Browse content similar to The Company. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes and very strong language. | 0:00:02 | 0:00:04 | |
I just got served a black hand. | 0:00:04 | 0:00:06 | |
Everybody will have got one. They're coming for us all. | 0:00:06 | 0:00:08 | |
These men will not leave our city until our whole family is dead. | 0:00:08 | 0:00:11 | |
This was all my fault. It was me that shot the old man. John's dead because of me. | 0:00:11 | 0:00:14 | |
Within a four-mile radius of the Garrison, every man is a guard and a soldier for us. | 0:00:14 | 0:00:17 | |
We're going back, back to Small Heath. That's how it works. | 0:00:17 | 0:00:21 | |
An eye for an eye. It's called a vendetta. | 0:00:21 | 0:00:23 | |
We are an organization... | 0:00:23 | 0:00:26 | |
run different, I imagine. | 0:00:26 | 0:00:27 | |
None of you will survive. | 0:00:27 | 0:00:29 | |
And how is Tommy Shelby OBE going to stop a revolution? | 0:00:29 | 0:00:34 | |
If I get Jessie Eden's trust, | 0:00:34 | 0:00:35 | |
she gives me the names of the instigators, and I give them up to the Crown forces. | 0:00:35 | 0:00:39 | |
I want you to help my son achieve his ambition. | 0:00:39 | 0:00:42 | |
You're a Peaky Blinder now, son. | 0:00:42 | 0:00:44 | |
We control him on the book, control the odds. | 0:00:44 | 0:00:46 | |
We've got a lot going on though, Tom. | 0:00:46 | 0:00:48 | |
That's why it'll be good to have the kid around. | 0:00:48 | 0:00:50 | |
Mr Shelby will give you a 20% cut | 0:00:50 | 0:00:52 | |
if you put Goliath down in the fourth round. | 0:00:52 | 0:00:54 | |
So you're going to take my boys, and you're going to bring them to the ring as seconds? | 0:00:54 | 0:00:59 | |
Yeah, Tommy Shelby was right about you, wasn't he? | 0:00:59 | 0:01:01 | |
# Take a walk to the edge of town and go across the tracks | 0:01:21 | 0:01:27 | |
# Where the viaduct looms like a bird of doom | 0:01:30 | 0:01:35 | |
# As it shifts and cracks | 0:01:35 | 0:01:40 | |
# Where secrets lie in the border fires | 0:01:40 | 0:01:45 | |
# In the humming wires | 0:01:45 | 0:01:48 | |
# Hey, man, you're never coming back | 0:01:48 | 0:01:51 | |
# Past the square, past the bridge Past the mills, past the stacks | 0:01:51 | 0:01:57 | |
# On a gathering storm comes a tall, handsome man | 0:02:00 | 0:02:05 | |
# In a dusty, black coat with a red right hand | 0:02:05 | 0:02:11 | |
# Red right hand | 0:02:15 | 0:02:18 | |
# The red right hand. # | 0:02:20 | 0:02:24 | |
CROWD CHEERS AND SHOUTS | 0:02:28 | 0:02:36 | |
GASPING | 0:02:44 | 0:02:46 | |
Yeah, you're like me, Tommy. | 0:02:47 | 0:02:49 | |
You can't bear to watch a fight which has got rules. | 0:02:49 | 0:02:52 | |
Tommy, imagine... | 0:02:56 | 0:02:59 | |
imagine that you could not see at all, | 0:02:59 | 0:03:04 | |
you was born blind. | 0:03:04 | 0:03:06 | |
Then, one day, | 0:03:07 | 0:03:09 | |
you open up your eyes | 0:03:09 | 0:03:11 | |
and you can see everything in the world... | 0:03:11 | 0:03:17 | |
..when before you could only touch it or smell it. | 0:03:18 | 0:03:23 | |
There it is - the revelation, innit? | 0:03:25 | 0:03:30 | |
I've had one. | 0:03:34 | 0:03:35 | |
Yeah, I saw a beautiful house down in Margate. | 0:03:37 | 0:03:40 | |
A great big white building. Monkey puzzle tree against the sky blue. | 0:03:40 | 0:03:46 | |
Beautiful. A piece of heaven, actually. | 0:03:47 | 0:03:50 | |
You can see the way the Earth curves, and I thought to myself, | 0:03:50 | 0:03:54 | |
Alfie, you know, what...what are you doing? What are you doing? | 0:03:54 | 0:04:01 | |
Why don't you just sell every ounce of gold | 0:04:01 | 0:04:04 | |
and sell every barrel of rum you got and just buy yourself some time, mate? | 0:04:04 | 0:04:08 | |
I need to buy myself some time. | 0:04:11 | 0:04:14 | |
You're moving to Margate? | 0:04:16 | 0:04:17 | |
I am, actually, yeah. I need to get myself some rest. | 0:04:17 | 0:04:20 | |
I need some rest. | 0:04:20 | 0:04:21 | |
Plus, the Americans are here now, aren't they? | 0:04:23 | 0:04:25 | |
So, well, that's it, yeah. | 0:04:25 | 0:04:28 | |
It's been that way ever since the war, innit, the Americans? | 0:04:28 | 0:04:31 | |
Big fucks small... | 0:04:32 | 0:04:36 | |
..always, actually. | 0:04:38 | 0:04:39 | |
There is a fight going on out there between big and small. | 0:04:42 | 0:04:47 | |
Big will fuck small. | 0:04:50 | 0:04:53 | |
Right! Margate, then. Blue skies, heaven. | 0:04:58 | 0:05:02 | |
I will see you, Tommy, by the pier. | 0:05:06 | 0:05:11 | |
Stay and watch the fight, Alfie. | 0:05:14 | 0:05:16 | |
No, you're all right. I already know who wins, don't I? | 0:05:18 | 0:05:23 | |
Ta-ra! | 0:05:32 | 0:05:33 | |
-BELL RINGS -Round one. | 0:05:46 | 0:05:49 | |
SHOUTING | 0:05:56 | 0:06:00 | |
Fight, you bastard! | 0:06:15 | 0:06:17 | |
SHOUTING | 0:06:24 | 0:06:28 | |
Bonnie... Bonnie. | 0:06:31 | 0:06:33 | |
Don't you touch it, Charlie. | 0:06:33 | 0:06:35 | |
I know he's a big bastard, but you got to... | 0:06:41 | 0:06:43 | |
-Where's Solomons? -Apparently he doesn't watch. | 0:06:43 | 0:06:46 | |
Look at that corner, look. The men there, they don't know fighters. | 0:06:46 | 0:06:50 | |
I don't like it... You feel it though, Tom, don't you? | 0:06:50 | 0:06:54 | |
I feel it. We're all right. We're surrounded by soldiers, Arthur. | 0:06:54 | 0:06:58 | |
Alfie's men were strip-searched, we're all right. | 0:06:58 | 0:07:01 | |
Right, come on, gypsy boy, let's go. | 0:07:02 | 0:07:04 | |
CHEERING | 0:07:06 | 0:07:08 | |
DOOR OPENS | 0:07:18 | 0:07:20 | |
So what did Tommy say when you told him? | 0:07:27 | 0:07:30 | |
He said I'll get a weekly allowance. | 0:07:31 | 0:07:33 | |
Oh, he can be romantic. | 0:07:33 | 0:07:35 | |
Of course, as company treasurer, I shall be questioning that expense. | 0:07:38 | 0:07:42 | |
He said something like, "We've had enough death, let's have some life." | 0:07:42 | 0:07:45 | |
Pol, this fight is fixed, isn't it? | 0:07:45 | 0:07:50 | |
Well, gypsy boy's getting battered out there. | 0:07:50 | 0:07:53 | |
Right, you said you had some news? | 0:07:53 | 0:07:55 | |
Lizzie has some news. | 0:07:55 | 0:07:57 | |
Polly! | 0:07:57 | 0:07:58 | |
Well, tell her. Now! While the men are screaming for blood. | 0:07:58 | 0:08:02 | |
Have a swig, you're going to need it. | 0:08:02 | 0:08:05 | |
I'm up the duff. | 0:08:06 | 0:08:09 | |
And it's Tommy's. | 0:08:09 | 0:08:11 | |
How far gone are you? | 0:08:12 | 0:08:14 | |
If I were going to London I'd be in Coventry. | 0:08:14 | 0:08:16 | |
And are you carrying on past Coventry? | 0:08:16 | 0:08:18 | |
All the way to fucking Piccadilly Circus. | 0:08:18 | 0:08:20 | |
Have you found whether she's having a boy or a girl, Pol? | 0:08:20 | 0:08:22 | |
-No. -Go on, then. | 0:08:22 | 0:08:24 | |
It's a girl. | 0:08:34 | 0:08:35 | |
Call her Ruby. Ruby Shelby. | 0:08:37 | 0:08:40 | |
She'll be a star in a Hollywood movie. | 0:08:40 | 0:08:43 | |
Congratulations. | 0:08:46 | 0:08:48 | |
DOOR OPENS | 0:08:48 | 0:08:50 | |
Hello, Linda. Welcome to extraordinary general meeting | 0:08:50 | 0:08:54 | |
of the Shelby ladies club. | 0:08:54 | 0:08:56 | |
Is there spit on my back? | 0:08:57 | 0:08:59 | |
There are men out there spitting - it's fucking disgusting. | 0:08:59 | 0:09:03 | |
No. There's no spit on your back. | 0:09:03 | 0:09:05 | |
Don't let us stop you doing what you came in to do. | 0:09:05 | 0:09:09 | |
What? | 0:09:11 | 0:09:12 | |
It's helping me get through the fucking nightmare of being | 0:09:12 | 0:09:15 | |
stuck in the city. | 0:09:15 | 0:09:17 | |
Well, since you're here and you're almost family, | 0:09:18 | 0:09:22 | |
Lizzie's got some news. | 0:09:22 | 0:09:23 | |
I'm pregnant. | 0:09:23 | 0:09:25 | |
Oh. And who's the father? Have you managed to narrow it down? | 0:09:25 | 0:09:30 | |
Yes. It's Tommy. | 0:09:35 | 0:09:37 | |
Congratulations. You've won the raffle at last. | 0:09:37 | 0:09:41 | |
Yeah, she's a real Shelby lady now, Linda. Just like you. | 0:09:41 | 0:09:46 | |
Right, ladies, lets rejoin our gentlemen. | 0:09:46 | 0:09:50 | |
And just remember, Linda, if they spit, just spit back. | 0:09:50 | 0:09:55 | |
I'll see you out there. | 0:09:57 | 0:09:59 | |
All right. | 0:09:59 | 0:10:01 | |
Come on, Bonnie! | 0:10:04 | 0:10:06 | |
Right, you Brummie boys! | 0:10:21 | 0:10:22 | |
Forget your loyalty, boys! | 0:10:24 | 0:10:27 | |
You're still in control, Bonnie? | 0:10:27 | 0:10:30 | |
Yes. | 0:10:30 | 0:10:31 | |
Then take him. | 0:10:31 | 0:10:34 | |
It's not too late, boys. | 0:10:34 | 0:10:35 | |
I'll give you 2 to 1 on the big Cockney, Goliath here. | 0:10:35 | 0:10:40 | |
Take it or leave it, boys. | 0:10:40 | 0:10:42 | |
Take it or leave it, boys. 2 to 1. | 0:10:42 | 0:10:46 | |
2 to 1 on the Cockney giant. | 0:10:46 | 0:10:48 | |
Look at them men in his corner, look. | 0:10:48 | 0:10:50 | |
They don't know fighters. | 0:10:52 | 0:10:53 | |
They don't know the fucking ropes. | 0:10:53 | 0:10:55 | |
It's the pills and the booze spooking you, Arthur. | 0:10:55 | 0:10:58 | |
Look at them. They don't stand right, they don't move right. | 0:11:07 | 0:11:11 | |
They don't even care if he fucking wins. | 0:11:11 | 0:11:15 | |
It's the fucking pills, brother, all right? | 0:11:15 | 0:11:18 | |
CHATTERING | 0:11:26 | 0:11:29 | |
SHOUTING | 0:11:34 | 0:11:38 | |
Whoooo! | 0:11:41 | 0:11:45 | |
What the fuck are they laughing about? | 0:11:45 | 0:11:48 | |
It's that new batch...too strong. | 0:11:48 | 0:11:51 | |
-Come on, Bonnie! -Come on, Bonnie! | 0:11:52 | 0:11:56 | |
Arthur, leave it! | 0:12:04 | 0:12:05 | |
-Where's he going? -Sit down and watch the fight, eh? | 0:12:05 | 0:12:08 | |
Arthur! Come here! | 0:12:08 | 0:12:10 | |
Let me do my fucking job. | 0:12:10 | 0:12:12 | |
Bonnie! Bonnie! Are you OK? | 0:13:04 | 0:13:08 | |
I'll give you two to one now on the Cockney! | 0:13:14 | 0:13:17 | |
Take it while you can. | 0:13:17 | 0:13:19 | |
Right... | 0:13:23 | 0:13:25 | |
Come on, Bonnie Boy! Bonnie, come on. Get him! | 0:13:54 | 0:13:56 | |
Where are Tommy and Arthur? | 0:14:19 | 0:14:20 | |
I don't know. | 0:14:22 | 0:14:23 | |
Go on, Bonnie. | 0:14:23 | 0:14:26 | |
Go on, hit him! | 0:14:28 | 0:14:29 | |
Arthur?! | 0:14:54 | 0:14:55 | |
You fucking bastard! | 0:15:24 | 0:15:27 | |
SHOUTS OUT | 0:15:27 | 0:15:31 | |
GUNSHOT | 0:15:50 | 0:15:52 | |
Arthur?! | 0:15:55 | 0:15:57 | |
SHOUTING | 0:17:12 | 0:17:15 | |
I declare Bonnie Gold | 0:17:32 | 0:17:34 | |
the new welterweight champion of the Midlands, | 0:17:34 | 0:17:36 | |
the south and the Home Counties. | 0:17:36 | 0:17:39 | |
Yes! | 0:17:39 | 0:17:42 | |
Tommy, what's happened? | 0:17:42 | 0:17:44 | |
Arthur's dead. He's dead. | 0:17:45 | 0:17:49 | |
Tommy, we have the other wop. | 0:18:02 | 0:18:04 | |
The cunt had a wire in his pocket. | 0:18:04 | 0:18:06 | |
GRUNTING | 0:18:13 | 0:18:14 | |
Go on, Finn! | 0:18:15 | 0:18:17 | |
Go on, Finn. | 0:18:18 | 0:18:19 | |
Take his eyes, Finn. Do it for Arthur. | 0:18:22 | 0:18:26 | |
Take his fucking eyes! | 0:18:28 | 0:18:30 | |
GROANING | 0:18:34 | 0:18:36 | |
GROANING | 0:18:38 | 0:18:41 | |
Close the doors! No-one fucking leaves! | 0:18:58 | 0:19:00 | |
My brother is dead. | 0:19:10 | 0:19:11 | |
Do you hear me?! | 0:19:14 | 0:19:16 | |
My brother is dead! | 0:19:16 | 0:19:19 | |
Tommy. Tommy. | 0:19:34 | 0:19:37 | |
Fuck off. | 0:19:37 | 0:19:38 | |
Tommy. Tom. Tom. Tommy. | 0:19:38 | 0:19:40 | |
RINGING | 0:21:24 | 0:21:26 | |
Hello, Michael. There's been a change of plan. | 0:21:28 | 0:21:32 | |
Mr Gold will come and get you. | 0:21:32 | 0:21:34 | |
Arthur's dead. | 0:21:35 | 0:21:37 | |
Tommy, I've been trying to think of words. | 0:22:03 | 0:22:05 | |
Don't. | 0:22:05 | 0:22:06 | |
Words don't work. | 0:22:08 | 0:22:10 | |
Michael, we're in a grave situation. Tommy has a plan. | 0:22:12 | 0:22:16 | |
Instead of going to Australia, you're going to New York. | 0:22:18 | 0:22:21 | |
Why? | 0:22:25 | 0:22:27 | |
Because the company has business to attend to in America. | 0:22:27 | 0:22:30 | |
Will I be coming back? | 0:22:34 | 0:22:35 | |
Your train leaves in an hour, Michael. | 0:22:38 | 0:22:40 | |
You made a choice. | 0:22:45 | 0:22:46 | |
You knew I was going to be shot and you chose not to tell me. | 0:22:48 | 0:22:54 | |
I chose my mum. | 0:22:55 | 0:22:57 | |
When all this business is over we'll all be free to make our own choices. | 0:23:00 | 0:23:05 | |
So that's it? | 0:23:10 | 0:23:11 | |
You get the train to Liverpool then the SS Monroe. | 0:23:15 | 0:23:19 | |
The boat sails tomorrow. | 0:23:19 | 0:23:22 | |
Now you can go. | 0:23:25 | 0:23:27 | |
I need an overseas connection, please. | 0:24:21 | 0:24:24 | |
USA. | 0:24:24 | 0:24:25 | |
Tommy! | 0:24:57 | 0:24:58 | |
It's all right, let her come! | 0:24:58 | 0:25:00 | |
Please...until we're finished. | 0:25:10 | 0:25:13 | |
Your note talked about making terms for peace. | 0:25:32 | 0:25:36 | |
But my son says there are no terms. | 0:25:36 | 0:25:39 | |
You took my husband and my son. | 0:25:41 | 0:25:44 | |
We took two of your brothers. | 0:25:45 | 0:25:47 | |
The vendetta is done. | 0:25:50 | 0:25:52 | |
We say the vendetta is won. | 0:25:52 | 0:25:55 | |
We will take everything you have. | 0:25:55 | 0:25:59 | |
All your businesses, signed over to us. | 0:25:59 | 0:26:02 | |
You agree to this or my son will kill you all. | 0:26:04 | 0:26:10 | |
One by one. | 0:26:10 | 0:26:12 | |
The vendetta is won. That's it. | 0:26:14 | 0:26:17 | |
No more killing. | 0:26:19 | 0:26:21 | |
Who did you think you were, Mr Shelby? | 0:26:23 | 0:26:28 | |
BANGING | 0:26:33 | 0:26:37 | |
Make sure he knows we're here to buy his business! | 0:26:56 | 0:26:58 | |
Mr Solomons! | 0:26:58 | 0:27:00 | |
Mr Changretta is here to see you. | 0:27:00 | 0:27:03 | |
They say he was a captain. | 0:27:21 | 0:27:23 | |
Ah. I think you might want to tell them not to open that fucking door. | 0:27:23 | 0:27:28 | |
It seems Mr Solomons has already left town. | 0:27:40 | 0:27:43 | |
So all this is mine. | 0:27:44 | 0:27:46 | |
You don't knock? | 0:28:21 | 0:28:22 | |
You don't know my new address? | 0:28:22 | 0:28:24 | |
Hello, Lizzie, how are you? | 0:28:24 | 0:28:26 | |
I know your new address, Lizzie, | 0:28:26 | 0:28:27 | |
because it was me who bought you the new fucking house. | 0:28:27 | 0:28:29 | |
Then why don't you visit it? | 0:28:29 | 0:28:31 | |
I've been busy. | 0:28:45 | 0:28:46 | |
Busy doing what? | 0:28:47 | 0:28:49 | |
Preparing for tomorrow. | 0:28:53 | 0:28:55 | |
Why? What's tomorrow? | 0:28:55 | 0:28:57 | |
Luca Changretta is coming to Birmingham. It's our turn. | 0:28:58 | 0:29:02 | |
He's already taken over Alfie Solomons, Sabini, the Titanics. | 0:29:02 | 0:29:05 | |
All of them. | 0:29:05 | 0:29:07 | |
And now he's coming to take control of Shelby Company Limited. | 0:29:09 | 0:29:12 | |
What are we going to do about that? | 0:29:15 | 0:29:17 | |
We're going to let him have it. | 0:29:19 | 0:29:20 | |
All that's left of the Peaky fucking Blinders. | 0:30:21 | 0:30:26 | |
I've had my lawyer draw up these papers. | 0:30:47 | 0:30:51 | |
They cover, er, every enterprise in your possession. | 0:30:53 | 0:30:57 | |
Bars, restaurants, warehouses... | 0:30:59 | 0:31:03 | |
..every fucking thing that you've | 0:31:05 | 0:31:07 | |
taken all these years to gather together. | 0:31:07 | 0:31:11 | |
You will sign them all over to my family. | 0:31:14 | 0:31:19 | |
Or you're going to die, right here. | 0:31:23 | 0:31:26 | |
I would have buried you all. | 0:31:34 | 0:31:37 | |
But my mother, she, er, she knows you. | 0:31:40 | 0:31:43 | |
She said it'll be worse for you | 0:31:43 | 0:31:48 | |
if I let you live... | 0:31:48 | 0:31:50 | |
..and take away everything that you have. | 0:31:52 | 0:31:54 | |
Search 'em... | 0:32:01 | 0:32:03 | |
Especially don't trust this bitch. | 0:32:13 | 0:32:15 | |
So... | 0:32:40 | 0:32:42 | |
Sign. | 0:32:45 | 0:32:46 | |
Every fucking one of 'em. | 0:32:47 | 0:32:49 | |
You can sign them on your knees... | 0:32:55 | 0:32:59 | |
on the floor. | 0:32:59 | 0:33:01 | |
Get on your fucking knees and sign! | 0:33:11 | 0:33:15 | |
As a friend of mine once said... | 0:33:19 | 0:33:22 | |
..big fucks small. | 0:33:24 | 0:33:26 | |
So I had to find someone bigger than you. | 0:33:27 | 0:33:30 | |
Now, you may know there are two families in Brooklyn who want | 0:33:30 | 0:33:34 | |
to take over your monopoly on the import of liquor into New York. | 0:33:34 | 0:33:37 | |
But if they moved against you in New York they'll start | 0:33:37 | 0:33:41 | |
a war between the families. | 0:33:41 | 0:33:43 | |
But if you were to die in a vendetta | 0:33:44 | 0:33:48 | |
with some fucking bookmaker in Birmingham, | 0:33:48 | 0:33:51 | |
they could take over your business without a war... | 0:33:51 | 0:33:54 | |
We also contacted a businessman in Chicago. | 0:33:56 | 0:33:59 | |
He's also interested in moving into the liquor business in New York. | 0:34:03 | 0:34:08 | |
His name is Alphonse Capone. | 0:34:09 | 0:34:11 | |
You been talking to that fat fuck? | 0:34:13 | 0:34:16 | |
See, all the blood relatives you brought with | 0:34:16 | 0:34:19 | |
you from New York, they're all dead, Mr Changretta. | 0:34:19 | 0:34:23 | |
And these men here, they work for money, for the highest bidder. | 0:34:23 | 0:34:28 | |
They now have new orders. | 0:34:28 | 0:34:30 | |
Is that right? | 0:34:32 | 0:34:34 | |
Is that right? | 0:34:38 | 0:34:40 | |
Daniel? | 0:34:43 | 0:34:45 | |
Matteo? | 0:34:45 | 0:34:46 | |
Hey... | 0:35:02 | 0:35:03 | |
Very fucking... | 0:35:04 | 0:35:06 | |
GROANING | 0:35:12 | 0:35:15 | |
Arthur's been injured but he's all right, Pol. | 0:35:41 | 0:35:45 | |
We need to make them believe that he's dead... | 0:35:47 | 0:35:50 | |
..to everyone but you, me and Linda... | 0:35:52 | 0:35:56 | |
Arthur Shelby is dead. | 0:35:56 | 0:35:59 | |
I've got it all worked out. | 0:36:01 | 0:36:03 | |
We can use his death to win this war. | 0:36:03 | 0:36:07 | |
Tell your people in Chicago that Michael Gray will sign | 0:36:18 | 0:36:23 | |
the import licence to New York. | 0:36:23 | 0:36:26 | |
300 barrels of English Dry Gin a month. | 0:36:26 | 0:36:30 | |
Leave! All of you. | 0:36:30 | 0:36:33 | |
Tell your boss what you saw here today. | 0:36:36 | 0:36:39 | |
And tell him... | 0:36:39 | 0:36:40 | |
..you don't fuck with the Peaky Blinders. | 0:36:43 | 0:36:47 | |
Right. Oi! Listen up. | 0:37:09 | 0:37:13 | |
Before we all go and eat, I'd like to say a few words. | 0:37:13 | 0:37:17 | |
The last time we were all here, it ended badly. | 0:37:19 | 0:37:24 | |
Yeah. | 0:37:24 | 0:37:25 | |
But now we're in a happier place. | 0:37:26 | 0:37:28 | |
That's it. | 0:37:30 | 0:37:31 | |
I'd just like to raise a toast... | 0:37:31 | 0:37:34 | |
Hold on. | 0:37:34 | 0:37:36 | |
A few words I'd like to say from the heart, | 0:37:36 | 0:37:39 | |
and this time you're going to let me finish, Tommy. | 0:37:39 | 0:37:43 | |
Now as you all know, Arthur Shelby is dead. | 0:37:44 | 0:37:49 | |
Because of that, Tommy's offered me a way out. | 0:37:51 | 0:37:55 | |
A new identity. | 0:37:55 | 0:37:58 | |
Start a whole new life for myself. | 0:37:59 | 0:38:01 | |
And I've thought about it. | 0:38:02 | 0:38:04 | |
Made a decision. | 0:38:06 | 0:38:08 | |
I ain't fucking going nowhere. | 0:38:12 | 0:38:14 | |
Our enemies are gone. Dead, all of 'em. | 0:38:17 | 0:38:21 | |
For the first time since me and my two kid brothers... | 0:38:23 | 0:38:29 | |
Tommy and John... | 0:38:29 | 0:38:32 | |
..enlisted in the Warwickshire Yeomanry, we have peace. | 0:38:34 | 0:38:40 | |
So, I think I'd like to make a proposal. | 0:38:43 | 0:38:47 | |
All of you, the Shelby Company Limited, insist that Tommy | 0:38:49 | 0:38:54 | |
here takes some time off. | 0:38:54 | 0:38:57 | |
It's time you took a holiday, Tom. Put your feet up. | 0:38:58 | 0:39:03 | |
War is over. No-one wants to kill us. | 0:39:04 | 0:39:07 | |
To peace. | 0:39:09 | 0:39:11 | |
To peace. | 0:39:11 | 0:39:13 | |
I do hope you're going to leave the dog out of this? | 0:39:40 | 0:39:43 | |
You were easy to find. | 0:39:43 | 0:39:45 | |
Yeah. There's a good reason for that, Tommy. | 0:39:45 | 0:39:48 | |
I wanted it to be here. | 0:39:48 | 0:39:50 | |
I once told you, Alfie, for business reasons or in bad blood, | 0:39:54 | 0:39:59 | |
I will kill you. | 0:39:59 | 0:40:01 | |
I have no business reasons. It seems you have retired. | 0:40:03 | 0:40:08 | |
So this is all purely for bad blood, is it, Tommy? | 0:40:09 | 0:40:12 | |
-Yeah. -Right, yeah. | 0:40:12 | 0:40:14 | |
I told you I wanted it to be here. | 0:40:14 | 0:40:18 | |
Are you going to look after this dog? | 0:40:18 | 0:40:21 | |
-No. -Right, then. Well, his name is Cyril. | 0:40:21 | 0:40:24 | |
He'll be very upset and distressed, so you'll need to find him someone. | 0:40:24 | 0:40:28 | |
You're not armed? | 0:40:29 | 0:40:30 | |
No! Don't be daft. | 0:40:30 | 0:40:32 | |
The only thing I've got on me... | 0:40:33 | 0:40:37 | |
is fucking cancer, mate. | 0:40:37 | 0:40:39 | |
Yeah. | 0:40:43 | 0:40:45 | |
Riddled with it. | 0:40:46 | 0:40:48 | |
Doctor told me | 0:40:48 | 0:40:49 | |
I might have picked it up in France in a gas or something. | 0:40:49 | 0:40:52 | |
-He even showed me a photograph of it, before I met you at the fight. -Alfie, stop talking. | 0:40:52 | 0:40:56 | |
-So I said, Margate, right, and here I am. Come on, Tommy. -Alfie, look at me. | 0:40:56 | 0:41:00 | |
There's an honourable reason now to pull that trigger. | 0:41:00 | 0:41:02 | |
-Alfie, look at me. -So what you waiting for? | 0:41:02 | 0:41:04 | |
Just fucking get on with it, and stop acting like a little girl. | 0:41:04 | 0:41:07 | |
-Alfie! -Do you want me to do it for you? | 0:41:07 | 0:41:09 | |
# I jumped in the river, what did I see? | 0:42:46 | 0:42:53 | |
# Black-eyed angels swam with me... # | 0:42:55 | 0:43:01 | |
EXPLOSION | 0:43:01 | 0:43:03 | |
# A moon full of stars and astral cars | 0:43:05 | 0:43:10 | |
DOGS BARKING, SHOUTING, GUNSHOTS | 0:43:10 | 0:43:12 | |
# And all the figures I used to see | 0:43:14 | 0:43:19 | |
# All my lovers were there with me | 0:43:23 | 0:43:31 | |
# And all my past and futures... # | 0:43:31 | 0:43:39 | |
-ECHOING: -Mr Shelby? | 0:43:39 | 0:43:40 | |
# And we all went to heaven in a little row boat... # | 0:43:40 | 0:43:43 | |
Mr Shelby? | 0:43:43 | 0:43:44 | |
Mr Shelby? | 0:43:47 | 0:43:49 | |
# There was nothing to fear and nothing to doubt... # | 0:43:51 | 0:43:55 | |
Mr Shelby, you are not yourself, I should call a doctor. | 0:43:59 | 0:44:01 | |
It's all right, Frances. | 0:44:06 | 0:44:07 | |
I'll call Mrs Grey. | 0:44:09 | 0:44:10 | |
I know what this is. | 0:44:12 | 0:44:14 | |
It's just myself talking to myself about myself. | 0:44:15 | 0:44:18 | |
Right... Thank you. | 0:44:22 | 0:44:24 | |
# I jumped into the river | 0:44:36 | 0:44:44 | |
# Black-eyed angels swam with me | 0:44:44 | 0:44:51 | |
# A room full of figures and astral cars | 0:44:54 | 0:45:01 | |
# And all the figures I used to see... # | 0:45:01 | 0:45:07 | |
Charlie... | 0:45:30 | 0:45:32 | |
HE CLEARS HIS THROAT | 0:46:08 | 0:46:09 | |
Since I know you won't go yourself, | 0:46:12 | 0:46:14 | |
I've been to a doctor on your behalf. | 0:46:14 | 0:46:17 | |
No, it's all right. None of the boys know you're sick. | 0:46:18 | 0:46:21 | |
I'm not sick, Polly. | 0:46:25 | 0:46:27 | |
It starts when you stop. When you rest. | 0:46:33 | 0:46:36 | |
Could be nerves, the war. | 0:46:38 | 0:46:42 | |
Might be the alcohol. | 0:46:45 | 0:46:47 | |
The blue devils, they call that. | 0:46:47 | 0:46:48 | |
Yeah, well. Yeah. Yeah, it's the fucking booze. | 0:46:48 | 0:46:51 | |
It's the booze, the booze got hold and the booze got in my bones. | 0:46:52 | 0:46:55 | |
Lizzie wants to see you. | 0:47:00 | 0:47:01 | |
No... | 0:47:01 | 0:47:03 | |
Tom, she's showing. | 0:47:03 | 0:47:04 | |
I don't want to see Lizzie, Pol. | 0:47:04 | 0:47:06 | |
Shit, maybe it's in us? | 0:47:13 | 0:47:15 | |
It's us Shelbys. | 0:47:18 | 0:47:19 | |
It's in our gypsy blood. | 0:47:22 | 0:47:24 | |
We live somewhere between life and death. | 0:47:26 | 0:47:28 | |
Waiting to move on. | 0:47:30 | 0:47:32 | |
And in the end...we accept it. | 0:47:34 | 0:47:38 | |
We shake hands with the devils and we walk past them. | 0:47:41 | 0:47:46 | |
Mr Shelby, you're meant to be resting. | 0:48:42 | 0:48:44 | |
I have learnt something, Frances. | 0:48:46 | 0:48:48 | |
There is no rest for me in this world. | 0:48:50 | 0:48:53 | |
Perhaps in the next. | 0:48:57 | 0:48:58 | |
Them there you pay out. This one you have to think. | 0:49:07 | 0:49:10 | |
Use your fucking head, man. Right, even money... | 0:49:10 | 0:49:13 | |
Whose fucking idea was it that I go on holiday? | 0:49:13 | 0:49:15 | |
Welcome back, Tommy. How was it? | 0:49:15 | 0:49:18 | |
What did you get up to? | 0:49:18 | 0:49:19 | |
Went fishing. Played golf. | 0:49:19 | 0:49:20 | |
Golf's fucking boring. | 0:49:20 | 0:49:21 | |
Yeah, boring and easy. | 0:49:21 | 0:49:22 | |
Yeah, well, what's the plan? | 0:49:22 | 0:49:25 | |
I need you to give this to Jesse Eden, by hand. | 0:49:29 | 0:49:33 | |
Yes, Mr Shelby. | 0:49:33 | 0:49:34 | |
By your hand. This will be the last job you'll do for me. | 0:49:34 | 0:49:39 | |
Go to Glasgow and be with your family. You're free. | 0:49:39 | 0:49:42 | |
You need to sign all of these. | 0:49:55 | 0:49:57 | |
So you shook hands with the devil? | 0:50:07 | 0:50:09 | |
Yeah, and I walked past him. | 0:50:13 | 0:50:17 | |
Pol. | 0:50:24 | 0:50:25 | |
I've had an idea. | 0:50:27 | 0:50:28 | |
Oh, fuck. | 0:50:29 | 0:50:31 | |
"Dear Jessie. Now more certainly than ever | 0:50:38 | 0:50:41 | |
"I believe things must change. | 0:50:41 | 0:50:43 | |
"Things MUST change. | 0:50:43 | 0:50:46 | |
"The general strike is holding, we've not an hour to lose. | 0:50:46 | 0:50:49 | |
"Meet me." | 0:50:50 | 0:50:51 | |
-I've made up my mind, Jessie. -About what? | 0:51:03 | 0:51:05 | |
Your cause is now my cause. I want to help. | 0:51:10 | 0:51:13 | |
The strike is holding. | 0:51:15 | 0:51:16 | |
I want to meet the people who can take this further. | 0:51:16 | 0:51:18 | |
Are you serious? | 0:51:20 | 0:51:22 | |
Yeah, I've done a lot of thinking. | 0:51:22 | 0:51:25 | |
Right. I'll arrange a meeting. | 0:51:26 | 0:51:29 | |
The operator knows my voice. Give me the name and the number. | 0:51:29 | 0:51:32 | |
His name is Casey Douglas. | 0:51:40 | 0:51:41 | |
Sparkhill 453. | 0:51:43 | 0:51:45 | |
Right. | 0:51:45 | 0:51:46 | |
And he's the leader of the cell? | 0:51:52 | 0:51:53 | |
He's in contact with London and Moscow. | 0:51:57 | 0:51:59 | |
Good. | 0:52:02 | 0:52:03 | |
Yeah, Sparkhill 453. | 0:52:07 | 0:52:09 | |
You are quite a creature, Mr Shelby. | 0:53:12 | 0:53:14 | |
When I received your note, I wasn't sure you could deliver. | 0:53:16 | 0:53:20 | |
I have made contact with | 0:53:25 | 0:53:28 | |
the Soviet agent inside the Birmingham Communist Party. | 0:53:28 | 0:53:31 | |
And you have a name? | 0:53:33 | 0:53:35 | |
And an address and a telephone number. | 0:53:35 | 0:53:38 | |
I can be of great use to you. | 0:53:43 | 0:53:44 | |
I can give you the names of any Communist Party member who is | 0:53:46 | 0:53:50 | |
prepared to cross the line into armed revolution. | 0:53:50 | 0:53:53 | |
We are in the fourth day of a general strike which appears | 0:53:53 | 0:53:56 | |
to be holding. | 0:53:56 | 0:53:57 | |
Even if it fails today... | 0:53:58 | 0:54:01 | |
tomorrow, they may succeed. | 0:54:01 | 0:54:03 | |
Mm. | 0:54:04 | 0:54:05 | |
And you're offering to help ensure they never succeed. | 0:54:08 | 0:54:12 | |
If my cover is maintained... | 0:54:12 | 0:54:14 | |
..I can begin to shape the movement, organise it myself... | 0:54:16 | 0:54:19 | |
And undermine it. | 0:54:20 | 0:54:22 | |
Rise through the ranks of the wider socialist movement. | 0:54:22 | 0:54:25 | |
But, of course, you want something in return. What this time? | 0:54:28 | 0:54:33 | |
A knighthood? | 0:54:33 | 0:54:35 | |
My proposal. | 0:54:39 | 0:54:40 | |
And my conditions. | 0:54:41 | 0:54:43 | |
For the attention of Winston Churchill. | 0:54:47 | 0:54:49 | |
He holds me in very high regard. | 0:54:49 | 0:54:51 | |
Are you serious? | 0:54:59 | 0:55:01 | |
Breaking up a revolutionary cell is one thing. | 0:55:02 | 0:55:05 | |
Given my position of influence in my home city, | 0:55:05 | 0:55:08 | |
I can be of much more use to you than that. | 0:55:08 | 0:55:10 | |
# Oh, where have you been, my blue-eyed son? | 0:55:15 | 0:55:18 | |
# And where have you been, my darling young one? | 0:55:21 | 0:55:25 | |
# I've stumbled down the side of 12 misty mountains | 0:55:28 | 0:55:32 | |
# I've walked and I've crawled on six crooked highways | 0:55:34 | 0:55:38 | |
# I've been 10,000 miles in the mouth of a graveyard | 0:55:40 | 0:55:45 | |
# And it's a hard, it's hard, and it's hard, and it's a hard | 0:55:47 | 0:55:54 | |
# It's a hard rain's a-gonna fall... # | 0:55:54 | 0:56:00 | |
Ronald Carr, Conservative, 3,412 | 0:56:00 | 0:56:04 | |
Bernard Hall, Liberal, 4,015. | 0:56:04 | 0:56:08 | |
Michael Ross, Communist, 6,406. | 0:56:08 | 0:56:12 | |
Thomas Shelby, Labour Party, 48,564. | 0:56:12 | 0:56:17 | |
ECHOING CHEERS | 0:56:17 | 0:56:18 | |
I now declare Thomas Shelby to be the new | 0:56:22 | 0:56:25 | |
Labour Member of Parliament for the constituency of Birmingham South. | 0:56:25 | 0:56:28 | |
# I saw 10,000 talkers whose tongues were all broken | 0:56:30 | 0:56:34 | |
# It's a hard, it's a hard, it's a hard, and it's a hard | 0:56:36 | 0:56:43 | |
# And it's a hard rain's a-gonna fall. # | 0:56:43 | 0:56:49 | |
# On a gathering storm comes a tall, handsome man | 0:57:14 | 0:57:18 | |
# In a dusty, black coat with a red right hand... # | 0:57:18 | 0:57:23 |