Browse content similar to The Sinner and the Sandman. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
So just to fix it, it's Dr Chrissie and Crispin Gilpin. | 0:00:29 | 0:00:34 | |
Too tricky, I'm sorry. | 0:00:36 | 0:00:38 | |
I'm going to call him Dr Crippen, I know I am. | 0:00:38 | 0:00:40 | |
He's a wrestling critic for Sky Sports. | 0:00:40 | 0:00:43 | |
Played a lot of golf with my dad. | 0:00:43 | 0:00:45 | |
And she's also a very talented artist. | 0:00:45 | 0:00:47 | |
Working on some big painting for the church at the moment, I think | 0:00:47 | 0:00:51 | |
she said, so no, they're very nice, very down-to-earth people, | 0:00:51 | 0:00:54 | |
so there's no way you're going to lower the tone. | 0:00:54 | 0:00:58 | |
I promise. | 0:00:58 | 0:00:59 | |
A wrestling critic for Sky. That's like pointlessness cubed. | 0:01:01 | 0:01:05 | |
KNOCKING | 0:01:19 | 0:01:23 | |
RINGS BELL | 0:01:27 | 0:01:30 | |
Chrissie? Crispin? | 0:02:03 | 0:02:05 | |
OK to come in? | 0:02:05 | 0:02:06 | |
We're a little bit early. | 0:02:10 | 0:02:11 | |
Hello? Anyone at home? | 0:02:15 | 0:02:16 | |
Very odd. | 0:02:23 | 0:02:24 | |
I might just try her studio, which I think is out the back somewhere. | 0:02:25 | 0:02:29 | |
I'll be two secs. | 0:02:29 | 0:02:30 | |
MUFFLED GROANS | 0:03:03 | 0:03:07 | |
BANGING | 0:03:39 | 0:03:41 | |
Oh, God! Hang on a second, hang on! | 0:03:59 | 0:04:03 | |
It's OK, I've got it. | 0:04:23 | 0:04:25 | |
Right. | 0:04:25 | 0:04:28 | |
What's going on? | 0:04:31 | 0:04:32 | |
Ah, Polly! Yeah, sorry, what's going on is we've had a break-in! | 0:04:34 | 0:04:38 | |
Just come downstairs, found these two characters in masks. | 0:04:38 | 0:04:41 | |
-Going through the bloody safe. -Unbelievable! | 0:04:41 | 0:04:43 | |
Managed to clobber them, | 0:04:43 | 0:04:44 | |
got them secured till the police get here, but it's like | 0:04:44 | 0:04:47 | |
Chrissie says, what if there's more of them waiting in the van? | 0:04:47 | 0:04:49 | |
Dare say they'll take a minute to get here, but... | 0:04:49 | 0:04:53 | |
How far is the nearest police station? Got to be ten miles. | 0:04:53 | 0:04:56 | |
Oh, not getting a signal. I'll have to use the landline. | 0:04:58 | 0:05:01 | |
Oh, bugger. | 0:05:04 | 0:05:05 | |
Jonathan?! Whatever you do, stay put! | 0:05:06 | 0:05:09 | |
There's two burglars in the house, and they could be... | 0:05:09 | 0:05:12 | |
Oh, good. Well, that's all under control, then? | 0:05:17 | 0:05:21 | |
We'll just get the sprouts on. | 0:05:22 | 0:05:24 | |
This is shaping up for a really fun-packed evening, | 0:05:26 | 0:05:28 | |
-I must say. -Better check the safe. -I suppose they've taken everything. | 0:05:28 | 0:05:31 | |
What does Japanese knotweed look like? | 0:06:07 | 0:06:10 | |
-Sorry? -Think I just found some, down in the wood. | 0:06:10 | 0:06:13 | |
It's absolutely lethal, that stuff, once it starts to spread. | 0:06:13 | 0:06:16 | |
We may have to get someone in. | 0:06:18 | 0:06:20 | |
What? | 0:06:22 | 0:06:23 | |
No, it's just where I broke my wrist a couple of years ago - | 0:06:23 | 0:06:26 | |
I think I might've just set it off again. | 0:06:26 | 0:06:29 | |
Great. | 0:06:29 | 0:06:31 | |
PHONE RINGS | 0:06:31 | 0:06:33 | |
Oh, hi, Chrissie, hi! | 0:06:35 | 0:06:37 | |
Listen, I'm so sorry about last night, | 0:06:37 | 0:06:40 | |
I don't suppose the police have managed to...? No, no. | 0:06:40 | 0:06:44 | |
Not sure, but I can check. | 0:06:45 | 0:06:47 | |
Asking if you've any plans to spring the Yorkshire Ripper from jail | 0:06:47 | 0:06:50 | |
this morning. No, no, I think he's learned his lesson. | 0:06:50 | 0:06:53 | |
Sorry? What time would that be for? | 0:06:54 | 0:06:58 | |
Oh, no, it's the least we can do! Yes, definitely! | 0:06:58 | 0:07:03 | |
I can't, sadly, but I'm sure Jonathan'll step up to the plate. | 0:07:03 | 0:07:07 | |
Yes. Leave it with me, Chrissie, and I'll sort it. OK. Bye. | 0:07:07 | 0:07:12 | |
What plate is this I'm stepping up to now? | 0:07:14 | 0:07:17 | |
The volunteer drivers | 0:07:17 | 0:07:18 | |
who ferry people up to the surgery for their appointments. | 0:07:18 | 0:07:21 | |
They're a bit short-staffed this morning, | 0:07:21 | 0:07:23 | |
and there's a patient of hers, Mr Ipswich - he's about 150. | 0:07:23 | 0:07:26 | |
Obviously I would if I could, but I've got the village hall committee | 0:07:26 | 0:07:29 | |
at ten, so go on, you'll be rewarded in Heaven. | 0:07:29 | 0:07:32 | |
Mr Ipswich. Why do I know I'm going to regret this? | 0:07:35 | 0:07:39 | |
-Morning, Hugh! Are you well? -Hi! | 0:07:46 | 0:07:49 | |
How's the new arrival, still keeping you both up all night? | 0:07:49 | 0:07:52 | |
Yes. I'm beginning to see the appeal of a manger. | 0:07:52 | 0:07:55 | |
You must come round, both of you, and say hello. | 0:07:55 | 0:07:57 | |
Alison's practically selling tickets. | 0:07:57 | 0:07:59 | |
Oh, well, put me down for two. | 0:07:59 | 0:08:01 | |
All looking super-duper. | 0:08:01 | 0:08:03 | |
Yes, they've done a marvellous job. | 0:08:03 | 0:08:04 | |
Wonder why Mr Greeley sounded so down about it on the phone? | 0:08:04 | 0:08:08 | |
Welcome, everybody. I think we have a quorum. | 0:08:09 | 0:08:15 | |
If I could start by introducing my nephew, Warwick, | 0:08:16 | 0:08:19 | |
who's over here from New Zealand for a few weeks. | 0:08:19 | 0:08:22 | |
He'll be helping us keep track of our discussions. | 0:08:22 | 0:08:25 | |
I'm sure we've all had a chance to admire the really splendid | 0:08:25 | 0:08:28 | |
efforts of our builders and design team, | 0:08:28 | 0:08:30 | |
who've worked tirelessly to give the centre | 0:08:30 | 0:08:32 | |
here such a facelift. | 0:08:32 | 0:08:34 | |
ALL: Hear, hear. | 0:08:34 | 0:08:35 | |
As you know, this has all been largely made | 0:08:35 | 0:08:37 | |
possible by the generosity of a local lottery winner - | 0:08:37 | 0:08:40 | |
the businessman and chairman of the Rotary Club, Sir Leonard Corbyn. | 0:08:40 | 0:08:45 | |
His donation to our project was a handsome one. | 0:08:45 | 0:08:48 | |
and in recognition of this it was decided - unanimously - | 0:08:48 | 0:08:52 | |
to re-dedicate the building in his honour. | 0:08:52 | 0:08:55 | |
Which presents us with a slight problem, | 0:08:55 | 0:08:57 | |
as he's just been arrested, and charged with molesting | 0:08:57 | 0:08:59 | |
several senior members of the Women's Bright Hour. Warwick? | 0:08:59 | 0:09:03 | |
Yes, details still coming in on this one, | 0:09:03 | 0:09:05 | |
but it seems to have occurred at a recent garden party | 0:09:05 | 0:09:08 | |
where his passion for pressing the flesh got a little out of hand. | 0:09:08 | 0:09:13 | |
-Oh, please... -And since that news broke, more women | 0:09:13 | 0:09:16 | |
have come forward with similar accounts of sexual misconduct, | 0:09:16 | 0:09:19 | |
including a dental hygienist who claims | 0:09:19 | 0:09:22 | |
he used to put his hands in his pockets | 0:09:22 | 0:09:23 | |
and...floss himself during treatment, and an air stewardess, | 0:09:23 | 0:09:28 | |
who caught him once using the vomit bag for other purposes. | 0:09:28 | 0:09:32 | |
Yes, well, this is... not a little embarrassing. | 0:09:32 | 0:09:37 | |
Which is why we have to look at some bold cosmetic | 0:09:37 | 0:09:40 | |
adjustments to repair the damage. Warwick? | 0:09:40 | 0:09:43 | |
Yes, so another name now obviously required. | 0:09:43 | 0:09:47 | |
And we were thinking, why not the Conrad Bloyner Centre? | 0:09:47 | 0:09:52 | |
Sorry, Conrad Bloyner? | 0:09:52 | 0:09:54 | |
-Not a gentleman I'm familiar with. -Well, no, | 0:09:54 | 0:09:57 | |
obviously there's no such person called Conrad Bloyner. | 0:09:57 | 0:10:00 | |
But given the letters on the wall out there for "Leonard Corbyn" | 0:10:00 | 0:10:04 | |
have all been individually cast for us, at considerable cost, | 0:10:04 | 0:10:08 | |
I think it would be somewhat profligate to just throw them away. | 0:10:08 | 0:10:10 | |
People are rarely bothered about the provenance of a name, | 0:10:10 | 0:10:13 | |
as long as it's crisp and memorable. Warwick? | 0:10:13 | 0:10:15 | |
Yes, there are other contenders you might want to consider. | 0:10:15 | 0:10:19 | |
For example, the Orlando Crenby Centre. | 0:10:19 | 0:10:23 | |
A possible Eurosceptic, we thought, in the John Major government. | 0:10:23 | 0:10:28 | |
Or Rodney Claborn, | 0:10:28 | 0:10:31 | |
could have been a local soccer hero in the 1950s. | 0:10:31 | 0:10:35 | |
Or what about alternative comedian turned Daily Mail | 0:10:35 | 0:10:39 | |
feature writer Brendan O'Clory? | 0:10:39 | 0:10:42 | |
I mean, I'd buy it. | 0:10:42 | 0:10:44 | |
Yes, look. | 0:10:44 | 0:10:46 | |
While I agree there's a problem here to be addressed, | 0:10:46 | 0:10:50 | |
I'm not sure inventing local benefactors with silly names | 0:10:50 | 0:10:54 | |
is quite the way forward, is it? | 0:10:54 | 0:10:55 | |
And if we're talking silly, Mr Greeley, I've got a bone to pick | 0:10:55 | 0:10:58 | |
with you about this piece in your latest parish newsletter. | 0:10:58 | 0:11:02 | |
"Subsidence in the south transept of the church. | 0:11:02 | 0:11:05 | |
"could it be linked to my predecessor turning in his grave?" | 0:11:05 | 0:11:09 | |
If that's meant to be a joke, it's a rather lame one. | 0:11:09 | 0:11:12 | |
Oh, you know what you could have is Ronan Clodbery, | 0:11:12 | 0:11:15 | |
Which would be... | 0:11:15 | 0:11:17 | |
No, rubbish, the whole thing. Completely ridiculous. | 0:11:17 | 0:11:21 | |
We've definitely got to...re-think. | 0:11:21 | 0:11:24 | |
Morning! Mr Ipswich? | 0:12:01 | 0:12:03 | |
You ready? | 0:12:07 | 0:12:08 | |
It's Jonathan! | 0:12:10 | 0:12:11 | |
Mr Ipswich? | 0:12:18 | 0:12:19 | |
You ready? | 0:12:21 | 0:12:23 | |
It's Jonathan. | 0:12:23 | 0:12:24 | |
SNORING | 0:12:24 | 0:12:27 | |
Mr Ipswich? | 0:12:37 | 0:12:38 | |
You all right? | 0:12:41 | 0:12:42 | |
It's Jonathan. | 0:12:43 | 0:12:44 | |
Come to take you up the doctor's. | 0:12:48 | 0:12:50 | |
You need any help at all? | 0:12:51 | 0:12:53 | |
Get your hands off. | 0:12:53 | 0:12:55 | |
I've come to drive you to the doctor's. 12:30. | 0:12:55 | 0:12:58 | |
I can't be doing with all that. | 0:12:58 | 0:13:00 | |
I've got to go to the doctor's. | 0:13:01 | 0:13:03 | |
They'll be here in a minute to pick me up. | 0:13:03 | 0:13:05 | |
Waste of time, there's nothing wrong with me. | 0:13:07 | 0:13:10 | |
And who are you, anyway? | 0:13:10 | 0:13:13 | |
Right, why don't I leave you to get ready, and...? | 0:13:15 | 0:13:18 | |
Oh, is this you out here, in your younger days? Very impressive. | 0:13:26 | 0:13:31 | |
Very similar to the kind of stuff I used to get up to before... | 0:13:31 | 0:13:34 | |
THUD | 0:13:34 | 0:13:36 | |
GROANING | 0:13:36 | 0:13:39 | |
Oh, God. | 0:13:41 | 0:13:43 | |
So what did they say, the paramedics? | 0:13:48 | 0:13:50 | |
Did they think it was a stroke, or...? | 0:13:50 | 0:13:52 | |
How serious, we'll have to wait and see, but... | 0:13:52 | 0:13:55 | |
It'll be no hardship getting out of that house for a while. | 0:13:55 | 0:13:58 | |
Place hasn't seen a lick of paint since his wife died. | 0:13:58 | 0:14:00 | |
That's got to be 50 years ago. | 0:14:00 | 0:14:02 | |
Be the perfect time now actually, to try and get in there, while | 0:14:03 | 0:14:06 | |
he's not around, and blow away some of those cobwebs. | 0:14:06 | 0:14:10 | |
Oh, yes! | 0:14:10 | 0:14:11 | |
Now then, what do you think? | 0:14:11 | 0:14:14 | |
Specially commissioned for the church vestibule | 0:14:14 | 0:14:17 | |
by our very own Dr Gilpin. | 0:14:17 | 0:14:20 | |
Such a talent. People amaze me. | 0:14:20 | 0:14:23 | |
Yes, think I saw this through the window in her studio... | 0:14:23 | 0:14:25 | |
Do you see what she's done? Very clever. | 0:14:25 | 0:14:27 | |
All the figures in the crowd, she's made into local parishioners. | 0:14:27 | 0:14:31 | |
Mr and Mrs Gibbs, look, from the butcher's. | 0:14:31 | 0:14:34 | |
Mrs Prosser... | 0:14:35 | 0:14:37 | |
Mr Greeley... | 0:14:38 | 0:14:41 | |
Yours truly, and Hugh. And, look! | 0:14:41 | 0:14:45 | |
She's even managed to squeeze the two of you in at the last minute. | 0:14:45 | 0:14:49 | |
How sweet is that? | 0:14:49 | 0:14:51 | |
-Yes, it's, erm... -Such a cute little twist. | 0:14:53 | 0:14:56 | |
What do you mean? | 0:14:57 | 0:14:58 | |
Giving you pride of place among the cherubim. | 0:15:00 | 0:15:03 | |
Obviously saw your angelic qualities. | 0:15:03 | 0:15:05 | |
Jonathan, how are you? | 0:15:07 | 0:15:10 | |
-Are you well? -Yes, I'm good. Ow! -So sorry! | 0:15:10 | 0:15:13 | |
No. It's just... since this morning. | 0:15:13 | 0:15:15 | |
I think I overdid it a bit - whacking the ketchup bottle. | 0:15:15 | 0:15:19 | |
-No, it's fine. -Yes. | 0:15:20 | 0:15:23 | |
Shall we, um...? | 0:15:23 | 0:15:25 | |
Oh, isn't he divine? | 0:15:29 | 0:15:31 | |
Well, not literally, of course, | 0:15:31 | 0:15:33 | |
I have to be careful what I say around here. | 0:15:33 | 0:15:36 | |
And you've got all the toys, look, and gadgets and paraphernalia.... | 0:15:36 | 0:15:40 | |
Oh, gone completely overboard. What do you expect, I know... | 0:15:40 | 0:15:44 | |
Sorry to interrupt, Mrs Chater, but there appears to be a man | 0:15:44 | 0:15:47 | |
down there relieving himself against your hedge. | 0:15:47 | 0:15:49 | |
Oh, yes. He looks as if he's starting to flag, doesn't he? | 0:15:52 | 0:15:57 | |
Perhaps I'll just pop down, see if he needs a top-up. | 0:15:57 | 0:15:59 | |
Ah, I feel I must explain. | 0:16:02 | 0:16:04 | |
This chap, who's come to do some garden work for us, | 0:16:05 | 0:16:08 | |
I happened to mention, we've got a plague of badgers at the moment, | 0:16:08 | 0:16:12 | |
churning up the lawn every night, he said the one thing that deters them, | 0:16:12 | 0:16:15 | |
apparently, is male human urine. So... | 0:16:15 | 0:16:19 | |
What with that, and this other strange creature, | 0:16:19 | 0:16:21 | |
that's been seen on the prowl... yes, it is quite scary. | 0:16:21 | 0:16:25 | |
-Strange creature? -Oh, yes, he's a "beast from Hell" | 0:16:25 | 0:16:29 | |
according to Mr Stebbings on the corner. | 0:16:29 | 0:16:32 | |
He says he was coming home from the pub the other night, | 0:16:32 | 0:16:34 | |
and as he passed our house, he saw this huge, | 0:16:34 | 0:16:38 | |
hump-backed thing crawling across the grass. | 0:16:38 | 0:16:41 | |
Far too big for any dog. Or a small deer, even. | 0:16:41 | 0:16:44 | |
He says it looked at him through the bushes for a moment, | 0:16:44 | 0:16:47 | |
with these demonic, glowing green eyes, and then...vanished. | 0:16:47 | 0:16:53 | |
One for your collection maybe? | 0:16:55 | 0:16:57 | |
Don't they say you're a bit of a mystery-solver? | 0:16:57 | 0:16:59 | |
Wonder if he could help us, your man, with our Japanese knotweed. | 0:16:59 | 0:17:04 | |
Cos I think we might have a slight problem. | 0:17:04 | 0:17:06 | |
Oh, no, really? You might want to keep that one to yourself. | 0:17:06 | 0:17:10 | |
They get so much as a sniff of anything like that round here, | 0:17:10 | 0:17:12 | |
we'll have a mass panic on our hands. | 0:17:12 | 0:17:14 | |
And I know someone else who'll start panicking, | 0:17:14 | 0:17:16 | |
if we don't let him get his 40 winks. | 0:17:16 | 0:17:20 | |
So...time to leave you to the Sandman, I think. | 0:17:20 | 0:17:23 | |
Let him work his magic, and bring you lots of nice dreams. | 0:17:23 | 0:17:27 | |
So that's that, then. | 0:17:35 | 0:17:36 | |
I might as well walk about now with a large white arrow | 0:17:36 | 0:17:39 | |
pointing at my flies. | 0:17:39 | 0:17:41 | |
And painted by a doctor! What are people going to think, | 0:17:41 | 0:17:44 | |
I've got some unfortunate hormone deficiency. | 0:17:44 | 0:17:46 | |
You see what I mean, it's very worrying. | 0:17:46 | 0:17:48 | |
-But what do we do about it? -And Ancient Palestine, you can't even claim it was a cold day. | 0:17:48 | 0:17:53 | |
I'm sorry, it's just pure vindictiveness! | 0:17:53 | 0:17:56 | |
Are you listening to me? | 0:17:56 | 0:17:58 | |
Sorry... | 0:17:59 | 0:18:00 | |
Whereabouts? These look like carrots to me. | 0:18:00 | 0:18:03 | |
They are carrots. And before you ask me why, | 0:18:03 | 0:18:06 | |
my father would grow carrots in a wood - he just did. | 0:18:06 | 0:18:08 | |
As long as I can remem... | 0:18:08 | 0:18:10 | |
-What? -No, I just got that thing again. | 0:18:13 | 0:18:16 | |
That kind of cold shudder I had in the bedroom. | 0:18:16 | 0:18:20 | |
When he mentioned the Sandman? | 0:18:20 | 0:18:22 | |
Yeah, to do with a dream I used to have. | 0:18:22 | 0:18:24 | |
Like this nightmare... | 0:18:24 | 0:18:25 | |
..about the Sandman. | 0:18:27 | 0:18:29 | |
Who I know's supposed to be this friendly old character, | 0:18:29 | 0:18:31 | |
who sprinkles sand in your eyes, and sends you off to sleep. | 0:18:31 | 0:18:34 | |
In my dream, he's not a nice person at all. | 0:18:37 | 0:18:39 | |
But this...terrifying figure of evil | 0:18:41 | 0:18:46 | |
who calls round your house in the middle of the night and... | 0:18:46 | 0:18:48 | |
And does what? | 0:18:52 | 0:18:55 | |
I don't know. | 0:18:55 | 0:18:56 | |
I don't know. | 0:18:58 | 0:19:00 | |
It scared me so much, I always woke up at that point in a cold sweat. | 0:19:00 | 0:19:04 | |
PHONE BEEPS | 0:19:18 | 0:19:20 | |
How do we feel about this? Message from Alison. | 0:19:24 | 0:19:27 | |
She says while he's away in hospital - old Mr Ipswich - | 0:19:27 | 0:19:30 | |
she's going to get a little decorating party together. | 0:19:30 | 0:19:33 | |
Try and make it a bit more welcoming. | 0:19:33 | 0:19:34 | |
We'd be up for that, wouldn't we? | 0:19:34 | 0:19:36 | |
Suppose so. 10 Rillington Place would be more welcoming. | 0:19:36 | 0:19:40 | |
Come on, it's what people do. | 0:19:42 | 0:19:44 | |
You're not living in a windmill any more. | 0:19:44 | 0:19:47 | |
You have to engage with the community. | 0:19:48 | 0:19:50 | |
Yes, what community would that be, Twin Peaks? | 0:19:50 | 0:19:53 | |
What happened to that quiet little haven of rural serenity | 0:19:59 | 0:20:02 | |
we were going to escape to, after a busy day at the office? | 0:20:02 | 0:20:05 | |
I know. | 0:20:05 | 0:20:06 | |
-You going to be long? -Two secs. | 0:20:08 | 0:20:11 | |
So, how much longer do you reckon? | 0:20:15 | 0:20:17 | |
Cos I'm slightly going off the boil here. | 0:20:17 | 0:20:19 | |
I know, but very important to stretch before any physical exercise. | 0:20:19 | 0:20:23 | |
Don't want to get cramp. | 0:20:23 | 0:20:25 | |
It's good for getting the blood flowing into the tissues. | 0:20:25 | 0:20:29 | |
It's having the opposite effect on me, I have to say. | 0:20:29 | 0:20:32 | |
And will you stop with that constant inspection?! | 0:20:33 | 0:20:36 | |
I'll have a quiet word with her tomorrow, | 0:20:36 | 0:20:39 | |
get her to put a tiny wisp of gauze over it or something. | 0:20:39 | 0:20:42 | |
Why a TINY wisp of gauze? Why do you say that? | 0:20:42 | 0:20:46 | |
There's no need to be stingy with the gauze. | 0:20:46 | 0:20:48 | |
Plenty of gauze to go around. | 0:20:48 | 0:20:50 | |
Were you like this as a child? | 0:20:51 | 0:20:53 | |
-Insecure or what? -Well, I just think... | 0:20:55 | 0:20:58 | |
-Oh, this is a joke - surely? -What now? | 0:20:58 | 0:21:03 | |
Latest edition of Mr Greeley's parish newsletter! | 0:21:03 | 0:21:06 | |
"Fears of massive Biblical retribution swept through | 0:21:06 | 0:21:09 | |
"the village this week, | 0:21:09 | 0:21:11 | |
"after a local businessman became embroiled in a sleazy sex scandal. | 0:21:11 | 0:21:15 | |
"The Book of Revelation talks of Four Horsemen of the Apocalypse - | 0:21:15 | 0:21:18 | |
"Death, War, Pestilence and Famine, | 0:21:18 | 0:21:21 | |
"three of which have already materialised. | 0:21:21 | 0:21:25 | |
"Death - the sudden passing on Friday of Mrs Enid Spackwell, | 0:21:25 | 0:21:29 | |
"aged 94. War - the boundary dispute over who owns the ditch | 0:21:29 | 0:21:34 | |
"next to the Angler's Arms. Pestilence - | 0:21:34 | 0:21:37 | |
"a plague of badgers near the church, and more alarming still, | 0:21:37 | 0:21:40 | |
"the threat of Japanese knotweed engulfing the village! | 0:21:40 | 0:21:43 | |
"It's stressed there is no sign yet of any famine, | 0:21:45 | 0:21:47 | |
"and no reason whatever to resort to panic buying." | 0:21:47 | 0:21:50 | |
Well, we can guess what the result of that'll be. | 0:21:50 | 0:21:52 | |
How the hell did he get hold of that? | 0:21:52 | 0:21:55 | |
-That is just creepy. -Isn't it? | 0:21:55 | 0:21:58 | |
As is the curious account of that strange wild beast | 0:22:00 | 0:22:04 | |
that was sighted in the vicarage garden the other night. | 0:22:04 | 0:22:07 | |
But there's no account of that in here. | 0:22:07 | 0:22:10 | |
That is what is curious. | 0:22:11 | 0:22:13 | |
It's all right, darling, it's only the Sandman. | 0:22:35 | 0:22:38 | |
It's all right, darling, it's only the Sandman. | 0:22:44 | 0:22:47 | |
It's just the Sandman. | 0:22:48 | 0:22:51 | |
The Sandman. | 0:22:51 | 0:22:53 | |
It's just the Sandman. | 0:22:54 | 0:22:56 | |
It's just the Sandman. | 0:22:59 | 0:23:00 | |
Morning! | 0:23:22 | 0:23:23 | |
Thanks a lot, cheers. | 0:23:30 | 0:23:32 | |
Oh, hi, welcome to the Middle Ages! | 0:23:37 | 0:23:40 | |
Think we just found some more bits of Richard the Third | 0:23:40 | 0:23:42 | |
in the guest bedroom, I can't be totally sure, but... | 0:23:42 | 0:23:45 | |
Wow, he's going to be in for a surprise, when he gets back. | 0:23:45 | 0:23:47 | |
Oh, no, he's well aware what we're up to. | 0:23:47 | 0:23:50 | |
I mean, he was looking a poor old soul last night, | 0:23:50 | 0:23:52 | |
when I went to visit, but you know what? | 0:23:52 | 0:23:55 | |
I'm hoping this will give him a reason to pull through. | 0:23:55 | 0:23:58 | |
So, what do you fancy? | 0:23:58 | 0:24:00 | |
You've got five layers of wallpaper in this room | 0:24:00 | 0:24:02 | |
we are currently chipping our way through. | 0:24:02 | 0:24:04 | |
Or if you want to make sense of all the lumber out there | 0:24:04 | 0:24:07 | |
which is like bills and bank statements and Christmas cards | 0:24:07 | 0:24:10 | |
dating back 20 years or more. | 0:24:10 | 0:24:11 | |
Yeah, give that a go. This wrist is still giving me grief. | 0:24:13 | 0:24:18 | |
Can you believe - just from smacking the sauce out? | 0:24:18 | 0:24:20 | |
How many days ago now? | 0:24:20 | 0:24:22 | |
So, Astrodamus, what was that, | 0:24:29 | 0:24:32 | |
some kind of fortune telling act he used to do? | 0:24:32 | 0:24:35 | |
-Ringing a slight bell now. -Apparently the world's worst. | 0:24:35 | 0:24:38 | |
If you read some of those scrapbooks and cuttings, | 0:24:38 | 0:24:41 | |
talk about him being booed off the stage every night - it's very sad. | 0:24:41 | 0:24:44 | |
Didn't Jonathan used to be involved with that sort of, erm...? | 0:24:46 | 0:24:49 | |
Yes, for years. | 0:24:49 | 0:24:51 | |
But then, you know, it's that thing with creative people. | 0:24:51 | 0:24:53 | |
So easy to get into a rut, | 0:24:53 | 0:24:55 | |
so important to maintain the stimulation... | 0:24:55 | 0:24:58 | |
-As he never tires of telling us. -How do you mean? -Well! | 0:24:58 | 0:25:02 | |
I'm broad-minded, Polly, but there are some things | 0:25:02 | 0:25:04 | |
I don't think you need to keep sharing with everyone, do you? | 0:25:04 | 0:25:07 | |
What does he call it? "Whacking the ketchup bottle" | 0:25:07 | 0:25:10 | |
and "smacking the sauce out". | 0:25:10 | 0:25:13 | |
What on earth are you talking about? | 0:25:13 | 0:25:15 | |
I think we get the drift, don't we? Scattering his seed? | 0:25:15 | 0:25:18 | |
You want me to spell it out...? | 0:25:19 | 0:25:21 | |
Oh, look, can we just drop the subject? | 0:25:21 | 0:25:23 | |
And pretend I never mentioned... | 0:25:23 | 0:25:24 | |
Hello. | 0:25:26 | 0:25:27 | |
What's this? | 0:25:29 | 0:25:30 | |
Looks like some writing. | 0:25:32 | 0:25:33 | |
"Will Win." | 0:25:37 | 0:25:38 | |
What will win, I wonder? | 0:25:40 | 0:25:42 | |
Load of numbers. | 0:25:44 | 0:25:45 | |
-Must have meant something once, I suppose, to somebody. -Yes... | 0:25:48 | 0:25:52 | |
-What? -No... | 0:25:56 | 0:25:57 | |
Oh, no, come on. | 0:25:57 | 0:25:59 | |
Going right off my trolley now, Alison, sorry, but I just have to... | 0:26:00 | 0:26:04 | |
How many layers of paper are we saying here, five? | 0:26:07 | 0:26:11 | |
So we're thinking this writing has been under there for what - | 0:26:11 | 0:26:14 | |
anything up to 50 years? | 0:26:14 | 0:26:17 | |
Oh, well, no, this is really freaking me out now, I'm sorry | 0:26:17 | 0:26:20 | |
-because... -Because what? -Leonard Corbyn. | 0:26:20 | 0:26:24 | |
Our disgraced local benefactor at the village hall? | 0:26:24 | 0:26:27 | |
These are his winning lottery numbers. | 0:26:27 | 0:26:29 | |
I mean, all this stuff, this mind-reading | 0:26:32 | 0:26:35 | |
and astral prediction stuff - is all just a trick, obviously? | 0:26:35 | 0:26:39 | |
-This is a trick. It has to be. -I don't know. | 0:26:39 | 0:26:42 | |
Even if there was any way of faking all that wallpaper - which, remember, | 0:26:42 | 0:26:47 | |
the whole room's then got to match - how does he know you're going to | 0:26:47 | 0:26:50 | |
come in here at some vague point in the future and take it all off? | 0:26:50 | 0:26:54 | |
But to have just come up with those exact six numbers? | 0:26:54 | 0:26:57 | |
Decades before it happened. | 0:26:57 | 0:26:59 | |
Would make the Amazing Astrodamus - AKA Eric Ipswich - | 0:26:59 | 0:27:03 | |
the most impressive clairvoyant who ever lived. | 0:27:03 | 0:27:06 | |
Small piece of plaster come off here, between the two words. | 0:27:09 | 0:27:14 | |
Still stuck to the paper maybe? | 0:27:15 | 0:27:18 | |
And that's significant? | 0:27:18 | 0:27:20 | |
Always safe to assume, Mrs Chater, there's nothing | 0:27:20 | 0:27:23 | |
that's insignificant. You still got that local press report there? | 0:27:23 | 0:27:29 | |
Just said the whole thing was a complete one-off. | 0:27:29 | 0:27:32 | |
"First time ever he'd done the lottery - just went out | 0:27:32 | 0:27:35 | |
"and bought a ticket, completely random numbers, on a total whim. | 0:27:35 | 0:27:39 | |
"Said his wife Rebecca, 51 - 'It was such a shock, | 0:27:39 | 0:27:43 | |
" 'and so unlike him in the first place. | 0:27:43 | 0:27:45 | |
" 'I'm still waiting to come back down to earth.' " | 0:27:45 | 0:27:47 | |
Ah! | 0:27:47 | 0:27:49 | |
Now... | 0:27:49 | 0:27:50 | |
-I think... -Looks like a small cross. | 0:27:53 | 0:27:57 | |
Oh, good! So that tells us everything, then. | 0:27:57 | 0:28:00 | |
I think I'm ready for a strong cup of coffee. | 0:28:00 | 0:28:03 | |
-And? Does it tell us anything? -Well, it depends how you look at it. | 0:28:05 | 0:28:10 | |
Quite literally. | 0:28:11 | 0:28:12 | |
But it does at least suggest one very slender, | 0:28:12 | 0:28:16 | |
possible line of inquiry. | 0:28:16 | 0:28:17 | |
I mean, what on earth do you think we're looking at then, some sort of | 0:28:17 | 0:28:21 | |
amazingly elaborate set-up, designed to just freak us all out, or...? | 0:28:21 | 0:28:25 | |
Well. | 0:28:29 | 0:28:30 | |
A very calculated deception is certainly part of it, | 0:28:31 | 0:28:36 | |
but...strangely, I can't help feeling it has nothing to do | 0:28:36 | 0:28:39 | |
with this writing on the wall. | 0:28:39 | 0:28:41 | |
And now! | 0:29:14 | 0:29:16 | |
By means of collusion with the celestial forces | 0:29:16 | 0:29:19 | |
that shape our destiny, I shall make my prediction! | 0:29:19 | 0:29:24 | |
And place it in this envelope, which I will hand to the lovely Delia. | 0:29:26 | 0:29:32 | |
And, Jessie. | 0:29:36 | 0:29:38 | |
If you would peel off the cellophane from that | 0:29:43 | 0:29:46 | |
deck of playing cards, thank you? | 0:29:46 | 0:29:48 | |
Break the seal, and carefully slide out the pack | 0:29:52 | 0:29:55 | |
and place it on the table. | 0:29:55 | 0:29:57 | |
Cut the pack, | 0:30:01 | 0:30:04 | |
and show the card you have just chosen to the audience. | 0:30:04 | 0:30:08 | |
SHE SNEEZES | 0:30:16 | 0:30:18 | |
SHOUTS OF EXASPERATION | 0:30:18 | 0:30:21 | |
No, wait - that was... Please, don't go. | 0:30:26 | 0:30:30 | |
Please...! | 0:30:30 | 0:30:31 | |
So he WAS just completely rubbish, basically. Well... | 0:30:40 | 0:30:44 | |
Anyway, thank you, Mr Greeley, for fishing that out. | 0:30:46 | 0:30:48 | |
One of his last ever performances, sadly. | 0:30:48 | 0:30:50 | |
Just before he gave it all up to go to work in a bank. | 0:30:50 | 0:30:53 | |
Why all the critics all had to be so cruel... We all have our off-days. | 0:30:53 | 0:30:56 | |
No doubt this whole affair will be featuring prominently | 0:30:56 | 0:30:59 | |
in the next edition of your parish newsletter? | 0:30:59 | 0:31:02 | |
Well... A more astonishing phenomenon would be hard to imagine, | 0:31:02 | 0:31:05 | |
and when a man of YOUR reputation is baffled, what else are we to think? | 0:31:05 | 0:31:10 | |
That his powers of clairvoyance were more remarkable than anyone gave him credit for? | 0:31:10 | 0:31:15 | |
That now, 40 years after Astrodamus retired, | 0:31:15 | 0:31:18 | |
we may be witnessing his finest hour? | 0:31:18 | 0:31:21 | |
Erm...I don't think so. Do you? | 0:31:21 | 0:31:24 | |
Well... Time will tell, Mr Creek. | 0:31:24 | 0:31:27 | |
Remember, not everyone shares your cynicism. | 0:31:27 | 0:31:30 | |
I think you'll find that round here most people's minds are still very much open... | 0:31:30 | 0:31:34 | |
to all sorts of wondrous possibilities. | 0:31:34 | 0:31:38 | |
Yes. I had noticed. | 0:31:38 | 0:31:41 | |
CHATTERING | 0:32:02 | 0:32:05 | |
In the words of Ebenezer Scrooge - I'll retire to Bedlam. | 0:32:10 | 0:32:13 | |
That's why we call them your flock, darling, because they behave like sheep. | 0:32:13 | 0:32:16 | |
-Did you get the bread rolls? -Last two in the shop. | 0:32:16 | 0:32:19 | |
Like a plague of locusts had been through. | 0:32:19 | 0:32:21 | |
TEXT ALERT | 0:32:21 | 0:32:23 | |
Now, that's awkward. The rector at St Mark's has got whooping cough. | 0:32:25 | 0:32:29 | |
He's asking if I could step in tonight for their evensong. | 0:32:29 | 0:32:32 | |
Well, how is that going to work with my hospital visits? | 0:32:32 | 0:32:35 | |
You know Sally and Frida are both tied up on Mondays. | 0:32:35 | 0:32:38 | |
Where are we going to find a baby-sitter at this short notice? | 0:32:38 | 0:32:41 | |
So, you know where everything is - I'd imagine Hugh's going to be back | 0:32:41 | 0:32:44 | |
probably nine at the latest, and honestly, I don't think you'll have any trouble, | 0:32:44 | 0:32:48 | |
-but you've got both our mobiles... -Yes. Yes. | 0:32:48 | 0:32:51 | |
No, no, if it's of any help to you in your deliberations, be my guest. | 0:32:51 | 0:32:56 | |
I think those'll be the parish records for the period you're after. | 0:32:56 | 0:32:59 | |
Births, deaths and marriages. | 0:32:59 | 0:33:01 | |
I'm amazed they were all still here, to be honest. | 0:33:01 | 0:33:04 | |
Well...it's definitely a long shot, but | 0:33:04 | 0:33:06 | |
pre-Google, I wasn't sure where else to look, so...thanks. | 0:33:06 | 0:33:10 | |
-Listen, we can't tell you how much we appreciate this. -Our pleasure. We'll be fine! | 0:33:10 | 0:33:14 | |
Bye, Polly. Bye, Jonathan! You're an angel! | 0:33:14 | 0:33:17 | |
THUNDER RUMBLES | 0:33:24 | 0:33:26 | |
Fast a-kip up there now, bless him. | 0:33:36 | 0:33:38 | |
Such a shame they have to grow up, isn't it? And become people. | 0:33:39 | 0:33:44 | |
You know, I don't know how you could take offence at this. | 0:33:51 | 0:33:54 | |
It was so tastefully done. | 0:33:54 | 0:33:56 | |
Yes, I was talking to a woman in the post office this morning who'd been in to see it. | 0:33:57 | 0:34:01 | |
She said she particularly liked the way my penis followed her round the room. | 0:34:01 | 0:34:05 | |
What is it you're looking for in there, anyway, or am I not allowed to ask? | 0:34:06 | 0:34:10 | |
What's that, marriages you're on now? From the '60s? | 0:34:11 | 0:34:14 | |
It's the most tenuous of theories, but | 0:34:14 | 0:34:17 | |
unfortunately it's the only one I've got. If I'm wrong, I'm just going to look like a pillock. | 0:34:17 | 0:34:22 | |
But on the other ha... | 0:34:22 | 0:34:24 | |
hand... | 0:34:24 | 0:34:26 | |
Ah-ah-ah! There you go. | 0:34:26 | 0:34:30 | |
Just goes to show, if you look long enough and hard enough, you'll find it. | 0:34:30 | 0:34:33 | |
Hooray! The God particle(?) | 0:34:33 | 0:34:35 | |
CLAP OF THUNDER | 0:34:35 | 0:34:36 | |
-Watch your language in here. -Sorry. | 0:34:38 | 0:34:40 | |
Still a long way from locking it up of course, but | 0:34:40 | 0:34:43 | |
-proof at least we could be on the right track. -Oh, good. | 0:34:43 | 0:34:46 | |
Very obvious to YOUR eyes, I'm sure, but... | 0:34:49 | 0:34:51 | |
No? | 0:34:52 | 0:34:54 | |
Isn't it funny - you still can't see it? | 0:34:54 | 0:34:56 | |
CLAP OF THUNDER | 0:34:56 | 0:34:58 | |
-What? -No, it's... Out there. | 0:35:10 | 0:35:14 | |
I thought I saw something. | 0:35:14 | 0:35:16 | |
RUSTLING | 0:36:01 | 0:36:02 | |
What WAS that? What did you see? | 0:36:12 | 0:36:15 | |
Too quick. Soon as I got near it was off through the bushes | 0:36:15 | 0:36:17 | |
and then...I dunno, into those trees somewhere. | 0:36:17 | 0:36:20 | |
CLAP OF THUNDER | 0:36:23 | 0:36:25 | |
What IS that? | 0:36:35 | 0:36:37 | |
It's like a giant paw print. | 0:36:37 | 0:36:39 | |
Not like any paw print I've ever seen. | 0:36:42 | 0:36:44 | |
This was made by a human hand. | 0:36:46 | 0:36:48 | |
BABY WAILS Oh... | 0:36:49 | 0:36:52 | |
Oh, dear... BABY WAILS | 0:36:55 | 0:36:58 | |
Oooh... Think we might have a bit of a leak here actually. | 0:37:01 | 0:37:05 | |
Remedial action definitely required. | 0:37:05 | 0:37:08 | |
Oh, of course... | 0:37:08 | 0:37:10 | |
That's exactly it - what's been going on. | 0:37:10 | 0:37:15 | |
Clear as crystal now. | 0:37:16 | 0:37:18 | |
What is? What have you seen now? | 0:37:18 | 0:37:20 | |
Nothing we didn't see the first time we came in this room, | 0:37:20 | 0:37:23 | |
only now of course it's screaming at us. | 0:37:23 | 0:37:25 | |
Yes, well, not the only thing that's screaming...? | 0:37:25 | 0:37:28 | |
Oh, yeah. Sorry... | 0:37:28 | 0:37:31 | |
What an extraordinary thing. | 0:37:31 | 0:37:32 | |
So, what do we think? The plot just thickens then, basically? | 0:37:32 | 0:37:36 | |
Or not, actually. If you're in any doubt still about Mr Stebbings' "beast from hell" | 0:37:36 | 0:37:40 | |
then this bin bag should pretty much seal it. | 0:37:40 | 0:37:43 | |
Even the most prodigious of carnivores | 0:37:43 | 0:37:46 | |
don't tend to be THAT handy with a Stanley knife. | 0:37:46 | 0:37:49 | |
And you put this together with that handprint over there, | 0:37:49 | 0:37:51 | |
and the two glowing green eyes... | 0:37:51 | 0:37:54 | |
Good Lord. What on earth are you suggesting? | 0:37:54 | 0:37:56 | |
DOOR RATTLES | 0:38:00 | 0:38:01 | |
Oh, my God, what a night. | 0:38:37 | 0:38:39 | |
This is doing my nerves no good at all - waking up terrified to death every morning. | 0:38:39 | 0:38:44 | |
Sandman again? | 0:38:44 | 0:38:47 | |
SHE SIGHS Didn't help, all that business in the garden. | 0:38:47 | 0:38:49 | |
Strange apparitions in the bushes. | 0:38:49 | 0:38:52 | |
And whatever time did YOU get in finally? | 0:38:52 | 0:38:54 | |
I looked at the clock, half past five, you still weren't there. | 0:38:54 | 0:38:56 | |
Can't believe you had to go back to that place. | 0:38:56 | 0:38:58 | |
Ferreting around at all hours of the night. | 0:38:58 | 0:39:00 | |
Yeah, got back about... six, I think it was, in the end. | 0:39:00 | 0:39:03 | |
And how come you're so bloody fresh on one-and-a-half hours' sleep, when I've had eight and I'm wrecked? | 0:39:04 | 0:39:09 | |
So what am I looking at here? | 0:39:10 | 0:39:12 | |
Three old Christmas cards from... | 0:39:15 | 0:39:17 | |
Captain Ian Amery-Cooper? | 0:39:17 | 0:39:20 | |
SHE SIGHS | 0:39:21 | 0:39:22 | |
It's a drug, isn't it? We're never going to wean you off. | 0:39:28 | 0:39:32 | |
Pointless, I suppose, to even try. | 0:39:32 | 0:39:35 | |
Could have been a dead end. There was no guarantee. | 0:39:35 | 0:39:39 | |
The old mental flow chart. You know, one black bin bag led to another. | 0:39:39 | 0:39:43 | |
20-odd years' worth of Christmas cards? | 0:39:43 | 0:39:46 | |
If you're looking for an old family friend, | 0:39:46 | 0:39:48 | |
-seemed like a good place to start. -An old family friend... | 0:39:48 | 0:39:51 | |
Who the hell is Ian Amery-Cooper? | 0:39:51 | 0:39:54 | |
Someone who's going to explain how a set of winning lottery numbers | 0:39:54 | 0:39:57 | |
were painted on a wall 50 years before anyone picked them out? | 0:39:57 | 0:40:01 | |
That's what I'm hoping. | 0:40:01 | 0:40:03 | |
I would try and take you through it, but... | 0:40:03 | 0:40:05 | |
first day back at the office? I know you don't want to be late. | 0:40:05 | 0:40:09 | |
Definitely. We'll have that storyboarded up for you by Monday at the latest, so | 0:40:20 | 0:40:24 | |
-hopefully talking figures middle of next week. Bye-bye. -Bye. | 0:40:24 | 0:40:28 | |
..By means of collusion with the celestial forces that shape our destiny... | 0:41:12 | 0:41:18 | |
I shall make my prediction! | 0:41:18 | 0:41:21 | |
No, wait - that was... Please, don't go. | 0:41:25 | 0:41:30 | |
Yes... | 0:41:31 | 0:41:33 | |
Yes, yes. | 0:41:33 | 0:41:35 | |
Thank you, Mr Greeley. That could well be more helpful than you imagined. | 0:41:35 | 0:41:40 | |
No, no, that's fine. What time would be good for you? | 0:41:40 | 0:41:43 | |
OK. Great. | 0:41:44 | 0:41:46 | |
No, I'm hoping actually it'll be very much | 0:41:46 | 0:41:49 | |
to your advantage, so... | 0:41:49 | 0:41:51 | |
Yeah. See you then. Bye. | 0:41:51 | 0:41:55 | |
Very much to whose advantage? | 0:41:55 | 0:41:57 | |
How did it go with the number crunchers? | 0:41:57 | 0:41:59 | |
Erm...yeah, good, good, that's all going to work out. | 0:41:59 | 0:42:04 | |
What are your plans tonight? | 0:42:04 | 0:42:06 | |
No idea. But I've got a feeling you're about to tell me. | 0:42:06 | 0:42:09 | |
Well, if we can get everything to slot together, | 0:42:09 | 0:42:11 | |
I think tonight might just see a resolution to our puzzle. | 0:42:11 | 0:42:15 | |
Though I'm going to need a bit of help from you in the meantime. | 0:42:15 | 0:42:17 | |
Go on. | 0:42:17 | 0:42:18 | |
I think we've got quite enough ammunition now | 0:42:18 | 0:42:21 | |
to flush him out, but... | 0:42:21 | 0:42:24 | |
something tells me that Sir Leonard Corbyn's going to pay more attention to a woman. | 0:42:24 | 0:42:28 | |
We've definitely come to the right place here? | 0:42:33 | 0:42:36 | |
As per the instructions. | 0:42:36 | 0:42:39 | |
-HE SNIFFS -Hmm... | 0:42:39 | 0:42:41 | |
Think that tells the story. | 0:42:41 | 0:42:43 | |
HUBBUB OF VOICES | 0:42:50 | 0:42:51 | |
Mr Creek - good evening. | 0:43:05 | 0:43:07 | |
Ah. Polly, can I introduce Captain Ian Amery-Cooper? | 0:43:07 | 0:43:10 | |
Mmm... This is welcome. | 0:43:15 | 0:43:18 | |
Homeless, rudderless, but not yet hopeless, we like to feel. | 0:43:18 | 0:43:23 | |
And culinary discretion certainly unimpaired. They won't put up with any slop. | 0:43:23 | 0:43:27 | |
Premises far from ideal, of course, | 0:43:27 | 0:43:29 | |
but until that spanking new hostel lands in our lap... | 0:43:29 | 0:43:31 | |
So. Yes, I'm sorry I seem to have proved so elusive. | 0:43:32 | 0:43:37 | |
The "captain" bit had pretty much defeated me. | 0:43:37 | 0:43:40 | |
Armed forces, serving and retired - not an Amery-Cooper in sight. | 0:43:40 | 0:43:46 | |
Till it came back to me, a fleeting image of a different kind of uniform in that old bit of film. | 0:43:46 | 0:43:51 | |
I imagine would have been... | 0:43:52 | 0:43:54 | |
Yes. My father, God bless him. | 0:43:54 | 0:43:56 | |
Which is what led you to us. | 0:43:57 | 0:43:59 | |
But what a strange and convoluted business. | 0:44:00 | 0:44:02 | |
I've no idea how you made all those connections. | 0:44:02 | 0:44:05 | |
Obviously very happy to fill in the gaps for you, | 0:44:05 | 0:44:08 | |
but did you say you'd also invited, erm...? | 0:44:08 | 0:44:11 | |
Well, not so much an invitation, more an appeal to his conscience, if he had one. | 0:44:11 | 0:44:15 | |
CAR ENGINE | 0:44:15 | 0:44:18 | |
And it appears...that he has. | 0:44:18 | 0:44:21 | |
So, in addition to all the other charges currently being | 0:44:31 | 0:44:34 | |
levelled against you, Mr Corbyn, would it be fair to add one more? | 0:44:34 | 0:44:38 | |
The charge of fraudulently depriving this man of his lottery winnings? | 0:44:38 | 0:44:42 | |
All right. I'm here, aren't I? | 0:44:42 | 0:44:45 | |
That tells you everything you need to know. | 0:44:45 | 0:44:47 | |
I never imagined this was going to be pleasant, | 0:44:47 | 0:44:50 | |
so let's just hear what you've got to say, and skip the rhetorical questions. | 0:44:50 | 0:44:55 | |
A miraculous prediction, discovered a few days ago, | 0:44:58 | 0:45:01 | |
of your six random numbers | 0:45:01 | 0:45:03 | |
was clearly never anything of the kind. | 0:45:03 | 0:45:06 | |
Odds against that happening would be astronomical, even for Astrodamus. | 0:45:06 | 0:45:11 | |
But people do pick lottery numbers all the time that aren't random. | 0:45:11 | 0:45:15 | |
And those numbers come up. | 0:45:15 | 0:45:18 | |
And the only way this made sense | 0:45:18 | 0:45:20 | |
would be if the winning line on that lottery ticket had actually | 0:45:20 | 0:45:24 | |
been chosen in the first place because it appeared on that wall. | 0:45:24 | 0:45:27 | |
Which would make your claim of a chance selection | 0:45:27 | 0:45:30 | |
purchased "on a total whim"... | 0:45:30 | 0:45:33 | |
..suddenly rather suspect. | 0:45:34 | 0:45:37 | |
And might well raise the question, | 0:45:37 | 0:45:39 | |
was that gift to the village hall made more out of guilt than charity? | 0:45:39 | 0:45:43 | |
So what was the real story here? | 0:45:45 | 0:45:47 | |
The words underneath had to be the trigger. | 0:45:47 | 0:45:50 | |
"Will win" - just a bit too good to be true. | 0:45:50 | 0:45:55 | |
But with that little symbol in between them... | 0:45:55 | 0:45:58 | |
not a cross, I would suggest, but a plus sign, | 0:45:58 | 0:46:02 | |
all a bit more mundane. | 0:46:02 | 0:46:04 | |
Two screw-marks in the skirting board | 0:46:05 | 0:46:09 | |
suggested a nearby phone point in the bedroom, years ago. | 0:46:09 | 0:46:14 | |
Mid-60s, probably not something that common. | 0:46:14 | 0:46:17 | |
And then how much of a stretch is it to imagine our young Mr Ipswich | 0:46:17 | 0:46:20 | |
there one day, redecorating the bedroom, | 0:46:20 | 0:46:23 | |
walls all nicely plastered, waiting to be papered, | 0:46:23 | 0:46:26 | |
when he gets a call from a friend in the village. | 0:46:26 | 0:46:29 | |
PHONE RINGS | 0:46:29 | 0:46:31 | |
Hello? | 0:46:32 | 0:46:34 | |
Can I suggest one of your parents? | 0:46:34 | 0:46:36 | |
My mother's family, | 0:46:36 | 0:46:37 | |
and my father's, would both have been connected around the same time. | 0:46:37 | 0:46:41 | |
So we'd be talking three years before they were married, | 0:46:41 | 0:46:44 | |
five before I was born. | 0:46:44 | 0:46:46 | |
One of them, at any rate, | 0:46:46 | 0:46:48 | |
has just called to give him the two new phone numbers. | 0:46:48 | 0:46:51 | |
He's standing there with his hands full - what does he do? | 0:46:51 | 0:46:55 | |
So a couple called William and Winifred, as it happens, | 0:47:06 | 0:47:10 | |
weren't that hard to trace, when it came to it. | 0:47:10 | 0:47:13 | |
And obvious candidates for the real owners of that lottery ticket, | 0:47:13 | 0:47:17 | |
if they were still around. | 0:47:17 | 0:47:19 | |
If not, maybe someone closely related | 0:47:19 | 0:47:24 | |
who might have kept in touch for a while, at Christmas... | 0:47:24 | 0:47:27 | |
I never knew, obviously, about that writing on the wall. | 0:47:27 | 0:47:30 | |
But I'd seen something similar once | 0:47:30 | 0:47:32 | |
in an address book an old friend of the family fished out. | 0:47:32 | 0:47:36 | |
The way all those figures fell, and the thing with my parents' names, | 0:47:36 | 0:47:40 | |
well, it was just meant to be, wasn't it? | 0:47:40 | 0:47:43 | |
"One day," I thought, "who knows? Maybe I 'will win'." | 0:47:44 | 0:47:47 | |
And then, after 12 years, every week, of trying, | 0:47:49 | 0:47:52 | |
the ultimate cruelty. | 0:47:52 | 0:47:54 | |
INAUDIBLE | 0:48:16 | 0:48:18 | |
I won't repeat what I said when I watched the draw. | 0:48:18 | 0:48:20 | |
The following three weeks, | 0:48:20 | 0:48:22 | |
thankfully, I was out of the country in Southern Angola. | 0:48:22 | 0:48:25 | |
Helps to put things into perspective, rather. | 0:48:25 | 0:48:27 | |
The most bizarre thing, you know - | 0:48:27 | 0:48:30 | |
when something like that lands at your feet... | 0:48:30 | 0:48:33 | |
'From the way I lead my life, | 0:48:33 | 0:48:35 | |
'I might have expected some kind of censure or reckoning, | 0:48:35 | 0:48:39 | |
'but instead, here was this - | 0:48:39 | 0:48:42 | |
-'a sudden, overwhelming endorsement.' -Woo! | 0:48:42 | 0:48:45 | |
-TV: -Coming from now is number 32. | 0:48:49 | 0:48:52 | |
It's number 47! | 0:48:55 | 0:48:57 | |
And finally, for our jackpot number this week, it's number 30! | 0:48:59 | 0:49:04 | |
HE CHUCKLES | 0:49:06 | 0:49:07 | |
'What other message to take from that but "enjoy"?' | 0:49:13 | 0:49:17 | |
Foolish, I suppose, to think that's how the world works. | 0:49:17 | 0:49:21 | |
Much of the time, sadly, it does. | 0:49:21 | 0:49:24 | |
But that's the challenge | 0:49:24 | 0:49:25 | |
for those of us who believe in more than this world. | 0:49:25 | 0:49:28 | |
The sordid question of... | 0:49:28 | 0:49:29 | |
Yes. Er, no. To be addressed. Sure. | 0:49:31 | 0:49:34 | |
You said something about a...spanking new hostel. | 0:49:34 | 0:49:38 | |
Goodness, yes. | 0:49:38 | 0:49:40 | |
The Bernard Cloony Centre, perhaps. | 0:49:40 | 0:49:42 | |
Sorry. No. Stop it! | 0:49:43 | 0:49:45 | |
-ALISON: -Just off then now, darling, see you later! | 0:49:48 | 0:49:51 | |
Yes, take care! Bye! | 0:49:51 | 0:49:52 | |
DOOR CLOSES | 0:49:55 | 0:49:56 | |
Hi, it's me. | 0:50:00 | 0:50:01 | |
Where are you? | 0:50:01 | 0:50:03 | |
Yes, sounds perfect. | 0:50:03 | 0:50:05 | |
So...that little thing we discussed - | 0:50:05 | 0:50:07 | |
do you think now would be the right time to go for it? | 0:50:07 | 0:50:10 | |
Wonder how he'll be, after everything. | 0:50:14 | 0:50:17 | |
According to the sister on the ward, | 0:50:17 | 0:50:19 | |
they're really thrilled with his progress. | 0:50:19 | 0:50:21 | |
Ironically, once the word got through about this big prediction | 0:50:21 | 0:50:24 | |
it seemed to be a bit of a turning point. | 0:50:24 | 0:50:26 | |
She said he's virtually back to his old self. | 0:50:26 | 0:50:29 | |
Oh, dear. | 0:50:29 | 0:50:30 | |
No, it's been quite a triumph all around, indeed! Hmm. | 0:50:30 | 0:50:35 | |
Mr Ipswich. Hi, how you doing? | 0:50:35 | 0:50:38 | |
Exceedingly well, since you ask! | 0:50:38 | 0:50:40 | |
You remember Jonathan? And I'm Polly. | 0:50:40 | 0:50:42 | |
He's had quite a busy time of it since he got back, haven't you? | 0:50:42 | 0:50:45 | |
Visits and phone calls from neighbours and well-wishers... | 0:50:45 | 0:50:49 | |
Local TV news team, | 0:50:49 | 0:50:51 | |
cameras and lights, the lot. | 0:50:51 | 0:50:54 | |
All wanting to know how I did it. | 0:50:54 | 0:50:57 | |
But that would be telling. | 0:50:58 | 0:51:00 | |
Yes, I'm considering making a comeback! | 0:51:00 | 0:51:04 | |
Well, let's not get carried away. | 0:51:04 | 0:51:05 | |
-What do you mean? -Great idea! | 0:51:05 | 0:51:07 | |
Whole new fan base out there, don't want to let them down. | 0:51:07 | 0:51:10 | |
Mr Creek was a bit of a sceptic, of course. | 0:51:10 | 0:51:12 | |
-TEXT MESSAGE TONE -But he's laughing on the other side of his face now. | 0:51:12 | 0:51:16 | |
That's a mark of your genius | 0:51:16 | 0:51:17 | |
that even he's had to cry off in ignominious defeat. | 0:51:17 | 0:51:21 | |
Hmm. Yes. | 0:51:22 | 0:51:24 | |
Mr Greeley, have you got a second? I wouldn't mind a quick word. | 0:51:24 | 0:51:27 | |
Mr Greeley, much as we all value the role of your parish magazine | 0:51:50 | 0:51:54 | |
in keeping us abreast of local news, | 0:51:54 | 0:51:56 | |
I just wondered if you'd agree | 0:51:56 | 0:51:58 | |
there are certain codes of practice to be observed | 0:51:58 | 0:52:01 | |
in the gathering of that news. | 0:52:01 | 0:52:03 | |
Well, how do you mean? Of course, | 0:52:03 | 0:52:05 | |
one would never want to cross the line into any, shall we say, | 0:52:05 | 0:52:09 | |
unethical behaviour... | 0:52:09 | 0:52:10 | |
Oh, good. I just wondered how you felt, Mr Greeley, | 0:52:10 | 0:52:14 | |
about the professional ethics of, | 0:52:14 | 0:52:16 | |
for example, hacking into someone's baby monitor? | 0:52:16 | 0:52:19 | |
Erm.... | 0:52:21 | 0:52:23 | |
How would that work, exactly? | 0:52:23 | 0:52:24 | |
From your point of view, quite easily, I imagine. | 0:52:24 | 0:52:27 | |
The stories come in, no questions asked, you just print them. | 0:52:27 | 0:52:31 | |
Stories based on intimate conversations about badgers, | 0:52:31 | 0:52:35 | |
and Japanese knotweed, in the privacy of someone's bedroom. | 0:52:35 | 0:52:40 | |
Obviously I can't reveal my sources, | 0:52:40 | 0:52:42 | |
but it would appear that only 15 minutes ago a "rogue reporter" | 0:52:42 | 0:52:47 | |
was actually caught in the act. | 0:52:47 | 0:52:49 | |
Hi, it's me. Where are you? | 0:52:50 | 0:52:52 | |
Yeah, sounds perfect. | 0:52:53 | 0:52:55 | |
So, that little thing we discussed - | 0:52:55 | 0:52:58 | |
you think now would be the right time to go for it? | 0:52:58 | 0:53:00 | |
The coast is clear. | 0:53:02 | 0:53:03 | |
I think we can settle this once and for all, don't you? | 0:53:03 | 0:53:06 | |
No problem. I'm on the case. | 0:53:06 | 0:53:08 | |
Oh, would you believe it, it looks as if Mr Creek was right. | 0:53:08 | 0:53:12 | |
MONITOR CRACKLES | 0:53:12 | 0:53:14 | |
So, you'll be the man who's been going through our rubbish. | 0:53:14 | 0:53:18 | |
And that large shape that was seen crawling into the bushes... | 0:53:20 | 0:53:23 | |
..through the eyes of a passer-by | 0:53:25 | 0:53:28 | |
well tanked up from a night at the pub... | 0:53:28 | 0:53:31 | |
Not really mysterious enough, did you think, | 0:53:36 | 0:53:38 | |
to be worthy of inclusion? | 0:53:38 | 0:53:40 | |
Good grief! Well, I shall certainly look into this one, rest assured. | 0:53:40 | 0:53:43 | |
And if I hear there's been any hint of chicanery on anyone's part... | 0:53:43 | 0:53:47 | |
You wouldn't be in the least surprised. | 0:53:47 | 0:53:50 | |
So anyway, lovely fresh bedroom, Mr Ipswich. Are you pleased? | 0:53:50 | 0:53:54 | |
Brought you some fruit, look. | 0:53:54 | 0:53:56 | |
And also some magazines... | 0:53:56 | 0:53:59 | |
and puzzle books. | 0:53:59 | 0:54:01 | |
Nothing of any practical use, then. | 0:54:01 | 0:54:04 | |
And who are you? | 0:54:05 | 0:54:07 | |
POLLY SHRIEKS | 0:54:11 | 0:54:13 | |
Want to make this quick and painless. | 0:54:14 | 0:54:16 | |
Tell us what you got that's worth taking, and where we can find it. | 0:54:16 | 0:54:19 | |
Bollocks to that. Get out of my house! | 0:54:19 | 0:54:22 | |
Or you'll do what, Grandpa? | 0:54:22 | 0:54:24 | |
Or I'll do this. | 0:54:24 | 0:54:25 | |
SHE SCREAMS | 0:54:28 | 0:54:29 | |
THEY LAUGH | 0:54:29 | 0:54:31 | |
-Think you'll scare us with a toy, do you? -Why don't we find out? | 0:54:31 | 0:54:34 | |
Shit! | 0:54:35 | 0:54:37 | |
Shit! | 0:54:38 | 0:54:39 | |
GUNSHOTS CONTINUE, GLASS BREAKS | 0:54:41 | 0:54:43 | |
-Panic over. -Take care. All the best. | 0:54:53 | 0:54:56 | |
So, Japanese knotweed not knotweed, | 0:55:06 | 0:55:09 | |
according to our garden expert friend. Just something very similar. | 0:55:09 | 0:55:13 | |
Panic over, good result. | 0:55:13 | 0:55:14 | |
What? | 0:55:17 | 0:55:18 | |
Oh, no, it's just the way it keeps on coming back. | 0:55:20 | 0:55:23 | |
Goes away for a bit, and then... | 0:55:25 | 0:55:27 | |
This morning, in that room with Mr Ipswich, | 0:55:39 | 0:55:43 | |
I just suddenly just saw it. Isn't it funny? The whole thing. | 0:55:43 | 0:55:48 | |
The Sandman. | 0:55:48 | 0:55:49 | |
I must have been, I don't know, about five or six. | 0:55:49 | 0:55:53 | |
I had this rabbit, Twitcher. | 0:55:53 | 0:55:55 | |
And then that awful thing - | 0:56:01 | 0:56:03 | |
one day they told me I had to be brave and say goodbye. | 0:56:03 | 0:56:06 | |
Polly... | 0:56:06 | 0:56:08 | |
INAUDIBLE OVER MUSIC | 0:56:08 | 0:56:10 | |
This nice gentleman was going to come round, the Sandman, | 0:56:10 | 0:56:14 | |
and quietly put her to sleep. | 0:56:14 | 0:56:15 | |
Well, I didn't know what a vet was. | 0:56:25 | 0:56:28 | |
To me he was just the most frightening person in the world. | 0:56:28 | 0:56:31 | |
And of course, this is where we buried her. | 0:56:34 | 0:56:36 | |
I had this stupid idea, | 0:56:38 | 0:56:39 | |
if we grew carrots here, she'd always have something to eat. | 0:56:39 | 0:56:43 | |
And that's how it started. | 0:56:55 | 0:56:57 | |
How many fathers would do that? | 0:56:58 | 0:57:00 | |
Every year since. | 0:57:01 | 0:57:03 | |
Right up to the end, | 0:57:03 | 0:57:05 | |
he's been coming out here and ... | 0:57:05 | 0:57:08 | |
Scattering his seed. | 0:57:09 | 0:57:11 | |
Has...she been saying something to you, about...? | 0:57:14 | 0:57:19 | |
Yeah, where did that come from? | 0:57:19 | 0:57:20 | |
Some weird remark she made. | 0:57:20 | 0:57:23 | |
I just happened to mention how my hand was feeling a lot better now. | 0:57:23 | 0:57:26 | |
HE SIGHS | 0:57:28 | 0:57:29 | |
One more little mystery, I suppose, | 0:57:30 | 0:57:33 | |
-I'll get to the bottom of, eventually. -Yes. | 0:57:33 | 0:57:36 | |
Please don't. | 0:57:38 | 0:57:39 |