Browse content similar to 29/12/2012. Check below for episodes and series from the same categories and more!
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unite around the reformist agenda. Click. | :00:11. | :00:21. | |
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Where is my seat? Where is the seat? I guess I am standing. | :00:40. | :00:46. | |
Welcome to part two of the best of Click 2012. Last week we said a | :00:46. | :00:51. | |
fond farewell to the BBC Television Centre, and this week, as we rocket | :00:51. | :00:55. | |
towards the new year, I thought I would formally introduce you to | :00:55. | :01:02. | |
Click's new home, New Broadcasting House. Shiny, isn't it? And we had | :01:02. | :01:08. | |
some shiny tech to show you as well, as we look back at the Droids, the | :01:08. | :01:14. | |
cameras and a time of our that tag which has caught our eye. We will | :01:14. | :01:22. | |
mobiles are seeing. -- Singh. | :01:22. | :01:25. | |
Many science-fiction fans have long dreamed of a future where machines | :01:25. | :01:30. | |
themselves. themselves. This year, we will tell | :01:30. | :01:35. | |
what may happen if computers did gain a body, a mind or a soul. At | :01:35. | :01:41. | |
what may happen if we then let them loose. | :01:41. | :01:46. | |
The Japanese have a unique affinity with the robot. It plays a very | :01:46. | :01:56. | |
:01:56. | :02:00. | ||
special part in their culture. It is 59 feet tall, a homage to | :02:00. | :02:10. | |
:02:10. | :02:10. | ||
stationary tribute to a television Technology, students and professors | :02:10. | :02:18. | |
robotic research. This professor created his first robot based on a | :02:18. | :02:24. | |
state in 1972. His lab has continued to refine their robots. | :02:24. | :02:29. | |
The latest version has been designed to use in disaster zones, | :02:29. | :02:36. | |
to help humans locate others natural world can perform -- | :02:36. | :02:46. | |
:02:46. | :02:46. | ||
imitating mental aspirations is a more difficult function. They have | :02:46. | :02:51. | |
created a robot called SOINN, or Self-Organizing Incremental Neural | :02:51. | :02:54. | |
Network, a robot which will eventually have the power to learn | :02:54. | :03:00. | |
for itself. With Microsoft Kinect for a head, which acts as a | :03:00. | :03:04. | |
distance sensing I am a microphone, placedects | :03:04. | :03:14. | |
placed in front of it. -- sensing I. A special teacup is placed in front | :03:14. | :03:21. | |
of the robot. The robot then performs a performs a its search | :03:21. | :03:28. | |
across the Web to try to match the object to existing images. -- | :03:28. | :03:33. | |
internet search. She again make a guess about how to use it. It is | :03:33. | :03:43. | |
:03:43. | :03:45. | ||
making a cup of tea. This old opera house is host to be building is, a | :03:45. | :03:50. | |
combined art exhibition and game, which uses 19 computers to give us | :03:50. | :03:53. | |
the impression the building is swings. | :03:53. | :04:00. | |
swings. The building's mood changes the painting to -- on what people | :04:00. | :04:04. | |
do, as all the installations are connected, and action in one room | :04:04. | :04:09. | |
can change what happens in another. The hidden beating heart, complete | :04:09. | :04:15. | |
with proximity sensors, awaits the gentle touch of an Angry Jester. I | :04:15. | :04:22. | |
had to put my arms inside this strings inside. While this | :04:22. | :04:27. | |
exhibition is clearly about art, objects in forming humans of their | :04:27. | :04:30. | |
state gives us a glimpse of a future where everything is | :04:30. | :04:36. | |
connected to end up being -- everything else. | :04:36. | :04:40. | |
This is EMILY, the emergency Integrator and lifesaving Laing Art. | :04:40. | :04:50. | |
From this summer, it will be zipping out to swimmers in trouble. | :04:50. | :04:54. | |
The Life Guards asked me if I wanted to see EMILY in action. I | :04:54. | :05:04. | |
:05:04. | :05:18. | ||
That is cold! The Life Guards had said that the water is about 16 | :05:19. | :05:26. | |
things things to y things to y suck | :05:26. | :05:31. | |
the air out of your body. It gives you a problem if you tried to fight | :05:31. | :05:36. | |
a very strong current. Within 20 seconds, EMILY was with me. As long | :05:36. | :05:42. | |
as the swimmer is still conscious, it can be a real lifesaver. It will | :05:42. | :05:45. | |
either towe either toweson back to shore, or it will simply give them | :05:45. | :05:54. | |
a break until human help arrives. There is a lot of backstage | :05:54. | :06:01. | |
effect. The performer and the image on the right can see and hear each | :06:01. | :06:07. | |
other, allowing the on state artist to interact with the projected one. | :06:07. | :06:17. | |
:06:17. | :06:21. | ||
-- on stage. I can see where I am. I can see where Lucinda is. To get | :06:21. | :06:25. | |
right up close, you may need to ditch the avatar and take the form | :06:25. | :06:31. | |
of a robot instead. This firm puts you inside of one, giving you a | :06:31. | :06:35. | |
physical presence in the room, and looking ahead, other things apart | :06:35. | :06:41. | |
from your image may be communicated as well. Finally, something much | :06:41. | :06:47. | |
more unnerving. It is designed to test our trust in technology. Will | :06:47. | :06:53. | |
we ever reach a point where we meet -- led a robot to drive us about. | :06:53. | :06:58. | |
How easy will it be to give over- physical control to a machine. I am | :06:58. | :07:08. | |
:07:08. | :07:13. | ||
have much choice about where I want it to go. This frightening looking | :07:13. | :07:17. | |
beast is caught compass, and there has the ability to spin you around | :07:18. | :07:23. | |
if you do not like the what -- if it does not like the way you are | :07:23. | :07:29. | |
headed. It would not let you walk into the rectangles. It is guided | :07:29. | :07:34. | |
by a small magnetic field running under the carpet. It gets its talk | :07:34. | :07:39. | |
by spinning heavy weights in the opposite direction. This is kind of | :07:39. | :07:44. | |
awesome but also it is not very nice. Compass is really insistent | :07:44. | :07:50. | |
on where it wants me to go. It is really strong bus stop it is very | :07:50. | :08:00. | |
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difficult to resist when it may feel like. What a very strange | :08:06. | :08:11. | |
day that was. The rise of the machines may be a little way off, | :08:11. | :08:18. | |
but there are some industries which technology. The multi-purpose | :08:18. | :08:21. | |
smartphone is challenging many industries which makes single | :08:21. | :08:31. | |
:08:31. | :08:36. | ||
so than the camera and video camera This is the bubble pigs for the | :08:36. | :08:46. | |
iPhone. It comes with its own sleeve. -- BubblePix. It reveals a | :08:46. | :08:51. | |
360 degrees defence underneath. You fire up the app when you are ready | :08:51. | :09:01. | |
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photo. The stork on the BubbleScope sphere recall. It bounces the catch | :09:08. | :09:12. | |
it image straight into the phones lanes, it also acts a bit like a | :09:12. | :09:22. | |
:09:22. | :09:27. | ||
allowing the user to simply swipe around the Panorama. This is the | :09:27. | :09:31. | |
seventh time that France has held its mobile film festival. Although | :09:31. | :09:37. | |
the films themselves are only a minute long, and the cameras can be | :09:37. | :09:43. | |
tiny, the pomp is full size. Organisers say that this yet they | :09:43. | :09:48. | |
have received more entries than add up. 300 are 80 films have been | :09:48. | :09:58. | |
:09:58. | :10:01. | ||
submitted. -- 380. Lives can turn on one minute, all one minute and | :10:01. | :10:11. | |
:10:11. | :10:13. | ||
revealed the lifetime leading up to Malkin Simone one best film through | :10:13. | :10:21. | |
this one. -- Malkin's a mine. In a brief exchange about a dress that | :10:21. | :10:24. | |
she should wear that night, gives us a brief glimpse of a couple in | :10:24. | :10:30. | |
crisis. The film industry is notoriously difficult to get into, | :10:30. | :10:33. | |
but the incredible array of inventiveness on show reveals that | :10:33. | :10:38. | |
the industry could do a lot worse than tapping into the scene of | :10:38. | :10:45. | |
emerging talent. But we won it just how good a movie you can make on a | :10:45. | :10:55. | |
:10:55. | :11:03. | ||
smartphone. -- won it. We decided to make one. I am looking around | :11:03. | :11:13. | |
:11:13. | :11:13. | ||
Apology for the loss of subtitles for 63 seconds | :11:13. | :12:17. | |
Target is why it, attack, attack, attack. Let's try a bit of Droid on | :12:17. | :12:27. | |
:12:27. | :12:41. | ||
Remember last week I showed you the old News Room at Television Centre? | :12:41. | :12:47. | |
This is the new one. It is full of the latest news-gathering | :12:47. | :12:52. | |
technology. We have seen our fair a | :12:52. | :12:55. | |
a look at these. You are in the living Room, you | :12:55. | :13:02. | |
want to watch the football, but do you do? Probably had a blazing row. | :13:02. | :13:09. | |
Not if you had two view television. It is displaying both images. It | :13:09. | :13:14. | |
looks like it is an unholy mess, until you put on some special | :13:14. | :13:20. | |
spectacles. You can watch the half can weep into her hanky. In | :13:20. | :13:25. | |
terms of sound, there are a couple of speeches to take care of that. | :13:25. | :13:31. | |
but will you be wearing a pair of spectacles while you will be | :13:31. | :13:38. | |
These appliances can talk to each other but I usually controlled | :13:38. | :13:45. | |
directly by directly byoid device. can download recipes on your phone | :13:45. | :13:50. | |
and then send them to your smartphone. It will start reheating | :13:50. | :13:57. | |
for you. It is because you do not need to be there. Another example, | :13:57. | :14:01. | |
the wash and dry up. You can loaded up at any time but remains the | :14:01. | :14:07. | |
Perfect if you would like to have the washing machine stopped just as | :14:08. | :14:12. | |
you arrive home at work, so you can hang up the damp items before they | :14:12. | :14:16. | |
start smelling. When smart kitchens were first thought of, the | :14:16. | :14:20. | |
television was pitched as the ideal control Harb, but now the tablet | :14:20. | :14:26. | |
and smartphone had taken over that role for obvious reasons. Panasonic | :14:26. | :14:30. | |
is hoping that every household will one day run its appliances using | :14:30. | :14:35. | |
home-made energy. They envisage a future where every piece of | :14:35. | :14:38. | |
equipment in the House can communicate with power sources both | :14:38. | :14:44. | |
inside and outside. You can generate your electricity | :14:44. | :14:48. | |
using a hydrogen fuel-cell. If you make more than you are currently | :14:48. | :14:52. | |
using, you can stick it away for lay up. | :14:52. | :14:55. | |
We want to make sure that the entire grid and the entire system | :14:55. | :15:01. | |
works more efficiently and smarter as well. There is that word again, | :15:01. | :15:09. | |
and again... and again. Smart was the buzzword for it televisions in | :15:09. | :15:12. | |
2011. This year it has been applied to a whole to a whole household | :15:13. | :15:21. | |
products. The word itself is likely to be abused by marketing | :15:21. | :15:30. | |
Sometimes we fill our most vulnerable at night. It is dark, | :15:30. | :15:35. | |
you do not know who is behind you. Flicking through your phone to find | :15:35. | :15:39. | |
the alarm button may not be ideal. You may want to have something | :15:39. | :15:43. | |
closer to hand. There is no shortage of hardly to keep track of | :15:43. | :15:47. | |
your movements. This bracelet will set you back nearly 180 quid but | :15:47. | :15:52. | |
aims to look like a simple fashion accessory. It has a built in panic | :15:52. | :15:57. | |
button, activated by pulling at the bracelet, and sinks with your phone, | :15:57. | :16:02. | |
where all your movements attract an emergency response can be triggered. | :16:02. | :16:06. | |
This key fob is in fact a GPS device that can track location and | :16:06. | :16:13. | |
act as a panic button. And when it comes to being sure way your kids | :16:13. | :16:18. | |
or, but recovered to VAT -- colour devices like this watch offer at | :16:18. | :16:23. | |
extras like safe Jones, areas where your child should stay, created | :16:23. | :16:29. | |
alert if they go outside of it all if the what is removed. -- safe | :16:29. | :16:35. | |
zones. Ensue of living in front of a video game, you use a Controller | :16:35. | :16:39. | |
to record objects in three- dimensional space, turning it into | :16:39. | :16:44. | |
a 3D scanner. If I throw you these objects on the table, I point the | :16:44. | :16:50. | |
connect at them and for lowly paid in like this and it creates a full | :16:50. | :16:55. | |
3D model of the objects on the table. -- and slowly. As long as | :16:55. | :17:01. | |
the objects stay still, you can scan it. I will scan me now. As the | :17:01. | :17:06. | |
device move device movetes more data, building a more accurate | :17:06. | :17:14. | |
3D model. In a few seconds, a full model of myself appears on the | :17:14. | :17:18. | |
screen. What a handsome chap! thanks. | :17:18. | :17:22. | |
He was not talking to me that I will take it. | :17:22. | :17:25. | |
One of the most popular parts of Click is our weekly trawl through | :17:25. | :17:31. | |
the Web to find out how the best of sight and apps for your mobile. -- | :17:31. | :17:36. | |
to find the best. Kate Russell is looking at her favourite apps. If | :17:36. | :17:41. | |
you stall nothing else, installed this. | :17:41. | :17:44. | |
-- installed. One of the greatest things about | :17:44. | :17:49. | |
modern smartphone technology is enhanced personal security. You GPS | :17:49. | :17:55. | |
data can tell people where you are, even if you can't. Safe Mike grabs | :17:55. | :18:00. | |
this idea with both hands to provide a paid at with your safety | :18:00. | :18:06. | |
at its core. With so many apps and services like dating websites | :18:06. | :18:09. | |
encourage it asked to step out of the online world and knead in 3D | :18:09. | :18:19. | |
:18:19. | :18:20. | ||
should not open the door to complacency. But it on that one | :18:20. | :18:29. | |
quiteuld quite literally be a life-saver. To | :18:29. | :18:33. | |
thating that can be identified, like a | :18:33. | :18:38. | |
licence plate, street sign or a barmaid we will meet someone. It is | :18:38. | :18:43. | |
stored on a secured database, paired with your unique ID, time, | :18:43. | :18:48. | |
date and the GPS location. If something does go wrong, you'll | :18:48. | :18:52. | |
nominated contacts can request that this information gets passed to the | :18:52. | :19:00. | |
police, saving vital time tracking you down in an emergency. | :19:00. | :19:05. | |
If you could use a little extra cash in your pocket, focus is | :19:05. | :19:09. | |
selling your smartphone photos for use in commercial projects at $10 a | :19:09. | :19:15. | |
time and you will have to split that 50/50. The Act is free for | :19:15. | :19:20. | |
iPhone with an android version in register and start uploading images | :19:20. | :19:24. | |
you are happy to sell. You can increase your chances of making a | :19:24. | :19:28. | |
sale by taking out the pages where buyers have posted requests for a | :19:28. | :19:38. | |
:19:38. | :19:42. | ||
We carry these around with us everywhere everywhere take | :19:42. | :19:45. | |
a pretty good picture. Citizen journalism is a growing trend | :19:45. | :19:50. | |
across the world, mainly because of the speed and ease with which we | :19:50. | :19:55. | |
can upload videos. Another app launched recently does a similar | :19:55. | :19:59. | |
thing but does -- concentrates more on breaking news stories. Scoop | :19:59. | :20:04. | |
shot allows it to upload photos, sit in your own price and terms. | :20:04. | :20:10. | |
They also tip-off app uses in a to fret -- geographical area if they | :20:10. | :20:14. | |
request for a photo of a breaking news story. You will share any | :20:14. | :20:24. | |
:20:24. | :20:31. | ||
profit you make with the scoop shop different photo filled the app. It | :20:31. | :20:37. | |
roadand road and Windows Phone 7. You can | :20:37. | :20:43. | |
take photos, and filters and share them deal social networks. Nothing | :20:43. | :20:47. | |
new there. But the context tagging, saying what you were doing when he | :20:47. | :20:50. | |
took the photo as well as where you were, makes it possible to compile | :20:50. | :21:00. | |
themed collections around a This is a great feature if you | :21:00. | :21:04. | |
follow a sp follow a sp cultural event. The app has been around for about | :21:04. | :21:09. | |
one year but was recently completely redesigned for and road | :21:09. | :21:14. | |
and I West. There is a new version taking better advantage of social | :21:14. | :21:19. | |
discovery and location aware aspects. -- android and iOS. It | :21:19. | :21:23. | |
does everything you would expect from a social photo tool and it | :21:23. | :21:26. | |
learns what you like by the photos you snap and will push similar | :21:26. | :21:31. | |
images from other users to your stream, along with posts in your | :21:31. | :21:39. | |
for getting a different perspective. Kate Russell. | :21:39. | :21:45. | |
That is pre That is preook back at 2012. Except for one more | :21:45. | :21:49. | |
thing. Because technology is not always the most exciting thing to | :21:49. | :21:54. | |
put on TV, after all a lot of it happens inside small inanimate | :21:54. | :22:00. | |
boxes, you may notice we dress the subject up a little. Possibly none | :22:00. | :22:05. | |
more so than this final item. All we wanted was a report on the | :22:05. | :22:09. | |
stand-off between various competing video game consoles. But this is | :22:09. | :22:18. | |
what happens when you give our reporter a bit much -- a bit too | :22:18. | :22:28. | |
:22:28. | :22:48. | ||
It used to be the meanest console. He dominated this town for two | :22:48. | :22:58. | |
:22:58. | :23:10. | ||
stranger in town. But over the space of a few short years, he | :23:10. | :23:14. | |
built up a power base that challenge and then overtook his | :23:14. | :23:24. | |
:23:24. | :23:27. | ||
rival. -- challenged. Now both have consols with the Xbox 360 and the | :23:27. | :23:33. | |
PS3 that are getting along. But who will draw first? Who will bring a | :23:33. | :23:42. | |
replace the respective consols which have become all the time has? | :23:42. | :23:52. | |
:23:52. | :23:57. | ||
Of course, Nintendo and Microsoft to the draw. They | :23:57. | :24:01. | |
will be the first company to have next generation console in the | :24:01. | :24:08. | |
mac. Of course we will see how we mac | :24:08. | :24:13. | |
shapes up to Sony and Microsoft's next-generation games consoles in | :24:13. | :24:19. | |
the coming months because that is the meantime, if you have been | :24:19. | :24:23. |