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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:09 | |
-This is Alex. -Your partner? -Yeah. He's a genius. He went to university at the age of 15. | 0:00:09 | 0:00:13 | |
-The people I work with... are inscrutable. -Alex? | 0:00:13 | 0:00:19 | |
What kind of relationship did you have with him? | 0:00:19 | 0:00:22 | |
Did it involve sadism? | 0:00:22 | 0:00:23 | |
No. | 0:00:23 | 0:00:24 | |
HE GASPS | 0:00:32 | 0:00:34 | |
I could never hurt Danny... | 0:00:36 | 0:00:38 | |
..because he is the only friend I have. | 0:00:39 | 0:00:42 | |
This man is called Alistair, | 0:00:42 | 0:00:44 | |
his parents are alive. | 0:00:44 | 0:00:46 | |
Is it possible you enjoyed extreme sexual encounters | 0:00:46 | 0:00:49 | |
with someone who didn't want you to know their name? | 0:00:49 | 0:00:53 | |
He worked for MI6. | 0:00:53 | 0:00:55 | |
He was a spy. | 0:00:55 | 0:00:57 | |
The police were concerned you might have taken something | 0:00:57 | 0:01:00 | |
from the crime scene - | 0:01:00 | 0:01:01 | |
a personal item, something of sentimental value. | 0:01:01 | 0:01:03 | |
You wouldn't have done that, would you? | 0:01:03 | 0:01:05 | |
Of course not. | 0:01:06 | 0:01:07 | |
No, of course not. | 0:01:07 | 0:01:09 | |
RADIO: # ..All the love you can | 0:01:38 | 0:01:42 | |
# Stand by | 0:01:46 | 0:01:49 | |
# Your man | 0:01:49 | 0:01:51 | |
# Stand by your man | 0:01:55 | 0:02:00 | |
# And tell the world you love him | 0:02:00 | 0:02:03 | |
# Keep giving all the love you can | 0:02:03 | 0:02:09 | |
# Stand by your man. # | 0:02:14 | 0:02:21 | |
HE PANTS | 0:04:40 | 0:04:42 | |
HE SIGHS | 0:04:58 | 0:05:00 | |
HE SOBS | 0:06:34 | 0:06:36 | |
Your newspaper has... | 0:07:11 | 0:07:13 | |
reported a series of lies. | 0:07:13 | 0:07:16 | |
It's not the truth. | 0:07:19 | 0:07:22 | |
You need to tell them the truth. | 0:07:22 | 0:07:24 | |
You need to listen to me! | 0:07:26 | 0:07:28 | |
I'm here today... | 0:07:33 | 0:07:35 | |
..to tell you the truth. | 0:07:36 | 0:07:38 | |
I'm here today to tell you the truth. | 0:07:41 | 0:07:43 | |
I'm here today to tell you the truth. | 0:07:45 | 0:07:48 | |
I'm here today to tell you the truth. | 0:07:50 | 0:07:52 | |
You fuck! HE SOBS | 0:07:52 | 0:07:55 | |
I'm here today to tell you the TRUTH! | 0:07:55 | 0:07:57 | |
In your phone call you asked how it all works. | 0:08:51 | 0:08:55 | |
We took that as negotiating payment. | 0:08:55 | 0:08:58 | |
Oh, no. Erm... | 0:08:58 | 0:09:00 | |
I have never spoken to a journalist before. | 0:09:01 | 0:09:04 | |
I don't want money. | 0:09:06 | 0:09:07 | |
I'm here to tell you the truth. | 0:09:09 | 0:09:11 | |
You used the word "partners" to describe your relationship. | 0:09:20 | 0:09:25 | |
-Yeah, we were partners. -What do you mean by that? | 0:09:25 | 0:09:27 | |
Erm, I wanted to spend the rest of my life with him. | 0:09:27 | 0:09:30 | |
You'd been together eight months? | 0:09:32 | 0:09:35 | |
Yeah. | 0:09:37 | 0:09:38 | |
During those eight months, how many times had you visited the attic? | 0:09:38 | 0:09:42 | |
I'd never visited the attic. | 0:09:42 | 0:09:45 | |
Apart from when I discovered... | 0:09:46 | 0:09:48 | |
That was the only time, that was the first time. | 0:09:52 | 0:09:54 | |
-But you must have known about it? -No. | 0:09:56 | 0:09:58 | |
The activities that went on up there? | 0:09:58 | 0:10:00 | |
Well, that's what I'm trying to tell you - | 0:10:00 | 0:10:02 | |
I don't think anything did go on up there. | 0:10:02 | 0:10:05 | |
Erm, I never saw him use those items, | 0:10:05 | 0:10:09 | |
I never heard him talk about those things. | 0:10:09 | 0:10:12 | |
You were his sexual partner for eight months. | 0:10:12 | 0:10:15 | |
He never mentioned sadism? Never asked you to participate? | 0:10:15 | 0:10:19 | |
Never discussed his predilections? You know nothing? | 0:10:19 | 0:10:22 | |
Why won't you ask me what I think happened to him? | 0:10:22 | 0:10:25 | |
What do you think happened to him? | 0:10:25 | 0:10:27 | |
He was murdered. | 0:10:27 | 0:10:29 | |
Who murdered him? | 0:10:30 | 0:10:33 | |
I don't know. | 0:10:33 | 0:10:34 | |
Why did they murder him? | 0:10:34 | 0:10:36 | |
Not here. | 0:11:02 | 0:11:04 | |
You don't use his name. | 0:11:07 | 0:11:09 | |
Is it true you didn't even know it? | 0:11:09 | 0:11:12 | |
Did he ever tell you he was in danger? | 0:11:21 | 0:11:24 | |
No. | 0:11:25 | 0:11:27 | |
OK, I get it. | 0:11:27 | 0:11:30 | |
He's a spy, he needed to be careful. | 0:11:30 | 0:11:32 | |
You met by chance. | 0:11:32 | 0:11:34 | |
First day, he lied. | 0:11:34 | 0:11:35 | |
But eight months later | 0:11:35 | 0:11:37 | |
you want to spend the rest of your lives together | 0:11:37 | 0:11:39 | |
and you're still using the wrong name to say how much you love him? | 0:11:39 | 0:11:42 | |
He told me his name was Alex. | 0:11:44 | 0:11:46 | |
People lie, Danny. | 0:11:46 | 0:11:48 | |
And they lie well. | 0:11:48 | 0:11:50 | |
Guys who own rooms like that attic... | 0:11:50 | 0:11:53 | |
..when it comes to sex, they know what they want, how they want it. | 0:11:54 | 0:11:58 | |
The sex...is professional. | 0:11:58 | 0:12:02 | |
And he didn't know what he enjoyed. | 0:12:04 | 0:12:06 | |
He'd never found out. | 0:12:09 | 0:12:11 | |
Do you believe me? | 0:12:20 | 0:12:22 | |
-It doesn't matter what -I -believe. | 0:12:23 | 0:12:24 | |
But, yes...I do. | 0:12:27 | 0:12:30 | |
Journalists make difficult bedfellows. | 0:12:40 | 0:12:43 | |
You can't just tell them what to print. | 0:12:43 | 0:12:45 | |
You didn't want to discuss it with me first? | 0:12:45 | 0:12:47 | |
I knew you'd try and talk me out of it. | 0:12:47 | 0:12:50 | |
Make me think what a dumb idea it was. | 0:12:50 | 0:12:53 | |
What is this? | 0:12:53 | 0:12:55 | |
Mistrust? | 0:12:55 | 0:12:57 | |
It is. | 0:12:59 | 0:13:01 | |
I see. | 0:13:01 | 0:13:03 | |
You trusted me with your life, but not now, not with this! | 0:13:04 | 0:13:09 | |
My life is small, this is... organisations, institutions. | 0:13:10 | 0:13:14 | |
You see me as one of them, don't you? | 0:13:16 | 0:13:19 | |
The suit, the education, the job - | 0:13:19 | 0:13:21 | |
I'm part of the Establishment. | 0:13:21 | 0:13:23 | |
Well, aren't you? | 0:13:23 | 0:13:24 | |
How dare you, young man! | 0:13:25 | 0:13:27 | |
How dare you presume to know me. | 0:13:28 | 0:13:30 | |
I know you because I've heard every secret you have to tell. | 0:13:30 | 0:13:33 | |
What do you know about me? | 0:13:33 | 0:13:35 | |
Answer me. | 0:13:35 | 0:13:36 | |
-I know... -You know where I live. | 0:13:36 | 0:13:39 | |
You know what films I like, you know what music I listen to. | 0:13:39 | 0:13:43 | |
Did you know that I suffer from depression? | 0:13:43 | 0:13:46 | |
Did you know that in the past I drank every night, | 0:13:46 | 0:13:49 | |
every day, every morning - | 0:13:49 | 0:13:51 | |
I drank until a stranger could smell it on me! | 0:13:51 | 0:13:54 | |
Do you know just how fucking far I am | 0:13:56 | 0:13:57 | |
from being part of the Establishment?! | 0:13:57 | 0:14:00 | |
How dare you mistrust me... | 0:14:00 | 0:14:04 | |
..when you don't know! | 0:14:05 | 0:14:07 | |
You want to know who I am, | 0:14:12 | 0:14:14 | |
who I really am... | 0:14:14 | 0:14:15 | |
I'll show you. | 0:14:17 | 0:14:19 | |
Where we going?! | 0:14:41 | 0:14:43 | |
Come on. Then you can decide whether you trust me or not. | 0:14:43 | 0:14:46 | |
BIRDSONG | 0:14:51 | 0:14:53 | |
DOG BARKS IN DISTANCE | 0:14:53 | 0:14:54 | |
This is the spot where my career as a spy came to an end. | 0:15:05 | 0:15:08 | |
I was a spy... | 0:15:12 | 0:15:14 | |
a long time ago. | 0:15:14 | 0:15:17 | |
In a world very different to this one. | 0:15:18 | 0:15:21 | |
I was recruited at Cambridge. | 0:15:27 | 0:15:29 | |
I said yes partly because it wouldn't be a normal life, | 0:15:32 | 0:15:35 | |
with regular hours. | 0:15:35 | 0:15:37 | |
I was desperate to avoid the five o'clock home time... | 0:15:38 | 0:15:41 | |
..whilst not being bohemian enough | 0:15:43 | 0:15:45 | |
to imagine life without a proper profession. | 0:15:45 | 0:15:48 | |
Not very patriotic motives, I suppose. | 0:15:52 | 0:15:55 | |
But they rather liked that about me, an utter lack of idealism. | 0:15:58 | 0:16:02 | |
Romantics make unreliable spies. | 0:16:04 | 0:16:07 | |
It was my third year with MI6. | 0:16:15 | 0:16:17 | |
I was travelling back to London on the night train. | 0:16:19 | 0:16:22 | |
A handsome man entered my carriage... | 0:16:23 | 0:16:26 | |
..sat opposite me. | 0:16:27 | 0:16:30 | |
The tips of our shoes touched. | 0:16:30 | 0:16:33 | |
Our eyes chanced. | 0:16:33 | 0:16:36 | |
He asked the most mundane questions | 0:16:36 | 0:16:39 | |
in the most exciting way. | 0:16:39 | 0:16:41 | |
When we arrived at Paddington, | 0:16:41 | 0:16:43 | |
I went to the gentlemen's | 0:16:43 | 0:16:45 | |
and waited in a cubicle, | 0:16:45 | 0:16:48 | |
door ajar, hoping. | 0:16:48 | 0:16:51 | |
I can't tell you how happy I was to see him. | 0:16:55 | 0:16:58 | |
It meant that I hadn't been wrong. | 0:17:00 | 0:17:02 | |
And that for the next 15 minutes or so, I wouldn't be alone. | 0:17:04 | 0:17:07 | |
After all these years, prudishness runs deep. | 0:17:13 | 0:17:16 | |
The next day, I was approached by a Soviet operative... | 0:17:21 | 0:17:25 | |
..who described how the Soviet Union | 0:17:26 | 0:17:29 | |
welcomed "men like me". | 0:17:29 | 0:17:32 | |
"Under Communism we're all equals." | 0:17:32 | 0:17:34 | |
And once I'd completed my mission here, | 0:17:36 | 0:17:39 | |
in a country that would always hate my kind, | 0:17:39 | 0:17:42 | |
I could set up home in Moscow and be free. | 0:17:42 | 0:17:45 | |
Some "men like me" actually believed that lie, but I was not one of them. | 0:17:47 | 0:17:51 | |
So all that remained... was the blackmail. | 0:17:53 | 0:17:57 | |
I'd be exposed... | 0:18:00 | 0:18:02 | |
arrested... | 0:18:02 | 0:18:05 | |
disgraced. | 0:18:05 | 0:18:06 | |
-SCOTTIE SIGHS -So that night... | 0:18:08 | 0:18:11 | |
I bought a rope... | 0:18:11 | 0:18:13 | |
..and came here. | 0:18:14 | 0:18:16 | |
But sitting on that branch, | 0:18:17 | 0:18:20 | |
noose ready, | 0:18:20 | 0:18:22 | |
I thought to myself, "There is another way." | 0:18:22 | 0:18:25 | |
You told your bosses you were gay. SCOTTIE CHUCKLES | 0:18:25 | 0:18:28 | |
That's a wonderful wrong answer. | 0:18:28 | 0:18:31 | |
However, the option did not yet exist! | 0:18:31 | 0:18:33 | |
No, I explained to my section head | 0:18:33 | 0:18:38 | |
that I'd been approached by a Soviet operative | 0:18:38 | 0:18:41 | |
and I detailed the nature of the blackmail. | 0:18:41 | 0:18:43 | |
He asked if the allegations were true. | 0:18:43 | 0:18:46 | |
I admitted that I'd made a mistake with a man | 0:18:46 | 0:18:50 | |
and that the operative probably had evidence of that mistake. | 0:18:50 | 0:18:54 | |
But it was only once. | 0:18:54 | 0:18:56 | |
An act of disgusting madness. | 0:18:56 | 0:18:59 | |
"I'm not a homosexual! | 0:18:59 | 0:19:01 | |
"And I'm not a traitor!" | 0:19:01 | 0:19:03 | |
Hard for them to believe the second statement | 0:19:05 | 0:19:07 | |
when they knew that the first was a lie. | 0:19:07 | 0:19:09 | |
So I proposed, preposterously, | 0:19:09 | 0:19:12 | |
they employ someone to follow me for the rest of my life, | 0:19:12 | 0:19:14 | |
photograph my every move. | 0:19:14 | 0:19:16 | |
I would never touch another man. | 0:19:16 | 0:19:20 | |
I didn't discover until later that it hadn't been a Soviet operative, | 0:19:20 | 0:19:24 | |
it had been an internal investigation. | 0:19:24 | 0:19:27 | |
You've heard of a mole hunt? | 0:19:27 | 0:19:30 | |
Well, this was a fag hunt, | 0:19:30 | 0:19:32 | |
which they saw as more or less the same thing. | 0:19:32 | 0:19:35 | |
Her Majesty's Secret Service | 0:19:35 | 0:19:37 | |
had had its fingers burnt by one too many queer spies. | 0:19:37 | 0:19:40 | |
But my prompt confession saved my life. | 0:19:40 | 0:19:43 | |
I was moved from MI6 into what was then named | 0:19:44 | 0:19:47 | |
The Ministry for Transport, | 0:19:47 | 0:19:48 | |
where I was little more than a penpusher, | 0:19:48 | 0:19:50 | |
whispered about by those in the know. | 0:19:50 | 0:19:53 | |
Out of gratitude and fear, I kept my end of the bargain. | 0:19:55 | 0:19:59 | |
And for 11 years, I did not touch another man. | 0:20:02 | 0:20:05 | |
Will you sleep? | 0:20:25 | 0:20:27 | |
Then I propose we stay up all night | 0:20:31 | 0:20:34 | |
and wait for the morning papers together. | 0:20:34 | 0:20:36 | |
BIRDSONG | 0:20:39 | 0:20:41 | |
-In my office. -Huh? | 0:21:57 | 0:21:59 | |
Drug-test me. | 0:22:05 | 0:22:07 | |
I need this. | 0:22:10 | 0:22:12 | |
It's from his parents. | 0:22:24 | 0:22:26 | |
Mr and Mrs Turner. | 0:23:32 | 0:23:34 | |
ENGINE STARTS | 0:23:43 | 0:23:45 | |
Beautiful countryside round here. | 0:23:47 | 0:23:49 | |
How long have you lived here? | 0:24:10 | 0:24:12 | |
Didn't Alistair tell you? | 0:24:16 | 0:24:18 | |
No. | 0:24:18 | 0:24:21 | |
What did he tell you about us? | 0:24:21 | 0:24:23 | |
The truth...please. | 0:24:24 | 0:24:27 | |
He told me you were dead. | 0:24:29 | 0:24:31 | |
We weren't close. | 0:24:32 | 0:24:34 | |
Bathroom's opposite. | 0:25:08 | 0:25:09 | |
It's... It's all yours. | 0:25:09 | 0:25:11 | |
Is one towel enough? | 0:25:18 | 0:25:20 | |
Plenty. | 0:25:20 | 0:25:22 | |
DOOR CLOSES | 0:25:24 | 0:25:25 | |
We've already eaten. | 0:26:02 | 0:26:04 | |
We won't stand here and watch. | 0:26:04 | 0:26:06 | |
DOOR OPENS | 0:26:26 | 0:26:28 | |
-How was dinner? -Fine. | 0:26:37 | 0:26:40 | |
Alistair, tell me about him. | 0:26:53 | 0:26:56 | |
BOOK CLOSES | 0:26:59 | 0:27:01 | |
Will you be able to sleep? | 0:27:12 | 0:27:14 | |
Probably not. | 0:27:14 | 0:27:16 | |
Alistair suffered from insomnia. | 0:27:18 | 0:27:20 | |
Well, that's why he enjoyed running so much - to exhaust him. | 0:27:20 | 0:27:24 | |
His mind was so busy, | 0:27:24 | 0:27:27 | |
he ran so he could sleep. | 0:27:27 | 0:27:29 | |
Why can't you talk to me? | 0:27:41 | 0:27:43 | |
DOOR OPENS | 0:27:55 | 0:27:57 | |
KNOCK AT DOOR DOOR OPENS | 0:28:57 | 0:28:59 | |
-MR TURNER: -Time to talk. | 0:29:02 | 0:29:04 | |
You read the article? | 0:29:08 | 0:29:10 | |
We're not making any judgements. | 0:29:11 | 0:29:14 | |
You see the life we lead. | 0:29:17 | 0:29:19 | |
We're private people, | 0:29:19 | 0:29:21 | |
we don't want attention. | 0:29:21 | 0:29:24 | |
The past is the past. | 0:29:24 | 0:29:25 | |
What Alistair did in London was up to him. | 0:29:25 | 0:29:28 | |
He was an adult. | 0:29:28 | 0:29:30 | |
We can't bring him back. | 0:29:30 | 0:29:32 | |
We'd just prefer it... | 0:29:32 | 0:29:34 | |
if there was no fuss. | 0:29:34 | 0:29:37 | |
We'd...both prefer it. | 0:29:38 | 0:29:41 | |
-I won't talk to the press again. -That's good. | 0:29:42 | 0:29:45 | |
But nobody was saying it, so I had to. | 0:29:45 | 0:29:48 | |
Your son was murdered. | 0:29:48 | 0:29:51 | |
After breakfast, why don't we go for a walk? | 0:29:51 | 0:29:54 | |
Your son was murdered. | 0:30:05 | 0:30:07 | |
My son is dead. | 0:30:08 | 0:30:10 | |
My wife is sick. | 0:30:10 | 0:30:12 | |
-I'm sorry. -Enough. | 0:30:13 | 0:30:16 | |
Enough? | 0:30:18 | 0:30:20 | |
We need to leave soon if we're to catch your train. | 0:30:50 | 0:30:54 | |
That...is not his bedroom. | 0:30:56 | 0:30:59 | |
This is not his home. | 0:31:03 | 0:31:04 | |
Have you lost your mind?! | 0:31:04 | 0:31:07 | |
Who are you? | 0:31:07 | 0:31:09 | |
Who are you?! PHONE RINGS | 0:31:12 | 0:31:15 | |
-WOMAN: -'Bring him.' | 0:31:21 | 0:31:23 | |
Who was that? | 0:31:26 | 0:31:28 | |
That was Alistair's mother. | 0:31:28 | 0:31:30 | |
His mother?! | 0:31:35 | 0:31:37 | |
-What does she want? -To meet you. | 0:31:42 | 0:31:45 | |
-How far is it? -Not far. | 0:31:50 | 0:31:52 | |
ENGINE STARTS | 0:31:57 | 0:31:58 | |
Anything else you want to see? | 0:32:48 | 0:32:50 | |
Not everyone is comfortable inviting strangers to their home. | 0:32:50 | 0:32:53 | |
We thought if you saw where we lived you might try to extort us. | 0:32:55 | 0:32:59 | |
-Why do you think I would want your money? -Because you have none. | 0:32:59 | 0:33:02 | |
You want an apology? | 0:33:02 | 0:33:04 | |
I gave you an explanation. | 0:33:04 | 0:33:06 | |
You...I believe. | 0:33:06 | 0:33:09 | |
My husband's name is Charles. My name is Frances. | 0:33:10 | 0:33:14 | |
My son's name was Alistair. | 0:33:14 | 0:33:17 | |
Your name, Daniel, we read in the paper. | 0:33:17 | 0:33:20 | |
-My staff you met. -Where's she taking my stuff? | 0:33:20 | 0:33:23 | |
Well, surely you're going to spend the night? | 0:33:23 | 0:33:26 | |
CROW CAWS | 0:33:36 | 0:33:38 | |
We're in the midst of restoring the house to its former glory. | 0:33:49 | 0:33:53 | |
We had hoped Alistair would finish the task. | 0:33:57 | 0:34:00 | |
This is his room. | 0:34:28 | 0:34:30 | |
How did you know? | 0:34:31 | 0:34:33 | |
Because it's the loneliest room I've ever been in. | 0:34:45 | 0:34:48 | |
Charles was sure you'd catch the train home today, none the wiser. | 0:35:06 | 0:35:10 | |
I was convinced you'd figure it out. | 0:35:10 | 0:35:13 | |
It seems you did so not with reason or deduction... | 0:35:13 | 0:35:16 | |
..but something akin to... | 0:35:17 | 0:35:20 | |
female intuition. | 0:35:20 | 0:35:21 | |
I won't sleep in here. | 0:35:28 | 0:35:30 | |
I would never have allowed it. | 0:35:32 | 0:35:35 | |
Dinner is at eight. | 0:35:41 | 0:35:43 | |
You're embarrassed by his death. | 0:35:43 | 0:35:45 | |
Yes. | 0:35:47 | 0:35:49 | |
Upset, too? | 0:35:50 | 0:35:52 | |
Yes. | 0:35:54 | 0:35:55 | |
More than you can imagine. | 0:35:55 | 0:35:57 | |
BIRDSONG | 0:36:02 | 0:36:04 | |
CROW CAWS | 0:36:06 | 0:36:08 | |
Did you realise your provocation was infantile | 0:38:17 | 0:38:19 | |
before or after you came through that door? | 0:38:19 | 0:38:22 | |
Before, I see. But you didn't decide to change? | 0:38:25 | 0:38:29 | |
Would you like me to? | 0:38:33 | 0:38:35 | |
No. | 0:38:36 | 0:38:37 | |
I think I prefer you like that. | 0:38:38 | 0:38:40 | |
Thank you. | 0:38:50 | 0:38:52 | |
Alistair completed that maze unassisted, | 0:39:07 | 0:39:10 | |
three months before his fifth birthday. | 0:39:10 | 0:39:13 | |
Others considered him to be disturbed, | 0:39:19 | 0:39:21 | |
but what they saw as a disturbance of the mind | 0:39:21 | 0:39:24 | |
was, in fact, an exceptional gift. | 0:39:24 | 0:39:27 | |
However, it's not enough in this world to be born brilliant - | 0:39:28 | 0:39:31 | |
you need direction and discipline. | 0:39:31 | 0:39:34 | |
You need someone who reminds you, day after day, | 0:39:34 | 0:39:37 | |
never to waste your talent on triviality. | 0:39:37 | 0:39:40 | |
How many brilliant minds are out there right now | 0:39:40 | 0:39:43 | |
rotting in squalor and neglect? | 0:39:43 | 0:39:46 | |
It took every ounce of my strength | 0:39:48 | 0:39:50 | |
to make Alistair realise his potential. | 0:39:50 | 0:39:52 | |
He ended up hating me for it. | 0:39:54 | 0:39:56 | |
But you guessed that already. | 0:39:58 | 0:40:01 | |
Your son was murdered. | 0:40:05 | 0:40:07 | |
The attic was staged. | 0:40:09 | 0:40:11 | |
And everything you've read about his death is a lie. | 0:40:15 | 0:40:19 | |
After dinner, perhaps you will join me for a drink. | 0:40:25 | 0:40:28 | |
My son wasn't gay. | 0:40:46 | 0:40:48 | |
Before you hold some sort of parade through the house, hear me out. | 0:40:48 | 0:40:52 | |
Alistair...didn't think like ordinary people. | 0:40:52 | 0:40:56 | |
He didn't feel what ordinary people feel. | 0:40:56 | 0:40:59 | |
In his eyes, everyone was a puzzle. | 0:40:59 | 0:41:02 | |
He took immense satisfaction | 0:41:02 | 0:41:04 | |
figuring out what a person wanted | 0:41:04 | 0:41:07 | |
and then giving it to them. | 0:41:07 | 0:41:09 | |
As if we were all computers... | 0:41:09 | 0:41:12 | |
..waiting for the correct code. | 0:41:15 | 0:41:17 | |
Alistair could be anything a person wanted him to be. | 0:41:20 | 0:41:23 | |
In your case, it appears you craved romance, | 0:41:23 | 0:41:27 | |
a good old-fashioned love story. | 0:41:27 | 0:41:29 | |
He gave it to you. | 0:41:29 | 0:41:32 | |
Meanwhile, he continued giving other kinds of stimulation | 0:41:32 | 0:41:36 | |
to other kinds of people, men and women. | 0:41:36 | 0:41:40 | |
If he was involved with someone who hankered after risk, | 0:41:43 | 0:41:47 | |
he would have provided it. | 0:41:47 | 0:41:49 | |
Danger, pain, submission, domination. | 0:41:51 | 0:41:54 | |
Alistair was as precocious sexually | 0:41:54 | 0:41:58 | |
as he was intellectually. | 0:41:58 | 0:42:00 | |
To him, they were one and the same. | 0:42:00 | 0:42:02 | |
Sex was just another form of decryption. | 0:42:02 | 0:42:05 | |
You think I'm cruel? | 0:42:08 | 0:42:10 | |
Perhaps I am. | 0:42:10 | 0:42:11 | |
But not in this instance. | 0:42:13 | 0:42:16 | |
I wanted to preserve your illusions. | 0:42:16 | 0:42:18 | |
We had hoped that you would go home | 0:42:19 | 0:42:21 | |
and mourn in the belief that your relationship was perfect. | 0:42:21 | 0:42:25 | |
You loved him, I see that. | 0:42:27 | 0:42:28 | |
However, I cannot allow you to be unaware of the facts, | 0:42:30 | 0:42:33 | |
in case you blunder further | 0:42:33 | 0:42:34 | |
into a situation you simply do not understand. | 0:42:34 | 0:42:37 | |
I'm not surprised he used a different name - | 0:42:39 | 0:42:41 | |
he was playing a part. | 0:42:41 | 0:42:43 | |
The part of a conventional lover. | 0:42:43 | 0:42:45 | |
I haven't read many books. | 0:42:50 | 0:42:53 | |
I haven't been to many...places. | 0:42:54 | 0:42:57 | |
But I have fucked a lot of people. | 0:43:00 | 0:43:03 | |
And there's one thing... | 0:43:06 | 0:43:08 | |
you just can't fake. | 0:43:08 | 0:43:10 | |
Inexperience. | 0:43:12 | 0:43:14 | |
The body's tense when it should be relaxed. | 0:43:17 | 0:43:20 | |
It hurts when...it should be fun. | 0:43:22 | 0:43:25 | |
And it's dirty when it should be clean. | 0:43:26 | 0:43:29 | |
I don't care how smart you are, | 0:43:32 | 0:43:34 | |
your muscles can't lie. | 0:43:34 | 0:43:36 | |
I'm talking about feeling his inexperience | 0:43:36 | 0:43:40 | |
as clearly as I can feel this glass. | 0:43:40 | 0:43:43 | |
Do you follow me, Frances? | 0:43:43 | 0:43:45 | |
I can see you do. | 0:43:47 | 0:43:48 | |
So I know for a fact you're lying. | 0:43:48 | 0:43:51 | |
I know for a fact that your son, the man I loved, | 0:43:54 | 0:43:58 | |
was a virgin. | 0:43:58 | 0:44:00 | |
What I don't understand | 0:44:00 | 0:44:01 | |
is why you're so keen to convince me otherwise. | 0:44:01 | 0:44:04 | |
When he told me you were dead, he wasn't lying, was he? | 0:44:15 | 0:44:19 | |
Amongst all the lies you've heard here this weekend, | 0:44:21 | 0:44:25 | |
recognise one truth - | 0:44:25 | 0:44:27 | |
"no fuss" is the best piece of advice | 0:44:27 | 0:44:30 | |
you will ever be given. | 0:44:30 | 0:44:32 | |
I prefer it down here. | 0:47:06 | 0:47:09 | |
-She won't like it. -No. | 0:47:11 | 0:47:13 | |
I don't think she will. | 0:47:14 | 0:47:16 | |
You cared about him. | 0:47:23 | 0:47:25 | |
You cared for him. | 0:47:28 | 0:47:30 | |
If he had a problem, he came to you, didn't he? | 0:47:31 | 0:47:34 | |
Not her. | 0:47:36 | 0:47:38 | |
You loved him. | 0:47:45 | 0:47:47 | |
SHE SOBS | 0:47:48 | 0:47:50 | |
Alex. | 0:47:54 | 0:47:56 | |
Alex. | 0:47:57 | 0:47:59 | |
He hated the name Alistair. | 0:48:07 | 0:48:10 | |
SHE LAUGHS | 0:48:10 | 0:48:12 | |
What happened here? | 0:48:18 | 0:48:20 | |
Get as far away from these people as you can. | 0:48:22 | 0:48:25 | |
He insisted. | 0:48:32 | 0:48:34 | |
ENGINE IDLES | 0:48:38 | 0:48:40 | |
HORN | 0:49:43 | 0:49:45 | |
-ALEX: -'I want to tell you a story...about a man.' | 0:49:55 | 0:49:59 | |
'While everyone was laughing... | 0:50:02 | 0:50:04 | |
'and drinking, | 0:50:04 | 0:50:05 | |
'he would just walk...' | 0:50:05 | 0:50:07 | |
'..until he reached the exact same spot, | 0:50:10 | 0:50:13 | |
'where he'd sit with his back to all those people.' | 0:50:13 | 0:50:16 | |
'And while he did everything he possibly could | 0:50:19 | 0:50:22 | |
'to signal to the world that he wanted to be left alone...' | 0:50:22 | 0:50:25 | |
'..more than anything, | 0:50:27 | 0:50:28 | |
'he hoped that someone passing | 0:50:28 | 0:50:31 | |
'would understand that what he really wanted | 0:50:31 | 0:50:33 | |
'was the exact opposite. | 0:50:33 | 0:50:35 | |
'And that this someone would sit next to him...' | 0:50:35 | 0:50:39 | |
'..and strike up a conversation.' | 0:50:41 | 0:50:43 | |
'I was that man...' | 0:50:47 | 0:50:48 | |
'..and you were that someone.' | 0:50:50 | 0:50:52 | |
I have a sweet tooth. | 0:50:54 | 0:50:57 | |
It's easier to quit smoking, I swear. | 0:51:00 | 0:51:03 | |
Not very British, talking to strangers, is it? | 0:51:09 | 0:51:12 | |
I've worked in your country for ten years now. | 0:51:12 | 0:51:16 | |
Do you own a house? | 0:51:26 | 0:51:27 | |
-No. -A car? | 0:51:29 | 0:51:31 | |
No, nothing. | 0:51:32 | 0:51:34 | |
Well, you have your health. | 0:51:34 | 0:51:35 | |
That's the most precious asset of all. | 0:51:39 | 0:51:41 | |
My health? | 0:51:41 | 0:51:43 | |
Lots of people think they have nothing to lose, | 0:51:49 | 0:51:51 | |
but in my professional experience, | 0:51:51 | 0:51:55 | |
they just haven't thought it through. | 0:51:55 | 0:51:58 | |
-Are you threatening me? -Threatening? | 0:51:58 | 0:52:01 | |
My, oh, my! | 0:52:02 | 0:52:05 | |
This is just a conversation, | 0:52:05 | 0:52:08 | |
a chitchat. | 0:52:08 | 0:52:09 | |
Two people passing in the night. | 0:52:09 | 0:52:12 | |
I can see why you're so confused, | 0:52:12 | 0:52:15 | |
over the years I've adopted quite a few of your country's customs, | 0:52:15 | 0:52:19 | |
but that great British reserve escapes me. | 0:52:19 | 0:52:21 | |
I enjoy talking too much. | 0:52:21 | 0:52:24 | |
And, once in a while, | 0:52:24 | 0:52:26 | |
someone unexpected tells you something... | 0:52:26 | 0:52:30 | |
that might save your life. | 0:52:30 | 0:52:33 | |
Be sure to put that card someplace safe. | 0:52:41 | 0:52:43 | |
HE KNOCKS ON DOOR | 0:53:58 | 0:53:59 | |
You think my house is bugged? | 0:54:17 | 0:54:19 | |
I've just been threatened. | 0:54:19 | 0:54:21 | |
They...heard us. | 0:54:21 | 0:54:23 | |
-Who? -The people who murdered Alex. | 0:54:23 | 0:54:26 | |
All right... | 0:54:27 | 0:54:29 | |
..suppose he was murdered, suppose you're right. | 0:54:31 | 0:54:34 | |
Follow it through, | 0:54:34 | 0:54:36 | |
the implications of what you're saying. | 0:54:36 | 0:54:39 | |
You know nothing about them, | 0:54:39 | 0:54:41 | |
they will know everything about you. | 0:54:41 | 0:54:44 | |
Every action you take will have been predicted, planned for - | 0:54:44 | 0:54:47 | |
even coming here tonight. | 0:54:47 | 0:54:50 | |
And if they don't kill you, it'll be for one reason - | 0:54:52 | 0:54:55 | |
they consider you less of a nuisance alive than dead. | 0:54:55 | 0:54:59 | |
If you're insulted by the idea of your insignificance, | 0:55:00 | 0:55:03 | |
you shouldn't be, you should cherish it. | 0:55:03 | 0:55:05 | |
No daring journalist is going to come to your aid, | 0:55:05 | 0:55:08 | |
no rogue police officer. | 0:55:08 | 0:55:10 | |
It's just you - you alone, Danny. | 0:55:10 | 0:55:12 | |
Ask yourself, honestly, who are you? | 0:55:12 | 0:55:15 | |
You're friends with everyone, | 0:55:15 | 0:55:17 | |
you trust everyone, and you know no-one. | 0:55:17 | 0:55:19 | |
-You know these people. -I knew them 30 years ago. -Help me. | 0:55:19 | 0:55:23 | |
One way or another, I've been afraid for much of my life, | 0:55:27 | 0:55:31 | |
and it's a privilege to spend time | 0:55:31 | 0:55:32 | |
with a man who's never afraid of anything. | 0:55:32 | 0:55:34 | |
And that's not because you were born in a different time - | 0:55:34 | 0:55:37 | |
you're fearless. | 0:55:37 | 0:55:39 | |
I've always wondered how that must feel. | 0:55:39 | 0:55:42 | |
But, Danny, occasionally, | 0:55:42 | 0:55:45 | |
it's right to be afraid. | 0:55:45 | 0:55:47 | |
Leave this alone. | 0:55:47 | 0:55:49 | |
Promise me. | 0:55:50 | 0:55:52 | |
SCRATCHING | 0:55:55 | 0:55:57 | |
# ..Your man | 0:57:32 | 0:57:35 | |
# And show the world you love him | 0:57:35 | 0:57:39 | |
# Keep giving all the love you can | 0:57:39 | 0:57:47 | |
# Stand by your man. # | 0:57:49 | 0:57:57 |