Browse content similar to Hallelujah. Check below for episodes and series from the same categories and more!
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-Friends? -Yeah, without benefits. -Don't be silly. | 0:00:01 | 0:00:04 | |
Embrace the tempestuous mistress that is love. | 0:00:04 | 0:00:07 | |
You clearly still like her. | 0:00:07 | 0:00:08 | |
She's been through the mill a lot recently. | 0:00:08 | 0:00:10 | |
I really feel a bit of space would do her good. | 0:00:10 | 0:00:12 | |
I'll give you until Christmas Eve. Otherwise, it's open season. | 0:00:12 | 0:00:15 | |
-I was thinking of going for a drink later. -Really? | 0:00:15 | 0:00:18 | |
Congratulations. | 0:00:18 | 0:00:19 | |
You are officially this hospital's Foundation Doctor Representative. | 0:00:19 | 0:00:23 | |
Yes! Yes! I won't let you down! | 0:00:23 | 0:00:27 | |
Your symptoms are consistent with a morphine overdose. | 0:00:27 | 0:00:30 | |
I'm trying to stop. | 0:00:30 | 0:00:31 | |
-You mean I can come home with you? -No girls, boys or booze. | 0:00:31 | 0:00:36 | |
You follow these rules and we'll get along fine. | 0:00:36 | 0:00:38 | |
OK. Go, go, go! | 0:01:21 | 0:01:23 | |
Thank you. | 0:01:28 | 0:01:30 | |
-Wow! -Mo texted. | 0:01:31 | 0:01:33 | |
-Out last night? -Tricuspid valve referral from AAU. | 0:01:33 | 0:01:37 | |
So this is a "walk of shame", is it? | 0:01:37 | 0:01:39 | |
Does this look like shame? | 0:01:41 | 0:01:44 | |
Don't ask. I won't lie. | 0:01:44 | 0:01:47 | |
-Alex? -Ha! You wish. | 0:01:47 | 0:01:49 | |
Why would I wish? I mean, they guy's an absolute... | 0:01:49 | 0:01:51 | |
You know what, as a work colleague/friend, | 0:01:51 | 0:01:54 | |
you really are extraordinarily interested in my private life. | 0:01:54 | 0:01:56 | |
-No. -No? | 0:01:56 | 0:01:58 | |
-I don't get it, don't see the point. -Of? | 0:02:01 | 0:02:04 | |
-Breadsticks. -Grissini. -Stale sticks of bread. | 0:02:04 | 0:02:07 | |
Baked in Turin. Delicious, light as air. | 0:02:07 | 0:02:10 | |
Perfect for dipping in an olive tapenade with Parmigianino. | 0:02:10 | 0:02:12 | |
Like eating old pencils. | 0:02:12 | 0:02:14 | |
Hey. Excuse me, we open the box, we finish the box. | 0:02:16 | 0:02:19 | |
You said you don't like them. | 0:02:19 | 0:02:20 | |
"Don't see the point" doesn't mean I won't eat them. | 0:02:20 | 0:02:22 | |
Hi, Mo. Ciao, Matteo. | 0:02:22 | 0:02:25 | |
Ciao, bella... | 0:02:25 | 0:02:26 | |
If you want to enjoy "delicious" breadsticks you're going to | 0:02:28 | 0:02:31 | |
have to lift your jaw off the floor, mi amour. | 0:02:31 | 0:02:33 | |
Morning. | 0:02:38 | 0:02:40 | |
SHE SCREAMS | 0:02:44 | 0:02:47 | |
Whoa, sorry about that. | 0:03:00 | 0:03:03 | |
SCREAMING CONTINUES | 0:03:03 | 0:03:05 | |
Hello there, Evil Knieval. | 0:03:05 | 0:03:07 | |
There's me thinking it was just him that was going through the mid-life crisis. | 0:03:07 | 0:03:10 | |
Hey. Did I see you on the roof? | 0:03:18 | 0:03:20 | |
No. | 0:03:20 | 0:03:21 | |
-I so did. What were you doing? -I was screaming. | 0:03:21 | 0:03:26 | |
-For any particular reason? -Sometimes I use scream therapy. | 0:03:26 | 0:03:30 | |
Don't laugh. It's a release, it helps me focus. | 0:03:32 | 0:03:37 | |
-I never had you down as a screamer. -Oi! | 0:03:37 | 0:03:39 | |
What? I meant roller-coasters and suchlike. | 0:03:39 | 0:03:42 | |
-Get your mind out of the gutter, Morven. -Yeah, right. | 0:03:42 | 0:03:45 | |
-There's an inappropriate work relationship waiting to happen. -No! | 0:03:47 | 0:03:51 | |
What? You don't think he's good enough for her? | 0:03:53 | 0:03:55 | |
No, it's not that. It's just that Morven's got very particular tastes. | 0:03:55 | 0:03:59 | |
So did you once. Runs in the family...irresistibility. | 0:03:59 | 0:04:04 | |
You confident enough to bet on it? | 0:04:04 | 0:04:07 | |
# Hallelujah, Hallelujah | 0:04:10 | 0:04:13 | |
# Hallelujah, Hallelujah Hallelujah... # | 0:04:13 | 0:04:16 | |
Somebody's been gargling with Christmas spirit. | 0:04:16 | 0:04:19 | |
# For the Lord God omnipotent reigneth! # | 0:04:19 | 0:04:22 | |
So are you looking forward to the Messiah? | 0:04:22 | 0:04:26 | |
-I see myself as more of a visual artist, actually. -Since when? | 0:04:26 | 0:04:29 | |
Since always. I'll show you. | 0:04:29 | 0:04:31 | |
-What's this? -Dom's artistry. -There he is. | 0:04:33 | 0:04:36 | |
He's had one too many Christmas carrots and oh, no! | 0:04:36 | 0:04:39 | |
Look, he's doing a poo on the lawn. | 0:04:39 | 0:04:42 | |
-Your skills are wasted as a surgeon. Wasted. -Thanks. | 0:04:42 | 0:04:46 | |
Well, once I get back from this ghastly course I should have | 0:04:46 | 0:04:49 | |
a few more masterpieces to show you. | 0:04:49 | 0:04:52 | |
-Yes! -Thank you for your enthusiasm. -I meant this. | 0:04:52 | 0:04:55 | |
I have just secured two much-in-demand tickets for the ComiCraft Convention. | 0:04:55 | 0:04:59 | |
I'm taking Parker this weekend. | 0:04:59 | 0:05:02 | |
Oh, and his mum is in for dialysis later. | 0:05:02 | 0:05:04 | |
Wow, you must really love that kid | 0:05:04 | 0:05:06 | |
to spend several hours in a convention centre with | 0:05:06 | 0:05:08 | |
so many undiagnosed skin conditions. | 0:05:08 | 0:05:11 | |
I've really enjoyed having him around. | 0:05:11 | 0:05:13 | |
And not everyone wants to spend their life in trackie bottoms | 0:05:13 | 0:05:17 | |
watching box-sets and eating posh crisps. | 0:05:17 | 0:05:19 | |
I do. Ah, crisps! Sounds amazing | 0:05:19 | 0:05:22 | |
# Last Christmas I gave you my heart | 0:05:25 | 0:05:28 | |
# But the very next day you gave it away... # | 0:05:28 | 0:05:30 | |
No. No. No. You two. | 0:05:30 | 0:05:32 | |
You see, you have rotted your souls with saccharine pop music. | 0:05:32 | 0:05:36 | |
-Come on, the Messiah? -A work of pious genius. | 0:05:36 | 0:05:39 | |
-It's not exactly Christmassy. -It's entirely all about... | 0:05:39 | 0:05:41 | |
Anyone at all interested in doing any work? AAU are sending up... | 0:05:41 | 0:05:44 | |
We're rehearsing, actually. | 0:05:44 | 0:05:46 | |
That was not a rehearsal. It was a warm up. | 0:05:46 | 0:05:48 | |
-The Messiah. -By Handel. | 0:05:48 | 0:05:49 | |
Suspected heart attack... | 0:05:49 | 0:05:51 | |
Ah, yes. Coming to the right place. | 0:05:51 | 0:05:53 | |
Some sort of sportsman, I think. Some athlete. | 0:05:53 | 0:05:56 | |
Collected by paramedics from Holby Sports Arena. | 0:05:58 | 0:06:01 | |
Huge hairy rugby player with tree-trunk legs? | 0:06:01 | 0:06:03 | |
Collapsed in stadium during a sporting event. | 0:06:03 | 0:06:05 | |
Basketball player. Seven-foot tall, long, lithe. | 0:06:05 | 0:06:09 | |
Listen to them, Mr Valentine. | 0:06:09 | 0:06:11 | |
Tell me, when did gender equality become so unequal? | 0:06:11 | 0:06:14 | |
Well, Holby City is an equal-opportunities employer. | 0:06:14 | 0:06:18 | |
I have been informed by British HR consultants that to even tell | 0:06:18 | 0:06:21 | |
-a co-worker how radiantly beautiful she looks today is wrong. -It is. | 0:06:21 | 0:06:26 | |
Ah, but women can now say they would like to ogle the thighs of | 0:06:26 | 0:06:31 | |
a rugby player. | 0:06:31 | 0:06:32 | |
Looks like our hot athlete has arrived. | 0:06:33 | 0:06:35 | |
What the hell you punks looking at?! | 0:06:39 | 0:06:42 | |
Thanks for letting me know. OK, bye. | 0:06:42 | 0:06:46 | |
Right. Listen up, people. I need all available nurses, OK. | 0:06:46 | 0:06:49 | |
Keep that bay clear, please. We need to set up for an immediate blood transfusion. | 0:06:49 | 0:06:52 | |
Has there been an incident? | 0:06:52 | 0:06:54 | |
Maria, don't you worry. Bay 4 is clear. | 0:06:54 | 0:06:57 | |
You don't need to talk if you don't feel up to it. | 0:06:57 | 0:07:00 | |
I'm fine. Don't fuss. | 0:07:00 | 0:07:01 | |
Does it really take two surgeons just to wheel my trolley? | 0:07:03 | 0:07:06 | |
I'm not just a surgeon, I'm your nephew. | 0:07:06 | 0:07:08 | |
-What happened? -I fainted. | 0:07:10 | 0:07:15 | |
Essie, we're going to need to do an immediate blood transfusion. | 0:07:15 | 0:07:17 | |
Yeah, I'm on it. | 0:07:17 | 0:07:18 | |
She's got a raised heart rate, as well. | 0:07:18 | 0:07:21 | |
The transfusion should make you feel better very soon. | 0:07:21 | 0:07:24 | |
Yes, I know, I know. | 0:07:24 | 0:07:27 | |
You know? What do you mean, you know? | 0:07:27 | 0:07:29 | |
Sacha, I think you should take a look at this. | 0:07:29 | 0:07:32 | |
-What is it? -Four transfusions in five months?! | 0:07:33 | 0:07:36 | |
The neighbours will be terrified when they learn about | 0:07:36 | 0:07:39 | |
my thirst for blood. | 0:07:39 | 0:07:40 | |
This isn't a laughing matter. | 0:07:40 | 0:07:42 | |
Sacha, everything is a laughing matter. | 0:07:42 | 0:07:44 | |
We need to find the source of this bleeding. | 0:07:44 | 0:07:47 | |
-I suggest that we do a capsule endoscopy. -Yes. | 0:07:47 | 0:07:49 | |
-That won't be necessary. -I know it sounds intimidating, | 0:07:49 | 0:07:52 | |
but it's a straightforward procedure. | 0:07:52 | 0:07:54 | |
It means swallowing a tiny camera. | 0:07:54 | 0:07:55 | |
-Yes, I know what it means. I had one last week. -What? | 0:07:55 | 0:08:00 | |
Well, I'll chase the results. | 0:08:00 | 0:08:03 | |
-Why didn't you talk to me? -Why bother you? | 0:08:04 | 0:08:07 | |
It's not exactly the kind of | 0:08:07 | 0:08:08 | |
photographs you frame over the mantelpiece. | 0:08:08 | 0:08:11 | |
So your first day as Foundation Doctor Representative. Ready for it? | 0:08:13 | 0:08:16 | |
Absolutely. I've prepared some reading materials. | 0:08:16 | 0:08:20 | |
Some worst-case scenarios. Case studies. Best practice. | 0:08:20 | 0:08:23 | |
If I were you, I'd save the worst-case scenarios for later. | 0:08:23 | 0:08:26 | |
-Do keep the introductions low key. -Low key. Absolutely. | 0:08:26 | 0:08:29 | |
Attention, please. Can I have everybody's attention? | 0:08:30 | 0:08:33 | |
Hi, I would like to welcome you all to AAU. | 0:08:35 | 0:08:41 | |
The hub. The heart. The epicentre. | 0:08:41 | 0:08:45 | |
Now, I know you've all left med school thinking you know everything... | 0:08:46 | 0:08:51 | |
..but this is where the philosophising ends | 0:08:52 | 0:08:55 | |
and the real learning begins. | 0:08:55 | 0:08:57 | |
So to mark this monumental day, | 0:08:57 | 0:09:00 | |
I have a very special first patient for you. | 0:09:00 | 0:09:04 | |
If you'd like to follow me. Come on | 0:09:04 | 0:09:07 | |
A grudge match, huh? | 0:09:10 | 0:09:12 | |
AMERICAN ACCENT: Grudge ain't a big enough a word for it. | 0:09:12 | 0:09:14 | |
-"Enrique the Embalmer versus..." -"Monty the Python". | 0:09:14 | 0:09:17 | |
My name should have come first! | 0:09:17 | 0:09:19 | |
-So you're... -Monty...? -The Python? | 0:09:19 | 0:09:22 | |
Don't pretend you ain't heard of me, sonny. It ain't cool. | 0:09:22 | 0:09:25 | |
No...I actually haven't. | 0:09:25 | 0:09:27 | |
Promoter promised me, "Monty the Python versus Enrique the Embalmer - | 0:09:27 | 0:09:33 | |
"Grudge Match of the Millennium!" | 0:09:33 | 0:09:35 | |
-I see. -You are a wrestler? | 0:09:37 | 0:09:39 | |
-You betcha. A killer. -People die? | 0:09:39 | 0:09:41 | |
They're not real fights, they're staged. Like play-acting. | 0:09:41 | 0:09:45 | |
You watch your mouth. | 0:09:45 | 0:09:47 | |
Sorry, you don't look like someone who's just had a heart attack. | 0:09:47 | 0:09:50 | |
Maybe he's about to have one. | 0:09:50 | 0:09:52 | |
Well, believe me, little missy, I know pain and the pain that | 0:09:52 | 0:09:57 | |
gripped my chest, it was excruciating. | 0:09:57 | 0:10:01 | |
"Little Missy"? So are you from Texas or somewhere? | 0:10:01 | 0:10:04 | |
Somewhere, that's for certain... sure am. | 0:10:04 | 0:10:09 | |
I've just seen from your notes that your real name isn't Monty... | 0:10:09 | 0:10:12 | |
Oh, you think Enrique is really Enrique? | 0:10:12 | 0:10:14 | |
So you want us to call you... | 0:10:14 | 0:10:16 | |
Keith. You're not an American, you're from Basildon in Essex. | 0:10:16 | 0:10:20 | |
ESSEX ACCENT: Well, you know, the career, the image, | 0:10:22 | 0:10:26 | |
-it takes certain embellishment, like. -And the snake? | 0:10:26 | 0:10:30 | |
It's rubber. It's health and safety, isn't it? | 0:10:37 | 0:10:40 | |
It seems that you have angiodysplasia. | 0:10:41 | 0:10:44 | |
That's a vascular malformation of the gut and that's what's | 0:10:44 | 0:10:47 | |
causing the bleeding. | 0:10:47 | 0:10:49 | |
Now we know what it is, what are we going to do about it? | 0:10:49 | 0:10:52 | |
Well, that's your decision. | 0:10:52 | 0:10:53 | |
We could take you into theatre today and perform a bowel resection. | 0:10:53 | 0:10:58 | |
That's a relatively straightforward procedure. | 0:10:58 | 0:11:01 | |
But, of course, as with any surgery, it does carry risks, | 0:11:01 | 0:11:04 | |
especially in the more mature patient. | 0:11:04 | 0:11:08 | |
Alternatively, we could continue with regular blood transfusions | 0:11:08 | 0:11:12 | |
and that will help to control the symptoms of anaemia. | 0:11:12 | 0:11:16 | |
-I'll leave you two to talk it through. -Thank you. | 0:11:16 | 0:11:19 | |
Right, come on. Let's do a pros-and-cons list. | 0:11:21 | 0:11:23 | |
My decision, Mr Griffin said. | 0:11:23 | 0:11:25 | |
-He also said we should talk it through. -Sacha, I know you. | 0:11:25 | 0:11:27 | |
You're going to tell me that surgery is too risky. | 0:11:27 | 0:11:30 | |
At your age, the chances of having a heart attack | 0:11:30 | 0:11:33 | |
on the operating table are massively increased. | 0:11:33 | 0:11:36 | |
There is a chance you could have a colostomy bag or a stoma, | 0:11:36 | 0:11:39 | |
there's post-op infections, there's pneumonia... | 0:11:39 | 0:11:42 | |
I just want you to know that there are risks attached to this surgery. | 0:11:42 | 0:11:47 | |
-OK? -Sacha, it is not your body. | 0:11:47 | 0:11:49 | |
I don't want to waste the last years of my life sitting through | 0:11:49 | 0:11:53 | |
endless transfusions. | 0:11:53 | 0:11:55 | |
I'm here with you now. I can be with you. | 0:11:57 | 0:11:59 | |
I can sit here with you. You know, we can chat. | 0:11:59 | 0:12:03 | |
Don't laugh! It'll be fun. | 0:12:03 | 0:12:05 | |
You know, a bit of auntie-nephew bonding time. | 0:12:05 | 0:12:08 | |
Once, I rode a motorcycle 2,000 miles down Route 66. | 0:12:09 | 0:12:14 | |
Now you tell me that blood transfusions will be fun? | 0:12:16 | 0:12:21 | |
Sacha, please. | 0:12:21 | 0:12:23 | |
Leave my decisions to me. | 0:12:23 | 0:12:24 | |
Am I going mad or is that an empty bed? | 0:12:31 | 0:12:33 | |
What are you doing? | 0:12:35 | 0:12:36 | |
SHE CRIES OUT | 0:12:36 | 0:12:37 | |
I've got abdominal pains! Nausea. Vomiting! | 0:12:37 | 0:12:41 | |
-There's blood in my stool. -Is this for real? | 0:12:41 | 0:12:44 | |
You know there are actual patients we could be treating. | 0:12:44 | 0:12:46 | |
This is absolutely for real, Cameron. | 0:12:46 | 0:12:48 | |
You can start by telling me what tests we need to run. | 0:12:48 | 0:12:50 | |
-Well, U&Es, FBCs. Obviously. -Yes, and? | 0:12:50 | 0:12:53 | |
Ultrasound scan. Possibly an abdominal X-ray. | 0:12:53 | 0:12:55 | |
And what are your initial thoughts on a diagnosis? | 0:12:55 | 0:12:58 | |
Morven, I am totally on board with this but I've have just | 0:12:59 | 0:13:03 | |
remembered something I urgently need to follow up on. | 0:13:03 | 0:13:05 | |
-Can't it wait? -Honestly? No. | 0:13:05 | 0:13:07 | |
Fine. But I want you back here as soon as possible. You're up. | 0:13:07 | 0:13:10 | |
-Hey! I just thought I'd come and say hello. -How's Parker? | 0:13:11 | 0:13:15 | |
He's fine. Brilliant. Eating me out of house and home. | 0:13:15 | 0:13:18 | |
What is it with boys and cereal? | 0:13:18 | 0:13:20 | |
Kim, hi. So, how are you feeling? | 0:13:22 | 0:13:25 | |
That depends on what you're about to tell me. | 0:13:25 | 0:13:27 | |
Well, we have the results of your latest urine and blood samples | 0:13:27 | 0:13:30 | |
and your creatinine clearance has increased. | 0:13:30 | 0:13:33 | |
In fact, all signs indicate that your kidneys are starting to | 0:13:33 | 0:13:35 | |
regain function. | 0:13:35 | 0:13:37 | |
Which means we might be able to take you off the transplant list. | 0:13:37 | 0:13:41 | |
That's so good. Thank you. Thank you so much. | 0:13:41 | 0:13:44 | |
We're going to have to continue with the dialysis but if things | 0:13:44 | 0:13:48 | |
carry on like this, then everything's looking very positive. | 0:13:48 | 0:13:50 | |
Thank you! I can't wait to tell Parker. | 0:13:50 | 0:13:54 | |
I can't tell you how good it will be to have him home again. | 0:13:54 | 0:13:58 | |
We'll leave you in peace. | 0:13:58 | 0:13:59 | |
No more queueing for the bathroom at your gaff. | 0:14:05 | 0:14:07 | |
Are you going to miss him? | 0:14:07 | 0:14:09 | |
-Yeah. Good kid. And Maria liked him. -Maria? | 0:14:09 | 0:14:13 | |
I did some shopping for her the other day and Parker had some | 0:14:15 | 0:14:18 | |
questions about a history project. | 0:14:18 | 0:14:20 | |
And it was nice, until she started to teach him poker. | 0:14:20 | 0:14:24 | |
Can you believe he can dance salsa and merengue? | 0:14:35 | 0:14:38 | |
-Really? -Mmm. | 0:14:38 | 0:14:40 | |
So cool. I'd love to be able to dance salsa properly. | 0:14:40 | 0:14:43 | |
Are you going to zap me? Because if you're going to zap me you've got to tell me | 0:14:44 | 0:14:47 | |
-when you're going to zap me. -No, this isn't... | 0:14:47 | 0:14:49 | |
I don't like electricity at all. | 0:14:49 | 0:14:51 | |
-This is the opposite, Keith. -It's OK. You can call me Monty. | 0:14:51 | 0:14:54 | |
Right. Well, we're just trying to measure | 0:14:54 | 0:14:56 | |
your heart's electrical output. | 0:14:56 | 0:14:58 | |
-It's not the "charge to 180!" thing they do on ER? -No, look. | 0:14:58 | 0:15:03 | |
A normal heart has a certain electrical signature. | 0:15:03 | 0:15:07 | |
So any abnormalities show up and show us what's going on in there. | 0:15:07 | 0:15:11 | |
If there's any cholesterol blocking an artery, if a chamber has been enlarged. | 0:15:11 | 0:15:14 | |
Or, if you've had a heart attack... | 0:15:14 | 0:15:16 | |
And? | 0:15:17 | 0:15:18 | |
What do you think? | 0:15:20 | 0:15:22 | |
I think it looks fairly normal to me. Normal sinus rhythm. | 0:15:22 | 0:15:26 | |
No STT changes. No evidence of infarction or ischemia. | 0:15:26 | 0:15:29 | |
Surprised you've got time for that. | 0:15:33 | 0:15:35 | |
Didn't think you had time to breathe on AAU. | 0:15:35 | 0:15:38 | |
Please. I need the caffeine to keep me awake. | 0:15:38 | 0:15:40 | |
Morven has got us diagnosing imaginary patients. | 0:15:40 | 0:15:42 | |
What do you mean imaginary? | 0:15:42 | 0:15:43 | |
Actually, it's worse than that. We're role playing. | 0:15:43 | 0:15:46 | |
A couple of weeks ago I was diagnosing this woman that | 0:15:46 | 0:15:48 | |
didn't realise she had gone blind - | 0:15:48 | 0:15:50 | |
a spot that even the great Bernie Wolfe missed - | 0:15:50 | 0:15:52 | |
and now here I am diagnosing Morven the Method Actor's dickey tummy. | 0:15:52 | 0:15:55 | |
You leave her alone. | 0:15:55 | 0:15:58 | |
Morven might be a geek, but she is my geek and I wouldn't have | 0:15:58 | 0:16:01 | |
her any other way. | 0:16:01 | 0:16:02 | |
Yeah, I guess there is something endearing about it. | 0:16:04 | 0:16:07 | |
I've got a present for you. | 0:16:07 | 0:16:10 | |
-ComiCraft Convention. It should be you taking him. -Lucky me(!) | 0:16:10 | 0:16:15 | |
It'll be worth it when you see the look on his face. | 0:16:15 | 0:16:19 | |
Shall I put them in here? | 0:16:19 | 0:16:21 | |
Tramadol? | 0:16:24 | 0:16:26 | |
I'm not using, if that's what you think. | 0:16:28 | 0:16:30 | |
I didn't say you were. | 0:16:30 | 0:16:32 | |
I just couldn't throw all of them away. It makes me feel... | 0:16:33 | 0:16:37 | |
..powerful, knowing that it's in there | 0:16:39 | 0:16:42 | |
-and I have it in me to ignore it. -That is a dangerous game. | 0:16:42 | 0:16:45 | |
And I'm winning. I haven't even been tempted. | 0:16:45 | 0:16:48 | |
Then why don't you get rid of it? | 0:16:48 | 0:16:50 | |
Sorry, can I just...? | 0:17:05 | 0:17:07 | |
-Yeah I know there's something going on. -Why? | 0:17:07 | 0:17:11 | |
-Sometimes you just know. -Sixth sense? | 0:17:12 | 0:17:15 | |
All I know is how I feel and I know that there's definitely | 0:17:15 | 0:17:19 | |
-something going on here. -No. | 0:17:19 | 0:17:21 | |
-Nope. Uh-uh. -Sometimes your imagination plays tricks with you. | 0:17:21 | 0:17:25 | |
Yeah I'm not some hysterical schoolgirl. | 0:17:25 | 0:17:27 | |
-That is sexist. And ageist. -Cardiac enzyme results. | 0:17:27 | 0:17:32 | |
-CKMB is normal. -Myoglobin? | 0:17:33 | 0:17:36 | |
Trop T normal, too. Doesn't sound like a heart attack to me. | 0:17:36 | 0:17:39 | |
I think he's just a big faker. | 0:17:39 | 0:17:41 | |
Nothing going on here, Mr Valentine. | 0:17:42 | 0:17:44 | |
-Shall we? -Yes. -Bye. | 0:17:44 | 0:17:46 | |
There you are. | 0:17:52 | 0:17:53 | |
What? So now you want a say on my bowel movements, too? | 0:17:53 | 0:17:57 | |
Sacha loves you. He's just worried. | 0:17:57 | 0:18:00 | |
Right, I have made something for you. | 0:18:00 | 0:18:02 | |
This is your blood transfusion survival kit. | 0:18:04 | 0:18:08 | |
-What is all this? -This is A Backpackers' Guide to North America. | 0:18:08 | 0:18:13 | |
One minute you want me bed-ridden, | 0:18:13 | 0:18:14 | |
the next you're sending me long distance. | 0:18:14 | 0:18:18 | |
You've also got a pack of cards, obviously. Some snacks. | 0:18:18 | 0:18:23 | |
Oh, my God! Don't tell me your mother is in on this! | 0:18:25 | 0:18:29 | |
I spent years hiding those disgusting things in napkins | 0:18:29 | 0:18:34 | |
under her dining table. | 0:18:34 | 0:18:36 | |
This is to keep you warm because they're really cold - those rooms. | 0:18:38 | 0:18:42 | |
Sacha, I've made my decision. I want this operation. | 0:18:42 | 0:18:48 | |
I just don't think you've thought through the full extent of | 0:18:48 | 0:18:51 | |
the complications, that's all. | 0:18:51 | 0:18:53 | |
I'm not afraid. | 0:18:54 | 0:18:55 | |
# Every valley shall be exalted. # | 0:19:01 | 0:19:05 | |
Hang on. That's my solo. | 0:19:05 | 0:19:07 | |
Not any more, I'm afraid. | 0:19:07 | 0:19:08 | |
# Comfort ye... # | 0:19:08 | 0:19:10 | |
Yes, I'm still here. I'll need to call you back. | 0:19:16 | 0:19:19 | |
I need to ask you something. | 0:19:19 | 0:19:21 | |
-Me too. -Walk this way. | 0:19:21 | 0:19:22 | |
For the love of my swollen ankles! | 0:19:22 | 0:19:25 | |
-What? -Slow down. Do I look like a whippet? -Sorry. | 0:19:25 | 0:19:27 | |
-So what's the skinny? -Monty The Python. | 0:19:27 | 0:19:29 | |
-AKA Keith. Love that. -Yeah, his ECG is absolutely normal. | 0:19:29 | 0:19:32 | |
-Cool. Move him on. -So, the thing is... | 0:19:32 | 0:19:34 | |
Meanwhile, the old dears from Friends of Holby are giving | 0:19:34 | 0:19:37 | |
out free mince pies in Keller's staffroom. | 0:19:37 | 0:19:39 | |
Yeah, look, it's not that simple, OK... | 0:19:39 | 0:19:41 | |
I need you to get yours and get some more "for a friend". | 0:19:41 | 0:19:43 | |
-I need to do another ECG. -Why more ECG? -Why more pies? | 0:19:43 | 0:19:46 | |
I've been down there twice already and they're starting to give me dirty looks. | 0:19:46 | 0:19:49 | |
-Why do you want a repeat? -It's a hunch. It's a feeling I've got. | 0:19:49 | 0:19:53 | |
-OK, I trust your hunch-o-meter. It means I get your pies, though. -What. Wait, that's not... | 0:19:53 | 0:19:57 | |
Look at the size of these. They're Practically dolly dimensions. | 0:19:57 | 0:20:00 | |
Hey, you. School finished? | 0:20:08 | 0:20:10 | |
Only so much you can teach a child genius. | 0:20:10 | 0:20:13 | |
Check it, Essie. Modern History - A*. Boom. You and Maria. | 0:20:13 | 0:20:17 | |
We can play poker any time. | 0:20:17 | 0:20:18 | |
So this is the Holocaust project? | 0:20:18 | 0:20:21 | |
My teacher said he might enter it in for the history prize. | 0:20:21 | 0:20:23 | |
I told your grandfather's story, put in some quotes from the diary and | 0:20:23 | 0:20:26 | |
finished the whole thing with Maria and what it was like in the camps. | 0:20:26 | 0:20:29 | |
Maybe I should meet this woman, | 0:20:29 | 0:20:31 | |
get some tips on how to grow old disgracefully. | 0:20:31 | 0:20:34 | |
I think you've got the disgraceful part down, Mum. | 0:20:34 | 0:20:36 | |
-Just need to work on those cupcakes now. -Excuse me. -Well done. | 0:20:36 | 0:20:40 | |
I'm just going to listen to your chest. | 0:20:46 | 0:20:49 | |
Presumably there's quite a lot of | 0:20:51 | 0:20:53 | |
physical action when you're in the ring. | 0:20:53 | 0:20:56 | |
Lots of being thrown to the mat, crashing into each other. | 0:20:56 | 0:20:59 | |
It's brutal in there. | 0:20:59 | 0:21:00 | |
Yes, I'm sure, so maybe | 0:21:00 | 0:21:02 | |
what you've experienced is just some bruising, some hard knocks. | 0:21:02 | 0:21:07 | |
You think I don't know the difference between | 0:21:07 | 0:21:09 | |
a cracked rib and a heart attack? | 0:21:09 | 0:21:11 | |
Well, except you haven't had a heart attack. | 0:21:11 | 0:21:13 | |
So you wouldn't exactly know what one felt like. | 0:21:13 | 0:21:15 | |
You saying I'm lying? I'm some kind of faker? | 0:21:15 | 0:21:18 | |
No, it's just that there's | 0:21:18 | 0:21:20 | |
no medical evidence that suggests that you've had a heart attack. | 0:21:20 | 0:21:22 | |
Your ECG, your cardiac enzymes are normal. | 0:21:22 | 0:21:26 | |
I'm an entertainer. A professional. | 0:21:26 | 0:21:27 | |
None of that is in question. | 0:21:27 | 0:21:29 | |
It's just that you are a 44-year-old man. | 0:21:29 | 0:21:31 | |
-You've got a body mass index of 28.9. -You saying I'm fat? | 0:21:31 | 0:21:34 | |
I've got a good mind to give you one of my trademark Gorilla Body Slams. | 0:21:36 | 0:21:39 | |
Yes, it's just you're not exactly in the physical condition to be | 0:21:39 | 0:21:42 | |
-doing that. -You think...? | 0:21:42 | 0:21:43 | |
And if you are, your results being normal, | 0:21:43 | 0:21:46 | |
we should probably think about sending you home. | 0:21:46 | 0:21:48 | |
That's it. I'm out of here because you think I'm faking? | 0:21:48 | 0:21:53 | |
-Thanks, Jenner. -Essie, wait... | 0:21:56 | 0:21:59 | |
-Hey. Everything OK? -Yeah, good. | 0:21:59 | 0:22:02 | |
-Is your mum OK? -Brilliant. Happiest I've seen her in months. | 0:22:02 | 0:22:06 | |
OK. So, what's up? | 0:22:06 | 0:22:07 | |
-Can I stay hanging out with you for a bit longer? -What? No. | 0:22:08 | 0:22:12 | |
Is it because I used up all your posh shampoo? | 0:22:12 | 0:22:14 | |
It's because you belong with your mum. | 0:22:14 | 0:22:15 | |
She can't wait to get you home. | 0:22:15 | 0:22:17 | |
That's it, though. I'm not ready to be playing happy families just yet. | 0:22:17 | 0:22:20 | |
You heard her, she's going to be on, like, Mum overload. | 0:22:20 | 0:22:23 | |
I just want to chill. | 0:22:23 | 0:22:25 | |
Is all this because I've got better broadband speed? | 0:22:25 | 0:22:28 | |
Well, there is that. | 0:22:28 | 0:22:30 | |
I will kick your butt at ComiCraft any time you fancy. | 0:22:30 | 0:22:33 | |
But, I'm sorry, Parker, your home is with your mum. | 0:22:35 | 0:22:38 | |
-Rhythm is normal. -OK, breathe in and hold. | 0:22:44 | 0:22:49 | |
I've got an aortic valve replacement in theatre 2. | 0:22:49 | 0:22:51 | |
-Dr March wants to assist. -He has a special technique. | 0:22:51 | 0:22:54 | |
-I bet he does. -Right anterior thoracotomy. | 0:22:54 | 0:22:57 | |
Like with so many things, Italian men develop their own unique approach. | 0:22:57 | 0:23:01 | |
-Mi Zosia es su Zosia. -Thank you. You do know that is Spanish? | 0:23:01 | 0:23:04 | |
Are you thinking what I'm thinking? | 0:23:07 | 0:23:09 | |
-Cheese and ham paninis from Pulses? -What? No! | 0:23:09 | 0:23:11 | |
-Toast and chocolate spread in the staffroom? -About those two. | 0:23:11 | 0:23:14 | |
-Ah. Then no. -It's just... Sorry, excuse us. | 0:23:14 | 0:23:17 | |
It's just it seems to me they're suddenly...very close. | 0:23:17 | 0:23:21 | |
-Bonking. -What? | 0:23:21 | 0:23:23 | |
-Do I think they're bonking? -No, I didn't say that. | 0:23:23 | 0:23:26 | |
-Course they are. -What?! | 0:23:26 | 0:23:28 | |
Caught them in the on-call room, | 0:23:28 | 0:23:30 | |
going at it like lop-eared Dutch rabbits on a conjugal. | 0:23:30 | 0:23:33 | |
What...you caught them? | 0:23:33 | 0:23:36 | |
Come on, Ollie, you're such a soppy floppy fringe! | 0:23:36 | 0:23:38 | |
-Sorry, I just... I don't understand. -I'm messing with you. | 0:23:38 | 0:23:40 | |
Oh, ha-ha! | 0:23:40 | 0:23:42 | |
-Of course they're not doing it. -Course, yeah. You sure, right? | 0:23:44 | 0:23:48 | |
Yet. | 0:23:48 | 0:23:49 | |
Ah, just the man I was looking for. | 0:23:54 | 0:23:57 | |
-How can I help? -Actually, I meant Isaac. | 0:23:57 | 0:24:00 | |
-Yes? -The Winter Ball - I need a speaker. | 0:24:01 | 0:24:05 | |
-Someone dazzling, charismatic, cutting edge. -I'd be honoured. | 0:24:05 | 0:24:10 | |
I can do dazzling. | 0:24:10 | 0:24:12 | |
Shall we take a walk? | 0:24:14 | 0:24:15 | |
I don't need to be back in theatre until we do Maria's bowel | 0:24:15 | 0:24:19 | |
resection this afternoon. | 0:24:19 | 0:24:21 | |
Yeah, it's Mr Levy. | 0:24:30 | 0:24:32 | |
About Mr Griffin's theatre slot this afternoon? | 0:24:32 | 0:24:35 | |
Yeah. He no longer needs it. Great. Cheers. | 0:24:36 | 0:24:41 | |
Still no apparent sign of ischemia. | 0:24:48 | 0:24:50 | |
Think I'd like to run an angiogram, too. | 0:24:50 | 0:24:52 | |
Angiogram? This stress echo was possibly a step too far. | 0:24:52 | 0:24:55 | |
-Belt and braces. -That sounds incredibly English. | 0:24:55 | 0:24:58 | |
Well, he's still complaining of pains. | 0:24:58 | 0:25:00 | |
He lives in a world of melodrama. | 0:25:00 | 0:25:02 | |
I am here, you know. | 0:25:02 | 0:25:04 | |
OK. If this will cure your hunch. | 0:25:05 | 0:25:08 | |
-Groin or elbow? -Groin. -You're not going to zap me this time? | 0:25:10 | 0:25:13 | |
No. This is where we inject you with the dye. | 0:25:13 | 0:25:15 | |
Remember, I told you. | 0:25:15 | 0:25:16 | |
Think of the angiogram as drawing a three-dimensional map of your arteries. | 0:25:16 | 0:25:19 | |
It shows any abnormalities or constrictions with the heart. | 0:25:19 | 0:25:22 | |
Or, not. For a man who is so cautious in life, | 0:25:22 | 0:25:24 | |
you invest a lot of effort in a little hunch. | 0:25:24 | 0:25:26 | |
Who said it was a "little" hunch... | 0:25:26 | 0:25:28 | |
What's so funny...? | 0:25:28 | 0:25:29 | |
"My hunch is bigger than yours". | 0:25:30 | 0:25:32 | |
-Seems a funny thing for men to compare the size of. -I wasn't. -No? | 0:25:33 | 0:25:37 | |
So, nobody wants to play with you | 0:25:43 | 0:25:45 | |
now that they've realised you're unbeatable. | 0:25:45 | 0:25:47 | |
I'm waiting for Mr Griffin. Grudge match. | 0:25:47 | 0:25:50 | |
And where is Sacha? | 0:25:51 | 0:25:54 | |
Sulking somewhere. He never had much of a poker face, anyway. | 0:25:54 | 0:25:59 | |
-Not like that boy you introduced me to. -Parker? | 0:25:59 | 0:26:02 | |
That's the one. Do you know he showed me your grandfather's diary? | 0:26:02 | 0:26:08 | |
-Did he? -He read me some extracts. | 0:26:08 | 0:26:11 | |
He's a bit young to have qualified for the Nobel Peace Prize, | 0:26:12 | 0:26:16 | |
but he has excellent potential. | 0:26:16 | 0:26:18 | |
Especially now that he is lodging with the ultimate hustler. | 0:26:18 | 0:26:22 | |
Actually, he's going back to his mum's. It's where he belongs. | 0:26:22 | 0:26:27 | |
Nonsense. No-one owns a child. | 0:26:27 | 0:26:29 | |
I had the time of my life leading Sacha astray. | 0:26:29 | 0:26:32 | |
You clearly enjoy having this boy around. | 0:26:34 | 0:26:37 | |
Why not let him stay a little longer? | 0:26:37 | 0:26:39 | |
You were passionate about having a child. That's why you and Sacha... | 0:26:41 | 0:26:46 | |
Maria, please! | 0:26:46 | 0:26:48 | |
You know what you want, you know how to get it. | 0:26:49 | 0:26:53 | |
Up to you. | 0:26:54 | 0:26:56 | |
Are you OK? | 0:27:07 | 0:27:08 | |
No, actually. | 0:27:10 | 0:27:11 | |
One of my F1s has inputted the wrong data and now the whole | 0:27:11 | 0:27:15 | |
system's locked me out. | 0:27:15 | 0:27:16 | |
Well, make them sort it out. You mustn't mollycoddle them. | 0:27:16 | 0:27:19 | |
It would help if they showed a bit more respect for my methods. | 0:27:19 | 0:27:23 | |
Take Cameron. Where is he when I need his support? | 0:27:23 | 0:27:27 | |
Makes his excuses and then heads out for an extended coffee break. | 0:27:27 | 0:27:31 | |
I mean, one brilliant diagnosis doesn't mean that he's got | 0:27:31 | 0:27:34 | |
nothing left to learn. | 0:27:34 | 0:27:36 | |
Well, it's not just one diagnosis, is it? | 0:27:36 | 0:27:38 | |
I mean, he has been showing excellent potential. | 0:27:38 | 0:27:41 | |
Nothing like a mother's love. | 0:27:44 | 0:27:45 | |
Give him something to really get his teeth into, that'll do it. | 0:27:47 | 0:27:50 | |
Angiogram all good, I'd say. | 0:28:05 | 0:28:06 | |
I've got some deeper scans that I'm going to study later. | 0:28:06 | 0:28:09 | |
You really like to take your time, Mr Valentine. | 0:28:09 | 0:28:12 | |
Nothing wrong with taking it slow. | 0:28:12 | 0:28:14 | |
You like to rush it, do you? | 0:28:14 | 0:28:16 | |
I like to seize the moment. | 0:28:16 | 0:28:18 | |
When I grow old, I want to look back and regret the things I have done, | 0:28:18 | 0:28:22 | |
not the things I haven't done. | 0:28:22 | 0:28:23 | |
-Like this angiogram? -Like asking Dr March to dinner. | 0:28:23 | 0:28:26 | |
Well, I don't see what that's got to do with it. | 0:28:28 | 0:28:31 | |
-You said you didn't mind. -I said she needs space. | 0:28:31 | 0:28:34 | |
I said I would ask her out at Christmas if you two were | 0:28:34 | 0:28:36 | |
-still not back together. -We're not getting back together. | 0:28:36 | 0:28:38 | |
So, why wait? My feelings entirely. | 0:28:38 | 0:28:41 | |
-I just think now the moment is right. And so... -So...? | 0:28:41 | 0:28:44 | |
-Should I seize it? -Are you asking me? | 0:28:44 | 0:28:46 | |
Of course not. You made it clear I don't need your permission. | 0:28:46 | 0:28:49 | |
But you have my permission to send this noble warrior home to | 0:28:49 | 0:28:52 | |
fight another day. | 0:28:52 | 0:28:53 | |
Mr Griffin didn't mention any further tests. | 0:28:55 | 0:28:59 | |
It pays to be thorough. | 0:28:59 | 0:29:00 | |
Is there something I should know about? | 0:29:00 | 0:29:02 | |
Yes, I thought that Maria's P-possum score should be verified. | 0:29:03 | 0:29:06 | |
Did you now? | 0:29:06 | 0:29:08 | |
Well, her echo showed that her ejection fraction is 40%, | 0:29:08 | 0:29:12 | |
which, coupled with her renal impairment | 0:29:12 | 0:29:14 | |
and breathing difficulties, means her P-possum score is also 40%. | 0:29:14 | 0:29:17 | |
-If you think you can blind me with science... -It's a measurement that we use to | 0:29:18 | 0:29:22 | |
judge the risk of operative mortality. | 0:29:22 | 0:29:24 | |
And it's too high. It's 40%. | 0:29:24 | 0:29:26 | |
So I think we should look at non-invasive procedures. | 0:29:26 | 0:29:30 | |
We discussed the non-invasive options and Maria made her decision. | 0:29:30 | 0:29:34 | |
-Well, that was before the score was verified. -Fine. | 0:29:34 | 0:29:37 | |
Maria, knowing now that your P-possum score is 40%, | 0:29:37 | 0:29:41 | |
-do you wish to go ahead? -Yes. | 0:29:41 | 0:29:42 | |
-Well, it's too late because I've cancelled the theatre slot. -Ah. | 0:29:44 | 0:29:48 | |
I know it's unorthodox, but this is crazy. | 0:29:48 | 0:29:52 | |
So I will accept whatever punishment you deem suitable. | 0:29:52 | 0:29:55 | |
Well, I suppose if your actions had interrupted the schedule, | 0:29:55 | 0:30:00 | |
then, yes, some kind of punishment would have been appropriate. | 0:30:00 | 0:30:03 | |
What do you mean? | 0:30:03 | 0:30:04 | |
Fortunately, I spotted that you had cancelled the slot. | 0:30:04 | 0:30:08 | |
What? And you didn't say anything to me? | 0:30:08 | 0:30:10 | |
No, I just went ahead and rectified your mistake. | 0:30:10 | 0:30:13 | |
For a man who's had so many wives, you are very decisive Mr Griffin. | 0:30:13 | 0:30:18 | |
I shall see you in theatre. | 0:30:18 | 0:30:21 | |
Enough, Sacha. Enough. | 0:30:26 | 0:30:29 | |
-You are going to love this! -What? | 0:30:34 | 0:30:37 | |
So, I googled Monty The Python | 0:30:37 | 0:30:40 | |
and there's a wrestling fanzine blog about his last fight, | 0:30:40 | 0:30:43 | |
where he had his "heart attack". | 0:30:43 | 0:30:44 | |
"Monty was embarrassing. | 0:30:44 | 0:30:46 | |
"Drunk again, constantly heckling the audience." | 0:30:46 | 0:30:49 | |
"Who booed him off stage" | 0:30:49 | 0:30:51 | |
Sounds like he put on a bit of a show. | 0:30:51 | 0:30:52 | |
"And then he grabs his chest and he collapses..." | 0:30:52 | 0:30:54 | |
"And it all looked about as phoney as Santa's beard." | 0:30:54 | 0:30:58 | |
So, Dr Dunn. Do we have a diagnosis? | 0:31:05 | 0:31:08 | |
-I think we're looking at appendicitis. -Wrong. | 0:31:08 | 0:31:12 | |
OK, well, I'm going to suggest more bloods. | 0:31:12 | 0:31:14 | |
Is that the best you've got? More bloods? I'm in crisis, Cameron. | 0:31:14 | 0:31:19 | |
I'm bleeding from the gut and you're suggesting more bloods? | 0:31:19 | 0:31:22 | |
-Wait, what? -I'm a mother, Cameron. | 0:31:22 | 0:31:24 | |
I've got three small children at home, | 0:31:24 | 0:31:26 | |
it's nearly Christmas and my life is in danger because of your failure. | 0:31:26 | 0:31:30 | |
-This is ridiculous. -Ah, I'm bleeding out! | 0:31:30 | 0:31:32 | |
Why would they give a job like this to someone like you? | 0:31:32 | 0:31:34 | |
-You are literally off your rocker. -And you are literally incompetent. | 0:31:34 | 0:31:38 | |
Why should we let you anywhere near real patients? | 0:31:38 | 0:31:42 | |
I rather think the milky bars are on you. | 0:31:43 | 0:31:46 | |
-Hey. -I've got something for you. It's a book I read. | 0:31:52 | 0:31:55 | |
"The Boy in the Striped Pyjamas". Who's he? | 0:31:57 | 0:32:00 | |
His dad works for Hitler, but his best mate's a Jewish boy. | 0:32:00 | 0:32:04 | |
What's he going to do? It's like you and your grandfather. | 0:32:04 | 0:32:06 | |
-Read it? -OK. Thank you, Parker. | 0:32:06 | 0:32:11 | |
Catch you later. | 0:32:12 | 0:32:14 | |
Someone likes you. Sweet kid. | 0:32:15 | 0:32:19 | |
Yeah, he really is. | 0:32:19 | 0:32:20 | |
Yes? Hello? | 0:32:20 | 0:32:22 | |
Yeah I'm calling to order a repeat sodium, hormone profile, | 0:32:22 | 0:32:25 | |
lipids, thyroid profile and urine sodium for Mr Khan. | 0:32:25 | 0:32:29 | |
Yes, I'm aware you're backed up but he can stay in overnight if | 0:32:30 | 0:32:33 | |
necessary. OK, let me know. | 0:32:33 | 0:32:36 | |
What's wrong? | 0:32:36 | 0:32:37 | |
His sodium levels are too low. We can't discharge him. | 0:32:37 | 0:32:40 | |
Hi. Can I order some extra tests for Kim Whitfield, please? | 0:32:46 | 0:32:51 | |
So your patient was drunk and being heckled by a disgruntled audience. | 0:32:52 | 0:32:56 | |
-When he faked his heart attack. -Worked a treat, really. | 0:32:56 | 0:32:59 | |
-The fight was called off... -Paramedics rushed him away... | 0:32:59 | 0:33:02 | |
Avoided an awful lot of explaining and embarrassment. | 0:33:02 | 0:33:04 | |
I'll get him moved down to AAU, OK? | 0:33:04 | 0:33:06 | |
You might want to refer him to the alcohol abuse unit. | 0:33:06 | 0:33:08 | |
-Or Equity. Too soon? Too cruel? -Made me laugh. | 0:33:08 | 0:33:13 | |
HE CLEARS HIS THROAT | 0:33:33 | 0:33:35 | |
Is there nowhere that you have to be? | 0:33:38 | 0:33:41 | |
You won't even notice I am here, honestly. | 0:33:41 | 0:33:43 | |
Can you keep an eye on the blood pressure? | 0:33:49 | 0:33:52 | |
Yes. Thank you, Sacha. | 0:33:52 | 0:33:53 | |
I have done one or two bowel resections before. | 0:33:53 | 0:33:55 | |
So how's it going? Everything as you'd expect? | 0:33:58 | 0:34:02 | |
Sorry. | 0:34:02 | 0:34:03 | |
BEEPING | 0:34:03 | 0:34:05 | |
BP is dropping. | 0:34:05 | 0:34:07 | |
There's a tear. We've got to find it. | 0:34:08 | 0:34:10 | |
What's happening? | 0:34:13 | 0:34:15 | |
Right I've got it. There's a bleed in the mesenteric artery. | 0:34:15 | 0:34:19 | |
Clips, please. | 0:34:19 | 0:34:21 | |
Suction. | 0:34:21 | 0:34:22 | |
2-0 vicryl. | 0:34:22 | 0:34:24 | |
Ric, sorry. Can you talk to me? | 0:34:24 | 0:34:27 | |
Can you tell me what's happening, please? | 0:34:27 | 0:34:29 | |
Heart rate 180. BP 60 systolic. | 0:34:29 | 0:34:31 | |
-She's going into arrest... -Right, I'm coming in. | 0:34:31 | 0:34:33 | |
-Sacha. -Sorry, I can't just leave her. -Call security. | 0:34:33 | 0:34:38 | |
-I wasn't faking. -Yeah? You also forgot your fake snake. | 0:34:46 | 0:34:51 | |
I wasn't. Honest. | 0:34:53 | 0:34:55 | |
You forgot to mention that you were drunk. | 0:34:55 | 0:34:57 | |
-I found a bottle of sherry. -Or being heckled by disappointed fans. | 0:34:57 | 0:35:00 | |
My name should have come first on the fight bill. | 0:35:00 | 0:35:03 | |
Bye, Keith. | 0:35:03 | 0:35:05 | |
My name... | 0:35:05 | 0:35:06 | |
HE YELLS IN PAIN | 0:35:06 | 0:35:07 | |
You're not fooling anyone. It's fine. It's all show. | 0:35:09 | 0:35:12 | |
You're embarrassing yourself, Monty. Again. | 0:35:14 | 0:35:17 | |
Come on. Get up. | 0:35:19 | 0:35:21 | |
Show's over. | 0:35:21 | 0:35:22 | |
Get him up, get him out. | 0:35:24 | 0:35:25 | |
If you were really unconscious, you wouldn't feel this. | 0:35:27 | 0:35:30 | |
Crash team, please! | 0:35:41 | 0:35:43 | |
Mind if I join you? | 0:35:51 | 0:35:52 | |
Please. | 0:35:52 | 0:35:53 | |
Tough day? | 0:35:58 | 0:35:59 | |
Yeah. Um... | 0:35:59 | 0:36:01 | |
Peutz-Jeghers syndrome. | 0:36:01 | 0:36:03 | |
Spots on the lips. | 0:36:03 | 0:36:05 | |
It was Arthur's moment of genius. | 0:36:05 | 0:36:08 | |
Well, one of them, anyway. | 0:36:09 | 0:36:11 | |
He wasn't showing off or anything when he told me. | 0:36:13 | 0:36:15 | |
He just wanted me to learn that it's the little things | 0:36:15 | 0:36:18 | |
we have to keep an eye out for. | 0:36:18 | 0:36:20 | |
I see. | 0:36:20 | 0:36:21 | |
He was a brilliant mentor. | 0:36:22 | 0:36:26 | |
Inspirational. | 0:36:26 | 0:36:27 | |
Yes, I can imagine. | 0:36:27 | 0:36:29 | |
I'd never be the doctor I am today without him. | 0:36:29 | 0:36:31 | |
I hope you realise what a brilliant doctor you are. | 0:36:31 | 0:36:34 | |
SHE CHUCKLES DRILY | 0:36:34 | 0:36:36 | |
Shame I'm such a crappy teacher. | 0:36:36 | 0:36:38 | |
That's not true. | 0:36:38 | 0:36:39 | |
You are passionate and... | 0:36:41 | 0:36:43 | |
..committed and dedicated and driven | 0:36:44 | 0:36:47 | |
and those are inspirational qualities. | 0:36:47 | 0:36:49 | |
Maybe you just need to stop trying so hard | 0:36:50 | 0:36:53 | |
and let your talent speak for itself. | 0:36:53 | 0:36:55 | |
I just wanted to inspire people the way Arthur inspired me. | 0:36:57 | 0:37:02 | |
And you will. | 0:37:02 | 0:37:03 | |
You probably have already. | 0:37:03 | 0:37:05 | |
Not carrying on the way I have today. | 0:37:05 | 0:37:07 | |
Today's not over. And I didn't have you down as a quitter. | 0:37:07 | 0:37:11 | |
Anyway, I heard you had three children at home | 0:37:11 | 0:37:13 | |
who are desperate for their mother to get her diagnosis | 0:37:13 | 0:37:16 | |
so she'll be back in time for Christmas. | 0:37:16 | 0:37:18 | |
Oh, and I know I'm biased, but... | 0:37:21 | 0:37:25 | |
..I think you should give Cameron a chance. | 0:37:27 | 0:37:30 | |
ALARM BEEPS | 0:37:37 | 0:37:38 | |
There's no output. | 0:37:38 | 0:37:39 | |
OK, we need to shock him. Charge at 150, please. | 0:37:39 | 0:37:42 | |
-Charging. -Good. Running up. | 0:37:42 | 0:37:43 | |
Stand clear, everyone. And... | 0:37:43 | 0:37:45 | |
Wait! | 0:37:46 | 0:37:47 | |
MONITOR BEEPS REGULARLY | 0:37:49 | 0:37:50 | |
He's back in sinus. | 0:37:52 | 0:37:53 | |
What happened? | 0:37:53 | 0:37:54 | |
That was no fake. He was in VF. | 0:37:54 | 0:37:56 | |
You were going to zap me, weren't you? | 0:37:56 | 0:37:59 | |
Busted, Monty, yes. That's exactly what I was going to do. | 0:37:59 | 0:38:02 | |
Sorry, what just happened here? | 0:38:02 | 0:38:03 | |
That definitely looked like a heart attack to me. | 0:38:03 | 0:38:05 | |
But he just came out of it again? | 0:38:05 | 0:38:07 | |
OK. Let's get him on GTN infusions and oxygen. | 0:38:07 | 0:38:09 | |
We need to look at the angio again. We've missed something. | 0:38:09 | 0:38:13 | |
I don't understand. I was all set to go home. | 0:38:14 | 0:38:16 | |
Your post-dialysis bloods are showing low sodium levels, | 0:38:16 | 0:38:19 | |
so we're just going to run a few tests. | 0:38:19 | 0:38:21 | |
A chest X-ray. Nothing serious. | 0:38:21 | 0:38:23 | |
I'll still get to go home tonight? | 0:38:23 | 0:38:24 | |
Well, we're going to have to keep you in until your sodium levels are back up. | 0:38:24 | 0:38:27 | |
-We wouldn't want to risk fitting. -Fitting? | 0:38:27 | 0:38:30 | |
Yeah, it's never-ending, isn't it? All this medical stuff. | 0:38:30 | 0:38:32 | |
Maybe you should just take the time for yourself. | 0:38:32 | 0:38:34 | |
-But I feel fine. -And you know, don't worry about Parker | 0:38:34 | 0:38:37 | |
because he could stay with me for a few extra nights. | 0:38:37 | 0:38:39 | |
I've got a cupboard full of cornflakes with his name on them. | 0:38:39 | 0:38:42 | |
I knew there was something wrong. | 0:38:42 | 0:38:44 | |
Here. | 0:38:44 | 0:38:45 | |
Teeny-tiny muscle bridge. | 0:38:45 | 0:38:48 | |
Very good, Sherlock Holmes. Very good. | 0:38:48 | 0:38:50 | |
It's a myocardial bridge. | 0:38:50 | 0:38:51 | |
The blood vessel's going through the heart muscle | 0:38:51 | 0:38:53 | |
rather than round the back. | 0:38:53 | 0:38:55 | |
Probably had it since before birth, formed in the womb. | 0:38:55 | 0:38:57 | |
Well, yeah, these things are normally OK | 0:38:57 | 0:39:00 | |
but with stress or exertion the heart muscle contracts, | 0:39:00 | 0:39:03 | |
the vessel's squeezed and the blood flow is restricted. | 0:39:03 | 0:39:06 | |
Heart arrests but starts again when muscles relax. | 0:39:06 | 0:39:09 | |
Just like with a wrestler when he has his opponent in a deadlock | 0:39:09 | 0:39:12 | |
and increases the pressure. | 0:39:12 | 0:39:14 | |
So, let's book a theatre and go have some drama. | 0:39:14 | 0:39:17 | |
SIREN BLARES | 0:39:19 | 0:39:20 | |
Sacha. | 0:39:24 | 0:39:25 | |
It's bad news, isn't it? | 0:39:27 | 0:39:29 | |
No, no. She's fine. She's fine. | 0:39:29 | 0:39:31 | |
Oh, thank you. Thank you. | 0:39:32 | 0:39:34 | |
Even if I did have to call security to have you ejected | 0:39:34 | 0:39:37 | |
from the viewing gallery. | 0:39:37 | 0:39:39 | |
It was lucky that you'd gone by the time they'd arrived. | 0:39:39 | 0:39:42 | |
For what it's worth, I like you better when you show some fight. | 0:39:42 | 0:39:47 | |
And I am so looking forward to hearing your solo. | 0:39:47 | 0:39:50 | |
Well, actually, Isaac is down to do it. | 0:39:51 | 0:39:54 | |
What? | 0:39:54 | 0:39:55 | |
But things could change. I do remain optimistic. | 0:39:55 | 0:39:57 | |
Maybe it's your tactics. | 0:40:01 | 0:40:05 | |
Your strategy's amateurish. | 0:40:05 | 0:40:07 | |
Childish. I mean... | 0:40:08 | 0:40:10 | |
That is without doubt a lethal weapon. | 0:40:14 | 0:40:16 | |
My mum made them. Apparently, 2012 was a vintage year for cucumbers. | 0:40:16 | 0:40:22 | |
Please don't tell me that you've eaten half the jar? | 0:40:22 | 0:40:25 | |
Well, I didn't eat them. | 0:40:25 | 0:40:27 | |
But I gave them to Isaac to put in his pastrami sandwich. | 0:40:27 | 0:40:30 | |
AIR HISSES | 0:40:35 | 0:40:36 | |
Tell me what you see. | 0:40:39 | 0:40:41 | |
The artery disappears into the muscle. | 0:40:43 | 0:40:46 | |
Myocardial bridge. | 0:40:46 | 0:40:47 | |
And so, what do we do? | 0:40:47 | 0:40:49 | |
-Bypass. -A myotomy. | 0:40:49 | 0:40:51 | |
You want to go around and totally avoid the issue. | 0:40:51 | 0:40:53 | |
And you, you want to plunge right in. | 0:40:53 | 0:40:55 | |
A coronary artery bypass would be like using a sledgehammer to crack a nut. | 0:40:55 | 0:40:59 | |
It's the safest way. | 0:40:59 | 0:41:00 | |
It's unnecessary extended surgery. | 0:41:00 | 0:41:02 | |
We'd have to harvest a mammary artery and then use a bypass graft. | 0:41:02 | 0:41:06 | |
There is so much that could go wrong. | 0:41:06 | 0:41:08 | |
Instead you just want to plough into the muscle, wielding your knife, | 0:41:08 | 0:41:11 | |
-hoping to sever the artery. -There's no ploughing anywhere. | 0:41:11 | 0:41:14 | |
-I'd be clearing a path in order... -I'm pretty sure that's ploughing. | 0:41:14 | 0:41:17 | |
In order to establish a forward flow. | 0:41:17 | 0:41:19 | |
What if the myotomy leads to post-op fibrosis and the obstruction | 0:41:19 | 0:41:24 | |
reoccurs? And what if you can't locate that bridge exactly | 0:41:24 | 0:41:28 | |
and then what? You just keep on cutting? | 0:41:28 | 0:41:30 | |
OK, doctors. Your patient is on the table. His chest is open. | 0:41:30 | 0:41:35 | |
You have two opposing opinions. Who is right? | 0:41:35 | 0:41:37 | |
-BOTH: -I am. | 0:41:37 | 0:41:38 | |
It's not serious, is it, this stuff with Mum? | 0:41:45 | 0:41:47 | |
No, no. You don't need to worry. | 0:41:47 | 0:41:49 | |
It might just mean that she stays in hospital for a few more days | 0:41:49 | 0:41:52 | |
but it's OK, isn't it? | 0:41:52 | 0:41:53 | |
Because it's what you wanted, to stay with me. | 0:41:53 | 0:41:55 | |
Yeah. Nice one. | 0:41:55 | 0:41:57 | |
As long as you don't inflict any more reality TV on me. | 0:41:57 | 0:41:59 | |
Well, we'll be at the convention most of the weekend. | 0:41:59 | 0:42:02 | |
Oh, about that. I don't know how much of it I can make. | 0:42:02 | 0:42:05 | |
-My friend Lewis is having this party... -What? | 0:42:05 | 0:42:07 | |
But we were looking forward to it. | 0:42:08 | 0:42:10 | |
His dad works in TV locations and he's hired out this skate park. | 0:42:10 | 0:42:14 | |
Well, the tickets weren't free, you know. | 0:42:14 | 0:42:16 | |
We can auction them. Make a profit. | 0:42:16 | 0:42:19 | |
It's not about the money. You said you wanted to go. | 0:42:19 | 0:42:22 | |
It's not a big deal, is it? | 0:42:22 | 0:42:23 | |
Not something worth getting stressed out over. | 0:42:23 | 0:42:26 | |
I'm not stressing. | 0:42:26 | 0:42:27 | |
You're not mad at me for wanting to go to my best friend's party, are you? | 0:42:29 | 0:42:34 | |
No, of course not. | 0:42:34 | 0:42:35 | |
Right, I'll see you back at home, if you're in later. | 0:42:37 | 0:42:40 | |
Yeah. Nice one. | 0:42:40 | 0:42:41 | |
To bypass the problem? | 0:42:46 | 0:42:48 | |
Or cut to into the problem, hoping to find a way out? | 0:42:48 | 0:42:52 | |
Which? | 0:42:52 | 0:42:53 | |
Bypass. Definitely. | 0:42:53 | 0:42:55 | |
Belt and braces? | 0:42:55 | 0:42:56 | |
Mr Valentine, Monty has been your patient all along. | 0:42:58 | 0:43:02 | |
You had a hunch about him even when we didn't. | 0:43:02 | 0:43:06 | |
I think you should take the lead and do your bypass. | 0:43:06 | 0:43:08 | |
Hey. | 0:43:16 | 0:43:18 | |
Hey. | 0:43:18 | 0:43:19 | |
What I said before... I'm sorry. | 0:43:19 | 0:43:22 | |
It's me who should be apologising to you. | 0:43:22 | 0:43:24 | |
I should never have snapped at you like that. | 0:43:24 | 0:43:26 | |
Yeah, I shouldn't have said you were off your rocker. You're not. | 0:43:26 | 0:43:30 | |
Aren't I? | 0:43:30 | 0:43:31 | |
Maybe a little bit. But only in a good way. | 0:43:33 | 0:43:36 | |
We should probably get back in. Patients waiting. | 0:43:37 | 0:43:41 | |
You know, real ones this time. | 0:43:41 | 0:43:42 | |
Does that mean we don't get to see any more of your performance art? | 0:43:42 | 0:43:45 | |
Because I was really looking forward to your ruptured spleen. | 0:43:45 | 0:43:49 | |
SHE LAUGHS | 0:43:49 | 0:43:50 | |
Your lips. | 0:43:57 | 0:43:59 | |
What? | 0:43:59 | 0:44:01 | |
There are dots. | 0:44:02 | 0:44:04 | |
Oh, yeah, of course. | 0:44:04 | 0:44:05 | |
Yeah, sorry. Um... | 0:44:05 | 0:44:07 | |
Did you think...? | 0:44:07 | 0:44:09 | |
-No. Course not. You meant the dots, didn't you? -Yeah. -Dots, yeah. | 0:44:09 | 0:44:12 | |
PJS, isn't it? | 0:44:12 | 0:44:13 | |
PJS. Exactly. Very good spot! | 0:44:13 | 0:44:15 | |
SHE CHUCKLES | 0:44:15 | 0:44:16 | |
Thanks. | 0:44:16 | 0:44:18 | |
Um... | 0:44:18 | 0:44:20 | |
Maybe you won't make such a terrible doctor after all. | 0:44:20 | 0:44:24 | |
Well, I have got a fairly excellent mentor. | 0:44:24 | 0:44:27 | |
OK. Looks like this is where the muscle bridge is. | 0:44:30 | 0:44:34 | |
Can you get in? | 0:44:34 | 0:44:35 | |
Well, there's a whole nest of vessels beneath the surface, | 0:44:35 | 0:44:39 | |
crisscrossing the muscle, you see? | 0:44:39 | 0:44:41 | |
-Could you cut through it? -Not without causing a bleed. | 0:44:41 | 0:44:43 | |
-Cut deeper. -Well, that would risk holing the artery, wouldn't it? | 0:44:43 | 0:44:47 | |
OK. So, given the dangers, | 0:44:47 | 0:44:50 | |
what is the best way forward from this point? | 0:44:50 | 0:44:52 | |
Graft, I'd say. | 0:44:52 | 0:44:53 | |
I was asking Dr March. | 0:44:53 | 0:44:55 | |
Graft. | 0:44:57 | 0:44:59 | |
So, good call, Mr Valentine. | 0:44:59 | 0:45:01 | |
Seems you can't be too cautious, can you, Ollie? | 0:45:01 | 0:45:04 | |
Yeah, and you just press there. | 0:45:05 | 0:45:07 | |
Perfect. | 0:45:08 | 0:45:10 | |
PATIENT GASPS AND CHOKES | 0:45:10 | 0:45:12 | |
I'm on it. | 0:45:12 | 0:45:13 | |
Talk to me, Cam. What's happening? | 0:45:16 | 0:45:18 | |
Wait. OK, he's swallowed his tongue. Airway. | 0:45:18 | 0:45:20 | |
HE BREATHES HEAVILY | 0:45:29 | 0:45:30 | |
OK, he's back in the room. | 0:45:30 | 0:45:32 | |
That was pretty intense. | 0:45:34 | 0:45:36 | |
You're telling me. | 0:45:36 | 0:45:37 | |
You want to scream it out? | 0:45:39 | 0:45:41 | |
What...? | 0:45:41 | 0:45:43 | |
..are you doing? | 0:45:45 | 0:45:47 | |
Whoa! | 0:45:47 | 0:45:48 | |
I think that's 20 quid you owe me. | 0:45:49 | 0:45:51 | |
-Presumptuous. -Well, what else do you think they're doing? | 0:45:51 | 0:45:54 | |
-I don't know but I intend to find out. -Serena! | 0:45:54 | 0:45:57 | |
(Serena!) | 0:45:57 | 0:45:59 | |
MORVEN AND CAMERON YELL | 0:45:59 | 0:46:02 | |
You gave us quite a scare. | 0:46:02 | 0:46:05 | |
Well, I've always had a flair for the dramatic. | 0:46:05 | 0:46:08 | |
THEY CHUCKLE | 0:46:08 | 0:46:10 | |
I'm sorry. I should have trusted your decision. | 0:46:10 | 0:46:13 | |
You did it out of love. I know. | 0:46:13 | 0:46:15 | |
In fact, I'm rather flattered the way you defied the mighty Mr Griffin. | 0:46:15 | 0:46:20 | |
Please. Ric Griffin's a pussy cat. | 0:46:20 | 0:46:22 | |
SHE LAUGHS | 0:46:22 | 0:46:24 | |
It's good to see you breaking a few rules. | 0:46:24 | 0:46:26 | |
I didn't know you had it in you. | 0:46:26 | 0:46:28 | |
I wear leathers now, you know. | 0:46:28 | 0:46:30 | |
Please. The less said about that, the better. | 0:46:30 | 0:46:34 | |
You know, it's colder than I'd like in here. | 0:46:37 | 0:46:41 | |
You don't happen to have a blanket, do you? | 0:46:41 | 0:46:44 | |
# How beautiful are the feet of them that preach the gospel of peace... # | 0:46:57 | 0:47:06 | |
Hmm. Non-alcoholic eggnog and non-alcoholic mulled wine? | 0:47:06 | 0:47:10 | |
-How very spirit of Christmas! -Hey. | 0:47:10 | 0:47:13 | |
You OK? | 0:47:13 | 0:47:14 | |
Not half as OK as your girlfriend looks. | 0:47:14 | 0:47:17 | |
She having a private Italian lesson? | 0:47:17 | 0:47:19 | |
She's not my girlfriend. | 0:47:19 | 0:47:20 | |
Mmm. Word is he speaks five languages and plays the cello. | 0:47:20 | 0:47:23 | |
And dances merengue and salsa. | 0:47:23 | 0:47:27 | |
-And she's not my girlfriend. -Thank you. | 0:47:27 | 0:47:29 | |
I know. | 0:47:29 | 0:47:30 | |
You know we're not actually back together. | 0:47:30 | 0:47:33 | |
-I know. I heard. -Probably never going to get back together... | 0:47:33 | 0:47:35 | |
How? How do you know? | 0:47:35 | 0:47:37 | |
Come on, Ollie, this is Holby City. We work in a microclimate. | 0:47:37 | 0:47:40 | |
We all share the same weather and the same gossip. | 0:47:40 | 0:47:43 | |
Yeah. I suppose. | 0:47:43 | 0:47:45 | |
And it looks like a lot of people that work here end up | 0:47:45 | 0:47:48 | |
sharing the same partners too. | 0:47:48 | 0:47:50 | |
You think Zosia knows that you and I are no longer... | 0:47:52 | 0:47:55 | |
-Sharing a microclimate? -Dating. | 0:47:55 | 0:47:57 | |
You call that dating? What we were doing was just serial... | 0:47:57 | 0:47:59 | |
Do you think Zosia knows that we're done? | 0:47:59 | 0:48:01 | |
Of course. | 0:48:01 | 0:48:03 | |
Well, how? I mean, just gossip or...? | 0:48:03 | 0:48:05 | |
Yeah. | 0:48:05 | 0:48:07 | |
Oh, and because I told her. | 0:48:07 | 0:48:08 | |
What? Why would you do that? | 0:48:08 | 0:48:10 | |
Because, Oliver... | 0:48:11 | 0:48:14 | |
she asked me. | 0:48:14 | 0:48:15 | |
Essie, can I have a word? | 0:48:20 | 0:48:22 | |
Yeah? | 0:48:22 | 0:48:23 | |
I was just checking through Kim's discharge form and I noticed this. | 0:48:23 | 0:48:26 | |
Hormone profile, lipids, thyroid profile, urine sodium, chest X-ray. | 0:48:26 | 0:48:31 | |
What's going on? | 0:48:31 | 0:48:33 | |
Well, I just thought that Kim's sodium levels were looking a bit low. | 0:48:33 | 0:48:38 | |
Really? They look fine to me. | 0:48:38 | 0:48:40 | |
Yeah, I just thought... | 0:48:40 | 0:48:43 | |
INAUDIBLE SPEECH | 0:48:44 | 0:48:46 | |
Ah. I see. | 0:48:50 | 0:48:52 | |
I just... | 0:48:52 | 0:48:54 | |
No. No. I understand. | 0:48:54 | 0:48:56 | |
That's very sensible. | 0:48:58 | 0:48:59 | |
What? | 0:49:01 | 0:49:02 | |
Well, it pays to be thorough. | 0:49:02 | 0:49:04 | |
When you care about someone, | 0:49:04 | 0:49:06 | |
you need to make sure you've pursued every angle. | 0:49:06 | 0:49:09 | |
Maybe we should cancel those tests. | 0:49:12 | 0:49:14 | |
Let Kim go home. | 0:49:15 | 0:49:16 | |
You're right. Um... | 0:49:22 | 0:49:24 | |
I'll sort it out. | 0:49:25 | 0:49:27 | |
Thank you. | 0:49:29 | 0:49:31 | |
# And he shall pu-urify... # | 0:49:35 | 0:49:39 | |
Ah! How was the course? | 0:49:39 | 0:49:41 | |
Deathly. | 0:49:41 | 0:49:43 | |
Well, maybe this evening's performance will lift your spirits. | 0:49:43 | 0:49:46 | |
Voice of an angel - or so my grandma tells me. | 0:49:46 | 0:49:50 | |
Well, I look forward to it. | 0:49:50 | 0:49:52 | |
Although, you do realise it would mean a lot to Sacha | 0:49:52 | 0:49:54 | |
if you gave him back that solo. | 0:49:54 | 0:49:56 | |
Are you serious? | 0:49:56 | 0:49:57 | |
There are sick people in this hospital. | 0:49:57 | 0:49:59 | |
You want to inflict that on them? | 0:49:59 | 0:50:02 | |
Oh... | 0:50:02 | 0:50:03 | |
You OK? | 0:50:03 | 0:50:04 | |
Yes, probably just something I ate. I'll be fine. | 0:50:04 | 0:50:08 | |
THEY LAUGH | 0:50:08 | 0:50:10 | |
So, how do I scrub up? | 0:50:10 | 0:50:13 | |
You're all right. | 0:50:14 | 0:50:15 | |
Well, get dressed. | 0:50:19 | 0:50:21 | |
-'Doors opening.' -Last time I looked in the fridge | 0:50:24 | 0:50:26 | |
I found a piece of Parmesan and a jar of something called spirulina. | 0:50:26 | 0:50:30 | |
What's that, Mum? Frogs' pee? | 0:50:30 | 0:50:31 | |
It's actually very good for the skin, but... | 0:50:31 | 0:50:34 | |
OK, maybe we do need some supplies. | 0:50:34 | 0:50:36 | |
OK, I'll be Matteo... | 0:50:46 | 0:50:50 | |
That's going to take a stretch of the imagination. | 0:50:50 | 0:50:53 | |
Oh, no, come on. I can't take you seriously | 0:50:54 | 0:50:56 | |
if you're going to be waving that little thing around. | 0:50:56 | 0:50:59 | |
That's my baton. | 0:50:59 | 0:51:00 | |
It's a bit small, isn't it? | 0:51:00 | 0:51:01 | |
THEY GIGGLE | 0:51:01 | 0:51:02 | |
Essie, help me out. What is wrong with my baton? | 0:51:02 | 0:51:05 | |
No, no. Do not answer that question. | 0:51:05 | 0:51:07 | |
Essie! Come and join us. We're missing a soprano. | 0:51:07 | 0:51:09 | |
-Oh, no, no. I don't sing. -Excuse me? | 0:51:09 | 0:51:12 | |
New Year's Eve 2015. Alby's. It's Raining Men. | 0:51:12 | 0:51:15 | |
Well, there was tequila involved. That doesn't count. | 0:51:15 | 0:51:17 | |
-If it takes tequila, that can be arranged. -Come on. | 0:51:17 | 0:51:19 | |
-Come on. -We need you. -Please. Please. | 0:51:19 | 0:51:22 | |
# King of Kings! | 0:51:26 | 0:51:28 | |
# Hallelujah, hallelujah! | 0:51:28 | 0:51:29 | |
-# And Lord of Lords -Hallelujah, hallelujah! # | 0:51:29 | 0:51:33 | |
-BADLY OFF KEY: -# Hallelu... # | 0:51:33 | 0:51:35 | |
ALL LAUGH | 0:51:35 | 0:51:36 | |
-Ow! -Great! | 0:51:36 | 0:51:37 | |
He's going to be fine. Just let him rest, OK? | 0:51:42 | 0:51:45 | |
Goodnight. | 0:51:46 | 0:51:48 | |
Those are Christmas tree decorations. | 0:51:52 | 0:51:54 | |
Chocolate. | 0:51:54 | 0:51:56 | |
Supposed to hang on the Christmas tree until Christmas Day. | 0:51:56 | 0:51:58 | |
Sorry, didn't you hear what I said? Chocolate. | 0:51:58 | 0:52:00 | |
Twelfth Night, actually. | 0:52:00 | 0:52:02 | |
Christmas is practically two weeks away. | 0:52:02 | 0:52:03 | |
You really think these are going to be good to eat in two weeks? | 0:52:03 | 0:52:06 | |
Ah. Seize the moment? | 0:52:06 | 0:52:07 | |
No. Seize the chocolate. Before anybody else does. | 0:52:07 | 0:52:10 | |
-Ah. -You want to be helpful? Peel a couple for me. | 0:52:10 | 0:52:12 | |
You know, Matteo asked me if he could ask Zosia out to dinner. | 0:52:12 | 0:52:16 | |
Mm-hmm? | 0:52:16 | 0:52:17 | |
Well, what could I say? | 0:52:17 | 0:52:19 | |
"Go anywhere near her and I'll rip your knackers off and feed 'em to the fishes!" | 0:52:19 | 0:52:22 | |
-What? -But of course you - oh, | 0:52:22 | 0:52:24 | |
that stiff-upper-lipped, chinless, extremely English Ollie said... | 0:52:24 | 0:52:27 | |
Look, he doesn't have to ask my permission. I'm not her keeper. | 0:52:27 | 0:52:30 | |
No, of course not. | 0:52:30 | 0:52:32 | |
He'll twinkle his chestnut eyes, and be in there in a blink, | 0:52:32 | 0:52:35 | |
and then you will be Long Face Ollie for the next 300 years. Yay! | 0:52:35 | 0:52:39 | |
Peel me a reindeer, schmuck. | 0:52:39 | 0:52:41 | |
I said I wasn't going to get involved and I'm not getting involved. | 0:52:42 | 0:52:44 | |
I am just baking my beautiful baby and eating for England. | 0:52:44 | 0:52:47 | |
Good. Thank you. | 0:52:47 | 0:52:49 | |
-Do you know the worst thing about being this pregnant? -Hmm? | 0:52:51 | 0:52:54 | |
The waiting. Waiting for something to happen. | 0:52:54 | 0:52:56 | |
I mean, something will happen. | 0:52:56 | 0:52:58 | |
It's inevitable, but nothing I say or do will make any difference. | 0:52:58 | 0:53:01 | |
-I just have to wait. -Good. Right. | 0:53:01 | 0:53:03 | |
Goodnight. | 0:53:03 | 0:53:04 | |
It's the same with you and Zosia. | 0:53:04 | 0:53:07 | |
I mean, yes, you are right for each other | 0:53:07 | 0:53:09 | |
and yes, you should be together. | 0:53:09 | 0:53:10 | |
Watching you torture and make each other miserable is simply divine | 0:53:10 | 0:53:14 | |
but nothing I say will make any difference. | 0:53:14 | 0:53:16 | |
Exactly. | 0:53:16 | 0:53:17 | |
Exactly... | 0:53:20 | 0:53:22 | |
So I'm saying nothing. I will just eat. | 0:53:22 | 0:53:24 | |
Thank you. No... | 0:53:28 | 0:53:30 | |
Thank you. You're absolutely right. | 0:53:32 | 0:53:35 | |
HE KISSES HER | 0:53:35 | 0:53:36 | |
# O thou that tellest good tidings to Zion... # | 0:53:46 | 0:53:50 | |
OK. You, you - no. | 0:53:50 | 0:53:52 | |
-Excuse me? -No. Just no. Non. Not happening. | 0:53:52 | 0:53:55 | |
What is not happening? | 0:53:55 | 0:53:56 | |
And you... Yes. Always yes. | 0:53:56 | 0:53:58 | |
And yes... I'm sorry. | 0:53:58 | 0:54:00 | |
And yes, Jasmine was a mistake. | 0:54:00 | 0:54:01 | |
-And no, I don't want him to be your Jasmine. -Now I am a Jasmine? | 0:54:01 | 0:54:04 | |
And no, I don't care who you spent last night with, | 0:54:04 | 0:54:06 | |
even if it was with him or Alex or...whoever. | 0:54:06 | 0:54:09 | |
And yes... | 0:54:09 | 0:54:11 | |
I want back what we had. | 0:54:11 | 0:54:12 | |
I don't want anyone else and I don't want you to have anyone else. | 0:54:12 | 0:54:15 | |
-Especially not him. -Thank you. | 0:54:15 | 0:54:16 | |
-No disrespect intended. -None taken. | 0:54:16 | 0:54:18 | |
It's just that he asked me if he could ask you out. | 0:54:18 | 0:54:20 | |
-I know, I... -And I said yes. I mean, I didn't say no. I meant no. | 0:54:20 | 0:54:24 | |
I just didn't say no. | 0:54:24 | 0:54:25 | |
Although all the time I was thinking no. NO! | 0:54:25 | 0:54:28 | |
I just... | 0:54:28 | 0:54:29 | |
I don't want to be some stiff-upper-lipped, English, beige, | 0:54:29 | 0:54:32 | |
Downton Abbey-loving Oliver. | 0:54:32 | 0:54:34 | |
I want to be more...more... | 0:54:34 | 0:54:35 | |
-Italian? -No! | 0:54:35 | 0:54:37 | |
OK, hang on. | 0:54:38 | 0:54:39 | |
How do you know that he asked me if he could ask you out? | 0:54:40 | 0:54:44 | |
I asked him to ask you. | 0:54:44 | 0:54:46 | |
Sorry... | 0:54:46 | 0:54:48 | |
You asked Matteo to ask me if it was all right if he asks you out? | 0:54:48 | 0:54:52 | |
OK, this is my cue. Excuse me. | 0:54:52 | 0:54:54 | |
Holby is waiting for me to give my Messiah. | 0:54:54 | 0:54:56 | |
You asked him to ask me if it was all right to ask you out? | 0:54:56 | 0:55:00 | |
Yes, but Ollie... | 0:55:00 | 0:55:01 | |
-No. -Let... -No. | 0:55:01 | 0:55:04 | |
Let me explain. Let me explain. | 0:55:04 | 0:55:07 | |
Come on. | 0:55:07 | 0:55:09 | |
Right, I'm going to go and get changed. | 0:55:14 | 0:55:16 | |
SACHA HUMS | 0:55:16 | 0:55:17 | |
-Can you stop doing that? It's really irritating. -I'm warming up. | 0:55:17 | 0:55:19 | |
According to Handel, God sat in heaven and shed a tear | 0:55:19 | 0:55:22 | |
at the first performance of the Messiah. | 0:55:22 | 0:55:24 | |
And now he's up there sobbing. | 0:55:24 | 0:55:26 | |
ISAAC GROANS | 0:55:26 | 0:55:27 | |
-Excuse me, sorry, sorry. -Isaac? | 0:55:27 | 0:55:29 | |
Sorry! | 0:55:29 | 0:55:30 | |
I'm going to have to do the solo. | 0:55:31 | 0:55:34 | |
Um... | 0:55:34 | 0:55:35 | |
Well, the show must go on. | 0:55:35 | 0:55:37 | |
# Every valley | 0:55:37 | 0:55:40 | |
# Every valley... # | 0:55:40 | 0:55:43 | |
SIRENS BLARE | 0:55:43 | 0:55:45 | |
CHOIR SINGS HALLELUJAH CHORUS | 0:55:45 | 0:55:46 | |
There was no man last night. | 0:55:46 | 0:55:48 | |
SHE LAUGHS | 0:55:48 | 0:55:49 | |
No hot date. No walk of shame. | 0:55:49 | 0:55:52 | |
You staged this? | 0:55:52 | 0:55:53 | |
I got up this morning and I dressed as though I'd been out all night | 0:55:53 | 0:55:56 | |
in a bid to make you pay me some attention. | 0:55:56 | 0:55:59 | |
To kick you into action. | 0:55:59 | 0:56:00 | |
You played me? | 0:56:00 | 0:56:01 | |
To make you make a decision. | 0:56:01 | 0:56:03 | |
You faked it? You faked being with someone. | 0:56:03 | 0:56:04 | |
To make you realise what you're missing. | 0:56:04 | 0:56:07 | |
OK. | 0:56:08 | 0:56:09 | |
So all that stuff with Matteo this morning, whispering in the kitchen. | 0:56:09 | 0:56:13 | |
-I was asking him to ask you... -Asking, yes, if it was OK. | 0:56:13 | 0:56:16 | |
Yes, and it worked. | 0:56:16 | 0:56:17 | |
You tricked me. | 0:56:19 | 0:56:20 | |
I nudged you in the right direction to make you make a decision. | 0:56:20 | 0:56:24 | |
Manipulation through fakery. | 0:56:24 | 0:56:26 | |
Yes, but it worked. | 0:56:26 | 0:56:28 | |
You yourself said that you wanted back what we had. | 0:56:28 | 0:56:31 | |
Oh, no, no, no, no, no. | 0:56:31 | 0:56:33 | |
Ollie? | 0:56:33 | 0:56:34 | |
You tricked me and now you want to go back to the way things were? | 0:56:34 | 0:56:37 | |
Yes, and you want that, too. | 0:56:37 | 0:56:38 | |
-No! -No? | 0:56:38 | 0:56:39 | |
Definitely not! | 0:56:39 | 0:56:41 | |
Oliver... | 0:56:41 | 0:56:42 | |
Sorry. I can't go back to that. Not with a fraud. | 0:56:42 | 0:56:45 | |
I am not a fraud. | 0:56:47 | 0:56:49 | |
My feelings... | 0:56:49 | 0:56:50 | |
And I can't go back to "dating" either. | 0:56:50 | 0:56:52 | |
You are taking this the wrong way. | 0:56:53 | 0:56:55 | |
But you can move in with me. | 0:56:59 | 0:57:01 | |
HE CLEARS HIS THROAT | 0:57:03 | 0:57:05 | |
Again. | 0:57:05 | 0:57:07 | |
We'll just have to make it more, um... | 0:57:07 | 0:57:09 | |
Just more. | 0:57:12 | 0:57:13 | |
Really? | 0:57:14 | 0:57:16 | |
All or nothing. | 0:57:16 | 0:57:17 | |
I want all. | 0:57:21 | 0:57:22 | |
-CHOIR: -# Hallelujah, hallelujah | 0:57:22 | 0:57:25 | |
# Hallelujah, hallelujah | 0:57:25 | 0:57:27 | |
# Hallelujah. # | 0:57:29 | 0:57:35 |