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If the Italians win, they're not leaving. | 0:00:02 | 0:00:03 | |
They're coming and they're here to stay. | 0:00:03 | 0:00:05 | |
The intelligence services in London sent seven officers to Birmingham. | 0:00:05 | 0:00:08 | |
At the top of their list is Ada Thorne. | 0:00:08 | 0:00:10 | |
Alfie Solomons runs the fighter. He says it's money for nothing. | 0:00:10 | 0:00:13 | |
That there is the Southern Counties welterweight champion. | 0:00:13 | 0:00:16 | |
Name the day, Mr Shelby. | 0:00:16 | 0:00:18 | |
Stop drinking whisky, switch to stout, | 0:00:18 | 0:00:21 | |
then go and see a doctor about that baby. | 0:00:21 | 0:00:23 | |
Make sure Tommy keeps that Friday free. | 0:00:23 | 0:00:25 | |
Tell him I have an appointment for him. | 0:00:25 | 0:00:28 | |
You've agreed to give up Tommy... | 0:00:28 | 0:00:29 | |
..to save my life. | 0:00:29 | 0:00:30 | |
This programme contains some violent scenes and very strong language | 0:00:32 | 0:00:37 | |
# Take a little walk to the edge of town | 0:00:42 | 0:00:46 | |
# And go across the tracks | 0:00:46 | 0:00:49 | |
# Where a viaduct looms like a bird of doom | 0:00:52 | 0:00:57 | |
# As it shifts and cracks | 0:00:57 | 0:01:01 | |
# Where secrets lie in the border fires | 0:01:03 | 0:01:08 | |
# In the humming wires | 0:01:08 | 0:01:11 | |
# Hey, man, you know you're never coming back | 0:01:11 | 0:01:14 | |
# Past the square, past the bridge | 0:01:14 | 0:01:17 | |
# Past the mills... # | 0:01:17 | 0:01:19 | |
Shoot out his tyres. | 0:01:19 | 0:01:20 | |
But remember, I fire the final shot! | 0:01:25 | 0:01:27 | |
# On a gathering storm comes a tall handsome man | 0:01:27 | 0:01:30 | |
# In a dusty black coat with a red right hand | 0:01:30 | 0:01:36 | |
# Red right hand | 0:01:40 | 0:01:42 | |
# Red right hand... # | 0:01:45 | 0:01:48 | |
Stay inside, love! | 0:02:15 | 0:02:17 | |
AUTOMATIC GUNFIRE | 0:02:26 | 0:02:28 | |
GUN CLICKS | 0:02:43 | 0:02:44 | |
Come on! | 0:02:45 | 0:02:46 | |
Go. Go. Go! | 0:03:00 | 0:03:01 | |
Come on! | 0:03:15 | 0:03:17 | |
It's all right, love. It's all right. Come inside. Come inside. | 0:03:31 | 0:03:34 | |
Stay inside, don't come out. | 0:03:34 | 0:03:36 | |
GUN CLICKS | 0:04:24 | 0:04:25 | |
DOOR OPENS | 0:04:42 | 0:04:43 | |
Get away from the window. | 0:04:45 | 0:04:47 | |
Right, stay inside and stay down. | 0:04:47 | 0:04:49 | |
BABY CRIES | 0:04:59 | 0:05:00 | |
Everyone, stay indoors, stay down! | 0:05:02 | 0:05:05 | |
By order of the Peaky Blinders! | 0:05:05 | 0:05:07 | |
Come on! | 0:05:07 | 0:05:08 | |
DOOR OPENS | 0:05:54 | 0:05:55 | |
Come here. | 0:05:59 | 0:06:01 | |
Which way? Which way did he go? | 0:06:10 | 0:06:12 | |
You sure? | 0:06:16 | 0:06:18 | |
MUFFLED VOICES BELOW | 0:06:49 | 0:06:50 | |
FOOTSTEPS ABOVE | 0:07:06 | 0:07:07 | |
GUNFIRE | 0:07:10 | 0:07:12 | |
Oi! | 0:07:48 | 0:07:49 | |
Luca. | 0:07:56 | 0:07:57 | |
TRANSLATION: | 0:07:57 | 0:07:58 | |
No! | 0:07:58 | 0:07:59 | |
HE GROANS | 0:08:10 | 0:08:11 | |
GUN CLICKS | 0:08:36 | 0:08:38 | |
SHOUTING IN ITALIAN | 0:08:38 | 0:08:40 | |
Hey, I know you own the cops in this dirty | 0:08:44 | 0:08:48 | |
fucking town, but you'll be dead before they get here! | 0:08:48 | 0:08:52 | |
Come on. Me and you, Tommy, come on! | 0:08:53 | 0:08:58 | |
GUNSHOTS AND SHOUTING | 0:09:39 | 0:09:40 | |
Enough! I said enough! | 0:10:02 | 0:10:04 | |
I said enough! Now get out of it! | 0:10:04 | 0:10:08 | |
Go on. Enough! | 0:10:08 | 0:10:11 | |
What the fuck are you doing here? | 0:10:11 | 0:10:13 | |
Saving your life. | 0:10:13 | 0:10:15 | |
Or his. I'm a police officer, Tommy, | 0:10:15 | 0:10:18 | |
I'm a fucking police officer, right? Doing my duty. | 0:10:18 | 0:10:22 | |
Stopping all this! | 0:10:22 | 0:10:23 | |
There's three bodies need cleaning up. | 0:10:27 | 0:10:30 | |
No. Enough. | 0:10:30 | 0:10:32 | |
Tell the people who live in these houses | 0:10:32 | 0:10:35 | |
that they are free to go about their lawful business. | 0:10:35 | 0:10:39 | |
Tell them that the rule of law has been restored. | 0:10:39 | 0:10:43 | |
Haven't you heard, Tommy? Hey? | 0:10:45 | 0:10:47 | |
Soldiers are coming. | 0:10:47 | 0:10:49 | |
Do you know, I remember the very first time | 0:11:23 | 0:11:25 | |
you head butted a policeman. | 0:11:25 | 0:11:27 | |
And after you got your OBE from the King, | 0:11:27 | 0:11:29 | |
I didn't think there'd be a next time. | 0:11:29 | 0:11:31 | |
What do you think you're going to tell Arthur? | 0:11:40 | 0:11:42 | |
I'll tell him the truth. | 0:11:44 | 0:11:45 | |
They're here. | 0:11:49 | 0:11:51 | |
So. What the fuck happened today, Tom? | 0:12:11 | 0:12:17 | |
We all heard - shooting in Artillery Square. | 0:12:18 | 0:12:21 | |
Yeah, there was. | 0:12:21 | 0:12:22 | |
Today I killed three men. | 0:12:24 | 0:12:25 | |
Now our enemies are down to eight. | 0:12:27 | 0:12:29 | |
I suppose they, er, I suppose they took you by surprise, did they? | 0:12:32 | 0:12:37 | |
No. I knew they were coming. | 0:12:37 | 0:12:38 | |
Just after Christmas, I received a letter from Luca Changretta... | 0:12:40 | 0:12:45 | |
..offering to spare my son if I gave up Tommy... | 0:12:47 | 0:12:49 | |
..and I gave Tommy up. | 0:12:50 | 0:12:52 | |
Because that was the plan that Polly and I agreed on. | 0:12:52 | 0:12:55 | |
I knew that Luca would want to pull the trigger himself, | 0:12:55 | 0:12:59 | |
so I used the set-up as bait to bring him here. | 0:12:59 | 0:13:02 | |
You're a fucking idiot, Tom! | 0:13:03 | 0:13:05 | |
Look, I didn't get Luca but I got three, all right? That's it. | 0:13:05 | 0:13:09 | |
That's what happened. | 0:13:09 | 0:13:10 | |
FOOTSTEPS | 0:13:10 | 0:13:11 | |
-Come here, you. -Aye, but he's right, ah. | 0:13:11 | 0:13:13 | |
I mean, I thought you'd gone soft. | 0:13:13 | 0:13:15 | |
So you got three? | 0:13:16 | 0:13:18 | |
Yeah, I got three. | 0:13:18 | 0:13:19 | |
Well, I'll drink to you, Tom, you mad bastard. | 0:13:19 | 0:13:22 | |
Pretty soon you'll... You're going to get the shakes | 0:13:30 | 0:13:34 | |
when your blood cools down. Let's go and get a drink. | 0:13:34 | 0:13:38 | |
Dad? You got three what? | 0:13:38 | 0:13:40 | |
I got three shillings for a two shilling horse, my boy. | 0:13:40 | 0:13:45 | |
You come with us, eh? | 0:13:45 | 0:13:46 | |
DOOR OPENS | 0:14:10 | 0:14:11 | |
You want a drink, Lizzie? I've had a hard day. | 0:14:15 | 0:14:18 | |
I don't drink whisky or gin any more, Tom. | 0:14:20 | 0:14:23 | |
Why not? | 0:14:23 | 0:14:24 | |
Because they say it harms the baby. | 0:14:27 | 0:14:28 | |
Yes, it can only be yours. | 0:14:36 | 0:14:38 | |
That day by the canal | 0:14:38 | 0:14:40 | |
when you were fucking somebody else in your head. | 0:14:40 | 0:14:43 | |
Except it wasn't her who got pregnant. | 0:14:43 | 0:14:45 | |
Have a seat, Lizzie. | 0:14:52 | 0:14:54 | |
All right, I know a woman, Lizzie... | 0:15:08 | 0:15:10 | |
You know lots of women, Tommy. | 0:15:10 | 0:15:12 | |
If you don't know this already, you don't know me - | 0:15:12 | 0:15:15 | |
I'm keeping it. | 0:15:15 | 0:15:17 | |
Who's going to run my fucking office? | 0:15:19 | 0:15:21 | |
You'll find somebody. | 0:15:24 | 0:15:26 | |
Well, you'd better put a fucking advert in the paper, then. | 0:15:27 | 0:15:33 | |
I'm not laid up yet. | 0:15:33 | 0:15:35 | |
You'll not go to work with a child of mine inside of you. | 0:15:36 | 0:15:39 | |
Fuck, now my hand shakes... | 0:15:43 | 0:15:45 | |
It's OK, Tom. We'll be OK. | 0:15:47 | 0:15:50 | |
All this death, Lizzie. Fuck, let's have some life, eh? | 0:15:54 | 0:15:59 | |
I got three. | 0:16:06 | 0:16:08 | |
I know, Tom. | 0:16:09 | 0:16:10 | |
One of them point-blank. | 0:16:14 | 0:16:16 | |
A baby. A little you and me. | 0:16:17 | 0:16:20 | |
Point-blank, Lizzie. | 0:16:24 | 0:16:25 | |
And he looked up at me. | 0:16:28 | 0:16:30 | |
You'll get an allowance... | 0:16:43 | 0:16:44 | |
..every week, from the company. | 0:16:45 | 0:16:47 | |
Business is booming. | 0:16:48 | 0:16:49 | |
We'll, erm, buy a nice house, eh? | 0:16:49 | 0:16:52 | |
Come on, I'll drive you home. | 0:16:54 | 0:16:56 | |
I'm just looking. | 0:17:36 | 0:17:38 | |
Hm? | 0:18:17 | 0:18:18 | |
FOOTSTEPS ON STAIRS | 0:18:30 | 0:18:31 | |
-DOOR OPENS Fuck! -Linda? | 0:18:34 | 0:18:37 | |
Arthur, you scared me to death. | 0:18:37 | 0:18:39 | |
Linda, oh... | 0:18:39 | 0:18:42 | |
Linda, I need you to save me...again. | 0:18:44 | 0:18:47 | |
You're drunk...again. | 0:18:47 | 0:18:50 | |
I'm drunk again. | 0:18:50 | 0:18:51 | |
I am drunk again. | 0:18:53 | 0:18:54 | |
I need you to save me. | 0:18:57 | 0:18:59 | |
Tell me what you said to me this morning. | 0:19:01 | 0:19:04 | |
Tell me. Tell me again. | 0:19:04 | 0:19:06 | |
Tell me, say it. Say it. | 0:19:07 | 0:19:10 | |
Tell me. | 0:19:10 | 0:19:11 | |
We will be back in our garden | 0:19:12 | 0:19:15 | |
before the time comes to plant anything out. | 0:19:15 | 0:19:18 | |
Just one winter. | 0:19:21 | 0:19:22 | |
Just one winter. | 0:19:23 | 0:19:25 | |
Come to bed, Arthur. | 0:19:32 | 0:19:33 | |
They're coming, boys. | 0:19:40 | 0:19:42 | |
No! No! No fucking way! | 0:20:09 | 0:20:14 | |
You've never eaten hedgehog, Michael? | 0:20:14 | 0:20:16 | |
I'm getting back in this car. | 0:20:17 | 0:20:19 | |
Michael, you're number two on Luca Changretta's hit list. | 0:20:19 | 0:20:22 | |
Yeah, and I'll stay in a hotel. | 0:20:22 | 0:20:24 | |
You stay in a hotel, I'll know where you are, | 0:20:24 | 0:20:27 | |
so will the people who take you there, | 0:20:27 | 0:20:29 | |
so will the people who work in the hotel, | 0:20:29 | 0:20:31 | |
and hotels don't move around. | 0:20:31 | 0:20:33 | |
They don't even know where they'll be tomorrow. | 0:20:34 | 0:20:36 | |
They follow the Patrin and the crows. | 0:20:36 | 0:20:39 | |
And if anyone should come for you, Michael, | 0:20:39 | 0:20:40 | |
the Palmers and the Boswells will put up a fair fight. | 0:20:40 | 0:20:44 | |
Take your medicine. | 0:20:47 | 0:20:48 | |
-I'll take them. -Your painkillers... | 0:20:50 | 0:20:53 | |
The healers up there will heal you much quicker. | 0:20:53 | 0:20:56 | |
Fucking witches, the lot of them. | 0:20:57 | 0:20:59 | |
Show some respect, Mr Gray. | 0:20:59 | 0:21:01 | |
They have agreed to welcome you on account of your blood. | 0:21:01 | 0:21:04 | |
Take your medicine, take the gun. | 0:21:11 | 0:21:15 | |
I won't be able to contact you, so you phone me. | 0:21:16 | 0:21:20 | |
We'll make a plan. | 0:21:21 | 0:21:23 | |
Tommy says it won't be long. Then we'll be free. | 0:21:26 | 0:21:30 | |
You might learn something. | 0:21:39 | 0:21:41 | |
Tell them your grandmother was a Gypsy princess, | 0:21:43 | 0:21:47 | |
name of Birdie Boswell. | 0:21:47 | 0:21:49 | |
You're royalty up there, Michael. | 0:21:51 | 0:21:53 | |
Is that true, Mrs Gray? | 0:22:07 | 0:22:09 | |
What? Don't I look like royalty? | 0:22:10 | 0:22:14 | |
Now that you mention it, you do. | 0:22:14 | 0:22:16 | |
I've been cooped up in Small Heath too long. | 0:22:24 | 0:22:26 | |
I can smell Spring in the air. | 0:22:29 | 0:22:30 | |
Do you know a longer way back, Mr Gold? | 0:22:36 | 0:22:39 | |
I know ways back that would take forever. | 0:22:41 | 0:22:44 | |
Get in, Your Majesty. | 0:22:45 | 0:22:47 | |
# When your work is over | 0:23:00 | 0:23:04 | |
# Your day is done | 0:23:06 | 0:23:09 | |
# Put down your hammer... # | 0:23:11 | 0:23:14 | |
I thought you were a busy woman. | 0:23:14 | 0:23:16 | |
Do you have time for this? | 0:23:18 | 0:23:20 | |
Is it a buck? | 0:23:20 | 0:23:22 | |
It is a buck. | 0:23:22 | 0:23:23 | |
Good. Bucks taste better. | 0:23:24 | 0:23:27 | |
In the smoke I'm 16 again. | 0:23:36 | 0:23:38 | |
You know, when the police were after him, our dad used to take us out. | 0:23:42 | 0:23:45 | |
We'd be gone for days, living on what he caught. | 0:23:45 | 0:23:47 | |
Oh, do you have a sharp knife? | 0:23:50 | 0:23:53 | |
I heard you have second sight. | 0:24:05 | 0:24:06 | |
I heard that you speak with the dead. | 0:24:09 | 0:24:11 | |
Yes. | 0:24:14 | 0:24:15 | |
Your wife is often around you. | 0:24:19 | 0:24:22 | |
She watches you. | 0:24:22 | 0:24:23 | |
Is she watching me now? | 0:24:26 | 0:24:27 | |
No. | 0:24:34 | 0:24:36 | |
Your family were healers? | 0:24:40 | 0:24:42 | |
Yeah, a long time ago. | 0:24:42 | 0:24:44 | |
Came back when I put my head in the noose. | 0:24:47 | 0:24:50 | |
It's like putting your head through a window and seeing the whole world. | 0:24:53 | 0:24:57 | |
Give me the rabbit... | 0:25:00 | 0:25:01 | |
..and the knife. | 0:25:03 | 0:25:04 | |
You know, Polly, I believe it's you who's kept Tommy Shelby alive | 0:25:09 | 0:25:16 | |
all these years. | 0:25:16 | 0:25:17 | |
Oh, we've kept each other alive. | 0:25:17 | 0:25:19 | |
But I didn't just put my head through that window... | 0:25:23 | 0:25:25 | |
..I climbed through it. | 0:25:27 | 0:25:29 | |
First I thought it was madness, but no. | 0:25:31 | 0:25:33 | |
When you've put your head out of that window | 0:25:35 | 0:25:38 | |
you can do anything you want, cos there are no rules... | 0:25:38 | 0:25:44 | |
..cos there are no risks. | 0:25:47 | 0:25:49 | |
Now give me the knife. | 0:25:55 | 0:25:57 | |
Now, come here. | 0:26:14 | 0:26:16 | |
I can do whatever I want... | 0:26:22 | 0:26:24 | |
..whenever the mood takes me. | 0:26:25 | 0:26:27 | |
And you are a strong, handsome man... | 0:26:29 | 0:26:31 | |
..and this is a beautiful place in the world... | 0:26:33 | 0:26:35 | |
..and it is this time... | 0:26:37 | 0:26:41 | |
But let me make one thing clear, Mr Gold, | 0:26:55 | 0:26:58 | |
I just gave Michael a little speech | 0:26:58 | 0:26:59 | |
about how no-one would know how to find him... | 0:26:59 | 0:27:02 | |
..but you'd know how to get him. | 0:27:03 | 0:27:04 | |
If any harm comes to Michael, you shall have me as your enemy. | 0:27:05 | 0:27:09 | |
And none of your knives can kill me. | 0:27:11 | 0:27:13 | |
Do you understand? | 0:27:17 | 0:27:19 | |
Oh, I understand. | 0:27:20 | 0:27:21 | |
Mr Solomons? | 0:28:21 | 0:28:22 | |
Hm! | 0:28:22 | 0:28:24 | |
My little cousin was born blind, | 0:28:26 | 0:28:29 | |
but as a result I now donate a considerable sum of money | 0:28:29 | 0:28:33 | |
to a charity which gives dogs with eyes to blind Jews. | 0:28:33 | 0:28:38 | |
The chairman of the board recommends that those of us | 0:28:40 | 0:28:45 | |
who were blessed with the gift of sight, | 0:28:45 | 0:28:48 | |
that we spend, you know, | 0:28:48 | 0:28:49 | |
at least half an hour of our day with our eyes closed | 0:28:49 | 0:28:53 | |
so that we may, well, we may better understand the, er... | 0:28:53 | 0:28:56 | |
..the darkness and also to increase our donations and that. | 0:28:58 | 0:29:03 | |
What time is it? | 0:29:06 | 0:29:07 | |
-29 minutes past eight. -Right. | 0:29:11 | 0:29:13 | |
Well, then I have...I have another minute to go, actually, | 0:29:13 | 0:29:16 | |
but you, er, you can begin. | 0:29:16 | 0:29:20 | |
Go on. | 0:29:20 | 0:29:21 | |
I'm Luca Changretta. | 0:29:32 | 0:29:34 | |
Oh, yeah, I know who you are. | 0:29:34 | 0:29:36 | |
You are a bit of a failure, aren't you? | 0:29:36 | 0:29:39 | |
You come all the way over here to this country | 0:29:39 | 0:29:42 | |
in order to kill Tommy Shelby, | 0:29:42 | 0:29:45 | |
but, I mean, well, he's not dead, is he? | 0:29:45 | 0:29:49 | |
-So... -No. | 0:29:49 | 0:29:51 | |
-No. -He ain't. | 0:29:51 | 0:29:53 | |
How much time have I got left, mate? | 0:29:53 | 0:29:55 | |
Ten seconds, nine seconds, | 0:29:58 | 0:30:01 | |
eight seconds... | 0:30:01 | 0:30:02 | |
..five, four, three, two, one. | 0:30:04 | 0:30:10 | |
Right, hello. How can I help you? | 0:30:12 | 0:30:18 | |
I have a proposition for you. | 0:30:22 | 0:30:23 | |
Hmm, yeah, it's... I already know what you want, yeah, | 0:30:23 | 0:30:27 | |
but I just want to hear you say it out loud | 0:30:27 | 0:30:30 | |
so I can check how ridiculous it is. | 0:30:30 | 0:30:33 | |
OK. | 0:30:44 | 0:30:45 | |
We hear there's going to be a little fight, you know, | 0:30:47 | 0:30:50 | |
a boxing match, | 0:30:50 | 0:30:51 | |
between your boy and Tommy Shelby's boy, in Birmingham. | 0:30:51 | 0:30:55 | |
Yep. | 0:30:55 | 0:30:56 | |
And the whole Shelby family's going to be there. | 0:30:56 | 0:31:01 | |
And you, Mr Solomons, you too will be there. | 0:31:01 | 0:31:05 | |
That's it. I'll tell you what, right? | 0:31:09 | 0:31:12 | |
Here's a gift, it's free - a souvenir of your visit here. | 0:31:12 | 0:31:17 | |
Goodbye, trot on. Down there is Bonnie Street. | 0:31:17 | 0:31:21 | |
You know, they say you are a smart guy. | 0:31:28 | 0:31:30 | |
You already know what we want before we say it. | 0:31:32 | 0:31:34 | |
That's funny cos now | 0:31:36 | 0:31:37 | |
I believe I know what you want even before you say it. | 0:31:37 | 0:31:43 | |
So, you going to taste it? | 0:31:45 | 0:31:46 | |
Damn fucking straight, mate, | 0:32:05 | 0:32:06 | |
otherwise you wouldn't still be thieving my oxygen, would you? | 0:32:06 | 0:32:09 | |
Because I have 200 barrels a month, yeah, | 0:32:09 | 0:32:11 | |
cleared by your people, distributed through your teamsters. | 0:32:11 | 0:32:16 | |
Thing is that people want gin these days. | 0:32:16 | 0:32:18 | |
Well, the exit is still out there, right, on Bonnie Street. Yeah? | 0:32:20 | 0:32:26 | |
You're fucking crazy, you know that? 200 barrels, ah? | 0:32:28 | 0:32:32 | |
What do you think, cousin? | 0:32:35 | 0:32:38 | |
But also I want some cash... | 0:32:38 | 0:32:40 | |
..bung work. That's why I've broken it down here - | 0:32:41 | 0:32:43 | |
a list of costs pertaining to the assassination | 0:32:43 | 0:32:47 | |
of a dear friend, all right? | 0:32:47 | 0:32:48 | |
Now, a normal dispatch, well, it's, you know, £500 cost. | 0:32:48 | 0:32:53 | |
But you're going to have to add another 100 to that | 0:32:53 | 0:32:56 | |
because Tommy Shelby, like me, is from an oppressed people, | 0:32:56 | 0:33:01 | |
and I need you to put another tonne on top of that | 0:33:01 | 0:33:04 | |
because his brother is a fucking animal and he will come after me. | 0:33:04 | 0:33:08 | |
And then you will need to put another 100 on top of that | 0:33:08 | 0:33:12 | |
because, well, you are a fucking wop, mate, hmmm? | 0:33:12 | 0:33:18 | |
And you. | 0:33:19 | 0:33:21 | |
And then we've got to deal with the ugly business, | 0:33:22 | 0:33:25 | |
which I've been incredibly clear of before. | 0:33:25 | 0:33:28 | |
I will need another £500, | 0:33:28 | 0:33:30 | |
because, like I stated, Tommy Shelby | 0:33:30 | 0:33:32 | |
is a very, very good friend of mine. | 0:33:32 | 0:33:35 | |
Total... | 0:33:37 | 0:33:38 | |
..is down there in black and white, all right? Crack on. | 0:33:38 | 0:33:41 | |
It's OK. | 0:33:41 | 0:33:42 | |
Mr Solomons, I'm going to be very fucking clear with you. | 0:33:44 | 0:33:49 | |
I don't need you to kill anybody. | 0:33:51 | 0:33:54 | |
I have people that I trust. | 0:33:54 | 0:33:56 | |
So, you're going to take my boys | 0:33:56 | 0:33:58 | |
and you're going to bring them to the ring as seconds. | 0:33:58 | 0:34:01 | |
Well, in order to qualify as my seconds | 0:34:02 | 0:34:05 | |
they would first have to qualify as being Jewish. | 0:34:05 | 0:34:07 | |
Yeah? | 0:34:07 | 0:34:09 | |
And in order to do that, they would have to replace their natural | 0:34:09 | 0:34:12 | |
Italian fucking arrogance with a Jewish air of absolute certainty. | 0:34:12 | 0:34:18 | |
See, my good friend Thomas Shelby, he will know the difference. | 0:34:18 | 0:34:21 | |
These days, back in the old country, a lot of the, er, you know, | 0:34:22 | 0:34:28 | |
the Jewish people, they, er... | 0:34:28 | 0:34:30 | |
..they are having to pass themselves off as Italian. | 0:34:34 | 0:34:37 | |
Right, well, you will have to add another tonne on to your bill | 0:34:38 | 0:34:42 | |
for being a cunt, mate. | 0:34:42 | 0:34:43 | |
All right? | 0:34:45 | 0:34:46 | |
You will bring my men to Birmingham? | 0:34:51 | 0:34:55 | |
You will circumcise them. | 0:34:57 | 0:34:59 | |
You will have to circumcise them because the Peakys will check. | 0:35:01 | 0:35:05 | |
Yeah? | 0:35:05 | 0:35:06 | |
OK. Any other request, eh? | 0:35:11 | 0:35:15 | |
200 fucking barrels, we have a deal. | 0:35:15 | 0:35:18 | |
Nah. | 0:35:21 | 0:35:23 | |
-What going on? -Oh, well. | 0:35:24 | 0:35:27 | |
I said we have a deal. | 0:35:27 | 0:35:29 | |
Aye, you've just made a deal without negotiation, didn't you? | 0:35:29 | 0:35:32 | |
Yeah, Tommy Shelby was right about you, weren't he? | 0:35:36 | 0:35:38 | |
Ada Shelby? | 0:36:10 | 0:36:11 | |
No. | 0:36:12 | 0:36:13 | |
She was armed when we picked her up, sir, so we strip searched her. | 0:36:36 | 0:36:39 | |
-That'll be all. -Yes, sir. | 0:36:39 | 0:36:42 | |
I apologise, Miss Shelby, | 0:36:42 | 0:36:44 | |
the Territorials can be over zealous. | 0:36:44 | 0:36:48 | |
Your men watched. | 0:36:49 | 0:36:50 | |
Then they will be reprimanded. | 0:36:50 | 0:36:52 | |
They won't see Saturday. | 0:36:52 | 0:36:53 | |
A naked woman, alone, making threats against the entire British Army - | 0:36:55 | 0:36:59 | |
a significant indicator of character. | 0:36:59 | 0:37:02 | |
I'll turn my back while you dress and perhaps we can talk. | 0:37:06 | 0:37:09 | |
I have a dossier on each member of your family. | 0:37:11 | 0:37:14 | |
I know your family's extraordinary history. | 0:37:15 | 0:37:18 | |
Ah, fuck you. | 0:37:18 | 0:37:19 | |
I also have a totally blank page on which together | 0:37:19 | 0:37:22 | |
we can write your family's immediate future. | 0:37:22 | 0:37:24 | |
You rehearsed your speech - | 0:37:25 | 0:37:27 | |
significant indicator of a lack of confidence. | 0:37:27 | 0:37:30 | |
-What rank are you? -Colonel. May I turn...? | 0:37:30 | 0:37:33 | |
Not unless you want to get blinded. | 0:37:33 | 0:37:36 | |
I'm sorry. This has got off to a bad start. | 0:37:36 | 0:37:38 | |
What is "this"? | 0:37:40 | 0:37:41 | |
Three days ago you were seen at a meeting | 0:37:41 | 0:37:43 | |
for the Stetchford Communist Party. | 0:37:43 | 0:37:45 | |
You were then seen talking to a woman called Jessie Eden. | 0:37:45 | 0:37:48 | |
Turn around. | 0:37:49 | 0:37:50 | |
I'm leaving. | 0:37:56 | 0:37:58 | |
And you can burn this. It's history. | 0:38:00 | 0:38:03 | |
Ada Shelby. | 0:38:06 | 0:38:08 | |
A person of interest and under the surveillance of Special Branch | 0:38:08 | 0:38:12 | |
since you joined the Birmingham Communist Party in June 1919. | 0:38:12 | 0:38:15 | |
I'm no longer a member of the Communist Party. | 0:38:17 | 0:38:19 | |
I know. Irrelevant. | 0:38:19 | 0:38:21 | |
Most of the more active subversives | 0:38:22 | 0:38:24 | |
shed their official allegiances to avoid detection. | 0:38:24 | 0:38:27 | |
Look, OK, let me explain it to you. | 0:38:28 | 0:38:31 | |
I'm no longer a member of the Communist Party | 0:38:31 | 0:38:34 | |
because I'm no longer a believer in the cause of socialism. | 0:38:34 | 0:38:36 | |
Now, open that door! | 0:38:36 | 0:38:38 | |
So, in the past, you were blinded by love. | 0:38:38 | 0:38:42 | |
No, blinded by faith. I believed people deserve justice. They don't. | 0:38:44 | 0:38:51 | |
So, you've arrested me because I had a drink with Jessie Eden. | 0:38:52 | 0:38:56 | |
Whisky with ice for you, and a beer for her. | 0:38:56 | 0:39:00 | |
I met Jessie Eden to settle an industrial dispute. | 0:39:04 | 0:39:06 | |
Head of acquisitions. So, you've swapped sides. | 0:39:08 | 0:39:11 | |
If you know what I drink, you know what I do for a living. | 0:39:11 | 0:39:15 | |
Mrs Shelby, you must understand that these are extraordinary times. | 0:39:15 | 0:39:20 | |
A general strike is certain, an attempted revolution perhaps, | 0:39:20 | 0:39:24 | |
soldiers on the streets very soon. | 0:39:24 | 0:39:26 | |
They're already drilling. | 0:39:26 | 0:39:28 | |
And here stands you, a woman with her foot in both camps. | 0:39:29 | 0:39:34 | |
Potentially very useful. | 0:39:35 | 0:39:36 | |
Useful to who? | 0:39:38 | 0:39:39 | |
Maybe you should ask your brother, Thomas. | 0:39:41 | 0:39:43 | |
Put some fucking effort into it, son. | 0:39:59 | 0:40:01 | |
The fight is in two days. | 0:40:01 | 0:40:02 | |
Get used to the reach. | 0:40:04 | 0:40:06 | |
Get used to the long arm on him. | 0:40:06 | 0:40:08 | |
Just get under it! | 0:40:11 | 0:40:13 | |
That's it, under his body. | 0:40:16 | 0:40:17 | |
Talk to me about Colonel Ben Younger. | 0:40:29 | 0:40:31 | |
What about him? | 0:40:35 | 0:40:37 | |
He's just made me a proposition. | 0:40:37 | 0:40:39 | |
You're in my chair. | 0:40:43 | 0:40:45 | |
He said you knew about it. | 0:40:45 | 0:40:47 | |
And, remember, I know when you're lying. | 0:40:49 | 0:40:52 | |
Ben Younger was an officer | 0:40:52 | 0:40:53 | |
with the Warwickshire Yeomanry in Flanders. | 0:40:53 | 0:40:57 | |
The only cavalryman who could ride a fucking horse. | 0:41:00 | 0:41:03 | |
I was strip searched. | 0:41:03 | 0:41:05 | |
Two soldiers watched. | 0:41:08 | 0:41:10 | |
I'm sorry, Ada. | 0:41:11 | 0:41:13 | |
The arrest was so the neighbours would see and word would go round. | 0:41:18 | 0:41:22 | |
Younger is all right. | 0:41:22 | 0:41:23 | |
Younger came to me for help. | 0:41:28 | 0:41:30 | |
He's been given Birmingham. | 0:41:34 | 0:41:36 | |
"Given Birmingham" by who? | 0:41:36 | 0:41:38 | |
By Churchill, by the fucking King, | 0:41:39 | 0:41:43 | |
by people who want to stop a revolution. | 0:41:43 | 0:41:47 | |
No-one's laughing any more, Ada. | 0:41:47 | 0:41:48 | |
The Home Office is making provisions. | 0:41:50 | 0:41:53 | |
This is part of those provisions. | 0:41:54 | 0:41:55 | |
And how is Tommy Shelby OBE going to stop a revolution? | 0:41:57 | 0:42:01 | |
Jessie Eden has accepted my invitation to dinner. | 0:42:02 | 0:42:05 | |
Ah. Of course! | 0:42:05 | 0:42:06 | |
I'm sorry, Tommy Shelby is going to stop the revolution with his cock! | 0:42:06 | 0:42:10 | |
It's not her the military are interested in, | 0:42:12 | 0:42:15 | |
it's the people around her. | 0:42:15 | 0:42:17 | |
They're people like you used to be, like Freddie used to be. | 0:42:17 | 0:42:21 | |
People who want an armed revolution. | 0:42:22 | 0:42:24 | |
If I get Jessie Eden's trust... | 0:42:26 | 0:42:28 | |
..she gives me the nose of the instigators... | 0:42:29 | 0:42:31 | |
..I give 'em up to the Crown forces. | 0:42:32 | 0:42:35 | |
Tommy, Tommy, sweetheart... | 0:42:35 | 0:42:37 | |
..why would a man whose medals rust | 0:42:38 | 0:42:40 | |
at the bottom of the Saltley canal want to help the British military? | 0:42:40 | 0:42:43 | |
Because I've been offered three five-year contracts to supply | 0:42:48 | 0:42:55 | |
military vehicles to the British forces | 0:42:55 | 0:42:57 | |
in India, Ceylon, Singapore and Burma, | 0:42:57 | 0:43:01 | |
total value - £2 million. | 0:43:01 | 0:43:04 | |
And there'll be no strikes in your factory | 0:43:07 | 0:43:09 | |
because Jessie Eden will be in your bed. | 0:43:09 | 0:43:11 | |
Tommy, this can only happen if you're still alive. | 0:43:14 | 0:43:17 | |
I'm planning on staying alive. | 0:43:17 | 0:43:19 | |
If I'm dead, you can all go back to being what you were. | 0:43:20 | 0:43:23 | |
The British Army came to me, Ada. | 0:43:27 | 0:43:29 | |
I said, "Why not?" | 0:43:32 | 0:43:34 | |
They'll put that on your grave, Tom. | 0:43:37 | 0:43:39 | |
'Tommy Shelby - "Why not?"' | 0:43:41 | 0:43:45 | |
Are you going to help me or not? | 0:43:49 | 0:43:51 | |
Other way round. | 0:44:13 | 0:44:15 | |
Will they want music, Charlie? | 0:44:23 | 0:44:25 | |
We have that gramophone | 0:44:25 | 0:44:26 | |
we found abandoned inside that gentleman's car. | 0:44:26 | 0:44:28 | |
No, they don't. Tommy said they're here to talk. | 0:44:28 | 0:44:31 | |
DOOR OPENS | 0:44:31 | 0:44:32 | |
Charlie, Curly, this is Jessie Eden. | 0:44:41 | 0:44:43 | |
Jessie, this is my Uncle Charlie and my...whatever Curly is. | 0:44:45 | 0:44:49 | |
This is actually lovely. | 0:44:49 | 0:44:51 | |
We were just wondering if you'd like some music. | 0:44:51 | 0:44:53 | |
-No, we weren't. -Actually, Jessie likes music. | 0:44:53 | 0:44:56 | |
Don't go to any trouble. | 0:44:56 | 0:44:57 | |
No, Curly, go to some trouble. | 0:44:57 | 0:44:59 | |
Go on, then. | 0:45:01 | 0:45:02 | |
Right... | 0:45:09 | 0:45:10 | |
Don't I get a choice? | 0:45:28 | 0:45:30 | |
I want an opinion. Try it. | 0:45:30 | 0:45:32 | |
I don't really drink gin. | 0:45:39 | 0:45:41 | |
Then you're perfect. | 0:45:41 | 0:45:42 | |
My gin is for women that don't really drink gin. | 0:45:42 | 0:45:45 | |
Your gin? | 0:45:45 | 0:45:46 | |
Let's drink to something. You choose. | 0:45:46 | 0:45:50 | |
To the revolution. | 0:45:52 | 0:45:54 | |
Why not? | 0:45:56 | 0:45:58 | |
-To the revolution. -The revolution. | 0:45:58 | 0:46:00 | |
Right, well, since I invited you for dinner, I thought I'd cook. | 0:46:03 | 0:46:06 | |
These two beauties were shot this morning | 0:46:07 | 0:46:10 | |
by a poacher friend of mine on Lord Packwood's estate. | 0:46:10 | 0:46:14 | |
I thought you'd like that. | 0:46:14 | 0:46:16 | |
And these here, these were stolen from under his trees. | 0:46:16 | 0:46:21 | |
Mr Shelby... | 0:46:25 | 0:46:27 | |
..I came to talk business. | 0:46:27 | 0:46:29 | |
Yes, so did I. | 0:46:29 | 0:46:31 | |
Wage cuts withdrawn, | 0:46:37 | 0:46:39 | |
parity between men and women guaranteed. | 0:46:39 | 0:46:41 | |
You can instruct your members to return to work tomorrow. | 0:46:41 | 0:46:44 | |
And all I have to do in return | 0:46:46 | 0:46:48 | |
is tell you everything I know about socialism. | 0:46:48 | 0:46:50 | |
That's what your sister said. | 0:46:51 | 0:46:53 | |
You don't like your gin? | 0:46:54 | 0:46:56 | |
It's OK. | 0:46:58 | 0:46:59 | |
It's OK? | 0:47:00 | 0:47:02 | |
What do you want to know about the cause? | 0:47:04 | 0:47:06 | |
I'm approaching the current political crisis | 0:47:10 | 0:47:13 | |
as I would approach a horse race... | 0:47:13 | 0:47:16 | |
..assessing the runners and the riders. | 0:47:18 | 0:47:21 | |
Now, the favourite is, of course, the King's horse. | 0:47:24 | 0:47:27 | |
But the King's horse was also the favourite in 1913, | 0:47:27 | 0:47:32 | |
when Emily Davison threw herself in front of it. | 0:47:32 | 0:47:35 | |
You know the names of suffragettes. I'm impressed. | 0:47:35 | 0:47:40 | |
Everyone laughed at them at first, but now look - | 0:47:40 | 0:47:43 | |
women with serious faces everywhere. | 0:47:43 | 0:47:45 | |
When I study a horse race, I study form. | 0:47:49 | 0:47:52 | |
And then the other horse, | 0:47:52 | 0:47:53 | |
the one who wants to beat the King's horse... | 0:47:53 | 0:47:56 | |
Let's call her Dangerous, shall we? | 0:47:58 | 0:48:01 | |
..she's no form. | 0:48:01 | 0:48:03 | |
That's what makes her so dangerous. | 0:48:03 | 0:48:04 | |
Russia. Isn't that form? | 0:48:04 | 0:48:08 | |
No, the Russians aren't like the English. We're beer, they're petrol. | 0:48:08 | 0:48:12 | |
That's why I invited you here for dinner. | 0:48:13 | 0:48:16 | |
I'm guessing you know people... | 0:48:16 | 0:48:19 | |
..people that want to make this fight real, | 0:48:20 | 0:48:23 | |
with guns and ammunition. | 0:48:23 | 0:48:24 | |
So, before I place a bet on who's going to win, | 0:48:26 | 0:48:29 | |
I need to know how strong they are... | 0:48:29 | 0:48:31 | |
..how serious they are. | 0:48:32 | 0:48:33 | |
Your concern is that if the unthinkable happened... | 0:48:35 | 0:48:38 | |
..you would find yourself on the wrong side of the barricades. | 0:48:39 | 0:48:42 | |
Well, as you can see, | 0:48:43 | 0:48:46 | |
my natural side of the barricades is the same as yours. | 0:48:46 | 0:48:49 | |
And, as you know, I once believed. | 0:48:49 | 0:48:54 | |
But the war changed you. | 0:48:55 | 0:48:57 | |
Yeah. | 0:48:59 | 0:49:00 | |
The man I loved couldn't speak when he got back. | 0:49:04 | 0:49:06 | |
Not one word. | 0:49:07 | 0:49:08 | |
I've said very few true words since. | 0:49:11 | 0:49:13 | |
The men who blew the whistles in France are our enemy. | 0:49:15 | 0:49:18 | |
And you count yourself among those who want a real fight? | 0:49:20 | 0:49:23 | |
I do. | 0:49:23 | 0:49:25 | |
Well, well. | 0:49:25 | 0:49:27 | |
Yes. Not just in my dreams, in the day now. | 0:49:27 | 0:49:30 | |
And you're not alone. | 0:49:32 | 0:49:33 | |
I am not alone. | 0:49:34 | 0:49:35 | |
Well, well. | 0:49:37 | 0:49:39 | |
I have researched you. We have researched you. | 0:49:41 | 0:49:46 | |
You have never been a friend of the Government. | 0:49:47 | 0:49:50 | |
They have used you. | 0:49:50 | 0:49:52 | |
And I imagine you have found out already | 0:49:53 | 0:49:55 | |
that no amount of money allows you to pass through the steel sheets | 0:49:55 | 0:49:58 | |
that separate class from class. | 0:49:58 | 0:50:00 | |
Yes. Yes, that I have learnt. | 0:50:03 | 0:50:07 | |
Men like you would terrify them - | 0:50:09 | 0:50:11 | |
a man better than them at what they do. | 0:50:11 | 0:50:14 | |
Would I change the odds, do you think? | 0:50:16 | 0:50:19 | |
It's all wound up, Tom. | 0:50:24 | 0:50:25 | |
Er, you just put the needle on and let it spin. | 0:50:25 | 0:50:29 | |
And there are some popular records. | 0:50:29 | 0:50:30 | |
-WHISPERS: -Mostly romantic. | 0:50:30 | 0:50:32 | |
Thank you, Curly. | 0:50:34 | 0:50:35 | |
Food's nearly ready. | 0:50:42 | 0:50:43 | |
Let's eat before we dance, shall we? | 0:50:45 | 0:50:48 | |
So we're going to dance? | 0:50:49 | 0:50:50 | |
I think so. | 0:50:52 | 0:50:54 | |
MUSIC PLAYS | 0:51:01 | 0:51:02 | |
I swear to God. | 0:51:06 | 0:51:07 | |
She gave me sixpence and she sends me to the shop | 0:51:07 | 0:51:09 | |
for margarine, eggs and bread. | 0:51:09 | 0:51:13 | |
And I came back... | 0:51:13 | 0:51:14 | |
With a top hat and a coconut? | 0:51:14 | 0:51:16 | |
That was all our money we had for the whole fucking week | 0:51:16 | 0:51:20 | |
and my mum beat me with a fucking frying pan. | 0:51:20 | 0:51:23 | |
Why the hell did you buy a top hat and a coconut? | 0:51:23 | 0:51:25 | |
Cos I thought she deserved it. I thought we all did. | 0:51:25 | 0:51:30 | |
And I could never understand why people like us | 0:51:30 | 0:51:34 | |
only had bread and fucking lard... | 0:51:34 | 0:51:36 | |
..and I wanted to be different. That's what I wanted. | 0:51:38 | 0:51:42 | |
And you are. | 0:51:45 | 0:51:46 | |
Well... | 0:51:48 | 0:51:49 | |
When I showed you that photo of Greta Jurossi, your face changed. | 0:51:51 | 0:51:55 | |
MUSIC STOPS | 0:51:58 | 0:51:59 | |
She wanted everything to be different - | 0:51:59 | 0:52:03 | |
the whole world. | 0:52:03 | 0:52:04 | |
As do I. | 0:52:05 | 0:52:07 | |
Shall we have some more music? | 0:52:11 | 0:52:13 | |
You were married but she was killed. | 0:52:20 | 0:52:22 | |
Bye-bye Blackbird reminds you of your sweetheart, eh? | 0:52:27 | 0:52:30 | |
Yes. | 0:52:31 | 0:52:32 | |
Right, fast or slow? | 0:52:34 | 0:52:36 | |
Better be slow. I'd better just sit. | 0:52:36 | 0:52:38 | |
I'm drunk. | 0:52:38 | 0:52:39 | |
RECORD CRACKLES | 0:52:41 | 0:52:42 | |
MUSIC PLAYS | 0:52:42 | 0:52:43 | |
Come on. | 0:52:45 | 0:52:46 | |
# I'm a young girl and have just come over | 0:52:48 | 0:52:52 | |
# Over from the country where they do things big | 0:52:52 | 0:52:58 | |
# And amongst the boys I've got me a lover | 0:53:00 | 0:53:04 | |
# And since I've got a lover I just don't care a fig... # | 0:53:04 | 0:53:10 | |
Will you help us, Tommy? | 0:53:10 | 0:53:12 | |
Soon. Soon. | 0:53:51 | 0:53:54 | |
Arrange a meeting with the appropriate people | 0:53:58 | 0:54:03 | |
and I'll be there. | 0:54:03 | 0:54:05 | |
Vinny, come on, boy. Get over here, you lazy bastard! | 0:54:17 | 0:54:22 | |
Here, want some of that? | 0:54:22 | 0:54:23 | |
The, er, room is clean, Mr Shelby. | 0:54:27 | 0:54:29 | |
Right. Lock it all down. | 0:54:29 | 0:54:31 | |
All right, boys, lock it down. | 0:54:33 | 0:54:35 | |
No weapons! No admission if you've any weapon. | 0:54:43 | 0:54:47 | |
Go on! | 0:54:53 | 0:54:54 | |
Arthur! | 0:54:57 | 0:54:59 | |
-Can I open the book? -Right, open it up. You! | 0:55:00 | 0:55:03 | |
Gentlemen. | 0:55:10 | 0:55:11 | |
Now, you listen to me, you put all your money on the gold, you hear me? | 0:55:11 | 0:55:15 | |
It's fucking fight night. | 0:55:15 | 0:55:16 | |
Come on, boys, and place your bets with me, Honest Johnny Dogs. | 0:55:22 | 0:55:29 | |
The only show in town, in order of our special constable brothers, | 0:55:29 | 0:55:34 | |
the Peaky fucking Blinders. | 0:55:34 | 0:55:37 | |
Bonnie boy. Here we go, boy. Bring out that fucking tiger. | 0:55:52 | 0:55:57 | |
Go on. | 0:55:57 | 0:55:59 | |
Tiger's already out. | 0:55:59 | 0:56:00 | |
Fair enough. | 0:56:00 | 0:56:01 | |
Bonnie. | 0:56:03 | 0:56:04 | |
Mr Shelby will give you a 20% cut | 0:56:04 | 0:56:06 | |
if you put Goliath down in the fourth round. | 0:56:06 | 0:56:08 | |
Been caged up too long, brother. | 0:56:08 | 0:56:11 | |
If the women are going to have fun, so am I. | 0:56:14 | 0:56:16 | |
# On a gathering storm comes a tall handsome man | 0:57:30 | 0:57:34 | |
# In a dusty black coat with a red right hand... # | 0:57:34 | 0:57:38 |