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I am worth way more to you in this job than out of it, | 0:00:02 | 0:00:04 | |
so here's how it's going to be, OK? I want cash, in hand, regular notes. | 0:00:04 | 0:00:07 | |
We'll be watching the Goat today, so if anything turns up, | 0:00:07 | 0:00:09 | |
we want to be able to go straight round to his. | 0:00:09 | 0:00:12 | |
-Brendan Burke, DS Grogan. -Miss Grogan. | 0:00:12 | 0:00:15 | |
Mind showing us what's in the bag, Mr Burke? | 0:00:15 | 0:00:17 | |
Trick or treat. | 0:00:19 | 0:00:20 | |
Hey, hey, hey! | 0:01:08 | 0:01:10 | |
Get back here! | 0:01:13 | 0:01:15 | |
-What are you doing? -What's it look like? | 0:01:24 | 0:01:26 | |
I've an awful lot of paperwork to catch up on. | 0:01:26 | 0:01:28 | |
The size of my backlog, it's shocking. | 0:01:28 | 0:01:30 | |
OK, who are you and what have you done with Paudge? | 0:01:30 | 0:01:32 | |
-You know we're due out. -I can't. | 0:01:32 | 0:01:34 | |
So you'd rather fill in reports? | 0:01:34 | 0:01:36 | |
OK, seriously, are you feeling OK? | 0:01:38 | 0:01:40 | |
It's what I always do on Halloween. | 0:01:40 | 0:01:42 | |
Come on, you're not scared of a few ghosts and ghouls now, are you? | 0:01:43 | 0:01:46 | |
Oh, I can handle the walking dead all right, | 0:01:46 | 0:01:48 | |
it's the nutters and gougers on the rampage that I don't care for. | 0:01:48 | 0:01:52 | |
-It's like Black Friday on crack out there. -That sounds like fun. | 0:01:52 | 0:01:55 | |
Find yourself a nice warm radiator, | 0:01:55 | 0:01:57 | |
a big pile of paperwork and count your blessings. | 0:01:57 | 0:01:59 | |
-Paudge. -Skip. -Need you. | 0:01:59 | 0:02:03 | |
-What for? -Does it matter? | 0:02:03 | 0:02:05 | |
-No, but... -Yeah, I'm grabbing a car, it's urgent. | 0:02:05 | 0:02:08 | |
-Outside in five, please. -Where are we going? | 0:02:08 | 0:02:10 | |
St Columbus Gardens, you got a problem with that? | 0:02:10 | 0:02:14 | |
There goes your radiator. | 0:02:14 | 0:02:16 | |
Interview room one, please. | 0:02:16 | 0:02:18 | |
Nikki. | 0:02:22 | 0:02:23 | |
You still here? I thought you'd be flat out all day. | 0:02:24 | 0:02:27 | |
Do you have something to share, Paudge? | 0:02:27 | 0:02:30 | |
-That girl? -What about her? | 0:02:30 | 0:02:32 | |
-What's she done? -Why the interest? | 0:02:32 | 0:02:34 | |
You do know who she is, don't you? That is Brendan Burke's niece. | 0:02:34 | 0:02:37 | |
Yeah, I know. | 0:02:37 | 0:02:39 | |
Paudge. Sarge is going to skin you. | 0:02:40 | 0:02:43 | |
Sharon, can you do me a favour? | 0:02:43 | 0:02:45 | |
-OK, I'll try and... -You've got to help me. | 0:02:45 | 0:02:47 | |
He didn't think you'd mind if I came instead. | 0:02:55 | 0:02:58 | |
Get in the car. | 0:02:59 | 0:03:00 | |
And I do mind, a lot. | 0:03:05 | 0:03:06 | |
Sorry, Sarge, Nikki brought Beady Burke's niece in. | 0:03:06 | 0:03:08 | |
Paudge reckoned he might get something useful out of her. | 0:03:08 | 0:03:11 | |
Very conscientious. | 0:03:11 | 0:03:12 | |
Those pigs who brought me in here, | 0:03:14 | 0:03:17 | |
-they're lying. -You're a credit to your family. | 0:03:17 | 0:03:19 | |
You know what your Uncle Brendan will have you doing next, don't you? | 0:03:19 | 0:03:22 | |
-You don't know what you're talking about. -I wish. | 0:03:22 | 0:03:25 | |
But I've seen too many girls like you walking through that door. | 0:03:25 | 0:03:28 | |
So now you're going to tell me where you got these drugs | 0:03:28 | 0:03:30 | |
and who gave them to you... | 0:03:30 | 0:03:32 | |
and you can walk out. | 0:03:32 | 0:03:33 | |
-But if you don't, Aoife... -You lot can't touch me. | 0:03:33 | 0:03:36 | |
You're scared of your uncle? | 0:03:38 | 0:03:39 | |
-No. -Do you think he's going to walk through that door and rescue you? | 0:03:39 | 0:03:43 | |
He's not. You're on your own, nobody's coming for you. | 0:03:43 | 0:03:46 | |
So now you're going to start telling me the truth, | 0:03:46 | 0:03:49 | |
and you're going to tell it to me now. | 0:03:49 | 0:03:51 | |
-SHE HAWKS UP PHLEGM -Oh, I dare you. | 0:03:53 | 0:03:55 | |
Listen. | 0:04:02 | 0:04:04 | |
I don't care if your neighbour's the spawn of Satan, I'm not | 0:04:04 | 0:04:06 | |
going to arrest him cos he refuses to give sweets to your kids. | 0:04:06 | 0:04:09 | |
Happy Halloween. | 0:04:09 | 0:04:10 | |
-I don't know about you, but I'm still hungry. -We just had lunch. | 0:04:11 | 0:04:15 | |
Yeah, I think I might pop out for something in a while. | 0:04:15 | 0:04:18 | |
-Might head into town for something. -OK. | 0:04:18 | 0:04:20 | |
How can I help you? | 0:04:22 | 0:04:23 | |
It doesn't matter. | 0:04:26 | 0:04:28 | |
Hey. | 0:04:28 | 0:04:29 | |
Are you OK? | 0:04:29 | 0:04:31 | |
I don't know. | 0:04:32 | 0:04:34 | |
OK, hold on, I'll be a sec. | 0:04:34 | 0:04:36 | |
-Talk about a bottom feeder. -Using your niece as a courier, it stinks. | 0:04:40 | 0:04:44 | |
You're telling me. | 0:04:44 | 0:04:45 | |
He's a nasty piece of work all right. What are you going to do? | 0:04:45 | 0:04:49 | |
Leaving her stew. Hopefully she'll grass up on her delightful uncle. | 0:04:49 | 0:04:53 | |
I need to go take care of these. | 0:04:53 | 0:04:55 | |
You think she will give him up? | 0:04:55 | 0:04:57 | |
-It's Halloween, stranger things have happened. -She's 14 and all. | 0:04:57 | 0:05:01 | |
You push them too hard and they'll have social services | 0:05:01 | 0:05:04 | |
crawling all over us. | 0:05:04 | 0:05:05 | |
You're not taking her side now, are you, Paudge? | 0:05:05 | 0:05:08 | |
-Why would I? -Well, you better not be, | 0:05:08 | 0:05:10 | |
cos I'm having a great day and I don't want anyone ruining it. | 0:05:10 | 0:05:13 | |
Anyway, we're due for a bit of luck where Beady Burke is concerned. | 0:05:13 | 0:05:16 | |
How about you tell me your name? | 0:05:36 | 0:05:37 | |
Sarah. | 0:05:39 | 0:05:41 | |
My name is Sarah. | 0:05:41 | 0:05:42 | |
And did something happen to you, Sarah? | 0:05:45 | 0:05:47 | |
OK. | 0:05:49 | 0:05:50 | |
Get Nikki. | 0:05:52 | 0:05:53 | |
-KNOCK ON DOOR -Us. | 0:05:53 | 0:05:56 | |
-Nikki. -Jesus! | 0:06:12 | 0:06:14 | |
Adrijan. Sorry. Have you seen the boss? | 0:06:14 | 0:06:17 | |
He's around somewhere, in a meeting, I think. Sean wants you. | 0:06:17 | 0:06:21 | |
-Well, can't it wait? -There's a woman in reception, she's really upset. | 0:06:21 | 0:06:24 | |
Oh, what's he done to her now? | 0:06:24 | 0:06:26 | |
She wants to speak to another female. | 0:06:26 | 0:06:29 | |
-Is it a rape? -We're not sure. | 0:06:29 | 0:06:31 | |
OK. Thanks. | 0:06:32 | 0:06:33 | |
Would you like a cup of tea? | 0:06:47 | 0:06:49 | |
Coffee? No? | 0:06:51 | 0:06:52 | |
Really, it's no trouble. | 0:06:56 | 0:06:57 | |
KNOCK ON DOOR | 0:06:58 | 0:07:01 | |
Sarah O'Connor? | 0:07:01 | 0:07:02 | |
Detective Nikki Grogan. | 0:07:04 | 0:07:05 | |
Sean, why don't you go and get us a cup of tea? | 0:07:09 | 0:07:11 | |
I already asked, she said she doesn't... | 0:07:11 | 0:07:14 | |
Yeah. | 0:07:16 | 0:07:17 | |
Sarah, what is you've come to tell us today? | 0:07:23 | 0:07:26 | |
Paudge. | 0:07:55 | 0:07:57 | |
What are you doing? | 0:07:57 | 0:07:58 | |
You're supposed to be out in the car with Sarge. | 0:07:59 | 0:08:02 | |
-Yeah. No, she took Sharon with her, so I didn't like to argue. -OK. | 0:08:02 | 0:08:07 | |
You all right? You look like you've seen a ghost. | 0:08:09 | 0:08:12 | |
Well, it is Halloween, boss. | 0:08:12 | 0:08:14 | |
-Shona... -Who's Shona? -A friend. | 0:08:22 | 0:08:26 | |
She said it was the right thing. | 0:08:27 | 0:08:30 | |
-The right thing to do. -To come here? | 0:08:30 | 0:08:32 | |
-To tell you... -Take your time, there's no rush. | 0:08:36 | 0:08:39 | |
I was going to...see her. | 0:08:41 | 0:08:45 | |
Shona. | 0:08:45 | 0:08:46 | |
But I was too early, so I thought I'd walk through the park. | 0:08:49 | 0:08:52 | |
Sarah, did somebody hurt you? | 0:08:57 | 0:08:59 | |
-Hey, big man, you all right? -Yeah. | 0:09:19 | 0:09:21 | |
You have your hand down your trousers. | 0:09:21 | 0:09:23 | |
I have, yeah. | 0:09:25 | 0:09:26 | |
-Yeah, I've got a desperate itch altogether. -You need a doctor, bro. | 0:09:27 | 0:09:31 | |
Do want anything from the shop or not? | 0:09:33 | 0:09:35 | |
No. You're grand. | 0:09:36 | 0:09:38 | |
-Hey. -She's a bit shaken, but we'll get there in the end. | 0:09:46 | 0:09:49 | |
-I had to stop her from doing a runner. -Thanks. | 0:09:49 | 0:09:51 | |
-Will you take that into her? -Yeah. | 0:09:51 | 0:09:53 | |
I was going to, I just didn't want to interrupt you. | 0:09:53 | 0:09:55 | |
-Yeah, just tell her I won't be long, yeah? -Yeah. | 0:09:55 | 0:09:58 | |
Zulu Victor 101 to control, we've arrived. Over. | 0:10:22 | 0:10:26 | |
-'Roger that, Zulu Victor 101.' -Can you give me any more intel? | 0:10:26 | 0:10:30 | |
'Just got a call there from a 34-year-old woman, | 0:10:31 | 0:10:33 | |
'looks like a possible fractured ankle. | 0:10:33 | 0:10:36 | |
'She can't get downstairs now.' | 0:10:36 | 0:10:38 | |
Any more news on the ambulance? | 0:10:38 | 0:10:40 | |
'The DFB are saying about 50 minutes at least.' | 0:10:42 | 0:10:45 | |
Great, thanks. | 0:10:45 | 0:10:46 | |
-Shouldn't we go straight up? -We can't. -Why not? | 0:10:49 | 0:10:53 | |
The paramedics won't set foot inside these flats without us. | 0:10:54 | 0:10:56 | |
All we can do is wait. | 0:10:58 | 0:10:59 | |
You're joking. | 0:11:02 | 0:11:03 | |
-How much? -30 tablets. | 0:11:03 | 0:11:05 | |
We need to find those drugs as soon as possible. | 0:11:05 | 0:11:07 | |
-I don't need to tell you that, do I? -I'll find them. | 0:11:07 | 0:11:09 | |
-What about the girl, where's she? -She's in custody. | 0:11:09 | 0:11:12 | |
She is Beady Burke's niece. | 0:11:12 | 0:11:14 | |
-We can't arrest her just for that. -Yeah, well, that amount of yoke, | 0:11:14 | 0:11:17 | |
she's either a dealer or courier. | 0:11:17 | 0:11:19 | |
Well, without evidence, we can't prove either. | 0:11:19 | 0:11:22 | |
-Any idea at all where you left them? -Yeah. On your desk. | 0:11:22 | 0:11:25 | |
When I'm not here, my office is out of bounds. | 0:11:25 | 0:11:27 | |
Oh, I know, but I was just going to log it and then I got grabbed | 0:11:27 | 0:11:30 | |
-for the sexual assault case. -Where are you with that? | 0:11:30 | 0:11:32 | |
-She's in interview room one now. -Is there anyone in there with her? | 0:11:32 | 0:11:35 | |
No, I was going straight back in. | 0:11:35 | 0:11:36 | |
You left her unchaperoned in an interview room? | 0:11:36 | 0:11:38 | |
-I know, it sounds bad, but... -Then go and see her. -And the drugs? | 0:11:38 | 0:11:43 | |
-Was there anyone in there with you at any time before or after? -No. | 0:11:43 | 0:11:46 | |
-Well, except... -Who? | 0:11:46 | 0:11:47 | |
-Who?! -Adrijan. | 0:11:47 | 0:11:49 | |
Paudge. | 0:11:59 | 0:12:00 | |
Can I borrow you for a second? I need you to do something for me. | 0:12:00 | 0:12:04 | |
I want everyone out of this room right now except you. | 0:12:08 | 0:12:11 | |
-No, no, I'm going in. -No, you don't, sunshine, | 0:12:11 | 0:12:13 | |
we have to search the station top to bottom | 0:12:13 | 0:12:15 | |
and you have to search the staff room, McKay's orders. | 0:12:15 | 0:12:17 | |
What am I looking for? | 0:12:17 | 0:12:19 | |
I'll tell you when you found it. | 0:12:19 | 0:12:20 | |
How do I know when I find it if I don't know what it is? | 0:12:20 | 0:12:23 | |
You'll know all right. | 0:12:23 | 0:12:24 | |
You've got 20 minutes, max. | 0:12:26 | 0:12:28 | |
Sarah, I want you to tell me everything, everything that you | 0:12:31 | 0:12:34 | |
saw in that park, even the smallest detail, just anything at all. | 0:12:34 | 0:12:38 | |
Like, which entrance did you go through? | 0:12:38 | 0:12:40 | |
Um... | 0:12:40 | 0:12:42 | |
The west gate. Buckshearn Road. | 0:12:42 | 0:12:45 | |
I remember thinking it's hot. | 0:12:46 | 0:12:47 | |
-I walked past Murphy's bar. -Mm-hm. | 0:12:49 | 0:12:51 | |
There were these lads. | 0:12:54 | 0:12:55 | |
They started whistling and shouting stuff. | 0:12:57 | 0:13:01 | |
They were harmless, just showing off. | 0:13:01 | 0:13:03 | |
But there was one of them. | 0:13:04 | 0:13:06 | |
And what was it about him? | 0:13:06 | 0:13:08 | |
He kept saying, "Who do you think you are, stuck up bitch?" | 0:13:09 | 0:13:12 | |
I gave him the finger in the end. | 0:13:15 | 0:13:17 | |
But that's all I did. | 0:13:18 | 0:13:20 | |
And then I carried on to the park. | 0:13:20 | 0:13:23 | |
And what happened when you got there? | 0:13:23 | 0:13:25 | |
Something was wrong. | 0:13:25 | 0:13:27 | |
I could feel it. | 0:13:27 | 0:13:28 | |
So I walked faster to get to the other side. | 0:13:30 | 0:13:33 | |
And then... | 0:13:33 | 0:13:34 | |
And then what? | 0:13:37 | 0:13:38 | |
Whatever it is you want to say, whatever it is, | 0:13:43 | 0:13:46 | |
you can trust me. | 0:13:46 | 0:13:47 | |
Oh, OK, I understand, yeah. | 0:13:49 | 0:13:51 | |
One of those days. | 0:13:51 | 0:13:53 | |
Thanks. | 0:13:53 | 0:13:55 | |
So, when will they be here? | 0:13:55 | 0:13:58 | |
Well, your guess is as good as mine. | 0:13:58 | 0:14:00 | |
A broken ankle is way down the list. | 0:14:01 | 0:14:03 | |
We can't just leave her up there. | 0:14:05 | 0:14:06 | |
We could at least go up and tell her we're here, go up and check on her. | 0:14:06 | 0:14:10 | |
Is your first aid training up to speed? | 0:14:11 | 0:14:14 | |
A refresher course last summer, but not exactly. | 0:14:14 | 0:14:18 | |
Don't worry, I'm not expecting Florence Nightingale. | 0:14:18 | 0:14:22 | |
Anything more than a cut or a bruise, you leave it to me. | 0:14:22 | 0:14:25 | |
I'll get the first aid kit out of the boot. You lock the car. | 0:14:27 | 0:14:30 | |
Right, Sarge. | 0:14:30 | 0:14:31 | |
Well, it looks clear now. | 0:14:34 | 0:14:36 | |
-LAUGHS: -OK! Fallen for that one before. | 0:14:36 | 0:14:38 | |
-How do you mean? -Let's do it. | 0:14:38 | 0:14:41 | |
God, this place always gives me the creeps. | 0:14:45 | 0:14:47 | |
Yeah, we got a call out here a week ago - dogfight. | 0:14:47 | 0:14:51 | |
They don't do things by half in St Columbus. | 0:14:51 | 0:14:52 | |
YELLING | 0:14:52 | 0:14:55 | |
Stupid pigs! | 0:14:55 | 0:14:56 | |
We should call for backup. | 0:15:04 | 0:15:06 | |
They have better things to be doing. | 0:15:06 | 0:15:09 | |
It was just a few stones, kids acting up. We'll be fine. | 0:15:09 | 0:15:12 | |
LOUD BANG | 0:15:12 | 0:15:14 | |
All right, let's get up to the flat. | 0:15:14 | 0:15:16 | |
We'll be safer up there than we are standing down here. | 0:15:16 | 0:15:19 | |
-What floor? -The top floor. -Oh, great. | 0:15:19 | 0:15:23 | |
-Let's go. -OK. | 0:15:24 | 0:15:25 | |
I was going to run, but... | 0:15:27 | 0:15:28 | |
..I couldn't. | 0:15:30 | 0:15:31 | |
I couldn't breathe cos he had his arm around my neck. | 0:15:33 | 0:15:37 | |
Tight. | 0:15:38 | 0:15:39 | |
I was choking and... | 0:15:42 | 0:15:44 | |
And then? | 0:15:44 | 0:15:45 | |
And then I'm on the ground... | 0:15:47 | 0:15:49 | |
And I'm trying to fight, but he's grabbing me... | 0:15:50 | 0:15:53 | |
..pulling... | 0:15:55 | 0:15:56 | |
And I beg him. | 0:15:59 | 0:16:01 | |
"Please." | 0:16:01 | 0:16:02 | |
But he keeps ripping up my clothes | 0:16:04 | 0:16:06 | |
and trying to get my jeans down and... | 0:16:06 | 0:16:08 | |
..I can feel him, and I know what he's going to do. | 0:16:10 | 0:16:13 | |
And then he...he just stopped. | 0:16:18 | 0:16:20 | |
Do you think that he got spooked and he ran off? | 0:16:22 | 0:16:25 | |
Did you manage to get a look at him? | 0:16:27 | 0:16:28 | |
OK. | 0:16:32 | 0:16:34 | |
So this is what I'm going to do. | 0:16:34 | 0:16:35 | |
I'm going to get a crime scene investigator to come in here | 0:16:35 | 0:16:38 | |
-right now. -Oh, why? -No, it's just routine. | 0:16:38 | 0:16:41 | |
And then I'm going to get you to do a CD fit of the suspect. | 0:16:41 | 0:16:45 | |
It's just a description. | 0:16:45 | 0:16:47 | |
I already told you, I didn't see him. | 0:16:47 | 0:16:48 | |
Well, what about the man in the bar? | 0:16:50 | 0:16:52 | |
Yeah? | 0:16:54 | 0:16:55 | |
Are those the clothes you were wearing last night? | 0:16:57 | 0:17:00 | |
Sarah, I'm going to need you to bring them in. | 0:17:02 | 0:17:04 | |
It's just for our forensics to take some samples. | 0:17:04 | 0:17:07 | |
Can I ask, why didn't you come in last night? | 0:17:12 | 0:17:15 | |
I was too embarrassed. | 0:17:17 | 0:17:18 | |
I just wanted to go home. I wanted to pretend like it never happened. | 0:17:20 | 0:17:24 | |
Try and forget it. | 0:17:26 | 0:17:27 | |
I won't, will I? | 0:17:32 | 0:17:33 | |
Ever. | 0:17:34 | 0:17:35 | |
I reckon we're about to lose our windscreen wipers. Oi! | 0:17:40 | 0:17:42 | |
Get away from the car! | 0:17:42 | 0:17:43 | |
DISTANT LAUGHING | 0:17:43 | 0:17:46 | |
Anything? | 0:17:49 | 0:17:50 | |
Hello, it's the Gards. Can you hear me? | 0:17:54 | 0:17:57 | |
Help me! | 0:17:59 | 0:18:00 | |
Help! | 0:18:00 | 0:18:01 | |
-Can you open the door for us? -I can't move. | 0:18:04 | 0:18:08 | |
My ankle! | 0:18:08 | 0:18:10 | |
Only one thing for it. | 0:18:11 | 0:18:12 | |
THUD | 0:18:15 | 0:18:17 | |
-Anything? How is...? -Sarah O'Connor. | 0:18:17 | 0:18:19 | |
Crime scene investigator's with her now. | 0:18:19 | 0:18:21 | |
-What about Aoife Burke? -If we can't find the drugs, | 0:18:21 | 0:18:24 | |
then we can't hold her any longer. | 0:18:24 | 0:18:27 | |
Have you spoken to Adrijan? | 0:18:27 | 0:18:28 | |
He's still on shift, but no-one's seen hide nor hair of him. | 0:18:28 | 0:18:31 | |
OK. | 0:18:36 | 0:18:37 | |
-Paudge. -Sarge. -Adrijan. | 0:18:47 | 0:18:50 | |
-What? -Adrijan, where is he? McKay wants him. | 0:18:50 | 0:18:52 | |
-McKay? -Adrijan. | 0:18:52 | 0:18:54 | |
-Oh, he got changed, said he was going out. -Did he say where? | 0:18:55 | 0:18:58 | |
No, he keeps his cards close to his chest, that one. | 0:18:58 | 0:19:01 | |
That's a bit odd, isn't it? | 0:19:01 | 0:19:03 | |
No more odd than anything else today. | 0:19:03 | 0:19:06 | |
-I'll pass it on if I hear anything, I'll let you know. -OK. Thanks. | 0:19:06 | 0:19:10 | |
PHONE BEEPS | 0:19:10 | 0:19:13 | |
-Hello? -Hello? I'm Angela. I'm here with my colleague, Sharon. | 0:19:23 | 0:19:27 | |
-Where are you? -Sarge, she's in here. | 0:19:27 | 0:19:29 | |
Oh, it's my ankle. I think I've broken it. | 0:19:29 | 0:19:32 | |
-It's not just her ankle. -What do you mean? | 0:19:32 | 0:19:34 | |
I'm calling the DFB directly. | 0:19:36 | 0:19:38 | |
Can you move your toes? SHE SCREAMS | 0:19:38 | 0:19:42 | |
OK, OK, let's not try that again. | 0:19:42 | 0:19:43 | |
-Sergeant Tyrell here. -'Angela, what can I do for you?' | 0:19:43 | 0:19:47 | |
We have a patient. She's conscious, just checking her now. | 0:19:47 | 0:19:50 | |
Suspected broken ankle. She's also pregnant. | 0:19:50 | 0:19:54 | |
How far gone? | 0:19:54 | 0:19:55 | |
-Almost eight months. -Almost eight months. | 0:19:55 | 0:19:57 | |
'OK, just make her comfortable. | 0:19:57 | 0:19:59 | |
'Get a pillow for the ankle, some ice if you can. | 0:19:59 | 0:20:01 | |
'But don't move her.' | 0:20:01 | 0:20:03 | |
Jo, we're going to help you until the paramedics arrive. | 0:20:03 | 0:20:07 | |
What happened, Jo? | 0:20:07 | 0:20:09 | |
I was changing a light bulb. | 0:20:09 | 0:20:10 | |
You don't want to be doing that in your condition. | 0:20:10 | 0:20:12 | |
-SHE SCREAMS -Oh, my God! | 0:20:12 | 0:20:15 | |
It's starting again. | 0:20:15 | 0:20:17 | |
That's why I fell off the ladder. | 0:20:17 | 0:20:19 | |
-The pain in my stomach! -What kind of pain? | 0:20:19 | 0:20:22 | |
-SHE SCREAMS -Jo. Jo. | 0:20:22 | 0:20:25 | |
'How long since the last one?' | 0:20:26 | 0:20:28 | |
Yeah, I'm not sure. A couple of minutes. | 0:20:28 | 0:20:30 | |
This shouldn't be happening at eight months, should it? | 0:20:30 | 0:20:33 | |
-Don't worry, you'll be fine. -'Not really. | 0:20:33 | 0:20:35 | |
-'Not unless she's in labour.' -JO GROANS | 0:20:35 | 0:20:38 | |
SHE SCREAMS | 0:20:40 | 0:20:42 | |
SHE SCREAMS | 0:21:16 | 0:21:19 | |
-So, have you thought of any names, Jo? -Oh, please, make it stop! | 0:21:20 | 0:21:24 | |
Two contractions, possibly three. This is her first baby. | 0:21:25 | 0:21:29 | |
First and last. | 0:21:29 | 0:21:30 | |
-'You have her on her side?' -Yeah, we did that. | 0:21:30 | 0:21:32 | |
It's all gone wrong. This isn't supposed to be happening. | 0:21:32 | 0:21:35 | |
Shh. Calm down, don't be upsetting yourself now, OK? | 0:21:35 | 0:21:37 | |
That's easy for you to say. | 0:21:37 | 0:21:39 | |
SHE SCREAMS | 0:21:39 | 0:21:42 | |
We need that ambulance now. | 0:21:42 | 0:21:43 | |
'OK, on its way. Tell her she's at the top of the queue now.' | 0:21:43 | 0:21:46 | |
All right. They're prioritising the ambulance now, | 0:21:46 | 0:21:48 | |
it should be here any minute. | 0:21:48 | 0:21:49 | |
Do you hear that? You're going to be OK. | 0:21:49 | 0:21:51 | |
Both of you are, I'll make sure of it. | 0:21:51 | 0:21:53 | |
'OK, keep her calm.' | 0:21:53 | 0:21:55 | |
-How is your ankle, Jo? -I don't care about me bleeding ankle. | 0:21:55 | 0:21:58 | |
SHE SCREAMS | 0:21:58 | 0:22:02 | |
Yeah, I think the baby is coming now. | 0:22:02 | 0:22:04 | |
No! It can't come yet. | 0:22:04 | 0:22:06 | |
Don't worry, OK? | 0:22:06 | 0:22:08 | |
We'll deliver the baby, I've done it loads of times before. | 0:22:08 | 0:22:12 | |
Relief duty, you want a break? | 0:22:16 | 0:22:17 | |
Aoife, isn't it? | 0:22:25 | 0:22:26 | |
They've got nothing on you, OK? | 0:22:29 | 0:22:31 | |
What? | 0:22:31 | 0:22:32 | |
All you have to do is keep your mouth shut. | 0:22:34 | 0:22:37 | |
SHE SNICKERS | 0:22:40 | 0:22:41 | |
Garda Brennan. | 0:22:42 | 0:22:44 | |
-Darina's gone for a comfort break, I stepped in. -Thanks. | 0:22:44 | 0:22:47 | |
Actually, can you hang on here? | 0:22:47 | 0:22:49 | |
Cos I have to go have a word with the boss. | 0:22:49 | 0:22:51 | |
Sure, no problem. | 0:22:51 | 0:22:52 | |
Now, don't you worry, Aoife, I'll be coming back for you. | 0:22:52 | 0:22:55 | |
Take your time. | 0:22:55 | 0:22:57 | |
-There's no sign of him. -Convenient. -This is Adrijan we're talking about, | 0:23:04 | 0:23:07 | |
-you don't actually think that... -I don't know what to think. | 0:23:07 | 0:23:11 | |
Tell me what happened. Again. | 0:23:11 | 0:23:13 | |
OK, well, I was hoping to use the safe when you weren't here, | 0:23:13 | 0:23:16 | |
so I was leaving you a note to come and find me, | 0:23:16 | 0:23:18 | |
but then Adrijan came in to tell me that Sarah O'Connor had been | 0:23:18 | 0:23:21 | |
-attacked and I just... -And? | 0:23:21 | 0:23:23 | |
I ran out and I left the drugs on the desk. | 0:23:24 | 0:23:27 | |
So he was left alone in my office with a consignment of drugs. | 0:23:30 | 0:23:34 | |
-I don't think that Adrijan took them. -Well, somebody did. | 0:23:34 | 0:23:36 | |
What's happening with Aoife Burke? | 0:23:40 | 0:23:42 | |
We've had to let her go. | 0:23:42 | 0:23:43 | |
-And the assault case? -We're searching the pub and the park | 0:23:45 | 0:23:47 | |
where it happened, so hopefully someone saw something. | 0:23:47 | 0:23:50 | |
I'll ask Sean to check the allocation book, | 0:23:51 | 0:23:54 | |
see if Adrijan has leave. | 0:23:54 | 0:23:57 | |
I have to get back, boss. | 0:23:57 | 0:23:58 | |
I am so sorry, boss. | 0:24:01 | 0:24:02 | |
SHE SCREAMS | 0:24:06 | 0:24:09 | |
Where the hell is that ambulance? We need help here! | 0:24:09 | 0:24:11 | |
'Sergeant, you can do this.' | 0:24:11 | 0:24:13 | |
SHE SCREAMS | 0:24:13 | 0:24:15 | |
OK, another contraction. | 0:24:16 | 0:24:19 | |
'That's it, breathe her through it.' | 0:24:19 | 0:24:21 | |
Breathe. That's it. Breathe. | 0:24:24 | 0:24:26 | |
-I need the Jack's. -What? | 0:24:26 | 0:24:28 | |
I need to go to the toilet. | 0:24:28 | 0:24:30 | |
Pete, she needs to go to the toilet. Pete! | 0:24:30 | 0:24:32 | |
'OK, that means the baby's in the birth canal.' | 0:24:32 | 0:24:35 | |
Oh, no, he can't. I mean, what am I supposed to do? | 0:24:35 | 0:24:37 | |
Well, you've done this before, right? Sharon? | 0:24:37 | 0:24:39 | |
It was just once off, really, and it wasn't exactly a baby I delivered. | 0:24:39 | 0:24:42 | |
It was a calf on my uncle's farm. | 0:24:42 | 0:24:44 | |
-Same principle, right? -SHE SCREAMS | 0:24:48 | 0:24:51 | |
'You need to have a look down below.' | 0:24:53 | 0:24:55 | |
All right, can you take a look? | 0:24:55 | 0:24:56 | |
-For what? -Like, can you see the head? | 0:24:58 | 0:25:01 | |
Well, you won't see it from there. | 0:25:01 | 0:25:03 | |
OK. I'm sorry about this, I know we know hardly know each other, | 0:25:03 | 0:25:06 | |
but I'm going to have to do this, OK? | 0:25:06 | 0:25:09 | |
I can feel something. | 0:25:10 | 0:25:12 | |
Anything? Sharon? | 0:25:12 | 0:25:14 | |
There's a head, I can see a head, it's coming. | 0:25:14 | 0:25:17 | |
Thanks a million for bringing these in. | 0:25:19 | 0:25:22 | |
May I? | 0:25:22 | 0:25:23 | |
My mum washed them. | 0:25:30 | 0:25:31 | |
I'm sorry, she didn't know. | 0:25:34 | 0:25:36 | |
-KNOCK ON THE DOOR -Come in. | 0:25:36 | 0:25:38 | |
Hey. | 0:25:39 | 0:25:41 | |
Just arrived. | 0:25:41 | 0:25:42 | |
This is the CD fit, Sarah. | 0:25:45 | 0:25:46 | |
Sarah, is this the man that you described? | 0:25:54 | 0:25:57 | |
OK. | 0:26:03 | 0:26:04 | |
-Thank you very much. -Come on, don't be lousy. | 0:26:12 | 0:26:14 | |
My belly thinks my throat's been cut. | 0:26:14 | 0:26:16 | |
If I don't get something down me soon, I'll pass out. | 0:26:16 | 0:26:19 | |
Hey, tell me what's going on or the pasta gets it. | 0:26:19 | 0:26:22 | |
-Nothing's happening. -Do you think I'm daft? | 0:26:22 | 0:26:25 | |
I won't answer that. | 0:26:26 | 0:26:28 | |
McKay's been having people in and out all morning. | 0:26:28 | 0:26:30 | |
You're searching the place as if you lost the winning lottery ticket | 0:26:30 | 0:26:33 | |
and you're telling me that's normal? Are you? | 0:26:33 | 0:26:35 | |
BUZZER | 0:26:35 | 0:26:37 | |
Paudge. | 0:26:40 | 0:26:42 | |
Paudgy. | 0:26:42 | 0:26:44 | |
Paudge. | 0:26:44 | 0:26:45 | |
Allocations book, Adrijan put anything in there? | 0:26:45 | 0:26:48 | |
Anything that might tell us where he's gone? | 0:26:48 | 0:26:50 | |
I'll go and check. Is something wrong? | 0:26:50 | 0:26:51 | |
Just check the book, will you, and let me know? | 0:26:51 | 0:26:54 | |
-Have you spoken to Sergeant Tyrell? -She's AWOL as well. | 0:26:54 | 0:26:57 | |
Could be having an affair. | 0:26:57 | 0:26:59 | |
Did Addy-boy do something, sir? | 0:27:01 | 0:27:03 | |
When you hear something, just let me know, OK? | 0:27:03 | 0:27:05 | |
Geez, he said he was going out for a bite to eat. | 0:27:07 | 0:27:10 | |
-I don't suppose you know anything. -Well, he's your boyfriend, not mine. | 0:27:10 | 0:27:14 | |
-I have a great plan to find out where he is. -What? | 0:27:14 | 0:27:17 | |
Phone him. | 0:27:17 | 0:27:18 | |
Now push! SHE GROANS | 0:27:25 | 0:27:28 | |
There you go. Come on, girl, you can do it! | 0:27:28 | 0:27:30 | |
Sharon. Sharon? | 0:27:33 | 0:27:36 | |
Sarge, it's coming out. | 0:27:36 | 0:27:38 | |
The baby. | 0:27:38 | 0:27:39 | |
Come on, come on. | 0:27:39 | 0:27:41 | |
-'Angela, what's happening?' -Oh, my God, it's a baby. | 0:27:42 | 0:27:45 | |
It's a baby, Sarge. | 0:27:45 | 0:27:47 | |
Oh, and it's a girl! | 0:27:48 | 0:27:50 | |
Oh, you have a daughter, Jo. | 0:27:51 | 0:27:53 | |
-Congratulations, you did brilliant, Jo. -Oh, she's beautiful. | 0:27:53 | 0:27:56 | |
-Look at her, she's perfect. -Let me see her. | 0:27:56 | 0:27:59 | |
'Sergeant, what colour? What colour is the child?' | 0:28:00 | 0:28:03 | |
Well, she's a bit...a bit blue. | 0:28:03 | 0:28:05 | |
Why isn't she crying? | 0:28:05 | 0:28:07 | |
What do we do? | 0:28:07 | 0:28:08 | |
'Flick the toes. Softly, just gently, with your fingers. Go on.' | 0:28:08 | 0:28:13 | |
What's going on? | 0:28:13 | 0:28:14 | |
She's not responding. | 0:28:17 | 0:28:19 | |
'Wrap her up, keep her warm, that's it.' | 0:28:19 | 0:28:21 | |
What are you doing? | 0:28:21 | 0:28:23 | |
What now? | 0:28:23 | 0:28:24 | |
'Give her a little rub, just gently.' | 0:28:24 | 0:28:26 | |
-JO SOBS -It's OK. It's OK. | 0:28:26 | 0:28:28 | |
-BABY GURGLES Hello, little one. -There you are. | 0:28:35 | 0:28:38 | |
Do you want to see your mummy? | 0:28:41 | 0:28:43 | |
There you go. | 0:28:43 | 0:28:44 | |
Come on. | 0:28:56 | 0:28:57 | |
-I assume that's Adrijan you're calling? -Yes, boss. | 0:28:58 | 0:29:02 | |
He...he must be with his peer supporter. | 0:29:02 | 0:29:04 | |
He sometimes switches the phone off when he's there. | 0:29:04 | 0:29:08 | |
That might explain it. | 0:29:08 | 0:29:09 | |
I know he's been struggling since the accident, | 0:29:09 | 0:29:11 | |
but he wouldn't want me telling you that. | 0:29:11 | 0:29:13 | |
He doesn't want a fuss. | 0:29:13 | 0:29:14 | |
-Was it in the allocations book? -No, sir. Must've forgot. -OK. | 0:29:14 | 0:29:18 | |
-When you hear from him, let me know. -Yeah. Will do. | 0:29:18 | 0:29:21 | |
Battery's dead. | 0:29:32 | 0:29:33 | |
Jerry used to have that phone. | 0:29:34 | 0:29:36 | |
I've got a charger for it downstairs you can borrow. | 0:29:36 | 0:29:40 | |
I've not really got the time. | 0:29:40 | 0:29:41 | |
It'll only take half an hour. | 0:29:41 | 0:29:44 | |
I'll tell you what I'll do. I'll do you a late lunch. | 0:29:44 | 0:29:47 | |
Anything you fancy, you just say. | 0:29:47 | 0:29:49 | |
Sorry, Joan, I have to go. | 0:29:49 | 0:29:51 | |
Well, if you're not hungry, | 0:29:51 | 0:29:53 | |
I don't know, | 0:29:53 | 0:29:55 | |
maybe we can think of something else to do. | 0:29:55 | 0:29:57 | |
HE CHUCKLES SOFTLY | 0:29:57 | 0:29:59 | |
Half an hour. | 0:29:59 | 0:30:01 | |
No more. | 0:30:01 | 0:30:02 | |
-How are you feeling? -Better. | 0:30:05 | 0:30:07 | |
Another ambulance is on the way. | 0:30:09 | 0:30:11 | |
What's your name again? | 0:30:14 | 0:30:15 | |
Sharon. | 0:30:15 | 0:30:17 | |
What? | 0:30:19 | 0:30:20 | |
I was being sentimental, but I don't think I want a child called Sharon. | 0:30:20 | 0:30:24 | |
Why? It's a nice name. | 0:30:25 | 0:30:27 | |
Is she OK? She's gone very quiet. | 0:30:27 | 0:30:30 | |
Well, let's take a look, will we? | 0:30:30 | 0:30:32 | |
What's wrong with her? Why has she gone so quiet? | 0:30:35 | 0:30:39 | |
Jesus, she's not breathing! | 0:30:39 | 0:30:41 | |
-OK, OK, don't worry. I'm sure it's fine. -What do I do? | 0:30:41 | 0:30:44 | |
Pete, the baby's not breathing. | 0:30:45 | 0:30:47 | |
-No! -She's going blue again. -'OK, head in the neutral position. | 0:30:47 | 0:30:50 | |
'I know you've done mouth-to-mouth before.' | 0:30:50 | 0:30:52 | |
Of course, but neither of us has done it on a baby before. | 0:30:52 | 0:30:55 | |
Do something, please! | 0:30:55 | 0:30:58 | |
'All right, the ambulance is just around the corner, | 0:30:58 | 0:31:00 | |
'but you need to start CPR.' | 0:31:00 | 0:31:02 | |
But you were there, | 0:31:05 | 0:31:06 | |
at Murphy's bar? | 0:31:06 | 0:31:08 | |
All right. At what time? | 0:31:08 | 0:31:10 | |
OK. OK, no, no... | 0:31:12 | 0:31:14 | |
All right, thank you. Yeah, yeah. | 0:31:14 | 0:31:16 | |
Thank you. | 0:31:16 | 0:31:17 | |
Thank you for wasting my time. | 0:31:19 | 0:31:20 | |
KNOCK ON DOOR | 0:31:20 | 0:31:22 | |
Yep. | 0:31:22 | 0:31:24 | |
-Westlife. -Got you a present. | 0:31:24 | 0:31:26 | |
It's not my birthday. | 0:31:26 | 0:31:27 | |
A guy just came in to reception with a description of the man at the bar, | 0:31:27 | 0:31:30 | |
the one who was giving Sarah grief. | 0:31:30 | 0:31:32 | |
Mean looking, early 30s, clean-shaven, wearing a green shirt. | 0:31:32 | 0:31:36 | |
Bingo! | 0:31:36 | 0:31:37 | |
-Where are you rushing off to? -I've got another case to solve. | 0:31:37 | 0:31:40 | |
So what exciting things have you on this afternoon? | 0:31:45 | 0:31:49 | |
Halloween can be pretty busy. | 0:31:49 | 0:31:51 | |
I hope you have nothing too arduous to contend with. | 0:31:52 | 0:31:55 | |
HE CHUCKLES SOFTLY | 0:31:55 | 0:31:57 | |
Oh, shit! | 0:32:00 | 0:32:02 | |
We have a witness, and he distinctly remembers you walking. | 0:32:02 | 0:32:06 | |
And the man that you told us about in the bar, well, | 0:32:06 | 0:32:08 | |
his description, it pretty much exactly matches. | 0:32:08 | 0:32:11 | |
-So that's good news. -Yeah. | 0:32:11 | 0:32:13 | |
But forensics, well... | 0:32:13 | 0:32:14 | |
OK, because there was no direct skin-to-skin contact, | 0:32:14 | 0:32:18 | |
there is not going to be a match. | 0:32:18 | 0:32:20 | |
What do you mean? | 0:32:20 | 0:32:21 | |
-Is he going to get away with it? -No. | 0:32:21 | 0:32:23 | |
We will do everything that we can to get him. | 0:32:23 | 0:32:26 | |
-So you have enough evidence, I mean? -Hm. | 0:32:26 | 0:32:28 | |
We work with what we have. | 0:32:28 | 0:32:30 | |
I came in here to tell you what he did because it's the right | 0:32:37 | 0:32:39 | |
-thing to do, isn't it? -Yes. | 0:32:39 | 0:32:42 | |
What if they find him and then he walks away? Is it worth it? | 0:32:42 | 0:32:46 | |
You don't know that that will happen. | 0:32:46 | 0:32:47 | |
I'll have to say this all over again. | 0:32:47 | 0:32:50 | |
In front of people. | 0:32:50 | 0:32:51 | |
I'll have to identify him. | 0:32:53 | 0:32:55 | |
Stand up in court, tell a judge what he did, what he tried to do. | 0:32:56 | 0:33:00 | |
Everyone will know what happened. | 0:33:02 | 0:33:04 | |
-But you have nothing to be ashamed of. -People talk. | 0:33:04 | 0:33:08 | |
Make their own minds up, I don't want that. | 0:33:10 | 0:33:13 | |
I can't do it. | 0:33:17 | 0:33:18 | |
Sarah... | 0:33:20 | 0:33:22 | |
Can I just ask, can you just think about this for a minute? | 0:33:22 | 0:33:25 | |
Please. | 0:33:25 | 0:33:27 | |
My mum... | 0:33:30 | 0:33:31 | |
I don't want my mum to... | 0:33:33 | 0:33:35 | |
She'd blame herself for the washing. | 0:33:37 | 0:33:39 | |
I shouldn't have been in the park at night, it's crazy. | 0:33:41 | 0:33:44 | |
You have the right to be wherever you want at whatever time. | 0:33:44 | 0:33:48 | |
Sarah, you know that he's going to do this again. | 0:33:49 | 0:33:54 | |
What would you do if you were me? | 0:33:54 | 0:33:55 | |
A man like this, | 0:33:57 | 0:33:58 | |
they need to be stopped. | 0:33:58 | 0:34:01 | |
Then tell me they'll catch him, | 0:34:01 | 0:34:03 | |
and he won't get away, and I'll do it. | 0:34:03 | 0:34:05 | |
You see, it's just not for me to say. | 0:34:11 | 0:34:13 | |
Please. | 0:34:14 | 0:34:15 | |
Just tell me you'll find him. | 0:34:17 | 0:34:19 | |
Promise me. | 0:34:20 | 0:34:21 | |
I can't. | 0:34:26 | 0:34:28 | |
I don't know what I was doing. | 0:34:51 | 0:34:52 | |
No time to think. | 0:34:54 | 0:34:55 | |
We did everything we could. | 0:35:05 | 0:35:07 | |
-What if we didn't do it properly, the mouth-to-mouth? -Sharon... | 0:35:08 | 0:35:12 | |
Sharon, you did everything Pete asked. | 0:35:12 | 0:35:14 | |
You did CPR on a newborn child, | 0:35:14 | 0:35:17 | |
you got her breathing and you got her alive to hospital. | 0:35:17 | 0:35:20 | |
You followed procedure, you did your job. | 0:35:20 | 0:35:23 | |
OK? | 0:35:28 | 0:35:29 | |
Yeah. | 0:35:29 | 0:35:30 | |
-Jo's in the other ward, I'll go see her. -No, I want to do it. | 0:35:34 | 0:35:37 | |
-You sure? -Yeah. | 0:35:39 | 0:35:40 | |
-Any word on Adrijan? -Nothing yet, boss. | 0:35:57 | 0:35:59 | |
Those peer support sessions can be tough, | 0:36:01 | 0:36:03 | |
but I'm sure it's nothing to worry about. | 0:36:03 | 0:36:05 | |
I hope you're right. | 0:36:05 | 0:36:06 | |
-When you hear something, give me a ring. -Yeah. | 0:36:06 | 0:36:09 | |
So are you going to tell me? | 0:36:13 | 0:36:15 | |
-Tell you what? -What McKay's been looking for, | 0:36:15 | 0:36:17 | |
what's been missing. | 0:36:17 | 0:36:18 | |
Your best pal. | 0:36:18 | 0:36:19 | |
It's got something to do with that girl, Aoife Burke. | 0:36:21 | 0:36:24 | |
You know I can't say. | 0:36:25 | 0:36:27 | |
Well, I carded her, we had her bang to her rights. | 0:36:27 | 0:36:29 | |
Three hours later, she's walking out the door, | 0:36:29 | 0:36:31 | |
no charge, and you're telling me nothing's happening? | 0:36:31 | 0:36:34 | |
Something dodgy is going down. | 0:36:36 | 0:36:38 | |
And you know something. | 0:36:38 | 0:36:40 | |
Just give it a rest, will you? | 0:36:40 | 0:36:41 | |
Sean. | 0:36:46 | 0:36:47 | |
-Thank God! -Sorry, I saw your messages. | 0:36:47 | 0:36:50 | |
Where the bleeding hell have you been? | 0:36:50 | 0:36:52 | |
You said you were getting a bite to eat, you've been hours. | 0:36:52 | 0:36:55 | |
-I got delayed. -Delayed? | 0:36:55 | 0:36:56 | |
-McKay's been looking for you. -Yeah? -Yeah. | 0:36:56 | 0:36:59 | |
-Don't worry, I told him you were with your peer supporter. -OK. | 0:37:01 | 0:37:04 | |
I mean, I was. | 0:37:06 | 0:37:07 | |
-You were? -Yeah. | 0:37:09 | 0:37:10 | |
I went for a walk afterwards. | 0:37:10 | 0:37:12 | |
-I needed to clear my head. -You should have said. | 0:37:12 | 0:37:14 | |
Something weird's going on. | 0:37:14 | 0:37:16 | |
Don't worry, you'll be fine. He's not going to give hell to you | 0:37:16 | 0:37:19 | |
cos you were with your peer supporter. | 0:37:19 | 0:37:21 | |
She called her Rose in the end. | 0:37:32 | 0:37:34 | |
Rose Sharon. | 0:37:36 | 0:37:37 | |
Gosh, she was so tiny. | 0:37:41 | 0:37:43 | |
I could feel her little heart beating, I'll never forget her. | 0:37:43 | 0:37:46 | |
You won't. | 0:37:48 | 0:37:50 | |
You shouldn't. | 0:37:50 | 0:37:51 | |
-I know I shouldn't be getting upset, I know that. -Don't be daft. | 0:37:52 | 0:37:55 | |
If you didn't get upset by this, | 0:37:55 | 0:37:57 | |
then there is something wrong with you and you should leave the job. | 0:37:57 | 0:38:00 | |
You need to give yourself a break, Sharon. | 0:38:02 | 0:38:05 | |
You just... | 0:38:05 | 0:38:06 | |
You do your best and sometimes things just don't work out. | 0:38:06 | 0:38:10 | |
-Billy Reardon. -Mm-hm. | 0:38:20 | 0:38:22 | |
I pulled him out of the canal, 13 going on seven, | 0:38:24 | 0:38:26 | |
went in after his ball. | 0:38:26 | 0:38:28 | |
-He's a trainee teacher now. -And he's a riot. | 0:38:28 | 0:38:30 | |
THEY LAUGH He is. | 0:38:30 | 0:38:32 | |
We do our best. | 0:38:35 | 0:38:36 | |
If I knew you were going to love dinner this much, | 0:38:55 | 0:38:57 | |
I'd have made more. | 0:38:57 | 0:38:58 | |
I'm sorry. | 0:39:00 | 0:39:01 | |
Forget about it, love. | 0:39:03 | 0:39:05 | |
Nikki and Adrijan didn't do this. | 0:39:05 | 0:39:07 | |
I mean, they are the least likely drug fiends you'd ever meet. | 0:39:07 | 0:39:11 | |
-You know that. -Yeah. | 0:39:11 | 0:39:13 | |
Let's just veg in front of the telly tonight, eh? | 0:39:16 | 0:39:21 | |
Who benefits? | 0:39:21 | 0:39:22 | |
Who benefits from the drugs going missing? | 0:39:23 | 0:39:25 | |
Go on. | 0:39:27 | 0:39:28 | |
-The girl we just released. -What? | 0:39:32 | 0:39:34 | |
Well, you know who she's related to, don't you? | 0:39:36 | 0:39:38 | |
-She's Beady Burke's niece. -You're joking. | 0:39:38 | 0:39:42 | |
I wish I was. | 0:39:42 | 0:39:44 | |
So Beady just walked in the station and went into your office and | 0:39:44 | 0:39:47 | |
took the drugs himself? | 0:39:47 | 0:39:49 | |
-I'd have a hard time proving that one. -Or someone... | 0:39:49 | 0:39:52 | |
..did it for him. | 0:39:54 | 0:39:55 |