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One in five nurses have been cut and Hanssen has handed you a 50 grand project | 0:00:40 | 0:00:44 | |
after you insisted you could lead it, so lead it or go! | 0:00:44 | 0:00:47 | |
I know it's not best for this hospital, | 0:00:47 | 0:00:49 | |
but I simply can't let you go. | 0:00:49 | 0:00:51 | |
The villa is lovely. | 0:00:51 | 0:00:53 | |
Lovely enough for a honeymoon? Marry me. | 0:00:53 | 0:00:55 | |
You're going to convince the powers that be to give this place FT status. | 0:00:59 | 0:01:03 | |
-And if I fail? -That would make you a captain of the Titanic. | 0:01:03 | 0:01:06 | |
This is a girl who lost her mother and grandmother to breast cancer. | 0:01:06 | 0:01:09 | |
I promised her and myself that I would never have to go through what she did. | 0:01:09 | 0:01:14 | |
It leaked everywhere. It's got to be some faulty implant. | 0:01:14 | 0:01:17 | |
If you think I would compromise a patient's health for the sake of personal politics... | 0:01:17 | 0:01:21 | |
See you on the ice. | 0:01:21 | 0:01:23 | |
ALARM RINGS | 0:01:35 | 0:01:36 | |
-So why are they still here?! -No porters. Staff shortages. | 0:01:50 | 0:01:54 | |
-Look, don't blame me. -Brilliant(!) Because I'm not busy enough as it is. | 0:01:54 | 0:01:58 | |
Good morning. | 0:01:58 | 0:02:00 | |
Not. | 0:02:00 | 0:02:01 | |
This might cheer you up. You've made page three. | 0:02:04 | 0:02:07 | |
Yeah, well, this is what the future really looks like. Admin hell. | 0:02:07 | 0:02:11 | |
HR unaware of vacancies so no...one signed off on agency staff, | 0:02:11 | 0:02:15 | |
and now no-one has to report to Hanssen, | 0:02:15 | 0:02:18 | |
-everything's stalling, I have been chasing my tail all night. -Did you mean to wear this dress? | 0:02:18 | 0:02:22 | |
-We have three admissions from AAU. -Oh, no, we don't. | 0:02:24 | 0:02:28 | |
Look, Lakey, just go and tell them, OK? | 0:02:28 | 0:02:30 | |
It's a "ll," not a "L!" Put your tongue behind your teeth and blow. | 0:02:30 | 0:02:35 | |
Tell you what, girls...coffee. | 0:02:35 | 0:02:37 | |
And when I'm down there, I'll see if AAU can't hold them for a wee bit longer. Cool it. | 0:02:37 | 0:02:43 | |
Hour tops, you're out of here. | 0:02:43 | 0:02:45 | |
-Spit it out. -Theatre is saying you've double booked patients for today. | 0:02:47 | 0:02:51 | |
What?! No, no, impossible. Sessions are over-running. | 0:02:51 | 0:02:55 | |
Sorry, I've to got to go and do the drugs round. | 0:02:55 | 0:02:58 | |
Enough! | 0:02:58 | 0:03:00 | |
PHONE RINGS | 0:03:00 | 0:03:04 | |
PHONE CONTINUES TO RING | 0:03:07 | 0:03:11 | |
One moment, please. | 0:03:17 | 0:03:19 | |
Come in. | 0:03:19 | 0:03:20 | |
Ah, Ms Shah. I see from your face you've not come for coffee or croissants. | 0:03:20 | 0:03:24 | |
Henrik, you do realise while you're tucked away here in your bunker, | 0:03:24 | 0:03:29 | |
there is a massive communication breakdown going on. | 0:03:29 | 0:03:32 | |
Elliot's on holiday, Jac's away, I am drowning in paperwork! | 0:03:32 | 0:03:35 | |
And you are a victim therefore of your own success, I'm afraid. | 0:03:35 | 0:03:40 | |
Look, let's face it, the cardiac trauma unit is a visceral example of clinical excellence. | 0:03:40 | 0:03:46 | |
And a much-needed morale boost for this hospital at the moment. | 0:03:46 | 0:03:50 | |
And the cardiac trauma unit is, after all, you. | 0:03:50 | 0:03:52 | |
People like you. They defer to you. They trust you. | 0:03:52 | 0:03:57 | |
And if you're good at your job, it makes it a bit harder. | 0:03:57 | 0:04:01 | |
-Yes, but... -I know only too well. It comes with the territory. | 0:04:01 | 0:04:05 | |
If anyone can weather the storm, it's you. | 0:04:05 | 0:04:08 | |
Anything else? | 0:04:08 | 0:04:09 | |
BLEEPING | 0:04:09 | 0:04:11 | |
'What is going on here?' | 0:04:14 | 0:04:16 | |
Is this a hospital or a refugee camp?! | 0:04:16 | 0:04:19 | |
Ah, man, look at this. A lap common bile duct exploration. Yes! | 0:04:19 | 0:04:23 | |
-The M&M show, taking over your blocks. -What? | 0:04:23 | 0:04:25 | |
-M&M, you and me. See what I did there? -No. No can do. | 0:04:25 | 0:04:28 | |
-What? -That is going to take me into overtime, and not the good kind. | 0:04:28 | 0:04:31 | |
Without wanting to rain on your parade, with six weeks to go, what is the point? | 0:04:31 | 0:04:35 | |
I'm done taxing myself. Want to see my kids once in a blue moon. | 0:04:35 | 0:04:38 | |
Come on, you can see the state of this place, we need all hands on deck! | 0:04:38 | 0:04:42 | |
Fine, then call Hanssen! | 0:04:42 | 0:04:43 | |
What am I, the only GS consultant in this dump? Or get Petrenko, she's handy with a scalpel. | 0:04:43 | 0:04:48 | |
-The Swede's not operating at the mo. -Are you kidding me?! | 0:04:48 | 0:04:51 | |
Petrenko's still AWOL, not taking anyone's calls. Answers on a postcard. | 0:04:51 | 0:04:55 | |
All right, what have we got? | 0:04:55 | 0:04:59 | |
AAU transfer, female patient with a deep laceration above the left eyebrow, Rose MacNamara. | 0:04:59 | 0:05:04 | |
In fact, you should know her. Says you did a double mastectomy and a reconstruction. | 0:05:04 | 0:05:10 | |
Rose?! | 0:05:10 | 0:05:12 | |
Mr Spence! That your new boyfriend? | 0:05:13 | 0:05:16 | |
Hey! | 0:05:22 | 0:05:24 | |
I missed you. | 0:05:30 | 0:05:32 | |
-When did you land? -About an hour ago. | 0:05:32 | 0:05:34 | |
-But the ward called to say they're swamped. -My hero. | 0:05:34 | 0:05:38 | |
Yep. Nothing to do with a certain girl I just had to see. | 0:05:38 | 0:05:42 | |
-Girl. Say that again. -Girl. | 0:05:42 | 0:05:44 | |
-Look who's here! -Hey. | 0:05:45 | 0:05:47 | |
-Hey. -How was your trip? | 0:05:47 | 0:05:50 | |
Good. | 0:05:50 | 0:05:53 | |
Er, I've come to chase up that favour... | 0:05:53 | 0:05:55 | |
Yes, yes, we'll keep them. Anything for the best man. | 0:05:55 | 0:05:58 | |
Thanks for that, Chrissie. | 0:06:00 | 0:06:01 | |
Right, seeing as you're here, you could help me with bed seven, Made In Chelsea. | 0:06:02 | 0:06:07 | |
Got thrown off her horse and very anxious she'll miss her flight to Nice. | 0:06:07 | 0:06:12 | |
It's pretty nasty, Rose. How did it happen? | 0:06:12 | 0:06:15 | |
I slipped in the supermarket. Floor was wet. | 0:06:15 | 0:06:18 | |
Have you had any blackouts or felt any dizziness? | 0:06:18 | 0:06:21 | |
Feel a bit sick. | 0:06:21 | 0:06:22 | |
OK, well... Your X-ray's all clear. | 0:06:22 | 0:06:26 | |
You're probably just slightly concussed, so make sure you stay awake. | 0:06:26 | 0:06:29 | |
It's nice to see you again. | 0:06:29 | 0:06:32 | |
I did want to come back here, you know, for the implants. | 0:06:34 | 0:06:38 | |
I wanted you to do it, | 0:06:38 | 0:06:40 | |
but they said you were away and I had to go to St James's. | 0:06:40 | 0:06:44 | |
Plus Brendan thought it was for the best. | 0:06:44 | 0:06:46 | |
Brendan? | 0:06:46 | 0:06:48 | |
Wow, quick work. Congratulations. | 0:06:49 | 0:06:52 | |
Well, when you know, you know. | 0:06:52 | 0:06:55 | |
Will you see if Mr Porter is available to do the procedure? | 0:06:55 | 0:06:57 | |
Sorry, I don't understand? | 0:06:57 | 0:06:59 | |
Um...I am not authorised to perform plastic procedures at the moment. | 0:06:59 | 0:07:05 | |
You should not have been referred to me in the first place. | 0:07:05 | 0:07:09 | |
-But that's ridiculous. -It's out of my hands. -I'm sure they can make an exception? | 0:07:09 | 0:07:13 | |
-How long will I have to wait for this guy? Who is he? -He's a plastics registrar. | 0:07:13 | 0:07:16 | |
So not as good as you, then? | 0:07:16 | 0:07:18 | |
No, he's OK, I promise. I'll tell you what, I'll call for him myself. | 0:07:18 | 0:07:23 | |
Then she broke into a canter and straight into a gallop. | 0:07:26 | 0:07:29 | |
Totally random. First thought nothing of it but then my arm just ballooned and I had to stop packing. | 0:07:29 | 0:07:34 | |
Oh, dear. Now that is a catastrophe. | 0:07:34 | 0:07:37 | |
Did you say your name was Hamilton? Dan Hamilton? | 0:07:38 | 0:07:43 | |
Are you sure we've not met before? | 0:07:43 | 0:07:45 | |
I don't think so. | 0:07:45 | 0:07:47 | |
-Ha! That's it. Got it! -What? | 0:07:47 | 0:07:50 | |
St Michael's! You went to St Michael's! Olivia Grandage? | 0:07:50 | 0:07:53 | |
I went to St Augustine's. | 0:07:53 | 0:07:55 | |
Ah. It's all coming back. They're prep schools, adjoining ones. | 0:07:55 | 0:08:01 | |
You don't say. | 0:08:01 | 0:08:02 | |
I knew it! You used to date Tilly HD! | 0:08:02 | 0:08:06 | |
-As in High Definition? -Huntingdon Daley. | 0:08:06 | 0:08:08 | |
How the devil is she? | 0:08:08 | 0:08:10 | |
-Haven't got a clue. Last I heard she was getting married to Cosmo Westbury. -Oh, long divorced. | 0:08:10 | 0:08:15 | |
Good old Tills. How about you? Weren't you engaged? Like, twice? To, er... | 0:08:15 | 0:08:21 | |
Thingy. Anne Mears. Can't remember the name of the other one, but presumably you and she... | 0:08:21 | 0:08:25 | |
Er, no. No, no. That didn't work out, either. | 0:08:25 | 0:08:29 | |
This is my fiancee. | 0:08:29 | 0:08:31 | |
Anyway, seeing as we're slightly snowed under... | 0:08:33 | 0:08:36 | |
Yeah. Of course. Good news. it's not the Ebola virus. | 0:08:36 | 0:08:39 | |
-Oh. -Bad news, I'm afraid you can forget about Nice for today. | 0:08:39 | 0:08:42 | |
Oh, you are joking. | 0:08:42 | 0:08:44 | |
'Fraid not. I'd like to do an X-rays and all the rest, please. | 0:08:44 | 0:08:47 | |
I'm on it. | 0:08:47 | 0:08:49 | |
Thank you. Excuse me. | 0:08:49 | 0:08:52 | |
I'm sorry about earlier with Greg. | 0:08:55 | 0:08:57 | |
You could have told me that you haven't even asked him yet, | 0:08:57 | 0:09:01 | |
-save me looking like a fool. -About that... | 0:09:01 | 0:09:04 | |
Thought you were off? | 0:09:04 | 0:09:06 | |
Yeah, right... So they both fell together? | 0:09:06 | 0:09:09 | |
-Yeah, right through the conservatory roof. -When did they radio? | 0:09:09 | 0:09:12 | |
20 minutes ago. Looks like we'll be working on them on the way to the theatre. | 0:09:12 | 0:09:16 | |
I thought you said he was due out of theatre 15 minutes ago. | 0:09:16 | 0:09:20 | |
Yes, as soon as. Thank you. | 0:09:20 | 0:09:23 | |
-Dog with a bone, that one. -What? | 0:09:23 | 0:09:24 | |
She's on you, bro. | 0:09:24 | 0:09:25 | |
-Ah, great. -I'm playing. What's the big deal? She was referred here. Just treat it as GS rather than plastics. | 0:09:25 | 0:09:31 | |
In this climate? Gotta play by the rules. | 0:09:31 | 0:09:34 | |
-Specially me. -Screw the rules. | 0:09:34 | 0:09:36 | |
-Fix her and let her go rather than stew here for hours. -Yeah, hey, if I could, I would. | 0:09:36 | 0:09:41 | |
All sorted? | 0:09:42 | 0:09:43 | |
Yeah. I think so. Just go ahead and do the procedure. | 0:09:43 | 0:09:46 | |
Yeah, yeah, I know, | 0:09:46 | 0:09:48 | |
I'd have expected her to run a mile at the sight of you, but... | 0:09:48 | 0:09:50 | |
She's aware of the facts, | 0:09:50 | 0:09:53 | |
and she's still adamant that she wants you. | 0:09:53 | 0:09:55 | |
She says there's no-one else who would do a good enough job on that scar of hers. | 0:09:55 | 0:10:00 | |
And she may have a point there. | 0:10:00 | 0:10:02 | |
So, what the patient wants, the patient gets. | 0:10:02 | 0:10:06 | |
-I don't know. I don't think it's a good idea. -I'll hold your hand. | 0:10:06 | 0:10:09 | |
Look, Michael. | 0:10:09 | 0:10:10 | |
I commend your caution, but it is just a few sutures and a blast of your legendary charm. | 0:10:10 | 0:10:18 | |
Dad! Dad! | 0:10:37 | 0:10:39 | |
Can you hear me? | 0:10:39 | 0:10:41 | |
Nigel? Nigel, that buffoon from the engagement party? | 0:10:41 | 0:10:45 | |
He's not a buffoon. | 0:10:45 | 0:10:47 | |
You weren't there when he asked me had I ever been with another woman. | 0:10:47 | 0:10:50 | |
We go back a long way. He's a good bloke! | 0:10:50 | 0:10:53 | |
He's...solid as a rock, heart of gold... | 0:10:53 | 0:10:56 | |
He's going through a rough patch with his girlfriend. | 0:10:56 | 0:10:58 | |
I think he could use a pick-me-up. Just occurred to me... | 0:10:58 | 0:11:02 | |
You've asked him already, haven't you? | 0:11:02 | 0:11:05 | |
Have you and Greg had an argument or something? | 0:11:05 | 0:11:08 | |
-Course not. -Well, he seemed a bit cagey earlier. | 0:11:08 | 0:11:12 | |
What? | 0:11:12 | 0:11:14 | |
Nothing. Would have been nice if we'd discussed it first. | 0:11:14 | 0:11:18 | |
Come on. It's my decision. | 0:11:18 | 0:11:20 | |
Side room, please. | 0:11:20 | 0:11:21 | |
Look, we'll talk about this later, you've got to get on, and so do I. | 0:11:21 | 0:11:27 | |
Oh, don't be like this. | 0:11:27 | 0:11:28 | |
-No, you're right, it's your decision. -Listen, you. | 0:11:28 | 0:11:34 | |
Let's not fall out over the trappings. We're getting married. | 0:11:34 | 0:11:39 | |
We have the rest of our lives to bicker. | 0:11:39 | 0:11:42 | |
They've each had 15m g of morphine at the scene. | 0:11:42 | 0:11:45 | |
GCS ten on arrival, dropped to seven en route, Woody was GCS 14 on arrival... | 0:11:45 | 0:11:51 | |
-Careful, there may be glass travelling through them. -Is my dad OK? | 0:11:51 | 0:11:54 | |
On my count. One, two, three. | 0:11:54 | 0:11:57 | |
Is my dad OK? | 0:11:57 | 0:11:59 | |
Listen to me. My name's Sahira. You're going to be fine, we're going to take a good care of you. | 0:11:59 | 0:12:05 | |
-Try not to talk. -It's OK, honey, it's OK. | 0:12:05 | 0:12:08 | |
Your dad's asleep now - he can't talk. But I need you to keep your strength. | 0:12:08 | 0:12:11 | |
Try to keep quiet. | 0:12:11 | 0:12:13 | |
We're going to do our best to make him better, but I need you to help me. | 0:12:13 | 0:12:18 | |
You're not in a sulk because I got married, are you? | 0:12:18 | 0:12:21 | |
Joke! | 0:12:23 | 0:12:24 | |
Come on, Mr Spence, crack a smile, I hate hospitals enough as it is. | 0:12:26 | 0:12:30 | |
What is with you? You know what happened here. | 0:12:30 | 0:12:34 | |
Anyone else would ask for another doctor. | 0:12:34 | 0:12:36 | |
I'm not anybody else. And I owe you. | 0:12:36 | 0:12:40 | |
No, really. I do. | 0:12:40 | 0:12:42 | |
I remember that day, what you did for me. | 0:12:42 | 0:12:45 | |
You gave me the confidence to get out there. I'd never met Brendan otherwise. | 0:12:45 | 0:12:49 | |
I mean it. You changed my life. | 0:12:49 | 0:12:52 | |
I feel safe with you. | 0:12:52 | 0:12:53 | |
I guess what they say about blondes is true. | 0:12:53 | 0:12:55 | |
And you look gayer than ever. | 0:12:55 | 0:12:57 | |
Let's get you scanned. | 0:12:58 | 0:13:00 | |
Out the way! Out the way! | 0:13:00 | 0:13:03 | |
Mum. Mum. Where are we? | 0:13:03 | 0:13:05 | |
-Keep still, baby. -Gavin's 80 systolic, heart rate 120, Woody systolic at 100. | 0:13:05 | 0:13:09 | |
Let's get some more lines and cross match eight units each. | 0:13:09 | 0:13:13 | |
Get the fire brigade set up for theatre. | 0:13:13 | 0:13:15 | |
Page Malick and Mr Hanssen. We need a team standing by to work on Gavin once we separate. | 0:13:15 | 0:13:20 | |
Stay still. OK, stay still. | 0:13:20 | 0:13:23 | |
We need X-rays. Get a radiographer in here. | 0:13:23 | 0:13:27 | |
-Both sets of notes are being sent up here. -Get copies to Keller. | 0:13:27 | 0:13:30 | |
-This is it, Mrs Blakeman. Thank you. -It's fine, OK? It's going to be fine. | 0:13:30 | 0:13:34 | |
Can we get O neg blood and we need a chest X-ray. | 0:13:34 | 0:13:37 | |
-Sats are dropping. He's in distress, we need to intubate him. -Can someone take care of the mum? | 0:13:37 | 0:13:42 | |
Ms Shah, can you sign this order for the trauma series X-rays? | 0:13:42 | 0:13:46 | |
And a cross match blood! | 0:13:46 | 0:13:47 | |
I'm going to intubate! | 0:13:47 | 0:13:49 | |
Sahira! | 0:13:49 | 0:13:51 | |
Sahira! | 0:13:51 | 0:13:53 | |
PHONE RINGS | 0:13:53 | 0:13:55 | |
No. I thought I made it clear. | 0:14:02 | 0:14:05 | |
Until I've completed the FT application, my surgical list is suspended. | 0:14:05 | 0:14:10 | |
I'm sure Mr Spence is more than capable. | 0:14:10 | 0:14:12 | |
How we doing? | 0:14:16 | 0:14:18 | |
Gavin's B/P 80 systolic, tachy 120, stats 90%. | 0:14:18 | 0:14:21 | |
Woody's B/P 110 systolic, pulse 120, sats 95%. | 0:14:21 | 0:14:26 | |
-Have we given Gavin more blood? -Yeah. -Right, OK, let's separate them. | 0:14:26 | 0:14:31 | |
Stand by. | 0:14:31 | 0:14:32 | |
Right, on my count. | 0:14:48 | 0:14:51 | |
One, two three. | 0:14:51 | 0:14:54 | |
Easy. | 0:14:54 | 0:14:56 | |
Get me a chest and pelvic X-ray and a C spine. | 0:14:56 | 0:15:00 | |
-I'm going to go talk to the mother. -OK. | 0:15:04 | 0:15:07 | |
-Monteggia fracture. Classic. -Could you smell booze on her breath? | 0:15:08 | 0:15:12 | |
Can't say I did, no. | 0:15:12 | 0:15:14 | |
-Right. Well, I'm afraid Nice is definitely off the cards. -Oh! | 0:15:14 | 0:15:18 | |
You've managed to both fracture and dislocate your arm. | 0:15:18 | 0:15:22 | |
-The best way to sort it out is to take you into theatre. -No. No way. | 0:15:22 | 0:15:25 | |
I don't want an operation. What else can you do? | 0:15:25 | 0:15:28 | |
Well, we could try and manipulate it manually. | 0:15:28 | 0:15:31 | |
Right, let's do that, then. | 0:15:31 | 0:15:33 | |
OK, but we'll have to wait for the swelling to go down, | 0:15:33 | 0:15:37 | |
which will take time, and I should warn you, the manipulation may be very uncomfortable. | 0:15:37 | 0:15:42 | |
No worries. My father was in the navy. | 0:15:42 | 0:15:45 | |
I see. Stiff upper lip. | 0:15:45 | 0:15:47 | |
Absolutely. Say nothing and smile. | 0:15:47 | 0:15:49 | |
-Is there anyone I can call for you? -No, there's no-one. | 0:15:49 | 0:15:52 | |
But seeing as I'm grounded, can you get me out a cup of tea, Nurse? | 0:15:52 | 0:15:55 | |
Actually, it's sister. | 0:15:55 | 0:15:58 | |
Bigging up your part, sweetie. | 0:15:58 | 0:16:01 | |
Please? | 0:16:01 | 0:16:02 | |
I'll get someone to do that for you. | 0:16:02 | 0:16:06 | |
Right, we'll wait a bit, pop the arm back in | 0:16:06 | 0:16:09 | |
and then plaster it for you, OK? | 0:16:09 | 0:16:11 | |
Can I have a word, please? | 0:16:11 | 0:16:12 | |
Someone's in the doghouse. | 0:16:14 | 0:16:16 | |
Let me take you to your wife, Mr MacNamara. Mr Spence is in theatre now, but as soon... | 0:16:17 | 0:16:21 | |
Michael Spence? Michael Spence is treating my wife? | 0:16:21 | 0:16:25 | |
I don't want to mislead you. They're both in theatre and in a critical condition. | 0:16:29 | 0:16:34 | |
We don't yet know the extent of their injuries. | 0:16:34 | 0:16:37 | |
Mrs Blakeman? | 0:16:41 | 0:16:42 | |
I was in the shower when it happened. Suddenly this bang. | 0:16:42 | 0:16:47 | |
This bang and Woody screaming... | 0:16:47 | 0:16:50 | |
Is there anyone I can call for you? | 0:16:52 | 0:16:53 | |
Loud scream. And... And an...echo. | 0:16:53 | 0:16:57 | |
And that's when they must have hit the glass, | 0:17:00 | 0:17:03 | |
cos I heard this...crunch. | 0:17:03 | 0:17:06 | |
I have to get back to theatre. | 0:17:06 | 0:17:09 | |
I told Gavin not to go on the roof, I told him... Leave it to the builders, don't do it yourself. | 0:17:09 | 0:17:14 | |
He wouldn't listen, and Woody was always following him around like a puppy everywhere. | 0:17:14 | 0:17:19 | |
Are you sure there's no-one I can call for you? A friend? A relative? | 0:17:22 | 0:17:26 | |
And I was in the shower. I was in the shower... | 0:17:26 | 0:17:29 | |
Doing the shopping list in my head. That's when I heard... | 0:17:29 | 0:17:32 | |
House is like a building site. They must have just slipped. | 0:17:34 | 0:17:39 | |
I didn't know he went up there, and when I heard it was too late, | 0:17:39 | 0:17:42 | |
it was too late... | 0:17:42 | 0:17:45 | |
There was nothing I could do, was there? Was there? Was there? | 0:17:45 | 0:17:49 | |
-Katie, Katie, Katie, Katie, Listen. Your boys need you. -Yes. | 0:17:49 | 0:17:54 | |
Now I am going to everything I can for your family. | 0:17:54 | 0:17:58 | |
I will keep you in the loop at every stage. I promise. | 0:17:58 | 0:18:02 | |
I'm really sorry, Ms Shah. You're wanted. | 0:18:02 | 0:18:04 | |
Oh, oh, God, look at the state of me. | 0:18:05 | 0:18:09 | |
Gavin's always saying if it was up to me, I'd do the school run in my pyjamas. | 0:18:09 | 0:18:14 | |
-Don't worry, we'll sort you out a change of clothes. -Thank you. | 0:18:14 | 0:18:17 | |
Cos God...God help me when he wakes up and sees me looking like a dog's dinner, right? | 0:18:18 | 0:18:24 | |
So, no scatter. What about Rose? | 0:18:32 | 0:18:34 | |
-Husband here yet? -Yeah, he's here. They're fine. | 0:18:34 | 0:18:38 | |
OK. | 0:18:38 | 0:18:39 | |
-Let's set up warm saline and a bair hugger. All right, people. let's fix this poor guy. -All right! | 0:18:39 | 0:18:44 | |
Give him one litre of gelo and I want 2 units of O neg in theatre. | 0:18:44 | 0:18:49 | |
Oh! There's a change of clothes in my locker. | 0:18:49 | 0:18:54 | |
We can't leave her in that bathrobe. Theatre. | 0:18:54 | 0:18:58 | |
And don't tell her anything without my say-so, OK? | 0:18:58 | 0:19:02 | |
I'm going to have to remove the spleen, it's shot to pieces. | 0:19:02 | 0:19:05 | |
You do the aorta. I'll take the liver. | 0:19:05 | 0:19:07 | |
-BLEEPING -Ah, crap. | 0:19:07 | 0:19:09 | |
Malick, start packing. Suction! | 0:19:09 | 0:19:11 | |
He's just bleeding out. | 0:19:13 | 0:19:14 | |
MACHINES BLEEP | 0:19:14 | 0:19:18 | |
Oh, no, no, no, no. | 0:19:18 | 0:19:19 | |
All right, charge to 200. | 0:19:19 | 0:19:22 | |
Clear! | 0:19:23 | 0:19:25 | |
-Damn. There's a lot of scatter. -We couldn't get adequate neck imaging. | 0:19:25 | 0:19:29 | |
We need to know the exact position or we can't get the pole out. | 0:19:29 | 0:19:32 | |
Let's get a spiral scan before his sats drop, and I want a GS in here. | 0:19:32 | 0:19:36 | |
-Shall I try Griffin? -No, Mr Hanssen. Tell him I insist. | 0:19:36 | 0:19:40 | |
I didn't authorise this. | 0:19:40 | 0:19:42 | |
It was the smell. I actioned them with the initial bloods. | 0:19:42 | 0:19:45 | |
-It's a good job I did. She's obviously been on a bender. -Right. | 0:19:45 | 0:19:48 | |
-I've ordered LFTs so we'll see what that brings up. -That's unnecessary. | 0:19:48 | 0:19:54 | |
-You don't you think anything's going on? -Are you sure she's not rubbing you up the wrong way? | 0:19:54 | 0:19:59 | |
I'm concerned that you're being swayed by the fact that you know her. | 0:19:59 | 0:20:02 | |
And you know what you're like with confrontation. | 0:20:02 | 0:20:05 | |
Oh, for heaven's sake! Is this about Greg? | 0:20:05 | 0:20:08 | |
Well? | 0:20:08 | 0:20:10 | |
Have you explained it to him yet? He's your best friend, he's going to be upset. | 0:20:10 | 0:20:14 | |
It isn't like the whole bridesmaids thing. It's not going to be handbags at dawn. | 0:20:14 | 0:20:18 | |
I will tell him. In my own time. In my own way. | 0:20:18 | 0:20:22 | |
-Let's call it, Michael. -Not yet. | 0:20:26 | 0:20:28 | |
Michael... | 0:20:30 | 0:20:31 | |
BLEEPING | 0:20:31 | 0:20:34 | |
You call it. | 0:20:36 | 0:20:38 | |
Oh, no. | 0:20:54 | 0:20:55 | |
Thanks. | 0:20:55 | 0:20:57 | |
That was Malick. Gavin didn't make it. | 0:21:01 | 0:21:06 | |
Right, let's stabilise Woody, get him to ITU until we know more. | 0:21:06 | 0:21:11 | |
I'm going to have to tell Katie. | 0:21:11 | 0:21:13 | |
What's happened? I know something's happened. What's happened? | 0:21:24 | 0:21:28 | |
-I'm really sorry but I'll have to get a consultant. -You have to tell me. | 0:21:28 | 0:21:31 | |
-I'm afraid... -Tell me, please. Please don't do this to me! | 0:21:31 | 0:21:35 | |
Just tell me. Come on. | 0:21:35 | 0:21:37 | |
I'm so sor... Help! | 0:21:39 | 0:21:41 | |
Mrs Blakeman! | 0:21:41 | 0:21:42 | |
Michael. | 0:21:45 | 0:21:47 | |
Yeah. What? | 0:21:49 | 0:21:50 | |
Rose's MRI scan. | 0:21:50 | 0:21:52 | |
You tell me. It's showing nothing. | 0:21:52 | 0:21:55 | |
Man, you look like crap. | 0:21:55 | 0:21:57 | |
There's nothing more you could have done. | 0:21:57 | 0:22:01 | |
I so need this... | 0:22:01 | 0:22:04 | |
At least that's good. | 0:22:05 | 0:22:07 | |
Just to give you the heads up on Clark Kent. | 0:22:07 | 0:22:11 | |
Not sure he's your biggest fan. | 0:22:11 | 0:22:13 | |
-Mr Spence, this is my husband, Brendan. -Mr MacNamara, it's a pleasure. | 0:22:13 | 0:22:18 | |
-How are you feeling? -She's been sick and the head's no better. | 0:22:18 | 0:22:21 | |
-Rose? -I'm feeling a bit crap. | 0:22:21 | 0:22:25 | |
Well, your head CT's come back fine. We can give you more painkillers and some anti-sickness meds. | 0:22:25 | 0:22:30 | |
-Really, how much longer is she going to have to wait? -Brendan! | 0:22:30 | 0:22:33 | |
-Can I have a word? -Sure. | 0:22:33 | 0:22:36 | |
I read all about you in the papers | 0:22:38 | 0:22:40 | |
and I'm really not happy about you treating Rose. | 0:22:40 | 0:22:43 | |
I understand. But today's procedure is superficial and extremely straightforward. | 0:22:43 | 0:22:47 | |
She can remain awake and I'm confident we can have Rose up and out of here within the hour, | 0:22:47 | 0:22:52 | |
as good as new. After that, none of us have to see each other ever again. Deal? | 0:22:52 | 0:22:57 | |
I... I want to see my baby. | 0:23:02 | 0:23:06 | |
I need to see him. Oh, my god. | 0:23:07 | 0:23:10 | |
-I'm going to have to go phone theatre. -Please... | 0:23:10 | 0:23:13 | |
Thank God you're here. I'm so sorry but she grabbed the file. | 0:23:15 | 0:23:18 | |
It's OK, it's fine... | 0:23:18 | 0:23:20 | |
I need to see him. | 0:23:22 | 0:23:23 | |
-Please can I see Woody? -Of course. Of course. | 0:23:25 | 0:23:30 | |
We'll be moving him to ITU shortly before we take him back into theatre. | 0:23:30 | 0:23:35 | |
I'm so, so sorry about your husband. | 0:23:35 | 0:23:38 | |
He's just looking out for me, you know. | 0:23:40 | 0:23:43 | |
It's totally understandable. Let me know if you feel anything. | 0:23:43 | 0:23:48 | |
He's the best. He does everything for me, everything. | 0:23:48 | 0:23:51 | |
How did you guys meet? | 0:23:51 | 0:23:52 | |
The Masai Mara, of all places. On safari. | 0:23:52 | 0:23:57 | |
I'd never touched any of the money Mum had left me, | 0:23:57 | 0:24:00 | |
but after you did my reconstruction, I decided to take Dad. | 0:24:00 | 0:24:06 | |
I mean, you've got to do these things while you can. | 0:24:06 | 0:24:09 | |
You know those sunset hot air balloon tours, | 0:24:09 | 0:24:12 | |
what I was thinking, the way I am with heights... | 0:24:12 | 0:24:15 | |
I freaked out a bit and Brendan just totally chilled me out, | 0:24:15 | 0:24:21 | |
pointing out baby hippo and force-feeding me champagne. | 0:24:21 | 0:24:26 | |
Rose, are you OK? | 0:24:26 | 0:24:28 | |
Rose?! | 0:24:28 | 0:24:29 | |
I'm...I'm cold... | 0:24:31 | 0:24:33 | |
BUZZER | 0:24:33 | 0:24:36 | |
I'm so sorry about Gavin, | 0:24:36 | 0:24:38 | |
and I know the confusion can only have added to your distress. | 0:24:38 | 0:24:43 | |
Oh, God. This isn't happening. This isn't happening. | 0:24:43 | 0:24:47 | |
Would you like to see your son? | 0:24:47 | 0:24:49 | |
I thought he was dead. You made me think he was dead. | 0:24:49 | 0:24:53 | |
I know, and it's unforgivable. | 0:24:53 | 0:24:56 | |
You called for me, Ms Shah? | 0:24:56 | 0:24:59 | |
Fever's up. 39.9. What are we looking at? | 0:25:02 | 0:25:04 | |
No idea unless it's a reaction to the anaesthetic, or the painkillers. Rose, listen. | 0:25:04 | 0:25:08 | |
Has anything like this has happened before? Have you taken any medication? Any inoculations? | 0:25:08 | 0:25:13 | |
-C...Could that be causing? -It's a possibility. | 0:25:13 | 0:25:16 | |
-What the hell's going on? -We're not sure. She's having a rigour episode. | 0:25:16 | 0:25:19 | |
-Has anything like this has happened before? -No. What have you done? | 0:25:19 | 0:25:23 | |
Push some Hartmanns. Run FBCs, Us and Es and run thyroid function tests. | 0:25:23 | 0:25:26 | |
She was fine before you touched her! | 0:25:26 | 0:25:30 | |
I'd forgotten all about it, you took so bloody long. | 0:25:33 | 0:25:35 | |
It's a busy ward, not Downton Abbey. | 0:25:35 | 0:25:38 | |
No, no, I didn't say I didn't want it. I'm dryer than a witch's teat. | 0:25:38 | 0:25:42 | |
-Are the painkillers kicking in yet? -A bit. | 0:25:42 | 0:25:45 | |
Look, darling, I hope I didn't offend earlier talking about the old days and the ex fiascos. | 0:25:45 | 0:25:51 | |
Word was neither of them were right for him. | 0:25:51 | 0:25:53 | |
I'm sure you're Sister Right. | 0:25:53 | 0:25:56 | |
Mr Hamilton should be back soon. | 0:25:56 | 0:25:59 | |
No sugar. | 0:25:59 | 0:26:01 | |
Would you like me to get you some? | 0:26:01 | 0:26:04 | |
No need. There's some sweeteners in my bag. If you could... | 0:26:04 | 0:26:07 | |
Did it not occur to you, Nurse Jones, | 0:26:25 | 0:26:28 | |
to check the identity of the deceased before informing the relative? | 0:26:28 | 0:26:31 | |
-Yes - it wasn't like that. -It was the responsibility of the surgeon to manage the situation. | 0:26:31 | 0:26:36 | |
-Is this what you call putting the trust back into Holby? -That's not... | 0:26:36 | 0:26:40 | |
-Where are we with the boy? -Spiral scans. | 0:26:40 | 0:26:43 | |
So the pole missed the heart but is perilously close to the pulmonary vessels. | 0:26:43 | 0:26:48 | |
-I think you're going to need another surgeon in on this one. -Quite, which is why I called for you. | 0:26:48 | 0:26:53 | |
-Isn't there anybody else? -Henrik, this boy needs the best. | 0:26:53 | 0:26:56 | |
Very well. Let's go and see the mother. | 0:26:56 | 0:26:59 | |
Outline your plan of action, | 0:26:59 | 0:27:01 | |
try and salvage a modicum of dignity from all this and at least appear as if we know what we're doing. | 0:27:01 | 0:27:07 | |
I don't get it. Nothing. Nothing's showing up. | 0:27:14 | 0:27:16 | |
Hey. Calm down. You need to get a grip, OK? | 0:27:16 | 0:27:18 | |
Every time I see this girl, something happens. First the implants, now this. | 0:27:18 | 0:27:23 | |
It's nothing to do with the procedure, and it's nothing to do with the implants. | 0:27:23 | 0:27:27 | |
They've been replaced. | 0:27:27 | 0:27:30 | |
-Oh, we need to run an ultrasound. -I'm on it. | 0:27:30 | 0:27:34 | |
The thing is... Thank you. Nigel's my oldest friend. | 0:27:37 | 0:27:41 | |
Plus he needs a pick-me-up. | 0:27:41 | 0:27:42 | |
And to be honest, I thought I was doing you a favour. | 0:27:42 | 0:27:45 | |
Making a speech, getting up in a monkey suit, not really your bag, I wouldn't have thought. | 0:27:45 | 0:27:50 | |
Bull. | 0:27:50 | 0:27:51 | |
What is it? | 0:27:55 | 0:27:57 | |
I don't know, but I am going to find out. | 0:27:57 | 0:28:00 | |
I'm scared. | 0:28:02 | 0:28:03 | |
-Do you think it could be cancer? -Rose. Come on, stop. | 0:28:06 | 0:28:10 | |
I have these nightmares... | 0:28:12 | 0:28:14 | |
It's always the same one. | 0:28:14 | 0:28:16 | |
I feel fine, I look fine, | 0:28:16 | 0:28:20 | |
but...they tell me I'm dying. | 0:28:20 | 0:28:24 | |
It's growing somewhere inside me. | 0:28:26 | 0:28:29 | |
Then I wake up, | 0:28:29 | 0:28:31 | |
and I tell myself I'm being stupid, | 0:28:31 | 0:28:34 | |
that everything's all right, but the fear doesn't go away. | 0:28:34 | 0:28:37 | |
-You can see something, can't you? -Hang on. | 0:28:38 | 0:28:42 | |
It's the tumour, isn't it? | 0:28:42 | 0:28:45 | |
-Isn't it?! -No, it's not a tumour, but I think you may have an abscess. | 0:28:46 | 0:28:51 | |
But we need to get you into theatre immediately. | 0:28:51 | 0:28:53 | |
Mate, you have seriously got your wires crossed here. | 0:28:53 | 0:28:57 | |
-I know what I saw, Dan. -Come on! | 0:28:57 | 0:28:59 | |
I mean, this is me we're talking about. | 0:28:59 | 0:29:02 | |
Look, mate, I don't care who you are or what you are, | 0:29:02 | 0:29:06 | |
but let's just say a lot suddenly fell into place. | 0:29:06 | 0:29:09 | |
But whatever's going on with you, you definitely need to tell Chrissie. | 0:29:09 | 0:29:13 | |
-Why are you being like this? -Why am I being like this?! | 0:29:13 | 0:29:16 | |
D'you know what? I don't have time for this. | 0:29:16 | 0:29:19 | |
I'm extremely sorry for your loss. | 0:29:21 | 0:29:24 | |
I can't apologise enough for the unnecessary distress that we've caused you. | 0:29:24 | 0:29:27 | |
I can only give you my word that from now on I intend to be kept fully informed. | 0:29:27 | 0:29:31 | |
Look, I just don't want anyone telling him about his dad, OK? I'll do that. | 0:29:31 | 0:29:37 | |
Right. | 0:29:37 | 0:29:39 | |
So, what happens next? | 0:29:39 | 0:29:42 | |
Can you just get that thing out of him? | 0:29:42 | 0:29:46 | |
Yes. That's the plan. | 0:29:46 | 0:29:49 | |
Then we assess any damage to the internal organs, | 0:29:49 | 0:29:52 | |
and hopefully get on with the task of removing the glass. | 0:29:52 | 0:29:56 | |
-Now, the best way to do that is to stop Woody's heart and put him on bypass. -Stop his heart?! | 0:29:56 | 0:30:01 | |
I know it sounds alarming, but really, | 0:30:01 | 0:30:04 | |
-not having the heart beating may be the safest... -What do you think? | 0:30:04 | 0:30:07 | |
Well, it's Ms Shah's case, and strictly speaking CT is not my discipline... | 0:30:07 | 0:30:12 | |
I don't really care. You're the boss! | 0:30:12 | 0:30:17 | |
You must have an opinion. | 0:30:17 | 0:30:19 | |
Do you agree? | 0:30:19 | 0:30:20 | |
It's one option, yes. | 0:30:20 | 0:30:23 | |
And the other option? | 0:30:24 | 0:30:26 | |
Bearing in mind your son's age, | 0:30:26 | 0:30:28 | |
until we know exactly what damage the pole has generated, | 0:30:28 | 0:30:31 | |
I think we would be taking somewhat of a risk going for a bypass here. | 0:30:31 | 0:30:35 | |
Yes, but surely a bloodless field could be ideal in such a difficult situation.. | 0:30:35 | 0:30:41 | |
Risk. What risk? | 0:30:41 | 0:30:42 | |
I want to know! | 0:30:42 | 0:30:44 | |
Yes, there is a risk. | 0:30:44 | 0:30:46 | |
But it's a calculated one and it's far outweighed by the obvious benefits. | 0:30:46 | 0:30:51 | |
-What would you do? -I would like to tread carefully here. | 0:30:51 | 0:30:53 | |
-Go in there and just take out the pole. -Right. I want you to do that. | 0:30:53 | 0:30:57 | |
Can we just be clear here? | 0:30:57 | 0:31:00 | |
A bypass would mean removing the pole and the glass at the one time. | 0:31:00 | 0:31:04 | |
There would be no risk of any glass suddenly migrating. | 0:31:04 | 0:31:07 | |
No, no, I'm sorry, I really can't cope with this any more. | 0:31:07 | 0:31:10 | |
You're the bloody doctors and you can't even agree! | 0:31:10 | 0:31:13 | |
I just want him to live. | 0:31:13 | 0:31:16 | |
Whatever. | 0:31:16 | 0:31:17 | |
You get that?! | 0:31:17 | 0:31:19 | |
Her LFT's are all elevated. | 0:31:22 | 0:31:24 | |
She's well on the way to cirrhosis of the liver. | 0:31:24 | 0:31:27 | |
-Are you going to have a word with her? -Yes. | 0:31:27 | 0:31:31 | |
She's been asking for you. | 0:31:31 | 0:31:33 | |
She says she just wants to get this over with. | 0:31:33 | 0:31:35 | |
Did you manage to catch up with... | 0:31:35 | 0:31:37 | |
Yes, I have. | 0:31:37 | 0:31:39 | |
Can we talk about it later? | 0:31:39 | 0:31:42 | |
-An abscess? -Yeah, behind one of the new implants, | 0:31:44 | 0:31:47 | |
in the right breast. | 0:31:47 | 0:31:48 | |
Septicaemia is causing the fever fits. | 0:31:48 | 0:31:52 | |
We have to get her into theatre and drain it. | 0:31:52 | 0:31:54 | |
-Her organs are failing and she's going into septic shock. -How can it be so sudden? | 0:31:54 | 0:31:59 | |
I think this has happened before. Right, Rose? | 0:31:59 | 0:32:02 | |
Couple of days. | 0:32:02 | 0:32:04 | |
Sweetheart! Why didn't you say? | 0:32:04 | 0:32:06 | |
I'm so sorry... | 0:32:06 | 0:32:07 | |
I don't think now's the right time. | 0:32:07 | 0:32:09 | |
Will she be OK? The headaches, the sickness, are they part of it? | 0:32:09 | 0:32:14 | |
No, the concussion is separate, and it's been distracting us from the main event. | 0:32:14 | 0:32:18 | |
I don't believe you. | 0:32:18 | 0:32:19 | |
You weighed in there and completely undermined me, | 0:32:19 | 0:32:21 | |
when this morning there was no-one better than me to step up! | 0:32:21 | 0:32:25 | |
-Then what did you call me for? -For the appropriate GS support and the best possible outcome for my patient! | 0:32:25 | 0:32:30 | |
Heaven forbid you should come out from your bat cave and do some real doctoring. | 0:32:30 | 0:32:35 | |
I did not expect you to question my ability to make a clinical call. | 0:32:35 | 0:32:38 | |
-I'm the leading physician here. -Mrs Blakeman asked for my opinion. I could hardly not give it. | 0:32:38 | 0:32:43 | |
But she can't make that choice, you know that. That's my job. | 0:32:43 | 0:32:46 | |
And you've considered this from every possible angle, have you? | 0:32:46 | 0:32:49 | |
Your patient is 11 years old. Do you think he could withstand a major crash? A heart attack? | 0:32:49 | 0:32:54 | |
A stroke? Myocardial infarction. Not to mention bleeding out, oedemas on the brain, body and lungs. | 0:32:54 | 0:32:59 | |
Are we looking the patient's best interest here? Or a classic case of Sahira grandstanding? | 0:32:59 | 0:33:04 | |
That is not fair. Yes, the boy is in critical condition. There are no guarantees. | 0:33:04 | 0:33:08 | |
I am trying to get you to consider the conversation you would possibly be having with his mother, | 0:33:08 | 0:33:13 | |
in the unfortunate case that the risk doesn't pay. Really consider it. | 0:33:13 | 0:33:17 | |
And if you're sure, absolutely sure that the risk can be justified... | 0:33:17 | 0:33:22 | |
Fine. You win. I'll prep him for theatre. | 0:33:23 | 0:33:28 | |
Hey, are you OK? | 0:33:36 | 0:33:39 | |
Come on! | 0:33:40 | 0:33:41 | |
Man, has she been unlucky. | 0:33:44 | 0:33:46 | |
Hey, nothing to do with you. Lucky for her you spotted it. | 0:33:46 | 0:33:51 | |
The abscess. | 0:33:51 | 0:33:53 | |
What caused it? | 0:33:53 | 0:33:54 | |
It could be any number of things. It could be the new implants. | 0:33:54 | 0:33:58 | |
-Yes? -Or it could be the body's natural reaction to a foreign body | 0:33:58 | 0:34:03 | |
being introduced. That is always a risk. | 0:34:03 | 0:34:05 | |
Or? | 0:34:05 | 0:34:07 | |
Or... | 0:34:07 | 0:34:09 | |
I don't know if the original implant I fitted | 0:34:09 | 0:34:14 | |
was already leaking when Rose was admitted to St James's. | 0:34:14 | 0:34:17 | |
And if they were? | 0:34:17 | 0:34:19 | |
Then there's a possibility that the silicone residue caused this. | 0:34:19 | 0:34:22 | |
-I won't know until I open her up. -How many women have you done this to? | 0:34:22 | 0:34:26 | |
You put poison into them and then you just sent them on their way. | 0:34:26 | 0:34:31 | |
And they let you keep working as a doctor. | 0:34:31 | 0:34:34 | |
You've people's lives in your hands! | 0:34:34 | 0:34:37 | |
I don't know how you sleep at night. | 0:34:37 | 0:34:39 | |
-Can't you see what his game is? -Game? | 0:34:54 | 0:34:57 | |
What game? Look, I obviously let him down today and he doesn't trust me. | 0:34:57 | 0:35:03 | |
Oh, for... | 0:35:03 | 0:35:04 | |
-You're so naive. He's got you exactly where he wants you. -What are you talking about? | 0:35:04 | 0:35:10 | |
He builds you up. Oh, Ms Shah, you're so great, you're so good, a beacon of excellence, | 0:35:10 | 0:35:15 | |
you can handle anything thrown at you, and all that bull. | 0:35:15 | 0:35:18 | |
Then he steps in like some psycho Svengali to remind you who the daddy is and puts you back in your box. | 0:35:18 | 0:35:23 | |
Read the article. | 0:35:25 | 0:35:28 | |
That's you. | 0:35:28 | 0:35:30 | |
Your achievements, the cardiac trauma unit. | 0:35:30 | 0:35:35 | |
And he gave that to me. | 0:35:35 | 0:35:36 | |
Maybe that's the whole point. Maybe he's right. | 0:35:36 | 0:35:39 | |
I've not worked for anyone else, have I? Maybe I need his approval. | 0:35:39 | 0:35:44 | |
-That's the only way I can do it. -Yes, but why did he give it to you? | 0:35:44 | 0:35:48 | |
For the good of the hospital. | 0:35:48 | 0:35:51 | |
Seriously? | 0:35:51 | 0:35:52 | |
RINGING | 0:35:56 | 0:35:58 | |
Hi, Nigel. It's Chrissie here. | 0:36:04 | 0:36:07 | |
Yes, he's with a patient. | 0:36:07 | 0:36:09 | |
Look, I know we don't know each other very well, | 0:36:09 | 0:36:13 | |
but I just wanted to say it means a lot to Dan you're going to be best man. | 0:36:13 | 0:36:18 | |
Sorry? | 0:36:18 | 0:36:20 | |
SCREAM | 0:36:24 | 0:36:26 | |
OK. | 0:36:26 | 0:36:28 | |
I am going to have to operate. | 0:36:29 | 0:36:31 | |
But before you sign the consent form, | 0:36:33 | 0:36:36 | |
I need to talk to you about some test results. | 0:36:36 | 0:36:39 | |
Ah. | 0:36:39 | 0:36:40 | |
Your liver shows signs of... | 0:36:40 | 0:36:42 | |
Fine. | 0:36:42 | 0:36:44 | |
I've heard it all before. So I drink. | 0:36:44 | 0:36:47 | |
Let's move on. | 0:36:47 | 0:36:49 | |
That's as maybe, but we still need to have this conversation. | 0:36:49 | 0:36:53 | |
Looking at your bloods, your habit may have serious ramifications. | 0:36:53 | 0:36:58 | |
Your liver function is deteriorating and general anaesthetics becomes tricky. | 0:36:58 | 0:37:02 | |
We'll have to monitor the clotting factor we give you, and obviously the risks increase. | 0:37:02 | 0:37:07 | |
-Fine. Whatever. -Look, I have a duty of care to you. We need to talk about this. | 0:37:07 | 0:37:13 | |
I talk about it ad nauseum. With my therapist. | 0:37:13 | 0:37:16 | |
So I hereby relieve you of your burden of duty. | 0:37:16 | 0:37:20 | |
Just sort my arm out. | 0:37:20 | 0:37:21 | |
Fine. | 0:37:21 | 0:37:23 | |
I'll get the forms. | 0:37:26 | 0:37:27 | |
What are you doing answering my phone? | 0:37:31 | 0:37:33 | |
I saw it was Nigel and thought I'd say hello. | 0:37:33 | 0:37:36 | |
Well, what did he say? | 0:37:36 | 0:37:38 | |
He was shocked to be asked in the first place cos you're not that close, but he hopes you don't mind... | 0:37:38 | 0:37:44 | |
-Look, Chrissie. -..That he can't make it, cos guess what. | 0:37:44 | 0:37:47 | |
He's taking his girlfriend to Paris for their anniversary. Didn't sound much like a bad patch to me. | 0:37:47 | 0:37:52 | |
OK. I get it. | 0:37:52 | 0:37:54 | |
What's going on? What are you trying to hide? | 0:37:54 | 0:37:56 | |
Why would I be hiding anything? | 0:37:56 | 0:37:58 | |
It's not like we haven't been here before. | 0:37:58 | 0:38:02 | |
BLEEPING | 0:38:02 | 0:38:03 | |
Look. I'm needed up on Keller, so can you prep Olivia for theatre for me, please? | 0:38:04 | 0:38:09 | |
Argh! | 0:38:14 | 0:38:16 | |
Can't you look where you're going?! Stupid girl! Stupid bloody girl! | 0:38:18 | 0:38:23 | |
I'm sorry. | 0:38:26 | 0:38:28 | |
Come Let's get you cleaned up and get you another one. | 0:38:28 | 0:38:32 | |
Draining. | 0:38:33 | 0:38:36 | |
Stats holding up. | 0:38:36 | 0:38:38 | |
Watch yourself, keep up the broad spectrum antibiotics. | 0:38:38 | 0:38:41 | |
BLEEPING | 0:38:41 | 0:38:43 | |
Peri arrest. | 0:38:43 | 0:38:45 | |
She's in septic shock. | 0:38:45 | 0:38:48 | |
No. No, no, Rose, come on, don't do this to me. | 0:38:48 | 0:38:51 | |
Sats looking favourable. | 0:38:51 | 0:38:53 | |
Focus, Ms Shah. | 0:38:56 | 0:38:58 | |
There's a little bit of bleeding. Not too bad suction, please. | 0:39:17 | 0:39:21 | |
See? We can remove any glass once he's stabilised. | 0:39:25 | 0:39:30 | |
Very well done. | 0:39:30 | 0:39:32 | |
Right. Come on! | 0:39:33 | 0:39:35 | |
BLEEPING | 0:39:35 | 0:39:37 | |
Charge. | 0:39:37 | 0:39:38 | |
Clear! | 0:39:38 | 0:39:40 | |
Again. | 0:39:41 | 0:39:43 | |
Clear! | 0:39:44 | 0:39:47 | |
Come on...come on...come on... come on! | 0:39:49 | 0:39:54 | |
She's back. | 0:39:56 | 0:39:58 | |
Give her the good news. | 0:40:07 | 0:40:09 | |
Katie, we've removed the pole and there's no major damage to organs. | 0:40:09 | 0:40:15 | |
Obviously, he'll have to go back into theatre to clear the glass, | 0:40:15 | 0:40:19 | |
but we're happy that we've eliminated the more pressing risk of the pole. | 0:40:19 | 0:40:24 | |
Thank you! | 0:40:24 | 0:40:25 | |
You can go with him. | 0:40:25 | 0:40:27 | |
We made the right call. | 0:40:30 | 0:40:31 | |
-I think we can salvage this. -Seriously? | 0:40:33 | 0:40:35 | |
There's no evidence of any remnants from the original implants. | 0:40:35 | 0:40:39 | |
And this implant is intact. Looks like our abscess was spontaneous. | 0:40:39 | 0:40:43 | |
Right, let's close her up and fix her face while we got her here. | 0:40:43 | 0:40:47 | |
You, my friend, are cooking with gas. | 0:40:47 | 0:40:51 | |
-This isn't a good idea. -Really? Isn't it? | 0:40:53 | 0:40:55 | |
I'll go out to the offy and come straight back. I'll just get another teeny, tiny one of these. | 0:40:55 | 0:40:59 | |
-You lot have stressed me out! -All right, let's get you back into bed. | 0:40:59 | 0:41:03 | |
Or what? | 0:41:03 | 0:41:05 | |
-Listen, Olivia. -"Listen, Olivia!" | 0:41:05 | 0:41:07 | |
Ms Grandage to you! You... You... | 0:41:07 | 0:41:08 | |
Patronising... Don't you look at me like that! | 0:41:08 | 0:41:12 | |
-What's going on? -Oh! There he is! Dr Kildare. -She's been drinking in the toilet. | 0:41:12 | 0:41:16 | |
-She has indeed. Glory be. -Right. | 0:41:16 | 0:41:18 | |
Look at you, Ken and Barbie, Barbie and Ken. | 0:41:18 | 0:41:22 | |
You're too old to be Barbie. Older than him, probably. | 0:41:22 | 0:41:24 | |
Never works, sweetie, especially if the relationship's a bit... | 0:41:24 | 0:41:28 | |
what's the word...declasse? How long do you think till he gets bored of you, eh?! | 0:41:28 | 0:41:33 | |
Look at those shifty eyes. Wake up and smell the coffee. He hasn't looked you in the eye all day. | 0:41:33 | 0:41:38 | |
-Either having cold feet or he's a shagger. Or both... -Right, that's it. Get back into bed. | 0:41:38 | 0:41:44 | |
-You're embarrassing yourself. -Oh I am, am I? | 0:41:44 | 0:41:47 | |
Oh, um, I want 15 minute obs and half hourly gases. | 0:41:57 | 0:42:02 | |
-Keep me informed at all times. -Of course. | 0:42:02 | 0:42:04 | |
Thank you. Thhhlakey. | 0:42:04 | 0:42:06 | |
Ms Shah. I wanted to apologise. | 0:42:06 | 0:42:10 | |
No, no, there's no need... | 0:42:10 | 0:42:13 | |
Yes, there is. You've been... very kind. | 0:42:13 | 0:42:15 | |
I only wish I could do more. | 0:42:15 | 0:42:17 | |
You can. | 0:42:17 | 0:42:18 | |
I want to see Gavin. | 0:42:18 | 0:42:21 | |
All right, what is it? | 0:42:32 | 0:42:34 | |
A disco. | 0:42:34 | 0:42:36 | |
-Jeez, you queens. -Queens? -It's just in your DNA, isn't it? | 0:42:36 | 0:42:40 | |
You can't wait till Saturday night?! | 0:42:40 | 0:42:42 | |
And you are such an ignorant Yank. It's an acronym, I just made it up. | 0:42:42 | 0:42:45 | |
Abscess draining implant saving cosmetic operation. As patented by The Spence. | 0:42:45 | 0:42:50 | |
All right. I like it. | 0:42:50 | 0:42:52 | |
But you do realise that guys who put the definite article in front of their names | 0:42:52 | 0:42:56 | |
-are officially card-carrying a-holes. -Hey. If the cap fits... | 0:42:56 | 0:43:00 | |
Bite me, Malick. | 0:43:00 | 0:43:01 | |
I woke up bored this morning. | 0:43:23 | 0:43:25 | |
Every morning I woke up... | 0:43:28 | 0:43:31 | |
Bored. | 0:43:31 | 0:43:33 | |
What I wouldn't give to wake up bored tomorrow... | 0:43:36 | 0:43:40 | |
I was dreaming of a different life. | 0:43:44 | 0:43:47 | |
Big change, something to... | 0:43:47 | 0:43:50 | |
Something. | 0:43:52 | 0:43:53 | |
But I felt so...stifled... | 0:43:57 | 0:44:02 | |
And when you said before... that it was Gavin, not Woody... | 0:44:08 | 0:44:14 | |
I felt relieved. | 0:44:14 | 0:44:17 | |
Cos if one of them had to go, please God don't let it be Woody... | 0:44:17 | 0:44:21 | |
How awful is that? | 0:44:21 | 0:44:24 | |
It is. It's terrible. | 0:44:26 | 0:44:29 | |
A terrible thing to feel. | 0:44:30 | 0:44:32 | |
No. | 0:44:32 | 0:44:34 | |
No, you're a mother. | 0:44:34 | 0:44:36 | |
I let him make all the decisions, then I blamed him for it... | 0:44:36 | 0:44:39 | |
I'm really sorry. | 0:44:51 | 0:44:53 | |
You know that nothing she said is true. | 0:44:53 | 0:44:57 | |
It's always two steps forward, one step back with you. | 0:44:57 | 0:45:00 | |
I think I know where I am, and then... | 0:45:00 | 0:45:03 | |
some fib comes up, some... missing link in the story, and then I'm lost again. | 0:45:03 | 0:45:10 | |
I'm not sure I can live this way. | 0:45:11 | 0:45:13 | |
Hey. Just to let you know, he's stable. | 0:45:17 | 0:45:21 | |
Thank you. | 0:45:21 | 0:45:22 | |
Cor, you look knackered. | 0:45:22 | 0:45:24 | |
I'm getting a coffee. | 0:45:24 | 0:45:27 | |
-Do you fancy one? -Yeah. Americano. One sugar, please. | 0:45:27 | 0:45:32 | |
So. He's out, I hear. | 0:45:32 | 0:45:34 | |
Hey. I know you didn't get your moment in there today, but... | 0:45:34 | 0:45:37 | |
I'm not bothered about that. I'm thinking of other things. | 0:45:37 | 0:45:40 | |
What other things? | 0:45:40 | 0:45:41 | |
-Like the meaning of life and the universe and why we're here? -No. | 0:45:41 | 0:45:44 | |
More like the meaning of my life and why I'm here. | 0:45:44 | 0:45:48 | |
Oh, come on. | 0:45:48 | 0:45:49 | |
No, I'm serious. What am I doing? You only live once, right, | 0:45:49 | 0:45:53 | |
And your family can be snatched away from you at any moment. | 0:45:53 | 0:45:57 | |
You now, Ravi's been putting feelers out there for work | 0:45:57 | 0:46:00 | |
and I'm thinking maybe it's time to do the swap thing. | 0:46:00 | 0:46:03 | |
You are joking me! | 0:46:03 | 0:46:05 | |
No, really! I never get to see my kids. | 0:46:05 | 0:46:07 | |
I've given so much of myself to this place, and for what?! | 0:46:07 | 0:46:12 | |
What's really keeping me here? | 0:46:12 | 0:46:14 | |
What do you mean? | 0:46:14 | 0:46:16 | |
-Because people want you here. -No. But is it really worth it? | 0:46:18 | 0:46:23 | |
Maybe I'm wasting my time. Maybe... | 0:46:23 | 0:46:26 | |
BLEEPING | 0:46:26 | 0:46:27 | |
Oh, God, no! Woody! Woody! | 0:46:33 | 0:46:36 | |
Get a crash team! Now! | 0:46:36 | 0:46:38 | |
-Glass must have migrated. -What's happening? | 0:46:38 | 0:46:41 | |
This is what you were afraid of, isn't it? Tell me! | 0:46:43 | 0:46:48 | |
We need to get him to theatre. Henrik! Mr Hanssen! | 0:46:48 | 0:46:52 | |
Right. | 0:46:54 | 0:46:55 | |
Charging to 100. | 0:46:57 | 0:47:00 | |
Clear! | 0:47:00 | 0:47:01 | |
And again. | 0:47:02 | 0:47:04 | |
Clear. | 0:47:05 | 0:47:06 | |
Right. Let's go. | 0:47:11 | 0:47:14 | |
Your operation's rescheduled for tomorrow. | 0:47:19 | 0:47:22 | |
You know you're slowly killing yourself. | 0:47:31 | 0:47:34 | |
I know what I am. And I know who I am. | 0:47:34 | 0:47:38 | |
Can you say the same thing? | 0:47:38 | 0:47:40 | |
I want to talk. | 0:47:58 | 0:47:59 | |
We'll put him on bypass. | 0:47:59 | 0:48:01 | |
We did the right thing, I think. | 0:48:06 | 0:48:08 | |
There was no way of knowing. | 0:48:08 | 0:48:12 | |
No, we took the safe option. | 0:48:12 | 0:48:15 | |
The patient needed us to be bold, to take a risk. | 0:48:15 | 0:48:18 | |
I didn't fight you hard enough. | 0:48:18 | 0:48:21 | |
Look, I know you have a lot on your plate at the moment. | 0:48:22 | 0:48:26 | |
I can't imagine the kind of pressure you're under, | 0:48:26 | 0:48:29 | |
but if you start losing your nerve, we're all finished. | 0:48:29 | 0:48:33 | |
See you on the ice. | 0:48:33 | 0:48:35 | |
Well, we've drained the abscess and managed to save the implant. | 0:48:43 | 0:48:48 | |
I know. Your registrar told me. | 0:48:48 | 0:48:50 | |
And I know it had nothing to do with you. | 0:48:52 | 0:48:55 | |
For what it's worth, I don't think it matters. You were right. | 0:48:55 | 0:48:59 | |
No. If there's anyone to blame, it's me. | 0:48:59 | 0:49:02 | |
If she was having these fits, I should have noticed. She could have died. | 0:49:02 | 0:49:07 | |
Brendan. | 0:49:07 | 0:49:09 | |
She's not a kid. And there's no way you could have known. | 0:49:09 | 0:49:14 | |
-She's carrying a lot of baggage... -Right. | 0:49:14 | 0:49:17 | |
I don't know how to fix that. | 0:49:17 | 0:49:20 | |
Forceps. | 0:49:24 | 0:49:25 | |
We have to be quick, Mr Hanssen. | 0:49:28 | 0:49:31 | |
Right. | 0:49:37 | 0:49:39 | |
That's right. | 0:49:39 | 0:49:42 | |
That's it. | 0:49:42 | 0:49:44 | |
All right, I think I've got hold of it. Just don't move the heart. | 0:49:44 | 0:49:50 | |
This piece is in danger of going into the oesophagus. Right. | 0:49:50 | 0:49:56 | |
-OK. -Wait, there's another piece of glass there. | 0:49:56 | 0:49:59 | |
Down on the flow, please. | 0:49:59 | 0:50:00 | |
There we are, got it. | 0:50:06 | 0:50:08 | |
There's a bleed. | 0:50:11 | 0:50:12 | |
Nice and calm, everyone. | 0:50:12 | 0:50:15 | |
OK, you stitch from your side, it's easier, I'll hold the heart. | 0:50:15 | 0:50:18 | |
Right. | 0:50:18 | 0:50:20 | |
One more. | 0:50:36 | 0:50:37 | |
OK... Good. | 0:50:37 | 0:50:41 | |
Paddles. | 0:50:41 | 0:50:43 | |
Let's get him off bypass. | 0:50:52 | 0:50:56 | |
Look, what I'm about to tell you makes no difference to us, | 0:51:06 | 0:51:13 | |
how I feel about you, marrying you, but I don't want us to have any secrets from each other. | 0:51:13 | 0:51:18 | |
And... | 0:51:18 | 0:51:19 | |
What is it? Is there someone else? | 0:51:21 | 0:51:25 | |
No! God! No! How could there be? | 0:51:25 | 0:51:29 | |
I love you, Chrissie. | 0:51:29 | 0:51:32 | |
Well, then what? What have you done? | 0:51:32 | 0:51:35 | |
I haven't done anything. It's not about what I've done. | 0:51:35 | 0:51:38 | |
It's... | 0:51:38 | 0:51:39 | |
I've never really acted on it. That's the point. | 0:51:42 | 0:51:45 | |
You have to believe me when I say that. And I never will. | 0:51:45 | 0:51:48 | |
Dan, what are you trying to tell me? | 0:51:50 | 0:51:53 | |
That you're attracted to other women, is that it? | 0:51:53 | 0:51:57 | |
Cos if it is, I mean, that's normal. It would be weird if you weren't. | 0:51:57 | 0:52:01 | |
Not women. | 0:52:01 | 0:52:03 | |
Not just women. | 0:52:06 | 0:52:08 | |
What? | 0:52:11 | 0:52:14 | |
Dan, if this is a joke, it really isn't very funny. | 0:52:19 | 0:52:23 | |
-Who? -Does it matter? What's that got to...? | 0:52:25 | 0:52:28 | |
Chrissie. | 0:52:36 | 0:52:37 | |
Chrissie, wait... | 0:52:38 | 0:52:40 | |
-Where's Brendan? -He's getting some air. He's kind of upset, he's blaming himself. | 0:52:47 | 0:52:53 | |
That's ridiculous. | 0:52:53 | 0:52:55 | |
Well, I guess that's just the kind of guy he is. | 0:52:55 | 0:52:58 | |
Hey, Rose, listen. | 0:52:58 | 0:53:01 | |
There is no curse on you. | 0:53:02 | 0:53:05 | |
What happened to your mother, to your grandmother, isn't going to happen to you. | 0:53:05 | 0:53:09 | |
Now, you've got a guy out there who really cares for you. I think it's time to move on. | 0:53:09 | 0:53:14 | |
I'll try, if you do. | 0:53:14 | 0:53:17 | |
When did you last get a good night's sleep? | 0:53:19 | 0:53:21 | |
Well, you don't miss much, do you? | 0:53:23 | 0:53:25 | |
Nice hot bath, cup of camomile, my mum always swore by it. | 0:53:25 | 0:53:30 | |
Zap those bags under your eyes, or you won't hold on to that new boyfriend. | 0:53:30 | 0:53:36 | |
-And as if by magic. -Huh? | 0:53:36 | 0:53:39 | |
Nothing. | 0:53:39 | 0:53:40 | |
How is he? | 0:53:47 | 0:53:48 | |
Yeah, he's OK. | 0:53:48 | 0:53:49 | |
So, come on, dish. Is it true you said, see you on the ice? | 0:53:50 | 0:53:55 | |
Oh, what I wouldn't have given to see the Swede getting a taste of his own medicine! | 0:53:55 | 0:53:59 | |
I don't know how to tell him... | 0:54:15 | 0:54:18 | |
I don't think I can cope. | 0:54:21 | 0:54:25 | |
I don't think he will... | 0:54:29 | 0:54:30 | |
Without his Dad. I... | 0:54:30 | 0:54:33 | |
You will. You both will. | 0:54:35 | 0:54:38 | |
Did you ever think you could cope through a day like today? | 0:54:39 | 0:54:44 | |
But you did, right? | 0:54:45 | 0:54:46 | |
So whatever happened to that lap common bile duct exploration? | 0:55:02 | 0:55:06 | |
Don't worry. Mr Hanssen has suddenly decided that he can be bothered to lift a scalpel after all. | 0:55:06 | 0:55:11 | |
Tell him we'll do it. | 0:55:11 | 0:55:12 | |
Now? | 0:55:12 | 0:55:14 | |
Yeah. Give me a couple of hours. I've got a date. | 0:55:14 | 0:55:17 | |
-What, you mean someone's actually desperate enough? -Ha ha ha ha! | 0:55:17 | 0:55:21 | |
Where's Dad? | 0:55:35 | 0:55:37 | |
Ms Shah. | 0:56:28 | 0:56:29 | |
I really don't know what astounds me more, what people classify as chocolate in this country | 0:56:29 | 0:56:35 | |
or that such an intelligent woman chooses to devour the quantities you do. | 0:56:35 | 0:56:39 | |
Oh, c'mon. You only live once. | 0:56:39 | 0:56:41 | |
You've gotta walk on the wild side now and again. | 0:56:41 | 0:56:43 | |
You did well today. | 0:56:43 | 0:56:45 | |
In theatre. | 0:56:45 | 0:56:46 | |
I... | 0:56:46 | 0:56:48 | |
It was much appreciated. | 0:56:52 | 0:56:55 | |
-That's what I'm here for. -Very well. | 0:56:55 | 0:56:59 | |
Onwards. | 0:56:59 | 0:57:00 | |
Subtitles by Red Bee Media Ltd | 0:57:20 | 0:57:22 | |
E-mail [email protected] | 0:57:22 | 0:57:24 |