Lost Weekend Murder


Lost Weekend

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This programme contains strong language from the start,

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and scenes which some viewers may find upsetting.

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-BRYONY:

-That's what's in my head -

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that somehow or other he's killed her.

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She's been trying to tell me for months that she's in danger,

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from him.

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But I can't say that.

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Apparently, that's defamation.

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Apparently, she's just a missing person.

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Apparently, he's got the lawyers and the money,

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and, apparently, that's what matters.

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RINGING TONE

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-OPERATOR:

-'Emergency.

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'Which service do you require?'

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The first time we met,

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bang, I saw the light.

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The first time we met -

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properly met -

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she dumbfounded me.

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-OPERATOR:

-'Caller?'

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RASPING BREATHS

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'Caller?'

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She's a vessel of light, Arla.

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Emitting light is what she does.

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She just has panache,

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mystique.

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That clicky handbag and heels,

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the perfect hair, never enough time.

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And I'm...

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Because of who Arla is, she doesn't...

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she doesn't know the protocol.

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She doesn't know how she's supposed to think and behave.

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If I had a self image, which I don't really, but if you pushed me...

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..I'd say it was a big, crashing torrent

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of shitty, fucked-up brown water.

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They don't listen.

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They say she has a history

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of dropping out of sight for a few days.

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And I say, "Yeah, of dropping out of sight THERE."

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So, if she isn't THERE...

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..where is she?

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It's not unusual for her to be gone.

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She'll say she's coming for the week, and then,

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Wednesday, she's gone.

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And things aren't properly sorted between her and Alex.

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It's complicated, so, I've never said,

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"You said you'd be here. You've got to be here."

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I've never...

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taken that for granted.

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He threatened to come round here once - Alex.

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Threatened to come here and drag her home.

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I said, "Where IS her home, though, Alex?"

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-BRYONY, ON PHONE:

-'He says she's not there.

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'But for all anyone knows, she IS there.

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'Dead.'

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The trend today is catastrophism.

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Think the worst, it saves time.

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Let's all cry wolf all the time, then nothing can ever go wrong.

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That's the thinking.

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All eventualities will always be covered all the time.

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And if we all drop down dead, exhausted, chasing shadows,

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well, at least we shan't be accused of dereliction of duty.

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One 999 call doesn't make it a murder,

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especially not an aborted 999 call.

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Bloody trainers,

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kids who won't go to bed,

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late-arriving pizzas...

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(All 999.)

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All urgent catastrophes.

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Who else is it going to be?

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MUSIC: Something's Gotten Hold Of My Heart by Gene Pitney

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Bryony Phelps, poster girl for the charity.

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Rose from the ranks, lost soul found.

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The girl's neurotic and overwrought.

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Splashing it all over social media,

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pointing the finger at Cotterall.

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Tweeting, Instagramming, Facebooking.

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# Something's gotten hold of my heart... #

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And, generally working up a right old candyfloss of indignation

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amongst the Tatler types. To which, my superiors are not immune.

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# Something's gotten into my life

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# Cutting its way... #

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But slapping a writ on her?

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# Turning me up, turning me down... #

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That smacks of more money than sense.

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She said I was the one who could tell her the most

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because I knew Arla at work and as a friend.

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And as a client, too.

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I'm living proof of what Arla is capable of.

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I'm not saying they ALL turn out like me.

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The kids we deal with, they don't always have the best start in life.

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That's the whole point of Liferaft.

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We were both at some horrible function at a gallery

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and she was momentarily alone, looking at a painting.

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So, I cascaded over to her and she just smiled,

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and put out her hand and said that she was Arla

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and that I was Dominic, wasn't I,

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and that she was very pleased to meet me.

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She said, "What do you think of the work?

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"I think it's very...kinetic.

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"Are you buying?"

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I couldn't think of a single thing to say.

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She would never have missed the AGM, never.

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This organisation was everything to her.

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I just told her that I'd only ever liked one painting in my life,

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and that one turned out to be a fake.

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I stole it from my dad

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when I first left Abbedon.

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After I fucked his second wife.

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She was a fake, too.

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A number of people have made it their life's work

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to traduce Dominic's reputation.

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Gossip columnists, journalists,

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paparazzi, barristers,

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ex-wife, ex-girlfriends,

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ex-friends,

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friends.

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His mother.

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To a good extent, he's brought it on himself.

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But if people want to bandy my eldest son's name

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around the nightclubs of Mayfair

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just because some dizzy girl's gone walkabout...

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..they have to be taught...

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..there's a price to be paid.

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'Hi, this is Arla. Talk to the beep.'

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VOICEMAIL BEEPS

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-BRYONY:

-Where is she?

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Arla Beckman, 35, US citizen.

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Lived here most of her life.

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Parents made a fortune in the fitness industry,

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then sold up, turned philanthropist and set up Liferaft.

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She runs the UK arm, big benefactor,

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considered a great beauty.

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Married to a banker, Alex...somebody.

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Eton, Cambridge.

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According to a magazine interview,

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the landmark she'd most like to spend a night in is the London Eye.

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Maybe somebody should look there.

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Left work on Friday the 17th at 3:04pm.

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Nice hours if you can get them.

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"She was at Dominic Cotterall's house," she said. "I know she was."

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I said "I know she was, too. He told me."

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Spent the entire weekend there, left the Monday morning.

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Little face fell a bit at that.

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"And," I said, "there's been other instances in the past six months

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"of her being incommunicado for three days or more."

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Phone off, no cash withdrawals.

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Lost weekends.

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Face fell a bit further.

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"Any idea where she spent those?" I said.

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I didn't catch her reply at first,

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I had to ask her to speak up.

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Then I heard her.

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"His," she said. "His."

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He'd kidnap her,

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abduct her.

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There's no other way of putting it.

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People don't realise the toll it takes on her, being good.

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On anyone.

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Everyone needs a release.

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She was always saying that Dominic wasn't right for her.

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He used to beg her, she wouldn't go otherwise.

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Maybe I'm not her release any more.

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He wasn't right for her - she told me.

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Thoughts of him would creep up on her, though,

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build up in her.

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Or her defences would go down and she'd forget what he was like.

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And she'd go back.

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"What else did he tell you?" she said, "Dominic."

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I said, "He told me you'd been round to his house

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"a number of times in the last few months looking for Arla.

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"That more than once she'd had to tell you to go away

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"and, eventually, he'd had to threaten you with an ASBO.

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"Is that right?"

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She wanted to know all about Liferaft UK, and what we did,

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and whether Arla had had any fights or arguments

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with any of the people in the organisation,

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or any of our clients.

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I said it wasn't our clients they should be talking to, it was him.

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She said they already had.

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She said she'd talked to him at his house.

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So, that lawyer can go fuck himself, thank you very much!

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I said, "I suppose, there may have been one or two...grievances."

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But they didn't come to anything.

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In rehab, we had to write a letter to ourselves from our addiction.

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"Shitface" - that's what my addiction called me.

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Calls me.

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It's calling me now.

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I am the site of an addiction.

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I'm a host body for narcotics, that's all.

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I'm nothing but that.

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I'm Shitface.

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INAUDIBLE

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His reputation precedes him but I found him personable enough.

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He invited me in, shook my hand.

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There were reporters shouting to him from across the street.

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No cup of tea, but that's not uncommon.

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I said, "If you don't mind, I'd like to take this step by step."

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He said all he wanted to know was where she was.

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I said, "Ms Beckman arrived here on Friday evening

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"and left on the Monday morning. Is that correct?"

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He said it was.

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I asked him how they'd spent their weekend.

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He asked me if I wanted the lie or if I wanted the truth.

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I said, "The truth."

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He said "Indulging in sex and drugs and rock and roll."

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"Without very much rock and roll."

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I said, "When she left, what would you say was her state of mind?"

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He said, "What do YOU think?"

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I said, "At this stage, I try NOT to be thinking too much.

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"I prefer to just marshal the facts."

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He said he was still asleep when she left,

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that she had a work function to attend.

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They'd gone to bed at about 4am,

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and when he woke at 3pm she was gone, as he'd expected.

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He said those were the last drugs he was ever going to take.

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And he asked me to exercise professional discretion

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and overlook the admission

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which was only made in pursuit of the truth!

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DCI Goss wanted to know if I'd heard Arla make a 999 call.

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She said it happened in or near my house,

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though they were analysing it further to pin it down more.

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I'd already told her, I'd heard nothing.

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When I woke up, she was gone.

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I said, "You're getting me worried now."

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She said, "Believe me, three nines don't add up to what they used to."

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Took me a second to realise it was a joke.

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I told the policewoman about Arla splitting up from Alex

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and how she got the flat then,

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but she doesn't stay there much.

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She stayed with me at first, upstairs at Liferaft.

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But then she got the flat.

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The policewoman said, "And is she happy?"

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Did I think she was happy?

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Maybe she did say she loved him, but she would laugh at him too,

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take the piss out of him.

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I'd tell her exactly what I thought of him

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and she would laugh and she would say that it was true.

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I'd say maybe that should be the last time she went round there.

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And she wouldn't disagree.

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She WOULDN'T disagree.

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She's done me a good turn.

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She came, she went,

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we had six months together.

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And I know which way my life has to go now.

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I'm 35 years old, and for the first time in my life,

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I really know what I have to do,

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which is stand up and be a Cotterall.

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I don't care what anyone out there is saying.

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That's what I'm going to do.

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There have been Cotteralls at Abbedon Hall since 1592.

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I'm the next in line,

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the son and heir.

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HE CONTINUES: Come on.

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And Dad's on side, thank Christ.

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At last.

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Ten years he's been trying to get me to renounce my inheritance.

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Not now.

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Finally, he can see it.

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I'm going to be pulling up trees.

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"Stay put."

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That's what he told me.

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"When he's under attack, a Cotterall never runs.

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"Stay put, otherwise they'll think you're running scared."

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The most derogatory word in my father's lexicon -

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"scared".

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I had a life chockfull of false storms.

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I've been in and out of rehab like it was Club Med.

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But this time it's different.

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This time I can look myself in the eye, right in the eye.

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It's for real. This time, I'm going to be pulling up trees.

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So, Arla, wherever you are...

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..I salute you!

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"Have you heard of this person and this person and this person?"

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She had photos, like police photos. I said, "No."

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She said, "That's because they're not dead.

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"They're all people who went missing and then turned up.

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"This one went missing for two-and-a-half years."

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The policewoman said...

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"Maybe you're just a little bit in love with her, Bryony.

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"Are you sure that that's not what this is all about?

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"And, by the way, where were YOU on that Sunday afternoon?"

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-WOMAN:

-'Hey, Arla. Just flown in from Paris,

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'if you fancy catching up..."

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-MAN:

-'Hi, Arla, it's Jimmy. Seeing if you're free next Sunday?'

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-WOMAN:

-'Hi, Arla, can you give me a call back?

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-'I'm at the office...'

-'Let's meet up...'

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17 phone calls in 24 hours from phone numbers

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that cross-reference with the Liferaft organisation,

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midday Sunday to midday Monday.

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Some of them were from her colleague, Bryony Phelps,

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number ending 1-2-8.

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A good number of them were from a different number, ending 7-4-6.

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The first one she answered.

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The rest, she didn't.

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Phone registered in the name of Hamad Latif.

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Whenever she wasn't where she was supposed to be,

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this is where she'd be.

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I came round here once, looking for her.

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He was stood at the door,

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dripping wet with a towel around his waist.

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He said I could come and look in the pool.

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He said she wasn't there, but if she HAD been,

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this is what they'd be doing.

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This, and this, and this.

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All the way down the stairs, he listed things.

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I didn't want him to see that he was upsetting me,

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but he knew he was. He found it very funny - upsetting me.

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He... It was like a...like an impulse in him, like a reflex.

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He had an absolute fucking aptitude for it,

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so I don't know why I took that, really.

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I did it for her.

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He asked me if I'd ever done it in a swimming pool.

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I said, "Is that what YOU do? You and her?"

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He tapped his nose.

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I said, "Anyway, I know what you do. You just told me what you do."

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I suddenly had this overwhelming urge

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to knock him over and fuck his brains out,

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just to show him he didn't know me the way he thought he did,

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like I was so easy to know.

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He took my hand and he pulled me over to the corner of the pool,

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where the ladder was.

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He was naked.

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I thought, "This is what it's like...to be her."

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I asked him what he thought Arla would say

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if I told her that he'd propositioned me.

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He started going down the ladder.

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He still had hold of my hand.

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He let go of my hand and he lifted my foot

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and he put it on his shoulder He said...

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"Push me down.

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"Push me under."

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I didn't know what he meant.

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I pushed him down with my foot, he was pushing against me.

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He said, "Harder!"

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I pushed him down and his head went under.

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He pushed back up. He was...

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He was strong, so I got hold of the rails at the top of the ladder

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and I pushed him down really hard.

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I twisted my heel into his shoulder

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and he went right down under.

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There was a...

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a little cloud of blood in the pool.

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He went down deeper than I could reach

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and he came up away from the steps

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and he stood there looking at me, and he said...

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"There.

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"That's what we do.

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"Me and her, that's what we do."

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I asked her afterwards if she'd been there -

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upstairs, listening.

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She said she hadn't.

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The policewoman asked me why I ran after her when she was leaving work.

0:20:450:20:49

It's on the CCTV.

0:20:490:20:50

I said, "Because she forgot to say goodbye.

0:20:520:20:56

"I was in the kitchen and she forgot to say goodbye."

0:20:570:21:00

She looked right through me.

0:21:130:21:15

After everything she said.

0:21:160:21:17

MACHINE HISSES

0:21:170:21:20

I just wanted to make her see me.

0:21:200:21:22

She knows me.

0:21:220:21:24

She knows I'm hot-blooded.

0:21:240:21:26

She knows that.

0:21:260:21:27

She should've known that.

0:21:270:21:29

Because of who Arla is, she doesn't...

0:21:310:21:33

She doesn't know the protocol.

0:21:340:21:36

She doesn't know how she's supposed to think and behave and...

0:21:360:21:40

Oh, my God! That was so refreshing!

0:21:400:21:43

Won't give his name, but it's him all right.

0:21:450:21:47

Hadn't been seen since Sunday night.

0:21:470:21:51

Hamad Latif.

0:21:510:21:53

It's become a murder inquiry.

0:21:570:21:59

Nothing's actually changed, she's still missing,

0:21:590:22:02

but...a shift in what I'm expected to find.

0:22:020:22:05

People say we investigate the rich with more vigour than the poor,

0:22:060:22:09

we investigate the dead with more vigour than the living.

0:22:090:22:11

I'll give them that.

0:22:110:22:13

Resources, manpower.

0:22:130:22:14

The living are commonplace, I suppose.

0:22:150:22:17

The dead teach us a lesson.

0:22:190:22:21

INAUDIBLE

0:22:220:22:25

Arla loves Hamad.

0:22:250:22:28

He is one of her favourite people.

0:22:280:22:30

He has issues, he can be a pain in the arse,

0:22:320:22:35

but you can't dislike him. You can't.

0:22:350:22:38

He would never hurt her.

0:22:390:22:41

He would never hurt her.

0:22:420:22:44

Otherwise, obviously, I mean, I wouldn't have...

0:22:450:22:47

The coffee shop where he works

0:22:480:22:50

is around the corner from Dominic's place.

0:22:500:22:52

According to the manager, she didn't notice him and he took exception.

0:22:520:22:57

She did, she mentioned it.

0:22:570:22:59

Exception enough to warrant a 999 call on her part.

0:22:590:23:02

We wanted to help him. We did help him.

0:23:030:23:06

But, sometimes you have to look at the amount of time and energy

0:23:060:23:09

you're putting into one person. That's what Arla said.

0:23:090:23:12

"Gobby," that's all she said. He was gobby. "Gobby, as usual."

0:23:120:23:16

And he had the job!

0:23:160:23:17

That was us.

0:23:170:23:19

He was happy with the job.

0:23:190:23:21

He said he was happy with the job.

0:23:210:23:23

"Do you want fries with that?"

0:23:230:23:24

She thought it was a joke, it was a coffee shop.

0:23:240:23:26

"Don't forget the many because of the one,

0:23:260:23:28

"don't forget the one because of the many." Arla was always saying that.

0:23:280:23:31

She hadn't heard him, he was the one making the coffee

0:23:310:23:34

so he had his back turned to the customers.

0:23:340:23:36

She was more or less out of the door, she said,

0:23:360:23:38

and then this thing about fries.

0:23:380:23:40

And he came round from behind the counter.

0:23:400:23:42

The police wanted to know why he called her so many times

0:23:420:23:46

and why she didn't answer.

0:23:460:23:48

She loved Hamad.

0:23:480:23:50

Everybody loved Hamad.

0:23:500:23:52

And he was happy with the job!

0:23:530:23:54

He told me he was happy.

0:23:540:23:56

Otherwise, why would I have given him her number?

0:23:560:23:59

SHE PANTS

0:23:590:24:01

INAUDIBLE

0:24:030:24:06

Suppose he followed her.

0:24:110:24:13

Suppose he followed her and waited for her.

0:24:130:24:16

I know these kids, they're messed up. I've met them.

0:24:160:24:19

It won't be him.

0:24:190:24:21

Suppose he followed her here and waited for her outside.

0:24:210:24:24

Suppose he took her and she's dead!

0:24:240:24:27

It won't be him.

0:24:290:24:30

He did it.

0:24:330:24:34

He killed her.

0:24:350:24:37

SHE PANTS

0:24:420:24:45

MUFFLED SCREAMS, RUSTLING

0:24:480:24:50

GUNSHOT, MUFFLED SCREAMS

0:24:500:24:53

PANTING

0:24:530:24:54

I'm sorry!

0:24:540:24:56

OFFICE HUBBUB

0:24:560:24:58

You imagine, when you get into this work,

0:25:320:25:34

you'll be pitting your wits against criminals,

0:25:340:25:37

working out motives and means,

0:25:370:25:39

confronting offenders with the fruits of your labour,

0:25:390:25:42

watching them squirm on a hook.

0:25:420:25:43

It's better to simply gather up facts

0:25:450:25:47

in quantities which make it hard for a suspect

0:25:470:25:50

to come up with an unincriminating explanation.

0:25:500:25:52

Accumulation of detail is intimidating for someone

0:25:560:25:59

who's not telling the truth.

0:25:590:26:00

It's the doggedness, the rigour. It unnerves them.

0:26:000:26:03

I'm not necessarily saying I can explain what I'm presenting,

0:26:030:26:06

but I don't have to.

0:26:060:26:07

I'm just saying, "Look at this, and this, and this.

0:26:070:26:10

"And now look at what YOU say.

0:26:100:26:12

"How come they don't tally up?"

0:26:130:26:15

Hamad Latif says that he just wanted to say sorry.

0:26:160:26:20

That's all he'll say.

0:26:200:26:22

That's why he phoned her all those times -

0:26:220:26:24

he just wanted to say sorry to her.

0:26:240:26:26

And, also, he's sorry now.

0:26:260:26:28

I asked him why he was sorry now.

0:26:280:26:29

He put his head on the table.

0:26:290:26:31

I asked him where she was now.

0:26:310:26:34

He kept it there.

0:26:340:26:35

If you gather up all the video from all the security cameras

0:26:400:26:43

on this street, where Dominic Cotterall lives,

0:26:430:26:45

and there are a good number,

0:26:450:26:46

and some of the residents are rich and powerful

0:26:460:26:49

and don't necessarily care to share data

0:26:490:26:51

with the likes of police officers - even me.

0:26:510:26:53

But if you're polite and persistent, and give off the air of someone

0:26:530:26:56

who's never actually going to go away unless and until

0:26:560:26:59

you get what you're asking for,

0:26:590:27:00

you will receive, eventually, a response.

0:27:000:27:03

And if you cobble that together across a timeline,

0:27:030:27:06

you get a portrait of the comings and goings between midday on Sunday,

0:27:060:27:10

when Arla Beckman left without her heels or her nice Hermes bag,

0:27:100:27:13

came back half an hour later with two coffees...

0:27:130:27:16

..and 5:00 on the Monday,

0:27:200:27:21

when Dominic Cotterall drove away in his car to visit his father.

0:27:210:27:25

The portrait's pretty comprehensive.

0:27:290:27:31

It includes Hamad Latif.

0:27:320:27:34

I asked Latif why he was walking round the square

0:27:400:27:43

for nearly an hour on a Sunday.

0:27:430:27:45

He just said he was sorry.

0:27:450:27:47

I asked him why he's phoned her all those times, he said he was sorry.

0:27:470:27:50

I asked him where she was now.

0:27:500:27:51

"Sorry."

0:27:510:27:52

I asked him if there wasn't anything he could tell us

0:27:520:27:55

that would help us find her. "Sorry."

0:27:550:27:57

Bangs his head on the table and cries like a girl. "Sorry, sorry."

0:27:570:28:00

Always sorry.

0:28:000:28:01

Sorry.

0:28:010:28:03

I don't think I've ever met a man so sorry.

0:28:030:28:05

And he is.

0:28:070:28:09

He's all over the CCTV, he's all over the phone records.

0:28:090:28:11

He's all over all of it like a rash.

0:28:110:28:13

Something that's not there is also very striking.

0:28:150:28:18

Arla Beckman goes into Dominic Cotterall's house

0:28:200:28:23

with two coffees

0:28:230:28:24

on Sunday afternoon at 12:06...

0:28:240:28:27

..and never comes out.

0:28:290:28:32

When I woke up...

0:29:030:29:05

..she was gone.

0:29:060:29:07

Don't touch the product.

0:29:280:29:30

Know your customer.

0:29:300:29:31

Be indispensable.

0:29:310:29:33

Three principles - don't touch the product, obviously,

0:29:370:29:40

first and foremost.

0:29:400:29:41

Know your customer, two.

0:29:410:29:43

And three, be indispensable.

0:29:430:29:45

This life holds a plethora of temptations.

0:29:460:29:48

Opportunities to indulge or abuse yourself.

0:29:480:29:51

And the path of rectitude and sobriety is fucking hard to find,

0:29:510:29:54

and harder still to navigate.

0:29:540:29:56

When you have wealth, all the more so.

0:29:560:29:59

When you're born into wealth and entitlement,

0:29:590:30:01

all the more so, squared.

0:30:010:30:03

Everything that the rest of us take for granted,

0:30:030:30:06

basically, where your wits run when it fucking runs out,

0:30:060:30:08

is that bit less obvious to the chauffeur-driven classes.

0:30:080:30:11

The principle of action and consequence

0:30:120:30:14

are far from clear to a man who's never washed up a porridge pan.

0:30:140:30:18

What do I mean by indispensable?

0:30:200:30:22

I mean, being there to fill in the gaps

0:30:220:30:24

between knowledge and appreciation

0:30:240:30:25

between your client and cold, hard reality.

0:30:250:30:28

Oftentimes,

0:30:290:30:31

that class of person cannot infer from the facts of what's going down.

0:30:310:30:35

If you can be their agitant, their officer providing enlightenment,

0:30:350:30:39

you can make yourself a very nice living.

0:30:390:30:42

As long as you remain aware you barely register as human,

0:30:420:30:45

you can be indispensable.

0:30:450:30:47

For those moments when life strews

0:30:470:30:49

extraneous objects across the carriageway...

0:30:490:30:52

..that need to be removed.

0:30:530:30:55

So, that's why I don't like it when I get called a drug dealer.

0:31:020:31:05

It's like calling Katrina a breeze.

0:31:050:31:07

I learnt this shit at Lehman Brothers.

0:31:110:31:13

They don't say, "You can't come in till your father gets here."

0:31:310:31:35

If he ever fucking does.

0:31:350:31:37

They don't say, "Your disreputability stinks

0:31:410:31:43

"like shit on your shoe and all of London's calling you

0:31:430:31:46

"a murderer behind your back."

0:31:460:31:47

They just say, "Can we get you a drink and the day's paper?"

0:31:470:31:50

Out here, to the foyer,

0:31:500:31:52

with the florists and the bicycle couriers.

0:31:520:31:55

When you get expelled from school, they don't ever quite tell you.

0:31:580:32:01

One moment, you're galloping onto the playing fields

0:32:010:32:04

in your rugger kit, the next you're sat on the back seat of a car,

0:32:040:32:07

next to your trunk, and your father's in a black mood

0:32:070:32:09

in the front stinking of Scotch and Sobranies.

0:32:090:32:12

Eton was out of the question after that, of course.

0:32:130:32:16

That's all he said,

0:32:160:32:18

all he had to.

0:32:180:32:19

Ten years old and already in the wilderness.

0:32:210:32:24

LAUGHTER NEARBY

0:32:290:32:31

The detective wanted to know

0:32:500:32:52

whether there was any way Arla could have got out of the back.

0:32:520:32:55

The CCTV shows she definitely didn't leave by the front.

0:32:550:32:59

Did I mind that she'd brought a forensics team with her?

0:32:590:33:02

Was it OK that they had a poke around?

0:33:020:33:05

Did we sleep with the window open?

0:33:050:33:07

Was it possible that someone like Hamad Latif

0:33:070:33:09

could've have got in during the night?

0:33:090:33:11

Presumably I'd been sleeping very heavily.

0:33:110:33:14

Given the circumstances,

0:33:140:33:17

she'd lost her deference.

0:33:170:33:20

I said, "I suppose if someone came through the side entrance gate

0:33:200:33:24

"of the mews house at the back, across their yard

0:33:240:33:27

"and climbed over my garden wall, then, theoretically, yeah."

0:33:270:33:31

"Well, then, theoretically, Arla could've gone out that way?"

0:33:310:33:34

That's what she said.

0:33:340:33:35

She said she thought the people at the house at the back

0:33:350:33:38

would've noticed something. She'd send an officer round to enquire.

0:33:380:33:41

I said, "I wouldn't bother. It's owned by some artist woman,

0:33:410:33:44

"and she's only ever there during the summer."

0:33:440:33:46

She seemed struck by that.

0:33:470:33:49

WOMAN CALLS OUT

0:33:540:33:56

'Good boy!'

0:33:560:33:58

I asked him if she'd taken the picture.

0:34:090:34:11

There was a picture missing from the wall.

0:34:110:34:13

I asked him if she'd taken it with her when she left.

0:34:130:34:16

He said, no, HE'D taken it.

0:34:160:34:18

It belonged to his father and he'd taken it to give it back to him.

0:34:180:34:21

It was something she'd always encouraged him to do -

0:34:210:34:24

reconcile with his father.

0:34:240:34:25

I said, "You swore off drug abuse and reconciled with your father,

0:34:250:34:28

"but this was just an ordinary day?

0:34:280:34:30

"Are you sure you didn't fight?

0:34:300:34:33

"You sure she didn't say it was over, and then you fought?"

0:34:330:34:36

'Oh, my God...'

0:34:360:34:38

He's craving narcotics. It's like a fever in him.

0:34:380:34:42

Makes him eager to please,

0:34:420:34:44

vulnerable to the right tone of voice or line of questioning.

0:34:440:34:47

"She went in," I said, "but she appears not to have come out.

0:34:470:34:49

"How can that be?"

0:34:490:34:51

For a moment, I thought he was about to confess.

0:34:520:34:54

The look he gave me was almost imploring.

0:34:550:34:57

Then he offered me a cup of tea.

0:34:590:35:01

RINGING TONE

0:35:140:35:16

HE SIGHS

0:35:190:35:20

I used to be able to recite the name and date

0:35:270:35:30

of every Earl of Monmouth from 1592 until now.

0:35:300:35:34

There's not as many as you might think.

0:35:340:35:37

We're a long-lived bunch of bastards.

0:35:370:35:39

2,000 acres,

0:35:390:35:41

with a wall around it.

0:35:410:35:42

RUSTLING, PANTING

0:35:430:35:45

GUNSHOT

0:35:450:35:46

What Hindley and Brady would've given for that!

0:35:460:35:49

The first acquitted himself valiantly against the Armada

0:35:490:35:53

alongside Drake at Gravelines.

0:35:530:35:55

And the Queen showed her gratitude by bestowing the title

0:35:550:35:58

and a great parcel of land upon him.

0:35:580:36:01

His name was Thomas Cotterall, 1592.

0:36:010:36:05

The house he built was destroyed by fire in 1708.

0:36:050:36:08

I told him I was surprised he wasn't inviting his brief.

0:36:080:36:11

He opened his mouth to speak, but then he closed it.

0:36:120:36:15

It seemed to me that that brief wasn't available to him any more.

0:36:150:36:18

His father's brief.

0:36:180:36:20

RINGING TONE

0:36:200:36:23

Cotterall blood is a heady brew.

0:36:300:36:34

You have to know how to handle it.

0:36:340:36:36

Like others before him,

0:36:370:36:39

Dominic wanted to staunch it or cauterise it,

0:36:390:36:43

and miscegenated with girls

0:36:430:36:46

from the seamier parts of town.

0:36:460:36:48

His body rejected it.

0:36:480:36:51

It chafed inside his veins.

0:36:510:36:54

I used to steal a look at my dad out from under my arm

0:36:580:37:01

when he was kicking me.

0:37:010:37:03

I'd think, "Name, Greville Norman Cotterall.

0:37:030:37:06

"Assumed the title, 1983."

0:37:060:37:09

Kicking.

0:37:090:37:10

Sometimes he was spitting, swearing, cursing.

0:37:100:37:13

Morris Cotterall, 1951.

0:37:130:37:16

Howard Cotterall, 1927.

0:37:160:37:18

And up there on the wall, the painting.

0:37:180:37:21

With an effort of will, I could lose myself in it.

0:37:210:37:25

Charles Cotterall, 1889.

0:37:250:37:27

"What are you?!" "Scared."

0:37:270:37:29

"What are you?!"

0:37:290:37:30

"Scared. I'm scared!"

0:37:300:37:33

And the painting,

0:37:330:37:34

so quiet,

0:37:340:37:36

no sound,

0:37:360:37:38

even the colour's muted.

0:37:380:37:39

"Why haven't you called Miss Beckman since she left on Sunday?"

0:37:390:37:43

William Cotterall, 1857.

0:37:430:37:45

Charles Cotterall The Elder, 1833.

0:37:450:37:48

The only colour in the painting.

0:37:480:37:50

The ploughman's shirt.

0:37:500:37:52

Right there in the middle.

0:37:520:37:54

I would latch myself onto that,

0:37:540:37:57

the ploughman with his plough, centre stage!

0:37:570:38:00

So vivid in his shirt.

0:38:000:38:02

"Why did you go and visit your father

0:38:020:38:04

"when you haven't seen each other in a decade?"

0:38:040:38:06

Richard Cotterall, 1802.

0:38:060:38:08

Everything in its place, orderly and benign.

0:38:080:38:11

Only that silly chap drowning himself.

0:38:120:38:15

Making a big production, disturbing the peace.

0:38:150:38:18

And that was me.

0:38:180:38:19

And I'd think, soon enough,

0:38:200:38:22

the waves will close over him

0:38:220:38:24

and he'll be forgotten.

0:38:240:38:26

And there'll be peace.

0:38:260:38:28

There'll be peace.

0:38:320:38:34

That same blood...

0:38:400:38:42

..runs through Laurence's veins...

0:38:430:38:46

..like liquid silk.

0:38:480:38:50

For ten years, not a word passes between father and son,

0:39:000:39:04

until the day Arla Beckman goes missing.

0:39:040:39:07

On that day,

0:39:070:39:09

he drives to the Cotterall stately home in 2,000 acres,

0:39:090:39:12

with a bubble-wrapped package. Comes out through the front door.

0:39:120:39:15

But somehow manages to leave bubble wrap on the gate

0:39:170:39:19

of a mews house round the back.

0:39:190:39:21

The painting.

0:39:280:39:30

A painting his girlfriend encourages him to return

0:39:300:39:33

to his father to promote reconciliation.

0:39:330:39:36

I asked him, "Was she pleased about that?"

0:39:370:39:40

Or was she gone before he even took it off the wall?

0:39:400:39:43

Dad isn't coming.

0:39:530:39:54

That was clear to them inside long before it was clear to me.

0:39:540:39:58

Your father slapping a writ on Bryony Phelps

0:39:580:40:01

was never going to calm things down,

0:40:010:40:03

it was always going to stir things up.

0:40:030:40:05

He didn't have my back.

0:40:050:40:07

He didn't have my back at all.

0:40:080:40:10

He just saw right through me, like he always did.

0:40:100:40:12

He opened his doors and he sat me down and he heard me out.

0:40:140:40:18

And he nodded and he smiled.

0:40:180:40:20

And he put his hand on mine,

0:40:200:40:22

and he sent me into the lion's den.

0:40:220:40:25

Again!

0:40:250:40:27

List the list.

0:40:280:40:29

All the earls and their dates.

0:40:290:40:32

Shut your eyes and think of England.

0:40:320:40:34

I told him she was missing.

0:40:380:40:40

But he KNEW I'd killed her.

0:40:420:40:44

He knew I'd killed her, and why...

0:40:460:40:49

..and he didn't care.

0:40:510:40:52

This looks interesting.

0:41:000:41:02

ELECTRONIC BEEPING

0:41:020:41:04

RUNNING, PANTING

0:41:070:41:08

PANTING

0:41:090:41:11

GUNSHOT

0:41:130:41:14

DOG BARKS

0:41:200:41:23

What have you found there, boy?

0:41:250:41:26

-RADIO:

-'No formal identification has taken place,

0:41:290:41:32

'but police say they believe the body,

0:41:320:41:34

'which was found in rose bushes beside the crematorium building,

0:41:340:41:38

'to be that of Arla Beckman.'

0:41:380:41:40

MOBILE PHONE RINGS

0:41:400:41:42

So,

0:41:480:41:50

not in the London Eye after all.

0:41:500:41:52

-SADLY:

-Shame.

0:41:570:41:58

She was happy.

0:42:070:42:08

The policewoman, she asked me that - "Was she happy?"

0:42:080:42:12

She was.

0:42:130:42:14

I didn't like it, but she was.

0:42:140:42:17

I knew she was going there when she didn't say goodbye,

0:42:180:42:21

and I ran out after her.

0:42:210:42:22

I actually left the meeting to run out after her.

0:42:220:42:25

I said, "You're seeing him, aren't you? I know you are!"

0:42:260:42:29

I was shouting. I said, "He doesn't care about any of this.

0:42:290:42:33

"He doesn't care about any of us. Can't you see that?"

0:42:330:42:36

SHE SNIFFLES

0:42:360:42:37

"He makes me happy," she said.

0:42:370:42:40

"Get it in your head."

0:42:400:42:43

She said she'd rather be happy than right.

0:42:430:42:45

-She said

-I

-was right, and Alex was right, and Liferaft was right,

0:42:470:42:51

but none of us made her happy.

0:42:510:42:53

And Dominic was wrong -

0:42:540:42:56

and he did.

0:42:560:42:58

But I wasn't right...

0:42:590:43:01

..and now she's dead.

0:43:030:43:05

I love you just as you are.

0:43:150:43:17

"I love you just as you are." That's what she said.

0:43:220:43:25

Loved by her...

0:43:270:43:29

..my life made sense.

0:43:300:43:32

-I

-made sense.

0:43:320:43:34

Loved by her, she could love me.

0:43:350:43:38

And that changed everything.

0:43:390:43:41

Everything.

0:43:410:43:42

And then I killed her.

0:43:460:43:48

I had a contact at the crematorium...

0:43:530:43:55

Arranged to leave the door unlocked for me that night.

0:43:560:43:58

Furnace lit.

0:43:580:44:00

The door was locked, the contact was nowhere about,

0:44:010:44:04

not available on his mobile.

0:44:040:44:06

All the predictable bullshit of normality.

0:44:060:44:08

I lay her down when I tried to call him.

0:44:100:44:12

Security patrol arrived.

0:44:140:44:16

I lay down beside her.

0:44:180:44:19

We were face-to-face.

0:44:210:44:22

They were eating kebabs with the car doors open.

0:44:250:44:27

Then they got out for a smoke.

0:44:270:44:29

One of them took a piss.

0:44:310:44:33

There were bats flying about.

0:44:350:44:37

I started thinking about

0:44:400:44:41

how I might have to kill these guys if they saw me.

0:44:410:44:43

Started wondering about the rights and wrongs of that,

0:44:430:44:46

putting aside any question whether I could even do it.

0:44:460:44:49

She arrived in such a very good mood.

0:44:510:44:53

It seemed to say, "This is it.

0:44:540:44:56

"Everything has changed. I can save you."

0:44:560:44:59

Both of us. And, with her, I could do it.

0:44:590:45:02

She was always saying, "Let's just fly away to Zanzibar!"

0:45:020:45:05

And, this time, I said, "Yes! Yes, let's!

0:45:050:45:08

"Let's just grab a bag and a passport

0:45:080:45:10

"and let's, for fuck's sake, just go!

0:45:100:45:13

"Let's chuck all this shit down the lavatory.

0:45:130:45:15

"All the powder and the pills, even the booze, we're done with it!

0:45:150:45:18

"A new world awaits us!"

0:45:180:45:20

She said, "Why don't we just use up what we have?

0:45:230:45:27

"Why waste it?"

0:45:270:45:29

The game wasn't over for her yet.

0:45:320:45:34

It still had mileage in it.

0:45:360:45:37

And I had a startling realisation

0:45:400:45:42

that when it was eventually over...

0:45:420:45:44

..she'd call up Alex

0:45:470:45:48

and they'd both be sorry

0:45:480:45:50

and they'd start afresh.

0:45:500:45:52

It started as a joke on him, and it would end as a joke on me.

0:45:550:45:59

And the joke was this...

0:45:590:46:00

I wasn't good enough.

0:46:020:46:04

I would never be good enough.

0:46:060:46:08

And that's what she wanted.

0:46:100:46:12

I was lying there for a long time.

0:46:150:46:17

And this was the self-appraisal I came up with.

0:46:170:46:20

I'd fallen for my own propaganda.

0:46:230:46:25

I could smell dog shit.

0:46:270:46:28

I was cowering in the dirt

0:46:300:46:32

beside a dead woman in a graveyard.

0:46:320:46:34

For what?

0:46:350:46:37

For Dominic Cotterall?

0:46:380:46:40

It must've been two in the morning.

0:46:470:46:51

He was, what, ten?

0:46:510:46:52

And he'd been jacked out of school.

0:46:520:46:56

We'd barely said a word in the car all the way home.

0:46:560:46:59

I woke him with a rifle in my hands,

0:47:000:47:03

took him downstairs by the scruff of the neck, and out.

0:47:030:47:07

To here.

0:47:080:47:09

He was shaking.

0:47:100:47:12

He probably thought I was going to shoot him, then and there.

0:47:130:47:16

And, perhaps I should have.

0:47:180:47:20

He kept looking...

0:47:210:47:23

at the rifle.

0:47:230:47:25

I said, "Run."

0:47:260:47:27

I said, "Run!"

0:47:280:47:30

"Run!

0:47:300:47:32

"Keep your eyes tight shut,

0:47:320:47:34

"and run as far and as fast as you can, boy!

0:47:340:47:38

"Run until you drop!

0:47:390:47:41

"Until you drop, boy!

0:47:410:47:44

"And you'll still be on Cotterall land!"

0:47:440:47:48

RUSTLING, PANTING

0:47:480:47:51

GUNSHOT

0:47:510:47:52

HE CRIES OUT

0:47:520:47:53

GUNSHOT

0:47:550:47:57

HE PANTS

0:47:570:47:59

GUNSHOTS

0:47:590:48:01

SOUND DISTORTS, HE PANTS

0:48:030:48:06

DISTORTED GUNSHOT

0:48:060:48:08

'So, that's what we did.'

0:48:080:48:09

We gathered up everything and anything we could find

0:48:090:48:12

and we laid it out on the table there. We binged.

0:48:120:48:16

We were like mad things.

0:48:170:48:19

And when she crashed out, I kept going.

0:48:200:48:23

Like you said, "Why waste it?" I kept going.

0:48:240:48:27

DISTORTED SCREAMS

0:48:270:48:29

When I woke, she was...

0:48:380:48:40

..dead.

0:48:410:48:43

She was cold and there was...

0:48:440:48:47

..froth in her mouth...

0:48:490:48:51

And I was on my knees.

0:48:520:48:54

I was on my knees, shaking her and...

0:48:540:48:58

..her phone was there so I snatched it up

0:48:590:49:02

and I called 999 and they said, "Which service would you like?"

0:49:020:49:05

And I thought...I suddenly thought,

0:49:070:49:08

"None of these services are going to do her any good at all,

0:49:080:49:11

"or me."

0:49:110:49:13

And then, she sort of

0:49:150:49:17

lurched.

0:49:170:49:18

Just once.

0:49:200:49:21

And there was a...

0:49:210:49:23

terrible noise from her throat, briefly.

0:49:230:49:27

And they were saying, "Which service, caller? Which service?"

0:49:290:49:33

And I thought about Abbedon Hall.

0:49:350:49:37

I thought of my father.

0:49:380:49:40

The first earl and the 31st.

0:49:410:49:44

The names and the dates, the unbroken line.

0:49:450:49:48

And I rang off and called Kendrick.

0:49:510:49:53

For the first time in my life, I'd started to think like a Cotterall.

0:49:560:49:59

And when we finished speaking...

0:50:040:50:05

I waited for...

0:50:090:50:10

for her to go.

0:50:100:50:12

I don't know how long it took...

0:50:160:50:17

..but I let her go...

0:50:200:50:21

..to become a Cotterall.

0:50:220:50:24

Like my father.

0:50:260:50:27

He stayed out there all that night

0:50:300:50:33

and the following day.

0:50:330:50:35

I heard later that he'd soiled himself.

0:50:370:50:39

He stole that rifle from me eventually,

0:50:410:50:43

along with a painting.

0:50:430:50:45

It was the gamekeeper brought him back.

0:50:470:50:50

He'd probably be out there now...

0:50:520:50:54

..if he hadn't.

0:50:550:50:57

Father's on his way round.

0:51:160:51:19

I've told him this time I'll make it worth his while.

0:51:190:51:22

Renounce my inheritance in favour of Laurence.

0:51:230:51:26

You think you can kick free of stuff.

0:51:270:51:30

Corrosive reputation,

0:51:300:51:32

drug chaos lifestyle,

0:51:320:51:34

family history, but they're not things you do -

0:51:340:51:37

they're things you ARE.

0:51:370:51:38

HE SOBS

0:51:380:51:41

Our family history is a catalogue of black deeds.

0:51:410:51:46

Killers, rapists, madmen...

0:51:460:51:49

Bad blood.

0:51:500:51:52

Bad all the way back.

0:51:520:51:54

We're like some terrible undead creature

0:51:540:51:58

traipsing through the centuries.

0:51:580:51:59

The Cotteralls.

0:52:000:52:02

Fuck!

0:52:120:52:14

This isn't something that I take lightly.

0:52:420:52:44

It's not a victory to crow over.

0:52:460:52:49

I intend to give it to Dad.

0:52:490:52:51

Both barrels.

0:52:520:52:53

I've asked her to go easy on Kendrick.

0:52:550:52:57

He was only doing what he was asked.

0:52:570:52:59

When you lie in bed here at Abbedon...

0:52:590:53:02

..in the blackness of the night,

0:53:030:53:06

surrounded by these 2,000 acres,

0:53:060:53:09

these fabled acres...

0:53:090:53:13

and the house is still and quiet...

0:53:130:53:16

..you become one with your ancestors...

0:53:180:53:21

..who lay precisely here, thinking perhaps

0:53:220:53:26

precisely that.

0:53:260:53:28

The shoes Arla was wearing when we first met.

0:53:290:53:32

The colour, she said it was...

0:53:340:53:36

.."vermillion".

0:53:370:53:38

It was almost obscene.

0:53:440:53:46

Luminous, like she was.

0:53:470:53:49

I think it's the sexiest colour I've ever seen.

0:53:520:53:55

I wanted to paint my house that colour.

0:54:000:54:02

Not just my house, my whole life.

0:54:040:54:07

Vermillion!

0:54:080:54:09

Just saying it sends a shiver down me.

0:54:100:54:13

I actually got down on all fours

0:54:130:54:16

so that I could stare at her shoes.

0:54:160:54:18

She was laughing.

0:54:180:54:20

She wore them the first time she came,

0:54:200:54:22

so that we could match the colour.

0:54:220:54:24

Vermillion.

0:54:240:54:26

It was the colour of the ploughman's shirt.

0:54:310:54:33

DOOR BELL RINGS

0:54:440:54:46

MUSIC: Ebben? from La Wally by Alfredo Catalani

0:54:460:54:51

LOCK CLICKS

0:54:570:54:59

Dominic!

0:55:090:55:11

MUSIC INTENSIFIES

0:55:110:55:13

Dominic!

0:55:180:55:21

GUNSHOT ECHOES

0:55:230:55:26

# Something's gotten hold of my heart

0:57:150:57:19

# Keeping my soul and my senses apart

0:57:190:57:24

# Something's gotten into my life

0:57:260:57:30

# Cutting its way through my dreams like a knife

0:57:300:57:35

# Turning me up, and turning me down

0:57:350:57:39

# Making me smile... #

0:57:390:57:42

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