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Line | From | To | |
---|---|---|---|
from Click for their
Christmas special. | 0:00:00 | 0:00:02 | |
It was the night before Clickmas and
all through the smart home of the | 0:00:08 | 0:00:14 | |
gizmo was wearing, not even a drone,
the stock is full with gadgets | 0:00:14 | 0:00:18 | |
galore with virtually realities
primed to explore. | 0:00:18 | 0:00:21 | |
The very next day, you gave it away.
This year, to save you from tears. I | 0:00:46 | 0:00:53 | |
will give it to someone special. And
welcome to the Clickmas special! | 0:00:53 | 0:00:59 | |
Thank you very much to John the
excellent rendition to start us off, | 0:00:59 | 0:01:03 | |
would you believe it, the gang is
all here, the are decked with nifty | 0:01:03 | 0:01:08 | |
gadgetry that it is time to get this
party started. That! This is the | 0:01:08 | 0:01:15 | |
Lyric Speaker, it streams music from
your smartphone from Spotify and | 0:01:15 | 0:01:18 | |
also picks up the lyrics from
Spotify and displays it on screen | 0:01:18 | 0:01:25 | |
you to have a sociable conversation.
And if you do want that, you can | 0:01:25 | 0:01:29 | |
talk about the fact this cost £3600.
Does it play Mariah Carey? | 0:01:29 | 0:01:35 | |
Technically it does but let's not
test that. I tell you what, I have a | 0:01:35 | 0:01:41 | |
Christmas present for you, Spencer.
You've always wanted to be a Jedi | 0:01:41 | 0:01:45 | |
Knight, I know this, you have always
wanted to have a light sabre button | 0:01:45 | 0:01:49 | |
but with this augmented reality Star
battling headsets, you can. | 0:01:49 | 0:01:53 | |
Fabulous. Can I try it? Yes, but you
have to go over there because I know | 0:01:53 | 0:01:59 | |
you and your waiting arms, you will
something over. -- waving. While I | 0:01:59 | 0:02:11 | |
get lost in a galaxy far, far away,
Dan is getting lost in his favourite | 0:02:11 | 0:02:17 | |
videogame. | 0:02:17 | 0:02:18 | |
Come on, come on, come on. I have
just crushed it! It is a stunning | 0:02:22 | 0:02:33 | |
game, I would love to tell you it is
just like driving the real thing | 0:02:33 | 0:02:38 | |
but... I cannot just yet. This is
the Nissan GT-R, it is 4-wheel-drive | 0:02:38 | 0:02:55 | |
traction control system, it lays
down almost all the 550 horses from | 0:02:55 | 0:03:00 | |
the engine to the tarmac. It is a
top speed that would make your nose | 0:03:00 | 0:03:04 | |
bleed, and goes 0- 60 in under three
seconds. I am ready to go again! | 0:03:04 | 0:03:16 | |
Sorry? | 0:03:16 | 0:03:19 | |
(BLEEP)! Are (BLEEP)! | 0:03:30 | 0:03:33 | |
Oh my god! You want to be a little
bit... So we've played the game, | 0:03:38 | 0:03:49 | |
we've driven the car, so how
about... We do both. This is a | 0:03:49 | 0:04:03 | |
full-sized fully expect
rent-controlled Nissan GT-R C, it | 0:04:03 | 0:04:08 | |
has been made by the team at JLP
design and is driven by a standard | 0:04:08 | 0:04:13 | |
PlayStation controller. Four Baz
control the transmission, staring, | 0:04:13 | 0:04:19 | |
throttle and the brakes. The six
number crunchers in the Brutt couple | 0:04:19 | 0:04:26 | |
of my adjustment is 100 times per
second. So just to be clear, I'm | 0:04:26 | 0:04:31 | |
going to be driving that car with
this while Rob chases it in the car | 0:04:31 | 0:04:37 | |
we are in. We don't lose contact,
obviously. I know. Bonkers. This is | 0:04:37 | 0:04:47 | |
£100,000 worth of sports car and I
have to say it is twitchy. Just like | 0:04:47 | 0:04:54 | |
a Grand Prix, a bit of break, there
we go, Indigo, there we turn. Just | 0:04:54 | 0:04:58 | |
take a little bit of. He has gone
around the corner, he hasn't | 0:04:58 | 0:05:03 | |
smashed! Sports car! This car has so
much power and are literally have to | 0:05:03 | 0:05:09 | |
just dab a finger and it moves, I
mean, it really does. Incredible. | 0:05:09 | 0:05:20 | |
Wow! Just be able to control
something as powerful as that is so | 0:05:20 | 0:05:25 | |
much responsibility, actually, but
once you get into which you get | 0:05:25 | 0:05:28 | |
focused on the car, it is just
incredible. We should all have one | 0:05:28 | 0:05:32 | |
of these Christmas, shouldn't we? Oh
well. Nice to dream. | 0:05:32 | 0:05:39 | |
Dan, it's looked amazing. Pointless.
But amazing. And terrifying. | 0:05:43 | 0:05:52 | |
Absolutely terrifying, Spencer. I
think we created a new OG. I say! | 0:05:52 | 0:05:57 | |
Well, good. In an attempt, moving
on, in an attempt to add some | 0:05:57 | 0:06:04 | |
substance to this Christmas debacle,
we have decided to cross to a | 0:06:04 | 0:06:08 | |
familiar friend who is a powerful
telepresence, Dave Lee in San | 0:06:08 | 0:06:13 | |
Francisco. Robots things. -- sings.
Dave, nice wheels! A serious upgrade | 0:06:13 | 0:06:30 | |
of the old telepresence box, I
suppose you are now a serious news | 0:06:30 | 0:06:34 | |
corresponded. Thank you, finally the
rubber to grade I have feel like I | 0:06:34 | 0:06:39 | |
deserve. Tell us about your 2017,
you are in the heart of it all in | 0:06:39 | 0:06:44 | |
silicon valley San Francisco, what
is this year be like for you? I feel | 0:06:44 | 0:06:48 | |
like this year, the things that made
the big companies really good and | 0:06:48 | 0:06:52 | |
profitable and rich is now the same
thing that is giving them serious | 0:06:52 | 0:06:57 | |
headaches. We have seen algorithms
fightback, causing all sorts of | 0:06:57 | 0:07:01 | |
problems. Fake news, propaganda from
the Russians, various issues that | 0:07:01 | 0:07:08 | |
faced -- Facebook and Google and
YouTube and all of these companies | 0:07:08 | 0:07:12 | |
are suffering from and this year has
been am trying to deal with but I | 0:07:12 | 0:07:16 | |
did they have managed it all,
frankly. Over here in what I call | 0:07:16 | 0:07:20 | |
the rest of the world everyone is
looking at Silicon valley and it | 0:07:20 | 0:07:24 | |
almost looks a bit large companies
could topple because of these kind | 0:07:24 | 0:07:28 | |
of scandals. What is the feeling
like in Silicon Valley? Are people | 0:07:28 | 0:07:33 | |
worried or are they getting on with
the next new crazy service? I think | 0:07:33 | 0:07:38 | |
they are more grumpy about this than
worried Comey I think Silicon valley | 0:07:38 | 0:07:42 | |
field but when Washington has a go
at them about fake news or when the | 0:07:42 | 0:07:46 | |
rest of the world thinks they are
not doing a good enough job they | 0:07:46 | 0:07:50 | |
think they are being picked on, is
the sense I get from many companies, | 0:07:50 | 0:07:54 | |
they feel like it is the thing that
isn't their fault they will be able | 0:07:54 | 0:07:58 | |
to fix it but it may take some time
or indeed we may just have to learn | 0:07:58 | 0:08:02 | |
that these networks are going to be
perfect all the time. That is the | 0:08:02 | 0:08:06 | |
sense I get. I think they hope that
as we going to Christmas and the new | 0:08:06 | 0:08:11 | |
year we might move on from this
issue and stop talking about it | 0:08:11 | 0:08:14 | |
quite so much. But I don't think
people will forget, I think people | 0:08:14 | 0:08:18 | |
will be talking about is well into
2018. Or, horror, hope, Mary | 0:08:18 | 0:08:21 | |
Clickmas! This is my friend, I felt
she would bring some fun to the | 0:08:21 | 0:08:28 | |
table, it recognises me. A low! It
is a robot who can say phrases and | 0:08:28 | 0:08:33 | |
play educational games and it can
even do that. But look at what it | 0:08:33 | 0:08:37 | |
does on the table. Don't worry, it
will not eat your chocolate coins. | 0:08:37 | 0:08:40 | |
But its mind or bitcoin? It mines
for chocolate coins. Team, the food | 0:08:40 | 0:08:48 | |
is nearly ready, 15 minutes. What is
this? I know you said not to bring | 0:08:48 | 0:08:54 | |
you anything and this is no
criticism to your cooking but this | 0:08:54 | 0:08:58 | |
is some 3-D printed Christmas dinner
while we are waiting. But looks | 0:08:58 | 0:09:02 | |
delicious. Beef, brussels sprout,
cranberry. Seriously, they are | 0:09:02 | 0:09:08 | |
different flavours? Yes, that is
beefy, oh, God, why do sprout exist, | 0:09:08 | 0:09:14 | |
and... I am nervous like it is my
own cooking and I am worried about | 0:09:14 | 0:09:20 | |
what it tastes like. Should I? I
think you should try that. That is | 0:09:20 | 0:09:24 | |
just the consistency of beef. So,
what you think? That is the sprouts, | 0:09:24 | 0:09:31 | |
actually. They do look pretty
similar. That is definitely the | 0:09:31 | 0:09:37 | |
cranberry. So this... Must be... The
beef. Yeah. How is it? I mean, it is | 0:09:37 | 0:09:49 | |
genius because it does taste kind of
like what you described, the | 0:09:49 | 0:09:53 | |
consistency not really and it is
stone cold. OK, well it was freshly | 0:09:53 | 0:09:58 | |
prepared for us by dovetail who
prepared home 3-D food printers so | 0:09:58 | 0:10:02 | |
you could even create something like
brussels sprouts a taste of | 0:10:02 | 0:10:05 | |
chocolate. Or you could do with the
others wait based on nutrition. Not | 0:10:05 | 0:10:09 | |
struck up a taste like brussels
sprouts, that would be ludicrous. I | 0:10:09 | 0:10:15 | |
think it may have consumed a few
calories here, probably literally a | 0:10:15 | 0:10:18 | |
phew, just in case you want to burn
off those three calories, here is my | 0:10:18 | 0:10:23 | |
present for you. Happy Clickmas, it
is a smart skipping rope. Oh, a | 0:10:23 | 0:10:28 | |
smart skipping rope. It will shall
skip that every time you jump this | 0:10:28 | 0:10:33 | |
light flashes. Oh, my goodness! So
people can see all around how hard | 0:10:33 | 0:10:39 | |
you are working. Thank you so much.
Maybe you could go and have a skip | 0:10:39 | 0:10:44 | |
and in the meantime you could take a
look at how your Christmas groceries | 0:10:44 | 0:10:48 | |
would be heading to you very soon.
This this is a cargo's Hatfield | 0:10:48 | 0:10:58 | |
fulfilment centre, a place where
humans work alongside a process that | 0:10:58 | 0:11:01 | |
already looks ready automated. But
the robots are coming. Wow! This | 0:11:01 | 0:11:19 | |
grocery picking robot is being
tested here and early next year she | 0:11:19 | 0:11:24 | |
will be making an appearance at one
of the warehouses to do the job for | 0:11:24 | 0:11:28 | |
real. It has been trained to
identify 2000 of the company boss | 0:11:28 | 0:11:34 | |
and 50,000 products using computer
vision and as long as those products | 0:11:34 | 0:11:37 | |
are nonporous, basically anything
that would be damaged by being | 0:11:37 | 0:11:41 | |
picked up by this vacuum, and it can
take them out of the picking box, | 0:11:41 | 0:11:45 | |
take them through the scanner, and
place them in the baking area. But | 0:11:45 | 0:11:50 | |
this isn't the only robot being
tested here. I am off to meet a man | 0:11:50 | 0:11:56 | |
called panels and an arm called
slammer. | 0:11:56 | 0:11:59 | |
Hello. I don't know who's hand shake
first. I will go for yours. OK, so | 0:12:03 | 0:12:09 | |
while this robot looks like its
purpose is just have the human | 0:12:09 | 0:12:12 | |
touch, it can pick things up without
damaging them, it does also have | 0:12:12 | 0:12:18 | |
another skill. What is this what
have been taught to do is the same | 0:12:18 | 0:12:22 | |
thing a human would. So to put your
hand on it, and do that. Can you | 0:12:22 | 0:12:27 | |
help it demonstrates, please? Of
course. The movement is quite | 0:12:27 | 0:12:33 | |
something, it has a few elbows
there. But it has grabbed it and it | 0:12:33 | 0:12:43 | |
has picked it up successfully. It
can put it down. Thanks, happy | 0:12:43 | 0:12:51 | |
Christmas to you, too. | 0:12:51 | 0:13:01 | |
get a sneak peek behind the scenes
to find out a bit more about how you | 0:13:01 | 0:13:04 | |
try to make a hand seem more human.
Zach who has been working on this | 0:13:04 | 0:13:09 | |
project for a while, what are the
challenges you face? One of the main | 0:13:09 | 0:13:13 | |
challenges is to actually get this
handle glove to sense the forces | 0:13:13 | 0:13:17 | |
that a human concerns. We as humans
have a very delicate sense of touch | 0:13:17 | 0:13:21 | |
so we can handle objects like
apples. So we have tried to | 0:13:21 | 0:13:26 | |
reproduce that by having a sort of
electronic skin. So this Apple, | 0:13:26 | 0:13:30 | |
apart from being a bit squashed, has
obviously been approved as being | 0:13:30 | 0:13:33 | |
good. I don't think I need to do any
shopping this week, I am | 0:13:33 | 0:13:37 | |
disappearing with all your products.
Well, seeing as the robot couldn't | 0:13:37 | 0:13:40 | |
join us for Clickmas lunch, I
thought it was only ferret out a | 0:13:40 | 0:13:47 | |
cracker. Let's see what it makes of
it. In what country will you not | 0:13:47 | 0:13:52 | |
find a vegetarian? You don't know?
Turkey. Cue laughter. Does it not do | 0:13:52 | 0:14:00 | |
laughter? | 0:14:00 | 0:14:03 | |
Well, I have to say, you get a
greater view of London's West End | 0:14:12 | 0:14:16 | |
from up here. We are on the roof of
John Lewis at the moment. These | 0:14:16 | 0:14:20 | |
aren't any old binoculars. These are
made by IQ, and they are basically a | 0:14:20 | 0:14:26 | |
combination of a lens strapped to a
smartphone strapped to a viewer. | 0:14:26 | 0:14:30 | |
They allow you to record what you
are seeing so you can watch it back | 0:14:30 | 0:14:34 | |
later and share it with friends.
Nice. I'm freezing. I say, Bahman. | 0:14:34 | 0:14:42 | |
Well, hello, Spencer! If it is
intelligent's Nick Kwek. How are | 0:14:42 | 0:14:47 | |
you? Cold. Can you give me something
hot? Here you go, a lovely hot | 0:14:47 | 0:14:53 | |
chocolate. I say hot, because
actually that is a smart mug you are | 0:14:53 | 0:14:57 | |
holding. It connects to your mobile
phone with an app, and that works | 0:14:57 | 0:15:01 | |
like a thermostat. You choose the
delight -- desired to bridge of your | 0:15:01 | 0:15:05 | |
drink and that keeps it warm all day
long. All day long! At least until | 0:15:05 | 0:15:10 | |
your smartphone's battery dies, at
which point the power in the month | 0:15:10 | 0:15:14 | |
goes. I will drink it, then. That
will be £80. £80! What's that, | 0:15:14 | 0:15:21 | |
production? I needed back in the
hub. Spencer! | 0:15:21 | 0:15:27 | |
I hope you are enjoying the show. | 0:15:30 | 0:15:33 | |
Good to be back inside. Kate, what
are you doing with your hand? I am | 0:15:35 | 0:15:41 | |
making sweet, sweet music. Can you
not hear it? It is wonderful. This | 0:15:41 | 0:15:45 | |
is the remedy digital music glove,
and the way that it works, it | 0:15:45 | 0:15:50 | |
connects to an apple in your phone
and these four stencils here turned | 0:15:50 | 0:15:54 | |
on and off loops. -- sensors. And
these four sensors initiates apples. | 0:15:54 | 0:16:00 | |
So you can choose lots of different
musical styles that you want. Drum | 0:16:00 | 0:16:04 | |
and bass, hip-hop, EDM. Electranet
dance music. Yes, I know. You can | 0:16:04 | 0:16:11 | |
even put a bit of flange on. This is
what somebody who with absolutely no | 0:16:11 | 0:16:18 | |
musical ability whatsoever, I am
sure you can tell, can create. Kate | 0:16:18 | 0:16:23 | |
Russell, everybody. Fabulous. Now it
is time for my Christmas present to | 0:16:23 | 0:16:30 | |
you all. And indeed you at home as
well. Now, you might remember, last | 0:16:30 | 0:16:34 | |
week I got to talk Art with
performance art superstar Marina | 0:16:34 | 0:16:41 | |
Abramovic, and during that chat, we
talked about how we immersed | 0:16:41 | 0:16:46 | |
ourselves and technology every week
and sometimes it was difficult to | 0:16:46 | 0:16:50 | |
tear away from the table of what
used to be called a normal life. | 0:16:50 | 0:16:53 | |
Well, this was Marina's answer to
me. I think this is her Christmas | 0:16:53 | 0:16:57 | |
message to us all. You have to do
come to my world, which I create | 0:16:57 | 0:17:07 | |
some ring called the Abramovic
method. You can do it in your own | 0:17:07 | 0:17:11 | |
home. You decide, one day a week,
that you take your phone and your | 0:17:11 | 0:17:16 | |
computer and switch them off and you
don't put them, you don't put any | 0:17:16 | 0:17:20 | |
electronics around. You do nothing.
Doing nothing is being yourself. | 0:17:20 | 0:17:24 | |
Because all that you do is look
inwards. When you are surrounded by | 0:17:24 | 0:17:35 | |
entertainment you're not being with
yourself alone, in silence. So if I | 0:17:35 | 0:17:38 | |
was to do that, I can tell you, I
would sit there and then I would... | 0:17:38 | 0:17:42 | |
Just wonder what is going on. And
then I might get bored. Being bought | 0:17:42 | 0:17:46 | |
is important. It is? Yes, because
the board is a sign that something | 0:17:46 | 0:17:53 | |
is wrong with you. You have to get
bored. You have to go beyond the | 0:17:53 | 0:17:57 | |
board. Sit for six hours and do
nothing and see what happens to your | 0:17:57 | 0:18:02 | |
boredom. The board goes away. You
start seeing that actually, you are | 0:18:02 | 0:18:06 | |
nervous, you are hysterical, your
breathing is raised. Go another four | 0:18:06 | 0:18:14 | |
hours. You start breeding more
slowly. You start relaxing. You | 0:18:14 | 0:18:20 | |
start getting to the centre of
yourself. It takes time. It takes | 0:18:20 | 0:18:23 | |
effort. To relax, that is huge work.
I really use technology to help make | 0:18:23 | 0:18:29 | |
life more efficient. Which means
that messages come in here and I can | 0:18:29 | 0:18:35 | |
deal with these messages while I am
walking somewhere else. So I am | 0:18:35 | 0:18:38 | |
conscious that I've lost that piece,
I've lost the peace and quiet of | 0:18:38 | 0:18:42 | |
having a walk. The thing is, every
email you write, you have done all | 0:18:42 | 0:18:47 | |
the work, you write all the emails
that you have in your computer in | 0:18:47 | 0:18:51 | |
the morning. You can double back,
every email is not important. And | 0:18:51 | 0:19:01 | |
then what are you doing next week?
That is the problem, if one person, | 0:19:01 | 0:19:05 | |
like me, tries to do it differently,
the rest of the world still operates | 0:19:05 | 0:19:09 | |
at a much higher pace and are still
get those messages back, can you do | 0:19:09 | 0:19:13 | |
this, can you pop this in here. Can
you imagine if you have three days | 0:19:13 | 0:19:17 | |
to live? You would ask all these
emails? No. Why don't you take every | 0:19:17 | 0:19:23 | |
day like the last day of your life?
I wouldn't get paid, though. This, | 0:19:23 | 0:19:29 | |
again, how much we need of this to
live, how much supercity can we | 0:19:29 | 0:19:33 | |
have? It is so important to question
everything, how we can create our | 0:19:33 | 0:19:39 | |
life in a minimal way and how many
things we need to adopt. It is | 0:19:39 | 0:19:43 | |
incredible. That questioning, only
when you really put your life, it is | 0:19:43 | 0:19:49 | |
so important to question everything.
Question how we can create our life | 0:19:49 | 0:19:54 | |
in a minimal way. You know, my
generation is Telegraph 's and | 0:19:54 | 0:20:00 | |
Xerox. -- telegrams. The young
generation, the kids who were born | 0:20:00 | 0:20:08 | |
with the computers in the
videogames, these are the people who | 0:20:08 | 0:20:12 | |
can actually do something about it.
This is the target. That is the | 0:20:12 | 0:20:17 | |
future. That was Marina Abramovic
telling us to throw away our | 0:20:17 | 0:20:26 | |
technology, which is a bit of a
downer, especially for Ross, because | 0:20:26 | 0:20:30 | |
that's all we know. Well, Spencer, I
think I've got something that might | 0:20:30 | 0:20:34 | |
cheer you up. Technology isn't
always that bad. We've been going on | 0:20:34 | 0:20:37 | |
about a hour all the, and Kate, if I
could get a hand from you. -- going | 0:20:37 | 0:20:42 | |
on about AR. What witchcraft is
this? This is the AR air measure | 0:20:42 | 0:20:48 | |
app, creating a painting in AR. You
can paintings, measured things, all | 0:20:48 | 0:20:53 | |
with an AR. And you stick that
anywhere in space, and it's not | 0:20:53 | 0:20:58 | |
really there. It's not really there,
everybody! If you are wondering, | 0:20:58 | 0:21:02 | |
this a photo of the Quick team after
we finished our live show in thought | 0:21:02 | 0:21:06 | |
of a live studio audience. -- flange
team. You can see that on TV in a | 0:21:06 | 0:21:11 | |
couple of weeks. Here is a sneak
peek of the end of that show. This | 0:21:11 | 0:21:16 | |
is the spectacular Star Wars ballet
from Propel. In true Click style it | 0:21:16 | 0:21:22 | |
ended in a fight to the death. The
lone survivor from the audience took | 0:21:22 | 0:21:26 | |
home one of the Star Wars drones.
And that reminds me. It is time for | 0:21:26 | 0:21:30 | |
our Clickmas elfing. Sticking with
the team of AR, will be adding a bit | 0:21:30 | 0:21:38 | |
of augmented reality to the photo
year. We have the Into photo printer | 0:21:38 | 0:21:42 | |
attached to a smartphone. I will
need some help here, down. Could you | 0:21:42 | 0:21:45 | |
take the selfie, please? You are in
a better position than me. When need | 0:21:45 | 0:21:49 | |
to put it on video mode. This is a
video selfie? It is. You will find | 0:21:49 | 0:21:54 | |
out why in a moment. All I have to
say right now is that when Dan | 0:21:54 | 0:21:58 | |
presses the button, make sure you
move and make some noise. Happy | 0:21:58 | 0:22:01 | |
Clickmas, or something is
appropriate. Happy Clickmas! More | 0:22:01 | 0:22:09 | |
moving, more moving... Move in a
really unnatural way of all stock | 0:22:09 | 0:22:12 | |
the more you move the better it will
look. So, now we've got a steel that | 0:22:12 | 0:22:18 | |
looks like that, which we can print.
That's unfortunate. It is not a bad | 0:22:18 | 0:22:23 | |
picture. Let's print that out.
Hurrah! There you go, Spencer. Your | 0:22:23 | 0:22:31 | |
memento. I like the way you framed
it. I am sure that is what it was | 0:22:31 | 0:22:37 | |
designed for. I am going to have to
take a selfie of that. That's it for | 0:22:37 | 0:22:46 | |
this week. Thank you so much for
watching. On behalf of the whole | 0:22:46 | 0:22:50 | |
team, Mary Clickmas! -- Merry
Clickmas. The rooftop sees Santo, | 0:22:50 | 0:22:59 | |
who is laughing with glee. He is
trying to fit robots down the | 0:22:59 | 0:23:03 | |
chimney. He finished the job and the
gifts were delivered, around | 0:23:03 | 0:23:07 | |
Rudolf's next, the GPS triggered.
And on Santa's step counter the | 0:23:07 | 0:23:11 | |
total was high. Three Mac Clickmas
to all. Now where's my mince pie? | 0:23:11 | 0:23:16 | |
Guys, I think I've fallen over. And
it told me there was a step. -- | 0:23:16 | 0:23:21 | |
nobody told me. | 0:23:21 | 0:23:40 |