Browse content similar to 28/06/2014. Check below for episodes and series from the same categories and more!
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SOUND OF TENNIS BALL BEING HIT | 0:00:02 | 0:00:04 | |
This week on Click, we're underground and overground | 0:00:23 | 0:00:26 | |
at Wimbledon, to look behind the gameplay | 0:00:26 | 0:00:28 | |
and find out what makes a champion, according to the tech, anyway. | 0:00:28 | 0:00:33 | |
What would you do if you lost the ability to move and communicate? | 0:00:33 | 0:00:38 | |
Well, we'll meet the man who's creating a keyboard for his eyes. | 0:00:38 | 0:00:43 | |
We'll also have all the big announcements from Google's | 0:00:43 | 0:00:45 | |
I/O events in San Francisco. | 0:00:45 | 0:00:48 | |
All that plus the latest tech news | 0:00:48 | 0:00:50 | |
and the best of this week's web in Webscape. | 0:00:50 | 0:00:53 | |
Welcome to Click. I'm Spencer Kelly | 0:00:59 | 0:01:00 | |
and welcome to the most famous tennis tournament in the world. | 0:01:00 | 0:01:04 | |
This is Wimbledon. Excuse me, gents. | 0:01:04 | 0:01:07 | |
Now that is Centre Court behind me, if you're asking, and this | 0:01:07 | 0:01:10 | |
is Henman Hill, or Rusedski Ridge or Murray Mound. Take your pick. | 0:01:10 | 0:01:14 | |
And this week we're going to look at the tech that makes tennis tick. | 0:01:14 | 0:01:18 | |
Each year, the world's top players make the journey here to SW19, | 0:01:20 | 0:01:24 | |
to compete for that all-important championship title. | 0:01:24 | 0:01:28 | |
The winner will pick up over £1.7 million in prize money, | 0:01:28 | 0:01:32 | |
but the glory is priceless. | 0:01:32 | 0:01:35 | |
Just ask last year's winner. | 0:01:36 | 0:01:38 | |
That's Andy Murray, Britain's first singles winner in 36 years, | 0:01:38 | 0:01:42 | |
if you needed reminding. | 0:01:42 | 0:01:44 | |
Over the years, we've dipped into this event to see how tennis | 0:01:44 | 0:01:47 | |
is experimenting with new ways to keep up with a tech fan's demands. | 0:01:47 | 0:01:52 | |
Some, like the Hawk-Eye ball-tracking technology, | 0:01:52 | 0:01:54 | |
have now become part of the action. | 0:01:54 | 0:01:56 | |
Some are still in the realms of possible but not actual. | 0:01:56 | 0:02:02 | |
Commentators, and increasingly fans, | 0:02:02 | 0:02:04 | |
have access to incredible amounts of statistics. | 0:02:04 | 0:02:07 | |
The information on every point, in fact, | 0:02:07 | 0:02:10 | |
every shot in every point, in every match. | 0:02:10 | 0:02:14 | |
Federer, back-hand drive, unforced. | 0:02:14 | 0:02:16 | |
And that data is gathered here, | 0:02:16 | 0:02:19 | |
in a cramped box overlooking the court where three | 0:02:19 | 0:02:22 | |
pairs of eyes watch the match and match groundstrokes with keystrokes | 0:02:22 | 0:02:26 | |
to record backhand, forehand and the way each point is won. | 0:02:26 | 0:02:30 | |
These guys are logging that guy's moves, | 0:02:32 | 0:02:35 | |
and that guy is Roger Federer. | 0:02:35 | 0:02:37 | |
Seems like an awful lot of pressure to me, even up here. | 0:02:37 | 0:02:40 | |
They've told me that you get used to it but... | 0:02:40 | 0:02:43 | |
no, I don't think I ever would. | 0:02:43 | 0:02:45 | |
But, since the ball is now tracked by computer, it does make me | 0:02:47 | 0:02:50 | |
wonder whether the new full-body motion sensors, now in use | 0:02:50 | 0:02:54 | |
in video games, could soon put these guys completely out of a job. | 0:02:54 | 0:02:58 | |
You could automate what we do, and there are technologies on the market that already do it. | 0:02:58 | 0:03:02 | |
You could buy it and install it at your local tennis club, | 0:03:02 | 0:03:05 | |
but the reason we use people sitting on the courtside is | 0:03:05 | 0:03:08 | |
we want to make sure the data quality we get is absolutely accurate, | 0:03:08 | 0:03:11 | |
and it's within the definitions that we set for the club. | 0:03:11 | 0:03:14 | |
So we have very good tennis players that are able to tell the difference, | 0:03:14 | 0:03:17 | |
very, very quickly, between, is it a forced or unforced error? | 0:03:17 | 0:03:21 | |
And did he clip the racket? And was that bounce on the court? | 0:03:21 | 0:03:24 | |
Quite right, it's a grass court, sometimes they bounce off. | 0:03:24 | 0:03:26 | |
So we have people that can tell that really quickly sitting at the side of | 0:03:26 | 0:03:30 | |
the court to make sure that we get the data quality that we want. | 0:03:30 | 0:03:33 | |
And we'll have much more from Wimbledon later in the programme. | 0:03:33 | 0:03:37 | |
But, regardless of how amazing this technology is, | 0:03:37 | 0:03:40 | |
like a lot of stuff that we feature on the programme, | 0:03:40 | 0:03:43 | |
it's designed to make our lives easier and more enjoyable, | 0:03:43 | 0:03:45 | |
but we really could do without it if we needed to, couldn't we? | 0:03:45 | 0:03:49 | |
However, every so often, we hear how technology is being used to connect | 0:03:49 | 0:03:54 | |
people who, without it, might lose touch with the world entirely. | 0:03:54 | 0:03:59 | |
Recently, we travelled to Israel to meet a man called Gal, | 0:03:59 | 0:04:03 | |
who's made it his mission to ensure his voice | 0:04:03 | 0:04:05 | |
is heard against all the odds. | 0:04:05 | 0:04:08 | |
...'that hopefully will help disabled people communicate much faster.' | 0:05:00 | 0:05:04 | |
Gal Sont has been programming for most of his life. | 0:05:06 | 0:05:09 | |
He was given his first computer at the age of eight, | 0:05:09 | 0:05:11 | |
got a degree in maths and computer science, | 0:05:11 | 0:05:14 | |
married his high school sweetheart and had two daughters. | 0:05:14 | 0:05:18 | |
Together with his best friend Dan, | 0:05:18 | 0:05:20 | |
he's worked in technology companies for more than 20 years. | 0:05:20 | 0:05:24 | |
Gal is fearless. | 0:05:24 | 0:05:26 | |
That's the first thing that comes into my mind | 0:05:26 | 0:05:30 | |
when I think about Gal. Gal likes adrenaline in any shape or form. | 0:05:30 | 0:05:34 | |
Whether it's...I mean, | 0:05:34 | 0:05:38 | |
kite surfing or roller coasters | 0:05:38 | 0:05:42 | |
or indoor racing, Gal did it all. | 0:05:42 | 0:05:46 | |
But in 2009, Gal was diagnosed with the degenerative illness, | 0:05:46 | 0:05:50 | |
ALS, also known as Motor Neurone Disease. | 0:05:50 | 0:05:54 | |
As it progresses, it will gradually destroy the nerve cells | 0:05:54 | 0:05:57 | |
which control his ability to move and talk, | 0:05:57 | 0:06:00 | |
and he will become increasingly paralysed. | 0:06:00 | 0:06:02 | |
Most sufferers are eventually left with control over only their eyes. | 0:06:03 | 0:06:08 | |
There is no known cure. | 0:06:08 | 0:06:10 | |
So I remember when Gal came to me | 0:06:10 | 0:06:12 | |
and we started mentioning the kind of obstacles that people in his | 0:06:12 | 0:06:18 | |
condition face, or are about to face, and how are you going to communicate. | 0:06:18 | 0:06:23 | |
And Gal came to me, you know, and he started... | 0:06:23 | 0:06:27 | |
looking for technological solutions out there to improve that. | 0:06:27 | 0:06:31 | |
Together, Gal and Dan have invented Click2Speak, | 0:06:33 | 0:06:36 | |
an affordable tool that helps disabled people to communicate. | 0:06:36 | 0:06:40 | |
Dan does the business side and Gal writes the code. | 0:06:40 | 0:06:44 | |
The software uses a special eye-tracking camera to watch | 0:06:44 | 0:06:47 | |
your eye movements and use them to control the cursor on the screen. | 0:06:47 | 0:06:51 | |
You click using a foot mouse, | 0:06:51 | 0:06:53 | |
or by simply looking at a particular button for a few seconds. | 0:06:53 | 0:06:58 | |
The Click2Speak keyboard allows Gal to control any | 0:06:58 | 0:07:01 | |
program on his computer, and it's completely customisable. | 0:07:01 | 0:07:04 | |
He's hooked it up to his projector, his air conditioning | 0:07:04 | 0:07:07 | |
and he can use it to play video games. | 0:07:07 | 0:07:10 | |
Gal wrote the basics of the app | 0:07:10 | 0:07:12 | |
when he could still just about use his hands to control a mouse. | 0:07:12 | 0:07:15 | |
Now he uses the on-screen keyboard itself to code new features, | 0:07:15 | 0:07:20 | |
programming using his eyes. | 0:07:20 | 0:07:22 | |
If you want to purchase an eye-gazing camera and to work with it, | 0:07:22 | 0:07:26 | |
you've got to purchase the software that comes with it. | 0:07:26 | 0:07:30 | |
This could be 5-6,000 dollars. | 0:07:30 | 0:07:32 | |
Um...so, you can't really go and separate. | 0:07:34 | 0:07:38 | |
Typing with your eyes can be incredibly slow, | 0:08:10 | 0:08:13 | |
but Click2Speak uses part of the SwiftKey smartphone app | 0:08:13 | 0:08:17 | |
to suggest words and speed up typing. | 0:08:17 | 0:08:20 | |
It works by looking at what you, and others, have typed in the past, | 0:08:20 | 0:08:24 | |
and uses that information to predict what word you might type next, | 0:08:24 | 0:08:27 | |
before you've even hit a key. | 0:08:27 | 0:08:30 | |
Gal and Dan worked with the SwiftKey team | 0:08:30 | 0:08:33 | |
to integrate their prediction engine into the software. | 0:08:33 | 0:08:35 | |
With it, Gal says he can communicate around 40 percent faster. | 0:08:35 | 0:08:40 | |
But Click2Speak isn't just about helping Gal to communicate. | 0:08:40 | 0:08:44 | |
He wants it to be made available to anyone who can't | 0:08:44 | 0:08:47 | |
use their hands to type. | 0:08:47 | 0:08:49 | |
The most important thing for us, before we look at any, | 0:08:49 | 0:08:51 | |
you know, financial reward, is the reward of seeing people in this | 0:08:51 | 0:08:57 | |
situation being able to communicate better and have their life improved. | 0:08:57 | 0:09:02 | |
It's not a big market when it comes to that, | 0:09:02 | 0:09:04 | |
but it's a very important market and people who really need help. | 0:09:04 | 0:09:08 | |
As Gal's condition worsens, | 0:09:08 | 0:09:10 | |
Click2Speak will increasingly become his main | 0:09:10 | 0:09:13 | |
means of communication with his family and the world around him. | 0:09:13 | 0:09:18 | |
But even when that time comes, | 0:09:18 | 0:09:20 | |
the software he created will still allow him to have a voice, | 0:09:20 | 0:09:24 | |
to work on updates for other users | 0:09:24 | 0:09:26 | |
and to be able to do the thing he's loved doing since he was a kid. | 0:09:26 | 0:09:31 | |
Gal Sont and Dan Russ in Israel, and, of course, we wish them | 0:10:42 | 0:10:45 | |
the best of luck in getting Click2Speak out there. | 0:10:45 | 0:10:48 | |
OK, back to Wimbledon next. First, a look at this week's tech news. | 0:10:48 | 0:10:51 | |
A 23-year-old paralysed man has moved his hand for the first | 0:10:53 | 0:10:56 | |
time in four years, after having a microchip implanted into his brain. | 0:10:56 | 0:11:01 | |
Researchers at Ohio State University, and Battelle R&D Institute, | 0:11:01 | 0:11:05 | |
developed the new technology, which they've dubbed Neurobridge. | 0:11:05 | 0:11:09 | |
The chip interprets the electrical activity in the brain and sends | 0:11:09 | 0:11:12 | |
signals directly to a custom hi tech sleeve, in this case, | 0:11:12 | 0:11:16 | |
on the forearm. It then stimulates muscle movement in the appendage. | 0:11:16 | 0:11:21 | |
Once out of the testing phase, doctors hope the tech will | 0:11:21 | 0:11:23 | |
someday help people with similar injuries in other limbs. | 0:11:23 | 0:11:27 | |
The pizza by drone business appears to be heating up. | 0:11:27 | 0:11:30 | |
After a US outfit launched its own pizzacopter last year in the UK, | 0:11:30 | 0:11:35 | |
a Russian pizza purveyor has joined the aerial buffet. | 0:11:35 | 0:11:38 | |
Back on terra firma, the Federal Aviation Authority in the US | 0:11:38 | 0:11:42 | |
caused confusion with new guidelines that seems to suggest paid | 0:11:42 | 0:11:46 | |
drone delivery services were illegal, although, they later | 0:11:46 | 0:11:49 | |
clarified that the guidelines were only directed at hobbyists. | 0:11:49 | 0:11:53 | |
And, finally, could human TV presenters | 0:11:53 | 0:11:56 | |
become a thing of the past? I hope not. | 0:11:56 | 0:11:58 | |
Last week, the Miraikan Museum in Tokyo | 0:11:58 | 0:12:01 | |
powered up its vision of an android newscaster. | 0:12:01 | 0:12:04 | |
Dubbed Kodomoroid, the automated anchor can recite news | 0:12:05 | 0:12:08 | |
and weather in a variety of voices and languages. | 0:12:08 | 0:12:12 | |
It's joined to the museum by Otonaroid, | 0:12:12 | 0:12:13 | |
a lifelike robot which can be controlled by members of the public. | 0:12:13 | 0:12:18 | |
Both automata have been designed as part of an exhibit called | 0:12:18 | 0:12:21 | |
Android: What Is Human? | 0:12:21 | 0:12:23 | |
Come to think of it, | 0:12:23 | 0:12:24 | |
who's to say this news hasn't been read by a replicant? | 0:12:24 | 0:12:27 | |
This might not be as glamorous as Wimbledon up top, | 0:12:32 | 0:12:35 | |
but this is the heart of the tournament, | 0:12:35 | 0:12:37 | |
at least for people watching at home and online. | 0:12:37 | 0:12:40 | |
You remember all those shots and the data about them that were being | 0:12:40 | 0:12:43 | |
captured outside each court? Well, that ends up in here. | 0:12:43 | 0:12:47 | |
IBM provides the tech backbone for the tournament | 0:12:50 | 0:12:53 | |
and this is what it calls the bunker. | 0:12:53 | 0:12:55 | |
This is where the match data is crunched | 0:12:55 | 0:12:57 | |
and turned into summary statistics for the fans online, | 0:12:57 | 0:13:01 | |
and more detailed numbers for the commentary teams. | 0:13:01 | 0:13:04 | |
The players are also given as much information as possible | 0:13:04 | 0:13:08 | |
about their own performance. | 0:13:08 | 0:13:10 | |
One of the new tricks IBM is trialling this year | 0:13:10 | 0:13:13 | |
is tracking a player's aggression. | 0:13:13 | 0:13:15 | |
We take Hawk-Eye data, who are tracking the player and the ball | 0:13:15 | 0:13:18 | |
around the court, and then we've analysed that data and we've said, | 0:13:18 | 0:13:21 | |
"Can we quantify an aggressive shot?" So we've looked at the speed | 0:13:21 | 0:13:25 | |
of the shot, we've looked at where does it bounce, | 0:13:25 | 0:13:27 | |
how close to the line? How far does the player have to move? | 0:13:27 | 0:13:29 | |
Where do they end up hitting the ball? How far they've been | 0:13:29 | 0:13:32 | |
pulled off court, and if you combine those things together in various | 0:13:32 | 0:13:35 | |
different weightings and | 0:13:35 | 0:13:36 | |
permutations, you can quantify an aggressive shot. | 0:13:36 | 0:13:38 | |
We can see, not just at the end of the rally, but all the way through | 0:13:38 | 0:13:41 | |
the rally, how aggressive are they being, | 0:13:41 | 0:13:43 | |
but also how well are they coping with that aggression? | 0:13:43 | 0:13:46 | |
And from that you can start to see insights coming out on TV | 0:13:46 | 0:13:49 | |
and the commentator starting to talk about quantifying that Nadal | 0:13:49 | 0:13:52 | |
is being more aggressive than Murray, but Murray's coping with it | 0:13:52 | 0:13:55 | |
and that's why he's winning. Then getting into another level of insight | 0:13:55 | 0:13:58 | |
into the match and what's going on. | 0:13:58 | 0:14:00 | |
And by looking even further back through the data, | 0:14:00 | 0:14:03 | |
it's also possible to examine one player's form | 0:14:03 | 0:14:06 | |
against their opponent, | 0:14:06 | 0:14:07 | |
and calculate the keys to the match, the things | 0:14:07 | 0:14:10 | |
they need to do to win against that player, at that point, in that game. | 0:14:10 | 0:14:16 | |
What we've done is we've looked at eight years of Grand Slam data, | 0:14:16 | 0:14:19 | |
41 million datapoints, and we've analysed all of that | 0:14:19 | 0:14:21 | |
and we can identify what are the patterns, in particular, | 0:14:21 | 0:14:24 | |
players' styles when they win. | 0:14:24 | 0:14:25 | |
So for any particular head-to-head, we can see what are the three | 0:14:25 | 0:14:28 | |
things that each player needs to do in order to win, | 0:14:28 | 0:14:31 | |
and we can track that in real-time then as the match progresses. | 0:14:31 | 0:14:34 | |
It's a bit like being the coach in the room at home. | 0:14:34 | 0:14:36 | |
You can see what Andy should be doing. Is he hitting his stats? | 0:14:36 | 0:14:40 | |
Technology has impacted tennis in the same way that it's impacted | 0:14:40 | 0:14:42 | |
pretty much every sport. | 0:14:42 | 0:14:44 | |
It's gone from two people hitting a ball backwards and forwards | 0:14:44 | 0:14:47 | |
to an incredible science with so much data that you can crunch. | 0:14:47 | 0:14:52 | |
It does make you wonder if there's anything left | 0:14:52 | 0:14:54 | |
that they haven't yet analysed? | 0:14:54 | 0:14:57 | |
But then we haven't talked about wearable tech yet, have we? | 0:14:57 | 0:15:01 | |
What about all those T-shirts | 0:15:01 | 0:15:02 | |
and tennis rackets that can measure your performance as you're playing? | 0:15:02 | 0:15:06 | |
We can currently get data from rackets' head now. Where's the ball | 0:15:06 | 0:15:09 | |
hitting the racket? We're looking with some of the other clients I work | 0:15:09 | 0:15:12 | |
with around getting information | 0:15:12 | 0:15:14 | |
directly from the players. What's their heartrate? | 0:15:14 | 0:15:16 | |
Imagine last year, if you'd been watching the Murray final, | 0:15:16 | 0:15:18 | |
knowing what his heartrate was as he was going up to serve | 0:15:18 | 0:15:21 | |
for the match. That would be really exciting. | 0:15:21 | 0:15:24 | |
Yeah, I can certainly tell you what my heart was | 0:15:24 | 0:15:26 | |
doing during those final points. But that's irrelevant. | 0:15:26 | 0:15:30 | |
Anyway, while Wimbledon heads into its second week, | 0:15:30 | 0:15:33 | |
there's another massive annual event | 0:15:33 | 0:15:36 | |
taking place on the west coast of the US. | 0:15:36 | 0:15:38 | |
Google I/O is Google's annual developers conference, | 0:15:38 | 0:15:42 | |
and it always serves up some big announcements. | 0:15:42 | 0:15:44 | |
This year is no different, so here's Richard Taylor. | 0:15:44 | 0:15:47 | |
It may be teeming with developers but don't let that fool you. | 0:15:50 | 0:15:54 | |
Google's annual coming out party affects us all. | 0:15:54 | 0:15:58 | |
And not just existing smartphone owners. | 0:15:58 | 0:16:01 | |
Android One is Google's attempt to consolidate its already strong | 0:16:01 | 0:16:05 | |
position in the developing world, | 0:16:05 | 0:16:07 | |
where smartphone adoption is still only around 10%. | 0:16:07 | 0:16:11 | |
Working with hardware partners and targeting India right now, | 0:16:11 | 0:16:14 | |
the aim is to get affordable handsets running a fully up to date | 0:16:14 | 0:16:19 | |
version of Android. | 0:16:19 | 0:16:20 | |
Good for users, a great opportunity for Google itself. | 0:16:20 | 0:16:23 | |
A more exciting opportunity for the devs, tweaking their apps | 0:16:25 | 0:16:28 | |
to work on Google's new smartwatch platform, Android Wear. | 0:16:28 | 0:16:32 | |
Let's face it, despite the industry hype around wearables, | 0:16:32 | 0:16:36 | |
we don't seem to be smitten yet. | 0:16:36 | 0:16:38 | |
Could this be the moment we've been waiting for? | 0:16:38 | 0:16:41 | |
Of course, there were plenty of core Android announcements, | 0:16:41 | 0:16:44 | |
too, to get the 6,000-strong faithful in the audience misty eyed. | 0:16:44 | 0:16:48 | |
Not least a new faster and slicker version of Android, | 0:16:48 | 0:16:51 | |
right now simply codenamed "L". | 0:16:51 | 0:16:54 | |
Forget your smartphone, | 0:16:54 | 0:16:55 | |
they say in many ways the car is the ultimate mobile device. | 0:16:55 | 0:16:59 | |
Apple recently announced CarPlay, | 0:16:59 | 0:17:02 | |
now Google has its own way of getting your mobile talking to your motor. | 0:17:02 | 0:17:06 | |
Android Auto takes your favourite apps and makes them | 0:17:08 | 0:17:11 | |
car-friendly, from navigation to music. | 0:17:11 | 0:17:14 | |
All voice-controlled and car-optimised, | 0:17:14 | 0:17:17 | |
using the phone itself as the brains. | 0:17:17 | 0:17:20 | |
In fact, wherever we may be, on the road, at work or at home, | 0:17:20 | 0:17:24 | |
it's clear Google has designs on being there with us. | 0:17:24 | 0:17:28 | |
We want to work to create a seamless experience across all these connected devices. | 0:17:28 | 0:17:33 | |
A lot of it seems very Apple-like, doesn't it? | 0:17:33 | 0:17:36 | |
It does, and that's not a bad thing. Saying we have this cohesive | 0:17:36 | 0:17:40 | |
experience, this vertical integration. If you want a good | 0:17:40 | 0:17:43 | |
experience, you're going to have to do that. Google came about it | 0:17:43 | 0:17:45 | |
the long way and it's taken them a while to get there, | 0:17:45 | 0:17:48 | |
but I don't think there was anyone who didn't understand that | 0:17:48 | 0:17:50 | |
if we want to do this stuff well we have to really bring it together. | 0:17:50 | 0:17:53 | |
That's what they've absolutely announced today. | 0:17:53 | 0:17:56 | |
Still, not everyone is convinced they want or need any | 0:17:56 | 0:17:59 | |
kind of Google experience. | 0:17:59 | 0:18:01 | |
This protest outside the convention, | 0:18:01 | 0:18:03 | |
a reminder that as the big G gets ever bigger, | 0:18:03 | 0:18:07 | |
its encroaching presence on our lives isn't welcomed by everyone. | 0:18:07 | 0:18:11 | |
Richard Taylor. | 0:18:14 | 0:18:15 | |
Well, it is June and the garden's looking lovely, | 0:18:15 | 0:18:18 | |
which means Kate Russell has actually been outside. | 0:18:18 | 0:18:22 | |
Here she is with some smartphone apps for all your green-fingered | 0:18:22 | 0:18:25 | |
friends now in Webscape. | 0:18:25 | 0:18:27 | |
Keen gardeners will know that some things grow | 0:18:36 | 0:18:38 | |
better in their flower beds than others. | 0:18:38 | 0:18:41 | |
It's all down to soil | 0:18:41 | 0:18:43 | |
and to help you understand more about what's under your feet, | 0:18:43 | 0:18:46 | |
the British Geological Survey | 0:18:46 | 0:18:48 | |
and the Centre for Ecology and Hydrology have put together | 0:18:48 | 0:18:51 | |
a detailed European map of soil properties, | 0:18:51 | 0:18:55 | |
available as an Android and iPhone app. | 0:18:55 | 0:18:57 | |
Fire up the app and it will locate you on the map | 0:19:00 | 0:19:03 | |
and tell you things like soil type, depth, organic matter, | 0:19:03 | 0:19:07 | |
texture and pH. | 0:19:07 | 0:19:09 | |
You can use this information to match your planting for the best | 0:19:09 | 0:19:13 | |
possible results. | 0:19:13 | 0:19:15 | |
The Royal Horticultural Society's Plant Selector is a great | 0:19:15 | 0:19:18 | |
place to look for plants, as it lets you enter soil type, | 0:19:18 | 0:19:22 | |
shading and certain garden characteristics before choosing | 0:19:22 | 0:19:27 | |
which type of plant you'd like and when you want it to bloom. | 0:19:27 | 0:19:30 | |
The one thing every good gardener needs to know is what to pull out. | 0:19:40 | 0:19:45 | |
Weed ID will help you pinpoint 140 species of broadleaf and grass weeds. | 0:19:45 | 0:19:52 | |
You can take a snap to compare your plant with a database of thousands | 0:19:52 | 0:19:55 | |
of images or just search via the ID filter | 0:19:55 | 0:19:58 | |
or by common and scientific name. | 0:19:58 | 0:20:00 | |
If you're really into gardening, | 0:20:08 | 0:20:10 | |
then the aptly named Intogardens.com is a must-bookmark for you. | 0:20:10 | 0:20:15 | |
Part interactive magazine and part web TV series, | 0:20:15 | 0:20:19 | |
this site is bursting at the flower beds with colour | 0:20:19 | 0:20:22 | |
and instructional content to help you get your garden in bloom. | 0:20:22 | 0:20:27 | |
Come on, Speedy. Come on, Slowy. | 0:20:27 | 0:20:30 | |
I love the design and it delivers a refreshing mix of written, | 0:20:30 | 0:20:35 | |
video and photographic content from some of the best gardeners | 0:20:35 | 0:20:39 | |
and designers around the world to really give you a head start. | 0:20:39 | 0:20:43 | |
As soon as your tomatoes start flowering, which is just here, | 0:20:43 | 0:20:46 | |
this is where the actual tomato fruit are going to come from. | 0:20:46 | 0:20:50 | |
This week a new photo sharing and chat app made it onto iOS. | 0:20:54 | 0:20:58 | |
Cooliris is the developer and their trademark wall display | 0:20:58 | 0:21:02 | |
technology makes this interface stand out in a crowded market. | 0:21:02 | 0:21:07 | |
Transfer to groups is one click simple and pretty instantaneous | 0:21:07 | 0:21:10 | |
with integrated comments and other social features. | 0:21:10 | 0:21:13 | |
One lovely touch is that you can delete a snap from the | 0:21:13 | 0:21:16 | |
recipient's deliveries if you decide you don't like it after all. | 0:21:16 | 0:21:20 | |
It's free on iOS right now, with web based | 0:21:20 | 0:21:22 | |
and Android apps coming in four to six weeks. | 0:21:22 | 0:21:25 | |
And, as much as I hate it, | 0:21:32 | 0:21:34 | |
there is one app it's hard to ignore this week. | 0:21:34 | 0:21:37 | |
-PHONE: Yo. -Yo is a zero character chat app that does just one thing, | 0:21:37 | 0:21:43 | |
-sends a "yo" to your contacts. -Yo. Yo. | 0:21:43 | 0:21:47 | |
-Perhaps I would understand the point more if I was 15. -Yo. | 0:21:47 | 0:21:51 | |
But it picked up 950,000 users in four days this week, | 0:21:51 | 0:21:56 | |
bringing the user base to a million. | 0:21:56 | 0:21:58 | |
It's also been reportedly hacked, | 0:21:58 | 0:22:01 | |
so if you feel like annoying your friends with a stream of "yo"s... | 0:22:01 | 0:22:04 | |
Yo, yo, yo. | 0:22:04 | 0:22:06 | |
..be aware there could still be vulnerabilities to be fixed. | 0:22:06 | 0:22:09 | |
-Yo. -Thank you, Kate. Or should I say, "yo"? | 0:22:12 | 0:22:16 | |
Now I just thought you'd like to see behind the scenes | 0:22:16 | 0:22:18 | |
here at Wimbledon, because these are some of the camera crews | 0:22:18 | 0:22:21 | |
who are covering the tournament for broadcasters around the world. | 0:22:21 | 0:22:25 | |
I can guarantee you one thing, | 0:22:25 | 0:22:27 | |
at some point during the championship, | 0:22:27 | 0:22:29 | |
the focus will shift from the courts below to the skies above | 0:22:29 | 0:22:34 | |
because, well, let's face it, this is England. | 0:22:34 | 0:22:38 | |
Last week we showed you a rain alarm, | 0:22:41 | 0:22:43 | |
this week something much more flashy. | 0:22:43 | 0:22:45 | |
This website allows you to see the location of lightning | 0:22:45 | 0:22:48 | |
strikes in real-time. | 0:22:48 | 0:22:51 | |
It works with the help of amateur volunteers from all over | 0:22:51 | 0:22:53 | |
the world who can buy lightning detection kits | 0:22:53 | 0:22:57 | |
for about 275 dollars. | 0:22:57 | 0:22:59 | |
What the blitzortung set is, | 0:22:59 | 0:23:01 | |
is a low-frequency radio receiver which then digitises | 0:23:01 | 0:23:05 | |
the signal and sends it through to a server with a GPS timestamp. | 0:23:05 | 0:23:10 | |
So, it's effectively, a low-frequency radio listening | 0:23:10 | 0:23:13 | |
out for lightning strikes within a radius of 2,000-3,000 kilometres. | 0:23:13 | 0:23:18 | |
The aim of the project is to harness the power of the crowd to monitor | 0:23:19 | 0:23:23 | |
the skies and establish a low-budget lightning location network. | 0:23:23 | 0:23:27 | |
What it's useful for is for weather hobbyists to actually | 0:23:29 | 0:23:32 | |
look at where the thunderstorms are, | 0:23:32 | 0:23:34 | |
and predict where major rainfall will be. | 0:23:34 | 0:23:37 | |
And the data is supplied to not-for-profit meteorologists | 0:23:38 | 0:23:43 | |
so they can use it in their predictions and weather forecasts. | 0:23:43 | 0:23:48 | |
Electrifying stuff. | 0:23:48 | 0:23:49 | |
Let's hope we won't be needing that too much over the next week. | 0:23:51 | 0:23:54 | |
Now for more from us, go to our website | 0:23:54 | 0:23:57 | |
and if you'd like to talk to us, we do talk back. | 0:23:57 | 0:23:59 | |
We are @BBC Click on Twitter. But that's it from Wimbledon. | 0:23:59 | 0:24:03 | |
I'm off to see if I can sneak onto Court No.1. Shh. | 0:24:03 | 0:24:07 | |
Don't tell anyone. Thanks for watching. I'll see you next time. | 0:24:07 | 0:24:10 |