Browse content similar to Episode 30. Check below for episodes and series from the same categories and more!
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Laser Byrne, dealing from the car park near the football field. | 0:00:02 | 0:00:04 | |
Laser Byrne, caught | 0:00:04 | 0:00:05 | |
-right in the act. Good job. -Thanks, boss. | 0:00:05 | 0:00:07 | |
-Tell us why they did it, Davey. -They said I was a rat, OK? | 0:00:07 | 0:00:10 | |
But I never told nobody nothing. | 0:00:10 | 0:00:12 | |
Stay away from him. | 0:00:12 | 0:00:13 | |
It was Laser Byrne who nearly killed him, you know? | 0:00:13 | 0:00:15 | |
Well, you can arrest Laser all you like cos he has an airtight alibi. | 0:00:15 | 0:00:18 | |
He was with me. | 0:00:18 | 0:00:19 | |
In my bed. | 0:00:19 | 0:00:21 | |
That kid was attacked because of the information I was given? | 0:00:21 | 0:00:23 | |
Looks like it. | 0:00:23 | 0:00:25 | |
That's him. | 0:01:06 | 0:01:08 | |
Just stay here, OK? | 0:01:21 | 0:01:23 | |
We won't be long. | 0:01:23 | 0:01:25 | |
-Seriously? -What? | 0:01:26 | 0:01:29 | |
Just leave that poor woman alone. | 0:01:29 | 0:01:31 | |
She's had one nasty shock this morning as it is. | 0:01:31 | 0:01:33 | |
Excuse me, sir. Do you mind if we have a quick word? | 0:01:33 | 0:01:35 | |
-What's this about? -You can start by telling us your name. | 0:01:35 | 0:01:38 | |
Neal. Neal Johnson. | 0:01:38 | 0:01:40 | |
Were you anywhere near Kennedy Park this morning? | 0:01:40 | 0:01:43 | |
A bit of open ground about a mile that way. | 0:01:43 | 0:01:45 | |
-Yeah, possibly. I don't know. What's this about? -OK. | 0:01:46 | 0:01:50 | |
I'm arresting you on suspicion of indecent exposure. | 0:01:50 | 0:01:52 | |
What? | 0:01:52 | 0:01:53 | |
You're not obliged to say anything unless you wish to do so. | 0:01:53 | 0:01:56 | |
-Are you joking? -Anything you do say, will be taken in writing. | 0:01:56 | 0:01:59 | |
It may be used in evidence. | 0:01:59 | 0:02:01 | |
Nothing much from the door-to-doors | 0:02:08 | 0:02:10 | |
and no-one appears to have seen anything | 0:02:10 | 0:02:12 | |
until after you arrived on the scene. | 0:02:12 | 0:02:14 | |
Hm. Don't you just love a close-knit community? | 0:02:14 | 0:02:16 | |
-KNOCK AT DOOR -Yeah. | 0:02:16 | 0:02:18 | |
Erm... | 0:02:18 | 0:02:20 | |
Laser's alibi checks out. | 0:02:20 | 0:02:22 | |
With Davey's mother all evening? | 0:02:22 | 0:02:24 | |
That's twisted. | 0:02:24 | 0:02:26 | |
Is he going to be all right, Webb? | 0:02:28 | 0:02:31 | |
Discharged himself from hospital last night. | 0:02:31 | 0:02:33 | |
Went home to his loving mother. | 0:02:33 | 0:02:35 | |
He'll be OK, then? | 0:02:37 | 0:02:39 | |
Who knows? | 0:02:39 | 0:02:40 | |
Stabbed in broad daylight and labelled a rat. | 0:02:40 | 0:02:42 | |
Take more than a few stitches and painkillers to fix that. | 0:02:42 | 0:02:46 | |
-Right, of course. -Hmm. | 0:02:46 | 0:02:47 | |
Looks to me like a turf war | 0:02:48 | 0:02:50 | |
and Davey just got caught in the crossfire. | 0:02:50 | 0:02:52 | |
Turf war? | 0:02:52 | 0:02:54 | |
I don't think Beady really sees Laser as that much of a threat, | 0:02:54 | 0:02:57 | |
more of a...a nuisance. | 0:02:57 | 0:02:59 | |
Mm, but Laser is someone that Beady would want to get rid of. | 0:02:59 | 0:03:02 | |
Right. Let's keep an eye on Davey Webb's movements. | 0:03:02 | 0:03:05 | |
It might keep him safe, it might catch him out. | 0:03:05 | 0:03:07 | |
-OK. -Right, boss. | 0:03:07 | 0:03:09 | |
This inspectors interview tomorrow. | 0:03:18 | 0:03:20 | |
Right, you ready for it? | 0:03:20 | 0:03:23 | |
I'm doing my best but it's... | 0:03:23 | 0:03:26 | |
Well, you know what it's like. | 0:03:26 | 0:03:28 | |
Any tips or advice gratefully received. | 0:03:28 | 0:03:31 | |
Make sure your notebook is in order. | 0:03:32 | 0:03:34 | |
Bound to have a look at that. | 0:03:34 | 0:03:35 | |
OK. Thanks. | 0:03:35 | 0:03:37 | |
You'll be fine. | 0:03:37 | 0:03:39 | |
I think you're thinking about Nikki. | 0:03:40 | 0:03:42 | |
-Paudge. -What? | 0:03:46 | 0:03:48 | |
What's wrong? | 0:03:48 | 0:03:50 | |
It's... | 0:03:51 | 0:03:52 | |
It's the bank. | 0:03:54 | 0:03:55 | |
They're just a shower of leeches. | 0:03:58 | 0:04:00 | |
They come after the likes of us, the little people, | 0:04:00 | 0:04:02 | |
the saps who try to do the right thing and they hit us hard | 0:04:02 | 0:04:04 | |
cos they know they can get their money back. | 0:04:04 | 0:04:07 | |
What did they say? | 0:04:07 | 0:04:08 | |
I might as well have been talking to the wall. | 0:04:08 | 0:04:11 | |
They're coming after my mother's house. | 0:04:14 | 0:04:16 | |
What?! | 0:04:17 | 0:04:19 | |
No, no, they can't do that. That's your home. | 0:04:19 | 0:04:21 | |
Yes, they can and they will. | 0:04:21 | 0:04:23 | |
Jesus, Paudge. | 0:04:24 | 0:04:25 | |
-PHONE RINGS -Well, Mam's house is the main asset. | 0:04:27 | 0:04:30 | |
So, if... | 0:04:30 | 0:04:31 | |
-PHONE CONTINUES TO RING -You going to get that? | 0:04:31 | 0:04:34 | |
Speak of the devil, huh? It's them. | 0:04:37 | 0:04:40 | |
Sorry, I have to return this. | 0:04:40 | 0:04:42 | |
PHONE RINGS | 0:04:44 | 0:04:47 | |
And how's my favourite garda today? | 0:04:47 | 0:04:49 | |
The info you gave me nearly cost the young fella his life. | 0:04:49 | 0:04:52 | |
Yeah, I heard about that. Don't know why you're so upset. | 0:04:52 | 0:04:56 | |
It's a win-win. The kid's our fall guy. | 0:04:56 | 0:04:58 | |
'It was just a scratch. Nothing to fuss over.' | 0:04:58 | 0:05:02 | |
Just a scratch? | 0:05:02 | 0:05:03 | |
He was in bad shape. | 0:05:05 | 0:05:07 | |
Paudge. | 0:05:07 | 0:05:08 | |
'He didn't do anything.' | 0:05:08 | 0:05:10 | |
-I don't want anybody getting hurt. -'Enough.' | 0:05:10 | 0:05:12 | |
Now, here's what I want you to do. | 0:05:15 | 0:05:18 | |
I need you to check some names, | 0:05:18 | 0:05:20 | |
-'find out what you lot have on them.' -What? | 0:05:20 | 0:05:22 | |
On that big computer of yours. | 0:05:24 | 0:05:26 | |
No. | 0:05:26 | 0:05:28 | |
No way, I can't. | 0:05:29 | 0:05:30 | |
Even if I wanted to, I can't just log in whenever I want. | 0:05:30 | 0:05:33 | |
They'd trace it right back to me in a heartbeat. | 0:05:33 | 0:05:35 | |
None of this can't-can't stuff. It's boring. | 0:05:35 | 0:05:38 | |
'So, you listen here. | 0:05:38 | 0:05:40 | |
'We'll text the names,' | 0:05:40 | 0:05:42 | |
you find out what's on file and ring me. Simple. | 0:05:42 | 0:05:46 | |
Oh. | 0:05:47 | 0:05:48 | |
And your mam was looking lovely today, by the way. | 0:05:48 | 0:05:51 | |
'Just happened to bump into each other in the shops.' | 0:05:51 | 0:05:54 | |
Small world, hey? | 0:05:54 | 0:05:56 | |
This is insane. Like a bad dream. | 0:06:03 | 0:06:06 | |
-How long have you been in Red Rock? -A couple of days. | 0:06:06 | 0:06:09 | |
Any particular reason for coming here? | 0:06:09 | 0:06:12 | |
No. It was just part of a holiday. | 0:06:12 | 0:06:14 | |
And home is...? | 0:06:14 | 0:06:16 | |
Belfast. | 0:06:16 | 0:06:18 | |
And when you're not on holiday? | 0:06:18 | 0:06:19 | |
I'm a graphic designer. | 0:06:19 | 0:06:21 | |
G-R-A-P-H-I-C. | 0:06:21 | 0:06:24 | |
Sorry. I'm supposed to be on a bus back to Connolly station. | 0:06:26 | 0:06:30 | |
Earlier today you were in | 0:06:30 | 0:06:32 | |
what you now know is Kennedy Park. | 0:06:32 | 0:06:34 | |
-Yes. -Can you tell us what you were doing there? | 0:06:34 | 0:06:36 | |
Nothing. I was just walking through, I wasn't doing anything. | 0:06:36 | 0:06:39 | |
Did you stop, did you talk to anyone? | 0:06:39 | 0:06:41 | |
No. | 0:06:41 | 0:06:43 | |
Look, you've got the wrong person. | 0:06:43 | 0:06:45 | |
I didn't expose myself to anyone. | 0:06:45 | 0:06:47 | |
The woman was there with a child - | 0:06:47 | 0:06:49 | |
her daughter, she's four. | 0:06:49 | 0:06:51 | |
How many times do I have to keep telling you? It wasn't me. | 0:06:51 | 0:06:55 | |
Have you been in trouble | 0:06:55 | 0:06:57 | |
with the police before? | 0:06:57 | 0:06:59 | |
-No. -OK, listen. | 0:06:59 | 0:07:01 | |
We're not going to ask you again. | 0:07:01 | 0:07:03 | |
We have statements from witnesses | 0:07:03 | 0:07:06 | |
describing a man exactly like yourself - | 0:07:06 | 0:07:08 | |
brown leather bag, trendy jacket, specs. | 0:07:08 | 0:07:12 | |
OK. | 0:07:16 | 0:07:17 | |
OK, I might as well tell. | 0:07:17 | 0:07:19 | |
Not that I think for a second you're going to believe me. | 0:07:19 | 0:07:23 | |
Last night I was in a pub and there was this hypnotist. | 0:07:23 | 0:07:28 | |
-Hypnotist? -Well, he says last night the people, well, volunteers, | 0:07:28 | 0:07:31 | |
were called up on stage and made to do all kinds of crazy stuff. | 0:07:31 | 0:07:35 | |
Apparently he was one of them but he has no memory of it. | 0:07:35 | 0:07:37 | |
What's that got to do with today? | 0:07:37 | 0:07:39 | |
Well, if he did what this woman says he did, | 0:07:39 | 0:07:42 | |
he says it must have been some kind of sick joke | 0:07:42 | 0:07:44 | |
-that was played on both of them. -Boy. | 0:07:44 | 0:07:46 | |
-That's one heck of an excuse. -Isn't it just? It's a cracker. | 0:07:46 | 0:07:49 | |
Do you think it's possible? | 0:07:49 | 0:07:52 | |
I don't buy it. | 0:07:52 | 0:07:53 | |
I don't know. | 0:07:53 | 0:07:54 | |
I went to see a stage hypnotist with Tommy a few years back. | 0:07:54 | 0:07:58 | |
-You'd be surprised what they can get people to do. -Yeah? Like what? | 0:07:58 | 0:08:01 | |
Ah, most of it was daft rubbish but some of it was pretty crude. | 0:08:01 | 0:08:04 | |
Really? | 0:08:04 | 0:08:06 | |
It was funny all right | 0:08:06 | 0:08:07 | |
but I'm glad they didn't drag either of us up onto the stage. | 0:08:07 | 0:08:11 | |
So, what do we do? | 0:08:11 | 0:08:12 | |
-The suspect has no previous? -No. | 0:08:14 | 0:08:16 | |
Call the pub, see if they verify, | 0:08:17 | 0:08:19 | |
-find the hypnotist, see what he has to say. -OK. | 0:08:19 | 0:08:22 | |
Just...don't look into his eyes. | 0:08:22 | 0:08:25 | |
THEY LAUGH | 0:08:25 | 0:08:27 | |
-Hiya. -Hey. | 0:08:33 | 0:08:35 | |
-It's a lovely day. -Mm-hm. | 0:08:35 | 0:08:37 | |
Enjoy your sandwich. | 0:08:38 | 0:08:40 | |
Yeah. Oh, thanks. | 0:08:40 | 0:08:42 | |
-You too. -I think you'll find this is a cloth, Sean. | 0:08:42 | 0:08:44 | |
Yes. | 0:08:44 | 0:08:46 | |
Yeah. No, it's... | 0:08:46 | 0:08:48 | |
It's a very nice...cloth. | 0:08:48 | 0:08:50 | |
Er, I'd better go. | 0:08:50 | 0:08:53 | |
-I'll see you. -See you. | 0:08:53 | 0:08:55 | |
The hypnotist is called Andrew Prest. | 0:08:58 | 0:09:00 | |
Says he's happy to come in and chat. | 0:09:00 | 0:09:01 | |
Great. | 0:09:02 | 0:09:04 | |
You still haven't asked her out, have you? | 0:09:04 | 0:09:06 | |
I have. And you saw her in the pub the other night. So... | 0:09:06 | 0:09:10 | |
I did, yeah. I saw her arrive on her own and I saw her leave on her own. | 0:09:10 | 0:09:14 | |
Face it, Sean, she's not interested. You've lost your mojo. | 0:09:14 | 0:09:18 | |
I have bloody not. | 0:09:18 | 0:09:19 | |
Put your money where your mouth is. | 0:09:19 | 0:09:21 | |
A tenner. | 0:09:21 | 0:09:22 | |
Done. | 0:09:23 | 0:09:25 | |
-You have 24 hours. -Right, you never... | 0:09:25 | 0:09:28 | |
It's too late, bro. | 0:09:28 | 0:09:30 | |
Sharon, can I borrow you for a minute? | 0:09:52 | 0:09:55 | |
Boss? | 0:10:09 | 0:10:10 | |
TENSE MUSIC | 0:10:16 | 0:10:19 | |
And Fitzgibbon, the chief super, where did she cut her teeth? | 0:10:49 | 0:10:53 | |
Fraud squad. | 0:10:53 | 0:10:55 | |
And Tiernan? | 0:10:57 | 0:10:58 | |
-I wouldn't worry about the other two on the panel. -No? | 0:10:58 | 0:11:01 | |
Rugby World Cup, couple of tickets. | 0:11:01 | 0:11:03 | |
It worked for me. | 0:11:03 | 0:11:05 | |
Stop worrying. | 0:11:05 | 0:11:07 | |
-Now go. -OK. | 0:11:07 | 0:11:09 | |
TENSE MUSIC | 0:11:11 | 0:11:13 | |
Paudge? | 0:11:19 | 0:11:21 | |
Sorry. I was just checking something. Mine's acting up. | 0:11:26 | 0:11:30 | |
There, I'm logged out now. | 0:11:30 | 0:11:32 | |
Thanks again for coming in, Mr Prest. | 0:11:56 | 0:11:58 | |
Just need to get everything down in a statement. | 0:11:58 | 0:12:02 | |
Shouldn't be long. | 0:12:02 | 0:12:03 | |
-My pleasure. -Yeah. | 0:12:03 | 0:12:05 | |
So, you had several people on stage last night. | 0:12:07 | 0:12:11 | |
Yes. | 0:12:11 | 0:12:12 | |
Had you met any of them before? | 0:12:12 | 0:12:14 | |
No. | 0:12:14 | 0:12:15 | |
No, but you recognised the description we gave you? | 0:12:15 | 0:12:17 | |
-Yeah. I remember him, yes. -Yeah. | 0:12:17 | 0:12:19 | |
And he was a willing volunteer? | 0:12:19 | 0:12:21 | |
Oh, yes. Yes. | 0:12:21 | 0:12:23 | |
You can't hypnotise anyone who's drunk | 0:12:23 | 0:12:26 | |
or who doesn't want to be hypnotised | 0:12:26 | 0:12:28 | |
and even then, it doesn't work with everyone. | 0:12:28 | 0:12:30 | |
Now, as for his saying I made him | 0:12:30 | 0:12:32 | |
expose himself or whatever he did, | 0:12:32 | 0:12:34 | |
he is lying. | 0:12:34 | 0:12:36 | |
How can you be sure? | 0:12:36 | 0:12:38 | |
Well, because I can only make him do things when I'm there | 0:12:38 | 0:12:41 | |
and I wasn't there this morning. | 0:12:41 | 0:12:43 | |
And even if I had been, | 0:12:43 | 0:12:46 | |
you can't make somebody do something totally against their will. | 0:12:46 | 0:12:49 | |
It says here you can help people quit smoking. | 0:12:50 | 0:12:54 | |
So, how does that work? | 0:12:54 | 0:12:56 | |
I mean, surely something must kick in when they see a cigarette. | 0:12:56 | 0:13:00 | |
There's a big difference between not smoking and doing what he did. | 0:13:00 | 0:13:05 | |
Why would I do it? What possible reason could I have? | 0:13:06 | 0:13:09 | |
We're not accusing you | 0:13:09 | 0:13:10 | |
of doing this on purpose. | 0:13:10 | 0:13:11 | |
That's what it feels like. | 0:13:11 | 0:13:12 | |
Maybe you did something that made him lose his inhibitions, | 0:13:12 | 0:13:15 | |
made him not remember. | 0:13:15 | 0:13:17 | |
That's rubbish. | 0:13:17 | 0:13:18 | |
Did you make him think the audience was wearing no clothes? | 0:13:18 | 0:13:21 | |
HE CHUCKLES | 0:13:21 | 0:13:23 | |
Just a gag. | 0:13:23 | 0:13:24 | |
They put these stupid glasses on, they think they are X-ray specs. | 0:13:24 | 0:13:28 | |
Did you also make him simulate sex with a blow-up donkey? | 0:13:28 | 0:13:31 | |
HE SIGHS | 0:13:31 | 0:13:33 | |
Whatever he did last night had nothing to do with today. | 0:13:33 | 0:13:38 | |
-Got you. -Sharon. | 0:13:39 | 0:13:41 | |
Is Nikki in? | 0:13:41 | 0:13:43 | |
No, I was looking for her myself. | 0:13:43 | 0:13:44 | |
-Never mind. I was looking for you everywhere. -Yeah? | 0:13:44 | 0:13:47 | |
I spoke to the bank about getting a loan so I can lend you some money. | 0:13:47 | 0:13:51 | |
-You serious? -Yeah. | 0:13:51 | 0:13:52 | |
Are you sure? I mean, you really don't have to. | 0:13:54 | 0:13:57 | |
I want to. I know you'd do the same for me. | 0:13:57 | 0:14:00 | |
Thanks. | 0:14:00 | 0:14:01 | |
Thanks. I won't forget this. | 0:14:02 | 0:14:04 | |
I'll pay you back - more than pay you back. | 0:14:04 | 0:14:05 | |
Wait until you see how much they lend me first. | 0:14:05 | 0:14:08 | |
-I heard you were looking for me, Sharon. -Yes. | 0:14:08 | 0:14:10 | |
-It turns out you're right, Sarge. Beady has a new haunt. -Tell me. | 0:14:10 | 0:14:14 | |
The Goat. Here's the floor plan. | 0:14:14 | 0:14:16 | |
It's a bar at the back. | 0:14:16 | 0:14:17 | |
-People coming and going so it doesn't look suspicious. -Excellent. | 0:14:17 | 0:14:20 | |
-Right, I want regular updates. Sorry, Paudge. -Hmm. | 0:14:20 | 0:14:23 | |
You know, Laser's a wasp sting. Beady is pure poison. | 0:14:24 | 0:14:28 | |
Well done, Sharon. | 0:14:28 | 0:14:29 | |
Now, I still think the flasher is trying to pull a fast one | 0:14:37 | 0:14:40 | |
but we dug this up on our hypnotist. | 0:14:40 | 0:14:45 | |
And the pub where he was booked, the owner says it was packed. | 0:14:46 | 0:14:50 | |
-Best night they've had in years. -We'll talk to the hypnotist again. | 0:14:50 | 0:14:53 | |
But you're right. I think this changes things. | 0:14:53 | 0:14:56 | |
Spoken to Niamh? | 0:14:59 | 0:15:01 | |
-HE LAUGHS -Sean? | 0:15:02 | 0:15:04 | |
Might as well pay up now, mate. | 0:15:04 | 0:15:06 | |
-You know, save yourself the humiliation. -No, no, no. | 0:15:06 | 0:15:09 | |
See, Holden never fails. | 0:15:09 | 0:15:12 | |
As soon as I'm out of here. | 0:15:12 | 0:15:14 | |
So, you seem to have had a bit of a decline | 0:15:21 | 0:15:25 | |
from the glory days of selling theatres, Mr Prest. | 0:15:25 | 0:15:28 | |
I'm not sure what you mean. | 0:15:28 | 0:15:30 | |
Well, firstly, there was the girl who you hypnotised | 0:15:30 | 0:15:32 | |
that turned out to be under 18. | 0:15:32 | 0:15:34 | |
Well, she certainly didn't look under 18. | 0:15:34 | 0:15:36 | |
I think you know full well what the law is regarding stage hypnotism. | 0:15:36 | 0:15:40 | |
One mistake. | 0:15:40 | 0:15:42 | |
And then there was the man | 0:15:42 | 0:15:44 | |
who you made think he was Mr Punch, | 0:15:44 | 0:15:46 | |
from Punch and Judy, and that triggered memories of his own abuse. | 0:15:46 | 0:15:49 | |
Isn't that right? | 0:15:49 | 0:15:50 | |
They didn't prove it. | 0:15:50 | 0:15:52 | |
On the criminal court, no. | 0:15:52 | 0:15:54 | |
But you were successfully sued in a civil case... | 0:15:54 | 0:15:57 | |
Yeah. | 0:15:57 | 0:15:59 | |
..after he tried to commit suicide. | 0:15:59 | 0:16:02 | |
That was a witch-hunt. | 0:16:02 | 0:16:04 | |
I had nothing to do with his psychological problems | 0:16:04 | 0:16:07 | |
or anything else that may | 0:16:07 | 0:16:09 | |
or may not have happened to him. | 0:16:09 | 0:16:10 | |
But you see, our problem here... | 0:16:10 | 0:16:12 | |
Last night in a pub, during an unregulated performance, | 0:16:12 | 0:16:15 | |
you get someone on stage to simulate sex unaware that he is doing it | 0:16:15 | 0:16:19 | |
and now, today he... | 0:16:19 | 0:16:20 | |
The man is a liar. | 0:16:20 | 0:16:22 | |
Whatever he did | 0:16:22 | 0:16:24 | |
had nothing to do with me. | 0:16:24 | 0:16:25 | |
Count yourself lucky, Mr Jones. | 0:16:32 | 0:16:34 | |
And if you want my advice, make sure we don't see you here again. | 0:16:36 | 0:16:40 | |
No danger. | 0:16:40 | 0:16:42 | |
Right. This way. | 0:16:42 | 0:16:44 | |
If you could explain to the woman it wasn't my fault, | 0:16:44 | 0:16:47 | |
that we were both victims in this. | 0:16:47 | 0:16:49 | |
Paudge. | 0:16:57 | 0:16:58 | |
They said yes. | 0:17:00 | 0:17:02 | |
-What? -They're happy to give me an overdraft. | 0:17:02 | 0:17:05 | |
-No kidding? -Yeah, 2,000 plus I have another two in savings. | 0:17:06 | 0:17:09 | |
That's... | 0:17:12 | 0:17:13 | |
-That's a really kind offer, Sharon, but... -But what? | 0:17:14 | 0:17:18 | |
-Have it, take it. There's no rush to pay me back. -No. | 0:17:18 | 0:17:21 | |
No, the offer means more to me than I can say, but I can't. | 0:17:21 | 0:17:25 | |
Why not? | 0:17:25 | 0:17:27 | |
It's more, isn't it? | 0:17:27 | 0:17:29 | |
Is it more? | 0:17:30 | 0:17:32 | |
What are you going to do? | 0:17:37 | 0:17:39 | |
Niamh. | 0:17:46 | 0:17:48 | |
-Niamh. -HE LAUGHS | 0:17:48 | 0:17:50 | |
You will not ask her out. | 0:17:50 | 0:17:52 | |
You will be happy to hand over a tenner to Adrijan. | 0:17:52 | 0:17:55 | |
Sean, Adrijan, quick. | 0:17:57 | 0:17:59 | |
DOOR BUZZES | 0:18:02 | 0:18:05 | |
-Wake him up. -No. | 0:18:07 | 0:18:10 | |
Whatever you have done to him, I'm telling you to undo it now. | 0:18:10 | 0:18:12 | |
HE SIGHS | 0:18:12 | 0:18:14 | |
When you wake up, you'll be in a park, there's a young lady there... | 0:18:14 | 0:18:17 | |
-No, you can't. Stop this. -..and you'll do what you always do... | 0:18:17 | 0:18:20 | |
No, stop. | 0:18:20 | 0:18:21 | |
This doesn't prove anything. | 0:18:21 | 0:18:23 | |
I want you to wake him up now. | 0:18:23 | 0:18:25 | |
-HE SNAPS FINGERS -Awake. | 0:18:26 | 0:18:28 | |
Mr Jones. | 0:18:33 | 0:18:35 | |
-Mr Jones. -He can't hear you. | 0:18:35 | 0:18:37 | |
OK, enough. Enough. | 0:18:37 | 0:18:40 | |
And sleep. | 0:18:40 | 0:18:42 | |
Sleep. | 0:18:42 | 0:18:43 | |
Sleep. | 0:18:43 | 0:18:45 | |
I rest my case. | 0:18:47 | 0:18:48 | |
It means nothing. It proves nothing. | 0:18:48 | 0:18:50 | |
-Now wake him up. Properly this time. -One sec, Sarge. | 0:18:50 | 0:18:54 | |
I mean, while he's here like this, | 0:18:54 | 0:18:56 | |
we may as well check he is whoever he says he is. | 0:18:56 | 0:18:58 | |
It might be nothing but we couldn't find any credit cards, ID, nothing. | 0:18:58 | 0:19:03 | |
-No. -You want his real name? | 0:19:03 | 0:19:05 | |
-Easy. -No. | 0:19:05 | 0:19:07 | |
-WHISPERS: -Tell me your true name. | 0:19:07 | 0:19:09 | |
HE SNAPS FINGERS | 0:19:09 | 0:19:11 | |
Andrew Prest. | 0:19:11 | 0:19:13 | |
-John Patterson. -Whoa. -Why, what's going on? | 0:19:13 | 0:19:17 | |
Your records suggest a little more | 0:19:23 | 0:19:25 | |
than a careless exhibitionism, Mr Patterson. | 0:19:25 | 0:19:28 | |
Indecent exposure, | 0:19:28 | 0:19:30 | |
abusing a position of trust, | 0:19:30 | 0:19:33 | |
making obscene phone calls. | 0:19:33 | 0:19:35 | |
So, it's back to the cell, I'm afraid. | 0:19:35 | 0:19:38 | |
And that's C-E-L-L. | 0:19:38 | 0:19:43 | |
Yeah. | 0:19:43 | 0:19:44 | |
Let's go. | 0:19:44 | 0:19:46 | |
Good day? | 0:19:59 | 0:20:01 | |
Sorry, but I don't think there's any point in me doing this. | 0:20:02 | 0:20:05 | |
The inspectors interview. | 0:20:06 | 0:20:08 | |
What's brought this on? | 0:20:08 | 0:20:09 | |
If by some miracle I pass, I'll be transferred. | 0:20:10 | 0:20:12 | |
You know, spend even less time at home. | 0:20:13 | 0:20:16 | |
It's not fair on Conor or you or Stephen. | 0:20:16 | 0:20:19 | |
Haven't we got enough on without me swanning off? | 0:20:20 | 0:20:23 | |
We'll manage. | 0:20:23 | 0:20:24 | |
And we need the extra cash. | 0:20:24 | 0:20:26 | |
Look, we've talked through all this. | 0:20:26 | 0:20:28 | |
It's Nikki. | 0:20:31 | 0:20:32 | |
-Nikki? -You should see her bloody notebooks. | 0:20:32 | 0:20:35 | |
Maps, diagrams, pie charts. | 0:20:35 | 0:20:37 | |
-HE LAUGHS -Pie charts. | 0:20:37 | 0:20:40 | |
You know, she's a shoo-in to pass but me? | 0:20:40 | 0:20:42 | |
It's going to be humiliating. | 0:20:43 | 0:20:45 | |
You've worked hard for this. You've earned it. | 0:20:46 | 0:20:49 | |
You're not allowed to pull out. OK? | 0:20:49 | 0:20:52 | |
ENGINE STARTS | 0:20:52 | 0:20:55 | |
-I bet you wish you could hypnotise all your suspects? -You're not wrong. | 0:20:55 | 0:20:58 | |
You're not wrong, Liam. | 0:20:58 | 0:20:59 | |
What? | 0:21:03 | 0:21:04 | |
What are you doing cosying up to my dad? | 0:21:06 | 0:21:09 | |
Listen, Niamh, I was wondering if I could take you out sometime. | 0:21:09 | 0:21:14 | |
Just you and me. | 0:21:14 | 0:21:15 | |
-You and me, Sean. -Yeah. Just you and me. | 0:21:17 | 0:21:21 | |
We're just not... | 0:21:23 | 0:21:25 | |
OK. Let me ask you one question. What's your favourite book? | 0:21:26 | 0:21:31 | |
Favourite book? | 0:21:31 | 0:21:33 | |
Can't it be a film? | 0:21:33 | 0:21:35 | |
Listen, Niamh, I just want to take you out for a drink, a meal, | 0:21:38 | 0:21:43 | |
a movie or something. | 0:21:43 | 0:21:45 | |
I'm not suggesting that we go reading together. | 0:21:48 | 0:21:51 | |
Well? | 0:21:54 | 0:21:55 | |
Is that a yes? | 0:21:57 | 0:21:58 | |
Make it quick. I'm busy. | 0:22:05 | 0:22:07 | |
You go anywhere near my mother again | 0:22:11 | 0:22:13 | |
and I'll break every bone in your body. | 0:22:13 | 0:22:15 | |
HE LAUGHS | 0:22:15 | 0:22:17 | |
Excuse me? | 0:22:17 | 0:22:19 | |
I don't think you're the one to be making threats, Paudgie boy. | 0:22:19 | 0:22:22 | |
Or what? | 0:22:24 | 0:22:25 | |
You'll shock me? | 0:22:27 | 0:22:29 | |
I don't think so, | 0:22:29 | 0:22:31 | |
because I'm worth way more to you in this job than out of it, | 0:22:31 | 0:22:33 | |
so here's how it's going to be, OK? | 0:22:33 | 0:22:35 | |
One, stay away from my mother. | 0:22:35 | 0:22:38 | |
Two, I want cash. | 0:22:38 | 0:22:40 | |
-Cash? -In hand. Regular notes. | 0:22:40 | 0:22:43 | |
What do I get? | 0:22:44 | 0:22:46 | |
Everything you need to know. | 0:22:48 | 0:22:50 | |
Yo, Kosos! | 0:22:57 | 0:22:58 | |
-HE LAUGHS -No. | 0:23:00 | 0:23:02 | |
Yeah, boy! | 0:23:02 | 0:23:03 | |
Asked her, and, uh... | 0:23:03 | 0:23:07 | |
back of the net! | 0:23:07 | 0:23:08 | |
-When? -Tonight. | 0:23:08 | 0:23:11 | |
Yeah, man. | 0:23:12 | 0:23:13 | |
-How do I know that for sure? -What? | 0:23:14 | 0:23:17 | |
I have only your word for it. I need proof. | 0:23:17 | 0:23:20 | |
-Proof? -Proof. | 0:23:20 | 0:23:21 | |
Restorative justice, yes, well, I think it has its place. | 0:23:25 | 0:23:29 | |
Often the offender has no idea of the impact their crime has had, | 0:23:29 | 0:23:33 | |
so meeting the victim gives them a welcome dose of reality, | 0:23:33 | 0:23:36 | |
allows them to apologise and take responsibility for their actions. | 0:23:36 | 0:23:40 | |
And for the victims, it gives them a voice, | 0:23:40 | 0:23:44 | |
a chance to say what they feel and move on. | 0:23:44 | 0:23:47 | |
But to call it justice, | 0:23:47 | 0:23:49 | |
to imply that it's an alternative effective punishment | 0:23:49 | 0:23:53 | |
or even a deterrent, well, then you're on thin ground. | 0:23:53 | 0:23:56 | |
Ice. | 0:23:57 | 0:23:59 | |
No, that was good. That was really good. | 0:23:59 | 0:24:01 | |
-You think? -No question. Now, coffee, Inspector. -Thanks. | 0:24:01 | 0:24:06 | |
Beady is definitely using the bar in the back of The Goat. | 0:24:08 | 0:24:12 | |
Can we get anyone in there? | 0:24:12 | 0:24:13 | |
No, it's too small. Everyone knows everyone. | 0:24:13 | 0:24:15 | |
-They'd automatically be suspicious of someone new. -OK. | 0:24:15 | 0:24:18 | |
But there's no reason we can't keep tabs from the outside. | 0:24:18 | 0:24:22 | |
Do it. Just make sure you're back in time for the inspectors interview. | 0:24:22 | 0:24:25 | |
Mm. Boss, who's your money on to pass - me or Ange? | 0:24:25 | 0:24:29 | |
-It'll either be one or both of you. -That's not fair. | 0:24:29 | 0:24:32 | |
You can't be sitting on the fence. | 0:24:32 | 0:24:33 | |
-That's the beauty of being the boss. You can sit wherever you like. -Oh. | 0:24:33 | 0:24:37 | |
Sean, Adrijan, this is Martin. | 0:24:41 | 0:24:44 | |
He's been having some trouble with his neighbours. | 0:24:44 | 0:24:47 | |
He's anxious this remains private | 0:24:47 | 0:24:48 | |
and the neighbours don't know he's the one who complained. | 0:24:48 | 0:24:51 | |
They'll kill me. | 0:24:51 | 0:24:53 | |
No, I mean it. Seriously. | 0:24:53 | 0:24:55 | |
Mr Fielding, let's start at the beginning. | 0:24:56 | 0:25:01 | |
And take your time. | 0:25:01 | 0:25:03 | |
I haven't had a decent night's sleep for weeks. | 0:25:05 | 0:25:07 | |
The noise, parties, shouting, doors slamming. | 0:25:07 | 0:25:12 | |
And the mess. | 0:25:12 | 0:25:13 | |
Mess? | 0:25:13 | 0:25:15 | |
They throw everything over the wall into my garden. | 0:25:15 | 0:25:19 | |
Bottles, cans. Worse - food, used contraceptives. | 0:25:19 | 0:25:23 | |
It's shocking. It's just shocking. | 0:25:23 | 0:25:25 | |
How long has this been going on for? | 0:25:25 | 0:25:27 | |
I've only moved in a couple of months, but most days. | 0:25:27 | 0:25:29 | |
Now I know why the rent is so cheap. | 0:25:29 | 0:25:31 | |
Have you tried speaking to them? | 0:25:31 | 0:25:32 | |
Yeah, but they just shout back, laugh, spit and turn the music up. | 0:25:32 | 0:25:38 | |
And is it one member of the family or all of them? | 0:25:38 | 0:25:40 | |
None of them are angels, but the girl doesn't seem too bad. | 0:25:40 | 0:25:45 | |
The woman has got a mouth on her like you wouldn't believe, | 0:25:45 | 0:25:47 | |
and the father is a bit of a waster, but the son... | 0:25:47 | 0:25:50 | |
the son is the real problem. | 0:25:50 | 0:25:52 | |
You said you thought | 0:25:52 | 0:25:53 | |
if they knew about your complaint, they'd kill you. | 0:25:53 | 0:25:56 | |
What makes you say that? | 0:25:56 | 0:25:57 | |
When I reported them to the council | 0:25:57 | 0:25:58 | |
they left a gas cylinder on my doorstep | 0:25:58 | 0:26:00 | |
and flicked matches at it. | 0:26:00 | 0:26:02 | |
It was empty, but they said it wouldn't be next time. | 0:26:02 | 0:26:05 | |
OK, better get some details. Can we start with their names? | 0:26:05 | 0:26:08 | |
Kiely. Vincent, Bridget and Keith. | 0:26:09 | 0:26:13 | |
Does he have any proof? CCTV, camera footage? | 0:26:15 | 0:26:18 | |
-Nope. -Nothing even on his phone? | 0:26:18 | 0:26:21 | |
No, he's scared that if they saw him trying that, | 0:26:21 | 0:26:23 | |
they'd just come in and take it. | 0:26:23 | 0:26:25 | |
-They'd also know it was him. -Any criminal damage? | 0:26:25 | 0:26:27 | |
Apart from the constant litter, | 0:26:27 | 0:26:29 | |
he's pretty sure they've keyed his car and let the tyres down. | 0:26:29 | 0:26:31 | |
But he doesn't want to make a statement? | 0:26:31 | 0:26:33 | |
Not much we can do, then. | 0:26:33 | 0:26:35 | |
Yeah, but is that just because it's the Kielys? | 0:26:35 | 0:26:37 | |
Makes no difference to me who they are, unless we have a case. | 0:26:37 | 0:26:40 | |
We can't just sit back and do nothing. | 0:26:40 | 0:26:42 | |
Surely it's worth trying to rattle a few cages. | 0:26:42 | 0:26:44 | |
OK. Go. | 0:26:46 | 0:26:48 | |
-Wow. You look smart. -You too. | 0:26:52 | 0:26:55 | |
Any chance you could spare a couple of officers today? | 0:26:55 | 0:26:57 | |
-Paudge and Sharon are about. -OK, good luck. | 0:26:57 | 0:26:59 | |
-You too. -Oh, come here. I just heard. | 0:26:59 | 0:27:01 | |
Fitzgibbons called in sick today, | 0:27:01 | 0:27:03 | |
so there's a different chief super on the panel. | 0:27:03 | 0:27:05 | |
-What? Who? -I don't know. | 0:27:05 | 0:27:07 | |
Bang goes all my homework. | 0:27:07 | 0:27:09 | |
I knew jobs departments, | 0:27:09 | 0:27:11 | |
even some of the cases she'd worked on. | 0:27:11 | 0:27:13 | |
Me too. | 0:27:13 | 0:27:14 | |
You've no idea who else they've got? | 0:27:14 | 0:27:16 | |
No, only it's not going to be another woman. | 0:27:16 | 0:27:19 | |
-Great. An all-male panel. -SHE LAUGHS | 0:27:19 | 0:27:22 | |
I know. It's a bummer. | 0:27:22 | 0:27:24 | |
I know it falls short, but the offer is still there. | 0:27:30 | 0:27:32 | |
No, it's fine. It's sorted. | 0:27:32 | 0:27:35 | |
No, seriously. | 0:27:35 | 0:27:37 | |
The insurance is paying out - finally - | 0:27:37 | 0:27:39 | |
and the builders are in. | 0:27:39 | 0:27:41 | |
-It's touch and go, but... -If you're sure. | 0:27:41 | 0:27:44 | |
Sharon. Hey. You've been freed up for me today, | 0:27:44 | 0:27:47 | |
so I was wondering if you could you nip round to the court | 0:27:47 | 0:27:49 | |
-and swear a drug search warrant for Beady's house. -Sure. | 0:27:49 | 0:27:51 | |
We're going to be watching The Goat today, | 0:27:51 | 0:27:53 | |
so if anything turns up, we want to be able to go straight round to his. | 0:27:53 | 0:27:56 | |
Paudge, you up for a bit of OBBO? | 0:27:56 | 0:27:59 | |
Uh, I'm kind of busy right now, Sarge. | 0:27:59 | 0:28:03 | |
You know the way it is with paperwork. | 0:28:03 | 0:28:05 | |
He's better after feeding time. | 0:28:07 | 0:28:09 | |
FOOTSTEPS APPROACH | 0:28:20 | 0:28:22 | |
Oh... | 0:28:22 | 0:28:23 | |
It's the guards. | 0:28:23 | 0:28:25 | |
-What? -Yeah. Go. | 0:28:25 | 0:28:26 | |
BELL RINGS Don't let them in. | 0:28:26 | 0:28:29 | |
KNOCK AT DOOR | 0:28:29 | 0:28:31 | |
KNOCKING CONTINUES | 0:28:34 | 0:28:36 | |
-Keith. -What? | 0:28:39 | 0:28:40 | |
Keith! | 0:28:40 | 0:28:43 | |
-What did I just say? -I did what you said, man. | 0:28:43 | 0:28:45 | |
-It smells nice in here. -What? What is this? | 0:28:45 | 0:28:48 | |
Come to hit me again when I'm not looking? | 0:28:48 | 0:28:50 | |
Vincent not home? | 0:28:50 | 0:28:51 | |
Yeah, he's in bed. He's working nights. | 0:28:51 | 0:28:53 | |
-You wake him, your funeral. -No need. | 0:28:53 | 0:28:55 | |
It's really yourself we'd like to chat with. | 0:28:55 | 0:28:57 | |
Yeah, if he's working nights, | 0:28:57 | 0:28:58 | |
-then it can't be him who's making all the noise. -What noise? | 0:28:58 | 0:29:01 | |
-Lovely. -CAMERA SHUTTER CLICKS | 0:29:08 | 0:29:11 | |
Ah, Paudge! | 0:29:15 | 0:29:17 | |
-What? -Oh. | 0:29:17 | 0:29:19 | |
That's disgusting. | 0:29:22 | 0:29:23 | |
As my mam says, | 0:29:26 | 0:29:27 | |
better an empty house than an awkward tenant. | 0:29:27 | 0:29:30 | |
You think that he was born shifty looking | 0:29:41 | 0:29:43 | |
or is that just from years of practice? | 0:29:43 | 0:29:46 | |
-Born, I'd say. -Yeah. | 0:29:46 | 0:29:49 | |
Takes practice to play the innocent. | 0:29:49 | 0:29:51 | |
Yeah. | 0:29:52 | 0:29:53 | |
So, who was it, then? Was it that snotty couple next door, was it? | 0:29:57 | 0:30:00 | |
You want to go knocking into them with their dog. Yap, yap, yap! | 0:30:00 | 0:30:03 | |
No-one's complaining about any dog. | 0:30:03 | 0:30:05 | |
It's noise, loud music, people coming and going through the night. | 0:30:05 | 0:30:08 | |
They can come and go as they please. This is my house, my home. | 0:30:08 | 0:30:11 | |
I've got little enough to party about, right? My brother is dead. | 0:30:11 | 0:30:14 | |
And when I do, no-one - I mean no-one - is going to stop me. | 0:30:14 | 0:30:17 | |
Misery guts Martin, was it? | 0:30:17 | 0:30:19 | |
I bet you it was him, that little runt. | 0:30:19 | 0:30:20 | |
-It's confidential. -Yeah, thought so. | 0:30:20 | 0:30:22 | |
There's also allegations of cars and property being damaged. | 0:30:22 | 0:30:25 | |
Foxes. | 0:30:25 | 0:30:27 | |
-What? -Foxes. | 0:30:27 | 0:30:29 | |
Yeah, foxes. | 0:30:29 | 0:30:30 | |
Ah, you want to see them around here. They're terrible, they are. | 0:30:30 | 0:30:33 | |
They do be tearing up car tyres and just knocking things over. | 0:30:33 | 0:30:37 | |
I saw one of them smash up a bird table. | 0:30:37 | 0:30:39 | |
-Yeah. -Foxes? -Mm-hm. | 0:30:39 | 0:30:42 | |
Foxes. | 0:30:42 | 0:30:43 | |
And who smoked that joint just now, squirrels? | 0:30:43 | 0:30:47 | |
Last warning. | 0:30:48 | 0:30:49 | |
Do you know him? | 0:30:55 | 0:30:56 | |
That's Mud Flaps. | 0:30:56 | 0:30:59 | |
Mud Flaps. | 0:30:59 | 0:31:01 | |
Where do these guys get their names from? | 0:31:01 | 0:31:03 | |
He steals car parts and flogs them on to fund his habit. | 0:31:03 | 0:31:07 | |
Yep. | 0:31:07 | 0:31:08 | |
All we need now, boss, is for Beady to be here. OK. | 0:31:09 | 0:31:13 | |
God. | 0:31:16 | 0:31:17 | |
"'Vengeance is mine,' saith the Lord." | 0:31:18 | 0:31:20 | |
You know what they say, Paudge? If you can't stand the heat... | 0:31:20 | 0:31:23 | |
Get out of the kitchen. | 0:31:23 | 0:31:25 | |
All right, ten more minutes and then I have to head back. | 0:31:26 | 0:31:29 | |
I've got my inspectors interview. | 0:31:29 | 0:31:31 | |
OK. | 0:31:36 | 0:31:37 | |
CAMERA SHUTTER CLICKS | 0:31:39 | 0:31:42 | |
Wait, something is not right here. | 0:31:46 | 0:31:48 | |
I'm right, look. The holdall carrier bag. | 0:31:50 | 0:31:52 | |
It's not there. Mud Flaps, he doesn't have it any more. | 0:31:52 | 0:31:54 | |
It's missing. | 0:31:54 | 0:31:55 | |
What? | 0:32:00 | 0:32:02 | |
Yes. | 0:32:05 | 0:32:06 | |
Yes. | 0:32:07 | 0:32:09 | |
CAMERA SHUTTER CLICKS | 0:32:09 | 0:32:11 | |
Right, we've got to sit tight here. | 0:32:14 | 0:32:15 | |
There's definitely something going on. | 0:32:15 | 0:32:18 | |
What about your interview? | 0:32:20 | 0:32:22 | |
Is it possible that Mud Flaps is more than just a user? | 0:32:23 | 0:32:27 | |
Yeah, but he's a dozy mare. It might be just he forgot. | 0:32:27 | 0:32:31 | |
-Left his... -They're all here now. Let's go! | 0:32:31 | 0:32:33 | |
No, we can't just go charging in. | 0:32:33 | 0:32:35 | |
-Not unless we can be certain. -I am. | 0:32:35 | 0:32:37 | |
Yeah, but it's going to take more than just the two of us. | 0:32:38 | 0:32:42 | |
All right, call for backup. I'll get onto McKay. | 0:32:44 | 0:32:46 | |
-OVER RADIO: -'Hugo Victor Wild Tree, assistance on its way. | 0:32:50 | 0:32:53 | |
'ETA - two minutes.' | 0:32:53 | 0:32:55 | |
Roger that. | 0:32:55 | 0:32:56 | |
-Silent approach. -'Understood.' | 0:32:58 | 0:33:02 | |
Damn, it's Beady. And he's leaving. | 0:33:02 | 0:33:05 | |
And he's got the carrier bag and the holdall! Let's go! | 0:33:05 | 0:33:07 | |
Brendan Burke, DS Grogan. | 0:33:09 | 0:33:11 | |
-Ms Grogan. -Mind if we have a quick word? | 0:33:13 | 0:33:16 | |
-Do I have a choice? -Is this your bag? | 0:33:18 | 0:33:20 | |
Garda Brennan... | 0:33:23 | 0:33:25 | |
Mind showing us what's in the bag, Mr Burke? | 0:33:26 | 0:33:29 | |
Yeah, I do mind. This is a huge mistake, and I take great exception. | 0:33:30 | 0:33:35 | |
Just open the bag, Beady. Save us all a lot of bother. | 0:33:35 | 0:33:38 | |
CAR APPROACHING | 0:33:38 | 0:33:40 | |
Is there a problem? | 0:33:49 | 0:33:50 | |
-No problem. -Good. | 0:33:54 | 0:33:56 | |
Trick or treat. | 0:34:05 | 0:34:06 | |
So, for later then, I'll pick you up around seven? | 0:34:16 | 0:34:19 | |
-OK. -Great. | 0:34:19 | 0:34:22 | |
What book should I bring? | 0:34:22 | 0:34:24 | |
HE LAUGHS | 0:34:24 | 0:34:27 | |
Ah! Well, what did I tell you? | 0:34:29 | 0:34:33 | |
Result. | 0:34:33 | 0:34:34 | |
Come on. Pay up. | 0:34:37 | 0:34:39 | |
Boom shakalaka. | 0:34:39 | 0:34:41 | |
Sweets? | 0:34:43 | 0:34:45 | |
We were done up like a dog's dinner. | 0:34:46 | 0:34:49 | |
Beady knew we were coming. | 0:34:49 | 0:34:50 | |
The only way we could've looked any stupider | 0:34:52 | 0:34:54 | |
was if the super and myself were wearing dresses. | 0:34:54 | 0:34:56 | |
-So, I got the search warrant. -We're not going to execute. | 0:34:56 | 0:34:59 | |
No point. | 0:34:59 | 0:35:01 | |
Sorry, everyone. All that work. | 0:35:01 | 0:35:03 | |
Nikki, interview. | 0:35:05 | 0:35:07 | |
Oh! | 0:35:07 | 0:35:08 | |
Well, look who I found outside. | 0:35:14 | 0:35:16 | |
Thought I'd bring him in for a nice cup of tea. | 0:35:18 | 0:35:20 | |
-I can't stay. -Course you can. Sit down there, Marty. | 0:35:20 | 0:35:22 | |
-Keith! -Jesus, put the kettle on. Sit down. | 0:35:22 | 0:35:25 | |
So, how many sugars? | 0:35:29 | 0:35:31 | |
-No, no sugar... -Four. Four sugars. Four sugars, Jesus. | 0:35:31 | 0:35:35 | |
That's an awful lot of sugar. Quite the sweet tooth on you. | 0:35:35 | 0:35:38 | |
-I really must be going. -No. | 0:35:38 | 0:35:40 | |
Come on, Marty. | 0:35:40 | 0:35:42 | |
That wouldn't be very neighbourly of you, would it? | 0:35:42 | 0:35:45 | |
Me inviting you into my home and you just rejecting my hospitality? | 0:35:45 | 0:35:49 | |
No. | 0:35:49 | 0:35:51 | |
Biscuits. Jesus, bring in the biscuits. | 0:35:51 | 0:35:54 | |
I bet you you like a good biscuit, Marty, don't you? | 0:35:54 | 0:35:57 | |
Yeah, yeah, yeah. No. Listen... | 0:35:59 | 0:36:03 | |
I don't mind. Honestly. | 0:36:03 | 0:36:05 | |
Grand. Great. I'll see you later. Cool. | 0:36:05 | 0:36:09 | |
Trouble already? | 0:36:09 | 0:36:10 | |
No. | 0:36:10 | 0:36:12 | |
Money back. | 0:36:12 | 0:36:13 | |
No, no, no. The bet was to ask her out, and I did. | 0:36:13 | 0:36:16 | |
It's just her friend is having this fancy dress thing later | 0:36:16 | 0:36:19 | |
-and she wants both of us to go. -Sweet. | 0:36:19 | 0:36:21 | |
Yeah. It is sweet, mate. | 0:36:23 | 0:36:26 | |
And I'm telling you, | 0:36:26 | 0:36:27 | |
yours truly doesn't need to worry about a costume. | 0:36:27 | 0:36:29 | |
She's going to drop it around later. Just need to let her know what... | 0:36:29 | 0:36:32 | |
-PHONE RINGS -..size I am. | 0:36:32 | 0:36:35 | |
Adrijan, you're not going to get that? | 0:36:38 | 0:36:40 | |
Red Rock Garda Station. | 0:36:41 | 0:36:43 | |
Yeah. Yeah. | 0:36:45 | 0:36:46 | |
On our way. | 0:36:46 | 0:36:48 | |
Disturbance at the Kielys. | 0:36:48 | 0:36:49 | |
Now. | 0:36:49 | 0:36:51 | |
Ah, here. | 0:36:51 | 0:36:52 | |
-How did it go? -Um, good. | 0:37:02 | 0:37:05 | |
-The replacement? -Oh, you'll have no trouble. | 0:37:05 | 0:37:07 | |
He's my old boss. | 0:37:07 | 0:37:10 | |
Your old boss? | 0:37:10 | 0:37:12 | |
-Great. Brilliant for you. -What do you mean? | 0:37:12 | 0:37:16 | |
Come on. | 0:37:16 | 0:37:18 | |
You don't think that I'll get it on my own merit? | 0:37:18 | 0:37:20 | |
No, I... | 0:37:20 | 0:37:22 | |
Listen, best of luck, Ange. | 0:37:22 | 0:37:24 | |
You know there's room for us both. | 0:37:24 | 0:37:26 | |
Were you threatened? | 0:37:38 | 0:37:40 | |
Did the Kielys threaten you? | 0:37:41 | 0:37:43 | |
They offered me a cup of tea. | 0:37:43 | 0:37:46 | |
A cup...cup of tea? | 0:37:46 | 0:37:48 | |
And a biscuit. | 0:37:50 | 0:37:52 | |
And that was it? | 0:37:54 | 0:37:55 | |
And what, you then went and smashed up your own house? | 0:37:57 | 0:38:00 | |
Right. | 0:38:05 | 0:38:07 | |
No, you don't understand. | 0:38:07 | 0:38:10 | |
I've never been so scared in all my life. | 0:38:10 | 0:38:13 | |
I knew, suddenly I knew, no-one was ever going to evict them, | 0:38:13 | 0:38:18 | |
so now they'll have to evict me. | 0:38:18 | 0:38:21 | |
I can't live there any more. I really can't. | 0:38:21 | 0:38:25 | |
Sorry. | 0:38:26 | 0:38:28 | |
How did it go? | 0:38:31 | 0:38:32 | |
Well, you know, fine on the detail, but thrown by a couple of questions. | 0:38:34 | 0:38:40 | |
Mainly what my family would think if I got the promotion. | 0:38:40 | 0:38:43 | |
Would they be happy with the long commute? | 0:38:43 | 0:38:46 | |
It might only be for the year. | 0:38:46 | 0:38:48 | |
I know, but it came out a bit waffly. | 0:38:48 | 0:38:51 | |
This might not be the right time, but we have a problem. | 0:38:51 | 0:38:56 | |
The OBBO on Beady, he knew we were coming. | 0:38:56 | 0:38:59 | |
Worse than that. He knew in advance. | 0:38:59 | 0:39:02 | |
What? | 0:39:02 | 0:39:03 | |
-How come? -That's the problem. I have no idea. | 0:39:04 | 0:39:08 | |
Some eejit guard chatting his mouth off down the pub. | 0:39:08 | 0:39:10 | |
Mm. Let's hope so. | 0:39:10 | 0:39:13 | |
Here he comes. | 0:39:15 | 0:39:17 | |
Rarrrr! | 0:39:17 | 0:39:19 | |
Are you not entertained? SHE LAUGHS | 0:39:19 | 0:39:22 | |
Wait, I forgot something. | 0:39:22 | 0:39:25 | |
My name is Maximus Seanimus! | 0:39:28 | 0:39:32 | |
Niamh! | 0:39:32 | 0:39:33 | |
Wait, what? Are you not going to...? | 0:39:33 | 0:39:37 | |
Where did you...? | 0:39:37 | 0:39:38 | |
-CAMERA SHUTTER CLICKS -Don't worry. | 0:39:40 | 0:39:42 | |
It's just for me. | 0:39:42 | 0:39:43 | |
Niamh! | 0:39:46 | 0:39:47 | |
Yeah, hilarious. Just hilarious. | 0:39:55 | 0:39:59 | |
I'm not some joke you have with your friend. | 0:39:59 | 0:40:02 | |
What are you talking about? | 0:40:02 | 0:40:04 | |
-I saw you. -What? | 0:40:04 | 0:40:06 | |
I saw you with Adrijan. | 0:40:06 | 0:40:08 | |
No, no, no. | 0:40:11 | 0:40:13 | |
That was, um... | 0:40:13 | 0:40:15 | |
Hmm. | 0:40:15 | 0:40:17 | |
That was a bet that I'd bottle it | 0:40:17 | 0:40:18 | |
because I was...too scared to ask you out. | 0:40:18 | 0:40:22 | |
Why on earth would you be afraid of me? | 0:40:25 | 0:40:27 | |
Well, cos sometimes I have to look up words you say in a dictionary. | 0:40:27 | 0:40:33 | |
-A dictionary? -Yeah. -OK, then name one. | 0:40:33 | 0:40:36 | |
OK. | 0:40:36 | 0:40:37 | |
There. What does that say? | 0:40:39 | 0:40:43 | |
-Frittata. -ITALIAN ACCENT: Frittata. SHE LAUGHS | 0:40:43 | 0:40:45 | |
Why couldn't you just say cheese and potato omelette? | 0:40:45 | 0:40:48 | |
-Because it isn't. -It is. | 0:40:48 | 0:40:50 | |
-No, it's not. -It is! | 0:40:50 | 0:40:52 | |
Are you just going to stand there shouting or what? | 0:40:53 | 0:40:57 | |
Maybe I like standing here. | 0:40:57 | 0:40:59 | |
-Fine. -Fine. | 0:41:00 | 0:41:03 | |
-That's a good spear. -It's a... It's a sword. | 0:41:03 | 0:41:06 | |
And, yeah, it's a very good sword. | 0:41:06 | 0:41:08 | |
Actually, the Romans called it a gladius. | 0:41:10 | 0:41:13 | |
Look, just...enough, already. | 0:41:13 | 0:41:17 |