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Arrived at the major crime unit this morning, ready for action. This is my world. | 0:00:02 | 0:00:07 | |
Feels like the calm | 0:00:07 | 0:00:11 | |
before the storm. | 0:00:11 | 0:00:13 | |
But I know that I'll be kicking down doors before long. | 0:00:15 | 0:00:21 | |
Oh, no! Come on, Brian, come on think, think, think. | 0:00:21 | 0:00:27 | |
On my way in this morning | 0:00:27 | 0:00:32 | |
I played a game that keeps me sharp. | 0:00:32 | 0:00:38 | |
Spot the criminal. | 0:00:39 | 0:00:43 | |
It's a game I always win. | 0:00:43 | 0:00:48 | |
Cop is in my DNA. | 0:00:48 | 0:00:51 | |
-Morning. -Crying out bloody loud! | 0:00:52 | 0:00:56 | |
What's the matter, Brian? | 0:00:56 | 0:00:58 | |
I'm struggling to distil what happened to me this morning down into under 140 characters. | 0:00:58 | 0:01:03 | |
-Characters? -Yeah, letters and spaces. -What are you talking about? -Twitter. | 0:01:03 | 0:01:08 | |
-Oh, gawd. -There's a countdown thing tells you how many characters you've got left. | 0:01:08 | 0:01:12 | |
-Turns red when you get below ten, which is actually quite intimidating. -Brian! | 0:01:12 | 0:01:17 | |
I have been watching you all morning and I can sum up what you have achieved in six characters. Sod all. | 0:01:17 | 0:01:25 | |
Seven. | 0:01:25 | 0:01:26 | |
You forgot the space. | 0:01:26 | 0:01:28 | |
# It's all right, it's OK | 0:01:29 | 0:01:32 | |
# It doesn't really matter if you're old and grey | 0:01:32 | 0:01:35 | |
# It's all right, I say, it's OK | 0:01:35 | 0:01:37 | |
# Listen to what I say | 0:01:37 | 0:01:40 | |
# It's all right, you're doing fine | 0:01:40 | 0:01:43 | |
# It doesn't really matter if the sun don't shine | 0:01:43 | 0:01:46 | |
# It's all right, I say, it's OK | 0:01:46 | 0:01:48 | |
# We're getting to the end of the day! # | 0:01:48 | 0:01:51 | |
Must be roundabouts. That's twice you went wrong at a roundabout. | 0:01:53 | 0:01:57 | |
I was doing what you told me. | 0:01:57 | 0:01:58 | |
You were not doing what I told you, at all. | 0:01:58 | 0:02:01 | |
-Well, we're here now. -I said go left | 0:02:01 | 0:02:03 | |
and you went right. What do you expect, you're dyspraxic. | 0:02:03 | 0:02:07 | |
-I'm what? -Dyspraxic. | 0:02:07 | 0:02:09 | |
Sorry, guv, the sat nav went wrong. | 0:02:09 | 0:02:11 | |
-I didn't! -It's the longest bleeding shortcut ever. -Where's Jack? | 0:02:11 | 0:02:15 | |
Trying to get hold of some CCTV tapes. | 0:02:15 | 0:02:17 | |
Right, over the last few nights, | 0:02:17 | 0:02:19 | |
these and six other high-profile locations have been defaced with the same graffiti. | 0:02:19 | 0:02:23 | |
Who's Flak? | 0:02:23 | 0:02:25 | |
Flak, the graffiti artist, you know | 0:02:25 | 0:02:28 | |
the one who did the philosophical comments on modern life. | 0:02:28 | 0:02:31 | |
-Real name, Danny Tyler. Follow me. -Flak. | 0:02:31 | 0:02:35 | |
His body was found four years ago dumped down by those tracks. | 0:02:36 | 0:02:39 | |
-Cause of death? -Head trauma from a blunt instrument. | 0:02:39 | 0:02:43 | |
Autopsy states that he'd been in a fight and was moved round about an hour after his death. | 0:02:43 | 0:02:49 | |
Danny Tyler's street art goes for big bucks now, you know. | 0:02:49 | 0:02:52 | |
-I've read about it. He's famous. -I've never heard of him. | 0:02:52 | 0:02:57 | |
He did that, Good Morning Lemmings graffiti, that you saw coming off the M4 at Hammersmith. | 0:02:57 | 0:03:02 | |
It summed up perfectly the existential angst of the average commuter. | 0:03:02 | 0:03:07 | |
Well, maybe some poor sod who'd been stuck in traffic for five days on the trot | 0:03:07 | 0:03:13 | |
didn't want his angst to be pointed out by some smart-arsed vandal. | 0:03:13 | 0:03:17 | |
Narrows it down to a few million suspects. | 0:03:17 | 0:03:19 | |
Look, you're both missing the point. He was funny. | 0:03:19 | 0:03:22 | |
-He made you smile. -That's where they found him. His body was thrown off this bridge. | 0:03:22 | 0:03:27 | |
Now the original investigation never got full co-operation from the graffiti community | 0:03:29 | 0:03:34 | |
so eventually it just ran out of steam. | 0:03:34 | 0:03:36 | |
Look at that, | 0:03:38 | 0:03:40 | |
I killed Flak. | 0:03:40 | 0:03:42 | |
Mr Tyler? | 0:03:59 | 0:04:00 | |
That's me. | 0:04:02 | 0:04:04 | |
Detective Superintendent Pullman. | 0:04:04 | 0:04:06 | |
This is my colleague Gerry Standing. We'd like to talk to you about the death of your son. | 0:04:06 | 0:04:11 | |
-A Southpaw. -What do you reckon, five eight, five ten? | 0:04:14 | 0:04:19 | |
Male or female? | 0:04:19 | 0:04:20 | |
Hard to tell in those clothes. | 0:04:20 | 0:04:23 | |
Think he or she is trying to tell us something? | 0:04:26 | 0:04:28 | |
I always knew it was one of those vandals that killed him. | 0:04:30 | 0:04:34 | |
They were jealous. Danny was better than them. | 0:04:34 | 0:04:37 | |
-His success made them feel like failures. -So are you saying that he acted like he was better than them? | 0:04:37 | 0:04:43 | |
No, he just was. That's why he's the one they write books about. | 0:04:43 | 0:04:47 | |
His mother died when he was a baby and you raised him alone. That must have been really hard. | 0:04:48 | 0:04:52 | |
-I had no choice, did I? -You must have been doing something right if he bought you that. | 0:04:52 | 0:04:57 | |
Danny bought me this when he was seven, before he knew any better. | 0:04:59 | 0:05:02 | |
He was ten or 11 before he chucked it against the wall. | 0:05:02 | 0:05:05 | |
-Why? -I'd been drinking and not turned up to something that important. Can't remember what, exactly. | 0:05:05 | 0:05:11 | |
-Things were never the same between us after that. -According to the original investigation, | 0:05:11 | 0:05:16 | |
Danny never made a will, so you being the next of kin inherited his estate. | 0:05:16 | 0:05:21 | |
Yeah, that's right. | 0:05:21 | 0:05:23 | |
I know what you're thinking. | 0:05:25 | 0:05:27 | |
What happened to it? | 0:05:28 | 0:05:30 | |
I gave it to charity. | 0:05:30 | 0:05:32 | |
If Danny had made a will he wouldn't have left any of it to me. | 0:05:33 | 0:05:38 | |
Now then... | 0:05:38 | 0:05:40 | |
BEEP | 0:05:39 | 0:05:40 | |
Yes, double figures. | 0:05:40 | 0:05:41 | |
-What is? -My followers. | 0:05:41 | 0:05:44 | |
I've got ten of them now. | 0:05:44 | 0:05:45 | |
-Same clothes, same build, same person. -Busy hoodie. -Yeah, who knew where the body was dumped. | 0:05:45 | 0:05:51 | |
Now is there any connection between him and Kevin Magz Humphreys | 0:05:51 | 0:05:56 | |
or Gail Begga Shaw, Jason Konz Bishop | 0:05:56 | 0:05:59 | |
and the deceased, Danny Flak Tyler, otherwise collectively known as The Maze Crew. | 0:05:59 | 0:06:05 | |
Do the intel, Brian, I want to know where they were | 0:06:05 | 0:06:08 | |
at those times on Wednesday and Thursday night. | 0:06:08 | 0:06:11 | |
BEEP | 0:06:10 | 0:06:11 | |
11! | 0:06:14 | 0:06:16 | |
Look at that. | 0:06:31 | 0:06:33 | |
Why? | 0:06:35 | 0:06:36 | |
-He's left-handed. -He's ambidextrous. | 0:06:49 | 0:06:52 | |
Kevin Humphreys? | 0:06:52 | 0:06:54 | |
Yeah. | 0:06:55 | 0:06:56 | |
-what's your name, beautiful? -We're with the Met. | 0:06:57 | 0:07:00 | |
-Detective Superintendent Pullman. -Shame you're plain clothes, I like a woman in uniform. | 0:07:00 | 0:07:06 | |
We want to talk to you about Danny Tyler. | 0:07:06 | 0:07:09 | |
-He was a friend of yours, right? -Mm-hm. | 0:07:11 | 0:07:14 | |
You told the previous investigation that when you met him | 0:07:14 | 0:07:17 | |
he was sleeping rough a lot so he ended up staying at your place. | 0:07:17 | 0:07:21 | |
On and off, yeah. Danny knew he could always stay at mine. | 0:07:21 | 0:07:25 | |
But you didn't see much of him in the two years previous to the murder. | 0:07:25 | 0:07:29 | |
-Why was that? -That's the way it went between us. -You had a disagreement? -Nah, he just sold out and moved on. | 0:07:29 | 0:07:35 | |
Got successful, you mean? | 0:07:35 | 0:07:37 | |
-Not my kind of success. -Meaning? | 0:07:37 | 0:07:40 | |
-Danny forgot what graffiti's for. -What is it for? | 0:07:40 | 0:07:44 | |
Changing the crap urban landscape that most people live in. | 0:07:44 | 0:07:48 | |
Owning your streets. Stuff you will never understand. | 0:07:48 | 0:07:52 | |
-Breaking the law. -Your law, not mine. | 0:07:52 | 0:07:55 | |
-Graffiti shouldn't be hung in galleries. Is that what you're saying? -They got enough pictures. | 0:07:55 | 0:08:00 | |
Why'd they need ours? So rich people can buy them and keep it to themselves? | 0:08:00 | 0:08:03 | |
That's not the point, it never has been | 0:08:03 | 0:08:06 | |
and Danny knew that. | 0:08:06 | 0:08:08 | |
He took their money anyway. | 0:08:08 | 0:08:10 | |
Yeah, and for that he got burnt. | 0:08:10 | 0:08:13 | |
Where were you at 11:40 last Wednesday night? | 0:08:13 | 0:08:17 | |
At home | 0:08:17 | 0:08:19 | |
with my girl | 0:08:19 | 0:08:21 | |
making love! | 0:08:21 | 0:08:23 | |
And at 1:25 the next morning? | 0:08:23 | 0:08:25 | |
Oh, the same. It was a Tantric all-nighter as it happens. I'm a marathon man, me. | 0:08:25 | 0:08:30 | |
-I've got the photos to prove it if you wanna take a look. -I'll pass. -What about midnight Thursday? | 0:08:31 | 0:08:38 | |
Out tagging with my crew. Ask them if you want. | 0:08:38 | 0:08:41 | |
When was the last time you saw or spoke to Danny? | 0:08:42 | 0:08:45 | |
Just after he sold his first piece. He said he was leaving the crew. | 0:08:47 | 0:08:51 | |
I told him he'd regret it. That he needed us. | 0:08:51 | 0:08:54 | |
But Danny never listened to anyone unless they were telling him what hot shit he was. | 0:08:54 | 0:08:58 | |
Now, if you don't mind, I've got a wall to paint. | 0:09:01 | 0:09:04 | |
Guv. | 0:09:12 | 0:09:14 | |
Kevin! | 0:09:14 | 0:09:16 | |
Good catch. | 0:09:17 | 0:09:19 | |
OK, first of all, please, don't call me at work again. They can't know I'm talking to the police. | 0:09:20 | 0:09:24 | |
Secondly, Begga's dead, as dead as Flak. You're looking at a different person now. | 0:09:24 | 0:09:29 | |
Yeah, we understand, Gail. We just need to know more about Danny Tyler. | 0:09:29 | 0:09:33 | |
Like I said, I told the police everything back then. | 0:09:33 | 0:09:36 | |
Tell us about your relationships with Kevin Humphreys and the deceased. | 0:09:36 | 0:09:41 | |
I'd been with Kevin a couple of years when Danny joined the crew. | 0:09:41 | 0:09:44 | |
Danny was like my little brother. We had a laugh together but it was platonic. | 0:09:44 | 0:09:48 | |
Then he left the crew and I missed him so much, I realised I'd fallen in love with him. | 0:09:48 | 0:09:53 | |
So you finished with Kevin and started seeing Danny. | 0:09:53 | 0:09:56 | |
How did Kevin take to that? | 0:09:57 | 0:09:59 | |
Badly at first but then he moved on. | 0:09:59 | 0:10:02 | |
Kev's never been short of female company. | 0:10:02 | 0:10:04 | |
-Did they fall out over you? -Yeah. | 0:10:04 | 0:10:06 | |
They never spoke again. I felt bad about that but what could I do? I needed to be with him. | 0:10:06 | 0:10:11 | |
-Sounds like you had no choice. -We didn't. When we were together, I couldn't take my eyes off him. | 0:10:11 | 0:10:16 | |
He said I made him feel worth loving. | 0:10:16 | 0:10:19 | |
-Plus he was a genius. That's powerful stuff when you're 20. -So you rated his art? | 0:10:19 | 0:10:24 | |
He had more talent than most of the taggers in London put together. | 0:10:24 | 0:10:28 | |
-Check it out for yourselves. There's a sale on at a gallery on the South Bank. -OK, right. | 0:10:28 | 0:10:33 | |
Now here's what we know about Danny Tyler's final 12 hours. | 0:10:33 | 0:10:37 | |
Sometime around 4:45, a worker at Urban Art, Brewer Street | 0:10:37 | 0:10:42 | |
remembers selling him a load of Molotov spray paint. | 0:10:42 | 0:10:45 | |
At 4:50 he withdrew 150 quid from a cash point in Shaftesbury Avenue. | 0:10:45 | 0:10:50 | |
Now he was caught on CCTV at 5:30 arriving back at his studio | 0:10:50 | 0:10:55 | |
and the last time he was seen, again on CCTV, he was leaving the studio at 11:25. | 0:10:55 | 0:11:02 | |
So that means sometime between 12 midnight and 4am | 0:11:02 | 0:11:06 | |
he was murdered. | 0:11:06 | 0:11:09 | |
It occurs to me we might be looking at this the wrong way. | 0:11:09 | 0:11:12 | |
That the graffiti isn't necessarily a confession. | 0:11:12 | 0:11:15 | |
-My thoughts exactly. -Why would you advertise you did it, if you didn't? | 0:11:15 | 0:11:19 | |
Maybe someone wants the case reopened. | 0:11:19 | 0:11:23 | |
-A long way from the gritty streets he used to tag, eh? -Not half. | 0:11:26 | 0:11:30 | |
"An Eye For An Eye And The Whole World Needs Contacts." | 0:11:34 | 0:11:38 | |
-Doesn't do it for me. -Oh, I think it's rather clever, the way he uses the Gandhi image | 0:11:38 | 0:11:42 | |
and the famous quote, then gives it a contemporary controversial twist. | 0:11:42 | 0:11:47 | |
You're spot on, An Eye For An Eye is one of my favourite pieces. | 0:11:47 | 0:11:51 | |
I see it hasn't sold. | 0:11:51 | 0:11:52 | |
No, but it will. I don't think we've met, I'm Sara Hamlyn, this is my gallery. | 0:11:52 | 0:11:58 | |
Er, Jack Halford. | 0:11:58 | 0:11:59 | |
-This is my associate. -Sandra Pullman, hello. | 0:11:59 | 0:12:02 | |
-Er, is it expensive? -The price reflects the quality of the work. | 0:12:02 | 0:12:06 | |
-In other words, yes, it is. -He is very in demand. | 0:12:06 | 0:12:10 | |
-You're Flak's dealer, aren't you? -Yes. | 0:12:10 | 0:12:13 | |
I discovered him on the street doing this incredible piece of freestyle graffiti | 0:12:13 | 0:12:18 | |
with the message, "Life is not a sentence." | 0:12:18 | 0:12:21 | |
I could tell he had something very special. | 0:12:21 | 0:12:23 | |
So I encouraged him and nurtured him, really. | 0:12:23 | 0:12:27 | |
Wasn't he murdered? | 0:12:27 | 0:12:29 | |
Tragically, yes, and just as he was becoming a star. | 0:12:29 | 0:12:31 | |
So there's only a limited amount of work available to buy. | 0:12:31 | 0:12:35 | |
Yes, that's right. He was prolific but the vast majority of his work is now in collections. | 0:12:35 | 0:12:40 | |
And how's that affected the prices? | 0:12:40 | 0:12:42 | |
They've rocketed. | 0:12:42 | 0:12:44 | |
He's essentially market proof. | 0:12:44 | 0:12:47 | |
For instance Eye For An Eye is on for 200, but... | 0:12:47 | 0:12:49 | |
in a few years I wouldn't be surprised if it was worth half a million. | 0:12:49 | 0:12:53 | |
-Anyway, I'll be around later if you want to discuss this or any other piece. -Thank you. | 0:12:54 | 0:12:58 | |
It's good to meet you. | 0:12:58 | 0:13:00 | |
Enjoy. | 0:13:00 | 0:13:01 | |
200 grand for that. I need a drink. You coming? | 0:13:02 | 0:13:06 | |
Do you know, I think I'll mingle. | 0:13:06 | 0:13:08 | |
What do you think of his work? | 0:13:14 | 0:13:17 | |
Um, I'm not sure if I'd hang it on any of my walls. | 0:13:17 | 0:13:20 | |
I prefer actual paintings and anyway, if I want messages I'll listen to my answer machine. | 0:13:20 | 0:13:25 | |
It's refreshing to meet someone who says what they really think, | 0:13:25 | 0:13:29 | |
rather than just parroting opinion formers and art critics. | 0:13:29 | 0:13:32 | |
-Now's the bit when you tell me you've just bought half a dozen. -No. | 0:13:32 | 0:13:36 | |
-I'm David Bryant. -Sandra Pullman, hello. | 0:13:36 | 0:13:39 | |
-Two glasses of Krug please. You do drink champagne? -Oh, yes. | 0:13:40 | 0:13:43 | |
-So are you a fan of his art? -I was one of Danny's early supporters. | 0:13:43 | 0:13:47 | |
I bought a lot of it. It helped to launch him, | 0:13:47 | 0:13:50 | |
-but I only have a couple of pieces now. Thank you. -Thank you. | 0:13:50 | 0:13:53 | |
-Cheers. -Cheers. | 0:13:53 | 0:13:55 | |
Between you and me | 0:13:56 | 0:13:58 | |
he only did one, well maybe two, important works. | 0:13:58 | 0:14:02 | |
Are either of them here? | 0:14:02 | 0:14:03 | |
No. No. | 0:14:04 | 0:14:06 | |
This piece reeks of fear. | 0:14:08 | 0:14:10 | |
Fear of a totalitarian state, fear that the artist's love for a woman will be rejected, | 0:14:10 | 0:14:17 | |
fear that he'll do something violent in response. | 0:14:17 | 0:14:20 | |
Fear of impotency. | 0:14:20 | 0:14:22 | |
-Why impotency? -No bullets. | 0:14:22 | 0:14:25 | |
-So you're a serious collector. -It's my weakness. If I see something I love I have to have it. | 0:14:29 | 0:14:34 | |
-No matter what the cost. -Then for you it's just about possessing something beautiful, isn't it? | 0:14:34 | 0:14:40 | |
Well, truth be told you don't possess art, it possesses you. It's a cliche, but it's true. | 0:14:40 | 0:14:45 | |
Did you know Danny Tyler well? | 0:14:46 | 0:14:47 | |
I used to think so. Catherine, where have you been? I turned around and you'd gone. | 0:14:47 | 0:14:53 | |
-I needed to see Harry and you were busy talking business with that awful man. -This is Sandra. | 0:14:53 | 0:14:57 | |
-We were just discussing Danny Tyler's work. -Hello. -Hello. | 0:14:57 | 0:15:01 | |
Catherine, Sandra prefers traditional painting as well. | 0:15:01 | 0:15:04 | |
-Has he been trying to convert you? -No, I don't think so. | 0:15:04 | 0:15:07 | |
He would have done. My husband is a zealot. | 0:15:07 | 0:15:10 | |
He'd rather have a Emin or a Hirst than a dozen Constables any day. | 0:15:10 | 0:15:14 | |
You make it sound like it's a bad thing. | 0:15:14 | 0:15:16 | |
-How much longer do you want to stay, darling? -Not long. | 0:15:17 | 0:15:21 | |
Well, I must drag him away. | 0:15:21 | 0:15:23 | |
-He's all yours. -I enjoyed our conversation. | 0:15:23 | 0:15:26 | |
Bye-bye. | 0:15:26 | 0:15:27 | |
Nice to see you, Sandy. | 0:15:27 | 0:15:29 | |
Sandra... And you. | 0:15:29 | 0:15:32 | |
Oi, police! | 0:15:41 | 0:15:43 | |
Get the car. | 0:15:43 | 0:15:45 | |
Too fast. | 0:16:29 | 0:16:30 | |
-Come on, Jack! -Prints. | 0:16:31 | 0:16:33 | |
-Jason Bishop? -Yeah, man. | 0:16:45 | 0:16:47 | |
We're from the Met. We'd like a chat. | 0:16:47 | 0:16:50 | |
No worries. | 0:16:50 | 0:16:51 | |
Downside to being a club DJ, no sleep. Can't survive without my coffee. | 0:16:52 | 0:16:57 | |
-You sure you don't want one? -No, thank you, Mr Bishop. -Nice motor. | 0:16:59 | 0:17:04 | |
Oh, cheers. | 0:17:04 | 0:17:05 | |
And it's Jason. Or Konz. | 0:17:05 | 0:17:08 | |
All right, Jason, tell me about your friendship with Danny Tyler. | 0:17:10 | 0:17:15 | |
We were pretty tight. | 0:17:15 | 0:17:17 | |
Into the same kinda music, graffiti, that sort of thing. | 0:17:17 | 0:17:20 | |
And did you two stay close? | 0:17:20 | 0:17:23 | |
Yeah. | 0:17:23 | 0:17:24 | |
Saw him most days at the studio. He let me have some space there to work on my graffiti art and my music. | 0:17:24 | 0:17:30 | |
-You still go out tagging? -Nah, wish I could. | 0:17:30 | 0:17:33 | |
Ain't got the time. | 0:17:33 | 0:17:35 | |
I'm booked solid these days, sometimes two or three venues a night, | 0:17:35 | 0:17:39 | |
plus a few days here in the week. | 0:17:39 | 0:17:42 | |
It's gone mental for me the last couple a years. Which is the dog's cos music's my life, man. | 0:17:42 | 0:17:47 | |
Where were you last Wednesday between 11:30pm and half one? | 0:17:47 | 0:17:50 | |
-Why do you ask that? -We'd just like to know. | 0:17:51 | 0:17:54 | |
I would have been working. Club called The Chapel up in Luton. | 0:17:55 | 0:17:58 | |
Finished my set there around two-ish and then I'd been driving home. | 0:17:58 | 0:18:02 | |
Do you keep in touch with any of the old Maze crew? | 0:18:02 | 0:18:05 | |
Not since Gail got herself an office job and went all respectable. | 0:18:05 | 0:18:09 | |
What about Kevin Humphreys? | 0:18:09 | 0:18:10 | |
Haven't seen him in two, maybe three years. | 0:18:11 | 0:18:15 | |
-Why not? -No particular reason. -Was there any friction between the two of you? | 0:18:15 | 0:18:20 | |
No. | 0:18:20 | 0:18:21 | |
No, no, no. Jason Bishop lied to us. They've fallen out. | 0:18:22 | 0:18:26 | |
-What about? -Dunno. | 0:18:26 | 0:18:27 | |
It could be Danny's murder or it could be something else. | 0:18:27 | 0:18:30 | |
-Worth looking into though. -Yeah. -Yes! | 0:18:30 | 0:18:31 | |
Oh, there's nothing quite so satisfying as the perfect 140 character update. | 0:18:34 | 0:18:40 | |
You need help, mate. | 0:18:40 | 0:18:42 | |
-Thank you, Billy. That's the big 4-0. -Billy? | 0:18:42 | 0:18:46 | |
-It's my fortieth follower. -Who exactly are these weird people? | 0:18:46 | 0:18:49 | |
-Fellow citizens of the info waves. -What and you follow | 0:18:49 | 0:18:52 | |
-what they're up to, do you? -Not if I can help it. No. | 0:18:52 | 0:18:57 | |
-Seems a bit one-sided, Brian. -No, no, no. | 0:18:57 | 0:18:59 | |
They're interested in what I do and, well, that's great. So I'm happy to provide a service. | 0:19:00 | 0:19:05 | |
But, no, I don't want to hear all about the emotional roller coaster that is their life. | 0:19:05 | 0:19:11 | |
HE TITTERS | 0:19:11 | 0:19:12 | |
Hey, do you mind, that's just for my followers. | 0:19:12 | 0:19:15 | |
Have a listen. | 0:19:15 | 0:19:17 | |
"I've never had a problem with violent criminals. | 0:19:17 | 0:19:20 | |
"I speak their language. Fluently. | 0:19:20 | 0:19:23 | |
Ooh, Top Cop 999, don't hurt me! | 0:19:23 | 0:19:26 | |
That's what he calls himself, Top Cop 999! | 0:19:26 | 0:19:28 | |
Yes, yes, yes, go on Gerry, you laugh it up. Just mock what you don't understand. | 0:19:28 | 0:19:33 | |
No wonder you've had so many followers. They think you're Dirty Harry. | 0:19:33 | 0:19:36 | |
If we could just come back into the real world for a moment, | 0:19:36 | 0:19:39 | |
according to these British Transport Police reports the Maze Crew were a right bunch of outlaws. | 0:19:39 | 0:19:44 | |
Listen to this. "We pursued the subjects between moving trains narrowly avoiding the live rail, | 0:19:44 | 0:19:50 | |
"but lost them after they climbed a drain pipe up a four-storey building." | 0:19:50 | 0:19:54 | |
-And there's pages of this. -Were they ever caught? -A couple of times. They got off with a caution. | 0:19:54 | 0:19:59 | |
All right, we'll go and have a chat with Kevin Humphreys and see what his beef is with Jason. | 0:19:59 | 0:20:04 | |
NEW YORK ACCENT: That OK with you, Top Cop? | 0:20:04 | 0:20:06 | |
-I'm not sure about leaving the car here. -It's insured, isn't it? | 0:20:16 | 0:20:20 | |
-It's a classic! -Gerry, it's a pile of shit! | 0:20:20 | 0:20:23 | |
-Is Kevin in? -Who is it? | 0:20:28 | 0:20:31 | |
Tell him that Detective Superintendent Pullman wants a word, Gail. It is Gail, isn't it? | 0:20:31 | 0:20:36 | |
Kevin... | 0:20:44 | 0:20:45 | |
-You two an item again? -Yeah. -No. | 0:20:47 | 0:20:49 | |
Which is it? | 0:20:49 | 0:20:51 | |
-Is Gail the lucky lady you were with the other night? -She is! | 0:20:51 | 0:20:56 | |
-It ain't like we're moving in together or nothing. -Can't say I blame you. | 0:20:56 | 0:21:00 | |
So when you lived with Danny did, er, did you two ever sleep together? You know, for old times' sake? | 0:21:00 | 0:21:06 | |
-Never. I was faithful to Danny. -You can see why I ask, though? | 0:21:06 | 0:21:10 | |
First of all you're with Kevin then Danny and now back with Kevin again. | 0:21:10 | 0:21:13 | |
No law against that is there? | 0:21:13 | 0:21:15 | |
I've been reading about The Maze Crew's encounters with the Transport Police. | 0:21:15 | 0:21:19 | |
-Whoa, your lot certainly gave them the run-around, didn't you? -Just youthful high spirits. | 0:21:19 | 0:21:24 | |
Oh, please, don't be modest, you were legends. | 0:21:24 | 0:21:27 | |
-We had our moments. -So what happened? | 0:21:27 | 0:21:30 | |
How do you mean? | 0:21:30 | 0:21:31 | |
What's the problem with you and Jason Bishop? | 0:21:31 | 0:21:34 | |
Oh, the problem is he got the hump when I dissed his DJ-ing skills | 0:21:34 | 0:21:40 | |
and the whiney little bitch hasn't spoken to me since. | 0:21:40 | 0:21:43 | |
-That's it? -Jason's always been touchy. | 0:21:43 | 0:21:45 | |
-Guvnor, is it all right if I just go and check the car for a minute? -Yeah, yeah. | 0:21:47 | 0:21:51 | |
Ah! Guvnor, Bowens Bookshop is in Soho. | 0:22:21 | 0:22:26 | |
So why did Kevin Humphreys take photographs of the ATM next door? | 0:22:26 | 0:22:31 | |
-Maybe he was planning a particularly complex bit of graffiti. -On a cash point? | 0:22:31 | 0:22:35 | |
Now the photos look like they were studying the surroundings, you know, casing the joint. | 0:22:35 | 0:22:41 | |
-Maybe that's how he makes a living. -Photographing cash machines? | 0:22:41 | 0:22:44 | |
-No, robbing them. -Hang on. | 0:22:44 | 0:22:46 | |
Six or seven years ago, there was a spate of cash point raids. | 0:22:46 | 0:22:51 | |
The gang used oxyacetylene torches to cut round them and | 0:22:51 | 0:22:57 | |
then they'd drag the cash machine out of the wall using a big stolen 4 x 4. | 0:22:57 | 0:23:01 | |
Thing is, they used to spray anti-capitalist graffiti around the hole. | 0:23:03 | 0:23:07 | |
I think they did about half a dozen of them and then suddenly stopped | 0:23:07 | 0:23:11 | |
and if my memory serves, no-one was actually apprehended. | 0:23:11 | 0:23:15 | |
Yeah, here we are, no arrests. | 0:23:15 | 0:23:18 | |
-The last raid was March 2004. -About the time Danny became an artist and left The Maze Crew. | 0:23:18 | 0:23:23 | |
According to this, there were four gang members. | 0:23:23 | 0:23:27 | |
Oh, this is good - they were pursued by the police on one occasion | 0:23:27 | 0:23:31 | |
after an aborted raid but managed to get away | 0:23:31 | 0:23:34 | |
by running across some live rail tracks and then climbing up a four-storey building. | 0:23:34 | 0:23:38 | |
Sounds familiar. | 0:23:38 | 0:23:40 | |
-A Maze Crew MO. -So are we saying that apart from tagging walls | 0:23:40 | 0:23:45 | |
the Maze crew were ripping off cash point machines? | 0:23:45 | 0:23:49 | |
And then it all stopped when Danny left and the crew broke up, | 0:23:49 | 0:23:52 | |
but now maybe Kevin Humphreys and possibly Gail are back at it. | 0:23:52 | 0:23:56 | |
Yes, I think we are. | 0:23:56 | 0:23:58 | |
I'll make some calls. | 0:23:58 | 0:24:01 | |
Oh, I see. | 0:24:04 | 0:24:05 | |
No, we didn't know, sir. | 0:24:08 | 0:24:10 | |
Yes, that was checked. | 0:24:10 | 0:24:12 | |
Can you just bear with me for a second, please? | 0:24:16 | 0:24:19 | |
Brian, | 0:24:25 | 0:24:27 | |
-did anything come up when you did the intel on Kevin Humphreys? -Intel? | 0:24:27 | 0:24:31 | |
What intel? | 0:24:31 | 0:24:32 | |
I asked you to check the crew before we talked to them. | 0:24:32 | 0:24:36 | |
Do you know what, | 0:24:36 | 0:24:38 | |
-I forgot. -Yeah, because you're too distracted by bloody Twitter to do your job properly! | 0:24:39 | 0:24:45 | |
I'm really sorry, sir, there was an oversight on our part. | 0:24:52 | 0:24:55 | |
Yeah, yeah I understand. I feel exactly the same way. | 0:24:56 | 0:24:59 | |
Can you just hold on a second? What?! | 0:25:00 | 0:25:02 | |
Tell him the up side is Gerry's got some A1 intel. | 0:25:02 | 0:25:06 | |
I was about to. | 0:25:06 | 0:25:08 | |
There is some good news, sir. Gerry may have found some recon photos of a potential target. | 0:25:14 | 0:25:19 | |
So is Top Cop 999 going to mention this all action cock-up on his next update? | 0:25:19 | 0:25:25 | |
-I know, I messed up. -Oh, yes, Brian, you did. SO11 had Kevin Humphreys under surveillance | 0:25:26 | 0:25:32 | |
since a cash point raid in Charing Cross four weeks ago and they are not happy we've crashed their party! | 0:25:32 | 0:25:37 | |
I'm really sorry. | 0:25:37 | 0:25:40 | |
According to an informant, there's something planned for the 18th. | 0:25:43 | 0:25:46 | |
-The 18th, that's Friday! -Yes, Gerry and thanks to you they now know where. | 0:25:46 | 0:25:50 | |
So you're off the hook, Brian, but the next time I ask you to do something just bloody well do it! | 0:25:50 | 0:25:55 | |
So they want us to hold back on Kevin Humphreys until after the event? | 0:25:55 | 0:25:59 | |
No. Resources are stretched this weekend, so I'm heading up the operation. You're coming with me. | 0:25:59 | 0:26:04 | |
-Whoa, whoa, whoa, I've got plans. -Change them! | 0:26:04 | 0:26:07 | |
Way to go, Serpico. | 0:26:10 | 0:26:12 | |
Anything from your position? Over. | 0:26:36 | 0:26:38 | |
Nothing. Over. | 0:26:41 | 0:26:43 | |
-Here you go. -Oh, cheers, you keeping up? | 0:26:45 | 0:26:47 | |
Only just. I'm getting too old for this game. | 0:26:47 | 0:26:51 | |
Getting too old for making tea? | 0:26:52 | 0:26:54 | |
Thank you, was that?! | 0:26:55 | 0:26:57 | |
Don't even think about it! | 0:27:02 | 0:27:03 | |
What? | 0:27:03 | 0:27:05 | |
Oh, come on, Sandra I've got to stay connected to me followers! | 0:27:05 | 0:27:09 | |
-You can't do that! -I just have. | 0:27:10 | 0:27:12 | |
-This is infringing my human rights. -You listen to me Top Cop, I'm going to join Twitter | 0:27:13 | 0:27:17 | |
and tell all your followers what you're really like. Understand? | 0:27:17 | 0:27:21 | |
OK. | 0:27:22 | 0:27:24 | |
SO11 just made contact. They've lost the target. | 0:27:26 | 0:27:30 | |
They think he's on his way over. | 0:27:30 | 0:27:31 | |
-Over. -Received. Over. | 0:27:31 | 0:27:34 | |
-Huh, makes you laugh doesn't it, all we had was a pair of shin pads. -That's health and safety for you. | 0:27:36 | 0:27:42 | |
It's all risk assessment these days, innit? Still, I think we'll let them go in first, eh? | 0:27:42 | 0:27:46 | |
Be rude not to. Seeing as they're all dressed up for it. | 0:27:46 | 0:27:49 | |
Suspects approaching target. Over. | 0:28:00 | 0:28:03 | |
Stand still! Police! You're under arrest! | 0:28:18 | 0:28:21 | |
We've got a runner! | 0:28:21 | 0:28:23 | |
Move. I've got two men out there. | 0:28:23 | 0:28:25 | |
Stay where you are! Come here! | 0:28:25 | 0:28:28 | |
You're under arrest. | 0:28:30 | 0:28:31 | |
Whoa...ho-ho! | 0:28:32 | 0:28:34 | |
Nice one. | 0:28:40 | 0:28:41 | |
Do the words "caught" and "red-handed" spring to mind, Kevin? | 0:28:41 | 0:28:45 | |
-No comment. -You can sit there saying "no comment" all day long, Kevin, | 0:28:45 | 0:28:49 | |
but you're going down for that cash point raid. | 0:28:49 | 0:28:51 | |
It's all just a big act with you, isn't it? | 0:28:53 | 0:28:55 | |
You pretend you're about integrity and not selling out but in fact you're only interested in money. | 0:28:55 | 0:29:01 | |
-Is that why you killed Danny Tyler? -I didn't kill him! | 0:29:01 | 0:29:04 | |
Oh, come on, I reckon you two fell out over the money from the ATM raids | 0:29:04 | 0:29:09 | |
-that the old The Maze Crew did. -It never happened. -What didn't? -None of what he just said. | 0:29:09 | 0:29:13 | |
-There you go again. Lying to us. It's gotta stop, Kevin. -Where were you the night he died? | 0:29:13 | 0:29:17 | |
I told you lot before, I was with my old man. | 0:29:17 | 0:29:21 | |
God rest his soul. | 0:29:21 | 0:29:22 | |
Did you hate Danny for stealing away Gail? | 0:29:24 | 0:29:27 | |
After all you'd done for him, he betrays you over a woman. Broke up the crew. Tossed you aside. | 0:29:28 | 0:29:33 | |
-Talk about disrespect. -Sounds as if he had it coming. | 0:29:33 | 0:29:36 | |
-He made you look like a mug. -Got her back now though, don't I? -Is that why you killed him? To get her back? | 0:29:36 | 0:29:41 | |
You should be interrogating Jason Bishop, he was the one that hated Danny. | 0:29:41 | 0:29:45 | |
I never did nothing to him, you hear? Nothing! | 0:29:45 | 0:29:48 | |
Why would Jason hate Danny? | 0:29:49 | 0:29:50 | |
Co-operate now and it will look good for you in court. | 0:29:53 | 0:29:57 | |
Jason reckoned Danny stole his graffiti style. | 0:30:06 | 0:30:09 | |
-And then got rich and famous. -That's right. | 0:30:09 | 0:30:12 | |
But they were friends until he died. | 0:30:12 | 0:30:14 | |
Jason worked out of his studio. Why would he do that if he hated him? | 0:30:14 | 0:30:18 | |
Because all Jason ever wanted was to be famous. Danny said he'd share the limelight with him. | 0:30:18 | 0:30:23 | |
Maybe Jason got fed up of waiting. | 0:30:24 | 0:30:27 | |
LOUD MUSIC | 0:30:27 | 0:30:29 | |
Jason! | 0:30:40 | 0:30:41 | |
Oi, Konz! | 0:30:42 | 0:30:44 | |
-What do you want? -A few questions, won't take long. -Let's hear 'em, then. | 0:30:54 | 0:31:00 | |
How did you feel about Danny stealing your graffiti style? | 0:31:00 | 0:31:04 | |
Everybody steals from everybody else in graffiti. That's how it works. | 0:31:04 | 0:31:09 | |
You see something you like, you borrow it. Pay homage. | 0:31:09 | 0:31:12 | |
-We always influenced each other. -Only he got famous and all the money. | 0:31:12 | 0:31:17 | |
-Danny had a lucky break. -Weren't you bitter about that? | 0:31:17 | 0:31:20 | |
No way. It was Danny's idea that I have some space in his studio in the first place. | 0:31:21 | 0:31:26 | |
He said that way people that were coming to see him would also get to see my work or hear my music. | 0:31:26 | 0:31:32 | |
He was helping me. | 0:31:32 | 0:31:34 | |
We was gonna be stars together. | 0:31:35 | 0:31:37 | |
Come along if you like. It's gonna be a banging night. | 0:31:42 | 0:31:46 | |
We know about the ATM raids. | 0:31:46 | 0:31:49 | |
No idea what you're talking about. | 0:31:49 | 0:31:51 | |
Kevin's been charged. | 0:31:51 | 0:31:52 | |
-That's nothing to do with me. -Oh, come on, | 0:31:52 | 0:31:55 | |
the Maze Crew were doing more than a spot of al fresco decoration. | 0:31:55 | 0:31:59 | |
They were at it and these were serious jobs. | 0:31:59 | 0:32:02 | |
Not when I was in it. | 0:32:02 | 0:32:05 | |
Grab your coat, Top Cop, you're off the bench. Forensics pulled a print off Jack's car. | 0:32:07 | 0:32:12 | |
-There's a match on the database. -Oh, what's his name? | 0:32:12 | 0:32:15 | |
Shane Evens, lives in Wembley. Come on. | 0:32:15 | 0:32:18 | |
Arrow looks familiar. | 0:32:32 | 0:32:34 | |
Yeah, very deja vu. | 0:32:34 | 0:32:36 | |
Come back later. | 0:32:46 | 0:32:48 | |
-Shane Evens? -Nah, wrong floor. He lives on two. | 0:33:01 | 0:33:05 | |
-Get off me! -We just want to talk to you. | 0:33:07 | 0:33:11 | |
We know it's you on the CCTV. | 0:33:12 | 0:33:14 | |
Congratulations, Shane, you're now our prime suspect in the murder of Danny Tyler. | 0:33:14 | 0:33:19 | |
Which means that life as you know it is over. | 0:33:19 | 0:33:22 | |
Give me one good reason why I shouldn't charge you right now. | 0:33:22 | 0:33:26 | |
Look, I never even met the bloke, let alone killed him. | 0:33:27 | 0:33:32 | |
So why do you go around spraying graffiti claiming that you did? | 0:33:32 | 0:33:35 | |
Some posh bird with a nose stud gave me 400 quid to do it, all right. | 0:33:42 | 0:33:48 | |
Hello. | 0:33:50 | 0:33:52 | |
If you've come about An Eye For An Eye, it's been sold but I've got another piece I think you'll love. | 0:33:52 | 0:33:57 | |
Detective Superintendent Pullman, we're not buying. | 0:33:57 | 0:34:01 | |
Does the name Shane Evens mean anything to you? | 0:34:01 | 0:34:03 | |
Should it do? | 0:34:03 | 0:34:06 | |
How about Redux? | 0:34:06 | 0:34:07 | |
-That's his tag. -Sorry, I've never heard of him. Is he an artist? | 0:34:07 | 0:34:10 | |
Depends on your definition. | 0:34:10 | 0:34:12 | |
He says that you paid him to go around central London spraying "I Killed Flak". | 0:34:12 | 0:34:16 | |
Me? | 0:34:16 | 0:34:18 | |
-Why on earth would I do that? -You tell us. | 0:34:18 | 0:34:21 | |
And just to be clear, lying now would be a serious misjudgement of the situation. | 0:34:21 | 0:34:27 | |
-OK, I can explain. -Good. | 0:34:28 | 0:34:30 | |
I hired Shane to do the graffiti | 0:34:31 | 0:34:35 | |
in order to hype up the media profile on Flak before the sale. | 0:34:35 | 0:34:39 | |
So it was just an advertising stunt? | 0:34:39 | 0:34:41 | |
Yes, absolutely. What else would it be? | 0:34:41 | 0:34:43 | |
Well, you don't think I actually killed him. | 0:34:45 | 0:34:48 | |
Did you? | 0:34:48 | 0:34:49 | |
No, of course not. | 0:34:49 | 0:34:52 | |
Danny and I were great friends. | 0:34:52 | 0:34:55 | |
His death came as a terrible shock to me. | 0:34:55 | 0:34:58 | |
And what was your final conversation like? | 0:34:59 | 0:35:01 | |
Not pleasant. | 0:35:01 | 0:35:03 | |
-We argued. -About? | 0:35:04 | 0:35:06 | |
-I'd rather not go into it. -You waste valuable police time and you've hired a vandal | 0:35:06 | 0:35:11 | |
to deface public property, which - surprise, surprise - is against the law. | 0:35:11 | 0:35:16 | |
Not to mention how you've made his poor father feel, dredging all this lot up again. | 0:35:16 | 0:35:19 | |
So tell us what we want to know before I decide to arrest you. | 0:35:19 | 0:35:23 | |
I'd gone to his studio while Danny was abroad to collect some works and, um, | 0:35:23 | 0:35:30 | |
I saw a new piece. | 0:35:30 | 0:35:32 | |
It was different, | 0:35:32 | 0:35:35 | |
he'd used brushes instead of aerosols but I liked it a lot | 0:35:35 | 0:35:38 | |
and, um I knew that it would fetch a lot of money. So, I took it along with the others. | 0:35:38 | 0:35:44 | |
Anyway, a fortnight later | 0:35:46 | 0:35:48 | |
when Danny got back and saw that it was gone and had been sold | 0:35:48 | 0:35:53 | |
-he told me it was never meant for public consumption. -And you fell out about it? -Yes. | 0:35:53 | 0:35:58 | |
He stormed out of the gallery and that was the last I saw of him. | 0:35:58 | 0:36:02 | |
A week later he was dead. | 0:36:04 | 0:36:05 | |
What was your cut? | 0:36:05 | 0:36:08 | |
50%. | 0:36:08 | 0:36:09 | |
Blimey! | 0:36:09 | 0:36:11 | |
It's standard. | 0:36:11 | 0:36:13 | |
Where did it end up? | 0:36:13 | 0:36:15 | |
Well, let me check my records. | 0:36:15 | 0:36:18 | |
Er, the painting was called Canvas One. | 0:36:24 | 0:36:27 | |
Bought by Benedict Savage. | 0:36:27 | 0:36:29 | |
He's a dealer. | 0:36:30 | 0:36:31 | |
Actually I've got a photograph of it. Would you like to see it? | 0:36:31 | 0:36:35 | |
-Please. -I always keep a visual record on file of every piece I handle. | 0:36:35 | 0:36:41 | |
That's odd. The photo's not here. | 0:36:45 | 0:36:48 | |
-There was a break-in. -When? | 0:36:50 | 0:36:53 | |
A few months after Danny's death. Weird thing was they didn't take anything, | 0:36:55 | 0:36:59 | |
just forced open all the filing cabinets and rifled through them. | 0:36:59 | 0:37:04 | |
How did they get into the gallery? | 0:37:06 | 0:37:08 | |
RAPPING: Bad karma kill, like a three dollar bill | 0:37:13 | 0:37:16 | |
Most of them hacks, end up dead on the tracks... | 0:37:16 | 0:37:19 | |
What's that? | 0:37:19 | 0:37:20 | |
That is Jason Bishop. | 0:37:20 | 0:37:23 | |
What the hell's he talking about? | 0:37:23 | 0:37:25 | |
Well, what he was saying is that if you do wrong you've got to pay for it. | 0:37:25 | 0:37:30 | |
The hacks get slaughtered either on the tracks of the music or, | 0:37:30 | 0:37:34 | |
more literally, end up dead on the railway tracks. | 0:37:34 | 0:37:37 | |
RAPPING: Who cares if you got rich | 0:37:39 | 0:37:41 | |
Now you's dead on my track... | 0:37:45 | 0:37:46 | |
Now, the needle is the stylus, which means that the song is honest. | 0:37:46 | 0:37:50 | |
Unlike the freestyle, which is graffiti, which is not the real deal | 0:37:50 | 0:37:54 | |
because the style's been nicked. | 0:37:54 | 0:37:56 | |
SHE CHUCKLES | 0:37:56 | 0:37:58 | |
I've got kids! | 0:37:58 | 0:38:00 | |
-When was it recorded? -2008. | 0:38:00 | 0:38:03 | |
So much for everybody steals from everybody else in graffiti, then. | 0:38:03 | 0:38:07 | |
It's got to be about Danny. | 0:38:07 | 0:38:09 | |
-Sounds like it, but it doesn't mean he killed him. -Just wanted to. | 0:38:09 | 0:38:14 | |
He's only had 326 visitors to this site so he's hardly going to bother the charts. | 0:38:14 | 0:38:18 | |
-Click on that. -Oh, well. | 0:38:18 | 0:38:20 | |
"Two or three venues a night!" He's lucky if he gets three a month. | 0:38:20 | 0:38:24 | |
I had to pick up one of the girls from there. It's tiny. | 0:38:24 | 0:38:27 | |
Hardly room to swing a hamster, let alone a cat. | 0:38:27 | 0:38:30 | |
-That can't pay him much, can it? -No, it's 100 quid a night at the best. | 0:38:30 | 0:38:34 | |
I think we ought to look into his finances. | 0:38:34 | 0:38:37 | |
He has his own record label, runs a 50-grand motor and a high-end website, and they don't come cheap. | 0:38:37 | 0:38:42 | |
No, they don't. | 0:38:42 | 0:38:44 | |
So where's all the cash coming from to pay for all this, then? | 0:38:44 | 0:38:47 | |
-PHONE RINGS -Breaking in through the gallery skylight | 0:38:47 | 0:38:52 | |
is exactly the kind of stunt that the Maze Crew would pull. | 0:38:52 | 0:38:55 | |
So maybe Danny wasn't the only one who didn't want the painting being seen. | 0:38:55 | 0:39:00 | |
Which begs the question, why not? What's in it? | 0:39:00 | 0:39:03 | |
Hi, yeah, it's Gerry Standing down at UCOS. | 0:39:03 | 0:39:06 | |
Could you run a vehicle through the PNC for us, all right? | 0:39:06 | 0:39:10 | |
Yeah, it's a black Range Rover. | 0:39:10 | 0:39:11 | |
Kilo, Oscar, November, Zulu | 0:39:11 | 0:39:14 | |
and it's one single digit, the number one. | 0:39:14 | 0:39:17 | |
Yeah, thanks. | 0:39:17 | 0:39:19 | |
Yeah... | 0:39:22 | 0:39:23 | |
This website is owned by TWZ Ltd. | 0:39:25 | 0:39:30 | |
And that's on the flyer as well. It could be possible... | 0:39:30 | 0:39:34 | |
Yeah? | 0:39:34 | 0:39:36 | |
Huh. Brilliant, thanks very much. | 0:39:36 | 0:39:39 | |
Jason Bishop drives a company car owned by... | 0:39:41 | 0:39:45 | |
-TWZ. -Pre-xactly. | 0:39:45 | 0:39:48 | |
So is Jason Bishop an employee of TWZ or is TWZ his own company? | 0:39:48 | 0:39:53 | |
I'll check with Companies House. | 0:39:53 | 0:39:56 | |
That was Benedict Savages's assistant. | 0:39:56 | 0:39:58 | |
Canvas One was, as Sara Hamlyn thought, purchased for a third party. | 0:39:58 | 0:40:02 | |
-Do we know who? -Yeah, Sir David Bryant. We met him at that exhibition the other evening. | 0:40:02 | 0:40:07 | |
-He told me that he'd been an early supporter of Danny's work. -Here we go, TWZ Ltd. | 0:40:07 | 0:40:12 | |
Registered office 52 Fanchurch Road. Er, status active. | 0:40:12 | 0:40:17 | |
Date of incorporation, 25/10/2006. | 0:40:17 | 0:40:22 | |
Ooh, interesting. According to their last annual return, | 0:40:22 | 0:40:27 | |
TWZ has two directors - Jason Bishop and Sir David Bryant. | 0:40:27 | 0:40:32 | |
Incorporated in October 2006, you say? | 0:40:32 | 0:40:35 | |
-Yeah. -Five months after Danny died. | 0:40:35 | 0:40:38 | |
Do millionaire art collector Sir David Bryant | 0:40:38 | 0:40:40 | |
and third division DJ Jason Bishop seem like natural bedfellows to you? | 0:40:40 | 0:40:45 | |
-Not at all. -Me neither. | 0:40:45 | 0:40:47 | |
-Is this the right address? -Yes. -Are you sure? | 0:40:49 | 0:40:53 | |
Yes! | 0:40:53 | 0:40:55 | |
You've got to rob an awful lot of cash machines to afford a gaff like this! | 0:40:55 | 0:40:59 | |
Yeah, I reckon we've bagged ourselves a major criminal here. | 0:40:59 | 0:41:02 | |
A Mr Big. | 0:41:02 | 0:41:04 | |
This DJ thing's just a front. | 0:41:04 | 0:41:06 | |
No wonder he doesn't have many bookings. | 0:41:06 | 0:41:09 | |
Well, you remember what Balzac said. | 0:41:09 | 0:41:11 | |
"Behind every great fortune there's a crime." | 0:41:11 | 0:41:14 | |
Morning. | 0:41:14 | 0:41:17 | |
I ain't got time for this now. | 0:41:17 | 0:41:19 | |
Make time! | 0:41:19 | 0:41:22 | |
Come on in. | 0:41:22 | 0:41:23 | |
And they say crime doesn't pay. | 0:41:25 | 0:41:27 | |
Yeah. We're going to have to get a warrant and turn this place over. | 0:41:27 | 0:41:31 | |
-Definitely. -Why would you do that? | 0:41:31 | 0:41:33 | |
Because you're obviously living off illicit earnings. | 0:41:33 | 0:41:35 | |
There's no way you could pay for this being a DJ - and not a very successful one either. | 0:41:35 | 0:41:40 | |
-We're onto you, son. -Look, you'd be wasting your time turning this place over. It's not even mine. | 0:41:40 | 0:41:45 | |
Whose is it, then? | 0:41:45 | 0:41:47 | |
-Me parents' house, all right? -Oh! | 0:41:47 | 0:41:50 | |
Oh, let's get this straight. | 0:41:50 | 0:41:52 | |
So you're not only a mockney, you live with Mummy and Daddy! | 0:41:52 | 0:41:56 | |
Big house. And they're abroad most of the time. Be stupid not to. | 0:41:56 | 0:42:00 | |
Don't do your street cred much good, does it?! | 0:42:00 | 0:42:03 | |
Whatever you say, granddad! | 0:42:03 | 0:42:05 | |
Tell us about your business relationship with Sir David Bryant. | 0:42:06 | 0:42:10 | |
-We're partners. -How come? | 0:42:10 | 0:42:12 | |
Met him at Danny's memorial. We got talking. | 0:42:12 | 0:42:15 | |
Turns out I was at school with his son. | 0:42:15 | 0:42:18 | |
Bit of a clubber, as it happens. | 0:42:18 | 0:42:20 | |
Where - Eton, Harrow? | 0:42:20 | 0:42:22 | |
Westminster, actually. | 0:42:22 | 0:42:25 | |
Anyway after the memorial I sent Sir David some tracks and mixes that I'd been working on. | 0:42:25 | 0:42:30 | |
He liked what he heard. So we formed TWZ. | 0:42:30 | 0:42:33 | |
What, tracks like Bad Karma Kill? | 0:42:33 | 0:42:37 | |
-That your favourite, is it? -Well, the lyrics are very telling. -Sounds almost like a confession. | 0:42:37 | 0:42:42 | |
-To what? -Murder. | 0:42:42 | 0:42:45 | |
Give me a break! | 0:42:45 | 0:42:48 | |
Only a total moron would write a song about how they'd killed someone, if they actually had. | 0:42:48 | 0:42:53 | |
-And, like I keep telling ya, Danny was a mate. -Bollocks! | 0:42:53 | 0:42:57 | |
You were jealous of him and you were bitter cos you think he'd nicked your style. | 0:42:57 | 0:43:02 | |
The only reason you hung around with him was to get famous. You used him. | 0:43:02 | 0:43:07 | |
Well, it's not like I was the only one. | 0:43:07 | 0:43:09 | |
You should have seen Gail pushing him to be more commercial. | 0:43:09 | 0:43:12 | |
Great big pound signs in her eyes. | 0:43:12 | 0:43:14 | |
Bottom line is everyone wanted a piece of Danny. | 0:43:14 | 0:43:18 | |
-What, even Kevin Humphreys? -Kevin was the worst! | 0:43:18 | 0:43:21 | |
I wouldn't be surprised if he told Gail to hook up with Danny. | 0:43:21 | 0:43:24 | |
-Why would he do that? -For money. | 0:43:24 | 0:43:26 | |
Look, Kevin freaked out once he realised that Danny was going to make it big and bail on the crew. | 0:43:26 | 0:43:31 | |
The next thing you know, Gail's shacked up with Danny and Kevin's all chilled out about it. | 0:43:33 | 0:43:37 | |
-Which is totally out of character. -So how would Kevin make money? | 0:43:37 | 0:43:42 | |
Danny was in love with Gail from the moment that he met her, all right? | 0:43:42 | 0:43:45 | |
She could run rings around him. | 0:43:45 | 0:43:47 | |
Whatever cash he earned, she made sure she got her share. | 0:43:47 | 0:43:51 | |
And you think she was kicking some of it back to Kevin? | 0:43:51 | 0:43:54 | |
Why wouldn't she keep it for herself? | 0:43:54 | 0:43:57 | |
Because Kevin could get her to do anything he wanted, | 0:43:57 | 0:43:59 | |
like he'd used some Jedi mind trick on her. | 0:43:59 | 0:44:02 | |
How much are we talking about? | 0:44:02 | 0:44:04 | |
When Danny died, he had about 90 grand in his bank account. | 0:44:04 | 0:44:08 | |
But I know for a fact that he'd sold at least a million quid's worth of art in his final year. | 0:44:08 | 0:44:14 | |
Even after you take away the galleries' cut, taxes and whatever he spent on living, | 0:44:14 | 0:44:20 | |
there's still a couple of hundred thousand there that's just vanished. | 0:44:20 | 0:44:25 | |
Not too shabby. | 0:44:25 | 0:44:27 | |
Yeah, I wouldn't fancy the council tax. | 0:44:27 | 0:44:29 | |
Oh, look - that's us! | 0:44:30 | 0:44:32 | |
Tradesmen's entrance! | 0:44:33 | 0:44:36 | |
-Can I help? -Detective Superintendant Pullman from the Unsolved Crime and Open Case Squad. | 0:44:36 | 0:44:40 | |
-We'd like to speak with your husband, if we may. -What about? | 0:44:40 | 0:44:44 | |
-We're investigating the murder of Danny Tyler. -Don't I know you? | 0:44:44 | 0:44:49 | |
-Yeah, we met the other evening at The Hamlyn Gallery. -Oh. | 0:44:49 | 0:44:53 | |
Thank you. | 0:44:54 | 0:44:56 | |
What made you go into business with Jason Bishop? | 0:44:58 | 0:45:02 | |
He seemed like a driven young man, so I invested in him. | 0:45:02 | 0:45:05 | |
My husband likes to encourage young artists and entrepreneurs. | 0:45:05 | 0:45:09 | |
When was the last time that you saw or spoke to Danny? | 0:45:09 | 0:45:13 | |
I bumped into him at a party about, well, a few days before his death. | 0:45:13 | 0:45:18 | |
-Did you have a conversation? -Of course. | 0:45:18 | 0:45:20 | |
-I'd just bought a painting of his, we were discussing it. -Canvas One? | 0:45:20 | 0:45:23 | |
-Yeah. -Do you still own it? -Yeah. | 0:45:23 | 0:45:26 | |
-Can we see it? -It no longer hangs in the study...unfortunately. | 0:45:26 | 0:45:32 | |
These days we keep the good stuff in storage. | 0:45:33 | 0:45:35 | |
We think that its content might be relevant to our investigation. | 0:45:37 | 0:45:40 | |
-Can you describe it to us? -Well... | 0:45:40 | 0:45:43 | |
The painting depicts Danny kissing a girl while his gang | 0:45:43 | 0:45:47 | |
spray graffiti around a hole in the wall that used to house a cash point. | 0:45:47 | 0:45:51 | |
-In that case, we'll need to see it as soon as possible. -I'll call the warehouse. | 0:45:51 | 0:45:56 | |
-Tell them to expect you. -Thank you. | 0:45:56 | 0:45:59 | |
-PHONE RINGS -Gerry. Just leaving. How'd it go? | 0:45:59 | 0:46:03 | |
Why didn't you sell Canvas One along with the rest of his work? | 0:46:03 | 0:46:09 | |
Because it was the final piece he ever produced. | 0:46:09 | 0:46:12 | |
Which makes it perhaps the most important. | 0:46:12 | 0:46:15 | |
-I think you'll like it. -Why's that? | 0:46:15 | 0:46:17 | |
Because it's a thing of sad beauty. | 0:46:17 | 0:46:20 | |
Cheers. | 0:46:25 | 0:46:26 | |
-Canvas One. -That's it. | 0:46:35 | 0:46:37 | |
Put into storage 16th May 2006. | 0:46:39 | 0:46:42 | |
A fortnight after the murder. | 0:46:42 | 0:46:44 | |
This way. | 0:46:46 | 0:46:47 | |
-Take your time. -Thank you. | 0:47:01 | 0:47:03 | |
It's pretty incriminating. | 0:47:05 | 0:47:07 | |
No wonder Danny didn't want anyone else to see it. | 0:47:07 | 0:47:10 | |
And I'm guessing neither did Kevin Humphreys, Gail Shaw or Jason Bish... | 0:47:10 | 0:47:13 | |
Is that blood on the canvas? | 0:47:16 | 0:47:18 | |
-Looks like it. -We'll fast-track that through Forensics. | 0:47:18 | 0:47:21 | |
Danny could paint a picture, I'll say that for him. | 0:47:21 | 0:47:23 | |
Hang on a minute... | 0:47:25 | 0:47:27 | |
Gerry said that Kevin might have persuaded Gail | 0:47:27 | 0:47:29 | |
to have an affair with Danny because Danny was getting famous, | 0:47:29 | 0:47:32 | |
-that they wanted his money. -Mmm. | 0:47:32 | 0:47:34 | |
Now...if you look, Danny's eyes are closed but Gail is looking at Kevin. | 0:47:35 | 0:47:41 | |
This picture's not about love. It's about betrayal. | 0:47:42 | 0:47:45 | |
Danny sussed what they were up to and he painted it. | 0:47:45 | 0:47:48 | |
Mr Tyler. | 0:47:55 | 0:47:56 | |
I thought you should see this. Could help your investigation. | 0:48:00 | 0:48:04 | |
Did he know that you collected all his cuttings? | 0:48:04 | 0:48:07 | |
No. | 0:48:07 | 0:48:08 | |
Thank you. | 0:48:08 | 0:48:10 | |
Thank you. | 0:48:13 | 0:48:15 | |
HE TAPS KEYS ON LAPTOP | 0:48:33 | 0:48:35 | |
You better not be tweeting. | 0:48:38 | 0:48:40 | |
I'm not. | 0:48:40 | 0:48:41 | |
Top Cop 999 is no more. | 0:48:41 | 0:48:44 | |
Oh, why's that? | 0:48:44 | 0:48:47 | |
Because last night Dave The Fish said I was dull. | 0:48:48 | 0:48:52 | |
Sandra! | 0:48:52 | 0:48:54 | |
I've quit, Jack, end of story. | 0:48:54 | 0:48:57 | |
-What? -Ten months before Danny was murdered, there was an article in the Telegraph | 0:48:57 | 0:49:02 | |
claiming that Sir David Bryant was on the verge of bankruptcy after a series of bad investments. | 0:49:02 | 0:49:07 | |
It says here he even put his Eaton Square house up for sale. | 0:49:07 | 0:49:11 | |
Something must have changed for the better or they still wouldn't be living there. | 0:49:11 | 0:49:14 | |
He told me that he'd sold his collection of Danny's work. | 0:49:14 | 0:49:17 | |
And Danny's death sent the prices rocketing. | 0:49:17 | 0:49:19 | |
Call Sara Hamlyn, see what she can tell us about what he bought, | 0:49:19 | 0:49:24 | |
what he paid for it, when he sold it and how much for. | 0:49:24 | 0:49:28 | |
You've got something. | 0:49:28 | 0:49:30 | |
The blood on the painting was AB negative, | 0:49:30 | 0:49:33 | |
which, as you all well know, is very, very rare. | 0:49:33 | 0:49:36 | |
-Less than 1% of the population has it. -What was Danny's blood type? | 0:49:36 | 0:49:40 | |
-AB negative. -Yes! -Oh, no, it gets better than that. | 0:49:40 | 0:49:44 | |
The forensics have found an undetectable-to-the-naked-eye blood spatter pattern. | 0:49:44 | 0:49:49 | |
Engaged, no answer-phone. | 0:49:49 | 0:49:52 | |
Yeah, it says here. | 0:49:52 | 0:49:54 | |
"It's a medium-velocity blood spatter which is in keeping with an impact from a blunt object." | 0:49:55 | 0:50:01 | |
You see, lines of the path of each bloodstain converge | 0:50:02 | 0:50:07 | |
and that puts the body eight feet away from the painting. | 0:50:07 | 0:50:10 | |
So where was the painting when he was hit? | 0:50:10 | 0:50:13 | |
According to Sir David, before it went into storage, hanging in the study. | 0:50:13 | 0:50:17 | |
I'll try and track down the estate agent who dealt with the house. | 0:50:17 | 0:50:20 | |
Jack, keep hassling Sara Hamlyn until we get some figures. | 0:50:20 | 0:50:23 | |
Sara Hamlyn said that Sir David sold the majority of his Flak collection for more than £4 million, | 0:50:28 | 0:50:35 | |
just about a year after Danny died, leaving him with a profit of at least 3 million. | 0:50:35 | 0:50:40 | |
That much? | 0:50:40 | 0:50:43 | |
There's his motive. I'll get a search warrant. | 0:50:43 | 0:50:46 | |
Where were you on the night Danny Tyler was murdered? | 0:50:50 | 0:50:53 | |
I was at home with my wife. | 0:50:53 | 0:50:55 | |
Was the painting known as Canvas One hanging in your study at that time? | 0:50:55 | 0:50:58 | |
I'm not sure. I'd have to check. | 0:50:58 | 0:51:01 | |
-Did you like it? -Yes. | 0:51:01 | 0:51:04 | |
We have a copy of the bill stating that Canvas One was taken | 0:51:04 | 0:51:08 | |
from your study and placed into storage a fortnight after Danny's death. | 0:51:08 | 0:51:12 | |
Well, then, I guess that's where it was. | 0:51:14 | 0:51:16 | |
Forensics found AB negative blood on the painting. | 0:51:17 | 0:51:21 | |
It's the rarest type, which Danny Tyler just happened to have. How do you think it got there? | 0:51:21 | 0:51:25 | |
Well, if it IS Danny's blood, it must have got there while he was painting it. | 0:51:26 | 0:51:31 | |
No, it's the wrong sort of spatter pattern. It's there from the head injury that killed him. | 0:51:31 | 0:51:36 | |
KNOCK ON DOOR | 0:51:36 | 0:51:38 | |
Guv'nor, we've found something! | 0:51:39 | 0:51:41 | |
That is the photo stolen from Sara Hamlyn's gallery. | 0:51:44 | 0:51:47 | |
-You dragged me out of an interview for this? -Read it. | 0:51:47 | 0:51:50 | |
"You know what you did to Danny, call this number now." | 0:51:51 | 0:51:55 | |
-Blackmail. -Now, that is an unregistered pay-as-you-go mobile, | 0:51:55 | 0:51:59 | |
and this is Sir David's. And he got a text from that number yesterday. | 0:51:59 | 0:52:03 | |
"100K in the bin by the Victorian Topiary, Battersea Park, | 0:52:04 | 0:52:09 | |
-"4pm tomorrow." -Well, that gives us 50 minutes. | 0:52:09 | 0:52:12 | |
-Did he respond? -"OK." | 0:52:12 | 0:52:15 | |
Right, text this back. Unavoidable change of plans, drop-off will be made by trusted employee of mine. | 0:52:15 | 0:52:21 | |
D'you think you could write that down? | 0:52:21 | 0:52:24 | |
None of this was my idea, OK? | 0:52:41 | 0:52:45 | |
Kev broke into the gallery and stole the photo of Canvas One. Then he sent it to Sir David. | 0:52:45 | 0:52:50 | |
HE'S been blackmailing him, not me. I only went to the pick-up | 0:52:51 | 0:52:55 | |
because I know what Kev will do to me if he gets out and finds that money ain't been collected. | 0:52:55 | 0:52:59 | |
Why that particular photograph? | 0:52:59 | 0:53:02 | |
Because Canvas One's what Danny went to see Sir David about the night he was killed. | 0:53:02 | 0:53:05 | |
And Kev wanted him to know that he knew that. | 0:53:05 | 0:53:08 | |
-And Sir David paid up? -Not right away. | 0:53:08 | 0:53:11 | |
It took a few more anonymous notes, but after a couple of weeks Kev managed to get 20,000 out of him. | 0:53:11 | 0:53:17 | |
And how much has he paid out in total, not including today? | 0:53:17 | 0:53:22 | |
He never said the exact amount, but it's a lot. | 0:53:22 | 0:53:26 | |
We're talking hundreds of thousands. | 0:53:26 | 0:53:28 | |
You let Kevin think he was in control of you, just like you let Danny think that you were in love with him. | 0:53:36 | 0:53:41 | |
You played them both and now you're trying to play us. | 0:53:41 | 0:53:44 | |
No. Kev used me. Manipulated me. | 0:53:44 | 0:53:47 | |
Oh, come off it, Gail, you're not the victim here. | 0:53:47 | 0:53:50 | |
You blackmailed Sir David and Kevin knew nothing about it. | 0:53:50 | 0:53:52 | |
I had nothing to do with the blackmailing, that was all him. | 0:53:52 | 0:53:55 | |
So how come your fingerprints are on this photograph but not Kevin's, | 0:53:55 | 0:53:59 | |
and the last text demanding money was sent after his arrest? | 0:53:59 | 0:54:05 | |
Nobody shells out that amount of cash unless they're guilty. | 0:54:09 | 0:54:13 | |
We've got a bit of time yet before we have to charge him | 0:54:13 | 0:54:16 | |
so why don't we go and see what Lady Bryant has to say. | 0:54:16 | 0:54:19 | |
Good-looking bird. | 0:54:21 | 0:54:24 | |
There was blood on Canvas One. | 0:54:24 | 0:54:26 | |
The DNA will prove it was Danny's and that he was killed in Sir David's study. | 0:54:26 | 0:54:30 | |
We know that he did it. | 0:54:30 | 0:54:32 | |
My husband is many things but he's not a murderer. | 0:54:32 | 0:54:35 | |
So why pay out hundreds of thousands in bribery money? | 0:54:35 | 0:54:39 | |
-I'm not aware that we HAVE done. -You were in the house when Danny was killed. | 0:54:39 | 0:54:43 | |
By lying to us, you're conspiring to pervert the course of justice, which carries a custodial sentence. | 0:54:43 | 0:54:48 | |
Now, are you really willing to go to jail | 0:54:48 | 0:54:51 | |
for a man who treats you so callously? | 0:54:51 | 0:54:53 | |
I'm not lying to you. | 0:54:53 | 0:54:56 | |
How old are those scars? | 0:54:57 | 0:54:59 | |
We'll find out, one way or another. | 0:55:02 | 0:55:05 | |
Two years. | 0:55:07 | 0:55:09 | |
All right... | 0:55:12 | 0:55:13 | |
did YOU kill him, Catherine? | 0:55:13 | 0:55:16 | |
For the tape, the suspect has nodded. | 0:55:23 | 0:55:26 | |
What happened? | 0:55:29 | 0:55:31 | |
Danny was big and drunk and angry | 0:55:33 | 0:55:35 | |
and he was going to kill David. | 0:55:35 | 0:55:38 | |
He kept punching him over and over, yelling at him to give back his painting. | 0:55:39 | 0:55:43 | |
-I had to stop him. -So what did you do? | 0:55:43 | 0:55:46 | |
I hit him with a bronze. | 0:55:46 | 0:55:49 | |
I can still hear the noise he made as he fell. | 0:55:51 | 0:55:54 | |
This awful, high-pitched whine. | 0:55:54 | 0:55:58 | |
Why didn't you call the police? | 0:55:58 | 0:56:00 | |
It dawned on me that people might think | 0:56:00 | 0:56:02 | |
we'd murdered him for the money and then made it look like self-defence. | 0:56:02 | 0:56:06 | |
-Because your husband was on the verge of bankruptcy? -Yes. | 0:56:06 | 0:56:09 | |
Danny's death saved us and damned us all at once. | 0:56:09 | 0:56:14 | |
Who made the decision not to make that call? | 0:56:14 | 0:56:16 | |
-I -did. | 0:56:16 | 0:56:18 | |
I made all of the decisions. I had to. | 0:56:18 | 0:56:21 | |
David was in no fit state, not after the beating he'd taken and the amount he'd drunk. | 0:56:21 | 0:56:26 | |
-I told myself that for us to survive I had to dump the body and that's what I did. -All on your own? -Yes. | 0:56:26 | 0:56:32 | |
-He was six foot and weighed 13 stone! -I'm stronger than I look. | 0:56:32 | 0:56:36 | |
-You're lying to protect your husband. -I'm telling you the truth. | 0:56:36 | 0:56:40 | |
I don't think so. | 0:56:40 | 0:56:41 | |
So what happened when Sir David sobered up? | 0:56:45 | 0:56:48 | |
He said we should have called the police and let the chips fall. | 0:56:48 | 0:56:52 | |
He was right, but by then it was too late, the body had already been found. | 0:56:52 | 0:56:57 | |
We spent the next few months waiting for the police to knock at our door but they never did. | 0:56:57 | 0:57:03 | |
Then the photograph of Canvas One arrived. | 0:57:03 | 0:57:06 | |
It seemed at least one other person knew that Danny was coming to see us that night | 0:57:06 | 0:57:10 | |
but, as you know, all they wanted was money. | 0:57:10 | 0:57:13 | |
The worst thing has been the getting away with it. | 0:57:17 | 0:57:21 | |
You wouldn't think that would be so hard to live with, | 0:57:21 | 0:57:25 | |
but it is. | 0:57:25 | 0:57:27 | |
There have been days when I couldn't. | 0:57:29 | 0:57:32 | |
-Thank you. -All part of the service. | 0:57:47 | 0:57:50 | |
You know, that really does look like you. | 0:57:50 | 0:57:54 | |
-A gift from Sara Hamlyn. -Nice of her. | 0:57:55 | 0:57:58 | |
-I -used to do a spot of painting. | 0:58:02 | 0:58:05 | |
-Really? -Oh, yeah. | 0:58:05 | 0:58:07 | |
Mostly landscapes... | 0:58:08 | 0:58:10 | |
and nudes. | 0:58:10 | 0:58:13 | |
Don't even go there, Gerry. HE CHUCKLES | 0:58:13 | 0:58:16 | |
# It's all right, it's OK | 0:58:16 | 0:58:19 | |
# Doesn't really matter if you're old and grey | 0:58:19 | 0:58:22 | |
# It's all right, I say, it's OK | 0:58:22 | 0:58:24 | |
# Listen to what I say | 0:58:24 | 0:58:27 | |
# It's all right, you're doing fine | 0:58:27 | 0:58:30 | |
# It doesn't really matter if the sun don't shine | 0:58:30 | 0:58:33 | |
# It's all right, I say, it's OK | 0:58:33 | 0:58:35 | |
# We're getting to the end of the day... # | 0:58:35 | 0:58:38 | |
Subtitles by Red Bee Media Ltd. | 0:58:38 | 0:58:41 | |
E-mail [email protected] | 0:58:41 | 0:58:43 |