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It's an education like no other. | 0:00:05 | 0:00:08 | |
I don't care what background you come from - | 0:00:08 | 0:00:11 | |
upper class, middle class. The only class I'm interested in | 0:00:11 | 0:00:14 | |
is finding someone who is first class. | 0:00:14 | 0:00:17 | |
From all over the country, 12 of Britain's youngest | 0:00:19 | 0:00:23 | |
and brightest business brains have come to London. | 0:00:23 | 0:00:27 | |
I love to encourage young people like you | 0:00:27 | 0:00:30 | |
to see whether you've got that spark of genius in you. | 0:00:30 | 0:00:33 | |
Go, go, go, go, go. | 0:00:33 | 0:00:34 | |
Aged 16 and 17... | 0:00:34 | 0:00:35 | |
SHE SQUEALS | 0:00:35 | 0:00:37 | |
..all have a passion for business. | 0:00:37 | 0:00:38 | |
£2.25, final offer. | 0:00:38 | 0:00:40 | |
They'll compete for a life-changing prize worth £25,000... | 0:00:40 | 0:00:45 | |
I have some amazing news. | 0:00:45 | 0:00:48 | |
..to kick-start a business career. | 0:00:48 | 0:00:50 | |
Don't try and pretend that you know it all, because believe me, | 0:00:50 | 0:00:54 | |
it would be embarrassing. | 0:00:54 | 0:00:55 | |
To succeed, they'll have to impress the boss. | 0:00:55 | 0:00:59 | |
This is not a talent show. | 0:00:59 | 0:01:02 | |
In charge of a vast business empire, | 0:01:02 | 0:01:06 | |
Lord Sugar started his career while still at school. | 0:01:06 | 0:01:08 | |
Now he's on the hunt for his next Young Apprentice. | 0:01:08 | 0:01:13 | |
Could I speak, please? It's impossible to go to a market. | 0:01:13 | 0:01:16 | |
Can you please, please listen to me? Ssh. | 0:01:16 | 0:01:18 | |
Closed. Closed. | 0:01:18 | 0:01:21 | |
To win, they must work as teams... | 0:01:21 | 0:01:24 | |
YES! | 0:01:23 | 0:01:24 | |
..but shine as individuals. | 0:01:24 | 0:01:27 | |
Guys, stop trying to shift the blame! | 0:01:27 | 0:01:28 | |
Wasn't me. | 0:01:30 | 0:01:31 | |
Because in the end, there can only be one Young Apprentice. | 0:01:31 | 0:01:36 | |
You're fired. You're fired. | 0:01:37 | 0:01:39 | |
With regret, you're fired. | 0:01:39 | 0:01:41 | |
Previously on Young Apprentice. | 0:01:51 | 0:01:55 | |
Your task this week is to design | 0:01:55 | 0:01:57 | |
an exciting new product for the parents and baby market. | 0:01:57 | 0:02:01 | |
CRYING | 0:02:01 | 0:02:02 | |
Both teams got to the bottom of babies. | 0:02:02 | 0:02:06 | |
Would you have to change a nappy every time, | 0:02:06 | 0:02:09 | |
or could you leave it for a bit? | 0:02:09 | 0:02:11 | |
Cradling Lizzie's cushion idea... | 0:02:11 | 0:02:15 | |
This takes the weight of the baby's head. | 0:02:12 | 0:02:15 | |
..the Comfy Curve was born. | 0:02:15 | 0:02:19 | |
ALL: Ooh! | 0:02:19 | 0:02:20 | |
For the boys, Harris, a baby-blue hippo. | 0:02:20 | 0:02:25 | |
Harris Hippo is the coolest and hottest hippo around. | 0:02:25 | 0:02:28 | |
Then toys flew out of the pram. | 0:02:28 | 0:02:31 | |
You're like a baby spitting out your dummy. Get a grip. | 0:02:31 | 0:02:34 | |
I've just made this point, and, you know, | 0:02:34 | 0:02:36 | |
we'll see in the boardroom who was right. | 0:02:36 | 0:02:38 | |
In the boardroom, the girls trounce the boys. | 0:02:39 | 0:02:42 | |
They placed an order for 7,500 units. | 0:02:44 | 0:02:48 | |
Project manager Lewis came clean. | 0:02:48 | 0:02:50 | |
I'll hold my hands up and accept the blame for that, for the middle pitch. | 0:02:50 | 0:02:54 | |
Harry M kept on talking. | 0:02:54 | 0:02:56 | |
I had to repeat myself again and again and again. | 0:02:56 | 0:03:00 | |
The thing is, you're not liked. | 0:03:00 | 0:03:02 | |
But in the end, it was bye-byes for Ben. | 0:03:02 | 0:03:05 | |
With regret...you're fired. | 0:03:05 | 0:03:07 | |
Thank you, Lord Sugar. | 0:03:07 | 0:03:10 | |
Now, just ten remain in the battle to become the Young Apprentice. | 0:03:10 | 0:03:15 | |
7am. | 0:03:25 | 0:03:26 | |
It's the door. | 0:03:44 | 0:03:46 | |
Ah, good morning. | 0:03:46 | 0:03:48 | |
Thank you. | 0:03:48 | 0:03:50 | |
-Is there a message? -OK. | 0:03:50 | 0:03:53 | |
I'll go and get everyone, you try and work it out. | 0:03:53 | 0:03:55 | |
Get up...no! | 0:03:56 | 0:03:57 | |
Girls, you all need to go down now, | 0:03:59 | 0:04:01 | |
-we've been sent a tablet and some flowers. -Tablet?! | 0:04:01 | 0:04:04 | |
Zara, can you get up and wake up Hannah? | 0:04:04 | 0:04:08 | |
Girls, hurry up! | 0:04:08 | 0:04:09 | |
To get tablets? | 0:04:09 | 0:04:12 | |
I hope you like the flowers I've sent you, | 0:04:22 | 0:04:25 | |
and they help to brighten up the house I arranged for you. | 0:04:25 | 0:04:29 | |
Er, don't think of this as me going a bit soft, | 0:04:29 | 0:04:32 | |
because there is a good reason why I've sent them to you. | 0:04:32 | 0:04:35 | |
The floristry business is worth over £1.5 billion per year. | 0:04:35 | 0:04:40 | |
I want you to grab a share of that market. | 0:04:40 | 0:04:44 | |
I have organised for you an expert | 0:04:44 | 0:04:47 | |
who's going to teach you how to make flower arrangements. | 0:04:47 | 0:04:51 | |
And then you are going to make arrangements | 0:04:51 | 0:04:53 | |
and sell them to the public. | 0:04:53 | 0:04:55 | |
And I've also laid on three corporate clients | 0:04:55 | 0:04:59 | |
that have some specific requirements. | 0:04:59 | 0:05:03 | |
This task is all about profit. | 0:05:03 | 0:05:05 | |
It's the team that comes in with the highest amount | 0:05:05 | 0:05:08 | |
of profit who's going to win, | 0:05:08 | 0:05:10 | |
and in the losing team, one of you will be fired. | 0:05:10 | 0:05:14 | |
You see the envelope that's come along with the flowers? | 0:05:14 | 0:05:18 | |
Inside there, you will see that I have mixed the teams up a bit | 0:05:18 | 0:05:22 | |
and I have also appointed the project managers. | 0:05:22 | 0:05:25 | |
So off you go, get cracking, | 0:05:25 | 0:05:26 | |
and I'll see you back in the boardroom in a couple of days' time. | 0:05:26 | 0:05:30 | |
OK, so in Team Kinetic, it's James, Lizzie, Harry H, Haya and Hayley. | 0:05:30 | 0:05:36 | |
Lizzie, you're the project manager. | 0:05:36 | 0:05:38 | |
And in Team Atomic, Gbemi, Hannah, Harry M, Lewis and Zara, | 0:05:38 | 0:05:43 | |
and Hannah, you're the project manager. | 0:05:43 | 0:05:45 | |
OK. Oooh! | 0:05:45 | 0:05:47 | |
Let's go. | 0:05:47 | 0:05:49 | |
Two days to learn how to arrange flowers, price them, | 0:05:51 | 0:05:55 | |
pitch to corporate clients, and sell to the public. | 0:05:55 | 0:05:59 | |
For the first time, boys and girls are mixed. | 0:05:59 | 0:06:03 | |
What do you think? | 0:06:03 | 0:06:05 | |
I'm happy. I think we've got a strong team. | 0:06:05 | 0:06:08 | |
But we're also quite strong personalities, as well. | 0:06:08 | 0:06:12 | |
That's the only reason why having girls in the team would be good. | 0:06:12 | 0:06:15 | |
Personally I don't think I'll be any good at arranging flowers. | 0:06:15 | 0:06:19 | |
-Ooh, project manager! -I'm wearing the trousers today, boys. | 0:06:19 | 0:06:23 | |
HE MUTTERS | 0:06:23 | 0:06:24 | |
-What are you saying? -Nothing. | 0:06:24 | 0:06:26 | |
Let's just try and get along today. | 0:06:26 | 0:06:29 | |
-Harry, have you ever sent flowers before? -I have, yeah. -To who? | 0:06:37 | 0:06:42 | |
My mum! | 0:06:42 | 0:06:44 | |
What are we? We are a... | 0:06:45 | 0:06:47 | |
BOTH: Team. | 0:06:47 | 0:06:48 | |
You didn't say it, Harry. What are we? | 0:06:48 | 0:06:50 | |
-Tee-am. We are one. -We are one. | 0:06:50 | 0:06:53 | |
-You know what they say, no I in team. -No. | 0:06:53 | 0:06:55 | |
South London, home to Southwark College | 0:06:59 | 0:07:03 | |
and its award-winning flower school, | 0:07:03 | 0:07:06 | |
training base for both teams. | 0:07:06 | 0:07:08 | |
-Oh dear! -This is my idea of hell. | 0:07:11 | 0:07:14 | |
Inside, the flowers to arrange and sell. | 0:07:14 | 0:07:19 | |
-See, flowers don't do anything for me. -No? | 0:07:19 | 0:07:22 | |
-I just see these as pound symbols. -Each team gets £800-worth of stock, | 0:07:22 | 0:07:27 | |
from 30p chrysanthemums to rare £8-a-stem heliconias. | 0:07:27 | 0:07:31 | |
-It reminded me of a venus fly-trap. -I really don't like these. | 0:07:31 | 0:07:35 | |
It's like rabbits hanging upside-down or something. | 0:07:35 | 0:07:38 | |
-First job for the project managers... -Anyway, let's go down. | 0:07:38 | 0:07:42 | |
..decide who will go to the corporate clients. | 0:07:42 | 0:07:44 | |
Now, as project manager, do you feel that I should be at the pitch? | 0:07:44 | 0:07:48 | |
-What do you want? -Leading Team Atomic, Hannah. -Are you happy... | 0:07:48 | 0:07:52 | |
Guys, are you happy for the base team to be Gbemi, Harry and myself, | 0:07:52 | 0:07:56 | |
-and you two to go off and pitch to the clients? -Yeah, I'm happy with that. | 0:07:56 | 0:07:59 | |
I think I'll gain respect by being the kind of person | 0:07:59 | 0:08:02 | |
who takes everyone into consideration. I don't overlook people, | 0:08:02 | 0:08:05 | |
because I'm often overlooked myself. | 0:08:05 | 0:08:07 | |
-More importantly, is everybody happy? -Yeah. | 0:08:07 | 0:08:11 | |
Next door, Lizzie's team. | 0:08:11 | 0:08:13 | |
We only need two people, maximum, for the pitch. | 0:08:13 | 0:08:16 | |
-Yeah. I would like to go to the pitch. -I really want to pitch. | 0:08:16 | 0:08:19 | |
-I would like to go to the pitches. -Guys, this is a team game. | 0:08:19 | 0:08:22 | |
I know everyone wants to pitch, but we need to win this task, | 0:08:22 | 0:08:25 | |
so if you think you're going to be better in this group, suck it up. | 0:08:25 | 0:08:28 | |
Haya's done art GCSE. Haya's, I think, the most artistic one. | 0:08:28 | 0:08:33 | |
I'm quite creative, but I would rather go to the pitch. | 0:08:33 | 0:08:37 | |
I know, but so would everyone else. | 0:08:37 | 0:08:39 | |
I am a competitive person. Even in netball | 0:08:39 | 0:08:41 | |
I used to scratch people to get the ball. I like to think nice, | 0:08:41 | 0:08:44 | |
but if someone's not doing their job, I'm not afraid to tell them. | 0:08:44 | 0:08:47 | |
-So James and Harry, you'll be doing the pitch? -Yes. | 0:08:47 | 0:08:50 | |
Haya, myself and Hayley will be flower arranging. | 0:08:50 | 0:08:54 | |
To win, we need the best people for the best job. | 0:08:54 | 0:08:56 | |
-Are you happy with that, though, Haya? -Yeah, I'm fine. Yeah, I'll... | 0:08:56 | 0:09:01 | |
-Let's do it. -So good luck, and I'll see you later. -See you. | 0:09:01 | 0:09:04 | |
I don't think Harry and James will do well at pitching, | 0:09:04 | 0:09:07 | |
because I don't see that they have any passion with flowers. | 0:09:07 | 0:09:10 | |
They didn't WANT to arrange flowers, so I had to be stuffed here. | 0:09:10 | 0:09:13 | |
So I'm going to give you a small business briefing. | 0:09:13 | 0:09:17 | |
First, a crash course in floristry. | 0:09:17 | 0:09:19 | |
So you'll have what we call mains, additionals, fillers and foliage. | 0:09:19 | 0:09:23 | |
Pricing tips to push up profits. | 0:09:23 | 0:09:25 | |
On top of the flowers, we have what we call a mark-up. | 0:09:25 | 0:09:29 | |
So say for instance a rose is 40p, | 0:09:29 | 0:09:32 | |
they may double it, they may triple it. | 0:09:32 | 0:09:34 | |
So this is getting from wholesale to sort of your retail prices. | 0:09:34 | 0:09:37 | |
And a beginner's guide to flower arranging. | 0:09:37 | 0:09:39 | |
So these are your two main flowers, variegated pittosporum. | 0:09:39 | 0:09:43 | |
Variegated pittosporum?! | 0:09:43 | 0:09:46 | |
LAUGHTER | 0:09:46 | 0:09:49 | |
I'm not too confident with the flower arranging, | 0:09:52 | 0:09:55 | |
it's not really my skill-set. | 0:09:55 | 0:09:56 | |
But I'm sure everything will straighten out | 0:10:00 | 0:10:02 | |
as the task goes along. | 0:10:02 | 0:10:03 | |
Oh, mine fell off! | 0:10:03 | 0:10:05 | |
Sorry. | 0:10:05 | 0:10:06 | |
11am. | 0:10:14 | 0:10:16 | |
If we can just pause, I just want to focus on this. | 0:10:16 | 0:10:18 | |
-I am listening. -Zara and Lewis head for their three appointments. | 0:10:18 | 0:10:23 | |
We're going to the clients, we're going to get a brief from them. | 0:10:23 | 0:10:27 | |
Then we figure out what we're going to sell them, | 0:10:27 | 0:10:30 | |
and how much we're going to charge for it. | 0:10:30 | 0:10:33 | |
Both teams are chasing the same contracts. | 0:10:33 | 0:10:37 | |
-We want to mention all of these. -Gorgeous. -Luxury. You know, class. | 0:10:37 | 0:10:43 | |
-This is the best view of London. -Um... -Wow. Doesn't that look amazing? | 0:10:43 | 0:10:46 | |
That looks like a palace over there. Are we going to... | 0:10:46 | 0:10:49 | |
I want one of our tasks is to be a boat cruise sort of thing. Anyway... | 0:10:49 | 0:10:54 | |
-Pitching for Lizzie's team... -I hate flowers. | 0:10:57 | 0:10:59 | |
-I hate flowers. And nature, and animals. -..Her boys. | 0:10:59 | 0:11:04 | |
Can you just imagine, if Zara on the other team is doing the pitch, | 0:11:04 | 0:11:08 | |
she'll just be absolutely...like... | 0:11:08 | 0:11:11 | |
We need to be really nice, basically, | 0:11:11 | 0:11:14 | |
because if they see a pretty girl's face | 0:11:14 | 0:11:16 | |
talking about flowers and they see a guy's face talking about prices, | 0:11:16 | 0:11:21 | |
then they're going to want the flowers. | 0:11:21 | 0:11:24 | |
That's why I'm here. For the pretty face. | 0:11:24 | 0:11:27 | |
Their first client - a five star hotel. | 0:11:31 | 0:11:35 | |
Our flowers are all fresh, they're innovative, they're colourful. | 0:11:37 | 0:11:40 | |
We see this as an art, not a business. | 0:11:40 | 0:11:42 | |
The contract - flowers for a ruby wedding anniversary. | 0:11:42 | 0:11:46 | |
What we're looking for is five posies | 0:11:46 | 0:11:49 | |
down the length of the table, and I think | 0:11:49 | 0:11:51 | |
one central arrangement on the fireplace. | 0:11:51 | 0:11:54 | |
Clients have requested red flowers. | 0:11:54 | 0:11:57 | |
They have a particular fondness of red roses. | 0:11:57 | 0:12:00 | |
Would you like the mantelpiece to really stand out? | 0:12:00 | 0:12:03 | |
I want the clients to go, "Doesn't the room look lovely?!" | 0:12:03 | 0:12:06 | |
So what we can do is, | 0:12:06 | 0:12:07 | |
we can call back to base where the florists are, | 0:12:07 | 0:12:11 | |
and we'll come back to you with some prices | 0:12:11 | 0:12:13 | |
and that kind of thing. Does that sound good? | 0:12:13 | 0:12:15 | |
-Thank you very much. -OK. Thank you. | 0:12:15 | 0:12:18 | |
PHONE RINGS | 0:12:18 | 0:12:19 | |
-Hello? -'Hello.' | 0:12:23 | 0:12:25 | |
They want five posies to dress the table. | 0:12:25 | 0:12:29 | |
And they want one kind of like display to dress the mantelpiece. | 0:12:29 | 0:12:33 | |
Yeah. I'm going to work that out right now, bear with me. | 0:12:33 | 0:12:37 | |
Based on their training, Lizzie and her girls price the job. | 0:12:37 | 0:12:41 | |
-Haya, this is a posy, I want you to work this out with me. -OK. | 0:12:41 | 0:12:46 | |
So 1, 2, 3... I'd say about ten roses. | 0:12:46 | 0:12:49 | |
'Hello, Harry? For the five posies,' | 0:12:49 | 0:12:51 | |
it comes to £120. | 0:12:51 | 0:12:54 | |
OK, could you give me the prices for the larger display, | 0:12:54 | 0:12:58 | |
the kind of medium size display for the mantelpiece? | 0:12:58 | 0:13:00 | |
OK. I'm going to ring you back in five minutes. | 0:13:00 | 0:13:04 | |
No, you can't do that, Lizzie. We can't. | 0:13:04 | 0:13:06 | |
We're literally, we need to be a five-minute call right now. | 0:13:06 | 0:13:09 | |
They are literally waiting for us to come in and give them a quote. | 0:13:09 | 0:13:13 | |
Raising your voice won't make us count faster. | 0:13:13 | 0:13:15 | |
We're doing it. I'll inform you in a second, just wait there. £140. | 0:13:15 | 0:13:19 | |
We'll figure out a figure. | 0:13:19 | 0:13:21 | |
He's just hung up. | 0:13:21 | 0:13:23 | |
Let's say... We have to just guess this right now. | 0:13:23 | 0:13:26 | |
Let's do £180... | 0:13:26 | 0:13:28 | |
no. | 0:13:28 | 0:13:29 | |
Decide that in the meeting. | 0:13:29 | 0:13:31 | |
-Hi again. -Hi. Good to see you again. -You all right? -Hi. | 0:13:34 | 0:13:37 | |
James, we've got the figures, haven't we? | 0:13:37 | 0:13:41 | |
Er... | 0:13:41 | 0:13:42 | |
That in total would come to £175, then. | 0:13:42 | 0:13:45 | |
How does that sound | 0:13:45 | 0:13:47 | |
-as regards to the budget? -We'll have a think about it and we'll let you know. | 0:13:47 | 0:13:50 | |
Thanks. Thank you very much. Have a good day. OK. | 0:13:50 | 0:13:53 | |
Thanks, have a lovely day. Bye. | 0:13:53 | 0:13:55 | |
First stop for Lewis and Zara, a West End musical... | 0:13:57 | 0:14:03 | |
and its producers. | 0:14:03 | 0:14:05 | |
Hi, I'm Zara Brownless. Simon Ash? Zara Brownless. Nice to meet you. | 0:14:06 | 0:14:11 | |
-Wanted for opening night, four bouquets. -Very glamorous evening. | 0:14:11 | 0:14:15 | |
-Very glam. -And we've been working on this for four years. | 0:14:15 | 0:14:19 | |
We've got four principal actors, two male, two female. | 0:14:19 | 0:14:23 | |
So we're looking for four gorgeous bouquets, | 0:14:23 | 0:14:25 | |
and some differentiation you'd like between the colours for both. | 0:14:25 | 0:14:29 | |
Absolutely. | 0:14:29 | 0:14:30 | |
PHONE RINGS | 0:14:30 | 0:14:31 | |
'After the opening night.' | 0:14:31 | 0:14:33 | |
Guys, how does this sound? | 0:14:33 | 0:14:36 | |
Three lilies, four carnations, five stocks and two gyp. | 0:14:36 | 0:14:40 | |
So £40 for all four bouquets. | 0:14:40 | 0:14:45 | |
-That's our cost. -That's our cost, and if we're doubling that... | 0:14:45 | 0:14:48 | |
-So we're going to charge them at 80. -80 for the bouquets, yeah? | 0:14:48 | 0:14:52 | |
-Yes. -Yeah. -OK. | 0:14:52 | 0:14:54 | |
OK. Let's go. | 0:14:54 | 0:14:56 | |
Basically it's £100 for the four bouquets. | 0:14:58 | 0:15:02 | |
And as a producer, I've always got to ask, is that your final price? | 0:15:02 | 0:15:06 | |
-Yes. The £100 is our official offer. -That would secure it. | 0:15:06 | 0:15:11 | |
'Zara and Lewis are playing quite a dangerous game. | 0:15:11 | 0:15:14 | |
'They were clearly told to ask for 80, she went in at 100.' | 0:15:14 | 0:15:17 | |
Quite risky to ignore the project manager | 0:15:17 | 0:15:20 | |
and ask for a lot more than that. | 0:15:20 | 0:15:22 | |
I think it seemed to go quite well. | 0:15:22 | 0:15:24 | |
I think we should have just gone for the £80, that way we left them | 0:15:24 | 0:15:27 | |
with the cheapest price possible. | 0:15:27 | 0:15:29 | |
But what if they would have wanted to negotiate down? | 0:15:29 | 0:15:31 | |
Hannah is the project manager and she told us to go with 80, | 0:15:31 | 0:15:34 | |
and we went with 100. | 0:15:34 | 0:15:35 | |
No, 80 was the minimum. 100 was pretty sound. | 0:15:35 | 0:15:39 | |
1pm. Heading for theatreland, Harry H and James. | 0:15:40 | 0:15:45 | |
So what are we going to do, just wing it again? | 0:15:45 | 0:15:48 | |
I'm going to have to, I'm afraid. | 0:15:48 | 0:15:50 | |
Same brief, different pitch. | 0:15:50 | 0:15:54 | |
We've actually just brought in a fantastic new kind of, | 0:15:54 | 0:15:58 | |
they're heliconia, aren't they, I think? | 0:15:58 | 0:16:01 | |
And they're these huge exotic plants | 0:16:01 | 0:16:03 | |
that kind of hang over and they look really kind of cool. | 0:16:03 | 0:16:06 | |
They're kind of a dark, dark black and a dark red. | 0:16:06 | 0:16:09 | |
I don't want something out of The Day Of The Triffids. | 0:16:09 | 0:16:12 | |
With that we've got some black kind of wrapping up paper | 0:16:12 | 0:16:17 | |
that's kind of really shiny and will catch the light a lot. | 0:16:17 | 0:16:20 | |
Erm, some, some colourful roses for the girls, some red roses | 0:16:20 | 0:16:27 | |
and some bear, some straight, thin beargrass shoots coming up. | 0:16:27 | 0:16:30 | |
This'll work really well with the production, | 0:16:30 | 0:16:32 | |
and the figure that we've come to will be £35 per bouquet. | 0:16:32 | 0:16:37 | |
-Thank you very much, we'll come back to you. -Thanks very much. -Thank you. | 0:16:37 | 0:16:40 | |
-Guys, guys, guys. -I don't understand this phone thing. -Just keep calm. | 0:16:40 | 0:16:47 | |
At the hotel, briefed by the client, | 0:16:47 | 0:16:49 | |
all Zara and Lewis need are the numbers. | 0:16:49 | 0:16:52 | |
Guys, guys, have you considered... | 0:16:52 | 0:16:54 | |
SHE IS INTERRUPTED BY PHONE Please listen. | 0:16:54 | 0:16:56 | |
-Guys, we just need a price off you now. -We're just doing that now. | 0:16:56 | 0:17:01 | |
We'll just be a minute, Zara. | 0:17:01 | 0:17:02 | |
We're looking at a total cost price of £73.65. | 0:17:04 | 0:17:09 | |
And what is the cost price for them? | 0:17:09 | 0:17:11 | |
-OK, so the price we've given you is £165. -20 roses. OK. | 0:17:11 | 0:17:16 | |
-We need to hurry up. -I think we just go in with 200. That's OK. | 0:17:16 | 0:17:21 | |
-Hello, ladies. -Really sorry about that. | 0:17:21 | 0:17:24 | |
-Sorry, thank you for your patience. -No problem. | 0:17:24 | 0:17:27 | |
For the fireplace in the centre, | 0:17:27 | 0:17:29 | |
what we will have are three roses, five of the chrinseatheans... | 0:17:29 | 0:17:34 | |
-I can't say it, can I? -What's the price on that? | 0:17:34 | 0:17:38 | |
-Our price on this is at £200. -Great, all right. | 0:17:38 | 0:17:42 | |
-So we'll let you know. -Thank you for your time. Lovely to meet you. | 0:17:42 | 0:17:46 | |
PHONE RINGS | 0:17:46 | 0:17:48 | |
-I'll just speak to them a sec. -Hi, guys, Harry speaking. | 0:17:48 | 0:17:51 | |
Just to let you know, from the £165, | 0:17:51 | 0:17:55 | |
we offered them 200 with room for negotiation. | 0:17:55 | 0:17:57 | |
-No, but we can't negotiate, Zara. -Harry, Harry just listen. | 0:17:57 | 0:18:01 | |
We can negotiate. | 0:18:01 | 0:18:02 | |
Zara, they get two offers on the table, | 0:18:02 | 0:18:05 | |
and then they pick the cheapest one. It's not a negotiation. | 0:18:05 | 0:18:08 | |
We adapt to what we got back, and obviously now we'll change it. | 0:18:08 | 0:18:14 | |
OK, we'll call you back. Bye, bye. | 0:18:14 | 0:18:17 | |
Harry does my head in, the way he doesn't shut up. | 0:18:17 | 0:18:20 | |
Seriously, you're like talking, and he's like "No, Zara, no, | 0:18:20 | 0:18:24 | |
"Zara, I think we should go with this. It's so annoying." | 0:18:24 | 0:18:27 | |
PHONE RINGS | 0:18:27 | 0:18:29 | |
4pm. A call from the hotel. | 0:18:29 | 0:18:34 | |
-We would like to go ahead with your proposal. -Oh, fantastic. | 0:18:34 | 0:18:38 | |
-Thank you very much. -I'll see you tomorrow, then. -See you tomorrow. | 0:18:38 | 0:18:41 | |
-Look forward to it. Thank you, bye. -OK, thank you. Bye. | 0:18:41 | 0:18:44 | |
-Now let's make it... Is that hung up? Is that hung up? -That's hung up. | 0:18:44 | 0:18:48 | |
Now let's make it out of cheap shite. | 0:18:48 | 0:18:50 | |
HARRY LAUGHS | 0:18:50 | 0:18:52 | |
Cheap and cheerful. | 0:18:52 | 0:18:53 | |
Don't worry about not getting the first one, no use dwelling on it now. | 0:18:54 | 0:18:57 | |
The final pitch. | 0:18:57 | 0:18:59 | |
Just stay focused, OK. | 0:18:59 | 0:19:00 | |
We get feedback, we adapt, we change, we improve, and that's what we doing. | 0:19:00 | 0:19:04 | |
An exclusive hair salon. | 0:19:05 | 0:19:06 | |
-Hello. -How you doing? I'm Stephen, general manager. -Lovely to meet you. | 0:19:06 | 0:19:09 | |
-Zara. -Hi, nice to meet you, I'm Lewis. -OK, this is Daniel. | 0:19:09 | 0:19:12 | |
-Daniel, lovely to meet you. -Hi, Daniel, very nice to meet you. | 0:19:12 | 0:19:15 | |
The job - four window displays. | 0:19:15 | 0:19:18 | |
Colour is my passion, but when it comes to flowers, | 0:19:18 | 0:19:21 | |
they've got to be simple, chic and done with the utmost of taste. | 0:19:21 | 0:19:26 | |
And treat these windows as your postcard to the world, really. | 0:19:26 | 0:19:31 | |
It's your opportunity to show us how artistic and how clever you can be. | 0:19:31 | 0:19:34 | |
Got it. We will come up with something stunning for you. | 0:19:34 | 0:19:37 | |
Fantastic. | 0:19:37 | 0:19:39 | |
-Zara, listen, OK? Zara, Zara. -Gbemi's going on a rant. | 0:19:42 | 0:19:45 | |
No, I'm not going on a rant. | 0:19:45 | 0:19:47 | |
I'm designing, you're doing maths. Keep to maths and I'll design. | 0:19:47 | 0:19:50 | |
So basically I'm going to use all white. | 0:19:50 | 0:19:52 | |
That's what they want, not lots of colours, it needs to be chic. | 0:19:52 | 0:19:56 | |
Yeah, that's what I'm saying, but Max here doesn't want to agree. | 0:19:56 | 0:19:59 | |
-Is that OK if I do it all white? -Yes, yes, that's perfect. | 0:19:59 | 0:20:01 | |
Right, what we've come up with are four arrangements | 0:20:01 | 0:20:05 | |
that we're going to put in glass bell jars filled with crushed ice. | 0:20:05 | 0:20:08 | |
We're then including lots of plants which are focusing around white | 0:20:08 | 0:20:12 | |
and greens, so we've got bamboos. | 0:20:12 | 0:20:14 | |
PHONE RINGS | 0:20:14 | 0:20:16 | |
Sorry, could you turn that on silent, please, Lewis? Thank you. | 0:20:16 | 0:20:19 | |
-That's a big mistake. That's a big mistake. -Which? | 0:20:19 | 0:20:23 | |
-Don't come to pitch and not turn your mobile phone off. -Sorry. | 0:20:23 | 0:20:28 | |
Won't happen again, we assure you. | 0:20:28 | 0:20:30 | |
Then we've got white lilies, | 0:20:30 | 0:20:32 | |
but also there's a bit of an infusion with purple, like just as... | 0:20:32 | 0:20:35 | |
PHONE RINGS | 0:20:35 | 0:20:37 | |
Can you turn it on silent? | 0:20:37 | 0:20:38 | |
I don't know how to work the phone, I don't know how to work it at all. | 0:20:38 | 0:20:42 | |
-Don't worry. -Right. -I'm so sorry about this. -That's all right. | 0:20:42 | 0:20:46 | |
Artistic vision is all about passion, | 0:20:46 | 0:20:48 | |
and we honestly are completely passionate about creating | 0:20:48 | 0:20:51 | |
the most chic design that we can for you. | 0:20:51 | 0:20:53 | |
On pricing, for each of these vases, they will come to £50, | 0:20:53 | 0:20:57 | |
so as a total it will come to £200. | 0:20:57 | 0:20:59 | |
-Great, sounds good. -What are your thoughts on that? | 0:20:59 | 0:21:02 | |
No, it sounds great. | 0:21:02 | 0:21:03 | |
Apart from the phone, I think you've presented very well, | 0:21:03 | 0:21:06 | |
particularly Zara. | 0:21:06 | 0:21:08 | |
-That bloody phone. -Just stay professional, OK? | 0:21:09 | 0:21:12 | |
Now the missed calls. | 0:21:12 | 0:21:14 | |
Hi, Colin, it's Lewis and Zara from the flower shop. | 0:21:14 | 0:21:19 | |
It's the theatre. | 0:21:19 | 0:21:20 | |
Look, I would be absolutely delighted | 0:21:20 | 0:21:23 | |
for you to make the bouquets for the first night of the musical. | 0:21:23 | 0:21:26 | |
Oh, thank you so much, we're really excited about this. | 0:21:26 | 0:21:29 | |
Yes, we've got one! Right, we need to phone the team. | 0:21:29 | 0:21:33 | |
-Phone the other team. -Right. | 0:21:33 | 0:21:35 | |
On the way to their last pitch, James and Harry H. | 0:21:37 | 0:21:40 | |
What's the name of this guy that we're going to the hairdressers? | 0:21:40 | 0:21:44 | |
-Don't know. Daniel something, or David? -We should maybe know. | 0:21:44 | 0:21:47 | |
Daniel Galvin. | 0:21:47 | 0:21:49 | |
-Daniel Galvin. -"Hi, Dan. Daniel." | 0:21:49 | 0:21:52 | |
-Shall I say "I'm a real fan of your work?" -Danny? No, don't say that! | 0:21:52 | 0:21:56 | |
We've got this particular flower that's called a heliconia, | 0:22:01 | 0:22:04 | |
and it's quite a large kind of one-metre high drooping plant | 0:22:04 | 0:22:08 | |
and it's really cool and weird. | 0:22:08 | 0:22:10 | |
It's something that no-one else has ever seen before, really. | 0:22:10 | 0:22:14 | |
And it would almost be like a rainforest chic kind of look | 0:22:14 | 0:22:17 | |
that would tie in really well with the water feature as well. | 0:22:17 | 0:22:20 | |
-Rainforest chic? -Yeah. | 0:22:20 | 0:22:21 | |
Did I mention that we like everything to be very delicate, | 0:22:21 | 0:22:24 | |
very soft, very feminine? | 0:22:24 | 0:22:26 | |
This is a real gentle giant. | 0:22:26 | 0:22:28 | |
It worries me a bit when you say gentle giant. | 0:22:28 | 0:22:31 | |
It's because it's quite tall, it's not a small flower. | 0:22:31 | 0:22:35 | |
Guys, I think that rainforest chic doesn't quite interpret the brief. | 0:22:35 | 0:22:42 | |
Thanks for your presentation, enjoyed meeting you, | 0:22:42 | 0:22:44 | |
but I'm afraid it's a no today. | 0:22:44 | 0:22:46 | |
Here in the land of the West End crimper, | 0:22:50 | 0:22:55 | |
style and understanding of what women's hairdressers want is key. | 0:22:55 | 0:23:01 | |
And that's why they should have had a girl with them. | 0:23:01 | 0:23:05 | |
Hi, it's Daniel speaking. | 0:23:05 | 0:23:08 | |
-Congratulations. -Thank you! | 0:23:08 | 0:23:12 | |
We chose you, and thanks for the idea, you really got the message. | 0:23:12 | 0:23:16 | |
Yes! Oh, my God. Right, we need to phone the other team. Oh, my God. | 0:23:16 | 0:23:21 | |
-Oh, I'm so happy! -Oh, come here. That's two, that's two out of three. | 0:23:21 | 0:23:27 | |
6pm. | 0:23:28 | 0:23:29 | |
-Are we agreed that size one is this size, yeah? -Yeah, yeah. -Harry? | 0:23:29 | 0:23:33 | |
For tomorrow's stall, Hannah's team price up different-sized bunches. | 0:23:33 | 0:23:38 | |
-That's cost you £2.80 to make? -Yeah. -And that's a medium size. | 0:23:38 | 0:23:42 | |
That means we can sell them at £5, £10, £20. | 0:23:42 | 0:23:44 | |
I think that's too high. | 0:23:44 | 0:23:46 | |
I think that our first should start from £3, | 0:23:46 | 0:23:48 | |
then £5, then £10. | 0:23:48 | 0:23:51 | |
I think it's too cheap. | 0:23:51 | 0:23:54 | |
'You know, florists sometimes triple the prices. | 0:23:54 | 0:23:57 | |
'At the end of the day, we're doubling our prices,' | 0:23:57 | 0:23:59 | |
and this will transpire in the boardroom. | 0:23:59 | 0:24:01 | |
9am. | 0:24:22 | 0:24:23 | |
Today the teams have nine hours to get orders to yesterday's clients | 0:24:25 | 0:24:30 | |
and sell flowers to the public. | 0:24:30 | 0:24:32 | |
-So what are the prices we've got? -£3, £5 and £10. | 0:24:33 | 0:24:36 | |
-And that covers our cost of making them. -That's double, yeah. | 0:24:36 | 0:24:39 | |
That's double the cost price for each. | 0:24:39 | 0:24:41 | |
-Do you think these are high enough? -I think they're high enough. | 0:24:42 | 0:24:46 | |
Setting up shop in west London... | 0:24:50 | 0:24:53 | |
Basically we need to sort out pricing for the flowers. | 0:24:53 | 0:24:56 | |
..Lizzie's team. | 0:24:54 | 0:24:56 | |
I have a formula. | 0:24:56 | 0:24:57 | |
Market research shows us | 0:24:57 | 0:24:59 | |
that florists can double or triple what their cost is. | 0:24:59 | 0:25:03 | |
I'm thinking we want to make as much profit as possible, | 0:25:03 | 0:25:06 | |
so why don't we double our costs? | 0:25:06 | 0:25:08 | |
-I think they should be tripled. -Tripled? | 0:25:08 | 0:25:10 | |
Let's triple it, and if it's not working, bring it down. | 0:25:10 | 0:25:13 | |
-Yeah. -Yeah, I like that idea. So, Hayley, we'll triple it. -Yes, OK. | 0:25:13 | 0:25:18 | |
So, James, what you fancy? | 0:25:18 | 0:25:20 | |
I think this sunflower would really complement you. | 0:25:20 | 0:25:24 | |
I think I'll pass on that! | 0:25:24 | 0:25:26 | |
Across town in east London, Spitalfields Market. | 0:25:29 | 0:25:33 | |
Getting organised, Hannah's team. | 0:25:33 | 0:25:36 | |
-That's a small one, it's selling at £3. -Small bouquet? -Yeah. | 0:25:36 | 0:25:39 | |
-The medium at six and the large one at ten. -Oh, I see. | 0:25:39 | 0:25:42 | |
With the stall flowers priced... | 0:25:42 | 0:25:45 | |
Harry, make sure you get all the prices changed. | 0:25:45 | 0:25:48 | |
..the two corporate orders need to go. | 0:25:48 | 0:25:51 | |
Guys, for five minutes, everyone needs to help Gbemi. | 0:25:51 | 0:25:55 | |
Cos we have one more bouquet to make and we have five minutes to make it. | 0:25:55 | 0:25:59 | |
-You're taking all our bunches, you know. -These aren't bunches. | 0:25:59 | 0:26:02 | |
-They're bouquets. -Yeah, for the theatre. -Oh, OK. | 0:26:02 | 0:26:05 | |
This is exactly what we've offered them, | 0:26:05 | 0:26:07 | |
something chic, stylish. | 0:26:07 | 0:26:09 | |
How are we going for time? OK. | 0:26:09 | 0:26:12 | |
-Why don't we put all the flowers in this one? -No, we need to hold those. | 0:26:12 | 0:26:16 | |
Zara said we're holding these. | 0:26:16 | 0:26:18 | |
No, no, come here. | 0:26:18 | 0:26:19 | |
-OK, I'll take that, Lewis. Thanks. -Two hands, first class. | 0:26:21 | 0:26:24 | |
In you go, then. You can't lean them on anything. | 0:26:24 | 0:26:27 | |
Watch you don't snap them. Go, go, go! | 0:26:27 | 0:26:30 | |
Are you too stressed to make small talk? | 0:26:33 | 0:26:36 | |
Yeah, I just want to get to this appointment. | 0:26:36 | 0:26:39 | |
In west London... | 0:26:42 | 0:26:43 | |
It looks crap, being honest. | 0:26:43 | 0:26:45 | |
..Lizzie's team assemble their only order. | 0:26:45 | 0:26:47 | |
To me, that doesn't look good. | 0:26:47 | 0:26:49 | |
For the hotel, five table arrangements... | 0:26:49 | 0:26:52 | |
We need red, we need red in there. | 0:26:52 | 0:26:54 | |
I think something more dramatic through the middle. | 0:26:54 | 0:26:57 | |
..and a mantelpiece display. | 0:26:57 | 0:26:59 | |
-That's the mantelpiece display? -I haven't finished yet! | 0:26:59 | 0:27:02 | |
They didn't specify what they wanted, | 0:27:02 | 0:27:04 | |
it just had to be red and white, | 0:27:04 | 0:27:06 | |
and I'm trying to use the cheapest red and white plants we have. | 0:27:06 | 0:27:09 | |
Good-oh. | 0:27:09 | 0:27:10 | |
Midday. | 0:27:12 | 0:27:14 | |
Flowers for the curtain call. | 0:27:14 | 0:27:17 | |
Remember, we made these for £40, our minimum profit margin is £80. | 0:27:17 | 0:27:20 | |
If we're going to negotiate, no lower than 80. Gentleman. | 0:27:20 | 0:27:23 | |
These are your ladies' bouquets with the pink lilies, | 0:27:23 | 0:27:25 | |
and your male bouquets with the white lilies. | 0:27:25 | 0:27:28 | |
They're beautiful. | 0:27:28 | 0:27:29 | |
-Great. -Thank you very much. | 0:27:30 | 0:27:33 | |
-Come here! -We got there in time! Can't stop yet, next one. | 0:27:35 | 0:27:39 | |
-Done. -Yeah, very cool, guys, love the simplicity. Bang on brief. | 0:27:47 | 0:27:52 | |
I think you've done a really spectacular job. | 0:27:52 | 0:27:54 | |
-Thank you very much. -Thank you very much. -Daniel, an honour. -Well done. | 0:27:54 | 0:27:57 | |
-Excellent, absolutely excellent. -All done. I'm so happy! | 0:27:57 | 0:28:01 | |
-They seemed so genuinely pleased! -I know. | 0:28:01 | 0:28:03 | |
'I take my hat off to these kids.' | 0:28:03 | 0:28:05 | |
A few days ago, they knew nothing about flowers | 0:28:05 | 0:28:07 | |
and now they are running a successful floristry business. | 0:28:07 | 0:28:11 | |
Well done them. | 0:28:11 | 0:28:12 | |
In the Victorian glamour of the five-star hotel, James and Haya. | 0:28:14 | 0:28:19 | |
-Hello. -Hi. Great to see you again. -Nice to meet you. | 0:28:19 | 0:28:23 | |
I thought there would be a few more flowers, actually. Erm... | 0:28:25 | 0:28:28 | |
How many have we got? What, three flowers? | 0:28:34 | 0:28:37 | |
You don't want to over-clutter it, cos you've got five of those. | 0:28:40 | 0:28:44 | |
I don't think we've got an issue of over-cluttering here. | 0:28:44 | 0:28:47 | |
I think the display there looks really good. | 0:28:47 | 0:28:49 | |
It looks very good as it is. | 0:28:49 | 0:28:52 | |
Erm... I tend to disagree, actually. | 0:28:52 | 0:28:56 | |
I wouldn't have that mantelpiece display. | 0:28:56 | 0:28:59 | |
To me, it doesn't look five-star deluxe. | 0:28:59 | 0:29:01 | |
I think it looks a bit lost there, don't you? | 0:29:01 | 0:29:04 | |
Maybe if we could take a little bit of money off | 0:29:07 | 0:29:09 | |
for not having the mantelpiece. | 0:29:09 | 0:29:10 | |
We could do, then, the whole lot instead of for 175, for 150. | 0:29:12 | 0:29:18 | |
-That sound good to you? -Is that good? | 0:29:18 | 0:29:21 | |
-I think they'll do. -And we'll put lots of nightlights. | 0:29:25 | 0:29:28 | |
I'll speak to housekeeping to see if we can get something brought in for the mantelpiece. | 0:29:28 | 0:29:32 | |
-Back at their stall... -Madam, would you like any flowers today? | 0:29:37 | 0:29:40 | |
Any flowers today, sir? I saw your second look! | 0:29:40 | 0:29:43 | |
The bamboo is only £1 each. | 0:29:43 | 0:29:46 | |
..business is brisk. | 0:29:46 | 0:29:48 | |
Thank you very much, mate. Beautiful flowers. Thank you very much. | 0:29:48 | 0:29:53 | |
That's the last of the bamboo. | 0:29:53 | 0:29:55 | |
-Have a rose for two quid. -On him. -It's almost free already. | 0:29:55 | 0:30:00 | |
-Thank you very much, sir. -Flowers for sale... | 0:30:00 | 0:30:03 | |
I can't believe I just spent five minutes for two quid. | 0:30:03 | 0:30:06 | |
So far, we're tripling all our costs | 0:30:06 | 0:30:09 | |
to try and maximise as much profit as possible. | 0:30:09 | 0:30:12 | |
I'll give it to you for a fiver. | 0:30:12 | 0:30:14 | |
And we've got a good area, so profits I think will be maximised. | 0:30:14 | 0:30:18 | |
And that's £5, please. | 0:30:18 | 0:30:20 | |
There you are, there's your bow. Thank you very much, thank you. | 0:30:20 | 0:30:23 | |
Only £15, yeah. Hope you enjoy them. Have a great birthday. | 0:30:23 | 0:30:27 | |
Cheers. Happy birthday... | 0:30:27 | 0:30:29 | |
Brilliant! | 0:30:29 | 0:30:30 | |
In Spitalfields... | 0:30:34 | 0:30:36 | |
Madam, may I interest you in a single rose for a pound? | 0:30:36 | 0:30:38 | |
..Hannah's team is busy selling £3, £6 and £10 bouquets. | 0:30:38 | 0:30:42 | |
-Two for £10, yeah? -Thank you very much. | 0:30:42 | 0:30:46 | |
We can do special deals if you'd like more. | 0:30:46 | 0:30:48 | |
We've got bouquets already made, we've got the petite, the standard and the supreme. | 0:30:48 | 0:30:52 | |
Can I interest you in any flowers today, sir? | 0:30:52 | 0:30:55 | |
Hannah's driving us to sort of sell us much as we can, | 0:30:55 | 0:30:58 | |
which is fair enough. | 0:30:58 | 0:30:59 | |
-Madam - £5 for a bouquet of roses? -Thank you, have a nice day, sir. | 0:30:59 | 0:31:03 | |
Thank you. | 0:31:03 | 0:31:06 | |
For London prices, that's very cheap. You've got three roses in there. | 0:31:06 | 0:31:10 | |
So... Yeah, so I think it's cheap! | 0:31:10 | 0:31:12 | |
Carting off their more exotic blooms, | 0:31:12 | 0:31:16 | |
Harry M and Gbemi target local businesses. | 0:31:16 | 0:31:18 | |
-Gbemi...! -Why are you saying my name, I'm holding it for you! | 0:31:19 | 0:31:22 | |
-Yeah, so hold... -How am I meant to hold this whole thing by myself? What the hell? | 0:31:22 | 0:31:27 | |
-Don't suppose you'd be interested in buying a bouquet of flowers? -Not at the moment. | 0:31:27 | 0:31:31 | |
Thank you so much, here you go. Enjoy your flowers. | 0:31:33 | 0:31:35 | |
OK, let's go for that one. | 0:31:37 | 0:31:39 | |
Thank you, enjoy your flowers. | 0:31:39 | 0:31:41 | |
What are these called again? Heliconia? | 0:31:41 | 0:31:43 | |
-What...? -Cos I'm going to try and sell them this. | 0:31:43 | 0:31:48 | |
The furry heliconia, if somebody does like it | 0:31:48 | 0:31:50 | |
I can charge a high price and really get in the money I want. | 0:31:50 | 0:31:54 | |
-What is this? -It's called heliconia. | 0:31:54 | 0:31:56 | |
-Eurgh! -It looks like an animal, doesn't it?! -I know. | 0:31:56 | 0:32:00 | |
We could sell you all of this, including the vase, for £125. | 0:32:00 | 0:32:03 | |
-What?! You having a laugh? -That didn't impress me at all. | 0:32:03 | 0:32:06 | |
Nobody's taking it so far, everyone's referring it to dead animals, | 0:32:06 | 0:32:11 | |
but hopefully I can find the one buyer who sees its unique charm. | 0:32:11 | 0:32:15 | |
Gbemi, can you hold the heliconia? | 0:32:15 | 0:32:18 | |
-What's that in there, hanging down? -That is the heliconia. | 0:32:18 | 0:32:22 | |
-Wow. -Don't suppose you'd be interested in one of those? | 0:32:22 | 0:32:25 | |
Too big, I think! | 0:32:25 | 0:32:28 | |
Rush hour. West London. | 0:32:31 | 0:32:33 | |
I see you smiling - come and buy some... | 0:32:33 | 0:32:36 | |
-Yes, they're completely real... -Half price flowers, come and have a look! | 0:32:36 | 0:32:39 | |
Roses are red, violets are blue, come and have a look, | 0:32:39 | 0:32:42 | |
we'll do a good deal for you. | 0:32:42 | 0:32:44 | |
That's going to be £7, sir. | 0:32:44 | 0:32:46 | |
Half price flowers, half price flowers... | 0:32:46 | 0:32:49 | |
Thank you so much. | 0:32:49 | 0:32:51 | |
'I really hope that we do enough so I'm not back in the boardroom.' | 0:32:51 | 0:32:55 | |
If I go back there again, I'm going to have a bloody breakdown. | 0:32:55 | 0:32:58 | |
Thank you very much. Bye-bye, guys. | 0:32:58 | 0:33:02 | |
£5 for this? Does that look good to you? Enjoy... | 0:33:02 | 0:33:05 | |
Hello - half price flowers for the next five minutes? | 0:33:05 | 0:33:08 | |
We've only got a few minutes left - half price flowers... | 0:33:08 | 0:33:13 | |
I think I'm going to faint. | 0:33:13 | 0:33:15 | |
Ten minutes to go. | 0:33:17 | 0:33:18 | |
Last chance for Harry M's heliconias. | 0:33:20 | 0:33:23 | |
-GBEMI: -Careful with the lights. | 0:33:23 | 0:33:25 | |
-I don't really like them. -What about some bouquets? | 0:33:26 | 0:33:29 | |
That would be nice. I will say three, maybe? | 0:33:29 | 0:33:32 | |
At the end of the bar there, it really would look phenomenal. | 0:33:32 | 0:33:36 | |
-Shall we look at it? -Yeah, let's have a look. | 0:33:36 | 0:33:39 | |
It looks fantastic. You can feel it, | 0:33:39 | 0:33:41 | |
it's soft, the texture, it's really unique. | 0:33:41 | 0:33:44 | |
It blends effortlessly. | 0:33:44 | 0:33:46 | |
-And look at all these customers. -I would eat more often if you had... | 0:33:49 | 0:33:52 | |
She would eat more often here! | 0:33:52 | 0:33:55 | |
It stands out. It's lovely. I think they're gorgeous. | 0:33:55 | 0:33:58 | |
You've heard it from your customers themselves. | 0:33:58 | 0:34:01 | |
-Shall we shake hands now? -Right, let's do the deal. -Excellent. | 0:34:01 | 0:34:04 | |
£150... Excellent. | 0:34:04 | 0:34:06 | |
Pleasure doing business with you. Thank you. | 0:34:06 | 0:34:10 | |
Hannah... I have some amazing news. | 0:34:11 | 0:34:16 | |
I just sold the really ugly plant for £150. | 0:34:16 | 0:34:18 | |
-Shut up... -Aaagh! Well done. | 0:34:18 | 0:34:21 | |
It only cost us £48. | 0:34:21 | 0:34:25 | |
Brilliant - oh, well done. | 0:34:25 | 0:34:27 | |
Good job. | 0:34:27 | 0:34:30 | |
-I can hardly speak. -You like you've shifted loads. | 0:34:31 | 0:34:34 | |
Yeah - Flower power! | 0:34:34 | 0:34:35 | |
Roses are red, violets are blue... | 0:34:37 | 0:34:39 | |
come and take a look, I'll do a good deal for you. | 0:34:39 | 0:34:42 | |
RECEPTIONIST: You can go through to the boardroom now. | 0:35:11 | 0:35:15 | |
-Morning. -ALL: Good morning, Lord Sugar. | 0:35:35 | 0:35:37 | |
Right, well. This task was all about selling flowers, | 0:35:40 | 0:35:43 | |
but not just selling them in isolation, but by adding | 0:35:43 | 0:35:47 | |
some value to them and putting them in forms of presentation. | 0:35:47 | 0:35:51 | |
Arrangements, bouquets... | 0:35:51 | 0:35:54 | |
-Or as I heard Lewis call them...? -Banquets. | 0:35:54 | 0:35:57 | |
Banquets. And the idea was that you would sell them, and make a profit. | 0:35:57 | 0:36:04 | |
It was all about profit. OK? | 0:36:04 | 0:36:06 | |
Now, I appointed Hannah as project manager for Atomic. | 0:36:06 | 0:36:09 | |
-Good team leader? -Excellent team leader. | 0:36:09 | 0:36:14 | |
Tell me how the teams split up. How did you do? | 0:36:14 | 0:36:17 | |
Harry, myself and Gbemi stayed and learned how to flower-arrange. | 0:36:17 | 0:36:21 | |
Zara had a strong preference to pitch, and Lewis came across as very enthusiastic. | 0:36:21 | 0:36:26 | |
Now, when you get to the hotel, what did they want? | 0:36:26 | 0:36:31 | |
They wanted something for a ruby wedding anniversary, so lots of red roses... | 0:36:31 | 0:36:36 | |
but after we gave them a quote we later heard | 0:36:36 | 0:36:38 | |
-that they hadn't decided to take us up on the offer. -Why not? | 0:36:38 | 0:36:41 | |
-Do we know why they lost it, Karren? -Too high. It was down to price. | 0:36:41 | 0:36:45 | |
-The price was too high. -Well, Hannah told you to go in at £165, | 0:36:45 | 0:36:49 | |
but you put the quote in at £200. | 0:36:49 | 0:36:52 | |
Cos you'd won the deal for the hairdressers. | 0:36:52 | 0:36:54 | |
-And for the theatre. -And for the theatre. Yeah. | 0:36:54 | 0:36:57 | |
And what was the theme that you sold to the hairdresser? | 0:36:57 | 0:37:00 | |
It was something incredibly modern, very tasteful, refined. | 0:37:00 | 0:37:03 | |
-Nothing fancy. -So they liked it, then? | 0:37:03 | 0:37:06 | |
-They liked it a lot. -Now, what was your strategy on the stall? | 0:37:06 | 0:37:10 | |
We had a small bouquet for £3, a standard size for £6, | 0:37:10 | 0:37:14 | |
and a supreme for £10. | 0:37:14 | 0:37:16 | |
So you came out with a pricing policy, did you? | 0:37:16 | 0:37:19 | |
The lady basically said to us you either double or triple it. | 0:37:19 | 0:37:22 | |
-Double or triple your cost price. -That's correct. | 0:37:22 | 0:37:25 | |
-What did you do? -We doubled. -We doubled. | 0:37:25 | 0:37:28 | |
And then Harry and Gbemi | 0:37:28 | 0:37:30 | |
went off to try and drum up some more corporate business, right? | 0:37:30 | 0:37:33 | |
Later on in the day, yeah. | 0:37:33 | 0:37:35 | |
I had a massive success. I found this one business | 0:37:35 | 0:37:37 | |
who bought these really sort of higher-end plants, | 0:37:37 | 0:37:40 | |
and I sold them six for £150. | 0:37:40 | 0:37:43 | |
Gbemi did contribute to that as well, though, it was a joint sale. | 0:37:43 | 0:37:47 | |
GBEMI: Yeah, more or less. | 0:37:47 | 0:37:49 | |
OK. Now, Kinetic - | 0:37:49 | 0:37:53 | |
Lizzie, the boys went off to do the pitching, yeah? | 0:37:53 | 0:37:56 | |
It seemed the boys were very against the idea of staying back. | 0:37:56 | 0:38:00 | |
My reasoning was simply the numbers. | 0:38:00 | 0:38:03 | |
I myself am not very good with numbers, | 0:38:03 | 0:38:06 | |
and I'll be the first to say that. | 0:38:06 | 0:38:08 | |
I thought you was the joint number one in Ireland on economics? | 0:38:08 | 0:38:13 | |
There's not a lot of numbers in economics... | 0:38:13 | 0:38:16 | |
Not a lot of numbers in economics(?) You don't mean that, James, surely. | 0:38:16 | 0:38:21 | |
We're not talking quantum physics here, we're talking, you know... | 0:38:21 | 0:38:25 | |
"This rose cost 40p - | 0:38:25 | 0:38:29 | |
"and if I take ten roses, that's £4." | 0:38:29 | 0:38:34 | |
We're not getting awarded A-star A-levels for that. | 0:38:34 | 0:38:37 | |
What's the big deal on the numbers? Every single one of you here | 0:38:37 | 0:38:40 | |
-should be capable of doing those numbers, no? -Absolutely. | 0:38:40 | 0:38:44 | |
You two went off to the hotel. | 0:38:44 | 0:38:48 | |
-You won that pitch. What was the price? -£175. | 0:38:48 | 0:38:51 | |
How much did you get? | 0:38:51 | 0:38:53 | |
We got £150, because whenever we took the flowers to the hotel | 0:38:53 | 0:38:56 | |
they were unhappy with the medium-size display... | 0:38:56 | 0:39:00 | |
So when you delivered them, they didn't like them. | 0:39:00 | 0:39:03 | |
The flower arrangements for the mantelpiece were the sort you'd expect to find in a jam jar. | 0:39:03 | 0:39:09 | |
Not in a five-star hotel. | 0:39:09 | 0:39:10 | |
-The hairdressers, you lost. What was your proposal? -I don't think the hairdressers got us at all, | 0:39:10 | 0:39:15 | |
I think the idea of what James called "rainforest chic" was just... | 0:39:15 | 0:39:19 | |
-What? -..was just humiliating. -What is rainforest chic?! | 0:39:19 | 0:39:24 | |
It was quick thinking. I accept that that was completely the wrong thing to say. | 0:39:24 | 0:39:29 | |
They asked where the flower was from, and I didn't know that so I said it was from the rainforest. | 0:39:29 | 0:39:33 | |
Moving on... Where did you pick up your pricing structure from? | 0:39:33 | 0:39:37 | |
-We were tripling the price. -Tripling the price? | 0:39:37 | 0:39:40 | |
-Yeah, we tripled it. -That was my idea. And at first... | 0:39:40 | 0:39:43 | |
-Whose idea was it? -It WAS my idea. If we doubled it, I thought "That was quite cheap", | 0:39:43 | 0:39:48 | |
-and I then pushed... -NICK: Hayley is right. | 0:39:48 | 0:39:51 | |
Good. You know what, I think we need to get down to | 0:39:51 | 0:39:56 | |
what we did as far as sales are concerned. | 0:39:56 | 0:39:58 | |
Karren, can you read them out to me, please? | 0:39:58 | 0:40:00 | |
Well, Team Atomic - total sales £858.25, | 0:40:00 | 0:40:06 | |
total costs £407.29, | 0:40:06 | 0:40:09 | |
so total profit £450.96. | 0:40:09 | 0:40:13 | |
Nick, same thing for your team. | 0:40:13 | 0:40:17 | |
Sales total £912.10, | 0:40:17 | 0:40:20 | |
total costs £448.58, | 0:40:20 | 0:40:23 | |
delivering a profit of £463.52. | 0:40:23 | 0:40:27 | |
£12 difference, I make that. | 0:40:27 | 0:40:30 | |
Was all you mathematicians able to work that out very quickly on the fly? | 0:40:33 | 0:40:36 | |
You've won this thing by £12.56, to be precise. | 0:40:36 | 0:40:42 | |
I think that the reasoning for this is that the triple margin initially | 0:40:43 | 0:40:49 | |
won the day, because this was all about profit. | 0:40:49 | 0:40:54 | |
So very well done. | 0:40:54 | 0:40:56 | |
I'm arranging a treat for you - you're going to go to | 0:40:57 | 0:41:00 | |
a very famous place in Piccadilly called Fortnum and Mason, | 0:41:00 | 0:41:04 | |
and they're going to give you a special luxury three-course dinner | 0:41:04 | 0:41:08 | |
with all of the courses having chocolate in it. | 0:41:08 | 0:41:11 | |
So I hope you enjoy yourself there, and I'll see you all on the next task. | 0:41:11 | 0:41:16 | |
ALL: Thank you, Lord Sugar. | 0:41:16 | 0:41:17 | |
I heard that you did some quite good things - some creativity there... | 0:41:29 | 0:41:34 | |
but you didn't make enough money. | 0:41:34 | 0:41:37 | |
So, go off and have a chat amongst yourselves. | 0:41:37 | 0:41:40 | |
(I can never get out of that boardroom...) | 0:41:42 | 0:41:45 | |
Well done. We had our quarrels, but at the end of the day, we won. | 0:41:50 | 0:41:54 | |
-So, cheers to us! ALL: -Cheers! | 0:41:54 | 0:41:56 | |
Scallops, and white chocolate sauce. Free range duck breast... | 0:42:00 | 0:42:04 | |
with a dark chocolate sauce. | 0:42:04 | 0:42:06 | |
-I thought that he was going to fire me and Harry. In a double firing. -We were gone... | 0:42:06 | 0:42:10 | |
-Whoa, look at that! -Chocolate sundae. | 0:42:10 | 0:42:14 | |
These flowers are quite rainforest chic, aren't they(?) | 0:42:14 | 0:42:18 | |
What the hell was I thinking?! | 0:42:18 | 0:42:20 | |
I feel absolutely cheated. | 0:42:36 | 0:42:38 | |
£12, literally. 12 bloody pound. | 0:42:38 | 0:42:41 | |
If we were to set our prices at triple, | 0:42:41 | 0:42:43 | |
we would definitely have got more money than the other team. | 0:42:43 | 0:42:46 | |
We worked as a team. | 0:42:46 | 0:42:47 | |
We win as a team, we lose as a team - this time, we lost as a team. | 0:42:47 | 0:42:50 | |
Hannah as project manager was quite good - | 0:42:50 | 0:42:52 | |
however, I don't feel that she really led us. | 0:42:52 | 0:42:55 | |
She worked well WITH us, rather than leading us and being decisive. | 0:42:55 | 0:42:59 | |
It's just... C'est la vie. It's the way things happen. | 0:42:59 | 0:43:02 | |
'I think you have to look at who's contributed least.' | 0:43:02 | 0:43:05 | |
And in that way, I think maybe Lewis or Harry M. | 0:43:05 | 0:43:09 | |
It's not all about sales figures. | 0:43:09 | 0:43:11 | |
You sold £150 in the last half an hour, | 0:43:11 | 0:43:14 | |
but what did you sell in the whole of that day? | 0:43:14 | 0:43:16 | |
-So are you trying to pin this on me? -No. | 0:43:16 | 0:43:19 | |
'I don't know who's to blame -' | 0:43:19 | 0:43:21 | |
maybe we're all responsible and we just can't say. | 0:43:21 | 0:43:23 | |
We did lose, so we're going to have to find out why we lost, | 0:43:24 | 0:43:29 | |
and then two of you'll be coming back into the boardroom with me. | 0:43:29 | 0:43:33 | |
-Can you send the candidates in, please? -'Yes, Lord Sugar.' | 0:43:53 | 0:43:56 | |
You can go through to the boardroom now. | 0:43:56 | 0:43:59 | |
Well, Hannah, here's the fact. | 0:44:20 | 0:44:24 | |
Right, you lost by £12 gross margin of profit, right. | 0:44:24 | 0:44:30 | |
Simple fact is that, if you had won the hotel deal, | 0:44:30 | 0:44:35 | |
you would've won, right? | 0:44:35 | 0:44:38 | |
Why did you lose the hotel, do you think? | 0:44:38 | 0:44:41 | |
Because we went in too high and I did appoint Zara | 0:44:41 | 0:44:45 | |
as the sub team leader, when we were all together, | 0:44:45 | 0:44:49 | |
and we did agree on £165, which then got raised to 200. | 0:44:49 | 0:44:53 | |
-Yes, but we did that with all of the three pitches. -We did say to you, "Go with the price that we've said." | 0:44:53 | 0:44:58 | |
I needed to pitch it higher than 165, because, | 0:44:58 | 0:45:01 | |
if it needed to be lowered, we needed to still make good profit. | 0:45:01 | 0:45:04 | |
Do we think that the loss of the hotel deal | 0:45:04 | 0:45:10 | |
is the real failure for the whole loss of the whole task | 0:45:10 | 0:45:14 | |
-or what? -It definitely was a contributing factor. -Yeah. | 0:45:14 | 0:45:18 | |
Lewis, I heard that, particularly in the pitch, | 0:45:18 | 0:45:21 | |
-it was really Zara that was doing all the talking... -Correct. -..and you were flapping around. | 0:45:21 | 0:45:26 | |
Someone said to me, "Never mind selling flowers, you couldn't sell flowers on Mother's Day." | 0:45:26 | 0:45:31 | |
Well, to be honest, Lord Sugar, from last week, | 0:45:31 | 0:45:33 | |
I didn't want to come across as overpowering and as a... | 0:45:33 | 0:45:36 | |
glory hunter, as Karren said, so I wanted to give somebody else | 0:45:36 | 0:45:40 | |
an opportunity with the pitches. However... | 0:45:40 | 0:45:42 | |
Mobile phone going off twice during the pitches when you're told to turn it off? | 0:45:42 | 0:45:46 | |
-I didn't know how to work it... -A young man doesn't know how to work a phone? That's a new one! | 0:45:46 | 0:45:50 | |
I do feel Lewis did a good job, cos he did draw in a lot of customers. | 0:45:50 | 0:45:55 | |
OK. But anyway, look, the thing is, if I've understood it correctly, | 0:45:55 | 0:45:59 | |
on the stall, you had some pre-arranged propositions. | 0:45:59 | 0:46:03 | |
-Yeah, they were £3, £6 and £10. -OK. | 0:46:03 | 0:46:07 | |
I suggested to Gbemi when she was devising the bouquets, | 0:46:07 | 0:46:09 | |
and again to Hannah before we actually got to the market, | 0:46:09 | 0:46:12 | |
we should sell at £5, £10 and £20 and then we can always lower them. | 0:46:12 | 0:46:16 | |
Where did you get your £5, £10 and £20 from? | 0:46:16 | 0:46:20 | |
I just thought they were fairly reasonable prices. | 0:46:20 | 0:46:22 | |
I didn't think people would buy anything for £5 when they don't know who we are. | 0:46:22 | 0:46:26 | |
I mean, Harry, to be fair, you came up with £5, £10 and £20, | 0:46:26 | 0:46:31 | |
you was on the right tracks. In the meantime, | 0:46:31 | 0:46:34 | |
when Gbemi joined you on the mobile team, what did you do? | 0:46:34 | 0:46:37 | |
-We went round businesses and sold them bouquets, generally spending about £10. -£10, not 3. | 0:46:37 | 0:46:42 | |
They were a joint effort. | 0:46:42 | 0:46:43 | |
-Gbemi would make them, I'd do the selling and.... -Not really. | 0:46:43 | 0:46:47 | |
-Hmm? -You're making it sound as if I stood outside like... | 0:46:47 | 0:46:50 | |
-There was some crossover in the initial sale. -You made it clear you thought the sales were yours | 0:46:50 | 0:46:55 | |
-rather than Gbemi's. -No, I said the last sale, the major sale, was mine. | 0:46:55 | 0:46:59 | |
When it came to the last sale, he decided to say, | 0:46:59 | 0:47:02 | |
"Yeah, I made that £150 sale all by myself." | 0:47:02 | 0:47:04 | |
I really pushed and pushed and, when we closed the deal, | 0:47:04 | 0:47:07 | |
you were outside. That was a massive sale and I had to take credit for it. | 0:47:07 | 0:47:11 | |
-But that's just half of the sales we did of the shops. -Whoa, whoa...! | 0:47:11 | 0:47:15 | |
-OK. -Who's responsible for the failure of this task, then? | 0:47:15 | 0:47:18 | |
-There's five of you here, one of you's going. -Zara. | 0:47:18 | 0:47:21 | |
-I'll listen to anyone. -Zara? -Yeah. -I don't think that is fair. | 0:47:21 | 0:47:24 | |
He's asked my opinion and I told him that I think it's you. | 0:47:24 | 0:47:27 | |
-I'll pick up on something. -I'll justify that. He asked me | 0:47:27 | 0:47:30 | |
and I'm giving my response, please let me give my opinion. | 0:47:30 | 0:47:34 | |
I think Zara is responsible, because I gave you the £165, | 0:47:34 | 0:47:37 | |
which was lower than the other team of £175, which was then accepted. | 0:47:37 | 0:47:42 | |
Who's responsible for the failure of the task, then? | 0:47:42 | 0:47:45 | |
The person who decided pricing on the bouquets, cos they were too low. | 0:47:45 | 0:47:48 | |
And, Lewis, who would you say is responsible for the failure of this task? | 0:47:48 | 0:47:52 | |
It's hard to say. Do I actually have to say what two people? | 0:47:52 | 0:47:56 | |
You were here, it's not as if you were sitting at home somewhere. | 0:47:56 | 0:48:00 | |
Probably myself and Zara, but I think I did try my best | 0:48:00 | 0:48:03 | |
the second day and tried to up my game a lot. | 0:48:03 | 0:48:06 | |
All right, listen, I think we've heard enough stuff here. | 0:48:06 | 0:48:10 | |
Um, Hannah, which two people are you bringing back? | 0:48:10 | 0:48:14 | |
Lord Sugar, I'd like to bring back Zara and Harry. | 0:48:14 | 0:48:18 | |
-Right, OK. -Hannah, just to clarify, me and Zara brought in the lion's share of profit. | 0:48:18 | 0:48:23 | |
-Whoa, whoa, whoa... -Lord Sugar, I'd like to bring in Zara and Harry. | 0:48:23 | 0:48:28 | |
All right, um, Lewis and Gbemi, go back to the house. | 0:48:28 | 0:48:33 | |
-Thank you, Lord Sugar. -Thank you, Lord Sugar. | 0:48:33 | 0:48:35 | |
-Don't thank me, thank her. -Thanks, Hannah. -Yeah. | 0:48:35 | 0:48:38 | |
They did a good job. | 0:48:38 | 0:48:41 | |
OK, well, look, um, step outside and I'm going to have a chat | 0:48:49 | 0:48:54 | |
and we'll come back in here | 0:48:54 | 0:48:57 | |
and then we'll decide which one of you is going, yeah? OK? | 0:48:57 | 0:49:00 | |
ALL: Thank you, Lord Sugar. | 0:49:00 | 0:49:03 | |
Well, I gave them the opportunity, the whole team, about Hannah. | 0:49:09 | 0:49:13 | |
-They all said she was very good. -KARREN: -Hmm. | 0:49:13 | 0:49:16 | |
-Harry M, it's all about Harry. -So he's a glory hunter? | 0:49:16 | 0:49:19 | |
There's a lot of negativity towards him from other members in the team. | 0:49:19 | 0:49:23 | |
It was there last week, it's there this week. He really has to sort this out. | 0:49:23 | 0:49:27 | |
The thing I'd like to get to the bottom of is, | 0:49:27 | 0:49:30 | |
why did Zara go in and ask for £200? | 0:49:30 | 0:49:33 | |
Why did she go against the project manager? | 0:49:33 | 0:49:36 | |
-'Hello?' -Yes, could you send the three of them in, please? | 0:49:39 | 0:49:42 | |
-'Yes, Lord Sugar.' -Thank you. | 0:49:42 | 0:49:45 | |
You can go through now. | 0:49:45 | 0:49:47 | |
Well, um, Hannah, um.... I want to know why you've brought these two in, simple as that. | 0:50:02 | 0:50:08 | |
OK, the reason I brought Zara in is | 0:50:08 | 0:50:10 | |
I felt, as a project manager, I should've been listened to. | 0:50:10 | 0:50:14 | |
Harry, however, I think, you're not a team player | 0:50:14 | 0:50:18 | |
and that comes across when you're selling sometimes. | 0:50:18 | 0:50:21 | |
Lord Sugar, may I respond to these comments? | 0:50:21 | 0:50:24 | |
Hannah, I'll tell you where we lost. We lost on pricing. | 0:50:24 | 0:50:28 | |
-Had we raised the prices, we would have got that £12 no problem. -Listen. | 0:50:28 | 0:50:32 | |
If you started off at £5, £10 and £20, it would've taken you | 0:50:32 | 0:50:36 | |
maybe a half-an-hour to have seen it either worked or didn't work. | 0:50:36 | 0:50:41 | |
But it got rejected. Now, was you part and parcel of that decision? | 0:50:41 | 0:50:45 | |
Yeah, because I thought £20 was too much for the bouquet, so I put my foot down and said no. | 0:50:45 | 0:50:50 | |
Do you not see that that may have been wrong? | 0:50:50 | 0:50:53 | |
On reflection now in hindsight, yeah, and hindsight's fine, | 0:50:53 | 0:50:56 | |
but when we were there and focussing on the selling, | 0:50:56 | 0:50:59 | |
I didn't pick up that tripling would be a better thing to do. | 0:50:59 | 0:51:02 | |
Zara, you were told £165 | 0:51:02 | 0:51:06 | |
and, um, you started off | 0:51:06 | 0:51:09 | |
-at 200 with the hotel, right, OK? -That is correct. | 0:51:09 | 0:51:12 | |
You were brought back here because of that one, I guess, fatal error. | 0:51:12 | 0:51:16 | |
I'm going to recognise it was because of price that we lost that, | 0:51:16 | 0:51:19 | |
I'm willing to accept that and acknowledge that, | 0:51:19 | 0:51:22 | |
but I don't see why that justifies me being here when I brought in, | 0:51:22 | 0:51:25 | |
-almost single-handedly, £300 worth of sales of our total 800. -I know... | 0:51:25 | 0:51:30 | |
And I...I completely agree with that, but then, | 0:51:30 | 0:51:32 | |
it's basic instruction. I told you a figure and you didn't stick to it. | 0:51:32 | 0:51:36 | |
I took the 165 as the minimum profit margin. | 0:51:36 | 0:51:40 | |
Let me talk about the theatre. You give me £80. | 0:51:40 | 0:51:42 | |
That was again the minimum profit margin and I sold it for 100, | 0:51:42 | 0:51:45 | |
so I applied the same tactic to two different clients. | 0:51:45 | 0:51:48 | |
It's life that one was hit, one was miss. | 0:51:48 | 0:51:51 | |
-We got one, one of them didn't work out quite as well. -Harry... | 0:51:51 | 0:51:55 | |
One thing Hannah does bring up | 0:51:55 | 0:51:57 | |
is that she says you're not a team player and you do recall, | 0:51:57 | 0:52:01 | |
er, last week, I was a bit concerned about this. | 0:52:01 | 0:52:05 | |
Lord Sugar, I do actually feel, and I think Zara will support this, | 0:52:05 | 0:52:10 | |
that, Hannah, when we were on task, I got on very well within the team. | 0:52:10 | 0:52:13 | |
We were having jokes, me and Zara even left a pitch arm in arm. | 0:52:13 | 0:52:16 | |
Teamwork is a fundamental issue, which cannot be learned in, um, kind of one task. | 0:52:16 | 0:52:23 | |
You need to recognise something. I think you don't recognise you're not a team player. | 0:52:23 | 0:52:27 | |
Hannah, you can't say I didn't work in the best interests | 0:52:27 | 0:52:30 | |
-of the team... -I just did! -I did that the whole day through! | 0:52:30 | 0:52:33 | |
Everybody has their flaws, but that is something that is so fundamental, | 0:52:33 | 0:52:37 | |
-not just in business, but in life, you can't be so self-centred... -I understand, but can you say where, | 0:52:37 | 0:52:42 | |
-throughout the actual process of the task, where I did not show I was a team player? -Yeah. | 0:52:42 | 0:52:46 | |
-Go on, then, let's hear. -OK! | 0:52:46 | 0:52:49 | |
So yourself and Gbemi came back with, er, absolutely ecstatic, | 0:52:49 | 0:52:55 | |
"Guys, guys, guys, this deal I just made," not WE made. | 0:52:55 | 0:52:59 | |
Zara, when I was with you, did you feel | 0:52:59 | 0:53:01 | |
that I was very me, me, me, or did you feel we worked well together? | 0:53:01 | 0:53:05 | |
I actually think that what is of more importance here is | 0:53:05 | 0:53:08 | |
Harry did not lose this task for us. The things we were selling were too cheap, we weren't getting profit in. | 0:53:08 | 0:53:14 | |
-Yeah. I think, um, to say... -Hannah... | 0:53:14 | 0:53:16 | |
-No... -Hannah, that is unfair. -If you just let me finish? | 0:53:16 | 0:53:19 | |
Obviously, you can respond, cos you all need to respond, but... | 0:53:19 | 0:53:22 | |
But you're saying that, but yet, you brought in the two people | 0:53:22 | 0:53:25 | |
who made the most profit. If anyone missed the task was about profit, | 0:53:25 | 0:53:29 | |
-surely it's you for bringing us back and laying the blame... -OK, listen. | 0:53:29 | 0:53:33 | |
Zara, having listened to this tale of woe here from all three of you, who should be going home today? | 0:53:33 | 0:53:39 | |
On a purely professional business sales basis, Hannah should go. | 0:53:39 | 0:53:43 | |
-Harry? -I would also say Hannah, again for the pricing and I think she's brought the wrong people back. | 0:53:43 | 0:53:49 | |
If it was Hannah and two others, I'd give a different answer. | 0:53:49 | 0:53:52 | |
My problem is that you're all young people, | 0:53:52 | 0:53:55 | |
you're all willing to learn, | 0:53:55 | 0:53:58 | |
and I have to make a decision, | 0:53:58 | 0:54:01 | |
which is a kind of tough decision, is to send one of you home today. | 0:54:01 | 0:54:05 | |
Zara, um, I... | 0:54:07 | 0:54:10 | |
..don't know what you're doing here, to be honest, I really don't, | 0:54:12 | 0:54:16 | |
so, I'm telling you right now, you're staying. | 0:54:16 | 0:54:19 | |
Harry... Hannah raises a very important point. | 0:54:19 | 0:54:25 | |
She kind of presses the right button | 0:54:25 | 0:54:28 | |
when it comes to the fact about this non-team player thing | 0:54:28 | 0:54:31 | |
and so it does raise a very serious issue to me. | 0:54:31 | 0:54:36 | |
Hannah, um... | 0:54:36 | 0:54:39 | |
it's a toss up between you and Harry here. | 0:54:39 | 0:54:44 | |
I say, as a businessman, that the three different price tiers | 0:54:46 | 0:54:51 | |
of the flower arrangements for day two may have been the fatal error. | 0:54:51 | 0:54:56 | |
The 5, 10 and 20 surely would have brought you through more profit. | 0:54:56 | 0:55:02 | |
On reflection, Harry, I have to say, um, that, um.. | 0:55:02 | 0:55:08 | |
-Lord Sugar, can I just say...? -No, you can't. | 0:55:08 | 0:55:10 | |
On reflection, I have to say that, um... | 0:55:10 | 0:55:13 | |
..your salesmanship and your last sale has saved you and so it is | 0:55:20 | 0:55:27 | |
with regret, Hannah, and possibly because you've, | 0:55:27 | 0:55:30 | |
in my opinion, have brought the wrong people back, that I have to say to you that you're fired. | 0:55:30 | 0:55:35 | |
-OK, thank you very much. -OK. | 0:55:35 | 0:55:37 | |
Well, Hannah is a very bright young lady | 0:55:48 | 0:55:52 | |
and the process is such that someone had to go today, right, | 0:55:52 | 0:55:56 | |
and she went because of wrong decision-making. | 0:55:56 | 0:55:58 | |
-OK, off you go back. -BOTH: Thank you, Lord Sugar. | 0:55:58 | 0:56:03 | |
I'm proud that I got this far, yet a little bit disappointed | 0:56:31 | 0:56:34 | |
that I didn't go further, but I know I'll walk away from this | 0:56:34 | 0:56:38 | |
knowing a lot more than when I came. | 0:56:38 | 0:56:40 | |
It's kind of given me a foundation to build on for the future. | 0:56:40 | 0:56:45 | |
-LAUGHTER -If the question was, "Who do you want back?" | 0:56:54 | 0:56:57 | |
-I would like to have Hannah... -Definitely. -Yeah. -..and Zara back. | 0:56:57 | 0:57:01 | |
-But who do I think's going? Hannah or Harry. Definitely not Zara. -I think Harry M's going. | 0:57:01 | 0:57:07 | |
-Everyone wants Hannah back. -LEWIS: I'll be furious if Hannah's gone. -She's such a lovely person. | 0:57:07 | 0:57:13 | |
HARRY H: Oh, my God. > | 0:57:13 | 0:57:14 | |
Oh, my God. | 0:57:14 | 0:57:17 | |
-Oh?! -Hey, guys. Was it hard? | 0:57:17 | 0:57:20 | |
-Yes. -Oh, bloody hell. You all right? | 0:57:20 | 0:57:23 | |
Oh, yeah! I wasn't sick! | 0:57:23 | 0:57:26 | |
He basically said, "Hannah, on the basis that you brought the wrong two people back, | 0:57:26 | 0:57:30 | |
"you're fired with regret." But on a lighter note, | 0:57:30 | 0:57:34 | |
we're all through to Week Four, halfway through the process! | 0:57:34 | 0:57:38 | |
-We are. -HARRY H: Yeah. > | 0:57:38 | 0:57:40 | |
Where's Lewis? Is he upset? | 0:57:41 | 0:57:43 | |
Now nine candidates remain. | 0:57:50 | 0:57:53 | |
Lord Sugar's search for his Young Apprentice continues. | 0:57:53 | 0:57:57 | |
-Next time... -Your job is to choose two products that you think will appeal to the over-50s market. | 0:58:00 | 0:58:07 | |
She's sleek and sophisticated and she actually comes from Barcelona. | 0:58:07 | 0:58:10 | |
-We're confident we can really sell this. -Harry's got high estimations! | 0:58:10 | 0:58:14 | |
-But peddling products to pensioners proves tough. -Will you buy one? | 0:58:14 | 0:58:19 | |
Wait a minute, I need a discount for senior citizen. | 0:58:19 | 0:58:22 | |
It's early retirement for one. | 0:58:22 | 0:58:24 | |
I wouldn't say it was a close call, | 0:58:24 | 0:58:26 | |
because you got well and truly beaten. You're fired. | 0:58:26 | 0:58:29 | |
Subtitles by Red Bee Media Ltd | 0:58:35 | 0:58:39 | |
E-mail [email protected] | 0:58:39 | 0:58:42 |