Browse content similar to 31/01/2017. Check below for episodes and series from the same categories and more!
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A couple of months ago, I saw them kissing. | 0:00:21 | 0:00:24 | |
I should have let you die when I had the chance. | 0:00:24 | 0:00:25 | |
Things have got a wee bit vanilla. | 0:00:25 | 0:00:27 | |
What happened to your date with Robbie? | 0:00:27 | 0:00:29 | |
-Looks like he made other plans. -Aw, there she is, the home-wrecker. | 0:00:29 | 0:00:32 | |
-I can explain. -You've been playing about with that tramp?! | 0:00:32 | 0:00:34 | |
What's going on with you, Pete? You're not yourself. | 0:00:34 | 0:00:36 | |
-I'm moving to America. -What? | 0:00:36 | 0:00:38 | |
-Everyone cheats. -Drew wouldn't cheat. | 0:00:38 | 0:00:40 | |
Jimmy owed some guys money. They want £1,000 a week, every week. | 0:00:40 | 0:00:43 | |
I know it's wrong. | 0:00:43 | 0:00:44 | |
As soon as there's enough food in that fridge, I will stop. | 0:00:44 | 0:00:47 | |
FOOTSTEPS APPROACH | 0:00:47 | 0:00:49 | |
ENGINE PURRS | 0:00:54 | 0:00:56 | |
CAR LOCK BEEPS | 0:01:11 | 0:01:13 | |
-Delivery for Mullen. -Oh! | 0:01:24 | 0:01:26 | |
Pete, you scared the... | 0:01:26 | 0:01:28 | |
Just leave it there, and shut the door on your way out. | 0:01:28 | 0:01:31 | |
Are you moving premises, Captain? | 0:01:36 | 0:01:39 | |
No. I'm jumping ship. I'm done with this. | 0:01:39 | 0:01:43 | |
What? Why? We're on to a good thing here, Scarlett. | 0:01:43 | 0:01:46 | |
I've got debts to clear, and they'll be finished tomorrow, | 0:01:46 | 0:01:49 | |
and so will I. | 0:01:49 | 0:01:50 | |
Don't be daft. This is easy cash! | 0:01:50 | 0:01:53 | |
Easy? My nerves are shattered here. | 0:01:53 | 0:01:56 | |
I'm dancing at my own shadow. | 0:01:56 | 0:01:58 | |
You can't just give up. We've only just started. | 0:01:58 | 0:02:01 | |
There is no "we". This, us, it's over. | 0:02:01 | 0:02:06 | |
What are you going to do with the rest of the plants, get rid of them? | 0:02:06 | 0:02:09 | |
I'll deal with it. | 0:02:09 | 0:02:11 | |
Scarlett, you need to rethink this. | 0:02:11 | 0:02:15 | |
Are you still here? | 0:02:15 | 0:02:16 | |
SCARLETT SIGHS | 0:02:23 | 0:02:25 | |
OPERATIC SINGING FROM TV | 0:02:29 | 0:02:31 | |
'Round one...' | 0:02:31 | 0:02:33 | |
'Is that all the...?' | 0:02:33 | 0:02:34 | |
Are you coming to bed? | 0:02:38 | 0:02:40 | |
Aye, I'll come through once this is finished. | 0:02:40 | 0:02:43 | |
You're avoiding me. | 0:02:47 | 0:02:49 | |
Eh? What makes you say that? | 0:02:49 | 0:02:53 | |
At night, in bed. | 0:02:53 | 0:02:56 | |
You've been like this for weeks... | 0:02:56 | 0:02:58 | |
-What's wrong with us? -Hey. Come on now... | 0:02:58 | 0:03:00 | |
You know I love you, don't you? | 0:03:02 | 0:03:03 | |
Yeah, but... | 0:03:03 | 0:03:04 | |
But nothing. | 0:03:04 | 0:03:05 | |
Look, that whole STI thing, it was a blip. | 0:03:05 | 0:03:10 | |
The doctor said it herself, we're fine. | 0:03:10 | 0:03:12 | |
We are fine, aren't we? | 0:03:13 | 0:03:16 | |
Yeah. Fine. | 0:03:16 | 0:03:20 | |
I'm just being daft. | 0:03:20 | 0:03:22 | |
Don't stay up too late, yeah? | 0:03:22 | 0:03:24 | |
TV: '..in water, for an unprecedented feat. | 0:03:32 | 0:03:36 | |
'He was the most powerful man in the world, | 0:03:36 | 0:03:39 | |
'yet, ironically...' | 0:03:39 | 0:03:41 | |
DOOR OPENS | 0:03:42 | 0:03:44 | |
Pete, I telt you... | 0:03:44 | 0:03:45 | |
This isnae what it looks like. | 0:03:47 | 0:03:49 | |
Really? Because from here, it looks like you're dealing. | 0:03:49 | 0:03:53 | |
I did wonder what Pete saw in you. | 0:03:57 | 0:03:59 | |
It makes sense now - quick and easy cash flow. | 0:03:59 | 0:04:02 | |
Caitlin, I was backed into a corner with this. | 0:04:02 | 0:04:05 | |
Jimmy had left me in all this debt. | 0:04:05 | 0:04:07 | |
I mean, the shop was going under. I didnae know what else to do. | 0:04:07 | 0:04:11 | |
You walking about here, looking at me like I'm scum, | 0:04:11 | 0:04:13 | |
and all the time you're doing this! | 0:04:13 | 0:04:15 | |
Haw! Gonnae calm it. | 0:04:15 | 0:04:17 | |
You're gonnae wake the whole street. | 0:04:17 | 0:04:19 | |
I found my Drew with a bag of this. | 0:04:19 | 0:04:21 | |
He told me it was his, but he was trying to cover for his da. | 0:04:21 | 0:04:25 | |
I never realised he was covering for you, too. | 0:04:25 | 0:04:27 | |
Drew wouldn't have known - | 0:04:27 | 0:04:28 | |
I made Pete promise not to say to anybody. | 0:04:28 | 0:04:31 | |
How would you feel if your boys had got involved in all this? | 0:04:31 | 0:04:34 | |
Caitlin, I know we've never been pals, | 0:04:34 | 0:04:36 | |
but my boys just cannae find out about this. | 0:04:36 | 0:04:38 | |
I mean, Patrick's got his trial coming up, | 0:04:38 | 0:04:40 | |
and Bubba's still serving his Community Payback... | 0:04:40 | 0:04:43 | |
You want to protect your family. I get it. I'm the very same. | 0:04:43 | 0:04:46 | |
Exactly. | 0:04:46 | 0:04:47 | |
I've got Jenny at uni, working two jobs just to get herself by, | 0:04:47 | 0:04:50 | |
and I'm waiting on finding out if the wee man's going | 0:04:50 | 0:04:52 | |
halfway across the world to kick a ball about a field, | 0:04:52 | 0:04:54 | |
and Ruby Tuesday's all about the designer gear for school. | 0:04:54 | 0:04:57 | |
I know what it's like. Money's tight for us all. | 0:04:57 | 0:05:00 | |
What are you doing? | 0:05:04 | 0:05:05 | |
You said that money was tight, | 0:05:07 | 0:05:09 | |
and I'm saying it doesnae need to be, | 0:05:09 | 0:05:12 | |
but we'll just keep this between ourselves. | 0:05:12 | 0:05:15 | |
You think I want your drug money? | 0:05:16 | 0:05:18 | |
-I thought you were... -What? You thought I was blackmailing you? | 0:05:18 | 0:05:21 | |
What do you take me for? | 0:05:21 | 0:05:23 | |
I don't need anything from the likes of you. | 0:05:23 | 0:05:25 | |
I didnae say you did, but... | 0:05:25 | 0:05:27 | |
But nothing. Keep your cash. | 0:05:27 | 0:05:29 | |
The likes of you disgust me. | 0:05:30 | 0:05:32 | |
Caitlin, promise me you're no' gonnae to tell this to anybody. | 0:05:32 | 0:05:34 | |
Caitlin, please! Don't say to anybody. | 0:05:34 | 0:05:37 | |
Oh... | 0:05:41 | 0:05:43 | |
If you're too ill for school, you're too ill to be up and walking around. | 0:05:53 | 0:05:56 | |
Well, I was hoping to have a lie-in, but that seems impossible. | 0:05:56 | 0:05:59 | |
You're not leaving this house, Frankie. | 0:05:59 | 0:06:01 | |
What? Are you going to stop me? | 0:06:01 | 0:06:02 | |
Shame you never managed with Dad. | 0:06:04 | 0:06:06 | |
Morning, all. | 0:06:06 | 0:06:08 | |
Ah... | 0:06:08 | 0:06:10 | |
Cheer up! It might never happen. | 0:06:10 | 0:06:13 | |
It already has. | 0:06:13 | 0:06:14 | |
I'm going to go get ready. | 0:06:18 | 0:06:20 | |
Do you want some? | 0:06:27 | 0:06:28 | |
What did you have in mind? | 0:06:29 | 0:06:31 | |
Coffee. | 0:06:31 | 0:06:33 | |
You know, you could trade her in for the younger model. | 0:06:38 | 0:06:42 | |
What do you think you're doing? | 0:06:42 | 0:06:44 | |
Do you want a picture drawn for you? | 0:06:44 | 0:06:46 | |
This isn't happening. | 0:06:46 | 0:06:47 | |
Yet. | 0:06:47 | 0:06:48 | |
Frankie, you're a kid. | 0:06:48 | 0:06:49 | |
I'm 17. | 0:06:49 | 0:06:50 | |
And old enough to know better. | 0:06:50 | 0:06:52 | |
-Young enough not to care. -Oh! | 0:06:52 | 0:06:53 | |
-Enough of the games. -DOOR OPENS | 0:06:53 | 0:06:55 | |
Is everything all right in here? | 0:06:55 | 0:06:57 | |
I was just asking Andy if he was my new dad. | 0:06:59 | 0:07:02 | |
ENGINE RUMBLES | 0:07:06 | 0:07:08 | |
I counted it myself - it's all there. | 0:07:13 | 0:07:15 | |
That's us done. That's the last of Jimmy's debt. | 0:07:15 | 0:07:18 | |
-ENGINE PURRS -Aye, you're welcome. | 0:07:18 | 0:07:21 | |
PHONE CHIMES | 0:07:25 | 0:07:27 | |
DOOR OPENS | 0:07:28 | 0:07:31 | |
DOOR SLAMS AND FOOTSTEPS APPROACH | 0:07:31 | 0:07:34 | |
Where is everybody? | 0:07:37 | 0:07:39 | |
Bob's gone to work and Patrick's still sleeping. | 0:07:39 | 0:07:41 | |
Right. | 0:07:41 | 0:07:43 | |
Why are you no' wearing your school uniform? | 0:07:43 | 0:07:45 | |
It's a dress-down day, for charity. | 0:07:45 | 0:07:47 | |
Right, well, put that phone down. | 0:07:47 | 0:07:49 | |
Away and get your bag and your jacket. | 0:07:49 | 0:07:51 | |
H-h-hold up, Lady Jane. | 0:07:51 | 0:07:53 | |
-What's that on your feet? -Shoes. | 0:07:53 | 0:07:55 | |
Aye, but whose? | 0:07:55 | 0:07:56 | |
Mine. | 0:07:56 | 0:07:58 | |
They're no' yours. Where did you get them from? | 0:07:58 | 0:08:00 | |
Uncle Lenny bought me them. | 0:08:00 | 0:08:02 | |
Oh, did he now? Ah, well, you can get them off your feet right now! | 0:08:02 | 0:08:04 | |
-Why? -Madonna, we're no' having this argument this morning. | 0:08:04 | 0:08:07 | |
Away and change! | 0:08:07 | 0:08:09 | |
SCARLETT SIGHS | 0:08:11 | 0:08:13 | |
Well, hurry up and open it! | 0:08:22 | 0:08:24 | |
Sorry. When you're ready. | 0:08:24 | 0:08:26 | |
So, what does it say? | 0:08:38 | 0:08:40 | |
I got in. | 0:08:40 | 0:08:41 | |
-Oh, I knew you would do it! -Oh, Drew, I'm so proud of you! | 0:08:41 | 0:08:44 | |
My wee nephew going to play for... | 0:08:44 | 0:08:46 | |
What even are the football teams in America? | 0:08:46 | 0:08:48 | |
He'll be playing for Scotland, eventually. | 0:08:48 | 0:08:50 | |
Well, it's an academy, so it doesn't really... | 0:08:50 | 0:08:53 | |
I'm so proud of you. | 0:08:55 | 0:08:56 | |
Oh, we all are. | 0:08:56 | 0:08:57 | |
So, when do you go? | 0:08:57 | 0:09:00 | |
It says here next week. | 0:09:00 | 0:09:01 | |
Eh? That soon? | 0:09:01 | 0:09:04 | |
Well, eh, that's, erm... | 0:09:04 | 0:09:07 | |
That's amazing. | 0:09:07 | 0:09:08 | |
Aye, that's amazing. | 0:09:08 | 0:09:09 | |
Oh, I'm so proud of you. | 0:09:09 | 0:09:11 | |
Ruby, what have you got to say to your brother? | 0:09:11 | 0:09:13 | |
Can I have your room? | 0:09:13 | 0:09:14 | |
SHE HUMS A JOLLY TUNE | 0:09:19 | 0:09:21 | |
Ah! Thief! Thief! | 0:09:23 | 0:09:26 | |
-Don't worry, love, I'll get it. -Did nobody see that? | 0:09:26 | 0:09:28 | |
Some wee toerag just grabbed my bag! | 0:09:28 | 0:09:31 | |
Are you all right, love? | 0:09:38 | 0:09:39 | |
Never felt better! | 0:09:41 | 0:09:43 | |
Let's get you a coffee. You look like you're in shock. | 0:09:43 | 0:09:46 | |
Oh, yes, I am. | 0:09:46 | 0:09:48 | |
-Bye, Mum. -Bye, darling. Have a good day. | 0:09:51 | 0:09:54 | |
Madonna! For the fifth time this morning, will you hurry up! | 0:09:54 | 0:09:57 | |
Do you mind keeping the noise levels down? | 0:09:57 | 0:09:59 | |
Some of us don't care to hear every Mullen crisis screamed at the | 0:09:59 | 0:10:02 | |
top of your lungs every morning. | 0:10:02 | 0:10:04 | |
Aye, and some of us would do well to just... | 0:10:04 | 0:10:07 | |
Would do well to keep their trap shut, wouldn't they? | 0:10:07 | 0:10:09 | |
Is everything all right? | 0:10:09 | 0:10:10 | |
Aye. Couldnae be better. | 0:10:10 | 0:10:12 | |
Just chatting with my wee pal here. | 0:10:12 | 0:10:14 | |
You know what I'm like, Ellie. | 0:10:14 | 0:10:16 | |
I could dae it all day. | 0:10:16 | 0:10:17 | |
Blab, blab, blab, blab. | 0:10:17 | 0:10:20 | |
Madonna! Gonnae you hurry up?! | 0:10:20 | 0:10:23 | |
I've been attacked, assaulted, in broad daylight! | 0:10:26 | 0:10:29 | |
My handbag ripped out my hand by an artful dodger in a tracksuit! | 0:10:29 | 0:10:35 | |
Are you all right? | 0:10:35 | 0:10:36 | |
Nae thanks to you, son. | 0:10:36 | 0:10:37 | |
It was lucky my wee pal, Louie, was here to help me, | 0:10:37 | 0:10:40 | |
while you were sitting in here glugging on your latte. | 0:10:40 | 0:10:43 | |
Are you needing a wee coffee, Molly? My shout. | 0:10:43 | 0:10:45 | |
Yes, and if you've any brandy, son, stick a wee half in it. | 0:10:45 | 0:10:51 | |
My nerves are shot to next Sunday. | 0:10:51 | 0:10:54 | |
-Eh, thanks for helping my gran, mate. -Pleasure. | 0:10:54 | 0:10:57 | |
Gran? | 0:10:57 | 0:10:59 | |
Don't believe him. I'm only 22. | 0:10:59 | 0:11:02 | |
Do you want a coffee? | 0:11:02 | 0:11:04 | |
On the house. | 0:11:04 | 0:11:05 | |
I'd rather it in a cup. | 0:11:05 | 0:11:06 | |
Anyways, I haven't got time. Job interview. | 0:11:09 | 0:11:12 | |
Could anyone tell me the way to Montenegro Motors? | 0:11:12 | 0:11:15 | |
MOLLY LAUGHS | 0:11:15 | 0:11:17 | |
Madonna! You're gonnae ruin them. | 0:11:20 | 0:11:21 | |
They're already ruined. I want to wear my new ones to school. | 0:11:21 | 0:11:24 | |
I've already told you, they're going back. | 0:11:24 | 0:11:26 | |
But Uncle Lenny said... | 0:11:26 | 0:11:27 | |
He's no' your uncle! | 0:11:27 | 0:11:29 | |
-Is everything OK? -Oh, aye. | 0:11:29 | 0:11:30 | |
Just the usual early-morning skip down the yellow brick road(!) | 0:11:30 | 0:11:33 | |
Madonna! | 0:11:33 | 0:11:35 | |
School run. Never gets any easier... | 0:11:35 | 0:11:36 | |
Aye. Didn't your first one go to boarding school? | 0:11:36 | 0:11:39 | |
See, Katie's got her good shoes on. | 0:11:39 | 0:11:40 | |
Oh, well, that's good for Katie. | 0:11:40 | 0:11:42 | |
See if this is her at ten, | 0:11:42 | 0:11:43 | |
I'm dreading what she's gonnae be like at 15. | 0:11:43 | 0:11:45 | |
Oh, don't. I can't even imagine. | 0:11:45 | 0:11:47 | |
Hey, Scarlett, while I've got you here, | 0:11:47 | 0:11:49 | |
I was going to come by later, but... | 0:11:49 | 0:11:51 | |
you don't have any jobs going in the shop for Frankie? | 0:11:51 | 0:11:53 | |
Evenings or weekends? Or even just a couple of hours? | 0:11:53 | 0:11:56 | |
Eh, well, I couldnae really afford any more... | 0:11:56 | 0:11:58 | |
She'll work for minimum wage, honestly, | 0:11:58 | 0:12:00 | |
or pay her in chocolate or magazines, | 0:12:00 | 0:12:02 | |
just anything to keep her focused. | 0:12:02 | 0:12:05 | |
I'd really love to, but I just don't have enough... | 0:12:05 | 0:12:07 | |
Work going. | 0:12:07 | 0:12:09 | |
Don't worry. I get it. | 0:12:09 | 0:12:11 | |
Aye. Sorry. | 0:12:11 | 0:12:12 | |
Madonna! | 0:12:14 | 0:12:15 | |
I'm just showing Katie them. | 0:12:15 | 0:12:16 | |
Don't you think you can show off in front of your wee pal! | 0:12:16 | 0:12:19 | |
Get them back in the bag. | 0:12:19 | 0:12:20 | |
Fine, I'll just go to school looking like a tramp, then! | 0:12:20 | 0:12:22 | |
Don't you dare talk to me like that! | 0:12:22 | 0:12:24 | |
-How about I take Madonna in to school today? -No. There's nae need. | 0:12:24 | 0:12:27 | |
I'd rather go with her than you. | 0:12:27 | 0:12:28 | |
Eh, her's got a name. Sorry about that, Lorna. | 0:12:28 | 0:12:31 | |
It's no problem. I'm taking Katie anyway. | 0:12:31 | 0:12:34 | |
Come on, terrible twosome. | 0:12:34 | 0:12:35 | |
Aye, right, thanks. | 0:12:35 | 0:12:37 | |
Whoever invented Non-Uniform Day should be shot. | 0:12:37 | 0:12:39 | |
Aye. They should. | 0:12:39 | 0:12:42 | |
I'll see you later, Scarlett. | 0:12:42 | 0:12:43 | |
Aye. | 0:12:43 | 0:12:44 | |
It's lovely to have you with us, Madonna... | 0:12:44 | 0:12:47 | |
I need to ask, have you got a CV? | 0:12:56 | 0:12:59 | |
Clean as a whistle, mate. I got the full bhuna last month. | 0:12:59 | 0:13:02 | |
No, your CV, as in the places you've been. | 0:13:02 | 0:13:05 | |
Ah, all over. | 0:13:06 | 0:13:08 | |
Arran. Berwick. | 0:13:08 | 0:13:10 | |
Ayia Napa - | 0:13:10 | 0:13:11 | |
three seasons there in the summer entertainment team. | 0:13:11 | 0:13:15 | |
Sorry, what's that? | 0:13:15 | 0:13:16 | |
Well, it's just a fancy way of saying that | 0:13:16 | 0:13:18 | |
you get drunk every night and let girls drink vodka jelly shots | 0:13:18 | 0:13:21 | |
off your belly button. | 0:13:21 | 0:13:23 | |
No, I meant the garages that you've worked in. | 0:13:23 | 0:13:26 | |
Oh, I see. | 0:13:27 | 0:13:29 | |
Well, you should've said. | 0:13:29 | 0:13:33 | |
Right, well, thanks for coming anyway. I'll let you know. | 0:13:33 | 0:13:37 | |
The car. | 0:13:47 | 0:13:48 | |
What? | 0:13:49 | 0:13:51 | |
What's wrong with it? | 0:13:51 | 0:13:52 | |
Eh, I cannae say at the minute. | 0:13:52 | 0:13:53 | |
I've got to do a diagnostic check on it. | 0:13:53 | 0:13:55 | |
I bet I can fix it, without doing any of that techie nonsense. | 0:13:55 | 0:14:00 | |
Trust me. I'll have it purring in no time. | 0:14:00 | 0:14:03 | |
Honestly, mate, I've got other folk I need to... | 0:14:03 | 0:14:05 | |
When I'm done with it, it'll be like the cat that's got the dream. | 0:14:05 | 0:14:10 | |
Cream. | 0:14:10 | 0:14:11 | |
Yeah, well, that would make sense(!) | 0:14:11 | 0:14:13 | |
So, are you ready? | 0:14:13 | 0:14:15 | |
Kinda. | 0:14:17 | 0:14:19 | |
Have you been taking your painkillers? | 0:14:26 | 0:14:27 | |
HE SIGHS Since when do you care what I do or don't do? | 0:14:27 | 0:14:31 | |
BUZZER | 0:14:31 | 0:14:33 | |
Right. | 0:14:50 | 0:14:52 | |
Right, well, I'll leave you two to it. | 0:14:52 | 0:14:55 | |
See if you can talk some sense into him. | 0:14:55 | 0:14:57 | |
Sense? That'd be a first. | 0:14:57 | 0:15:00 | |
Remember, no alcohol with those. | 0:15:00 | 0:15:04 | |
Yeah, that'll happen(!) | 0:15:04 | 0:15:05 | |
Well, look who it is - the bold yin. | 0:15:09 | 0:15:13 | |
"It was Miss Scarlett that done it, Officer, with the revolver | 0:15:13 | 0:15:16 | |
"in the taxi office." DOOR CLOSES | 0:15:16 | 0:15:18 | |
What's the matter, hen? | 0:15:18 | 0:15:21 | |
You seem nervous. | 0:15:21 | 0:15:22 | |
I'm fine. | 0:15:22 | 0:15:24 | |
You can save the sympathetic face - you're no' that good an actor, | 0:15:24 | 0:15:26 | |
and I know you're just gutted you didnae have the nerve to do it. | 0:15:26 | 0:15:29 | |
Look, I was bealing that night, but I wouldnae have done that to you. | 0:15:29 | 0:15:32 | |
That gun went off in my hand. It was an accident and you know that. | 0:15:32 | 0:15:35 | |
What are you here for? | 0:15:37 | 0:15:38 | |
Well, your money... | 0:15:38 | 0:15:41 | |
as promised. | 0:15:41 | 0:15:42 | |
What money? | 0:15:42 | 0:15:44 | |
Cut the amnesia act. | 0:15:44 | 0:15:46 | |
You might fool that lot, but you're no' fooling me. | 0:15:46 | 0:15:49 | |
I'm guessing you've got some leftover stock... | 0:15:51 | 0:15:54 | |
That's your debt paid. | 0:15:54 | 0:15:57 | |
The rest of it? | 0:15:57 | 0:15:58 | |
Pure profit. | 0:15:58 | 0:16:00 | |
No, Lenny. I cannae do this, it's not me. | 0:16:00 | 0:16:02 | |
Come on, don't tell me you won't miss the thrill. Hmm? | 0:16:02 | 0:16:05 | |
There's nothing quite like it, | 0:16:05 | 0:16:06 | |
although I do hear that stock-taking in the one-stop shop | 0:16:06 | 0:16:09 | |
comes a close second. | 0:16:09 | 0:16:10 | |
Nah, the truth is, the fear, | 0:16:12 | 0:16:15 | |
the feeling you're better than the rest of them, | 0:16:15 | 0:16:18 | |
that's what gives you the buzz. | 0:16:18 | 0:16:19 | |
Everything I did, I did out of necessity, nothing else, | 0:16:19 | 0:16:24 | |
and the next time Madonna wants shoes, | 0:16:24 | 0:16:26 | |
or a watch or a phone or anything, I'll buy it for her, | 0:16:26 | 0:16:29 | |
no' you. | 0:16:29 | 0:16:31 | |
If you could afford to buy it for her, she wouldnae need to ask me. | 0:16:32 | 0:16:35 | |
One celebratory float for Striker McLean. | 0:16:39 | 0:16:43 | |
A bunch of uneducated Neanderthals kicking a ball about a field - | 0:16:43 | 0:16:47 | |
it's hardly a talent. | 0:16:47 | 0:16:49 | |
It was a joke. | 0:16:52 | 0:16:54 | |
Thanks, AJ. | 0:16:54 | 0:16:55 | |
Well, make sure you remember us when you're earning top dollar. | 0:16:55 | 0:16:57 | |
Yeah, like that'll happen. He'll be gone and we'll be all but forgotten. | 0:16:57 | 0:17:00 | |
And when did you become such a cynical Sally? | 0:17:00 | 0:17:02 | |
I went to boarding school, remember? | 0:17:02 | 0:17:04 | |
I know what I'm talking about - out of sight, out of mind. | 0:17:04 | 0:17:07 | |
You know, standing there breathing down our necks | 0:17:09 | 0:17:13 | |
is kind of creepy, Uncle AJ. | 0:17:13 | 0:17:15 | |
I'm waiting for the cash. | 0:17:15 | 0:17:17 | |
Erm... | 0:17:17 | 0:17:18 | |
You said it was your treat? | 0:17:19 | 0:17:21 | |
Fine. I'll... I'll pay for these next week, yeah? | 0:17:22 | 0:17:26 | |
Fine, but this is the last time. | 0:17:26 | 0:17:28 | |
Of course. | 0:17:28 | 0:17:29 | |
Oh, and while you're on your feet, I'll have a Coke. | 0:17:29 | 0:17:33 | |
Anything else? | 0:17:33 | 0:17:34 | |
One for Jules too. | 0:17:34 | 0:17:35 | |
So, what are we doing tonight? | 0:17:38 | 0:17:41 | |
We were just going to have a night in, and watch a movie. | 0:17:41 | 0:17:44 | |
Brilliant. What time? | 0:17:44 | 0:17:45 | |
Eh, about... | 0:17:45 | 0:17:47 | |
Well, we were sort of just hoping it was... | 0:17:47 | 0:17:50 | |
Oh, right. | 0:17:52 | 0:17:55 | |
Sorry, erm... | 0:17:55 | 0:17:57 | |
You just want it to be the two of you. | 0:17:58 | 0:18:01 | |
I'm sorry. I didn't... I didn't know. | 0:18:03 | 0:18:05 | |
Babes, what's wrong? | 0:18:09 | 0:18:11 | |
It's nothing. | 0:18:12 | 0:18:13 | |
Come on. What's wrong? | 0:18:13 | 0:18:15 | |
It's Mum. She, erm... | 0:18:17 | 0:18:20 | |
She let Andy sleep over again last night. | 0:18:20 | 0:18:22 | |
How's that...? | 0:18:24 | 0:18:25 | |
Sleeping with her. | 0:18:25 | 0:18:27 | |
Oh. | 0:18:27 | 0:18:29 | |
Babes, I didn't know. | 0:18:30 | 0:18:32 | |
I should've guessed, you know. It's... It's inevitable. | 0:18:33 | 0:18:38 | |
Dad's a million miles away, and she's stuck here, bored, | 0:18:38 | 0:18:43 | |
needing attention. | 0:18:43 | 0:18:45 | |
Oh... | 0:18:48 | 0:18:49 | |
I don't know what to say. | 0:18:49 | 0:18:51 | |
I just... I can't bear to be in that house, | 0:18:51 | 0:18:53 | |
you know, just watching them all over each other. | 0:18:53 | 0:18:56 | |
It's disgusting. | 0:18:56 | 0:18:57 | |
You don't have to be. Just come over and join us tonight. | 0:18:57 | 0:19:01 | |
The last thing you need is me being there, being the third wheel. | 0:19:01 | 0:19:04 | |
We want you there. | 0:19:04 | 0:19:06 | |
Don't we, Drew? | 0:19:06 | 0:19:08 | |
I... Aye. Of course. | 0:19:08 | 0:19:10 | |
I'm no' a drug dealer, Lenny. | 0:19:16 | 0:19:17 | |
I've got a pretty good idea how much you've got left over there, | 0:19:17 | 0:19:20 | |
and you might just be daft enough to throw away that money, | 0:19:20 | 0:19:23 | |
so I'm going to offer you... | 0:19:23 | 0:19:27 | |
a cut. | 0:19:27 | 0:19:30 | |
Now, this... | 0:19:30 | 0:19:33 | |
this'll be pure profit. | 0:19:33 | 0:19:34 | |
Of course, it's taking Sideburns out of the equation, | 0:19:34 | 0:19:37 | |
cos he's surplus to requirements. | 0:19:37 | 0:19:39 | |
Scarlett, one way or another, | 0:19:41 | 0:19:42 | |
my boys are coming over there the night to collect that gear. | 0:19:42 | 0:19:45 | |
You can either be at the door, let them in and get hee-haw, | 0:19:45 | 0:19:49 | |
or you can have it bagged and ready, | 0:19:49 | 0:19:51 | |
like the good employee I know you can be. | 0:19:51 | 0:19:53 | |
Souls have been bought for a lot less. | 0:19:55 | 0:19:57 | |
No' mine. | 0:19:57 | 0:19:59 | |
That's what they all say, at first. | 0:19:59 | 0:20:02 | |
SHE TAKES A DEEP BREATH | 0:20:04 | 0:20:06 | |
Oh, Jesus. | 0:20:14 | 0:20:16 | |
DOOR OPENS | 0:20:16 | 0:20:18 | |
DOOR SLAMS | 0:20:19 | 0:20:21 | |
OK, baby, speak to your daddy... | 0:20:25 | 0:20:28 | |
ENGINE PURRS | 0:20:28 | 0:20:30 | |
Oh, yes, baby. | 0:20:34 | 0:20:35 | |
Daddy loves you too. | 0:20:35 | 0:20:37 | |
Sometimes you've just got to show them a little bit of TCP. | 0:20:39 | 0:20:42 | |
So, what do you say? | 0:20:44 | 0:20:47 | |
When can you start? | 0:20:49 | 0:20:51 | |
Get in! | 0:20:51 | 0:20:52 | |
Woo-hoo-hoo! | 0:20:52 | 0:20:54 | |
There you go - like a young Lana Turner. | 0:21:00 | 0:21:03 | |
Hmm, a bit more like Kathleen Turner. | 0:21:03 | 0:21:07 | |
Now, tell the truth - | 0:21:07 | 0:21:08 | |
does Mummy need a little bit of a top up on her Bo-Bo? | 0:21:08 | 0:21:11 | |
You look gorgeous. | 0:21:11 | 0:21:13 | |
Hmm... | 0:21:13 | 0:21:14 | |
Don't you mean "looked"? | 0:21:14 | 0:21:15 | |
Though, still not bad for 56 and three quarters. | 0:21:15 | 0:21:20 | |
Erm... | 0:21:20 | 0:21:21 | |
No point trying to stop it. It always runs away. | 0:21:21 | 0:21:25 | |
What does? | 0:21:25 | 0:21:26 | |
Age. Gravity. | 0:21:26 | 0:21:29 | |
Your dad. | 0:21:29 | 0:21:30 | |
Oh, of course, I should've expected to end up married to a gay man. | 0:21:30 | 0:21:35 | |
I attract them to me. Can't help it. | 0:21:35 | 0:21:38 | |
I'm a gay icon. | 0:21:38 | 0:21:40 | |
I am! | 0:21:40 | 0:21:42 | |
They love me, | 0:21:42 | 0:21:44 | |
with the exception of your Gary... | 0:21:44 | 0:21:46 | |
Be nice. | 0:21:46 | 0:21:47 | |
I am. Though he's as warm as Ryvita... | 0:21:47 | 0:21:50 | |
He's just quiet. | 0:21:50 | 0:21:52 | |
He has hidden depths. | 0:21:52 | 0:21:54 | |
Oh, yeah. | 0:21:54 | 0:21:55 | |
It's the silent types that know how to get a knee trembling | 0:21:55 | 0:21:59 | |
and a brassiere unclipped with one hand. | 0:21:59 | 0:22:01 | |
I don't want to hear about you and Dad, you know. | 0:22:01 | 0:22:03 | |
Oh, I'm not talking about... | 0:22:03 | 0:22:05 | |
Oh, for goodness' sake, Robbie, you don't think your father and I | 0:22:05 | 0:22:09 | |
sailed down the Clyde on a boat marked one-on-one for all eternity? | 0:22:09 | 0:22:15 | |
Do me a favour. | 0:22:15 | 0:22:17 | |
What? | 0:22:17 | 0:22:18 | |
So, all this weeping and wailing over Dad cheating on you, | 0:22:18 | 0:22:21 | |
while all the while you both were... | 0:22:21 | 0:22:23 | |
Oh, don't be ridiculous. | 0:22:23 | 0:22:25 | |
There were a few before him. | 0:22:25 | 0:22:28 | |
Quite a few. | 0:22:28 | 0:22:30 | |
Although your father had more than a few after the vows. | 0:22:30 | 0:22:33 | |
And you never said anything? You never questioned him? | 0:22:33 | 0:22:37 | |
A three-minute thrill with a stranger is hardly the same | 0:22:37 | 0:22:40 | |
as building a life together, | 0:22:40 | 0:22:42 | |
or so I thought. | 0:22:42 | 0:22:45 | |
I wish we'd been open and honest about it now. | 0:22:45 | 0:22:49 | |
Nothing kills an affair quicker than the wife knowing about it. | 0:22:51 | 0:22:56 | |
And what about you? Did you never...? | 0:22:57 | 0:22:59 | |
Do you know what? Don't answer that. I don't even want to know. | 0:22:59 | 0:23:04 | |
Fine, flounce off. | 0:23:04 | 0:23:07 | |
You get that from your father, you know. | 0:23:07 | 0:23:11 | |
-Can I take these roses, please? -Yep. | 0:23:11 | 0:23:12 | |
-Thank you. -Thanks. | 0:23:12 | 0:23:15 | |
Aw, you shouldn't have. | 0:23:15 | 0:23:18 | |
They're not for you. | 0:23:18 | 0:23:19 | |
Good. I'd rather have something that lasts a bit longer. | 0:23:19 | 0:23:22 | |
The flat's empty, if you fancy "hanging out". | 0:23:22 | 0:23:27 | |
Why are you unable to understand the word no? | 0:23:27 | 0:23:30 | |
It's a word I never use. | 0:23:30 | 0:23:31 | |
I'd get the lilies. She likes them best. | 0:23:32 | 0:23:35 | |
-Can I swap these for the lilies? -Yeah, sure. | 0:23:40 | 0:23:42 | |
Hi. | 0:23:55 | 0:23:56 | |
Bob said to tell you that he's going to pay for this "the morra". | 0:23:56 | 0:23:59 | |
Sorry, erm, who are you? | 0:23:59 | 0:24:01 | |
Louie Alexander Vaughn III, the new mechanic. | 0:24:01 | 0:24:05 | |
Oh, right, I'm Scarlett. | 0:24:05 | 0:24:07 | |
Nice to meet you. | 0:24:07 | 0:24:09 | |
So, is Bubba treating you all right over there? | 0:24:09 | 0:24:11 | |
Oh, he's your hubby? I never realised. | 0:24:11 | 0:24:14 | |
No, Bubba. | 0:24:14 | 0:24:15 | |
Yeah, your Hubba Bubba. I get it. | 0:24:15 | 0:24:18 | |
No. I mean Bubba, my wean. | 0:24:18 | 0:24:21 | |
Oh, I thought he said he was called Bob. | 0:24:21 | 0:24:24 | |
He's Wayne? Right. | 0:24:24 | 0:24:26 | |
No, as in my kid. He's my kid. | 0:24:26 | 0:24:29 | |
Oh! That makes a lot more sense actually. | 0:24:30 | 0:24:33 | |
Aye. Right, so are you busy over there? | 0:24:33 | 0:24:36 | |
Nah. If you ask me, I'm a waste of money. | 0:24:36 | 0:24:39 | |
It's right quiet, like a toast town. | 0:24:39 | 0:24:41 | |
Aye, well, here's hoping it picks up then, eh? | 0:24:41 | 0:24:44 | |
Here's hoping. Right, see you later, gator. | 0:24:44 | 0:24:48 | |
See you later. | 0:24:48 | 0:24:49 | |
PHONE RINGS | 0:24:49 | 0:24:51 | |
Eileen? | 0:24:53 | 0:24:55 | |
Aye. | 0:24:56 | 0:24:58 | |
Is everything all right? | 0:24:58 | 0:25:00 | |
So he was sleeping around, the whole time? | 0:25:00 | 0:25:04 | |
35 years! | 0:25:04 | 0:25:06 | |
Can you believe that? | 0:25:06 | 0:25:09 | |
And she let him. | 0:25:09 | 0:25:10 | |
She said her only regret was not being honest! | 0:25:10 | 0:25:13 | |
What is that about? | 0:25:13 | 0:25:14 | |
I'm no' going to lie, but your maw does look like one of they swingers. | 0:25:14 | 0:25:18 | |
It is not funny! | 0:25:18 | 0:25:19 | |
Lighten up. | 0:25:19 | 0:25:20 | |
Out. I've told you, you're no' welcome here when I'm working. | 0:25:24 | 0:25:28 | |
Come on, Caitlin, I'm not here for an argument. | 0:25:28 | 0:25:30 | |
I just want to find out about Drew. | 0:25:30 | 0:25:32 | |
If you'd answered my texts, I wouldn't need to come and ask. | 0:25:32 | 0:25:35 | |
Did he hear about the...? | 0:25:35 | 0:25:36 | |
You gave up the right to knowing what's happening in your son's life | 0:25:36 | 0:25:39 | |
when you started running with every trollop in Shieldinch. Out! | 0:25:39 | 0:25:43 | |
Come on, Caitlin. I just want to... | 0:25:43 | 0:25:45 | |
If you're not buying, you're out. | 0:25:45 | 0:25:47 | |
See, that's the reality of it right there - | 0:25:53 | 0:25:55 | |
running about elsewhere, making an idiot out of you. | 0:25:55 | 0:25:59 | |
I tell you, your maw's got the right idea. | 0:25:59 | 0:26:01 | |
Honesty, straight down the line, no matter what. | 0:26:01 | 0:26:04 | |
Aye, I hear what you're saying Eileen, but... | 0:26:07 | 0:26:10 | |
Aye, that's all good and well but... | 0:26:10 | 0:26:13 | |
Look, I've got to go, I've got customers. | 0:26:13 | 0:26:15 | |
I'll call you back. | 0:26:15 | 0:26:16 | |
Oh, are they for me? Shouldnae have bothered. | 0:26:16 | 0:26:19 | |
Please, take them. | 0:26:19 | 0:26:21 | |
Allergies. | 0:26:21 | 0:26:22 | |
Why did you buy flowers if you...? | 0:26:22 | 0:26:24 | |
Oh, it's a long story. | 0:26:24 | 0:26:26 | |
Are you all right, Scarlett? | 0:26:28 | 0:26:29 | |
Aye. I'm fine, just.... | 0:26:29 | 0:26:31 | |
a couple of bumps in the road and that, you know? | 0:26:31 | 0:26:34 | |
Right. That's kind of why I'm here. | 0:26:34 | 0:26:37 | |
Eh? | 0:26:37 | 0:26:38 | |
I'm just a bit worried about Madonna. | 0:26:38 | 0:26:41 | |
Madonna? She's fine. | 0:26:41 | 0:26:44 | |
I mean, she's playing up a wee bit, you know, | 0:26:44 | 0:26:46 | |
with her daddy being away and that, | 0:26:46 | 0:26:48 | |
but you must know what that's like, you know, | 0:26:48 | 0:26:50 | |
bringing up wee lassies yourself. | 0:26:50 | 0:26:52 | |
Yeah, going away with the army isn't the same as being in... | 0:26:52 | 0:26:55 | |
Are you coming round here to judge me? | 0:26:58 | 0:26:59 | |
Cos if you are, you can leave right now. | 0:26:59 | 0:27:01 | |
I've had enough folk today trying to stick their oar in. | 0:27:01 | 0:27:03 | |
Oh, no. Honestly, I'm not. I'm just worried about Madonna. | 0:27:03 | 0:27:07 | |
Scarlett, she was shaking like a leaf | 0:27:07 | 0:27:09 | |
when I took her in to school this morning. | 0:27:09 | 0:27:11 | |
She was at it. She's just wanting a day off school! | 0:27:11 | 0:27:13 | |
It's typical of her. I was the same at that age. | 0:27:13 | 0:27:15 | |
There's absolutely nothing wrong with my daughter. | 0:27:15 | 0:27:18 | |
She's fine. | 0:27:18 | 0:27:19 | |
She's... | 0:27:22 | 0:27:24 | |
Sorry, I'm... | 0:27:24 | 0:27:25 | |
Oh... | 0:27:25 | 0:27:26 | |
Hey, why don't I put the kettle on, eh? | 0:27:28 | 0:27:31 | |
Have a break for five minutes. | 0:27:31 | 0:27:33 | |
Big Issue. | 0:27:36 | 0:27:38 | |
Help the homeless. | 0:27:38 | 0:27:39 | |
Big Issue. | 0:27:41 | 0:27:42 | |
Help the homeless... | 0:27:45 | 0:27:47 | |
BUZZER | 0:27:47 | 0:27:49 | |
THROUGH INTERCOM: Who is it? | 0:27:50 | 0:27:52 | |
Uncle Lenny, it's Madonna. | 0:27:52 | 0:27:54 | |
SHE SIGHS | 0:27:55 | 0:27:57 | |
Ta. Sorry about today. | 0:28:00 | 0:28:01 | |
It's just one of they days, you know? | 0:28:01 | 0:28:05 | |
When you think you've reached the top of the mountain, only to find... | 0:28:05 | 0:28:07 | |
Another mountain. Oh, I know only too well. | 0:28:07 | 0:28:10 | |
I've just got us back on our feet, | 0:28:10 | 0:28:13 | |
and then I get a phone call from my landlord, | 0:28:13 | 0:28:15 | |
saying she wants to sell the house from under us. | 0:28:15 | 0:28:18 | |
She's offered us first refusal, | 0:28:20 | 0:28:21 | |
but that doesnae mean anything, you know, | 0:28:21 | 0:28:23 | |
when you cannae afford the deposit in the first place, so... | 0:28:23 | 0:28:27 | |
I've got three months to move out. | 0:28:27 | 0:28:29 | |
And how long have you lived there? | 0:28:29 | 0:28:31 | |
A good nine, ten years. | 0:28:31 | 0:28:33 | |
And what about your lease? Was it short-term, a year, or... | 0:28:33 | 0:28:36 | |
Oh, two year, but... | 0:28:36 | 0:28:37 | |
But nothing. You've got rights. | 0:28:37 | 0:28:41 | |
She can't just throw you out with a few months' notice. | 0:28:41 | 0:28:43 | |
There's laws to protect you here, Scarlett. | 0:28:43 | 0:28:45 | |
Laws? Oh, legal bills, that's all I need. | 0:28:45 | 0:28:48 | |
Well, let me speak to her. | 0:28:48 | 0:28:50 | |
You? | 0:28:50 | 0:28:51 | |
Yes. Me. I wasn't always the Stepford wife, you know. | 0:28:51 | 0:28:56 | |
I worked. | 0:28:56 | 0:28:57 | |
Criminal law. | 0:28:57 | 0:28:59 | |
Really? A lawyer? | 0:28:59 | 0:29:01 | |
Oh, you were mad to give that up, hen. | 0:29:01 | 0:29:03 | |
Well, I can't go back now. | 0:29:05 | 0:29:07 | |
The starting salary's 20 grand - I'd be paying out more in childcare. | 0:29:07 | 0:29:11 | |
20 grand? For starting up? | 0:29:11 | 0:29:14 | |
Oh, I'd be right in there like a shot. | 0:29:14 | 0:29:16 | |
Says the woman that runs her own business. | 0:29:16 | 0:29:18 | |
Oh, aye. | 0:29:18 | 0:29:20 | |
A failing business. | 0:29:20 | 0:29:22 | |
Don't let anyone ever tell you | 0:29:22 | 0:29:24 | |
that you can make millions from selling bread. | 0:29:24 | 0:29:26 | |
So, what you going to do? | 0:29:26 | 0:29:28 | |
Hide and hope it all goes away? | 0:29:28 | 0:29:31 | |
I thought that's what we were both doing. | 0:29:31 | 0:29:33 | |
You want to tell me why you look like | 0:29:36 | 0:29:38 | |
you've been dragged through a hedge backwards, eh? | 0:29:38 | 0:29:40 | |
Did somebody do that to you? | 0:29:40 | 0:29:42 | |
Dad says we don't grass. | 0:29:42 | 0:29:44 | |
Aye, well... Aye, your dad's right enough, | 0:29:44 | 0:29:46 | |
but, well, since I'm his best pal, I don't think it's the same thing. | 0:29:46 | 0:29:50 | |
Mum told Uncle Bob that you were a bully | 0:29:50 | 0:29:53 | |
and you were not to be trusted. | 0:29:53 | 0:29:54 | |
Well, your mother says a lot of things. | 0:29:54 | 0:29:58 | |
Do you think I'm a bully? | 0:29:58 | 0:29:59 | |
Listen, me and your mum, we're just... | 0:30:01 | 0:30:04 | |
We're different people, eh? | 0:30:04 | 0:30:06 | |
I'm like... I'm like a teacher. | 0:30:06 | 0:30:09 | |
Like Mrs McPhee? | 0:30:09 | 0:30:10 | |
Aye, sort of. | 0:30:10 | 0:30:12 | |
I don't take any snash from anybody. | 0:30:12 | 0:30:14 | |
No nonsense, anybody talking about me, you know? | 0:30:14 | 0:30:16 | |
What does Mrs McPhee do? | 0:30:16 | 0:30:18 | |
She chucks them out of the classroom. | 0:30:18 | 0:30:19 | |
That's exactly what I would do as well. I would deal with it. | 0:30:19 | 0:30:22 | |
But your mother, well, she's kind of different, you know? | 0:30:22 | 0:30:24 | |
She hears somebody talking about her, she thinks, | 0:30:24 | 0:30:26 | |
"Should I say something? Should I not?" | 0:30:26 | 0:30:28 | |
-You know, she's a bit of a... -She's a bit of a loser. | 0:30:28 | 0:30:30 | |
Hey, hey, hey. Don't you be talking about her like that. | 0:30:30 | 0:30:33 | |
But she is. | 0:30:33 | 0:30:34 | |
She's your mother. | 0:30:34 | 0:30:36 | |
She's trying her best. | 0:30:36 | 0:30:38 | |
She isn't. She doesn't even want me to come and visit you. | 0:30:38 | 0:30:40 | |
She hates me. She's... | 0:30:40 | 0:30:42 | |
Madonna, darling, nobody has anything but love for you. | 0:30:42 | 0:30:46 | |
Your dad, your mum, me... | 0:30:46 | 0:30:49 | |
Sometimes with all that love, people say and do, | 0:30:49 | 0:30:51 | |
well, silly things, but they're only trying to protect you. | 0:30:51 | 0:30:55 | |
Now, are you going to tell me who done this, | 0:30:56 | 0:31:00 | |
and I'll go have a wee word with them, eh? | 0:31:00 | 0:31:02 | |
Madonna! What are you doing here? | 0:31:02 | 0:31:05 | |
-Here she comes. -Why are you no' at the school? | 0:31:05 | 0:31:07 | |
She was just making her own way home, weren't you? | 0:31:07 | 0:31:09 | |
She was in a bit of a state. I was on my way to bring her to... | 0:31:09 | 0:31:12 | |
Don't you be on your way anywhere with my wee lassie. | 0:31:12 | 0:31:14 | |
She's my daughter. I'll deal with her. | 0:31:14 | 0:31:17 | |
I think the words she was looking for there was "thank you". | 0:31:21 | 0:31:25 | |
Somebody's happy! | 0:31:29 | 0:31:30 | |
Oh, stop it! You crack me up. | 0:31:30 | 0:31:33 | |
Gary, Gary, you have to hear this. | 0:31:33 | 0:31:35 | |
Is this your fella, then? | 0:31:35 | 0:31:36 | |
Yeah. Gary. | 0:31:36 | 0:31:38 | |
Louie. | 0:31:38 | 0:31:40 | |
Oh... | 0:31:40 | 0:31:41 | |
Tell him the one about Butlins. | 0:31:41 | 0:31:44 | |
Well, I was just saying, like, I used to go there when I was a kid, | 0:31:44 | 0:31:47 | |
and I don't think you'd get away with calling it that now. | 0:31:47 | 0:31:50 | |
Sorry, what? | 0:31:50 | 0:31:51 | |
Well, it's right rude, isn't it? | 0:31:51 | 0:31:54 | |
Butt-lands? | 0:31:54 | 0:31:56 | |
Shocking, isn't it? | 0:31:56 | 0:31:57 | |
We need to order some more sweet-potato pie and Pringles... | 0:31:57 | 0:32:02 | |
Are you all right, Caitlin? | 0:32:02 | 0:32:03 | |
Yeah. | 0:32:03 | 0:32:04 | |
It's corny, isn't it? | 0:32:06 | 0:32:08 | |
No, he might like it. | 0:32:10 | 0:32:11 | |
I can't believe that this time next week he'll be gone. | 0:32:16 | 0:32:19 | |
If I start saving now, I reckon I'd have enough to fly out by... | 0:32:21 | 0:32:25 | |
Babe. | 0:32:25 | 0:32:26 | |
Look, I'm not... I'm not trying to be mean, | 0:32:26 | 0:32:28 | |
but are you still pretending like you two are going to work? | 0:32:28 | 0:32:32 | |
We've talked. We'll be fine. | 0:32:32 | 0:32:34 | |
We've agreed we'll phone every day. | 0:32:34 | 0:32:36 | |
Yeah, at first. | 0:32:36 | 0:32:38 | |
Then he'll be too busy, so it'll be every other day, | 0:32:38 | 0:32:41 | |
and before you know it, it'll be birthday cards and the odd text. | 0:32:41 | 0:32:44 | |
Are we talking about Drew here or your dad? | 0:32:46 | 0:32:48 | |
Ouch! Jules, I'm trying to be a friend here. | 0:32:50 | 0:32:54 | |
I trust Drew. | 0:32:55 | 0:32:58 | |
Then you're an idiot. | 0:32:58 | 0:32:59 | |
Could you do it? | 0:33:05 | 0:33:06 | |
What? | 0:33:06 | 0:33:07 | |
An open relationship. | 0:33:07 | 0:33:09 | |
It turns out I already was, only Pete never got permission. | 0:33:09 | 0:33:12 | |
Yeah, but, if he did ask, could you? | 0:33:12 | 0:33:15 | |
Nae danger. I'd claw his eyes out for even asking. | 0:33:15 | 0:33:18 | |
Why? Is there trouble in paradise? | 0:33:18 | 0:33:21 | |
I'm just making conversation. | 0:33:22 | 0:33:24 | |
Right. Well, could you? | 0:33:24 | 0:33:27 | |
Bruce wanted to. I didn't, but... | 0:33:27 | 0:33:31 | |
But what? | 0:33:31 | 0:33:32 | |
Maybe we should've. We worked well, other than that. | 0:33:32 | 0:33:36 | |
I think if I'd let him look elsewhere, we might have lasted. | 0:33:36 | 0:33:39 | |
Worked well? Last of the romantics, aren't you? | 0:33:39 | 0:33:42 | |
I'm just thinking practically. | 0:33:42 | 0:33:44 | |
Anyway, enough about me. | 0:33:44 | 0:33:47 | |
You must be excited for Drew. | 0:33:47 | 0:33:48 | |
Mm-hmm. Excited, scared... | 0:33:48 | 0:33:50 | |
Checking behind the couch for any loose change to cover | 0:33:50 | 0:33:52 | |
how much its going to cost. | 0:33:52 | 0:33:54 | |
I thought it was a scholarship? | 0:33:54 | 0:33:55 | |
It is, but he still needs stuff, like boots, kit... | 0:33:55 | 0:33:58 | |
Well, Pete could help out. | 0:33:58 | 0:33:59 | |
Pete's having nothing more to do with this family. | 0:33:59 | 0:34:02 | |
You probably said that about me once. | 0:34:02 | 0:34:04 | |
Caitlin, don't be too proud to take help. He's his dad. | 0:34:04 | 0:34:07 | |
He'll want to chip in. | 0:34:07 | 0:34:09 | |
-Go and speak to him. -I don't want him to. | 0:34:09 | 0:34:11 | |
It's not about what you want. It's what Drew needs. | 0:34:11 | 0:34:14 | |
Go ask him. You know I'm right. | 0:34:15 | 0:34:17 | |
-SHOES SCRAPE -Madonna, I've telt you twice today, | 0:34:20 | 0:34:24 | |
will you stop scuffing they shoes?! | 0:34:24 | 0:34:26 | |
Why not? They're rubbish! | 0:34:27 | 0:34:28 | |
Allie and Ashley in my class said they're knock-off, | 0:34:28 | 0:34:31 | |
said my whole family was nothing but... | 0:34:31 | 0:34:33 | |
What did they say? | 0:34:38 | 0:34:39 | |
Doesn't matter. | 0:34:39 | 0:34:41 | |
Well, it matters enough for you to run away from the school. | 0:34:42 | 0:34:47 | |
Did they lassies do this to you? | 0:34:47 | 0:34:49 | |
No, Mum. You did. You sent me to school like this. | 0:34:49 | 0:34:53 | |
What did you think was going to happen? | 0:34:53 | 0:34:56 | |
I'll talk to your teachers and make sure it doesnae happen again. | 0:34:56 | 0:34:59 | |
It's been going on for weeks and you never even noticed. | 0:34:59 | 0:35:02 | |
All I asked for was a pair of shoes. | 0:35:02 | 0:35:05 | |
Aw, darling, I'm sorry. | 0:35:05 | 0:35:07 | |
Go upstairs to your Uncle Patrick. | 0:35:09 | 0:35:11 | |
Hello! | 0:35:22 | 0:35:25 | |
I hear there's a new hot potato in town, | 0:35:25 | 0:35:28 | |
so I thought should nip over and introductify myself.... | 0:35:28 | 0:35:34 | |
That'll be me, love. | 0:35:35 | 0:35:36 | |
Oh. | 0:35:36 | 0:35:37 | |
Suzanna. | 0:35:38 | 0:35:40 | |
Although they insist on referring to me as Suzie around here. | 0:35:40 | 0:35:44 | |
Louie. | 0:35:44 | 0:35:46 | |
So, Louie, what's your take on the new Gaga album? | 0:35:49 | 0:35:54 | |
DOORBELL RINGS | 0:35:55 | 0:35:58 | |
You're hours early. | 0:35:58 | 0:36:00 | |
Couldnae stay away, could you, Jules? | 0:36:00 | 0:36:02 | |
We need to talk. | 0:36:02 | 0:36:04 | |
HE SIGHS | 0:36:06 | 0:36:08 | |
Is everything all right? | 0:36:13 | 0:36:16 | |
No, it's not, Drew. | 0:36:16 | 0:36:18 | |
I feel guilty. | 0:36:18 | 0:36:20 | |
For what? | 0:36:21 | 0:36:23 | |
You know, what we did, | 0:36:23 | 0:36:26 | |
and every time I'm around Jules I just... | 0:36:26 | 0:36:29 | |
I feel terrible about it. | 0:36:29 | 0:36:30 | |
What we did? You kissed me! | 0:36:30 | 0:36:32 | |
That's not the way I remember it. | 0:36:33 | 0:36:35 | |
-DOORBELL RINGS -That'll be Jules. | 0:36:35 | 0:36:38 | |
She's early. | 0:36:38 | 0:36:39 | |
So were you. | 0:36:39 | 0:36:40 | |
AJ told me the good news. | 0:36:43 | 0:36:45 | |
I made you a cake to celebrate. | 0:36:45 | 0:36:48 | |
I thought you could have a slice with your dad. | 0:36:48 | 0:36:51 | |
I don't have a dad. | 0:36:51 | 0:36:53 | |
Thanks. | 0:37:03 | 0:37:05 | |
Oh, a return to the scene of the crime, is it? | 0:37:05 | 0:37:07 | |
Go inside if you want - I'll show you the bullet marks. | 0:37:07 | 0:37:10 | |
Stay away from Madonna. | 0:37:10 | 0:37:11 | |
She came to me, and you know full well you can trust her with me. | 0:37:11 | 0:37:14 | |
Oh, aye? Like I trusted you with Jimmy? Or Kelly-Marie? | 0:37:14 | 0:37:17 | |
Look, I just came round to tell you, get your guys to come round tonight | 0:37:17 | 0:37:21 | |
and collect everything, all right? | 0:37:21 | 0:37:24 | |
You are an eejit. | 0:37:24 | 0:37:26 | |
You don't see I'm trying to set something up here for wee Madonna? | 0:37:26 | 0:37:28 | |
My Madonna, no' yours. She's nothing to you. | 0:37:28 | 0:37:31 | |
I treat her like one of my own. | 0:37:31 | 0:37:32 | |
One of your own, only she's no'. | 0:37:32 | 0:37:34 | |
Look, Lenny, you've no' exactly been the perfect father, | 0:37:34 | 0:37:37 | |
and you don't get a second chance with Madonna. | 0:37:37 | 0:37:38 | |
Oh, as opposed to you being the perfect mother? | 0:37:38 | 0:37:41 | |
Every time she looks up to you, she looks down her nose at me. | 0:37:41 | 0:37:44 | |
Well, no' any more. If you want to do something for Madonna, | 0:37:44 | 0:37:46 | |
you cut her off completely. | 0:37:46 | 0:37:48 | |
You and me both know that'll break her heart. | 0:37:48 | 0:37:50 | |
Aye, maybe for now it will, | 0:37:50 | 0:37:51 | |
but you know what weans are like - | 0:37:51 | 0:37:53 | |
they forget the folk that don't really matter, quick. | 0:37:53 | 0:37:56 | |
Tell your goons to be at the shed at eight. | 0:37:56 | 0:37:58 | |
MUSIC: Machines by Biffy Clyro | 0:38:01 | 0:38:03 | |
# I would dig 1,000 more if I needed to... # | 0:38:03 | 0:38:08 | |
I saw how you were with him. | 0:38:08 | 0:38:12 | |
Who? | 0:38:12 | 0:38:13 | |
Louie. | 0:38:13 | 0:38:15 | |
Hmm... We're calling him Lulu now. | 0:38:15 | 0:38:17 | |
You lit up. | 0:38:19 | 0:38:21 | |
It was just a bit of harmless flirting with a straight guy. | 0:38:21 | 0:38:24 | |
And you weren't exactly Betty Butch, yourself. | 0:38:24 | 0:38:27 | |
I saw you batting those big doe eyes. | 0:38:27 | 0:38:30 | |
That's my point. Shouldn't we be like that with each other? | 0:38:30 | 0:38:35 | |
What are you saying? | 0:38:35 | 0:38:37 | |
I'm saying, maybe we should be a bit more open... | 0:38:37 | 0:38:43 | |
Open to what? | 0:38:43 | 0:38:46 | |
Other things. | 0:38:46 | 0:38:48 | |
Other... | 0:38:49 | 0:38:50 | |
People? | 0:38:50 | 0:38:52 | |
What do you think? | 0:38:53 | 0:38:56 | |
Boys! Code red. | 0:38:56 | 0:38:58 | |
Repeat - code red. | 0:38:58 | 0:39:00 | |
Is your mother having a meltdown? | 0:39:00 | 0:39:02 | |
No, that's code pink. Code red is a large wine. | 0:39:02 | 0:39:04 | |
No. That's code white. | 0:39:04 | 0:39:06 | |
Code red - entertainment emergency. | 0:39:06 | 0:39:10 | |
You two are having the night off. | 0:39:10 | 0:39:12 | |
Oh, you've both been moping around here, | 0:39:12 | 0:39:14 | |
and I'm sick of it, quite frankly. | 0:39:14 | 0:39:16 | |
You are going to take my new friend out on the town. | 0:39:16 | 0:39:21 | |
The poor wee Dorothy has been lost in the wind around here. | 0:39:21 | 0:39:24 | |
I said, "I know the perfect Scarecrow and Cowardly Lion | 0:39:24 | 0:39:28 | |
"to show you the sights." | 0:39:28 | 0:39:29 | |
Eh, which one am I supposed to be? | 0:39:29 | 0:39:31 | |
Lion. Sorry. Her words, not mine. | 0:39:31 | 0:39:34 | |
What new friend? | 0:39:34 | 0:39:35 | |
Well? The poor boy's gasping for a drink. | 0:39:41 | 0:39:44 | |
What can I get you? | 0:39:45 | 0:39:47 | |
Pete! Pete! | 0:39:54 | 0:39:57 | |
What's this for? | 0:40:01 | 0:40:02 | |
Think of it as a wee redundancy payment. | 0:40:02 | 0:40:05 | |
So, it really is over. | 0:40:05 | 0:40:06 | |
What's wrong? | 0:40:07 | 0:40:09 | |
I know it's daft, but for the first time I felt I was able to | 0:40:09 | 0:40:12 | |
do something for Drew, and now it's back to square one. | 0:40:12 | 0:40:15 | |
Unbelievable! Here I am, on my way over to try and tell you that | 0:40:15 | 0:40:18 | |
your son's for leaving town sooner rather than later, | 0:40:18 | 0:40:20 | |
and you're too busy flirting in the street with this trollop. | 0:40:20 | 0:40:22 | |
-Who are you calling...? -Is that your drugs money? | 0:40:22 | 0:40:25 | |
Keep your voice down. Did you tell her? | 0:40:25 | 0:40:28 | |
You should know better, running after her like a wee skivvy... | 0:40:28 | 0:40:31 | |
I'm not her skivvy. We're... We're partners in this. | 0:40:31 | 0:40:34 | |
Were partners. | 0:40:34 | 0:40:35 | |
And you're proud of your wee drug-dealing scam | 0:40:35 | 0:40:37 | |
and getting your son to take the flak for it? | 0:40:37 | 0:40:39 | |
He's out. We're done. | 0:40:39 | 0:40:40 | |
I doubt that. That lock-up was full of gear. | 0:40:40 | 0:40:43 | |
-Aye, well, it's getting cleared out tonight. -I promise. | 0:40:43 | 0:40:46 | |
We both know what that counts for. | 0:40:46 | 0:40:47 | |
The pair of you are lucky I havenae picked up the phone to the polis. | 0:40:47 | 0:40:50 | |
Caitlin, you can't do that. | 0:40:50 | 0:40:52 | |
There's more than just us, there's Madonna, and Drew and... | 0:40:52 | 0:40:55 | |
I'm begging you, Caitlin. | 0:40:55 | 0:40:56 | |
Are you? Doesnae look like it from where I'm standing. | 0:40:56 | 0:40:59 | |
I just need one night to get rid of it all, and I promise it'll be over. | 0:40:59 | 0:41:01 | |
Give me your word that all that goes tonight. | 0:41:01 | 0:41:03 | |
I promise. | 0:41:03 | 0:41:04 | |
No' you. Her! | 0:41:04 | 0:41:05 | |
I swear. We're done. Out. | 0:41:05 | 0:41:08 | |
Good. Make sure it is, and you can shut it as well. | 0:41:08 | 0:41:12 | |
PETE SIGHS | 0:41:12 | 0:41:14 | |
I mean, my da thinks he can just show up whenever he wants, | 0:41:26 | 0:41:29 | |
even though I've told him that he's no'... | 0:41:29 | 0:41:33 | |
Do you think I was a bit hard on him? | 0:41:33 | 0:41:36 | |
No way. | 0:41:36 | 0:41:37 | |
They're all the same - too little, too late. | 0:41:37 | 0:41:42 | |
Here, have another drink. | 0:41:42 | 0:41:46 | |
It'll calm you down. | 0:41:46 | 0:41:48 | |
Two drinks won't kill you. | 0:41:53 | 0:41:55 | |
So, Jules was saying that, you know... | 0:41:55 | 0:42:02 | |
Are you being careful? | 0:42:02 | 0:42:05 | |
Aye, course we are. | 0:42:05 | 0:42:07 | |
Little Drew, all growed up, | 0:42:07 | 0:42:10 | |
not hanging on to his precious V-card. | 0:42:10 | 0:42:12 | |
Shut up! | 0:42:12 | 0:42:14 | |
What did she say about it? | 0:42:16 | 0:42:19 | |
It? | 0:42:19 | 0:42:20 | |
Me. What did she say about me? | 0:42:20 | 0:42:22 | |
Oh. Nothing. | 0:42:22 | 0:42:25 | |
Nothing? No, I know what you two are like - you talk. | 0:42:25 | 0:42:28 | |
No, Jules talks. I listen. | 0:42:28 | 0:42:31 | |
She said it was fine. | 0:42:34 | 0:42:35 | |
Fine? | 0:42:35 | 0:42:36 | |
Is fine good? | 0:42:37 | 0:42:39 | |
Fine, but fumbly. | 0:42:39 | 0:42:42 | |
Fumbly? | 0:42:42 | 0:42:43 | |
Drew, what do you expect? | 0:42:43 | 0:42:45 | |
Neither of you are exactly able to take the lead. | 0:42:45 | 0:42:49 | |
Fumbly? | 0:42:49 | 0:42:51 | |
You'll get better. | 0:42:51 | 0:42:53 | |
You'll learn, you know. It's... | 0:42:53 | 0:42:55 | |
You just need time. | 0:42:55 | 0:42:57 | |
Of course, you only have a week. Shame. | 0:42:57 | 0:43:01 | |
It's inexperience, she'll know that. | 0:43:01 | 0:43:03 | |
You've gone all red. | 0:43:07 | 0:43:08 | |
No, I've no'. | 0:43:08 | 0:43:09 | |
Oh, it's nothing to be embarrassed about. | 0:43:09 | 0:43:12 | |
We're mates. | 0:43:12 | 0:43:14 | |
Tell me what you're thinking. | 0:43:15 | 0:43:17 | |
You could show me. | 0:43:20 | 0:43:21 | |
Louie's not gay, is he? | 0:43:27 | 0:43:29 | |
I mean, surely we'd have picked up on it? | 0:43:29 | 0:43:31 | |
Mum's never wrong. | 0:43:31 | 0:43:32 | |
I mean, she knew I was gay years before I did - | 0:43:32 | 0:43:35 | |
although the re-enacting of Britney videos in the back garden | 0:43:35 | 0:43:38 | |
might have been a giveaway. | 0:43:38 | 0:43:40 | |
It's a bit reductive to say that all gay men give off signals - | 0:43:40 | 0:43:43 | |
offensive, actually. | 0:43:43 | 0:43:45 | |
Plus, she never realised your dad was. | 0:43:45 | 0:43:48 | |
Good point, well made. | 0:43:48 | 0:43:49 | |
You fancy him, don't you? | 0:43:51 | 0:43:52 | |
-I'm just choking for a drink, that's all. -Mm-hmm? | 0:43:52 | 0:43:55 | |
Not as much as I fancy you. | 0:43:55 | 0:43:57 | |
If something happens tonight, with Louie, I'll be OK with it. | 0:43:57 | 0:44:00 | |
Gary... | 0:44:00 | 0:44:01 | |
Do you remember how we met? | 0:44:01 | 0:44:02 | |
Barely. The amount I'd had to drink was... | 0:44:02 | 0:44:05 | |
Exactly! | 0:44:05 | 0:44:06 | |
We had fun. | 0:44:06 | 0:44:08 | |
Let's do that tonight... | 0:44:08 | 0:44:10 | |
Hmm? Just cut loose, and if something happens with Louie... | 0:44:10 | 0:44:15 | |
Lulu! This should have caught on by now. | 0:44:15 | 0:44:17 | |
I'm being serious. | 0:44:17 | 0:44:19 | |
If something happens, then let's just...let it. | 0:44:19 | 0:44:24 | |
We don't have to have a rule book. | 0:44:24 | 0:44:26 | |
-Let's just cut loose... -Oh! | 0:44:26 | 0:44:29 | |
I like the sound of Wild Gary. | 0:44:31 | 0:44:33 | |
-Yeah? -Mm-hmm. | 0:44:33 | 0:44:36 | |
We'll just phone the school tomorrow and get them told. | 0:44:36 | 0:44:38 | |
Oh, nae danger. School never gets anything sorted. | 0:44:38 | 0:44:40 | |
You're better off going to the parents... | 0:44:40 | 0:44:42 | |
I've sorted it. I've spoke to Madonna. | 0:44:42 | 0:44:44 | |
It's fine. | 0:44:44 | 0:44:46 | |
But what did you tell her? | 0:44:46 | 0:44:48 | |
I just telt her she should start standing up for herself. | 0:44:48 | 0:44:51 | |
When they bullies hit you and call you names, | 0:44:51 | 0:44:54 | |
tell you you're nothing and a nobody, | 0:44:54 | 0:44:55 | |
you don't just sit back and take it. | 0:44:55 | 0:44:57 | |
You don't turn your back and expect everything to change | 0:44:57 | 0:45:00 | |
just cos you ran away for the day. | 0:45:00 | 0:45:02 | |
I says to Madonna, | 0:45:02 | 0:45:03 | |
"You show they lassies what you're made of, and I promise you | 0:45:03 | 0:45:07 | |
"they'll never talk to you again like that." | 0:45:07 | 0:45:09 | |
What did you tell her that for? | 0:45:12 | 0:45:14 | |
Standing up to them's not going to solve anything. | 0:45:14 | 0:45:16 | |
Oh, is it no'? | 0:45:16 | 0:45:17 | |
I told you I'd phone the school and deal with it. | 0:45:17 | 0:45:20 | |
Oh, you telt me? | 0:45:20 | 0:45:22 | |
What? Are you the new man of the house now? | 0:45:22 | 0:45:24 | |
That's not what he's trying to say. | 0:45:24 | 0:45:25 | |
So I should sit down and shut up and let you two run my life for me? | 0:45:25 | 0:45:28 | |
Tell me what I can and cannae do? | 0:45:28 | 0:45:30 | |
No! That's no' what we meant. | 0:45:30 | 0:45:31 | |
Ah, but it's what you're thinking, isn't it? | 0:45:31 | 0:45:33 | |
It's what everybody around here thinks, | 0:45:33 | 0:45:35 | |
talking at me like I'm some daft wee lassie. | 0:45:35 | 0:45:37 | |
Well, no' any more! | 0:45:37 | 0:45:39 | |
That was... | 0:45:48 | 0:45:51 | |
Yeah. I know. | 0:45:51 | 0:45:53 | |
We should... | 0:45:53 | 0:45:55 | |
I'm sorry. | 0:45:56 | 0:45:58 | |
I don't know why I done that, actually. | 0:45:58 | 0:46:00 | |
We should get ready. | 0:46:00 | 0:46:02 | |
Jules'll be here soon. | 0:46:02 | 0:46:04 | |
Yeah, I wouldn't want her to get the wrong idea(!) | 0:46:04 | 0:46:07 | |
You won't say anything, will you? | 0:46:07 | 0:46:09 | |
Frankie? | 0:46:11 | 0:46:12 | |
Let me teach you something else, Drew. | 0:46:12 | 0:46:14 | |
You shouldn't talk about the girlfriend | 0:46:14 | 0:46:16 | |
in front of the other girl that's in your bed. | 0:46:16 | 0:46:18 | |
It sort of ruins the moment. | 0:46:18 | 0:46:21 | |
It makes her feel like crap. | 0:46:21 | 0:46:23 | |
I'm sorry. | 0:46:29 | 0:46:31 | |
Oh... | 0:46:34 | 0:46:36 | |
KNOCK AT DOOR | 0:46:46 | 0:46:48 | |
-Hi. -All right? | 0:46:49 | 0:46:51 | |
Guys, there's been a change of plan. | 0:46:51 | 0:46:54 | |
What do you mean? | 0:46:54 | 0:46:55 | |
Nothing's leaving here tonight. I'll speak to Lenny. | 0:46:55 | 0:46:58 | |
Beat it! | 0:46:58 | 0:46:59 | |
SHE TAKES A DEEP BREATH | 0:47:16 | 0:47:19 | |
MOVIE MUSIC PLAYS FROM TV | 0:47:19 | 0:47:21 | |
I'm going to go. | 0:47:25 | 0:47:26 | |
Are you coming? | 0:47:31 | 0:47:32 | |
No, I'm hanging back. | 0:47:32 | 0:47:35 | |
Are you going to show me out? | 0:47:36 | 0:47:38 | |
Night! | 0:47:41 | 0:47:42 | |
Bye, babes. | 0:47:42 | 0:47:43 | |
Listen, about earlier, I'm sorry. | 0:47:52 | 0:47:56 | |
It was amazing. You were... | 0:47:56 | 0:47:58 | |
You tried your best. | 0:47:58 | 0:48:00 | |
We both did. | 0:48:00 | 0:48:02 | |
Some people just aren't natural learners. | 0:48:02 | 0:48:05 | |
Let's hope you've got the stamina for round two. | 0:48:05 | 0:48:08 | |
What's that for? | 0:48:31 | 0:48:32 | |
Just something for your new place, | 0:48:33 | 0:48:36 | |
so you don't forget me. | 0:48:36 | 0:48:38 | |
Like that would happen. | 0:48:38 | 0:48:40 | |
It's stupid, I know, but it's from our, erm... | 0:48:51 | 0:48:55 | |
First date. | 0:48:55 | 0:48:57 | |
HE SOBS | 0:49:00 | 0:49:02 | |
Oh, you're so sweet. | 0:49:06 | 0:49:09 | |
I'm going to miss you when you go. | 0:49:13 | 0:49:16 | |
I love you, Drew McLean. | 0:49:22 | 0:49:25 | |
I love you too. | 0:49:27 | 0:49:28 | |
-Cheers. -Brr! -Cheers. | 0:49:40 | 0:49:43 | |
# Tell me that you need me... # | 0:49:43 | 0:49:45 | |
-GROANING -I vote for tequila next. | 0:49:45 | 0:49:48 | |
Or maybe something else? | 0:49:48 | 0:49:49 | |
You two are lovely, you know. Lovely. | 0:49:51 | 0:49:54 | |
I just need to go to the loo... | 0:49:54 | 0:49:56 | |
-Are you OK? -Yeah, I'm fine. | 0:49:56 | 0:49:57 | |
Just don't do anything I wouldn't do. | 0:49:57 | 0:49:59 | |
# Tell me that you need me | 0:49:59 | 0:50:01 | |
# Tell me that you want me... # | 0:50:01 | 0:50:04 | |
So, Gartholomew, are we doing tequila or what? | 0:50:04 | 0:50:06 | |
Oh... | 0:50:06 | 0:50:08 | |
DOOR SLAMS I thought we had an agreement. | 0:50:10 | 0:50:13 | |
I agreed to nothing. | 0:50:13 | 0:50:14 | |
You said you were out. | 0:50:14 | 0:50:15 | |
Aye, well, I've changed my mind. | 0:50:15 | 0:50:17 | |
Course you have. | 0:50:17 | 0:50:18 | |
Look, we need to review the terms and conditions. | 0:50:19 | 0:50:23 | |
What's that? | 0:50:23 | 0:50:24 | |
This silent partner thing, it's doing my heid in. | 0:50:24 | 0:50:27 | |
You want a share? You have to work for it. | 0:50:27 | 0:50:30 | |
Help yourself, why don't you? | 0:50:30 | 0:50:32 | |
I want access to all your contacts, your drivers, your cars - | 0:50:35 | 0:50:39 | |
everything that's gonnae expand my reach. | 0:50:39 | 0:50:41 | |
HE CHUCKLES | 0:50:41 | 0:50:43 | |
One nip of whisky and we've got Al Capone in lipstick over here. | 0:50:43 | 0:50:47 | |
Lenny, I left school, and I had nae qualifications. | 0:50:47 | 0:50:49 | |
I was pregnant when I was a wean myself. | 0:50:49 | 0:50:51 | |
I've tried to stick by the rules, most of the time, | 0:50:51 | 0:50:54 | |
and what's it got me? | 0:50:54 | 0:50:55 | |
Nowhere. | 0:50:55 | 0:50:56 | |
I've failed at everything in my life. | 0:50:56 | 0:50:58 | |
This is all very touching... | 0:50:58 | 0:51:00 | |
All they years with Jimmy, running after you, | 0:51:00 | 0:51:05 | |
I used to think it was fear that kept him by your side, | 0:51:05 | 0:51:07 | |
but it wasnae. | 0:51:07 | 0:51:09 | |
He couldnae be anything else but your sidekick. | 0:51:09 | 0:51:11 | |
So, you're here to take Jimmy's place? | 0:51:11 | 0:51:13 | |
No' as a sidekick - as a partner. | 0:51:13 | 0:51:17 | |
What makes you think I would ever trust you? | 0:51:17 | 0:51:20 | |
At least you know what you're getting with me. | 0:51:20 | 0:51:23 | |
Yeah, I suppose. | 0:51:25 | 0:51:26 | |
At least when you picked up the gun, you pointed it at my face - | 0:51:28 | 0:51:31 | |
somebody else round here fired it in my back. | 0:51:31 | 0:51:34 | |
Are you sure this is want you want? | 0:51:36 | 0:51:38 | |
It's not what I want. | 0:51:38 | 0:51:39 | |
It's what I need for me and my family. | 0:51:39 | 0:51:42 | |
It's a dangerous game, doll. | 0:51:42 | 0:51:44 | |
Somebody always gets hurt. | 0:51:44 | 0:51:45 | |
Aye, well, it's not gonnae be my lot, this time. | 0:51:45 | 0:51:48 | |
So, Saint Scarlett comes down from the cross. | 0:51:51 | 0:51:56 | |
How can I resist? | 0:51:56 | 0:51:58 | |
Partners... | 0:51:59 | 0:52:02 | |
Partners. | 0:52:02 | 0:52:04 | |
DOOR SLAMS | 0:52:12 | 0:52:14 | |
I thought I told you to keep away... | 0:52:21 | 0:52:23 | |
I'm not here to fight, Caitlin. I'm here to talk. | 0:52:23 | 0:52:27 | |
I have no interest in talking to you. | 0:52:27 | 0:52:29 | |
Look, I'm trying to be nice to you here, but you keep forcing my hand, | 0:52:29 | 0:52:32 | |
so let me be clear. | 0:52:32 | 0:52:34 | |
You open your trap and blab to the polis about me, | 0:52:34 | 0:52:36 | |
you'll live to regret it. Do you get me? | 0:52:36 | 0:52:38 | |
I'm no' scared of you. | 0:52:38 | 0:52:40 | |
It's not me you should be scared of. | 0:52:40 | 0:52:41 | |
It's the folk I work with. | 0:52:41 | 0:52:43 | |
Oh, you'd be fine with me, but Lenny Murdoch? | 0:52:43 | 0:52:46 | |
He's a different story. | 0:52:46 | 0:52:48 | |
You work late, don't you, sometimes, on your own? | 0:52:48 | 0:52:52 | |
Oh, I'd hate to think of something bad happening to you, | 0:52:52 | 0:52:55 | |
when you were walking all the way home yourself. | 0:52:55 | 0:52:58 | |
You see, the thing is, folk that keep their heid down | 0:52:58 | 0:53:01 | |
and their mouth shut around here, | 0:53:01 | 0:53:03 | |
they're usually pretty safe, aren't they? | 0:53:03 | 0:53:06 | |
Do we understand each other? | 0:53:06 | 0:53:08 | |
DOOR CLOSES | 0:53:17 | 0:53:19 | |
DANCE MUSIC PLAYS | 0:53:21 | 0:53:23 | |
KEYPAD BEEPS | 0:53:48 | 0:53:50 | |
Hello, Eileen, it's Scarlett. | 0:53:56 | 0:53:58 | |
Aye, I know what time it is. | 0:54:00 | 0:54:02 | |
Aye, well, it's a convenient time for me. | 0:54:02 | 0:54:05 | |
So, erm, about the flat... | 0:54:05 | 0:54:08 | |
I've spoken to a lawyer about it, | 0:54:08 | 0:54:10 | |
and this three-month deadline's no' really working for me. | 0:54:10 | 0:54:15 | |
No. | 0:54:15 | 0:54:16 | |
So, I got to thinking, maybe I could make you an offer. | 0:54:16 | 0:54:19 | |
Aye... | 0:54:22 | 0:54:23 | |
Ah, you're home. | 0:54:28 | 0:54:30 | |
Where have you been all night? Your mother's been worried sick. | 0:54:30 | 0:54:33 | |
And yet she went to her bed? | 0:54:33 | 0:54:35 | |
She must be beside herself. | 0:54:35 | 0:54:36 | |
Did she like the flowers? | 0:54:36 | 0:54:38 | |
Oh, yeah. It turns out she's allergic. | 0:54:38 | 0:54:40 | |
Aw, that's a shame(!) | 0:54:40 | 0:54:42 | |
You think you know someone... | 0:54:42 | 0:54:44 | |
Oh, I forgot to say earlier, thank you. | 0:54:45 | 0:54:51 | |
For what? | 0:54:51 | 0:54:52 | |
For telling your dad about me and your mum. | 0:54:52 | 0:54:54 | |
It was just a kiss, but everything turned out fine. | 0:54:54 | 0:54:59 | |
So, thank you, Frankie. | 0:54:59 | 0:55:01 | |
Goodnight. | 0:55:01 | 0:55:03 | |
PHONE CHIMES | 0:55:03 | 0:55:05 | |
DOOR CLOSES | 0:55:06 | 0:55:08 | |
DOOR OPENS | 0:55:13 | 0:55:15 | |
-Aw... -Aw, Mum! Stop it. | 0:55:26 | 0:55:29 | |
Shoosh. I've only got you for another week. | 0:55:29 | 0:55:31 | |
I intend to make the most of it. | 0:55:31 | 0:55:33 | |
PHONE BEEPS | 0:55:33 | 0:55:35 | |
Oh, aye. Love's young dream. | 0:55:39 | 0:55:42 | |
Tell Jules I said hi. | 0:55:42 | 0:55:43 | |
PHONE BEEPS | 0:55:50 | 0:55:52 | |
Her family did that to you? | 0:55:55 | 0:55:56 | |
They were just playing. | 0:55:56 | 0:55:57 | |
Who's that? | 0:55:57 | 0:55:58 | |
He's the new you. | 0:55:58 | 0:55:59 | |
All I'm asking is that you spend some time with Bob. | 0:55:59 | 0:56:01 | |
You don't fancy hitting the town tonight? Me and you? | 0:56:01 | 0:56:04 | |
It's a bit short notice. | 0:56:04 | 0:56:05 | |
Oh, I'd love that actually. Fancy picking me up here? | 0:56:05 | 0:56:07 | |
Are you sure this is OK? | 0:56:07 | 0:56:08 | |
Of course, I might go out myself. | 0:56:08 | 0:56:10 | |
-Oh, really? -I was asked. | 0:56:10 | 0:56:11 | |
Is everything OK with Pete? | 0:56:11 | 0:56:13 | |
You can't leave! Your mother, she won't cope. | 0:56:13 | 0:56:16 | |
He's displaying signs of bi-polar. | 0:56:16 | 0:56:18 | |
Pete needs to see a mental health specialist. | 0:56:18 | 0:56:20 | |
I just don't want to go. I can change my mind, can't I? | 0:56:20 | 0:56:22 | |
You have got to be joking me. | 0:56:22 | 0:56:24 | |
You have fair shed the beef. | 0:56:24 | 0:56:26 | |
Let's see how long you manage to keep it off. | 0:56:26 | 0:56:28 | |
-Please, Frankie, don't tell her. -You haven't given me a choice. | 0:56:28 | 0:56:31 | |
You knew our son was having sex in my house. | 0:56:31 | 0:56:33 | |
You cannae just chuck me out. | 0:56:33 | 0:56:35 | |
I can, cos I'm sick of it, and sick of you! | 0:56:35 | 0:56:37 | |
Please Jules, listen... | 0:56:37 | 0:56:38 |