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Have you had any thoughts about what you'd like to do? | 0:00:11 | 0:00:13 | |
For our 20th? | 0:00:15 | 0:00:16 | |
Whatever you want is fine by me. | 0:00:18 | 0:00:20 | |
Oh, Peter, you need to fix that tie. | 0:00:31 | 0:00:34 | |
It's supposed to hide the top button. | 0:00:36 | 0:00:39 | |
The press will be there, remember. | 0:00:39 | 0:00:41 | |
And I expect there'll be quite a crowd. | 0:00:41 | 0:00:43 | |
You love that, don't you? | 0:00:43 | 0:00:45 | |
There you are. Much better. | 0:00:45 | 0:00:47 | |
Can we get a move on, please? | 0:01:01 | 0:01:03 | |
Oh, I don't know what all the fuss is about. | 0:01:03 | 0:01:05 | |
Not like you haven't seen the guy before. | 0:01:05 | 0:01:07 | |
Yeah, come on. | 0:01:07 | 0:01:09 | |
Oh! | 0:01:09 | 0:01:10 | |
Oh, I'm so sorry. | 0:01:10 | 0:01:11 | |
Leave it. Come on, I'll buy you another one. | 0:01:13 | 0:01:17 | |
Come on, come on. | 0:01:17 | 0:01:18 | |
Come on. | 0:01:24 | 0:01:27 | |
I think we should have a small party at the house | 0:01:30 | 0:01:32 | |
on our actual anniversary with just a few friends... | 0:01:32 | 0:01:35 | |
but we also need something much more high profile. | 0:01:35 | 0:01:37 | |
So I'm thinking, maybe a gala dinner? | 0:01:37 | 0:01:41 | |
Invite businesspeople, | 0:01:41 | 0:01:43 | |
see if we can't get a couple of celebrities | 0:01:43 | 0:01:45 | |
and we'll send out a press statement, | 0:01:45 | 0:01:47 | |
I bet they'll be all over it. | 0:01:47 | 0:01:49 | |
JOVIAL FOLK MUSIC | 0:01:54 | 0:01:57 | |
Good turnout, eh? | 0:02:01 | 0:02:03 | |
Yeah. | 0:02:03 | 0:02:04 | |
I was really ready for that ice cream. Only got one lick. | 0:02:06 | 0:02:08 | |
Look, here he comes! | 0:02:10 | 0:02:13 | |
-Oi-oi! -CHEERING | 0:02:13 | 0:02:15 | |
I told you there'd be a good crowd. | 0:02:15 | 0:02:17 | |
You must be pleased. | 0:02:17 | 0:02:19 | |
It's you they're here for. | 0:02:19 | 0:02:21 | |
APPLAUSE AND CHEERING | 0:02:21 | 0:02:24 | |
Hello! | 0:02:24 | 0:02:25 | |
Oh, no. | 0:02:25 | 0:02:27 | |
He's got Cruella de Vil with him. | 0:02:27 | 0:02:28 | |
I like her dress. | 0:02:30 | 0:02:32 | |
Hey, PB. | 0:02:32 | 0:02:33 | |
Hey, Mick. How you doing? Good to see you. | 0:02:33 | 0:02:36 | |
Well, hello, hello, thank you. | 0:02:41 | 0:02:44 | |
This is a big day for us. | 0:02:44 | 0:02:47 | |
PB's - | 0:02:47 | 0:02:49 | |
that's me up there, by the way - | 0:02:49 | 0:02:51 | |
has launched restaurants, | 0:02:51 | 0:02:53 | |
well, all over the west coast | 0:02:53 | 0:02:55 | |
but this one, here... | 0:02:55 | 0:02:57 | |
Well, it's very special to us | 0:02:57 | 0:02:59 | |
because it was our first. | 0:02:59 | 0:03:00 | |
Re-launching a restaurant is... | 0:03:02 | 0:03:04 | |
Well, it's like coming home. | 0:03:04 | 0:03:06 | |
My dad was a trawlerman | 0:03:06 | 0:03:08 | |
and he used to say, "Son..." | 0:03:08 | 0:03:11 | |
He never could remember my name. LAUGHTER | 0:03:11 | 0:03:14 | |
He'd say, "Fishermen are a family. | 0:03:14 | 0:03:17 | |
"We need each other. | 0:03:18 | 0:03:20 | |
"Look out for each other." | 0:03:20 | 0:03:22 | |
And that's what PB's is all about. | 0:03:22 | 0:03:24 | |
We're a family. | 0:03:26 | 0:03:27 | |
I would now like to hand over to my lovely first wife, | 0:03:30 | 0:03:33 | |
I call her that to keep her on her toes, | 0:03:33 | 0:03:37 | |
to cut the ribbon | 0:03:37 | 0:03:38 | |
and declare this restaurant open. | 0:03:38 | 0:03:41 | |
GUNSHOT | 0:03:41 | 0:03:43 | |
-PB! -SCREAMING | 0:03:43 | 0:03:45 | |
Come here. | 0:03:46 | 0:03:48 | |
Help! | 0:03:48 | 0:03:50 | |
One minute, he was laughing and joking - the next, it was terrible. | 0:04:18 | 0:04:22 | |
It was terrible. | 0:04:22 | 0:04:23 | |
Mum, drink this. | 0:04:23 | 0:04:25 | |
His poor wife. | 0:04:25 | 0:04:27 | |
She's not the one with a bullet in her head, is she? | 0:04:27 | 0:04:29 | |
-Mick! -What? -My mum's upset. | 0:04:29 | 0:04:32 | |
She's upset? He was MY mate. | 0:04:32 | 0:04:34 | |
You hardly knew him. | 0:04:34 | 0:04:35 | |
We went to the same school together. | 0:04:35 | 0:04:37 | |
Yeah, he married money but he never forgot his roots. | 0:04:37 | 0:04:40 | |
Used to pop in here and play pool. | 0:04:40 | 0:04:41 | |
Once in a blue moon. | 0:04:41 | 0:04:42 | |
Will you two stop niggling? Look, you've both had a shock. | 0:04:42 | 0:04:45 | |
Shh, turn it up. | 0:04:45 | 0:04:47 | |
A long-range shot. | 0:04:48 | 0:04:50 | |
Now, obviously, we're pursuing a number of lines of inquiry | 0:04:50 | 0:04:52 | |
but, from the evidence so far, | 0:04:52 | 0:04:55 | |
we believe Peter Bradshaw was targeted | 0:04:55 | 0:04:57 | |
by a highly trained professional. | 0:04:57 | 0:04:59 | |
Thank you. | 0:04:59 | 0:05:00 | |
Morning. | 0:05:05 | 0:05:06 | |
Hiya. | 0:05:06 | 0:05:07 | |
Just like Jackie Kennedy. | 0:05:07 | 0:05:10 | |
Who's Jackie Kennedy? Is she a relative? | 0:05:10 | 0:05:12 | |
You frighten me sometimes. | 0:05:12 | 0:05:14 | |
GP notes. | 0:05:14 | 0:05:16 | |
He was diagnosed with depression | 0:05:18 | 0:05:20 | |
and was on a prescription - Mirtazapine and Amitriptyline. | 0:05:20 | 0:05:24 | |
Poor man. He was obviously very unhappy. | 0:05:24 | 0:05:27 | |
KNOCK ON DOOR | 0:05:27 | 0:05:29 | |
Come in. | 0:05:29 | 0:05:31 | |
Mick, can I help you? | 0:05:31 | 0:05:32 | |
You got a minute? | 0:05:32 | 0:05:33 | |
Actually, I'm rather busy. | 0:05:33 | 0:05:35 | |
Look, you and me, I know there's no love lost. | 0:05:38 | 0:05:40 | |
You've got that right. | 0:05:40 | 0:05:42 | |
I'm here about PB. | 0:05:43 | 0:05:45 | |
Ah! Here was me thinking you were here about my mum. | 0:05:45 | 0:05:48 | |
-Your mum? -Yeah, she's fine, by the way. Thanks for asking. | 0:05:48 | 0:05:51 | |
She's a tough old bird. | 0:05:51 | 0:05:52 | |
How well did you know him? | 0:05:57 | 0:05:58 | |
I know he wasn't happy. | 0:06:00 | 0:06:01 | |
When did you last see him? | 0:06:01 | 0:06:03 | |
A couple of weeks ago. | 0:06:03 | 0:06:04 | |
-He was in the pub with some bloke. -Who? | 0:06:04 | 0:06:06 | |
No idea. But something wasn't right. | 0:06:06 | 0:06:09 | |
Any idea what? | 0:06:09 | 0:06:10 | |
If you ask me, that wife of his kept him on a short leash. | 0:06:12 | 0:06:15 | |
You think every married man is on a short leash. | 0:06:15 | 0:06:17 | |
That marriage was well dodgy. | 0:06:17 | 0:06:20 | |
You want my advice, start looking there. | 0:06:20 | 0:06:22 | |
I know how to do my job, Mick. | 0:06:22 | 0:06:24 | |
PHONE RINGS | 0:06:24 | 0:06:26 | |
Excuse me. | 0:06:26 | 0:06:27 | |
Jane Kennedy. | 0:06:29 | 0:06:30 | |
Yes, I did get the report. Thank you. | 0:06:32 | 0:06:34 | |
Hold on one second. | 0:06:34 | 0:06:35 | |
Ma'am. | 0:07:02 | 0:07:03 | |
Mrs Bradshaw, | 0:07:03 | 0:07:05 | |
I'm Jane Kennedy, the coroner. | 0:07:05 | 0:07:07 | |
I'm so sorry for your loss. | 0:07:09 | 0:07:11 | |
I've already been over everything with the police. | 0:07:11 | 0:07:13 | |
I'm not the police. | 0:07:13 | 0:07:15 | |
I just want to get the truth, for your husband's sake. | 0:07:15 | 0:07:17 | |
It won't bring him back, will it? | 0:07:17 | 0:07:19 | |
It's natural to feel angry. | 0:07:19 | 0:07:21 | |
How do you expect me to feel? | 0:07:21 | 0:07:23 | |
We were happily married for 20 years. | 0:07:23 | 0:07:25 | |
According to his GP, he was on antidepressants. | 0:07:26 | 0:07:29 | |
Did you know? | 0:07:29 | 0:07:31 | |
Of course I knew. We had no secrets. | 0:07:31 | 0:07:35 | |
He suffered from depression, so what? | 0:07:35 | 0:07:38 | |
The impression I have is, | 0:07:38 | 0:07:39 | |
Peter was very well liked but... | 0:07:39 | 0:07:41 | |
do you know if he had any enemies? | 0:07:41 | 0:07:43 | |
Where shall I start? | 0:07:43 | 0:07:45 | |
The green-eyed monsters? | 0:07:45 | 0:07:46 | |
The business rivals? | 0:07:46 | 0:07:47 | |
Or the lunatics that were making death threats? | 0:07:47 | 0:07:50 | |
He'd had death threats? | 0:07:50 | 0:07:51 | |
Sorry to disturb you again, Mrs Bradshaw. | 0:07:51 | 0:07:53 | |
I just wondered... | 0:07:53 | 0:07:55 | |
Oh, hello. | 0:07:55 | 0:07:57 | |
-I wondered if you could clear something up. -What? | 0:07:57 | 0:07:59 | |
Found this in your husband's papers. It's a payment, | 0:07:59 | 0:08:01 | |
for a rather large amount, to a Jason Alexander. | 0:08:01 | 0:08:06 | |
Diamonds. | 0:08:06 | 0:08:07 | |
Sorry? | 0:08:07 | 0:08:09 | |
Pink diamonds. | 0:08:09 | 0:08:10 | |
For me. | 0:08:10 | 0:08:12 | |
For our wedding anniversary. | 0:08:12 | 0:08:14 | |
Next month. | 0:08:14 | 0:08:15 | |
I think she's holding something back. | 0:08:19 | 0:08:21 | |
She's not the only one. | 0:08:21 | 0:08:23 | |
Found Peter Bradshaw's mobile phone hidden in his desk. | 0:08:23 | 0:08:27 | |
Pay-as-you-go. The call history's been wiped. | 0:08:27 | 0:08:29 | |
She said they had no secrets. | 0:08:29 | 0:08:30 | |
Yeah, right. | 0:08:30 | 0:08:32 | |
She tell you anything else? | 0:08:32 | 0:08:33 | |
-She said he'd had death threats. -Yeah. Anonymous phone calls, | 0:08:33 | 0:08:37 | |
people saying he didn't deserve to live. | 0:08:37 | 0:08:39 | |
There's nothing concrete though. No demands. | 0:08:39 | 0:08:41 | |
They just upped their security and carried on. | 0:08:41 | 0:08:44 | |
Listen, do you think you can get anything else out of her? | 0:08:44 | 0:08:46 | |
What? More than you, you mean? | 0:08:46 | 0:08:48 | |
Oh, come on. | 0:08:48 | 0:08:49 | |
Help me out here, Calamity, please. | 0:08:49 | 0:08:52 | |
So, why would Peter Bradshaw be targeted? | 0:08:52 | 0:08:55 | |
So, you saw me on the TV last night? | 0:08:55 | 0:08:57 | |
Yes. | 0:08:57 | 0:08:59 | |
You scrub up well. | 0:08:59 | 0:09:00 | |
Well, like I said, | 0:09:00 | 0:09:02 | |
on the television, | 0:09:02 | 0:09:03 | |
whoever he is, he's a real pro. | 0:09:03 | 0:09:06 | |
Ballistics traced the shot to a church tower across the water | 0:09:06 | 0:09:09 | |
but there's no evidence there, though. | 0:09:09 | 0:09:10 | |
Apart from a trace of ice cream, where he must've stood. | 0:09:10 | 0:09:14 | |
Mick said something about him marrying money. | 0:09:15 | 0:09:17 | |
-Yeah, it was her business. -PHONE RINGS | 0:09:17 | 0:09:19 | |
He was bankrupt so he was disqualified from being a director. | 0:09:19 | 0:09:22 | |
Hello? | 0:09:22 | 0:09:24 | |
Hello, Sylvie, love. | 0:09:24 | 0:09:26 | |
No, that's all right, go on. | 0:09:26 | 0:09:27 | |
Oh, right. OK. I'm on my way. | 0:09:29 | 0:09:31 | |
Listen, something's come up, I've got to go. | 0:09:31 | 0:09:33 | |
Swing by the station later, all right? I'll fill you in. | 0:09:33 | 0:09:37 | |
Oh! Will you look where you're going? | 0:09:40 | 0:09:42 | |
I'm so sorry. Oh, gosh. | 0:09:42 | 0:09:44 | |
It's all right. | 0:09:44 | 0:09:45 | |
Can I buy you another one? | 0:09:45 | 0:09:47 | |
I don't think so. | 0:09:47 | 0:09:48 | |
This is a very expensive suit. | 0:09:48 | 0:09:51 | |
No, I meant another coffee. | 0:09:51 | 0:09:53 | |
No time. I better go and clean up. | 0:09:53 | 0:09:55 | |
-Sorry. -Cheers. | 0:09:55 | 0:09:56 | |
-Am I in the right station? -Right, walk with me. | 0:10:03 | 0:10:06 | |
Love the suit. Can't even smell the mothballs. | 0:10:06 | 0:10:08 | |
You must be getting a cold. | 0:10:08 | 0:10:10 | |
-I'm fronting a press conference. -Oh? | 0:10:10 | 0:10:12 | |
PB's is a huge business | 0:10:12 | 0:10:13 | |
but they're seriously overfishing. | 0:10:13 | 0:10:15 | |
So, they export everything to Thailand | 0:10:15 | 0:10:17 | |
where it's processed and frozen by very cheap, | 0:10:17 | 0:10:19 | |
some would say child labour. | 0:10:19 | 0:10:21 | |
It's really dodgy stuff. | 0:10:21 | 0:10:22 | |
But so are a lot of big companies, so why would he be targeted? | 0:10:22 | 0:10:25 | |
Well, we don't know. | 0:10:25 | 0:10:26 | |
Could be that he's just first on the list. | 0:10:26 | 0:10:28 | |
International activist group, eco-warriors, Thai business rivals, | 0:10:28 | 0:10:31 | |
take your pick. I'm working with Scotland Yard on this one | 0:10:31 | 0:10:34 | |
so you'll have to take a back-seat - but feel free to come and watch. | 0:10:34 | 0:10:37 | |
Wait a minute. | 0:10:37 | 0:10:39 | |
OK. | 0:10:42 | 0:10:43 | |
Quiet now, please, everyone. | 0:10:44 | 0:10:46 | |
Take your seats. | 0:10:46 | 0:10:47 | |
Take a seat. | 0:10:47 | 0:10:49 | |
Hello, everyone. | 0:10:49 | 0:10:51 | |
I'm Detective Inspector Ben Marshall from Scotland Yard. | 0:10:51 | 0:10:54 | |
I'm going to be working closely with South Dart Police on this case. | 0:10:54 | 0:10:57 | |
I ask you to please understand this is a high security investigation | 0:10:57 | 0:11:01 | |
and I won't be answering any specific questions. | 0:11:01 | 0:11:04 | |
We believe that Peter Bradshaw was targeted by an organised group | 0:11:04 | 0:11:08 | |
and the public, at large, is not at risk. | 0:11:08 | 0:11:10 | |
-Excuse me. -Sorry, I said no questions. | 0:11:10 | 0:11:13 | |
As yet, no group has claimed responsibility. | 0:11:13 | 0:11:16 | |
They might go straight to you guys. | 0:11:16 | 0:11:18 | |
In which case, you ask for a password | 0:11:18 | 0:11:20 | |
and you contact me immediately. Everyone got that? | 0:11:20 | 0:11:24 | |
Great. OK, folks. Well, thanks very much. | 0:11:24 | 0:11:26 | |
I believe there are some refreshments in the next room | 0:11:26 | 0:11:29 | |
so, please help yourselves. | 0:11:29 | 0:11:31 | |
Sorry, this is my investigation, | 0:11:32 | 0:11:34 | |
my press conference. | 0:11:34 | 0:11:36 | |
-Sergeant Higgins? -That's right. | 0:11:36 | 0:11:38 | |
I respect this is your gig | 0:11:38 | 0:11:40 | |
but, when it comes to international police work, | 0:11:40 | 0:11:42 | |
best to leave it to the experts, OK? | 0:11:42 | 0:11:44 | |
I'm bringing in a media officer. | 0:11:44 | 0:11:46 | |
A Holmes team and an Interpol liaison officer. | 0:11:46 | 0:11:50 | |
Now, aren't you going to introduce us? | 0:11:50 | 0:11:52 | |
Oh, Jane Kennedy, coroner. | 0:11:53 | 0:11:56 | |
Well, Jane Kennedy, coroner, | 0:11:56 | 0:11:58 | |
-you can buy me that cappuccino now. -PHONE RINGS | 0:11:58 | 0:12:02 | |
DI Marshall. | 0:12:02 | 0:12:04 | |
OK, tell them I'll be right there. | 0:12:04 | 0:12:06 | |
Ballistics expert's just arrived. | 0:12:07 | 0:12:09 | |
I'll take a raincheck on that coffee. | 0:12:11 | 0:12:13 | |
Davey's got Scotland Yard and Interpol involved. | 0:12:22 | 0:12:25 | |
He thinks it's to do with his business methods abroad. | 0:12:25 | 0:12:28 | |
Well, he's wrong. | 0:12:28 | 0:12:30 | |
It's his personal life - | 0:12:30 | 0:12:32 | |
but if Davey boy's getting his rocks off | 0:12:32 | 0:12:35 | |
hanging out with Interpol... | 0:12:35 | 0:12:36 | |
Well, I guess that just leaves you. | 0:12:38 | 0:12:40 | |
All right, Mick? | 0:12:40 | 0:12:42 | |
You said something about his wife keeping him on a short leash. | 0:12:42 | 0:12:44 | |
What did you mean? | 0:12:44 | 0:12:46 | |
Well, that business came from her family. | 0:12:46 | 0:12:49 | |
She controlled the money, and him. | 0:12:49 | 0:12:51 | |
PB told you this? | 0:12:51 | 0:12:52 | |
He didn't have to. | 0:12:52 | 0:12:54 | |
One time, he bailed me out. | 0:12:54 | 0:12:55 | |
Ten grand, he lent me. | 0:12:55 | 0:12:57 | |
Peanuts to the likes of them | 0:12:57 | 0:12:58 | |
but she came down and told me not to ask PB for help any more. | 0:12:58 | 0:13:02 | |
Reckoned that he was a bit of a soft touch | 0:13:04 | 0:13:06 | |
and I was a flyboy. | 0:13:06 | 0:13:08 | |
Yeah, OK, I done a bit of ducking and diving in my time | 0:13:08 | 0:13:11 | |
-but that cow... -OK, point taken. | 0:13:11 | 0:13:13 | |
Do you think he was faithful to her? | 0:13:14 | 0:13:16 | |
How would I know? | 0:13:16 | 0:13:18 | |
I'm just asking. | 0:13:18 | 0:13:20 | |
Why? You think I set him up with some girls? | 0:13:20 | 0:13:23 | |
Is what you're getting at? | 0:13:23 | 0:13:25 | |
I'm trying to help. | 0:13:25 | 0:13:26 | |
By raking up dirt? | 0:13:26 | 0:13:27 | |
You're unbelievable. | 0:13:27 | 0:13:29 | |
Why do you put up with that oaf? | 0:13:30 | 0:13:32 | |
Mostly for the sex. | 0:13:32 | 0:13:33 | |
Oh, Mum. | 0:13:33 | 0:13:34 | |
What did you make of PB? | 0:13:36 | 0:13:37 | |
I never said more than two words to him. | 0:13:37 | 0:13:40 | |
I'm sorry, love, I wish I could remember something useful for you, | 0:13:40 | 0:13:43 | |
but I can't. | 0:13:43 | 0:13:44 | |
Oh! Mmm. | 0:13:46 | 0:13:48 | |
I just love this stuff. | 0:13:48 | 0:13:50 | |
On the way to PB's, I had a lovely big cone. | 0:13:50 | 0:13:53 | |
Mick was in such a hurry to get there, | 0:13:53 | 0:13:55 | |
he made me drop it on some poor guy's shoe | 0:13:55 | 0:13:57 | |
and I felt really... Ow! | 0:13:57 | 0:13:59 | |
Sorry. | 0:13:59 | 0:14:00 | |
Try and remember, Judith, love, please. | 0:14:00 | 0:14:02 | |
He'd on a black T-shirt, I think. | 0:14:04 | 0:14:06 | |
And sunglasses, didn't he, Mick? | 0:14:08 | 0:14:10 | |
I don't know. I never really looked at the guy. | 0:14:10 | 0:14:13 | |
You saying that was him? | 0:14:13 | 0:14:14 | |
Well, that's what I'm trying to find out, yeah. | 0:14:14 | 0:14:16 | |
How tall was he? My height? Mick's height? | 0:14:16 | 0:14:19 | |
Average, I think. | 0:14:19 | 0:14:21 | |
And he had a hat - | 0:14:21 | 0:14:23 | |
a baseball cap. | 0:14:23 | 0:14:24 | |
Maybe. | 0:14:24 | 0:14:25 | |
I never really looked at him, | 0:14:25 | 0:14:27 | |
I was too busy looking at his shoe. | 0:14:27 | 0:14:29 | |
It was black. | 0:14:30 | 0:14:31 | |
I saw him and I did nothing. | 0:14:31 | 0:14:33 | |
I think I'm going to be sick. | 0:14:34 | 0:14:36 | |
Oh, Mick, don't. Judith! | 0:14:36 | 0:14:38 | |
Judith! Judith! | 0:14:38 | 0:14:40 | |
Briefing room. Ten minutes. | 0:14:45 | 0:14:47 | |
Count me out. | 0:14:47 | 0:14:48 | |
I've got a Skype call with the Garda Siochana. | 0:14:48 | 0:14:51 | |
That's the Irish national crime agency... | 0:14:51 | 0:14:53 | |
Yeah, I know who they are. | 0:14:53 | 0:14:55 | |
What is their connection to the case? | 0:14:55 | 0:14:56 | |
Quite possibly none. | 0:14:56 | 0:14:58 | |
I'm speaking to national crime agencies all over the world. | 0:14:58 | 0:15:01 | |
Hi, Annette. | 0:15:14 | 0:15:16 | |
It's going to be another late one, I'm afraid, love. | 0:15:16 | 0:15:19 | |
No, I don't know when. | 0:15:19 | 0:15:20 | |
No, no, no, I'll get something from the canteen. | 0:15:20 | 0:15:23 | |
No, don't wait up. | 0:15:23 | 0:15:25 | |
All right, night then. | 0:15:25 | 0:15:27 | |
SCREAMING | 0:15:28 | 0:15:31 | |
So, fishing's in your blood? | 0:16:04 | 0:16:06 | |
That's right. My father was a trawlerman | 0:16:06 | 0:16:09 | |
and his father before him. | 0:16:09 | 0:16:10 | |
But you joined the Army? | 0:16:10 | 0:16:12 | |
I had three great years. | 0:16:12 | 0:16:14 | |
I made some good mates. | 0:16:14 | 0:16:16 | |
In fact, I think there's a reunion in a couple of months. | 0:16:16 | 0:16:18 | |
Why did you leave? | 0:16:18 | 0:16:20 | |
I met my wife while I was home on leave. | 0:16:20 | 0:16:23 | |
I think it was the uniform that did it. | 0:16:23 | 0:16:26 | |
You still got it? | 0:16:26 | 0:16:27 | |
I... | 0:16:29 | 0:16:30 | |
Sorry, what was the question again? | 0:16:32 | 0:16:34 | |
Let's move on. | 0:16:35 | 0:16:37 | |
From humble origins, you now have a successful fishing company | 0:16:37 | 0:16:41 | |
and a chain of restaurants all over the Devon coastline. | 0:16:41 | 0:16:43 | |
We do indeed. | 0:16:43 | 0:16:44 | |
You're quoted as saying, "We support local industry | 0:16:44 | 0:16:47 | |
"and have brought hundreds of jobs to the community." | 0:16:47 | 0:16:49 | |
-That's correct. -Then why do you ship your fish to Thailand | 0:16:49 | 0:16:52 | |
to be gutted and frozen? | 0:16:52 | 0:16:54 | |
Well, I mean, in these modern times, | 0:16:54 | 0:16:56 | |
you have to think globally as well as locally. | 0:16:56 | 0:16:59 | |
So, are you thinking globally or locally | 0:16:59 | 0:17:01 | |
when you deplete the sea of its natural resources... | 0:17:01 | 0:17:04 | |
-We're struggling to meet the demands... -..and pollute the oceans? | 0:17:04 | 0:17:07 | |
-..and keep prices down. -So, you employ cheap labour? | 0:17:07 | 0:17:09 | |
-As I said... -Slave labour? -No. -Child labour? | 0:17:09 | 0:17:11 | |
What? No. | 0:17:12 | 0:17:13 | |
No, absolutely not. | 0:17:13 | 0:17:15 | |
I strongly deny that. | 0:17:15 | 0:17:17 | |
Yes, we have factories in Thailand, | 0:17:17 | 0:17:19 | |
but I'm not involved in the day-to-day running of... | 0:17:19 | 0:17:23 | |
But I will look into it. | 0:17:23 | 0:17:25 | |
I will. I will certainly do that. | 0:17:25 | 0:17:27 | |
So, what do you think? | 0:17:29 | 0:17:31 | |
Doesn't tell us anything we don't already know, does it? | 0:17:31 | 0:17:33 | |
-I know that. -Still, it's better than the old bird with an ice cream cone. | 0:17:33 | 0:17:36 | |
The chances are that "old bird with the ice cream cone" | 0:17:36 | 0:17:39 | |
-may have seen the killer that day. -So what? | 0:17:39 | 0:17:41 | |
He'd have been on a plane within a couple of hours of the shooting. | 0:17:41 | 0:17:43 | |
You can't say that. For all we know, he could still be here. | 0:17:43 | 0:17:47 | |
Listen, Dave. | 0:17:47 | 0:17:48 | |
There are two kinds of hit men. | 0:17:48 | 0:17:49 | |
The local thug, who'll knock somebody off for 100 quid, | 0:17:49 | 0:17:52 | |
and the real pro, who can name his price and works all over the world - | 0:17:52 | 0:17:56 | |
like our guy. | 0:17:56 | 0:17:57 | |
We're working at an international level, | 0:17:57 | 0:18:00 | |
looking for patterns, | 0:18:00 | 0:18:01 | |
connections, | 0:18:01 | 0:18:02 | |
MOs of known assassins. | 0:18:02 | 0:18:04 | |
Not the kind of door-to-door, | 0:18:04 | 0:18:06 | |
good cop/bad cop scene you're used to. | 0:18:06 | 0:18:08 | |
No-one's claimed responsibility yet though, have they? | 0:18:10 | 0:18:13 | |
No. | 0:18:13 | 0:18:14 | |
And have you managed to establish any "patterns" | 0:18:14 | 0:18:17 | |
that would suggest a known assassin? | 0:18:17 | 0:18:19 | |
-Not yet, no. -No. | 0:18:19 | 0:18:21 | |
No leads from the Garda Siochana? | 0:18:21 | 0:18:23 | |
Or any of the other international crime agencies? | 0:18:23 | 0:18:25 | |
Not yet. | 0:18:25 | 0:18:27 | |
No. Well, let me know when you do. | 0:18:27 | 0:18:28 | |
And let me remind you that it is the local police | 0:18:28 | 0:18:31 | |
that are in charge of this investigation. | 0:18:31 | 0:18:33 | |
Dave, actually, there is | 0:18:36 | 0:18:38 | |
one bit of local knowledge that would be really helpful. | 0:18:38 | 0:18:40 | |
-Yeah. What's that? -That hot coroner. Is she available? | 0:18:40 | 0:18:43 | |
I will look into it. | 0:18:48 | 0:18:51 | |
I will. I certainly will do that. | 0:18:51 | 0:18:53 | |
And Ben Marshall dismissed this? | 0:18:53 | 0:18:55 | |
Yeah. Mr Big Shot from the Met. | 0:18:55 | 0:18:58 | |
-This is huge. -You think so? | 0:18:58 | 0:19:00 | |
These guys are flirting. | 0:19:00 | 0:19:02 | |
Oh, come on. You got my hopes up for a minute. | 0:19:02 | 0:19:04 | |
No, seriously, look, I'll show you. | 0:19:04 | 0:19:08 | |
Have you still got it? | 0:19:08 | 0:19:09 | |
I... | 0:19:11 | 0:19:12 | |
Sorry, what was the question again? | 0:19:14 | 0:19:17 | |
Mick, is this the guy you saw with PB? | 0:19:17 | 0:19:20 | |
Nope. | 0:19:20 | 0:19:21 | |
But you knew he was gay? | 0:19:21 | 0:19:22 | |
Mick, you're not helping by holding things back. | 0:19:25 | 0:19:27 | |
What difference does it make? | 0:19:27 | 0:19:28 | |
Well, I think it would make a difference to his wife. | 0:19:28 | 0:19:31 | |
Is this a bad time? | 0:19:51 | 0:19:53 | |
I was just...sorting through my husband's things | 0:19:53 | 0:19:56 | |
to send to charity. | 0:19:56 | 0:19:57 | |
How dare this young man harass my husband like this? | 0:20:02 | 0:20:05 | |
-Do you know him? -No, I do not. | 0:20:05 | 0:20:07 | |
-So, you've never seen him before? -No. | 0:20:07 | 0:20:10 | |
Why did you show me this? | 0:20:10 | 0:20:12 | |
I'm sorry if it upset you | 0:20:12 | 0:20:13 | |
but your husband rarely gave interviews. | 0:20:13 | 0:20:15 | |
Why do you think he agreed to this one? | 0:20:15 | 0:20:17 | |
You'd have to ask him that. | 0:20:17 | 0:20:18 | |
Oh, but you can't, can you? | 0:20:18 | 0:20:19 | |
On account of him being dead. | 0:20:19 | 0:20:22 | |
Your husband said something about an Army reunion. | 0:20:22 | 0:20:24 | |
-What? -In the interview. Do you know if he went? | 0:20:24 | 0:20:26 | |
Why would he? | 0:20:26 | 0:20:28 | |
He was in the Army for five minutes. | 0:20:28 | 0:20:29 | |
He has nothing in common with these people. Nothing. | 0:20:29 | 0:20:32 | |
You've got a visitor. | 0:20:39 | 0:20:40 | |
So, this is where you hang out? | 0:20:41 | 0:20:44 | |
I see you got the stain out. | 0:20:44 | 0:20:46 | |
Thought you'd be pleased. | 0:20:46 | 0:20:47 | |
Will you let me pay for the dry cleaning? | 0:20:47 | 0:20:49 | |
Only if you let me take you out for dinner. | 0:20:49 | 0:20:52 | |
-Well, I... -Give me your phone. | 0:20:52 | 0:20:53 | |
-What for? -Just give me your phone. | 0:20:53 | 0:20:55 | |
Let's do it tonight, OK? | 0:21:00 | 0:21:01 | |
PHONE BEEPS | 0:21:03 | 0:21:05 | |
Now I've got your number. | 0:21:05 | 0:21:07 | |
I'll make a reservation and get back to you. | 0:21:07 | 0:21:10 | |
See you later. | 0:21:10 | 0:21:11 | |
Plonker. | 0:21:18 | 0:21:20 | |
You're not really going to go out with him, are you? | 0:21:20 | 0:21:22 | |
-Clint! -What? | 0:21:22 | 0:21:24 | |
See what you can find out | 0:21:24 | 0:21:26 | |
about a recent reunion for PB's old regiment. | 0:21:26 | 0:21:28 | |
OK, but do you still want this? | 0:21:28 | 0:21:30 | |
-Want what? -This. | 0:21:30 | 0:21:31 | |
The interview guy. | 0:21:31 | 0:21:33 | |
Yes. | 0:21:35 | 0:21:37 | |
It should never have been online. | 0:21:37 | 0:21:39 | |
It was the camera guy. | 0:21:39 | 0:21:41 | |
I'm furious about it. | 0:21:41 | 0:21:42 | |
I promised Peter it was for academic purposes only. | 0:21:42 | 0:21:45 | |
It was part of my PhD research. | 0:21:45 | 0:21:46 | |
And now, this. | 0:21:46 | 0:21:48 | |
Sorry, I still can't take in what's happened. | 0:21:49 | 0:21:52 | |
You and Peter were close? | 0:21:54 | 0:21:56 | |
They're saying it was some kind of activist group or something? | 0:21:56 | 0:21:58 | |
-That's one line of inquiry. -The police were asking me | 0:21:58 | 0:22:01 | |
if I was involved with any radical political organisations. | 0:22:01 | 0:22:03 | |
I'm not the police, Michael. I won't ask you that. | 0:22:03 | 0:22:05 | |
Like I would set Peter up. | 0:22:05 | 0:22:07 | |
I never showed that interview to anyone apart from my supervisor. | 0:22:07 | 0:22:11 | |
Oh, wow! | 0:22:16 | 0:22:18 | |
Vinyl. | 0:22:18 | 0:22:19 | |
-Cool. Do you mind if I...? -Yeah. | 0:22:19 | 0:22:21 | |
Oh, mate. | 0:22:21 | 0:22:24 | |
Oh, Miles Davis. | 0:22:24 | 0:22:27 | |
You like Miles Davis? | 0:22:27 | 0:22:28 | |
The guy who invented cool? | 0:22:28 | 0:22:31 | |
Don't you think he sounds better on vinyl? | 0:22:31 | 0:22:33 | |
Don't you think everything sounds better on vinyl? | 0:22:33 | 0:22:36 | |
JANE CLEARS THROAT | 0:22:39 | 0:22:40 | |
Sorry. Where were we? | 0:22:40 | 0:22:42 | |
Were you and Peter close? | 0:22:44 | 0:22:46 | |
We were, actually. | 0:22:46 | 0:22:47 | |
We became friends. | 0:22:47 | 0:22:48 | |
Watching you together, I thought, perhaps, you were more than friends. | 0:22:49 | 0:22:53 | |
Maybe, but... | 0:22:55 | 0:22:56 | |
I never set out to come between him and his wife. | 0:22:58 | 0:23:00 | |
Did you know her? | 0:23:00 | 0:23:02 | |
I met her once. I came by the office and she was there. | 0:23:02 | 0:23:05 | |
She asked Peter to introduce us. | 0:23:05 | 0:23:07 | |
She seemed a perfectly nice woman. Why? | 0:23:08 | 0:23:10 | |
I think there's more you're not telling me. | 0:23:12 | 0:23:15 | |
If there is, I can't see how it could help Peter. | 0:23:18 | 0:23:21 | |
It might help you...to tell someone. | 0:23:21 | 0:23:24 | |
This must be a very hard time for you right now. | 0:23:25 | 0:23:28 | |
I loved Peter, I really did, | 0:23:31 | 0:23:34 | |
but I wasn't in love with him. | 0:23:34 | 0:23:36 | |
I wish I could've been, but I just wasn't. | 0:23:36 | 0:23:39 | |
But he was in love with you? | 0:23:39 | 0:23:40 | |
I didn't mean for it to happen but, | 0:23:42 | 0:23:45 | |
yeah, he left his wife. | 0:23:45 | 0:23:46 | |
He wanted us to live together - to be together but... | 0:23:46 | 0:23:50 | |
But I never meant things to go that far, so I ended it. | 0:23:50 | 0:23:53 | |
And he went back to his wife? | 0:23:55 | 0:23:57 | |
I think it was the best thing for both of them. | 0:23:57 | 0:23:59 | |
Look, there's no reason for anyone to know this, is there? | 0:24:01 | 0:24:06 | |
I mean, like, that woman's lost her husband. | 0:24:06 | 0:24:09 | |
At least let her keep her pride. | 0:24:10 | 0:24:11 | |
So there's the guy with a knife in his chest, yeah? | 0:24:15 | 0:24:19 | |
Blood everywhere, | 0:24:19 | 0:24:21 | |
and this singing, so we follow it | 0:24:21 | 0:24:25 | |
and there's another guy, | 0:24:25 | 0:24:27 | |
on a bed, blind drunk, | 0:24:27 | 0:24:29 | |
completely covered in blood | 0:24:29 | 0:24:30 | |
and guess what he was singing? | 0:24:30 | 0:24:33 | |
No idea. | 0:24:33 | 0:24:34 | |
# I did it my way. # | 0:24:34 | 0:24:37 | |
HE LAUGHS | 0:24:37 | 0:24:39 | |
So, what kind of person becomes a sniper? | 0:24:42 | 0:24:45 | |
You mean outside the forces? | 0:24:45 | 0:24:47 | |
I mean, that could kill a total stranger in cold blood. | 0:24:47 | 0:24:49 | |
It's a job. | 0:24:49 | 0:24:51 | |
He's not thinking about the person, | 0:24:51 | 0:24:52 | |
he's thinking about wind speed, | 0:24:52 | 0:24:55 | |
movement of target, | 0:24:55 | 0:24:56 | |
means of escape. | 0:24:56 | 0:24:58 | |
And we can tell - from things like where the shot was fired, | 0:24:58 | 0:25:01 | |
distance, accuracy, bullet fall - | 0:25:01 | 0:25:04 | |
how well trained the sniper is and maybe even who. | 0:25:04 | 0:25:09 | |
In this case? | 0:25:09 | 0:25:11 | |
No idea. Brick wall, I'm afraid. | 0:25:11 | 0:25:13 | |
So, Jane Kennedy, I hear you've just moved back to the area. | 0:25:18 | 0:25:22 | |
Yeah, that's right. | 0:25:24 | 0:25:25 | |
I'm living with my mum. | 0:25:25 | 0:25:27 | |
Oh, must be a bit awkward for the love life. | 0:25:27 | 0:25:29 | |
Well, not really, I'm not actually... | 0:25:29 | 0:25:31 | |
Well, as luck would have it, | 0:25:31 | 0:25:33 | |
my hotel is very close | 0:25:33 | 0:25:35 | |
and I have a rather nice room. | 0:25:35 | 0:25:38 | |
-So how about we finish... -PHONE RINGS | 0:25:38 | 0:25:39 | |
Sorry. | 0:25:39 | 0:25:41 | |
Hi, Mum, is everything all right? | 0:25:41 | 0:25:43 | |
It's me. | 0:25:43 | 0:25:45 | |
Are you OK? | 0:25:45 | 0:25:46 | |
Listen, I got the info on that Army reunion... | 0:25:46 | 0:25:50 | |
and some pictures. | 0:25:50 | 0:25:52 | |
No, it's all right. Try not to worry, I'm on my way home. | 0:25:52 | 0:25:55 | |
Hello? | 0:25:55 | 0:25:56 | |
-My mum's had a fall. I've got to go. I'm sorry. -I'll drive you. | 0:25:56 | 0:25:59 | |
No, no. I have the car. Finish your dinner. Sorry. | 0:25:59 | 0:26:02 | |
LOUD MOANING FROM UPSTAIRS | 0:26:08 | 0:26:12 | |
Jane, is that you? | 0:26:20 | 0:26:22 | |
Jane? | 0:26:22 | 0:26:24 | |
I wasn't expecting you till later. | 0:26:24 | 0:26:25 | |
I don't believe this. What if Beth had walked in? | 0:26:25 | 0:26:28 | |
She's at a sleepover, remember? | 0:26:28 | 0:26:30 | |
Oh, yeah. I forgot. | 0:26:30 | 0:26:31 | |
What happened to your date? | 0:26:31 | 0:26:33 | |
It wasn't a date. | 0:26:33 | 0:26:34 | |
It was just, you know... KNOCK ON DOOR | 0:26:34 | 0:26:36 | |
Oh, don't say he followed me. | 0:26:36 | 0:26:38 | |
Mum, just go back in the room and stay there. | 0:26:38 | 0:26:40 | |
All right, with pleasure. | 0:26:40 | 0:26:41 | |
-What are you doing here? -You OK? | 0:26:44 | 0:26:46 | |
You were weird on the phone. | 0:26:46 | 0:26:48 | |
Oh, yeah, sorry about that. Come in. | 0:26:48 | 0:26:50 | |
It was just a... | 0:26:50 | 0:26:51 | |
Escape call? | 0:26:51 | 0:26:52 | |
-Yeah. Good timing. Thanks, Clint. -That bad, was it? | 0:26:52 | 0:26:56 | |
-Are those the photos? -Yeah, here they are. | 0:26:56 | 0:26:59 | |
Mick, can you just come down here a minute, please? | 0:26:59 | 0:27:02 | |
Come in. | 0:27:02 | 0:27:03 | |
Can you look at these and tell me if you recognise any of them? | 0:27:12 | 0:27:16 | |
PB... | 0:27:16 | 0:27:17 | |
Him. | 0:27:17 | 0:27:19 | |
That's the guy I saw him with. | 0:27:19 | 0:27:21 | |
Are you sure? | 0:27:21 | 0:27:22 | |
-Dead sure. -Great. | 0:27:22 | 0:27:24 | |
Clint, see what you can find out about him. | 0:27:24 | 0:27:27 | |
Yeah. | 0:27:27 | 0:27:28 | |
-I'm on it. -Thanks. | 0:27:28 | 0:27:31 | |
Sorry, mate. Cheers. | 0:27:31 | 0:27:33 | |
All right. | 0:27:34 | 0:27:36 | |
Morning. | 0:27:41 | 0:27:42 | |
-Hey. -Take a look at this. | 0:27:42 | 0:27:44 | |
Brian Digsby, AKA Digger. | 0:27:45 | 0:27:47 | |
He's got a boat repair shop over in Lansdowne Bay. | 0:27:47 | 0:27:50 | |
Mick said he saw PB talking to him | 0:27:50 | 0:27:51 | |
in the Black Dog a few weeks ago, | 0:27:51 | 0:27:53 | |
said it looked pretty serious. | 0:27:53 | 0:27:55 | |
I thought I saw you come in. | 0:27:55 | 0:27:56 | |
Hello. | 0:27:56 | 0:27:58 | |
-Shame dinner was cut short last night. -I know. I'm sorry. | 0:27:58 | 0:28:00 | |
We'll have to fix up a re-match. | 0:28:00 | 0:28:02 | |
Can we talk about this later? | 0:28:02 | 0:28:04 | |
Certainly can. | 0:28:06 | 0:28:08 | |
Can't believe you went out with that pillock. | 0:28:11 | 0:28:13 | |
Will you stop going on about it? | 0:28:13 | 0:28:14 | |
What did you see in him? His charm? His personality? His good looks? | 0:28:14 | 0:28:17 | |
-I wouldn't say he's good looking. -Oh, he is. You ask him. | 0:28:17 | 0:28:21 | |
SAW WHIRS | 0:28:22 | 0:28:24 | |
Brian Digsby? | 0:28:27 | 0:28:30 | |
Brian? | 0:28:30 | 0:28:31 | |
-What? -Brian Digsby? | 0:28:32 | 0:28:34 | |
Digger. Yes? | 0:28:34 | 0:28:35 | |
I'm Jane Kennedy. | 0:28:35 | 0:28:37 | |
I'm the coroner for Peter Bradshaw. This is Detective Sergeant Higgins. | 0:28:37 | 0:28:40 | |
Sorry. I just need to finish this. | 0:28:40 | 0:28:43 | |
We understand you were a friend of Peter Bradshaw's. | 0:28:43 | 0:28:45 | |
Not really. | 0:28:45 | 0:28:47 | |
We were in the Army together, way back. | 0:28:47 | 0:28:49 | |
But you saw him recently? | 0:28:49 | 0:28:51 | |
That's right. | 0:28:51 | 0:28:52 | |
Can you tell us anything about him? | 0:28:52 | 0:28:53 | |
Like what? | 0:28:53 | 0:28:55 | |
How did he seem to you? | 0:28:55 | 0:28:56 | |
Rich. | 0:28:58 | 0:29:00 | |
I meant his state of mind. | 0:29:00 | 0:29:01 | |
Last time you saw him, | 0:29:01 | 0:29:03 | |
did he confide anything in you? | 0:29:03 | 0:29:04 | |
-Like what? -This is a murder inquiry, my friend. | 0:29:04 | 0:29:07 | |
At least have the decency to come down here and speak to us, please. | 0:29:07 | 0:29:10 | |
Thank you. | 0:29:13 | 0:29:14 | |
Now, you were seen together in the Black Dog, | 0:29:21 | 0:29:24 | |
having a serious discussion. About what? | 0:29:24 | 0:29:27 | |
My wife died last year. | 0:29:27 | 0:29:29 | |
We were talking about that. | 0:29:29 | 0:29:31 | |
I'm sorry. | 0:29:31 | 0:29:32 | |
How long were you in the Army? | 0:29:32 | 0:29:34 | |
15 years. | 0:29:34 | 0:29:35 | |
And then? | 0:29:35 | 0:29:37 | |
Lived abroad. | 0:29:37 | 0:29:38 | |
Had a boatyard in Angola. | 0:29:38 | 0:29:41 | |
I came back here when my wife died. | 0:29:41 | 0:29:43 | |
-Why? -Where were you on the 14th, between 10 and 12? | 0:29:43 | 0:29:46 | |
The 14th? | 0:29:46 | 0:29:48 | |
Yeah. | 0:29:48 | 0:29:49 | |
It was the day PB was shot. | 0:29:49 | 0:29:50 | |
In hospital. | 0:29:50 | 0:29:51 | |
Acute coronary syndrome. | 0:29:51 | 0:29:53 | |
I saw it on the news, | 0:29:55 | 0:29:58 | |
in the ward. | 0:29:58 | 0:29:59 | |
It's a terrible business. | 0:30:01 | 0:30:02 | |
Well, that was a waste of time, wasn't it? | 0:30:12 | 0:30:14 | |
Like you'd go for a drink with someone you're about to bump off. | 0:30:14 | 0:30:17 | |
You might do, cos you'd have to get to know him, his routines. | 0:30:17 | 0:30:20 | |
OK, so you're an expert on snipers now, | 0:30:20 | 0:30:21 | |
since you been hanging out with Ben Marshall? | 0:30:21 | 0:30:24 | |
I think Brian Digsby's holding something back. | 0:30:24 | 0:30:26 | |
-HE SCOFFS What? -You always say that. | 0:30:26 | 0:30:28 | |
-And I have to tell you, it's not helpful. -Oh, excuse me. | 0:30:28 | 0:30:30 | |
Maybe if you'd some idea about what's being held back... | 0:30:30 | 0:30:33 | |
-PHONE RINGS -..that would be worth saying. | 0:30:33 | 0:30:35 | |
Hello? Yeah. | 0:30:35 | 0:30:36 | |
How much? | 0:30:38 | 0:30:39 | |
Yeah, all right, OK. | 0:30:40 | 0:30:41 | |
When was this? | 0:30:41 | 0:30:43 | |
All right, I'm on my way. | 0:30:45 | 0:30:46 | |
I've had someone look into Joy Bradshaw's finances. | 0:30:48 | 0:30:51 | |
Is that legal? | 0:30:51 | 0:30:52 | |
I call it the Ways and Means Act. | 0:30:52 | 0:30:54 | |
Four weeks before her husband was killed, | 0:30:54 | 0:30:56 | |
she withdrew £100,000 in cash. | 0:30:56 | 0:30:58 | |
Hold on. Don't start jumping to conclusions. | 0:30:58 | 0:31:00 | |
-I won't. -Just because you're desperate to get... -Get what? | 0:31:00 | 0:31:03 | |
-Get a break in this case. Please don't overreact. -I won't. | 0:31:03 | 0:31:05 | |
-Promise me. -I won't. | 0:31:05 | 0:31:07 | |
I'll ask you again, what was the money for? | 0:31:07 | 0:31:09 | |
I refuse to answer that. | 0:31:09 | 0:31:11 | |
Quite convenient for you, wasn't it, Mrs Bradshaw, | 0:31:11 | 0:31:13 | |
your husband's death? | 0:31:13 | 0:31:15 | |
Your marriage is a sham. He's gay. | 0:31:15 | 0:31:16 | |
He's having an affair. | 0:31:16 | 0:31:18 | |
You're this high up in dodgy business practices - | 0:31:18 | 0:31:20 | |
but, with him out of the way, all your problems are solved. | 0:31:20 | 0:31:22 | |
-This is outrageous. -Really, you think so? | 0:31:22 | 0:31:24 | |
A woman in your position? Money, connections. | 0:31:24 | 0:31:27 | |
I'd have thought paying someone to do your dirty work | 0:31:27 | 0:31:30 | |
-is just par for the course. -Mrs Bradshaw, I'm so sorry. | 0:31:30 | 0:31:32 | |
Imogen? What took you so long? | 0:31:32 | 0:31:34 | |
This is Imogen Beaton, Mrs Bradshaw's solicitor. | 0:31:34 | 0:31:36 | |
If you'd like to wait in my office, I'll be with you shortly. | 0:31:36 | 0:31:39 | |
Could you organise some coffee, constable? | 0:31:39 | 0:31:41 | |
-What do you think you're doing? -Don't thank me. -What for? | 0:31:41 | 0:31:43 | |
Stopping this fiasco while you've still got a job. | 0:31:43 | 0:31:45 | |
-Now, you listen to me, Marshall. -INSPECTOR Marshall. | 0:31:45 | 0:31:48 | |
And you listen to me, | 0:31:48 | 0:31:49 | |
that woman is so well connected, she could end your career like that. | 0:31:49 | 0:31:52 | |
Or what's left of it, Sergeant. | 0:31:52 | 0:31:55 | |
Mrs Bradshaw. What are you doing here? | 0:32:06 | 0:32:09 | |
If you must know, | 0:32:09 | 0:32:10 | |
I've been hauled into this station like a common criminal. | 0:32:10 | 0:32:13 | |
That must have been difficult for you. | 0:32:13 | 0:32:15 | |
Can you tell me when this will be over... | 0:32:15 | 0:32:17 | |
so I can bury my husband with some dignity? | 0:32:17 | 0:32:19 | |
I don't know. We're all very keen to resolve it. | 0:32:19 | 0:32:21 | |
Oh, please. | 0:32:21 | 0:32:23 | |
You're all loving it. | 0:32:23 | 0:32:24 | |
Getting to see how the other half live. | 0:32:24 | 0:32:26 | |
Why did you lie to me about knowing Michael Larkin? | 0:32:26 | 0:32:29 | |
Why do you think? | 0:32:31 | 0:32:33 | |
To protect my husband's memory. | 0:32:33 | 0:32:36 | |
So, he made a mistake, | 0:32:36 | 0:32:38 | |
but we were back together, stronger than ever. | 0:32:38 | 0:32:40 | |
The money you withdrew before he was killed? £100,000. | 0:32:40 | 0:32:43 | |
-What was it for? -I don't have to explain myself. | 0:32:43 | 0:32:45 | |
Under the circumstances, I'm afraid you do. | 0:32:45 | 0:32:47 | |
It's a very large sum of money. | 0:32:47 | 0:32:48 | |
To you, maybe. | 0:32:48 | 0:32:50 | |
To me, it's a day's shopping in Paris. | 0:32:50 | 0:32:52 | |
A day's shopping in Paris? | 0:32:52 | 0:32:54 | |
Nice. If that rich bitch thinks... | 0:32:54 | 0:32:55 | |
-You promised you wouldn't overreact. -..her money can protect her. | 0:32:55 | 0:32:58 | |
Bringing a suspect in for questioning is not overreacting. | 0:32:58 | 0:33:01 | |
For all the good it's done you. Joy Bradshaw has clammed up | 0:33:01 | 0:33:03 | |
-and you're no further forward in the case. -Well, neither's Ben Marshall. | 0:33:03 | 0:33:06 | |
-And you're pleased about that? -This is my investigation. | 0:33:06 | 0:33:09 | |
He's been undermining me every chance he can get. | 0:33:09 | 0:33:11 | |
-It's not fair. -How old are you, 12? | 0:33:11 | 0:33:13 | |
-You didn't hear the way he spoke to me. -Get over it. | 0:33:13 | 0:33:15 | |
-Oh, right, I should've known you'd take his side. -It's not about sides. | 0:33:15 | 0:33:18 | |
I've got a job to do. | 0:33:18 | 0:33:19 | |
A deeply unhappy man has been killed and I want to know why. | 0:33:19 | 0:33:21 | |
-And I don't? -I didn't say that. -No, there's a lot you don't say. | 0:33:21 | 0:33:24 | |
Not interrupting anything, am I? | 0:33:24 | 0:33:27 | |
No, we're done here. | 0:33:27 | 0:33:28 | |
Maybe you should stay here and I storm out. | 0:33:32 | 0:33:34 | |
Am I missing something? | 0:33:36 | 0:33:37 | |
No. | 0:33:37 | 0:33:39 | |
-How's your mum? -Fine, why? | 0:33:39 | 0:33:41 | |
So she wasn't badly hurt? | 0:33:41 | 0:33:42 | |
What? | 0:33:42 | 0:33:44 | |
When she fell? | 0:33:44 | 0:33:45 | |
Yes. No, she wasn't. | 0:33:45 | 0:33:47 | |
I mean, hurt. She wasn't badly hurt. | 0:33:47 | 0:33:49 | |
Bit of advice. | 0:33:49 | 0:33:50 | |
It's a good idea to keep track of the lies you tell. | 0:33:50 | 0:33:53 | |
I'm sorry, Ben. | 0:33:55 | 0:33:57 | |
Thing is, I'm just out of a relationship | 0:33:57 | 0:33:59 | |
and I'm nowhere near ready to get involved with anyone. | 0:33:59 | 0:34:01 | |
Involved? | 0:34:01 | 0:34:03 | |
I was only after a bit of fun. | 0:34:03 | 0:34:04 | |
Your loss. | 0:34:06 | 0:34:07 | |
JANE: People are getting at each other's throats. | 0:34:20 | 0:34:23 | |
Nobody's getting anywhere and I don't know what my next move is. | 0:34:23 | 0:34:25 | |
You know, my dad was a trawlerman. | 0:34:34 | 0:34:35 | |
He was a rotten husband, a rotten dad, | 0:34:37 | 0:34:40 | |
but he loved his fellow fishermen. | 0:34:40 | 0:34:43 | |
What happened to you, Peter? | 0:34:47 | 0:34:49 | |
You ended up with a huge company you had no control over. | 0:34:52 | 0:34:55 | |
Someone wanted you dead. | 0:34:57 | 0:34:59 | |
I don't know who, I don't know why. | 0:35:05 | 0:35:08 | |
I'm sorry I can't help you. | 0:35:10 | 0:35:12 | |
Hello, this is DS Higgins from South Dart Constabulary. | 0:35:33 | 0:35:37 | |
I was just wondering if you could have someone call me back | 0:35:37 | 0:35:40 | |
through the switchboard please, if that's possible? | 0:35:40 | 0:35:42 | |
Yeah. It doesn't matter how late, it's very important. | 0:35:42 | 0:35:46 | |
All right, much obliged. | 0:35:46 | 0:35:47 | |
MUSIC: Shine On You Crazy Diamond by Pink Floyd | 0:35:49 | 0:35:51 | |
# Now there's a look in your eye | 0:35:51 | 0:35:55 | |
# Like black holes in the sky | 0:35:55 | 0:35:58 | |
# Shine on, you crazy diamond | 0:36:00 | 0:36:06 | |
# You were caught... # | 0:36:10 | 0:36:12 | |
If you could send me a secure link, that would be very helpful. | 0:36:12 | 0:36:15 | |
Great, lovely. Thank you, and thanks for getting back. | 0:36:17 | 0:36:19 | |
All right, goodnight. | 0:36:19 | 0:36:20 | |
E-MAIL BEEPS | 0:36:30 | 0:36:31 | |
Nice one. | 0:36:33 | 0:36:35 | |
You come to apologise? | 0:36:56 | 0:36:58 | |
You first. | 0:36:59 | 0:37:01 | |
-Listen, you'll never guess... -Did we ever find those diamonds? -Eh? | 0:37:01 | 0:37:04 | |
The ones PB bought before he was killed. | 0:37:04 | 0:37:06 | |
-Joy was searching for... -It's not important. Look at this. | 0:37:06 | 0:37:08 | |
You know you said Digger was holding something back? | 0:37:08 | 0:37:11 | |
So you do listen to me then? | 0:37:11 | 0:37:13 | |
Come and have a look at this. | 0:37:13 | 0:37:15 | |
I've checked his Army records. | 0:37:15 | 0:37:17 | |
He's had specialist training. | 0:37:17 | 0:37:19 | |
Sniper. | 0:37:19 | 0:37:21 | |
Experienced in the field. | 0:37:21 | 0:37:23 | |
The only thing is, his alibi checks out. | 0:37:23 | 0:37:25 | |
Hold on, let's think about this. | 0:37:27 | 0:37:29 | |
Hello. Can you put me through to the coronary care unit, please? | 0:37:38 | 0:37:42 | |
I've told you everything. | 0:37:45 | 0:37:47 | |
No, not quite. | 0:37:47 | 0:37:48 | |
You see, that discussion you had | 0:37:48 | 0:37:49 | |
with Peter Bradshaw in the Black Dog, | 0:37:49 | 0:37:51 | |
a witness has come forward. | 0:37:51 | 0:37:53 | |
You were overheard. | 0:37:53 | 0:37:55 | |
It's just talk. | 0:37:55 | 0:37:56 | |
I checked your Army records. | 0:37:56 | 0:37:58 | |
-So? -You were a highly trained soldier. | 0:37:58 | 0:38:00 | |
I was, in my time. | 0:38:00 | 0:38:02 | |
How's your heart? | 0:38:02 | 0:38:03 | |
Fine, thank you. | 0:38:03 | 0:38:04 | |
Got a check-up in three months. | 0:38:04 | 0:38:07 | |
You want to see the card? | 0:38:07 | 0:38:08 | |
Can't be too careful with hearts. | 0:38:08 | 0:38:10 | |
Just mention chest pains and they'll admit you for tests. | 0:38:10 | 0:38:13 | |
Thing is, once you get there, they dump you in a ward | 0:38:13 | 0:38:15 | |
and you can hang around for the rest of the day. | 0:38:15 | 0:38:19 | |
No-one would know if you slipped out for an hour. | 0:38:19 | 0:38:22 | |
In fact, we checked. You could've. | 0:38:22 | 0:38:24 | |
The shooting, itself, would only take a few seconds... | 0:38:27 | 0:38:30 | |
..for an experienced sniper. | 0:38:31 | 0:38:33 | |
Ex-soldier turned rogue. | 0:38:35 | 0:38:37 | |
SCREAMING | 0:38:41 | 0:38:44 | |
Well, that's a nice little story you've got there. | 0:38:44 | 0:38:47 | |
Shame you don't have a scrap of evidence. | 0:38:47 | 0:38:49 | |
OK. Come on, let's go. | 0:38:53 | 0:38:56 | |
Nice talking to you. | 0:38:58 | 0:38:59 | |
Davey! | 0:39:05 | 0:39:07 | |
So he's lying there, | 0:39:09 | 0:39:12 | |
covered in blood, blind drunk. | 0:39:12 | 0:39:13 | |
You'll never guess what he was singing. | 0:39:13 | 0:39:16 | |
# I did it my way. # | 0:39:16 | 0:39:19 | |
Remember that "old bird with the ice cream cone"? | 0:39:21 | 0:39:24 | |
Is that the best you can do? | 0:39:24 | 0:39:25 | |
No. He is. | 0:39:25 | 0:39:27 | |
I'll ask you again. | 0:39:35 | 0:39:36 | |
Who ordered the hit on Peter Bradshaw? | 0:39:36 | 0:39:39 | |
We can place you at the exact spot the shot was fired from. | 0:39:39 | 0:39:43 | |
You have the expertise | 0:39:43 | 0:39:44 | |
and your alibi's fallen through. | 0:39:44 | 0:39:46 | |
You're going away for a long time, mate. | 0:39:46 | 0:39:50 | |
Now, you could make it shorter if you tell us who paid you. | 0:39:50 | 0:39:54 | |
Davey, we're just here to give her the information. | 0:39:54 | 0:39:57 | |
-Not accuse her. -I won't accuse her of anything. | 0:39:57 | 0:39:59 | |
The Ways and Means Act, remember? | 0:39:59 | 0:40:01 | |
I'll tell her Digger talked, see what she's got to say about that. | 0:40:01 | 0:40:04 | |
You've got some nerve coming here! | 0:40:04 | 0:40:06 | |
I have nothing to say to you. Nothing. | 0:40:07 | 0:40:09 | |
Oh, you might want to think about that. | 0:40:09 | 0:40:11 | |
Leave me alone. Go on, get out. | 0:40:11 | 0:40:13 | |
I said, go. Now! | 0:40:13 | 0:40:15 | |
You got a hearing problem? | 0:40:15 | 0:40:18 | |
I would go but I can't leave things like this. | 0:40:18 | 0:40:20 | |
It was a mistake coming here. | 0:40:23 | 0:40:24 | |
I just wanted to pay my respects. | 0:40:24 | 0:40:27 | |
I'm the last person you want to see right now. | 0:40:27 | 0:40:30 | |
I should've realised. | 0:40:30 | 0:40:31 | |
-I'm so sorry. I'll go. -Stay where you are. | 0:40:31 | 0:40:33 | |
-Arrest him. -For what? | 0:40:33 | 0:40:35 | |
-Poor thing, she's all mixed up. -Oh, shut up. Just shut up. | 0:40:35 | 0:40:38 | |
It's over, all right? | 0:40:38 | 0:40:39 | |
You want the truth, I'll give you the truth. | 0:40:39 | 0:40:41 | |
She's all mixed up. This is too much stress. | 0:40:41 | 0:40:43 | |
He's come here threatening me. | 0:40:43 | 0:40:45 | |
He says he'll do a kiss and tell about himself and Peter. | 0:40:45 | 0:40:47 | |
That's not what I said at all. | 0:40:47 | 0:40:49 | |
She's upset. She's looking for someone to blame. | 0:40:49 | 0:40:51 | |
You're not getting another penny out of me. | 0:40:51 | 0:40:53 | |
"Another" penny? | 0:40:53 | 0:40:54 | |
It's not important. | 0:40:54 | 0:40:56 | |
-We'll be the judge of that. -Look, she approached me. | 0:40:56 | 0:40:58 | |
It was her idea. | 0:40:58 | 0:40:59 | |
To do what? | 0:40:59 | 0:41:01 | |
Come on, we can do this here or down the station. | 0:41:04 | 0:41:06 | |
She paid me, all right? | 0:41:06 | 0:41:08 | |
To do what? | 0:41:08 | 0:41:09 | |
To leave Peter. | 0:41:10 | 0:41:12 | |
Oh, come on, that's pathetic. | 0:41:13 | 0:41:14 | |
Is this true? | 0:41:14 | 0:41:16 | |
I did it for my husband. | 0:41:16 | 0:41:18 | |
To get him out of his clutches. | 0:41:18 | 0:41:19 | |
So you could get your claws back in, you mean. | 0:41:19 | 0:41:21 | |
-You were only ever interested in his money. -Your money, you mean? | 0:41:21 | 0:41:24 | |
That's how she controlled him. | 0:41:24 | 0:41:25 | |
Said she'd leave him without a penny if they split up | 0:41:25 | 0:41:27 | |
and he still chose me. He loved me. | 0:41:27 | 0:41:30 | |
What would you know about love? | 0:41:30 | 0:41:31 | |
You cheap little rent boy! | 0:41:31 | 0:41:33 | |
If I am, Peter couldn't get enough of me. | 0:41:33 | 0:41:36 | |
He wept when he knew I was leaving. | 0:41:36 | 0:41:38 | |
You should've heard him beg. | 0:41:38 | 0:41:40 | |
Liar! | 0:41:40 | 0:41:41 | |
You're a dried up old hag. | 0:41:41 | 0:41:42 | |
You made his skin crawl. | 0:41:42 | 0:41:44 | |
He's better off dead than stuck with you for the rest of his life. | 0:41:44 | 0:41:47 | |
Enough! | 0:41:47 | 0:41:48 | |
That's it. That's... | 0:41:48 | 0:41:50 | |
It was you. | 0:41:51 | 0:41:53 | |
You two... You drove him to it. | 0:41:53 | 0:41:55 | |
You broke his heart and you sucked the life out of him. | 0:41:59 | 0:42:03 | |
Peter Bradshaw ordered the murder on himself. | 0:42:03 | 0:42:06 | |
That's ridiculous. | 0:42:07 | 0:42:09 | |
Well, we'll know soon enough. | 0:42:09 | 0:42:10 | |
We have the gunman down the station, which is where we're going now. | 0:42:10 | 0:42:13 | |
I'm arresting you for suspicion of blackmail. | 0:42:13 | 0:42:15 | |
You don't have to say anything but it may harm your defence | 0:42:15 | 0:42:18 | |
if you do not mention, when questioned, | 0:42:18 | 0:42:19 | |
something you later rely on in court. | 0:42:19 | 0:42:23 | |
Those pink diamonds you were looking for, | 0:42:27 | 0:42:30 | |
I think we'll find your husband used them to pay his killer. | 0:42:30 | 0:42:33 | |
You've had a shock. | 0:42:34 | 0:42:36 | |
I'll get the maid to make you some tea. | 0:42:36 | 0:42:38 | |
So, he took a contract out on himself? | 0:42:49 | 0:42:51 | |
I know it's surprising. | 0:42:51 | 0:42:52 | |
Not really, when you think about it. | 0:42:54 | 0:42:57 | |
Told you, didn't I? | 0:42:58 | 0:43:00 | |
Sorry? | 0:43:00 | 0:43:01 | |
That wife of his made his life a misery. | 0:43:01 | 0:43:04 | |
I pointed you in the right direction. | 0:43:04 | 0:43:06 | |
All rise for Her Majesty's Coroner. | 0:43:27 | 0:43:30 |