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Line | From | To | |
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You touch another hair on her head, I will kill you. | 0:00:02 | 0:00:06 | |
It's over, Sharon. | 0:00:06 | 0:00:09 | |
I won. | 0:00:09 | 0:00:10 | |
What's this? McGonigle's address? | 0:00:12 | 0:00:14 | |
You're going to help me. You do that, these stay between us. | 0:00:14 | 0:00:19 | |
We made love, Dad, we had sex. | 0:00:19 | 0:00:21 | |
Get out! | 0:00:21 | 0:00:24 | |
Dad. | 0:00:27 | 0:00:28 | |
You can't do this! | 0:00:29 | 0:00:31 | |
Cause of death? Massive haemorrhage from a head trauma. | 0:00:31 | 0:00:34 | |
It's just become a murder investigation. | 0:00:34 | 0:00:36 | |
That night you were in my house... were you there the whole time? | 0:00:36 | 0:00:39 | |
Course I was. Do I ever lie to you? | 0:00:39 | 0:00:41 | |
First time for everything. | 0:00:41 | 0:00:42 | |
You carry a weapon which by size | 0:00:42 | 0:00:44 | |
and shape matches the same fatal blow that killed Brian McGonigle. | 0:00:44 | 0:00:47 | |
You do realise what it looks like, though? | 0:00:47 | 0:00:50 | |
That you were burning evidence. | 0:00:50 | 0:00:52 | |
He rages about the man who's done this against his daughter, | 0:00:52 | 0:00:54 | |
and how all he thinks about is killing him. | 0:00:54 | 0:00:57 | |
If I did him, I'd be wearing his scalp around me neck, | 0:00:57 | 0:01:00 | |
like a trophy. | 0:01:00 | 0:01:02 | |
That's one whole hour on the night of a murder | 0:01:02 | 0:01:04 | |
that you can't account for. | 0:01:04 | 0:01:06 | |
Blood. They're testing it now. I just found our murder site. | 0:01:06 | 0:01:09 | |
They found something down on the coast road. | 0:01:09 | 0:01:11 | |
Could be the murder weapon. There's traces of blood and hair. | 0:01:11 | 0:01:13 | |
Who was it? Who did it? | 0:01:13 | 0:01:14 | |
Who is it? | 0:01:54 | 0:01:56 | |
Who killed him? | 0:01:56 | 0:01:57 | |
Some random, was it? | 0:02:00 | 0:02:02 | |
Do we know them? | 0:02:02 | 0:02:03 | |
Boss? | 0:02:05 | 0:02:07 | |
Lads, will you give us a minute alone? | 0:02:08 | 0:02:10 | |
Please, lads, will you give us a minute alone? | 0:02:11 | 0:02:13 | |
That bad? | 0:02:18 | 0:02:20 | |
It's worse. | 0:02:20 | 0:02:21 | |
No way! | 0:02:24 | 0:02:26 | |
Motive, means - it was all there. | 0:02:26 | 0:02:30 | |
We should have known. | 0:02:30 | 0:02:33 | |
When are we going to bring them in? | 0:02:33 | 0:02:34 | |
Now. | 0:02:34 | 0:02:35 | |
What the hell happened that night? | 0:02:38 | 0:02:40 | |
Jules? Come on, Jules. | 0:02:41 | 0:02:44 | |
Jules, open the door! | 0:02:46 | 0:02:48 | |
Please. | 0:02:48 | 0:02:49 | |
Mel! Mel! | 0:02:53 | 0:02:54 | |
Sweetheart, come on, you don't believe that fella, do you? | 0:02:54 | 0:02:57 | |
That's Conor Tyrell, he's a junkie. Look, I never touched that girl. | 0:02:57 | 0:03:01 | |
What are you looking at? Get lost! | 0:03:02 | 0:03:05 | |
Mind your own bloody business, go on! | 0:03:05 | 0:03:08 | |
RINGING | 0:03:08 | 0:03:10 | |
Mark? Hey... What's going on? | 0:03:21 | 0:03:24 | |
No, yeah, no, fine, fine. | 0:03:25 | 0:03:27 | |
No hitches your end, right? | 0:03:27 | 0:03:29 | |
Good. Right. So I'll see you tomorrow at ten o'clock, yeah? | 0:03:30 | 0:03:33 | |
Hey, listen, Mark... Look, don't bother picking me up tomorrow, OK? | 0:03:35 | 0:03:41 | |
Jules is going to take me. | 0:03:41 | 0:03:42 | |
Yeah. So I'll see you then. | 0:03:44 | 0:03:46 | |
OK, and listen, man, listen - I owe you, OK? Big time. | 0:03:48 | 0:03:51 | |
Right. | 0:03:51 | 0:03:52 | |
I'm not going to stop till you open this door! | 0:03:59 | 0:04:02 | |
I'm going to call the guards! | 0:04:02 | 0:04:04 | |
RINGING | 0:04:14 | 0:04:16 | |
ANSWERPHONE | 0:04:26 | 0:04:28 | |
You have to call me. OK? Something's happened. It's Dad. | 0:04:28 | 0:04:31 | |
He's lost it. | 0:04:31 | 0:04:33 | |
Brian, I mean it. | 0:04:33 | 0:04:35 | |
Call me back. | 0:04:35 | 0:04:36 | |
HE SIGHS | 0:04:46 | 0:04:48 | |
Jesus..! | 0:05:08 | 0:05:10 | |
How long are you going to keep her up there? | 0:05:20 | 0:05:23 | |
You hit her? Dad, why? | 0:05:23 | 0:05:26 | |
BANGING | 0:05:26 | 0:05:28 | |
You've never hit either of us. Ever! | 0:05:28 | 0:05:29 | |
It's wrong, you know it is... | 0:05:29 | 0:05:32 | |
You want a coffee? | 0:05:32 | 0:05:33 | |
Come on, Dad - give me the key. | 0:05:33 | 0:05:35 | |
I'll talk to her! | 0:05:35 | 0:05:37 | |
Talk?! | 0:05:37 | 0:05:38 | |
Tea? | 0:05:40 | 0:05:41 | |
Dad, you have to stop this. | 0:05:43 | 0:05:44 | |
She just admitted it. She said they "made love"! | 0:05:44 | 0:05:49 | |
Yeah. Oh, yeah. She's in love with him, apparently. | 0:05:49 | 0:05:52 | |
She wants to have his babies. | 0:05:52 | 0:05:54 | |
She said that? | 0:05:55 | 0:05:56 | |
Yeah. She was up there right now packing her bags, Niamh, | 0:05:56 | 0:05:59 | |
getting ready to run away with him. | 0:05:59 | 0:06:01 | |
Have you called the guards? | 0:06:01 | 0:06:02 | |
Yeah. Yeah, I tried that, actually. You know what they said? | 0:06:02 | 0:06:05 | |
-They blamed me! -I'll call Sean. | 0:06:05 | 0:06:07 | |
-Why? What's the point - the guards don't give a flying... -Sean does! | 0:06:07 | 0:06:11 | |
Niamh, they're covering their arses, OK? | 0:06:11 | 0:06:13 | |
They don't give a damn about that little girl up there. | 0:06:13 | 0:06:15 | |
And do you think locking her up is going to make her tell the truth in court tomorrow? | 0:06:15 | 0:06:19 | |
I don't even care about court tomorrow. | 0:06:19 | 0:06:21 | |
I don't care about the trial any more, OK? | 0:06:21 | 0:06:23 | |
I only care about my daughter, | 0:06:23 | 0:06:24 | |
and I will not let that man touch her again! | 0:06:24 | 0:06:28 | |
I'm not letting her out, Niamh, and neither are you. | 0:06:30 | 0:06:33 | |
OK? If he so much as breathes near her again, | 0:06:33 | 0:06:36 | |
-it'll be the last breath he ever takes. -Brian is going to prison. | 0:06:36 | 0:06:39 | |
Oh, he deserves worse than prison. | 0:06:39 | 0:06:40 | |
You stay away from him. Do you hear me? | 0:06:40 | 0:06:43 | |
You do not go near him. OK? | 0:06:43 | 0:06:46 | |
Promise me. | 0:06:48 | 0:06:50 | |
Argh! | 0:06:59 | 0:07:01 | |
Hurt yourself, did you? | 0:07:01 | 0:07:03 | |
Is this your handiwork? Is it? | 0:07:05 | 0:07:08 | |
-I should break your junkie neck. -Your neighbour's a kiddie-fiddler! | 0:07:10 | 0:07:13 | |
-You little... -You're feeling me up now, are you? | 0:07:13 | 0:07:16 | |
Do you want to spend the rest of your life in a wheelchair, do you? | 0:07:16 | 0:07:18 | |
Do you? | 0:07:18 | 0:07:19 | |
Big man. | 0:07:19 | 0:07:21 | |
Get off me! | 0:07:21 | 0:07:22 | |
You shut up and you listen to me. | 0:07:22 | 0:07:24 | |
You're going to go over there and you're going to knock on that door... | 0:07:24 | 0:07:27 | |
You'll tell Jules that you're sorry and you'll tell her that you lied. | 0:07:27 | 0:07:30 | |
Pervert! | 0:07:30 | 0:07:32 | |
Pervert? Me? What's that make you? | 0:07:32 | 0:07:36 | |
Yeah, I know all about you... Rachel told me all about you. | 0:07:36 | 0:07:40 | |
Is that what this is about? Is it? | 0:07:43 | 0:07:45 | |
She knocked you back, big fella. You get over it. | 0:07:45 | 0:07:49 | |
RINGING | 0:07:56 | 0:07:57 | |
Hi, this is Conor, leave a message after the tone. | 0:07:57 | 0:08:00 | |
Your dad's looking for you. Conor, give us a call... | 0:08:00 | 0:08:04 | |
Please. Come home... | 0:08:04 | 0:08:07 | |
-Oh, oh! -You won't touch her again. | 0:08:09 | 0:08:11 | |
You're not man enough to use that. | 0:08:11 | 0:08:12 | |
You're not man enough, full stop, so Rachel tells me. | 0:08:12 | 0:08:16 | |
You should have run away when you could. | 0:08:20 | 0:08:23 | |
Ooh! Argh! | 0:08:23 | 0:08:25 | |
You're a dead man, Tyrell! | 0:08:31 | 0:08:32 | |
You're dead! | 0:08:34 | 0:08:36 | |
Where've you been? I was looking for you. | 0:08:54 | 0:08:56 | |
Why? | 0:08:56 | 0:08:57 | |
Mammy wants to know if you like sprouts. | 0:09:01 | 0:09:03 | |
And is there anything you're allergic to she should know about? | 0:09:03 | 0:09:06 | |
Only one thing. | 0:09:06 | 0:09:08 | |
Can we not talk about that man for one night? | 0:09:12 | 0:09:15 | |
Jules has taken him back. | 0:09:15 | 0:09:17 | |
What? | 0:09:19 | 0:09:20 | |
How? | 0:09:23 | 0:09:25 | |
How does he totally do it? | 0:09:25 | 0:09:28 | |
Just...charming his way into the family home. | 0:09:32 | 0:09:35 | |
And I thought she had a bit more sense to her. | 0:09:36 | 0:09:39 | |
Oh, well, she's going to court with him tomorrow. | 0:09:39 | 0:09:41 | |
How do you think that's going to look? | 0:09:41 | 0:09:44 | |
It doesn't change the facts. | 0:09:44 | 0:09:46 | |
He'll be exonerated. Back in blue by the end of the month. | 0:09:46 | 0:09:51 | |
BLACK and blue with a bit of luck. | 0:09:51 | 0:09:54 | |
In the Joy? | 0:09:54 | 0:09:55 | |
He's laughing, laughing, laughing at us, Paudge. | 0:09:55 | 0:09:59 | |
It's like he said. He's won. | 0:10:01 | 0:10:03 | |
Don't let McGonigle put the wind up you. | 0:10:05 | 0:10:08 | |
He needs to pay. | 0:10:09 | 0:10:11 | |
You're preaching to the converted. | 0:10:11 | 0:10:13 | |
What do you want? | 0:10:20 | 0:10:21 | |
Justice. | 0:10:26 | 0:10:27 | |
-I have to go home. -Why? -I forgot my charger. | 0:10:34 | 0:10:37 | |
Is it not there? | 0:10:37 | 0:10:38 | |
Yeah, I looked there already. | 0:10:38 | 0:10:40 | |
Sure Mammy's a drawer-full of the yokes at home. | 0:10:40 | 0:10:42 | |
Look, I'll see you at yours. | 0:10:42 | 0:10:44 | |
Don't worry about McGonigle. That scum will get what's coming to him. | 0:10:44 | 0:10:48 | |
You don't know that. | 0:10:49 | 0:10:50 | |
SIRENS | 0:11:12 | 0:11:14 | |
He did what? | 0:11:49 | 0:11:50 | |
No. Don't do anything. | 0:11:51 | 0:11:53 | |
Just...wait there. | 0:11:53 | 0:11:55 | |
Where are you? | 0:11:58 | 0:12:00 | |
Well, don't move. I'll come and get you. | 0:12:00 | 0:12:02 | |
Well, just stay there. | 0:12:02 | 0:12:03 | |
I wasn't sure you were going to come. | 0:12:16 | 0:12:18 | |
You didn't give me much choice. I thought he was going to kill you, | 0:12:18 | 0:12:21 | |
the way you were screaming on the phone. | 0:12:21 | 0:12:23 | |
What are you doing back with him, anyway? | 0:12:23 | 0:12:25 | |
You were well shot of that scumbag. | 0:12:25 | 0:12:27 | |
He said he'd changed. | 0:12:27 | 0:12:29 | |
Yeah, right! | 0:12:29 | 0:12:30 | |
I get lonely. Someone's a better option than no-one. | 0:12:31 | 0:12:34 | |
I'm not exactly overwhelmed with offers lately. | 0:12:36 | 0:12:39 | |
Not since you and me. | 0:12:41 | 0:12:42 | |
Don't. | 0:12:44 | 0:12:45 | |
Come on, come on, come on! Where the... Where the... | 0:13:14 | 0:13:19 | |
Argh! | 0:13:19 | 0:13:21 | |
KNOCK ON DOOR | 0:13:27 | 0:13:29 | |
Leave me alone. | 0:13:31 | 0:13:33 | |
FOOTSTEPS | 0:13:33 | 0:13:36 | |
RINGING | 0:14:34 | 0:14:36 | |
Finally! | 0:14:38 | 0:14:40 | |
-Where is it? -You won't believe what's happened. | 0:14:40 | 0:14:42 | |
The passport! The fake one! | 0:14:42 | 0:14:45 | |
I don't know what you mean. | 0:14:45 | 0:14:46 | |
-Have you got it? -You don't need it. | 0:14:46 | 0:14:49 | |
-Look, I do. -Why? What's happened? | 0:14:49 | 0:14:51 | |
-I need you to bring it to me. -When? -Now! | 0:14:51 | 0:14:54 | |
-Brian... -Don't come to the flat. You can't be seen here, OK? | 0:14:54 | 0:14:56 | |
-You got that? -No, I can't! | 0:14:56 | 0:14:58 | |
Rachel, if you don't bring it now, I'll have to leave right away. You'll never see me again. | 0:14:58 | 0:15:02 | |
You got that? You understand? | 0:15:02 | 0:15:04 | |
-Rachel? -Yeah. | 0:15:04 | 0:15:07 | |
Leave now, OK? | 0:15:07 | 0:15:08 | |
OK. Where will I meet you? | 0:15:09 | 0:15:11 | |
KNOCKING | 0:15:38 | 0:15:40 | |
Ray. Do you want a drink? | 0:15:40 | 0:15:41 | |
No. | 0:15:41 | 0:15:43 | |
Ray! | 0:15:43 | 0:15:44 | |
I'm in bed. | 0:15:44 | 0:15:45 | |
Fine. | 0:15:47 | 0:15:48 | |
Hello. This is Sergeant Tyrell. Red Rock Garda station. | 0:16:08 | 0:16:13 | |
Can you put me through to A&E, please? | 0:16:13 | 0:16:16 | |
You should go to the hospital with that. | 0:16:17 | 0:16:19 | |
It's fine. | 0:16:19 | 0:16:20 | |
So, how've you been? | 0:16:21 | 0:16:22 | |
I have to go. | 0:16:25 | 0:16:26 | |
Are you happy? | 0:16:30 | 0:16:31 | |
I'm glad for you. | 0:16:34 | 0:16:35 | |
I'll see you. | 0:16:37 | 0:16:39 | |
Could you not stay for another one? | 0:16:39 | 0:16:40 | |
Take care of yourself. | 0:16:42 | 0:16:44 | |
You can't go back there. | 0:16:47 | 0:16:49 | |
Worried about me? | 0:16:49 | 0:16:50 | |
You don't completely hate me, then. | 0:16:52 | 0:16:53 | |
You know I don't. | 0:16:53 | 0:16:55 | |
RINGING Sorry. | 0:16:55 | 0:16:57 | |
Hello, yeah? | 0:16:59 | 0:17:01 | |
Where did you look? | 0:17:01 | 0:17:02 | |
Everywhere. | 0:17:02 | 0:17:04 | |
Are you in the pub? | 0:17:04 | 0:17:06 | |
Yeah, well, I thought he might've come in here. | 0:17:06 | 0:17:09 | |
Right, yeah. | 0:17:09 | 0:17:10 | |
Well, he's going to be drunk somewhere, isn't he? | 0:17:10 | 0:17:12 | |
Rachel Reid might know something. | 0:17:12 | 0:17:14 | |
I'm not going near that girl. But keep looking. | 0:17:14 | 0:17:17 | |
He's got to be somewhere. | 0:17:17 | 0:17:18 | |
-I'm going to head. -You're looking for Conor. | 0:17:27 | 0:17:30 | |
Yeah. It's nothing. He's just... | 0:17:32 | 0:17:35 | |
He's probably with his mates. Ange worries. | 0:17:37 | 0:17:41 | |
Yeah. He's using, isn't he? | 0:17:41 | 0:17:43 | |
I'd say I'm sorry... | 0:17:45 | 0:17:47 | |
Don't start, Ciara. | 0:17:47 | 0:17:49 | |
Start what? | 0:17:49 | 0:17:51 | |
You asked for help. You got it. | 0:17:51 | 0:17:53 | |
Nothing else is going to happen here. Me and you, we're finished. | 0:17:54 | 0:17:59 | |
I know! | 0:17:59 | 0:18:00 | |
Oh! Oh, I get it! | 0:18:00 | 0:18:03 | |
You thought I was making this up, | 0:18:03 | 0:18:05 | |
that I got Tony to knock the stuffing out of me, | 0:18:05 | 0:18:08 | |
just so I'd get to see you? | 0:18:08 | 0:18:10 | |
Do you really think that? | 0:18:10 | 0:18:11 | |
Don't flatter yourself. | 0:18:13 | 0:18:15 | |
I don't think that. | 0:18:15 | 0:18:17 | |
You could never lie to me. | 0:18:17 | 0:18:19 | |
I could always tell by your eyes. | 0:18:19 | 0:18:21 | |
Get a cab to your sister's. | 0:18:23 | 0:18:25 | |
You're still lying to Angela. Some things never change. | 0:18:25 | 0:18:28 | |
I've got to go. | 0:18:30 | 0:18:31 | |
HE SIGHS | 0:18:46 | 0:18:48 | |
CAR ALARM IN DISTANCE | 0:19:09 | 0:19:10 | |
-See? -She's probably snoring by now. | 0:19:18 | 0:19:20 | |
What if she needs to use the loo? | 0:19:20 | 0:19:22 | |
Dad? Just leave the key with me. | 0:19:22 | 0:19:24 | |
Niamh, the alarm's going off, yeah? | 0:19:24 | 0:19:26 | |
Yeah, you said. I set it before I left. | 0:19:26 | 0:19:28 | |
OK, so somebody's robbing the place. Will I just leave them to it? | 0:19:28 | 0:19:31 | |
Dad, do not go after him. | 0:19:31 | 0:19:34 | |
It won't help. She'll hate you. | 0:19:34 | 0:19:37 | |
Niamh, that ship has already sailed, my love. | 0:19:38 | 0:19:41 | |
Do not touch him. | 0:19:41 | 0:19:43 | |
Niamh, listen to me. I'm going to the coffee shop. | 0:19:43 | 0:19:46 | |
OK? To knock the alarm off, that's all. I promise. | 0:19:46 | 0:19:51 | |
Much as I'd love to go and break his neck. | 0:19:51 | 0:19:53 | |
This'll all be over in a few weeks. | 0:19:53 | 0:19:55 | |
Yeah. | 0:19:55 | 0:19:56 | |
ALARM STILL GOING | 0:20:07 | 0:20:08 | |
Paudge? I need to see you now, please. | 0:20:39 | 0:20:42 | |
Sure that didn't even touch the sides. | 0:21:07 | 0:21:10 | |
What is it? Best of three, is it? | 0:21:10 | 0:21:12 | |
I want another drink. Is that OK with you? | 0:21:12 | 0:21:14 | |
Steady on. You have to have your wits about you tomorrow. | 0:21:14 | 0:21:17 | |
Cheers. | 0:21:17 | 0:21:18 | |
You don't want to be breathing gargle fumes all over the judge. | 0:21:22 | 0:21:25 | |
I won't. | 0:21:25 | 0:21:27 | |
Well, that's what you think - the rate you're going... | 0:21:27 | 0:21:29 | |
I'm not going to be there in court so it doesn't matter. | 0:21:29 | 0:21:33 | |
Yes, you are. | 0:21:37 | 0:21:38 | |
-There's no point, not now. I'm not going. -So what was all that about | 0:21:38 | 0:21:42 | |
Brian getting what's coming to him? | 0:21:42 | 0:21:44 | |
Has he been at you again? Is that why you called me? | 0:21:47 | 0:21:49 | |
No. No, I've changed my mind. OK? | 0:21:49 | 0:21:54 | |
Sharon, I'm not as daft as I look. | 0:21:55 | 0:21:57 | |
You can tell me, what's up? | 0:21:57 | 0:21:59 | |
Brian... | 0:22:11 | 0:22:12 | |
I... | 0:22:18 | 0:22:19 | |
Don't be worrying about him. | 0:22:22 | 0:22:24 | |
That scrote'll be tucked up behind bars before too long... | 0:22:24 | 0:22:27 | |
playing footsie with his cellmate, | 0:22:27 | 0:22:29 | |
giving them the big "I am" in the cells, I'll bet. | 0:22:29 | 0:22:32 | |
But you have to go. You can't fall at the final hurdle. | 0:22:35 | 0:22:39 | |
You're not on your own. I'm behind you 100%. | 0:22:42 | 0:22:45 | |
Tell me what's up. | 0:22:51 | 0:22:52 | |
Nothing. | 0:22:56 | 0:22:57 | |
I'm just nervous. | 0:23:01 | 0:23:02 | |
You're not on your own. | 0:23:03 | 0:23:05 | |
If you weren't nervous, I'd be worried. | 0:23:06 | 0:23:09 | |
Now, give me that. | 0:23:10 | 0:23:11 | |
Mammy's got dinner on for us. | 0:23:12 | 0:23:13 | |
She'll be screaming blue murder if we don't get home in time. | 0:23:13 | 0:23:16 | |
I'm opening the door. | 0:23:27 | 0:23:29 | |
If you need the loo... if you want to chat? | 0:23:35 | 0:23:40 | |
I'll be downstairs. | 0:23:44 | 0:23:46 | |
Dad doesn't mean it. He's just worried about you running off. | 0:23:48 | 0:23:51 | |
Ray? | 0:23:51 | 0:23:53 | |
-Where've you been? -Quickly. Give it to me. | 0:24:00 | 0:24:02 | |
Why? Why do you need it? | 0:24:02 | 0:24:03 | |
Look, do you have it or not? | 0:24:03 | 0:24:05 | |
-Yeah. -Rachel, I don't have time for this. Just hand it over. | 0:24:05 | 0:24:08 | |
-Why? Where you going? -I need to get out of here. Fast. | 0:24:08 | 0:24:11 | |
-What about the trial? -The trial? You're kidding me? | 0:24:11 | 0:24:14 | |
-A one-way ticket to the Joy. No, thanks! -No - I've been practising. | 0:24:14 | 0:24:16 | |
I know what to say - they're going to let you go. | 0:24:16 | 0:24:19 | |
Yeah, right. I doubt that. | 0:24:19 | 0:24:20 | |
Right now, your little boyfriend's probably with the guards telling them all sorts. | 0:24:20 | 0:24:23 | |
-Conor? -Yeah. If Jules hasn't beaten him to it. | 0:24:23 | 0:24:26 | |
So, look, I got to go. Would you give it to me? | 0:24:26 | 0:24:29 | |
Hand it over. | 0:24:29 | 0:24:30 | |
ALARM | 0:24:32 | 0:24:35 | |
SILENCE | 0:24:41 | 0:24:42 | |
You're not leaving without me. | 0:25:05 | 0:25:06 | |
-What? -Yeah. I'm coming with you. | 0:25:06 | 0:25:08 | |
It's fine. I've got everything. | 0:25:08 | 0:25:10 | |
-I don't... -No! | 0:25:10 | 0:25:11 | |
We go together! | 0:25:11 | 0:25:13 | |
Rachel. We can't, not now. Don't you get this? | 0:25:13 | 0:25:15 | |
You're not leaving me here! | 0:25:15 | 0:25:17 | |
You can't come with me. I'm on the run! | 0:25:17 | 0:25:20 | |
Look, you don't want that. I don't even know where I'm going. | 0:25:20 | 0:25:23 | |
France. We're going to France, | 0:25:23 | 0:25:25 | |
just like you said, where we'll be legal | 0:25:25 | 0:25:27 | |
-and we're going to have a house. -give me the passport. | 0:25:27 | 0:25:30 | |
-And then we're going to drink wine and have babies. -I'll take it from you. | 0:25:30 | 0:25:33 | |
Conor? | 0:25:33 | 0:25:35 | |
Conor? | 0:25:50 | 0:25:51 | |
Son? | 0:26:02 | 0:26:03 | |
RINGING | 0:26:20 | 0:26:23 | |
Ange? | 0:26:24 | 0:26:26 | |
'Anything?' | 0:26:26 | 0:26:27 | |
I'm at the Pipes. There's no sign. | 0:26:27 | 0:26:29 | |
Try the Ridge. | 0:26:30 | 0:26:31 | |
I was there already. | 0:26:31 | 0:26:33 | |
So try again! Behind the old ice rink. | 0:26:33 | 0:26:36 | |
OK, I'm on the way. | 0:26:36 | 0:26:38 | |
RUSTLING | 0:26:40 | 0:26:42 | |
HE SIGHS | 0:26:51 | 0:26:53 | |
Look, you're scared. You don't have to be. I'm here. | 0:27:06 | 0:27:09 | |
OK? | 0:27:09 | 0:27:10 | |
No. Stop! | 0:27:13 | 0:27:15 | |
You can't go. | 0:27:20 | 0:27:22 | |
OK. You want me. Ever since that day in your study. | 0:27:22 | 0:27:25 | |
Don't... Don't... | 0:27:25 | 0:27:27 | |
No, you can't live without me. Please don't go. | 0:27:27 | 0:27:30 | |
Don't make me stay here without you. | 0:27:30 | 0:27:32 | |
Look, you'll have to. | 0:27:32 | 0:27:34 | |
My dad, he locked me in my room. He hit me! | 0:27:34 | 0:27:37 | |
Well, then, just go home. Make up with him. | 0:27:41 | 0:27:43 | |
If you leave, I'm going to kill myself. | 0:27:43 | 0:27:46 | |
I swear. I will. | 0:27:49 | 0:27:51 | |
And I'll do it this time and it'll be all your fault. | 0:27:51 | 0:27:54 | |
Oh, God. | 0:27:54 | 0:27:56 | |
Rachel, don't hurt yourself because of me. | 0:28:04 | 0:28:10 | |
Look, I'm not worth it. You've got your whole life ahead of you. | 0:28:12 | 0:28:16 | |
Just promise me. Promise me, you won't do anything stupid, OK? | 0:28:16 | 0:28:20 | |
I don't want to live without you. | 0:28:20 | 0:28:22 | |
No, please don't go. | 0:28:26 | 0:28:28 | |
Please! | 0:28:28 | 0:28:30 | |
No, if you go, I'm going to call my dad. | 0:28:30 | 0:28:33 | |
RINGING | 0:28:42 | 0:28:45 | |
Who is this? | 0:28:47 | 0:28:48 | |
Dad! It's Brian, he's doing a runner. | 0:28:48 | 0:28:50 | |
-Rachel? -You were right, he's just a paedo. | 0:28:50 | 0:28:53 | |
Where's Niamh? Put Niamh on! | 0:28:53 | 0:28:55 | |
A sick, lying paedophile! | 0:28:55 | 0:28:58 | |
Oh! Is he in the house? | 0:28:58 | 0:29:00 | |
Rachel! | 0:29:00 | 0:29:02 | |
We're at the Pipes... | 0:29:02 | 0:29:03 | |
I'm not a paedophile. | 0:29:08 | 0:29:10 | |
Yeah, you are. Everyone says so. | 0:29:10 | 0:29:11 | |
-Have you had any more of Mel's friends... -Don't! | 0:29:11 | 0:29:13 | |
Or was I the only one stupid enough to fall for you? | 0:29:13 | 0:29:16 | |
Stop it! You know that isn't the way it was. | 0:29:16 | 0:29:18 | |
Let me come with you. | 0:29:18 | 0:29:21 | |
Rachel, it can't happen between us. | 0:29:21 | 0:29:23 | |
It already has! | 0:29:23 | 0:29:25 | |
I just wanted to live in France with you. | 0:29:29 | 0:29:32 | |
We were going to have a big house. It was going to be sunny... | 0:29:32 | 0:29:35 | |
Rachel! Listen to me. It's over. | 0:29:35 | 0:29:37 | |
Don't say that. | 0:29:37 | 0:29:39 | |
Look, I'm finished. | 0:29:39 | 0:29:41 | |
I've lost my kids, my wife, everything I've ever worked for. | 0:29:42 | 0:29:46 | |
I've nothing left here. | 0:29:46 | 0:29:47 | |
-You have me! -Don't! | 0:29:47 | 0:29:49 | |
You can't make me stay here alone. | 0:29:49 | 0:29:50 | |
Just go home. | 0:29:50 | 0:29:52 | |
How can I, when everyone hates me because of you? | 0:29:52 | 0:29:57 | |
They don't. | 0:29:57 | 0:29:59 | |
You fell in love. | 0:29:59 | 0:30:01 | |
We fell in love. | 0:30:01 | 0:30:02 | |
No, you shouldn't have. | 0:30:04 | 0:30:06 | |
No, we can't help it. We have a connection. | 0:30:06 | 0:30:08 | |
I'd be dead if it wasn't for you. | 0:30:10 | 0:30:12 | |
You saved me. | 0:30:12 | 0:30:14 | |
The day of the caravan. | 0:30:14 | 0:30:15 | |
No. | 0:30:19 | 0:30:20 | |
Yeah, you did. You saved my life. | 0:30:20 | 0:30:23 | |
Cleere saved you. | 0:30:26 | 0:30:28 | |
I left you. | 0:30:34 | 0:30:35 | |
I left you to die. | 0:30:38 | 0:30:40 | |
That's not true. No, you wouldn't do that. | 0:30:41 | 0:30:44 | |
SHE SCREAMS | 0:30:59 | 0:31:01 | |
I'm sorry. | 0:31:12 | 0:31:14 | |
Brian... | 0:31:15 | 0:31:16 | |
Say something. | 0:31:18 | 0:31:20 | |
SHE SOBS | 0:31:20 | 0:31:22 | |
No! Brian? | 0:31:23 | 0:31:25 | |
You're lucky that gang didn't kill you. | 0:31:37 | 0:31:39 | |
-I should beat the lard out of you myself! -Get off me! | 0:31:39 | 0:31:41 | |
You throw up on those seats and you're cleaning them, you understand? | 0:31:41 | 0:31:44 | |
I'm not going anywhere with you. | 0:31:44 | 0:31:46 | |
Stop acting the eejit and shift your arse. | 0:31:46 | 0:31:48 | |
Tell me about your girlfriend. | 0:31:48 | 0:31:50 | |
Yeah, that's right, I saw you in the pub. | 0:31:50 | 0:31:51 | |
-Saw what? -You, feeling her up. | 0:31:51 | 0:31:54 | |
-Just get into the car. -Mum's going to love this. | 0:31:54 | 0:31:56 | |
Your mother knows all about her. | 0:31:56 | 0:31:57 | |
Rach? | 0:32:06 | 0:32:07 | |
Did you call an ambulance? | 0:32:11 | 0:32:12 | |
What happened? | 0:32:14 | 0:32:16 | |
He was leaving me. | 0:32:16 | 0:32:17 | |
Rachel, what happened?! | 0:32:17 | 0:32:19 | |
Who did this? | 0:32:19 | 0:32:21 | |
I did. | 0:32:21 | 0:32:22 | |
No, you couldn't have. | 0:32:27 | 0:32:28 | |
I'm so sorry, I didn't mean it. | 0:32:28 | 0:32:30 | |
I didn't mean to hurt you. | 0:32:30 | 0:32:32 | |
Look, I told you. Me and Ciara, it's over, | 0:32:42 | 0:32:44 | |
-and your mam knows all about it. -All right, OK? | 0:32:44 | 0:32:46 | |
I don't want to throw up. I don't want to hear it again! | 0:32:46 | 0:32:48 | |
And I don't need to be running round half of Dublin looking for my son, | 0:32:48 | 0:32:51 | |
scared out my wits he's lying dead somewhere. | 0:32:51 | 0:32:54 | |
We don't always get what we want. | 0:32:54 | 0:32:56 | |
People don't live happily ever after. | 0:32:56 | 0:32:58 | |
Well, it didn't stop you spinning me a fairy story, did it? | 0:32:58 | 0:33:00 | |
-What? -I've seen you with that slag before | 0:33:00 | 0:33:02 | |
with your tongue down her throat. Sick. | 0:33:02 | 0:33:04 | |
-Grow up, Conor. -But you're not denying it. | 0:33:04 | 0:33:05 | |
No. | 0:33:05 | 0:33:07 | |
We were going through a bad patch. It happens, OK? | 0:33:07 | 0:33:09 | |
If you didn't love her, why didn't you split up? | 0:33:09 | 0:33:11 | |
Why do you think? You and Stephen. | 0:33:11 | 0:33:13 | |
Oh, yeah. Thought about calling it a day. | 0:33:15 | 0:33:18 | |
But we couldn't do it to you. | 0:33:19 | 0:33:20 | |
And what about that woman now? What's the story now? | 0:33:23 | 0:33:26 | |
Look, me and your mam, we're going to be OK. | 0:33:26 | 0:33:30 | |
I love her. | 0:33:30 | 0:33:32 | |
OK? | 0:33:32 | 0:33:33 | |
Today was a once-off. | 0:33:33 | 0:33:36 | |
Ciara was desperate, her lunatic ex was beating her up. | 0:33:36 | 0:33:38 | |
But you can't tell your mam. | 0:33:42 | 0:33:44 | |
If you've got nothing to hide, then... | 0:33:45 | 0:33:47 | |
Haven't I had your back enough lately? | 0:33:47 | 0:33:49 | |
We've risked everything for you. | 0:33:51 | 0:33:53 | |
To keep you safe. To keep you alive! | 0:33:53 | 0:33:56 | |
I know, OK? I know. | 0:33:56 | 0:33:57 | |
Is that really how you want to repay us? | 0:33:57 | 0:33:59 | |
I won't tell her, OK? I won't tell her. | 0:33:59 | 0:34:01 | |
Right, then. | 0:34:02 | 0:34:03 | |
ENGINE STARTS | 0:34:05 | 0:34:07 | |
HE GRUNTS | 0:34:11 | 0:34:13 | |
Rachel, sweetheart, I need a hand, I can't do it on my own. | 0:34:13 | 0:34:17 | |
Take his feet. | 0:34:17 | 0:34:18 | |
Rachel! | 0:34:20 | 0:34:22 | |
You have to help me! We've got to move him! | 0:34:22 | 0:34:24 | |
Maybe he's just unconscious. We can call an ambulance. | 0:34:25 | 0:34:28 | |
He's just blacked out, that's it. | 0:34:28 | 0:34:30 | |
He's dead, sweetheart. | 0:34:30 | 0:34:31 | |
He's gone. | 0:34:33 | 0:34:34 | |
You understand? | 0:34:34 | 0:34:35 | |
Good girl. | 0:34:37 | 0:34:38 | |
Take his feet. | 0:34:39 | 0:34:41 | |
Rachel, take his feet! | 0:34:42 | 0:34:43 | |
GLASS SHATTERS | 0:34:52 | 0:34:54 | |
Shit! | 0:34:54 | 0:34:56 | |
DISTANT VOICES | 0:34:56 | 0:34:58 | |
Come on, come on, come on. Get down. | 0:35:03 | 0:35:04 | |
Get down. | 0:35:13 | 0:35:15 | |
THEY LAUGH | 0:35:21 | 0:35:23 | |
Put that down, you'll only hurt yourself. | 0:35:25 | 0:35:28 | |
THEY BANTER | 0:35:28 | 0:35:31 | |
SHE WHIMPERS | 0:35:54 | 0:35:57 | |
Come on. | 0:35:57 | 0:35:59 | |
Come on! | 0:35:59 | 0:36:00 | |
Come on, come on, come on. | 0:36:00 | 0:36:01 | |
What are we going to do? | 0:36:01 | 0:36:03 | |
-It's going to be OK. -Dad, I'm a murderer. | 0:36:03 | 0:36:05 | |
No, no, that's not what happened. It was self-defence, OK? | 0:36:05 | 0:36:08 | |
-He attacked you. -No, I did this. | 0:36:09 | 0:36:11 | |
No, no. Listen to me. He attacked you, OK? | 0:36:11 | 0:36:14 | |
You did what you could and you just got away from him. | 0:36:14 | 0:36:16 | |
-No, Dad... -Yes, listen... | 0:36:16 | 0:36:17 | |
-No! -Listen, listen! | 0:36:17 | 0:36:19 | |
That's what we're going to tell the guards, OK? | 0:36:19 | 0:36:21 | |
He tried to rape you and you got away from him. | 0:36:21 | 0:36:23 | |
But I won't. | 0:36:23 | 0:36:24 | |
-You have to, Rach. -No, I can't, I can't! | 0:36:24 | 0:36:26 | |
What phone did you use? | 0:36:30 | 0:36:31 | |
What phone did you use to ring me? | 0:36:31 | 0:36:33 | |
We need to get rid of it. | 0:36:33 | 0:36:35 | |
-It's this one. It's his. -OK, good girl. | 0:36:35 | 0:36:37 | |
Here, get in the car. | 0:36:38 | 0:36:40 | |
-What are you going to...? -Just get in the car. | 0:36:40 | 0:36:42 | |
What are you going to do to him? | 0:36:42 | 0:36:43 | |
You trust me. You trust me, don't you? | 0:36:43 | 0:36:45 | |
I'm going to make all this go away. | 0:36:47 | 0:36:49 | |
-You can't. -I can, I can. | 0:36:49 | 0:36:52 | |
I'm your old man. I can do anything. | 0:36:52 | 0:36:55 | |
OK? | 0:36:55 | 0:36:56 | |
Listen to me, you're going to have to do exactly what I say. | 0:36:56 | 0:36:59 | |
OK, promise me, sweetheart. OK? | 0:36:59 | 0:37:01 | |
Come on, listen, listen. This never happened. | 0:37:03 | 0:37:06 | |
Nobody will never know, I promise. | 0:37:06 | 0:37:08 | |
I promise. | 0:37:08 | 0:37:10 | |
SHE BREATHES RAGGEDLY | 0:37:15 | 0:37:17 | |
I never would have believed it. | 0:37:35 | 0:37:38 | |
Can't argue with science. | 0:37:38 | 0:37:39 | |
Shall we go? | 0:37:41 | 0:37:42 | |
Yeah. | 0:37:43 | 0:37:44 | |
Second thoughts? | 0:37:53 | 0:37:55 | |
We're following the evidence. | 0:37:56 | 0:37:57 | |
You think we should call Dunne first? | 0:37:59 | 0:38:00 | |
ENGINE STARTS | 0:38:04 | 0:38:06 | |
Oh, my God, you are not watching that rubbish again. | 0:38:13 | 0:38:16 | |
It's even better the 11th time, you should give it a try. | 0:38:16 | 0:38:20 | |
Or I could stick pins in my eyes. | 0:38:20 | 0:38:21 | |
You're a heathen. No soul. | 0:38:21 | 0:38:24 | |
Come on, Dad, you know you want to. | 0:38:24 | 0:38:26 | |
Oh, you think your old man's that easy, do you? | 0:38:26 | 0:38:29 | |
-DOORBELL RINGS -Saved by the bell. | 0:38:29 | 0:38:31 | |
If that's Sean... | 0:38:31 | 0:38:32 | |
I'll just tell him to run for the hills. | 0:38:32 | 0:38:34 | |
Popcorn? | 0:38:36 | 0:38:37 | |
DOORBELL RINGS AGAIN | 0:38:41 | 0:38:42 | |
-What? -We've got visitors. | 0:38:51 | 0:38:54 | |
Sorry to interrupt. | 0:38:57 | 0:38:58 | |
I thought you were dinner. | 0:38:59 | 0:39:01 | |
No such luck, Skip. Is Conor home? | 0:39:01 | 0:39:03 | |
Why? | 0:39:05 | 0:39:06 | |
Is that the pizza, Mum? | 0:39:06 | 0:39:08 | |
All right, Conor? | 0:39:10 | 0:39:12 | |
Yeah, erm... | 0:39:12 | 0:39:13 | |
We're just about to eat, so whatever this is, can we do it later? | 0:39:13 | 0:39:17 | |
We got the forensics back on the murder weapon. | 0:39:17 | 0:39:19 | |
The fingerprints. | 0:39:19 | 0:39:21 | |
Good news. Great. | 0:39:22 | 0:39:23 | |
They're Conor's. | 0:39:26 | 0:39:27 | |
-What? -They can't be! -No, no. No way! No, no! | 0:39:27 | 0:39:30 | |
This must be a mistake. | 0:39:30 | 0:39:31 | |
I wish. | 0:39:31 | 0:39:32 | |
Yes, it's a mistake! | 0:39:32 | 0:39:34 | |
-I didn't kill him! Dad, I didn't! -I know, son, I know. | 0:39:34 | 0:39:36 | |
We've got Conor's prints and Brian's blood. | 0:39:36 | 0:39:38 | |
I'm sorry. You know what I have to do now. | 0:39:38 | 0:39:40 | |
-No, don't. -Conor Tyrell... | 0:39:40 | 0:39:41 | |
-No, you've got this wrong. -Please! | 0:39:41 | 0:39:43 | |
Conor Tyrell, I'm arresting you on suspicion of the murder | 0:39:43 | 0:39:46 | |
of Brian Stephen McGonigle. | 0:39:46 | 0:39:48 |