Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to the 750 acres of glorious Deerpark Road which are | :00:13. | :00:17. | |
the setting for this year's RHS Hampton Court Palace Flower Show. | :00:17. | :00:23. | |
Behind me, the perfect formal gardens at Hampton Court Palace | :00:23. | :00:29. | |
itself. There are 60 acres of gardens that have endured over 480 | :00:29. | :00:34. | |
years and there are currently home to about 8000 trees and one hand | :00:34. | :00:38. | |
and 40,000 other plants. The show is only on for seven days but in | :00:38. | :00:43. | |
that time, visitors can see hundreds of thousands of plants, | :00:43. | :00:50. | |
displayed at the peak of perfection. Up to 38 gardeners tended gardens | :00:50. | :00:57. | |
and 95% of the waste is recycled. There are 229 exhibitors and the | :00:57. | :01:03. | |
RHS has promised to recite a 96% of the green waste. Tonight we can | :01:03. | :01:07. | |
promise you a full 60 minutes pact of the very best the show has to | :01:07. | :01:13. | |
offer. Coming up: Chris Beardshaw tells us why his show garden, the | :01:13. | :01:16. | |
Stockman's Retreat is helping create a new generation of | :01:16. | :01:20. | |
passionate Landseer's. We have had our ups and downs, moments when we | :01:20. | :01:24. | |
have looked at the enormity of the task and we have been like a rabbit | :01:24. | :01:28. | |
in headlights but that is the point of the training programme. Meeting | :01:28. | :01:31. | |
the nursery applying the Japanese art of bonsai to our own native | :01:32. | :01:37. | |
trees. There is something about a bonsai that gives you such a reward | :01:37. | :01:43. | |
in satisfaction. It is a bit like a Rembrandt, it is an art. And the | :01:43. | :01:47. | |
modern day plant hunter, Tom Hart Dyke, shares his national | :01:47. | :01:53. | |
collection of eucalyptus. When you see it is going white, to green, to | :01:53. | :02:03. | |
:02:03. | :02:12. | ||
Hello and welcome to the 2011 RHS Hampton Court Palace Flower Show. | :02:12. | :02:17. | |
We have been here for nearly a week now, you must have seen everything? | :02:17. | :02:26. | |
No way! It is such a large show and I get stuck in certain corners. | :02:26. | :02:33. | |
Conceptual gardens, large gardens, small gardens. I have been in the | :02:33. | :02:38. | |
market garden three or four times and what I love about that is that | :02:38. | :02:42. | |
it is inspiring, it is all about what you can do at home, not what | :02:42. | :02:46. | |
we can do to feel you from of ideas. There is a sense that some shows | :02:46. | :02:52. | |
are about that? The floral marquees are still looking good. I try to | :02:52. | :02:55. | |
make a diversion through there were ever I am going and they replenish | :02:55. | :02:59. | |
the stock on a daily basis so it is looking very fresh. The Floral | :02:59. | :03:06. | |
Pavilion I have been to least. We get here at 7 am in the morning so | :03:06. | :03:10. | |
for 15 minutes we can go and see things and I always have my | :03:10. | :03:15. | |
notebook in my pocket and a pen and I just write down lists of plants, | :03:15. | :03:21. | |
things and combinations I like. Have you seen the edible mushroom | :03:21. | :03:26. | |
conceptual garden? I like the reaction of people, people seem to | :03:26. | :03:30. | |
enjoy them. As a show like this, the big show gardens still carry | :03:30. | :03:36. | |
the day, they are the stars, like it or not. This one won a gold | :03:36. | :03:41. | |
medal and we met the Duchess of Cornwall at this garden. At Chelsea | :03:41. | :03:45. | |
Flower Show last year, the garden designer and presenter Chris | :03:45. | :03:50. | |
Beardshaw visited a garden made by a group of UK Skills, an | :03:50. | :03:53. | |
organisation promoting apprentices from a range of disciplines. He was | :03:53. | :04:00. | |
so impressed by this that this year, he is designed a garden in | :04:00. | :04:04. | |
conjunction with three at landscape trainees from UK Skills. The first | :04:04. | :04:07. | |
thing he had then do before starting work on the garden was to | :04:07. | :04:12. | |
visit the National Trust's garden at Hidcote Manor so that they could | :04:12. | :04:22. | |
:04:22. | :04:23. | ||
learn how to mimic nature within a My team consists of three young men | :04:23. | :04:27. | |
who are focused and dedicated towards landscape gardening. James | :04:27. | :04:33. | |
from Northern Ireland has a great air of confidence about him. Ollie | :04:33. | :04:40. | |
is the cheeky one of the trio. Simon is the cool, calm, collected | :04:40. | :04:44. | |
character. It is their responsibility to build the garden | :04:44. | :04:52. | |
at Hampton. We got to represent the English landscape in all of its | :04:52. | :04:56. | |
glory in the show and encapsulate that with the exit. And digging the | :04:56. | :05:00. | |
lads to one of my favourite gardens, Hidcote Manor, to take a close look | :05:01. | :05:05. | |
at three of that habitats they will have to create - would land, meadow | :05:05. | :05:10. | |
and stream. The woodland is the backdrop to the garden, largely | :05:10. | :05:17. | |
about recreating very informal, a natural looking space. One of the | :05:17. | :05:20. | |
first thing that strikes you in this environment is the amount of | :05:20. | :05:27. | |
light blocked out by the can be at the trees. Ivy for instance, is a | :05:27. | :05:33. | |
dark green plant and that allows the plant to capture as much of the | :05:33. | :05:38. | |
light as possible. Other plants like lords and ladies, you can see | :05:38. | :05:46. | |
the berries are in flower. As soon as these leaves established, all of | :05:46. | :05:51. | |
this goes green the thing about the arrangement is that it all looks | :05:51. | :05:55. | |
very informal, there is no logic to how everything is laid out and this | :05:55. | :06:05. | |
:06:05. | :06:07. | ||
is what we have got to try to recreate. We very often think of | :06:07. | :06:12. | |
meadows as being simplistic. It is grass with a few flowers in but | :06:12. | :06:16. | |
take a look at a small area like this, have a square metre five or | :06:16. | :06:22. | |
six different flooring plant species. Even with the brief glance, | :06:22. | :06:26. | |
there are maybe 15 or 20 species of grass in here as well. It is also | :06:26. | :06:33. | |
working at the role this plant is playing. It is called Yellow rattle. | :06:33. | :06:40. | |
You can hear that. It rattles! pushes its routes into the roots of | :06:40. | :06:44. | |
the surrounding grasses and sucks the life out of the grass and so | :06:44. | :06:48. | |
the canopy of the grass is reduced and it is this idea of almost brush | :06:48. | :06:53. | |
strokes of the yellow with the buttercups and this rather acid | :06:53. | :06:58. | |
green coming through. It is quite weighty. We have got to try to | :06:58. | :07:08. | |
:07:08. | :07:11. | ||
recreate with these little jewels of the disease. -- daisies. Water | :07:11. | :07:16. | |
comes into different guises in the design. One is as a gentle stream | :07:16. | :07:19. | |
of what we have to get right is the way the plans have started to | :07:19. | :07:25. | |
colonise those. This little area of natural planting in here is going | :07:25. | :07:30. | |
to give us a very good pointer. Look at the way the plans are | :07:30. | :07:33. | |
establishing and have a look in there, on the banks, because they | :07:33. | :07:37. | |
are going right into the stream, one of two little seedlings Art | :07:37. | :07:40. | |
Show starting to establish themselves. It is a good | :07:40. | :07:43. | |
demonstration of the fact that we need a good variety of generation | :07:43. | :07:50. | |
of plants. There are at home in herbaceous borders but we can use | :07:50. | :07:55. | |
them right alongside the stream to act as a buffer between the stream | :07:55. | :08:05. | |
:08:05. | :08:10. | ||
and the broader herbaceous planting that goes on next door. Definitely! | :08:10. | :08:16. | |
How has it been, is it amazing building this garden? It has been | :08:16. | :08:21. | |
amazing, especially for us. It was a great opportunity to jump into | :08:22. | :08:25. | |
the plants with Chris he is so enthusiastic. What is your | :08:25. | :08:29. | |
favourite but of the garden? stream that goes down there under | :08:30. | :08:38. | |
the bridge. Years! That is mine, too, because we built that. What | :08:38. | :08:44. | |
about you? I like the two dry-stone colours at the end which I built! | :08:44. | :08:51. | |
Well done, give yourself a pat on back. | :08:51. | :08:58. | |
The lads have done really well, we are still talking as well. It has | :08:58. | :09:02. | |
been a real challenge for them. We have had our ups and downs. They | :09:02. | :09:05. | |
have been moments when they looked at the enormity of the task and it | :09:05. | :09:08. | |
has been a rabbit in headlights but that is the point of the training | :09:08. | :09:12. | |
programme. It shows the sky is how to deal with the major task and | :09:12. | :09:17. | |
bring it down into smaller fragments. The garden looks | :09:17. | :09:22. | |
absolutely stunning. Run us through the idea behind it? The UK team | :09:22. | :09:27. | |
represent us at the World Schools competition in October so we had to | :09:27. | :09:29. | |
encapsulate a training programme that was demonstrating what a | :09:30. | :09:35. | |
British garden is all about so we start off at the front with a very | :09:35. | :09:40. | |
glamorous Borders and become around to a more priory style of planting. | :09:40. | :09:45. | |
Then a traditional English flower meadow. Then the cart track, the | :09:45. | :09:48. | |
dry-stone wall and off into the rural idyll of the agricultural | :09:48. | :09:55. | |
landscape. The planting does soften it so much and the detail is | :09:55. | :10:00. | |
incredible actually. That is the idea, it has to be a real piece of | :10:00. | :10:06. | |
theatre. Things like the wall on the building, hand-made bricks in | :10:06. | :10:10. | |
the old English garden. The track is made out of a harder material, | :10:10. | :10:17. | |
made in a cobbled style. What about these boulders that run through | :10:17. | :10:20. | |
here because they're quite a contemporary twist on the garden. | :10:20. | :10:24. | |
Lots of people look at this and think it is traditional in garden | :10:24. | :10:31. | |
terms that this is about training. A raw product with great potential, | :10:31. | :10:38. | |
coming to the skills programme, getting to the one that has floated | :10:38. | :10:44. | |
on the water. I really like that, the whole garden is wonderful, well | :10:44. | :10:54. | |
:10:54. | :10:56. | ||
The Stockman's Retreat is not the only one here at Hampton Court. | :10:56. | :11:03. | |
Chris uses his for horticulture purposes, the arts and skills | :11:03. | :11:08. | |
needed to make a show garden, there are many diverse messages that the | :11:08. | :11:18. | |
:11:18. | :11:26. | ||
Rachel is dealing with a very complex subject. Her last car and | :11:26. | :11:31. | |
got an amazing response. What you think what this garden? Obviously | :11:32. | :11:36. | |
the message is difficult and it is brave to go about it but it works, | :11:36. | :11:39. | |
regardless of the message because it has gone for it with such | :11:39. | :11:43. | |
enthusiasm, they had used all the bright shades of pink and | :11:44. | :11:48. | |
ruthlessly edited out the others. The conventional wisdom is that | :11:48. | :11:52. | |
only soft pastel colours work under an English spy but I think you can | :11:52. | :11:56. | |
challenge that. The message is, if you are using strong colours, | :11:56. | :12:00. | |
choose the brightest, strongest combinations and make them sing and | :12:00. | :12:09. | |
dance. Don't be coy. It would be a little -- a great little roof | :12:09. | :12:18. | |
garden. You would have to pray for some! | :12:18. | :12:23. | |
This is one of the gold medal winners. It is one of the best | :12:23. | :12:26. | |
gardens in the show and you cannot faulted on any level yet I don't | :12:26. | :12:30. | |
feel comfortable with it which is an odd sensation. It is a highly | :12:31. | :12:35. | |
accomplished garden, very well designed and planted. I feel | :12:35. | :12:40. | |
slightly that I am sitting on the terrace of a five-star hotel. It is | :12:40. | :12:47. | |
not unpleasant. But I wouldn't want to have this at home. Many people | :12:47. | :12:54. | |
would think, I would love to have a garden like that. We have lavenders, | :12:54. | :12:59. | |
evergreen barques, silver birches, there is depth to the planting. | :12:59. | :13:02. | |
of the things I would take away from this is that you can do things | :13:02. | :13:07. | |
on a horizontal level. You can plant horizontally as well. We have | :13:07. | :13:12. | |
the structure here that gives it the height. It is not a garden that | :13:12. | :13:22. | |
:13:22. | :13:24. | ||
I will roll up my sleeves and get This is one of the most inspiring | :13:24. | :13:30. | |
thing I have seen. It is done by two student, Caroline and Petra who | :13:30. | :13:33. | |
have left clodge, so there is real talent coming through. The second | :13:33. | :13:38. | |
is they have taken a big idea, world harmony, and made it into a | :13:38. | :13:43. | |
garden. They have succeeded. It shows you can do anything with a | :13:43. | :13:46. | |
garden. They have taken circular pools of plants. Individual species | :13:46. | :13:50. | |
pools of plants. Individual species all the plants circled round, | :13:50. | :13:54. | |
defined by rusting metal plates. The tree, the silver birchs, a | :13:54. | :14:00. | |
terrible cliche in sew gardens but they have chosen a variety called | :14:00. | :14:04. | |
Fascination. It picks up on the digitalis on the front and on the | :14:04. | :14:08. | |
metal and on the leaves, so it is subtle, it is calm, and yet it is | :14:08. | :14:18. | |
big and inspiring. I won best in show. If you are watching last | :14:18. | :14:23. | |
night, you will recall there was a new range of roses introduced here. | :14:23. | :14:27. | |
Roses are an important part of the show but they are by no means the | :14:27. | :14:31. | |
only flowers you will see. Rachel has been to the floral marquee to | :14:31. | :14:41. | |
:14:41. | :14:44. | ||
check out the other new Every year, nurseries, find breed | :14:44. | :14:48. | |
and collect new plants, and here in the floral marquee, well, many of | :14:48. | :14:58. | |
:14:58. | :15:02. | ||
them are taking their first bow in Pine cottage plants is showing | :15:02. | :15:07. | |
beautiful South African natives. Agapanthus, this is their time of | :15:07. | :15:14. | |
year to shine. This one is called ind go dreams. It is very dark in | :15:14. | :15:20. | |
bud. Once the flowers open it retains that dark colouring, so | :15:20. | :15:29. | |
unusual. Below it a tug bag ya. The best thing it keeps flowering, from | :15:30. | :15:34. | |
spring through to autumn. But it needs good drainage, perhapss on | :15:34. | :15:44. | |
:15:44. | :15:45. | ||
the patio or a raised bed with A new introduction from Bowden is | :15:45. | :15:54. | |
this little one called Hands Up. It is a small version. It has a lovely | :15:54. | :15:58. | |
up right habit. Slightly curved leaves and the leaves are really | :15:58. | :16:02. | |
quite thick, so has very good resistance to slugs and nails. | :16:02. | :16:12. | |
:16:12. | :16:14. | ||
Sounds good to me! This is a brand- new plant. It stays nice and green | :16:14. | :16:19. | |
down the central area, and then this fan shape at the top becomes | :16:20. | :16:26. | |
paleer you get a strong contrast between that and this lovely dark | :16:26. | :16:31. | |
purple vaining. It is attractive and carnivorous plants are gaining | :16:31. | :16:37. | |
in popularity. They are easier to grow than you think. A pot with a | :16:37. | :16:41. | |
dish of rain water underneath. They need a good cold winter in order to | :16:41. | :16:51. | |
:16:51. | :16:53. | ||
These are popular foliage plants w the bonus of pretty flowers. Until | :16:53. | :16:57. | |
recently much of the breeding has been going on in America, where | :16:57. | :17:03. | |
they are mad for them. But Heucheraholics are showing a few | :17:03. | :17:08. | |
that have been bred in Europe. We have one from Belgium. This is Red | :17:08. | :17:14. | |
Dress. Small leaf, very dark green and the underside in purple. This | :17:14. | :17:18. | |
this French one. A nice bright lime green, with the slightly darker | :17:18. | :17:22. | |
marking on the leaf. They do have a habit of working their way upwards | :17:22. | :17:26. | |
in the soi. They try and push out, so if that happens in your garden, | :17:26. | :17:32. | |
dig them up, you can divide them and replant them a bit deeper. They | :17:32. | :17:38. | |
will be perfectly happy. One group of plants that always attracts the | :17:38. | :17:42. | |
admiration of the crowds are the bon sis. This magical Japanese art | :17:42. | :17:48. | |
form has been dominated by men, until recently. But now, bonsai | :17:48. | :17:52. | |
enthusiast Chrissie has joined her fellow male exhibitors taking | :17:52. | :17:58. | |
skills into a new direction.Ies -- Chrissie doesn't just restrict | :17:58. | :18:02. | |
herself to classic Japanese trees, she has extended the practice to | :18:02. | :18:12. | |
:18:12. | :18:17. | ||
There is something about a bonsai that can give you such a rewarding | :18:17. | :18:21. | |
satisfaction, it is like a recommend draant an a Constable. | :18:21. | :18:24. | |
There is an art. Something you can only bring it out from yourself, | :18:24. | :18:29. | |
within the tree, you can reflect that art f you like, in a living | :18:29. | :18:36. | |
piece of material. Bonsai actually means a translation from Japanese | :18:36. | :18:43. | |
to English is tree, or plant in a tray. This is a tree that is a | :18:43. | :18:47. | |
Chinese elm, which is the, probably the one people are most familiar | :18:47. | :18:52. | |
with. I started off with one of these, and a little oak tree. I | :18:52. | :18:57. | |
have decided to go for trees that are indigenous, and trees that are | :18:57. | :19:05. | |
available to us and will cope with living in this climate. This is a | :19:05. | :19:11. | |
tree that was taken out of a skip, five years ago. It has been a | :19:11. | :19:21. | |
bonsai for three years. This is a hau thorn. It was growing happily | :19:21. | :19:26. | |
as a hedge until the farmer decided he needed to make room for another | :19:26. | :19:35. | |
barn. This is a yew salvaged from a garden. This is the first stage of | :19:35. | :19:39. | |
coming into the world of bonsai. It is probably about 50 years old. As | :19:39. | :19:42. | |
it stood in the ground, as you can imagine the size of tree, there was | :19:42. | :19:47. | |
a huge amount of roots, which the tree now has to recover. Originally | :19:47. | :19:52. | |
it has tap root, the tap roots hold it into the ground. We don't need | :19:52. | :19:56. | |
them. So I work into the next four yier, will be to develop the | :19:56. | :20:01. | |
fibrous feeding roots, which is the future of the tree. The trunk, this | :20:01. | :20:06. | |
is amazing. It has the future of being a really good piece of | :20:06. | :20:10. | |
material. This tree was destined to be destroyed, and got rid of. I | :20:10. | :20:18. | |
have got the pleasure of keeping it going on. This one is a year two, | :20:18. | :20:23. | |
this part of the tree, where it was cut off from here and the base, has | :20:23. | :20:28. | |
actually died off, and this branch here tells me and confirms that, so | :20:28. | :20:35. | |
we can track back through this area, which is the live vein is coming up | :20:35. | :20:38. | |
from the outside and rising round the outside of this. So we now that | :20:38. | :20:43. | |
this part is dead. We can now work with the tree because which know | :20:43. | :20:48. | |
where the live veins are. This will be carved and created and made into | :20:49. | :20:54. | |
a tree that looks like it is dead. Not just cut off here and here. | :20:54. | :20:59. | |
There will be artwork applied, with drilling and kafrg out the deadwood | :21:00. | :21:05. | |
to create the artistic side to it. This is stage three, we can now | :21:05. | :21:11. | |
actually carve the wood out that we know is dead, from the taking from | :21:11. | :21:15. | |
the ground. You can see the live layer round the deadwood. As you | :21:16. | :21:22. | |
can see, the top, we have two holes. This depicts age. I mean, a lot of | :21:22. | :21:26. | |
ancient trees you see in nature have holes, and we have jumped | :21:26. | :21:32. | |
ahead and we have used carving tools to create this deadwood | :21:32. | :21:37. | |
appearance. We can then also apply the wires to the tree, to create | :21:37. | :21:45. | |
the branches. From a tree that is growing in a garden, unwanted | :21:45. | :21:55. | |
:21:55. | :22:00. | ||
position, you can have something Who is to say 100 or 1,000 years | :22:00. | :22:04. | |
down the line my trees might still be alive. I would like to think so. | :22:04. | :22:13. | |
I hope to think so any way. Well Chrissie, all these creations on | :22:13. | :22:17. | |
your stand I love the privet and the pine over there, but people | :22:17. | :22:20. | |
find them tricky, they are scared of growing them. I know people | :22:20. | :22:26. | |
would like to, but what are your top tips on growing these? I think | :22:26. | :22:30. | |
the accessible ones are the indoor one, the Chinese elm, they are easy | :22:30. | :22:34. | |
trees to start with. You can progress to using outdoor material, | :22:34. | :22:38. | |
which are trees that are indigenous to this country. Far better to use, | :22:38. | :22:42. | |
because they would naturally prefer to be outside. The indoor trees | :22:42. | :22:45. | |
would need the winter care in the house and maybe outside in the | :22:45. | :22:50. | |
summer. What about watering and feeding? Yes, possibly on a daily | :22:50. | :22:53. | |
basis through the growing season. Pruning again, through the growing | :22:53. | :22:59. | |
season. Some weeks you may doing it twice a week, some may not be every | :22:59. | :23:04. | |
six weeks. So keep a gauge on how much the growing. Clip it back. | :23:04. | :23:08. | |
When you see something shoot out cut it back Yes, the more you can | :23:08. | :23:11. | |
prune them back, the more they are going to grow. The tree will know | :23:11. | :23:16. | |
it wants to have so many leaves to continue through the growing season. | :23:16. | :23:21. | |
If you cut it back, it will spring out new leaves, so the more you | :23:21. | :23:25. | |
prune the bet it will respond. make it sound easy. You have | :23:26. | :23:35. | |
:23:36. | :23:38. | ||
brought your creations here. Lovely I love the RHS grow your own market. | :23:38. | :23:42. | |
Anything that encourages people to grow food, cook it, eat it, and | :23:42. | :23:47. | |
enjoy it is fine by me. The most spectacular stand is this. It is | :23:47. | :23:51. | |
The Garlic Farm, from the Isle of Wight. It does what it says on the | :23:51. | :23:55. | |
tin. It is all about garlic. You know, there isn't a guard none the | :23:55. | :23:59. | |
British Isles, that can't grow garlic successfully. There are lots | :23:59. | :24:05. | |
of different variety, you can plant it as early as September or late as | :24:05. | :24:09. | |
January. You can harvest as early in May or the end of the summer. It | :24:09. | :24:18. | |
People always talk about growing fruit and veg, but they don't talk | :24:18. | :24:24. | |
enough about growing herbs. Herbs should be essential in any garden. | :24:24. | :24:29. | |
They are the core of a really good edible garden. I am not necessarily | :24:29. | :24:34. | |
talking about fancy herbs, although it is interesting to see red | :24:35. | :24:40. | |
spinach. I am talking about herbs like Rosemary, sage, parsley. | :24:41. | :24:47. | |
Common enough but all delicious, and I think all essential. It is | :24:47. | :24:51. | |
really good on the Blackmoor stand to see fruit reduced right down in | :24:51. | :24:55. | |
size. I think everybody should grow some fruit in their garden. I know | :24:55. | :24:59. | |
people feel, that is, fine if you have space, by only have a small | :24:59. | :25:04. | |
backyard, how do I do it. You do it like this. You grow step over | :25:04. | :25:12. | |
variety, there is James grieve which is in the Copella garden. The | :25:12. | :25:21. | |
same plant. You can train fruit. Truth is, any St Paul garden can | :25:21. | :25:25. | |
produce wonderful food. There are a couple of guarders who set out to | :25:25. | :25:30. | |
prove you can grow your five a day in a smaller area as ten square | :25:30. | :25:40. | |
:25:40. | :25:41. | ||
Our garden is called the five a day garden, because through the ten | :25:41. | :25:45. | |
square metres of planting space we are using, you can grow enough | :25:45. | :25:49. | |
fruit and vegetables to meet the Government's recommended five a day | :25:49. | :25:55. | |
guideline, every day throughout the year. We are showing you how you | :25:55. | :26:02. | |
could grow in a confined planting space. You can have planters on | :26:02. | :26:07. | |
your stairs or wall, on a patio or on a roof terrace, the thing that | :26:07. | :26:17. | |
:26:17. | :26:21. | ||
is great about it, anybody can do They are probably five key pointers | :26:21. | :26:26. | |
behind how somebody could create their own five a day garden. One is | :26:26. | :26:32. | |
this deep bed method. All plants have different root depths, and of | :26:32. | :26:37. | |
course therefore different depth requirements in a planter. Here we | :26:37. | :26:42. | |
have salad crops which by and large have a similar requirement. We have | :26:42. | :26:45. | |
30 centimetres here, which is perfect for salad, and any deeper | :26:45. | :26:51. | |
and you would be putting compost in a pot you didn't need. Over here we | :26:51. | :26:55. | |
have carrots. It illustrates the density of planting you can achieve. | :26:55. | :27:05. | |
:27:05. | :27:05. | ||
If you get the depth right. How Design tip two is to use all of the | :27:05. | :27:15. | |
:27:15. | :27:18. | ||
If you are as committed as I am to tomato, realistically a greenhouse | :27:18. | :27:22. | |
will make a difference. Where to put it? Other than plonking it in | :27:22. | :27:28. | |
the middle of the lawn, I couldn't think of a solution. Until I struck | :27:28. | :27:38. | |
:27:38. | :27:39. | ||
You have to make every thing you grow count. So do a bit of research | :27:39. | :27:44. | |
before you plunge into buying the first seeds you come across, | :27:45. | :27:51. | |
because the wealth to kooz from is phenomenal. These are the crystal | :27:51. | :27:55. | |
apple cucumbers that are going to Hampton Court for the show garden. | :27:56. | :27:59. | |
The only way for you to be able to enjoy one is to grow your own. That | :27:59. | :28:04. | |
is part of the whole joy of this five a a day garden, is widening | :28:04. | :28:14. | |
your taste bud experiences. When you are growing in a small | :28:14. | :28:17. | |
area, it is important to always have small plants growing, you can | :28:18. | :28:22. | |
replace gaps when you get them. These beans have come to the end of | :28:22. | :28:28. | |
their life now, and we have planted some aubergines, that are ready to | :28:28. | :28:32. | |
be potted on into containers. You are getting two crops from one | :28:32. | :28:42. | |
:28:42. | :28:45. | ||
Final tip is contact with your plants. Visit them every day, look | :28:45. | :28:49. | |
at them, turn the leaves over, because you will find clusters -- | :28:49. | :28:53. | |
clusters of eggs under them. If you can be brave. Wipe of the thumb, | :28:53. | :28:58. | |
that is it, over and done with. You have nipped the problem in the bud. | :28:59. | :29:04. | |
If you visit them once a week those eggs will be hatching and the first | :29:04. | :29:09. | |
thing you will notice is holes in the leaves. The tips we have gone | :29:09. | :29:14. | |
through will help you on the way to achieving the maximum yield, but of | :29:14. | :29:18. | |
course you don't have to do the whole thing. Pick the vegetable you | :29:18. | :29:23. | |
most like or the space you have got, be it is a window box or balcony | :29:23. | :29:25. | |
and make your own little contribution to growing your five a | :29:25. | :29:35. | |
:29:35. | :29:41. | ||
day. A bit of space goes a very You're really into encouraging | :29:41. | :29:45. | |
people to grow their own vegetables, why is five a day so important to | :29:45. | :29:50. | |
you? This garden has been designed specifically to cram the maximum | :29:50. | :29:57. | |
amount of plants in. They are planted using a very clever method, | :29:57. | :30:03. | |
meeting new you can get for a bold increase from your yield. You are | :30:03. | :30:08. | |
able to get five a day for one person for every day out of the | :30:08. | :30:13. | |
year. You can get so much fun and and variety, we have managed to get | :30:13. | :30:18. | |
over 50 types of vegetables in his garden. Is that one of your strange | :30:18. | :30:22. | |
cucumbers over there? Yes it is a Crystal Apple cucumber and it grows | :30:22. | :30:28. | |
really easily. It produces tons of fruit. I will have to try that! | :30:28. | :30:32. | |
Your first time ever at Hampton Court and you got a gold medal, we | :30:32. | :30:42. | |
become regulars? Definitely not regulars but definitely Maybe! | :30:42. | :30:48. | |
It is a huge amount of work, physical and mental and time wise. | :30:48. | :30:56. | |
We have got other things to do as well, a business to run. It is a | :30:56. | :30:57. | |
Graham Earl of garden, congratulations and Never Say | :30:57. | :31:03. | |
Never! As Heather and Nicola had shown, | :31:03. | :31:08. | |
growing your own fruit and vegetables can be very satisfying. | :31:08. | :31:12. | |
That is something that Alice has been passion about for years. No | :31:12. | :31:16. | |
surprise that she made a beeline for the small gardens dedicated to | :31:16. | :31:26. | |
:31:26. | :31:29. | ||
that of a growing when she visited the show earlier this week. | :31:29. | :31:34. | |
This is the home front garden. It is a traditional take on a second | :31:34. | :31:37. | |
world war vegetable garden so the lawn has been dug up and replaced | :31:37. | :31:41. | |
with vegetables and there is plenty of rows of cabbages, tomatoes and | :31:41. | :31:46. | |
onions. It is full of lots of charming period detail, you can | :31:46. | :31:51. | |
really immerse yourself in times gone by here. Is a proper make-do | :31:51. | :31:54. | |
and mend. All the hard landscaping has been recycled as for that | :31:54. | :32:04. | |
:32:04. | :32:17. | ||
This garden is called the potential feast and is a very modern twist on | :32:17. | :32:21. | |
the cottage garden. You have edible flowers, herbs and vegetables are | :32:21. | :32:27. | |
all mixed together and it has an incredibly subdued and subtle | :32:27. | :32:31. | |
colour palette. They have also made a point of choosing vegetables that | :32:31. | :32:36. | |
look good. You have this crimson a broad bean that has the most | :32:36. | :32:41. | |
intense smell to it and you also have the lovely purple pot of peas | :32:41. | :32:47. | |
here and there beat should with its intense metallic waves. This is a | :32:47. | :32:51. | |
very attractive vegetable garden but it is not without humour. You | :32:51. | :32:57. | |
get to eat the walls if you want to and tomatoes tumble from above. | :32:57. | :33:00. | |
This is a modern take on the edible garden, an incredibly good use of | :33:00. | :33:08. | |
space and I can imagine gardening here. | :33:08. | :33:12. | |
This garden is an urban harvest and has been designed for a community | :33:12. | :33:16. | |
to use. What I like about the spaces how much fruit they have | :33:16. | :33:20. | |
managed to pack into the design so on the top layer, we have these | :33:20. | :33:24. | |
beautiful standard apples with their long stems with plenty of | :33:24. | :33:27. | |
space underneath for planting and then in the middle layer we have | :33:27. | :33:31. | |
the elder and along the front we have a little hedge of gooseberries | :33:31. | :33:36. | |
and wild strawberries. Back here when you're sitting on the seating | :33:36. | :33:40. | |
area, it is secluded and quiet and it gives it a lovely feeling. You | :33:40. | :33:44. | |
could get lost in the space and yet there is still plenty of vegetable | :33:44. | :33:48. | |
garden to be done. The small gardens Russia have been packed | :33:48. | :33:52. | |
full of vegetables. There is plenty of inspiration from the traditional | :33:52. | :33:55. | |
take on the old vegetable garden to something much more modern and | :33:55. | :34:01. | |
slick. We still have lots to come on the | :34:01. | :34:07. | |
programme. Gill is visiting Hampton Court's first night garden to show | :34:07. | :34:11. | |
that outdoor living doesn't have to come to their close when dusk | :34:11. | :34:20. | |
arrives. Also, I am interviewing Tom Hart Dyke who has brought his | :34:20. | :34:24. | |
national collection of eucalyptus here. You cannot help but love them, | :34:25. | :34:29. | |
can you? It is an obsessive behaviour! If there's anything you | :34:29. | :34:33. | |
want to know about the flower show, you can find out by going to our | :34:33. | :34:43. | |
:34:43. | :34:49. | ||
Another series of thought-provoking designs are because sexual gardens | :34:49. | :34:55. | |
here. They are meant to combine horticulture with deep thinking. | :34:55. | :35:00. | |
What does it mean to you? What we try to do is represent a snapshot | :35:00. | :35:04. | |
of reality, is the conclusion to an intellectual journey, it is | :35:04. | :35:08. | |
actuality there is being displayed. A conceptual garden is at the start | :35:08. | :35:13. | |
of the process, when all the intellectual things took place. It | :35:13. | :35:17. | |
should pose more questions than offering solutions. What you think | :35:17. | :35:23. | |
of this garden? This one is called in during freedom and is said to | :35:23. | :35:30. | |
represent the service men's journey into the unknown and the potential | :35:30. | :35:37. | |
hostility of the Afghan atmosphere. How well does it display the | :35:37. | :35:41. | |
concept of harshness and transition. When you cross that wrestled, do | :35:41. | :35:46. | |
you feel that the threat is here in the way that it is present in | :35:46. | :35:51. | |
Afghanistan? It is a bit of the stage show, a representation of of | :35:51. | :35:55. | |
Venice - and, too obvious, I suppose. It has been beautifully | :35:55. | :35:59. | |
planted and in a way, it dilutes the severity of the cause and the | :35:59. | :36:07. | |
concept. A hands-on exhibit delivers too strong messengers, the | :36:07. | :36:11. | |
first of relieving the stresses and strains of everyday life, achieved | :36:11. | :36:15. | |
partially by creating a floral tapestry but also by some | :36:15. | :36:19. | |
reassuring words on the board behind me. The second is perhaps | :36:19. | :36:25. | |
even stronger and that is to try and encourage people to consider | :36:25. | :36:30. | |
that every time we view, enter or interact with a landscape, a garden | :36:30. | :36:36. | |
or a plant or environment, we, in some way, contribute to the | :36:36. | :36:41. | |
structure and composition of that article. As such, this exhibit | :36:41. | :36:47. | |
allows you to develop a four- dimensional sculpture, every | :36:47. | :36:57. | |
visitor can leave their own contribution. | :36:57. | :37:01. | |
This garden, at first glance, it looks like a piece of grass with | :37:01. | :37:07. | |
notes of rusty old post boxes around the outside. But there are | :37:07. | :37:10. | |
periscopes and if you look inside them, you can see into the mirror | :37:11. | :37:15. | |
and you can see this world of edible fungi. It is amazing, we're | :37:15. | :37:20. | |
looking across this microbe landscape. You cannot work out | :37:20. | :37:24. | |
where they are coming from and if you turn down here, the land has | :37:24. | :37:30. | |
been tilted up and the shaft of light is working its way down | :37:30. | :37:34. | |
underneath. It is quite incredible. This is everything a conceptual | :37:34. | :37:41. | |
garden should be. It draws you in, it is intriguing, original, | :37:41. | :37:48. | |
creative and, the judges loved it, they gave it gold and Best in Show. | :37:48. | :37:53. | |
This garden is called picturesque, it got at gold medal. It is all | :37:53. | :37:59. | |
about using plants as if they were in an art gallery. It is taking the | :37:59. | :38:04. | |
iconic pictures and representing them in plants and a message about | :38:04. | :38:11. | |
sustainability. This is a really strong concept and beautifully | :38:11. | :38:15. | |
executed. We are being encouraged to consider our plants and the | :38:15. | :38:19. | |
intricacy and beauty of those plants before they become museum or | :38:19. | :38:23. | |
exhibition pieces where the only place she can see them is as a | :38:23. | :38:28. | |
private exhibition. This really is a conceptual garden for me but some | :38:28. | :38:37. | |
are a bit hit and miss. The Kandinsky, doesn't really work for | :38:37. | :38:44. | |
me. Containing a plant with in a glass box and suspending it in mid- | :38:44. | :38:48. | |
air, encourages us to look at the detail of the plant and see it in a | :38:48. | :38:53. | |
new light. To see it in its true beauty, focus on the detail of the | :38:54. | :39:01. | |
individual. Putting it in a glass box gives an odd to Damien Hirst, | :39:01. | :39:06. | |
as it was in a gallery. The conceptual designers have taken a | :39:06. | :39:09. | |
new approach to landscape gardening, the self-confessed plant lover Tom | :39:09. | :39:13. | |
Hart Dyke, is the search for new plants that excites him. He has | :39:13. | :39:18. | |
spent years scouring the globe for new additions to his world garden | :39:18. | :39:22. | |
at Lullingstone Castle in Kent. His passion has made him an active | :39:22. | :39:25. | |
member of Plant Heritage, the world's leading plant conservation | :39:25. | :39:29. | |
charity which pulls together national collections of of plant | :39:29. | :39:33. | |
genera to protect them against extinction. He brought his own | :39:33. | :39:38. | |
national collection of eucalyptus this year. He cherishes it and his | :39:38. | :39:41. | |
aim is to persuade more people to appreciate just how special | :39:41. | :39:51. | |
:39:51. | :39:58. | ||
The most widely planted tree on earth is the eucalyptus. It was my | :39:58. | :40:01. | |
gran he got me going at a very young age and it was how they | :40:01. | :40:06. | |
change their shape and size. How they adapt to climatic conditions | :40:06. | :40:15. | |
so well, how they change, they're absolutely amazing. Out here we got | :40:15. | :40:18. | |
a really good collection, 400 eucalyptus trees and some at the | :40:18. | :40:24. | |
age of 14, I was planting and some great ones to show you. This is | :40:24. | :40:31. | |
just an awesome tree, and this street was quite badly damaged in | :40:31. | :40:36. | |
the last winter but what you can see is doing, look at all these | :40:36. | :40:40. | |
group points and this is unique to a eucalyptus tree. Is a fantastic | :40:40. | :40:44. | |
way to adapt to a cold winter but usually through fire that has gone | :40:44. | :40:49. | |
through it and what is amazing is, these groups are appearing out of | :40:49. | :40:53. | |
the trunks will be six or eight feet long by the end of this year. | :40:53. | :40:57. | |
Look along here, this is to work three weeks earlier, look at them | :40:57. | :41:03. | |
all, bursting out. In three or four weeks' time, this tree is going to | :41:03. | :41:13. | |
:41:13. | :41:18. | ||
be amass of leaves going up the stems. In here begot the lemon- | :41:18. | :41:24. | |
scented three. Look at this peeling bark here, fantastic, revealing | :41:24. | :41:29. | |
this turquoise, Jade, green colour. When you see it in the wiles of | :41:29. | :41:34. | |
Queensland, as it is growing from white, to blue, green stems, it is | :41:34. | :41:43. | |
extraordinary. The smell of this, crash it between your fingers... In | :41:43. | :41:46. | |
heel that straight down to your lungs and Bexhill, it is really | :41:46. | :41:52. | |
strong. One more time I think. Fantastic smell and straight away, | :41:52. | :41:58. | |
you are smelly insect repellents and lemon scented candles, that is | :41:58. | :42:06. | |
where it comes from. All these trees, I collected myself in his | :42:06. | :42:09. | |
seat formed in 1999 from the Australia and in particular from | :42:09. | :42:13. | |
Tasmania. Most of these are going in my stand at Hampton Court this | :42:13. | :42:20. | |
year and one of my most rewarding and the sour fines was this | :42:20. | :42:27. | |
varnished gum, the world's smallest eucalyptus tree. People say, no, | :42:27. | :42:32. | |
but I promise, it is a eucalyptus, destroying to three or four feet | :42:32. | :42:40. | |
tall at the most. This is the only ones suitable for a rockery, I kid | :42:40. | :42:47. | |
you not. What makes my chlorophyll boy with excitement is this one. | :42:47. | :42:53. | |
This is the world's rarest eucalyptus tree. What I love about | :42:53. | :42:59. | |
it is, its circular foliage with the growing points and you can see | :42:59. | :43:04. | |
from the side, pink and red stems. A fantastic plant that is hardy and | :43:04. | :43:09. | |
not yet known in this country. Another one that is very tender, | :43:09. | :43:18. | |
but the world's largest and longest eucalyptus leaf. Here, it is too | :43:18. | :43:25. | |
early for the fruit, but you can already start to see these waxy, | :43:25. | :43:31. | |
blue leaves - fantastic foliage. It can get up to 4 ft long so we got | :43:31. | :43:35. | |
the world's rarest, the world's smallest and the world's largest | :43:35. | :43:39. | |
believed eucalyptus tree. Very exciting but it makes my heart | :43:39. | :43:49. | |
:43:49. | :43:49. | ||
flutter of excitement that I Your passion for eucalyptus is | :43:49. | :43:54. | |
apparent. You can't help but love them, can you. It is obsessive | :43:54. | :43:58. | |
behaviour Monty. You are not alone. A lot of people grow eucalyptus, | :43:58. | :44:03. | |
but a big problem seems to be they outgrow themselves. They plant them | :44:03. | :44:07. | |
small, and then they quickly become enormous, with all kinds of | :44:07. | :44:11. | |
problems. What is best way of dealing with this? Is it a question | :44:11. | :44:16. | |
of choosing the right plant? Absolutely. They are sold as | :44:16. | :44:20. | |
bedding plants when they can get to 40 feet within a handful of years. | :44:20. | :44:25. | |
What is the solution? Should it be better pruning or more selective | :44:26. | :44:30. | |
planting? Selective planting, that is back to basic, it is breaking | :44:30. | :44:38. | |
away into smaller plants such as the snow gun, or this one here. | :44:38. | :44:42. | |
Hardy but look good when small. The eucalyptus I say the people who | :44:43. | :44:48. | |
have them at 30, 40 feet tall, the neighbours complaining, the | :44:48. | :44:52. | |
foundations they maybe worried ab, you can really cut them back hard. | :44:52. | :44:59. | |
Take them down so they crown. They will start reshooting. The other | :44:59. | :45:04. | |
big question I am getting a lot of, you can't help but see, is a lot of | :45:04. | :45:08. | |
eucalyptus have died over the last winter. They appear to have died. | :45:08. | :45:12. | |
What is the best way of dealing with them? Should they be left to | :45:12. | :45:18. | |
see if they have regrowth 890% will regrow. Cutback to where the | :45:18. | :45:23. | |
growths are coming out. At what point do you decide to cutback? | :45:23. | :45:28. | |
They are still producing shoots. Do you leave for it a year, to autumn? | :45:28. | :45:34. | |
Should we be doing it now? I would do it now. 1st August by the latest. | :45:34. | :45:39. | |
Then that is it. They would have by the end of May starting to resprout | :45:39. | :45:44. | |
into June, July. Now we are getting into the middle part of July now, | :45:44. | :45:51. | |
and you can honestly, it will regrow and reshape into a tree that | :45:51. | :45:55. | |
is 20 feet tall within four or five years they have the rootstock and | :45:55. | :46:05. | |
:46:05. | :46:07. | ||
the trunk, and they are ready to go. If it hasn't sprouted by August it | :46:07. | :46:12. | |
is time for the compost heap. They are quick to sew what they are | :46:12. | :46:17. | |
going to do. This is your first time here. How has it been? | :46:17. | :46:21. | |
Brilliant. To get Silver-Gilt was brilliant. Superb. Will you be back | :46:21. | :46:27. | |
after a gold next year? If I can persuade the team, we are here. | :46:27. | :46:33. | |
is not the only national collection holder here at Hampton Court. We | :46:33. | :46:35. | |
have conservationists and collectors who have brought their | :46:35. | :46:39. | |
plant to the plant heritage tent from all over. From Scotland, Wales, | :46:39. | :46:44. | |
Cornwall, even my home county of Herefordshire. Earlier this week, | :46:44. | :46:49. | |
Alice talked to a few of them. The Plant Heritage Marquee is one of | :46:49. | :46:59. | |
:46:59. | :47:01. | ||
the hidden Jim gems here. -- hidden This year's theme is called a | :47:01. | :47:06. | |
living library. It displays some of the national collections. These are | :47:06. | :47:10. | |
every variation possible in a gene news. There are some things that | :47:11. | :47:19. | |
are very unusual. Some well-known and some that have been forgotten. | :47:19. | :47:23. | |
Dibleys is well-known for breeding these, how did it start? He my | :47:23. | :47:28. | |
father was a collector of plant, he enjoyed growing them. We have gone | :47:28. | :47:32. | |
back to some of the species and introduced them into the breeding | :47:32. | :47:36. | |
programme. It is just a really solid house plant isn't it It is | :47:36. | :47:41. | |
one of the easiest round. Put it on a windowsill. Keep it on the | :47:41. | :47:47. | |
slightly dry side and it will flower all the time. Why would you | :47:47. | :47:51. | |
bother collecting obscure species? It brings extra characteristics | :47:51. | :47:56. | |
into the varieties. This flowers mostly in the winter time. That we | :47:56. | :48:02. | |
managed to breed with a modern variety, and we ended one the next | :48:02. | :48:07. | |
generation hybrid that flowers all the year round. A normal one was | :48:07. | :48:12. | |
flower between? March and September, April time. This is the only | :48:12. | :48:17. | |
species that has the red flower, this is where all the modern | :48:18. | :48:23. | |
varieties have got reds and pink in come from. Without it they would be | :48:23. | :48:28. | |
blues and whites. It is important to get varieties like this growing. | :48:28. | :48:33. | |
It is a wonderful collection, thank you for sharing it. You are welcome. | :48:33. | :48:38. | |
I am very excited about finding this collection, because I didn't | :48:38. | :48:43. | |
realise there were so many out there. They go from the sublime to | :48:43. | :48:47. | |
the almost ridiculous there is one over there which has no leaves and | :48:47. | :48:54. | |
only Thornes. The corner is full of lovely carnations but what makes | :48:54. | :49:00. | |
them special? They are not just carnation, they are Malmaison | :49:00. | :49:04. | |
carnations which were the nower of the season for the Edwardian period. | :49:04. | :49:10. | |
They would be used as a cut flower? Also brought into the house for | :49:10. | :49:14. | |
special occasions. Why are they forgotten? They are prone to | :49:14. | :49:22. | |
viruses and they became difficult to propagate, but with the aid of | :49:22. | :49:28. | |
siens we have had them micro propagated: I see you have a Gold | :49:28. | :49:34. | |
Medal but not just a goad medal have a goad medal, but the best | :49:34. | :49:39. | |
plant heritage exhibit. I am still stunned, to be honest. I'm not. | :49:39. | :49:46. | |
It's a beautiful display. Thank you very much indeed for saying that. | :49:46. | :49:49. | |
One of the best things about heritage plant marquee is you get | :49:49. | :49:59. | |
:49:59. | :50:15. | ||
to walk away with a bit of a living We are in the LOROS Hospice Garden | :50:15. | :50:19. | |
of Light and Reflection. Look better in the sun. It is nice to | :50:19. | :50:23. | |
get a bit of sunshine again. We have had lots of photos e-mailed in. | :50:23. | :50:30. | |
Here is a good one from Robert, who took it of the Virtual Reality | :50:30. | :50:35. | |
Garden. It looks good from here. It's a bauble, not a pod. OK. | :50:35. | :50:41. | |
like this shot. This is atmospheric. I looks like poppy seed head. I | :50:41. | :50:45. | |
think they are made of medal -- metal. Susie capture add wonderful | :50:45. | :50:50. | |
planting scheme from the garden of light and reflection. Loads of | :50:51. | :50:55. | |
colour. Really intense. Beautiful. And talking of reflection, Chris | :50:55. | :51:00. | |
has snapped Monty. See, in the BBC team, preparing to start filming. | :51:00. | :51:06. | |
He is focusing. He is thinking. There are lots more. If you want to | :51:06. | :51:13. | |
look log on to the website. I have heard a small thing, but in the | :51:13. | :51:19. | |
floral marquee I think somebody ha had to pull out. Then floids | :51:19. | :51:23. | |
stepped in. They had a week to get everything together. Saved the day. | :51:23. | :51:28. | |
It is their first time at the show. Really? Well done them. Impressive. | :51:28. | :51:32. | |
There is a brand-new garden this year, hidden under the canvas of a | :51:32. | :51:36. | |
black out marquee, right up near the large show gardens. There is a | :51:36. | :51:41. | |
reason for that. It is called a garden at night. It is dedicated to | :51:41. | :51:46. | |
plants that come into their own after the sun has gone down. We | :51:46. | :51:56. | |
:51:56. | :52:13. | ||
Kari Beardsell has designed a garden which demmonstrated how | :52:13. | :52:18. | |
different it can be in the dark. Plant wise, we have things like the | :52:18. | :52:24. | |
silver birch which shine out in the dark, and plants like nicotiana, | :52:24. | :52:28. | |
white plants that work well in the dark, and some of them release a | :52:28. | :52:32. | |
beautiful perfume. Something like the red maple over there is | :52:32. | :52:36. | |
interesting, when you light it from below. You see the foliage in a | :52:36. | :52:46. | |
:52:46. | :52:52. | ||
The lighting is key too. Safety is the first thing, and without them I | :52:52. | :52:56. | |
wouldn't be able to get across the water. But don't just stick lights | :52:56. | :53:00. | |
in the lawn or flower beds lighting nothing in particular. Here Kari | :53:00. | :53:05. | |
has done a great job. We have strip lighting and that throws a light on | :53:05. | :53:10. | |
to the lawn, but she has grazed the walls back, the pillars to throw | :53:10. | :53:13. | |
that brick into relief. The water features here, they are brilliantly | :53:13. | :53:18. | |
lit with the spotlights, you can't see the source of the spot but they | :53:18. | :53:22. | |
light the feature itself. Then again, over dining areas like this, | :53:22. | :53:25. | |
you want a light from above and throw a light on to an area and | :53:25. | :53:29. | |
make it practical. She has done a brilliant on. When the visitors | :53:29. | :53:34. | |
come through they go quiet, really hush, hush, because they are | :53:34. | :53:39. | |
responding to the moody atmosphere of this garden. If you have been | :53:39. | :53:43. | |
inspired by Kari's night garden you might want to equip your own garden | :53:43. | :53:52. | |
for night-time living. Here it is packed full of ideas. Garden | :53:52. | :53:56. | |
lighting when used creatively can form a wonderful ambience in the | :53:56. | :54:02. | |
garden and extend the long summer evenings. Solar garden lighting has | :54:02. | :54:05. | |
been a nice idea, using the power of the sun to light the garden at | :54:05. | :54:09. | |
night. But it has been frustrating because it fizzles out an hour or | :54:09. | :54:12. | |
two after the sun goes down. There is new technology coming through | :54:12. | :54:18. | |
which is interesting. So one of these has got four LEDs in it. It | :54:18. | :54:21. | |
punches out quite a bit of light and it will last until one or two | :54:21. | :54:30. | |
in the morning. An interesting development. What could be more | :54:30. | :54:34. | |
romantic than the garden by candle light? I like these lanterns. They | :54:34. | :54:41. | |
range in price from about �45, down to only, well that is �9.95 for | :54:41. | :54:46. | |
that lantern plus the holder. Which I think is pretty good. When you | :54:46. | :54:50. | |
are entertaining in the gaden you will want to cater for friends, | :54:50. | :54:55. | |
make sure they are well-fed. If you are a keen cook you can have the | :54:55. | :55:01. | |
whole kitsch none the garden. And I mean the whole kitchen, down to the | :55:01. | :55:07. | |
sink. We don't need that newfangled stuff, all you need is a fire pit. | :55:08. | :55:12. | |
While you are doing it you can use one of these. This is a charcoal | :55:12. | :55:16. | |
burner and you put wood in. Ideally hardwood, then a couple of hours | :55:16. | :55:22. | |
later, you have made your own car coal. And of course, you need | :55:22. | :55:26. | |
somewhere to sit in the garden, in the evening. And I have found the | :55:26. | :55:32. | |
perfect spot, with this seat. It is so unusual. It is made from a | :55:32. | :55:36. | |
recycle sardine fishing boat. I love the idea it has had a life | :55:36. | :55:41. | |
before and now it is being reused having another. If a hammock and a | :55:41. | :55:46. | |
tent had a baby, what would it be called? Now it would be called a | :55:46. | :55:50. | |
cocoon. It would be like this. Relaxing, you can hang it anywhere. | :55:50. | :55:57. | |
The perfect place to chill out. think you can't beat a good old | :55:57. | :56:01. | |
fashioned swing seat. After the shopping it is nice to put my feet | :56:01. | :56:05. | |
up. It is an enormous show. My feet are killing me. It has been | :56:05. | :56:08. | |
brilliant. Thought provoking designs. Stunning summer colour. | :56:08. | :56:18. | |
:56:18. | :56:18. | ||
Apology for the loss of subtitles for 95 seconds | :56:18. | :57:54. | |
And here is a taste of Hampton at Our time here is rapidly coming to | :57:54. | :57:57. | |
an end but the show goes on. At least until Sunday night so if you | :57:57. | :58:02. | |
can get down here, I highly recommend itment and two children | :58:02. | :58:06. | |
get in with every adult tick ticket. If you are are are coming on Sunday | :58:06. | :58:10. | |
the big plant sell off starts at 4.30. All the details are on the | :58:10. | :58:19. | |
website. The week after it close, RHS Tatton Park flower show kicks | :58:19. | :58:25. | |
off on 20th July and Monty, Carol, Andy and myself will be bringing | :58:25. | :58:32. | |
you the high lights on 21st and 2nd. Although we are leaving here, we | :58:32. | :58:37. |