Browse content similar to 09/11/2013. Check below for episodes and series from the same categories and more!
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acquitted. Now on BBC News, it is time for | :00:00. | :00:00. | |
Click. This week on Click, we will look at | :00:00. | :00:37. | |
a great way of downloading data, piece by piece, BitTorrent. But | :00:38. | :00:42. | |
famous for its association with piracy, we will ask its creator | :00:43. | :00:46. | |
whether it can prepare `` repair its image. As videogames grow up, we | :00:47. | :00:51. | |
will visit a festival that celebrates them as art. We will also | :00:52. | :00:55. | |
have this week's tech news and the best of the Web in Webscape. | :00:56. | :01:02. | |
Welcome to Click. This is an amazing figure. Of all | :01:03. | :01:07. | |
the data that flows across the internet every day, nearly a quarter | :01:08. | :01:11. | |
of it is the same thing. Something called BitTorrent. It is a method of | :01:12. | :01:19. | |
sharing large files between computer users. Files such as movies, | :01:20. | :01:25. | |
software and TV programmes. Although it does have legitimate uses, guess | :01:26. | :01:29. | |
what, nearly all of the files that are swapped RE legal. | :01:30. | :01:36. | |
Never mind the fact that large organisations such as Facebook, | :01:37. | :01:40. | |
Twitter and the team before the Large Hadron Collider and the Human | :01:41. | :01:43. | |
Genome Project user to shift enormous amounts of data, the name | :01:44. | :01:48. | |
BitTorrent has become synonymous with internet piracy. It is the most | :01:49. | :01:54. | |
you `` used technology for distributing copyrighted material | :01:55. | :01:58. | |
online. Want to know how Breaking Bad finished? 3 million people found | :01:59. | :02:06. | |
out by downloading illegal copies. The most downloaded series of all | :02:07. | :02:09. | |
time is the widely successful HBO fantasy drama, game of drones. | :02:10. | :02:15. | |
According to TorrentFreak, they had 5.2 million illegal downloads | :02:16. | :02:20. | |
between March and June this year. It is something that the entertainment | :02:21. | :02:23. | |
industry has found difficult to fight, because it does not work in | :02:24. | :02:27. | |
the same way as traditional services, which store all their | :02:28. | :02:33. | |
downloadable content in one place. BitTorrent is a really clever way of | :02:34. | :02:37. | |
moving large files around. Instead of downloading things from a central | :02:38. | :02:43. | |
server, hundreds or even thousands of individual users each pull | :02:44. | :02:46. | |
different parts of the final are many others who already have it. | :02:47. | :02:53. | |
Their reserve central server, which means there is no bottleneck in the | :02:54. | :02:56. | |
traffic to slow things down, and it also means that if these files | :02:57. | :03:02. | |
happen to be illegal copies, there is no`one place for the authorities | :03:03. | :03:09. | |
to go to shut them down. There are targets. Websites which point to the | :03:10. | :03:14. | |
illegal files. Even though the sites do not store the pirated content | :03:15. | :03:18. | |
themselves, the entertainment industry has successfully managed to | :03:19. | :03:22. | |
shut down site such as Pirate Bay, and most recently, ISOHunt. Who is | :03:23. | :03:30. | |
doing what and where? This is a visual representation of any legal | :03:31. | :03:33. | |
filesharing that goes around the world, using BitTorrent. Pirates | :03:34. | :03:39. | |
cinema, an art installation created by a French artist, makes the hidden | :03:40. | :03:43. | |
activity and geography filesharing visible. It shows a sample of | :03:44. | :03:47. | |
illegal videos being shared in real`time user BitTorrent. We found | :03:48. | :03:54. | |
that the amount of content being transferred over BitTorrent has | :03:55. | :04:00. | |
increased dramatically. In January 2013, we saw 7 billion petabyte is | :04:01. | :04:04. | |
being transferred over BitTorrent, all of that infringing material. | :04:05. | :04:10. | |
There is no sign whatsoever that the number of people using BitTorrent | :04:11. | :04:12. | |
and the amount of data being transferred over BitTorrent has any | :04:13. | :04:20. | |
sign of slowing. This amount was illegal sharing does anger a lot of | :04:21. | :04:24. | |
content producers. Not everyone involved has such a simpleminded | :04:25. | :04:29. | |
opinion. I see that there are two sides. If I am being honest. I see | :04:30. | :04:35. | |
that the illegal downloading went to a lot of people watching the | :04:36. | :04:39. | |
series, becoming aware of the series, who otherwise would not have | :04:40. | :04:43. | |
been. So I see in some ways the illegal downloading has helped us. | :04:44. | :04:46. | |
Certainly in terms of brand awareness. It is the most pyrite did | :04:47. | :04:53. | |
show in the world? You are obviously happy. `` pirated. There is a part | :04:54. | :05:00. | |
of you where you go, yes, we are the most pirated. People who do | :05:01. | :05:07. | |
subscribe to it through illegitimate channels, they feel part of a team | :05:08. | :05:11. | |
effort because of it. My money has gone towards making the ground that | :05:12. | :05:18. | |
he has caught on. It feels like an inclusive thing. It is the rise of | :05:19. | :05:24. | |
these legitimate, easy to use channels, that is thought to have | :05:25. | :05:31. | |
led to a decline. In North America, the amount of peaktime internet | :05:32. | :05:34. | |
traffic generated by BitTorrent has dropped by two thirds in the last | :05:35. | :05:40. | |
five years. From 31% in 2008, to only 9% today. We are seeing a | :05:41. | :05:46. | |
decline in BitTorrent traffic and America as a precaution, because of | :05:47. | :05:50. | |
the rise of some very successful legitimate alternatives, and the | :05:51. | :05:54. | |
main driver of that is Netflix. It takes up 30% of all downstream | :05:55. | :05:59. | |
big`time North America traffic, which is a huge amount, and on top | :06:00. | :06:04. | |
of that, legitimate services such as Hulu and Amazon Instant, which are | :06:05. | :06:08. | |
also taking up the bandwidth. The sharers of BitTorrent traffic is | :06:09. | :06:13. | |
actually declining. But printing does remain popular in other parts | :06:14. | :06:19. | |
of the world. As ISOHunt and the Pirate Bay are taking down, they are | :06:20. | :06:24. | |
replaced by others. Still, BitTorrent is trying to repair its | :06:25. | :06:28. | |
reputation. To this end, the company ran a billboard campaign in your `` | :06:29. | :06:33. | |
in New York, San Francisco and Los Angeles. The creator of BitTorrent, | :06:34. | :06:40. | |
Bram Cohen, sat down with us to talk about his attempt to distance itself | :06:41. | :06:45. | |
from piracy, and where he understands the pirates prefer | :06:46. | :06:49. | |
torrents to Netflix. Using BitTorrent it is possible to | :06:50. | :06:54. | |
give customers a much better experience, with much less cost. It | :06:55. | :07:05. | |
is not being utilised properly and it is unfortunate. It is not | :07:06. | :07:10. | |
necessarily about a better experience, but it provides a lot of | :07:11. | :07:14. | |
anonymity for users to be able to share copyrighted material. I | :07:15. | :07:19. | |
disagree. Occasionally I watch things Netflix. I do watch things | :07:20. | :07:28. | |
Netflix. I find it very frustrating because the video quality is really | :07:29. | :07:36. | |
terrible. I really go out of my way not to give the slightest hint of | :07:37. | :07:40. | |
pirating anything ever, but if I was a nobody who did not know about | :07:41. | :07:47. | |
copyright, my guess is that I would probably Pirate some of the stuff | :07:48. | :07:51. | |
that I can watch Netflix, that I have repaid to be able to watch, | :07:52. | :07:56. | |
because I want to watch it in high resolution. BitTorrent is making a | :07:57. | :07:59. | |
concerted effort to make sure that artists are rewarded. The idea | :08:00. | :08:06. | |
behind BitTorrent bumbles, creators really share some content, but | :08:07. | :08:10. | |
include other content which fans can only unlock by actively engaging, by | :08:11. | :08:14. | |
entering an email address, which can be used for marketing. Some people | :08:15. | :08:20. | |
would say if you had done this a long time ago, you would not have | :08:21. | :08:23. | |
gained a reputation for being the site or the technology that | :08:24. | :08:27. | |
facilitates piracy. Could you have coded something like this into the | :08:28. | :08:32. | |
technology many years ago? We have tried a number of different ways | :08:33. | :08:35. | |
with working with people, Hollywood deals. I guess you have a brand | :08:36. | :08:44. | |
problem with Hollywood. Yes. We are treated as hostile actors, | :08:45. | :08:48. | |
frequently, when we are trying to work with people. Although we have | :08:49. | :08:54. | |
never been sued, so that is good. Why is that? Because we are a | :08:55. | :08:57. | |
technology vendor. You are just the plumbing. A sickly. `` basically. | :08:58. | :09:07. | |
When I created BitTorrent, I was literally a guy sitting in his | :09:08. | :09:15. | |
living room in his underwear. One of the biggest problem is that he is | :09:16. | :09:20. | |
trying to solve today concerns proceed `` privacy. With America's | :09:21. | :09:26. | |
and is a reeling after the will revelations, he has his sights on an | :09:27. | :09:31. | |
NSA`proof missions in service to keep out conversations away from | :09:32. | :09:36. | |
prising eyes. People issue when they communicate with others that what | :09:37. | :09:42. | |
they are doing is private. There has been a lot of implicit trust in | :09:43. | :09:48. | |
third parties. Which we now know has been violated. That is the issue. | :09:49. | :09:54. | |
There is the fabulous technology that makes possible, to make it | :09:55. | :10:01. | |
impossible for someone else to snoop on what you are doing. Is this a | :10:02. | :10:07. | |
libertarian philosophy? It gets to be a complicated issue in personal | :10:08. | :10:12. | |
communications. Sometimes law enforcement needs to do things. They | :10:13. | :10:21. | |
need to come in and spy on people. So it is suitable for regulation? | :10:22. | :10:26. | |
For law enforcement. Those infringement of copyright for into | :10:27. | :10:32. | |
that category? Copyright infringement is not a crime in the | :10:33. | :10:37. | |
way that beating someone up is a crime, or stealing something is a | :10:38. | :10:41. | |
crime. Stealing a physical thing from a stall. It is something else. | :10:42. | :10:47. | |
Finally, what would you like your legacy to be? Do you want to go down | :10:48. | :10:52. | |
as a guy who created a hugely disruptive world changing | :10:53. | :10:55. | |
technology? I would like to do something in a space that fills more | :10:56. | :11:00. | |
important than entertainment. I would like to do something such as | :11:01. | :11:05. | |
power generation or industry, manufacturing. I am interested in | :11:06. | :11:09. | |
3`D printing and things like that. I do not think my work is done. | :11:10. | :11:18. | |
This is always a hot topic. We would love to get your thoughts on it. | :11:19. | :11:27. | |
Next up, a look at this week's tech news. Apple has revealed how many | :11:28. | :11:31. | |
times governments around the world have requested information about its | :11:32. | :11:35. | |
users. Topping the list was the US government, which requested | :11:36. | :11:39. | |
information up to 3000 Apple account in the six months to June. The | :11:40. | :11:48. | |
company released data in response. In up to 1000 of the cases, the | :11:49. | :11:53. | |
government restricts it from disclosing more information. India | :11:54. | :11:59. | |
has successfully launched its first unmanned mission to Mars. There were | :12:00. | :12:03. | |
cheers as a rocket blasted off from a launch facility in the Bay of | :12:04. | :12:08. | |
Bengal, carrying a scientific probe. If all goes to plan, it will reach | :12:09. | :12:16. | |
its destination in September of next year, and will orbit the red planet | :12:17. | :12:18. | |
looking for signs that it can support life. You have heard of | :12:19. | :12:21. | |
outsourcing, crowd funding, and crowd working, and that is just the | :12:22. | :12:24. | |
tip of the iceberg. Researchers studying the effects of climate | :12:25. | :12:31. | |
change are using people to watch the Web cams around the clock. They | :12:32. | :12:38. | |
hoping the increased eyeball count will hope `` will flag interesting | :12:39. | :12:49. | |
events. The entertainment industry loves its festivals. Film fans flock | :12:50. | :12:55. | |
to Cannes in the south of France and Sunday at in the United States. | :12:56. | :12:59. | |
Music and art fans have thousands of festivals to choose from, and now | :13:00. | :13:02. | |
the videogame industry has a festival of its own. It celebrates | :13:03. | :13:07. | |
games as more than just an adolescent diversion. It also... It | :13:08. | :13:17. | |
is home in Nottingham. A fireworks display with a | :13:18. | :13:31. | |
difference. These fireworks are entirely digital and controlled by | :13:32. | :13:36. | |
their audience. They can trigger a motion sensor, which launches | :13:37. | :13:42. | |
different pyrotechnics, culminating in a giant game of space invaders | :13:43. | :13:45. | |
and the launch of the eight annual GameCity. The GameCity festival in | :13:46. | :13:52. | |
Nottingham is unusual for a video games event, most of which look and | :13:53. | :13:54. | |
sound like this. This festival, on the other hand, is | :13:55. | :14:06. | |
far more concerned with the cultural impacts and potential of video games | :14:07. | :14:10. | |
beyond commercial concerns. Evidence by this game behind me, which | :14:11. | :14:13. | |
involves people shouting as loudly as they can. This game, where | :14:14. | :14:20. | |
players make as much racket as possible at key moments to defeat | :14:21. | :14:23. | |
their opponent, is typical of the innovative approach that developers | :14:24. | :14:29. | |
have `` used, approaching games as more than artform than a commodity. | :14:30. | :14:33. | |
The festival itself is organised with the help of Trent University. | :14:34. | :14:42. | |
Games are made by people. It's the biggest cultural industry in the | :14:43. | :14:45. | |
world and one of the fastest`growing media industries. But unlike other | :14:46. | :14:55. | |
creative industries, the videogames make it great that you know the fee | :14:56. | :14:58. | |
he `` humans who made them. The key thing is about exposing the fact | :14:59. | :15:02. | |
that games are made by people. Or the duration of the festival, | :15:03. | :15:06. | |
developers and design students rub shoulders with industry legends and | :15:07. | :15:10. | |
discuss and play games in interactive experiences which | :15:11. | :15:15. | |
challenge the videogames. When somebody says to me, old maps, | :15:16. | :15:20. | |
exciting interactive experience isn't the first thing that pops into | :15:21. | :15:25. | |
my mind. But that's exactly the gauntlet that's been laid down by | :15:26. | :15:28. | |
the British library to several different groups of young | :15:29. | :15:32. | |
developers, as they engage in the off the map competition. The British | :15:33. | :15:38. | |
library provided the maps from its archive of four million and games | :15:39. | :15:43. | |
developer Crytek provided students with the tools to create virtual | :15:44. | :15:49. | |
worlds by its software. Students combined the cartography and the | :15:50. | :15:51. | |
game engine to bring the sometimes ancient maps to light. Games are | :15:52. | :15:56. | |
virtual worlds and virtual worlds are maps in their own right. Have | :15:57. | :16:00. | |
many maps in the British library. What we are interested to see is how | :16:01. | :16:07. | |
this gaming engine transformed a 2`dimensional flat piece of paper, | :16:08. | :16:10. | |
with an image on it, into a 3D world. Six teams competed against | :16:11. | :16:18. | |
one another, with the winning entry courtesy of the Montford University | :16:19. | :16:24. | |
in Leicester. They allow the player to explore and early version of | :16:25. | :16:29. | |
putting lane. The story is rich with history and different elements and | :16:30. | :16:33. | |
dynamics. Actual size of it, of course, was a real challenge. At | :16:34. | :16:38. | |
that also getting across all of that history and characters and the | :16:39. | :16:41. | |
streets. This story that London has to tell. We wanted to get that | :16:42. | :16:46. | |
across visually. Other stories are being told at GameCity which aren't | :16:47. | :16:51. | |
so visual. There is a way back for you to the world of the living. As | :16:52. | :16:57. | |
well as up and coming students, established developers take part in | :16:58. | :17:01. | |
the festival, often presenting unusual games and very unusual or | :17:02. | :17:06. | |
unexpected environments. I am underneath Nottingham in the | :17:07. | :17:08. | |
dungeons and Galleries of Justice. Not because I have been naughty but | :17:09. | :17:14. | |
caused cost I am here to play a new smartphone game. It's a game that | :17:15. | :17:18. | |
forces the player not to rely on their eyes but to rely on the years. | :17:19. | :17:22. | |
That's because it's a title driven entirely by sound. What was that? | :17:23. | :17:31. | |
The game makes use of actor Sean Bean's vocal talents to spin a yarn | :17:32. | :17:34. | |
that sees the play a journey through window in an attempt to return to | :17:35. | :17:39. | |
the land of the living. Brace yourself... It is spooky and | :17:40. | :17:43. | |
atmospheric. The graphics exist purely for rudimentary navigation | :17:44. | :17:47. | |
and movement. Everything else unfolds entirely through the | :17:48. | :17:52. | |
narration of the actor. Not if you can hear me. `` nod. Your mind has | :17:53. | :18:00. | |
the best graphics and what you don't have allows you to fill in the gaps | :18:01. | :18:05. | |
and, particularly it works well with horror and adventure. Above ground, | :18:06. | :18:10. | |
an entirely different take on the shooting genre, courtesy of one of | :18:11. | :18:15. | |
the minds behind Golden eye. The way it works is to cameras moved over | :18:16. | :18:21. | |
the Market Square. Each controlled by one player. Each player is | :18:22. | :18:25. | |
supposed to choose somebody in the Market Square to make a couple or a | :18:26. | :18:31. | |
friendship to bring to people together who were formerly strangers | :18:32. | :18:36. | |
and create any relationship. Then those selected people come back, | :18:37. | :18:40. | |
play the game, control the cameras. It is my impression that there's | :18:41. | :18:46. | |
enough military shooters or manned shooters, a big burly guy with a | :18:47. | :18:52. | |
vast array of military equipment, and a series of interaction is to go | :18:53. | :18:56. | |
up to people and killed them repeatedly, I appreciate there are a | :18:57. | :19:01. | |
wide range of people who enjoy that. I am creatively inspired to make new | :19:02. | :19:05. | |
attractions and new kinds of entertainment. | :19:06. | :19:10. | |
Whether it's using games technology in education or for entertainment, | :19:11. | :19:13. | |
this festival is an excellent example of the growing maturity of | :19:14. | :19:15. | |
the games industry. Games as art. A refreshing take on | :19:16. | :19:26. | |
an industry which is often discussed in terms of its negative social | :19:27. | :19:34. | |
impacts, with claims that games desensitise us to violence and | :19:35. | :19:35. | |
promote criminal activity. In fact, Kate Russell has another | :19:36. | :19:40. | |
take on the power of gaming for good next in Web Scape. | :19:41. | :19:44. | |
The debate about green issues rages on but one thing is for sure, if the | :19:45. | :19:52. | |
world does run out of natural resources, it's going to change | :19:53. | :19:57. | |
everything and not in a good way. That's the message behind a Facebook | :19:58. | :20:05. | |
game, Recharge, set in the not too distant future and aims to teach | :20:06. | :20:07. | |
players about the of sustainable energy. `` the importance of. The | :20:08. | :20:15. | |
driving creative force behind the gain is Linkin Park. They have been | :20:16. | :20:20. | |
involved in the clean energy movement since 2005, when they | :20:21. | :20:25. | |
sounded music for relief, a charity which helps those affected by | :20:26. | :20:28. | |
natural disasters and promotes the use of clean energy. A top`down | :20:29. | :20:37. | |
partner and shooter, Recharge is fun, whatever your view on | :20:38. | :20:41. | |
sustainable energy. Combining the view `` appeal of gaming with Linkin | :20:42. | :20:47. | |
Park's fan base, it's an initiative that seems bound to capture the | :20:48. | :20:54. | |
imagination of younger generation. And if today's rising energy prices | :20:55. | :20:58. | |
give you sleepless nights, how about trying a slick tracking app `` sleep | :20:59. | :21:08. | |
tracking app? Sleep Time is free on iOS and Android and will monitor | :21:09. | :21:11. | |
your movements you can build up a picture of how well are sleeping. | :21:12. | :21:14. | |
There is a soothing soundscape to help his `` drift off and plenty of | :21:15. | :21:19. | |
tips about how to get a better night's rest. | :21:20. | :21:25. | |
You need to sleep with your phone resting on your bed, so the app can | :21:26. | :21:30. | |
pick up any movement, that's how it knows when you are in deep and light | :21:31. | :21:36. | |
sleep cycles. But the alarm will lead to a gently when you are not in | :21:37. | :21:40. | |
deep sleep, rather than just ripping you out of your dreams at a set | :21:41. | :21:45. | |
time. Another interesting that is sleep, free on android. It does all | :21:46. | :21:53. | |
the slick tracking and smart alum stuff but will also kick into audio | :21:54. | :21:56. | |
record mode if you get restless, it could reveal if you are snoring or | :21:57. | :21:58. | |
talking in your sleep. `` SleepBot. Photography fans will love this next | :21:59. | :22:14. | |
site. Fotor has a huge range of filters and other editing tools for | :22:15. | :22:17. | |
you to snap up your snaps. Using the browser or download the apps for | :22:18. | :22:22. | |
iOS, android or Windows phones are also the Windows desktop and Mac. | :22:23. | :22:27. | |
You can get creative editing your snaps and creating the `` beautiful | :22:28. | :22:30. | |
collages to share with your friends. One of the features I love is the | :22:31. | :22:40. | |
ability to create HDR images, or high dynamic range. It's a striking | :22:41. | :22:47. | |
visual effect that photographers, like Trey Ratcliff, has perfect. | :22:48. | :22:51. | |
It's where they take several different shots of the same frame at | :22:52. | :22:54. | |
different exposures for combining them to get the maximum detail out | :22:55. | :23:03. | |
of all of `` then light and shaded parts of the shots. You need a | :23:04. | :23:09. | |
camera that can take the range of shots. Then just load them up into | :23:10. | :23:13. | |
the site and it will process them automatically. | :23:14. | :23:19. | |
The tilt shift filter is another great look if you want to make a | :23:20. | :23:22. | |
striking image. Google's new marketplace for experts | :23:23. | :23:34. | |
launched this week and connects users through video chat with | :23:35. | :23:36. | |
experts in the subjects, ranging from yoga to guitar. | :23:37. | :23:43. | |
Tutors are all battered and they get to set their own fees, with Google | :23:44. | :23:52. | |
taking a 20% cut. The service is available online through Google | :23:53. | :23:54. | |
hangout and on and android app, with an IOS version in the pipeline. | :23:55. | :24:00. | |
That was Web Scape. If you missed those links, they are all at our | :24:01. | :24:04. | |
website. There are also clips of previous | :24:05. | :24:08. | |
programmes and the latest tech news. You can get in touch with us if you | :24:09. | :24:13. | |
like. E`mail us or find us on Twitter, Google and Facebook. That's | :24:14. | :24:14. | |
it for now. See you next time. Good morning. Typhoon Haiyan is | :24:15. | :24:37. | |
leaving the Philippines | :24:38. | :24:39. |