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See your brother? He likes to beat up women | 0:00:00 | 0:00:03 | |
that don't pay on time. You should have seen her face. | 0:00:03 | 0:00:05 | |
Conor. He told me he killed Brian. | 0:00:05 | 0:00:07 | |
-Why are you lying? Why are you lying? Why? -Leave her alone, Conor. | 0:00:08 | 0:00:12 | |
-Get away from her. Get in the car, Rachel. -I'm not lying. | 0:00:12 | 0:00:14 | |
If I take the mick a bit too much it's only because...you and me... | 0:00:14 | 0:00:17 | |
You need to go. | 0:00:18 | 0:00:20 | |
If this moneylending doesn't stop, I mean it - me and Luke are gone. | 0:00:20 | 0:00:23 | |
-Don't do this. -Get out of the car now! Get back here! | 0:00:23 | 0:00:27 | |
I come in peace. | 0:01:05 | 0:01:06 | |
Thanks. | 0:01:09 | 0:01:10 | |
What did you put in that? | 0:01:13 | 0:01:16 | |
Drop of brandy. It'll calm you down. | 0:01:16 | 0:01:18 | |
I've to work today. | 0:01:18 | 0:01:19 | |
Better not let it go to waste, so... | 0:01:20 | 0:01:22 | |
Dipso. | 0:01:22 | 0:01:24 | |
I've had a word with your brother. | 0:01:25 | 0:01:27 | |
What happened will never happen again. | 0:01:29 | 0:01:31 | |
This moneylending malarkey is finished. I mean that. | 0:01:31 | 0:01:34 | |
-I know you mean it, but Ma... -This is your home. | 0:01:34 | 0:01:38 | |
You and Lukey's. | 0:01:38 | 0:01:40 | |
As much as it is hers. But even more so. | 0:01:40 | 0:01:43 | |
Listen. | 0:01:46 | 0:01:47 | |
The business is closed. | 0:01:52 | 0:01:55 | |
No matter what your mother says. | 0:01:55 | 0:01:58 | |
Bottoms up. | 0:02:01 | 0:02:03 | |
Every single word that comes out of that girl's mouth is a lie. | 0:02:11 | 0:02:14 | |
You can't submit her statement as evidence. | 0:02:14 | 0:02:17 | |
-Ange, I have to. -Conor saw that phone. | 0:02:17 | 0:02:19 | |
We go back out to the Reids, we search again. | 0:02:19 | 0:02:22 | |
We find it, then we can prove she's lying. | 0:02:22 | 0:02:25 | |
After that stunt you pulled yesterday? | 0:02:25 | 0:02:27 | |
How in God's name did you expect me to react? | 0:02:27 | 0:02:30 | |
Look, I know this has been difficult for you, | 0:02:31 | 0:02:33 | |
but there is not going to be another search of the Reids' house. | 0:02:33 | 0:02:36 | |
Keith, I need you to go over to Mr Shorten in Casey Lane. | 0:02:43 | 0:02:46 | |
-Like...today? -Yeah. | 0:02:46 | 0:02:48 | |
Then afterward go to Silcrest Drive, your man with the boxer dog... | 0:02:48 | 0:02:51 | |
What's all this? | 0:02:51 | 0:02:53 | |
I knew it. I knew you'd do this. | 0:02:54 | 0:02:57 | |
It's like nothing ever happened. | 0:02:57 | 0:02:58 | |
She's just finishing things off, aren't you? | 0:02:58 | 0:03:00 | |
No, I'm not finishing nothing off. | 0:03:00 | 0:03:02 | |
That is it. We're gone, I swear to God. | 0:03:02 | 0:03:05 | |
Did you ever notice, hen Katie doesn't like anything | 0:03:05 | 0:03:07 | |
or something doesn't go her way, she's out of here? | 0:03:07 | 0:03:09 | |
-You do always say that. -Button your crust, you. | 0:03:09 | 0:03:12 | |
But you never actually go anywhere, do you? | 0:03:12 | 0:03:15 | |
And you won't this time, either, so stop your whining. | 0:03:15 | 0:03:18 | |
Sure, where would you go anyway? Bang down Patricia Hennessy's door? | 0:03:18 | 0:03:22 | |
Good luck with that. | 0:03:23 | 0:03:25 | |
Empty threats wear thin after a while, love. | 0:03:26 | 0:03:28 | |
Katie! | 0:03:31 | 0:03:33 | |
Relax, Vinny. She's going nowhere. | 0:03:33 | 0:03:34 | |
Even if, and it's a big if, there ever was a phone, | 0:03:39 | 0:03:42 | |
sure it's long gone by now. | 0:03:42 | 0:03:44 | |
If Angela thought about this, she'd see that you're right. | 0:03:44 | 0:03:48 | |
I don't know. | 0:03:48 | 0:03:50 | |
This whole situation with Conor, she's... | 0:03:50 | 0:03:52 | |
She's all over the place. | 0:03:52 | 0:03:54 | |
-You have to do what you have to do. -Yeah, I know. | 0:03:55 | 0:03:58 | |
But I'm really worried about her. | 0:03:58 | 0:04:00 | |
So you're not the complete hardass I thought you were? | 0:04:03 | 0:04:05 | |
-She just needs to let off some steam. -Yeah. | 0:04:07 | 0:04:10 | |
I'm thinking dartboard, your photo... | 0:04:10 | 0:04:12 | |
She's my best mate. She was... | 0:04:14 | 0:04:16 | |
No, she is my best mate. | 0:04:19 | 0:04:20 | |
I'll have a word with her. Angela's made of tough stuff. | 0:04:20 | 0:04:24 | |
She'll be fine. | 0:04:25 | 0:04:27 | |
She's packing a suitcase. | 0:04:32 | 0:04:34 | |
Did you pick it up? Bet you it's empty. | 0:04:34 | 0:04:37 | |
-You shut up! -Ah, relax, Vinny, you'll have a heart attack! | 0:04:37 | 0:04:40 | |
-No, Bridge! This time, she's serious. -No, she isn't. | 0:04:40 | 0:04:43 | |
The problem with your precious little girl | 0:04:43 | 0:04:45 | |
is that she thinks she's better than the rest of us. | 0:04:45 | 0:04:48 | |
No, the problem is yous two. | 0:04:48 | 0:04:50 | |
Who paid for that, then? Us two. | 0:04:50 | 0:04:52 | |
Yeah, working our arses off earning decent money, | 0:04:52 | 0:04:54 | |
while she wipes down a few tables for 50 euro? | 0:04:54 | 0:04:58 | |
She's got you wrapped around her finger as usual. | 0:04:58 | 0:05:00 | |
Will the two of yous just shut up for a minute? | 0:05:00 | 0:05:02 | |
This time it's different. | 0:05:02 | 0:05:04 | |
We're going to lose her. | 0:05:04 | 0:05:06 | |
We're going to lose Lukey, you know? | 0:05:06 | 0:05:09 | |
Is that what yous want? | 0:05:09 | 0:05:10 | |
No more excuses, no more stalling. | 0:05:12 | 0:05:15 | |
Put this right, Bridge. | 0:05:16 | 0:05:18 | |
It's great craic in there when the redhead is working. | 0:05:35 | 0:05:37 | |
Throw a few ginger jokes about, she goes mad. | 0:05:37 | 0:05:40 | |
You coming for a pint? | 0:05:42 | 0:05:43 | |
Ange? | 0:05:45 | 0:05:46 | |
I can't. | 0:05:48 | 0:05:49 | |
Ah, go on. | 0:05:51 | 0:05:53 | |
If it's Tommy you're worried about, I'm very discreet. | 0:05:53 | 0:05:56 | |
You OK? | 0:06:00 | 0:06:01 | |
Yeah. | 0:06:03 | 0:06:04 | |
I'm fine. | 0:06:05 | 0:06:07 | |
I just need to go. | 0:06:09 | 0:06:10 | |
Don't make me go on my own. | 0:06:11 | 0:06:12 | |
It'll do you good. All this stuff about Conor... | 0:06:14 | 0:06:16 | |
Come on. My shout. | 0:06:16 | 0:06:18 | |
Some other time, yeah? | 0:06:24 | 0:06:26 | |
All right. Suit yourself. See you tomorrow. | 0:06:27 | 0:06:30 | |
This statement from Rachel Reid | 0:06:40 | 0:06:43 | |
really strengthens the case against the Tyrell boy. | 0:06:43 | 0:06:46 | |
-I suppose it does. -You don't seem too happy about it. | 0:06:46 | 0:06:49 | |
-Don't you believe her? -What does it matter? | 0:06:49 | 0:06:52 | |
Professionalism. Come on, Nikki. | 0:06:52 | 0:06:54 | |
Yeah, fine. Conor killing Brian so he could be with Rachel? | 0:06:54 | 0:06:57 | |
Yeah, makes sense. Makes total sense. There, I said it. | 0:06:57 | 0:07:00 | |
Good. | 0:07:02 | 0:07:03 | |
You know, I never really thought about you in all this. | 0:07:05 | 0:07:08 | |
Must be tough. Your best friend's son. | 0:07:08 | 0:07:10 | |
Must make you feel...protective. | 0:07:10 | 0:07:12 | |
I'm fine. Thank you, sir. | 0:07:13 | 0:07:15 | |
Good. And how is Sergeant Tyrell in light of this new development? | 0:07:15 | 0:07:20 | |
I hear there was...an incident outside the station? | 0:07:20 | 0:07:23 | |
Oh, that was nothing. | 0:07:23 | 0:07:24 | |
You know how I feel about this, Nikki. She's a liability. | 0:07:24 | 0:07:27 | |
Sir, with all due respect, it's her son who stands accused. | 0:07:27 | 0:07:30 | |
Not her. Angela's never given me any reason to doubt her. | 0:07:30 | 0:07:33 | |
I think it's time to bite the bullet. | 0:07:33 | 0:07:35 | |
Angela Tyrell is one of our best. | 0:07:35 | 0:07:37 | |
Despite her current personal circumstances, | 0:07:37 | 0:07:39 | |
I have full confidence in her ability to continue to serve. | 0:07:39 | 0:07:43 | |
Hey. | 0:08:19 | 0:08:21 | |
Ma, I can't have another fight in work. | 0:08:22 | 0:08:24 | |
Can we sit? | 0:08:24 | 0:08:26 | |
-Five minutes? -Sure. | 0:08:26 | 0:08:29 | |
Right, what do you want? | 0:08:33 | 0:08:34 | |
Here. Clients' names, numbers, how much they borrow off us... | 0:08:35 | 0:08:40 | |
-What am I supposed to do with it? -Use it as a doorstop. | 0:08:40 | 0:08:43 | |
Open it. | 0:08:43 | 0:08:45 | |
Yeah, so there's a lot of desperate saps out there. And? | 0:08:47 | 0:08:50 | |
Look at the interest column. | 0:08:50 | 0:08:51 | |
That's how much our family makes off them. | 0:08:53 | 0:08:56 | |
And that's what you're asking us to give up. | 0:08:56 | 0:08:58 | |
New house, new car... Luke getting the best of everything... | 0:08:58 | 0:09:02 | |
-That's not fair. -But it's true. | 0:09:02 | 0:09:06 | |
We give up lending? We go back to the way things were. | 0:09:06 | 0:09:09 | |
-Is that really what you want? -That's exactly what I want, yeah. | 0:09:09 | 0:09:12 | |
Fine. | 0:09:15 | 0:09:17 | |
There you go. Burn it, bin it. Do whatever you want. | 0:09:19 | 0:09:22 | |
OK, I will. | 0:09:22 | 0:09:23 | |
And Ma? | 0:09:24 | 0:09:25 | |
There was nothing wrong with the way things were before. | 0:09:25 | 0:09:28 | |
What are you doing? | 0:09:35 | 0:09:36 | |
What have you done with it? | 0:09:40 | 0:09:41 | |
Why are you doing this to Conor? | 0:09:43 | 0:09:45 | |
Why are you trying to ruin his life? | 0:09:45 | 0:09:48 | |
Don't touch me. | 0:09:48 | 0:09:49 | |
-Get away from me. -Where is it? What have you done with the phone? | 0:09:49 | 0:09:52 | |
What have you done with the phone, Rachel? | 0:09:54 | 0:09:57 | |
You think I ruined his life? What about you? | 0:09:57 | 0:10:00 | |
No wonder he needed heroin with you as a mother. | 0:10:01 | 0:10:03 | |
Where's the phone, Rachel? | 0:10:05 | 0:10:07 | |
Where's the phone? | 0:10:08 | 0:10:10 | |
Rachel? Rachel! | 0:10:10 | 0:10:12 | |
You did the right thing. | 0:10:15 | 0:10:17 | |
You said it yourself, you made a bit of money. | 0:10:17 | 0:10:20 | |
What's the point in working hard if you don't enjoy it? | 0:10:20 | 0:10:22 | |
We didn't win the lotto, Da, we just made a bit of money. | 0:10:22 | 0:10:26 | |
How about a holiday, then? Barbados? November? | 0:10:27 | 0:10:31 | |
And what? Sit on a beach looking at your face peel? | 0:10:31 | 0:10:33 | |
-No, thanks. -Lanzarote, then? | 0:10:33 | 0:10:35 | |
I don't need a holiday, Vin. I need to work. | 0:10:37 | 0:10:40 | |
We'll survive. | 0:10:40 | 0:10:42 | |
Here. | 0:10:44 | 0:10:45 | |
Back scrapin' for a livin'? | 0:10:49 | 0:10:51 | |
You with your hand stuck down the back of the couch | 0:10:52 | 0:10:54 | |
looking for change for a pint? | 0:10:54 | 0:10:55 | |
Desperate? Ending up Joe Fallon, nearly... | 0:10:55 | 0:10:59 | |
I swore I'd never end up there again, Vin. | 0:11:03 | 0:11:07 | |
Bridge. | 0:11:09 | 0:11:10 | |
It was money or family. | 0:11:13 | 0:11:15 | |
Simple as that. | 0:11:17 | 0:11:18 | |
Is your mother here? | 0:11:28 | 0:11:30 | |
No. She'll be back soon, though. Can I help? | 0:11:30 | 0:11:33 | |
No, no, it's cool. I just wanted to ask her about...Tony Lynch. | 0:11:33 | 0:11:38 | |
Sure, look, have a seat, I'll get you a pint on the house. | 0:11:38 | 0:11:42 | |
Cheers. | 0:11:42 | 0:11:43 | |
Drinks on the house! Good man yourself. | 0:11:44 | 0:11:47 | |
You'll be all right there, Reggie boy. | 0:11:47 | 0:11:49 | |
Just finish what's in your glass, yeah? | 0:11:49 | 0:11:51 | |
What do you know about Alice Bruton? | 0:11:55 | 0:11:57 | |
What, the girl who got the crap kicked out of her the other day? | 0:11:57 | 0:12:01 | |
Yeah, her. You know who did it, right? | 0:12:01 | 0:12:04 | |
Enlighten me, Detective Hennessy. | 0:12:04 | 0:12:06 | |
Keith Kiely. | 0:12:06 | 0:12:08 | |
Really? | 0:12:08 | 0:12:09 | |
Yeah, really. | 0:12:09 | 0:12:11 | |
She says she fell down the stairs. | 0:12:12 | 0:12:15 | |
Yeah, that's just cos she's afraid of what they'll do. | 0:12:15 | 0:12:18 | |
That's quite an accusation. | 0:12:20 | 0:12:22 | |
-Yeah, but it's true. -Can you prove it? | 0:12:22 | 0:12:24 | |
-Not exactly, no, but... -First day in Red Rock, | 0:12:26 | 0:12:29 | |
I got mixed up in your little feud. | 0:12:29 | 0:12:31 | |
Yeah, but this is different. | 0:12:31 | 0:12:33 | |
David. If she won't talk, and you can't prove it, | 0:12:33 | 0:12:36 | |
there's nothing we can do. | 0:12:36 | 0:12:37 | |
So be a good lad and stick that pint on for me, | 0:12:37 | 0:12:39 | |
and let it drop, OK? | 0:12:39 | 0:12:41 | |
No-one would help me, Tommy. I tried to get another search. | 0:12:47 | 0:12:50 | |
And then she's just there looking at me, the angelic face on her... | 0:12:50 | 0:12:54 | |
I wanted to find that second phone. | 0:12:54 | 0:12:57 | |
Listen to me, Conor. I think if you texted her... | 0:12:57 | 0:13:00 | |
-I don't know about that, Ange. -We need to get her back onside. | 0:13:00 | 0:13:02 | |
Get her talking. Tell her you want to meet up. | 0:13:02 | 0:13:06 | |
She wouldn't even talk to me. | 0:13:06 | 0:13:07 | |
She might...she's desperate. | 0:13:07 | 0:13:10 | |
-I really believe that. -Are you serious? | 0:13:10 | 0:13:13 | |
Conor, I know she's hurt you, but we're running out of options. | 0:13:15 | 0:13:19 | |
Dad? | 0:13:22 | 0:13:23 | |
I suppose it's worth a shot. | 0:13:23 | 0:13:25 | |
She might tell you the truth. | 0:13:26 | 0:13:28 | |
What if she doesn't? | 0:13:28 | 0:13:29 | |
Right. | 0:13:32 | 0:13:33 | |
-You wouldn't know they were fake, would ye? -Yeah, you would. | 0:13:37 | 0:13:40 | |
Look at the state of them. Where did you get them? | 0:13:40 | 0:13:43 | |
Scabby Doherty. Brought them back from Thailand. | 0:13:43 | 0:13:45 | |
One or two dodgy ones, | 0:13:45 | 0:13:46 | |
but the punters paying for them won't know the difference. | 0:13:46 | 0:13:49 | |
Are you for real, Da? I can tell the difference | 0:13:49 | 0:13:51 | |
and what do I know about handbags? | 0:13:51 | 0:13:53 | |
You said you wanted to do something. Be your own boss. | 0:13:54 | 0:13:56 | |
Selling this crap? | 0:13:56 | 0:13:58 | |
Take them to the stalls. Markets at the weekend. | 0:13:59 | 0:14:02 | |
You'll have me going door to door next, | 0:14:02 | 0:14:04 | |
-sellin' encyclopaedias, while I'm at it. -Give it a go, Bridge. | 0:14:04 | 0:14:06 | |
Please, for me? | 0:14:06 | 0:14:08 | |
Ma, are you serious about this? | 0:14:09 | 0:14:12 | |
-Just as business is taking off? -You don't have a say in this any more. | 0:14:12 | 0:14:15 | |
Ah, come on, how many times do I have to say sorry to you? | 0:14:15 | 0:14:17 | |
I'll tell you when you're done. | 0:14:17 | 0:14:18 | |
No, I'm done now. That's it. Enough apologising to you. | 0:14:18 | 0:14:21 | |
Oh, the big man now, huh? | 0:14:21 | 0:14:23 | |
Give it over, the pair of yous. It's not exactly my dream job, | 0:14:23 | 0:14:26 | |
but it's what we're doing, so just do as I ask, will ya? | 0:14:26 | 0:14:28 | |
Well, hello, there, Patricia. | 0:14:39 | 0:14:41 | |
Sergeant! Drinking alone, I see? | 0:14:41 | 0:14:43 | |
Yeah, well, it's not what I intended. My date let me down. | 0:14:43 | 0:14:47 | |
Smart woman. | 0:14:47 | 0:14:49 | |
Or man? | 0:14:49 | 0:14:51 | |
If you must know, it was a colleague...Angela. | 0:14:52 | 0:14:56 | |
That's funny. I don't remember asking. | 0:14:56 | 0:14:58 | |
What can I say? I'm an open book. | 0:14:58 | 0:15:01 | |
Unlike yourself. | 0:15:02 | 0:15:04 | |
Hello? | 0:15:04 | 0:15:05 | |
Anyone at home? | 0:15:05 | 0:15:07 | |
Reggie, cup of tea, is it? | 0:15:07 | 0:15:09 | |
So, Sergeant. Can I get you another drink? | 0:15:09 | 0:15:11 | |
-Well, that depends. -On what? -Who's serving me. | 0:15:13 | 0:15:16 | |
And why would that matter? | 0:15:16 | 0:15:18 | |
You pull a much better pint than your son. | 0:15:20 | 0:15:22 | |
David, could you get the sergeant another pint, please? | 0:15:25 | 0:15:30 | |
Conor won't stop texting me. | 0:15:41 | 0:15:43 | |
It's OK, love. | 0:15:43 | 0:15:45 | |
What's going on? | 0:15:46 | 0:15:48 | |
Oh, for Christ's sake, just tell me. | 0:15:50 | 0:15:52 | |
It's Angela. She's hassling Rachel again. | 0:15:52 | 0:15:54 | |
About Conor? | 0:15:56 | 0:15:57 | |
That's harassment. I'm calling Sean. | 0:15:58 | 0:16:00 | |
No, wait a second, let's just think about it, OK? | 0:16:00 | 0:16:03 | |
What's there to think about? | 0:16:03 | 0:16:04 | |
Trust me. I'm going to take care of it. | 0:16:04 | 0:16:06 | |
You go and finish the kitchen, OK? Please. | 0:16:06 | 0:16:09 | |
Give me your phone. | 0:16:12 | 0:16:14 | |
State of you. | 0:16:24 | 0:16:26 | |
Did ye sell any? | 0:16:26 | 0:16:27 | |
Oh, yeah, punters were gouging each other's eyes out | 0:16:27 | 0:16:30 | |
to get a hold of one of these bad boys. | 0:16:30 | 0:16:32 | |
No. I spoke to a few of them in the market. I'll start tomorrow. | 0:16:32 | 0:16:35 | |
Right. | 0:16:35 | 0:16:36 | |
I have news. | 0:16:38 | 0:16:39 | |
A new client. Called about an hour ago. | 0:16:39 | 0:16:42 | |
-Wants us to meet him tomorrow. -Who is he? | 0:16:42 | 0:16:44 | |
Dunno. Just said he's looking for a loan. | 0:16:44 | 0:16:47 | |
Sounds like a big one, too. | 0:16:47 | 0:16:48 | |
Really? | 0:16:50 | 0:16:51 | |
Easily two grand, I'd say. | 0:16:51 | 0:16:54 | |
I hope you told him no. | 0:16:57 | 0:16:58 | |
No, I told him we'd call him back. | 0:16:58 | 0:17:01 | |
-Keith. We can't. I promised your da. -Since when do you listen to him? | 0:17:02 | 0:17:06 | |
DOOR OPENS | 0:17:06 | 0:17:08 | |
Look, Ma, he doesn't need to know, all right? | 0:17:08 | 0:17:11 | |
PHONE VIBRATES | 0:17:15 | 0:17:16 | |
What did she say? | 0:17:20 | 0:17:22 | |
SHE SIGHS | 0:17:29 | 0:17:31 | |
Well...at least you tried, son. | 0:17:38 | 0:17:40 | |
I don't... | 0:17:43 | 0:17:44 | |
She didn't write this. | 0:17:44 | 0:17:47 | |
-What? -She didn't write this. -What do you mean? | 0:17:48 | 0:17:51 | |
She never uses full words, let alone apostrophes. | 0:17:51 | 0:17:55 | |
Drives me crazy. I'm telling you, she didn't write this. | 0:17:55 | 0:17:58 | |
I know she didn't write this. | 0:17:58 | 0:17:59 | |
-Maybe it was Niamh. -Or Liam. | 0:17:59 | 0:18:01 | |
GLASS SMASHES | 0:18:03 | 0:18:05 | |
Right, pal. Think you've had enough, come on. | 0:18:07 | 0:18:09 | |
I'm grand. | 0:18:09 | 0:18:10 | |
Mrs Hennessy, I'm after spilling me drink... | 0:18:10 | 0:18:12 | |
-Right. Time to go. -Why don't I call you a cab...? | 0:18:12 | 0:18:14 | |
-It's all right, I'll handle this. Don't worry. -It's fine. | 0:18:14 | 0:18:17 | |
Yeah, it's fine, mister. | 0:18:17 | 0:18:19 | |
Now, be a good filly, and filly-me up... | 0:18:19 | 0:18:21 | |
Bit of respect there, Reggie, all right? | 0:18:21 | 0:18:23 | |
I said it's fine. | 0:18:23 | 0:18:24 | |
That's right, I am fine... | 0:18:24 | 0:18:26 | |
but not as fine as the lovely Patricia, here... | 0:18:26 | 0:18:30 | |
Oh, why don't I call your son and he can drive you home? | 0:18:30 | 0:18:33 | |
-Come on, Reggie, time to go. Get out. -Stop! Johno! | 0:18:33 | 0:18:37 | |
Good night, now, off you go. | 0:18:37 | 0:18:41 | |
-Oh, well done. -What? I was just trying to help. | 0:18:41 | 0:18:43 | |
-Did it look like I needed your help? -Yeah, it did. | 0:18:43 | 0:18:47 | |
So you swooped in to save a poor damsel in distress. | 0:18:47 | 0:18:50 | |
Go home, Johno. | 0:18:50 | 0:18:52 | |
Of course it was him. He's probably been calling the shots all along. | 0:18:54 | 0:18:59 | |
Hold on now. We don't know that. | 0:18:59 | 0:19:01 | |
It makes sense. Mum's right. | 0:19:01 | 0:19:02 | |
Hold on a second. This is crazy. We're just guessing over...what? | 0:19:02 | 0:19:05 | |
Bloody grammar. | 0:19:05 | 0:19:07 | |
We leave it alone. We don't do anything else. That's it. OK? | 0:19:07 | 0:19:09 | |
-Hang on a second. -Did you not hear me? | 0:19:12 | 0:19:14 | |
-Look, I was worried about you, all right? -Reggie is harmless. | 0:19:14 | 0:19:17 | |
-Maybe, but after all the other stuff you've been through... -I'm fine. | 0:19:17 | 0:19:20 | |
Are you, though? | 0:19:21 | 0:19:23 | |
OK, look, full disclosure? | 0:19:23 | 0:19:25 | |
I came here to check on you. | 0:19:25 | 0:19:27 | |
Because whether you like it or not, I do actually give a crap. | 0:19:27 | 0:19:30 | |
-You guys coming? -Yeah, just going to put the alarm on. | 0:19:59 | 0:20:02 | |
Hey... | 0:20:03 | 0:20:05 | |
It's all under control, OK? Don't be worrying. | 0:20:05 | 0:20:08 | |
PHONE ALERT | 0:20:09 | 0:20:11 | |
What? | 0:20:17 | 0:20:18 | |
Stop. | 0:20:51 | 0:20:52 | |
That's not what you said last night. | 0:20:52 | 0:20:54 | |
Well, the lights are on now, so... | 0:20:54 | 0:20:56 | |
What? Body of an Adonis. | 0:20:56 | 0:20:59 | |
And you're not bad yourself, either. | 0:21:00 | 0:21:02 | |
-One small complaint, though. -Oh, really? | 0:21:03 | 0:21:06 | |
-I'd have picked a different hotel. -You'd have picked a cheaper hotel. | 0:21:06 | 0:21:11 | |
Ah, well, you have me there. So...thanks. | 0:21:11 | 0:21:14 | |
"Thanks"? | 0:21:14 | 0:21:15 | |
-For paying for the room, like. -After you drank half the mini-bar? | 0:21:15 | 0:21:18 | |
Ah, here. Yesterday, you accuse me of sexism, | 0:21:18 | 0:21:22 | |
today, I strike a blow for feminism... | 0:21:22 | 0:21:24 | |
This was a mistake. | 0:21:26 | 0:21:27 | |
Come on, don't be like that. | 0:21:29 | 0:21:31 | |
We can go halves if you like. | 0:21:31 | 0:21:33 | |
I've obviously lost my mind. | 0:21:33 | 0:21:35 | |
We won't be doing this again. | 0:21:37 | 0:21:39 | |
Well, that would be a shame. | 0:21:39 | 0:21:42 | |
For you, maybe. | 0:21:42 | 0:21:44 | |
Damn shame... | 0:21:46 | 0:21:48 | |
I can't believe what Angela's doing. | 0:21:59 | 0:22:01 | |
I mean, I know it's her son and everything | 0:22:01 | 0:22:03 | |
but the way she's going after Ray? | 0:22:03 | 0:22:05 | |
She's a desperate woman, love. | 0:22:07 | 0:22:09 | |
This will all be over soon. | 0:22:10 | 0:22:12 | |
And you can get back to normal again. | 0:22:12 | 0:22:14 | |
-Not that you were ever normal. -Shut up. | 0:22:14 | 0:22:17 | |
If Conor or Angela or anybody tries to contact you... | 0:22:21 | 0:22:24 | |
-just give me a call. -OK. | 0:22:24 | 0:22:26 | |
Ange? | 0:22:43 | 0:22:44 | |
Ange? | 0:22:52 | 0:22:53 | |
Liam knows something. | 0:22:56 | 0:22:58 | |
I have to go to work. | 0:23:05 | 0:23:07 | |
Mum? | 0:23:32 | 0:23:33 | |
You're up a bit early, aren't you? | 0:23:33 | 0:23:35 | |
What? | 0:23:36 | 0:23:38 | |
Oh, I just went to shop to get the papers. | 0:23:40 | 0:23:42 | |
Will you throw us the sports section? | 0:23:43 | 0:23:45 | |
I must have left it in the shop. | 0:23:47 | 0:23:49 | |
Did you talk to Claire about Luke? | 0:23:50 | 0:23:52 | |
And say what? "Hey, Sis, got the Kiely's gaff bricked." | 0:23:54 | 0:24:00 | |
That'll help in the case, won't it? | 0:24:00 | 0:24:02 | |
-All is not lost, love. -Sure. | 0:24:02 | 0:24:05 | |
What? | 0:24:09 | 0:24:10 | |
Nothing. Did you get your hair cut or something? | 0:24:12 | 0:24:15 | |
No. | 0:24:16 | 0:24:17 | |
Why? | 0:24:17 | 0:24:19 | |
Just look a bit different. | 0:24:23 | 0:24:24 | |
Here, Niamh was telling me about these Handbag Parties... | 0:24:29 | 0:24:32 | |
You what? | 0:24:33 | 0:24:35 | |
You know, where you invite people over, have a few drinks | 0:24:35 | 0:24:37 | |
and everyone buys a bag. You could sell a few. | 0:24:37 | 0:24:40 | |
I could help you organise it if you want. | 0:24:40 | 0:24:43 | |
That's a good business idea. | 0:24:43 | 0:24:44 | |
You could call yourselves "the bag ladies". Get it? | 0:24:44 | 0:24:47 | |
Yeah...thanks, great. Hopefully won't need it, though. | 0:24:47 | 0:24:51 | |
All right, then... | 0:24:51 | 0:24:53 | |
Tell you, I don't know how I'm going to shift that lot. | 0:24:55 | 0:24:57 | |
I'll be lucky to make 100 euro. | 0:24:57 | 0:24:59 | |
Go away out of that, you'll make much more than that. | 0:24:59 | 0:25:02 | |
-Did you see what they try to sell on the shopping channel? -I have, yeah. | 0:25:02 | 0:25:04 | |
And I don't want any of it for Christmas, thanks. | 0:25:04 | 0:25:07 | |
Listen, Rome wasn't a built in a day. You're a natural saleswoman. | 0:25:07 | 0:25:11 | |
Go out there and dazzle them. | 0:25:11 | 0:25:13 | |
What's that? | 0:25:21 | 0:25:22 | |
Bloke from yesterday. Needs a loan. A big one. | 0:25:24 | 0:25:27 | |
He called back. | 0:25:27 | 0:25:28 | |
No. | 0:25:28 | 0:25:30 | |
-Just sayin'. -No new clients. | 0:25:30 | 0:25:32 | |
It's not like we're touting, is it? They're queueing up. | 0:25:32 | 0:25:34 | |
Nowhere else to go. | 0:25:34 | 0:25:36 | |
Don't start that, Bridge. | 0:25:36 | 0:25:38 | |
Look, Da, we don't need to tell Katie. | 0:25:38 | 0:25:40 | |
I said no! | 0:25:40 | 0:25:42 | |
You'd rather see her sellin' her wares out of a plastic bag, | 0:25:42 | 0:25:45 | |
-would you? What, so Princess Bride can get what she wants again? -Keith! | 0:25:45 | 0:25:49 | |
Forget about it, then. | 0:25:49 | 0:25:52 | |
NEWS BROADCAST ON TV | 0:25:52 | 0:25:54 | |
What's this? | 0:25:59 | 0:26:00 | |
"Good night, Liam." | 0:26:00 | 0:26:02 | |
She must've sent it on the sly. | 0:26:02 | 0:26:04 | |
What's she playing at? | 0:26:04 | 0:26:06 | |
-Look, she knows what she's doing, I guess. -You reckon? | 0:26:06 | 0:26:09 | |
This is way too risky. What if Liam brought that text to the Guards? | 0:26:09 | 0:26:13 | |
-She hasn't let us down yet. -I know, Son. | 0:26:13 | 0:26:16 | |
I'm getting very worried about her. | 0:26:16 | 0:26:18 | |
I've never seen her this desperate before, have you? | 0:26:19 | 0:26:23 | |
Liam, I've noted your complaint. | 0:26:23 | 0:26:25 | |
-Oh, here we go. -And I'll be talking to Sergeant Tyrell... | 0:26:25 | 0:26:28 | |
Oh, you'll talk to her, will you? Over a few pints, maybe? | 0:26:28 | 0:26:31 | |
Do NOT insult my intelligence. | 0:26:31 | 0:26:33 | |
You all look after each other here, don't you? | 0:26:33 | 0:26:35 | |
That's not how this is. Believe me, I'm trying to fix this. | 0:26:35 | 0:26:38 | |
You call your superintendent | 0:26:38 | 0:26:39 | |
or whoever it is you need to call or I'm going to the papers. | 0:26:39 | 0:26:42 | |
-Liam...please... -No, if that's what it takes. | 0:26:42 | 0:26:46 | |
OK? | 0:26:46 | 0:26:47 | |
Police harassment, negligence, incompetence. | 0:26:47 | 0:26:52 | |
A list as long as my arm | 0:26:52 | 0:26:54 | |
of what me and my family have been put through at this station | 0:26:54 | 0:26:57 | |
-ever since my teenage daughter was groomed and raped. -OK, enough. | 0:26:57 | 0:27:00 | |
I will deal with this. Now, please. | 0:27:02 | 0:27:05 | |
Hello, again. | 0:27:22 | 0:27:23 | |
Sergeant O'Riordan. Off to save another damsel in distress? | 0:27:23 | 0:27:27 | |
Cat up a tree, more likely. | 0:27:27 | 0:27:29 | |
Ladies who brunch? | 0:27:30 | 0:27:32 | |
Off to get the nails done next. | 0:27:32 | 0:27:34 | |
Business meeting, actually. | 0:27:35 | 0:27:37 | |
Right. | 0:27:38 | 0:27:39 | |
Well, I better... | 0:27:39 | 0:27:41 | |
Yeah, of course. Look, er... | 0:27:41 | 0:27:42 | |
..about this morning. Sorry I may have been a bit... | 0:27:44 | 0:27:47 | |
Boorish? | 0:27:47 | 0:27:49 | |
Cocky was the word I was going to use. | 0:27:49 | 0:27:51 | |
Anyway, thanks again... | 0:27:51 | 0:27:54 | |
you know...it was... | 0:27:54 | 0:27:58 | |
I'm glad one of us enjoyed ourselves. | 0:27:58 | 0:28:01 | |
Don't think it was all one-way traffic there. | 0:28:02 | 0:28:04 | |
Must do it again some time. | 0:28:06 | 0:28:08 | |
You really are full of charm, aren't you? | 0:28:10 | 0:28:13 | |
-Here to service the people. -Service? | 0:28:13 | 0:28:15 | |
-I didn't actually mean... -What exactly did you mean? | 0:28:15 | 0:28:18 | |
-Just if you ever need... -Servicing? | 0:28:19 | 0:28:21 | |
If you like. | 0:28:24 | 0:28:25 | |
Perhaps you'd like to club me next time, drag me to your cave. | 0:28:26 | 0:28:29 | |
It is a bit obvious, isn't it? | 0:28:32 | 0:28:35 | |
I beg your pardon? | 0:28:35 | 0:28:36 | |
You just happened to walk out of the Neptune just when I happened... | 0:28:36 | 0:28:40 | |
You really are unbelievable. | 0:28:40 | 0:28:42 | |
Pat! Patricia... | 0:28:44 | 0:28:46 | |
SHE LAUGHS | 0:28:46 | 0:28:49 | |
You've got some nerve. | 0:28:59 | 0:29:00 | |
-Is Liam here? -You're not talking to him. | 0:29:00 | 0:29:03 | |
This is none of your business. | 0:29:03 | 0:29:04 | |
You're harassing my family! Showing up at our house and snooping around. | 0:29:04 | 0:29:08 | |
I think that makes it my business. | 0:29:08 | 0:29:10 | |
You need to back off and accept the truth. | 0:29:10 | 0:29:12 | |
Your son is a killer. | 0:29:12 | 0:29:13 | |
You watch what you say about Conor. | 0:29:15 | 0:29:17 | |
Or what? You'll come after me too? | 0:29:17 | 0:29:19 | |
-Are you stupid or just naive? -Excuse me?! | 0:29:19 | 0:29:21 | |
It's right under your nose and you just don't see it. | 0:29:21 | 0:29:23 | |
Your father and sister know exactly what happened to Brian McGonigle. | 0:29:23 | 0:29:26 | |
Oh, my God. You actually believe that, don't you? | 0:29:26 | 0:29:28 | |
Everything OK? | 0:29:28 | 0:29:30 | |
I'm going. | 0:29:33 | 0:29:34 | |
SHOP BELL TINGS | 0:29:43 | 0:29:45 | |
BUZZER | 0:30:11 | 0:30:13 | |
Ange. | 0:30:13 | 0:30:15 | |
I know what Rachel said about Conor hit you hard. | 0:30:17 | 0:30:19 | |
What she said doesn't surprise me one bit. | 0:30:19 | 0:30:21 | |
It's the fact that you believed her. | 0:30:21 | 0:30:23 | |
-I thought you were smarter than that. -Watch yourself. | 0:30:26 | 0:30:29 | |
Don't walk away from me. You, stop gawking. | 0:30:29 | 0:30:31 | |
I am warning you. Back off the Reids. | 0:30:32 | 0:30:35 | |
You might be Conor's mum, but you're also a Garda Sergeant. | 0:30:35 | 0:30:39 | |
-I'm fully aware of that. -Really? Not from where I'm standing. | 0:30:39 | 0:30:42 | |
Did you get the text I sent last night? | 0:31:05 | 0:31:07 | |
Oh, that? Yeah. | 0:31:07 | 0:31:09 | |
Rachel told me about your little stunt. | 0:31:09 | 0:31:12 | |
Rachel had to tell you? | 0:31:12 | 0:31:13 | |
I thought you were pulling the strings. | 0:31:15 | 0:31:17 | |
You just sound paranoid now. | 0:31:17 | 0:31:20 | |
Really? Because I reckon I'm just beginning to see things clearly. | 0:31:20 | 0:31:23 | |
After everything Brian did... | 0:31:26 | 0:31:28 | |
..there must have been a rage building up inside... | 0:31:29 | 0:31:32 | |
Then one day you had enough. You wanted him dead, | 0:31:33 | 0:31:36 | |
and you snapped. The worst part? | 0:31:36 | 0:31:38 | |
Rachel was still in love with him, wasn't she? | 0:31:41 | 0:31:44 | |
We try to look after our children. That's what we do. | 0:31:45 | 0:31:48 | |
But you failed her. | 0:31:48 | 0:31:50 | |
A young girl. Innocent, until Brian took all that away. | 0:31:50 | 0:31:54 | |
-If you say one more word about... -All the lies she's told, | 0:31:54 | 0:31:56 | |
and she's still lying. To protect you? | 0:31:56 | 0:31:58 | |
Or herself? | 0:32:01 | 0:32:02 | |
Did Rachel kill Brian? | 0:32:06 | 0:32:08 | |
You've lost it. | 0:32:12 | 0:32:14 | |
You know that? | 0:32:14 | 0:32:16 | |
You come in here ranting and raving. | 0:32:16 | 0:32:18 | |
Jesus Christ...yesterday you were seen going through our bins | 0:32:18 | 0:32:21 | |
-like a homeless person. -I know when I'm close to the truth. | 0:32:21 | 0:32:24 | |
-I've been doing this job for 20 years... -Yeah? | 0:32:24 | 0:32:26 | |
Well, you're done as a Guard now, you hear me? | 0:32:26 | 0:32:30 | |
I'm going to make sure of it. | 0:32:31 | 0:32:33 | |
That's no problem, Mr Doyle. No problem at all. | 0:32:39 | 0:32:42 | |
Keith will be around first thing in the morning with it. | 0:32:42 | 0:32:45 | |
See you then. | 0:32:45 | 0:32:46 | |
Are we back in business? | 0:32:48 | 0:32:49 | |
-Looks like it. -It's about time you copped on. | 0:32:49 | 0:32:53 | |
I want you to bring that money around to him | 0:32:53 | 0:32:55 | |
-first thing in the morning. Do you understand me? -Yeah. | 0:32:55 | 0:32:58 | |
Here, the addresses? You gave Katie the logbook. | 0:32:58 | 0:33:01 | |
You hardly think I wouldn't have a backup? | 0:33:01 | 0:33:03 | |
-Names and addresses. -Brilliant. | 0:33:03 | 0:33:05 | |
I want you to get on the phone to all them clients we cancelled with. | 0:33:05 | 0:33:08 | |
Hopefully it's not too late. | 0:33:08 | 0:33:10 | |
Yeah...er... | 0:33:10 | 0:33:12 | |
I never actually cancelled them. | 0:33:12 | 0:33:15 | |
I mean, I was going to start up if you weren't, so... | 0:33:15 | 0:33:17 | |
That's my boy. | 0:33:19 | 0:33:21 | |
What are we going to tell Katie and Da? | 0:33:21 | 0:33:23 | |
What they don't know won't hurt 'em. | 0:33:24 | 0:33:27 | |
Right. | 0:33:27 | 0:33:29 | |
-I want that woman gone. -Liam, you need to calm down. | 0:33:29 | 0:33:32 | |
No. Not now she's coming after me and my family. | 0:33:32 | 0:33:35 | |
It's not my problem that she can't accept what her son... | 0:33:35 | 0:33:37 | |
What her son did. | 0:33:39 | 0:33:40 | |
DOOR OPENS | 0:33:40 | 0:33:42 | |
What's he been saying? | 0:33:42 | 0:33:43 | |
-Jesus, Angela. -He wants me fired, does he? | 0:33:43 | 0:33:46 | |
See? She's unhinged. She should not be working here. | 0:33:46 | 0:33:49 | |
Angela, you need to get out of my office. Now. | 0:33:49 | 0:33:52 | |
Who do you believe? | 0:33:52 | 0:33:53 | |
Him or me? | 0:33:53 | 0:33:55 | |
Oh, for God's sake! | 0:33:55 | 0:33:56 | |
I have supported you and stuck by you no matter what. | 0:33:56 | 0:34:01 | |
When we lost Mckay, I was right there beside you | 0:34:01 | 0:34:04 | |
every step of the way, helping you, holding you up. | 0:34:04 | 0:34:07 | |
And now... | 0:34:09 | 0:34:11 | |
..that I need you... | 0:34:12 | 0:34:14 | |
Him or me? | 0:34:21 | 0:34:22 | |
The security in this place is pants. | 0:34:30 | 0:34:32 | |
I beg your pardon? | 0:34:33 | 0:34:35 | |
Just with all the trouble you've had. | 0:34:35 | 0:34:37 | |
It's under control. | 0:34:38 | 0:34:39 | |
Oh, that's lovely, that is. | 0:34:43 | 0:34:45 | |
I come over here on my lunch break, | 0:34:45 | 0:34:46 | |
all the way over here to offer help. | 0:34:46 | 0:34:48 | |
Take time out of my day. There's no pleasing some people, is there? | 0:34:48 | 0:34:51 | |
I'd love to continue this riveting conversation, | 0:34:51 | 0:34:55 | |
-but I really am very busy. -Yeah, shut up. You're not. | 0:34:55 | 0:34:57 | |
You're sitting there pushing bits of paper around, | 0:34:57 | 0:35:00 | |
tapping on your little computer... | 0:35:00 | 0:35:02 | |
daydreaming about me. | 0:35:02 | 0:35:04 | |
OK, time to leave. | 0:35:04 | 0:35:07 | |
Let me show you out. | 0:35:09 | 0:35:11 | |
It's true, though, isn't it? | 0:35:13 | 0:35:15 | |
Can't stop thinking about me, Pat. | 0:35:15 | 0:35:17 | |
It's Patricia! | 0:35:20 | 0:35:22 | |
It's Johno. | 0:35:24 | 0:35:26 | |
Very pleased to meet you...Patricia. | 0:35:28 | 0:35:31 | |
He has some nerve, I'll give him that. | 0:36:00 | 0:36:02 | |
Accusing me of going after his family?! | 0:36:02 | 0:36:04 | |
-That man framed our son for murder, I know he did. -But does Nikki? | 0:36:04 | 0:36:07 | |
Well, maybe not yet, but if I go at him harder... | 0:36:09 | 0:36:13 | |
No, Ange. You've got to stop this. | 0:36:13 | 0:36:16 | |
-What? -I want him to confess just as much as you do. | 0:36:16 | 0:36:19 | |
Then why are you telling me to stop? | 0:36:19 | 0:36:20 | |
Because of Nikki. | 0:36:20 | 0:36:22 | |
What if you push too far and she finds out? | 0:36:22 | 0:36:25 | |
That won't matter. Not if I get him to confess. | 0:36:29 | 0:36:32 | |
And if you can't? | 0:36:32 | 0:36:34 | |
He's had months to think this through, | 0:36:36 | 0:36:38 | |
to run the scenarios, and he's smart. | 0:36:38 | 0:36:40 | |
So it's time for you to be smart as well. | 0:36:42 | 0:36:44 | |
What are you saying? | 0:36:46 | 0:36:47 | |
We stand a much better chance of nailing Liam Reid | 0:36:49 | 0:36:51 | |
if we have Nikki on our side. | 0:36:51 | 0:36:53 | |
So get in there and tell her you're sorry. | 0:36:54 | 0:36:56 | |
Never done it in a haulage office before. | 0:37:09 | 0:37:12 | |
Tell me more. Who? | 0:37:15 | 0:37:17 | |
DOOR RATTLES | 0:37:18 | 0:37:20 | |
You are joking me. | 0:37:28 | 0:37:29 | |
We haven't been burgled, have we? | 0:37:31 | 0:37:33 | |
No! Sergeant O'Riordan was just... | 0:37:33 | 0:37:35 | |
Just have a look at that and... | 0:37:35 | 0:37:37 | |
How's tricks, David? | 0:37:38 | 0:37:40 | |
Yeah, tricks are fine. Mum, the float? | 0:37:40 | 0:37:43 | |
Yeah, it's over there, behind you. | 0:37:43 | 0:37:45 | |
What's going on? | 0:37:48 | 0:37:49 | |
Just a bit of...Victim Support. | 0:37:49 | 0:37:53 | |
I'd have a look at a new alarm, | 0:37:53 | 0:37:56 | |
one that's connected directly to the Gardai. We could be here... | 0:37:56 | 0:38:00 | |
..at a moment's notice. | 0:38:01 | 0:38:02 | |
You really think we need a new alarm? | 0:38:02 | 0:38:04 | |
Well, thank you, Sergeant, that's all very helpful. | 0:38:04 | 0:38:08 | |
-Well, anyway, I'll be off. -OK, love. | 0:38:08 | 0:38:10 | |
This is the very, very last time this happens. | 0:38:14 | 0:38:17 | |
-It's been fun, but... -I know. | 0:38:21 | 0:38:23 | |
Think I did my back in. | 0:38:23 | 0:38:25 | |
My place tonight, then? | 0:38:35 | 0:38:37 | |
Yeah, come in. | 0:39:03 | 0:39:06 | |
Hey. You must be psychic. | 0:39:07 | 0:39:10 | |
-Sorry? -I was just about to get you. | 0:39:11 | 0:39:14 | |
Right. What's going on? | 0:39:15 | 0:39:19 | |
Why don't you sit down? | 0:39:29 | 0:39:30 | |
Look, we both know that you have been under a lot of strain recently. | 0:39:37 | 0:39:41 | |
You know, that's why I'm here. | 0:39:44 | 0:39:46 | |
To say sorry, things just... | 0:39:46 | 0:39:48 | |
Look, I know my behaviour has been out of order, | 0:39:53 | 0:39:58 | |
but...you know, I'm fine now. | 0:39:58 | 0:40:01 | |
Nikki, he's my son. | 0:40:05 | 0:40:07 | |
And I have to think about the station, Angela. | 0:40:10 | 0:40:13 | |
Don't do this, please. | 0:40:17 | 0:40:19 | |
This is not my decision to make. | 0:40:20 | 0:40:22 | |
Sergeant Tyrell, the Chief Superintendent's office | 0:40:31 | 0:40:35 | |
has given direction that you are to be suspended with immediate effect. | 0:40:35 | 0:40:39 |