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Bleedin' dead man! | 0:00:04 | 0:00:05 | |
He came out of the cafe, I said hello. It was nothing. | 0:00:05 | 0:00:07 | |
You see a major suspect on the night of a murder | 0:00:07 | 0:00:09 | |
-and you think it's nothing? You're pretty much family these days. -Here we go. | 0:00:09 | 0:00:13 | |
-You let him go? -We've put him under surveillance. | 0:00:13 | 0:00:15 | |
We still have suspects we can't eliminate from this investigation. | 0:00:15 | 0:00:19 | |
What are you waiting for? | 0:00:19 | 0:00:20 | |
A confession wrapped up in a shiny bow? | 0:00:20 | 0:00:22 | |
Nobody's getting away with anything, I promise you that. | 0:00:22 | 0:00:24 | |
Joe Fallon is smart, we've got to be smarter. | 0:00:24 | 0:00:28 | |
It's four in the morning, Bridge. | 0:01:14 | 0:01:16 | |
Bridge. | 0:01:20 | 0:01:21 | |
I can't let this go. | 0:01:37 | 0:01:38 | |
No. | 0:01:42 | 0:01:43 | |
I'm not burying you as well. | 0:01:46 | 0:01:47 | |
So that's it? | 0:01:49 | 0:01:50 | |
I do nothing? | 0:01:52 | 0:01:54 | |
You're me wife, Bridge. | 0:01:56 | 0:01:58 | |
It's not about you. | 0:01:59 | 0:02:00 | |
It's about me. | 0:02:01 | 0:02:03 | |
What he did to me. | 0:02:05 | 0:02:06 | |
You understand? | 0:02:10 | 0:02:11 | |
I say what we do to him. | 0:02:12 | 0:02:13 | |
Not you. Me. | 0:02:18 | 0:02:20 | |
KNOCK ON DOOR | 0:02:37 | 0:02:38 | |
Come in. | 0:02:38 | 0:02:40 | |
This just arrived. | 0:02:40 | 0:02:42 | |
Well... | 0:02:54 | 0:02:56 | |
Well, that's the last thing I need. Him looking down on me. | 0:03:02 | 0:03:05 | |
Do you want me to let the Hennessys know? | 0:03:07 | 0:03:09 | |
No, no. I should do it. Claire'll be in later today. | 0:03:09 | 0:03:12 | |
Brings it all back, doesn't it? | 0:03:14 | 0:03:15 | |
Yeah. | 0:03:17 | 0:03:18 | |
I need to get back. | 0:03:20 | 0:03:21 | |
Sean, if you have something to say, just say it. | 0:03:22 | 0:03:25 | |
I didn't appreciate being dragged across the coals yesterday. | 0:03:28 | 0:03:30 | |
-OK. -Robocop accusing me of covering up. | 0:03:30 | 0:03:33 | |
Robocop? | 0:03:33 | 0:03:34 | |
Detective Garda Rory Walsh was following a legitimate | 0:03:34 | 0:03:37 | |
line of inquiry. | 0:03:37 | 0:03:38 | |
You have to understand that because Liam is Niamh's dad, | 0:03:38 | 0:03:41 | |
it means that you have a vested interest. | 0:03:41 | 0:03:42 | |
I've done nothing to jeopardise this case. | 0:03:42 | 0:03:44 | |
This is a murder investigation. All avenues. | 0:03:44 | 0:03:47 | |
Remember that. | 0:03:47 | 0:03:48 | |
Great. Thanks for the support, boss. | 0:03:48 | 0:03:51 | |
Ma. This is... | 0:03:59 | 0:04:01 | |
We've got to get the pair of you offside, love. | 0:04:04 | 0:04:06 | |
And then what? | 0:04:06 | 0:04:08 | |
Here. | 0:04:08 | 0:04:09 | |
Look, why don't you go to the police? | 0:04:10 | 0:04:12 | |
Stop it, Katie, just stop. I'm talkin' to no-one. | 0:04:12 | 0:04:17 | |
This is what we're doing. OK? | 0:04:17 | 0:04:19 | |
Car's all packed up. | 0:04:19 | 0:04:20 | |
Just take Luke and go. | 0:04:22 | 0:04:23 | |
We'll ring you when we're in the clear, love. | 0:04:23 | 0:04:26 | |
Make sure they get there safe. | 0:04:31 | 0:04:33 | |
Yeah. | 0:04:33 | 0:04:34 | |
You all right, Ma? | 0:04:34 | 0:04:35 | |
I'll get me glad rags on. | 0:04:36 | 0:04:38 | |
Well, all persons of interest had a motive. | 0:04:43 | 0:04:46 | |
Jules McGonigle had just found out Rachel Reid was having | 0:04:46 | 0:04:48 | |
a relationship with her husband. | 0:04:48 | 0:04:50 | |
And what about Rachel Reid? | 0:04:50 | 0:04:51 | |
Apparently she was locked in her room all night. | 0:04:51 | 0:04:53 | |
The one person we haven't had a statement from is Mick Moran, | 0:04:53 | 0:04:55 | |
who wasn't exactly Brian's best mate. | 0:04:55 | 0:04:57 | |
Any developments there, Paudge? | 0:04:57 | 0:04:59 | |
He...em... he appears to have absconded. | 0:04:59 | 0:05:03 | |
Interpol have been informed. | 0:05:04 | 0:05:05 | |
No doubt he's probably in a bar in Alicante. | 0:05:05 | 0:05:08 | |
Right, well, keep on him. He's not David Copperfield. | 0:05:08 | 0:05:10 | |
Sean, check out his regular haunts. | 0:05:10 | 0:05:12 | |
OK, no-one's talking. | 0:05:12 | 0:05:13 | |
But then we'll just give up, will we? Go. | 0:05:13 | 0:05:15 | |
Now, Paudge. | 0:05:17 | 0:05:18 | |
Well, Liam Reid was quite aggressive when we spoke to him. | 0:05:20 | 0:05:23 | |
I think that has something to do with the interview techniques. | 0:05:23 | 0:05:26 | |
He would appear to have the biggest motive, boss. | 0:05:29 | 0:05:31 | |
There was no phone trail. | 0:05:31 | 0:05:33 | |
There was no evidence of him at the Pipes. | 0:05:33 | 0:05:34 | |
And there was no sign of a murder weapon. | 0:05:34 | 0:05:36 | |
I want you to concentrate on the Ger McIntyre killing. | 0:05:38 | 0:05:41 | |
Do you have a problem? | 0:05:43 | 0:05:44 | |
I have been across most of the interviews on this case. | 0:05:44 | 0:05:46 | |
I know you have. It's not the only crime we're solving here. | 0:05:46 | 0:05:49 | |
Look, guys, I know that this has been hard, | 0:05:54 | 0:05:57 | |
I know that the hours have been long. | 0:05:57 | 0:05:59 | |
But this is our case, it happened on our patch. | 0:05:59 | 0:06:02 | |
Get out there, and see what we can find. | 0:06:02 | 0:06:04 | |
Cocky young fella, isn't he? | 0:06:09 | 0:06:11 | |
Ah, he's a bit eager, yeah. | 0:06:11 | 0:06:12 | |
We were all young once. | 0:06:12 | 0:06:14 | |
Of course, some of us still are. | 0:06:15 | 0:06:17 | |
Still nothing? | 0:06:18 | 0:06:20 | |
Yeah, we're going to get there, sir. | 0:06:20 | 0:06:22 | |
We need to talk. | 0:06:22 | 0:06:23 | |
Privately. | 0:06:27 | 0:06:28 | |
So, when's the unveiling? | 0:06:42 | 0:06:44 | |
It only just arrived today, sir. | 0:06:44 | 0:06:46 | |
Late night? | 0:06:50 | 0:06:51 | |
No. Headache. Couldn't sleep. | 0:06:51 | 0:06:54 | |
Yeah, part and parcel of the job. | 0:06:54 | 0:06:55 | |
Look, the powers that be are rattling our cage. | 0:06:57 | 0:07:00 | |
The Minister for Justice is looking for positive soundbites | 0:07:00 | 0:07:03 | |
and he's putting pressure on the press office. | 0:07:03 | 0:07:05 | |
Well, look, it's all cocktails and siestas here. | 0:07:05 | 0:07:08 | |
We're short staffed. There's overtime bans. | 0:07:08 | 0:07:10 | |
-They can't expect a miracle. -In case you haven't noticed, | 0:07:10 | 0:07:13 | |
we're not exactly flavour of the month with the media at the moment. | 0:07:13 | 0:07:16 | |
Should I make something up? | 0:07:16 | 0:07:17 | |
If you're not able for this, | 0:07:19 | 0:07:20 | |
maybe it is time I gave it to Dunedin. | 0:07:20 | 0:07:23 | |
So we're doing this, then? | 0:07:29 | 0:07:30 | |
Looks like it. Did they get off all right? | 0:07:31 | 0:07:34 | |
Da, he needs to pay properly. | 0:07:38 | 0:07:40 | |
He tried to rape her. | 0:07:41 | 0:07:42 | |
And you're not going to do anything about it. We're not going to do anything about it. | 0:07:42 | 0:07:46 | |
Do you not think I want to? Do you think I want to be doing this? | 0:07:46 | 0:07:49 | |
Well, then, do something about it! | 0:07:49 | 0:07:51 | |
Listen to me. Fallon tried to rape your mother. Not you. | 0:07:51 | 0:07:58 | |
Not me. Your mother. So we'll do what she asks. | 0:07:59 | 0:08:04 | |
And what she wants. Do you understand me? | 0:08:04 | 0:08:07 | |
Do you understand me? | 0:08:08 | 0:08:09 | |
How do I look? | 0:08:16 | 0:08:18 | |
Great. | 0:08:18 | 0:08:20 | |
-Ma. -Don't. | 0:08:20 | 0:08:22 | |
Ready? | 0:08:25 | 0:08:26 | |
Listen. You stay in the public eye at all times. | 0:08:30 | 0:08:34 | |
Do you hear me? Don't let him take you anywhere. | 0:08:34 | 0:08:36 | |
Understand? | 0:08:36 | 0:08:37 | |
Joe, we need to meet. | 0:08:44 | 0:08:46 | |
Pier Pub. 12 o'clock. | 0:08:47 | 0:08:48 | |
Look, just be there. | 0:08:52 | 0:08:53 | |
No going back now. | 0:08:58 | 0:08:59 | |
So, what's your professional opinion? | 0:09:02 | 0:09:05 | |
Sir? | 0:09:05 | 0:09:06 | |
On the McGonigle case? I mean, you must have a view. | 0:09:06 | 0:09:09 | |
Off the record. | 0:09:09 | 0:09:10 | |
I did find Liam Reid to be quite confrontational in his interview. | 0:09:10 | 0:09:14 | |
Do you think he was hiding something? | 0:09:14 | 0:09:16 | |
I'm looking for your opinion here, Detective Garda, | 0:09:16 | 0:09:19 | |
not a sworn statement. | 0:09:19 | 0:09:20 | |
Maybe...we could have pushed a little harder. | 0:09:22 | 0:09:25 | |
Yeah... tea towels and telephone books? | 0:09:25 | 0:09:27 | |
So why didn't you push him harder? | 0:09:29 | 0:09:31 | |
DI Grogan felt it could be deemed inappropriate behaviour. | 0:09:33 | 0:09:37 | |
I think I could have got somewhere. | 0:09:37 | 0:09:39 | |
They're ready for you outside, sir. | 0:09:39 | 0:09:41 | |
OK. Feeding time. | 0:09:42 | 0:09:44 | |
DOOR LOCK BUZZES | 0:09:44 | 0:09:45 | |
So, what was that about? | 0:09:47 | 0:09:48 | |
Nothing. Just chattin'. | 0:09:48 | 0:09:51 | |
Just chattin'? | 0:09:51 | 0:09:53 | |
I'd ask anybody who may have seen Sergeant McGonigle | 0:09:53 | 0:09:56 | |
on the night in question to please come forward. | 0:09:56 | 0:09:59 | |
Any information, no matter how trivial, can only help with this investigation. | 0:09:59 | 0:10:02 | |
So, nothing new, then? | 0:10:02 | 0:10:04 | |
We are still pursuing various lines of enquiry. | 0:10:04 | 0:10:06 | |
Same-old same-old, you mean? | 0:10:06 | 0:10:08 | |
Detective Inspector Grogan | 0:10:08 | 0:10:09 | |
and her team are working flat out on this case. | 0:10:09 | 0:10:11 | |
As it happens, we have had a breakthrough | 0:10:11 | 0:10:14 | |
and we're focusing on one particular person of interest. | 0:10:14 | 0:10:18 | |
As we get more information, we will let you know. | 0:10:18 | 0:10:20 | |
In the meantime, we have an investigation to get on with. | 0:10:20 | 0:10:22 | |
State of this bleedin' thing. | 0:10:26 | 0:10:27 | |
We got it for nothing, didn't we? | 0:10:29 | 0:10:31 | |
Yeah, well, you'll catch scabies off it or something. | 0:10:31 | 0:10:33 | |
-What if he drags her out? -He won't. | 0:10:40 | 0:10:42 | |
Yeah, what if he does? We should have just done him. | 0:10:42 | 0:10:44 | |
-Keith! -What? That bleedin' scum, he deserves it. I'm telling you. | 0:10:44 | 0:10:49 | |
-Cut him up. -Look will you drop it, OK? Just drop it. | 0:10:49 | 0:10:51 | |
Come on, Bridge. | 0:10:54 | 0:10:55 | |
Come on. | 0:10:55 | 0:10:57 | |
Fancy another? | 0:11:11 | 0:11:12 | |
Yeah. Why not? | 0:11:13 | 0:11:15 | |
No ice. | 0:11:17 | 0:11:19 | |
Right. We're on. | 0:11:41 | 0:11:43 | |
Well, you don't know what we're going to find in there, do you? | 0:11:50 | 0:11:52 | |
I had to give them something. | 0:12:01 | 0:12:03 | |
So you lied to them? | 0:12:03 | 0:12:04 | |
Did I? Detective Walsh doesn't seem to think so. | 0:12:04 | 0:12:07 | |
With all due respect, sir, | 0:12:07 | 0:12:09 | |
Detective Garda Walsh isn't running this investigation. | 0:12:09 | 0:12:11 | |
We're all on the same team here, Nikki. | 0:12:11 | 0:12:14 | |
We gild the lily a little bit... | 0:12:14 | 0:12:16 | |
OK, it gets the vultures off your back, the commissioner off mine. | 0:12:16 | 0:12:19 | |
What's the harm in that? Has the case been jeopardised? Not really. | 0:12:19 | 0:12:23 | |
Some speculation in the newspapers, maybe. | 0:12:23 | 0:12:26 | |
What I did out there was buy you time. | 0:12:26 | 0:12:29 | |
And you should be thanking me for that. | 0:12:29 | 0:12:31 | |
Look, I know. | 0:12:34 | 0:12:35 | |
I know there's been an awful lot of upheaval around here recently. | 0:12:35 | 0:12:39 | |
But we need results. | 0:12:39 | 0:12:40 | |
And if you can't come up with the goods, | 0:12:40 | 0:12:43 | |
then maybe Dunedin is the only option. | 0:12:43 | 0:12:45 | |
We will get there, sir. | 0:12:45 | 0:12:46 | |
OK, and that's what I told the commissioner. | 0:12:46 | 0:12:48 | |
And that's why I backed you for this post. | 0:12:48 | 0:12:51 | |
Don't make me regret that. | 0:12:51 | 0:12:52 | |
There it is, look, there. | 0:13:11 | 0:13:12 | |
Find sockets, will ya? | 0:13:12 | 0:13:13 | |
Come on, Keith, will ya?! | 0:13:15 | 0:13:16 | |
Plug that in. Plug it in. | 0:13:18 | 0:13:19 | |
Oh, Jaysus. | 0:13:27 | 0:13:28 | |
Come on, we have to shift it, come on. | 0:13:28 | 0:13:30 | |
Count of three. One, two, three... | 0:13:30 | 0:13:33 | |
One, two, three. | 0:13:35 | 0:13:36 | |
That should do, that should do. | 0:13:39 | 0:13:40 | |
WHIRRING | 0:13:45 | 0:13:46 | |
Lighten up, Bridget. Things just got a bit rough, that's all. | 0:13:47 | 0:13:50 | |
Some people could say you tried to rape me. | 0:13:50 | 0:13:53 | |
Misunderstandings can be a terrible thing. | 0:13:53 | 0:13:55 | |
There was no misunderstanding. | 0:13:55 | 0:13:57 | |
Well, that really depends on point of view, doesn't it? | 0:13:57 | 0:14:00 | |
Don't play innocent. | 0:14:00 | 0:14:01 | |
You knew what you were doing to me. | 0:14:03 | 0:14:05 | |
You played with the big boys, you got smacked. Lesson learned. | 0:14:07 | 0:14:10 | |
Like Ger McIntyre? | 0:14:11 | 0:14:12 | |
You got a bit overzealous with him. | 0:14:13 | 0:14:15 | |
Now, I'd watch that pretty mouth of yours, Bridge. | 0:14:17 | 0:14:19 | |
Why's that? Have me smacked too, will ya? | 0:14:19 | 0:14:22 | |
Ger was an idiot. | 0:14:27 | 0:14:28 | |
Tried to make me look a fool. | 0:14:29 | 0:14:31 | |
Now he won't. | 0:14:31 | 0:14:32 | |
Just wouldn't have thought you'd kill someone, Joe. | 0:14:35 | 0:14:37 | |
Dog eat dog. There are rules. He played with fire. | 0:14:37 | 0:14:40 | |
He got burnt. | 0:14:40 | 0:14:41 | |
Not the Joe Fallon I once knew. | 0:14:44 | 0:14:46 | |
I sent a wreath. | 0:14:48 | 0:14:49 | |
What about me? | 0:14:53 | 0:14:55 | |
You're not going to break the rules, are you? | 0:14:57 | 0:14:59 | |
Can I ask you a question? | 0:15:02 | 0:15:05 | |
Genuine. | 0:15:05 | 0:15:06 | |
Were you out just to get what you want? | 0:15:08 | 0:15:10 | |
You wouldn't believe me if I told you anyway. | 0:15:14 | 0:15:16 | |
Probably not. | 0:15:19 | 0:15:21 | |
Just keep a lid on McIntyre. | 0:15:24 | 0:15:25 | |
I'd hate to see anything bad happen to you. | 0:15:28 | 0:15:30 | |
How's your grandson? | 0:15:35 | 0:15:36 | |
Is he good? | 0:15:37 | 0:15:39 | |
Answer your phone, Vinny. Answer your phone. | 0:16:03 | 0:16:05 | |
LOUD WHIRRING | 0:16:05 | 0:16:07 | |
DRILL DROWNS OUT PHONE RINGING | 0:16:08 | 0:16:10 | |
INDISTINCT ANSWERPHONE INSTRUCTION | 0:16:29 | 0:16:31 | |
ANSWERPHONE BEEPS | 0:16:31 | 0:16:32 | |
He's just left, Vin. | 0:16:32 | 0:16:34 | |
RINGING TONE | 0:16:38 | 0:16:40 | |
Come on. | 0:16:41 | 0:16:43 | |
Bingo! | 0:16:49 | 0:16:50 | |
You have one new voice message. | 0:17:08 | 0:17:10 | |
He's just left, Vin. | 0:17:10 | 0:17:11 | |
Go. Go! | 0:17:13 | 0:17:15 | |
-Da? -Go now! | 0:17:17 | 0:17:19 | |
PHONE RINGS | 0:17:33 | 0:17:34 | |
Hey, Breen, yeah. I thought you were going to be here. | 0:17:36 | 0:17:38 | |
Yeah, I'll be in the office, then. | 0:17:40 | 0:17:41 | |
Ya stupid... Did you get it? | 0:18:00 | 0:18:02 | |
Right, come on. | 0:18:04 | 0:18:05 | |
KNOCK ON DOOR Yeah? | 0:18:05 | 0:18:07 | |
May I? | 0:18:07 | 0:18:09 | |
Yes. Of course. | 0:18:09 | 0:18:10 | |
My client, Jonathan Burgess. He's agreed a plea. | 0:18:10 | 0:18:15 | |
You're joking. Well, fair play to him, that's great news. | 0:18:15 | 0:18:18 | |
OK, well, I can get this on... | 0:18:20 | 0:18:22 | |
Claire, I'm so sorry. | 0:18:27 | 0:18:28 | |
That came this morning. I was meant to catch you. | 0:18:28 | 0:18:30 | |
There's supposed to be a ceremony, like an unveiling. | 0:18:30 | 0:18:33 | |
Yeah. | 0:18:33 | 0:18:34 | |
Yeah, I remember James had to do one. | 0:18:37 | 0:18:39 | |
First big speech. | 0:18:42 | 0:18:43 | |
For his old boss. | 0:18:45 | 0:18:46 | |
But we'll do it whenever you're ready, OK? | 0:18:48 | 0:18:51 | |
I don't know that I ever will be. | 0:18:54 | 0:18:55 | |
He was all about the job, no matter how much he tried... | 0:18:57 | 0:19:02 | |
..pretended. | 0:19:05 | 0:19:06 | |
And now look at him. | 0:19:09 | 0:19:10 | |
A statistic. | 0:19:12 | 0:19:13 | |
Another...picture on a wall. | 0:19:18 | 0:19:20 | |
Don't end up like him. | 0:19:29 | 0:19:30 | |
It's not worth it. | 0:19:34 | 0:19:36 | |
Names, addresses, money owed. | 0:19:44 | 0:19:46 | |
And we got this. | 0:19:48 | 0:19:49 | |
You took his money? | 0:19:51 | 0:19:52 | |
-Yeah. -That's not what we agreed. | 0:19:52 | 0:19:54 | |
Ma, there's a lot of money in this bag. And here, | 0:19:55 | 0:19:58 | |
he's lucky I didn't torch the place. | 0:19:58 | 0:20:00 | |
Is it there? Tell me it's there, Bridge. | 0:20:01 | 0:20:03 | |
Here. Hands! | 0:20:30 | 0:20:32 | |
Keith, drop that off and come straight back here. | 0:20:36 | 0:20:38 | |
Do you understand me? | 0:20:38 | 0:20:39 | |
Yeah. | 0:20:39 | 0:20:40 | |
Go on. | 0:20:40 | 0:20:42 | |
This backfires.... | 0:20:53 | 0:20:55 | |
..we're dead. | 0:20:57 | 0:20:58 | |
Anything? | 0:21:11 | 0:21:13 | |
What's taking them so long? Gave it to them on a plate. | 0:21:13 | 0:21:15 | |
What are you doing? | 0:21:39 | 0:21:40 | |
The tablets aren't working. | 0:21:45 | 0:21:47 | |
I was going to take it.... | 0:21:49 | 0:21:51 | |
Just to get something myself, just to ease the pain... | 0:21:51 | 0:21:55 | |
But I knew I couldn't stop. | 0:21:55 | 0:21:57 | |
I want to, I do, Mam, I really do... | 0:21:58 | 0:22:01 | |
I keep seeing Dad, lying there. Because of me. | 0:22:03 | 0:22:05 | |
I'm going to take that money. I don't want to. | 0:22:09 | 0:22:11 | |
But you didn't. | 0:22:15 | 0:22:17 | |
This time. This time. | 0:22:17 | 0:22:18 | |
Your dad can't. He's... | 0:22:23 | 0:22:25 | |
I know. I know. | 0:22:25 | 0:22:26 | |
I know. I know. I know. | 0:22:26 | 0:22:29 | |
Hey. | 0:22:33 | 0:22:34 | |
Do you have someone? | 0:22:41 | 0:22:43 | |
You can call? | 0:22:43 | 0:22:44 | |
A dealer? | 0:22:47 | 0:22:48 | |
I'll get dressed. | 0:22:51 | 0:22:52 | |
No. | 0:22:52 | 0:22:53 | |
Last thing I need is you having a relapse. | 0:23:00 | 0:23:02 | |
You were right. We have to see this thing through. | 0:23:06 | 0:23:09 | |
Right to the end. | 0:23:12 | 0:23:13 | |
Yeah... Come in. | 0:23:17 | 0:23:18 | |
Could you check that out for me? | 0:23:20 | 0:23:22 | |
OK, great. All right. Thank you, take care, bye. | 0:23:23 | 0:23:27 | |
All-nighter? | 0:23:27 | 0:23:28 | |
How can you tell? | 0:23:28 | 0:23:29 | |
Anonymous drop in last night. | 0:23:30 | 0:23:32 | |
Original's been sent to the bureau for prints along with | 0:23:32 | 0:23:35 | |
the envelope it came in. | 0:23:35 | 0:23:36 | |
Property of Joe Fallon. | 0:23:36 | 0:23:38 | |
It's got names, the amount they borrowed, the amount they owe. | 0:23:38 | 0:23:42 | |
Interest rates. It's like he makes it up as he goes along. | 0:23:42 | 0:23:44 | |
Fourth line down. | 0:23:46 | 0:23:47 | |
Ger McIntyre. | 0:23:48 | 0:23:50 | |
Up to his neck. | 0:23:50 | 0:23:51 | |
All right. Get a warrant issued. Bring him in. | 0:23:53 | 0:23:56 | |
SIRENS WAIL | 0:23:58 | 0:24:00 | |
You lot take the warehouse. | 0:24:11 | 0:24:13 | |
Right, son, yeah. Straight back now. | 0:24:23 | 0:24:26 | |
He's going to know it's us soon enough anyway. | 0:24:30 | 0:24:33 | |
We just keep calm. | 0:24:33 | 0:24:34 | |
Bit of a break in? Professional looking job. | 0:24:36 | 0:24:38 | |
DIY enthusiast. | 0:24:40 | 0:24:41 | |
If you wouldn't mind coming down to the station. | 0:24:43 | 0:24:46 | |
Help us with some enquiries. | 0:24:46 | 0:24:48 | |
Or we could always just arrest you. | 0:24:48 | 0:24:50 | |
Always willing to do my duty as a citizen. | 0:24:54 | 0:24:56 | |
Great. | 0:24:56 | 0:24:58 | |
And don't worry, we won't forget to lock up when we're finished. | 0:24:58 | 0:25:02 | |
I wasn't in the mood, OK? | 0:25:06 | 0:25:07 | |
That's the whole reason to go drinking. | 0:25:07 | 0:25:09 | |
Something they're not telling us? | 0:25:17 | 0:25:19 | |
Paudge! | 0:25:19 | 0:25:21 | |
What have I done now? | 0:25:21 | 0:25:22 | |
Mick Moran. There's been a sighting. | 0:25:22 | 0:25:25 | |
Come on, get your kit on. | 0:25:25 | 0:25:26 | |
Well, you interviewed him. Come on, let's go. | 0:25:27 | 0:25:29 | |
Right. You get it, you come straight back, OK? | 0:25:44 | 0:25:48 | |
And stay in sight. | 0:25:50 | 0:25:52 | |
Mam... I'm... | 0:25:54 | 0:25:55 | |
Just go. | 0:25:56 | 0:25:57 | |
PHONE RINGS | 0:26:13 | 0:26:15 | |
Tommy. | 0:26:20 | 0:26:21 | |
We're fine. | 0:26:23 | 0:26:24 | |
I'll call you when we're done. | 0:26:26 | 0:26:28 | |
Detective Garda Walsh starting my interview with | 0:26:28 | 0:26:31 | |
Mr Joseph Fallon at 11.16. Garda Holden also present. | 0:26:31 | 0:26:36 | |
You've come here voluntarily to help us with our enquiries. | 0:26:36 | 0:26:39 | |
And I understand I'm not under arrest, | 0:26:39 | 0:26:41 | |
so can we get on with this? | 0:26:41 | 0:26:42 | |
Do you know a Gerard McIntyre, Mr Fallon? | 0:26:42 | 0:26:44 | |
No, that's not lighting up any brain cells. | 0:26:46 | 0:26:49 | |
You're sure? | 0:26:49 | 0:26:51 | |
No, nothing. Sorry. | 0:26:51 | 0:26:53 | |
Maybe this might refresh your memory. | 0:26:55 | 0:26:57 | |
He died of injuries sustained from a severe beating. | 0:27:02 | 0:27:05 | |
The streets aren't safe. | 0:27:10 | 0:27:12 | |
I personally believe a bigger Garda presence is necessary. | 0:27:12 | 0:27:15 | |
And you have no recollection of actually meeting this man? | 0:27:18 | 0:27:22 | |
You're just going to keep asking me until I say yes, eh? | 0:27:22 | 0:27:25 | |
Your associate Mr Breen recognised him. | 0:27:26 | 0:27:28 | |
Yeah? Well, we're not joined at the hip. | 0:27:28 | 0:27:30 | |
What about this? | 0:27:33 | 0:27:35 | |
You recognise that? | 0:27:36 | 0:27:37 | |
If you could answer the question, Mr Fallon. | 0:27:41 | 0:27:43 | |
If you could speak up, Mr Fallon. | 0:27:44 | 0:27:46 | |
No. No, I don't. | 0:27:47 | 0:27:49 | |
So you've never seen this before? | 0:27:49 | 0:27:52 | |
I think that's what "no" means. | 0:27:52 | 0:27:54 | |
Just needed confirmation. | 0:27:56 | 0:27:57 | |
What about this? | 0:27:59 | 0:28:00 | |
For the record, I'm showing Mr Fallon exhibit 1A, | 0:28:03 | 0:28:06 | |
a notebook page taken under warrant from his office this morning. | 0:28:06 | 0:28:10 | |
Looks like the same handwriting. | 0:28:13 | 0:28:15 | |
So, do you want to take a closer look? | 0:28:17 | 0:28:19 | |
Am I being charged with anything here? | 0:28:20 | 0:28:22 | |
You're merely helping us with our enquiries. | 0:28:22 | 0:28:24 | |
So I'm free to go. | 0:28:24 | 0:28:26 | |
Any time you like. | 0:28:26 | 0:28:27 | |
Right, then. | 0:28:27 | 0:28:28 | |
Still waiting. | 0:28:35 | 0:28:36 | |
Last time, Tommy. | 0:28:39 | 0:28:41 | |
Please let this be the last time. | 0:28:42 | 0:28:44 | |
They're here. I'll call you back. | 0:28:49 | 0:28:51 | |
I thought you were sick. | 0:29:09 | 0:29:11 | |
No, I... Yeah...I just needed some air. | 0:29:11 | 0:29:15 | |
Mick Moran. He's been seen in the area. | 0:29:15 | 0:29:18 | |
Don't suppose you've seen anything. | 0:29:18 | 0:29:20 | |
No. | 0:29:20 | 0:29:21 | |
Oi! | 0:29:30 | 0:29:31 | |
All right there, son? | 0:29:40 | 0:29:41 | |
Bring him in. | 0:30:06 | 0:30:07 | |
Now. | 0:30:08 | 0:30:10 | |
And I want him searched. | 0:30:10 | 0:30:12 | |
You don't have to do this. | 0:30:29 | 0:30:31 | |
Right. Empty your pockets. | 0:31:08 | 0:31:10 | |
Empty your pockets, Conor, please. | 0:31:11 | 0:31:12 | |
Not exactly Rockefeller. | 0:31:27 | 0:31:28 | |
Right. Arms out. | 0:31:33 | 0:31:34 | |
Belt. | 0:31:41 | 0:31:42 | |
Just your fingerprints and you're done. | 0:31:46 | 0:31:48 | |
No cell, Paudge. | 0:32:12 | 0:32:13 | |
Please. | 0:32:15 | 0:32:17 | |
Room two is free. | 0:32:23 | 0:32:24 | |
Thank you. | 0:32:27 | 0:32:28 | |
You'll be fine. | 0:32:32 | 0:32:34 | |
Maybe he hasn't copped yet. | 0:32:56 | 0:32:58 | |
He's not thick. | 0:32:58 | 0:32:59 | |
PHONE RINGS | 0:33:01 | 0:33:02 | |
Here we go. | 0:33:04 | 0:33:05 | |
How are you, Joe? Everything all right? | 0:33:07 | 0:33:09 | |
Don't try me, Bridget. | 0:33:09 | 0:33:10 | |
We've things to discuss. | 0:33:10 | 0:33:12 | |
We do. | 0:33:12 | 0:33:13 | |
Well, I'm in the Pier Pub, now, if you have a minute. | 0:33:13 | 0:33:16 | |
You. Out. | 0:33:19 | 0:33:20 | |
What? I'm not going anywhere. | 0:33:20 | 0:33:22 | |
Will you just do as you're told, will you? | 0:33:22 | 0:33:24 | |
No. No way. I'm stayin'. | 0:33:24 | 0:33:26 | |
Last thing we need is you goin' off on one. | 0:33:26 | 0:33:27 | |
Now go on, get out! | 0:33:27 | 0:33:28 | |
Fine. Not going far. | 0:33:30 | 0:33:32 | |
I'm on me phone, yeah? | 0:33:32 | 0:33:34 | |
Yeah, right, son. | 0:33:34 | 0:33:35 | |
Nearly there. | 0:33:39 | 0:33:40 | |
Take him out and have the medic look at him. | 0:33:47 | 0:33:49 | |
-Now, Sharon. -Conor? | 0:33:49 | 0:33:51 | |
You. Out. | 0:34:02 | 0:34:03 | |
So what else have you been lying about? | 0:34:17 | 0:34:19 | |
If you want me to drop this, you better start talking. | 0:34:22 | 0:34:26 | |
I can't believe it. Conor? | 0:34:35 | 0:34:38 | |
Cos he's not a zombie going around in trackies? | 0:34:38 | 0:34:40 | |
No, it's just...the Skip's son, like. | 0:34:40 | 0:34:45 | |
And she was buying him the drugs? | 0:34:45 | 0:34:46 | |
Technically, he was buying. | 0:34:48 | 0:34:49 | |
Yeah, but she was facilitating. | 0:34:49 | 0:34:51 | |
He's her son. | 0:34:51 | 0:34:52 | |
You didn't have to charge him. | 0:34:52 | 0:34:54 | |
That was Nikki's idea, not mine. | 0:34:54 | 0:34:57 | |
Wait until the Super gets hold of this. | 0:34:57 | 0:34:59 | |
Well, how's he going to hear about it? | 0:35:00 | 0:35:02 | |
Bound to get out, isn't it? | 0:35:02 | 0:35:04 | |
Not from here, it's not. | 0:35:04 | 0:35:06 | |
Look, all I'm saying is, she's compromised herself. | 0:35:06 | 0:35:08 | |
Are you naturally a knobhead or is it something you have to work at? | 0:35:10 | 0:35:13 | |
Remind me never to get stuck in a trench with that fella. | 0:35:17 | 0:35:20 | |
You should have come to me. | 0:35:23 | 0:35:24 | |
Then you would have known. | 0:35:27 | 0:35:28 | |
Everyone would have known. | 0:35:30 | 0:35:32 | |
Tommy read this article. | 0:35:38 | 0:35:40 | |
We decided to wean him off ourselves. | 0:35:42 | 0:35:44 | |
Tommy'd go out with him. Bring it back to the house. | 0:35:46 | 0:35:50 | |
We'd ration it out. We'd watch... | 0:35:50 | 0:35:53 | |
..our son... | 0:35:56 | 0:35:57 | |
..sticking it in his arm... | 0:36:01 | 0:36:03 | |
You let me help. | 0:36:04 | 0:36:06 | |
Let me make a few phone calls. I can get him bumped up the list. | 0:36:06 | 0:36:09 | |
Look, it's out now, Ange. | 0:36:10 | 0:36:11 | |
And you can forget about the charge sheet. | 0:36:12 | 0:36:14 | |
I can't. | 0:36:16 | 0:36:17 | |
Purely selfish reasons. I need you here. | 0:36:17 | 0:36:20 | |
All this stuff about Brian in the press. | 0:36:20 | 0:36:22 | |
You're the only one I can trust to keep me sane around here. | 0:36:24 | 0:36:27 | |
Don't say that. | 0:36:27 | 0:36:28 | |
It's the truth. We're going to get this sorted. | 0:36:28 | 0:36:31 | |
Get you home to Tommy. | 0:36:32 | 0:36:34 | |
Is there something else? | 0:36:39 | 0:36:40 | |
Ange? | 0:36:43 | 0:36:45 | |
Everything is just a lie. | 0:36:45 | 0:36:46 | |
What are you talking about? | 0:36:51 | 0:36:52 | |
-And you're going to have to start talking because I can't help you if... -Brian knew. | 0:36:54 | 0:36:58 | |
What we were up to. | 0:36:59 | 0:37:00 | |
Big man, sit. | 0:37:10 | 0:37:12 | |
Vinnie. | 0:37:12 | 0:37:13 | |
You think I wouldn't've guessed? | 0:37:18 | 0:37:20 | |
Took your time, actually. | 0:37:20 | 0:37:23 | |
We'll talk about the money later. I just want the ledger. | 0:37:23 | 0:37:25 | |
-Do you think I'd have it on me? -I dunno. | 0:37:25 | 0:37:27 | |
You were stupid enough to have drill bit here rob it from me. | 0:37:27 | 0:37:30 | |
You're gone, Fallon. | 0:37:30 | 0:37:31 | |
You keep your dog under control, will you, Bridge? | 0:37:31 | 0:37:34 | |
You're on their radar now. | 0:37:34 | 0:37:35 | |
It's all circumstantial. | 0:37:37 | 0:37:39 | |
I never touched the guy. | 0:37:40 | 0:37:41 | |
-RECORDING: -..Ger McIntyre. -Ger was an idiot. | 0:37:47 | 0:37:50 | |
He tried to make me look like a fool. Now he won't. | 0:37:50 | 0:37:53 | |
Just wouldn't've thought you killed someone, Joe. | 0:37:54 | 0:37:57 | |
Dog eat dog. There are rules. He played with fire. | 0:37:57 | 0:37:59 | |
He got burnt. | 0:37:59 | 0:38:00 | |
Not the Joe Fallon I once know. | 0:38:00 | 0:38:02 | |
RECORDING STOPS | 0:38:02 | 0:38:04 | |
I've copies with a solicitor. | 0:38:06 | 0:38:07 | |
Anything happens to me, Vinnie, or the kids, | 0:38:07 | 0:38:09 | |
it goes straight to the guards. | 0:38:09 | 0:38:10 | |
So you might as well just...go. | 0:38:10 | 0:38:13 | |
I'm going nowhere. | 0:38:14 | 0:38:15 | |
I never took you for a snitch. | 0:38:16 | 0:38:18 | |
You're rattling the wrong cage, Joe. | 0:38:18 | 0:38:20 | |
Don't get cocky about this. | 0:38:20 | 0:38:21 | |
What did she tell you? | 0:38:26 | 0:38:28 | |
That I jumped her bones? | 0:38:28 | 0:38:29 | |
You think that's how it went down? | 0:38:31 | 0:38:32 | |
Did you tell him all about the hotel? | 0:38:35 | 0:38:37 | |
It was good room service, if you know what I mean. | 0:38:38 | 0:38:40 | |
Your Bridge, she's a gamey girl. | 0:38:44 | 0:38:46 | |
Let's just say her legs weren't exactly crossed. | 0:38:47 | 0:38:50 | |
PEOPLE GASP | 0:38:53 | 0:38:55 | |
Get back! Now! Back! | 0:38:55 | 0:38:58 | |
Give me one good reason why I shouldn't stick | 0:39:02 | 0:39:05 | |
this in your face, huh? | 0:39:05 | 0:39:06 | |
Vinnie, don't! | 0:39:06 | 0:39:08 | |
You sniff around my wife again... | 0:39:13 | 0:39:15 | |
Get out of here, you ratbag! | 0:39:19 | 0:39:22 | |
He wanted me to stand up in court and tell them all that Sharon... | 0:39:39 | 0:39:43 | |
Sharon what? | 0:39:43 | 0:39:45 | |
Forced Rachel... to make her testimony. | 0:39:45 | 0:39:51 | |
And would you have? | 0:39:51 | 0:39:52 | |
No... | 0:39:52 | 0:39:53 | |
Would you have? | 0:39:53 | 0:39:55 | |
I had your son sit in that seat and make a sworn statement. | 0:39:57 | 0:40:00 | |
I know. | 0:40:00 | 0:40:02 | |
Oh, my God. | 0:40:06 | 0:40:08 | |
You coached him. | 0:40:09 | 0:40:10 | |
You told him what to say. | 0:40:13 | 0:40:14 | |
Withholding evidence in a murder investigation. Brian's murder. | 0:40:17 | 0:40:22 | |
He was doing so well. | 0:40:22 | 0:40:24 | |
-God! -I didn't want him to... | 0:40:24 | 0:40:26 | |
You saw us. | 0:40:26 | 0:40:27 | |
You saw us working so hard, the hours that we were pulling. | 0:40:27 | 0:40:30 | |
You saw us being dragged through the press. | 0:40:30 | 0:40:33 | |
And you sat there supportive, knowing what you know? | 0:40:33 | 0:40:35 | |
You're on your own, Ange. | 0:40:40 | 0:40:42 | |
You are on your own. | 0:40:42 | 0:40:43 | |
You and your son. | 0:40:44 | 0:40:46 |