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Did Brian do anything to make you feel uncomfortable? | 0:00:02 | 0:00:04 | |
No. God, no. | 0:00:04 | 0:00:05 | |
Spending that much time alone with a young girl... | 0:00:05 | 0:00:08 | |
This is Brian we're talking about. | 0:00:08 | 0:00:09 | |
-You're still seeing her. -I'm warning you... | 0:00:09 | 0:00:12 | |
-I want a leave of absence. -That's probably a good idea. | 0:00:12 | 0:00:15 | |
SHE WAILS | 0:00:15 | 0:00:17 | |
Forget it, sunshine, you've got no chance. | 0:00:17 | 0:00:19 | |
Wouldn't be so sure. I can read you like a book - Fifty Shades Of Blue. | 0:00:19 | 0:00:23 | |
Conor's broken his leg, it's really bad. | 0:00:23 | 0:00:25 | |
Did you consume anything stronger than drink? | 0:00:25 | 0:00:28 | |
I smoked some heroin. | 0:00:28 | 0:00:29 | |
So, I look at him and I says, "Doyler, why did you bring your dog with you on a burglary?" | 0:01:08 | 0:01:13 | |
And he looks at me and he says, "Well, Mr McGonigle, he needs the exercise." | 0:01:13 | 0:01:17 | |
THEY CHUCKLE | 0:01:17 | 0:01:19 | |
-'Control to Zulu Victor 101.' -Go ahead. | 0:01:19 | 0:01:20 | |
'There's a report of an abandoned vehicle, possible assault, Seagrange car park.' | 0:01:20 | 0:01:25 | |
-Roger that, en route. -Let's go get 'em. | 0:01:25 | 0:01:27 | |
-OK. See you later, lads. -See you, boss. | 0:01:27 | 0:01:28 | |
-Do you want a banana instead? -No. | 0:01:58 | 0:02:00 | |
-You have to eat something. -I'm fine. | 0:02:01 | 0:02:03 | |
This woman yesterday... | 0:02:11 | 0:02:12 | |
The most annoying person in the history of mankind. | 0:02:14 | 0:02:17 | |
I literally spent, like, ten minutes going through the entire menu with her. | 0:02:17 | 0:02:21 | |
She said she was a martyr to her IBS. | 0:02:21 | 0:02:23 | |
I felt like asking if IBS stood for Irritating... | 0:02:23 | 0:02:26 | |
Why are you telling me this? | 0:02:26 | 0:02:27 | |
I'm just making conversation. | 0:02:30 | 0:02:32 | |
Do I look like I care? | 0:02:32 | 0:02:33 | |
But I do. | 0:02:35 | 0:02:36 | |
I care, Rae. | 0:02:37 | 0:02:38 | |
Just talk to me. | 0:02:40 | 0:02:42 | |
I promise I won't tell Dad. | 0:02:42 | 0:02:44 | |
BELL RINGS | 0:02:46 | 0:02:47 | |
-Where are you going? -The beach. | 0:02:48 | 0:02:51 | |
-I'll take you. -I don't need a lift. | 0:02:51 | 0:02:53 | |
Rachel, please. | 0:02:53 | 0:02:55 | |
-Please what? -Just talk to us. | 0:02:55 | 0:02:57 | |
And say what? | 0:02:57 | 0:02:59 | |
I told you what happened, nothing. | 0:02:59 | 0:03:00 | |
Apart from me making a stupid fool of myself, and I don't know why yous keep going on about it. | 0:03:00 | 0:03:04 | |
I just wish you would both leave me alone. | 0:03:04 | 0:03:07 | |
-How did you sleep? -I didn't. | 0:03:16 | 0:03:18 | |
How bad is it hurting now? | 0:03:18 | 0:03:20 | |
It's OK. | 0:03:20 | 0:03:22 | |
-On a scale of one to ten? -OK. | 0:03:22 | 0:03:23 | |
Thanks. | 0:03:33 | 0:03:34 | |
You going studying now? | 0:03:42 | 0:03:43 | |
I've got exams in, like, a week. | 0:03:44 | 0:03:46 | |
There must be a way around it. | 0:03:48 | 0:03:50 | |
Look at you. | 0:03:50 | 0:03:52 | |
-Will I call the college? -No, it's fine. | 0:03:52 | 0:03:54 | |
If I can just pass this one exam, I don't have to do a resit in August. | 0:03:54 | 0:03:58 | |
Fair play to you. | 0:03:58 | 0:03:59 | |
What's left? Another three days on the tablets? | 0:03:59 | 0:04:02 | |
OK, I get the message. | 0:04:05 | 0:04:06 | |
I'm going. | 0:04:06 | 0:04:07 | |
But, if you need anything, call me, all right? | 0:04:09 | 0:04:12 | |
-Yeah. -Conor. | 0:04:12 | 0:04:13 | |
OK, Dad, I'll call you. | 0:04:14 | 0:04:16 | |
Hey, Dooley? | 0:04:36 | 0:04:37 | |
Yeah, it's...it's Conor. | 0:04:37 | 0:04:40 | |
Yeah, listen, I'm on crutches and I can't leave the house. | 0:04:40 | 0:04:42 | |
I kind of need some of that... | 0:04:42 | 0:04:45 | |
Yeah. | 0:04:45 | 0:04:46 | |
All right, thanks, man. | 0:04:46 | 0:04:47 | |
Could be your lucky day, Addie-boy. | 0:04:59 | 0:05:02 | |
Meaning? | 0:05:03 | 0:05:05 | |
You always get your hopes up. | 0:05:05 | 0:05:07 | |
Always hoping there's a murder, so you can play detective and get yourself earmarked for promotion. | 0:05:07 | 0:05:12 | |
People say, non-nationals, when they come here, they're always more... | 0:05:12 | 0:05:16 | |
ambitious than us, you know, natives. | 0:05:16 | 0:05:19 | |
I mean, how many murders a year divided by how many Guards there are, | 0:05:21 | 0:05:24 | |
it's statistically unlikely we'll ever be first on the murder scene. | 0:05:24 | 0:05:28 | |
Should still probably call it in. | 0:05:28 | 0:05:30 | |
Get the detective unit on it. | 0:05:33 | 0:05:34 | |
-And Nikki? -Meaning the fragrant Miss Grogan, indeed. | 0:05:35 | 0:05:39 | |
At least, I think she's a Miss. | 0:05:39 | 0:05:41 | |
She doesn't wear a ring. Do you know? | 0:05:42 | 0:05:44 | |
Would it matter? | 0:05:44 | 0:05:46 | |
Probably not. So, do you want to call it in or shall I? | 0:05:46 | 0:05:50 | |
I don't really care, strangely enough. | 0:05:50 | 0:05:52 | |
Nikki. Hi, it's Sean. | 0:05:55 | 0:05:58 | |
Holden. Sean Holden. | 0:06:00 | 0:06:01 | |
Garda Sean Holden. | 0:06:05 | 0:06:06 | |
Yeah, we're at Seagrange car park. | 0:06:07 | 0:06:10 | |
Think you might want to come down and take a look. | 0:06:10 | 0:06:12 | |
-How's Conor? -Well, the pain's on him something chronic. | 0:06:14 | 0:06:16 | |
Take an hour, go home to him after this. | 0:06:19 | 0:06:21 | |
I've a tonne of work, and I've a family liaison meeting later this evening. | 0:06:21 | 0:06:24 | |
I can make it an order, if you'd like. | 0:06:24 | 0:06:26 | |
Thanks, boss. | 0:06:26 | 0:06:27 | |
-Thanks for waiting, Brian. -No problem. | 0:06:29 | 0:06:31 | |
I felt it was important to see how you were. | 0:06:37 | 0:06:39 | |
Check that you're OK. | 0:06:39 | 0:06:41 | |
Me? I'm a big boy, boss. | 0:06:41 | 0:06:43 | |
Still... Hell of a thing to be accused of. | 0:06:44 | 0:06:47 | |
Yeah, well, like I said, I'm just glad to be putting the whole thing behind me. | 0:06:48 | 0:06:52 | |
How's everything going with the rest of the team? | 0:06:52 | 0:06:54 | |
Everything's been great. | 0:06:54 | 0:06:57 | |
Really. | 0:06:57 | 0:06:58 | |
The lads, they all know me, they know I could never... | 0:06:58 | 0:07:01 | |
Actually, if I could be honest, I'm not OK. | 0:07:05 | 0:07:07 | |
I'm not sleeping, my wife has been worried. | 0:07:09 | 0:07:12 | |
You know me. My head hits the pillow, I'm normally out like a light. | 0:07:13 | 0:07:16 | |
I just can't fathom it. | 0:07:18 | 0:07:19 | |
You know, how she... | 0:07:20 | 0:07:21 | |
..Sharon could ever think that. | 0:07:22 | 0:07:24 | |
-You need some time off? -No. | 0:07:31 | 0:07:32 | |
No...I'm grand. | 0:07:32 | 0:07:34 | |
I'll ride it out. | 0:07:34 | 0:07:36 | |
I spoke to Sharon this morning. | 0:07:38 | 0:07:40 | |
She's asked for another week off, but she will be back eventually. | 0:07:40 | 0:07:43 | |
-How do you feel about that? -Honestly? | 0:07:44 | 0:07:46 | |
I've no idea. The whole thing is just such a... | 0:07:48 | 0:07:50 | |
-It's a mess. -Yes, it's going to... | 0:07:52 | 0:07:53 | |
It's going to be very tricky. | 0:07:53 | 0:07:55 | |
Would a transfer not be the best thing for everyone? | 0:07:57 | 0:08:01 | |
Look, I hate to admit it, but my life would certainly be a lot easier if Sharon... | 0:08:01 | 0:08:04 | |
didn't stay at Red Rock. | 0:08:04 | 0:08:06 | |
That's something we'll have to consider. | 0:08:08 | 0:08:11 | |
How are things with the Reids? | 0:08:11 | 0:08:13 | |
Given the circumstances, I've just stayed out of their way. | 0:08:13 | 0:08:16 | |
Yeah, as far as I know, the rest of the team are in and out of the cafe, as usual. | 0:08:16 | 0:08:19 | |
It's just, you know, it's Rachel I feel sorry for. | 0:08:19 | 0:08:22 | |
I mean, she's just a kid. | 0:08:24 | 0:08:25 | |
OK. Thanks, Brian. | 0:08:29 | 0:08:30 | |
Boss. | 0:08:32 | 0:08:33 | |
DOOR CLOSES | 0:08:39 | 0:08:40 | |
What do you think? | 0:08:45 | 0:08:46 | |
So, what have we got here? | 0:08:49 | 0:08:51 | |
Abandoned car. Blood inside. | 0:08:51 | 0:08:54 | |
And out. | 0:08:54 | 0:08:55 | |
A woman with a dog phoned it in. | 0:08:55 | 0:08:57 | |
We have her details. | 0:08:57 | 0:08:58 | |
-Do you watch it? -What? | 0:09:00 | 0:09:02 | |
CSI. | 0:09:02 | 0:09:03 | |
No? | 0:09:06 | 0:09:09 | |
Adrijan has all the box sets. | 0:09:09 | 0:09:11 | |
You go to Rocky's? | 0:09:11 | 0:09:14 | |
The gym? Yeah. | 0:09:14 | 0:09:15 | |
I was thinking of switching over to it. | 0:09:16 | 0:09:19 | |
I'm not happy in my gym, and Rocky's is sure working for you, isn't it? | 0:09:19 | 0:09:22 | |
Well, it's not in the gym so much as the work you put in. | 0:09:22 | 0:09:24 | |
-Yeah. -OK. | 0:09:25 | 0:09:27 | |
What can you tell me about this scene? | 0:09:27 | 0:09:29 | |
-You first, Sean. -It's not gangland. | 0:09:29 | 0:09:31 | |
No sign of bullet holes. Wrong type of car. Too conventional. | 0:09:31 | 0:09:36 | |
I don't want to know what it isn't, I want to know what it is. | 0:09:36 | 0:09:39 | |
Well, it's most likely a drunk driver, got out to take a leak, fell, | 0:09:39 | 0:09:43 | |
split his head, staggered off to hospital. | 0:09:43 | 0:09:46 | |
Ireland, nul points. | 0:09:46 | 0:09:47 | |
Driver was assaulted in the car. | 0:09:49 | 0:09:51 | |
Got out, staggered away. | 0:09:51 | 0:09:53 | |
That explains the blood on the windows and seats, and the single blood trail we can see. | 0:09:53 | 0:10:00 | |
So, he leaves the car park, goes to the traffic lights, | 0:10:00 | 0:10:04 | |
-must have got a taxi then. -Any more? | 0:10:04 | 0:10:07 | |
-What type of crime? -Most likely sex. | 0:10:07 | 0:10:09 | |
Picked up a working girl, brought her here, tried to get rough with her, | 0:10:09 | 0:10:13 | |
let's say he has a few drinks in him, | 0:10:13 | 0:10:16 | |
and she used whatever she carried to protect herself. | 0:10:16 | 0:10:18 | |
Croatia, douze points. | 0:10:18 | 0:10:22 | |
Zulu Victor 201 to Victor Alpha base, over. | 0:10:22 | 0:10:25 | |
We need a Scene of Crimes unit down at Seagrange car park, over. | 0:10:25 | 0:10:28 | |
-'Roger. En route.' -Get some tape and seal this area off. | 0:10:28 | 0:10:31 | |
You were right, it is my lucky day. | 0:10:31 | 0:10:33 | |
(Come on. Come on.) | 0:10:53 | 0:10:54 | |
Yeah, Dooley, are you... Dooley, are you on your way? | 0:10:54 | 0:10:57 | |
Are you high? | 0:10:57 | 0:10:59 | |
Well, you sound like you're off your head. | 0:11:00 | 0:11:03 | |
Listen, are you coming over with something or not? | 0:11:03 | 0:11:07 | |
What do you mean "tomorrow"? | 0:11:07 | 0:11:09 | |
What do you mean you're coming over tomorrow? | 0:11:09 | 0:11:11 | |
I asked yous today, you said you were coming in an hour or two. | 0:11:11 | 0:11:14 | |
Yeah, well, that's no... | 0:11:14 | 0:11:15 | |
You're doing a very good job there, Sean. | 0:11:18 | 0:11:22 | |
You know, there was a kid, back in primary... | 0:11:22 | 0:11:26 | |
Teacher's pet, always had his hand up with the answer. | 0:11:26 | 0:11:30 | |
That's how you sound. "Yes, Nikki. | 0:11:30 | 0:11:32 | |
"No, Nikki. Three bags full, Nikki." | 0:11:32 | 0:11:33 | |
If you would spend more time observing the crime scene, | 0:11:33 | 0:11:36 | |
and less time observing her... | 0:11:36 | 0:11:38 | |
Come on. It's nearly always a drunk, and you know that. | 0:11:38 | 0:11:41 | |
She's taken in by your whole Sherlock Holmes routine, that's all. | 0:11:41 | 0:11:44 | |
Nikki, so the car belongs to a... | 0:11:44 | 0:11:47 | |
Philip Rogers, 26 Chapel Lane, Red Rock. | 0:11:47 | 0:11:50 | |
Yeah, and we're checking St Helen's A&E for last night. | 0:11:50 | 0:11:52 | |
Oh, hold on a second, hold on a second. | 0:11:52 | 0:11:54 | |
There was a Philip Rogers admitted last night by ambulance, 23.15. | 0:11:54 | 0:11:59 | |
Yeah, he's still there. | 0:11:59 | 0:12:01 | |
PHONE RINGS | 0:12:01 | 0:12:02 | |
Yeah. OK, you got that? OK, bye-bye. | 0:12:02 | 0:12:08 | |
Hello? | 0:12:08 | 0:12:09 | |
-Uh...it's me. -Look, I told you never to call me on this phone. | 0:12:09 | 0:12:13 | |
-Yeah, well, I need to talk to you. -OK, OK, I'll call you right back. | 0:12:13 | 0:12:16 | |
In a few minutes. On the other phone. | 0:12:16 | 0:12:18 | |
The Scene of Crimes will be about an hour. | 0:12:24 | 0:12:26 | |
The driver's in St Helen's, I'm going to go and interview him now. | 0:12:26 | 0:12:29 | |
Do you fancy coming along? | 0:12:29 | 0:12:30 | |
-Yeah. -Yeah? You've earned it. | 0:12:30 | 0:12:32 | |
I wouldn't quit the gym you're in. | 0:12:36 | 0:12:38 | |
-Why's that? -Looks like it's working for you. | 0:12:38 | 0:12:41 | |
-I'll be a second. -Sorry? | 0:12:41 | 0:12:42 | |
I'm going with you to the hospital. | 0:12:42 | 0:12:44 | |
Oh, no, Sean, we need someone to mind the crime scene. Thanks. | 0:12:44 | 0:12:47 | |
You've got five minutes. What's up? | 0:12:49 | 0:12:50 | |
Dad doesn't believe me. I keep on denying it, but he just looks at me. | 0:12:50 | 0:12:54 | |
No, look, he will believe you, if you stick to the story. | 0:12:54 | 0:12:57 | |
You had a crush on me, you were feeling giddy, you kissed me, | 0:12:57 | 0:13:00 | |
you didn't mean anything by it. | 0:13:00 | 0:13:01 | |
I keep telling you, they don't buy it. | 0:13:01 | 0:13:04 | |
Rachel, you need to calm down. | 0:13:04 | 0:13:06 | |
Maybe if I could see you... | 0:13:06 | 0:13:07 | |
No, look... | 0:13:08 | 0:13:10 | |
We agreed, no contact until all this is over. | 0:13:10 | 0:13:13 | |
-But I need to... -Rachel. | 0:13:13 | 0:13:14 | |
You need to calm yourself. OK, look, I swear, | 0:13:14 | 0:13:18 | |
all this is going to be fine in the end. | 0:13:18 | 0:13:21 | |
It'll all go away. I just need you to be my... | 0:13:21 | 0:13:25 | |
clever girl... | 0:13:25 | 0:13:27 | |
and stay strong. | 0:13:27 | 0:13:29 | |
Can you do that? Just like we talked about. | 0:13:30 | 0:13:33 | |
I'm trying. | 0:13:33 | 0:13:35 | |
Good girl. | 0:13:36 | 0:13:37 | |
So, what you've said so far... | 0:13:42 | 0:13:45 | |
Assailant, mid-20s, average height, average build, black jacket. | 0:13:45 | 0:13:49 | |
Yes. It just happened so fast. | 0:13:49 | 0:13:53 | |
You take your time, Mr Rogers. | 0:13:53 | 0:13:55 | |
I tried to defend myself. | 0:13:55 | 0:13:58 | |
But he just kept punching me. | 0:13:58 | 0:13:59 | |
I'm waiting to see the eye specialist. | 0:14:01 | 0:14:03 | |
-What if...I lose my sight? -My other brother, | 0:14:03 | 0:14:07 | |
his right eye was badly injured when he was a kid, | 0:14:07 | 0:14:11 | |
a piece of flying metal, everyone thought he would be blind. | 0:14:11 | 0:14:14 | |
He's fine. | 0:14:14 | 0:14:15 | |
-20/20 vision. -Are you OK to go on? | 0:14:15 | 0:14:18 | |
OK. Can you remember anything else about your attacker? | 0:14:20 | 0:14:24 | |
Distinguishing marks, tattoos, piercings? | 0:14:24 | 0:14:26 | |
I think he had a tattoo. | 0:14:28 | 0:14:30 | |
OK. That's good, that's really good. | 0:14:30 | 0:14:33 | |
Can you remember what the tattoo looked like? | 0:14:33 | 0:14:35 | |
-It was a bird. -What kind of bird? | 0:14:35 | 0:14:38 | |
I think it was a swallow. | 0:14:38 | 0:14:41 | |
On the back of his hand. | 0:14:41 | 0:14:43 | |
That's great. | 0:14:43 | 0:14:45 | |
Can I ask you, can you remember if there was anyone else | 0:14:45 | 0:14:48 | |
in the car park who might have seen your assailant? | 0:14:48 | 0:14:50 | |
No. I don't think so. | 0:14:50 | 0:14:52 | |
That's OK. That's OK, you've given us loads to go on. | 0:14:52 | 0:14:55 | |
Thank you, Mr Rogers, we'll be in touch with any news. | 0:14:55 | 0:14:57 | |
You just take care of yourself, OK? | 0:14:57 | 0:15:01 | |
With that, I'm thinking... | 0:15:03 | 0:15:05 | |
-..Huey Mahon. -Great minds. | 0:15:06 | 0:15:09 | |
Wouldn't that be sweet? | 0:15:09 | 0:15:10 | |
-What are you doing here? -Checking in on him. | 0:15:17 | 0:15:20 | |
Me too. | 0:15:20 | 0:15:21 | |
We need to work on our communication. | 0:15:21 | 0:15:23 | |
Yeah, a bit late for that. | 0:15:23 | 0:15:25 | |
-Where is he? -The bathroom. | 0:15:25 | 0:15:27 | |
I got him to have a shower, I thought it might make him feel a bit better. | 0:15:27 | 0:15:30 | |
-He's not good? -I don't think much of those tablets he's on. | 0:15:30 | 0:15:33 | |
He's in more pain than he's saying. | 0:15:33 | 0:15:35 | |
How long are you staying for? | 0:15:35 | 0:15:36 | |
Are you going back to work or are you here for the afternoon? | 0:15:38 | 0:15:40 | |
What is this? The Spanish Inquisition? | 0:15:40 | 0:15:43 | |
It's just a question. | 0:15:43 | 0:15:44 | |
All right. | 0:15:44 | 0:15:45 | |
-What's going on? -Nothing. | 0:15:45 | 0:15:47 | |
Rachel. | 0:15:54 | 0:15:55 | |
-Hi, Niamh. -Hey. | 0:15:57 | 0:15:59 | |
-Hey. -So, you're not going to believe it, Peter wants to meet up. | 0:15:59 | 0:16:03 | |
-Like, PETER Peter. -Right. | 0:16:03 | 0:16:05 | |
The only thing is, he's bringing Adam Whitehead along. | 0:16:05 | 0:16:08 | |
I know Adam's a tool, and you two are ancient history, but I'd really, | 0:16:08 | 0:16:11 | |
really love if you could just come along and, you know... | 0:16:11 | 0:16:14 | |
-I don't feel... -I need you to, OK? | 0:16:14 | 0:16:16 | |
Come on. OK? | 0:16:20 | 0:16:22 | |
It'll be deadly. | 0:16:22 | 0:16:24 | |
What about your dad? | 0:16:24 | 0:16:25 | |
If you come home smashed... | 0:16:27 | 0:16:28 | |
It wouldn't be the first time. | 0:16:28 | 0:16:30 | |
Are you going to come? | 0:16:30 | 0:16:31 | |
-Oh, go on. -Yay. Come on. | 0:16:31 | 0:16:33 | |
It never ceases to amaze me how stupid some of these fellas are. | 0:16:39 | 0:16:42 | |
He might not be smart, but Huey's viciousness sure makes up for it. | 0:16:42 | 0:16:45 | |
A tattoo on the hand? | 0:16:45 | 0:16:47 | |
I know. Ridiculous. | 0:16:47 | 0:16:49 | |
Nikki tells me you did some great work out there today. | 0:16:49 | 0:16:51 | |
Thanks, boss. | 0:16:51 | 0:16:53 | |
OK, get a Section 10 warrant. | 0:16:53 | 0:16:54 | |
-Search his premises. -I'll arrest him, set up an ID parade? | 0:16:54 | 0:16:57 | |
-Good stuff. -It is, isn't it? | 0:16:57 | 0:16:59 | |
He'll get, what...five years? | 0:16:59 | 0:17:01 | |
Light a candle and pray for six. | 0:17:01 | 0:17:03 | |
HE CHUCKLES | 0:17:03 | 0:17:04 | |
MUSIC PLAYS ON PHONE | 0:17:07 | 0:17:08 | |
Where's the coffee? | 0:17:28 | 0:17:30 | |
I don't know. | 0:17:30 | 0:17:31 | |
What's up with you? | 0:17:34 | 0:17:35 | |
Nothing is up with me. | 0:17:37 | 0:17:39 | |
I just...don't know where the coffee is. | 0:17:39 | 0:17:41 | |
No more messing, come on, what is it? | 0:17:41 | 0:17:43 | |
I. Don't. Know. | 0:17:43 | 0:17:45 | |
You made coffee for yourself and then suddenly the coffee disappeared? | 0:17:45 | 0:17:49 | |
Tea! | 0:17:49 | 0:17:50 | |
It's called tea. And if you looked at the worktop, | 0:17:50 | 0:17:53 | |
you would've seen that there are only teabags... | 0:17:53 | 0:17:56 | |
IN SLAVIC ACCENT: ..and therefore detected that I could only have been drinking tea. | 0:17:56 | 0:18:00 | |
Are you still jealous, Seany-boy? | 0:18:00 | 0:18:02 | |
Of you?! Come on. | 0:18:02 | 0:18:04 | |
Well... Where's the coffee? | 0:18:06 | 0:18:10 | |
-Where's the coffee? -"Where's the coffee?"(!) | 0:18:10 | 0:18:13 | |
Detective question. | 0:18:16 | 0:18:18 | |
Based on your observations of Sean's behaviour, | 0:18:18 | 0:18:20 | |
what exactly would you say is up with him? | 0:18:20 | 0:18:23 | |
HE SIGHS | 0:18:28 | 0:18:29 | |
-OK? -I've only gone and forgotten our bloody wedding anniversary tonight. | 0:18:31 | 0:18:34 | |
With everything else going on... | 0:18:34 | 0:18:37 | |
-Someone'll be in trouble. -Yeah. | 0:18:37 | 0:18:39 | |
Not if I can help it. Got a friend that works in Delmonico's, | 0:18:39 | 0:18:42 | |
-might be able to squeeze us in. -That'll put a dent in your wallet. | 0:18:42 | 0:18:45 | |
Cheap at half the price. | 0:18:45 | 0:18:47 | |
Stay out of the doghouse with the missus. | 0:18:47 | 0:18:49 | |
So, you haven't told Jules anything? | 0:18:51 | 0:18:53 | |
What, are you mad? Would you? | 0:18:53 | 0:18:55 | |
Hello? | 0:18:55 | 0:18:56 | |
Where are you going? | 0:19:08 | 0:19:10 | |
Nowhere. | 0:19:10 | 0:19:11 | |
FOOTBALL ON CONSOLE | 0:19:17 | 0:19:18 | |
Get in! | 0:19:19 | 0:19:21 | |
You going easy on me, or what? | 0:19:22 | 0:19:24 | |
-How does it look? -Want to go again? | 0:19:24 | 0:19:26 | |
Yeah. | 0:19:28 | 0:19:29 | |
Why isn't she answering? | 0:19:36 | 0:19:39 | |
I don't know, but you're overreacting. | 0:19:39 | 0:19:41 | |
-What if she's with McGonigle? -She's with Mel. | 0:19:41 | 0:19:44 | |
-Dad, you have to stop. -How? | 0:19:44 | 0:19:46 | |
-How do I do that? -Well, what if she's telling the truth? | 0:19:46 | 0:19:48 | |
What if it's just like she said, just a... | 0:19:48 | 0:19:51 | |
-just a crush? -She's lying. | 0:19:51 | 0:19:53 | |
We have asked her loads of times, | 0:19:53 | 0:19:55 | |
and she keeps sticking to the same story. | 0:19:55 | 0:19:57 | |
Yeah. That's all it is. | 0:19:57 | 0:19:59 | |
A story. | 0:19:59 | 0:20:00 | |
Rachel? | 0:20:03 | 0:20:04 | |
-What's going on? -Get away from me. | 0:20:06 | 0:20:08 | |
Are you drunk? | 0:20:08 | 0:20:10 | |
-Come on. -Get off of me! | 0:20:10 | 0:20:11 | |
-Oh, Jesus. -Hey, what's going on? | 0:20:11 | 0:20:13 | |
-Hey, get your hands off! -I want to talk to Brian. | 0:20:13 | 0:20:16 | |
-No! -I want to talk to Brian! | 0:20:16 | 0:20:17 | |
You stink of alcohol. | 0:20:21 | 0:20:23 | |
I'm picking you up after school tonight. Don't be late. | 0:20:28 | 0:20:31 | |
Rachel. | 0:20:33 | 0:20:34 | |
Rachel, I'm talking to you. | 0:20:36 | 0:20:37 | |
-What? -Don't take that attitude with me, OK? | 0:20:37 | 0:20:41 | |
-Not after last night. -Can I just go now? | 0:20:41 | 0:20:43 | |
Why? | 0:20:45 | 0:20:46 | |
Why are you protecting him? | 0:20:47 | 0:20:49 | |
Will you just get it into your head, nothing has gone on. | 0:20:49 | 0:20:52 | |
Do you really expect me to believe that? | 0:20:52 | 0:20:55 | |
Do you? After last night? | 0:20:55 | 0:20:56 | |
I've tried everything to get you to talk to me. | 0:21:00 | 0:21:04 | |
I don't know what else to do. | 0:21:05 | 0:21:07 | |
OK, you leave me no choice. | 0:21:08 | 0:21:10 | |
-I'm going back to the cops. -No, Dad, please. | 0:21:10 | 0:21:12 | |
-Please don't. -I'll let them get to the bottom of it, OK? | 0:21:12 | 0:21:16 | |
Go to school. I'll see you tonight. | 0:21:16 | 0:21:18 | |
I hate you. | 0:21:18 | 0:21:20 | |
You're burning up. I'm calling the doctor. | 0:21:47 | 0:21:49 | |
-Mum, don't. -You're not well. | 0:21:49 | 0:21:51 | |
It's just a bad cold, OK, that's all. | 0:21:51 | 0:21:54 | |
I'd rather you just get me some more painkillers for my leg. | 0:21:54 | 0:21:58 | |
-I've ran out. -I thought you had some. | 0:21:58 | 0:22:01 | |
They were supposed to last another two days. | 0:22:01 | 0:22:03 | |
I needed them, I couldn't sleep. | 0:22:03 | 0:22:05 | |
PHONE RINGS | 0:22:05 | 0:22:06 | |
Just do me a favour and get me some more. | 0:22:08 | 0:22:11 | |
I don't know if they'll give you another prescription. | 0:22:11 | 0:22:13 | |
Anything will do, just get the strongest you can from the chemist. | 0:22:13 | 0:22:17 | |
Yeah, do that, but make sure you put it in the allocation book. | 0:22:17 | 0:22:20 | |
Yeah, OK, bye. | 0:22:20 | 0:22:22 | |
Should one of us stay here with them? | 0:22:24 | 0:22:26 | |
Meaning me? | 0:22:26 | 0:22:27 | |
I don't work, I don't earn. You don't work, you get sick pay. | 0:22:27 | 0:22:30 | |
You know it's not that simple. | 0:22:30 | 0:22:32 | |
-You're a civil servant. -Would you stop bickering for two seconds? | 0:22:32 | 0:22:35 | |
The both of you. I don't want anyone here, I don't need anyone here. | 0:22:35 | 0:22:39 | |
-I'm not seven. -Fair enough. | 0:22:39 | 0:22:41 | |
I'll go to the chemist and I'll drop you in something later. | 0:22:43 | 0:22:46 | |
I'm all right, Ma, OK? | 0:22:52 | 0:22:55 | |
-Are you? -What? | 0:22:55 | 0:22:57 | |
No, I'm... | 0:22:57 | 0:22:58 | |
-I'm fine. -What's going on with you and Da? | 0:22:58 | 0:23:02 | |
Sorry. We're just on edge. | 0:23:02 | 0:23:04 | |
-We're worried about you. -Well, don't, you're making it worse. | 0:23:04 | 0:23:07 | |
Sorry. | 0:23:08 | 0:23:10 | |
Just go to work, Ma, I'll be fine. | 0:23:11 | 0:23:13 | |
OK? Just, seriously, stop worrying about me all the time. | 0:23:13 | 0:23:16 | |
I'm going to be all right. | 0:23:16 | 0:23:18 | |
Well, if it gets worse, call me. | 0:23:18 | 0:23:21 | |
I will. Stop, please. | 0:23:21 | 0:23:23 | |
Hey, Dooley, listen, I'm in a bad way. | 0:23:44 | 0:23:47 | |
Yeah, no. Just...give me the name of someone, all right? | 0:23:47 | 0:23:49 | |
Yeah. | 0:23:53 | 0:23:54 | |
Right, man, yeah. Cheers, man, all right? | 0:23:56 | 0:23:58 | |
HE COUGHS | 0:24:08 | 0:24:09 | |
Hi, is that Tracy? | 0:24:10 | 0:24:11 | |
Yeah, I got your number off Dooley. | 0:24:13 | 0:24:15 | |
Morning. | 0:24:29 | 0:24:31 | |
Make the most of it. It won't last. | 0:24:31 | 0:24:33 | |
-Eh? -The good looks. | 0:24:33 | 0:24:35 | |
They don't last forever. | 0:24:35 | 0:24:37 | |
-Right. -And I'd keep an eye on that hairline of yours. | 0:24:37 | 0:24:39 | |
You definitely look like a receder to me. | 0:24:39 | 0:24:41 | |
What? | 0:24:41 | 0:24:43 | |
What age are you now? 26? | 0:24:43 | 0:24:45 | |
I'd say you've still four good years left to make the most of it. | 0:24:46 | 0:24:49 | |
Before it starts falling out. | 0:24:49 | 0:24:51 | |
Me, though, I've got good genes in the hair department. | 0:24:52 | 0:24:56 | |
I'll still be going to the barber's every four weeks when I'm 70. | 0:24:56 | 0:25:00 | |
The only thing you'll be trimming at that age is nose hair and toenails. | 0:25:00 | 0:25:03 | |
-All right, lads? -How's things? | 0:25:03 | 0:25:05 | |
Good. | 0:25:05 | 0:25:06 | |
-You wearing aftershave? -No. | 0:25:08 | 0:25:09 | |
-Maybe, yeah. -You never wear aftershave. | 0:25:12 | 0:25:14 | |
I don't need to. Not when you wear enough for both of us. | 0:25:14 | 0:25:17 | |
It's Nikki, isn't it? You've got the hots for her. | 0:25:17 | 0:25:20 | |
-Shut up. -You have. | 0:25:20 | 0:25:21 | |
It's always the quiet ones, huh? | 0:25:21 | 0:25:23 | |
And there I was, thinking you were sucking up to her for promotion. | 0:25:23 | 0:25:26 | |
But it's promotions in the bedroom you're after. | 0:25:26 | 0:25:29 | |
LAUGHTER | 0:25:29 | 0:25:30 | |
You've got no chance, of course. | 0:25:30 | 0:25:32 | |
-And you have? -You'd better believe it. | 0:25:32 | 0:25:34 | |
OK, we'll see about that. | 0:25:34 | 0:25:35 | |
Yeah, we will. We will indeed. | 0:25:35 | 0:25:37 | |
I saw her earlier, by the way. | 0:25:37 | 0:25:38 | |
She asked if you could pick up the guy that was assaulted. | 0:25:38 | 0:25:41 | |
We need to go through his statement again, | 0:25:41 | 0:25:43 | |
before we get Huey Mahon for the ID parade. | 0:25:43 | 0:25:46 | |
Bloody traffic this morning. | 0:25:46 | 0:25:48 | |
-You OK, Sarge? -I've had better starts to my day. | 0:25:48 | 0:25:51 | |
Do you have time for a quick word? | 0:25:51 | 0:25:53 | |
There's something you need to know. | 0:25:53 | 0:25:55 | |
Liam. What can we do for you today? | 0:26:03 | 0:26:05 | |
I want to see Superintendent McKay. | 0:26:05 | 0:26:08 | |
Now. | 0:26:08 | 0:26:09 | |
Last night, end of shift, Rachel Reid was outside. | 0:26:14 | 0:26:18 | |
Completely trolleyed. | 0:26:18 | 0:26:20 | |
She was looking for you. | 0:26:20 | 0:26:21 | |
Her da and Niamh got here, brought her away. | 0:26:23 | 0:26:25 | |
Oh, no. That's awful. | 0:26:25 | 0:26:27 | |
All this damage. | 0:26:29 | 0:26:31 | |
Sharon's got a lot to answer for. | 0:26:34 | 0:26:36 | |
Did anyone else see? | 0:26:36 | 0:26:38 | |
No. I was the only one there. | 0:26:38 | 0:26:40 | |
What did she say? | 0:26:40 | 0:26:41 | |
Couldn't make much sense of it, but she wanted to talk to you. | 0:26:43 | 0:26:46 | |
Me? | 0:26:46 | 0:26:48 | |
No, that's the last thing I need. | 0:26:50 | 0:26:52 | |
Did you say anything to Liam? | 0:26:52 | 0:26:55 | |
I tried. | 0:26:55 | 0:26:56 | |
But he was too wound up. | 0:26:56 | 0:26:58 | |
Yeah, well, he's been worried about Rachel for a while now. | 0:27:01 | 0:27:04 | |
Thinks she's got a major drink problem. | 0:27:04 | 0:27:06 | |
-Really? -Yeah, it's really sad. | 0:27:06 | 0:27:08 | |
I mean, she's pretty screwed up. | 0:27:08 | 0:27:10 | |
That's how this whole misunderstanding started. | 0:27:10 | 0:27:12 | |
She's not been right since her mum died. | 0:27:12 | 0:27:15 | |
You try to offer her a helping hand... | 0:27:15 | 0:27:17 | |
Well, we all know what happened next. | 0:27:17 | 0:27:20 | |
Thanks to Sharon and her vivid imagination. | 0:27:20 | 0:27:23 | |
Anyway...just wanted to... | 0:27:27 | 0:27:29 | |
Yeah. Yeah, thanks, Sean. | 0:27:29 | 0:27:31 | |
Listen, you keep this to yourself, yeah? | 0:27:31 | 0:27:33 | |
Of course I will. | 0:27:33 | 0:27:34 | |
-Right, I won't forget that. -Don't mention it, Sarge. | 0:27:34 | 0:27:37 | |
Mr Reid, please, take a seat. | 0:27:44 | 0:27:46 | |
I want you to set up that formal inquiry. | 0:27:46 | 0:27:49 | |
-Has there been a development? -What do you mean? | 0:27:49 | 0:27:52 | |
Something new. Do you have some new information? | 0:27:52 | 0:27:55 | |
Do you not know about last night? | 0:27:55 | 0:27:57 | |
-I'm sorry? -Jesus, you don't know what goes on outside your own station? | 0:27:57 | 0:28:01 | |
Last night, my daughter, Rachel, came here, drunk, | 0:28:04 | 0:28:07 | |
begging to see him. | 0:28:07 | 0:28:09 | |
Brian McGonigle. | 0:28:10 | 0:28:12 | |
Ask Niamh. She was with me. | 0:28:13 | 0:28:15 | |
-What time was this at? -I can't remember. | 0:28:16 | 0:28:18 | |
Ask that young Garda of yours, the one who fancies himself, | 0:28:18 | 0:28:21 | |
-he saw the whole thing. -Er, Garda Holden? | 0:28:21 | 0:28:23 | |
-Yeah, that's him. -What exactly did Rachel say? | 0:28:23 | 0:28:26 | |
"I want to see Brian!" | 0:28:26 | 0:28:28 | |
And what about today? Has Rachel said anything else? | 0:28:29 | 0:28:32 | |
She still...insists that nothing happened? | 0:28:35 | 0:28:37 | |
Yeah. She's lying. | 0:28:37 | 0:28:39 | |
I need you to get to the bottom of it. | 0:28:39 | 0:28:41 | |
My daughter was abused by one of your officers. | 0:28:42 | 0:28:47 | |
OK. I'll start the process of setting up the formal inquiry. | 0:28:49 | 0:28:52 | |
In the meantime, I need you to keep talking to Rachel. | 0:28:53 | 0:28:56 | |
The more she cooperates, the easier this is going to be on all of you. | 0:28:56 | 0:28:59 | |
I can't promise anything. | 0:28:59 | 0:29:01 | |
I know. But we will get to the truth of what has happened. | 0:29:01 | 0:29:04 | |
I promise you that. | 0:29:05 | 0:29:07 | |
Mr Rogers. | 0:29:10 | 0:29:12 | |
Phil. Come on in. | 0:29:12 | 0:29:14 | |
Thanks, Sean. We'll call you if we need anything. | 0:29:14 | 0:29:17 | |
So, how are you feeling today? | 0:29:21 | 0:29:23 | |
-I'm OK. -How's the eye? | 0:29:25 | 0:29:26 | |
The consultant said there'll be no permanent damage. | 0:29:28 | 0:29:30 | |
-Good. -That's great. | 0:29:30 | 0:29:31 | |
Phil, you described your attacker as having a tattoo of a swallow on his hand. | 0:29:32 | 0:29:37 | |
We've brought in a known criminal who fits that description. | 0:29:37 | 0:29:41 | |
We want you to point him out in a line-up. | 0:29:41 | 0:29:43 | |
Listen, Phil, I know that this could all be very nerve-racking, | 0:29:45 | 0:29:48 | |
but it is worth it if you can ID your assailant. | 0:29:48 | 0:29:52 | |
-I know. -All you have to do is point him out. | 0:29:52 | 0:29:55 | |
Yeah. | 0:29:55 | 0:29:56 | |
Yeah... HE CHUCKLES I watch television. | 0:29:56 | 0:29:59 | |
I'm afraid it's not exactly like it is on TV, | 0:30:00 | 0:30:03 | |
there's no two-way mirrors. | 0:30:03 | 0:30:04 | |
We would need you in the room. | 0:30:04 | 0:30:06 | |
-What? -You don't have to touch him. | 0:30:07 | 0:30:09 | |
Listen, I don't like this any more than you do. | 0:30:11 | 0:30:14 | |
But it has to be done. | 0:30:14 | 0:30:16 | |
And we'll be right there with you. | 0:30:16 | 0:30:18 | |
Will I check and see if they're ready for us? | 0:30:23 | 0:30:25 | |
-OK. -(OK.) | 0:30:27 | 0:30:28 | |
-What's up? -I just got a text from her school. | 0:30:38 | 0:30:40 | |
-Rachel hasn't shown. -But you dropped her off. | 0:30:40 | 0:30:43 | |
I saw her go in. | 0:30:43 | 0:30:45 | |
Must have waited till I drove off, and left. | 0:30:45 | 0:30:47 | |
-Will I call her? -There's no point, her phone's off. | 0:30:47 | 0:30:50 | |
Well, maybe she's gone home. | 0:30:50 | 0:30:52 | |
She better have. I'm going to check. | 0:30:52 | 0:30:54 | |
Just don't lose it with her. | 0:30:54 | 0:30:56 | |
She can't keep doing this, it has to stop. | 0:30:56 | 0:30:57 | |
Please, go easy. | 0:30:57 | 0:30:59 | |
Dad, please, don't... | 0:31:03 | 0:31:04 | |
-Where is she? -Dad, please! | 0:31:05 | 0:31:07 | |
-What? -Where's my daughter? | 0:31:07 | 0:31:09 | |
I don't know what you mean. | 0:31:09 | 0:31:11 | |
Got her to mitch off, did you? | 0:31:11 | 0:31:13 | |
So you could meet up later? | 0:31:13 | 0:31:15 | |
Listen to me, just listen. | 0:31:15 | 0:31:17 | |
Nothing has ever happened between me and Rachel. | 0:31:17 | 0:31:19 | |
Nothing. I can't believe you would ever think it would. | 0:31:19 | 0:31:22 | |
She had a daft crush on me. | 0:31:22 | 0:31:23 | |
You know what kids are like at that age. | 0:31:23 | 0:31:25 | |
I know my daughter. I know when she's lying. | 0:31:25 | 0:31:28 | |
Sharon Cleere's lying. | 0:31:28 | 0:31:30 | |
Not Rachel. No-one else believes a word of it. | 0:31:30 | 0:31:32 | |
Look, you know me. | 0:31:32 | 0:31:35 | |
You know I could never do anything to harm her. | 0:31:35 | 0:31:37 | |
No. No, if you were innocent, you would have said something to me. | 0:31:37 | 0:31:40 | |
I know I should have. I should've, I'm sorry. | 0:31:40 | 0:31:42 | |
Dad, stop! | 0:31:42 | 0:31:44 | |
You're not helping anyone. We need to find Rachel. | 0:31:44 | 0:31:48 | |
Where's Rachel? What is going on? | 0:31:48 | 0:31:49 | |
The way it is, this one's on tick. After that, money upfront, yeah? | 0:31:52 | 0:31:57 | |
-Yeah, OK. -Two bags equals 70 quid that you owe me, but it's 80 | 0:31:57 | 0:32:02 | |
because I had to drive here and I'm not Fred's Pizza Service, OK? | 0:32:02 | 0:32:05 | |
-Yeah, that's fine. -You should think of this as the small print of our agreement. | 0:32:05 | 0:32:09 | |
Ignore it at your peril. | 0:32:09 | 0:32:11 | |
I'll have full payment in two days, OK? I swear. | 0:32:11 | 0:32:15 | |
What happened to your leg? | 0:32:15 | 0:32:16 | |
I fell, I broke it, all right? | 0:32:18 | 0:32:20 | |
It wasn't the handiwork of someone else whose payment schedule you ignored? | 0:32:20 | 0:32:24 | |
No, it wasn't. | 0:32:24 | 0:32:26 | |
Look, ask Dooley if you don't believe me. I pay every time. | 0:32:26 | 0:32:29 | |
-OK? I'm good for it. -Probably better off. | 0:32:29 | 0:32:32 | |
Because we're not big on suing people. | 0:32:32 | 0:32:34 | |
Two days, OK? | 0:32:34 | 0:32:36 | |
PHONE JINGLE | 0:32:36 | 0:32:37 | |
Yeah. | 0:32:41 | 0:32:43 | |
Yeah, Mum, I'm fine. OK? | 0:32:43 | 0:32:44 | |
I said not to ring. | 0:32:44 | 0:32:45 | |
Yeah, OK, I'll do that, yeah. | 0:32:46 | 0:32:48 | |
Listen.. | 0:32:48 | 0:32:50 | |
Listen, I'd better go. I think there's someone at the door. | 0:32:50 | 0:32:52 | |
All right? Yeah. | 0:32:52 | 0:32:55 | |
Mum sounds worried. | 0:32:57 | 0:32:58 | |
Yeah, listen, are you going to give me the gear or not? | 0:32:58 | 0:33:01 | |
You smoke it? | 0:33:07 | 0:33:10 | |
Better bang for your buck with a spike, you know. | 0:33:10 | 0:33:12 | |
Yeah, it's just occasionally. | 0:33:12 | 0:33:14 | |
You ever smoked in the house before? | 0:33:16 | 0:33:18 | |
No. | 0:33:18 | 0:33:19 | |
You'll stink the place out. | 0:33:19 | 0:33:21 | |
Hey, hey, hey, hey! | 0:33:27 | 0:33:29 | |
Say you threw up. The smell is the bleach you used to clean. | 0:33:29 | 0:33:32 | |
All right, OK, cheers, thanks. | 0:33:32 | 0:33:34 | |
Give me the tinfoil. I'll hold it while you smoke. | 0:33:36 | 0:33:38 | |
I'm sorry. I don't recognise anyone here. | 0:33:57 | 0:33:59 | |
-But... -OK. | 0:34:01 | 0:34:05 | |
What happened to you in there, Phil? | 0:34:06 | 0:34:08 | |
We both know your assailant was in the room. | 0:34:08 | 0:34:11 | |
I thought I could go through with it, but I just... | 0:34:11 | 0:34:15 | |
Were you afraid? | 0:34:16 | 0:34:17 | |
Yes. But not of him. | 0:34:18 | 0:34:20 | |
The court. The publicity. | 0:34:22 | 0:34:24 | |
I'm gay. I'm also a secondary-school teacher. | 0:34:25 | 0:34:30 | |
It's 2015, you have absolutely nothing to be ashamed of. | 0:34:30 | 0:34:33 | |
It might be 2015 with you, | 0:34:33 | 0:34:35 | |
but it most certainly isn't with my employers. | 0:34:35 | 0:34:38 | |
I'll be sacked at the first opportunity. | 0:34:38 | 0:34:40 | |
-They can't do that. -Yes, they can. | 0:34:40 | 0:34:42 | |
They'll be subtle enough. | 0:34:44 | 0:34:45 | |
Make sure it's something innocuous. | 0:34:45 | 0:34:47 | |
The next person this thug attacks might not be so lucky. | 0:34:47 | 0:34:50 | |
-Adrijan... -He's done it before, he'll do it again. | 0:34:50 | 0:34:52 | |
This is our chance to put him back in for a long time. | 0:34:52 | 0:34:55 | |
-Adrijan. Enough. -I'm sorry. | 0:34:55 | 0:34:57 | |
I truly am. | 0:34:58 | 0:35:00 | |
Hello! | 0:35:02 | 0:35:03 | |
Liam, we said we'd be in touch... | 0:35:06 | 0:35:08 | |
I want to report my daughter missing. | 0:35:08 | 0:35:10 | |
-You cannot put that kind of pressure on a witness! -But we... | 0:35:11 | 0:35:14 | |
If it had come out in court that you had guilt-tripped the witness, | 0:35:14 | 0:35:17 | |
we would have been thrown out and Huey would have walked free. | 0:35:17 | 0:35:19 | |
You were one step away from telling him who to ID. | 0:35:19 | 0:35:22 | |
Paperwork, not justice, brings cases to court. | 0:35:22 | 0:35:25 | |
I know. So, what do we do now? | 0:35:25 | 0:35:27 | |
There's nothing we can do. | 0:35:27 | 0:35:28 | |
Look, some you win, some you just... | 0:35:30 | 0:35:31 | |
you wait till next time. | 0:35:31 | 0:35:33 | |
-I'm sorry. -Look, no damage done. | 0:35:34 | 0:35:38 | |
No, I'm sorry, I really enjoyed working more closely with you. | 0:35:38 | 0:35:41 | |
Good. | 0:35:41 | 0:35:42 | |
In fact... | 0:35:43 | 0:35:44 | |
..I've been interested in getting in this side of the job for a while. | 0:35:46 | 0:35:49 | |
Yeah. You showed real potential. | 0:35:49 | 0:35:51 | |
Your assessment of the crime scene was spot on, so... | 0:35:51 | 0:35:54 | |
-Well done. -Well, good, thank you. | 0:35:54 | 0:35:55 | |
So, maybe you would... | 0:35:55 | 0:35:57 | |
like to go out sometime to... | 0:35:57 | 0:35:59 | |
for a drink to...you know, to discuss things? | 0:35:59 | 0:36:02 | |
-Yeah. Yes, yeah. Happy to. -Yeah? | 0:36:02 | 0:36:05 | |
Happy to. But would it be OK if it's just a coffee in the staffroom? | 0:36:05 | 0:36:09 | |
My evenings are pretty packed lately. | 0:36:09 | 0:36:12 | |
-I'm just swamped. -No, yeah, you're right. | 0:36:12 | 0:36:14 | |
Coffee in the staffroom, that'll be much... | 0:36:14 | 0:36:16 | |
OK. Garda Holden, come on in. | 0:36:16 | 0:36:18 | |
Adrijan was just leaving. | 0:36:18 | 0:36:20 | |
You probably heard the bad news about the ID parade? | 0:36:20 | 0:36:22 | |
Yeah, listen, Nikki, I'd better go. See you. | 0:36:22 | 0:36:27 | |
He seemed in a hurry. | 0:36:27 | 0:36:29 | |
Did he? Anyway... | 0:36:29 | 0:36:30 | |
-You wanted a word? -Yeah. | 0:36:33 | 0:36:35 | |
It's about Huey Mahon. I picked him up for the ID parade and had a quick | 0:36:35 | 0:36:40 | |
look around his gaff. And this is his serial number from his telly, | 0:36:40 | 0:36:45 | |
which I just took on the off chance. | 0:36:45 | 0:36:47 | |
I've just checked it, and it's from a batch of widescreens stolen from | 0:36:50 | 0:36:53 | |
the docks about six months ago. | 0:36:53 | 0:36:54 | |
I know it's only a consolation prize, but... | 0:36:57 | 0:36:59 | |
No, he got early release - seven months of it. | 0:36:59 | 0:37:01 | |
This will have him banged up for every day of it. | 0:37:01 | 0:37:04 | |
This is some excellent work, Sean. | 0:37:04 | 0:37:05 | |
-Well done. -All part of the service. | 0:37:05 | 0:37:08 | |
You'd make a good detective, | 0:37:08 | 0:37:10 | |
thinking out of the box like that. | 0:37:10 | 0:37:12 | |
-Thanks. -Have you ever thought about it? | 0:37:12 | 0:37:14 | |
Well, I'm thinking about it now. | 0:37:15 | 0:37:18 | |
Hmm. I was just saying to Adrijan there | 0:37:18 | 0:37:20 | |
that my evenings are pretty packed lately, but... | 0:37:20 | 0:37:23 | |
maybe you want to get a drink sometime to talk about it some more. | 0:37:23 | 0:37:27 | |
Yeah. I'll let you know when I'm free. | 0:37:27 | 0:37:30 | |
SHE CHUCKLES | 0:37:30 | 0:37:31 | |
You do that. | 0:37:31 | 0:37:33 | |
Sean. | 0:37:33 | 0:37:35 | |
Just keep this to yourself, yeah? | 0:37:35 | 0:37:37 | |
Of course. | 0:37:37 | 0:37:39 | |
He says he dropped her off, but she must have left soon after. | 0:37:42 | 0:37:45 | |
The school has no record of her in her first class. | 0:37:45 | 0:37:49 | |
She's not answering her phone, Liam's phoned around. | 0:37:49 | 0:37:51 | |
-Nobody's seen her. -What's your gut feeling? | 0:37:51 | 0:37:54 | |
There's been too much going on. | 0:37:55 | 0:37:56 | |
We have to take this seriously and move quickly. | 0:37:56 | 0:37:59 | |
I agree. Set up an incident room immediately, | 0:37:59 | 0:38:02 | |
take up IRC until I can get you replaced. | 0:38:02 | 0:38:04 | |
Take as many off Unit A as you can. | 0:38:04 | 0:38:06 | |
I want a meeting ASAP. | 0:38:06 | 0:38:08 | |
For the time being, we'll have to put the formal inquiry on hold. | 0:38:08 | 0:38:11 | |
Our priority has to be to find Rachel. | 0:38:11 | 0:38:13 | |
I keep going back over our interview with her. | 0:38:16 | 0:38:19 | |
We were very gentle, we put no pressure on her. | 0:38:19 | 0:38:22 | |
I'll be relieved when we find her. | 0:38:22 | 0:38:23 | |
Do you want a go? | 0:38:32 | 0:38:34 | |
Better not. I've been told I have an addictive personality. | 0:38:34 | 0:38:37 | |
You're all aware of the recent difficulties involving Rachel Reid. | 0:39:08 | 0:39:11 | |
Because of that, we're acting quickly. | 0:39:12 | 0:39:15 | |
Her father has advised us of her recent mental state, | 0:39:15 | 0:39:18 | |
and that has given us serious cause for concern. | 0:39:18 | 0:39:20 | |
She was last seen by her father, who brought her to school this morning. | 0:39:20 | 0:39:24 | |
She entered the school but she left quickly thereafter. | 0:39:24 | 0:39:27 | |
She hasn't been seen since. | 0:39:27 | 0:39:29 | |
She's wearing the community-school uniform. | 0:39:29 | 0:39:32 | |
You're all aware of what that looks like. | 0:39:32 | 0:39:35 | |
And a pink hoodie. | 0:39:35 | 0:39:38 | |
Sir, where is Sgt McGonigle? | 0:39:38 | 0:39:40 | |
I've spoken to Sgt McGonigle. | 0:39:42 | 0:39:44 | |
I've made him aware of the situation. | 0:39:44 | 0:39:47 | |
But given the obvious sensitive nature of events that may have led | 0:39:47 | 0:39:51 | |
to Rachel's disappearance, and the recent allegations made against him, | 0:39:51 | 0:39:54 | |
Sgt McGonigle will not have anything to do with this investigation. | 0:39:54 | 0:39:58 | |
I'll now hand you over to Angela, who will brief you on how we're | 0:39:58 | 0:40:02 | |
going to begin our search. Let's find her quickly and bring her home. | 0:40:02 | 0:40:06 | |
RINGTONE | 0:40:25 | 0:40:27 | |
RACHEL: Hi, Brian. This one's just for you, so, leave a message. | 0:40:27 | 0:40:31 | |
Hi, Brian. This one's just for you, so, leave a message. | 0:40:38 | 0:40:41 | |
What happened in the kitchen? | 0:40:52 | 0:40:54 | |
What happened in the kitchen? | 0:40:57 | 0:40:58 | |
Oh, I...I threw up, so I had to... | 0:40:58 | 0:41:00 | |
-I said to call. -No, it's cool. | 0:41:00 | 0:41:02 | |
I'm feeling much better now. | 0:41:02 | 0:41:04 | |
Well, that's great news. | 0:41:04 | 0:41:05 | |
You hungry? I'll rustle up some grub. | 0:41:05 | 0:41:08 | |
Yeah. | 0:41:08 | 0:41:10 |