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Court happen. We've had a fabulous week with the crowds here enjoying | :00:38. | :00:42. | |
the show bathed in summer sunshine. If you watched the programme on | :00:42. | :00:49. | |
Monday, you will know that this year the Royal Horticultural Society have | :00:49. | :00:55. | |
divided the show into three zones - grow, inspire and escape. It is | :00:55. | :00:59. | |
escape we are focusing on tonight. Coming up, we meet the students | :00:59. | :01:05. | |
using the wild Scottish landscape as the inspiration for their | :01:05. | :01:09. | |
Shakespearean showground. We are hoping to bring a piece of Scotland | :01:09. | :01:13. | |
down through our strong references of Macbeth and the use of native | :01:13. | :01:20. | |
Scottish plants. As a new silver rose is unveiled, we explore the | :01:20. | :01:25. | |
popularity of novelty colours in the rose industry. And there is an | :01:25. | :01:30. | |
invitation to escape to the country, as Andy Sturgeon searches out this | :01:30. | :01:36. | |
year's best plant combinations. rules are there are no rules. You | :01:36. | :01:43. | |
can mix any flower and shape. Just let the plants get on it with -- get | :01:43. | :01:47. | |
on with it themselves. I think Hampton Court this year seems to | :01:47. | :01:53. | |
have a really positive feel to it. There is a celebratory feel in the | :01:53. | :01:57. | |
air. Obviously the weather is fantastic. Andy Murray won | :01:57. | :02:02. | |
Wimbledon. This country when the weather is good is the best place to | :02:02. | :02:06. | |
garden. It is not just blazing sunshine. We get the rain when we | :02:06. | :02:10. | |
want it, the cool when we want it, and it comes together. It reaches a | :02:10. | :02:14. | |
summit at this time of year. And in this lovely setting it is all here. | :02:14. | :02:21. | |
There's so much inspiration. It is not about for me gold medals, but | :02:21. | :02:24. | |
picking things that inspire you and fire you and thinking, yes, I can do | :02:25. | :02:30. | |
that at home. Have you seen the roses? I thought you would say that. | :02:30. | :02:36. | |
I have and they are lovely. But nobody loves them as much as you do. | :02:36. | :02:41. | |
The show gardens vary enormously. They all have something you can take | :02:41. | :02:45. | |
and apply to your garden. The one thing that's recurring this year is | :02:45. | :02:51. | |
the sense of the countryside, of naturalistic planting. A few days | :02:51. | :02:55. | |
ago Joe and I visited various show gardens looking at that British | :02:55. | :03:05. | |
:03:05. | :03:06. | ||
I've brought you to this garden because I think there were | :03:06. | :03:10. | |
interesting things here. I'm not wholly uncritical but you can | :03:10. | :03:15. | |
sometimes learn as much from a garden you don't necessarily | :03:15. | :03:20. | |
completely like as one you think is fab. What's interesting here to me | :03:20. | :03:26. | |
is the grasses I a usually use as a linking plant or to set off other | :03:26. | :03:30. | |
perennials are the star of the show. It is linking the countryside and a | :03:30. | :03:37. | |
naturalistic element into even a small space like this. These are | :03:37. | :03:42. | |
very beautiful and they are exactly giving the feel of verge of just a | :03:42. | :03:47. | |
roadside even, of natural planting, but those are very garden plants. | :03:47. | :03:53. | |
That's a really good abstraction. good come Bo. The planting on the | :03:53. | :03:57. | |
whole works really nicely. I think the path is too wide. I would like | :03:57. | :04:02. | |
to see it squeezed at some point and some of the grasses feel as if they | :04:02. | :04:07. | |
have self seeded in the gravel, as that's what they would do in nature. | :04:07. | :04:15. | |
It is a gold medal garden. It is a good un. The extent Rick English | :04:15. | :04:20. | |
garden gardener is reflected in the hot stuff garden, which takes | :04:20. | :04:26. | |
inspiration from the writer's home. I love the combination in this | :04:26. | :04:32. | |
garden. They bring a fantastic vehicle ransy. I just wish this | :04:32. | :04:39. | |
guard-a boundary to keep the eye within it and the formality of the | :04:39. | :04:49. | |
:04:49. | :04:52. | ||
feel is a little tight for the space. This garden is call called | :04:52. | :04:58. | |
Athanasia. It is made in memory of and inspired by a woman who died | :04:58. | :05:02. | |
suddenly of leukaemia far too young. She was a photographer among other | :05:02. | :05:07. | |
things. It is designed by a man who worked as a garden photographer. But | :05:07. | :05:11. | |
the back story is not what this garden is about. It is obviously | :05:12. | :05:18. | |
very important and meaningful to the people who did at this time, but a | :05:18. | :05:22. | |
garden has to exist in its own right. A strong influence which | :05:22. | :05:27. | |
makes this garden so good is the photograph photographic one. It | :05:27. | :05:33. | |
gives it depth of field. Objects in the foreground and the back round | :05:33. | :05:39. | |
are working equally to create a sense of space. Sometimes the focus | :05:39. | :05:45. | |
is sharply close to the camera and the background is fuzzy. Other times | :05:45. | :05:48. | |
you look through an unfocused image to something that's clear and | :05:48. | :05:53. | |
defined behind you. The eye can do that and gardens can do that. As | :05:53. | :06:01. | |
well as light fittering down from above, the eye is filtering images | :06:01. | :06:06. | |
laterally. Put large things in the front as well as small things. And | :06:06. | :06:09. | |
it is woodland. Woodland lends itself to this treatment, so your | :06:10. | :06:16. | |
planting has to be suitable. These are plants adapt to light levels | :06:16. | :06:26. | |
:06:26. | :06:46. | ||
This garden is called the Garden Pad. It feels like a bachelor pad, | :06:46. | :06:51. | |
somewhere for a man to invite someone around and have a party. You | :06:51. | :06:56. | |
walk down three stairs and you are in a sinken garden. That transforms | :06:56. | :07:00. | |
what you see and who can see you at the same time. I feel very secluded | :07:00. | :07:06. | |
even though I'm in the middle of Hampton Court. It is a clever piece | :07:06. | :07:14. | |
of design. The plants here really sing out in the evening light. This | :07:14. | :07:19. | |
is a bit bright, the paving is bright, but fortunately I brought my | :07:19. | :07:28. | |
shades. That's before. | :07:28. | :07:32. | |
There is one other garden here that draws its inspiration from the | :07:32. | :07:39. | |
British countryside. This time it is the wild beauty of the Scottish | :07:39. | :07:45. | |
Highlands. HND students Kath Stevenson and Jenna Stuart have | :07:45. | :07:49. | |
drawn their inspiration from Shakespeare's Macbeth. We caught up | :07:49. | :07:54. | |
with them last month in Perthshire, as they conducted their own dramatic | :07:54. | :08:04. | |
:08:04. | :08:20. | ||
This came about as part of compensation on our HND course at | :08:20. | :08:23. | |
the Scottish rural college in Edinburgh. All the students designed | :08:23. | :08:27. | |
a garden around we all voted for Jenna's garden and the best garden | :08:27. | :08:32. | |
and the one we wanted to build at Hampton Court. My grandfather is | :08:32. | :08:37. | |
from Scotland. We always came up to Scotland during my childhood for | :08:37. | :08:43. | |
holidays. I love the landscape. I love Macbeth. I know it like the | :08:43. | :08:53. | |
back of my hand, so merging the two together was a no brainer really. | :08:53. | :08:57. | |
This garden is called the witches of Macbeth and it takes inspiration | :08:57. | :09:02. | |
from the witching from the play. It will depict the garden they would | :09:02. | :09:08. | |
have used for their potions and remedies. The witches were prophets | :09:08. | :09:14. | |
who predicted that Macbeth would one day be King but they tricked him | :09:14. | :09:18. | |
into killing Duncan. So the garden will have an eerie sinister feel to | :09:18. | :09:28. | |
:09:28. | :09:29. | ||
Look! Sheep's wool. That will be great for the garden. It will look | :09:29. | :09:37. | |
great hanging on the roses, as if the sheep have been walking past. | :09:37. | :09:41. | |
are at the top of the hill. We've come here for inspiration, because | :09:41. | :09:47. | |
this is the hill where Macbeth spotted the Army approaching from | :09:47. | :09:55. | |
Burnham wood. Macbeth thought this is never going to happen, how can a | :09:55. | :10:01. | |
wood march across the fields. But they cut down the wood and marched | :10:01. | :10:11. | |
:10:11. | :10:19. | ||
around the time that Macbeth was written, so early 17th century. It | :10:19. | :10:23. | |
is going to feature a dilapidated house, which has been knocked over | :10:23. | :10:28. | |
and run down, and all the area around it is going to er overgrown | :10:29. | :10:34. | |
and out of control. There is going to be a cauldron that's tipped over, | :10:34. | :10:38. | |
the contents spilling over the ground and bubbling awayes is if | :10:38. | :10:44. | |
there is some evil magic in the garden and the witches have | :10:44. | :10:54. | |
:10:54. | :10:56. | ||
disappeared to collect ingredients for the next potion. We have here a | :10:56. | :11:01. | |
selection of plants that we hope to use in our garden. Some of these | :11:01. | :11:08. | |
plants can be associated with the famous part in Macbeth, which is the | :11:08. | :11:11. | |
witches' concoctions around the cauldron, throwing in and making | :11:11. | :11:17. | |
potions for Macbeth, which is the double, double, toil and trouble, | :11:17. | :11:22. | |
fire burn and cauldron bubble. the verse there are only two plants | :11:22. | :11:28. | |
named: Hemlock. Because it has been -- because it is one of the most | :11:28. | :11:32. | |
poisonous in the world we haven't been able to acquire it. And the | :11:32. | :11:39. | |
other is yew. All the other plant name names would have been disguised | :11:39. | :11:43. | |
by the witches to prevent people stealing their recipes. We've found | :11:43. | :11:53. | |
out that eye of newt and toe of frog and of bat are mustard seeds, the | :11:53. | :11:59. | |
leaves of the butter cup and the leaves of the holly. We are really | :11:59. | :12:02. | |
looking forward to going down to Hampton court. We are hoping to | :12:02. | :12:06. | |
bring a piece of Scotland down through our strong researcheses to | :12:06. | :12:15. | |
Macbeth and the use of native Scottish plants. | :12:15. | :12:22. | |
I had no idea that those wonderful line lines, they are actually are | :12:22. | :12:25. | |
code for plants. How did you research the plants that you would | :12:25. | :12:29. | |
need for the garden? First we researched the play and it was set | :12:29. | :12:33. | |
in 1045, so we researched the plants there. There was hardly anything. In | :12:34. | :12:37. | |
garden would have been full of heathers, so we decided to set it | :12:38. | :12:42. | |
when Shakespeare wrote it, around the early 17th century, so there was | :12:42. | :12:47. | |
a wired variety of plants to use. How many plants you manage to find | :12:47. | :12:53. | |
from that time? We probably used 150. There were more. That is a | :12:54. | :12:58. | |
really love number. I love the idea that Shakespeare would have | :12:58. | :13:01. | |
recognised all these plants. Hopefully everyone who comes here | :13:01. | :13:05. | |
will see something they've seen in the countryside or their own garden | :13:05. | :13:09. | |
but not realise they have medicinal properties. Tell me about the | :13:09. | :13:19. | |
planting. The Rosemary is good for digest on. On. And ivy is a lizard's | :13:19. | :13:24. | |
leg in the potion that the witches with used. It can be used to soothe | :13:24. | :13:31. | |
sunburn. You have a veritable a apothecary's Cabinet. We have yes. | :13:31. | :13:36. | |
It is atmospheric. You've even got the sheep's wool. Yes, all the way | :13:36. | :13:43. | |
from Perth. On tonight's programme we are looking at the idea of | :13:43. | :13:49. | |
escaping to the country. In fact escape is one of the theme areas. | :13:49. | :13:54. | |
That brings to mind voluptuous perennial-filled cottage gardens in | :13:54. | :13:58. | |
the country. But you don't have to live in the country to get that | :13:58. | :14:03. | |
look. Here is designer Andy Sturgeon's perfect plant planting | :14:03. | :14:09. | |
plan for beginners. If you want to add a touch of | :14:09. | :14:17. | |
romance to your borders, the cottage garden look could be for your. The | :14:17. | :14:21. | |
rules are that there are no rules. You can mix any colour or any flower | :14:21. | :14:25. | |
shape. Let the plants get on with it themselves. This type of planting is | :14:25. | :14:35. | |
:14:35. | :14:40. | ||
relaxed, informal and casual. Squires garden centres have created | :14:40. | :14:44. | |
march to Gertrude Jekyll, one of the greatest cottage gardeners. There | :14:44. | :14:47. | |
are plenty of plants here which are essential to get the look. One of | :14:47. | :14:55. | |
those have to be the ropes. Now this one is Rosa Gertrude Jekyll, and we | :14:55. | :14:58. | |
have one Rosa Munster Wood, named after the garden where she lived. | :14:58. | :15:04. | |
These were modern shrub roses, bred to have a lengthy flowering period. | :15:04. | :15:10. | |
A fantastic belief as well, which is disease resistant. -- leaf. They | :15:10. | :15:20. | |
:15:20. | :15:27. | ||
wonderful scent which should not be ignored in any garden. It is | :15:27. | :15:32. | |
particularly good along a path edge, where you can brush against it and | :15:32. | :15:35. | |
the aroma will waft up into the air. It is important to look after this | :15:35. | :15:38. | |
planned correctly because if you do not, it can become quite leggy and | :15:38. | :15:42. | |
woody and have a fairly short life. It needs a light trim in the spring | :15:42. | :15:46. | |
and after it has flowered, trim it more and keep it nice and compact | :15:46. | :15:56. | |
and you will have planned that thrives for years. One of the great | :15:56. | :15:59. | |
things about cottage gardens are the sole cedars which happily put | :15:59. | :16:03. | |
themselves about and do the designing for themselves. You have | :16:03. | :16:11. | |
quite a lot on the stand? One of the classic ones for a cottage garden is | :16:11. | :16:19. | |
the holy cock and foxglove. They are really easy. -- hollyhock. Nature | :16:19. | :16:25. | |
will do it for you, throwing it around. The Angel's fishing rod, it | :16:25. | :16:29. | |
is beautiful. You have the funny little grass stems coming up and a | :16:29. | :16:33. | |
lot of people will weed them out. I have got into trouble with my | :16:33. | :16:36. | |
husband for doing that. You leave the grassy stems and the first | :16:36. | :16:39. | |
year, they will die off and the second year they will come up | :16:39. | :16:43. | |
bigger, so be aware of bits of grass in your border. It might be one of | :16:43. | :16:53. | |
:16:53. | :17:02. | ||
without the lupin. At West Country Nurseries, it is all about lupins. | :17:02. | :17:12. | |
:17:12. | :17:18. | ||
Wonderful plants. This one in your plants you have to put them all | :17:18. | :17:22. | |
together and here at Hardy's cottage garden plants they certainly the | :17:22. | :17:25. | |
experts. You can see how they combine different plans with | :17:25. | :17:34. | |
contrasting leaf textures, grasses against this and the texture of the | :17:34. | :17:37. | |
foliage is really important. With cottage garden plants it is mainly | :17:37. | :17:43. | |
about the flowers and this bed is absolutely stunning. Steely blue | :17:43. | :17:51. | |
against the vibrant orange, into ladybird poppies, the blue and the | :17:52. | :17:56. | |
cerise pink. Another thing about cottage garden plants, it is about | :17:56. | :17:59. | |
nostalgia. This one really reminds me of when I was growing up. It | :17:59. | :18:09. | |
:18:09. | :18:22. | ||
divided into three zones, grow, inspiration and escape. In the | :18:22. | :18:28. | |
escape area the growing taste marquee. The point of that of course | :18:28. | :18:34. | |
is to inspire and encourage people to grow their own. You don't need an | :18:34. | :18:38. | |
allotment or a big garden to do this. You can do it on a tiny scale | :18:38. | :18:48. | |
:18:48. | :19:01. | ||
something that is very ordinary but actually, they were until the 17th | :19:01. | :19:06. | |
century, a completely rare, exotic plant and I've got a piece here | :19:06. | :19:10. | |
called Tom Thumb that was growing in America in the 19th century and | :19:10. | :19:14. | |
disappeared and it has reappeared in Canada and is going to be on sale in | :19:14. | :19:20. | |
this country from this autumn. Its great virtue is that it is a small | :19:20. | :19:23. | |
plants. It can be grown in a pot. You can grow it in a window box | :19:23. | :19:31. | |
even. It produces masses of peace. They have said I can do this. You | :19:31. | :19:41. | |
:19:41. | :19:42. | ||
get the most perfect sweetness, that crisp pod. Look at that. Now that is | :19:42. | :19:52. | |
:19:52. | :19:55. | ||
getting more and more interested in growing chilies. Are you seeing | :19:55. | :20:00. | |
that? Definitely. We started specialising in chilies in 1994. | :20:00. | :20:04. | |
Nobody wanted to buy them. Now, everyone wants them. They are | :20:04. | :20:09. | |
growing them, cooking them, there is so much interest. What is the most | :20:09. | :20:17. | |
popular, hot or mild? The most popular has extraordinary heat | :20:18. | :20:23. | |
levels. The most high level of heat measured for a chilly. What is the | :20:23. | :20:28. | |
germination and growing procedure to get the best? You have to so early | :20:28. | :20:32. | |
to expect a drop by the beginning of summer. We recommend selling in | :20:32. | :20:35. | |
January or February, up to the middle of March. Anything after | :20:35. | :20:42. | |
that, it is getting late. They are tropical plants and need heat and | :20:42. | :20:47. | |
light. We recommend selling the compost temperature at 27 degrees, | :20:47. | :20:52. | |
25 may but anything less, they will not germinate as well. A windowsill | :20:52. | :20:57. | |
will do? A windowsill is great, it will do as a house plants providing | :20:57. | :21:04. | |
it has light. What tips do you have for maximum fruit? Light and heat | :21:04. | :21:07. | |
chilies need plenty of both and if they get that they will produce. | :21:07. | :21:11. | |
They will produce flowers until October, so you have chilies until | :21:11. | :21:21. | |
:21:21. | :21:27. | ||
in the new Forest, which grows a lot of its own food organically. What | :21:27. | :21:35. | |
this does is show that you can grow a lot of different things, herbs, | :21:35. | :21:38. | |
fruit and of course vegetables in a small space. A vegetable plot does | :21:38. | :21:44. | |
not have to be a desert of a few rather overgrown cabbages. It can | :21:44. | :21:48. | |
have variety, it can have containers, there is a wonderful | :21:48. | :21:53. | |
area to sit on so that if you eat where you grow your food, that is a | :21:53. | :21:59. | |
double celebration and it reinforces this idea that if you grow | :21:59. | :22:02. | |
vegetables and you cooked vegetables and then you eat them, especially | :22:02. | :22:05. | |
with people you love and you can share them, it is all part of the | :22:05. | :22:15. | |
:22:15. | :22:19. | ||
taste marquee, Paolo Arrigo, has recreated the garden of the Roman | :22:19. | :22:25. | |
writer Pliny. He has done this in conjunction with Phil -- fish bone | :22:25. | :22:28. | |
Palace near Chichester. We went along to ask what kind of gardeners | :22:28. | :22:38. | |
:22:38. | :22:41. | ||
year is Pliny's garden, a Roman garden and we're really excited | :22:41. | :22:44. | |
about it because it features plants and vegetables that the Romans would | :22:44. | :22:54. | |
:22:54. | :22:58. | ||
Sussex and it is amazing to think this villa here is the largest Roman | :22:58. | :23:02. | |
villa north of the Alps, so from here into during there is nothing | :23:02. | :23:05. | |
like it. Some of the mosaics here are as good as anything you would | :23:05. | :23:08. | |
find in Italy and this would have been buzzing with Roman soldiers and | :23:09. | :23:13. | |
Roman life, a wonderful setting and a great inspiration for our garden | :23:13. | :23:23. | |
:23:23. | :23:30. | ||
Romans. They were associated with winemaking. This area of southern | :23:30. | :23:34. | |
England would have been completely planted up with finds everywhere. | :23:34. | :23:38. | |
Even today, in Italy, the legacy of the Romans is there are over 1000 | :23:38. | :23:42. | |
varieties of grapes still produced in Italy. The Romans would not have | :23:42. | :23:45. | |
just made wine with it, they would have used the leaves as well and | :23:45. | :23:49. | |
even injured soldiers would have eaten the white grapes to help them | :23:49. | :23:52. | |
recover more quickly. They were a good source of vitamins C and very | :23:52. | :23:56. | |
that beneficial. As well as giving shade as well. Something you would | :23:56. | :24:06. | |
:24:06. | :24:09. | ||
of quintessentially British and they were native before the Romans | :24:09. | :24:13. | |
arrived. But the Romans introduced other varieties which were from | :24:13. | :24:17. | |
Egypt and obviously a highly decorative plant. The Romans would | :24:17. | :24:22. | |
have used it in banquets, as a perfume, they even made rose wine, | :24:22. | :24:25. | |
rose oil, Rosewater, which they would have used to sweeten cakes and | :24:25. | :24:28. | |
they would have also used it medicinally as well for eye | :24:28. | :24:37. | |
infections. You might think this is an artichoke, but it is a car | :24:37. | :24:42. | |
doing. These would have been used widely in the Roman Empire. You are | :24:42. | :24:46. | |
after the stalks here which would have been blanched with straw, held | :24:46. | :24:54. | |
in place with twine and even today in Italy, in the Alps, we would eat | :24:54. | :24:58. | |
these so they are boiled first until they are tender, remove the | :24:58. | :25:02. | |
filaments, the stringy bits here, then with butter, not olive oil, not | :25:02. | :25:06. | |
in the Alps, and mountain cheese that would be grilled. Even today, | :25:06. | :25:16. | |
:25:16. | :25:21. | ||
the best cardoons come from a long shapes and sizes and colours of | :25:21. | :25:25. | |
lettuce. These are varieties that the Romans would be really used to | :25:25. | :25:30. | |
seeing. It was typical of Romans to carry seeds with them wherever they | :25:30. | :25:32. | |
went and especially fast-growing varieties. It was transportable | :25:32. | :25:37. | |
food, if you like, and when Romans were stationed in a particular place | :25:37. | :25:47. | |
:25:47. | :25:54. | ||
for a series of months, this would local Romans would have come to eat | :25:54. | :25:58. | |
their lunch. They would not have eaten in a formal way with tables | :25:58. | :26:03. | |
and chairs, like we would. Instead, they would have lounged around with | :26:03. | :26:07. | |
their wine, under the sun. This is a typical example of what they might | :26:07. | :26:14. | |
have eaten, something similar. This is the street food of Rome. It is | :26:14. | :26:18. | |
Piglet stuffed with panel -- fennel seeds with beautiful fragrant | :26:18. | :26:22. | |
rosemary, sage and garlic, all things the Romans would have | :26:22. | :26:28. | |
introduced to the UK. People are often surprised, things like | :26:28. | :26:31. | |
coriander and nightly, which we consider almost as exotic even | :26:31. | :26:36. | |
nowadays, that the Romans were using them back then. Really, that is the | :26:36. | :26:40. | |
whole purpose of our garden at Hampton Court. We want people to | :26:40. | :26:44. | |
identify with some of the plants and have that link back to 2000 years | :26:44. | :26:54. | |
:26:54. | :26:56. | ||
ago. A big question, what did the Romans ever do for us? ! It has to | :26:56. | :26:59. | |
be said. A lot when it comes to vegetables, we eat so many of them | :26:59. | :27:04. | |
today. It is incredible. Wherever the Romans went, they traded, one | :27:04. | :27:08. | |
thing came from a part of the empire and was traded to another part of | :27:08. | :27:14. | |
the Empire. Would they have had formal, allotment systems? | :27:14. | :27:18. | |
Romans, we think of a Roman garden being very formally laid out and | :27:18. | :27:23. | |
they were, but the planting was very loose, very cottagey. An allotment | :27:23. | :27:28. | |
is still a Roman measurement. and basil, the classic Italian | :27:28. | :27:32. | |
combination, was not around in those days, was it? It was Columbus and | :27:32. | :27:36. | |
the Americans that produced the tomato and the Italians took the | :27:36. | :27:41. | |
tomato to their hearts, and basil as well. They are good companion plants | :27:41. | :27:47. | |
as you know. Basil was used really to feed horses and they used it as a | :27:47. | :27:52. | |
medicine to put in their ears to cure ear infections. Pliny said if | :27:52. | :27:55. | |
you wait too much basil it would make you go mad which does explode | :27:55. | :28:03. | |
Julius Caesar. You have a lovely pomegranate in a pot over there. | :28:03. | :28:06. | |
Pomegranates we used to aid fertility in women and it was said | :28:06. | :28:08. | |
if they ate those they would have a better chance of producing children | :28:08. | :28:14. | |
and the burned husks were used to repel naps. They said the juice of | :28:14. | :28:18. | |
the pomegranate was healthy for you and we know that even today. Have | :28:18. | :28:21. | |
you bought any Roman soldiers with you, to complete the scene? It has | :28:21. | :28:31. | |
:28:31. | :28:33. | ||
been really nice to see you. If you want to see more of that garden, you | :28:33. | :28:36. | |
can on our website. I have come to the wisdom of age is garden to meet | :28:36. | :28:41. | |
the director-general the RHS. Very nice to see you. A fabulous show, | :28:41. | :28:45. | |
but there was a really important event earlier this week, wasn't | :28:45. | :28:51. | |
there? There really was, it was so wonderful. Tom was our winner of the | :28:51. | :28:54. | |
Young School Gardener of the Year award and the Duchess of Cornwall | :28:54. | :28:58. | |
was here yesterday and had all 16 finalists and Tom, a 16-year-old | :28:58. | :29:08. | |
from Derbyshire, won the event. Great to see a 16-year-old so | :29:08. | :29:13. | |
talented. The RHS does a lot of work with young gardeners. Why is that | :29:13. | :29:17. | |
important? My real concern is that if we do not inspire the next | :29:17. | :29:20. | |
generation, this will not happen in the future so we are keen to get | :29:21. | :29:25. | |
kids out there gardening. You are doing a lot of work with primary | :29:25. | :29:31. | |
schools? A massive amount. We have 60% with our campaign of school | :29:31. | :29:35. | |
gardens, six, seven, eight-year-old involved in selling seeds, learning | :29:35. | :29:39. | |
how to plant bulbs and things like that. If you only associated with | :29:39. | :29:44. | |
primary schools, once you get to 13, it is kids' stuff and you don't want | :29:44. | :29:51. | |
to do it? It what has to be cool for teenagers. We have got to start the | :29:51. | :29:55. | |
next stage. I never thought I would say it but how does the RHS make | :29:55. | :30:01. | |
gardening cool? We will, we will! But there is so much. If you had | :30:01. | :30:05. | |
been here yesterday and seen these children, I think our youngest one | :30:05. | :30:09. | |
was five, right up to a 16-year-old, they all think gardening is cool. | :30:09. | :30:14. | |
But most important of all, we have to engage them on the territory they | :30:14. | :30:17. | |
are happier standard is the computer world, so watch this space. It will | :30:18. | :30:22. | |
be here soon, RHS computer game for gardening. Thank you very much | :30:22. | :30:31. | |
indeed. We are halfway through tonight's coverage but we've still | :30:31. | :30:39. | |
got plenty to come. Rachel and Alys seek out some of the new offerings | :30:39. | :30:46. | |
at this year's rose marquee. Andy Sturgeon and myself visit the show | :30:46. | :30:52. | |
gardens that offer practical solutions for small spaces. And the | :30:52. | :30:57. | |
floral marquee is filled with the fragrance of hot summer sun, as | :30:57. | :31:05. | |
Hampton's new newist exhibit exhibitor Wild Time Plants, sets up | :31:05. | :31:10. | |
stall. The escape zone here at Hampton | :31:10. | :31:14. | |
Court also houses the iconic festival of roses, and it is here | :31:14. | :31:20. | |
every year that the rose-growing industry showcases the Rose of the | :31:20. | :31:24. | |
Year. Breeders work a year ahead, so this year we are looking at the Rose | :31:24. | :31:34. | |
:31:34. | :31:37. | ||
of the Year 2014. So, the 2014 winner takes centre stage. It was | :31:37. | :31:42. | |
bred by Harkness Roses. Congratulations. Thank you Rachel. | :31:42. | :31:47. | |
What are you looking for in a rose that might gain this accolade? | :31:47. | :31:53. | |
first thing we are always looking for is health. To make it easy to | :31:53. | :31:57. | |
grow for the customer in their garden. Then we add the colour, the | :31:57. | :32:01. | |
fragrance and the characteristics that people want. What type of rose | :32:01. | :32:11. | |
:32:11. | :32:14. | ||
is it? It is a floribunda.It is a really unusual colour. It is | :32:14. | :32:21. | |
genuinely an unusual colour. It is Lady Marmalade colour. Roses are | :32:21. | :32:24. | |
consistently voted the nation's favourite flower. Probably because | :32:24. | :32:29. | |
they evoke personal memories of emotional events like weddings, | :32:29. | :32:34. | |
anniversaries and birthdays. For a long time classic long-stemmed | :32:34. | :32:38. | |
floristry roses realised under glass led the way with fashionable colours | :32:38. | :32:43. | |
and long vase life, but that's all changing. Over the years, breeders | :32:43. | :32:48. | |
like Gareth Fryer have developed unusually coloured garden roses that | :32:48. | :32:55. | |
rival those used in floristry. We visited Gareth and florist Mark | :32:55. | :32:59. | |
Entwistle for a colourful masterclass. Breeding roses is | :32:59. | :33:03. | |
amazing, because it is a very short season. They come into bloom the | :33:03. | :33:06. | |
early part of the summer and you can't wait to see the new varieties. | :33:06. | :33:11. | |
When you see these colours for the first time, it is a heart-stopping | :33:11. | :33:21. | |
moment. Fashions do change. During the 1960s and 70s the trend was | :33:21. | :33:29. | |
bright, brash colours, bright rocks - bright oranges. And then soft | :33:29. | :33:33. | |
shades came into vogue and now there's a range of roses that come | :33:33. | :33:38. | |
under that banner of being nostalgic, vintage, old-fashioned. | :33:38. | :33:48. | |
:33:48. | :33:54. | ||
All of a sudden people are wanting is vintage, but the nice thing is | :33:54. | :34:04. | |
everybody's idea of vintage is different. From soft romantic, a | :34:04. | :34:11. | |
pale colour, but then we've got post-war, kitsch, 50s, the oranges | :34:11. | :34:21. | |
:34:21. | :34:22. | ||
and cerise pinks and raspberry reds. Moving on the the anticy kind of -- | :34:22. | :34:27. | |
antique look, grace, with cut glass vases and maybe things that don't | :34:28. | :34:37. | |
quite match. A little bit of mismatching. It is the time when the | :34:37. | :34:41. | |
cut flower roses were bred to a criteria. They had to be long | :34:41. | :34:47. | |
lasting. They had to be of a small shape. They had to have long, | :34:47. | :34:52. | |
straight stems, hardly any leaves, no thorns. They were all of a type. | :34:52. | :34:56. | |
But people are moving away. They want to buy something which is more | :34:56. | :34:59. | |
natural, more like they see in their garden, that is a bit damaged | :34:59. | :35:03. | |
occasionally from the weather, a little bit blown, because it has | :35:04. | :35:12. | |
opened quickly. And why not? Today I've got some of the lovely | :35:12. | :35:20. | |
varieties from Fryer. They are a big bigger look to the flower. This is | :35:20. | :35:25. | |
my favourite. This one is silver shadow. You've got the more open | :35:25. | :35:31. | |
flower, which as it opens up it goes paler, but on the tighter of the | :35:31. | :35:35. | |
flower buds there, you get the raspberry colour on the outside, | :35:35. | :35:40. | |
which is a nice mixture to use both together. What I'm doing is working | :35:41. | :35:50. | |
them quite close and tight together. I'm working around in a circle so | :35:50. | :35:57. | |
I'm getting a nice round posy shape. What makes this the perfect vintage | :35:57. | :36:03. | |
rose is actually the colours, the grey Lyle lack Bluey pink. Buts nice | :36:03. | :36:08. | |
to have the contrast of the little bits of raspberry touches coming in | :36:08. | :36:12. | |
as well, because sometimes if it is all one colour, it can look a bit | :36:12. | :36:17. | |
flat. As a florist it would be really nice to get our hands on more | :36:17. | :36:21. | |
of this kind of rose, because I think this is what the brides want. | :36:21. | :36:28. | |
They want this slightly less-clean finished look to it, so that it does | :36:28. | :36:32. | |
look natural. It almost looks as though you've just gathered them up | :36:32. | :36:42. | |
:36:42. | :36:42. | ||
in the garden on the way to the I'm very please that this rose, | :36:42. | :36:47. | |
silver shadow, is going to be introduced at the show, because I | :36:47. | :36:52. | |
think it typifies what a vintage rose is - a classic English rose | :36:52. | :36:57. | |
shape. It has glossy green follow yarjs produces masses of blooms. It | :36:57. | :37:04. | |
really is a rose breeder's dream this rose. I think I will probably | :37:04. | :37:13. | |
put it down as one of my best introductions. | :37:13. | :37:18. | |
How has the response been to the launch of silver shadow? Amazing. | :37:18. | :37:24. | |
Blue roses, lilac roses, are really the Holy Grail of roses. It has got | :37:24. | :37:30. | |
a fantastic raspberry outer petal fading to a lilac silvery colour and | :37:30. | :37:35. | |
almost a blue. It is an open-cut bloom as well, so it is bang on | :37:35. | :37:40. | |
trend. Give me a tip. What's going to be the next big thing? We think | :37:40. | :37:45. | |
softer colours. Anything that has dual personality but with a nice | :37:45. | :37:50. | |
sharp colour. So our gardens could be looking a bit different soon. If | :37:50. | :37:57. | |
you would like design tips on growing roses next to perennials, so | :37:57. | :38:00. | |
to our website. As you can see, this year the | :38:00. | :38:06. | |
festival of roses has taken on a distinctly vintage theme, with | :38:06. | :38:16. | |
:38:16. | :38:19. | ||
exhibitors paying tribute the 1950s. Alys Fowler has been taking a look. | :38:19. | :38:25. | |
In the 1950s, roses were incredibly popular, and no more so than these | :38:25. | :38:32. | |
two. They are good -- their good breeding means they are still as | :38:32. | :38:37. | |
popular today but there are a cluster of ne introductions this | :38:37. | :38:44. | |
year I'm keen to look at. As one might hope, David Austin has a new | :38:44. | :38:51. | |
rose, the Albrighton rambler, named after the village where his nursery | :38:51. | :38:55. | |
is based. This is going to grow to 3 metres high. It is a repeat flower | :38:55. | :39:01. | |
and it is not affected by the rain. It has a gentle hint of musk. Very | :39:01. | :39:11. | |
:39:11. | :39:14. | ||
This is check mate. It has been introduced by Appleton roses are, | :39:14. | :39:23. | |
and it is a patio climber. It is going to grow 2 to 2. 5 metres high. | :39:23. | :39:28. | |
It will flower through to the end of the season. Each stem has a cluster | :39:29. | :39:33. | |
of flowers. So when it does its thing, it really comes out with a | :39:33. | :39:39. | |
wonderful show. These two are from Pocock roses. | :39:39. | :39:45. | |
This is pink Martini. A hybrid tea with repeat flowering and good | :39:45. | :39:51. | |
disease resistance. It looks just like a Martini glass pull of pink | :39:51. | :39:56. | |
something. This is named after the embroidery designer and artist. I | :39:56. | :40:06. | |
:40:06. | :40:10. | ||
predict these are going to be a big If you are a fan of apricot, I have | :40:10. | :40:15. | |
these two delights. This is perfect pet and this is show star. They are | :40:15. | :40:20. | |
from star roses. Perfect pet is a floor bund da, so you are going to | :40:20. | :40:26. | |
get 25 flowers from stem, whereas show star is a hybrid tea. You get a | :40:26. | :40:30. | |
single flower but it is slightly longer. Both will repeat flower and | :40:30. | :40:35. | |
both are perfectly happy to be on a patio or look equally as lovely in a | :40:36. | :40:45. | |
:40:46. | :40:50. | ||
border. And finally, this is pink champagne, by Fryers roses are. It | :40:50. | :40:58. | |
is a floribunda, which means you will get flowers across the season. | :40:58. | :41:06. | |
It has a delicate pink colour which opens to a yellow centre. It has | :41:06. | :41:12. | |
good, sturdy growth. This will look lovely among lavenders and blues. | :41:12. | :41:22. | |
:41:22. | :41:24. | ||
That's the way to do it. Hampton Court is not just about | :41:24. | :41:29. | |
admiring excellence. The RHS are keen that visitors will seen things | :41:29. | :41:35. | |
and say, yes, I can do that at home. The high-impact low-cost gardens | :41:35. | :41:44. | |
focus very much on that thought. I'm in the mid century modern garden | :41:44. | :41:51. | |
with Andy Sturgeon. If you grew up in the 1970s you might want to | :41:51. | :41:57. | |
forget this colour, but it is there in your face isn't it? We had a | :41:57. | :42:01. | |
fitted kitchen this colour in the 1970s. This is a rendered concrete | :42:01. | :42:05. | |
wall with some paint on it O it is cleverly done. It is brilliant. It | :42:05. | :42:09. | |
is big. It is bold be, it is the main part of the design but it is | :42:09. | :42:15. | |
cheap. The planting, which is sophisticated, is pick up the orange | :42:15. | :42:20. | |
theme that's running through. It is very confident. There are some | :42:21. | :42:26. | |
fantastic little gems here. There are some things for the plant | :42:26. | :42:30. | |
enthusiast here. If you are going to go for a strong theme, keep it | :42:30. | :42:34. | |
simple and be bold. Stick to your main idea. That's the key. | :42:34. | :42:37. | |
judges thought this was best in category. I don't love it but I | :42:38. | :42:47. | |
really respect it. I love it but I couldn't live with it. | :42:47. | :42:52. | |
In at the deep end designed and built by Monty Richardson and Peter | :42:52. | :42:57. | |
Cowell, it is for a garden with a damp, poorly drained soil. This | :42:57. | :43:01. | |
garden was built for only �7,000, which I think you will agree can is | :43:01. | :43:05. | |
an incredibly small amount of money for such a fantastic garden. But one | :43:05. | :43:09. | |
of the ways they've achieved that is to keep things simple. I reckon that | :43:09. | :43:15. | |
by making a curvaceous garden you can add 50% to the price, so by | :43:15. | :43:20. | |
working with these simple shapes, it really does keep the costs down. And | :43:20. | :43:25. | |
another great tip here is to work with perennials. The perennials | :43:25. | :43:29. | |
really romp away, so in only a few years you can have what looks like a | :43:29. | :43:33. | |
really mature garden. You don't need to avoid clever details if you are | :43:33. | :43:37. | |
trying to work to a budget. These steps are a great example of that. | :43:37. | :43:41. | |
You've got planting in between each one. That there is no extra cost | :43:41. | :43:45. | |
there. On the edges the risers of the steps, the you've got this steel | :43:45. | :43:50. | |
detail, so you get a contrast between the natural stone and that | :43:50. | :44:00. | |
:44:00. | :44:12. | ||
wonderful colour, which is with a View, is my favourite. I love | :44:12. | :44:17. | |
it. It is another very cheap garden. Apparently done for �15,000, which | :44:17. | :44:23. | |
may seem a lot of money, but as show gardens go, it is a snip. And yet it | :44:23. | :44:28. | |
is powerful in its simplicity. It has one of the fundamental truths of | :44:29. | :44:32. | |
all good gardening, which is to find an emotional landscape. This takes | :44:32. | :44:37. | |
you straight there. For me that emotional landscape from this, | :44:37. | :44:43. | |
childhood memories of the seaside. It is a bit of tusk any, a bit of | :44:44. | :44:50. | |
Provence, and yet still quite British. The plant planting, all | :44:50. | :44:56. | |
combine within a very limited tonal range. But that doesn't matter. It | :44:56. | :45:00. | |
feels strong. The bleached wood adds to that. Although the garden is | :45:01. | :45:04. | |
simple, there is one anticipate of it which has got a little bit of | :45:04. | :45:10. | |
jiggery-pokery that I like. I like the fact it looks a bit Heath | :45:10. | :45:14. | |
Robinson and home-made. If you wind this crank, the screen opens or | :45:14. | :45:18. | |
closes. The idea is that it shields you and the plants from the worst of | :45:18. | :45:23. | |
the weather but doesn't close the view. | :45:23. | :45:33. | |
:45:33. | :45:39. | ||
Not only does that look good and category, which is about attracting | :45:39. | :45:42. | |
alternators into your garden. We will have a close look at that | :45:42. | :45:49. | |
tomorrow. -- attracting pollinators into your garden. If you want | :45:49. | :45:52. | |
insects in your garden you need lots of the right kind of plant. There is | :45:53. | :45:56. | |
a new exhibitor in the floral marquee called wild time that | :45:57. | :46:00. | |
specialises in plants that attract pollinating insects. A few weeks ago | :46:00. | :46:10. | |
:46:10. | :46:13. | ||
we went along to see them as they flowers from both of my parents. My | :46:13. | :46:18. | |
father was a keen gardener. He had his own allotment. My mother used to | :46:18. | :46:23. | |
take my cousin and myself on long walks on most weekends in the | :46:23. | :46:26. | |
summer, particularly along towpaths. We used to collect flowers | :46:26. | :46:31. | |
and press them. I really enjoyed doing it. I suppose that has stuck | :46:31. | :46:41. | |
:46:41. | :46:44. | ||
ago with my daughter. We specialise in growing wild flowers and fragrant | :46:44. | :46:50. | |
plants. It was quite long and arduous, trying to find the space. I | :46:51. | :46:54. | |
had a little cottage I was living in and I quickly realised that I was | :46:55. | :46:58. | |
going to have to sell that first, because any suitable place always | :46:58. | :47:05. | |
went to auction. I spent probably at least two years always being | :47:05. | :47:12. | |
outbid. I decided to sort of give up and this was actually going to be | :47:12. | :47:16. | |
the final auction. It is right on the main road, as I am sure you come | :47:16. | :47:19. | |
here in the background. But should we ever want to open to the public, | :47:19. | :47:29. | |
:47:29. | :47:35. | ||
this could be quite good. In terms going to be a mixture of wildflowers | :47:35. | :47:39. | |
and fragrant plants. We are including a beehive in the display | :47:39. | :47:45. | |
as well, to try and get the message across that bees need our help and | :47:45. | :47:48. | |
the pollinating insects. Without them, we could not survive. We need | :47:48. | :47:58. | |
:47:58. | :48:02. | ||
native. Some thing we are going to plant our wildflower meadow at | :48:02. | :48:06. | |
Hampton Court Flower Show. It is what is known as a parasite. It gets | :48:06. | :48:14. | |
its nutrients from the roots of grasses. Thereby suppressing the | :48:14. | :48:18. | |
grass growth. So it is quite a handy plant, if you are trying to | :48:18. | :48:22. | |
establish a wildflower meadow, to have in there. It is quite tricky to | :48:23. | :48:27. | |
grow though. The seed really needs a period of quite extreme cold to | :48:27. | :48:32. | |
germinate. It is a good idea to keep it in your freezer for four to six | :48:32. | :48:36. | |
weeks before planting it. Then you do have to sew it with the grass | :48:36. | :48:40. | |
seed otherwise you get very, very weedy plants that don't survive | :48:40. | :48:44. | |
because it really does need those nutrients. It is called yellow | :48:44. | :48:49. | |
rattle because once the flower is over the seed pods are quite large, | :48:49. | :48:52. | |
papery affairs with a very loose seed inside. When the seed is right, | :48:53. | :48:58. | |
it really does rattle. Farmers, years ago, used this as a sign to | :48:58. | :49:04. | |
show that their wheat was ready to be cut. It is not only British | :49:05. | :49:08. | |
native wildflowers that are beneficial for bees. A lot of the | :49:08. | :49:12. | |
plants that we will be taking to the show are for instance Mediterranean | :49:12. | :49:19. | |
natives. Thyme is particularly good for bees. They are absolutely love | :49:19. | :49:22. | |
it. There is lots of little tiny flowers altogether, so they can hop | :49:23. | :49:27. | |
from one to another quite easily. We have a really pretty red flowered | :49:27. | :49:34. | |
thyme. We have some lavender coming on, gorgeous scent. Also loved by | :49:34. | :49:41. | |
bees. We have a specimen tree and it is a pineapple scented room. It has | :49:41. | :49:45. | |
lovely clusters of bright yellow pea flowers which are very good for | :49:45. | :49:55. | |
:49:55. | :49:58. | ||
pollinating insects, which really be absolutely amazing for us. I had | :49:58. | :50:01. | |
never really envisaged that we would be doing that sort of thing. I did | :50:01. | :50:07. | |
not expect to be out there on an international stage, really. It has | :50:07. | :50:17. | |
:50:17. | :50:22. | ||
been really nerve wracking. I just international stage of Hampton Court | :50:22. | :50:29. | |
Palace -- of Hampton Palace Flower Show. How does it feel? So exciting. | :50:29. | :50:34. | |
Your exhibit looks absolutely brilliant, it is a work of art. | :50:34. | :50:38. | |
Thank you we have worked so hard. It has been so manic, fun but manic. | :50:38. | :50:45. | |
Are you pleased with it? Yes very pleased, just knackered. Brilliant. | :50:45. | :50:49. | |
I am looking for something scented. I know you have some great scented | :50:49. | :50:55. | |
plant. Have you got anything I might not have already? How about having a | :50:55. | :51:03. | |
smell of this one? Have a smell. That is pure coconut, isn't it? I | :51:03. | :51:08. | |
have been transported to another country. This particular one is | :51:08. | :51:13. | |
called Lady Wilson, a really pretty pale pink. Is it easy to grow? | :51:13. | :51:19. | |
Really easy in any soil. It is happy anywhere, full sun or part shade. | :51:19. | :51:27. | |
What else has got of good sense? This is burger not, it has a really | :51:27. | :51:33. | |
strong earl grey tea scent. You can eat the flowers. Something a bit | :51:33. | :51:36. | |
sweeter? What about the Philadelphus. Really strong mock | :51:36. | :51:42. | |
orange, really powerful, it will fill your whole garden. Hampton | :51:42. | :51:46. | |
Court, have you thought about it next year? We will try to get | :51:46. | :51:51. | |
through this year! It has been lovely to meet you. Thank you. You | :51:51. | :51:55. | |
too. There are some brilliant suggestions for good plans with | :51:55. | :51:59. | |
strong summer scents and garden design Ann-Marie Powell has been on | :51:59. | :52:09. | |
:52:09. | :52:24. | ||
Scent is the invisible hero of any garden, adding debts, vitality and | :52:24. | :52:28. | |
atmosphere. There is a plethora of gorgeous plants you can choose to | :52:28. | :52:33. | |
invigorate your space and here on the hadith stand we have a couple of | :52:34. | :52:40. | |
real classics. Fox, a beautiful plant. Look at the array of flowers | :52:40. | :52:44. | |
on that gorgeous sturdy stem. The wonderful thing about this plant is | :52:44. | :52:48. | |
it will take a bit of shade. Over there, one of my favourite sweet | :52:48. | :52:56. | |
peas. I grow it myself at home. Beautiful flowers and perfume. It is | :52:56. | :52:59. | |
perhaps the mother of all sweet peas, from which many of our | :52:59. | :53:09. | |
:53:09. | :53:20. | ||
varieties have been bred. A lilies at the moment. I am delighted | :53:20. | :53:24. | |
to meet these oriental trumpets. They are voluptuous and sexy | :53:24. | :53:31. | |
plants. I love being almost overwhelmed by perfume. You get | :53:31. | :53:35. | |
about 20 flower heads to one single stem with these girls. They will | :53:35. | :53:38. | |
reach about seven or eight feet, perfect for the back of the border, | :53:38. | :53:44. | |
and they will grow in almost any garden soil. Here, we have nymph, | :53:44. | :53:52. | |
garden affair and Montego Bay. All beautiful specimens. Look at the | :53:52. | :53:56. | |
throat, the colour in there, they're beautiful reflex petals. I am going | :53:56. | :54:06. | |
:54:06. | :54:14. | ||
to have to take all of these girls adding structure and definition to | :54:14. | :54:21. | |
your herbaceous borders and this one is a corker. A wonderful glossy | :54:21. | :54:27. | |
evergreen foliage. Give it 20 of sun and some sharp drainage and you too | :54:27. | :54:33. | |
can be enjoying this kind of sharp, lemon zesty fragrance. I just love | :54:33. | :54:43. | |
:54:43. | :54:48. | ||
you are considering sending your garden. A pot full of Pelargonium | :54:48. | :54:53. | |
leads on the patio table is a wonderful opportunity for your | :54:53. | :55:00. | |
fingers. My favourite at this year's show are this one and | :55:00. | :55:06. | |
Sunburst. They have such a fizz to the foliage sense, just like sherbet | :55:06. | :55:16. | |
:55:16. | :55:24. | ||
and dahlias might did you not seem like the obvious the firm -- | :55:24. | :55:28. | |
dividers of perfume but if you look for the single orchid types, you | :55:28. | :55:36. | |
really will find that they have the most subtle, beautiful fragrance. | :55:36. | :55:46. | |
:55:46. | :55:58. | ||
This one, to me, it reminds me of a tonight's coverage of the RHS | :55:58. | :56:02. | |
Hampton Court Flower Show. But we have shown you a lot of plants that | :56:02. | :56:05. | |
have been inspired by the British countryside. For those of you who | :56:05. | :56:15. | |
:56:15. | :56:15. | ||
Apology for the loss of subtitles for 67 seconds | :56:15. | :57:23. | |
want to use those ideas in your own Hello. I have had such a good day, I | :57:23. | :57:26. | |
hope you have. It has been, it has been full of interesting things and | :57:26. | :57:32. | |
I was trying to single out one feature but I keep coming back to | :57:32. | :57:37. | |
the Athanasia garden. It is very small, probably six metres by four | :57:37. | :57:42. | |
metres and what I really like about it is the way it has such depth. You | :57:42. | :57:47. | |
look at it and you feel it could go on indefinitely. That is clever. | :57:47. | :57:53. | |
is clever, very much show -- so in a show garden especially. I have just | :57:53. | :58:00. | |
come pasta garden, taking out the detail, very effervescent planting. | :58:00. | :58:04. | |
Great big agapanthus. Very, very beautiful, soft and lovely. There is | :58:04. | :58:07. | |
a lot more but not tonight because that is the end of today's programme | :58:07. | :58:12. | |
but we will be back tomorrow. But at the earlier time of 7pm. Don't miss | :58:12. | :58:17. | |
is, doesn't PM BBC Two tomorrow, when we look will look in particular | :58:17. | :58:21. | |
at matters relating to the environment. I will meet Paul | :58:21. | :58:27. | |
Allen, a butterfly expert and I will find out he -- how he has managed to | :58:27. | :58:31. | |
bring a flight of butterflies here to Hampton Court. I will look at | :58:31. | :58:34. | |
conceptual gardens with Andy Sturgeon, designed to provoke | :58:34. | :58:39. |