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This programme contains some strong language and scenes of a sexual nature. | 0:00:02 | 0:00:07 | |
'BBC London 94.9. It's six minutes past five. | 0:00:15 | 0:00:19 | |
'You're listening to BBC London.' | 0:00:20 | 0:00:22 | |
MUFFLED BANGING | 0:00:22 | 0:00:24 | |
'You can imagine the shock and devastation...' | 0:00:24 | 0:00:27 | |
MUFFLED BANGING | 0:00:27 | 0:00:28 | |
'Because of them, people are hit hard. | 0:00:28 | 0:00:30 | |
'London's news, London's stories.' | 0:00:30 | 0:00:32 | |
BANGING CONTINUES | 0:00:32 | 0:00:33 | |
'Times he was out of work he cried. | 0:00:33 | 0:00:35 | |
'This is Lee Murray's drive time.' | 0:00:35 | 0:00:38 | |
PERSISTENT BANGING | 0:00:38 | 0:00:40 | |
'Welcome to the drive show...' | 0:00:40 | 0:00:42 | |
Help me! Help me, please! | 0:00:42 | 0:00:44 | |
Help me! | 0:00:44 | 0:00:45 | |
BANGING AND MUFFLED CRYING | 0:00:47 | 0:00:49 | |
Please, please, please... | 0:00:49 | 0:00:52 | |
Please help! | 0:00:52 | 0:00:54 | |
Help! | 0:00:55 | 0:00:56 | |
BOOT CREAKS OPEN | 0:00:56 | 0:00:58 | |
Please don't... | 0:00:58 | 0:01:00 | |
FEMALE GASPS, HEAVY THUD | 0:01:01 | 0:01:03 | |
Why was this man | 0:01:16 | 0:01:17 | |
released on parole... | 0:01:17 | 0:01:19 | |
..when he'd already attempted to murder | 0:01:21 | 0:01:24 | |
someone else? | 0:01:24 | 0:01:26 | |
Our Sandra... | 0:01:27 | 0:01:29 | |
..our beautiful daughter... | 0:01:32 | 0:01:34 | |
CAMERAS CLICK | 0:01:34 | 0:01:36 | |
If Pointer | 0:01:38 | 0:01:40 | |
had been dealt with properly by the authorities, | 0:01:40 | 0:01:44 | |
our daughter would still be alive today. | 0:01:44 | 0:01:47 | |
CLAMOURING VOICES | 0:01:47 | 0:01:49 | |
Until that point Phillip Pointer was a model parolee. | 0:02:00 | 0:02:03 | |
And then? | 0:02:03 | 0:02:04 | |
Then one night he missed his curfew at the hostel. | 0:02:04 | 0:02:07 | |
And he didn't turn up till the following morning. | 0:02:07 | 0:02:10 | |
If that breached parole, why didn't you instigate his return to prison? | 0:02:10 | 0:02:14 | |
He said he'd tried to contact the hostel's assistant manager. | 0:02:14 | 0:02:17 | |
He explained fully where he'd been. | 0:02:17 | 0:02:19 | |
He gave an address, he was very apologetic, | 0:02:19 | 0:02:22 | |
and I warned him a further breach would mean recall back to prison. | 0:02:22 | 0:02:25 | |
You gave him a second chance? | 0:02:25 | 0:02:28 | |
Yes. | 0:02:32 | 0:02:33 | |
And the next time he was due to report to you, | 0:02:36 | 0:02:39 | |
he didn't show up at all, did he? | 0:02:39 | 0:02:41 | |
I went to the hostel, I went to the address he'd given me, | 0:02:41 | 0:02:44 | |
I alerted the police. | 0:02:44 | 0:02:45 | |
But by then it was too late, wasn't it? | 0:02:45 | 0:02:48 | |
It was too late for Sandra Arnold at least. | 0:02:48 | 0:02:51 | |
I accept that others failed | 0:02:57 | 0:02:59 | |
in their roles, in keeping the public safe from Phillip Pointer. | 0:02:59 | 0:03:03 | |
But you were his case manager. | 0:03:03 | 0:03:04 | |
You let him get out of control. | 0:03:06 | 0:03:08 | |
You let him slip through your fingers | 0:03:08 | 0:03:10 | |
with consequences that were calamitous. | 0:03:10 | 0:03:13 | |
I'm giving you notice your employing authority will suspend you | 0:03:13 | 0:03:17 | |
for the next three months. | 0:03:17 | 0:03:19 | |
Is there anything you wish to say? | 0:03:19 | 0:03:21 | |
With the best will in the world, | 0:03:23 | 0:03:24 | |
you can't hold their hands 24 hours a day. | 0:03:24 | 0:03:27 | |
You can't know where they are if they're not with you. | 0:03:27 | 0:03:30 | |
You just hope they're not... | 0:03:30 | 0:03:31 | |
SHE SIGHS | 0:03:34 | 0:03:35 | |
You just hope. | 0:03:37 | 0:03:38 | |
It doesn't affect you, Eddie. | 0:04:18 | 0:04:20 | |
-That's £12.43. -Right... -Are you paying by card? | 0:04:36 | 0:04:41 | |
-Do I have to? -No. | 0:04:41 | 0:04:43 | |
-Thanks. -Have a nice day. | 0:04:58 | 0:04:59 | |
Thank you. | 0:05:01 | 0:05:02 | |
Thanks very much. I will, yeah. | 0:05:02 | 0:05:04 | |
And you too, eh, Jenny. | 0:05:04 | 0:05:07 | |
Security card, please. | 0:05:21 | 0:05:24 | |
BUZZER RINGS | 0:05:36 | 0:05:38 | |
-You'll be back, love. -Thank you. | 0:05:58 | 0:06:01 | |
Paula! | 0:06:07 | 0:06:09 | |
-Paula! -How do you sleep at night, Paula? | 0:06:09 | 0:06:12 | |
VOICES CLAMOUR | 0:06:12 | 0:06:13 | |
CAMERAS CLICK | 0:06:13 | 0:06:15 | |
How does that feel? She just gobbed on you! | 0:06:17 | 0:06:20 | |
My name is Eddie Mottram. | 0:06:32 | 0:06:34 | |
Georgia was my girlfriend. | 0:06:37 | 0:06:39 | |
She was 17... | 0:06:40 | 0:06:41 | |
..and I killed her. | 0:06:43 | 0:06:44 | |
I killed Georgia. | 0:06:47 | 0:06:48 | |
Ten years ago. | 0:06:48 | 0:06:49 | |
Guilty of her murder. | 0:06:49 | 0:06:52 | |
I couldn't accept what I'd done to her. | 0:06:57 | 0:06:59 | |
I couldn't accept what I'd done to me, | 0:07:00 | 0:07:03 | |
let happen to me. | 0:07:03 | 0:07:04 | |
And at the beginning of my sentence it's true, yeah, I did... | 0:07:05 | 0:07:09 | |
argue, | 0:07:09 | 0:07:11 | |
kick off and cause trouble. | 0:07:11 | 0:07:13 | |
Since then I've completed all the courses, | 0:07:13 | 0:07:16 | |
I've succeeded on my escorted visits. | 0:07:16 | 0:07:19 | |
I've made real progress. | 0:07:19 | 0:07:21 | |
It's helped me deal with what I did. | 0:07:21 | 0:07:24 | |
I took a life. | 0:07:28 | 0:07:29 | |
I can't give it back. | 0:07:31 | 0:07:33 | |
But if I could get my own back... | 0:07:34 | 0:07:37 | |
do something with it... | 0:07:37 | 0:07:39 | |
..I'd be really grateful. | 0:07:41 | 0:07:43 | |
Thank you, sir. | 0:07:47 | 0:07:49 | |
'Hello? | 0:08:11 | 0:08:12 | |
'Hello? | 0:08:12 | 0:08:14 | |
'I've been taken... taken somewhere...' | 0:08:14 | 0:08:17 | |
'Hello? | 0:08:18 | 0:08:20 | |
'Hello?' | 0:08:20 | 0:08:21 | |
-What are you doing? -'I've been taken...' | 0:08:21 | 0:08:24 | |
It's on a website. They played it in court. | 0:08:24 | 0:08:27 | |
'Hello? Hello? I've...' | 0:08:27 | 0:08:29 | |
Stop it! Stop it! | 0:08:29 | 0:08:31 | |
I should have stopped it! | 0:08:35 | 0:08:37 | |
-You didn't kill her. -But I let him, though, didn't I? | 0:08:37 | 0:08:40 | |
You made a mistake! | 0:08:40 | 0:08:43 | |
And that poor girl died because of it! | 0:08:43 | 0:08:46 | |
I don't think that. | 0:08:46 | 0:08:47 | |
But her mum and dad think it, | 0:08:49 | 0:08:52 | |
the inquiry said it, | 0:08:52 | 0:08:53 | |
and anyone who reads that newspaper thinks I'm a disgrace! | 0:08:53 | 0:08:57 | |
Stop going on that website for a start. | 0:09:00 | 0:09:03 | |
It doesn't matter. It's in my head anyway. | 0:09:03 | 0:09:07 | |
It's always on in there. | 0:09:07 | 0:09:09 | |
Yes! Yes! Yes! | 0:09:39 | 0:09:42 | |
BUZZER SOUNDS | 0:09:59 | 0:10:02 | |
How long have you been waiting? | 0:10:24 | 0:10:26 | |
-About ten years. -Me too. | 0:10:26 | 0:10:28 | |
You stink of aftershave. | 0:10:41 | 0:10:43 | |
Special occasion. | 0:10:43 | 0:10:44 | |
Well, give us your bag and get in. | 0:10:46 | 0:10:48 | |
And I don't allow smoking. | 0:10:51 | 0:10:52 | |
Sis, it ain't a BMW exactly. | 0:10:52 | 0:10:55 | |
Oh, shut up, you. | 0:10:55 | 0:10:57 | |
RADIO PLAYS | 0:11:02 | 0:11:04 | |
Let's go. | 0:11:08 | 0:11:09 | |
A job shouldn't make you feel like this. | 0:11:23 | 0:11:25 | |
What do you expect? | 0:11:28 | 0:11:30 | |
Come on, wish me luck. | 0:11:30 | 0:11:33 | |
Good luck, sweetheart. | 0:11:36 | 0:11:39 | |
Oh, God. | 0:11:41 | 0:11:43 | |
Come on, Paula. | 0:11:43 | 0:11:46 | |
Good luck. | 0:11:46 | 0:11:47 | |
-Thanks. -Hi. -All right? | 0:12:10 | 0:12:13 | |
-Hi. -Hiya. | 0:12:13 | 0:12:15 | |
-Hi, Paula. -Hello. | 0:12:16 | 0:12:19 | |
All right, Paula? | 0:12:20 | 0:12:22 | |
OK, so this is you. | 0:12:22 | 0:12:25 | |
-And I think you'll be needing this. -Thanks. | 0:12:25 | 0:12:28 | |
Come on. Right. | 0:12:28 | 0:12:30 | |
Eddie Mottram - assessed as a level two medium risk offender. | 0:12:36 | 0:12:40 | |
At age 19, a mandatory life sentence, | 0:12:40 | 0:12:42 | |
sentenced in 2001 for the murder of Georgia Whiteley, | 0:12:42 | 0:12:45 | |
his girlfriend at the time. Killed her after a row, apparently. | 0:12:45 | 0:12:48 | |
Strangled her. Her body was found in a football field. | 0:12:48 | 0:12:51 | |
He was given a ten-year tariff. | 0:12:51 | 0:12:53 | |
Thank you for believing in me. | 0:12:58 | 0:13:01 | |
Thank you. | 0:13:01 | 0:13:02 | |
Listen. I promised the Area DM | 0:13:03 | 0:13:06 | |
you'd learnt from last time, OK? | 0:13:06 | 0:13:08 | |
No harder lesson. | 0:13:08 | 0:13:10 | |
Good. Come on, then. | 0:13:10 | 0:13:12 | |
0-60 in ten years, you know what I mean? | 0:13:17 | 0:13:20 | |
HE BEEPS HORN | 0:13:20 | 0:13:21 | |
Come on! | 0:13:21 | 0:13:22 | |
You'll have to pull over in a minute. | 0:13:22 | 0:13:26 | |
You're not insured. | 0:13:26 | 0:13:28 | |
EDDIE LAUGHS | 0:13:28 | 0:13:31 | |
Think you can do it? | 0:13:37 | 0:13:38 | |
Do what? | 0:13:38 | 0:13:41 | |
Keep it up. | 0:13:41 | 0:13:43 | |
Managed this long. | 0:13:43 | 0:13:44 | |
-The OAC score is in there, OK? -Yeah, thanks. | 0:13:46 | 0:13:49 | |
Paula? | 0:13:53 | 0:13:54 | |
Ooh. | 0:13:58 | 0:14:00 | |
When can I see the girls? | 0:14:10 | 0:14:13 | |
They're not keen, Eddie. Not at the moment, anyway. | 0:14:13 | 0:14:16 | |
-Why? -It don't matter what I tell them about you... | 0:14:16 | 0:14:19 | |
I'm still a murderer. | 0:14:19 | 0:14:20 | |
Come on. You'd better go to your appointment. | 0:14:28 | 0:14:32 | |
Thanks for meeting me anyway. | 0:14:34 | 0:14:36 | |
You never stopped coming. | 0:14:40 | 0:14:43 | |
Here. | 0:14:43 | 0:14:45 | |
What's this? | 0:14:45 | 0:14:46 | |
Goody bag. | 0:14:46 | 0:14:48 | |
What did you get me a plant for? | 0:14:55 | 0:14:56 | |
-What? Look after it, yeah? -See you later. | 0:14:56 | 0:14:59 | |
-Please take a seat. -Thank you. | 0:15:08 | 0:15:09 | |
-Sadie Hay? -Yeah, that's me. -Would you like to come through? | 0:15:17 | 0:15:21 | |
I don't want to be here. I don't want to! | 0:15:21 | 0:15:23 | |
I want to go. | 0:15:23 | 0:15:25 | |
You need to be here. | 0:15:25 | 0:15:27 | |
-Get off me! -Just sit down. | 0:15:31 | 0:15:33 | |
-What's the matter with you? Sit down. -What are you watching me for? | 0:15:33 | 0:15:36 | |
Why are you watching me? | 0:15:36 | 0:15:38 | |
Eddie? | 0:15:38 | 0:15:40 | |
Paula Radnor. Sorry for the discontinuity. | 0:15:41 | 0:15:44 | |
Eh? | 0:15:44 | 0:15:46 | |
That I haven't met you before. Do you want to come through? | 0:15:46 | 0:15:50 | |
-Just go and sit down. -Do you know how long I've been waiting? | 0:15:54 | 0:15:58 | |
What made you come back to this area, Eddie? | 0:16:01 | 0:16:03 | |
You might get a hard time, you know. | 0:16:03 | 0:16:05 | |
It's all I know. And my sister's still here. | 0:16:05 | 0:16:08 | |
Only family I've got, you know? | 0:16:08 | 0:16:10 | |
The address of the hostel that you'll be staying at - | 0:16:10 | 0:16:12 | |
approved premises with a curfew, regular inspection | 0:16:12 | 0:16:16 | |
of your room and supervision under a deputy manager. | 0:16:16 | 0:16:19 | |
Now, let me just explain the rest of your licence conditions - | 0:16:19 | 0:16:22 | |
compulsory weekly reporting appointments to me | 0:16:22 | 0:16:25 | |
that you can never be late for or miss. No travel outside the UK. | 0:16:25 | 0:16:29 | |
If you enter into a relationship with anyone, you must report it to me, | 0:16:29 | 0:16:32 | |
knowing that I will inform any partner of your previous conviction. | 0:16:32 | 0:16:36 | |
And you're going to have to comply with an exclusion zone. | 0:16:36 | 0:16:40 | |
You can't go within a mile of the Whiteleys. | 0:16:40 | 0:16:43 | |
You can't even enter this area without my prior approval. | 0:16:43 | 0:16:48 | |
You breach any of these conditions, | 0:16:49 | 0:16:51 | |
-and I will institute your immediate recall back to prison. -Freedom, eh? | 0:16:51 | 0:16:55 | |
But I'm out. | 0:16:59 | 0:17:00 | |
And I'll do anything I have to do to stay out. | 0:17:00 | 0:17:03 | |
So whatever you tell me I can't do, I won't do. | 0:17:03 | 0:17:07 | |
Anything you tell me I have to do, I'm there. | 0:17:07 | 0:17:09 | |
Making all the right noises, anyway. | 0:17:09 | 0:17:11 | |
KNOCK AT DOOR | 0:17:11 | 0:17:12 | |
Right, the hostel's waiting for you, Eddie. | 0:17:12 | 0:17:15 | |
I'm going to call them, tell them he's on his way. | 0:17:25 | 0:17:28 | |
Miss Efficiency. | 0:17:28 | 0:17:29 | |
Just don't want to leave anything to chance, that's all. | 0:17:29 | 0:17:33 | |
All right? | 0:18:02 | 0:18:04 | |
CAR HORNS BEEP | 0:18:17 | 0:18:19 | |
MARKET TRADER CALLS OUT | 0:18:22 | 0:18:24 | |
CAMERA CLICKS | 0:18:45 | 0:18:47 | |
RAPID CLICKING | 0:18:48 | 0:18:51 | |
What are you doing? | 0:18:51 | 0:18:52 | |
No, can you stop it, please? | 0:18:53 | 0:18:55 | |
Just... | 0:18:55 | 0:18:56 | |
CLICKING CONTINUES | 0:18:56 | 0:18:58 | |
Just leave me alone, please. Just leave me alone. | 0:19:00 | 0:19:02 | |
Right, that's it. | 0:19:04 | 0:19:05 | |
If you're trying to make me lose it, I won't, right? I won't! | 0:19:05 | 0:19:09 | |
-Kathy wasn't too sure. -Got to get on with your life, haven't you? | 0:19:26 | 0:19:30 | |
I expect he's got to get on with his. | 0:19:30 | 0:19:32 | |
In consenting to him coming back to the area, | 0:19:32 | 0:19:35 | |
you do realise there's a chance you might encounter him? | 0:19:35 | 0:19:38 | |
There are exclusion zones we can put in place, | 0:19:38 | 0:19:43 | |
so there's certain areas he can't enter. Your area. | 0:19:43 | 0:19:46 | |
Fine. I doubt whether we'd recognise him anyway. | 0:19:46 | 0:19:50 | |
Ten years is a long time. | 0:19:50 | 0:19:52 | |
Thank you. See you. | 0:19:54 | 0:19:58 | |
BUZZER SOUNDS | 0:20:05 | 0:20:07 | |
ENTRY BUZZER | 0:20:11 | 0:20:12 | |
All right? | 0:20:12 | 0:20:15 | |
Will I be sharing with anyone? | 0:20:22 | 0:20:24 | |
No. Splendid isolation. | 0:20:24 | 0:20:28 | |
But communal TV room and communal dining, | 0:20:28 | 0:20:34 | |
so you learn how to mix in. | 0:20:34 | 0:20:36 | |
House rules. | 0:20:36 | 0:20:38 | |
Curfew - back in by nine. | 0:20:38 | 0:20:40 | |
You'll be subject to searches of your room and your person, | 0:20:40 | 0:20:44 | |
and a DNA swab taken. | 0:20:44 | 0:20:45 | |
I wasn't expecting tickertape exactly, but... | 0:20:45 | 0:20:47 | |
But what? You'll get help - from me, Jobcentre, GP. | 0:20:47 | 0:20:53 | |
I'll get one of the residents to accompany you to the Jobcentre tomorrow, show you the ropes. | 0:20:54 | 0:20:59 | |
Cheers. It's years since I've been a layabout. | 0:20:59 | 0:21:01 | |
Er, there was a...a guy chasing me, a photographer. | 0:21:04 | 0:21:07 | |
Right. | 0:21:07 | 0:21:09 | |
If Paula Radnor's your PO, she'll be able to advise you. | 0:21:10 | 0:21:14 | |
She's had a lot of experience dealing with the press. | 0:21:14 | 0:21:17 | |
I thought they might let you in more gently. | 0:22:16 | 0:22:18 | |
I didn't want gently. I wanted to go back to public protection. | 0:22:18 | 0:22:22 | |
So you got a murderer on your first day? | 0:22:22 | 0:22:24 | |
A medium risk offender. | 0:22:24 | 0:22:25 | |
Went to prison as a teenager, | 0:22:25 | 0:22:27 | |
ten years later he's neither man nor boy. | 0:22:27 | 0:22:30 | |
How did you feel? | 0:22:30 | 0:22:32 | |
Like I was completely in control. | 0:22:32 | 0:22:34 | |
Drink to that, shall we? | 0:22:34 | 0:22:36 | |
Not me. | 0:22:36 | 0:22:37 | |
You're abstaining? | 0:22:37 | 0:22:38 | |
Not from everything. | 0:22:38 | 0:22:40 | |
Any jewellery? | 0:22:49 | 0:22:50 | |
Just a ring. | 0:22:50 | 0:22:51 | |
Show me. | 0:22:51 | 0:22:53 | |
-Need to record everything you're wearing. -Why? | 0:22:58 | 0:23:01 | |
So that when you come back, | 0:23:01 | 0:23:03 | |
I can see it's the same stuff you went out in. | 0:23:03 | 0:23:05 | |
So I won't start thinking anything untoward has happened. | 0:23:05 | 0:23:08 | |
I see. It won't, though. | 0:23:08 | 0:23:11 | |
-Hopefully, son, eh? -Definitely. | 0:23:12 | 0:23:15 | |
Right. | 0:23:18 | 0:23:20 | |
Are you that ugly muppet from the paper? | 0:24:19 | 0:24:21 | |
Long time boys, long time! | 0:24:26 | 0:24:29 | |
-Glen. -All right. | 0:24:29 | 0:24:31 | |
Got 'em in already. | 0:24:32 | 0:24:34 | |
Ten years since I've had a drink, you know? | 0:24:34 | 0:24:37 | |
I am so thirsty, man, I tell you. | 0:24:37 | 0:24:39 | |
How drunk do I want to get before this curfew? | 0:24:39 | 0:24:41 | |
Cheers. | 0:24:41 | 0:24:44 | |
Booya! Ten years, and you think to yourself "What's changed?" | 0:24:46 | 0:24:50 | |
And you look round and you go "What sort of mobile phone is that?" | 0:24:50 | 0:24:54 | |
And it's like "Oh, that's an iPhone." | 0:24:54 | 0:24:56 | |
And I'm like, "What?" | 0:24:56 | 0:24:57 | |
Oh, what? | 0:25:00 | 0:25:03 | |
I do work in a mobile phone shop. | 0:25:03 | 0:25:05 | |
Yeah, he's the manager. | 0:25:05 | 0:25:06 | |
-Kelly said you're married as well. -Yeah, two kids. | 0:25:06 | 0:25:09 | |
Here, look. | 0:25:09 | 0:25:11 | |
-Nice. -It's great, as it goes. -I'll bet. | 0:25:14 | 0:25:18 | |
Eddie, wouldn't you have been better off going where no-one knows you? | 0:25:26 | 0:25:30 | |
-I hoped I'd be better off where people did know me. Like you. -Ain't seen you in ten years, mate. | 0:25:30 | 0:25:35 | |
Well, whose fault's that? | 0:25:35 | 0:25:36 | |
It ain't just mobile phones that have moved on. | 0:25:36 | 0:25:39 | |
So what, are you staying with Kelly now? | 0:25:41 | 0:25:44 | |
No, I'm not allowed to. I'm in this hostel. | 0:25:44 | 0:25:47 | |
But temporary, you know? | 0:25:47 | 0:25:49 | |
I'll get my probation officer to sort out a flat | 0:25:49 | 0:25:51 | |
and then I'll be well set up. | 0:25:51 | 0:25:53 | |
-What are you going to do? -Stay out of trouble. | 0:25:53 | 0:25:56 | |
-That's it? -I hope not. | 0:25:56 | 0:25:58 | |
I've got to pick up my kids from gymnastics. | 0:25:58 | 0:26:01 | |
Glen? You couldn't get me an in at your shop, could you? | 0:26:03 | 0:26:06 | |
Take you on? | 0:26:07 | 0:26:08 | |
-Ain't up to you? -Exactly. | 0:26:08 | 0:26:11 | |
See you later. | 0:26:11 | 0:26:13 | |
Yeah, ten years' time. | 0:26:13 | 0:26:14 | |
Don't resent me. I didn't ruin our friendship, you did. | 0:26:14 | 0:26:18 | |
You ruined everything. | 0:26:20 | 0:26:21 | |
I'll have to get out of here. | 0:26:27 | 0:26:29 | |
Bloke over there keeps staring at me. | 0:26:29 | 0:26:31 | |
If he starts, I'll have put myself in a situation. | 0:26:31 | 0:26:33 | |
I'll be recalled to prison. | 0:26:33 | 0:26:35 | |
He recognises you. Probably thinks life should mean life, eh? | 0:26:35 | 0:26:39 | |
-I'm out. I'm not free. -Yeah. | 0:26:39 | 0:26:42 | |
You stopped coming. First few months, then that was that. | 0:26:48 | 0:26:52 | |
Yeah, Lauren got pregnant. I moved in. | 0:26:52 | 0:26:57 | |
-It was a nightmare, bruv. -You was my best mate, and you turned your back on me. | 0:26:57 | 0:27:01 | |
Every time I came to see you, it was getting harder and harder. | 0:27:01 | 0:27:05 | |
I mean, we were running out of things to say, man. And she... | 0:27:05 | 0:27:10 | |
What? | 0:27:10 | 0:27:12 | |
Georgia was such a lovely girl. | 0:27:13 | 0:27:15 | |
Yeah, and I killed her. | 0:27:15 | 0:27:17 | |
Anyway, I'm back, you know? And we're in the pub together. | 0:27:24 | 0:27:29 | |
Start again, yeah? | 0:27:31 | 0:27:33 | |
Yeah. | 0:27:33 | 0:27:35 | |
So tell me about last night. | 0:27:42 | 0:27:44 | |
I caught up with the fellas. Had a laugh, as it goes. | 0:27:44 | 0:27:46 | |
Lot of banter. "Enjoy Australia? | 0:27:46 | 0:27:48 | |
"Darren said you'd been Down Under." | 0:27:48 | 0:27:50 | |
"Only in the showers." "Hope you got a sim card out of it!" | 0:27:50 | 0:27:53 | |
It was like that all night. Well, till the curfew kicked in. | 0:27:53 | 0:27:59 | |
-And you turned into a pumpkin? -Eh? | 0:27:59 | 0:28:02 | |
You're lying. Why's that? | 0:28:02 | 0:28:04 | |
Didn't turn out like I thought. | 0:28:10 | 0:28:11 | |
-What about your sister? -She's OK. The nieces don't want to see me, though. | 0:28:15 | 0:28:19 | |
-You might have to be patient. -It's the only family I've got. | 0:28:19 | 0:28:22 | |
-You still have to be patient. -I've been patient for ten years! | 0:28:22 | 0:28:25 | |
What did you mean by that? | 0:28:31 | 0:28:33 | |
Nothing. It's all right. | 0:28:33 | 0:28:34 | |
-What are you writing? -A note. -What, is this a risk assessment? | 0:28:40 | 0:28:43 | |
Yes, it is. | 0:28:43 | 0:28:45 | |
Look, just because I shouted, I... | 0:28:45 | 0:28:47 | |
Look, I completed all the courses in prison. | 0:28:47 | 0:28:50 | |
-Victim empathy, enhanced thinking... -So? -So I'm no harm to anyone. | 0:28:50 | 0:28:54 | |
I'll be the judge of that. | 0:28:54 | 0:28:56 | |
Thanks. | 0:29:28 | 0:29:30 | |
I didn't think I'd ever need to go back on them again. | 0:29:32 | 0:29:36 | |
There's no shame. | 0:29:36 | 0:29:39 | |
Ten years ago, I wanted to kill myself. | 0:29:39 | 0:29:41 | |
That's shameful, isn't it? | 0:29:43 | 0:29:44 | |
Burying your own child... How could anyone cope with that? | 0:29:46 | 0:29:50 | |
You know Eddie Mottram's out now, don't you? | 0:30:02 | 0:30:04 | |
I just read it in the papers, that's all. | 0:30:04 | 0:30:07 | |
Where are you going today? | 0:30:22 | 0:30:23 | |
Wander round the shopping centre. | 0:30:23 | 0:30:26 | |
Wander? There's no actual purpose to it, then? | 0:30:28 | 0:30:31 | |
I just want to have a look round. | 0:30:31 | 0:30:32 | |
-You have a supervision appointment at two. Then what will you do? -I'll come back here. | 0:30:34 | 0:30:39 | |
Look. They used to call this a halfway house. | 0:30:41 | 0:30:44 | |
Halfway to proper living, Eddie. That makes it better than prison. | 0:30:44 | 0:30:49 | |
What were you doing in the shopping centre? | 0:31:05 | 0:31:08 | |
Colin rang you. | 0:31:10 | 0:31:11 | |
What were you doing? | 0:31:11 | 0:31:12 | |
I felt sorry for myself. | 0:31:12 | 0:31:14 | |
-Resentful? -No. | 0:31:16 | 0:31:18 | |
Resentful of everybody else because you haven't got what they've got? | 0:31:18 | 0:31:22 | |
-Why do you...? -Think the worst? It's safer. | 0:31:24 | 0:31:27 | |
Look, I'm not Philip Pointer. | 0:31:27 | 0:31:29 | |
Don't treat me like I'm going to be, OK? | 0:31:29 | 0:31:31 | |
What did you just say? | 0:31:31 | 0:31:32 | |
And what's that got to do with you anyway? | 0:31:35 | 0:31:37 | |
There was...talk in the hostel. | 0:31:37 | 0:31:40 | |
So I looked it up on the computer in the public library. | 0:31:40 | 0:31:43 | |
-You looked me up? -I know what happened. | 0:31:43 | 0:31:45 | |
It doesn't matter what happened. Not to me, | 0:31:45 | 0:31:47 | |
not to my supervision of you. If I think for one minute that you're trying to manipulate me... | 0:31:47 | 0:31:52 | |
All I'm asking is that you stop thinking I'll turn out like him. | 0:31:52 | 0:31:55 | |
Right. Get in touch with this garden centre. | 0:32:00 | 0:32:03 | |
They've employed offenders before. | 0:32:03 | 0:32:05 | |
The money's crap. | 0:32:48 | 0:32:50 | |
I'm not fussy. | 0:32:50 | 0:32:51 | |
Go on, he won't bite. | 0:33:16 | 0:33:18 | |
All right. | 0:33:18 | 0:33:19 | |
Bloody hell - look at you two, you're so big now. | 0:33:19 | 0:33:25 | |
I don't mean, like, big. I mean grown up. | 0:33:25 | 0:33:28 | |
Are you sure you're only 10 and 13? | 0:33:29 | 0:33:31 | |
They all look like this now. | 0:33:31 | 0:33:33 | |
Yeah. | 0:33:33 | 0:33:34 | |
I used to put you in the paddling pool in your mum's garden. | 0:33:38 | 0:33:41 | |
Do you remember? | 0:33:41 | 0:33:42 | |
No, not really. | 0:33:42 | 0:33:43 | |
If it ain't on YouTube, it never happened. | 0:33:43 | 0:33:46 | |
Do you like milkshake? I've got you a strawberry and a banana. | 0:33:51 | 0:33:56 | |
Is that all right? | 0:33:58 | 0:33:59 | |
Cheers. | 0:34:05 | 0:34:06 | |
Drink up, or they'll go cold. | 0:34:08 | 0:34:10 | |
Where were you before you came here, then? | 0:34:13 | 0:34:16 | |
Different parts of the country. | 0:34:16 | 0:34:18 | |
Bit of a gypsy, were you? | 0:34:18 | 0:34:19 | |
-Settled now. -Who with? | 0:34:19 | 0:34:22 | |
No-one. | 0:34:22 | 0:34:23 | |
I'm just back, that's all. | 0:34:24 | 0:34:27 | |
What do you do for fun? | 0:34:30 | 0:34:32 | |
Work here, and then go home. | 0:34:32 | 0:34:33 | |
-Boring. -I'm like a perennial, me. Waiting for the spring to come. | 0:34:33 | 0:34:38 | |
Better start sooner than that. | 0:34:38 | 0:34:40 | |
Thursdays is a really good club night if you fancy it. | 0:34:45 | 0:34:48 | |
-I can't. -Why not? | 0:34:48 | 0:34:50 | |
-I turn into a pumpkin if I'm not home by 11. -Pub, then. | 0:34:50 | 0:34:53 | |
All right, but just early evening. | 0:34:53 | 0:34:57 | |
Oh, piss off. | 0:34:57 | 0:34:59 | |
What? | 0:34:59 | 0:35:01 | |
I was only trying to be sociable. | 0:35:01 | 0:35:04 | |
Sorry. | 0:35:04 | 0:35:06 | |
What's wrong with you? | 0:35:07 | 0:35:09 | |
I'm shy. I'm just shy. | 0:35:09 | 0:35:13 | |
It's cute. | 0:35:14 | 0:35:16 | |
Did you put a word in for me? | 0:35:30 | 0:35:31 | |
Doesn't mean a thing. He liked you at interview. | 0:35:31 | 0:35:35 | |
Yeah, well, I'm getting used to being grilled, aren't I? | 0:35:35 | 0:35:38 | |
What are you looking at? | 0:35:50 | 0:35:52 | |
Trying to see if you're boyfriend material. | 0:35:54 | 0:35:58 | |
One thing at a time, eh? | 0:35:58 | 0:36:00 | |
What thing? | 0:36:00 | 0:36:01 | |
THEY GASP | 0:36:02 | 0:36:05 | |
SHE LAUGHS | 0:36:29 | 0:36:32 | |
Right. | 0:36:52 | 0:36:54 | |
What do you mean, right? | 0:36:54 | 0:36:57 | |
I got to go. | 0:36:57 | 0:36:58 | |
-What's wrong? -Nothing, I've just got to go. | 0:37:00 | 0:37:03 | |
Thank you(!) | 0:37:08 | 0:37:10 | |
Look, I'm sorry. | 0:37:13 | 0:37:14 | |
There's spontaneous, and there's making a girl feel really cheap. | 0:37:14 | 0:37:18 | |
I said I'm sorry, all right? But I do really have to go, you know? | 0:37:18 | 0:37:22 | |
It must be an emergency. You didn't even wipe yourself. | 0:37:22 | 0:37:25 | |
Can we get together properly another time? | 0:37:27 | 0:37:30 | |
-Invite me round to yours, then. -No. No, I can't. | 0:37:34 | 0:37:38 | |
You are with someone, aren't you? | 0:37:43 | 0:37:45 | |
I'm on my own. | 0:37:45 | 0:37:46 | |
Not surprising. | 0:37:48 | 0:37:50 | |
I'll see you tomorrow. | 0:37:54 | 0:37:56 | |
LOUD MUSIC PLAYS NEARBY | 0:38:09 | 0:38:12 | |
What do you reckon? | 0:38:27 | 0:38:28 | |
-Oh! -That's nice. | 0:38:28 | 0:38:30 | |
I feel just like Gok Wan. | 0:38:30 | 0:38:32 | |
Am I your guinea pig, then? | 0:38:32 | 0:38:34 | |
Yeah, well, at least you look like you're in the right decade now. | 0:38:34 | 0:38:37 | |
You're too rude, you know! | 0:38:37 | 0:38:39 | |
Sorry, uncle! | 0:38:39 | 0:38:40 | |
Walk out of here in a pair of chinos, shall I? | 0:38:40 | 0:38:45 | |
HE BLOWS A RASPBERRY | 0:38:45 | 0:38:47 | |
Man, I've got to join a gym, I tell you. | 0:38:49 | 0:38:52 | |
-You could go jogging. -Jogging? I don't jog, I run! | 0:38:52 | 0:38:56 | |
Yeah, like a girl! | 0:38:56 | 0:38:58 | |
Like a fat girl! | 0:38:58 | 0:38:59 | |
Well, stop feeding me cookies, then, you! | 0:39:01 | 0:39:03 | |
What's he doing? Where's he gone? | 0:39:16 | 0:39:19 | |
-Mum? -Come on. | 0:39:22 | 0:39:23 | |
-Mum? -Come on! | 0:39:23 | 0:39:24 | |
Mum! | 0:39:24 | 0:39:25 | |
They've complained that they found their daughter's killer | 0:39:49 | 0:39:52 | |
out and about in the company of two teenage girls. | 0:39:52 | 0:39:55 | |
His nieces. He was rebuilding ties with his family. | 0:39:55 | 0:39:57 | |
He wasn't even in the exclusion zone. | 0:39:57 | 0:39:59 | |
He was out shopping, not near their home. | 0:39:59 | 0:40:01 | |
But he ran away apparently, | 0:40:01 | 0:40:03 | |
and that's where the risk factor is here, | 0:40:03 | 0:40:06 | |
the way he's reacted to the encounter. | 0:40:06 | 0:40:08 | |
Hang on, have I made a mistake here with this complaint? | 0:40:08 | 0:40:11 | |
-No. No. -Then why am I being made to feel like it? | 0:40:11 | 0:40:14 | |
Look, Paula. | 0:40:14 | 0:40:17 | |
Anything to do with the victim's family, we have to be very careful. | 0:40:17 | 0:40:21 | |
We have to be careful about everything. | 0:40:21 | 0:40:23 | |
Right, well, I'd better go and find Eddie Mottram, then. | 0:40:23 | 0:40:26 | |
You'll miss some of your supervision appointments. | 0:40:26 | 0:40:29 | |
I'm damned if I do, damned if I don't. | 0:40:29 | 0:40:31 | |
Thanks for nothing. | 0:40:50 | 0:40:51 | |
I panicked. I'm sorry. | 0:40:51 | 0:40:53 | |
And I'm left trying to explain to the girls why you ran away. | 0:40:53 | 0:40:57 | |
They're asking me what the fuck went on, | 0:40:57 | 0:40:59 | |
and all I've got is more lies for them. | 0:40:59 | 0:41:01 | |
You wanted to see them, and then you do that to them, to me! | 0:41:01 | 0:41:04 | |
Just tell them they were Georgia's parents. | 0:41:04 | 0:41:07 | |
-Is that all I should tell them? -Of course that's all! | 0:41:07 | 0:41:10 | |
The price of freedom will be you keeping your mouth shut. | 0:41:13 | 0:41:16 | |
I got a ten-year tariff, and I got my life back. | 0:41:17 | 0:41:20 | |
And people hating you, and you running away from them? | 0:41:20 | 0:41:23 | |
Is that the life you want? Is that what it's all been for? | 0:41:23 | 0:41:26 | |
It's all I've got. | 0:41:26 | 0:41:27 | |
Yeah. | 0:41:29 | 0:41:31 | |
-He didn't show up at all? -No. -Thanks. | 0:41:42 | 0:41:46 | |
Colin, is Eddie Mottram in his room? No, he's not. | 0:41:50 | 0:41:55 | |
No, he's not at work, | 0:41:55 | 0:41:57 | |
because I've just got here and he's called in sick. | 0:41:57 | 0:42:01 | |
Oh, God. | 0:42:03 | 0:42:05 | |
You've got a fucking nerve coming here! | 0:42:53 | 0:42:55 | |
I followed you, and you come here. | 0:42:57 | 0:42:59 | |
-I'm sorry. I'll go. -Yeah, run away again. | 0:42:59 | 0:43:01 | |
It made me feel sick seeing you enjoy yourself like that. | 0:43:01 | 0:43:05 | |
I didn't expect to find this. | 0:43:12 | 0:43:14 | |
Think I wouldn't mark it? | 0:43:14 | 0:43:16 | |
-Kept it up. -Of course I've kept it up. I'm her father. | 0:43:16 | 0:43:21 | |
I loved her. | 0:43:21 | 0:43:23 | |
Why are you here? | 0:43:34 | 0:43:35 | |
Because this is where... | 0:43:35 | 0:43:39 | |
Pay my respects. | 0:43:39 | 0:43:42 | |
Your respects? | 0:43:42 | 0:43:43 | |
For months after, we used to wait for Georgia to come home, | 0:43:46 | 0:43:50 | |
listen for her key in the door, | 0:43:50 | 0:43:52 | |
-wonder why she was late and then remember. -Please don't. | 0:43:52 | 0:43:55 | |
-Isn't that what she said to you? -What do you want to do, Mr Whiteley, kill me? | 0:43:55 | 0:43:59 | |
See, I'm still calling you Mr Whiteley, like I'm 19 again. | 0:43:59 | 0:44:02 | |
-Yeah, time stands still. -Please, let me... -Let you what? | 0:44:02 | 0:44:06 | |
Get on with my life. | 0:44:09 | 0:44:11 | |
Why did she have to go with you? | 0:44:14 | 0:44:17 | |
I told her what you'd be like. | 0:44:17 | 0:44:20 | |
No good. | 0:44:20 | 0:44:21 | |
No good, no good! | 0:44:21 | 0:44:23 | |
HE SOBS | 0:44:34 | 0:44:36 | |
Mr Whiteley... | 0:44:52 | 0:44:53 | |
Just leave me! Just go! | 0:44:53 | 0:44:56 | |
-You told the hostel that you were going to work. You lied to the garden centre. -I'm sorry. | 0:45:12 | 0:45:17 | |
Forget sorry, I want to know where you were! | 0:45:17 | 0:45:19 | |
-You always need to know where I am! -How am I supposed to protect the public if I don't? | 0:45:19 | 0:45:24 | |
I...I had to go somewhere. | 0:45:24 | 0:45:27 | |
Somewhere? Eddie, this doesn't look good. You were caught | 0:45:27 | 0:45:30 | |
in a lie. You could lose your job, you could lose your freedom. | 0:45:30 | 0:45:34 | |
You tell me exactly where you were! | 0:45:34 | 0:45:37 | |
I went to the place where they found Georgia's body. | 0:45:43 | 0:45:46 | |
There was floral tributes there. | 0:45:48 | 0:45:50 | |
I've got to record this. | 0:45:59 | 0:46:01 | |
I wanted to go to the place it all started and ended. | 0:46:02 | 0:46:07 | |
To try and remember... you know, I wanted to replay it. | 0:46:07 | 0:46:10 | |
-And did you do that? -I couldn't. | 0:46:10 | 0:46:12 | |
-Why not? -Mr Whiteley had followed me. | 0:46:12 | 0:46:15 | |
Look, all of a sudden, he was behind me. | 0:46:20 | 0:46:23 | |
Was there a confrontation? | 0:46:23 | 0:46:24 | |
-It was fine. -Eddie... | 0:46:24 | 0:46:26 | |
He got upset. | 0:46:26 | 0:46:28 | |
-He tried to hit me. -Did you get violent? | 0:46:28 | 0:46:30 | |
I'm no risk to him, to others. It's the other way round. | 0:46:30 | 0:46:34 | |
-Tell me how it ended. -With him crying. | 0:46:34 | 0:46:36 | |
Paula, what's wrong? Look, I didn't do anything. | 0:46:36 | 0:46:40 | |
-You put yourself in a situation... -Don't recall me to prison. | 0:46:40 | 0:46:43 | |
-You put yourself in a situation that could have provoked violence and increased your risk! -Paula, please... | 0:46:43 | 0:46:49 | |
If Mr Whiteley tells the police you were there and you had a row, | 0:46:49 | 0:46:53 | |
a bloody showdown, I haven't got any choice. | 0:46:53 | 0:46:56 | |
We'd know by now, though, wouldn't we? | 0:46:56 | 0:46:58 | |
Look, it wasn't like trespass or anything. It wasn't her grave, | 0:46:59 | 0:47:03 | |
-it's the side of the road. -Am I meant to say | 0:47:03 | 0:47:05 | |
you went to pay your respects and you want to file a complaint against Georgia's father for harassment? | 0:47:05 | 0:47:11 | |
Maybe you don't have to say anything at all. | 0:47:11 | 0:47:13 | |
I have to do my job properly. | 0:47:13 | 0:47:15 | |
Yeah, and I'm trying to do things properly! | 0:47:15 | 0:47:18 | |
Paula. | 0:47:25 | 0:47:26 | |
You got a second chance, didn't you? | 0:47:28 | 0:47:31 | |
Give me one. | 0:47:37 | 0:47:38 | |
Please trust me. | 0:47:43 | 0:47:45 | |
OK. | 0:48:05 | 0:48:07 | |
Thank you. | 0:48:10 | 0:48:11 | |
Your handwriting's terrible. | 0:48:44 | 0:48:46 | |
Sod off, you. | 0:48:46 | 0:48:48 | |
It's weird, you writing out a prescription for me. | 0:48:49 | 0:48:54 | |
I am qualified, you know. | 0:48:54 | 0:48:56 | |
You're the one that got away. | 0:48:58 | 0:49:00 | |
Look, Eddie, these will take the edge off things, all right? The anxiety... | 0:49:04 | 0:49:09 | |
You...you won't have to tell my probation officer | 0:49:09 | 0:49:12 | |
you're prescribing me these, will you? | 0:49:12 | 0:49:15 | |
Only it won't look too good for me. | 0:49:15 | 0:49:17 | |
No, don't worry about that. It's just between you and me. | 0:49:17 | 0:49:20 | |
I thought doing the sentence was going to be the hardest bit. | 0:49:27 | 0:49:30 | |
What's hardest, then? | 0:49:32 | 0:49:33 | |
What people think of me. | 0:49:38 | 0:49:39 | |
Have a great weekend, and I'll see you first thing Monday. | 0:49:48 | 0:49:52 | |
All right, bye-bye. Can I help you? | 0:49:52 | 0:49:55 | |
Don't pretend not to recognise me. | 0:49:55 | 0:49:58 | |
I'm not pretending. I haven't got a clue who you are. | 0:49:58 | 0:50:01 | |
You don't know who I am? I'm Eddie Mottram. Murder trial! | 0:50:01 | 0:50:04 | |
Well, that was a long time ago. | 0:50:05 | 0:50:07 | |
Yeah? I remember it, though. You never came to see me after. | 0:50:07 | 0:50:11 | |
Why would I? | 0:50:11 | 0:50:13 | |
Did you ever think about me, Trevor? | 0:50:13 | 0:50:15 | |
Look, if I make a complaint of harassment, | 0:50:15 | 0:50:18 | |
you'll go back to prison. | 0:50:18 | 0:50:20 | |
Next, Eddie Mottram... | 0:50:30 | 0:50:34 | |
Who went AWOL. | 0:50:34 | 0:50:37 | |
-Yeah. -Where? | 0:50:37 | 0:50:39 | |
Nowhere. Wasn't significant at all. | 0:50:39 | 0:50:44 | |
Right. Well, I mean, | 0:50:44 | 0:50:46 | |
I think you're managing him and the rest really well. Well done. | 0:50:46 | 0:50:51 | |
Dennis? Yeah, look, the figures the area DM has asked for, | 0:50:55 | 0:50:59 | |
I've got them. Yeah. I'll send 'em down. | 0:50:59 | 0:51:02 | |
I should never have gone back. | 0:51:03 | 0:51:05 | |
You were right, you were absolutely right. | 0:51:05 | 0:51:07 | |
What are you talking about? | 0:51:07 | 0:51:09 | |
Straight away, I've fucked up. | 0:51:09 | 0:51:11 | |
Look, put your wine down and tell me what happened. | 0:51:11 | 0:51:15 | |
I lied to Marion about something. About Eddie Mottram. | 0:51:15 | 0:51:18 | |
Look, he did something wrong and he asked me... | 0:51:18 | 0:51:21 | |
He begged me to give him a second chance, and I did. | 0:51:21 | 0:51:24 | |
How is that fucking up? | 0:51:24 | 0:51:26 | |
Ten years ago, this job was about helping people get a life back. | 0:51:26 | 0:51:31 | |
Now it's about controlling and punishing | 0:51:31 | 0:51:33 | |
and keeping the crime rate down. | 0:51:33 | 0:51:36 | |
I'm supposed to keep him down, but if he does something to someone | 0:51:36 | 0:51:40 | |
and it turns out I used my discretion, | 0:51:40 | 0:51:42 | |
it means I didn't learn from last time, doesn't it? | 0:51:42 | 0:51:46 | |
Do you trust him? | 0:51:46 | 0:51:48 | |
I must do. | 0:51:52 | 0:51:53 | |
Then trust yourself. | 0:51:53 | 0:51:55 | |
What? | 0:52:09 | 0:52:12 | |
I'm sorry. About the way I was. | 0:52:12 | 0:52:15 | |
Quick, you mean? | 0:52:15 | 0:52:17 | |
Well, it had been a long time. | 0:52:17 | 0:52:19 | |
Had it? Why? | 0:52:19 | 0:52:20 | |
Look...apart from anything else, can we just, like, get on? | 0:52:22 | 0:52:28 | |
Not if you behave like that again. | 0:52:30 | 0:52:32 | |
I can do good behaviour. | 0:52:36 | 0:52:38 | |
Can you? | 0:52:41 | 0:52:42 | |
You'd better. | 0:52:47 | 0:52:48 | |
Oi! | 0:52:56 | 0:52:59 | |
-Happy birthday, all right? -Cheers, Mr Styles. | 0:53:12 | 0:53:15 | |
What's wrong? | 0:53:17 | 0:53:18 | |
This is called a constructive intervention. | 0:53:18 | 0:53:21 | |
Is it? What does that mean? | 0:53:21 | 0:53:23 | |
It means I know it's your birthday. You file says so. | 0:53:23 | 0:53:26 | |
-Have you got plans? -No, my sister's got parents' evening. | 0:53:27 | 0:53:31 | |
Sent me a card, though. Look. | 0:53:31 | 0:53:32 | |
You can't spend your birthday on your own, can you? | 0:53:36 | 0:53:38 | |
It might increase your risk factor. | 0:53:38 | 0:53:40 | |
Who's she? | 0:53:40 | 0:53:42 | |
Just a work mate. Excuse me. | 0:53:42 | 0:53:44 | |
-I'll call you later. -Who's she? | 0:53:46 | 0:53:48 | |
Estate agent. She's...she's going to show me a property to rent. | 0:53:48 | 0:53:52 | |
Keep your phone on. | 0:53:53 | 0:53:56 | |
-Ready? -Yeah. | 0:53:56 | 0:53:59 | |
Aren't you going to sing? | 0:54:11 | 0:54:13 | |
That's definitely not in my job description. | 0:54:13 | 0:54:16 | |
Seeing me like this isn't in your job description either, is it? | 0:54:16 | 0:54:19 | |
-I do home visits. -Well, then, why didn't you just come to the hostel? | 0:54:19 | 0:54:23 | |
I spend more time writing reports about clients | 0:54:23 | 0:54:26 | |
-than I do spending time with them. -Worried about my welfare? | 0:54:26 | 0:54:30 | |
I've already lied for you, haven't I? | 0:54:32 | 0:54:35 | |
Anyway, I'm worried about my welfare as well. | 0:54:38 | 0:54:41 | |
If you mess up, how does that make me look? | 0:54:41 | 0:54:44 | |
Bet you're being watched as much as me, eh? | 0:54:44 | 0:54:47 | |
And I don't even get cake. | 0:54:47 | 0:54:50 | |
Do you want a bit? | 0:54:50 | 0:54:51 | |
I'll have a bite. | 0:54:51 | 0:54:54 | |
Make a wish. | 0:54:54 | 0:54:56 | |
Oh, for... | 0:55:25 | 0:55:27 | |
-Whoa, what's going on? -We got a whisper about drug use. | 0:55:35 | 0:55:39 | |
So what, every time some shitarse in here says something about me, | 0:55:39 | 0:55:43 | |
you're going to turn my room over? | 0:55:43 | 0:55:45 | |
-All part of the conditions, mate. -All part of being a piece of shit? | 0:55:45 | 0:55:49 | |
You knew this was what life would be like. | 0:55:49 | 0:55:51 | |
Until you hear differently, | 0:55:51 | 0:55:52 | |
this is how someone like you is supposed to live it. | 0:55:52 | 0:55:55 | |
Someone like me? What, once a murderer, always a murderer? | 0:55:55 | 0:55:59 | |
Well, there's no undoing it, so I suppose so. | 0:55:59 | 0:56:02 | |
Eddie, come back here. Eddie! | 0:56:05 | 0:56:08 | |
DOORBELL RINGS | 0:56:19 | 0:56:21 | |
DOORBELL RINGS AGAIN | 0:56:26 | 0:56:29 | |
BELL KEEPS RINGING | 0:56:34 | 0:56:35 | |
Christ, Will, I'm not deaf. | 0:56:35 | 0:56:37 | |
All right, all right, where's your bloody key? | 0:56:37 | 0:56:41 | |
BANGING AT DOOR | 0:56:41 | 0:56:42 | |
Will? | 0:56:42 | 0:56:44 | |
Paula, it's me, Eddie Mottram! | 0:56:44 | 0:56:47 | |
I didn't do it, Paula! I didn't kill Georgia! | 0:56:57 | 0:57:01 | |
Please, please open the door. | 0:57:04 | 0:57:06 | |
Just open the door, please. | 0:57:08 | 0:57:10 | |
You're in enough trouble already. Don't come here with some story! | 0:57:22 | 0:57:26 | |
It's not a story! I'm telling you, it wasn't me! | 0:57:26 | 0:57:28 | |
I can't...you can't... What the fuck is this! | 0:57:28 | 0:57:30 | |
You said you lied for me. | 0:57:30 | 0:57:32 | |
That's why I can tell you the truth now! | 0:57:32 | 0:57:34 | |
That's why I've come to you! I need you to believe it. | 0:57:34 | 0:57:37 | |
Why would you lie after ten years? Are you lying now? Are you lying now? | 0:57:37 | 0:57:40 | |
I only pleaded to get a reduced sentence, | 0:57:40 | 0:57:42 | |
and then I had to keep it up. And now I can't! | 0:57:42 | 0:57:45 | |
I can't any more. | 0:57:47 | 0:57:48 | |
What, now you're some innocent man all of a sudden? | 0:57:48 | 0:57:52 | |
What are you doing? | 0:57:52 | 0:57:53 | |
I'm recalling you back to prison. | 0:57:53 | 0:57:56 | |
I can't go back and do another 15 years, Paula. I can't! | 0:57:56 | 0:58:00 | |
PHONE DIAL TONE | 0:58:00 | 0:58:02 | |
Please. | 0:58:02 | 0:58:03 | |
Please. | 0:58:11 | 0:58:13 | |
Until last night, you did it. For the last ten years, you did it. | 0:58:15 | 0:58:19 | |
-It's too late to say anything else. -I've been wanting to explain my behaviour. | 0:58:19 | 0:58:23 | |
Are you encouraging me to take it further? Do you believe me? | 0:58:26 | 0:58:30 | |
I didn't lie to you! Is this how you protect the public? | 0:58:30 | 0:58:34 | |
-You've got to recall him to prison. -I haven't managed a problem. I've created one. | 0:58:34 | 0:58:39 | |
I didn't kill Georgia Whiteley! | 0:58:39 | 0:58:41 | |
Subtitles by Red Bee Media Ltd | 0:59:00 | 0:59:03 | |
e-mail [email protected] | 0:59:03 | 0:59:06 |