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This programme contains some violent scenes and strong language from the start | 0:00:02 | 0:00:06 | |
We're in the middle of a vendetta. We need Luca Changretta dead! | 0:00:06 | 0:00:08 | |
-We used to come here. -Who? -Some girl before France. What is that you want? | 0:00:08 | 0:00:11 | |
I want you to help my son achieve his ambition. | 0:00:11 | 0:00:14 | |
-What do you have? -Another enemy. | 0:00:14 | 0:00:16 | |
Arthur Shelby killed her son in a boxing ring. | 0:00:16 | 0:00:20 | |
There's 15 Italians out there. | 0:00:20 | 0:00:22 | |
There's 13, I just killed two of them. | 0:00:22 | 0:00:24 | |
The boy in the hospital's out of bounds. | 0:00:24 | 0:00:26 | |
And I'll ask you to spare Finn and Arthur. | 0:00:26 | 0:00:28 | |
In return for what? | 0:00:28 | 0:00:30 | |
Tommy Shelby. | 0:00:30 | 0:00:32 | |
Tom. | 0:00:41 | 0:00:42 | |
Good morning, Mrs Ross. | 0:00:52 | 0:00:54 | |
Have a seat. | 0:00:56 | 0:00:58 | |
Thank you for seeing me, Mr Shelby. I know how busy you are. | 0:01:04 | 0:01:08 | |
How can I help you? | 0:01:09 | 0:01:11 | |
Well, you see, tomorrow would have been my son's 21st birthday... | 0:01:13 | 0:01:17 | |
..had he lived. | 0:01:18 | 0:01:20 | |
And I'm having a bit of a thing - | 0:01:21 | 0:01:23 | |
just sandwiches and beer and looking at old photos. | 0:01:23 | 0:01:27 | |
And, as a gesture... | 0:01:29 | 0:01:31 | |
..I thought I would invite your brother, Arthur. | 0:01:32 | 0:01:35 | |
A gesture of what, Mrs Ross? | 0:01:40 | 0:01:42 | |
Not exactly forgiveness. | 0:01:47 | 0:01:48 | |
But something like that. | 0:01:50 | 0:01:51 | |
And also it's a way of saying thank you to the Shelby family | 0:01:53 | 0:01:57 | |
for helping me and my children get by since the death of my Edward. | 0:01:57 | 0:02:02 | |
That's very kind of you. | 0:02:04 | 0:02:06 | |
That's very kind. | 0:02:07 | 0:02:09 | |
I will let Arthur know. | 0:02:09 | 0:02:10 | |
It'll be at my house at midday. | 0:02:11 | 0:02:13 | |
He should come at midday. | 0:02:14 | 0:02:16 | |
Your house, midday tomorrow, all right. | 0:02:17 | 0:02:19 | |
One of us will be there. | 0:02:20 | 0:02:22 | |
It ought to be Arthur. | 0:02:23 | 0:02:25 | |
Goodbye, Mrs Ross. | 0:02:32 | 0:02:33 | |
FOOTSTEPS RETREAT | 0:02:35 | 0:02:37 | |
MUSIC: Snake Oil by Foals | 0:02:43 | 0:02:46 | |
All right, at midday today, Arthur will be here. | 0:03:24 | 0:03:28 | |
47 Artillery Square. | 0:03:28 | 0:03:30 | |
-Like a goat tied up for the fucking tiger, eh, Arthur? -Yeah, right. | 0:03:31 | 0:03:34 | |
Dear Lord, forgive me. | 0:03:37 | 0:03:39 | |
But vengeance is forthcoming... | 0:03:39 | 0:03:41 | |
..and long overdue. | 0:03:42 | 0:03:44 | |
Right. There are two ways into Artillery Square. | 0:03:46 | 0:03:50 | |
One here, the towpath, and here, Navigation Street. | 0:03:50 | 0:03:53 | |
Finn, take a rifle. | 0:03:53 | 0:03:54 | |
You'll be here, Finn, covering the towpath. | 0:03:56 | 0:03:59 | |
Most likely, they'll come down Navigation Street. | 0:03:59 | 0:04:02 | |
Johnny and Isaiah will set up here as hawkers, selling stolen pork. | 0:04:02 | 0:04:06 | |
-When you get the signal from me, you can open fire. -From you, eh? | 0:04:06 | 0:04:09 | |
Yep, I'll be here, in a window, overlooking. | 0:04:09 | 0:04:12 | |
You still know what end the bullets come out of, Tom? | 0:04:12 | 0:04:14 | |
ALL LAUGH | 0:04:14 | 0:04:16 | |
He knows. | 0:04:16 | 0:04:18 | |
But these men are coming for my brother, | 0:04:18 | 0:04:21 | |
believing him to be unarmed and unprotected. | 0:04:21 | 0:04:25 | |
So, this is my fucking business. | 0:04:27 | 0:04:29 | |
Arthur, let's go. | 0:04:29 | 0:04:30 | |
Keep alive, soldier. | 0:04:32 | 0:04:33 | |
DOOR OPENS | 0:04:38 | 0:04:39 | |
Just put them on the table. | 0:04:41 | 0:04:43 | |
Buy yourself bacon here, ribs, | 0:05:17 | 0:05:19 | |
cheek and tongue! | 0:05:19 | 0:05:21 | |
Plenty of trotter. | 0:05:21 | 0:05:23 | |
Ribs, tongue and cheek, huh? | 0:05:23 | 0:05:26 | |
Mr Shelby. | 0:05:49 | 0:05:50 | |
I'm glad you could come. | 0:05:54 | 0:05:56 | |
Thank you for the invitation. | 0:05:59 | 0:06:01 | |
So... | 0:06:02 | 0:06:03 | |
I don't allow firearms in the house. | 0:06:05 | 0:06:07 | |
It's a good thing I'm not carrying a firearm, then, ain't it, Mrs Ross. | 0:06:09 | 0:06:14 | |
Do you mind if I check? | 0:06:14 | 0:06:16 | |
No. | 0:06:18 | 0:06:20 | |
Come in. | 0:06:32 | 0:06:33 | |
Take a seat. | 0:06:44 | 0:06:47 | |
Would you like some tea while we wait, Mr Shelby? | 0:06:47 | 0:06:51 | |
What are we waiting for? | 0:06:52 | 0:06:53 | |
The other guests. | 0:06:55 | 0:06:57 | |
TEAPOT SHAKES | 0:07:01 | 0:07:03 | |
Threepence for the four, huh? > | 0:07:05 | 0:07:07 | |
VEHICLE APPROACHES | 0:07:14 | 0:07:15 | |
HE WHISTLES | 0:07:17 | 0:07:19 | |
WATER SPLASHES | 0:08:17 | 0:08:19 | |
So, where are these other guests? | 0:08:21 | 0:08:23 | |
They will be here very soon. | 0:08:25 | 0:08:27 | |
But in the meantime, there are some things I want to say... | 0:08:32 | 0:08:36 | |
..before they get here. | 0:08:40 | 0:08:42 | |
By all means. | 0:08:45 | 0:08:47 | |
I've heard stories that you have welcomed Jesus into your life. | 0:08:50 | 0:08:55 | |
I have indeed. | 0:08:55 | 0:08:56 | |
At the beseeching of your wife... who they say is a good woman. | 0:08:58 | 0:09:02 | |
She is my shining light. | 0:09:04 | 0:09:07 | |
Though her mother, by all accounts, was not. | 0:09:07 | 0:09:09 | |
Do you think your repentance will mean you are forgiven of your sins? | 0:09:12 | 0:09:17 | |
We both know that forgiveness is out of my hands. | 0:09:19 | 0:09:25 | |
I mean, for murdering my son. | 0:09:27 | 0:09:30 | |
That was a sporting accident. | 0:09:30 | 0:09:32 | |
Because I have not yet found it in my heart to forgive you. | 0:09:35 | 0:09:39 | |
And don't think I ever will. | 0:09:41 | 0:09:43 | |
Well, then, why have you invited me here today? | 0:09:46 | 0:09:51 | |
Hm? | 0:09:52 | 0:09:53 | |
Off you go now. | 0:09:59 | 0:10:00 | |
Why am I here, Mrs Ross? | 0:10:02 | 0:10:04 | |
Why did you invite me here today? | 0:10:08 | 0:10:11 | |
BOLT CLACKS | 0:10:24 | 0:10:26 | |
Too late to back out now! > | 0:10:33 | 0:10:34 | |
MEN CHATTER | 0:10:34 | 0:10:37 | |
-Now, Johnny, fire! -Move! | 0:10:56 | 0:10:58 | |
GUNSHOTS | 0:10:58 | 0:10:59 | |
It's a fucking decoy... | 0:11:05 | 0:11:07 | |
Bring the car round! Now! | 0:11:07 | 0:11:08 | |
What are you doing? | 0:11:19 | 0:11:20 | |
SCUFFLING | 0:11:20 | 0:11:22 | |
GUNSHOT | 0:11:23 | 0:11:24 | |
-HE GROANS -Oh, shit! | 0:11:24 | 0:11:27 | |
Arthur! | 0:11:31 | 0:11:32 | |
Arthur! | 0:11:32 | 0:11:34 | |
They're not here for you! | 0:11:34 | 0:11:35 | |
It must be Michael! | 0:11:35 | 0:11:37 | |
You...! | 0:11:38 | 0:11:40 | |
You set me up, eh? | 0:11:42 | 0:11:44 | |
-You set me up! -SHE WHIMPERS | 0:11:44 | 0:11:46 | |
Unarmed. | 0:11:46 | 0:11:47 | |
-Arthur, you need to get to the hospital now! -Fuck off! | 0:11:49 | 0:11:52 | |
SHE WHIMPERS | 0:11:52 | 0:11:54 | |
HE GROWLS | 0:11:54 | 0:11:56 | |
If your faith is real, | 0:11:57 | 0:12:00 | |
I've got other kids. | 0:12:00 | 0:12:03 | |
CRASHING | 0:12:12 | 0:12:13 | |
If you're here in one hour, | 0:12:17 | 0:12:18 | |
I swear to God... | 0:12:18 | 0:12:20 | |
..I will cover you in tar and fucking feathers. | 0:12:22 | 0:12:28 | |
Come on, Finn, let's go! | 0:12:32 | 0:12:34 | |
SHE SOBS | 0:12:34 | 0:12:36 | |
HE GRUNTS | 0:12:43 | 0:12:45 | |
Uh-uh-uh... | 0:12:52 | 0:12:53 | |
Where I'm from, | 0:12:54 | 0:12:56 | |
a hat on the bed's unlucky. | 0:12:56 | 0:12:59 | |
My family... | 0:13:03 | 0:13:05 | |
..say it brings death. | 0:13:07 | 0:13:09 | |
Maybe... | 0:13:11 | 0:13:12 | |
..maybe that's what happened... | 0:13:13 | 0:13:16 | |
Last time my man was sent for you, you got lucky. | 0:13:16 | 0:13:20 | |
Now... | 0:13:26 | 0:13:28 | |
..your luck's run out. | 0:13:33 | 0:13:35 | |
HE PRAYS SOFTLY | 0:13:38 | 0:13:40 | |
HE PANTS | 0:13:42 | 0:13:44 | |
EMPTY CLICK | 0:13:44 | 0:13:46 | |
CLICKS | 0:13:51 | 0:13:53 | |
CLICKS | 0:13:55 | 0:13:57 | |
CLICKS | 0:13:59 | 0:14:00 | |
And tell your mother... | 0:14:07 | 0:14:09 | |
..we have a deal. | 0:14:12 | 0:14:13 | |
Come here. | 0:14:29 | 0:14:30 | |
GUNSHOT | 0:14:30 | 0:14:32 | |
Michael? | 0:14:32 | 0:14:34 | |
What happened, eh? What happened? | 0:14:34 | 0:14:35 | |
They heard you, er, heard you coming. | 0:14:35 | 0:14:38 | |
The gun misfired. | 0:14:38 | 0:14:40 | |
They ran away. | 0:14:40 | 0:14:41 | |
Johnny! | 0:14:41 | 0:14:42 | |
You came just in time. | 0:14:44 | 0:14:46 | |
You all right? You all right? | 0:14:46 | 0:14:48 | |
Yeah, I'm fine. | 0:14:48 | 0:14:50 | |
Fine. | 0:14:50 | 0:14:52 | |
DOOR OPENS | 0:15:02 | 0:15:03 | |
Oi! Get out! | 0:15:03 | 0:15:05 | |
Small Heath, 333. | 0:15:11 | 0:15:13 | |
Charlie. | 0:15:15 | 0:15:17 | |
Listen, Bonnie Gold will be calling in four minutes. | 0:15:17 | 0:15:19 | |
Tell him the Italians are on the road south. | 0:15:19 | 0:15:22 | |
A Rolls-Royce. Maybe two. Black. | 0:15:22 | 0:15:25 | |
Tell him to expect a full complement of men. | 0:15:25 | 0:15:28 | |
We inflicted no casualties. | 0:15:28 | 0:15:30 | |
I said, we inflicted no fucking casualties. | 0:15:30 | 0:15:32 | |
REPLACES RECEIVER | 0:15:32 | 0:15:34 | |
HE EXHALES | 0:15:37 | 0:15:39 | |
There's been an accident. | 0:16:11 | 0:16:13 | |
-Why don't you move it out of the way? -What? | 0:16:14 | 0:16:18 | |
I said, why don't you clear it, so that we can get past? | 0:16:20 | 0:16:24 | |
What's that accent? | 0:16:24 | 0:16:25 | |
We're Americans. | 0:16:26 | 0:16:28 | |
We're here on business. | 0:16:28 | 0:16:30 | |
Well, you're going to have to wait. | 0:16:30 | 0:16:32 | |
Jesus Christ... | 0:16:32 | 0:16:34 | |
We waited for you fucking Yanks until 1918. | 0:16:34 | 0:16:37 | |
-It'll be clear in 20 minutes, all right? -Yeah, all right. | 0:16:38 | 0:16:41 | |
Thank you, Officer. | 0:16:41 | 0:16:43 | |
Thank... Fucking hell. | 0:16:43 | 0:16:45 | |
Talking about the war. | 0:16:52 | 0:16:54 | |
Everything here is about the war. | 0:16:56 | 0:16:58 | |
Right, come on, let's go move it ourselves. Fucking idiots! | 0:17:11 | 0:17:14 | |
What's this? Whose wagon is that? | 0:17:25 | 0:17:27 | |
They're gypsies. | 0:17:27 | 0:17:29 | |
A tribe of fucking gypsies. | 0:17:29 | 0:17:31 | |
-Well, we can move it... -Hey. | 0:17:33 | 0:17:35 | |
I said, it will be clear in 20 minutes. | 0:17:36 | 0:17:39 | |
Let's go. | 0:17:40 | 0:17:42 | |
We'll find another way out of here. | 0:17:43 | 0:17:45 | |
Go. | 0:17:51 | 0:17:53 | |
Get us the fuck out of here! | 0:17:53 | 0:17:54 | |
Come on, fucking move! | 0:17:55 | 0:17:57 | |
Make a fucking move! | 0:18:00 | 0:18:02 | |
GUNSHOTS | 0:18:04 | 0:18:06 | |
Put the guns down! Put the guns down! | 0:18:27 | 0:18:30 | |
GUNSHOT | 0:18:32 | 0:18:34 | |
HE GRUNTS | 0:18:34 | 0:18:35 | |
-MICHAEL: -He spared me. | 0:18:45 | 0:18:46 | |
He said, "Tell your mum that we have a deal." | 0:18:49 | 0:18:52 | |
What deal? | 0:18:55 | 0:18:57 | |
Just be you and me going to Australia, Michael. | 0:18:58 | 0:19:02 | |
Think about that. | 0:19:02 | 0:19:03 | |
What deal, Mum? | 0:19:03 | 0:19:05 | |
What deal did you make with Luca Changretta? | 0:19:05 | 0:19:08 | |
A deal to spare your life. | 0:19:18 | 0:19:19 | |
In return for what? | 0:19:23 | 0:19:24 | |
Men don't have the strategic intelligence | 0:19:30 | 0:19:32 | |
to conduct a war between families. | 0:19:32 | 0:19:34 | |
Men are less good at keeping secrets out of their lies. | 0:19:36 | 0:19:39 | |
You've agreed to give up Tommy... | 0:19:41 | 0:19:43 | |
..to save my life. | 0:19:45 | 0:19:47 | |
You never forgave him, did you? | 0:19:49 | 0:19:51 | |
We're out of our league. | 0:19:55 | 0:19:56 | |
No. | 0:20:00 | 0:20:01 | |
No, we don't do that to our own. | 0:20:03 | 0:20:04 | |
Think - if it wasn't for me, | 0:20:04 | 0:20:07 | |
you'd be smoke blowing out of a mortuary chimney. | 0:20:07 | 0:20:10 | |
Think about that. | 0:20:10 | 0:20:11 | |
Nah, two. | 0:20:35 | 0:20:37 | |
We killed two. | 0:20:37 | 0:20:39 | |
You also shot a copper. | 0:20:43 | 0:20:44 | |
Shot in the arm. | 0:20:44 | 0:20:46 | |
With purpose. | 0:20:46 | 0:20:47 | |
There's a copper on the floor, | 0:20:47 | 0:20:49 | |
the Stratford Constabulary will swarm all over it. | 0:20:49 | 0:20:51 | |
The copper's alive - got a description of the Italians. | 0:20:53 | 0:20:56 | |
The Italians will be forced underground. | 0:20:56 | 0:20:59 | |
We're gypsies. | 0:20:59 | 0:21:01 | |
We're already underground. | 0:21:01 | 0:21:03 | |
You, yourself, inflicted no casualties this end, so... | 0:21:09 | 0:21:13 | |
You know, Mr Shelby... | 0:21:15 | 0:21:17 | |
..maybe you've been pushing pieces of paper around too long. | 0:21:19 | 0:21:22 | |
Luca Changretta got away. | 0:21:23 | 0:21:25 | |
You let him get away. | 0:21:26 | 0:21:28 | |
When our paths cross, I won't be so careless. | 0:21:28 | 0:21:32 | |
And when will your paths cross? | 0:21:34 | 0:21:37 | |
Soon. | 0:21:37 | 0:21:38 | |
If Her Majesty smells of paraffin, | 0:22:18 | 0:22:20 | |
it's because my old lamp is smoking for want of fuel. | 0:22:20 | 0:22:23 | |
Times are hard, in case you hadn't noticed. | 0:22:23 | 0:22:26 | |
I hope your insistence that I take a boat, | 0:22:26 | 0:22:28 | |
rather than a cab, from the station, | 0:22:28 | 0:22:30 | |
wasn't purely for your own amusement. | 0:22:30 | 0:22:31 | |
No. For the avoidance of death or kidnap. | 0:22:31 | 0:22:34 | |
And by boat, you get to see the nicer parts of a city. | 0:22:34 | 0:22:38 | |
You're in The Garrison now, so you'll be all right. This way. | 0:22:38 | 0:22:40 | |
Morning, Lady Carleton. | 0:22:43 | 0:22:45 | |
I'm not a lady. | 0:22:45 | 0:22:47 | |
Too right, you're not. | 0:22:49 | 0:22:50 | |
For shoeing, stabling, feed, and two hours a day in the gallops. | 0:22:52 | 0:22:56 | |
Did you think of a name? | 0:22:57 | 0:22:59 | |
Yes. Dangerous. | 0:22:59 | 0:23:02 | |
Dangerous, eh? | 0:23:03 | 0:23:05 | |
A horse called Dangerous won the Epsom Derby in 1833. | 0:23:05 | 0:23:08 | |
So, I stole the name. | 0:23:08 | 0:23:09 | |
-I thought you'd approve. -LIGHTER CLICKS | 0:23:09 | 0:23:11 | |
-You should visit her. -If I leave Small Heath, I'll be shot dead. | 0:23:13 | 0:23:17 | |
Anyway, I'm busy. | 0:23:18 | 0:23:20 | |
Well, the good news is your horse is the fastest filly | 0:23:20 | 0:23:22 | |
that I've ever ridden. | 0:23:22 | 0:23:24 | |
These are her registration papers. | 0:23:25 | 0:23:28 | |
Ready for your signature. | 0:23:28 | 0:23:30 | |
So, is this why you came here? | 0:23:37 | 0:23:38 | |
All this way, in person. | 0:23:40 | 0:23:41 | |
For my fucking signature? | 0:23:43 | 0:23:45 | |
You've lost your wife... | 0:23:50 | 0:23:52 | |
..and now your brother, too. | 0:23:54 | 0:23:55 | |
I thought it would make you different. | 0:23:57 | 0:23:59 | |
But it doesn't seem to change you. | 0:24:02 | 0:24:04 | |
Nothing seems to change you. | 0:24:04 | 0:24:06 | |
DOOR OPENS | 0:24:08 | 0:24:10 | |
The end-of-year accounts for the Grace Shelby Institute, Mr Shelby. | 0:24:10 | 0:24:13 | |
Begging pardon, madam. | 0:24:13 | 0:24:15 | |
I've already signed off on those, Lizzie. | 0:24:15 | 0:24:17 | |
What do you think of his shirt? | 0:24:18 | 0:24:20 | |
He's having them made in London. | 0:24:20 | 0:24:22 | |
I'm not sure about them. | 0:24:22 | 0:24:23 | |
All right, Lizzie, thank you. | 0:24:23 | 0:24:25 | |
But, you know, sometimes he sees something glamorous and expensive | 0:24:25 | 0:24:29 | |
and he just can't resist it. He's so weak. | 0:24:29 | 0:24:31 | |
Actually, speaking of the Grace Shelby Foundation... | 0:24:34 | 0:24:37 | |
..I'd like to make a donation. | 0:24:37 | 0:24:39 | |
SHE CLEARS THROAT | 0:24:40 | 0:24:42 | |
I'll leave it blank. | 0:24:42 | 0:24:45 | |
You can decide how much, Mr Shelby. | 0:24:45 | 0:24:46 | |
Then, perhaps, Lizzie...? | 0:24:50 | 0:24:53 | |
You can pop to the bank and pay it in for me. | 0:24:53 | 0:24:57 | |
That'll be all, Lizzie, thank you. | 0:25:02 | 0:25:04 | |
Drink? | 0:25:14 | 0:25:15 | |
No, thank you. | 0:25:15 | 0:25:17 | |
Did you pack an overnight bag? | 0:25:21 | 0:25:23 | |
No. | 0:25:26 | 0:25:27 | |
Pity. | 0:25:29 | 0:25:31 | |
Why? | 0:25:31 | 0:25:32 | |
Well, because 25 minutes ago, | 0:25:32 | 0:25:35 | |
the Birmingham branch of the Train Drivers' Union | 0:25:35 | 0:25:38 | |
called a wildcat strike in support of the coalminers. | 0:25:38 | 0:25:41 | |
No trains to London until tomorrow. | 0:25:43 | 0:25:45 | |
It wasn't in any of the papers. | 0:25:45 | 0:25:47 | |
That's why they call it a wildcat. | 0:25:47 | 0:25:49 | |
No-one knows. | 0:25:49 | 0:25:51 | |
Apart from you, of course. | 0:25:51 | 0:25:53 | |
Your city. | 0:25:53 | 0:25:54 | |
So, where will I stay in your city? | 0:25:56 | 0:25:59 | |
I'll be free at four. I could meet you then. | 0:25:59 | 0:26:02 | |
Meet and do what? | 0:26:02 | 0:26:03 | |
I will pour you some gin... | 0:26:07 | 0:26:08 | |
..that I make myself, from my father's recipe. | 0:26:10 | 0:26:14 | |
Distilled for the eradication of seemingly incurable sadness. | 0:26:15 | 0:26:18 | |
Going to put that on the label. | 0:26:20 | 0:26:22 | |
I'll book myself a room. | 0:26:22 | 0:26:24 | |
Already done. The Midland. A suite. | 0:26:24 | 0:26:26 | |
I stay there myself sometimes. | 0:26:26 | 0:26:28 | |
Sometimes it's where you stay. | 0:26:28 | 0:26:31 | |
But not tonight, it would seem. | 0:26:35 | 0:26:37 | |
Well, since I'm stuck here, maybe I should try your gin. | 0:26:41 | 0:26:43 | |
Four o'clock, then. | 0:26:46 | 0:26:48 | |
Where? | 0:26:48 | 0:26:49 | |
I'll find you. | 0:26:53 | 0:26:55 | |
What the fuck was that about, Lizzie, eh? | 0:27:02 | 0:27:04 | |
Have a guess. | 0:27:04 | 0:27:06 | |
You know what, I can't even guess any more. I'll be back at four. | 0:27:06 | 0:27:10 | |
Why is she still here? | 0:27:10 | 0:27:12 | |
Something to do with the coalminers, apparently. | 0:27:12 | 0:27:14 | |
Today is your lucky day, sir. | 0:27:21 | 0:27:22 | |
Give you three to one on Raging Robbers. | 0:27:22 | 0:27:24 | |
Come on, gents, get your bets on! | 0:27:24 | 0:27:26 | |
PHONE RINGS | 0:27:34 | 0:27:36 | |
Small Heath, 552. | 0:27:36 | 0:27:37 | |
Mrs Gray... | 0:27:37 | 0:27:38 | |
..I wanted to illustrate to you | 0:27:40 | 0:27:43 | |
that, at any time, we can reach your son. | 0:27:43 | 0:27:46 | |
And we will kill your son... | 0:27:50 | 0:27:52 | |
..if you cannot deliver Tommy Shelby as you promised, huh? | 0:27:53 | 0:27:58 | |
You just tell us where and when. | 0:28:03 | 0:28:06 | |
And we'll do the rest. | 0:28:06 | 0:28:08 | |
SHE GASPS | 0:28:11 | 0:28:12 | |
Where is he? | 0:28:26 | 0:28:27 | |
Fucking. | 0:28:27 | 0:28:29 | |
-Fucking what? -Fucking her. | 0:28:29 | 0:28:31 | |
-£10,000? -She left it blank. So, I filled it in for her. | 0:28:36 | 0:28:40 | |
What's Tommy's diary looking like for the rest of the week? | 0:28:42 | 0:28:45 | |
Fuck Tommy and his cock and his gin... | 0:28:45 | 0:28:47 | |
..and his stuck-up whore. | 0:28:48 | 0:28:50 | |
I saved this. Read my leaves, Pol. | 0:28:52 | 0:28:55 | |
You haven't done my leaves in ages. | 0:28:55 | 0:28:58 | |
I haven't done anyone's leaves for ages. | 0:28:58 | 0:29:00 | |
OK. | 0:29:01 | 0:29:03 | |
Pour. | 0:29:04 | 0:29:05 | |
Swirl the teacup. | 0:29:10 | 0:29:12 | |
Think about the man you love. | 0:29:14 | 0:29:16 | |
Fuck him. | 0:29:16 | 0:29:18 | |
Think about your white wedding gown. | 0:29:18 | 0:29:21 | |
Now, pour the tea back into the pot. | 0:29:25 | 0:29:28 | |
OK, I'll read your tea leaves, | 0:29:29 | 0:29:32 | |
if you go and get Tommy's diary. | 0:29:32 | 0:29:35 | |
See if Tommy's got a free afternoon in the next seven days. | 0:29:55 | 0:29:58 | |
Friday. | 0:30:01 | 0:30:03 | |
Now, read my future and make it fucking good. | 0:30:03 | 0:30:06 | |
Make sure he keeps it free. | 0:30:06 | 0:30:09 | |
-Just read my leaves, Pol. -I already have. | 0:30:10 | 0:30:13 | |
Plain as day. | 0:30:15 | 0:30:17 | |
What are you doing? | 0:30:18 | 0:30:20 | |
Stop drinking whisky. Switch to stout. | 0:30:20 | 0:30:23 | |
Why? | 0:30:23 | 0:30:24 | |
Make sure Tommy keeps that Friday free. | 0:30:26 | 0:30:29 | |
Tell him I have an appointment for him. | 0:30:32 | 0:30:34 | |
And then go and see a doctor about that baby in your tea leaves. | 0:30:34 | 0:30:39 | |
GRUNTS | 0:31:15 | 0:31:17 | |
Next. | 0:31:19 | 0:31:20 | |
You're not at the fucking fairground now, son, | 0:31:20 | 0:31:23 | |
get down and skip me 200 for taking the piss out of a fine fighter. | 0:31:23 | 0:31:27 | |
-He's got a head on him, that boy. -And a fist. | 0:31:30 | 0:31:33 | |
So, what do you say, Mr Maine? | 0:31:34 | 0:31:36 | |
He works hard. He's game. | 0:31:36 | 0:31:38 | |
I'll need to work on his defence. | 0:31:38 | 0:31:40 | |
Right now, his left hand is just good for wanking... | 0:31:40 | 0:31:44 | |
You don't have to earn your money. | 0:31:44 | 0:31:46 | |
-We're paying you anyway. Is he ready? -Is he even registered? | 0:31:46 | 0:31:49 | |
I put him down as a welterweight, Midlands Division. | 0:31:52 | 0:31:55 | |
Amateur turning pro. | 0:31:55 | 0:31:56 | |
Just need your countersignature. | 0:31:56 | 0:31:58 | |
What, like, I'm going to say "no" to you boys... | 0:32:00 | 0:32:03 | |
Just tell us, is he ready? | 0:32:03 | 0:32:05 | |
In 30 years, I've never seen a raw boy so ready. | 0:32:09 | 0:32:13 | |
And that's 200, Mr Maine! | 0:32:15 | 0:32:17 | |
So, who am I fighting first, Mr Shelby? | 0:32:18 | 0:32:20 | |
When you step in the ring, Bonnie, | 0:32:22 | 0:32:24 | |
who do you see across the canvas, eh? | 0:32:24 | 0:32:27 | |
I see myself. | 0:32:27 | 0:32:29 | |
40 years old having done fuck all except tramping the lanes. | 0:32:29 | 0:32:33 | |
I see my life wasted. | 0:32:33 | 0:32:35 | |
I won't let it happen. | 0:32:35 | 0:32:37 | |
Me, I'm going to be a champion. | 0:32:38 | 0:32:40 | |
Karna kova booti's kerred, | 0:32:42 | 0:32:44 | |
tute will vel the kralis of the poov Romany chal. | 0:32:44 | 0:32:48 | |
Fight out at Camden Town. | 0:32:50 | 0:32:51 | |
Boy's name is Goliath. | 0:32:53 | 0:32:55 | |
He said he's at a meeting. | 0:33:17 | 0:33:19 | |
Yes, I was wondering, do you have any boots that I could borrow? | 0:33:19 | 0:33:22 | |
-Why do you need boots? -Well, no-one here will speak to me. | 0:33:22 | 0:33:26 | |
So, I thought I'd take a walk by the canal. | 0:33:26 | 0:33:28 | |
Is he really making gin? | 0:33:30 | 0:33:32 | |
He's going mad cooped up here, is what he is. | 0:33:32 | 0:33:34 | |
Like a wasp in a beer glass. | 0:33:34 | 0:33:36 | |
Ma'am. | 0:33:40 | 0:33:42 | |
You'll look a bit funny in these, I think. | 0:33:42 | 0:33:44 | |
THEY CHUCKLE | 0:33:44 | 0:33:45 | |
Oh, thank you, Curly. | 0:33:45 | 0:33:47 | |
If you're going to take a walk along the canal, you'll also need this. | 0:33:50 | 0:33:54 | |
Are you serious? | 0:33:54 | 0:33:56 | |
Italians north, Italians south. | 0:33:56 | 0:33:59 | |
He makes gin to take his mind off being stuck inside a prison. | 0:33:59 | 0:34:04 | |
If you had any sense, Mrs Carleton, you'd get out of here now. | 0:34:05 | 0:34:09 | |
Curly can sail you to Snow Hill Station, hidden in the coal sacks. | 0:34:09 | 0:34:12 | |
I said I would wait. | 0:34:15 | 0:34:16 | |
The man you're waiting for doesn't exist. | 0:34:16 | 0:34:19 | |
Wh-while you're waiting for the man who doesn't exist, | 0:34:22 | 0:34:24 | |
would you like to try some of his gin? | 0:34:24 | 0:34:26 | |
The strikers blocked the Coventry Road, | 0:34:40 | 0:34:44 | |
made all the men get off the buses. | 0:34:44 | 0:34:45 | |
Where were the police? | 0:34:47 | 0:34:49 | |
They were busy. | 0:34:50 | 0:34:51 | |
Apparently, there was a report of armed men in the Small Heath area, | 0:34:53 | 0:34:57 | |
and there was a murder at the Summer Lane hospital | 0:34:57 | 0:35:01 | |
and something happening on the Stratford Road. | 0:35:01 | 0:35:04 | |
The strikers threatened the men's families. | 0:35:06 | 0:35:09 | |
They said, come the revolution, their names would be on a list. | 0:35:09 | 0:35:12 | |
Like in Russia. | 0:35:12 | 0:35:13 | |
And the buses turned round. | 0:35:15 | 0:35:17 | |
Yes. They turned round. | 0:35:17 | 0:35:19 | |
Mr Shelby... | 0:35:40 | 0:35:42 | |
..factories are shut, | 0:35:43 | 0:35:45 | |
mines are shut, | 0:35:45 | 0:35:46 | |
coal's running out. | 0:35:46 | 0:35:48 | |
Did you ever consider the possibility | 0:35:50 | 0:35:52 | |
that the communists might win? | 0:35:52 | 0:35:54 | |
And you and me, traitors to our class, | 0:35:55 | 0:35:59 | |
will be put up against a wall and shot. | 0:35:59 | 0:36:02 | |
As a businessman... | 0:36:02 | 0:36:04 | |
..I consider all possibilities. | 0:36:05 | 0:36:06 | |
But, Mr Devlin... | 0:36:10 | 0:36:12 | |
..I'm not a traitor to my class. | 0:36:13 | 0:36:14 | |
Small Heath, 551. | 0:36:17 | 0:36:19 | |
I am just an extreme example of what a working man can achieve. | 0:36:25 | 0:36:30 | |
Hello, Ada, it's me. | 0:36:35 | 0:36:38 | |
I need your help. | 0:36:39 | 0:36:41 | |
# Hole in her sock where her toe poked through... # | 0:36:41 | 0:36:44 | |
Four o'clock. | 0:36:44 | 0:36:46 | |
Is it? | 0:36:48 | 0:36:50 | |
What do you think? | 0:36:50 | 0:36:52 | |
Nice. A little sweet. | 0:36:52 | 0:36:54 | |
I've heard not sweet enough. | 0:36:56 | 0:36:58 | |
Come and see. | 0:37:00 | 0:37:01 | |
My God, Tommy. | 0:37:11 | 0:37:13 | |
What is this, a hobby? | 0:37:14 | 0:37:16 | |
No. I don't really have time for hobbies. | 0:37:16 | 0:37:19 | |
This is more of a... | 0:37:20 | 0:37:22 | |
..more of a place where I try things out. | 0:37:23 | 0:37:25 | |
I decided, if I'm going to be stuck here in Small Heath, | 0:37:28 | 0:37:31 | |
I might as well do something useful... | 0:37:31 | 0:37:33 | |
Less of a hobby. | 0:37:35 | 0:37:36 | |
More of a venture. | 0:37:36 | 0:37:38 | |
Since the start of Prohibition, | 0:37:44 | 0:37:46 | |
I've been sending single malt Scotch whisky | 0:37:46 | 0:37:50 | |
to Boston, to Halifax, Nova Scotia, | 0:37:50 | 0:37:53 | |
hidden in crates of car parts. | 0:37:53 | 0:37:56 | |
SHE CHUCKLES | 0:37:56 | 0:37:57 | |
But my supply lines from Scotland have been unreliable, | 0:37:57 | 0:38:01 | |
there's been a lot of thefts. | 0:38:01 | 0:38:02 | |
And in this modern age, | 0:38:02 | 0:38:04 | |
American women drink as much booze as the men. | 0:38:04 | 0:38:07 | |
And women, apparently, prefer gin. | 0:38:07 | 0:38:10 | |
So, with the help of a friend of mine in Camden Town, | 0:38:12 | 0:38:15 | |
I've set up my own source of supply. | 0:38:15 | 0:38:17 | |
Junipers, potatoes... | 0:38:19 | 0:38:21 | |
..sugar and water. | 0:38:22 | 0:38:23 | |
All turned into US dollars. | 0:38:23 | 0:38:25 | |
When we're up and running, we'll produce over 200 gallons a week. | 0:38:28 | 0:38:32 | |
But before then... | 0:38:35 | 0:38:36 | |
..I need to get my recipe right. | 0:38:38 | 0:38:40 | |
So, tell me the truth. | 0:38:44 | 0:38:46 | |
The truth? | 0:39:00 | 0:39:01 | |
Mm-hm. | 0:39:01 | 0:39:02 | |
You're unlike any man I have ever met. | 0:39:04 | 0:39:06 | |
And the gin? | 0:39:08 | 0:39:10 | |
Too sweet. | 0:39:10 | 0:39:12 | |
You said you'd booked a room. | 0:39:32 | 0:39:33 | |
No, I booked a suite. | 0:39:34 | 0:39:36 | |
Thank you. | 0:39:39 | 0:39:40 | |
If you book a taxi, I'll go. | 0:39:42 | 0:39:44 | |
You're a businessman, Tommy. A good one. | 0:39:47 | 0:39:50 | |
If only you could... | 0:39:50 | 0:39:52 | |
If only I could what? | 0:39:52 | 0:39:53 | |
"If only you could change"? Go on, say it! | 0:39:55 | 0:39:58 | |
If only you could change the bad. | 0:39:58 | 0:40:00 | |
And "the good" is laying off 1,000 men. | 0:40:02 | 0:40:04 | |
Which I do, like a good businessman. | 0:40:04 | 0:40:06 | |
And I do it like that. | 0:40:06 | 0:40:08 | |
HE CLICKS FINGERS | 0:40:08 | 0:40:09 | |
And people go hungry. | 0:40:09 | 0:40:11 | |
And the bad... The bad's a fucking win on the horses and a gun | 0:40:11 | 0:40:17 | |
and some fucking self-respect. | 0:40:17 | 0:40:18 | |
You fucking people...! | 0:40:19 | 0:40:21 | |
You bite like your horse. | 0:40:26 | 0:40:28 | |
We don't trust taxis any more. | 0:40:34 | 0:40:35 | |
Come with me. | 0:40:37 | 0:40:39 | |
There you go, brother. | 0:40:48 | 0:40:50 | |
Home sweet home. | 0:40:51 | 0:40:53 | |
A place for you to bring women back, bring your mates. | 0:40:53 | 0:40:57 | |
Play games, gamble, cards... And you keep an eye on our back yard. | 0:40:57 | 0:41:04 | |
It's Artillery Square, | 0:41:04 | 0:41:06 | |
the place is full of communists and strikers. | 0:41:06 | 0:41:09 | |
Having a Shelby round here will keep them in order. | 0:41:09 | 0:41:12 | |
Light the fucking fire. | 0:41:14 | 0:41:16 | |
Take some of this shit off the walls. | 0:41:16 | 0:41:18 | |
Curly'll be over later with some poison for the rats. | 0:41:18 | 0:41:22 | |
Arthur? | 0:41:22 | 0:41:23 | |
This morning... | 0:41:25 | 0:41:26 | |
..I wouldn't have been able to pull that trigger. I know I wouldn't. | 0:41:28 | 0:41:32 | |
They would have just walked past. | 0:41:32 | 0:41:34 | |
I'm not John. | 0:41:35 | 0:41:36 | |
-I know I'm not. -All right. | 0:41:38 | 0:41:40 | |
All right, brother. | 0:41:42 | 0:41:44 | |
I know you're not. | 0:41:45 | 0:41:47 | |
I know. | 0:41:47 | 0:41:48 | |
In the end, it's God who pulls that fucking trigger anyway. | 0:41:50 | 0:41:55 | |
We don't get to decide who lives and who dies, Finn. | 0:41:55 | 0:42:00 | |
Not us. | 0:42:00 | 0:42:02 | |
You just have to flick a switch... | 0:42:05 | 0:42:08 | |
..in your head. | 0:42:09 | 0:42:11 | |
Charlie said it wasn't safe to walk by the canal. | 0:42:29 | 0:42:32 | |
He's right. | 0:42:32 | 0:42:33 | |
"Italians north and south," he said. | 0:42:33 | 0:42:37 | |
Nah, it's mostly chancers. | 0:42:37 | 0:42:40 | |
Local kids trying to get famous. | 0:42:40 | 0:42:44 | |
Sabini's boys. | 0:42:44 | 0:42:46 | |
Sheffield boys. Manchester, Glasgow. | 0:42:46 | 0:42:49 | |
They all know we're on the ropes. | 0:42:49 | 0:42:51 | |
And that's not including the Mafia. | 0:42:51 | 0:42:53 | |
Yeah. | 0:42:53 | 0:42:55 | |
Here's your carriage. | 0:42:55 | 0:42:56 | |
You can catch the 7.15 train. | 0:42:56 | 0:42:58 | |
I thought there was a strike. | 0:42:58 | 0:43:00 | |
What gave you that idea? | 0:43:00 | 0:43:02 | |
My God... | 0:43:03 | 0:43:05 | |
I know. The bad I can't help. | 0:43:06 | 0:43:08 | |
I wanted you to stay. | 0:43:10 | 0:43:11 | |
Normally, I get me own way. | 0:43:13 | 0:43:14 | |
Losing, occasionally, makes me worse. | 0:43:16 | 0:43:18 | |
Thank you, Curly. | 0:43:28 | 0:43:30 | |
She looks a picture in my boots, doesn't she, Tom? | 0:43:32 | 0:43:34 | |
Walk her to the train, Curly. | 0:43:34 | 0:43:36 | |
Yeah. | 0:43:36 | 0:43:38 | |
-WOMAN: -Not a minute on the day, not a penny off the pay. | 0:43:40 | 0:43:42 | |
This talk of national austerity, | 0:43:42 | 0:43:44 | |
this talk of tightening our belts | 0:43:44 | 0:43:47 | |
must be met with resolute certainty. | 0:43:47 | 0:43:49 | |
We will not accept any cuts in pay. | 0:43:49 | 0:43:52 | |
We will not accept working longer hours for the same wage! | 0:43:52 | 0:43:57 | |
Shoulder to shoulder with the coalminers, dock workers, | 0:43:57 | 0:44:00 | |
railway men and steel workers, | 0:44:00 | 0:44:03 | |
we will stand united through the storm | 0:44:03 | 0:44:06 | |
that is surely coming to our city! | 0:44:06 | 0:44:08 | |
CHEERING | 0:44:08 | 0:44:09 | |
CHATTER | 0:44:20 | 0:44:22 | |
Jessie Eden? | 0:44:25 | 0:44:27 | |
Yes? | 0:44:27 | 0:44:28 | |
I'd like to buy you a drink. | 0:44:28 | 0:44:30 | |
I'm afraid the pubs around here don't allow unaccompanied female drinkers. | 0:44:30 | 0:44:34 | |
I'm sure we'll be fine. | 0:44:34 | 0:44:36 | |
I know you from somewhere. | 0:44:36 | 0:44:38 | |
I'm Ada Thorne. | 0:44:38 | 0:44:39 | |
Formerly Shelby. | 0:44:41 | 0:44:42 | |
I have a settlement proposition | 0:44:43 | 0:44:45 | |
that my brother's too arrogant and proud to offer to you in person. | 0:44:45 | 0:44:49 | |
HUM OF CONVERSATION | 0:44:52 | 0:44:54 | |
SILENCE DESCENDS | 0:44:59 | 0:45:00 | |
Sorry, ladies, we don't... | 0:45:00 | 0:45:03 | |
Don't what? | 0:45:05 | 0:45:06 | |
It's all right. I'm sorry. I didn't... | 0:45:08 | 0:45:10 | |
"What are you drinking, ladies?" That's what you're supposed to say. | 0:45:10 | 0:45:13 | |
Yes. Sorry. | 0:45:13 | 0:45:15 | |
Er, what are you drinking? | 0:45:15 | 0:45:16 | |
Beer. Pint. | 0:45:16 | 0:45:18 | |
And a whisky on ice. | 0:45:18 | 0:45:20 | |
I'm afraid we don't have ice. | 0:45:20 | 0:45:22 | |
Next time make sure you have ice. | 0:45:22 | 0:45:25 | |
This pub's come to our attention for its lack of ice. | 0:45:25 | 0:45:28 | |
There's more than one way to achieve equality. | 0:45:40 | 0:45:43 | |
Before you begin to congratulate yourself, | 0:45:46 | 0:45:48 | |
I'm not impressed with your power to terrify people. | 0:45:48 | 0:45:53 | |
Whereas I am impressed by your ability to stand up | 0:45:53 | 0:45:55 | |
in front of an audience and speak. | 0:45:55 | 0:45:58 | |
I was never able to do it. | 0:45:58 | 0:46:00 | |
I've heard people talk about you. | 0:46:00 | 0:46:02 | |
You used to advocate armed revolution... | 0:46:02 | 0:46:04 | |
Shelby Company Limited is prepared to offer parity | 0:46:04 | 0:46:07 | |
for male and female workers across all the factories in our ownership | 0:46:07 | 0:46:11 | |
and withdraw the pay cut for men. | 0:46:11 | 0:46:13 | |
In return for what? | 0:46:13 | 0:46:15 | |
In return for something very unusual. | 0:46:19 | 0:46:22 | |
But very typical of my brother. | 0:46:22 | 0:46:24 | |
What does he want? | 0:46:24 | 0:46:26 | |
To sit down with you and talk. | 0:46:26 | 0:46:28 | |
If he withdraws his pay cut, we've no need to talk. | 0:46:28 | 0:46:32 | |
He wants to talk about socialism and revolution. | 0:46:32 | 0:46:34 | |
Dear God, are you serious? | 0:46:36 | 0:46:38 | |
My brother's a bookmaker. | 0:46:38 | 0:46:40 | |
Bookmakers hedge their bets. | 0:46:40 | 0:46:42 | |
Sometimes long shots come in. | 0:46:42 | 0:46:44 | |
And because we emptied his buses today, | 0:46:44 | 0:46:46 | |
he thinks we are among the runners and riders? | 0:46:46 | 0:46:48 | |
Beneath it all, my brother's a very rational man. | 0:46:48 | 0:46:51 | |
Beneath all what? You mean, beneath the beatings, | 0:46:51 | 0:46:53 | |
-the cuttings, the shootings, the murders... -Yeah. Beneath all that. | 0:46:53 | 0:46:57 | |
Tell your brother that, when we take power, | 0:46:59 | 0:47:02 | |
all means of production will be owned by the workers. | 0:47:02 | 0:47:05 | |
Essential industries will be taken into state control. | 0:47:05 | 0:47:08 | |
Birmingham Town Hall is a rather beautiful building | 0:47:08 | 0:47:10 | |
and we plan to preserve it. | 0:47:10 | 0:47:11 | |
What else does he need to know? | 0:47:11 | 0:47:14 | |
It's going to happen. | 0:47:16 | 0:47:18 | |
Aren't you a bit sorry you jumped ship too soon? | 0:47:21 | 0:47:23 | |
He wants to take you for dinner. | 0:47:25 | 0:47:26 | |
I really have nothing to wear. | 0:47:26 | 0:47:29 | |
You'd need to wear boots. | 0:47:29 | 0:47:31 | |
He's suggesting dinner in a scrap metal yard. | 0:47:31 | 0:47:34 | |
He said you'd appreciate the sentiment. | 0:47:34 | 0:47:36 | |
If you don't show up, the offer of parity is withdrawn. | 0:47:39 | 0:47:42 | |
-This is not how you conduct union business. -Well... | 0:47:44 | 0:47:47 | |
..we must all make personal sacrifices for the good of the good old cause. | 0:47:47 | 0:47:51 | |
Right? | 0:47:51 | 0:47:53 | |
VEHICLE PULLS UP | 0:47:59 | 0:48:01 | |
Right. | 0:48:09 | 0:48:11 | |
Fucking hell, it smells of pig round here, don't it? | 0:48:17 | 0:48:19 | |
Definitely not kosher. | 0:48:21 | 0:48:23 | |
"Come to Small Heath, | 0:48:26 | 0:48:28 | |
"you will go to hell... for fucking breathing." | 0:48:28 | 0:48:32 | |
-Where is everyone? -CAR DOOR OPENS | 0:48:35 | 0:48:38 | |
-Stretch your legs, treacle... -CAR SPRINGS GROAN | 0:48:38 | 0:48:40 | |
Fuck me, looks like he's grown since we left London. | 0:48:40 | 0:48:43 | |
-He's like a mushroom, in't he? He grows in the dark. -I need a piss. | 0:48:43 | 0:48:46 | |
Do ya? Yeah, well, the place is a shithole. | 0:48:46 | 0:48:49 | |
Yeah, so, why don't you just knock yourself out? | 0:48:49 | 0:48:51 | |
Where is everyone? | 0:48:54 | 0:48:55 | |
Ishmael, please, will you hit the call to prayer? | 0:48:59 | 0:49:02 | |
CAR HORN HONKS | 0:49:04 | 0:49:06 | |
Well, hit it! | 0:49:07 | 0:49:08 | |
HORN HONKS | 0:49:08 | 0:49:10 | |
Thank you. Thank you. | 0:49:13 | 0:49:15 | |
HORN BLARES | 0:49:15 | 0:49:18 | |
HORN STOPS | 0:49:34 | 0:49:36 | |
-Morning, Alfie. -Yeah, it is, it is. | 0:49:36 | 0:49:39 | |
So, how come everybody's in fucking bed? | 0:49:39 | 0:49:42 | |
So, this must be Goliath. | 0:49:43 | 0:49:45 | |
Right. | 0:49:45 | 0:49:47 | |
Let me introduce you to David. | 0:49:47 | 0:49:49 | |
This way, boys. | 0:49:49 | 0:49:51 | |
I assume that David's out of bed?! | 0:49:51 | 0:49:54 | |
Oh, right, the problem, right, between rum and gin, yeah, | 0:49:56 | 0:50:01 | |
is that gin, right, it leads to the melancholy. | 0:50:01 | 0:50:04 | |
Whereas rum incites violence, | 0:50:04 | 0:50:07 | |
it also allows you to be liberated from your self-doubt. | 0:50:07 | 0:50:11 | |
I hear you're probably more in need of the old rum | 0:50:11 | 0:50:14 | |
at the moment, rather than gin, mate. | 0:50:14 | 0:50:17 | |
FLUTTERING ABOVE | 0:50:17 | 0:50:19 | |
Oh, dear. Brother, you've got fucking starlings, mate. | 0:50:19 | 0:50:22 | |
You know that? That shit will rot your pipework. | 0:50:22 | 0:50:25 | |
-These bastards only understand one language... -It's all right, Alfie. | 0:50:25 | 0:50:28 | |
There is no need. | 0:50:28 | 0:50:30 | |
It's all right, I'm, er... I'm getting a kestrel. | 0:50:30 | 0:50:33 | |
I hear that you've got Italians, mate. | 0:50:33 | 0:50:36 | |
-You got a kestrel for them and all? -Yes. | 0:50:36 | 0:50:39 | |
I'll have a kestrel for them, as well. | 0:50:39 | 0:50:41 | |
Well, everything is confirmed, in't it? | 0:50:41 | 0:50:44 | |
Yeah, weakness behind the eyes, | 0:50:45 | 0:50:48 | |
didn't to blink too much, all right? | 0:50:48 | 0:50:50 | |
You smell of smoke | 0:50:50 | 0:50:54 | |
and coal and horses. | 0:50:54 | 0:50:57 | |
You are back where you belong, Tommy. | 0:50:57 | 0:50:59 | |
I know you don't touch it. But you have a good nose. | 0:51:00 | 0:51:03 | |
Right, well, you've got to ask yourself, seriously, though, | 0:51:04 | 0:51:07 | |
you know, did I even want to piss and shit indoors? | 0:51:07 | 0:51:10 | |
Or was I actually born that I were to defecate in fields | 0:51:10 | 0:51:13 | |
and the outhouses. This is a serious issue though, Tommy. | 0:51:13 | 0:51:16 | |
Cos your people, your class | 0:51:16 | 0:51:19 | |
and my religion is quiet similar actually | 0:51:19 | 0:51:21 | |
because you just cannot wash it out, | 0:51:21 | 0:51:23 | |
right, because it come out your mother's tits. | 0:51:23 | 0:51:26 | |
Hm, no. | 0:51:28 | 0:51:30 | |
The Americans want it sweeter. | 0:51:30 | 0:51:32 | |
What have you heard, Alfie? | 0:51:35 | 0:51:36 | |
-I heard a copper got shot. Who shot him? -My kestrel. | 0:51:36 | 0:51:39 | |
Right, I'll up the stakes, very good. | 0:51:39 | 0:51:42 | |
Where are the Sicilians? | 0:51:42 | 0:51:44 | |
They're still using Sabini for vehicles and for places to stay. | 0:51:44 | 0:51:49 | |
-And reinforcements? -Ah, no, | 0:51:49 | 0:51:50 | |
they're Sicilians, aren't they, they don't trust nobody | 0:51:50 | 0:51:53 | |
who ain't fucked a goat on the morning of their first pubic hair. | 0:51:53 | 0:51:55 | |
They've got traditions. | 0:51:55 | 0:51:57 | |
-How many are here? -11. | 0:51:58 | 0:52:00 | |
Enough to drop a man who wrapped his balls in an OBE till they fell off. | 0:52:00 | 0:52:05 | |
Well, the real question is, Alfie, | 0:52:07 | 0:52:10 | |
which side are you playing for, eh? | 0:52:10 | 0:52:12 | |
No. | 0:52:12 | 0:52:14 | |
Fucking hell. | 0:52:14 | 0:52:16 | |
What kind of world is it to bring up children | 0:52:16 | 0:52:18 | |
when your own mate can ask you that question, hey? | 0:52:18 | 0:52:21 | |
But the truth is, Tommy, you're going to be fucking dead soon. | 0:52:21 | 0:52:24 | |
Yeah, and then, your starlings, right, | 0:52:24 | 0:52:26 | |
they will peck out your blue eyes, won't they, | 0:52:26 | 0:52:29 | |
and the jackdaws, they will steal your gold and your medals, | 0:52:29 | 0:52:32 | |
and pretty soon, it'll be as if | 0:52:32 | 0:52:33 | |
you'd never even fucking happened, right? | 0:52:33 | 0:52:35 | |
-Tommy, here... There are men approaching. -Yeah, let 'em pass. | 0:52:35 | 0:52:39 | |
Right, you tell Darby Sabini from me, | 0:52:41 | 0:52:43 | |
that if the Italians win, they're not planning on leaving. | 0:52:43 | 0:52:46 | |
After me, it'll be him, | 0:52:46 | 0:52:48 | |
then you, then the Titanic. | 0:52:48 | 0:52:50 | |
They're the fucking Mafia, Alfie. | 0:52:50 | 0:52:51 | |
They've come here and can't believe our coppers are unarmed. | 0:52:51 | 0:52:54 | |
They can distil their liquor and it's not against the law. | 0:52:54 | 0:52:58 | |
They've come here and they like what they see. | 0:52:58 | 0:53:00 | |
They're coming and they're here to stay. | 0:53:00 | 0:53:02 | |
Mr Shelby? We've come to talk purse for the fight. | 0:53:02 | 0:53:07 | |
Your kestrel? Hm? | 0:53:07 | 0:53:09 | |
Tommy, when a pikey walks in with hair like that, | 0:53:09 | 0:53:12 | |
you've got to ask yourself, "Have I made a mistake?" | 0:53:12 | 0:53:14 | |
-Who the fuck are you? -Who the fuck am I? | 0:53:14 | 0:53:16 | |
Who the fuck is this? | 0:53:16 | 0:53:18 | |
I, my friend... | 0:53:18 | 0:53:20 | |
I am the uncle, the protector and the promoter | 0:53:20 | 0:53:24 | |
of that fucking thing right there, | 0:53:24 | 0:53:26 | |
in whose shadow nothing good nor godly will ever fucking grow. | 0:53:26 | 0:53:31 | |
That, there, right, is the Southern Counties Welterweight Champion. | 0:53:31 | 0:53:35 | |
He is of mixed religion, therefore he is godless. | 0:53:35 | 0:53:38 | |
He was adopted by Satan himself, | 0:53:38 | 0:53:40 | |
before he was returned out of fear of his awkwardness, | 0:53:40 | 0:53:42 | |
he is impossible to marry off, due to his lethal dimensions. | 0:53:42 | 0:53:46 | |
his mother terrified, she's fucking abandoned him. | 0:53:46 | 0:53:48 | |
And there he is, stood before you, | 0:53:48 | 0:53:50 | |
like the first of some brand-new fucking species! | 0:53:50 | 0:53:53 | |
Any man that you put before him, | 0:53:58 | 0:54:00 | |
right, it'd be like entering a fucking threshing machine, mate. | 0:54:00 | 0:54:03 | |
Now...will you offer your son? | 0:54:05 | 0:54:08 | |
Name the day, Mr Shelby. | 0:54:17 | 0:54:18 | |
-That's me finished for the weekend, Tommy? -Yeah. | 0:55:01 | 0:55:05 | |
Your mother wants me to go to the Foundation. Prize-giving. | 0:55:05 | 0:55:08 | |
Just you? | 0:55:10 | 0:55:11 | |
Just me. | 0:55:14 | 0:55:15 | |
Why? | 0:55:16 | 0:55:18 | |
No reason. | 0:55:18 | 0:55:19 | |
No reason. | 0:55:19 | 0:55:21 | |
No reason. | 0:55:23 | 0:55:24 | |
Bye, Michael. | 0:55:27 | 0:55:28 | |
Tommy? | 0:55:31 | 0:55:32 | |
Yeah? | 0:55:35 | 0:55:36 | |
Have a good weekend. | 0:55:40 | 0:55:41 | |
MUSIC: Beat The Devil's Tattoo by Black Rebel Motorcycle Club | 0:55:48 | 0:55:53 | |
# On a gathering storm | 0:57:14 | 0:57:16 | |
# Comes a tall, handsome man | 0:57:16 | 0:57:18 | |
# In a dusty, black coat | 0:57:18 | 0:57:20 | |
# With a red right hand. # | 0:57:20 | 0:57:23 |