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-Well, what about the warehouse, the beating I took? -Sharon, it's over. | 0:00:02 | 0:00:05 | |
My daughter was abused | 0:00:05 | 0:00:07 | |
by one of your officers. | 0:00:07 | 0:00:09 | |
Come here again and I'll kill you! | 0:00:09 | 0:00:12 | |
I hate you. | 0:00:12 | 0:00:13 | |
-I want a leave of absence. -That's probably a good idea. | 0:00:15 | 0:00:19 | |
Argh! | 0:00:19 | 0:00:21 | |
I want to report my daughter missing. | 0:00:22 | 0:00:24 | |
Sergeant McGonigle will not | 0:00:24 | 0:00:25 | |
have anything to do with this investigation. | 0:00:25 | 0:00:28 | |
Let's find her quickly and bring her home. | 0:00:28 | 0:00:31 | |
SHE SIGHS | 0:01:31 | 0:01:33 | |
Come in. | 0:01:35 | 0:01:37 | |
Sharon. Take a seat. | 0:01:40 | 0:01:43 | |
We weren't expecting you back. | 0:01:46 | 0:01:48 | |
I couldn't just sit at home with all this going on. | 0:01:48 | 0:01:51 | |
I won't deny it, we could use an extra pair of hands around here. | 0:01:51 | 0:01:54 | |
But if there's going to be any trouble between you | 0:01:54 | 0:01:56 | |
-and Sergeant McGonigle... -There won't be, sir. | 0:01:56 | 0:01:59 | |
Honestly, I'm fine. I just want to help find Rachel. | 0:01:59 | 0:02:02 | |
Won't be easy being back, you know that? | 0:02:04 | 0:02:06 | |
Yeah. | 0:02:06 | 0:02:07 | |
OK. Remember, you can talk to me at any time. | 0:02:11 | 0:02:14 | |
Thank you, sir. | 0:02:14 | 0:02:15 | |
Um, I think you should know Liam Reid has asked | 0:02:17 | 0:02:20 | |
for a formal inquiry into the relationship | 0:02:20 | 0:02:22 | |
between Brian and Rachel. | 0:02:22 | 0:02:23 | |
For the time being, we're focusing all our efforts on finding Rachel, | 0:02:23 | 0:02:26 | |
but beyond that, we will be talking to you again. | 0:02:26 | 0:02:28 | |
Try to steer clear of Sergeant McGonigle. | 0:02:28 | 0:02:31 | |
I intend to, sir. | 0:02:31 | 0:02:33 | |
Better come to this briefing. | 0:02:33 | 0:02:34 | |
CHATTER | 0:02:36 | 0:02:38 | |
HE CLEARS THROAT | 0:02:42 | 0:02:44 | |
-All right? -Yeah. | 0:03:01 | 0:03:02 | |
OK. | 0:03:04 | 0:03:06 | |
RINGTONE PLAYS William Tell Overture by Rossini | 0:03:06 | 0:03:10 | |
-Sorry, boss. -OK. | 0:03:15 | 0:03:17 | |
Rachel hasn't been seen | 0:03:17 | 0:03:18 | |
since she got out of her father's car yesterday morning. | 0:03:18 | 0:03:21 | |
Nikki is going to be SIO on the case. | 0:03:21 | 0:03:23 | |
Angela will be incident room coordinator. | 0:03:23 | 0:03:25 | |
I also want to introduce you to Detective Garda Declan Murray. | 0:03:25 | 0:03:28 | |
He's joining us from the Computer Crime Unit. | 0:03:28 | 0:03:30 | |
He'll be looking through Rachel's laptop. | 0:03:30 | 0:03:32 | |
Sir, do we have her phone? | 0:03:32 | 0:03:34 | |
No. It's being triangulated as quickly as possible. | 0:03:34 | 0:03:37 | |
I want that to be a priority. | 0:03:37 | 0:03:38 | |
Sharon, I want you to look through her things. | 0:03:38 | 0:03:40 | |
Sean, Adrijan, I want you looking through CCTV cameras. | 0:03:40 | 0:03:44 | |
DART, ferry, everything. | 0:03:44 | 0:03:45 | |
We need to know if Rachel has left Dublin. | 0:03:45 | 0:03:47 | |
I'm sure I don't need to tell you how crucial | 0:03:47 | 0:03:49 | |
the next 24 hours is going to be. | 0:03:49 | 0:03:51 | |
But if you hear anything, please let me know, won't you? | 0:03:51 | 0:03:54 | |
Thanks. | 0:03:54 | 0:03:55 | |
That's all her friends. None of them have seen her. | 0:03:57 | 0:03:59 | |
She'll turn up. You'll see. | 0:03:59 | 0:04:01 | |
What if she doesn't? | 0:04:02 | 0:04:04 | |
Don't, Dad. We have to be positive for when she comes back. | 0:04:04 | 0:04:06 | |
-DOORBELL RINGS -I'll get it. | 0:04:06 | 0:04:09 | |
-Tricia. -Liam, I... | 0:04:20 | 0:04:23 | |
I heard about Rachel and I just wanted to say | 0:04:24 | 0:04:27 | |
if there's anything I can do to help... | 0:04:27 | 0:04:29 | |
We're OK, thank you. | 0:04:29 | 0:04:30 | |
I can print some posters, get the word out. | 0:04:32 | 0:04:35 | |
And feel free to use our offices any time. | 0:04:35 | 0:04:38 | |
Thank you. | 0:04:38 | 0:04:39 | |
I can have a word with James, | 0:04:41 | 0:04:43 | |
exert some gentle pressure if it helps. | 0:04:43 | 0:04:45 | |
Don't talk to me about the police, please. | 0:04:45 | 0:04:47 | |
Well, if you don't think the police are doing enough... | 0:04:47 | 0:04:50 | |
Oh, they've already done enough, | 0:04:50 | 0:04:52 | |
-like covering up for one of their own. -What? | 0:04:52 | 0:04:54 | |
Dad... | 0:04:54 | 0:04:55 | |
Well, if there's anything at all... | 0:04:59 | 0:05:02 | |
Anything. | 0:05:02 | 0:05:04 | |
I'll see myself out. | 0:05:09 | 0:05:10 | |
She shouldn't be here. | 0:05:19 | 0:05:21 | |
How did she find out about Rachel anyway? | 0:05:21 | 0:05:22 | |
That's what I'd like to know. | 0:05:22 | 0:05:24 | |
Someone must have told her. | 0:05:24 | 0:05:25 | |
Yeah, a little bird called Paudge Brennan. | 0:05:25 | 0:05:28 | |
-You have to admit, it is a coincidence. -What is? | 0:05:28 | 0:05:30 | |
Sharon blows the whistle on Brian and now the girl has gone missing. | 0:05:30 | 0:05:34 | |
What's your point? You think Brian has something to do with it? | 0:05:34 | 0:05:37 | |
No. The exact opposite. | 0:05:37 | 0:05:40 | |
Don't you see? | 0:05:40 | 0:05:43 | |
Rachel couldn't handle everyone knowing about her crush on him. | 0:05:43 | 0:05:46 | |
If Sharon hadn't gone around shouting her mouth off, | 0:05:46 | 0:05:48 | |
Rachel wouldn't have run away. | 0:05:48 | 0:05:50 | |
What's with the face? | 0:06:02 | 0:06:04 | |
You knew it was going to be like this. | 0:06:07 | 0:06:09 | |
It doesn't make it any easier. They're meant to be my friends. | 0:06:09 | 0:06:12 | |
-Any word on the laptop? -Not that I've heard. | 0:06:15 | 0:06:17 | |
That's how we'll catch Brian. | 0:06:17 | 0:06:19 | |
No matter how well he's coached Rachel, | 0:06:19 | 0:06:21 | |
there's bound to be something on that laptop connecting him to her. | 0:06:21 | 0:06:24 | |
There has to be. | 0:06:24 | 0:06:25 | |
Of course I didn't think she was being serious. | 0:06:25 | 0:06:27 | |
None of us did. | 0:06:27 | 0:06:29 | |
She was being a drama queen, as usual. | 0:06:29 | 0:06:30 | |
So, you think this is Rachel's way of getting attention? | 0:06:30 | 0:06:33 | |
-I don't know. Probably. -Why might that be? | 0:06:33 | 0:06:35 | |
Have you heard or seen anything unusual lately? | 0:06:38 | 0:06:42 | |
-Like what? -Like has Rachel said anything to you? | 0:06:42 | 0:06:45 | |
Is she seeing anyone? Boyfriend, perhaps? | 0:06:46 | 0:06:50 | |
Not that I know of. | 0:06:50 | 0:06:51 | |
Unless you mean that Adam Whitehead, but that was ages ago. | 0:06:51 | 0:06:54 | |
Adam Whitehead. And nothing since? | 0:06:54 | 0:06:56 | |
No. And she'd tell me if there was. | 0:06:56 | 0:06:59 | |
How have things been between you two lately? | 0:07:00 | 0:07:02 | |
Fine. | 0:07:02 | 0:07:05 | |
If she was running away, | 0:07:05 | 0:07:07 | |
do you have any idea where she might go? | 0:07:07 | 0:07:09 | |
No. | 0:07:09 | 0:07:10 | |
No place she ever mentioned or brought you to? | 0:07:10 | 0:07:13 | |
No. | 0:07:13 | 0:07:14 | |
Thanks, Mel. This is really helpful. | 0:07:14 | 0:07:17 | |
Can I just ask you, when was the last time you spoke to her? | 0:07:17 | 0:07:20 | |
Um, the day before yesterday. | 0:07:20 | 0:07:22 | |
Oh, but I saw her yesterday on Seafield Road. | 0:07:22 | 0:07:25 | |
What time? | 0:07:25 | 0:07:27 | |
Uh, lunchtime. She was with Fat Barry. | 0:07:27 | 0:07:30 | |
Just some guy that hangs around. I don't know his real name. | 0:07:33 | 0:07:37 | |
Does he go to school here? | 0:07:37 | 0:07:38 | |
No. He's old. | 0:07:38 | 0:07:40 | |
When you say old, what exactly do you mean? | 0:07:40 | 0:07:43 | |
I don't know. Just...old. Like, 20s or 30s or something. | 0:07:43 | 0:07:47 | |
And what does Barry do when he hangs around? | 0:07:47 | 0:07:49 | |
Nothing. He just hangs around. | 0:07:49 | 0:07:51 | |
Mel, this is really important. | 0:07:51 | 0:07:54 | |
You won't tell my dad that I told you? | 0:07:56 | 0:07:57 | |
No. Look, all we're interested in is finding Rachel. | 0:07:57 | 0:08:01 | |
I promise you. | 0:08:03 | 0:08:06 | |
Fat Barry buys us drink in the supermarket. | 0:08:06 | 0:08:08 | |
I think that's what he was doing with Rachel yesterday. | 0:08:08 | 0:08:11 | |
You don't think that he's done something, do you? | 0:08:13 | 0:08:16 | |
Everything all right, Skip? | 0:08:19 | 0:08:20 | |
Yeah, sure why wouldn't it be? | 0:08:20 | 0:08:22 | |
Listen, me and the lads were wondering | 0:08:22 | 0:08:23 | |
if you'd fancy a pint some time. | 0:08:23 | 0:08:25 | |
Yeah. Yeah, that'd be grand. | 0:08:25 | 0:08:27 | |
Great. How about next Friday? | 0:08:27 | 0:08:30 | |
-Thinking of going for a curry too. -We could invite Nikki. | 0:08:30 | 0:08:32 | |
You know, why don't we save it, | 0:08:34 | 0:08:36 | |
you know, till all this business is over? | 0:08:36 | 0:08:39 | |
Yeah. No, sure. | 0:08:39 | 0:08:41 | |
At least when we have her back, there'll be something to celebrate. | 0:08:41 | 0:08:44 | |
Yeah. | 0:08:44 | 0:08:45 | |
Hey, any of you lads know a guy called Barry? | 0:08:54 | 0:08:58 | |
Hey, stay where you are! | 0:08:58 | 0:08:59 | |
BOTTLES CLINKING | 0:09:03 | 0:09:06 | |
Barry Donoghue? | 0:09:07 | 0:09:09 | |
-Any luck? -Nothing yet. | 0:09:19 | 0:09:21 | |
Doesn't help that I don't know what I'm looking for. | 0:09:21 | 0:09:24 | |
Hey, have you seen the boss anywhere? | 0:09:32 | 0:09:34 | |
He was with the DS last time I saw him. | 0:09:34 | 0:09:36 | |
OK, thanks. | 0:09:36 | 0:09:38 | |
Problem? | 0:09:40 | 0:09:41 | |
No. No problem. | 0:09:41 | 0:09:44 | |
-Sarge, Declan found something on the laptop. -What? | 0:09:44 | 0:09:47 | |
The browser history was deleted but he managed to retrieve it. | 0:09:47 | 0:09:51 | |
It's not good news. | 0:09:51 | 0:09:53 | |
Liam, this is Detective Sergeant Nikki Grogan. | 0:09:55 | 0:09:58 | |
-She's in charge of the investigation. -Liam. | 0:09:58 | 0:10:00 | |
-Niamh. Is now a good time to chat? -Is there news? | 0:10:00 | 0:10:04 | |
Well, maybe we could sit down. | 0:10:04 | 0:10:05 | |
No, if you've got something to say, say it, please. | 0:10:05 | 0:10:08 | |
Have you found something? | 0:10:08 | 0:10:10 | |
-Not... -No, no. No. | 0:10:12 | 0:10:14 | |
But we did a search of Rachel's laptop | 0:10:14 | 0:10:16 | |
and discovered she's been visiting certain websites. | 0:10:16 | 0:10:19 | |
Pro-suicide forums. | 0:10:21 | 0:10:23 | |
You know it's against the law to buy alcohol for minors. | 0:10:28 | 0:10:31 | |
People under 18 years of age. | 0:10:34 | 0:10:37 | |
Oh. | 0:10:37 | 0:10:38 | |
You know what I'm talking about. You bought alcohol for those kids. | 0:10:38 | 0:10:42 | |
They're my mates. | 0:10:42 | 0:10:43 | |
They're underage. | 0:10:43 | 0:10:45 | |
Are you going to put me in prison? | 0:10:45 | 0:10:47 | |
I hope not. | 0:10:47 | 0:10:48 | |
I take it your nickname is Fat Barry. | 0:10:51 | 0:10:53 | |
No. | 0:10:53 | 0:10:55 | |
No-one ever calls me that. | 0:10:55 | 0:10:56 | |
Do you know this girl? | 0:11:00 | 0:11:03 | |
Did you see her yesterday? | 0:11:05 | 0:11:07 | |
You sure? Somebody says they saw her with you. | 0:11:10 | 0:11:14 | |
I was with my nan yesterday. | 0:11:14 | 0:11:16 | |
All day? | 0:11:16 | 0:11:18 | |
RINGTONE PLAYS William Tell Overture by Rossini | 0:11:18 | 0:11:21 | |
Hi-ho, Silver! | 0:11:24 | 0:11:25 | |
Are you sure you never saw Rachel Reid yesterday? | 0:11:29 | 0:11:32 | |
Sure. | 0:11:32 | 0:11:34 | |
Can you play that again? | 0:11:34 | 0:11:35 | |
HE HUMS William Tell Overture by Rossini | 0:11:37 | 0:11:43 | |
OK, plenty to get on with here. | 0:11:51 | 0:11:53 | |
Mr Reid did ask for Brian | 0:11:59 | 0:12:00 | |
not to be allowed anywhere near his daughter's things. | 0:12:00 | 0:12:03 | |
Right, let's start with her movements again. | 0:12:05 | 0:12:08 | |
She left her house... | 0:12:08 | 0:12:10 | |
-Listen, boss, there's got to be something I can do. -Brian... | 0:12:24 | 0:12:27 | |
OK, look, I know I'm not supposed to say this, | 0:12:27 | 0:12:29 | |
but I do know Rachel. | 0:12:29 | 0:12:30 | |
She spent hours at my house with Mel. That's not a secret. | 0:12:30 | 0:12:33 | |
Look, I know her friends, | 0:12:33 | 0:12:35 | |
what they like to do, where they like to go. | 0:12:35 | 0:12:37 | |
-I can help. -That's great. | 0:12:37 | 0:12:39 | |
OK, if you have any helpful information, | 0:12:39 | 0:12:40 | |
give it to Nikki or Angela, | 0:12:40 | 0:12:42 | |
but you can't be involved in this case. | 0:12:42 | 0:12:44 | |
HE SIGHS No matter how this works out, | 0:12:44 | 0:12:47 | |
every decision, every action is going to be scrutinised. | 0:12:47 | 0:12:49 | |
We have to play it by the book, | 0:12:49 | 0:12:51 | |
for your good as well as anyone else's. | 0:12:51 | 0:12:54 | |
But just because there's a girl missing doesn't mean every moocher | 0:12:55 | 0:12:58 | |
in town is putting his feet up, so you can be helpful | 0:12:58 | 0:13:00 | |
by staying here as IC. | 0:13:00 | 0:13:03 | |
Yes, sir. | 0:13:03 | 0:13:04 | |
I've only got five minutes. How did Conor get on in his exam? | 0:13:11 | 0:13:13 | |
OK, I think. | 0:13:13 | 0:13:15 | |
What? | 0:13:16 | 0:13:17 | |
There's something I need to ask you, to tell you. | 0:13:17 | 0:13:19 | |
I didn't get a chance this morning. | 0:13:19 | 0:13:22 | |
Ciara wants me to stay over tonight. | 0:13:22 | 0:13:25 | |
All night? | 0:13:27 | 0:13:29 | |
Well, what should I tell the boys? | 0:13:31 | 0:13:33 | |
I'll be home in the morning early. They'll never know. | 0:13:33 | 0:13:36 | |
You're a big boy. You don't need my permission. | 0:13:38 | 0:13:40 | |
Still, I'd like to know you're OK with it. | 0:13:40 | 0:13:42 | |
So? | 0:13:46 | 0:13:48 | |
Well, is this going to be a regular thing, staying over with Ciara? | 0:13:48 | 0:13:51 | |
We'd like it to be, yeah. | 0:13:54 | 0:13:56 | |
Thanks. | 0:14:07 | 0:14:08 | |
They found nothing on the laptop | 0:14:09 | 0:14:11 | |
that connects Rachel to Brian. Nothing. | 0:14:11 | 0:14:14 | |
Well, try not to sound too disappointed. | 0:14:14 | 0:14:16 | |
He must have had so much control over her. | 0:14:16 | 0:14:18 | |
That's her. | 0:14:18 | 0:14:20 | |
There. | 0:14:25 | 0:14:26 | |
Where's that footage from? | 0:14:28 | 0:14:30 | |
Seafield Road. | 0:14:30 | 0:14:31 | |
The lying toerag. | 0:14:35 | 0:14:37 | |
You told me you didn't see Rachel yesterday. We know you did. | 0:14:38 | 0:14:43 | |
We've seen you on CCTV. Why did you lie to me? | 0:14:45 | 0:14:49 | |
You said it was against the law to buy stuff for my mates. | 0:14:49 | 0:14:51 | |
Telling lies just makes things worse. | 0:14:51 | 0:14:53 | |
The thing is, Barry... | 0:14:53 | 0:14:56 | |
Barry, we need to know where Rachel is now. | 0:14:56 | 0:14:59 | |
Did she tell you where she was going when you saw her? | 0:15:00 | 0:15:03 | |
OK. | 0:15:05 | 0:15:07 | |
What kind of mood was she in? | 0:15:07 | 0:15:08 | |
Happy? Sad? | 0:15:10 | 0:15:12 | |
We're worried in case she might be hurt. | 0:15:12 | 0:15:15 | |
You do want to help her, don't you? | 0:15:15 | 0:15:16 | |
Of course I do. I like her. | 0:15:16 | 0:15:19 | |
Yeah. | 0:15:19 | 0:15:21 | |
Then please try to remember where she might've been going. | 0:15:21 | 0:15:25 | |
Maybe she went to the beach. | 0:15:25 | 0:15:28 | |
She does that sometimes with her friends. | 0:15:28 | 0:15:31 | |
Sometimes they let me go with them. | 0:15:31 | 0:15:33 | |
-Where exactly? -Uh... | 0:15:33 | 0:15:36 | |
Um... | 0:15:38 | 0:15:39 | |
Can you take us there? | 0:15:41 | 0:15:44 | |
-You all right? -Yes, sir. | 0:15:51 | 0:15:53 | |
Rachel Reid going missing taking its toll? | 0:15:55 | 0:15:57 | |
-You don't have to be Wonder Woman. -Far from it. | 0:16:02 | 0:16:05 | |
Liam Reid must be going out of his mind. | 0:16:07 | 0:16:09 | |
Can you imagine? | 0:16:09 | 0:16:10 | |
No, I can't. | 0:16:10 | 0:16:12 | |
I don't want to, if I'm honest. | 0:16:12 | 0:16:15 | |
If it was Conor or Stephen... | 0:16:15 | 0:16:17 | |
Lucky no-one else is here. This would ruin your image. | 0:16:21 | 0:16:24 | |
-What image? -Teflon Tyrell. | 0:16:24 | 0:16:26 | |
It's funny, though, isn't it? | 0:16:29 | 0:16:31 | |
Do this job day in and day out and think nothing will bother you. | 0:16:31 | 0:16:36 | |
Then something like this comes along and proves you wrong. | 0:16:36 | 0:16:39 | |
How's Tommy? | 0:16:43 | 0:16:45 | |
Uh, yeah. Grand. | 0:16:45 | 0:16:48 | |
Tell him I said hey. Gas man. | 0:16:48 | 0:16:50 | |
Rachel! | 0:16:57 | 0:16:58 | |
Are you sure this is the right place? | 0:17:04 | 0:17:08 | |
Someone's had a fire here. | 0:17:08 | 0:17:10 | |
-It's cold. -Look. | 0:17:12 | 0:17:15 | |
It was vodka you bought for Rachel, wasn't it? | 0:17:19 | 0:17:21 | |
She loves vodka. | 0:17:21 | 0:17:23 | |
She's not the only one that drinks vodka, though, is she? | 0:17:23 | 0:17:27 | |
Patricia sent them over. | 0:17:44 | 0:17:47 | |
-Where did she get the picture? -From her Facebook page. | 0:17:47 | 0:17:49 | |
Take the rest of them in. | 0:17:53 | 0:17:55 | |
-Are you happy with what you've done? -Of course I'm not happy. | 0:18:30 | 0:18:33 | |
This is all your fault. | 0:18:33 | 0:18:35 | |
I have nothing to do with Rachel running away. | 0:18:35 | 0:18:37 | |
-I never touched her. -Liar. | 0:18:37 | 0:18:39 | |
They went through everything. I was cleared. | 0:18:39 | 0:18:41 | |
-She's 15. -The officer making these accusations, she's unstable. | 0:18:41 | 0:18:45 | |
If anything happens to her and it's your fault... | 0:18:45 | 0:18:48 | |
I want Rachel back just as much as you do. | 0:18:48 | 0:18:50 | |
Don't. | 0:18:50 | 0:18:51 | |
Don't even say her name. | 0:18:52 | 0:18:54 | |
Imagine... | 0:18:56 | 0:19:00 | |
that my dad had done this to Mel. | 0:19:00 | 0:19:02 | |
If you had trusted him with your daughter | 0:19:04 | 0:19:06 | |
and he had had sex with her. | 0:19:06 | 0:19:08 | |
I didn't. | 0:19:10 | 0:19:11 | |
And because of him Mel had run away | 0:19:12 | 0:19:17 | |
and you had no idea where she was or if she was even alive. | 0:19:17 | 0:19:22 | |
Imagine how that would feel. | 0:19:24 | 0:19:26 | |
I want to go home. | 0:19:39 | 0:19:40 | |
She gets upset, she can't go back to school, gets drunk, comes here. | 0:19:44 | 0:19:49 | |
It makes sense. It feels right. | 0:19:49 | 0:19:52 | |
You're lucky. I can't feel anything. Think I've got frostbite. | 0:19:52 | 0:19:55 | |
Ow! | 0:19:55 | 0:19:56 | |
For the love of God, what is it? | 0:19:56 | 0:19:58 | |
Is this Rachel's? Was she wearing this yesterday? | 0:20:08 | 0:20:11 | |
I want to go home. | 0:20:11 | 0:20:13 | |
Just because he's a looney tune doesn't mean he's not capable. | 0:20:13 | 0:20:16 | |
Helping us find her hoodie doesn't mean he's...innocent. | 0:20:16 | 0:20:20 | |
-Barry, stop! -I'm going home! | 0:20:20 | 0:20:22 | |
Barry! | 0:20:22 | 0:20:24 | |
Barry Donoghue, I'm arresting you on suspicion | 0:20:24 | 0:20:28 | |
of the abduction of Rachel Reid. | 0:20:28 | 0:20:31 | |
You have the right to remain silent | 0:20:31 | 0:20:33 | |
but anything you do say will be taken in evidence | 0:20:33 | 0:20:35 | |
and used in a court of law. | 0:20:35 | 0:20:37 | |
-I just want to see him. -Get that door open. | 0:20:39 | 0:20:41 | |
I'm not going to do anything to him. I just want to see him. | 0:20:41 | 0:20:43 | |
I just want to see him. I want to see whoever you've arrested. | 0:20:43 | 0:20:46 | |
You can't. | 0:20:46 | 0:20:47 | |
If he's laid a finger on Rachel, I swear to God, I will kill some... | 0:20:47 | 0:20:50 | |
The man we have in custody is helping us with our inquiries. | 0:20:50 | 0:20:53 | |
-Nothing more. -Stop fobbing me off. -I'm not fobbing you off. | 0:20:53 | 0:20:56 | |
As soon as we have anything concrete, you'll be told. | 0:20:56 | 0:20:59 | |
-I promise. -So you say. | 0:20:59 | 0:21:01 | |
Yesterday Rachel was supposed to have killed herself. | 0:21:01 | 0:21:03 | |
Now today, what? She's abducted? | 0:21:03 | 0:21:04 | |
No-one's saying she's been abducted. | 0:21:04 | 0:21:06 | |
I just want to know what happened to Rachel. | 0:21:10 | 0:21:13 | |
I know. We'll find her. | 0:21:13 | 0:21:17 | |
Hey. Sorry I'm late. | 0:21:31 | 0:21:32 | |
You need to have a word with him. | 0:21:39 | 0:21:40 | |
He's been in that bathroom half an hour. | 0:21:40 | 0:21:42 | |
God knows what he's doing up there. | 0:21:42 | 0:21:44 | |
That's rich, coming from the prince of the two hour showers. | 0:21:44 | 0:21:48 | |
Are you two around today? | 0:21:48 | 0:21:50 | |
Why? | 0:21:50 | 0:21:52 | |
I was just thinking maybe we'd get a take away tonight to celebrate. | 0:21:52 | 0:21:57 | |
-I finished my last exam yesterday. -Oh, of course. | 0:21:57 | 0:21:59 | |
-Ah. -Well done, son. | 0:21:59 | 0:22:01 | |
Stephen is on his sleepover tonight, | 0:22:01 | 0:22:02 | |
and unless we find Rachel Reid, I'm in work late. | 0:22:02 | 0:22:05 | |
Just you and me then, Dad. | 0:22:05 | 0:22:06 | |
Oh, sorry, pal. I won't be here either. | 0:22:06 | 0:22:09 | |
I'm starting to feel like the ginger stepson in this family. | 0:22:09 | 0:22:12 | |
-I can cancel. -No. It's OK. | 0:22:12 | 0:22:14 | |
I meant to tell you sooner. | 0:22:15 | 0:22:17 | |
The lads are having a session tonight. | 0:22:17 | 0:22:18 | |
It's Graham's birthday. | 0:22:18 | 0:22:20 | |
I was going to crash over at Eddie's. | 0:22:20 | 0:22:21 | |
I thought it would be all right when Stephen wasn't here. | 0:22:21 | 0:22:24 | |
OK, those of you who don't already know, | 0:22:34 | 0:22:37 | |
we have someone in custody. | 0:22:37 | 0:22:39 | |
Barry Donoghue, 42. | 0:22:39 | 0:22:41 | |
He's only been in the area 18 months and we just found out | 0:22:41 | 0:22:44 | |
that he has a caution for stalking a girl in Donegal. | 0:22:44 | 0:22:47 | |
As it stands, Donoghue is a serious line of inquiry. | 0:22:47 | 0:22:50 | |
We're not ready to rule out other scenarios. | 0:22:50 | 0:22:53 | |
We know she has been visiting pro-suicide forums...online, | 0:22:53 | 0:22:58 | |
and we found her hoodie on the beach. | 0:22:58 | 0:23:01 | |
It's definitely hers? | 0:23:01 | 0:23:02 | |
Yeah. I brought it to the Reids last night. They ID'd it. | 0:23:02 | 0:23:05 | |
-MOBILE PHONE VIBRATES -Until we know otherwise, | 0:23:05 | 0:23:07 | |
we assume Rachel Reid is alive and well. | 0:23:07 | 0:23:10 | |
Paudge... | 0:23:10 | 0:23:12 | |
are we disturbing you? | 0:23:12 | 0:23:14 | |
-No, boss. -What's your reading of things? | 0:23:14 | 0:23:16 | |
My money is on Fat Barry. | 0:23:16 | 0:23:20 | |
Barry Donoghue. | 0:23:20 | 0:23:22 | |
They went somewhere together, got drunk, | 0:23:22 | 0:23:24 | |
he tried it on and she resisted and he killed her. | 0:23:24 | 0:23:28 | |
-Not intentionally, but he did it. -What about the hoodie? | 0:23:28 | 0:23:31 | |
Now, he's trying to make out that she killed herself, | 0:23:31 | 0:23:33 | |
but he's the one that brought us to the hoodie, | 0:23:33 | 0:23:36 | |
and only after we put him under some heavy pressure. | 0:23:36 | 0:23:38 | |
If you ask me, Barry Donoghue is not as gormless as he looks. | 0:23:38 | 0:23:43 | |
How are you this morning, Barry? | 0:23:46 | 0:23:48 | |
Breakfast was yummy. Crunchy Nut Cornflakes. | 0:23:48 | 0:23:51 | |
I'm glad you liked it. Why don't you come and sit down? | 0:23:51 | 0:23:54 | |
-We'd like to talk to you. -About Rachel? | 0:23:54 | 0:23:56 | |
Yes. | 0:23:56 | 0:23:58 | |
This is DS Grogan commencing an interview | 0:23:59 | 0:24:01 | |
with Barry Donoghue at 9.54. | 0:24:01 | 0:24:04 | |
Garda Paudge Brennan is also present. | 0:24:04 | 0:24:06 | |
Barry, for the purposes of the tape, | 0:24:06 | 0:24:08 | |
you have the right to a solicitor present. | 0:24:08 | 0:24:10 | |
Would you like one? | 0:24:10 | 0:24:12 | |
You're going to have to answer out loud, yes or no. | 0:24:12 | 0:24:16 | |
-No. -OK. | 0:24:16 | 0:24:18 | |
How often did you buy vodka for Rachel Reid? | 0:24:26 | 0:24:29 | |
I didn't. | 0:24:29 | 0:24:30 | |
But you said yesterday that you did, remember? | 0:24:30 | 0:24:34 | |
We have security footage of you giving her vodka. | 0:24:34 | 0:24:37 | |
Boys make me buy it for them. Rachel's nice. | 0:24:37 | 0:24:42 | |
You like Rachel. | 0:24:42 | 0:24:44 | |
Is that a yes or a no, Barry? | 0:24:46 | 0:24:49 | |
Yes. | 0:24:49 | 0:24:50 | |
As much as you like Megan in Donegal? | 0:24:52 | 0:24:55 | |
I don't want to talk about Megan. | 0:24:55 | 0:24:57 | |
OK. Let's talk about Rachel then. | 0:24:57 | 0:25:00 | |
Do you know where she lives? | 0:25:01 | 0:25:04 | |
-No. -Did you ever follow her home? | 0:25:04 | 0:25:06 | |
I don't do that any more. I promised. | 0:25:06 | 0:25:10 | |
Hm! | 0:25:10 | 0:25:11 | |
I don't. | 0:25:11 | 0:25:14 | |
OK. OK. | 0:25:14 | 0:25:17 | |
When you last saw Rachel on Seafield Road, | 0:25:17 | 0:25:20 | |
did she say where she was going? | 0:25:20 | 0:25:22 | |
I told you already, no. | 0:25:22 | 0:25:24 | |
And afterwards, where did you go? | 0:25:24 | 0:25:28 | |
The chipper for my nan. | 0:25:28 | 0:25:32 | |
I had curry sauce on mine. | 0:25:32 | 0:25:35 | |
And then we went to see a film. | 0:25:35 | 0:25:37 | |
So, you were with your nan all afternoon? | 0:25:37 | 0:25:39 | |
Yes. | 0:25:42 | 0:25:44 | |
OK. | 0:25:44 | 0:25:46 | |
This is DS Grogan terminating interview at 9.56. | 0:25:46 | 0:25:51 | |
Get someone to get his nan in. | 0:25:57 | 0:25:59 | |
And check the CCTV footage on Seafield road. | 0:25:59 | 0:26:01 | |
Let's see if we can place him at the chipper. | 0:26:01 | 0:26:03 | |
I'm going to get onto legal aid. | 0:26:03 | 0:26:05 | |
I reckon he'll need a solicitor whether he wants it or not. | 0:26:05 | 0:26:07 | |
Have we still got the Seafield Road footage? | 0:26:14 | 0:26:16 | |
Oh, here he is. The man of the match. | 0:26:16 | 0:26:18 | |
Rachel's hoodie. | 0:26:20 | 0:26:22 | |
That wasn't just me who found it. | 0:26:22 | 0:26:24 | |
Want to watch yourself there, Paudgie. | 0:26:24 | 0:26:26 | |
If you're not careful, she'll be making stuff up about you next. | 0:26:26 | 0:26:30 | |
Don't be an idiot. | 0:26:30 | 0:26:32 | |
-Don't tell me you believe her. -Leave it, Sean. | 0:26:32 | 0:26:35 | |
You know, you should think about where your loyalties lie. | 0:26:35 | 0:26:38 | |
-She's missing with your head. -Meaning? | 0:26:38 | 0:26:41 | |
-When you lie down with dogs... -You want to watch it. | 0:26:41 | 0:26:44 | |
-Come on! -Paudge! Sean! -Guys! | 0:26:44 | 0:26:47 | |
Paudge! That's enough! | 0:26:47 | 0:26:48 | |
Brian needs help. An assault. Go with Sharon. | 0:26:55 | 0:26:58 | |
He's lost it. | 0:27:01 | 0:27:02 | |
Feels like this is where I should say something clever about irony, | 0:27:07 | 0:27:10 | |
-but nothing's come up. -Put that down. | 0:27:10 | 0:27:13 | |
Did you bring the stuff? | 0:27:13 | 0:27:15 | |
Nice to see you too, Conor. I'm doing good. Thanks for asking. | 0:27:15 | 0:27:18 | |
-Just give it to me. -Haven't you forgotten something? | 0:27:18 | 0:27:22 | |
Give it to me, please. OK? | 0:27:22 | 0:27:25 | |
The money. | 0:27:25 | 0:27:26 | |
HE SIGHS | 0:27:28 | 0:27:30 | |
-40? -Yeah, I'll give you the rest tomorrow or the day after. | 0:27:36 | 0:27:39 | |
I'm not running a Christmas club. | 0:27:39 | 0:27:40 | |
I promise. Come around the day after tomorrow and I'll have it. | 0:27:40 | 0:27:43 | |
You know I'm only sales, right? | 0:27:43 | 0:27:45 | |
Someone else entirely deals with bad debts. | 0:27:45 | 0:27:48 | |
Of course I'm going to pay you. | 0:27:50 | 0:27:52 | |
I mean, I can hardly do a runner, can I? | 0:27:52 | 0:27:54 | |
Day after tomorrow. | 0:27:58 | 0:27:59 | |
No excuses. | 0:28:02 | 0:28:03 | |
You're not going to shoot up here on your own, are you? | 0:28:07 | 0:28:10 | |
No, I thought I'd take a stroll down the beach. | 0:28:10 | 0:28:12 | |
Wow. I'm really not feeling the gratitude. | 0:28:12 | 0:28:15 | |
I'll be fine. Everyone is out this afternoon anyway. | 0:28:16 | 0:28:19 | |
You sure there'll be no smell? | 0:28:19 | 0:28:20 | |
Not with a needle. | 0:28:20 | 0:28:23 | |
I can stay if you'd like. Show you how. | 0:28:23 | 0:28:26 | |
No, I'll manage. Thanks. | 0:28:26 | 0:28:29 | |
OK. I'll see you. | 0:28:29 | 0:28:31 | |
Day after tomorrow. | 0:28:34 | 0:28:35 | |
We need to talk. | 0:28:54 | 0:28:56 | |
Now? | 0:28:56 | 0:28:57 | |
Well, there's never any time at home. | 0:28:57 | 0:28:59 | |
-The lads are always around. -Yeah. It's called having a family. | 0:28:59 | 0:29:02 | |
This isn't easy for me either. | 0:29:02 | 0:29:04 | |
SHE SCOFFS Look, I hate this situation. | 0:29:04 | 0:29:08 | |
I hate the sneaking around and the lying. | 0:29:08 | 0:29:10 | |
You have no idea how it makes me feel. | 0:29:10 | 0:29:12 | |
Sleeping with another woman? | 0:29:12 | 0:29:14 | |
If you're looking for sympathy, Tommy, | 0:29:14 | 0:29:16 | |
you've misjudged your audience. | 0:29:16 | 0:29:18 | |
See this here now? This is exactly what I mean. | 0:29:18 | 0:29:20 | |
It's not working. | 0:29:20 | 0:29:22 | |
We're just hurting each other. | 0:29:23 | 0:29:25 | |
Better for everyone if we were honest, | 0:29:25 | 0:29:27 | |
come clean and tell the lads. | 0:29:27 | 0:29:28 | |
No. | 0:29:28 | 0:29:30 | |
No, we said we'd wait. | 0:29:30 | 0:29:32 | |
That was before I knew what it would be like. | 0:29:32 | 0:29:34 | |
HE SIGHS | 0:29:36 | 0:29:39 | |
Conor and Stephen are great lads. Strong. They'll be fine. | 0:29:39 | 0:29:43 | |
Come here. | 0:29:49 | 0:29:51 | |
Calm down. | 0:29:52 | 0:29:54 | |
Just calm down. That's enough. | 0:29:54 | 0:29:57 | |
He wants his phone call. | 0:29:57 | 0:29:58 | |
Yeah, and I want a Maserati GranTurismo, | 0:29:58 | 0:30:00 | |
but that's not going to happen any time soon. | 0:30:00 | 0:30:03 | |
-Hurt, is he? -It's not his blood. | 0:30:03 | 0:30:05 | |
-OK, let him cool off for a minute. -Right. Come on. | 0:30:05 | 0:30:08 | |
You OK? | 0:30:19 | 0:30:21 | |
If you know where Rachel is, you should probably say something. | 0:30:21 | 0:30:24 | |
We have Donoghue in custody and still you're on my back. | 0:30:24 | 0:30:27 | |
You're lying. I can see it all over your face. | 0:30:27 | 0:30:29 | |
No, this is anger. | 0:30:29 | 0:30:31 | |
I'm furious cos a friend of my daughter's is missing | 0:30:31 | 0:30:33 | |
and in God knows what kind of danger | 0:30:33 | 0:30:35 | |
cos of the lies you spread about her. | 0:30:35 | 0:30:37 | |
-I'm not even allowed to help find her. -Find her? | 0:30:37 | 0:30:40 | |
I'm not the reason why she's gone. You are. | 0:30:40 | 0:30:42 | |
You know, what am I doing wasting my breath on you? | 0:30:44 | 0:30:46 | |
I'm just going to sit tight, and when all this has blown over | 0:30:46 | 0:30:48 | |
and I'm vindicated, you'll be the pariah. | 0:30:48 | 0:30:51 | |
-Sarge, have you heard the news? -What? | 0:30:53 | 0:30:56 | |
They found a necklace. Barry Donoghue's flat. | 0:30:56 | 0:30:58 | |
They think it might be Rachel's. | 0:30:58 | 0:31:00 | |
We're closed. | 0:31:08 | 0:31:10 | |
Niamh... | 0:31:12 | 0:31:14 | |
I came to give you this. | 0:31:14 | 0:31:16 | |
A reward for any information | 0:31:18 | 0:31:20 | |
that'll lead to Rachel's safe return. | 0:31:20 | 0:31:24 | |
10,000? | 0:31:26 | 0:31:28 | |
It's a small price to pay if it helps find Rachel. | 0:31:28 | 0:31:31 | |
-We can't take this. -Don't be silly. | 0:31:31 | 0:31:35 | |
I want you to have it. | 0:31:35 | 0:31:36 | |
I'll get Dad. | 0:31:39 | 0:31:40 | |
This is... | 0:31:57 | 0:31:58 | |
too generous. | 0:32:00 | 0:32:02 | |
I know you'd do the same for me. | 0:32:02 | 0:32:05 | |
I hope it helps. | 0:32:05 | 0:32:06 | |
Thank you. | 0:32:07 | 0:32:09 | |
Any news from her? | 0:32:09 | 0:32:10 | |
They've found her necklace... | 0:32:15 | 0:32:18 | |
in this guy's house, some... | 0:32:18 | 0:32:21 | |
What if he's killed her? | 0:32:25 | 0:32:26 | |
Liam, you must stop that kind of talk. | 0:32:26 | 0:32:30 | |
The last time I saw her, Rachel, the things I said to her... | 0:32:30 | 0:32:33 | |
For the recording, I'm showing Mr Donoghue item SC1. | 0:32:36 | 0:32:39 | |
Do you recognise this necklace, Barry? | 0:32:39 | 0:32:41 | |
No. | 0:32:43 | 0:32:44 | |
We found it in your flat. | 0:32:44 | 0:32:46 | |
Rachel gave it to me. | 0:32:48 | 0:32:50 | |
Why would she give you a gold necklace? | 0:32:50 | 0:32:52 | |
I took it from her. | 0:33:04 | 0:33:05 | |
When exactly did you take it from her? | 0:33:05 | 0:33:07 | |
Months ago. | 0:33:07 | 0:33:08 | |
They were all going for a swim in the sea. | 0:33:08 | 0:33:11 | |
Rachel gave it to me to look after. | 0:33:11 | 0:33:13 | |
And didn't she ask for it back? | 0:33:13 | 0:33:15 | |
She did, but I told her I lost it. | 0:33:15 | 0:33:17 | |
And why would you do that? | 0:33:17 | 0:33:18 | |
Cos I wanted to keep it. | 0:33:21 | 0:33:23 | |
Is that why you've arrested me, for taking her necklace? | 0:33:26 | 0:33:30 | |
No. | 0:33:30 | 0:33:31 | |
That's not why you're here. | 0:33:31 | 0:33:34 | |
Rachel has gone missing, Barry. | 0:33:34 | 0:33:36 | |
We want to find her. | 0:33:36 | 0:33:38 | |
CHATTER IN BACKGROUND | 0:33:39 | 0:33:43 | |
-Any news from inside? -No. | 0:33:48 | 0:33:50 | |
Well, if anyone will get it out of them, | 0:33:50 | 0:33:52 | |
it's Nikki and the boss. | 0:33:52 | 0:33:53 | |
What's the puss for? We're this close to getting him? | 0:33:57 | 0:34:00 | |
What if McGonigle is right? | 0:34:02 | 0:34:03 | |
Rachel only ran away because of what I did | 0:34:05 | 0:34:07 | |
and now this has happened. | 0:34:07 | 0:34:11 | |
You're not to blame for the actions of a creep like Barry Donoghue. | 0:34:11 | 0:34:15 | |
I started all this. | 0:34:15 | 0:34:17 | |
What did you talk about the day before yesterday when you saw her? | 0:34:17 | 0:34:21 | |
Getting vodka. | 0:34:21 | 0:34:23 | |
She said she'd give me a kiss for it. | 0:34:26 | 0:34:28 | |
And did she? | 0:34:28 | 0:34:30 | |
Said she'd give me one later. | 0:34:31 | 0:34:33 | |
And then what happened? | 0:34:33 | 0:34:35 | |
I went to the chipper. | 0:34:38 | 0:34:39 | |
Barry, if something has happened to Rachel, even by accident, | 0:34:39 | 0:34:43 | |
we really need to know. | 0:34:43 | 0:34:44 | |
I wouldn't hurt Rachel. | 0:34:44 | 0:34:47 | |
I wouldn't! | 0:34:47 | 0:34:48 | |
-I love her. -KNOCK AT DOOR | 0:34:48 | 0:34:52 | |
A word, boss. It's important. | 0:34:52 | 0:34:54 | |
Terminating interview at 12.35. | 0:34:56 | 0:34:59 | |
-So, he wasn't even in Red Rock? -Yeah. | 0:35:03 | 0:35:06 | |
Barry Donoghue caught the 2.45 to Point Village | 0:35:06 | 0:35:09 | |
with his grandmother. | 0:35:09 | 0:35:10 | |
We have them on the platform. | 0:35:10 | 0:35:12 | |
And one of the lads checking CCTV outside the bank | 0:35:12 | 0:35:14 | |
has a shot of Rachel passing at 3.10. | 0:35:14 | 0:35:17 | |
So, we have a positive sighting of Rachel alive after she left Barry. | 0:35:17 | 0:35:20 | |
And we've ID'd Barry and his nan returning from the cinema | 0:35:20 | 0:35:23 | |
together that evening, as per his statement. | 0:35:23 | 0:35:25 | |
Hang on. Hang on a second. | 0:35:25 | 0:35:27 | |
Before we eliminate Barry as a person of interest, | 0:35:27 | 0:35:30 | |
there is still the matter of the gold necklace. | 0:35:30 | 0:35:32 | |
Call the Reids. | 0:35:32 | 0:35:33 | |
Find out when the last time they saw Rachel wearing that necklace was | 0:35:33 | 0:35:36 | |
and see if his story about having it for months adds up. | 0:35:36 | 0:35:39 | |
If it does, we'll have to release him. | 0:35:41 | 0:35:43 | |
What? This is good news. | 0:35:46 | 0:35:48 | |
If we can rule out Barry Donoghue, it means there's a greater chance | 0:35:48 | 0:35:51 | |
that Rachel Reid is out there somewhere alive and safe. | 0:35:51 | 0:35:54 | |
-Well? -Looks like Donoghue is in the clear. | 0:36:03 | 0:36:07 | |
Why? What happened? | 0:36:07 | 0:36:08 | |
His alibi stands up. He was with his gran all afternoon. | 0:36:08 | 0:36:12 | |
And the Reids said they haven't seen Rachel's necklace in months. | 0:36:12 | 0:36:15 | |
That means Rachel is probably still out there somewhere. | 0:36:15 | 0:36:18 | |
OK, we keep an eye on Brian. | 0:36:19 | 0:36:21 | |
If she's still alive, she's bound to get in touch with him. | 0:36:21 | 0:36:25 | |
Thanks for letting us know. | 0:36:31 | 0:36:35 | |
They're releasing Barry Donoghue without charge. | 0:36:35 | 0:36:38 | |
Another dead end. | 0:36:38 | 0:36:40 | |
OK. | 0:36:40 | 0:36:42 | |
You need to announce the reward and get those posters out all over town. | 0:36:42 | 0:36:46 | |
You want the public looking out for her. | 0:36:46 | 0:36:48 | |
If she was still around here, somebody would've seen her by now. | 0:36:48 | 0:36:51 | |
Not necessarily. She might be hiding out somewhere. | 0:36:51 | 0:36:55 | |
Is there anywhere she and her friends go | 0:36:55 | 0:36:57 | |
to hang out on their own? | 0:36:57 | 0:36:58 | |
The police asked that too. There's nowhere I can think of. | 0:36:58 | 0:37:01 | |
What about when she was younger? | 0:37:01 | 0:37:03 | |
BELL RINGS | 0:37:03 | 0:37:06 | |
We want to see that detective. Grogan. | 0:37:08 | 0:37:11 | |
OK. DS Grogan is a bit tied up at the moment, | 0:37:11 | 0:37:13 | |
but if you want to wait, or I could help you. | 0:37:13 | 0:37:16 | |
Tell Superintendent McKay we need to speak to him now, please. | 0:37:16 | 0:37:19 | |
-James. -Tricia. | 0:37:25 | 0:37:27 | |
-What can I do for you? -It might be nothing. | 0:37:27 | 0:37:29 | |
Niamh has just reminded us, when the girls were little, | 0:37:29 | 0:37:32 | |
Barbara used to take them to her sister's caravan up the coast. | 0:37:32 | 0:37:35 | |
We haven't been there since Mum died, but Rachel loved it. | 0:37:35 | 0:37:39 | |
Go and get Paudge and check it out. | 0:37:39 | 0:37:41 | |
-Do you have the address? -I'll go with you, show you. | 0:37:41 | 0:37:43 | |
It'd be better if you let us check out the caravan first. | 0:37:43 | 0:37:46 | |
OK. | 0:37:48 | 0:37:49 | |
Go on. | 0:38:27 | 0:38:29 | |
No-one has been in here for months. | 0:38:54 | 0:38:56 | |
PHONE RINGS | 0:39:04 | 0:39:07 | |
Hello? | 0:39:07 | 0:39:09 | |
OK, thanks for letting us know. | 0:39:12 | 0:39:14 | |
I'm sorry. Rachel is not there. | 0:39:16 | 0:39:18 | |
There's no evidence anybody has been there for months. | 0:39:18 | 0:39:21 | |
-What are you looking for? -Feathers. | 0:39:32 | 0:39:35 | |
-You'd think there'd be a few about. -Feathers? | 0:39:35 | 0:39:37 | |
Feathers. A bloody wild goose chase. | 0:39:37 | 0:39:41 |