Blackbird Peaky Blinders


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Transcript


LineFromTo

I want you to be alive after your entire family is dead

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that is what will hurt you the most.

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Michael is badly wounded.

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John is dead.

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So I sent a message to Aberama Gold.

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-I need you back.

-I'll help you

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cos Michael wants me to help you. Starting now.

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The bullet's been written.

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He, as the oldest brother... I'll put this bullet into his head.

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You said you'd bring every man and woman out on strike.

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Do you have a whistle?

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WHISTLE BLOWS It's almost as if you want trouble.

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This programme contains some violent scenes,

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strong language from the start, and some scenes of a sexual nature

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CLAMOUR OF VOICES

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All right. First come, first served, form an orderly line, all of you.

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All right. All right.

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Right! Have your contracts of employment in your hand!

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Bring 'em in! Get in there.

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Get moving! On you go! Go on, keep going!

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-Keep going. Whoa, where are you going?

-Bradley. Foreman.

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All right. You go and see that man over there. Go!

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-What's your name?

-Bradley. I'm a foreman.

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-When did you last work here?

-1922.

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How many have done this type of work before?

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They're mostly farm hands from down Worcester way. But I'll show 'em.

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-Hungry men learn fast.

-All right. On you go.

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Dirty scabs! Blacklegs!

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GLASS SMASHES

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What bastard threw that? Get him out here!

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Arthur! Oi! Enough. Get him out!

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Get out!

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Ten more!

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-Two more.

-Ten.

-That's it. Close it up!

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HEAVY DOORS CLOSE

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Right. Ten bob a man. £2 there for you.

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-What about security?

-Yeah, well, about that...

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By order of the city of Birmingham police department,

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you and your ugly workforce are now under the protection...

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..of the Peaky fucking Blinders.

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DOOR OPENS

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-Mr Gray?

-Yeah, send him in.

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It's your mother.

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-WHISPERS:

-Oh, fuck.

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I read about it in the paper.

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I have a right.

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I'm your mum, as well.

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You want me to go away?

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Yes.

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I'll just leave these.

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They're from our orchard.

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You used to love these.

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I hope there are no worms in them.

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Look, I just wanted to say that you're welcome to come home.

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To get better at home.

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I know you got bored in the village, but...

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..we love you -

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and your little brother misses playing football with you...

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..and your dad...

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..passed on.

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He passed on peacefully in our bed.

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Fuck.

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Now go on.

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I'm expecting Tommy, and he's due here now.

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I'll go, then.

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I'll not be in the same room as that man.

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CAR PULLS UP OUTSIDE

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DOOR OPENS

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Come on, Pol, Tommy's expecting us.

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Who's with us?

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Isaiah and two Lee boys.

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Ada, how long since you've had a fuck?

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What?

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It's been nearly two years with me.

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Over Christmas I counted it up.

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So, I've made a New Year's resolution to change the situation.

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Oh. Anyone particular in mind?

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Not really.

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Just me and someone unsuitable.

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# From starry eyes colliding

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# From Mars to someone crying... #

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I'll sit in the front.

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# I'm never far away

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# No matter what I'm hiding

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# I get lost

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# But I always come around

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# Call when you're ready cos I'm ready to ride. #

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So, this is just to make things official.

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Your official return to the company payroll.

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So no more talk of New Year's resolutions

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or Tommy might change his mind.

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-What New Year's resolution?

-Never mind.

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I think Ada's trying to tell me to behave myself.

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Yeah. Behave yourself.

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Behave myself or what?

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Behave myself or fucking what?

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OK, Polly, I'll tell you the truth.

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After your recent troubles, Tommy asked me to keep an eye on you.

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"Troubles?"

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Whilst working for this company,

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I have killed a man,

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I have lost a man, I have found a son,

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I have nearly lost a son, I have nearly lost my own life.

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Now, I will accept my job back,

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if the terms on offer are favourable...

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..but I will not behave myself.

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Sorry I'm late.

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Where's Arthur?

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Do I look like his fucking mother?

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Oh, no. Why are you here?

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You all right? Is Billy all right?

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Yes. Everything's fine.

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Well, look... Lovely to see you, but I'm late for a meeting.

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They can wait.

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I've got something for you.

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Something for a loving husband who's been working very hard...

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..and is under a great deal of pressure.

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Something to relieve his stress.

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It's silk. From Japan.

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Feel.

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My hands are dirty.

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Good.

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Feel all of it.

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Feel it properly.

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You, er... You want to do this here?

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Why not? I thought you were the boss.

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-I am the fucking boss.

-Then tell me what to do, boss.

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Come here.

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Right, before we start this extraordinary general meeting

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of the board of the Shelby Company Limited,

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I'd like to note the absence of the Deputy Vice President,

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who has not yet arrived.

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We'll continue without his presence.

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-HE CLEARS THROAT

-Item number one.

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The reinstatement of the Shelby Company Limited company treasurer.

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The board welcomes back the former treasure,

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with generously improved terms and conditions.

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Due to the exceptionally difficult circumstances

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the company now finds itself in.

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The proposed treasurer will now check the terms and conditions,

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to see if they are in order.

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Item number two, during the absence of the Company Accountant,

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due to ill health,

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all responsibility for the keeping of the Company Accounts

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pass to the head of acquisitions.

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Item number three. The Company Treasurer,

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having read the terms and condition,

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lodges a signed contract of employment agreeing

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to the terms and conditions with the temporary head of accounts.

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All those in favour of the reinstatement of Mrs Elizabeth Gray

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to the position of The Shelby Company treasurer,

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please raise your hands.

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Why, goodness. Thank you.

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Any other business?

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Right, I declare this extraordinary general meeting over.

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Now we talk about the real business...

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..but, for that, we need Arthur.

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Where the fuck is Arthur?

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SHE EXCLAIMS

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KNOCK ON DOOR

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-Mr Shelby!

-Fuck off.

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-They've broken into the paint shop.

-Oh, yeah?

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They're chucking paint around -

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I think they mean to set light to it.

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Well, you deal with it, man, I'm fucking busy!

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What was all that about?

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In this sinful place,

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there will be temptations.

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It's my responsibility as your wife

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to help you resist those temptations.

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By putting myself between you...

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..and the devil.

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In the words of my sinful Catholic mother,

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"Keep his balls empty and his belly full."

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God rest her soul.

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KNOCK ON DOOR Mr Shelby!

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You have to come to the paint shop immediately! Please!

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Oh, I have to go.

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Won't be late.

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Sorry, ladies, there's no smoking in here.

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Yes, love, we know.

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All right. He's an hour late. Fuck him.

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This business directly affects Arthur, but he's not here,

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so we'll take a vote without him.

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What business?

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Official business that wasn't on your agenda, Ada.

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An informant told us that six years ago Luca Changretta

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came from New York to Birmingham to be best man at his cousin's wedding.

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We found out that they used Reid and Dunn in Broadgate

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for the photographs.

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The photographer kept the negatives. I persuaded him to give us copies...

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..and to enlarge this one.

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That is Luca Changretta.

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I've seen his face, so I could pick him out.

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Half the men in the photograph are Changrettas,

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which means the chances are they're the men will come kill us.

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We need to get both these photographs

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into pubs and on street corners,

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and put it about that there's a reward for information.

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We also propose that we give a copy of this photograph

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to Mr Aberama Gold.

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We need to forget the idea that it has to be Arthur

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that pulls the trigger. Tradition will just fuck us up.

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We should wait for Arthur.

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Arthur's not here, Ada.

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We need Luca Changretta dead. That's it.

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Dropping the law of the bullet is part of the process of modernisation

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that I was working on before I were...

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..before I was executed.

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You weren't executed, Pol.

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What did you call me?

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Right. Let's take a vote. I'll deal with Arthur.

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All those in favour of giving the photographs

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to Mr Gold raise your hand.

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Then it will be done.

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-Mum...

-Oh, "mum" now, is it?

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I smelt perfume when I came in here.

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Yeah, it was the flowers.

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Right, that's it.

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Who came in here, Michael?

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The truth is, Polly, the woman that raised him came in here.

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She has every right to come in here.

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She brought him fucking apples and she left.

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We're in the middle of a vendetta and Arthur's missing.

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We need to find him.

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Concentrate on what unites us.

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This is all temporary.

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Yeah, temporary, right.

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DOOR OPENS AND CLOSES

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# There's a devil inside of me

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# He's holding on... #

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Bastards!

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# And I don't know if he's staying or for how long

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# There's a devil inside of me

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# And he's holding on

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# And I don't know if he's staying or for how long... #

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Party is it, eh? Is that what it is?

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What's this, a party, eh? Fuck off out of it!

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Get out!

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OK, I wasn't going to hit ya... but that wasn't fucking nice.

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Oh, you...

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Arthur! Mr Shelby! Please, Mr Shelby! Please.

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Don't fucking move. Eh? Eh? Now get the fuck out!

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Fuck you and fuck your revolution!

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I'm a fucking mess.

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GUNFIRE

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Where are you going?

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Come here.

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Fucking hit man, are you?

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Is that what you are?

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Arthur Shelby, hey!

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Let's see who wanted you.

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What about...

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What about fucking John Shelby?

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John.

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Thank you.

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Send my guests in.

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You wire Polo and let him tell the family.

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He has four kids.

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Don't you two have any other clothes to wear?

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Uh?

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Look at me.

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Huh?

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I'm here as a lover of theatre.

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They kill two of our men...

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..you complain about your fucking belly.

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Luca.

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Luca, con tutto rispetto...

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-With respect...

-"With respect?"

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You raised.

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"With respect?"

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Open your mouth.

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Come on...

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Open your fucking mouth!

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You fucking dress like them.

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You eat like them.

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You don't fucking talk to me about "with respect".

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Sit down.

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What do you have?

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Arthur Shelby killed her son in a boxing ring four years ago.

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She would do that for us?

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OK.

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Anyone seen Arthur?

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Anyone seen Arthur? Hey?

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In your office, Tom.

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If you're not going to show up for a family meeting,

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you let someone know. We thought you were dead,

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there's 15 fucking Italians out there.

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No, there's not, there's 13.

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I just killed two of them.

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Ripped out their hearts and burnt their bones to ash.

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I did it.

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Me. Your brother.

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Not fucking Aberama Gold or his punch-drunk son.

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But me!

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Even if you don't trust me no more.

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What the fuck are you talking about? Arthur?

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I got cleaned up at Ada's.

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She told me, you took a vote in my absence.

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All right, calm down and tell me about the men you killed.

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You put my job out for contract.

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Arthur...

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Yeah, well, I'm going to make it my fucking job anyway.

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Because this was all my fault.

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-It was me that shot the old man...

-Yeah, out of mercy.

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Aye, now John's dead,

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he's dead because of me, and I want to make it right.

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Arthur, wait.

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How did the men get in the factory? I need to know.

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Through the back fucking door

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that was supposed to be locked and bolted.

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Some bastard gave me up. Somebody with keys.

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Yeah. Why don't you sit there and work it out for yourself?

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And take a fucking vote.

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Who is this little bear? Yes?

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Eh?

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Are you all right?

0:27:330:27:35

Daddy's home, Billy.

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-Yeah, I'm all right.

-Look, Daddy's home.

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How's Polly?

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Is she all right?

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Oh, go on, Linda. I mean, it was her idea, wasn't it?

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Hum? The Japanese silk?

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I'll put him to bed.

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SHE OPENS DOOR

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You kept me away from that fucking meeting

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-to stop me from voting.

-Here we go.

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It was Polly's idea, wasn't it?

0:28:240:28:27

Eh?

0:28:270:28:28

You know what I am, don't ya? I am a working man.

0:28:290:28:33

Yeah.

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Fucking working man.

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Fucking...who's lost his job.

0:28:410:28:44

Is that what I am, Linda?

0:28:480:28:50

Is that what I am, eh?

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I don't want you dead. Polly doesn't want you dead.

0:28:540:28:58

Let Mr Gold do the killing. For money.

0:28:580:29:01

It's the modern way, Arthur.

0:29:010:29:04

Watch.

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What are you doing?

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Now fire it into the fireplace.

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Please.

0:29:270:29:28

-All right.

-Fire it.

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Get rid of it.

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Then we'll go to bed.

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Do anything you like.

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Just fire the gun, Arthur.

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Fire it.

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You go tell Polly...

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..there are rules between a man and women.

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Fucking rules.

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That I have to do this.

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I have to do it.

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John wants me to do it, Linda.

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My brother.

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And I'm going to do it.

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Was it fear, or was it hatred?

0:31:220:31:24

-Was what fear or hatred?

-Isaiah...

0:31:260:31:29

You had a one way ticket to Glasgow in your pocket.

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Your wife and kids left three days ago.

0:31:430:31:46

Now...I'm going to ask you again.

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Was it fear of the Italians, or hatred of us

0:31:540:31:58

that made you unlock the door and give up my brother?

0:31:580:32:02

I didn't unlock any door.

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Here, have a drink.

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You're going to need it.

0:32:110:32:13

35 Drumcree Street, Parkhead, Glasgow...

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Please, please, please, please...

0:32:200:32:23

We have allegiances with Catholic gangs in that city.

0:32:230:32:27

Your family are safe only at my discretion.

0:32:270:32:30

Now...explain to me...

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..why you were catching a midnight train to Glasgow.

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You mean you don't know?

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I run a factory full of blackleg, non-union labour.

0:32:430:32:46

I live in a street full of men laid off or on strike.

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Look at this photograph, Mr Devlin,

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-and tell me who are the men who contacted you...

-No.

0:32:530:32:55

No, you listen to me.

0:32:550:32:57

I get spat at,

0:32:570:32:59

windows smashed, petrol on the curtains...

0:32:590:33:02

..but, for fear of you, I clock in every fucking morning -

0:33:020:33:06

and, today, two men are shot and burnt on my shift...

0:33:060:33:09

..and you ask me why I'm getting the midnight train to Glasgow?

0:33:090:33:12

Who else has the keys to that door?

0:33:220:33:24

They hang on a hook inside my office.

0:33:240:33:27

Today, I left the office unlocked.

0:33:280:33:30

-Why?

-Because I forgot. Because I left in a hurry.

0:33:300:33:34

Because there were men trying to set fire to the factory!

0:33:340:33:37

Mr Shelby, may I tell you something?

0:33:390:33:42

You have a lot of enemies.

0:33:440:33:46

Communists.

0:33:470:33:49

Italians.

0:33:490:33:50

Before the factory came out on strike,

0:33:540:33:57

I heard word that two Italians attended a Communist Party meeting

0:33:570:34:01

in Stechford. They hardly spoke English.

0:34:010:34:04

Now, if they got a party man into the factory

0:34:060:34:09

it might have been him that unlocked the door for them.

0:34:090:34:12

Mr Shelby...my train leaves at 12.

0:34:160:34:20

It's just gone 11. I could still make it.

0:34:200:34:23

Please. For my kids.

0:34:260:34:29

I need you here.

0:34:360:34:37

Isaiah, get three of our men with police badges

0:34:370:34:41

-to watch Mr Devlin's house.

-Mr Shelby, please...

0:34:410:34:44

Our friends in Glasgow will take care of your family.

0:34:470:34:50

For the curtains.

0:34:520:34:54

Before you, I was an ordinary working man.

0:34:550:34:59

Yeah, and now you're one of us.

0:34:590:35:02

MUSIC: Bye Bye Blackbird by Gene Austin

0:35:220:35:25

SHE SINGS ALONG: # Blackbird, blackbird

0:35:340:35:36

# Singing the blues all day

0:35:360:35:39

# Right outside of my door... #

0:35:390:35:43

MUSIC CONTINUES

0:35:430:35:45

HE KNOCKS

0:35:580:36:00

MUSIC STOPS

0:36:020:36:03

Who is it?

0:36:050:36:07

It's Tommy Shelby.

0:36:070:36:08

Is this union business?

0:36:130:36:15

Yes.

0:36:150:36:16

So, conduct it in the proper place at the proper time.

0:36:160:36:18

I've come to make an improved offer.

0:36:180:36:20

I heard music.

0:36:330:36:34

What's your improved offer?

0:36:360:36:38

Do I not get a drink?

0:36:380:36:40

No.

0:36:400:36:41

-Have you ever seen any of the men in this photograph before?

-What?

0:36:480:36:53

You're a member of the Stechford Communist party.

0:36:570:37:01

I'm told two Italian men attended a meeting recently.

0:37:010:37:04

Can you see either of them in this picture?

0:37:040:37:07

As the Small Heath coordinator

0:37:110:37:13

of the Organisation for the Maintenance of Supplies,

0:37:130:37:17

I have also been sworn in as a Special...

0:37:170:37:19

SHE SIGHS

0:37:190:37:20

We have reason to believe that outside agitators from overseas

0:37:210:37:25

are attempting to foment trouble in our factories

0:37:250:37:28

in advance of a General Strike,

0:37:280:37:30

which could take place at any moment.

0:37:300:37:32

This is a matter of national security.

0:37:320:37:34

May I look at your badge?

0:37:360:37:37

Yes.

0:37:390:37:40

What would you like to drink, Constable?

0:37:510:37:53

Whisky. And, actually, it's Sergeant.

0:37:530:37:55

I only have beer. Times are hard.

0:37:550:37:58

How long has it been since you've had a bottle of M&B bitter?

0:37:580:38:01

Help yourself.

0:38:020:38:04

Have a seat.

0:38:070:38:08

You know, when this business began, I did some research on you.

0:38:160:38:20

It turns out I know someone who used to know you very well.

0:38:200:38:23

Kitty Jurossi.

0:38:250:38:26

You were in love with Kitty's sister, Greta Jurossi,

0:38:300:38:33

before the war. Do you remember Greta Jurossi?

0:38:330:38:35

Her parents were Italian.

0:38:370:38:39

They didn't approve of a Watery Lane Gypsy...

0:38:390:38:42

..but you won them over. With your charm.

0:38:420:38:45

Sweetness.

0:38:450:38:47

Very... Very thorough research.

0:38:490:38:53

Greta died at the age of 19. Of consumption...

0:38:530:38:57

..and Kitty said you were at her bedside for three months.

0:38:590:39:03

Every day. Holding her hand...

0:39:030:39:05

..and after she died, you went away to war.

0:39:060:39:08

Kitty said that the sweet boy who left never came back.

0:39:100:39:13

No-one came back.

0:39:130:39:15

Here's the funniest thing.

0:39:160:39:18

She said, in those days, you believed in things.

0:39:200:39:23

In justice. Fairness.

0:39:230:39:25

Once you saw a man beating his horse, and you fought him.

0:39:250:39:28

He was twice your size, but you beat him...

0:39:280:39:30

..and then you beat him with his own whip.

0:39:300:39:32

Kitty always liked to tell tall tales.

0:39:340:39:36

She's a party member now.

0:39:370:39:39

She swears before you enlisted in the army

0:39:400:39:42

you joined the Communist Party yourself.

0:39:420:39:44

Is that true?

0:39:480:39:50

MUSIC STARTS

0:39:560:39:58

When I was at the door,

0:40:000:40:03

I saw you through the curtains.

0:40:030:40:05

You were dancing alone.

0:40:060:40:08

I've also done my research.

0:40:110:40:14

Your sweetheart was at Passchendaele.

0:40:190:40:22

When he came back, he was listed among the shellshocked.

0:40:240:40:27

Blew his own fucking brains out.

0:40:280:40:30

I don't know any men in the photo.

0:40:390:40:41

You haven't looked.

0:40:460:40:47

This afternoon, two men came into my factory

0:40:490:40:51

and tried to kill my brother.

0:40:510:40:53

I believe a Stechford Communist Party member let him in.

0:40:530:40:56

I was wondering if you might be able to help me in my investigations.

0:40:560:41:00

Kitty said next time I see you, before we start fighting,

0:41:060:41:10

I should send you her love from the good old days...

0:41:100:41:13

..and give you this.

0:41:130:41:15

Greta Jurossi and Tommy Shelby in Blackpool.

0:41:170:41:21

Do you recognise the boy in the photograph?

0:41:310:41:34

I'll leave that here.

0:41:570:41:58

Apologies for interrupting your dance.

0:42:030:42:05

# I wish

0:42:450:42:49

# I wish

0:42:510:42:56

# But it's all in vain

0:42:570:43:02

# I wish I was

0:43:020:43:06

# A maid again

0:43:060:43:10

# But a maid again

0:43:100:43:14

# I never can be

0:43:140:43:20

# Till apples grow... #

0:43:210:43:27

Arthur, I need you to listen to me.

0:43:270:43:32

I need you to listen to me, Arthur.

0:43:330:43:36

The world is changing.

0:43:390:43:41

Listen to me, Arthur.

0:43:440:43:46

Listen to the sweet voice of Jesus.

0:43:480:43:52

-Finn?

-It came from Arthur's house.

0:44:520:44:54

-HE BANGS ON DOOR

-Arthur.

0:44:560:44:57

Arthur.

0:45:000:45:01

Where is he?

0:45:010:45:03

Arthur?

0:45:050:45:06

He fired the bullet.

0:45:070:45:09

Linda...

0:45:120:45:13

..says it's the modern way, so...

0:45:150:45:18

It's the modern way.

0:45:210:45:23

Yeah. Yeah. Yeah, it's all right.

0:45:230:45:27

It's all right, brother.

0:45:290:45:31

You did well.

0:45:370:45:38

God spoke to him, not me.

0:45:380:45:40

What are you doing here?

0:46:050:46:07

On Mondays, I do the inventory.

0:46:070:46:09

Make sure nobody's dipping their hand.

0:46:090:46:11

Well, it's now my job now.

0:46:110:46:15

I'm back -

0:46:160:46:18

and there's going to be nobody dipping their hand with me here,

0:46:180:46:20

not unless they want it cut off.

0:46:200:46:22

DOOR OPENS AND CLOSES

0:46:220:46:25

I said to Arthur, while I'm in this fucking place,

0:46:340:46:36

I want something to keep my mind busy.

0:46:360:46:38

What? You're going to take bets?

0:46:380:46:40

I've always been able to do addition and subtraction

0:46:400:46:42

without pen and paper -

0:46:420:46:44

but I'll need a telephone.

0:46:440:46:45

Apparently, we have special clients who take bets by telephone.

0:46:450:46:49

Linda?

0:46:490:46:50

This is a betting shop.

0:46:520:46:54

Look...

0:46:540:46:56

..Arthur said yes. Tommy said yes.

0:46:560:46:58

But did God say yes? Gambling is a sin, Linda.

0:46:580:47:01

It's not me that's doing the gambling.

0:47:010:47:03

I'm just taking the bets.

0:47:030:47:06

The rule is that door should always remain locked until 9am.

0:47:150:47:18

Right. Boy. Boy, where are you going?

0:47:210:47:24

Well, Arthur's not coming in today. He's taking the day off.

0:47:240:47:27

-So...

-So what?

0:47:270:47:30

So, today, Tommy said that I'm in charge.

0:47:300:47:33

Sorry, you're in charge?

0:47:330:47:34

Yeah. That's what he said.

0:47:360:47:38

All right, sweetheart.

0:47:420:47:44

Ladies, let's give our boss a first day that he'll never forget.

0:47:470:47:54

Sending Finn to the shop was a mistake.

0:48:040:48:06

They've already found out he's a virgin and they're arranging

0:48:060:48:10

a girl for him this afternoon.

0:48:100:48:11

I thought Linda was there.

0:48:110:48:13

She is. She loved the idea.

0:48:130:48:15

Yeah, I know. She even swears now.

0:48:170:48:19

"Fuck" sounds funny coming from her.

0:48:190:48:22

Polly says in the end we all turn into our mother.

0:48:220:48:24

Ah, well, keep an eye on her.

0:48:240:48:27

The whore watching the Madonna.

0:48:290:48:31

-Does Finn know what they've planned?

-No.

0:48:310:48:35

Do they have someone?

0:48:350:48:37

Yes. A girl I used to work with.

0:48:370:48:40

-Is she nice?

-No. She's from Aston.

0:48:420:48:46

They're paying her out of petty cash.

0:48:460:48:48

Right, well, call 'em and tell them to pay extra and get someone nice.

0:48:480:48:54

-Nice women don't do that sort of thing.

-Yes, they do. What about you?

0:48:550:49:00

I mean, in the past. Come on.

0:49:030:49:06

Where are we going?

0:49:060:49:07

Somewhere I've not been in a long time.

0:49:070:49:10

WILDFOWL CALL AND SQUAWK

0:49:140:49:18

Are we expecting somebody?

0:49:280:49:30

Tommy, I'm fucking freezing here.

0:49:330:49:36

We used to come here.

0:49:380:49:40

She'd wait for hours for me, when I couldn't make it...

0:49:430:49:46

..and I'd wait for her, if her family kept her in.

0:49:480:49:52

Who?

0:49:540:49:55

Some girl.

0:49:580:49:59

Some girl before France.

0:50:010:50:02

I've not been back here since...

0:50:070:50:09

..but I wanted to come here with you.

0:50:160:50:18

Are you kissing her or me?

0:50:300:50:32

You.

0:50:350:50:36

I want Shelby Company Limited

0:51:220:51:24

to increase non-taxable charitable contributions to local charities

0:51:240:51:29

by 25% as of now...

0:51:290:51:31

..and I'm going to build two new institutes for destitute children.

0:51:320:51:37

One in Saltley, one in Digbeth.

0:51:370:51:40

I've already identified the buildings.

0:51:400:51:42

Two former workhouses.

0:51:420:51:44

I want you to be in charge of the project.

0:51:460:51:48

Right, come on, let's go.

0:51:500:51:52

Why?

0:51:520:51:53

Because I promised someone I was going to change the world.

0:52:010:52:04

You do realise, Tommy, we're all going fucking mad here.

0:52:080:52:11

Yeah, I know. Come on.

0:52:110:52:15

Finn? Come here.

0:52:280:52:30

How was your day?

0:52:350:52:36

Yeah, it was OK.

0:52:360:52:38

Good man. Well done.

0:52:390:52:41

No trouble?

0:52:410:52:43

No. No trouble.

0:52:430:52:45

And she looked after you?

0:52:470:52:48

I don't want it like that ever again, Tom.

0:52:530:52:56

Not when they don't even want to do it, except for the money.

0:52:560:53:00

-Everything's for the money, Finn.

-Yeah, I know. But, er...

0:53:010:53:05

She said "be a man".

0:53:070:53:09

And were you a man?

0:53:110:53:12

Yeah...

0:53:130:53:14

..but then I apologised to her, cos she just looked so tired.

0:53:160:53:20

Sit down, Finn.

0:53:230:53:25

Right, listen to me, Finn. She was right.

0:53:290:53:33

You need to be a fucking man.

0:53:340:53:36

People get tired.

0:53:370:53:38

Working in a fucking factory gets you tired.

0:53:380:53:41

I don't go round apologising. Do I?

0:53:410:53:44

No.

0:53:440:53:45

There's an empty space here to be filled.

0:53:450:53:47

-Do you understand?

-Yeah.

0:53:470:53:51

So, be a fucking man.

0:53:510:53:53

OK, Tom.

0:53:560:53:57

-Champagne, please.

-Of course.

0:54:410:54:43

Madam, women alone are not allowed at the bar.

0:54:450:54:51

Will someone be joining you?

0:54:510:54:53

What do you think?

0:54:530:54:55

This is public enough, no?

0:55:400:55:42

Yes.

0:55:440:55:46

So?

0:55:480:55:49

The boy in the hospital is out of bounds...

0:55:510:55:54

..and I'll ask you to spare Finn and Arthur.

0:55:540:55:56

In return for what?

0:55:590:56:01

Tommy Shelby.

0:56:060:56:07

And, er, why should I trust you?

0:56:140:56:16

Because you know our history.

0:56:180:56:20

You know what happened between us.

0:56:220:56:25

You are an unlikely Cassius.

0:56:270:56:30

You know, my mother...

0:56:380:56:41

My mother knew your mother.

0:56:410:56:43

She taught her how to read.

0:56:450:56:48

Did she tell you that John and Arthur spared her life?

0:56:500:56:53

When Tommy wanted her dead.

0:56:530:56:55

Yeah - and now she's giving me the information about you people.

0:56:570:57:00

So, Tommy Shelby was right.

0:57:020:57:05

His ruthlessness...was justified.

0:57:070:57:13

You should have killed her when you had the chance.

0:57:150:57:18

John was a good boy.

0:57:200:57:22

Arthur tries.

0:57:250:57:27

Tommy's different.

0:57:290:57:31

You take Tommy. Spare the rest.

0:57:330:57:36

You know, my mother used to say this about you.

0:57:400:57:46

She said, "That Polly Gray,

0:57:470:57:50

"that child would never let go of a grievance...

0:57:500:57:54

"..and she loves to dance."

0:57:590:58:01

What do you say, hm?

0:58:060:58:08

You want to dance?

0:58:080:58:10

I don't dance any more.

0:58:160:58:17

Yeah, that's a shame...

0:58:200:58:22

..cos you're dancing with me.

0:58:290:58:31

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