are going to paint the town! | 0:24:57 | 0:24:59 | |
HE CHUCKLES | 0:24:59 | 0:25:00 | |
TV IN BACKGROUND | 0:25:02 | 0:25:04 | |
PHONE CHIMES | 0:25:06 | 0:25:08 | |
Hey, thanks, baby. | 0:25:21 | 0:25:22 | |
I thought one of you was taking Bronson for a walk. | 0:25:23 | 0:25:26 | |
-His turn. -Bernie's turn. | 0:25:26 | 0:25:28 | |
No, it ain't. | 0:25:28 | 0:25:29 | |
I'll take him out. | 0:25:34 | 0:25:36 | |
I need the exercise. | 0:25:36 | 0:25:37 | |
And while you're doing that, I'll ring Mum. | 0:25:37 | 0:25:40 | |
Ah, better not tell her I'm here, please. | 0:25:40 | 0:25:42 | |
Bound to find out sooner or later. | 0:25:42 | 0:25:44 | |
Best get it over and done with now. | 0:25:44 | 0:25:46 | |
Oi, dog! | 0:25:50 | 0:25:52 | |
Don't get lost. | 0:25:53 | 0:25:55 | |
Be such a shame if you never came back. | 0:25:55 | 0:25:58 | |
I'll be 20 minutes, all right? | 0:25:58 | 0:26:00 | |
Mum? Yeah, don't freak out when I tell you this. | 0:26:00 | 0:26:04 | |
Promise? | 0:26:04 | 0:26:05 | |
Me and Mitch is back together. | 0:26:07 | 0:26:09 | |
What? You promised you wouldn't freak out! | 0:26:11 | 0:26:13 | |
What are you doing, you mangy mutt? | 0:26:15 | 0:26:17 | |
WOOF! | 0:26:23 | 0:26:24 | |
So this is where the universe has been leading me, huh? | 0:26:33 | 0:26:35 | |
Nice. | 0:26:37 | 0:26:39 | |
Well, that was an evening that I'll never erase from the memory. | 0:26:39 | 0:26:42 | |
You going already? | 0:26:42 | 0:26:43 | |
Yeah, I've got an early start tomorrow. | 0:26:43 | 0:26:46 | |
You did very well. You barely bored me at all. | 0:26:46 | 0:26:49 | |
-All right, Jack? -All right, mate? | 0:26:49 | 0:26:51 | |
-What happened to Stace? -She got a phone call. | 0:26:51 | 0:26:54 | |
She had to go home. Baby-sitting troubles, I think. | 0:26:54 | 0:26:57 | |
Oh. | 0:26:57 | 0:26:58 | |
No, Mum... | 0:27:00 | 0:27:02 | |
Well, why do you always have to think the worst of him? | 0:27:02 | 0:27:06 | |
He has been a long time walking Bronson. | 0:27:06 | 0:27:08 | |
BRONSON BARKS | 0:27:08 | 0:27:09 | |
-Me charge is going in my phone, Mum. -Hey! -Hey... -Bronson?! | 0:27:09 | 0:27:12 | |
He was tied up outside, the railings. | 0:27:12 | 0:27:16 | |
-Your door was open. -How come? | 0:27:16 | 0:27:18 | |
I dunno. Anyway, he's all right, isn't he? | 0:27:18 | 0:27:20 | |
-Yeah. -See ya. -Cheers. | 0:27:20 | 0:27:23 | |
-Where's Mitch, eh? -His van's gone. | 0:27:23 | 0:27:25 | |
What? | 0:27:25 | 0:27:26 | |
I don't get it. | 0:27:30 | 0:27:32 | |
-I think I do. -I bet you do. | 0:27:32 | 0:27:33 | |
This is all your fault. | 0:27:34 | 0:27:37 | |
-Where is she? -Living room. | 0:27:41 | 0:27:44 | |
Why didn't she just ring me? | 0:27:44 | 0:27:45 | |
Her phone's knackered. | 0:27:45 | 0:27:47 | |
Well, what's the matter with her? | 0:27:47 | 0:27:49 | |
Oh. | 0:27:49 | 0:27:50 | |
-All right, leave it to me. -Well, you know where I am. | 0:27:50 | 0:27:53 | |
-Thanks, Michelle. -No worries. | 0:27:53 | 0:27:54 | |
Nan? | 0:27:56 | 0:27:58 | |
SHE SOBS | 0:27:58 | 0:27:59 | |
What's the matter? | 0:27:59 | 0:28:00 | |
-It's Kat. -What about Kat? | 0:28:00 | 0:28:02 | |
She's dead. | 0:28:04 | 0:28:05 |