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Line | From | To | |
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-JOHN: -'Sherlock!' | 0:00:05 | 0:00:06 | |
'It's a trick.' | 0:00:14 | 0:00:16 | |
Just a magic trick. | 0:00:16 | 0:00:18 | |
No. All right, stop it now. | 0:00:18 | 0:00:22 | |
'Now, stay exactly where you are. | 0:00:22 | 0:00:24 | |
-'Don't move.' -All right. | 0:00:25 | 0:00:27 | |
Keep your eyes fixed on me. | 0:00:29 | 0:00:30 | |
'Please, would you do this for me?' | 0:00:33 | 0:00:34 | |
Do what? | 0:00:34 | 0:00:36 | |
'This phone call, it's er...' | 0:00:36 | 0:00:38 | |
..it's my note. | 0:00:39 | 0:00:40 | |
It's what people do, don't they? | 0:00:44 | 0:00:47 | |
'Leave a note.' | 0:00:47 | 0:00:49 | |
Leave a note when? | 0:00:50 | 0:00:53 | |
'Goodbye, John.' | 0:00:53 | 0:00:54 | |
No. Don't... | 0:00:54 | 0:00:55 | |
Sherlock! | 0:01:12 | 0:01:13 | |
JOHN MOANS | 0:01:25 | 0:01:26 | |
John. | 0:02:19 | 0:02:20 | |
John, look at me. Look at me. | 0:02:20 | 0:02:22 | |
And sleep. | 0:02:22 | 0:02:23 | |
Right the way down, right the way deep, right the way, sound asleep. | 0:02:24 | 0:02:29 | |
That's real. | 0:02:30 | 0:02:32 | |
That's good, with my voice just there in the centre of your head | 0:02:32 | 0:02:35 | |
and floating all the way around you. | 0:02:35 | 0:02:37 | |
And you will awaken in three, two, one... | 0:02:37 | 0:02:41 | |
..zero. | 0:02:42 | 0:02:43 | |
Let me come through please! He's my friend. | 0:02:53 | 0:02:56 | |
-LESTRADE: -'Bollocks!' | 0:03:16 | 0:03:18 | |
No, no, no, no, it's obvious. | 0:03:18 | 0:03:19 | |
That's how he did it. It's obvious. | 0:03:19 | 0:03:22 | |
Derren Brown?! Let it go, Sherlock's dead. | 0:03:22 | 0:03:26 | |
But is he? | 0:03:26 | 0:03:27 | |
There was a body, it was him. | 0:03:27 | 0:03:29 | |
It was definitely him, Molly Hooper laid him out. | 0:03:29 | 0:03:31 | |
No, she's lying. | 0:03:31 | 0:03:33 | |
It was Jim Moriarty's body with a mask on. | 0:03:33 | 0:03:35 | |
A mask? | 0:03:35 | 0:03:37 | |
A bungee rope, a mask, Derren Brown. | 0:03:37 | 0:03:40 | |
Two years and the theories keep getting more stupid. | 0:03:40 | 0:03:42 | |
How many more have you got for me today? | 0:03:42 | 0:03:44 | |
Well, you know the paving slabs in that whole area, | 0:03:44 | 0:03:47 | |
even the exact ones that he landed on, | 0:03:47 | 0:03:48 | |
-you know they were all... -Guilt! | 0:03:48 | 0:03:51 | |
That's all this is. | 0:03:51 | 0:03:53 | |
You pushed us all into thinking | 0:03:53 | 0:03:54 | |
that Sherlock that was a fraud, you and Donovan. | 0:03:54 | 0:03:57 | |
You did this and it killed him and he's staying dead. | 0:03:57 | 0:04:01 | |
Do you honestly believe that if you have enough stupid theories, | 0:04:01 | 0:04:04 | |
it's going to change what really happened? | 0:04:04 | 0:04:06 | |
I believe in Sherlock Holmes. | 0:04:08 | 0:04:09 | |
Yeah, well, that won't bring him back. | 0:04:09 | 0:04:12 | |
And that after extensive police investigations... | 0:04:12 | 0:04:15 | |
Richard Brook did indeed prove to be the creation of James Moriarty... | 0:04:15 | 0:04:18 | |
-MALE REPORTER: -'Amidst unprecedented scenes, there was uproar in court | 0:04:18 | 0:04:21 | |
'as Sherlock Holmes was vindicated and cleared of all suspicion.' | 0:04:21 | 0:04:25 | |
-FEMALE REPORTER: -'Sadly, all this comes too late for the detective, | 0:04:25 | 0:04:28 | |
'who became something of a celebrity two years ago.' | 0:04:28 | 0:04:30 | |
Questions are now being asked as to why police let matters get so far. | 0:04:30 | 0:04:34 | |
Sherlock Holmes fell to his death | 0:04:34 | 0:04:36 | |
from the top of London's Bart's Hospital. Although he left no note, | 0:04:36 | 0:04:39 | |
friends say it's unlikely he was able to cope with the... | 0:04:39 | 0:04:41 | |
Well then. Absent friends. | 0:04:41 | 0:04:44 | |
Sherlock. | 0:04:46 | 0:04:47 | |
Sherlock. | 0:04:47 | 0:04:48 | |
And may God rest his soul. | 0:04:48 | 0:04:50 | |
HELICOPTER FLIES OVER | 0:05:29 | 0:05:30 | |
HEAVY BREATHING | 0:05:30 | 0:05:32 | |
MAN SPEAKS IN SERBIAN | 0:05:34 | 0:05:37 | |
MEN SHOUT IN SERBIAN | 0:05:44 | 0:05:46 | |
DOGS BARK | 0:05:54 | 0:05:56 | |
BARKING GETS CLOSER | 0:06:02 | 0:06:03 | |
GUNSHOTS | 0:06:10 | 0:06:11 | |
LOUD MUSIC THROUGH HEADPHONES | 0:06:27 | 0:06:30 | |
THUMP | 0:06:30 | 0:06:31 | |
MAN GROANS | 0:06:31 | 0:06:34 | |
THUMPS CONTINUE | 0:06:34 | 0:06:36 | |
MAN SPEAKS IN SERBIAN | 0:06:36 | 0:06:38 | |
THUMPS AND SHOUTING CONTINUE | 0:06:46 | 0:06:49 | |
MAN GROANS | 0:06:51 | 0:06:54 | |
TRANSLATED FROM SERBIAN: | 0:06:55 | 0:06:57 | |
PRISONER WHISPERS | 0:07:07 | 0:07:09 | |
What? | 0:07:23 | 0:07:24 | |
PRISONER WHISPERS | 0:07:25 | 0:07:28 | |
PRISONER WHISPERS | 0:07:39 | 0:07:41 | |
DOOR CLOSES | 0:07:55 | 0:07:57 | |
Now listen to me. | 0:08:14 | 0:08:15 | |
There's an underground terrorist network active in London | 0:08:15 | 0:08:18 | |
and a massive attack is imminent. | 0:08:18 | 0:08:21 | |
Sorry, but the holiday is over... | 0:08:21 | 0:08:24 | |
..Brother dear. | 0:08:25 | 0:08:27 | |
Back to Baker Street... | 0:08:27 | 0:08:28 | |
..Sherlock Holmes. | 0:08:30 | 0:08:31 | |
-CHILD: -Penny for the guy? | 0:10:03 | 0:10:05 | |
Oi, mate, penny for the guy? | 0:10:06 | 0:10:08 | |
-Penny for the guy, mate? -Penny for the guy? | 0:10:08 | 0:10:10 | |
Penny for the guy? Penny for the guy? > | 0:10:13 | 0:10:16 | |
-JOHN: -'That was the most ridiculous thing I've ever done.' | 0:10:27 | 0:10:31 | |
SHERLOCK: 'You invaded Afghanistan.' | 0:10:31 | 0:10:33 | |
DOOR OPENS | 0:10:33 | 0:10:35 | |
HE CLEARS HIS THROAT | 0:10:38 | 0:10:40 | |
You have been busy, haven't you? | 0:10:46 | 0:10:49 | |
Quite the busy little bee. Hmm. | 0:10:49 | 0:10:53 | |
Moriarty's network. Took me two years to dismantle it. | 0:10:53 | 0:10:57 | |
And you're confident you have? | 0:10:57 | 0:10:59 | |
The Serbian side was the last piece of the puzzle. | 0:10:59 | 0:11:01 | |
Yes. You got yourself in deep there with Baron Maupertuis. | 0:11:01 | 0:11:07 | |
-Quite a scheme. -Colossal. | 0:11:07 | 0:11:10 | |
Anyway. You're safe now. | 0:11:10 | 0:11:13 | |
Mmm. | 0:11:13 | 0:11:15 | |
A small "thank you" wouldn't go amiss. | 0:11:16 | 0:11:19 | |
What for? | 0:11:19 | 0:11:20 | |
For wading in. | 0:11:20 | 0:11:21 | |
In case you've forgotten, field work is not my natural milieu. | 0:11:21 | 0:11:25 | |
"Wading in?" | 0:11:27 | 0:11:29 | |
You sat there and watched me being beaten a pulp. | 0:11:29 | 0:11:31 | |
-I got you out. -No, I got me out. | 0:11:31 | 0:11:34 | |
Why didn't you intervene sooner? | 0:11:34 | 0:11:35 | |
I couldn't risk giving myself away, could I? | 0:11:35 | 0:11:37 | |
-It would have ruined everything. -You were enjoying it. -Nonsense. | 0:11:37 | 0:11:40 | |
Definitely enjoying it. | 0:11:40 | 0:11:42 | |
Listen, do you have any idea what it was like, Sherlock, | 0:11:42 | 0:11:44 | |
going undercover? | 0:11:44 | 0:11:47 | |
Smuggling my way into their ranks like that? | 0:11:47 | 0:11:49 | |
The noise, the people! | 0:11:49 | 0:11:52 | |
I didn't know you spoke Serbian. | 0:11:53 | 0:11:55 | |
I didn't. But the language has a Slavic root. | 0:11:55 | 0:11:59 | |
Frequent Turkish and German loan words. | 0:11:59 | 0:12:03 | |
Took me a couple of hours. | 0:12:03 | 0:12:04 | |
Hmm, you're slipping. | 0:12:04 | 0:12:07 | |
Middle-age, brother mine. | 0:12:07 | 0:12:09 | |
Comes to us all. | 0:12:09 | 0:12:11 | |
DOOR OPENS | 0:12:11 | 0:12:12 | |
Oh, no, you don't take it, do you? | 0:12:23 | 0:12:25 | |
-No. -You forget a little thing like that. | 0:12:27 | 0:12:30 | |
Yes. | 0:12:30 | 0:12:32 | |
You forget lots of little things, it seems. | 0:12:32 | 0:12:36 | |
Uh-huh. | 0:12:37 | 0:12:39 | |
Not sure about that. | 0:12:39 | 0:12:40 | |
-Hmm? -Ages you. | 0:12:40 | 0:12:42 | |
Just trying it out. | 0:12:42 | 0:12:43 | |
Well, it ages you. | 0:12:43 | 0:12:45 | |
-Look... -I'm not your mother, I've no right to expect it... | 0:12:49 | 0:12:52 | |
-No... -But just one phone call, John! | 0:12:52 | 0:12:55 | |
Just one phone call would have done. | 0:12:55 | 0:12:57 | |
I know. | 0:12:57 | 0:12:59 | |
-After all we went through! -Yes. | 0:12:59 | 0:13:01 | |
I am sorry. | 0:13:04 | 0:13:05 | |
Look, I understand how difficult it was for you after... | 0:13:07 | 0:13:11 | |
..after... | 0:13:12 | 0:13:14 | |
I just let it slide, Mrs Hudson, I let it all slide. | 0:13:14 | 0:13:17 | |
And it just got harder and harder to pick up the phone, somehow. | 0:13:20 | 0:13:23 | |
Do you know what I mean? | 0:13:29 | 0:13:30 | |
SHE SIGHS | 0:13:32 | 0:13:34 | |
I need you to give this matter your full attention, Sherlock, | 0:13:34 | 0:13:37 | |
-is that quite clear? -What do you think of this shirt? -Sherlock! | 0:13:37 | 0:13:40 | |
I will find your underground terror cell, Mycroft. | 0:13:40 | 0:13:43 | |
Just put me back in London. | 0:13:44 | 0:13:45 | |
I need to get to know the place again, breathe it in. | 0:13:45 | 0:13:48 | |
Feel every quiver of its beating heart. | 0:13:48 | 0:13:51 | |
One of our men died getting this information. | 0:13:51 | 0:13:54 | |
All the chatter, all the traffic concurs, | 0:13:54 | 0:13:56 | |
there's going to be a terrorist strike on London, a big one. | 0:13:56 | 0:13:59 | |
And what about John Watson? | 0:13:59 | 0:14:01 | |
-John? -Mm. Have you seen him? -Oh, yes, | 0:14:01 | 0:14:04 | |
we meet up every Friday for fish and chips(!) | 0:14:04 | 0:14:06 | |
I've kept a weather eye on him, of course. | 0:14:09 | 0:14:11 | |
We haven't been in touch at all to...prepare him. | 0:14:11 | 0:14:15 | |
No. | 0:14:15 | 0:14:17 | |
Well, we'll have to get rid of that. | 0:14:17 | 0:14:19 | |
-"We?" -He looks ancient. | 0:14:19 | 0:14:20 | |
I can't be seen to be wandering around with an old man. | 0:14:20 | 0:14:23 | |
I couldn't face letting it out. | 0:14:39 | 0:14:40 | |
SHE COUGHS | 0:14:44 | 0:14:47 | |
He never liked me dusting. | 0:14:47 | 0:14:48 | |
No, I know. | 0:14:48 | 0:14:51 | |
So why now? What changed your mind? | 0:14:51 | 0:14:53 | |
Well, I've got some news. | 0:14:56 | 0:14:58 | |
Oh, God, is it serious? | 0:14:58 | 0:15:01 | |
What? No, no, I'm not ill. | 0:15:01 | 0:15:03 | |
I've, well, I'm... | 0:15:03 | 0:15:05 | |
..moving on. | 0:15:06 | 0:15:08 | |
You're emigrating? | 0:15:08 | 0:15:09 | |
Nope. Er, no, I've er... | 0:15:10 | 0:15:13 | |
..I have met someone. | 0:15:14 | 0:15:15 | |
Oh! Ah, lovely. | 0:15:15 | 0:15:18 | |
Yeah. We're getting married. Well, I'm going to ask, anyway. | 0:15:18 | 0:15:21 | |
So soon after Sherlock? | 0:15:21 | 0:15:22 | |
Hmm, well, yes. | 0:15:24 | 0:15:25 | |
What's his name? | 0:15:26 | 0:15:28 | |
It's a woman. | 0:15:28 | 0:15:29 | |
-A woman?! -Yes, of course it's a woman. | 0:15:29 | 0:15:31 | |
-You really have moved on, haven't you? -Mrs Hudson, how many times? | 0:15:33 | 0:15:36 | |
Sherlock was not my boyfriend! | 0:15:36 | 0:15:38 | |
Live and let live, that's my motto. | 0:15:38 | 0:15:41 | |
Listen to me - I am not gay! | 0:15:41 | 0:15:44 | |
HE SIGHS | 0:15:44 | 0:15:45 | |
I think I'll surprise John. He'll be delighted. | 0:15:45 | 0:15:49 | |
You think so? | 0:15:49 | 0:15:50 | |
Mm, pop into Baker Street, who knows, jump out of a cake. | 0:15:50 | 0:15:52 | |
Baker Street? He isn't there any more. | 0:15:52 | 0:15:55 | |
Why would he be? It's been two years. | 0:15:56 | 0:15:58 | |
He's got on with his life. | 0:15:58 | 0:16:00 | |
What life? I've been away. | 0:16:01 | 0:16:03 | |
-Where's he going to be tonight? -How would I know? -You always know. | 0:16:04 | 0:16:08 | |
He has a dinner reservation in the Marylebone Road. | 0:16:08 | 0:16:11 | |
Nice little spot. | 0:16:11 | 0:16:13 | |
They have a few bottles of the 2000 Saint-Emilion, | 0:16:13 | 0:16:16 | |
though I prefer the 2001. | 0:16:16 | 0:16:19 | |
I think maybe I'll just drop by. | 0:16:19 | 0:16:22 | |
You know, it is just possible that you won't be welcome. | 0:16:22 | 0:16:25 | |
No, it isn't. | 0:16:25 | 0:16:26 | |
-Now, where is it? -Where's what? -You know what. | 0:16:26 | 0:16:29 | |
FOOTSTEPS APPROACH | 0:16:29 | 0:16:30 | |
Welcome back, Mr Holmes. | 0:16:36 | 0:16:38 | |
Thank you. | 0:16:38 | 0:16:39 | |
Blud. | 0:16:40 | 0:16:42 | |
Sir, can I help you? | 0:17:11 | 0:17:13 | |
MUFFLED SCREAMS | 0:17:13 | 0:17:14 | |
PHONE BEEPS | 0:17:14 | 0:17:16 | |
Your wife just texted you, possibly her contractions have started. | 0:17:16 | 0:17:20 | |
Excuse me, sir. | 0:17:28 | 0:17:29 | |
Oh, sir, I am so, so sorry. | 0:17:40 | 0:17:43 | |
Er, please, let me just go to the kitchen and dry that off for you. | 0:17:43 | 0:17:46 | |
Finished with that, sir? Allow me to take it for you. | 0:17:55 | 0:17:58 | |
Madam, can I suggest you look at this menu, it's completely identical. | 0:18:06 | 0:18:09 | |
IN A FRENCH ACCENT: Can I help you with anything, sir? | 0:18:16 | 0:18:19 | |
Hi, yeah, I'm looking for a bottle of champagne. A good one. | 0:18:19 | 0:18:21 | |
Hmm, well, these are all | 0:18:21 | 0:18:22 | |
excellent vintages, sir. | 0:18:22 | 0:18:24 | |
Oh, it's not really my area, | 0:18:24 | 0:18:25 | |
what do you suggest? | 0:18:25 | 0:18:26 | |
Well, you cannot possibly go wrong, | 0:18:26 | 0:18:27 | |
but if you'd like my personal | 0:18:27 | 0:18:29 | |
-recommendation... -Hmm? | 0:18:29 | 0:18:31 | |
This last one on the list is a favourite of mine. | 0:18:31 | 0:18:34 | |
It is, you might in fact say, like a face from the past. | 0:18:35 | 0:18:39 | |
Great. I'll have that one please. | 0:18:39 | 0:18:41 | |
It is familiar, but with the quality of surprise! | 0:18:41 | 0:18:46 | |
Well, surprise me. | 0:18:46 | 0:18:49 | |
I'm certainly endeavouring to, sir. | 0:18:49 | 0:18:50 | |
Sorry that took so long. | 0:19:18 | 0:19:20 | |
You OK? | 0:19:25 | 0:19:26 | |
Yeah, yeah. Me? Fine. I am fine. | 0:19:26 | 0:19:29 | |
HE CHUCKLES | 0:19:30 | 0:19:31 | |
Now then, what did you want to ask me? | 0:19:33 | 0:19:35 | |
-More wine? -No, I'm good with water, thanks. -Right. | 0:19:36 | 0:19:39 | |
-So? -Er, so... | 0:19:41 | 0:19:43 | |
Mary... | 0:19:44 | 0:19:46 | |
Listen, um... | 0:19:46 | 0:19:47 | |
I know it hasn't been long, | 0:19:49 | 0:19:51 | |
and I know we haven't known each other for a long time... | 0:19:51 | 0:19:54 | |
-Go on. -Yes, I will. | 0:19:56 | 0:19:58 | |
As you know, these last couple of years haven't been easy for me. | 0:19:59 | 0:20:03 | |
And meeting you... | 0:20:03 | 0:20:05 | |
Yeah, meeting you has been the best thing | 0:20:08 | 0:20:09 | |
-that could have possibly happened. -I agree. -What? | 0:20:09 | 0:20:12 | |
I agree, I'm the best thing that could have happened to you. | 0:20:12 | 0:20:15 | |
-Sorry. -Well, no, it's, um... | 0:20:15 | 0:20:18 | |
So... | 0:20:20 | 0:20:21 | |
..if you'll have me, Mary, could you see your way, um... | 0:20:23 | 0:20:28 | |
HE CLEARS HIS THROAT | 0:20:28 | 0:20:30 | |
SHE GIGGLES | 0:20:30 | 0:20:31 | |
If you could see your way to... | 0:20:31 | 0:20:34 | |
Sir, you'll find this vintage exceptionally to your liking. | 0:20:35 | 0:20:37 | |
It has all the qualities of the old, with the colour of the new. | 0:20:37 | 0:20:40 | |
-No, sorry, not now, please. -Like a gaze from a crowd of strangers, | 0:20:40 | 0:20:42 | |
suddenly one is aware of staring into the face of an old friend. | 0:20:42 | 0:20:45 | |
No, look, seriously, could you just...? | 0:20:45 | 0:20:47 | |
Interesting thing, a tuxedo. | 0:20:50 | 0:20:52 | |
Lends distinction to friends and anonymity to waiters. | 0:20:52 | 0:20:55 | |
John? | 0:20:56 | 0:20:58 | |
John, what is it? What? | 0:21:01 | 0:21:03 | |
Well, the short version... | 0:21:05 | 0:21:07 | |
..not dead. | 0:21:08 | 0:21:10 | |
Bit mean springing it on you like that, I know. | 0:21:16 | 0:21:18 | |
Could have given you a heart attack, probably still will. | 0:21:18 | 0:21:20 | |
But in my defence, it was very funny. | 0:21:20 | 0:21:23 | |
OK, it's not a great defence. | 0:21:23 | 0:21:25 | |
-Oh, no, you're... -Oh, yes. -Oh, my God! | 0:21:25 | 0:21:27 | |
-Not quite. -You died, you jumped off a roof. | 0:21:27 | 0:21:29 | |
-No. -You're dead. | 0:21:29 | 0:21:30 | |
No, I'm quite sure, I checked. Excuse me. | 0:21:30 | 0:21:32 | |
Does...does yours rub off too? | 0:21:36 | 0:21:39 | |
Oh, my God! Oh, my God! | 0:21:39 | 0:21:41 | |
Do you have any idea what you've done?! | 0:21:41 | 0:21:42 | |
OK, John, I'm suddenly realising I probably owe you | 0:21:42 | 0:21:45 | |
some sort of an apology... | 0:21:45 | 0:21:46 | |
All right, just, John, just keep... | 0:21:48 | 0:21:49 | |
JOHN GASPS | 0:21:49 | 0:21:50 | |
Two years. | 0:21:50 | 0:21:52 | |
Two years! Hmm? | 0:21:57 | 0:21:58 | |
I thought... | 0:22:03 | 0:22:04 | |
I thought... | 0:22:07 | 0:22:08 | |
..you were dead. | 0:22:09 | 0:22:11 | |
Hmm? | 0:22:12 | 0:22:13 | |
JOHN GASPS | 0:22:13 | 0:22:15 | |
Now, you let me grieve. Hmm. | 0:22:15 | 0:22:18 | |
How could you do that? | 0:22:20 | 0:22:22 | |
How?! | 0:22:23 | 0:22:24 | |
Wait, before you do anything that you might regret, um, | 0:22:24 | 0:22:27 | |
one question, just let me ask one question. | 0:22:27 | 0:22:29 | |
Are you really going to keep that? | 0:22:31 | 0:22:33 | |
MUSIC: "Donde Estas, Yolanda?" by Pink Martini | 0:22:36 | 0:22:40 | |
I calculated that there were 13 possibilities | 0:22:49 | 0:22:52 | |
once I'd invited Moriarty onto the roof. | 0:22:52 | 0:22:54 | |
'I wanted to avoid dying, if at all possible. | 0:22:54 | 0:22:56 | |
'The first scenario involved hurling myself into a parked van filled with washing bags. | 0:22:56 | 0:23:00 | |
'Impossible, the angle was too steep. Secondly, a system of Japanese wrestling... | 0:23:00 | 0:23:04 | |
'You know, for a genius, you can be remarkably thick.' | 0:23:04 | 0:23:06 | |
-What? -I don't care how you faked it, Sherlock. | 0:23:06 | 0:23:10 | |
I want to know why. | 0:23:10 | 0:23:12 | |
Why? Because Moriarty had to be stopped. | 0:23:12 | 0:23:14 | |
Oh. | 0:23:15 | 0:23:17 | |
Why, as in...? | 0:23:17 | 0:23:19 | |
I see. Yes. Why? | 0:23:20 | 0:23:23 | |
That's a little more difficult to explain. | 0:23:23 | 0:23:24 | |
I've got all night. | 0:23:24 | 0:23:26 | |
HE CLEARS HIS THROAT | 0:23:26 | 0:23:27 | |
Actually, um, that was mostly Mycroft's idea. | 0:23:27 | 0:23:30 | |
Oh, so it was your brother's plan? | 0:23:30 | 0:23:32 | |
Oh, but he would have needed a confidante. | 0:23:32 | 0:23:33 | |
Mm-hm. | 0:23:33 | 0:23:35 | |
Sorry. | 0:23:35 | 0:23:37 | |
But he was the only one? The only one who knew? | 0:23:37 | 0:23:39 | |
A couple of others. It was a very elaborate plan, it had to be. | 0:23:41 | 0:23:44 | |
-The next of the 13 possibilities was... -Who else? | 0:23:44 | 0:23:47 | |
Who else knew? | 0:23:47 | 0:23:48 | |
-Who?! -Molly. | 0:23:50 | 0:23:52 | |
-Molly?! -John... -Molly Hooper | 0:23:52 | 0:23:53 | |
-and some of my homeless network and that's all. -OK. | 0:23:53 | 0:23:55 | |
OK. | 0:23:57 | 0:23:59 | |
So just your brother, Molly Hooper and 100 tramps. | 0:23:59 | 0:24:02 | |
Ha, no! 25 at most. | 0:24:02 | 0:24:04 | |
GLASS SHATTERS | 0:24:04 | 0:24:06 | |
Seriously, it's not a joke? You're really keeping this? | 0:24:17 | 0:24:20 | |
Er, yeah. | 0:24:22 | 0:24:23 | |
Sure? | 0:24:24 | 0:24:25 | |
Mary likes it. | 0:24:26 | 0:24:27 | |
Hmm, no, she doesn't. | 0:24:27 | 0:24:29 | |
-She does. -She doesn't. | 0:24:29 | 0:24:31 | |
Oh, don't. | 0:24:33 | 0:24:35 | |
-Oh, brilliant(!) -Look, I'm sorry, I'm sorry, | 0:24:35 | 0:24:37 | |
I didn't know how to tell you... | 0:24:37 | 0:24:38 | |
Right, no, no, this is charming. I've really missed this(!) | 0:24:38 | 0:24:40 | |
One word, Sherlock, that is all I would have needed! | 0:24:44 | 0:24:47 | |
One word to let me know that you were alive! | 0:24:47 | 0:24:49 | |
I've nearly been in contact so many times, but... JOHN SCOFFS | 0:24:51 | 0:24:55 | |
-I worried that, you know, you might say something indiscreet. -What? | 0:24:55 | 0:24:58 | |
-You know, let the cat out of the bag. -So this is my fault! | 0:24:58 | 0:25:00 | |
-Oh, God! -Why am I the only one who thinks that this is wrong?! | 0:25:00 | 0:25:02 | |
The only one reacting like a human being! | 0:25:02 | 0:25:05 | |
-Over-reacting. -Over-reacting! | 0:25:05 | 0:25:06 | |
-John! -Over-reacting! So you fake your own death and you waltz in here | 0:25:06 | 0:25:10 | |
-large as bloody life! -Shh. -But I'm not meant to have a problem with it, | 0:25:10 | 0:25:13 | |
cos Sherlock Holmes thinks it's a perfectly OK thing to do! | 0:25:13 | 0:25:15 | |
Shut up! I don't want everyone knowing I'm still alive! | 0:25:15 | 0:25:18 | |
-Oh, so it's still a secret, is it?! -Yes, it's still a secret! | 0:25:18 | 0:25:20 | |
-Promise you won't tell anyone? -Swear to God! | 0:25:20 | 0:25:23 | |
London is in danger, John. There's an imminent terrorist attack and I need your help. | 0:25:28 | 0:25:32 | |
My help? | 0:25:35 | 0:25:36 | |
You have missed this, admit it. | 0:25:37 | 0:25:41 | |
The thrill of the chase, the blood pumping through your veins, | 0:25:41 | 0:25:44 | |
just the two of us against the rest of the world. | 0:25:44 | 0:25:46 | |
I don't understand, I said I'm sorry, | 0:25:48 | 0:25:50 | |
isn't that what you're supposed to do? | 0:25:50 | 0:25:52 | |
Gosh, you don't know anything about human nature, do you? | 0:25:52 | 0:25:56 | |
Hmm, nature? No. | 0:25:56 | 0:25:58 | |
Human? No. | 0:25:58 | 0:26:01 | |
I'll talk him round. | 0:26:02 | 0:26:03 | |
-You will? -Oh, yeah. | 0:26:05 | 0:26:08 | |
Mary. | 0:26:19 | 0:26:20 | |
Can you believe his nerve? | 0:26:38 | 0:26:39 | |
I like him. | 0:26:40 | 0:26:42 | |
What? | 0:26:43 | 0:26:44 | |
I like him. | 0:26:44 | 0:26:46 | |
METALLIC SOUND | 0:27:33 | 0:27:34 | |
Those things will kill you. | 0:27:50 | 0:27:52 | |
Oh, you bastard! | 0:27:58 | 0:27:59 | |
It's time to come back. | 0:27:59 | 0:28:01 | |
You've been letting things slide, Graham. | 0:28:02 | 0:28:04 | |
-Greg. -Greg. | 0:28:04 | 0:28:07 | |
-RADIO: -'Very common belief, with an anti terrorism bill...' | 0:28:25 | 0:28:27 | |
THUDDING | 0:28:27 | 0:28:29 | |
'..the Government feels duty-bound | 0:28:29 | 0:28:30 | |
'to push through the legislation with all due exped...' | 0:28:30 | 0:28:33 | |
THUDDING CONTINUES | 0:28:33 | 0:28:35 | |
SHE YELLS | 0:28:51 | 0:28:52 | |
'Now, stay exactly where you are.' | 0:29:01 | 0:29:03 | |
Where are you? | 0:29:03 | 0:29:04 | |
'Don't move. | 0:29:04 | 0:29:05 | |
'Keep your eyes fixed on me. | 0:29:07 | 0:29:10 | |
'What? What's happening? What's going on?' | 0:29:10 | 0:29:13 | |
Please, will you do this for me? Please. | 0:29:13 | 0:29:16 | |
Do what? | 0:29:16 | 0:29:17 | |
'This phone call...' | 0:29:17 | 0:29:18 | |
it's my note. | 0:29:18 | 0:29:20 | |
'That's what people do, don't they?' | 0:29:20 | 0:29:23 | |
Leave a note. MORIARTY GIGGLES | 0:29:23 | 0:29:26 | |
'Leave a note when?' | 0:29:26 | 0:29:28 | |
-Goodbye, John. -'No.' | 0:29:28 | 0:29:30 | |
MORIARTY LAUGHS | 0:29:30 | 0:29:31 | |
Sherlock! | 0:29:31 | 0:29:32 | |
Oh, ho! | 0:29:32 | 0:29:34 | |
What?! Are you out of your mind?! | 0:29:49 | 0:29:52 | |
I don't see why not. | 0:29:52 | 0:29:53 | |
It's just as plausible as some of your theories. | 0:29:53 | 0:29:55 | |
Look, if you're not going to take it seriously, Laura... | 0:29:55 | 0:29:58 | |
I do take it seriously. | 0:29:58 | 0:30:00 | |
I don't think we should wear hats. | 0:30:00 | 0:30:01 | |
I founded 'The Empty Hearse' so like-minded people could meet, | 0:30:01 | 0:30:05 | |
discuss theories! | 0:30:05 | 0:30:07 | |
Sherlock's still out there. | 0:30:09 | 0:30:10 | |
I'm convinced of it. | 0:30:10 | 0:30:12 | |
Oh, my God! | 0:30:16 | 0:30:17 | |
MOBILE PHONES RING | 0:30:17 | 0:30:20 | |
Oh...my...God! | 0:30:23 | 0:30:26 | |
"His movements were so silent, | 0:30:31 | 0:30:33 | |
"so furtive he reminded me | 0:30:33 | 0:30:35 | |
"of a trained bloodhound picking out a scent." | 0:30:35 | 0:30:37 | |
-You what? -"I couldn't help thinking what an amazing criminal he'd make | 0:30:37 | 0:30:40 | |
-"if he turned his talents against the law." -Don't read that. | 0:30:40 | 0:30:44 | |
-Famous blog, finally. -Come on, that's... | 0:30:44 | 0:30:46 | |
Ancient history, yes, I know, but it's not though, is it, because he's... | 0:30:46 | 0:30:50 | |
What are you doing? | 0:30:50 | 0:30:51 | |
Having a wash. | 0:30:52 | 0:30:53 | |
You're shaving it off. | 0:30:53 | 0:30:55 | |
-Well, you hate it. -Sherlock hates it. | 0:30:55 | 0:30:58 | |
-Apparently everyone hates it. -Oh! | 0:30:58 | 0:31:00 | |
-Are you going to see him again? -No, I'm going to work. | 0:31:01 | 0:31:04 | |
-Oh, and after work, are you going to see him again? -No. | 0:31:04 | 0:31:06 | |
God, I had six months of bristly kisses for me | 0:31:06 | 0:31:08 | |
and then his nibs turns up... | 0:31:08 | 0:31:10 | |
I don't shave for Sherlock Holmes. | 0:31:10 | 0:31:13 | |
You should put that on a T-shirt. | 0:31:13 | 0:31:15 | |
-Shut up. -Or what? | 0:31:15 | 0:31:17 | |
Or I'll marry you. | 0:31:17 | 0:31:19 | |
London, it's like a great cesspool into which all kinds | 0:31:26 | 0:31:29 | |
of criminals, agents and drifters are irresistibly drained. | 0:31:29 | 0:31:34 | |
Sometimes it's not a question of who, it's a question of who knows? | 0:31:34 | 0:31:40 | |
If this man cancels his papers, I need to know. | 0:31:40 | 0:31:44 | |
If this woman leaves London without putting her dog into kennels, | 0:31:48 | 0:31:51 | |
I need to know. | 0:31:51 | 0:31:53 | |
I have certain people, they are markers. | 0:31:53 | 0:31:56 | |
If they start to move, I'll know something's up. | 0:31:57 | 0:32:00 | |
Like rats deserting a sinking ship. | 0:32:00 | 0:32:03 | |
All very interesting, Sherlock, | 0:32:17 | 0:32:19 | |
but the terror alert has been raised to critical. | 0:32:19 | 0:32:21 | |
Boring. Your move. | 0:32:21 | 0:32:24 | |
We have solid information, an attack IS coming. | 0:32:24 | 0:32:28 | |
Solid information, a secret terrorist organisation is planning an attack... | 0:32:28 | 0:32:31 | |
That's what secret terrorist organisations do, isn't it? It's their version of golf. | 0:32:31 | 0:32:35 | |
-An agent gave his life to tell us that. -Oh, well, | 0:32:35 | 0:32:37 | |
perhaps he shouldn't have done. He was obviously just trying to show off. | 0:32:37 | 0:32:41 | |
None of these 'markers' of yours is behaving in any way suspiciously? | 0:32:43 | 0:32:47 | |
Your move. | 0:32:47 | 0:32:48 | |
No, Mycroft, but you have to trust me. I'll find the answer. | 0:32:48 | 0:32:51 | |
But it'll be in an odd phrase in an on-line blog, | 0:32:51 | 0:32:53 | |
or an unexpected trip to the countryside, | 0:32:53 | 0:32:55 | |
or a misplaced lonely hearts ad. | 0:32:55 | 0:32:58 | |
Your move! | 0:32:58 | 0:32:59 | |
I've given the Prime Minister my personal assurance you're on the case. | 0:32:59 | 0:33:03 | |
I am on the case, we both are, look at us right now. | 0:33:03 | 0:33:05 | |
BUZZER SOUNDS | 0:33:05 | 0:33:06 | |
-Oh, bugger! -Whoopsy! | 0:33:06 | 0:33:08 | |
Can't handle a broken heart. How very telling. | 0:33:08 | 0:33:11 | |
Don't be smart. | 0:33:11 | 0:33:12 | |
That takes me back. | 0:33:12 | 0:33:14 | |
"Don't be smart, Sherlock, I'm the smart one." | 0:33:14 | 0:33:16 | |
I am the smart one. | 0:33:16 | 0:33:17 | |
I used to think I was an idiot. | 0:33:17 | 0:33:19 | |
Both of us thought you were an idiot, Sherlock. | 0:33:19 | 0:33:21 | |
We had nothing else to go on, until we met other children. | 0:33:21 | 0:33:24 | |
-Oh, yes, that was a mistake. -Ghastly. What were they thinking of? | 0:33:24 | 0:33:27 | |
Probably something about trying to make friends. | 0:33:27 | 0:33:29 | |
Oh, yes. Friends. | 0:33:29 | 0:33:32 | |
Of course, you go in for that sort of thing now. | 0:33:32 | 0:33:34 | |
And you don't? Ever? | 0:33:34 | 0:33:37 | |
If you seem slow to me, Sherlock, | 0:33:37 | 0:33:39 | |
can you imagine what real people are like? | 0:33:39 | 0:33:41 | |
I'm living in a world of goldfish. | 0:33:41 | 0:33:43 | |
Yes, but I've been away for two years. | 0:33:43 | 0:33:46 | |
-So? -Oh, I don't know, | 0:33:46 | 0:33:48 | |
I thought perhaps you might have found yourself a... | 0:33:48 | 0:33:51 | |
-goldfish. -Change the subject, now. | 0:33:51 | 0:33:54 | |
Rest assured, Mycroft, | 0:33:54 | 0:33:55 | |
whatever this underground network of yours is up to, | 0:33:55 | 0:33:57 | |
the secret will reside in something seemingly insignificant or bizarre. | 0:33:57 | 0:34:01 | |
-Ooh-ooh. -Speaking of which... | 0:34:01 | 0:34:02 | |
I can't believe it. I just can't believe it! | 0:34:02 | 0:34:06 | |
Him sitting in his chair again. | 0:34:06 | 0:34:09 | |
Oh, isn't it wonderful, Mr Holmes? | 0:34:09 | 0:34:11 | |
-I can barely contain myself(!) -Oh, he really can, you know. | 0:34:11 | 0:34:14 | |
He's secretly pleased to see you, underneath all that. | 0:34:14 | 0:34:17 | |
Sorry, which of us? | 0:34:18 | 0:34:20 | |
Both of you. | 0:34:20 | 0:34:22 | |
Let's play something different. | 0:34:22 | 0:34:24 | |
Why are we playing games?! | 0:34:24 | 0:34:26 | |
London's terror alert has been raised to critical, | 0:34:26 | 0:34:28 | |
I'm just passing the time. | 0:34:28 | 0:34:30 | |
Let's do deductions. | 0:34:30 | 0:34:32 | |
Client left this while I was out, what do you reckon? | 0:34:32 | 0:34:34 | |
I'm busy. | 0:34:37 | 0:34:38 | |
Oh, go on, it's been an age. | 0:34:38 | 0:34:40 | |
HE SNIFFS | 0:34:40 | 0:34:41 | |
-I always win. -Which is why you can't resist. | 0:34:41 | 0:34:43 | |
I find nothing irresistible in the hat of a well-travelled anxious, | 0:34:43 | 0:34:46 | |
sentimental, unfit creature of habit with appalling halitosis. | 0:34:46 | 0:34:49 | |
-Damn. -Isolated too, don't you think? | 0:34:50 | 0:34:53 | |
Why would he be isolated? | 0:34:53 | 0:34:54 | |
-"He?" -Obviously. -Why? Size of the hat? | 0:34:54 | 0:34:56 | |
Don't be silly. Some women have large heads too. | 0:34:56 | 0:34:59 | |
No, he's recently had his hair cut, | 0:34:59 | 0:35:01 | |
you can see the little hairs adhering to the perspiration stains on the inside. | 0:35:01 | 0:35:05 | |
Some women have short hair too. | 0:35:05 | 0:35:08 | |
-Balance of probability. -Not that you've ever spoken to a woman with short hair, or, you know, a woman. | 0:35:08 | 0:35:12 | |
Stains show he's out of condition. He's sentimental cos the hat | 0:35:12 | 0:35:15 | |
-has been repaired, three, four... -Five times. Very neatly. | 0:35:15 | 0:35:17 | |
The cost of the repairs exceeds that of the hat, he's mawkishly attached to it. More than that. | 0:35:17 | 0:35:21 | |
One or two patches would indicate sentimentality. Five's obsessive behaviour. Obsessive compulsive. | 0:35:21 | 0:35:26 | |
Hardly. Your client left it behind. | 0:35:26 | 0:35:27 | |
What sort of an obsessive compulsive would do that? | 0:35:27 | 0:35:29 | |
The earlier patches are extensively sun bleached, | 0:35:29 | 0:35:32 | |
so he's worn it abroad, in Peru. | 0:35:32 | 0:35:33 | |
-Peru? -This is a chullo. | 0:35:33 | 0:35:35 | |
The classic headgear of Andes, it's made of alpaca. | 0:35:35 | 0:35:37 | |
-No. -No? -Icelandic sheep wool. Similar, but very distinctive, | 0:35:37 | 0:35:40 | |
if you know what you're looking for. I've written a blog on the varying | 0:35:40 | 0:35:42 | |
tensile strengths of different natural fibres. | 0:35:42 | 0:35:44 | |
I'm sure there's a crying need for that(!) | 0:35:44 | 0:35:46 | |
-You said he was anxious? -The bobble on the left side has been badly chewed, | 0:35:46 | 0:35:50 | |
which shows he's a man of a nervous disposition, but... | 0:35:50 | 0:35:52 | |
But also a creature of habit, | 0:35:52 | 0:35:53 | |
-cos he hasn't chewed the bobble on the right. -Precisely. | 0:35:53 | 0:35:56 | |
A sniff of the offending bobble tells us all we need to know about the state of his breath. | 0:35:56 | 0:36:00 | |
-Brilliant! -Elementary. | 0:36:00 | 0:36:01 | |
But you've missed his isolation. | 0:36:01 | 0:36:03 | |
I don't see it. | 0:36:03 | 0:36:05 | |
-Plain as day. -Where? | 0:36:05 | 0:36:06 | |
-There for all to see. -Tell me. | 0:36:06 | 0:36:08 | |
-Plain as the nose on your... -Tell me! | 0:36:08 | 0:36:10 | |
Well, anybody who wears a hat as stupid as this | 0:36:10 | 0:36:12 | |
isn't in the habit of hanging around other people, is he? | 0:36:12 | 0:36:15 | |
Not at all. Maybe he just doesn't mind being different. | 0:36:15 | 0:36:17 | |
He doesn't necessarily have to be isolated. | 0:36:17 | 0:36:19 | |
Exactly. | 0:36:21 | 0:36:22 | |
I'm sorry? | 0:36:24 | 0:36:25 | |
He's different, so what? Why would he mind? | 0:36:26 | 0:36:28 | |
You're quite right. | 0:36:28 | 0:36:29 | |
Why would anyone mind? | 0:36:32 | 0:36:34 | |
I am not lonely, Sherlock. | 0:36:38 | 0:36:41 | |
How would you know? | 0:36:46 | 0:36:47 | |
Yes. Back to work, if you don't mind. Good morning. | 0:36:50 | 0:36:54 | |
SHE CHUCKLES | 0:36:56 | 0:36:58 | |
Right, back to work. | 0:36:58 | 0:36:59 | |
KNOCKING ON THE DOOR | 0:37:04 | 0:37:05 | |
Mr Summerson. | 0:37:05 | 0:37:07 | |
-Right. -Undescended testicle. | 0:37:07 | 0:37:08 | |
Right. | 0:37:08 | 0:37:10 | |
PHONE BEEPS | 0:37:12 | 0:37:13 | |
-Sherlock? -Hmm? | 0:37:19 | 0:37:21 | |
Talk to John. | 0:37:21 | 0:37:23 | |
I've tried talking to him. He made his position quite clear. | 0:37:23 | 0:37:25 | |
Just relax, Mr Summerson. | 0:37:27 | 0:37:30 | |
What did he say? | 0:37:30 | 0:37:32 | |
-F... -Cough. | 0:37:32 | 0:37:34 | |
Oh, dear. | 0:37:34 | 0:37:36 | |
INTERCOM BUZZES | 0:37:37 | 0:37:39 | |
Hi? | 0:37:39 | 0:37:40 | |
'Mrs Reeves. Thrush.' | 0:37:40 | 0:37:42 | |
Right. | 0:37:44 | 0:37:45 | |
You wanted to see me? | 0:37:52 | 0:37:53 | |
Yes. Molly... | 0:37:55 | 0:37:57 | |
-Yes? -Would you...? | 0:37:57 | 0:37:58 | |
-Would you like to... -Have dinner? -..solve crimes? | 0:38:02 | 0:38:04 | |
Um... | 0:38:04 | 0:38:06 | |
Absolutely nothing to be ashamed of, Mrs Reeves. | 0:38:06 | 0:38:08 | |
It's very common, but I'm recommending a course of... | 0:38:08 | 0:38:12 | |
Monkey glands, but enough about Professor Presbury. | 0:38:12 | 0:38:14 | |
-Tell us more about your case, Mr Harcourt. -You sure about this? -Absolutely. | 0:38:14 | 0:38:18 | |
-Should I be making notes? -If it makes you feel better. -That's what John says he does. | 0:38:18 | 0:38:21 | |
-So if I'm being John... -You're not being John, you're being yourself. | 0:38:21 | 0:38:24 | |
Well, absolutely no one should have been able to empty | 0:38:24 | 0:38:26 | |
that bank account other than myself and Helen. | 0:38:26 | 0:38:29 | |
-Why didn't you assume it was your wife? -Because I've always had total faith in her. | 0:38:31 | 0:38:35 | |
No, it's because YOU emptied it. Weight-loss, hair dye, Botox, affair. | 0:38:35 | 0:38:38 | |
Lawyer. Next! | 0:38:38 | 0:38:39 | |
This is Mr Blake. Piles. | 0:38:41 | 0:38:43 | |
Mr Blake, hi. | 0:38:47 | 0:38:48 | |
And your pen-pal's emails just stopped, did they? | 0:38:49 | 0:38:53 | |
SHE WHINES | 0:38:53 | 0:38:55 | |
And you really thought he was the one, didn't you? | 0:38:55 | 0:38:58 | |
The love of your life? | 0:38:58 | 0:38:59 | |
SHE CRIES | 0:39:02 | 0:39:04 | |
Stepfather posing as on-line boyfriend. | 0:39:04 | 0:39:06 | |
What? | 0:39:06 | 0:39:07 | |
Breaks it off, breaks her heart. | 0:39:07 | 0:39:08 | |
She swears off relationships, stays at home. | 0:39:08 | 0:39:11 | |
He still has her wage coming in. | 0:39:11 | 0:39:12 | |
Mr Windibank, you have been a complete and utter... | 0:39:12 | 0:39:15 | |
Piss pot. | 0:39:15 | 0:39:17 | |
It's nothing to worry about, just a small infection, by the sound of it. | 0:39:17 | 0:39:21 | |
Dr Verner is your usual GP, yes? | 0:39:21 | 0:39:23 | |
-IN A FOREIGN ACCENT: -Yeah, yeah, yeah. He looked after me man and boy. | 0:39:23 | 0:39:28 | |
I run a little shop just on the corner of Church Street. | 0:39:28 | 0:39:33 | |
-Oh. -Magazines and DVDs. | 0:39:33 | 0:39:35 | |
I've brought along a few little beauties that might interest you... | 0:39:35 | 0:39:39 | |
Tree Worshippers. Oh, that's a corker. It's very saucy. | 0:39:39 | 0:39:44 | |
And British Birds. Same sort of thing. | 0:39:44 | 0:39:47 | |
I'm fine, thanks. | 0:39:47 | 0:39:48 | |
The Holy War. | 0:39:48 | 0:39:51 | |
Sounds a bit dry, I know, | 0:39:51 | 0:39:53 | |
but there's a nun with all these holes in her habit... | 0:39:53 | 0:39:58 | |
Jesus! Sherlock. | 0:39:58 | 0:40:00 | |
-What? -What do you want? | 0:40:00 | 0:40:02 | |
Uh? | 0:40:02 | 0:40:03 | |
-Have you come to torment me? -What are you talking about? -"What are you talking...?" | 0:40:03 | 0:40:07 | |
What, do you think I'm going to be fooled by this bloody beard?! | 0:40:07 | 0:40:09 | |
-You're crazy! -No, no, no, no, no. | 0:40:09 | 0:40:11 | |
It's not as good as your French! Not as good as your French. | 0:40:11 | 0:40:14 | |
It's not even a good disguise, Sherlock! | 0:40:14 | 0:40:16 | |
Where did you get it from, a bloody joke shop...?! | 0:40:16 | 0:40:19 | |
Oh, my God! | 0:40:22 | 0:40:23 | |
I, I am so sorry. | 0:40:23 | 0:40:26 | |
Oh, my God! | 0:40:26 | 0:40:27 | |
Please... | 0:40:27 | 0:40:29 | |
It's fine. | 0:40:29 | 0:40:30 | |
HE CLEARS HIS THROAT | 0:40:30 | 0:40:31 | |
This one's got us all baffled. | 0:40:33 | 0:40:35 | |
Hmm, I don't doubt it. | 0:40:35 | 0:40:37 | |
HE SNIFFS | 0:41:20 | 0:41:21 | |
HE SNIFFS | 0:41:22 | 0:41:24 | |
What is it? | 0:41:31 | 0:41:32 | |
You're onto something, aren't you? | 0:41:34 | 0:41:36 | |
Maybe. | 0:41:36 | 0:41:37 | |
-JOHN'S VOICE: -'Show off!' | 0:41:37 | 0:41:39 | |
-Shut up, John. -What? -Hmm? | 0:41:39 | 0:41:41 | |
Nothing. | 0:41:41 | 0:41:43 | |
-Hello. -Hmm. | 0:41:45 | 0:41:48 | |
-Are you sure? -I'm sure. -OK. | 0:41:48 | 0:41:51 | |
I'm late for Cath. I'll see you later. | 0:41:51 | 0:41:53 | |
-Bye. -Bye. | 0:41:54 | 0:41:57 | |
This going to be your new arrangement, is it? | 0:42:03 | 0:42:06 | |
Just giving it a go. | 0:42:06 | 0:42:08 | |
Right. | 0:42:08 | 0:42:10 | |
So, John? | 0:42:10 | 0:42:11 | |
Not really in the picture any more. | 0:42:13 | 0:42:14 | |
RUMBLING NOISE | 0:42:15 | 0:42:17 | |
Trains? | 0:42:19 | 0:42:20 | |
Trains. | 0:42:20 | 0:42:22 | |
Male, 40 to 50. Oh, sorry, did you want to be...? | 0:42:33 | 0:42:36 | |
Er, no, please, be my guest. | 0:42:36 | 0:42:38 | |
'You jealous?' | 0:42:38 | 0:42:40 | |
Shut up! | 0:42:40 | 0:42:41 | |
It doesn't make sense. | 0:42:47 | 0:42:48 | |
What doesn't? | 0:42:48 | 0:42:50 | |
This skeleton, it can't be any more than... | 0:42:50 | 0:42:52 | |
MOLLY AND SHERLOCK: Six months old. | 0:42:52 | 0:42:54 | |
Wow! | 0:43:07 | 0:43:09 | |
"How I Did It, by Jack the Ripper." | 0:43:10 | 0:43:13 | |
-Uh-huh. -That's impossible. -Welcome to my world. | 0:43:13 | 0:43:15 | |
'Smart arse!' | 0:43:17 | 0:43:19 | |
I won't insult your intelligence by explaining it to you. | 0:43:19 | 0:43:22 | |
No, please, insult away. | 0:43:22 | 0:43:24 | |
'You forgot to put your collar up.' | 0:43:24 | 0:43:25 | |
The corpse is, is six months old. | 0:43:25 | 0:43:27 | |
It's dressed in a shoddy Victorian outfit from a museum. | 0:43:27 | 0:43:30 | |
It's been displayed on a dummy for many years, | 0:43:30 | 0:43:33 | |
in a case facing south-east, judging from the fading of the fabric. | 0:43:33 | 0:43:36 | |
It was sold off in a fire damage sale a week ago. | 0:43:36 | 0:43:40 | |
So the whole thing was a fake? | 0:43:40 | 0:43:42 | |
Yes. | 0:43:42 | 0:43:44 | |
Looked so promising. | 0:43:44 | 0:43:45 | |
Facile. | 0:43:45 | 0:43:46 | |
Why would someone go to all that trouble? | 0:43:46 | 0:43:48 | |
Why indeed, John? | 0:43:48 | 0:43:50 | |
DOORBELL: 'Mind the gap. Mind the gap.' | 0:43:58 | 0:44:02 | |
Oh. Thanks for hanging onto it. | 0:44:04 | 0:44:06 | |
No problem. | 0:44:06 | 0:44:07 | |
So, what's this all about, Mr Shilcott? | 0:44:09 | 0:44:12 | |
My girlfriend's a big fan of yours. | 0:44:14 | 0:44:16 | |
Girlfriend?! | 0:44:16 | 0:44:17 | |
Sorry. Do go on. | 0:44:19 | 0:44:21 | |
I like trains. | 0:44:21 | 0:44:22 | |
-Yes... -I work on the Tube, on the District Line, and part of my job | 0:44:22 | 0:44:26 | |
is to wipe the security footage after it's been cleared. | 0:44:26 | 0:44:29 | |
I was just whizzing through and I found something a bit bizarre. | 0:44:29 | 0:44:34 | |
Now, this was a week ago. | 0:44:37 | 0:44:40 | |
The last train on the Friday night, Westminster Station. | 0:44:40 | 0:44:43 | |
Now, this man gets into the last car. | 0:44:43 | 0:44:45 | |
-Car? -They're cars, not carriages. | 0:44:45 | 0:44:47 | |
It's a legacy of the early American involvement in the Tube system. | 0:44:47 | 0:44:50 | |
He said he liked trains. | 0:44:50 | 0:44:51 | |
And the next stop, St James' Park Station. | 0:44:51 | 0:44:55 | |
And... | 0:44:55 | 0:44:56 | |
I thought you'd like it. | 0:45:02 | 0:45:03 | |
He gets into the last car at Westminster. The only passenger. | 0:45:03 | 0:45:06 | |
And the car is empty at St James's Park Station. | 0:45:11 | 0:45:14 | |
Explain that, Mr Holmes. | 0:45:17 | 0:45:20 | |
-Couldn't he have just jumped off? -There's a safety mechanism that prevents the doors | 0:45:20 | 0:45:24 | |
from opening in transit. But there's something else, | 0:45:24 | 0:45:26 | |
the driver of that train hasn't been to work since. | 0:45:26 | 0:45:28 | |
According to his flatmate, he's on holiday. Came into some money. | 0:45:28 | 0:45:32 | |
Bought off? | 0:45:32 | 0:45:34 | |
Hmm? | 0:45:35 | 0:45:36 | |
So if the driver of the train was in on it, | 0:45:36 | 0:45:38 | |
then the passenger did get off. | 0:45:38 | 0:45:40 | |
There's nowhere he could go. It's a straight run on the District Line between the two stations. | 0:45:40 | 0:45:44 | |
There's no side tunnels, no maintenance tunnels. | 0:45:44 | 0:45:47 | |
Nothing on any map. Nothing. | 0:45:47 | 0:45:48 | |
Train never stops and a man vanishes. | 0:45:49 | 0:45:52 | |
Good, innit? | 0:45:52 | 0:45:54 | |
I know that face. | 0:45:59 | 0:46:01 | |
JOHN CLEARS HIS THROAT | 0:46:45 | 0:46:46 | |
Excuse you(!) | 0:46:52 | 0:46:53 | |
The journey between those stations usually takes five minutes | 0:47:23 | 0:47:26 | |
and that one took ten. Ten minutes to get from Westminster to St James's Park. | 0:47:26 | 0:47:29 | |
-I'll need maps, lots of maps. Older maps, all the maps. -Right. | 0:47:29 | 0:47:33 | |
-Fancy some chips? -What? | 0:47:33 | 0:47:34 | |
I know a fantastic fish shop just off the Marylebone Road, | 0:47:34 | 0:47:37 | |
the owner always gives me extra portions. | 0:47:37 | 0:47:39 | |
Did you get him off a murder charge? | 0:47:39 | 0:47:41 | |
No, I helped him put up some shelves. | 0:47:41 | 0:47:42 | |
-Sherlock? -Hmm? | 0:47:43 | 0:47:45 | |
-What was today about? -Saying thank you. | 0:47:46 | 0:47:49 | |
For what? | 0:47:50 | 0:47:52 | |
-For everything you did for me. -It's OK. It's my pleasure. | 0:47:52 | 0:47:56 | |
No. I mean it. | 0:47:56 | 0:47:58 | |
I don't mean pleasure, I mean I didn't mind. | 0:47:58 | 0:48:01 | |
-I wanted to... -Moriarty slipped up, he made a mistake. | 0:48:01 | 0:48:05 | |
Because the one person he thought didn't matter at all to me | 0:48:05 | 0:48:09 | |
was the one person that mattered the most. | 0:48:09 | 0:48:12 | |
You made it all possible. | 0:48:12 | 0:48:14 | |
But you can't do this again, can you? | 0:48:16 | 0:48:19 | |
I've had a lovely day. I'd love to, I just, um... | 0:48:19 | 0:48:23 | |
Hmm, congratulations, by the way. | 0:48:23 | 0:48:25 | |
He's not from work. | 0:48:27 | 0:48:30 | |
We met through friends, old-fashioned way. | 0:48:30 | 0:48:32 | |
He's nice, we've got a dog, we, we go to the pub on weekends | 0:48:32 | 0:48:36 | |
and I've met his mum and dad and his friends and all his family. | 0:48:36 | 0:48:40 | |
I've no idea why I'm telling you any of this... | 0:48:40 | 0:48:42 | |
I hope you'll be very happy, Molly Hooper. | 0:48:42 | 0:48:46 | |
You deserve it. | 0:48:46 | 0:48:47 | |
After all, not all the men you fall for can turn out to be sociopaths. | 0:48:49 | 0:48:53 | |
-No? -No. | 0:48:53 | 0:48:54 | |
Maybe it's just my type. | 0:49:11 | 0:49:13 | |
HE COUGHS | 0:49:45 | 0:49:47 | |
PHONE BEEPS | 0:50:05 | 0:50:07 | |
Oh, Mrs Hudson, sorry, I think someone's got John. John Watson? | 0:50:22 | 0:50:26 | |
Hang on, who are you?! | 0:50:26 | 0:50:28 | |
Oh, I'm his fiancee. | 0:50:28 | 0:50:30 | |
-Oh. -Mary? | 0:50:30 | 0:50:32 | |
What's wrong? | 0:50:33 | 0:50:34 | |
Someone sent me this. | 0:50:34 | 0:50:36 | |
At first I thought it was just a Bible thing, | 0:50:36 | 0:50:38 | |
you know, spam, but it's not. | 0:50:38 | 0:50:39 | |
It's a skip code. | 0:50:39 | 0:50:41 | |
First word, then every third. | 0:50:43 | 0:50:44 | |
"Save John Watson." | 0:50:44 | 0:50:46 | |
Now! | 0:50:50 | 0:50:52 | |
Where are we going? | 0:50:52 | 0:50:53 | |
St James The Less, it's a church. 20 minutes by car. | 0:50:53 | 0:50:57 | |
-Did you drive here? -Er, yes. | 0:50:57 | 0:50:59 | |
It's too slow, it's too slow. | 0:50:59 | 0:51:01 | |
CAR HORN HONKS | 0:51:01 | 0:51:02 | |
Watch out! What are we waiting for?! | 0:51:02 | 0:51:05 | |
This. | 0:51:05 | 0:51:06 | |
BRAKES SQUEAL | 0:51:06 | 0:51:08 | |
What does it mean? | 0:51:20 | 0:51:21 | |
What are they going to do to him? | 0:51:21 | 0:51:23 | |
I don't know! | 0:51:23 | 0:51:24 | |
VOICES IN THE BACKGROUND | 0:51:25 | 0:51:28 | |
HE GASPS | 0:51:34 | 0:51:36 | |
Damn! | 0:51:47 | 0:51:48 | |
-POLICEMAN: -Oi! Oi! You can't go down there! | 0:51:58 | 0:52:00 | |
MUFFLED SCREAM | 0:52:32 | 0:52:34 | |
HE GASPS | 0:52:41 | 0:52:43 | |
HE GAGS | 0:52:55 | 0:52:58 | |
HORN HONKS | 0:53:12 | 0:53:13 | |
No, it's not going to work, with that. | 0:53:15 | 0:53:19 | |
I'll get something to help it along. Yeah. | 0:53:19 | 0:53:23 | |
Help! Argh! | 0:53:23 | 0:53:25 | |
MUFFLED SCREAMS | 0:53:28 | 0:53:30 | |
-He doesn't like it, Daddy. -Huh? | 0:53:48 | 0:53:50 | |
Guy Fawkes, he doesn't like it. | 0:53:50 | 0:53:52 | |
Stay back, Zoe. Back! | 0:53:52 | 0:53:55 | |
Now. | 0:53:55 | 0:53:56 | |
HE SCREAMS | 0:54:00 | 0:54:01 | |
What does it mean? | 0:54:18 | 0:54:20 | |
Oh, my God! | 0:54:22 | 0:54:23 | |
CHEERING | 0:54:23 | 0:54:26 | |
Help! | 0:54:37 | 0:54:39 | |
SHE SCREAMS | 0:54:39 | 0:54:41 | |
Stand back! | 0:54:45 | 0:54:46 | |
JOHN GROANS | 0:54:49 | 0:54:51 | |
Move! Move! Move! | 0:54:53 | 0:54:55 | |
Move! Move! | 0:54:55 | 0:54:57 | |
-John! -John! | 0:54:57 | 0:54:59 | |
John! John! | 0:54:59 | 0:55:01 | |
Get up, John! | 0:55:01 | 0:55:02 | |
-John! -John?! | 0:55:02 | 0:55:04 | |
Help! | 0:55:04 | 0:55:05 | |
John! | 0:55:05 | 0:55:07 | |
-John! -John! | 0:55:25 | 0:55:27 | |
-John! -John! | 0:55:27 | 0:55:29 | |
Hey, John. | 0:55:29 | 0:55:31 | |
-ELDERLY LADY: -'Which wasn't the way I'd put it at all. Silly woman.' | 0:55:45 | 0:55:48 | |
Anyway, it was then that I first noticed it was missing. | 0:55:48 | 0:55:52 | |
I said, "Have you checked down the back of the sofa?" | 0:55:52 | 0:55:54 | |
He's always losing things down the back of the sofa, aren't you, dear? | 0:55:54 | 0:55:58 | |
Afraid so. | 0:55:58 | 0:55:59 | |
Oh, keys, small change, sweeties. | 0:55:59 | 0:56:02 | |
-Especially his glasses. -Glasses. | 0:56:02 | 0:56:05 | |
Blooming things. I said, "Why don't you get a chain, | 0:56:05 | 0:56:07 | |
"wear them round your neck?" | 0:56:07 | 0:56:08 | |
-And he says, "What, like Larry Grayson!" -Larry Grayson. | 0:56:08 | 0:56:11 | |
So did you find it eventually, your lottery ticket? | 0:56:11 | 0:56:14 | |
Well, yes, thank goodness. | 0:56:14 | 0:56:17 | |
We caught the coach on time after all. | 0:56:17 | 0:56:19 | |
We managed to see St Paul's, the Tower, | 0:56:19 | 0:56:22 | |
but they weren't letting anyone into Parliament. | 0:56:22 | 0:56:24 | |
Some big debate going on. | 0:56:24 | 0:56:26 | |
DOOR OPENS | 0:56:26 | 0:56:28 | |
-John? -Sorry, you're busy. -No, no, no, they were just leaving. | 0:56:28 | 0:56:31 | |
-No, oh, were we? -Yes. -No, no, if you've got a case... | 0:56:31 | 0:56:33 | |
-No, not a case. Yeah, go. -We're here till Saturday, remember. -Yes, wonderful. Just get out! | 0:56:33 | 0:56:37 | |
-Yes, well, give us a ring. -Very nice, yes, good. Get out! | 0:56:37 | 0:56:40 | |
I can't tell you how glad we are, Sherlock. | 0:56:40 | 0:56:42 | |
All that time people thinking the worst. | 0:56:42 | 0:56:44 | |
We're just so pleased it's all over. | 0:56:44 | 0:56:46 | |
Ring up more often, won't you? | 0:56:46 | 0:56:48 | |
-Mm-hm. -She worries. | 0:56:48 | 0:56:50 | |
Promise? | 0:56:50 | 0:56:51 | |
Promise. | 0:56:52 | 0:56:53 | |
Oh, for God... | 0:56:53 | 0:56:55 | |
HE SIGHS | 0:56:55 | 0:56:56 | |
-Sorry about that. -No, it's fine. | 0:56:57 | 0:56:59 | |
Clients? | 0:56:59 | 0:57:01 | |
Just my parents. | 0:57:01 | 0:57:03 | |
-Your parents? -In town for a few days. | 0:57:03 | 0:57:05 | |
-Your parents? -Mycroft promised to take them to a matinee of Les Mis. | 0:57:05 | 0:57:07 | |
Tried to talk me into doing it. | 0:57:07 | 0:57:09 | |
-Those were your parents? -Yes. | 0:57:09 | 0:57:12 | |
Well... | 0:57:12 | 0:57:13 | |
..that is not what I... | 0:57:15 | 0:57:17 | |
What? | 0:57:17 | 0:57:19 | |
I mean, they're just so... | 0:57:19 | 0:57:22 | |
..ordinary. | 0:57:24 | 0:57:26 | |
It's a cross I have to bear. | 0:57:26 | 0:57:28 | |
Did they know too? | 0:57:36 | 0:57:37 | |
-Hmm? -That you spent the last two years playing hide and seek? | 0:57:38 | 0:57:41 | |
-Maybe. -Ah, so that's why they weren't at the funeral! | 0:57:42 | 0:57:45 | |
-Sorry, sorry again. -Hmm. | 0:57:45 | 0:57:47 | |
Sorry. | 0:57:51 | 0:57:52 | |
So you've shaved it off then? | 0:57:55 | 0:57:57 | |
Yeah. Wasn't working for me. | 0:57:57 | 0:57:59 | |
-Yeah, I'm glad. -You didn't like it? | 0:57:59 | 0:58:01 | |
No, I prefer my doctors clean-shaven. | 0:58:01 | 0:58:03 | |
That's not a sentence you hear every day. | 0:58:05 | 0:58:07 | |
How are you feeling? | 0:58:11 | 0:58:12 | |
Yeah, not bad. Bit smoked. | 0:58:12 | 0:58:15 | |
Right. | 0:58:15 | 0:58:16 | |
Last night, who did that? | 0:58:19 | 0:58:22 | |
And why did they target me? | 0:58:23 | 0:58:25 | |
I don't know. | 0:58:25 | 0:58:26 | |
Is it someone trying to get to you through me? | 0:58:26 | 0:58:28 | |
Is it something to do with this terrorist thing you talked about? | 0:58:28 | 0:58:31 | |
I don't know, I can't see the pattern. It's too nebulous. | 0:58:31 | 0:58:34 | |
Why would an agent give his life to tell us something incredibly insignificant? That's what's strange. | 0:58:34 | 0:58:38 | |
-Give his life? -According to Mycroft. | 0:58:38 | 0:58:40 | |
There's an underground network planning an attack on London, that's all we know. | 0:58:40 | 0:58:43 | |
HE SNIFFS | 0:58:43 | 0:58:45 | |
-These are my rats, John. -Rats? | 0:58:46 | 0:58:48 | |
My markers, agents, lowlifes. People who might find themselves | 0:58:48 | 0:58:51 | |
arrested or their diplomatic immunity suddenly rescinded. | 0:58:51 | 0:58:54 | |
If one of them starts acting suspiciously, we know something's up. | 0:58:55 | 0:58:58 | |
Five of them are behaving perfectly normally, but the sixth... | 0:58:58 | 0:59:00 | |
I know him, don't I? | 0:59:00 | 0:59:01 | |
Lord Moran, Peer of the Realm. Minister for Overseas Development. | 0:59:01 | 0:59:05 | |
-Pillar of the Establishment. -Yes. | 0:59:05 | 0:59:07 | |
He's been working for North Korea since 1996. | 0:59:07 | 0:59:09 | |
-What? -He's the big rat, rat number one. | 0:59:09 | 0:59:12 | |
He's just done something very suspicious indeed. | 0:59:12 | 0:59:15 | |
Yeah, that's odd. | 0:59:20 | 0:59:22 | |
There's nowhere he could have got off? | 0:59:22 | 0:59:24 | |
Not according to the maps. | 0:59:24 | 0:59:26 | |
There's something, something, something I'm missing. | 0:59:26 | 0:59:29 | |
Something staring me in the face. | 0:59:29 | 0:59:31 | |
PHONE BEEPS | 0:59:31 | 0:59:32 | |
Any idea who they are, this underground network? | 0:59:32 | 0:59:35 | |
Intelligence must have a list of the most obvious ones. | 0:59:37 | 0:59:40 | |
Our rat's just come out of his den. | 0:59:40 | 0:59:42 | |
Al-Qaeda? The IRA have been getting restless again, | 0:59:42 | 0:59:44 | |
-maybe they're going to make an appearance... -Yes, yes, yes, yes! | 0:59:44 | 0:59:47 | |
I've been an idiot, a blind idiot! | 0:59:47 | 0:59:49 | |
-What? -Oh, that's good. That could be brilliant! | 0:59:49 | 0:59:51 | |
-What are you on about? -Mycroft's intelligence is not nebulous at all, | 0:59:51 | 0:59:54 | |
it's specific, incredibly specific. | 0:59:54 | 0:59:56 | |
What do you mean? | 0:59:56 | 0:59:57 | |
It's not an underground network, John, it's an Underground network! | 0:59:57 | 1:00:00 | |
Right. | 1:00:00 | 1:00:02 | |
-What? -Sometimes a deception is so audacious, so outrageous | 1:00:02 | 1:00:04 | |
that you can't see it even when it's staring you in the face. Look, | 1:00:04 | 1:00:08 | |
-seven carriages leave Westminster. -Mm. | 1:00:08 | 1:00:11 | |
And only six carriages arrive at St James's Park. | 1:00:11 | 1:00:14 | |
Ah, but that's, I mean, it's impossible. | 1:00:17 | 1:00:19 | |
Moran didn't disappear. The entire tube compartment did. | 1:00:19 | 1:00:22 | |
The driver must have diverted the train and then detached the last carriage. | 1:00:22 | 1:00:25 | |
Detached it where? You said there was nothing between those stations. | 1:00:25 | 1:00:28 | |
Not on the maps, but once you eliminate the other factors, | 1:00:28 | 1:00:30 | |
the remaining thing must be the truth. That carriage vanished, so it must be somewhere. | 1:00:30 | 1:00:34 | |
But why, though? | 1:00:34 | 1:00:35 | |
Why detach it in the first place? | 1:00:35 | 1:00:37 | |
It vanishes between St James's Park and Westminster. | 1:00:37 | 1:00:40 | |
Lord Moran vanishes. | 1:00:40 | 1:00:42 | |
You're kidnapped and nearly burnt to death at a fireworks party. | 1:00:42 | 1:00:46 | |
What's the date, John, today's date? | 1:00:47 | 1:00:49 | |
Hmm? November the... | 1:00:49 | 1:00:51 | |
Oh, God! | 1:00:51 | 1:00:52 | |
Lord Moran, he's a Peer of the Realm. | 1:00:55 | 1:00:57 | |
Normally he'd sit in the House. | 1:00:57 | 1:00:58 | |
Tonight, there's an all-night sitting to vote on the new anti-terrorism bill. | 1:00:58 | 1:01:02 | |
But he won't be there, not tonight. | 1:01:04 | 1:01:06 | |
Not the 5th November. | 1:01:06 | 1:01:08 | |
"Remember, remember..." | 1:01:08 | 1:01:09 | |
"Gunpowder, treason and plot!" | 1:01:09 | 1:01:11 | |
'There's nothing down there, Mr Holmes, I told you. | 1:01:13 | 1:01:15 | |
'No sidings, no ghost stations.' | 1:01:15 | 1:01:17 | |
There has to be, check again. | 1:01:17 | 1:01:18 | |
This whole area is a big mess of old and new stuff. | 1:01:18 | 1:01:21 | |
Charing Cross is made up of bits of older stations, | 1:01:21 | 1:01:24 | |
like Trafalgar Square, Strand. | 1:01:24 | 1:01:25 | |
No, it's none of those, we've accounted for those. | 1:01:25 | 1:01:27 | |
St Margaret Street, Bridge Street, Sumatra Road, Parliament Street... | 1:01:27 | 1:01:30 | |
'Hang on, hang on, Sumatra Road? | 1:01:30 | 1:01:32 | |
'You mentioned Sumatra Road, Mr Holmes? There is something, | 1:01:32 | 1:01:36 | |
'I knew it rang a bell! Yes. | 1:01:36 | 1:01:37 | |
'There was a station down there.' | 1:01:37 | 1:01:39 | |
Well, why isn't it on the maps? | 1:01:39 | 1:01:41 | |
-'Because it was closed before it ever opened.' -What? | 1:01:41 | 1:01:43 | |
'They built the platforms, even the staircases, but it all got tied up | 1:01:43 | 1:01:47 | |
'in legal disputes and so they never built the station on the surface.' | 1:01:47 | 1:01:50 | |
It's right underneath the Palace of Westminster. | 1:01:52 | 1:01:54 | |
So what's down there, a bomb? | 1:01:54 | 1:01:57 | |
Oh. | 1:01:57 | 1:01:58 | |
'With many commentators saying | 1:02:00 | 1:02:02 | |
'the vote on the Terrorism Bill will be too close to call, | 1:02:02 | 1:02:04 | |
'MPs are now making their way into the Chamber for what | 1:02:04 | 1:02:07 | |
'the Government is calling "the most important vote of this Parliament." | 1:02:07 | 1:02:12 | |
'Over now to our...' | 1:02:12 | 1:02:13 | |
'What freedoms exactly are we protecting | 1:02:13 | 1:02:15 | |
'if we start spying on our own people? | 1:02:15 | 1:02:17 | |
'This is a Orwellian measure on a scale unprecedented...' | 1:02:17 | 1:02:20 | |
There's a bomb, then? The tube carriage is carrying a bomb. | 1:02:38 | 1:02:41 | |
-Must be. -Right. | 1:02:41 | 1:02:44 | |
-What are you doing? -I'm calling the police. -What? No! | 1:02:44 | 1:02:47 | |
Sherlock, this isn't a game, they need to evacuate Parliament. | 1:02:47 | 1:02:49 | |
They'll get in the way, they always do. This is cleaner, more efficient. | 1:02:49 | 1:02:54 | |
-And illegal? -A bit. | 1:02:54 | 1:02:56 | |
What are you doing? | 1:03:11 | 1:03:13 | |
Coming. | 1:03:13 | 1:03:14 | |
-I don't understand. -Well, that's a first. | 1:04:05 | 1:04:07 | |
There's nowhere else it could be. | 1:04:07 | 1:04:09 | |
SCREAMING | 1:04:27 | 1:04:29 | |
Oh! | 1:04:45 | 1:04:46 | |
What?! | 1:04:47 | 1:04:48 | |
-Hang on, Sherlock...? -What? -That's, isn't it live? | 1:04:51 | 1:04:54 | |
Perfectly safe as long as we avoid touching the rails. | 1:04:54 | 1:04:57 | |
Of course, yeah, avoid the rails. Great! | 1:04:57 | 1:05:00 | |
This way. | 1:05:00 | 1:05:01 | |
-Are you sure? -Sure. | 1:05:01 | 1:05:03 | |
Ha! | 1:05:14 | 1:05:16 | |
Look at that. | 1:05:16 | 1:05:18 | |
-John... -Hmm? | 1:05:20 | 1:05:22 | |
Demolition charges. | 1:05:27 | 1:05:29 | |
It's empty. There's nothing. | 1:06:41 | 1:06:43 | |
Isn't there? | 1:06:46 | 1:06:47 | |
This is the bomb. | 1:06:59 | 1:07:00 | |
What? | 1:07:00 | 1:07:01 | |
It's not carrying explosives, the whole compartment is the bomb. | 1:07:05 | 1:07:09 | |
HE GASPS | 1:07:49 | 1:07:51 | |
We need bomb disposal. | 1:07:59 | 1:08:01 | |
There may not be time for that now. | 1:08:01 | 1:08:03 | |
So what do we do? | 1:08:04 | 1:08:05 | |
I have no idea. | 1:08:07 | 1:08:10 | |
-Well, think of something. -Why do you think I know what to do? | 1:08:10 | 1:08:13 | |
Cos you're Sherlock Holmes, you're as clever as it gets. | 1:08:13 | 1:08:15 | |
It doesn't mean I know how to diffuse a giant bomb! | 1:08:15 | 1:08:18 | |
-What about you?! -I wasn't in bomb disposal, I'm a bloody doctor! | 1:08:18 | 1:08:21 | |
And a soldier, as you keep reminding us all! | 1:08:21 | 1:08:23 | |
Can't... Can't we rip the timer off, or something? | 1:08:23 | 1:08:26 | |
-That would set it off. -You see, you know things! | 1:08:26 | 1:08:29 | |
BEEPING | 1:08:37 | 1:08:38 | |
Oh! | 1:08:48 | 1:08:50 | |
-Er... -My God! | 1:08:50 | 1:08:51 | |
Er... | 1:08:51 | 1:08:53 | |
JOHN GASPS | 1:08:53 | 1:08:55 | |
Why didn't you call the police?! | 1:08:55 | 1:08:56 | |
-Can you just...? -Why do you never call the police?! | 1:08:56 | 1:08:59 | |
Well, it's no use now. | 1:08:59 | 1:09:00 | |
So you can't switch the bomb off?! | 1:09:01 | 1:09:03 | |
You can't switch the bomb off and you didn't call the police! | 1:09:03 | 1:09:06 | |
Go, John. Go now! | 1:09:09 | 1:09:11 | |
There's no point now, is there, because there's not enough time | 1:09:11 | 1:09:14 | |
to get away and if we don't do this, other people will die! | 1:09:14 | 1:09:17 | |
SHERLOCK SIGHS | 1:09:17 | 1:09:18 | |
Mind palace! | 1:09:21 | 1:09:22 | |
-Hmm? -Use your mind palace! | 1:09:22 | 1:09:24 | |
How will that help? | 1:09:24 | 1:09:25 | |
You've salted away every fact under the sun! | 1:09:25 | 1:09:27 | |
-And you think I've just got "how to defuse a bomb" tucked away in there somewhere?! -Yes! | 1:09:27 | 1:09:31 | |
Maybe. | 1:09:33 | 1:09:34 | |
Think! | 1:09:35 | 1:09:37 | |
Think, please think. | 1:09:37 | 1:09:38 | |
Think! | 1:09:42 | 1:09:43 | |
I can't! | 1:09:48 | 1:09:49 | |
Oh, my God! | 1:09:54 | 1:09:55 | |
This is it. | 1:09:59 | 1:10:01 | |
Um, er... | 1:10:02 | 1:10:03 | |
SHERLOCK BREATHES HEAVILY | 1:10:03 | 1:10:04 | |
Oh, my God! | 1:10:05 | 1:10:07 | |
Turn that off. Oh, God! | 1:10:07 | 1:10:09 | |
Er, um, er... | 1:10:09 | 1:10:12 | |
I'm sorry. | 1:10:18 | 1:10:19 | |
What? | 1:10:21 | 1:10:22 | |
I can't, I can't do it, John. | 1:10:23 | 1:10:27 | |
I don't know how. | 1:10:27 | 1:10:28 | |
Forgive me. | 1:10:30 | 1:10:32 | |
What?! | 1:10:32 | 1:10:33 | |
Please, John, forgive me, | 1:10:33 | 1:10:36 | |
for all the hurt that I caused you. | 1:10:36 | 1:10:38 | |
-No, no, no, no, no, no, this is a trick. -No. | 1:10:38 | 1:10:41 | |
Another one of your bloody tricks. | 1:10:41 | 1:10:42 | |
-No. -You're just trying to make me say something nice. | 1:10:42 | 1:10:45 | |
Not this time. | 1:10:46 | 1:10:47 | |
It's just to make you look good even though you've behaved like... | 1:10:47 | 1:10:50 | |
I wanted you not to be dead. | 1:11:03 | 1:11:05 | |
Yeah, well, be careful what you wish for. | 1:11:05 | 1:11:08 | |
If I hadn't come back, you wouldn't be standing there and... | 1:11:10 | 1:11:13 | |
..you'd still have a future, with Mary. | 1:11:15 | 1:11:19 | |
Yeah, I know. | 1:11:19 | 1:11:21 | |
Look, I find it difficult. I find it difficult, this sort of stuff. | 1:11:30 | 1:11:34 | |
I know. | 1:11:34 | 1:11:35 | |
You were the best and the wisest man that I have ever known. | 1:11:39 | 1:11:43 | |
Yes, of course I forgive you. | 1:11:45 | 1:11:48 | |
The criminal network Moriarty headed was vast. | 1:12:04 | 1:12:07 | |
Its roots were everywhere, like a cancer, so we came up with a plan. | 1:12:07 | 1:12:10 | |
Mycroft fed Moriarty information about me. | 1:12:10 | 1:12:13 | |
Moriarty, in turn, gave us hints, | 1:12:13 | 1:12:17 | |
just hints as to the extent of his web. | 1:12:17 | 1:12:20 | |
We let him go, because it was important to let him believe | 1:12:20 | 1:12:23 | |
he had the upper hand. | 1:12:23 | 1:12:25 | |
And then, I sat back and watched Moriarty | 1:12:25 | 1:12:28 | |
destroy my reputation, bit by bit. | 1:12:28 | 1:12:30 | |
I had to make him believe he'd beaten me, | 1:12:30 | 1:12:34 | |
utterly defeated me, and then he'd show his hand. | 1:12:34 | 1:12:36 | |
There were 13 likely scenarios once we were up on that roof. | 1:12:36 | 1:12:40 | |
Each of them were rigorously worked out and given a code name. | 1:12:40 | 1:12:44 | |
It wasn't just my reputation that Moriarty needed to bury. | 1:12:44 | 1:12:47 | |
I had to die. | 1:12:47 | 1:12:48 | |
Sherlock! | 1:12:48 | 1:12:50 | |
You can have me arrested, you can torture me, | 1:12:50 | 1:12:53 | |
you can do anything you like with me, | 1:12:53 | 1:12:56 | |
but nothing's going to prevent them from pulling the trigger. | 1:12:56 | 1:13:00 | |
Your only three friends in the world will die, unless... | 1:13:00 | 1:13:04 | |
Unless I kill myself and complete your story. | 1:13:04 | 1:13:07 | |
You've got to admit that's sexier. | 1:13:08 | 1:13:11 | |
'But the one thing I didn't anticipate was just how far | 1:13:11 | 1:13:13 | |
'Moriarty was prepared to go. I suppose that was obvious, | 1:13:13 | 1:13:16 | |
'given our first meeting at the swimming pool. | 1:13:16 | 1:13:19 | |
'His death wish.' | 1:13:19 | 1:13:20 | |
Argh! | 1:13:20 | 1:13:21 | |
GUNSHOT | 1:13:21 | 1:13:22 | |
'I knew I didn't have long. | 1:13:27 | 1:13:29 | |
'I contacted my brother, set the wheels in motion. | 1:13:29 | 1:13:32 | |
'And then everyone got to work.' | 1:13:34 | 1:13:36 | |
'It's a trick.' | 1:14:21 | 1:14:22 | |
'It's just a magic trick.' | 1:14:23 | 1:14:25 | |
'All right, stop it now.' | 1:14:26 | 1:14:28 | |
'Now, stay exactly where you are.' | 1:14:28 | 1:14:30 | |
'Don't move!' | 1:14:32 | 1:14:33 | |
All right. | 1:14:35 | 1:14:36 | |
Keep your eyes fixed on me. | 1:14:40 | 1:14:42 | |
Please, will you do this for me? | 1:14:43 | 1:14:45 | |
'It was vital that John stayed just where I'd put him | 1:14:49 | 1:14:52 | |
'and that way his view was blocked by the ambulance station.' | 1:14:52 | 1:14:56 | |
Sherlock! | 1:14:56 | 1:14:58 | |
'I needed to hit the air-bag, | 1:15:08 | 1:15:11 | |
'which I did. | 1:15:11 | 1:15:13 | |
'Speed was paramount. | 1:15:13 | 1:15:14 | |
'The air-bag needed to be got out of the way | 1:15:14 | 1:15:16 | |
'just as John cleared the station. | 1:15:16 | 1:15:19 | |
'But we needed him to see a body. | 1:15:19 | 1:15:21 | |
'That's where Molly came in. | 1:15:21 | 1:15:24 | |
'Like figures on a weather clock, we went one way, John went the other. | 1:15:24 | 1:15:28 | |
'Then, our well-timed cyclist...' | 1:15:29 | 1:15:32 | |
'..put John briefly out of action, | 1:15:34 | 1:15:36 | |
'giving me time to switch places with the corpse on the pavement. | 1:15:36 | 1:15:40 | |
'The rest was just window dressing.' | 1:15:51 | 1:15:53 | |
'And one final touch, a squash ball under the armpit. | 1:15:56 | 1:16:01 | |
'Apply enough pressure and it momentarily cuts off the pulse.' | 1:16:01 | 1:16:05 | |
Let me come through, please! | 1:16:12 | 1:16:14 | |
-It's all right... -No, he's my friend. | 1:16:14 | 1:16:16 | |
-It's all right. -No, he's my friend. | 1:16:16 | 1:16:18 | |
-It's all right, it's all right... -He's my friend, please. | 1:16:18 | 1:16:21 | |
Everything was anticipated, every eventuality allowed for. | 1:16:30 | 1:16:34 | |
It worked perfectly. | 1:16:34 | 1:16:37 | |
Molly. Molly Hooper? She was in on it? | 1:16:37 | 1:16:41 | |
Yes. You remember the little girl who was abducted by Moriarty? | 1:16:41 | 1:16:43 | |
SHE SCREAMS | 1:16:43 | 1:16:44 | |
Get out! | 1:16:44 | 1:16:46 | |
'You assumed she reacted like that because I was her kidnapper.' | 1:16:46 | 1:16:49 | |
But I deduced Moriarty must have found someone who looked | 1:16:49 | 1:16:51 | |
very like me to plant suspicion, and that that man, whoever he was, | 1:16:51 | 1:16:55 | |
had to be got out of the way as soon as his usefulness ended. | 1:16:55 | 1:16:58 | |
That meant there was a corpse in the morgue somewhere | 1:16:58 | 1:17:00 | |
that looked just like me. | 1:17:00 | 1:17:02 | |
Clever. | 1:17:02 | 1:17:03 | |
Molly found the body, faked the records | 1:17:03 | 1:17:05 | |
and I provided the other coat. | 1:17:05 | 1:17:07 | |
I've got lots of coats. | 1:17:07 | 1:17:08 | |
What about the sniper aiming at John? | 1:17:08 | 1:17:10 | |
Mycroft's men intervened before he could take the shot. | 1:17:10 | 1:17:13 | |
He was invited to reconsider. | 1:17:13 | 1:17:14 | |
TELEPHONE RINGS | 1:17:14 | 1:17:16 | |
Is it done? | 1:17:16 | 1:17:17 | |
Good. | 1:17:20 | 1:17:21 | |
And your homeless network? | 1:17:22 | 1:17:24 | |
As I explained, the whole street was closed off. | 1:17:24 | 1:17:27 | |
Like a scene from a play. | 1:17:27 | 1:17:29 | |
Neat, don't you think? | 1:17:30 | 1:17:33 | |
Hmm... | 1:17:33 | 1:17:34 | |
What? | 1:17:34 | 1:17:36 | |
Not the way I'd have done it. | 1:17:36 | 1:17:37 | |
Oh, really? | 1:17:37 | 1:17:39 | |
-No, I'm not saying it's not clever, but... -What? | 1:17:39 | 1:17:42 | |
Bit...disappointed. | 1:17:46 | 1:17:48 | |
Oh. Everyone's a critic. Anyway, that's not why I came. | 1:17:48 | 1:17:52 | |
-No? -No, I think you know why I'm here, Phillip. | 1:17:53 | 1:17:56 | |
"How I Did It, by Jack the Ripper?" | 1:17:56 | 1:17:58 | |
Didn't you think it was intriguing? | 1:18:01 | 1:18:03 | |
Lurid. A case so sensational you hoped I'd be interested. | 1:18:03 | 1:18:06 | |
But you overdid it, Phillip. You and your little fan-club. | 1:18:06 | 1:18:10 | |
I just couldn't live with myself, knowing that I'd driven you to... | 1:18:10 | 1:18:13 | |
But you didn't. You were always right, I wasn't dead. | 1:18:13 | 1:18:18 | |
No. No, and everything's OK now, isn't it? | 1:18:18 | 1:18:22 | |
-Yeah. -Yeah. | 1:18:22 | 1:18:24 | |
Though of course you've wasted police time. | 1:18:26 | 1:18:28 | |
Perverted the course of justice. | 1:18:28 | 1:18:31 | |
Risked distracting me from a massive terrorist assault that could have | 1:18:31 | 1:18:34 | |
both destroyed Parliament and caused the death of hundreds of people. | 1:18:34 | 1:18:37 | |
Oh, God! Oh, God, I'm sorry, Sherlock! | 1:18:37 | 1:18:40 | |
-I'm so sorry. -HE CRIES | 1:18:40 | 1:18:42 | |
Hang on. | 1:18:46 | 1:18:47 | |
That doesn't make sense. | 1:18:49 | 1:18:51 | |
How could you be sure John would stand on that exact spot? | 1:18:51 | 1:18:55 | |
I mean, what if he'd moved? | 1:18:55 | 1:18:56 | |
And...how did you do it all so quickly? | 1:18:56 | 1:18:59 | |
What if the bike hadn't hit him? | 1:18:59 | 1:19:00 | |
And anyway, why are you telling me all this? | 1:19:01 | 1:19:04 | |
HE CHUCKLES | 1:19:04 | 1:19:05 | |
If you'd pulled that off, I'm the last person you'd tell the truth to! | 1:19:05 | 1:19:09 | |
Sherlock Holmes! | 1:19:14 | 1:19:17 | |
SHERLOCK GIGGLES | 1:19:41 | 1:19:43 | |
-You... -Oh, your face! | 1:20:05 | 1:20:07 | |
-..utter... -Your face! | 1:20:07 | 1:20:09 | |
You! | 1:20:09 | 1:20:10 | |
-Totally had you! -You cock! | 1:20:10 | 1:20:12 | |
-I knew it! I knew it! You... -Oh, those things you said, such sweet things. | 1:20:12 | 1:20:15 | |
-I never knew you cared. -I will, I'll kill you if you ever breathe a word of this... | 1:20:15 | 1:20:19 | |
-Scout's honour. -..to anyone! You knew! | 1:20:19 | 1:20:22 | |
You knew how to turn it off! | 1:20:22 | 1:20:23 | |
There's an off switch. | 1:20:23 | 1:20:25 | |
There's always an off switch. | 1:20:25 | 1:20:27 | |
Terrorists can get into all sorts of problems | 1:20:27 | 1:20:29 | |
unless there's an off switch. | 1:20:29 | 1:20:31 | |
-So why did you let me go through all that?! -I didn't lie altogether. | 1:20:31 | 1:20:34 | |
I've absolutely no idea how to turn any of these silly little lights off. | 1:20:34 | 1:20:38 | |
SHERLOCK GIGGLES | 1:20:38 | 1:20:40 | |
NOISE FROM WALKIE TALKIES | 1:20:40 | 1:20:41 | |
-And you did call the police? -Of course I called the police. | 1:20:41 | 1:20:45 | |
I'm definitely going to kill you! | 1:20:45 | 1:20:47 | |
Oh, please. Killing me, that's so two years ago. | 1:20:47 | 1:20:51 | |
SHERLOCK LAUGHS | 1:20:55 | 1:20:57 | |
GUN COCKS | 1:21:22 | 1:21:23 | |
MUSIC: "Do You Hear The People Sing" from Les Miserables | 1:21:27 | 1:21:30 | |
-MYCROFT: -'Sherlock, please, I beg of you. | 1:21:30 | 1:21:32 | |
'You can take over at the interval.' | 1:21:32 | 1:21:35 | |
Oh, I'm sorry, brother dear, but you made a promise. | 1:21:35 | 1:21:38 | |
Nothing I can do to help. | 1:21:38 | 1:21:40 | |
'But you don't understand the pain of it, the horror.' | 1:21:40 | 1:21:43 | |
Come on, you'll have to go down, they want the story. | 1:21:43 | 1:21:46 | |
In a minute. | 1:21:47 | 1:21:48 | |
I'm really pleased, Mary. Have you set a date? | 1:21:50 | 1:21:53 | |
-Well, we thought May. -Ah, a spring wedding. -Yeah. | 1:21:53 | 1:21:56 | |
-Well, once we've actually got engaged. -Yeah. | 1:21:56 | 1:21:58 | |
-We were interrupted last time. -Yeah. -Well, I can't wait. | 1:21:58 | 1:22:02 | |
You will be there, Sherlock? | 1:22:02 | 1:22:04 | |
Weddings, not really my thing. | 1:22:04 | 1:22:06 | |
-Hello, everyone. -Hello, Molly. | 1:22:06 | 1:22:08 | |
-This is Tom. Tom, this is everyone. -Hi. | 1:22:08 | 1:22:11 | |
-Hi. -It's really nice to meet you all. Hi. | 1:22:11 | 1:22:14 | |
Wow! Yeah, hi, I'm John, good to meet you. | 1:22:14 | 1:22:16 | |
-Ready? -Ready. | 1:22:16 | 1:22:19 | |
Champagne? | 1:22:23 | 1:22:24 | |
Yes. | 1:22:26 | 1:22:28 | |
Thanks. | 1:22:33 | 1:22:35 | |
Thank you. | 1:22:35 | 1:22:36 | |
-Sit down, love. -Oh, thanks. | 1:22:39 | 1:22:41 | |
So um... | 1:22:41 | 1:22:42 | |
Is it serious, you two? | 1:22:44 | 1:22:45 | |
Yeah. I've moved on. | 1:22:45 | 1:22:48 | |
Did you...? | 1:22:50 | 1:22:52 | |
-I'm not saying a word. -No, best not. | 1:22:52 | 1:22:54 | |
-But I'm still waiting. -Hmm? | 1:22:55 | 1:22:57 | |
Why did they try and kill me? | 1:22:57 | 1:23:00 | |
If they knew you were onto them, why come after me? | 1:23:00 | 1:23:02 | |
Put me in a bonfire? | 1:23:02 | 1:23:04 | |
I don't know. I don't like not knowing. | 1:23:04 | 1:23:07 | |
Unlike the nicely embellished fictions on your blog, John, | 1:23:09 | 1:23:12 | |
real life is rarely so neat. | 1:23:12 | 1:23:14 | |
I don't know who was behind all this, but I will find out, | 1:23:14 | 1:23:17 | |
I promise you. | 1:23:17 | 1:23:19 | |
Don't pretend you're not enjoying this. | 1:23:19 | 1:23:21 | |
-Hmm? -Being back. Being a hero again. | 1:23:21 | 1:23:24 | |
-Don't be stupid. -You'd have to be an idiot not to see it. | 1:23:24 | 1:23:27 | |
-You love it. -Love what? | 1:23:27 | 1:23:29 | |
Being Sherlock Holmes. | 1:23:29 | 1:23:31 | |
I don't even know what that's supposed to mean. | 1:23:33 | 1:23:35 | |
Sherlock, you are going to tell me how you did it? | 1:23:36 | 1:23:40 | |
How you jumped off that building and survived? | 1:23:41 | 1:23:43 | |
You know my methods, John, I am known to be indestructible. | 1:23:43 | 1:23:47 | |
No, but seriously. | 1:23:47 | 1:23:49 | |
When you were dead, I went to your grave. | 1:23:49 | 1:23:52 | |
I should hope so. | 1:23:52 | 1:23:54 | |
I made a little speech. | 1:23:54 | 1:23:55 | |
I actually spoke to you. | 1:23:56 | 1:23:58 | |
I know. I was there. | 1:23:58 | 1:24:01 | |
I asked you for one more miracle. | 1:24:03 | 1:24:05 | |
I asked you to stop being dead. | 1:24:06 | 1:24:08 | |
I heard you. | 1:24:10 | 1:24:12 | |
Anyway, time to go and be Sherlock Holmes. | 1:24:15 | 1:24:18 | |
CAMERAS SNAP | 1:24:30 | 1:24:32 | |
SHERLOCK'S VOICE: 'John!' | 1:25:08 | 1:25:10 | |
-MARY'S VOICE: -'John!' | 1:25:14 | 1:25:16 | |
'John! | 1:25:19 | 1:25:21 | |
'John! | 1:25:27 | 1:25:28 | |
'John!' | 1:25:30 | 1:25:32 |