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seeking immunity before testifying. Now it is time for click. | :00:00. | :00:00. | |
This week: adventures in sound with posh cams, invisible speakers and | :00:07. | :00:14. | |
cloning Brian Eno's brain. Today I am in the lead of the wizard | :00:15. | :00:49. | |
who likes decibels, who likes to write a book or two, a wizard called | :00:50. | :00:59. | |
Brian Eno. Do not know if should show you how this works. Let's just | :01:00. | :01:10. | |
find the... These are just not bits of speakers, they are working | :01:11. | :01:19. | |
speakers? Yes. On my gosh. And it is sound that these man is best known | :01:20. | :01:26. | |
for. Big sound. The former member of Roxy Music has added production | :01:27. | :01:32. | |
sounds to the biggest acts in the world- U2, Coldplay and some chap | :01:33. | :01:40. | |
called Bali. He is a self-proclaimed non- musician who uses technology to | :01:41. | :01:50. | |
make his art. There it is. Sir this essentially never repeat in billions | :01:51. | :01:57. | |
of years. It is constantly generating new images. I mean, | :01:58. | :02:03. | |
sometimes it does things that are so baffling fantastic you think, I | :02:04. | :02:09. | |
never would have thought of that. It is Love of Brandon, generative art | :02:10. | :02:16. | |
that has brought us here. His music is very atmospheric and at the wheel | :02:17. | :02:21. | |
and his regarded as 'The Godfather' of ambient music and his new work, | :02:22. | :02:26. | |
reflection, it is rather unpredictable. It is a generative | :02:27. | :02:31. | |
music app which follows rules defined and we find by Brian Eno but | :02:32. | :02:38. | |
which plays differently every time. 14% of these notes, random, will be | :02:39. | :02:45. | |
pitched down by three semitones. The second is 41% on an octave. Can I | :02:46. | :02:57. | |
just said... Scientist. I would go further, quantum scientist. | :02:58. | :03:02. | |
Probabilities. Brian Eno has spent weeks, months, tweaking these rules | :03:03. | :03:07. | |
and probabilities which when combined course of these sounds to | :03:08. | :03:13. | |
bounce, transform or not play at all. These are different types of | :03:14. | :03:28. | |
scripters. I like them. Who doesn't! Actually, these rules can be applied | :03:29. | :03:33. | |
to any type of music. Something more pacey, there are effects become | :03:34. | :03:39. | |
immediately obvious. We will make that a tedious loop. A lot of music | :03:40. | :03:50. | |
is based just on things like that and it goes on for ever. Now I will | :03:51. | :03:56. | |
put in some scripters. First a way of reducing the number of beads. -- | :03:57. | :04:14. | |
beat. It is Ali playing 80%. Already it is a pretty crappy drama. | :04:15. | :04:20. | |
Actually, this is way more interesting than the original | :04:21. | :04:35. | |
drumbeat. Will introduce some roles. Traditional music, Hugh have a piece | :04:36. | :04:39. | |
which locks down but you are not blocking it down. You are taking | :04:40. | :04:45. | |
these and locking that down, the process. I do not mind so much if | :04:46. | :04:53. | |
the piece changes every time. It is a good way of explaining it. I am | :04:54. | :04:59. | |
trying to make a version of me in the software, my taste, if you like. | :05:00. | :05:05. | |
I interested in the edge of buying taste envelope and randomness is a | :05:06. | :05:13. | |
way to find out. Mixing things up is something Brian Eno is known for. | :05:14. | :05:18. | |
The legendary oblique strategy cards, the imposing a a rule, you | :05:19. | :05:31. | |
reduce the possibility to solve it. If you are working with other | :05:32. | :05:39. | |
people, you get information and derailment. If you are working alone | :05:40. | :05:44. | |
you can easily get into a rut. Working at a different speed. That | :05:45. | :05:51. | |
is a useful one. That could mean a lot of different things. It could | :05:52. | :05:55. | |
change the speed or do things at different speed. Work very very | :05:56. | :06:02. | |
quickly all very very slowly. Take a minute to get to that guitar. Pick | :06:03. | :06:11. | |
it up. Put it on. Plug it in. Have you thought of a way to copyright | :06:12. | :06:16. | |
the music that comes out? If you sell the app, do they own the music | :06:17. | :06:22. | |
because they have constructed it. All the bits I never the final | :06:23. | :06:30. | |
construction is that there is. It is not easy to make a case for saying | :06:31. | :06:37. | |
it is my music because it sort of is in a modern sense of what composing | :06:38. | :06:44. | |
means. We spent about an hour with Brian Eno and in the next few days | :06:45. | :06:50. | |
you can see more inside Brian Eno's brain on online. The week in Tech, | :06:51. | :07:02. | |
Elon Musk started yet another company. The company which aims to | :07:03. | :07:06. | |
implant a ait technology onto the human brain. Does this guy never | :07:07. | :07:13. | |
watch sci-fi films and that it never ends well. And was on the head | :07:14. | :07:19. | |
honcho showed the interior space tourists will see in his origin | :07:20. | :07:27. | |
spacecraft. The second richest man in the world with a net worth of $75 | :07:28. | :07:35. | |
billion. $10 billion behind Bill Gates, though. How about turning any | :07:36. | :07:40. | |
surface into an interface without the need for a screen? A host of | :07:41. | :07:45. | |
devices that like speakers, lights and thermostats can beat all the | :07:46. | :07:57. | |
remote controls. , in France, a host of teams will outline vehicles built | :07:58. | :08:15. | |
with less than a number of parts. 99 nanometres per hours they will | :08:16. | :08:21. | |
travel. 37 million years to travel a single mile. Not exactly Formula | :08:22. | :08:32. | |
One. This week, Samsung launched its latest mobile phone. Just a few | :08:33. | :08:37. | |
minutes to go until the launch start and there is an incredible level of | :08:38. | :08:41. | |
secrecy here but there is a lot at stake for some after the Indee Park | :08:42. | :08:51. | |
all sat we're waiting to see why the S8 has in Seoul. Cold hard facts- | :08:52. | :09:05. | |
phone... Well, two phones were born. S8 and S8 plus. Not that large | :09:06. | :09:14. | |
because of the screens on both of them curve over the edges. A lot of | :09:15. | :09:19. | |
hype about these. It does not feel like a big deal, personally but it | :09:20. | :09:25. | |
means you get a screen which is bigger on a smaller size. A | :09:26. | :09:31. | |
fingerprint scanner. Iris and facial recognition meaning you should not | :09:32. | :09:36. | |
need a password that still achieved all the security you want. An | :09:37. | :09:42. | |
invisible home button. At as you press it, you can feel some | :09:43. | :09:52. | |
sensation. One thing we have had a lot of talk about is the launch of | :09:53. | :10:00. | |
this... When fully functioning, the system aims to make interact in | :10:01. | :10:05. | |
easier. Interacting with apps, controlling other devices and using | :10:06. | :10:11. | |
artificial intelligence to land your habits and suggests what you might | :10:12. | :10:17. | |
be looking for next. Naturally, I wanted test this new personal | :10:18. | :10:20. | |
assistant that there is a substantial problem. It is currently | :10:21. | :10:27. | |
only available in Korean. It will be released in American English in | :10:28. | :10:32. | |
many. It may well be great but I cannot tell you about it. In the | :10:33. | :10:39. | |
meantime, the image recognition function is in action. It has | :10:40. | :10:48. | |
varying success. So the head brushing shot -- hairbrush. It | :10:49. | :10:55. | |
thinks my hairbrush is a fork. I have been asking around to see what | :10:56. | :10:59. | |
others think about it. Very impressive screen. 18.5 buying nine. | :11:00. | :11:08. | |
That is a big screen in a very small phone. I plan ait inches and I can | :11:09. | :11:15. | |
fit my hands around it. The court experience has not changed a lot. We | :11:16. | :11:23. | |
have not got the dual camera. Users standard Samsung apps. I do not | :11:24. | :11:32. | |
think everybody once to speak to standard apps. For the amount of | :11:33. | :11:36. | |
time they made us wait for these perhaps under delivered on standout | :11:37. | :11:43. | |
features we have not seen elsewhere. The phone will be released this | :11:44. | :11:49. | |
month from $650. The company believed they will see explosive | :11:50. | :11:55. | |
sales but let's hope not exploding phones! Now to cyborgs and when | :11:56. | :12:09. | |
Hollywood imagines them look way too futuristic to become a reality. They | :12:10. | :12:16. | |
did not save your life, they stole it. But are they? A special | :12:17. | :12:24. | |
appointment with a professor at the University of Tokyo in Japan. | :12:25. | :12:40. | |
I have come to see a professor who is apparently going to turn me into | :12:41. | :12:52. | |
some sort cyborg. It is the first time a camera crew has been allowed | :12:53. | :12:57. | |
in to see the process happen and it will take place through this door, | :12:58. | :13:08. | |
he asked. -- here. They have come up with a thin as organic circuit, | :13:09. | :13:13. | |
lighter than a feather, they could be worn like a second skin. | :13:14. | :13:18. | |
Monitoring the body all as the display. We gain to introduce the | :13:19. | :13:25. | |
electronic functions on the surface of the skin without causing any | :13:26. | :13:32. | |
discomfort. This is human and machine coming together. The display | :13:33. | :13:38. | |
they are putting on has taken three days to manufacture serve the | :13:39. | :13:41. | |
research team are being very careful. Two to three micros in | :13:42. | :13:49. | |
thickness. The magic is controlled by transparent electrons and conduct | :13:50. | :13:58. | |
us. They are surprisingly resilient. They can scrunch them and on rubber | :13:59. | :14:05. | |
even stretch of them. It still works and that is something I have come to | :14:06. | :14:11. | |
put to the test. The professor has used schemes to measure heart rate | :14:12. | :14:16. | |
and oxygen levels. Could we use these out and about was make can we | :14:17. | :14:21. | |
go running with it? It doesn't cause any failure. It is | :14:22. | :14:37. | |
flexible. Would you expect us to change this every two or three days? | :14:38. | :14:43. | |
Yes, that's another possibility. If we can manufacture everything very | :14:44. | :14:52. | |
cheap, so after you go to the shower and said delaminate your skin and | :14:53. | :14:58. | |
put the fresh one. I expected that to break by now. And it's still very | :14:59. | :15:06. | |
much alive. This is just a single digit display today, but what could | :15:07. | :15:13. | |
this be the future? The second step will be much more digits and then, | :15:14. | :15:21. | |
going to the high-definition display. So we could have baby 1000 | :15:22. | :15:28. | |
pixels? -- maybe. Yes, that's technologically possible. Now hand, | :15:29. | :15:34. | |
so we could, what, talk to people now had? Yes. This could be a | :15:35. | :15:40. | |
picture of my mum, for example? She would appear on my hand? Yes, that | :15:41. | :15:44. | |
would be possible in the future, maybe four or five years. But | :15:45. | :15:52. | |
lifetime will be the biggest issues. This is the start of the rise of the | :15:53. | :15:58. | |
cyborgs. That was Dan, wearing some pretty | :15:59. | :16:14. | |
advanced technology on his person. I've got my own piece of advanced | :16:15. | :16:19. | |
technology here. These are the Sennheiser new headphones and would | :16:20. | :16:23. | |
you like to take a guess at what is special about them? For a start, | :16:24. | :16:32. | |
they cost ?54,000! Fire up, One Direction. No-one Direction? OK. So, | :16:33. | :16:41. | |
I'm not a real audio expert. I used to work in the radio so I do know | :16:42. | :16:47. | |
about sound. But I'm also 43, so I think I'm slightly deaf. But these | :16:48. | :16:52. | |
are certainly sound very expensive. Very, very nice. What's interesting | :16:53. | :17:01. | |
is that aren't boys counselling -- cancelling and I can actually hear | :17:02. | :17:06. | |
other stuff in a broom. And I'm not sure whether I would expect that or | :17:07. | :17:10. | |
whether I would expect to be shut off from the room when I put this on | :17:11. | :17:21. | |
so you can just hear music. Wow. For people who are in love, or should I | :17:22. | :17:26. | |
say obsessed with sound quality, it seems that nothing is off-limits. | :17:27. | :17:32. | |
But when those people are in Japan, off-limits hits a whole new level. | :17:33. | :17:36. | |
We are used to seeing unusual things in Japan, so we were not surprised | :17:37. | :17:41. | |
at all to hear about group of people who would think nothing of spending | :17:42. | :17:44. | |
the whole lot more than the price of these in search of audio perfection. | :17:45. | :22:00. | |
It seems some people don't care what their place looks like, as long as | :22:01. | :22:06. | |
it sounds amazing. But if you are into your high end audio but you | :22:07. | :22:10. | |
also want something a bit more inconspicuous, then we've come here | :22:11. | :22:15. | |
to London's smart apartment to see some options. These speakers are | :22:16. | :22:21. | |
made by Lynn and will cost ?12,500 for the pair. They come with a | :22:22. | :22:26. | |
choice of fabrics. You can choose whichever one blends into your decor | :22:27. | :22:30. | |
best. The fabric apparently has been specially developed so it doesn't | :22:31. | :22:37. | |
dull the sound. But metre tall speakers are always going to be | :22:38. | :22:40. | |
quite attention grabbing. What if you want your speakers to be heard | :22:41. | :22:47. | |
but not seen at all? So, can you spot the speakers in this room? | :22:48. | :22:53. | |
Well... They are actually up there. There are lots of little speakers in | :22:54. | :22:56. | |
the ceiling next to the light fittings. They were installed before | :22:57. | :23:01. | |
plastering, so that they can sit flush with the ceiling. This is what | :23:02. | :23:05. | |
they actually look like and the cost there's quite a few of them they | :23:06. | :23:09. | |
don't have to be that loud to filter the sound. If that's still too | :23:10. | :23:15. | |
conspicuous for you, this room has invisible speakers in that they are | :23:16. | :23:22. | |
in the walls. You can fill them by the vibration here and here. You | :23:23. | :23:27. | |
can't see them at all of course. These ones have been wallpapered | :23:28. | :23:30. | |
directly over. If you are plastering the ball you can get away with two | :23:31. | :23:34. | |
millimetres past only, apparently. And if you are worried that your | :23:35. | :23:37. | |
speakers going wrong, the manufacturers have told us that | :23:38. | :23:41. | |
within 15 years they will come and not only repair the speakers but | :23:42. | :23:46. | |
also make good your decorations. And that's it from the smart apartment. | :23:47. | :23:52. | |
Follow us on Twitter if you would be so kind will stop with plenty of | :23:53. | :23:55. | |
this kind of stuff throughout the week and there's more coming from | :23:56. | :24:00. | |
Brian soon. Thanks for watching and see you soon. | :24:01. | :24:23. | |
This past week has seen some really varied weather | :24:24. | :24:27. |