Browse content similar to Episode 21. Check below for episodes and series from the same categories and more!
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SIREN WAILS | 0:00:02 | 0:00:04 | |
What about this? You recognise that? | 0:00:04 | 0:00:06 | |
Oi! | 0:00:08 | 0:00:10 | |
We'll talk about the money later. I just want the ledger. | 0:00:13 | 0:00:15 | |
Do you think I'd have it on me? | 0:00:15 | 0:00:16 | |
I dunno, you were stupid enough to have jailbait here rob it from me. | 0:00:16 | 0:00:19 | |
You're gone, Fallon. | 0:00:19 | 0:00:21 | |
I had your son sit in that seat and make a sworn statement. | 0:00:21 | 0:00:23 | |
-I know... -Withholding evidence in a murder investigation. | 0:00:23 | 0:00:27 | |
You're on your own, Ange. You and your son. | 0:00:27 | 0:00:30 | |
-It was the first time. -Did you know about this? | 0:01:22 | 0:01:25 | |
-No. -Jesus Christ... | 0:01:25 | 0:01:27 | |
Did anybody recognise her where she was picked up? | 0:01:27 | 0:01:29 | |
No. Not that I am aware of. | 0:01:29 | 0:01:31 | |
-Where's Angela now? -Room 2. -And the boy? -Interview room. | 0:01:31 | 0:01:34 | |
Did you really have to bring him in? | 0:01:34 | 0:01:36 | |
Well, I didn't want it to look like I was giving special treatment, did I? | 0:01:36 | 0:01:39 | |
Look, we are going to have to contain this circus fast. | 0:01:39 | 0:01:41 | |
I've a team at their house now. | 0:01:41 | 0:01:42 | |
How...? What do you mean, searching? For drugs? | 0:01:42 | 0:01:45 | |
Evidence. McGonigle was blackmailing her about Conor. | 0:01:47 | 0:01:52 | |
Why didn't she say anything?! | 0:01:52 | 0:01:53 | |
Look, I want her out of this station. | 0:01:53 | 0:01:56 | |
-I have a few more... -I mean - out. For good. | 0:01:56 | 0:01:59 | |
-We won't be long, Mr Tyrell. -Get a kick out of this, do you? | 0:02:04 | 0:02:08 | |
-No. Honestly. -Well, I'm not keeping you. | 0:02:08 | 0:02:10 | |
I want to see my son and my wife. | 0:02:10 | 0:02:12 | |
She's a little tied up at the moment. | 0:02:12 | 0:02:14 | |
What's going on? | 0:02:14 | 0:02:16 | |
She's being questioned, Tommy. | 0:02:16 | 0:02:18 | |
Leave that. Leave it! There's nothing in there. | 0:02:18 | 0:02:20 | |
And we'll need to talk to you as well. | 0:02:20 | 0:02:23 | |
What? | 0:02:23 | 0:02:24 | |
She makes one lousy mistake - | 0:02:24 | 0:02:26 | |
and you haul us all in, like we're the criminals? | 0:02:26 | 0:02:28 | |
-Let me do that, love. -I can fill me own kettle. | 0:02:39 | 0:02:42 | |
DOOR OPENS | 0:02:47 | 0:02:50 | |
-Well? -Gaff's all cleared out. | 0:02:50 | 0:02:53 | |
And Jesus knows a fella out in the airport. | 0:02:53 | 0:02:55 | |
And he seen Fallon heading in... | 0:02:55 | 0:02:57 | |
Good bleedin' riddance. | 0:02:58 | 0:03:00 | |
You think it's as simple as that? | 0:03:01 | 0:03:03 | |
He's scum, but he's not a tick. He wouldn't dare... | 0:03:05 | 0:03:08 | |
He knows he'll be licking the bottom of the Liffey if he tried anything. | 0:03:10 | 0:03:13 | |
So what are we going to do with the cash? | 0:03:13 | 0:03:15 | |
Leave it. | 0:03:15 | 0:03:17 | |
Leave it? It's ours now. Finders keepers. | 0:03:17 | 0:03:19 | |
No need to be scared of him. | 0:03:19 | 0:03:22 | |
Who says I'm bleedin' afraid?! | 0:03:22 | 0:03:23 | |
I have a cousin who got into drugs. | 0:03:41 | 0:03:42 | |
Did you? | 0:03:45 | 0:03:46 | |
I'm really sorry, Angela. | 0:03:49 | 0:03:51 | |
Mum! | 0:03:51 | 0:03:53 | |
They know about Brian. | 0:03:59 | 0:04:01 | |
Can I get you anything? | 0:04:16 | 0:04:18 | |
So, as of today, | 0:04:18 | 0:04:20 | |
Tommy, Conor and Angela Tyrell are all | 0:04:20 | 0:04:22 | |
prime suspects in the murder of Brian McGonigle. | 0:04:22 | 0:04:24 | |
Brian wanted Angela to change her statement. Discredit Sharon. | 0:04:27 | 0:04:30 | |
Dirty scumbag. | 0:04:32 | 0:04:33 | |
Blackmail's a pretty standard motive for murder. | 0:04:33 | 0:04:36 | |
Hiya, Tommy, it's me... | 0:04:38 | 0:04:42 | |
Ange? | 0:04:42 | 0:04:43 | |
SHE SOBS | 0:04:59 | 0:05:01 | |
Could they not try rehab or something? | 0:05:05 | 0:05:07 | |
They did. They tried everything. | 0:05:07 | 0:05:09 | |
They thought that this was their only option. | 0:05:09 | 0:05:12 | |
No-one here seriously thinks the Sarge had anything to do with | 0:05:12 | 0:05:15 | |
Brian's murder? | 0:05:15 | 0:05:16 | |
She was a stickler...not so much as a paperclip out of place. | 0:05:16 | 0:05:21 | |
She was buying illegal drugs in broad daylight. | 0:05:21 | 0:05:24 | |
Maybe you don't know your sergeant as well as you think you do. | 0:05:25 | 0:05:28 | |
How long till we can see him? | 0:05:38 | 0:05:39 | |
They've got to go back through all his past statements. | 0:05:41 | 0:05:44 | |
He's going to need a break. | 0:05:46 | 0:05:49 | |
He'll get one. They'll make sure he gets something. | 0:05:49 | 0:05:52 | |
Oh, God, Tommy... | 0:05:55 | 0:05:57 | |
Tommy, how're you feeling? | 0:06:07 | 0:06:08 | |
I've been better but... | 0:06:10 | 0:06:12 | |
Thanks, Sharon. | 0:06:14 | 0:06:15 | |
Listen... | 0:06:17 | 0:06:20 | |
..I know you've been hearing all sorts but, eh... | 0:06:23 | 0:06:25 | |
..please believe, I... | 0:06:28 | 0:06:29 | |
We understand. | 0:06:29 | 0:06:31 | |
Can't have been easy, coming in here every day. | 0:06:32 | 0:06:35 | |
Painting on a smile? | 0:06:38 | 0:06:40 | |
Hi, Skip. | 0:06:44 | 0:06:46 | |
They're ready for you. | 0:06:46 | 0:06:48 | |
-Where? -Interview room one. | 0:06:48 | 0:06:50 | |
You ready? | 0:07:21 | 0:07:22 | |
Detective Garda Rory Walsh starting the interview with | 0:07:24 | 0:07:27 | |
Sergeant Angela Tyrell. | 0:07:27 | 0:07:28 | |
You should turn on the tape. | 0:07:28 | 0:07:30 | |
Detective Garda Rory Walsh starting the interview with | 0:07:47 | 0:07:50 | |
Sergeant Angela Tyrell. | 0:07:50 | 0:07:51 | |
Detective Inspector Nikki Grogan also present. | 0:07:51 | 0:07:54 | |
Can you talk us | 0:07:55 | 0:07:56 | |
through what happened on the night of April 12th? | 0:07:56 | 0:07:59 | |
From what time? | 0:07:59 | 0:08:00 | |
Um, you were rostered that day from 9 till 5pm. | 0:08:01 | 0:08:04 | |
What time did you get home? | 0:08:04 | 0:08:06 | |
The usual. Close to six. | 0:08:08 | 0:08:10 | |
Who was home? | 0:08:10 | 0:08:12 | |
Nobody. Stephen was at training. Tommy was working. | 0:08:12 | 0:08:16 | |
And Conor... He was, erm... | 0:08:16 | 0:08:18 | |
He was at the McGonigles'. | 0:08:21 | 0:08:23 | |
OK. What did you do next? | 0:08:25 | 0:08:27 | |
Rang Tommy. He was out looking for him. | 0:08:29 | 0:08:31 | |
Conor'd cleared us out of booze. | 0:08:33 | 0:08:35 | |
You thought he'd gone to score? | 0:08:35 | 0:08:37 | |
Maybe. | 0:08:40 | 0:08:41 | |
Then what did you do? | 0:08:42 | 0:08:44 | |
Erm, I stayed put, in case he came back... | 0:08:44 | 0:08:47 | |
And Stephen was due home. | 0:08:47 | 0:08:49 | |
Did you ring Tommy again? | 0:08:49 | 0:08:51 | |
-Yeah. -How many times. | 0:08:51 | 0:08:53 | |
I lost count. | 0:08:53 | 0:08:55 | |
Your phone records will corroborate that? | 0:08:57 | 0:08:59 | |
Did Conor know that Brian was putting pressure on you? | 0:09:11 | 0:09:14 | |
Is that why he went to see Jules? | 0:09:14 | 0:09:16 | |
I don't know... | 0:09:17 | 0:09:19 | |
Did you tell Conor that Brian called you that night? | 0:09:19 | 0:09:22 | |
No. How could I? I didn't have a clue where he was. | 0:09:23 | 0:09:28 | |
What did Brian want to talk about? | 0:09:32 | 0:09:34 | |
I told you. I didn't give him a chance. | 0:09:37 | 0:09:40 | |
-I hung up. -You weren't interested? | 0:09:40 | 0:09:42 | |
It was the night before the trial. He wanted me to perjure myself! | 0:09:42 | 0:09:46 | |
-I didn't need to hear it again! -Course. | 0:09:46 | 0:09:48 | |
I told him to leave me alone. | 0:09:52 | 0:09:54 | |
Did you tell Tommy about that call? | 0:09:57 | 0:09:59 | |
Yeah. | 0:10:05 | 0:10:07 | |
Course I did. | 0:10:08 | 0:10:10 | |
SIRENS WAIL | 0:10:15 | 0:10:17 | |
Will you put that away? | 0:10:20 | 0:10:23 | |
You know what we need? A decent motor. | 0:10:23 | 0:10:26 | |
Oh, yeah, deadly. | 0:10:26 | 0:10:28 | |
No, we're not flashing that cash around. Keep a low profile. | 0:10:28 | 0:10:31 | |
Something classy. | 0:10:31 | 0:10:32 | |
Something sporty, like. Says we're going places. | 0:10:32 | 0:10:35 | |
Oh, yeah? Like where? | 0:10:35 | 0:10:37 | |
I don't know, around, like. | 0:10:37 | 0:10:38 | |
DOOR BANGS | 0:10:39 | 0:10:41 | |
-Gone, he said. -He has gone. | 0:10:44 | 0:10:46 | |
Yeah, but his thugs are all over the town! | 0:10:46 | 0:10:48 | |
WOMAN SPEAKS INDISTINCTLY | 0:10:57 | 0:10:59 | |
Ma, it's some bird. | 0:10:59 | 0:11:00 | |
-Bridget Kiely, is it? -Who's asking? | 0:11:02 | 0:11:05 | |
Is he here with you? | 0:11:05 | 0:11:06 | |
-Who? -Joe Fallon. | 0:11:06 | 0:11:08 | |
Where's Angela? | 0:11:12 | 0:11:13 | |
We've spoken to her. | 0:11:13 | 0:11:15 | |
We just need to go over a few things. | 0:11:15 | 0:11:17 | |
Did you believe Brian's threat was genuine? | 0:11:18 | 0:11:20 | |
No, I thought he was just having a bit of fun. | 0:11:22 | 0:11:24 | |
He was harassing your wife. Threatening your family. | 0:11:27 | 0:11:30 | |
You didn't think of paying him a visit? | 0:11:30 | 0:11:33 | |
Make things worse, you mean? | 0:11:33 | 0:11:34 | |
Did you think that Angela should change her statement? | 0:11:36 | 0:11:39 | |
You know her. She wouldn't. | 0:11:39 | 0:11:42 | |
No...? She didn't seem 100% sure to me. | 0:11:42 | 0:11:45 | |
Brian had you over a barrel. | 0:11:47 | 0:11:50 | |
Is that not the nature of blackmail, son? | 0:11:50 | 0:11:52 | |
On the night that Brian was killed, | 0:11:53 | 0:11:56 | |
how long would you say that you drove around looking for Conor? | 0:11:56 | 0:11:59 | |
A couple of hours or so. | 0:12:01 | 0:12:02 | |
Where did you go? | 0:12:03 | 0:12:05 | |
Killian Park. The flats. | 0:12:07 | 0:12:10 | |
The Ridge. All the usual haunts... | 0:12:10 | 0:12:13 | |
-Do you have sat nav in your cab? -Of course. | 0:12:14 | 0:12:16 | |
We have here Angela's phone records. | 0:12:19 | 0:12:22 | |
She called you throughout the evening. | 0:12:22 | 0:12:24 | |
-So? -You didn't always pick up, though. | 0:12:24 | 0:12:28 | |
There's a gap. | 0:12:28 | 0:12:29 | |
An hour and a half where she couldn't get through. | 0:12:29 | 0:12:32 | |
I must've been out of signal. | 0:12:32 | 0:12:34 | |
Between the hours of 8.55 and 10.20. | 0:12:35 | 0:12:39 | |
Can you be more specific about where you were then? | 0:12:40 | 0:12:43 | |
Not really, no. | 0:12:43 | 0:12:46 | |
I was herding around the place looking for my son, | 0:12:46 | 0:12:48 | |
thinking he could be dead somewhere. | 0:12:48 | 0:12:51 | |
Don't worry. We can check your sat nav. | 0:12:51 | 0:12:53 | |
Tommy, Brian was killed between | 0:12:56 | 0:12:59 | |
8pm and 11pm on the 12th of April. | 0:12:59 | 0:13:01 | |
Were you at the Pipes during that time? | 0:13:03 | 0:13:05 | |
-The Pipes, Tommy, you know the place... -I know. | 0:13:06 | 0:13:09 | |
Were you there? | 0:13:10 | 0:13:11 | |
So, you owe Fallon money? | 0:13:19 | 0:13:21 | |
I borrowed it before Christmas. | 0:13:21 | 0:13:23 | |
Try and give the kids a decent time, ya know? | 0:13:23 | 0:13:26 | |
Joe was due a payment two days ago. | 0:13:26 | 0:13:29 | |
Tell me where to find him. | 0:13:29 | 0:13:31 | |
He'll turn nasty - you don't know what he's like. | 0:13:31 | 0:13:33 | |
You shouldn't have got mixed up with him, then. | 0:13:33 | 0:13:36 | |
What's your name, love? | 0:13:37 | 0:13:39 | |
Sheila Ryan. | 0:13:39 | 0:13:40 | |
Sheila, you're off the hook. | 0:13:40 | 0:13:42 | |
What? How come? | 0:13:44 | 0:13:46 | |
-Joe won't be coming back. -Here you go. Happy days! | 0:13:46 | 0:13:48 | |
He's not...? | 0:13:51 | 0:13:52 | |
-No! -What've you done? | 0:13:52 | 0:13:55 | |
Nothing! | 0:13:55 | 0:13:57 | |
Go home to your kids. Forget all about him. | 0:13:57 | 0:13:59 | |
What happens when I need cash? What else am I supposed to do? | 0:13:59 | 0:14:02 | |
Don't come whingeing round here, that's for sure. Now, get out! | 0:14:02 | 0:14:04 | |
-All right, Bridge. -Go on, out! | 0:14:04 | 0:14:07 | |
You're pathetic. | 0:14:10 | 0:14:12 | |
You two, an' all. | 0:14:16 | 0:14:19 | |
Get out. | 0:14:19 | 0:14:20 | |
So you have no idea what time you got to the Pipes at? | 0:14:28 | 0:14:30 | |
-I told you - no! -Or how long you were there? | 0:14:30 | 0:14:34 | |
Could I get a drink of water, please? | 0:14:34 | 0:14:36 | |
What, sorry... Was it two minutes? Was it 20 minutes? | 0:14:36 | 0:14:38 | |
Come on, Tommy... | 0:14:38 | 0:14:39 | |
-Five, maybe. -Five minutes? | 0:14:43 | 0:14:45 | |
Conor wasn't there! I left. | 0:14:45 | 0:14:48 | |
You do know we found Brian's blood at the Pipes? | 0:14:48 | 0:14:50 | |
Anyone else about? | 0:14:50 | 0:14:53 | |
No. | 0:14:53 | 0:14:55 | |
No! | 0:14:57 | 0:14:58 | |
Hey, guys. | 0:15:02 | 0:15:04 | |
So, how's your boy holding up? | 0:15:06 | 0:15:09 | |
Which one? | 0:15:09 | 0:15:11 | |
Conor's with the doctor now. | 0:15:14 | 0:15:16 | |
Good. They'll take good care of him. | 0:15:16 | 0:15:18 | |
Kids, huh? | 0:15:20 | 0:15:21 | |
I know this is a mess but... | 0:15:29 | 0:15:30 | |
Hey, hey, no, no. It's life. Uniform doesn't protect you from that. | 0:15:30 | 0:15:35 | |
So how long have you been in the blue, anyway? | 0:15:37 | 0:15:40 | |
20 years. Mostly in this place. | 0:15:40 | 0:15:43 | |
Well, it'll be another 20 years... | 0:15:44 | 0:15:47 | |
if I have anything to do with it. | 0:15:47 | 0:15:49 | |
You've had a hard time of late... Heart attack, cracked ribs... | 0:15:52 | 0:15:56 | |
And your hand...? | 0:15:58 | 0:15:59 | |
How did that happen? | 0:16:03 | 0:16:04 | |
-Fare dodge. -When? | 0:16:06 | 0:16:08 | |
April 12th? | 0:16:10 | 0:16:12 | |
Did you call the guards about it? | 0:16:16 | 0:16:18 | |
Not much point. It happens more often than you might think. | 0:16:18 | 0:16:22 | |
Your controller? | 0:16:22 | 0:16:23 | |
That waste of space... | 0:16:23 | 0:16:24 | |
So, let me get this straight. | 0:16:27 | 0:16:28 | |
You had an altercation the night the man who was | 0:16:28 | 0:16:32 | |
blackmailing your family was murdered. | 0:16:32 | 0:16:34 | |
Your cab outside? | 0:16:37 | 0:16:39 | |
-Anything? -Do we have to do this here? | 0:17:35 | 0:17:37 | |
Yeah. We do. | 0:17:37 | 0:17:39 | |
There's nothing. | 0:17:39 | 0:17:41 | |
-Keep looking. -What for? | 0:17:41 | 0:17:44 | |
Oh, I dunno, | 0:17:44 | 0:17:46 | |
anything that might have caved the back of McGonigle's head in. | 0:17:46 | 0:17:49 | |
Grab me an evidence bag. | 0:17:57 | 0:17:59 | |
Have you ever used this before? | 0:18:06 | 0:18:09 | |
If things got hairy or to scare off chancers - that's all. | 0:18:10 | 0:18:13 | |
Did you use it to scare off Brian? | 0:18:13 | 0:18:15 | |
No. Nikki, you know me. I wouldn't do that. | 0:18:15 | 0:18:18 | |
For two hours, on the night that Brian McGonigle was killed, | 0:18:18 | 0:18:21 | |
you can't remember much about where you were - | 0:18:21 | 0:18:23 | |
but you do admit being at the Pipes. | 0:18:23 | 0:18:25 | |
Tommy, the Pipes, where we | 0:18:25 | 0:18:26 | |
found a significant amount of Brian McGonigle's blood. | 0:18:26 | 0:18:29 | |
I didn't see anything! | 0:18:29 | 0:18:30 | |
You have cracked ribs. You have an injured hand... | 0:18:30 | 0:18:32 | |
-That has nothing to do with... -You carry a weapon. | 0:18:32 | 0:18:34 | |
All the cabbies do! | 0:18:34 | 0:18:35 | |
A weapon which, by size and shape, | 0:18:35 | 0:18:38 | |
matches the same fatal blow that killed Brian McGonigle - | 0:18:38 | 0:18:40 | |
Ah, come on... | 0:18:40 | 0:18:42 | |
You're spinning a story now. | 0:18:42 | 0:18:44 | |
I didn't kill him! | 0:18:46 | 0:18:48 | |
Two hours, Tommy. Where were you? | 0:18:48 | 0:18:50 | |
DOOR OPENS AND CLOSES | 0:18:57 | 0:18:59 | |
Bridge? | 0:19:02 | 0:19:04 | |
Didn't think you'd fancy cooking. | 0:19:11 | 0:19:13 | |
I don't believe... She owed him six grand. | 0:19:14 | 0:19:17 | |
She only borrowed 500. | 0:19:17 | 0:19:18 | |
Plus interest at ten points a week... | 0:19:20 | 0:19:23 | |
..over three months. | 0:19:25 | 0:19:27 | |
Throw in a late fee... What's that? | 0:19:30 | 0:19:32 | |
We did her a favour. | 0:19:33 | 0:19:34 | |
1,025 over how many months...? | 0:19:36 | 0:19:39 | |
Poor cow was scared stiff. | 0:19:41 | 0:19:43 | |
Yeah. | 0:19:45 | 0:19:46 | |
I'm never going to let anyone make me feel like that again. | 0:19:48 | 0:19:51 | |
Make me feel scared... begging for scraps... | 0:19:51 | 0:19:54 | |
"Yes, sir. No, sir..." | 0:19:54 | 0:19:57 | |
Love...he's gone. | 0:19:57 | 0:20:00 | |
What about next time, when the arse's hanging out of our trousers? | 0:20:00 | 0:20:03 | |
Pocket full of nothing? | 0:20:03 | 0:20:05 | |
Will we just be another name in someone else's book? | 0:20:05 | 0:20:08 | |
There won't be a next time. | 0:20:08 | 0:20:10 | |
You're damn right there won't. | 0:20:10 | 0:20:12 | |
Why is it just the Joe Fallons that get to run things? | 0:20:14 | 0:20:17 | |
Look at that. Names. Numbers. People who want to borrow cash. | 0:20:19 | 0:20:23 | |
Cash that we've got. | 0:20:23 | 0:20:24 | |
No... | 0:20:26 | 0:20:28 | |
We could make proper money, Vin. Real money. | 0:20:28 | 0:20:31 | |
We'd never have to go cap in hand again. | 0:20:33 | 0:20:35 | |
It's been too long. He's not well. He's not able for this. | 0:20:40 | 0:20:44 | |
-OK. I'll see what I can do. -Why did they search his cab? | 0:20:44 | 0:20:47 | |
Where's Tommy? | 0:20:47 | 0:20:49 | |
That's his? | 0:20:52 | 0:20:54 | |
Half the cabbies round here carry weapons - you know that! | 0:20:54 | 0:20:57 | |
I can't talk to you about this. Get Conor now. | 0:20:57 | 0:20:59 | |
I'm fine. They're letting us go, for now. | 0:21:06 | 0:21:08 | |
There's no charges? | 0:21:10 | 0:21:12 | |
We'll be in touch. Stay where we can reach you. | 0:21:12 | 0:21:14 | |
Get on to forensics. Tell them we've a possible murder weapon. | 0:21:21 | 0:21:24 | |
DOOR OPENS | 0:21:34 | 0:21:39 | |
BUZZER | 0:21:54 | 0:21:56 | |
KNOCK ON DOOR | 0:22:28 | 0:22:29 | |
Come in. | 0:22:29 | 0:22:31 | |
Still at it? | 0:22:31 | 0:22:33 | |
Something's not right. We're missing something. | 0:22:33 | 0:22:36 | |
Or maybe you just don't want to believe it's Tommy? | 0:22:37 | 0:22:40 | |
Is that such a bad thing? | 0:22:40 | 0:22:42 | |
Maybe it's what brought on his heart attack. The stress. | 0:22:42 | 0:22:45 | |
Guilt. | 0:22:45 | 0:22:46 | |
I've worked with his wife for 11 years. | 0:22:46 | 0:22:49 | |
And she lied to your face. | 0:22:49 | 0:22:50 | |
Listen, I'm the one who used to go to their house. | 0:22:50 | 0:22:53 | |
-I'm the one who used to watch Conor kick a ball outside. -I know. | 0:22:53 | 0:22:56 | |
But it's not easy to stay objective in a case like this... | 0:22:57 | 0:23:00 | |
His car. | 0:23:03 | 0:23:04 | |
The boot. | 0:23:05 | 0:23:08 | |
Yeah, get me on to the technical bureau. | 0:23:11 | 0:23:14 | |
Hi, John, this is DI Grogan from Red Rock Garda Station. | 0:23:17 | 0:23:20 | |
How are you? Listen, I'm wondering - can you do me a favour? | 0:23:20 | 0:23:23 | |
Could you check something for me? The Brian McGonigle case. | 0:23:23 | 0:23:27 | |
His car. The boot. Was the wheel brace in it? | 0:23:28 | 0:23:31 | |
Yeah, course I'll wait. | 0:23:31 | 0:23:33 | |
Yeah? OK, thanks. Thank you, John. | 0:23:38 | 0:23:44 | |
Oh, no, I'm going to have to raincheck that one. | 0:23:44 | 0:23:47 | |
When you're not married and have four kids. | 0:23:47 | 0:23:49 | |
Right. The boot's empty. There's no wheel brace. | 0:23:49 | 0:23:51 | |
I'm going to need you to go to the coast road. | 0:23:51 | 0:23:53 | |
Bring Sean with you. He's a good eagle eye. | 0:23:53 | 0:23:56 | |
Now, thanks. | 0:23:57 | 0:23:59 | |
PHONE RINGS | 0:24:03 | 0:24:04 | |
Yep? | 0:24:04 | 0:24:06 | |
Bring him in. | 0:24:08 | 0:24:10 | |
There was a witness statement on the night of Brian's murder. | 0:24:25 | 0:24:28 | |
Saw someone trying to change a tyre. Description matches Brian's car. | 0:24:28 | 0:24:32 | |
Yeah, it's beautiful. But what are we looking for? | 0:24:32 | 0:24:35 | |
Nikki got the bureau to check the car. The wheel brace is missing. | 0:24:35 | 0:24:38 | |
Could be looking at the murder weapon. | 0:24:38 | 0:24:40 | |
But why would he change it here? | 0:24:40 | 0:24:42 | |
The tyre was let down outside his house. | 0:24:42 | 0:24:44 | |
Yeah, if you believe Conor's story. | 0:24:44 | 0:24:45 | |
I thought Liam was your prime suspect. | 0:24:47 | 0:24:49 | |
Thing about this job, Holden, | 0:24:49 | 0:24:51 | |
you've got to keep your options open. | 0:24:51 | 0:24:53 | |
Something happened here, just have to figure out what. | 0:24:53 | 0:24:56 | |
Don't forget your gloves. Don't want you contaminating anything. | 0:24:56 | 0:25:00 | |
It's my own stupid fault. | 0:25:09 | 0:25:10 | |
I should've known it was risky keeping that thing in the car | 0:25:14 | 0:25:16 | |
with all this business going on. | 0:25:16 | 0:25:18 | |
If it wasn't for me, you wouldn't have even been out. | 0:25:19 | 0:25:22 | |
What's done is done. | 0:25:22 | 0:25:23 | |
They'll find nothing on the cosh and this'll all blow over. | 0:25:27 | 0:25:30 | |
Trust me. | 0:25:30 | 0:25:32 | |
I'll get this lot cleared up. Why don't you go and get a kip? | 0:25:38 | 0:25:42 | |
-I can't stay. -What? | 0:25:45 | 0:25:47 | |
I have to get out of here... | 0:25:47 | 0:25:48 | |
Where are you going to go? | 0:25:48 | 0:25:50 | |
Anywhere but here. | 0:25:50 | 0:25:52 | |
-Eagle eye here. -Where? | 0:25:56 | 0:25:58 | |
Stuck under a hedge. | 0:25:58 | 0:25:59 | |
It looked like it had just been thrown there. | 0:25:59 | 0:26:02 | |
-Are we sure that it's his? -Blood splattering on the handle. | 0:26:02 | 0:26:05 | |
Right. Well, get it down to forensics. | 0:26:05 | 0:26:08 | |
Detective Leahy's an old... friend... | 0:26:08 | 0:26:10 | |
I'll see if she can rush it through for us. | 0:26:10 | 0:26:13 | |
Guess this rules out Tommy's cosh, then? | 0:26:13 | 0:26:15 | |
Let's just wait until the results come in. | 0:26:15 | 0:26:17 | |
Shouldn't we at least let Angela know? | 0:26:17 | 0:26:19 | |
There's still two hours unaccounted for. | 0:26:19 | 0:26:21 | |
You know that we can't do that, Sean. | 0:26:21 | 0:26:22 | |
Right, this is good work, guys, well done. | 0:26:22 | 0:26:24 | |
I'll get this off. | 0:26:26 | 0:26:27 | |
Then head down to room one. | 0:26:27 | 0:26:29 | |
We've picked up a person of interest on the Naas road. | 0:26:29 | 0:26:31 | |
Who? | 0:26:31 | 0:26:32 | |
The illustrated man. | 0:26:32 | 0:26:34 | |
Coffee? | 0:27:07 | 0:27:09 | |
Oh, thanks. I didn't ask... | 0:27:09 | 0:27:11 | |
I know. I wasn't thinking. | 0:27:11 | 0:27:13 | |
I'm used to ordering two. | 0:27:13 | 0:27:16 | |
-Have you heard from Adey? -Yup... | 0:27:16 | 0:27:18 | |
He's already found himself a hot new Croatian babe. | 0:27:22 | 0:27:25 | |
Have you said anything...? | 0:27:27 | 0:27:29 | |
About this place? | 0:27:30 | 0:27:31 | |
He wouldn't believe it. | 0:27:33 | 0:27:34 | |
Skip buying smack? | 0:27:38 | 0:27:40 | |
He'd think it was a wind-up. | 0:27:42 | 0:27:43 | |
Yeah. | 0:27:45 | 0:27:46 | |
Who do you trust, Shazza? | 0:27:52 | 0:27:54 | |
Who can you trust? | 0:27:57 | 0:27:59 | |
You can start with me. | 0:28:04 | 0:28:05 | |
I know I'm not Kosos but... | 0:28:08 | 0:28:09 | |
Guess you'll have to do. | 0:28:13 | 0:28:14 | |
Do you know why you're here, Mick? | 0:28:19 | 0:28:21 | |
Er, do you fancy me, Detective Garda? | 0:28:21 | 0:28:23 | |
You're not really me type, though. | 0:28:23 | 0:28:26 | |
Your pal doesn't say much, does he? | 0:28:29 | 0:28:31 | |
I'm the strong and silent type. | 0:28:33 | 0:28:35 | |
One of our officers, Sergeant Brian McGonigle. | 0:28:35 | 0:28:38 | |
Ah. The paedo. | 0:28:38 | 0:28:39 | |
Yeah, I heard he topped himself. | 0:28:39 | 0:28:41 | |
-Tragic. -Didn't quite happen like that. | 0:28:41 | 0:28:44 | |
Unless he smashed the back of his own head in. | 0:28:44 | 0:28:47 | |
Unlikely, wouldn't you say? | 0:28:47 | 0:28:48 | |
Your family's certainly had some run-ins with him. | 0:28:52 | 0:28:55 | |
How's Danny doing, by the way? | 0:28:55 | 0:28:56 | |
What's it to you? | 0:28:59 | 0:29:00 | |
I missed his birthday. Good one, was it? | 0:29:02 | 0:29:05 | |
I'd say the lads down The Joy lay on quite a spread. | 0:29:06 | 0:29:08 | |
Why'd you jump bail? | 0:29:11 | 0:29:14 | |
Carpal tunnel. I was too sick to sign in. | 0:29:14 | 0:29:16 | |
April 12th, where were you? | 0:29:17 | 0:29:19 | |
Er, at home with the missus. | 0:29:19 | 0:29:22 | |
-Which one? -Er, let me think. | 0:29:22 | 0:29:24 | |
You're not short of female company, are you, Mick? | 0:29:24 | 0:29:27 | |
Are you jealous? | 0:29:27 | 0:29:28 | |
Fascinated. | 0:29:28 | 0:29:30 | |
I mean, what do they see in you? | 0:29:30 | 0:29:33 | |
I suppose if they get bored, they can always try to join the dots. | 0:29:33 | 0:29:37 | |
They don't. Get bored. | 0:29:38 | 0:29:41 | |
Red hatchback. Registration 0-9-D-8-6-9-5-1. | 0:29:42 | 0:29:48 | |
Not my car. | 0:29:48 | 0:29:49 | |
Registered to a Chanel Douglas from Dundalk. | 0:29:49 | 0:29:52 | |
Guess whose cousin she's shagging? | 0:29:53 | 0:29:54 | |
According to her, you like to borrow her car occasionally. | 0:29:56 | 0:29:59 | |
You were driving it that night. | 0:29:59 | 0:30:00 | |
Yeah, well, I wasn't. And she's a lying little skank. | 0:30:00 | 0:30:04 | |
That was my first impression, but then... | 0:30:04 | 0:30:06 | |
Caught on traffic camera | 0:30:10 | 0:30:12 | |
three streets from Brian McGonigle's flat the night he disappeared. | 0:30:12 | 0:30:15 | |
What? | 0:30:15 | 0:30:16 | |
It's the same vehicle you were picked up in this afternoon. | 0:30:23 | 0:30:26 | |
Now who's getting all strong and silent? | 0:30:32 | 0:30:35 | |
I want to speak to your boss. | 0:30:36 | 0:30:38 | |
A deal? Where the hell does he think he is? | 0:30:40 | 0:30:43 | |
He's definite he knows something. | 0:30:43 | 0:30:45 | |
Swears it's key information. | 0:30:45 | 0:30:46 | |
Oh, and the Super's trying to get hold of you. Wants an update. | 0:30:46 | 0:30:49 | |
Oh, God. Tell me he's not on his way. | 0:30:49 | 0:30:51 | |
Stuck at Dunedin the rest of the day. | 0:30:51 | 0:30:53 | |
So...Mick Moran? | 0:30:53 | 0:30:54 | |
I don't make deals with scrotes. | 0:30:55 | 0:30:57 | |
Get him off my back. If you know what's good for you. | 0:30:58 | 0:31:02 | |
Would you listen to this one? | 0:31:03 | 0:31:05 | |
I don't take orders from skangers. | 0:31:08 | 0:31:11 | |
Today's not your day. Banker says no deal. | 0:31:17 | 0:31:19 | |
Then I've nothing to say. | 0:31:22 | 0:31:23 | |
Ah, come on. Don't be like that, Michael. | 0:31:24 | 0:31:28 | |
You thought you could fit me up, didn't you? | 0:31:29 | 0:31:32 | |
Start talking, before I slap on a charge of withholding evidence. | 0:31:33 | 0:31:37 | |
Try it. | 0:31:37 | 0:31:39 | |
Maybe I could do a few search warrants, if you'd prefer. | 0:31:39 | 0:31:42 | |
KNOCK AT DOOR | 0:31:44 | 0:31:47 | |
Sorry. There's a phone call from Detective Leahy from Unit D. | 0:31:48 | 0:31:52 | |
He says it's urgent. | 0:31:52 | 0:31:54 | |
-The murder weapon? -Do you want me to stall him? | 0:31:54 | 0:31:57 | |
Cheers. Tell him... | 0:31:57 | 0:31:59 | |
Tell him I'll be out in five minutes. | 0:32:01 | 0:32:03 | |
Shouldn't take too much longer to get the truth from Mr Moran. | 0:32:03 | 0:32:06 | |
Oh, it's the truth you're after? | 0:32:06 | 0:32:08 | |
Why didn't you just say? | 0:32:08 | 0:32:10 | |
I was at McGonigle's flat. | 0:32:11 | 0:32:12 | |
But I didn't go in. | 0:32:16 | 0:32:18 | |
Why not? | 0:32:18 | 0:32:19 | |
Pang of conscience, was it? | 0:32:19 | 0:32:21 | |
No. No, there was someone there already. | 0:32:21 | 0:32:24 | |
Outside waiting for him. Beat me to it. | 0:32:24 | 0:32:27 | |
Can you describe them? Was it someone you recognised? | 0:32:27 | 0:32:30 | |
See...I didn't at the time. | 0:32:30 | 0:32:33 | |
But I do now. | 0:32:33 | 0:32:35 | |
Who was it? | 0:32:35 | 0:32:37 | |
Her. | 0:32:38 | 0:32:40 | |
SIRENS | 0:32:54 | 0:32:56 | |
Sharon? What the hell?! | 0:33:23 | 0:33:25 | |
She must have been sweating it for weeks. | 0:33:25 | 0:33:27 | |
We can't take Moran's word for it. | 0:33:27 | 0:33:29 | |
No, but...it makes sense. | 0:33:29 | 0:33:31 | |
I mean, her history with Brian. | 0:33:31 | 0:33:33 | |
-Well, give her a chance to explain herself. -Sure. | 0:33:34 | 0:33:37 | |
This is a bloody mess! Dunne is going to love this. | 0:33:37 | 0:33:41 | |
If she was there, at the flat... | 0:33:41 | 0:33:44 | |
-that might explain the bus footage. -What about it? | 0:33:44 | 0:33:47 | |
She was checking it. Some of it was missing. | 0:33:47 | 0:33:49 | |
I'll chase up forensics on Tommy's cosh. What about his alibi? | 0:33:50 | 0:33:54 | |
I'll check it out. What about Sharon's alibi? | 0:33:54 | 0:33:56 | |
When I get back, you and me are going to have a talk. | 0:33:58 | 0:34:01 | |
What did you tell them? | 0:34:05 | 0:34:06 | |
Enough. Enough to keep them off our backs, anyway. | 0:34:06 | 0:34:09 | |
I told them I have an alibi. | 0:34:09 | 0:34:11 | |
And what if they don't back you up? | 0:34:12 | 0:34:14 | |
-Maybe we should tell Mum... -No. We agreed. | 0:34:20 | 0:34:23 | |
Yeah, I know we did, but that was then. | 0:34:23 | 0:34:25 | |
-We're in a lot of trouble. -You don't say a word, do you hear me? | 0:34:25 | 0:34:28 | |
Not a word. I'll handle this. | 0:34:28 | 0:34:29 | |
You tell me Moran was lying. | 0:34:41 | 0:34:43 | |
You were there? | 0:34:46 | 0:34:47 | |
Sharon... | 0:34:50 | 0:34:52 | |
Sharon... | 0:34:53 | 0:34:54 | |
It wasn't... | 0:34:54 | 0:34:56 | |
I didn't... | 0:34:56 | 0:34:57 | |
Did you see Brian? Did you talk to him? | 0:34:57 | 0:34:59 | |
Did something happen? | 0:35:02 | 0:35:03 | |
I'm sorry. | 0:35:09 | 0:35:10 | |
Paudge. | 0:35:16 | 0:35:17 | |
Just keep your mouth shut. | 0:35:19 | 0:35:20 | |
We were in the pub. I thought a few pints were in order. | 0:35:27 | 0:35:29 | |
-Sharon was a bag o' nerves. -And? | 0:35:29 | 0:35:31 | |
We went back to mine. | 0:35:32 | 0:35:34 | |
And you were with her the whole time? | 0:35:34 | 0:35:36 | |
I am warning you, Paudge. | 0:35:38 | 0:35:39 | |
She did have to nip back to her own flat for a while. | 0:35:42 | 0:35:45 | |
Why? | 0:35:45 | 0:35:46 | |
Her phone...her charger. | 0:35:46 | 0:35:48 | |
-Paudge. -She'd left it behind! | 0:35:48 | 0:35:50 | |
You're telling me that Sharon was too scared to stay in her flat | 0:35:50 | 0:35:53 | |
-on her own, but you let her wander off to get her charger? -Yeah! | 0:35:53 | 0:35:57 | |
The thing was, Mammy was onto me asking what Sharon would eat... | 0:35:57 | 0:36:01 | |
I think she couldn't hack it, like. The fussing. | 0:36:01 | 0:36:05 | |
She needed a bit of space. | 0:36:05 | 0:36:07 | |
And why didn't you tell this to Rory? | 0:36:07 | 0:36:09 | |
Well, I didn't think much of it. | 0:36:09 | 0:36:11 | |
When did you next see her? | 0:36:11 | 0:36:13 | |
In the pub, about eightish. | 0:36:13 | 0:36:15 | |
Paudge, I know that you two are friends | 0:36:15 | 0:36:17 | |
and that you probably want to protect her. | 0:36:17 | 0:36:19 | |
But I'm going to need you to be straight with me. | 0:36:19 | 0:36:21 | |
-How did she seem, when she returned? -You know Sharon. | 0:36:21 | 0:36:24 | |
-She was a bit shaken. -Shaken? | 0:36:25 | 0:36:28 | |
Was it any wonder? You know what McGonigle put her through. | 0:36:28 | 0:36:30 | |
The girl was in pieces. She didn't have a clue what she was doing. | 0:36:30 | 0:36:33 | |
You went to his flat? | 0:36:34 | 0:36:36 | |
-Why? -I don't know. OK? I don't know. | 0:36:39 | 0:36:43 | |
Did you see him? | 0:36:45 | 0:36:46 | |
DOOR OPENS | 0:36:49 | 0:36:50 | |
With me. Now. | 0:36:50 | 0:36:52 | |
-I'm sorry - I should've told you! -But you didn't, did you? | 0:36:52 | 0:36:55 | |
Do you have any idea how much trouble you're in? | 0:36:55 | 0:36:57 | |
Look at me when I'm talking to you! | 0:36:57 | 0:36:58 | |
What the hell were you doing there? | 0:36:58 | 0:37:00 | |
Sharon, you went to Brian McGonigle's flat | 0:37:00 | 0:37:02 | |
the night before his trial. What is wrong with you? | 0:37:02 | 0:37:04 | |
-I wanted... -You wanted what? | 0:37:04 | 0:37:05 | |
-He was getting away with it! I wanted to stop him. -Stop him? | 0:37:05 | 0:37:08 | |
No, no, that's not what I meant. I didn't touch him. | 0:37:10 | 0:37:13 | |
-I didn't. -Every time you open your mouth, you lie. | 0:37:13 | 0:37:16 | |
Do you know what you're doing? | 0:37:16 | 0:37:17 | |
You're making Brian McGonigle look like he was right about you. | 0:37:17 | 0:37:20 | |
That's right, Sharon, you just walk away. | 0:37:23 | 0:37:25 | |
What? | 0:37:27 | 0:37:28 | |
SHE SIGHS | 0:37:31 | 0:37:33 | |
Don't mind Nikki. She's freaking out. | 0:37:35 | 0:37:37 | |
Wait! Get back in there and defend yourself. | 0:37:37 | 0:37:39 | |
-They've made their minds up already that I'm guilty. -No, they haven't. | 0:37:39 | 0:37:42 | |
Yes, they have. | 0:37:42 | 0:37:44 | |
Even you. | 0:37:44 | 0:37:45 | |
No, Sharon. Sharon, wait. | 0:37:45 | 0:37:47 | |
What do you think? | 0:37:50 | 0:37:51 | |
-Sharon? You know her better than I do. -Do I? | 0:37:51 | 0:37:55 | |
I just took a call from Detective Leahy. | 0:37:55 | 0:37:57 | |
-I was supposed to talk to him. -The forensics have found more than one print. -And? | 0:37:57 | 0:38:00 | |
Could be the murder weapon. Traces of blood and hair. It's with forensics | 0:38:00 | 0:38:03 | |
and we should get results within the next hour. | 0:38:03 | 0:38:05 | |
-Which of our POI's gave elimination prints? -All of them. | 0:38:05 | 0:38:09 | |
Except Sharon. | 0:38:09 | 0:38:10 | |
The break-in. Sharon gave prints, didn't she? | 0:38:10 | 0:38:13 | |
-You're not going to use them? -Pass them on. | 0:38:13 | 0:38:15 | |
Doesn't she need to give consent? | 0:38:15 | 0:38:16 | |
Well, she hasn't given us much choice, has she? | 0:38:16 | 0:38:18 | |
-How long did forensics say it would take? -About an hour. | 0:38:18 | 0:38:21 | |
Do you want to go? | 0:38:26 | 0:38:28 | |
Do we have to? | 0:38:28 | 0:38:30 | |
It'll be fine. | 0:38:30 | 0:38:31 | |
If they thought I did it, they wouldn't have let me out. | 0:38:32 | 0:38:35 | |
But still. They won't give up. | 0:38:36 | 0:38:38 | |
Did you explain to them where you were? | 0:38:41 | 0:38:42 | |
When I couldn't get hold of you? | 0:38:42 | 0:38:44 | |
I told them my phone must've been out of signal. | 0:38:45 | 0:38:47 | |
It's the truth. | 0:38:49 | 0:38:51 | |
They know that. | 0:38:51 | 0:38:53 | |
Don't worry about it, Mum. | 0:38:53 | 0:38:55 | |
Listen to your son. He's talking sense. | 0:38:55 | 0:38:58 | |
For once. | 0:38:58 | 0:38:59 | |
We have to put this behind us. | 0:39:00 | 0:39:02 | |
PHONE RINGS | 0:39:24 | 0:39:26 | |
SIRENS | 0:39:42 | 0:39:44 | |
You find Shazza? | 0:39:54 | 0:39:56 | |
Doesn't look good, does it? | 0:39:56 | 0:39:58 | |
Everyone's a bloody suspect with you. Even his wife. | 0:39:59 | 0:40:02 | |
She had motive and opportunity. | 0:40:02 | 0:40:05 | |
Who burns their clothes in the barbecue? | 0:40:05 | 0:40:08 | |
The Reids? Tommy. Sharon. Tattoo neck? | 0:40:08 | 0:40:11 | |
It's like Murder On The Orient Express. | 0:40:11 | 0:40:13 | |
They all had reason. Opportunity. | 0:40:13 | 0:40:16 | |
One of them killed Brian. | 0:40:16 | 0:40:18 | |
It's our job to find out who, however close they may be. | 0:40:18 | 0:40:21 | |
Put me through to forensics. | 0:40:23 | 0:40:24 | |
What? When did that happen? | 0:40:26 | 0:40:27 | |
OK. All right, thanks, John. | 0:40:29 | 0:40:30 | |
Boss? | 0:40:32 | 0:40:33 | |
Results are in. They just sent an e-mail. | 0:40:34 | 0:40:36 | |
This is it, lads. | 0:40:44 | 0:40:45 | |
They found a match? | 0:40:45 | 0:40:46 | |
Brian's blood, prints, hair... | 0:40:51 | 0:40:54 | |
and one other's. | 0:40:54 | 0:40:56 | |
Who was it? Who did it? | 0:40:56 | 0:40:58 |