Browse content similar to Half a Person. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
As clinical skills lead, we are proposing Mr Dan Hamilton... | 0:00:39 | 0:00:44 | |
-And Mr Antoine Malick. -Brilliant! Wow. That's brilliant. | 0:00:44 | 0:00:48 | |
Thank you Mr, Hanssen. Thank you so much. | 0:00:48 | 0:00:50 | |
-Do what you have to. -Will you be OK? | 0:00:50 | 0:00:53 | |
I'll be fine. | 0:00:54 | 0:00:56 | |
-That's for everything. -What are you doing? The children are watching. | 0:00:56 | 0:01:01 | |
PHONE RINGS | 0:01:02 | 0:01:04 | |
Hello, Keller. | 0:01:04 | 0:01:06 | |
OK. | 0:01:06 | 0:01:08 | |
KNOCK ON DOOR | 0:01:08 | 0:01:11 | |
HE SIGHS | 0:01:12 | 0:01:14 | |
Mr Malick, emergency in Wyvern. | 0:01:18 | 0:01:20 | |
SIREN BLARES | 0:01:25 | 0:01:27 | |
Hey! Can I help? | 0:01:40 | 0:01:41 | |
Hey, I can help. I can help. I've read a book on this. | 0:01:41 | 0:01:44 | |
I know what to do. Look at me. Calm down. | 0:01:44 | 0:01:47 | |
Whoa. Easy brother man. You're all right? You're sure? | 0:01:47 | 0:01:50 | |
Good. All right. Please try to stay calm, sir. | 0:01:50 | 0:01:53 | |
Get the oxygen mask on him. I'm going to shine a light into your eyes, all right? | 0:01:53 | 0:01:56 | |
3mg Haloperidol. | 0:01:58 | 0:02:00 | |
Easy, deep breaths, that's it. Nice and easy. | 0:02:00 | 0:02:04 | |
That's it. | 0:02:04 | 0:02:06 | |
Easy. Let's get him upstairs. | 0:02:06 | 0:02:09 | |
Deep, slow breaths, all right? | 0:02:09 | 0:02:12 | |
Nice and easy. | 0:02:12 | 0:02:14 | |
You're going to be OK, all right? | 0:02:14 | 0:02:16 | |
There you go. I'll be up in a minute. Whoa, whoa! That's not appropriate. Erase it. | 0:02:16 | 0:02:20 | |
-No, this is just for me to see you do your thing. -Even so. Erase it. -OK. | 0:02:20 | 0:02:25 | |
Thank you. | 0:02:26 | 0:02:28 | |
Hey! | 0:02:28 | 0:02:30 | |
It's fantastic to see you work. | 0:02:30 | 0:02:34 | |
-Have you seen Mr Spence? -No, I haven't. | 0:02:40 | 0:02:43 | |
ALL: Surprise! | 0:02:45 | 0:02:48 | |
You didn't think we'd let it pass without marking it, did you? | 0:02:48 | 0:02:52 | |
-There's really no need to make a fuss. -Oh, yes, there is. | 0:02:52 | 0:02:55 | |
Right, ladies and gentleman, raise your glasses to Ric Griffin's continued good health. | 0:02:55 | 0:03:01 | |
-Congratulations. -Good health. | 0:03:01 | 0:03:03 | |
Thanks. | 0:03:03 | 0:03:04 | |
But I believe Mr Spence needs to consult. | 0:03:04 | 0:03:08 | |
Well, I'll look after the doughnuts, then. | 0:03:08 | 0:03:11 | |
What's all that about? | 0:03:11 | 0:03:13 | |
I got the all clear. | 0:03:13 | 0:03:15 | |
Cancer's gone? Congrats. | 0:03:15 | 0:03:16 | |
-So, business as usual. -Great. | 0:03:18 | 0:03:20 | |
-What's new? -Take a look at that. | 0:03:20 | 0:03:23 | |
-Do you want me to go through the list with you? -Mm-hm. | 0:03:23 | 0:03:26 | |
Yup. Oh, look who's here. | 0:03:26 | 0:03:29 | |
-How are we doing? -Never better. | 0:03:31 | 0:03:34 | |
The ward seems empty without Ms Shah, doesn't it? | 0:03:34 | 0:03:37 | |
-She's left a hole. -I hadn't noticed. -No? | 0:03:37 | 0:03:40 | |
What cases are you working on this evening? | 0:03:40 | 0:03:43 | |
Just point me towards the broken hearts. | 0:03:43 | 0:03:46 | |
Work is good for a tender soul. | 0:03:46 | 0:03:48 | |
You're not still moping over her, are you? | 0:03:48 | 0:03:51 | |
My advice - get over it. | 0:03:53 | 0:03:55 | |
Nothing to get over. Thanks! | 0:03:55 | 0:03:58 | |
It's just as well, then. | 0:03:58 | 0:04:00 | |
HE CLEARS HIS THROAT | 0:04:04 | 0:04:06 | |
What? I thought I was quite tactful. | 0:04:06 | 0:04:09 | |
Dan, I can do this on my own, you know. | 0:04:09 | 0:04:12 | |
Someone's got to introduce you. | 0:04:12 | 0:04:14 | |
Ladies and gentleman. Thank you! And welcome to Holby. | 0:04:16 | 0:04:20 | |
I'm Dan Hamilton, consultant orthopaedic surgeon, | 0:04:20 | 0:04:23 | |
and it gives me great pleasure to introduce this man. Looks scary, doesn't he? | 0:04:23 | 0:04:27 | |
But I assure you he's a pussycat. | 0:04:27 | 0:04:30 | |
-Your clinical skills tutor, Mr Malick. -Yes! Whoo-hoo-hoo! | 0:04:30 | 0:04:35 | |
Mr Spence, this is Ruby. She's been sent straight through from the ED. | 0:04:37 | 0:04:41 | |
OK. I'm Michael Spence. I'm a consultant. Hang on for a second, you guys. | 0:04:41 | 0:04:45 | |
Is it just the leg, or is there anything else? | 0:04:45 | 0:04:47 | |
Just the leg. It's really painful. | 0:04:47 | 0:04:49 | |
What happened? | 0:04:49 | 0:04:51 | |
I crashed my car. I hit a girl. | 0:04:51 | 0:04:54 | |
-Is she here? -Not that I know of. -We'll need to cut those boots off. | 0:04:54 | 0:04:57 | |
-Yep. And let's get the glass out, clean this up. -Do I know you from somewhere? | 0:04:57 | 0:05:02 | |
No, I don't think so. Excuse me. | 0:05:02 | 0:05:04 | |
That's the girl. Is she OK? | 0:05:04 | 0:05:06 | |
Yep. She'll be fine. Don't worry about it. Sacha? | 0:05:06 | 0:05:09 | |
Can I call you back, please? Thank you. | 0:05:09 | 0:05:11 | |
OK. Lucy is 18. She's had chest trauma. | 0:05:12 | 0:05:16 | |
It was hilarious, actually! | 0:05:16 | 0:05:19 | |
And she's been drinking, obviously. She's had 5mg of morphine and 300gm of amiodarone. | 0:05:19 | 0:05:24 | |
Lucy, I'm going to listen to your chest, OK? | 0:05:24 | 0:05:27 | |
Your stethoscope is really warm. Has it been in your pocket? | 0:05:27 | 0:05:32 | |
OK, oxygen. We're going to need to do full bloods, a group and save, | 0:05:32 | 0:05:35 | |
and an ECG as soon as possible, please. | 0:05:35 | 0:05:37 | |
Right, cardiac arrhythmia. She needs to go upstairs. | 0:05:37 | 0:05:40 | |
-OK, I'll let Darwin know. -Wait. Are you going to take me upstairs? | 0:05:40 | 0:05:44 | |
Right, we're going to do some tests down here | 0:05:45 | 0:05:47 | |
-and then we're going to need to take you up to another ward. OK? -Whatever. | 0:05:47 | 0:05:52 | |
SHE GIGGLES | 0:05:52 | 0:05:54 | |
-Sorry to keep you. What's up? -You're not answering your phone, Michael. I've been trying to get through. | 0:05:54 | 0:05:59 | |
-You can see how busy it is out here. -I need to talk to you. | 0:05:59 | 0:06:02 | |
Give me a few minutes. I've just got to take care of a couple of things. | 0:06:02 | 0:06:06 | |
I'll wait for you. In the cafe? It's important, Michael. | 0:06:06 | 0:06:09 | |
All right. | 0:06:10 | 0:06:12 | |
Do you remember me? I'm Spike, Spike Leonard. | 0:06:17 | 0:06:20 | |
-You came to give a talk at the college. -Yeah. You're the guy that asked a lot of questions. | 0:06:20 | 0:06:24 | |
You're probably the most successful person who ever went there. | 0:06:24 | 0:06:27 | |
-Apart from the bloke who became a porn star. -I'll take that as a compliment. | 0:06:27 | 0:06:31 | |
-I wouldn't have even thought about doing medicine if it wasn't for you, so thank you. -That's encouraging. | 0:06:31 | 0:06:35 | |
-Ohh! And you decked a consultant, didn't you? -Whoa, easy, Spike. | 0:06:35 | 0:06:39 | |
Thanks. | 0:06:39 | 0:06:40 | |
Right, my Malick-ites, | 0:06:40 | 0:06:43 | |
surgery is integrity coupled with decision-making, | 0:06:43 | 0:06:46 | |
and here, all decisions have serious real-world outcomes. | 0:06:46 | 0:06:49 | |
This is not a classroom. This is Keller. | 0:06:49 | 0:06:52 | |
When do we get a chance to actually do something? | 0:06:52 | 0:06:56 | |
All you need to do right now is listen and learn. | 0:06:56 | 0:07:00 | |
Yeah? | 0:07:00 | 0:07:01 | |
Good man. | 0:07:03 | 0:07:04 | |
Right. Female, 18, chest trauma and cardiac arrhythmia. | 0:07:04 | 0:07:09 | |
Atrial fibrillation. | 0:07:09 | 0:07:11 | |
Mr Levy has administered 300mg of amioidarone. | 0:07:11 | 0:07:13 | |
-Looks like she's been drinking, as well. -Yeah. Who wants it? | 0:07:13 | 0:07:16 | |
-Yeah, I'll... -I'll take this one. | 0:07:16 | 0:07:18 | |
An 18-year-old boozed-up girl with an iffy ticker - | 0:07:18 | 0:07:21 | |
sounds like a suitably engrossing challenge. | 0:07:21 | 0:07:23 | |
-How are you doing? -Ooh, brilliant! | 0:07:23 | 0:07:26 | |
Do I get to choose which one of you takes me? | 0:07:26 | 0:07:29 | |
Not you, ginge. | 0:07:30 | 0:07:32 | |
Um... Hmm... Not bad. | 0:07:32 | 0:07:35 | |
Ooh, hey, hottie! | 0:07:35 | 0:07:38 | |
Oh, I like your crutch. | 0:07:38 | 0:07:40 | |
What's up? | 0:07:40 | 0:07:41 | |
Oh, have you just killed someone? | 0:07:41 | 0:07:45 | |
Do you know what? She's all yours. | 0:07:45 | 0:07:49 | |
Fine, let's get her on the ward. | 0:07:50 | 0:07:52 | |
-Hi. -Hello. | 0:07:52 | 0:07:53 | |
On a busy ward patient, turnover is fast, work is intense, | 0:07:55 | 0:07:58 | |
and the staff expect the unexpected. | 0:07:58 | 0:08:00 | |
In fact, let me introduce you to one of the staff members. | 0:08:00 | 0:08:03 | |
-Hi! I'm Chantelle! I'm a nurse on Keller. -Thanks, Nurse Lane. | 0:08:03 | 0:08:06 | |
-Nurses are the heartbeat of the hospital. -Yeah, sort of. | 0:08:06 | 0:08:09 | |
We're always very busy. | 0:08:09 | 0:08:11 | |
Yeah, but Nurse Lane has a lot of patients to attend to, don't you? | 0:08:11 | 0:08:15 | |
-Oh. If you need anything, just shout! -Thank you. | 0:08:15 | 0:08:19 | |
Let me introduce you to Mr Nicholson. | 0:08:19 | 0:08:21 | |
Are you OK with students, Mr Nicholson? | 0:08:21 | 0:08:23 | |
Right, Mr Nicholson was being brought in this morning for elective surgery | 0:08:23 | 0:08:28 | |
when, en route, he had a sepsis episode which caused agitation and confusion. | 0:08:28 | 0:08:33 | |
But Mr Malick injected 3mg of Haloperidol right there on the pavement. | 0:08:33 | 0:08:37 | |
Sorted him in no time. | 0:08:37 | 0:08:39 | |
I took the action required after a primary survey suggested a sepsis was... | 0:08:39 | 0:08:44 | |
Mr Malick, can I borrow you? | 0:08:44 | 0:08:46 | |
OK, Malick-ites, follow me. | 0:08:46 | 0:08:48 | |
-What's happened? -This is Mr Turner. A Crohn's patient. He's dehydrated. -He's in pain. Can you help him? | 0:08:52 | 0:08:57 | |
-Do you mind students, Mr Turner? -The more, the merrier. Agh! | 0:08:57 | 0:09:01 | |
There's a mass in the right iliac fossa area. | 0:09:01 | 0:09:03 | |
Give him 10mg of morphine and I'll need a CT scan also. | 0:09:03 | 0:09:06 | |
Right, let's see what's happening here. | 0:09:06 | 0:09:09 | |
OK. Mr Turner has had nine bowel resections. | 0:09:09 | 0:09:12 | |
A great deal of it has been taken away. | 0:09:12 | 0:09:15 | |
And... And he's very aware of his prognosis. | 0:09:15 | 0:09:21 | |
-He's not gone just yet! -It's all right, Patty. Easy, sweetheart. | 0:09:21 | 0:09:25 | |
Of course not. But his gut is too short to absorb food and, as you can see... | 0:09:25 | 0:09:31 | |
He's being fed through a Hickman line into his neck. | 0:09:31 | 0:09:34 | |
Mr Hanssen has ruled out surgical options | 0:09:36 | 0:09:39 | |
and is treating the patient with an antibody drug. | 0:09:39 | 0:09:43 | |
-We weren't offered any surgical options. -Shh! | 0:09:43 | 0:09:46 | |
Then Mr Hanssen must have decided it wasn't viable. | 0:09:46 | 0:09:49 | |
Right, you ready? Follow me. | 0:09:52 | 0:09:54 | |
Hey, Spike! Come on. Plenty to see. | 0:09:56 | 0:10:00 | |
I need to get out of here as soon as possible. | 0:10:04 | 0:10:08 | |
I can't promise you anything. | 0:10:08 | 0:10:09 | |
We need to run an X-ray and blood tests and monitor the state of your heart. | 0:10:09 | 0:10:13 | |
I'm fine. Just patch me up and get me out of here. | 0:10:13 | 0:10:17 | |
-What if you keel over on your way out of here? -I don't do keeling. Come on. | 0:10:17 | 0:10:22 | |
Be nice to me. | 0:10:22 | 0:10:24 | |
What's your name? | 0:10:24 | 0:10:26 | |
-I told them before. I'm Lucy. -Your full name. | 0:10:26 | 0:10:29 | |
-Call me whatever you want, doctor boy. -Look, I've got lots of patients to see, | 0:10:30 | 0:10:34 | |
-I need to access your medical history. -It doesn't matter. I'm leaving. | 0:10:34 | 0:10:38 | |
-No, you're not. -Look, I'm serious. I'm not drunk any more. | 0:10:38 | 0:10:41 | |
OK, maybe a little bit, but, seriously, I need to go. | 0:10:41 | 0:10:46 | |
-You're not going anywhere, OK? -Fine. | 0:10:46 | 0:10:50 | |
OK, you have 20 minutes, Malick-ites, | 0:10:58 | 0:11:01 | |
then we have the important issue of hygiene to discuss. | 0:11:01 | 0:11:04 | |
The cafeteria is downstairs. I'll catch you in a bit. | 0:11:04 | 0:11:07 | |
Mr Malick, when you examined Steve Turner you said | 0:11:09 | 0:11:13 | |
he's got a mass in the right iliac fossa area. | 0:11:13 | 0:11:17 | |
You were writing down everything I said? | 0:11:17 | 0:11:19 | |
-I don't want to forget anything. -What is it you don't understand? | 0:11:19 | 0:11:23 | |
Wouldn't it be quite straightforward to take the mass out? | 0:11:23 | 0:11:26 | |
-Why hasn't Mr Hanssen offered a surgical option? -Could be any number of reasons. | 0:11:26 | 0:11:30 | |
Plus, this is a real person, Spike. | 0:11:30 | 0:11:32 | |
It isn't some paragraph from a textbook. You get me? | 0:11:32 | 0:11:35 | |
Go on, go and get your coffee. | 0:11:35 | 0:11:37 | |
Um, Chantelle, when they've finished their break, | 0:11:40 | 0:11:43 | |
-I need you to babysit my students for a while. -Me?! -Mm-hm. -Really?! | 0:11:43 | 0:11:47 | |
-Yeah. There's something I need to investigate. -OK. | 0:11:47 | 0:11:50 | |
-She's a nightmare. -Who? -The mysterious Lucy. | 0:11:54 | 0:11:58 | |
She's a mardy 18-year-old. Grow a pair and deal with it. | 0:11:58 | 0:12:01 | |
Drunk and stubborn I can handle, but she's not giving me any information. | 0:12:01 | 0:12:06 | |
My grandad was a gardener. I love gardeners. | 0:12:08 | 0:12:11 | |
Steve was one for 30-odd years, but before that, he was a musician. | 0:12:11 | 0:12:15 | |
-Really? -Wrote all his own songs. He was on the telly. | 0:12:15 | 0:12:19 | |
That's brilliant. | 0:12:19 | 0:12:21 | |
-Ohh. -You OK? | 0:12:21 | 0:12:22 | |
It's only pain. | 0:12:22 | 0:12:24 | |
Can I look at your notes again? | 0:12:24 | 0:12:27 | |
-Steve was a pop star. -I wasn't a pop star. -Singer-songwriter. | 0:12:28 | 0:12:33 | |
-Nice. -He gave it all up to become a gardener. -Why did you do that? -I was rubbish. | 0:12:33 | 0:12:37 | |
Don't listen to him. He was very good. | 0:12:37 | 0:12:39 | |
He just needed a change of pace. | 0:12:39 | 0:12:41 | |
-Well, when I get to be a consultant, I won't be giving it up for rose bushes. -Ohh! | 0:12:41 | 0:12:46 | |
I think it's romantic! | 0:12:46 | 0:12:48 | |
Don't be too long here. Your break's nearly over and I'm taking your next lesson. | 0:12:48 | 0:12:53 | |
Your teacher seemed surprised that Mr Hanssen had decided not to operate. What do you think? | 0:12:55 | 0:13:01 | |
Feeling more sober now, eh? | 0:13:03 | 0:13:05 | |
I love your accent. | 0:13:05 | 0:13:07 | |
-It's beautiful. -We need your details. | 0:13:09 | 0:13:12 | |
-Do you want us to help you out, or not? -I'm going home. Now. | 0:13:12 | 0:13:17 | |
What's the hurry? | 0:13:17 | 0:13:18 | |
If I don't leave now, then I won't be back in time. | 0:13:18 | 0:13:22 | |
-For what? -OK, so Dad was away today, | 0:13:22 | 0:13:26 | |
so I went to a friend's house. We got drinking, you know... | 0:13:26 | 0:13:31 | |
Well, it was when I was heading back that this happened. | 0:13:31 | 0:13:35 | |
-So you need to get back before he gets home? -Yeah. He worries. | 0:13:35 | 0:13:38 | |
-Fair enough. So give us your details and I'll get you through as fast as I can. -My bag? | 0:13:38 | 0:13:43 | |
-You promise you'll get me out soon? -Come on. | 0:13:50 | 0:13:55 | |
I know you're going to help me. | 0:13:55 | 0:13:57 | |
Stop messing and I'll fast-track you. Deal? | 0:13:57 | 0:14:01 | |
-Where are the Malick-ites? -Under Chantelle at the moment. | 0:14:02 | 0:14:05 | |
In at the deep end, eh? Do you ever miss student life? | 0:14:05 | 0:14:09 | |
No responsibilities, great social life... | 0:14:09 | 0:14:11 | |
The personal tutor who offers you top grades if you'll sleep with him. | 0:14:11 | 0:14:15 | |
You didn't, did you? | 0:14:15 | 0:14:17 | |
Please! Why didn't we offer Steve Turner surgery earlier? | 0:14:17 | 0:14:21 | |
-Mr Hanssen's patient? -His bowel has got a lot worse. Multi-level adhesional obstructions. | 0:14:21 | 0:14:25 | |
Plus, I've been working on this. | 0:14:25 | 0:14:27 | |
Patient 55. | 0:14:30 | 0:14:32 | |
Of the Chromer-Barclay case study 2007. | 0:14:32 | 0:14:34 | |
-He had exactly the same condition. -Long-term Crohn's is pretty common. | 0:14:34 | 0:14:38 | |
-But their case studies are almost identical, down to this latest blockage. -And? | 0:14:38 | 0:14:42 | |
Chromer-Barclay took Patient 55 into Theatre. | 0:14:42 | 0:14:44 | |
-He came out with a better quality of life. -And Steve Turner... | 0:14:44 | 0:14:48 | |
He got months. Whereas this procedure gave Patient 55 four more years. | 0:14:48 | 0:14:52 | |
It suggests surgery is a no-brainer. | 0:14:52 | 0:14:54 | |
-What does Hanssen think? -Still got his feet up flying business class. | 0:14:54 | 0:14:58 | |
But this procedure works. | 0:14:58 | 0:14:59 | |
Sounds viable. But get senior eyes on it. | 0:14:59 | 0:15:03 | |
Excuse me, Mr Malick. Excuse me. | 0:15:05 | 0:15:07 | |
Can you tell me why your boss lied to us? | 0:15:10 | 0:15:13 | |
OK, what is it? | 0:15:19 | 0:15:20 | |
An opportunity has arisen. For me and the kids. | 0:15:22 | 0:15:26 | |
I've got a work placement offer. | 0:15:26 | 0:15:28 | |
It's too good not to take seriously. | 0:15:28 | 0:15:30 | |
Yeah, that's great. | 0:15:32 | 0:15:33 | |
It's in America. | 0:15:33 | 0:15:35 | |
What?! | 0:15:35 | 0:15:37 | |
Florida. Tampa. | 0:15:37 | 0:15:38 | |
-What about the kids? -They'll come with me, of course. | 0:15:38 | 0:15:41 | |
No, no. Forget it. | 0:15:41 | 0:15:43 | |
-Let me explain. -There's nothing to explain! I'm not going to live in a different country to my kids. | 0:15:43 | 0:15:48 | |
I really need you to listen to me. | 0:15:48 | 0:15:49 | |
MOBILE PHONE BEEPS | 0:15:49 | 0:15:52 | |
-I thought you were coming here to tell me you were marrying Ric, or something. -What?! | 0:15:52 | 0:15:56 | |
-It's got nothing to do with him. Ric and I split up. -What? | 0:15:56 | 0:16:00 | |
Look, I've got to take this, but you stay here. We're going to talk about this. | 0:16:04 | 0:16:08 | |
Mr Hanssen didn't offer surgery. Steve's getting worse. | 0:16:11 | 0:16:15 | |
The condition of the bowel has changed since Mr Hanssen looked at the scan. | 0:16:15 | 0:16:19 | |
There is a more immediate problem now. | 0:16:19 | 0:16:22 | |
There's an infection. This is what is causing all the new pain. | 0:16:22 | 0:16:25 | |
It's a sort of obstruction. Not a complete blockage. | 0:16:25 | 0:16:29 | |
-But there is a surgical option? -Yes. -And the pain will be better? | 0:16:29 | 0:16:32 | |
We'd hope so. Very possible. But not without considerable risk. | 0:16:32 | 0:16:36 | |
-I need to consult with a senior surgeon. -But if Mr Hanssen didn't want to do it... | 0:16:36 | 0:16:40 | |
Sweetheart, Mr Malick has found something new. This is good! | 0:16:40 | 0:16:43 | |
Take it easy, sweetheart. Let's not get carried away. | 0:16:43 | 0:16:47 | |
You're going to ease his pain, and he's telling me to take it easy! It's brilliant news, you eejit! | 0:16:47 | 0:16:51 | |
There are no guarantees. We're running out of time | 0:16:51 | 0:16:54 | |
and the procedure is patient's choice. | 0:16:54 | 0:16:57 | |
-Do you want me to take this further, Mr Turner? -Of course he does! | 0:16:57 | 0:17:00 | |
Let me talk this over with the doctor. Please. | 0:17:00 | 0:17:02 | |
Anyway, I want you to do me a favour, Patts. | 0:17:03 | 0:17:06 | |
You shouldn't be talking to the patients or their relatives. | 0:17:09 | 0:17:12 | |
-I was trying to help them. -Fine. But next time, talk to me first. All right? | 0:17:12 | 0:17:16 | |
You're the boss. | 0:17:16 | 0:17:18 | |
So is he going to have the procedure? | 0:17:18 | 0:17:20 | |
We'll see. | 0:17:20 | 0:17:23 | |
She's given you a false ID. There is no Lucy McKinnie. | 0:17:24 | 0:17:27 | |
You're kidding me. | 0:17:27 | 0:17:29 | |
Why would she do this? | 0:17:29 | 0:17:32 | |
Let's see. | 0:17:32 | 0:17:33 | |
I don't believe it. She can't be far. You check the back stairs. | 0:17:39 | 0:17:43 | |
He has had nine bowel resections. | 0:17:45 | 0:17:46 | |
-It's going to be friable in there. You understand that? -I do. | 0:17:46 | 0:17:50 | |
-Can you give 10mg of Tramadol to Mr Lumsley, please? -Sure. | 0:17:50 | 0:17:53 | |
It's probably why Mr Hanssen opted for caution. | 0:17:53 | 0:17:56 | |
If he doesn't have it, it's likely he'll die, possibly this week. | 0:17:56 | 0:17:59 | |
It's vital that the patient fully understands the situation. | 0:18:00 | 0:18:04 | |
-I'm making sure he does. -And do you understand that if you take this option, | 0:18:04 | 0:18:08 | |
you'll be directly reversing Mr Hanssen's decision? | 0:18:08 | 0:18:12 | |
If Mr Turner breaks down in Theatre, he can't be any worse off than he currently is. | 0:18:12 | 0:18:16 | |
Well, it is viable, | 0:18:16 | 0:18:18 | |
and in Mr Hanssen's absence, you are in charge of his patients. | 0:18:18 | 0:18:22 | |
The bottom line is, it's your call, Mr Malick. | 0:18:22 | 0:18:26 | |
Sorry to interrupt, but Mr Turner needs to speak to you urgently. | 0:18:26 | 0:18:29 | |
SHE GASPS | 0:18:36 | 0:18:38 | |
Look, I lied. | 0:18:52 | 0:18:55 | |
Mr Hanssen did offer me the surgical option, | 0:18:55 | 0:18:58 | |
and he explained the risks, too. | 0:18:58 | 0:19:00 | |
I turned it down. | 0:19:00 | 0:19:02 | |
I'm a gardener, mate. I know when nature has run its course. | 0:19:02 | 0:19:06 | |
No more operations. | 0:19:06 | 0:19:08 | |
You don't want to go into Theatre? | 0:19:08 | 0:19:10 | |
Uh-uh. And I want to sign a no resuscitation order, too. | 0:19:10 | 0:19:16 | |
Next time I go, I go. No more encores. | 0:19:16 | 0:19:19 | |
FOOTSTEPS APPROACH | 0:19:19 | 0:19:21 | |
Right, there's Your Lordship's bag. | 0:19:22 | 0:19:26 | |
-God knows what you've got in there! -Did you bring my train set? | 0:19:26 | 0:19:29 | |
Oh, ha-ha(!) So, Mr Malick, are we all ready for this op? | 0:19:29 | 0:19:34 | |
What? | 0:19:36 | 0:19:38 | |
Lucy? Lucy! | 0:19:40 | 0:19:43 | |
-Can you hear me? Lucy! -SHE WHEEZES | 0:19:45 | 0:19:48 | |
Tell me you're the kind of girl that keeps a knitting needle in her bag. | 0:19:52 | 0:19:56 | |
How old are you? | 0:19:59 | 0:20:02 | |
15. | 0:20:04 | 0:20:05 | |
Ohh, my back. | 0:20:07 | 0:20:09 | |
-What happened? -We need to aspirate. | 0:20:09 | 0:20:11 | |
OK. I'm on it! | 0:20:11 | 0:20:12 | |
I want you to breathe nice and slow, OK? We're going to sort this. | 0:20:12 | 0:20:16 | |
It'll be OK. It'll be OK. | 0:20:18 | 0:20:20 | |
What kept you? | 0:20:20 | 0:20:21 | |
Tension pneumo. Here. | 0:20:22 | 0:20:25 | |
-OK. -Here. | 0:20:28 | 0:20:29 | |
It's all right. | 0:20:30 | 0:20:32 | |
SHE WHIMPERS | 0:20:32 | 0:20:35 | |
SHE EXHALES | 0:20:35 | 0:20:38 | |
OK. It's going to be OK. | 0:20:39 | 0:20:42 | |
-How's the girl? -Lucy? She's on a different ward now. -I hope she's all right. I couldn't avoid her. | 0:20:42 | 0:20:48 | |
-Were you on your way to a party? -You could put it like that. | 0:20:48 | 0:20:52 | |
-A party's a party, right? -It's a very particular kind. | 0:20:52 | 0:20:56 | |
-Very intimate. -Oh! What, you're into all that, then, yeah? | 0:20:56 | 0:21:01 | |
Nothing sleazy. | 0:21:01 | 0:21:03 | |
They're very select. | 0:21:03 | 0:21:05 | |
-A free spirit, huh? -Something like that. | 0:21:05 | 0:21:07 | |
What's so select about them, then? | 0:21:07 | 0:21:09 | |
The Elite Circle - they don't just let anyone in. | 0:21:09 | 0:21:12 | |
There's a vetting process. | 0:21:12 | 0:21:14 | |
Just for the beautiful people, huh? | 0:21:14 | 0:21:16 | |
Let's give her 5mg morphine. | 0:21:16 | 0:21:18 | |
I know where I know you from. | 0:21:18 | 0:21:22 | |
You were at the summer solstice party. Bushbaby Eyes. | 0:21:22 | 0:21:27 | |
Um...no, I don't think so. That's not really my scene. | 0:21:27 | 0:21:31 | |
HE CLEARS HIS THROAT | 0:21:31 | 0:21:33 | |
Your leg is causing me some concern, | 0:21:33 | 0:21:36 | |
so I'd like to run a Doppler ultrasound, angiograph, bloods, and group and save. Thank you, Eddi. | 0:21:36 | 0:21:42 | |
I'll come back and check on you after we get the results. Excuse me. | 0:21:42 | 0:21:46 | |
What's this about Annalese moving to the States? | 0:21:48 | 0:21:51 | |
I'm not speaking about this in the middle of the ward. | 0:21:51 | 0:21:54 | |
You're doing this, Steve. | 0:21:58 | 0:21:59 | |
Mrs Turner, please. | 0:21:59 | 0:22:01 | |
-I can't take any more. -See, that's how he treats me. | 0:22:01 | 0:22:04 | |
I've been there through the booze, black moods, the drug abuse. | 0:22:04 | 0:22:08 | |
Don't bring all that up. | 0:22:08 | 0:22:10 | |
It's true! Who cuddled you through your acid flashbacks? | 0:22:10 | 0:22:13 | |
Oh, and another thing! I've put up with his non-stop philandering for 40 years! | 0:22:13 | 0:22:18 | |
-Ancient history. -He wrote songs for all his mistresses, | 0:22:18 | 0:22:21 | |
but nothing for poor mug who stuck with him through bad times! That tells you what he feels about me. | 0:22:21 | 0:22:25 | |
-This isn't getting us anywhere. -You HAVE to tell him to do this. | 0:22:25 | 0:22:28 | |
It's patient's choice. | 0:22:28 | 0:22:30 | |
Mr Malick... | 0:22:30 | 0:22:31 | |
Chantelle, this isn't an appropriate moment. | 0:22:31 | 0:22:34 | |
Can you take them to Mr Hamilton for now, please? | 0:22:34 | 0:22:37 | |
Oh? OK. Right, let's head back this way. | 0:22:37 | 0:22:41 | |
-Spike, come here! You won't believe this. -What happened? -Now he's saying he doesn't want the op! -Why not? | 0:22:41 | 0:22:46 | |
-See? Spike agrees with me. -He's only 12 years old. -Listen, calm down. | 0:22:46 | 0:22:50 | |
Look, Steve, I just want you to fight! FIGHT! | 0:22:50 | 0:22:54 | |
I can't. I haven't got it in me. | 0:22:54 | 0:22:57 | |
Well, I haven't got it in me to live without you, you stupid git! | 0:22:57 | 0:23:02 | |
-That's not true. -Yes, it is. You owe me, Steve. | 0:23:02 | 0:23:07 | |
-And you know it. -You're stronger than this. | 0:23:07 | 0:23:10 | |
I can't lose you. | 0:23:10 | 0:23:13 | |
I love you. | 0:23:13 | 0:23:15 | |
-Patty, I love you, too, but... -Look, there'll be no pain, will there, Mr Malick? | 0:23:17 | 0:23:22 | |
Do it for me. | 0:23:26 | 0:23:28 | |
So...where do we stand? | 0:23:28 | 0:23:32 | |
Do you want the procedure? | 0:23:32 | 0:23:34 | |
Yeah. | 0:23:36 | 0:23:37 | |
This isn't something that she decided to do lightly. | 0:23:42 | 0:23:45 | |
This has got knee-jerk rebound written all over it. | 0:23:45 | 0:23:47 | |
-You haven't listened to her properly. -I've heard everything I need to. | 0:23:47 | 0:23:51 | |
She wants to take the most important people in my life thousands of miles away. | 0:23:51 | 0:23:56 | |
-It isn't as simple as that. -Oh, great. And now I am taking advice from YOU on my ex-wife. | 0:23:56 | 0:24:01 | |
Look, Michael, you need to talk to her. | 0:24:01 | 0:24:04 | |
More importantly, you need to listen to her. | 0:24:04 | 0:24:07 | |
-What are you doing? -I'm a fast learner. I won't make that mistake again. I promise. | 0:24:07 | 0:24:11 | |
We're here to offer impartial help. You took sides. | 0:24:11 | 0:24:14 | |
You need to learn to distance yourself. | 0:24:14 | 0:24:17 | |
-Right. It's like what you said. -What? | 0:24:17 | 0:24:19 | |
Surgery is integrity coupled with decision-making. | 0:24:19 | 0:24:23 | |
And in this instance, you should have used your integrity and made the decision to consult WITH ME. | 0:24:23 | 0:24:28 | |
Are you going to put this in my appraisal? | 0:24:28 | 0:24:31 | |
-What did you actually say to Mrs Turner? -That you're the best surgeon in this hospital, | 0:24:31 | 0:24:37 | |
-and that Steve would be OK because he's being looked after by you. -Spike, please. You can't say that. | 0:24:37 | 0:24:43 | |
-That's not professional. -I just want to be a good surgeon, like you. | 0:24:43 | 0:24:47 | |
It'll be a great experience for the kids. | 0:24:55 | 0:24:58 | |
They'll be near your parents. It's only for six months. | 0:24:58 | 0:25:01 | |
-Six months? -You only see them twice a month as it is. | 0:25:01 | 0:25:05 | |
Bull. | 0:25:05 | 0:25:07 | |
Can't you see what this would mean for me? | 0:25:07 | 0:25:09 | |
What did Ric do to you? | 0:25:11 | 0:25:13 | |
Rick and I got together when we were both at a low ebb. | 0:25:13 | 0:25:17 | |
I'm not at that place any more. | 0:25:17 | 0:25:19 | |
It ran its course and it's over. | 0:25:19 | 0:25:21 | |
All right, so when are you thinking of leaving? | 0:25:22 | 0:25:25 | |
-Next week. -No, that is not going to happen. | 0:25:25 | 0:25:29 | |
I still have their passports, Annalese. | 0:25:30 | 0:25:32 | |
I'm going to go home. I want you to think about it seriously. | 0:25:34 | 0:25:38 | |
Call me. | 0:25:39 | 0:25:42 | |
We've contacted your dad now. | 0:25:42 | 0:25:45 | |
-When will he be here? -He's a couple of hours away, I think. | 0:25:45 | 0:25:48 | |
You broke a rib on the right side a while back. | 0:25:52 | 0:25:55 | |
-It's calloused. How did you manage that? -A riding accident. | 0:25:55 | 0:25:59 | |
-It's not in your medical history. -My dad reset it. He's a... He's a GP. | 0:25:59 | 0:26:04 | |
That explains that, then. | 0:26:06 | 0:26:08 | |
Um...there's a little blood in your drain, | 0:26:08 | 0:26:12 | |
we just need to keep an eye on it, but just rest for now, OK? | 0:26:12 | 0:26:16 | |
-..15mg, but hear me out. I think 10. -Mr Malick, I wanted to talk to you about Steve Turner. | 0:26:21 | 0:26:27 | |
Why? | 0:26:27 | 0:26:29 | |
Can you give us a moment, please? | 0:26:29 | 0:26:31 | |
Go and join the other students, Spike. How is Mr Turner doing? | 0:26:31 | 0:26:35 | |
He wants to die. | 0:26:35 | 0:26:37 | |
Not now he's got options. | 0:26:37 | 0:26:38 | |
I've been speaking to the F1 on the case. | 0:26:38 | 0:26:40 | |
Surgery is unwarranted, it will cause undue distress | 0:26:40 | 0:26:44 | |
and will not improve or extend his life, quote, the big man himself. | 0:26:44 | 0:26:47 | |
Yeah, but that was before the infection. | 0:26:47 | 0:26:49 | |
Is this about the patient or about the ambitious registrar who wants to make consultant? | 0:26:49 | 0:26:54 | |
It's about the patient. Besides, he agreed to the procedure. | 0:26:54 | 0:26:57 | |
Isn't it cruel to give him hope? | 0:26:57 | 0:26:59 | |
It'd be even crueller if we deny him this now. | 0:26:59 | 0:27:02 | |
Hanssen was very clear. Hey, it's on your head, remember? | 0:27:02 | 0:27:07 | |
I want to be clear about this, too, Dan. | 0:27:09 | 0:27:12 | |
I really do. | 0:27:12 | 0:27:14 | |
-Is there something...? -Hmm. What? -Is it bad? | 0:27:23 | 0:27:28 | |
You have an embolis, which is a clot in the main artery of the leg. | 0:27:28 | 0:27:32 | |
-I'm going to have to take you into Theatre. -That doesn't sound good. -No. It's OK. | 0:27:32 | 0:27:37 | |
It's something we can deal with, | 0:27:37 | 0:27:38 | |
but I should warn you that there is a strong possibility | 0:27:38 | 0:27:42 | |
-of extensive scarring. -Then I don't want the operation. | 0:27:42 | 0:27:45 | |
You're not understanding the risks. You could easily lose the leg. | 0:27:45 | 0:27:50 | |
But not necessarily? | 0:27:50 | 0:27:51 | |
I can't have scars. | 0:27:51 | 0:27:54 | |
-Well, a vein by-pass procedure is essential for this condition. -Can't you give me drugs? | 0:27:54 | 0:27:58 | |
All right. Stop. What's going on here? | 0:27:58 | 0:28:00 | |
It's just... | 0:28:00 | 0:28:02 | |
They only let in fit, hot young people. | 0:28:04 | 0:28:08 | |
That's what it's all about. | 0:28:08 | 0:28:10 | |
I'm a few years off 40 as it is. | 0:28:11 | 0:28:13 | |
This is about your party club? | 0:28:13 | 0:28:15 | |
-The Elite Circle. -You're worried they'll kick you out? -Put it this way, I'd lose my allure. | 0:28:15 | 0:28:20 | |
What a bunch of crap. You could lose your leg, or worse. | 0:28:20 | 0:28:24 | |
So I suggest you try to get your priorities straight. | 0:28:24 | 0:28:29 | |
We need to be absolutely certain you want this. | 0:28:34 | 0:28:37 | |
I am. I owe it to Patty. | 0:28:37 | 0:28:41 | |
If she needs me, I'm going to do the best I can for her. | 0:28:41 | 0:28:44 | |
Are you certain you know all the risks? | 0:28:44 | 0:28:47 | |
You know how weak your body is. This procedure will be hard on it. | 0:28:47 | 0:28:51 | |
I'll take my chances. | 0:28:51 | 0:28:54 | |
So...? | 0:29:01 | 0:29:02 | |
There's been more than a physical change. | 0:29:02 | 0:29:06 | |
I'm glad you can see that. | 0:29:06 | 0:29:08 | |
Listen, would you let me come into Theatre with you? | 0:29:08 | 0:29:11 | |
-To keep tabs on me? -In the unlikely event you might need help. | 0:29:11 | 0:29:14 | |
This isn't bone-crunching, Dan. | 0:29:14 | 0:29:16 | |
For my peace of mind, then. As your senior. | 0:29:16 | 0:29:19 | |
-Snacking on the job? -Help me out with half of it? | 0:29:19 | 0:29:23 | |
I wouldn't like to see it go to waste. Lucy Haines. | 0:29:23 | 0:29:28 | |
The girl with the fake ID. Got the right name now, have you? | 0:29:28 | 0:29:31 | |
Precocious. 15. Came in drunk and inappropriate, telling lies about her age. | 0:29:31 | 0:29:35 | |
Sounds like a typical teenager. | 0:29:35 | 0:29:37 | |
Bit odd, isn't it? | 0:29:37 | 0:29:39 | |
You're not a father, are you? | 0:29:39 | 0:29:41 | |
Not as far as I know. | 0:29:41 | 0:29:42 | |
We went away for a weekend when Martha was 15. | 0:29:42 | 0:29:46 | |
She had a party. | 0:29:46 | 0:29:48 | |
-Carnage? -Hmm. Couldn't get rid of the smell of alcohol for weeks. | 0:29:48 | 0:29:52 | |
And boys, too? | 0:29:52 | 0:29:53 | |
Martha was one of the better-behaved ones. | 0:29:55 | 0:29:57 | |
But you never really know what's going on in someone's head, do you? | 0:29:57 | 0:30:01 | |
Greg, don't let your current mood cloud your judgment. | 0:30:01 | 0:30:04 | |
Thank you for this. | 0:30:04 | 0:30:06 | |
Clips and ties, please. | 0:30:08 | 0:30:10 | |
You have an audience. | 0:30:12 | 0:30:14 | |
-The state of the bowel? -Friable. No room for error. | 0:30:16 | 0:30:20 | |
Which is why I'm tip-toeing around in here. | 0:30:20 | 0:30:23 | |
-BEEPING -Damn it. We've got a bleed. | 0:30:23 | 0:30:27 | |
Mesenteric artery. Clip. | 0:30:27 | 0:30:28 | |
3.0 Vicryl, please. | 0:30:32 | 0:30:34 | |
Cut. | 0:30:36 | 0:30:37 | |
BEEPING CONTINUES | 0:30:37 | 0:30:40 | |
-BEEPING STOPS -Ohh. OK. Let's flush this through | 0:30:40 | 0:30:45 | |
and let's get these adhesions divided. | 0:30:45 | 0:30:48 | |
Mm-mm-mm. Nasty stuff. | 0:30:48 | 0:30:51 | |
So, we have drained the abdominal abscess | 0:30:51 | 0:30:55 | |
and we have washed out the infection. We did our best. | 0:30:55 | 0:30:58 | |
Whoo-hoo-hoo! Whoo! | 0:30:58 | 0:31:00 | |
-Your disciples appreciate it. -Hmm. I hope the patient does, too. -He's holding up. | 0:31:02 | 0:31:06 | |
Scalpel. | 0:31:06 | 0:31:08 | |
Never in doubt. | 0:31:18 | 0:31:21 | |
Staple, please. | 0:31:22 | 0:31:24 | |
Before...on the stairs, did you save my life? | 0:31:25 | 0:31:31 | |
Only a little bit. | 0:31:31 | 0:31:33 | |
-And I was rude to you? -I've had much worse. You're going to need a small operation. | 0:31:33 | 0:31:38 | |
It's nothing to worry about. | 0:31:39 | 0:31:41 | |
-Do I get to stay the night? -I thought you didn't want to. | 0:31:43 | 0:31:46 | |
It's all right here. | 0:31:46 | 0:31:48 | |
One minute you want out, and now you want to stay? | 0:31:48 | 0:31:51 | |
It's OK, apart from... | 0:31:51 | 0:31:54 | |
What? | 0:31:54 | 0:31:56 | |
All these people walk past the bed and... | 0:31:56 | 0:31:58 | |
..they all look at me. | 0:32:00 | 0:32:02 | |
I might be able to find somewhere more private for you. | 0:32:02 | 0:32:05 | |
For a while, at least. | 0:32:05 | 0:32:08 | |
-Would you like that? -It's a date. | 0:32:08 | 0:32:12 | |
It's not a date. | 0:32:13 | 0:32:16 | |
-Yes, I know I was harsh. -She needs surgery. | 0:32:21 | 0:32:25 | |
-I will make her see sense. -Let's hope so. | 0:32:25 | 0:32:27 | |
Her vanity is clouding her judgment. | 0:32:27 | 0:32:30 | |
Yes. How did it go with Annalese? | 0:32:30 | 0:32:32 | |
If you hadn't broken up with her, she wouldn't be doing this. | 0:32:32 | 0:32:35 | |
-She's been looking for something like this for a while. -I'm not letting go. | 0:32:35 | 0:32:39 | |
I understand, but don't you think this could be a good thing for them right now? | 0:32:39 | 0:32:43 | |
-I've still got their passports. -Don't go to war with her on this. | 0:32:43 | 0:32:47 | |
-What other option is there? -Clearer judgment. | 0:32:47 | 0:32:50 | |
If you two become enemies, this is going to make everything that much more difficult, believe me. | 0:32:50 | 0:32:54 | |
-You can't win. -Thanks for the advice. | 0:32:54 | 0:32:57 | |
-Eh, I stood up for you on this. -Now, why would you do that? | 0:32:57 | 0:33:00 | |
I can see why she's doing this. | 0:33:02 | 0:33:04 | |
But I can see that it's also unfair to you. I wouldn't like it, either. | 0:33:04 | 0:33:08 | |
-All right, so what would you do? -It's going to happen. | 0:33:10 | 0:33:14 | |
It's going to be hard. | 0:33:14 | 0:33:15 | |
But you have to deal with this in the right way. | 0:33:15 | 0:33:18 | |
This is not about your ego. This is about damage limitation. | 0:33:18 | 0:33:21 | |
If you want to maintain a relationship with your kids, you may have to accept a few scars. | 0:33:21 | 0:33:27 | |
So, the prognosis is good. | 0:33:35 | 0:33:38 | |
You'll be in a lot less pain, and it's likely to add many months. | 0:33:38 | 0:33:41 | |
Yeah, let's give it up for Mr Malick! Whoo! | 0:33:41 | 0:33:43 | |
-CHEERING AND APPLAUSE -Whoo-hoo! Whoo-hoo! | 0:33:43 | 0:33:46 | |
There's no need for that, but thank you. | 0:33:46 | 0:33:48 | |
-I don't feel any more pain. -And you wouldn't believe me when I said it would work. | 0:33:48 | 0:33:53 | |
-Have you ever been wrong? -No! | 0:33:53 | 0:33:55 | |
-Steve, the thing you asked me for. -Oh, yes, darling. Could you play it, please? | 0:33:55 | 0:34:00 | |
You know you said I've never written a song for you? | 0:34:02 | 0:34:05 | |
-Well, this one's for you. -Would you like us to leave, Steve? | 0:34:05 | 0:34:08 | |
-No. -But you don't write anything any more. | 0:34:08 | 0:34:11 | |
What do you think I do in my shed? | 0:34:11 | 0:34:13 | |
HE SNORTS | 0:34:13 | 0:34:15 | |
I was going to leave it for you till after I'd gone, | 0:34:15 | 0:34:18 | |
but it seems more appropriate now. | 0:34:18 | 0:34:21 | |
ELECTRONIC MUSIC PLAYS | 0:34:21 | 0:34:24 | |
Did you write this? | 0:34:26 | 0:34:28 | |
It's instrumental. No words could ever say what I feel about you. | 0:34:28 | 0:34:34 | |
Steve... | 0:34:34 | 0:34:35 | |
Yes? | 0:34:37 | 0:34:39 | |
This music... | 0:34:39 | 0:34:40 | |
BOTH: ..is awful. | 0:34:42 | 0:34:44 | |
Oh, no! | 0:34:44 | 0:34:45 | |
That's why you became... | 0:34:45 | 0:34:47 | |
BOTH: ..a gardener. | 0:34:47 | 0:34:49 | |
It's the thought that counts. | 0:34:49 | 0:34:52 | |
Yes. | 0:34:52 | 0:34:53 | |
Sorry, everybody. | 0:34:53 | 0:34:55 | |
You did this. | 0:34:58 | 0:35:00 | |
Thank you. | 0:35:00 | 0:35:01 | |
Mr Malick, I don't feel too good. | 0:35:03 | 0:35:06 | |
-BEEPING -OK, clear it away, please. | 0:35:06 | 0:35:08 | |
No, Steve. | 0:35:08 | 0:35:09 | |
Steve. | 0:35:09 | 0:35:11 | |
-I'll get a nurse to settle you. I'm not supposed to be here on my own. -Why not? | 0:35:11 | 0:35:15 | |
If you just go round to the other side of the bed. | 0:35:15 | 0:35:18 | |
It's just not the done thing. Anyway, you'll have a bit more privacy, | 0:35:18 | 0:35:22 | |
so I'll leave you on your own for a bit. | 0:35:22 | 0:35:25 | |
Can't you stay? | 0:35:30 | 0:35:32 | |
I suppose I could take five. | 0:35:36 | 0:35:39 | |
-It's much quieter in here. -Yeah. | 0:35:39 | 0:35:41 | |
-You were lucky today. -I was rushing to get home. | 0:35:43 | 0:35:46 | |
-To sleep off the drink? -Before dad... -Got back? -Yeah. | 0:35:46 | 0:35:49 | |
What's that all about? | 0:35:51 | 0:35:53 | |
Sorry, too many questions. | 0:35:55 | 0:35:57 | |
I'm only answering questions, if you answer them too. | 0:35:57 | 0:36:00 | |
That's the deal. | 0:36:00 | 0:36:02 | |
Do you have a girlfriend? | 0:36:02 | 0:36:04 | |
-Excuse me, Mr Douglas. -Just one moment. -Sure. | 0:36:04 | 0:36:09 | |
-So, your mum isn't around? -Oh, no, she left when I was little. | 0:36:10 | 0:36:14 | |
-Is there someone you like? -I'm off women. -Yeah, right(!) | 0:36:14 | 0:36:19 | |
What were you like when you were young? | 0:36:19 | 0:36:22 | |
I was never young. Always old. | 0:36:22 | 0:36:26 | |
Did your dad hit you? | 0:36:29 | 0:36:31 | |
The odd smack when I was very bad. Your turn. | 0:36:31 | 0:36:36 | |
No. | 0:36:36 | 0:36:37 | |
That broken rib? | 0:36:37 | 0:36:39 | |
I told you, it was a riding accident. | 0:36:39 | 0:36:42 | |
-But you ARE scared of him? -Were you never scared of any adult? | 0:36:42 | 0:36:47 | |
No. | 0:36:49 | 0:36:51 | |
Lucy, does your dad...hurt you? | 0:36:53 | 0:36:58 | |
No. Of course not! | 0:37:00 | 0:37:04 | |
I apologise. | 0:37:04 | 0:37:06 | |
Greg, it's, um... It's just sometimes... | 0:37:08 | 0:37:12 | |
-DOOR OPENS -One of the nurses said you'd be in here. -Oliver! | 0:37:12 | 0:37:15 | |
-I thought she'd gone walkabout again. -What is it? | 0:37:15 | 0:37:18 | |
Lucy's dad's here. | 0:37:18 | 0:37:22 | |
OK, everyone just wait outside. Kathy, can you take the students, please? | 0:37:30 | 0:37:35 | |
-Stand back, please, Spike. -I thought he was OK. -Stand back! -You too, Spike. | 0:37:35 | 0:37:39 | |
Do something. | 0:37:39 | 0:37:42 | |
MACHINE BEEPING | 0:37:42 | 0:37:44 | |
Ohh... Members of the public aren't allowed...back...here. | 0:37:46 | 0:37:50 | |
Mr Malick? | 0:37:51 | 0:37:53 | |
Hey, I want to apologise. I got a little heated earlier. | 0:38:09 | 0:38:14 | |
I know it sounds ridiculous, | 0:38:16 | 0:38:19 | |
-but I still don't want the operation. -It's a no-brainer. | 0:38:19 | 0:38:22 | |
-And you're more than just a pair of legs. -Are you flirting with me, Mr Spence? | 0:38:24 | 0:38:28 | |
Doctors and patients - it's big no-no. | 0:38:28 | 0:38:32 | |
I thought rules were made to be broken. | 0:38:32 | 0:38:35 | |
These are your options - have a scar or lose the leg. Bottom line. | 0:38:38 | 0:38:42 | |
Are you attracted to girls covered in scars? | 0:38:42 | 0:38:46 | |
-That's irrelevant. -Answer the question. | 0:38:46 | 0:38:49 | |
Ruby, surely there is more to you than just your social life? | 0:38:49 | 0:38:53 | |
Sorry. | 0:38:53 | 0:38:55 | |
Yeah. | 0:38:55 | 0:38:57 | |
Well... | 0:38:57 | 0:39:00 | |
c'est la vie. | 0:39:00 | 0:39:02 | |
The longer you delay, the more likely it is that you will lose the leg, so let me operate. | 0:39:02 | 0:39:08 | |
And I promise you, I will do everything I can to minimise the scarring. | 0:39:08 | 0:39:13 | |
-Ah, Greg, this is Dr Haines, Lucy's dad. -How is she? | 0:39:16 | 0:39:20 | |
There's some internal bleeding, Dr Haines. | 0:39:20 | 0:39:23 | |
A tear caused by the broken rib. She's going to need a thoracascopic procedure to repair the lung. | 0:39:23 | 0:39:28 | |
-But not too serious? -She's doing OK. | 0:39:28 | 0:39:31 | |
-Can I see her? -Of course. This way. | 0:39:31 | 0:39:33 | |
And she is OK, apart from the obvious? | 0:39:35 | 0:39:38 | |
Just that I understand from a nurse that you took Lucy into a private room for a chat. | 0:39:38 | 0:39:42 | |
-Yes, just for a moment. -You were alone with Lucy? | 0:39:42 | 0:39:44 | |
Yes, the ward was too much for her. I just wanted to reassure her. | 0:39:44 | 0:39:47 | |
Of course, no harm done. In here? | 0:39:47 | 0:39:50 | |
Yes, through here. | 0:39:50 | 0:39:52 | |
-Should you need any more pain relief, Mr Turner, let us know, please. -Hmm. | 0:40:00 | 0:40:04 | |
So...I don't understand what happened. | 0:40:04 | 0:40:08 | |
Will I explain, or will you, Mr Malick? | 0:40:08 | 0:40:11 | |
I operated successfully on Steve's bowel. | 0:40:11 | 0:40:15 | |
But it looks very much as though the bowel has leaked. | 0:40:15 | 0:40:18 | |
-What does that mean? -It's possible that it is leaking into his bloodstream. | 0:40:18 | 0:40:23 | |
Is that why you didn't want to operate in the first place? | 0:40:26 | 0:40:29 | |
Let's just see what the tests say. | 0:40:29 | 0:40:31 | |
One-legged swinging fraternity, here I come! | 0:40:39 | 0:40:41 | |
You are incorrigible. | 0:40:41 | 0:40:43 | |
Afterwards, when I wake up, | 0:40:46 | 0:40:50 | |
will you let me know straight away how it went? | 0:40:50 | 0:40:54 | |
-Sure. Thumbs up means everything went well. -And thumbs down? | 0:40:54 | 0:40:59 | |
It's time to be brave. | 0:40:59 | 0:41:01 | |
The infection meant he was about to die in great pain. | 0:41:03 | 0:41:06 | |
Things changed, Mr Hanssen. Not least the patient's outlook. I consulted. | 0:41:06 | 0:41:09 | |
But not with me. Mr Turner had decided against the procedure. | 0:41:09 | 0:41:14 | |
Your decision to perform surgery on this man after nine resections was risky, at best. | 0:41:14 | 0:41:18 | |
The shock to his body would have been great whatever the procedure, but this... | 0:41:18 | 0:41:23 | |
Well, it must have been like being hit by a bus. | 0:41:23 | 0:41:26 | |
It went smoothly, Mr Hanssen. | 0:41:26 | 0:41:28 | |
Not conclusively. The patient was steered the wrong way by the surgeon. | 0:41:28 | 0:41:31 | |
I explained the options to Mr Turner, and he saw that it was viable. | 0:41:31 | 0:41:35 | |
-And there was a precedent. -You're referring to Patient 55 of the Chromer-Barclay study case? | 0:41:35 | 0:41:40 | |
-Yes. I am. -But Patient 55 was five years younger, a vegetarian and a regular swimmer. | 0:41:40 | 0:41:45 | |
Yeah, well, Mr and Mrs Turner wanted me to fight for them. | 0:41:45 | 0:41:49 | |
Both of them? | 0:41:49 | 0:41:51 | |
KNOCK ON DOOR Come in. | 0:41:51 | 0:41:54 | |
Mr Turner's test results. | 0:41:54 | 0:41:57 | |
Thank you, Nurse Lane. | 0:41:57 | 0:41:59 | |
Well? | 0:42:01 | 0:42:03 | |
I'm afraid the prognosis is not good. Septicaemia. | 0:42:03 | 0:42:08 | |
It wasn't caused by the operation. | 0:42:13 | 0:42:15 | |
His body has been traumatised unnecessarily. | 0:42:15 | 0:42:17 | |
With respect, Mr Hanssen, you weren't there. | 0:42:17 | 0:42:21 | |
Then you should have waited till I was. | 0:42:21 | 0:42:23 | |
I'll break the news. | 0:42:27 | 0:42:29 | |
Honestly, I leave you alone for one night, and you make me look like a bad father. | 0:42:31 | 0:42:35 | |
SHE GIGGLES | 0:42:35 | 0:42:38 | |
Thank you. | 0:42:38 | 0:42:40 | |
I'm sorry, Daddy. | 0:42:40 | 0:42:43 | |
Oh. To be honest, I'm just glad you're OK. | 0:42:43 | 0:42:46 | |
Oh, Lucy, my mind's been racing. | 0:42:46 | 0:42:50 | |
She's lucky it wasn't worse. | 0:42:50 | 0:42:52 | |
-How was your trip? -I'll tell you about my trip | 0:42:55 | 0:42:59 | |
if you tell me what you got up to at Natasha's. | 0:42:59 | 0:43:02 | |
Well, we started watching this horror film. | 0:43:02 | 0:43:05 | |
But we had to stop because it was way too creepy. | 0:43:05 | 0:43:09 | |
-What did you do first? -Had a good round of golf. | 0:43:09 | 0:43:13 | |
Well, the others did. Mine was too disastrous to call good. | 0:43:13 | 0:43:16 | |
-Dr Haines, I'm sorry. -Patrick, please. | 0:43:26 | 0:43:30 | |
Problem? | 0:43:34 | 0:43:36 | |
This rib that Lucy broke before, when she fell down the stairs... | 0:43:36 | 0:43:41 | |
No. It was a riding accident. I patched it up myself. | 0:43:41 | 0:43:45 | |
Yes, well, you know, you really should have... | 0:43:47 | 0:43:50 | |
Brought her in? I know. I'm terrible. But I know how busy you guys are, | 0:43:50 | 0:43:54 | |
and, really, it wasn't a very complex procedure. | 0:43:54 | 0:43:58 | |
No. Well, you know... | 0:43:58 | 0:44:02 | |
Point taken. | 0:44:03 | 0:44:04 | |
Greg? | 0:44:04 | 0:44:06 | |
-SHE GASPS -What is it? | 0:44:06 | 0:44:10 | |
Her drain's filling with blood. We need to get her into Theatre. | 0:44:10 | 0:44:14 | |
ALARM | 0:44:14 | 0:44:17 | |
Hey... | 0:44:23 | 0:44:25 | |
You made me believe it would be OK. | 0:44:27 | 0:44:29 | |
I made the risks clear. | 0:44:29 | 0:44:32 | |
How long have I got now? | 0:44:32 | 0:44:35 | |
If we get on top of the septicaemia, | 0:44:35 | 0:44:38 | |
you're back to the original prognosis. | 0:44:38 | 0:44:40 | |
And if I suddenly deteriorate? | 0:44:42 | 0:44:45 | |
We'll do all we can. | 0:44:47 | 0:44:49 | |
Can you leave us, Mr Malick? | 0:44:51 | 0:44:53 | |
I want to see Mr Hanssen. | 0:44:55 | 0:44:57 | |
Steve has always been Mr Hanssen's patient. | 0:45:02 | 0:45:04 | |
How is he? | 0:45:21 | 0:45:23 | |
He wants you. | 0:45:25 | 0:45:26 | |
Take the reins of his case again? | 0:45:26 | 0:45:29 | |
You should know that he signed a DNR. | 0:45:31 | 0:45:34 | |
Very unsurprising. | 0:45:34 | 0:45:36 | |
I'm still in shock you stood up for me. | 0:45:58 | 0:46:00 | |
It's not the first time you've underestimated me. | 0:46:00 | 0:46:04 | |
We're ready for the Doppler ultrasound. | 0:46:04 | 0:46:06 | |
You can antagonise her or you could try to negotiate a compromise, | 0:46:06 | 0:46:10 | |
but it's your children who are in the middle of this, and you need to be the bigger man. | 0:46:10 | 0:46:15 | |
-For their sake. -Look, I don't want to fight her. | 0:46:15 | 0:46:18 | |
I certainly don't want to drag my kids into the middle of this. | 0:46:18 | 0:46:22 | |
All right, let's check the blood flow. | 0:46:22 | 0:46:25 | |
-It's fine. -Excellent. -All right. | 0:46:28 | 0:46:32 | |
Look, Michael, you need to try to respect her wishes. | 0:46:32 | 0:46:37 | |
She deserves to be happy. So do the kids. | 0:46:37 | 0:46:41 | |
So call her back. | 0:46:41 | 0:46:43 | |
It shouldn't have happened, should it? | 0:46:43 | 0:46:47 | |
BEEPING Oh, my God. Do something. | 0:46:48 | 0:46:50 | |
We can relieve some of the pain. | 0:46:50 | 0:46:53 | |
No, you...you have to save him. | 0:46:53 | 0:46:55 | |
-The DNR. -You can overrule that. | 0:46:55 | 0:46:58 | |
ALARM Please, just ignore it. | 0:46:58 | 0:47:01 | |
He can't... | 0:47:01 | 0:47:03 | |
SHE SOBS | 0:47:05 | 0:47:07 | |
-No! -Can't you help him? | 0:47:07 | 0:47:10 | |
SHE SOBS | 0:47:10 | 0:47:12 | |
He doesn't want that. | 0:47:12 | 0:47:14 | |
Steve... | 0:47:14 | 0:47:16 | |
Steve! | 0:47:16 | 0:47:18 | |
CONTINUOUS TONE | 0:47:18 | 0:47:20 | |
Steve... | 0:47:20 | 0:47:22 | |
Steve. | 0:47:22 | 0:47:25 | |
Stapler. | 0:47:31 | 0:47:32 | |
Good, that's the cyst repaired. | 0:47:38 | 0:47:42 | |
BEEPING | 0:47:42 | 0:47:43 | |
-We have a leak. -Extend the incision. Scalpel, please. | 0:47:43 | 0:47:47 | |
BP's still dropping. | 0:47:50 | 0:47:52 | |
Mr Douglas? | 0:47:52 | 0:47:54 | |
Keep the oxygen up. I'll clip the artery. | 0:47:54 | 0:47:56 | |
Suction. | 0:47:56 | 0:47:58 | |
Clip. | 0:48:01 | 0:48:03 | |
2.0 Vicryl. | 0:48:09 | 0:48:11 | |
You were making sure she avoided scarring? | 0:48:11 | 0:48:14 | |
Wouldn't have been pretty. | 0:48:14 | 0:48:15 | |
She'll appreciate it. | 0:48:15 | 0:48:17 | |
Poor thing. | 0:48:17 | 0:48:19 | |
Empathy in a surgeon is a good thing. | 0:48:19 | 0:48:22 | |
-But..? -Silly judgment errors let you down. | 0:48:22 | 0:48:25 | |
-Taking Lucy into a private room alone. -I was trying to help her. -I know. | 0:48:25 | 0:48:30 | |
You're a fine surgeon, Greg. You should be going places. | 0:48:30 | 0:48:35 | |
Something's holding you back. | 0:48:35 | 0:48:37 | |
I acted like a douche. | 0:48:40 | 0:48:42 | |
Sorry. | 0:48:44 | 0:48:45 | |
It's understandable. | 0:48:46 | 0:48:48 | |
You know, I get it. You need a new start. | 0:48:50 | 0:48:53 | |
I'm not going to stand in your way. | 0:48:54 | 0:48:56 | |
I'm going to miss you guys. | 0:48:58 | 0:48:59 | |
We'll miss you, too. | 0:48:59 | 0:49:02 | |
-You know, I need to talk to them every day. -Sure, that's what computers are for. | 0:49:06 | 0:49:11 | |
Will you come and visit? | 0:49:12 | 0:49:14 | |
Absolutely. | 0:49:14 | 0:49:16 | |
Six months isn't that long. | 0:49:18 | 0:49:21 | |
The moon looks beautiful. | 0:49:25 | 0:49:27 | |
Yes, it does. | 0:49:29 | 0:49:31 | |
Hey, well done, everyone. I'll see you all tomorrow. | 0:49:36 | 0:49:41 | |
You OK, Spike? | 0:49:48 | 0:49:51 | |
I don't think I'm cut out for this. | 0:49:51 | 0:49:55 | |
-Look, just give it time. -No. I thought we were supposed to save lives, | 0:49:56 | 0:50:01 | |
but we stand around and watch Steve die. | 0:50:01 | 0:50:04 | |
True. | 0:50:05 | 0:50:07 | |
That's what a DNR means. | 0:50:07 | 0:50:09 | |
But you could have saved him. | 0:50:12 | 0:50:14 | |
Not without his consent. | 0:50:14 | 0:50:15 | |
You could have done something special. | 0:50:15 | 0:50:18 | |
Look, Spike, it's not about showboating. It's not about us. | 0:50:18 | 0:50:22 | |
It's about what the patient wants. | 0:50:22 | 0:50:25 | |
That's... | 0:50:25 | 0:50:27 | |
That's hard. | 0:50:28 | 0:50:30 | |
Hey, not thinking about quitting, are you? | 0:50:31 | 0:50:35 | |
No. My mum would go mad. | 0:50:35 | 0:50:37 | |
It was bad enough when I told her I was gay. | 0:50:39 | 0:50:42 | |
You're gay? | 0:50:42 | 0:50:45 | |
No. No, it was a mistake. | 0:50:46 | 0:50:49 | |
It turns out I'm not. | 0:50:49 | 0:50:51 | |
I'm sorry, but... | 0:50:53 | 0:50:55 | |
I need to whisper something. | 0:51:06 | 0:51:08 | |
Thank you so much. | 0:51:15 | 0:51:17 | |
-I've been a nightmare. -No. You've been all right. | 0:51:19 | 0:51:22 | |
-No more tight boots for the foreseeable future. Something more comfortable. -I'll try. -Do. | 0:51:22 | 0:51:27 | |
All right. All right. No need to get all headmasterly on me again. | 0:51:27 | 0:51:32 | |
-You'll be ready for the next party. -Hmm. Don't know about that. | 0:51:32 | 0:51:36 | |
Maybe it's time I settled down. | 0:51:36 | 0:51:38 | |
Really? | 0:51:38 | 0:51:40 | |
I don't care what you say. It was you at that party. | 0:51:40 | 0:51:43 | |
You feel like some fun, give me a call. | 0:51:44 | 0:51:47 | |
We'll break the rules. | 0:51:48 | 0:51:50 | |
You can bring that Mr Griffin, too. | 0:51:50 | 0:51:53 | |
Surgical menage a trois. | 0:51:56 | 0:51:57 | |
-Ahem. -Nurse? | 0:51:57 | 0:52:00 | |
-I've got some news. Lucy's had her surgery and she's fine. -That's fantastic. | 0:52:00 | 0:52:07 | |
-Can I visit her? -Sure. -I'll arrange it. | 0:52:07 | 0:52:10 | |
I'll see you later, Ruby. | 0:52:11 | 0:52:13 | |
So, this summer solstice... | 0:52:16 | 0:52:19 | |
Was it you? | 0:52:19 | 0:52:21 | |
Bushbaby Eyes(!) | 0:52:21 | 0:52:23 | |
Come on, what do you take me for? | 0:52:23 | 0:52:24 | |
# This is the dawning of the age... # | 0:52:24 | 0:52:27 | |
I've got the facilities. She'll be more comfortable in her own home, anyway. | 0:52:27 | 0:52:31 | |
Better than taking up one of your beds. | 0:52:31 | 0:52:33 | |
GPs are truly taking over the world. | 0:52:33 | 0:52:35 | |
-She's all yours. -What's this? | 0:52:35 | 0:52:38 | |
-We're all clear to have Lucy's interim recovery at home. -You OK with this, Lucy? -Mm-hm. | 0:52:38 | 0:52:43 | |
-I can't wait to get back. -Good girl. | 0:52:43 | 0:52:46 | |
Hey, Lucy, I've come to see you. | 0:52:46 | 0:52:49 | |
-She's the one that knocked me over. -Is this appropriate? | 0:52:50 | 0:52:54 | |
After the way the accident happened... | 0:52:54 | 0:52:56 | |
-Are you all right? -Yeah, I'm fine. I don't remember much. | 0:52:57 | 0:53:02 | |
Don't worry about it. | 0:53:02 | 0:53:04 | |
-Let's get a move on, then. -Bye, Greg. | 0:53:04 | 0:53:07 | |
Maybe it's better for Lucy to stay? | 0:53:09 | 0:53:12 | |
She'll be fine. Goodbye. | 0:53:12 | 0:53:15 | |
You're worried about her, too. | 0:53:20 | 0:53:22 | |
What do you mean? | 0:53:22 | 0:53:24 | |
-The accident was...weird. -How so? | 0:53:24 | 0:53:28 | |
I lost control of the car because of my leg, | 0:53:28 | 0:53:30 | |
and she was crossing the road, but I wasn't going fast. | 0:53:30 | 0:53:35 | |
She had the time to get out of the way. | 0:53:35 | 0:53:38 | |
But it was like she didn't want to. | 0:53:38 | 0:53:40 | |
Like she didn't care. | 0:53:40 | 0:53:43 | |
And the look on her face. | 0:53:43 | 0:53:45 | |
A young girl like her shouldn't look like that. So...old. | 0:53:47 | 0:53:53 | |
Excuse me. | 0:53:55 | 0:53:57 | |
-Ollie, I need you to stop them for me, please. -Do it yourself. | 0:53:57 | 0:54:01 | |
Look I'll explain it to you in a bit. Please just do it, go. | 0:54:01 | 0:54:04 | |
Come on! | 0:54:28 | 0:54:30 | |
Dr Haines! | 0:54:49 | 0:54:51 | |
I'm sorry to keep messing you around with all this. | 0:55:06 | 0:55:10 | |
Mr Malick! | 0:55:10 | 0:55:12 | |
I just... I just wanted to say thank you for today. | 0:55:13 | 0:55:17 | |
No. I should be thanking you. | 0:55:17 | 0:55:20 | |
-I'll see you tomorrow. -I won't be here. | 0:55:22 | 0:55:25 | |
-You're not quitting, are you? -No, | 0:55:25 | 0:55:27 | |
but I think it's all a bit too much too soon for me on Keller. | 0:55:27 | 0:55:31 | |
I've transferred my rotation. | 0:55:31 | 0:55:33 | |
I've got something to ease me in a little bit more gently. | 0:55:33 | 0:55:37 | |
-Where did they put you? -Maternity. -Ohh! Have you seen a birth? | 0:55:37 | 0:55:41 | |
-Not yet. -OK! | 0:55:41 | 0:55:43 | |
Well, you take care. | 0:55:43 | 0:55:46 | |
Thank you. | 0:55:46 | 0:55:48 | |
-You know I'll be back here at some point, though. -I'm sure you will. | 0:55:50 | 0:55:54 | |
See you then! | 0:55:54 | 0:55:56 | |
This will only take a few minutes, Lucy. | 0:56:01 | 0:56:04 | |
I'll take over from here. Thanks. | 0:56:06 | 0:56:09 | |
We didn't finish our conversation. | 0:56:20 | 0:56:24 | |
Didn't we? | 0:56:24 | 0:56:25 | |
Only I can hear you in here, Lucy. | 0:56:27 | 0:56:29 | |
There's something I haven't told anyone before... | 0:56:32 | 0:56:36 | |
..but I think you'll understand. | 0:56:40 | 0:56:43 | |
Something...something bad? | 0:56:43 | 0:56:46 | |
The worst. | 0:56:46 | 0:56:48 | |
I was 14 years old... | 0:56:53 | 0:56:56 | |
..when it started. | 0:56:57 | 0:57:00 | |
When Mum left... | 0:57:03 | 0:57:05 | |
..I was nine. | 0:57:07 | 0:57:09 | |
The man made me think it was OK... | 0:57:11 | 0:57:13 | |
..what he did to me... | 0:57:16 | 0:57:19 | |
..but I knew it wasn't. | 0:57:22 | 0:57:25 | |
I love my dad. | 0:57:29 | 0:57:31 | |
Does he make you do anything that you don't like? | 0:57:35 | 0:57:39 | |
Lucy? | 0:57:42 | 0:57:44 | |
Don't tell anyone. | 0:57:50 | 0:57:52 | |
OK. | 0:57:55 | 0:57:57 | |
No, please. Please don't tell anyone. | 0:57:57 | 0:57:59 | |
Don't tell anyone, please. Don't tell anyone. | 0:57:59 | 0:58:02 | |
No. | 0:58:02 | 0:58:03 | |
But it's not OK, is it? | 0:58:03 | 0:58:07 | |
No. | 0:58:09 | 0:58:10 | |
It's not. | 0:58:12 | 0:58:14 | |
I won't tell anyone without your permission, I promise, | 0:58:14 | 0:58:18 | |
but if you don't do something, | 0:58:18 | 0:58:22 | |
you'll end up becoming someone you shouldn't be, | 0:58:22 | 0:58:26 | |
and that mustn't happen. | 0:58:26 | 0:58:28 | |
Do you understand, Lucy? This isn't your fault. | 0:58:30 | 0:58:36 | |
Now, I can help you, if you want. | 0:58:38 | 0:58:41 | |
But please...please promise you'll do something. | 0:58:43 | 0:58:49 | |
I promise. | 0:58:52 | 0:58:55 | |
Subtitles by Red Bee Media Ltd | 0:59:18 | 0:59:26 |