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Islamic State says it was behind the
latest attack. | 0:00:00 | 0:00:01 | |
It is just after half past midnight.
At this festive time of year it is | 0:00:01 | 0:00:05 | |
time to join the team of Click had a
Christmas special. | 0:00:05 | 0:00:12 | |
2017, the year of curious cat 's,
haunting holograms, and trigger | 0:00:12 | 0:00:19 | |
happy trackers. | 0:00:19 | 0:00:27 | |
Hello. It is time to look back on
the year in tech. As 2017 fades | 0:00:44 | 0:00:50 | |
away, we could tell you about all
the technology news that has | 0:00:50 | 0:00:54 | |
happened, at the hacking, be
launching, the automatic driving, | 0:00:54 | 0:00:58 | |
but that would be just like last
year and, come to think of it, the | 0:00:58 | 0:01:02 | |
year before that. So we prefer to
share with you some unforgettable | 0:01:02 | 0:01:06 | |
memories from our year on Click as
we travelled far and wide to bring | 0:01:06 | 0:01:11 | |
you some extraordinary moment is.
And we start with a personal | 0:01:11 | 0:01:16 | |
highlight for me. Back in October we
travelled to Japan and we got rare | 0:01:16 | 0:01:21 | |
access to see how robots are helping
with the dangerous task of cleaning | 0:01:21 | 0:01:26 | |
up the bookish EMA nuclear power
plant after a 's meltdown in 2011. | 0:01:26 | 0:01:33 | |
-- Fukushima. Scary? No. I have worn
a plenty of protective suits in my | 0:01:33 | 0:01:57 | |
time, but they have always been to
protect the environment from my | 0:01:57 | 0:02:01 | |
body. This time it is different. We
are going inside unit five, which is | 0:02:01 | 0:02:19 | |
identical to the units which were
wrecked by the explosions. As you | 0:02:19 | 0:02:23 | |
can imagine, it is really hot inside
this tube. It is a confusing jumble | 0:02:23 | 0:02:30 | |
of walkways and machinery, it is to
be built to appreciate that someone | 0:02:30 | 0:02:33 | |
in here is a seven story Sankai of
water called the primary containment | 0:02:33 | 0:02:42 | |
vessel, the PCV, it is time to go
right underneath the reactor. They | 0:02:42 | 0:02:49 | |
think what happens after the
meltdowns is that the molten fuel | 0:02:49 | 0:02:56 | |
just burned through the bottom of
the Fukushima and came to adhere to | 0:02:56 | 0:03:00 | |
the pedestal. That is where they
think the fuel is now. -- PCV. It is | 0:03:00 | 0:03:04 | |
difficult enough getting through
this place on foot, now imagine | 0:03:04 | 0:03:08 | |
trying to remote control a robot
through this after the whole place | 0:03:08 | 0:03:13 | |
has been mangled by an explosion. Oh
yes, and do it in the dark. This is | 0:03:13 | 0:03:22 | |
a scorpion, its mission was to hunt
for fuel in unit two. Time is of the | 0:03:22 | 0:03:28 | |
essence for any Fukushima robot. The
radiation will eventually damage and | 0:03:28 | 0:03:32 | |
disable its cameras, rendering it
useless. The entire mission can also | 0:03:32 | 0:03:35 | |
be upset by something far more
basic. This is service hatch letter | 0:03:35 | 0:03:45 | |
X six, they were hoping to set a
scorpion robot down this ramp to | 0:03:45 | 0:03:51 | |
fuel the -- filmy molten fuel at the
bottom. It never made it. They did | 0:03:51 | 0:03:55 | |
not get any footage or evidence of
where the fuel was. In unit three | 0:03:55 | 0:03:58 | |
the water is much higher, so they
had to think of another way to get a | 0:03:58 | 0:04:03 | |
robot in. That is where the
miniature fish came in. That is | 0:04:03 | 0:04:09 | |
where it came in. Built to fit
through this 15 centimetre Pipe, it | 0:04:09 | 0:04:17 | |
is a tiny underwater robot with by
propellers, two cameras, and for | 0:04:17 | 0:04:22 | |
human operators. 300 kilometres away
from Fukushima I came face to face | 0:04:22 | 0:04:29 | |
with the star of the investigation.
After two months of practice and | 0:04:29 | 0:04:37 | |
that of the flooded at a still, it
was successful in finding melted | 0:04:37 | 0:04:42 | |
plums of material that could be in
unit three. The commissioning the | 0:04:42 | 0:04:51 | |
site could take up to 40 years and
it could take 8 trillion yen. Those | 0:04:51 | 0:04:59 | |
little robots have a lot riding on
their tiny back. | 0:04:59 | 0:05:05 | |
Ever wondered what get up to when no
one is there? -- cats. Meet Roxie | 0:05:15 | 0:05:25 | |
and Zara who seemed agreeable in
taking part in some gadget testing. | 0:05:25 | 0:05:30 | |
Sorry. If you have ever wanted to
watch, talk to, or even play with | 0:05:30 | 0:05:35 | |
your cat is when you are not with
them, then this could help. Once the | 0:05:35 | 0:05:42 | |
device is connected to your home
Wi-Fi you can log in via the Apa | 0:05:42 | 0:05:46 | |
anywhere you can get your phone
online -- app. There is a laser game | 0:05:46 | 0:05:52 | |
to play, snacks at the tap of an
icon, and a function to make and | 0:05:52 | 0:05:57 | |
share videos and cat snaps. This
rather unusual looking setup works | 0:05:57 | 0:06:07 | |
in quite a similar way. There is a
camera so you can see the cats | 0:06:07 | 0:06:12 | |
remotely, also the ability to give
them food wherever you are. Plus | 0:06:12 | 0:06:16 | |
this toy, which is apparently
something that might like to play | 0:06:16 | 0:06:20 | |
with. -- cats. Zara and Roxie were
possibly slightly intimidated by the | 0:06:20 | 0:06:30 | |
jolting of the battery thing and the
app was extremely temperamental, | 0:06:30 | 0:06:34 | |
making set up a tedious experience.
-- feathery. The Pepe smart goal has | 0:06:34 | 0:06:41 | |
been around for quite awhile and is
available for and dogs. It allows | 0:06:41 | 0:06:45 | |
owners to keep an eye on Tevita,
pulse, breathing rate, heartrate | 0:06:45 | 0:06:51 | |
variability, and even the positions
the pet is in, it can be particular | 0:06:51 | 0:06:56 | |
beneficial if there are health
concerns or an injury to keep an eye | 0:06:56 | 0:06:59 | |
on. Meanwhile, there seems to be a
game of cat and mouse going on. The | 0:06:59 | 0:07:06 | |
latter played by a remote-controlled
rodent. Although it actually | 0:07:06 | 0:07:11 | |
consists of the mouse chasing the
cat, which probably says it all | 0:07:11 | 0:07:16 | |
about my day's filming.
That was Lara with some pretty | 0:07:16 | 0:07:22 | |
disinterested interviewees. You
can't win them all. You know us, we | 0:07:22 | 0:07:26 | |
will report from wherever we find a
good story. There have been semi | 0:07:26 | 0:07:30 | |
great ones. Semi successful ones in
Africa this year. Back in June, Dan | 0:07:30 | 0:07:35 | |
Simmons went to Tanzania to see the
first stages of what could be a | 0:07:35 | 0:07:39 | |
global revolution in education.
We are travelling a long way from | 0:07:39 | 0:07:55 | |
any town or city to visit some of
the 200 children in this village in | 0:07:55 | 0:08:02 | |
northern Tanzania. We are beating up
the Tablet, the first one. The whole | 0:08:02 | 0:08:09 | |
programme is in sight Healy so the
local children can understand. I | 0:08:09 | 0:08:15 | |
think they are going to need more
tablets. This is one of about 150 | 0:08:15 | 0:08:24 | |
villages in Tanzania chosen as the
testbed for the global learning X | 0:08:24 | 0:08:29 | |
prize. Within a few months 4000
others will be given out, the | 0:08:29 | 0:08:35 | |
challenge to teach 7- 11-year-old to
read, write, and do maths over the | 0:08:35 | 0:08:39 | |
next year. The most effective app
will win $10 million. The price he | 0:08:39 | 0:08:46 | |
will be much more valuable. Older
children can walk up to four hours | 0:08:46 | 0:08:51 | |
to get to and from school, for
younger ones like this | 0:08:51 | 0:08:54 | |
seven-year-old that is too far. She
has been lucky, she is one of those | 0:08:54 | 0:08:58 | |
who has been chosen to take part in
the challenge. At the start she has | 0:08:58 | 0:09:03 | |
not seen a tablet before so she is
not used to touching screens. When | 0:09:03 | 0:09:07 | |
it comes to reading, she does not
know more than one or two words in a | 0:09:07 | 0:09:12 | |
sentence. But John, who was with the
project, thinks The Tablet will | 0:09:12 | 0:09:15 | |
eventually to read fluently. The
problem is that there are about 60- | 0:09:15 | 0:09:24 | |
100 million kids who have no access
to school because it is too far. | 0:09:24 | 0:09:28 | |
Then you have 250 million more to go
to school and to leave without ever | 0:09:28 | 0:09:32 | |
having learnt to read or write a
word. They are in Botswana, Boston, | 0:09:32 | 0:09:39 | |
Brighton, it does not matter. Could
go to school all over the world and | 0:09:39 | 0:09:43 | |
they go and do not learn. Why is
that? That is the question we are | 0:09:43 | 0:09:47 | |
trying to address. In our greatest
desire, every single child on planet | 0:09:47 | 0:09:52 | |
Earth has access to a world class
education in the palm of her hand. | 0:09:52 | 0:09:56 | |
We are hoping to be back next you to
see how the teams get along. For now | 0:09:56 | 0:10:01 | |
it is time to say goodbye. We have
brought some biscuits to say thank | 0:10:01 | 0:10:04 | |
you. And suddenly the difficulties
the team faced when they arrived | 0:10:04 | 0:10:08 | |
became clear. We just 20 or so
tablets per village, there simply | 0:10:08 | 0:10:11 | |
won't be enough for everyone to take
part. To reduce potential jealousy, | 0:10:11 | 0:10:16 | |
the tablets will be locked to only
run the educational software, but | 0:10:16 | 0:10:21 | |
everyone wants one. A village of
mamma has been chosen to settle any | 0:10:21 | 0:10:26 | |
dispute. In the skin's partners,
UNESCO, will be asking some other | 0:10:26 | 0:10:30 | |
important questions about tablets as
well -- scheme stipulate we are | 0:10:30 | 0:10:36 | |
doing assessments of the social and
emotional impact of such learning, | 0:10:36 | 0:10:40 | |
because we expect some criticism
from that site. We are engaging with | 0:10:40 | 0:10:45 | |
the psychologist, anthropologist,
educationalists, to try to | 0:10:45 | 0:10:48 | |
understand what does it do to the
child? Is it an option that is | 0:10:48 | 0:10:53 | |
ethical because children go to
school, they are socialised also, it | 0:10:53 | 0:10:56 | |
is not only the community of
learning, it is learning to be part | 0:10:56 | 0:11:00 | |
of the group. It is just like back
at home. Now they have all got | 0:11:00 | 0:11:06 | |
tablets. They are not really talking
to anybody. | 0:11:06 | 0:11:16 | |
That was down in Tanzania. Next, we
are off to Germany with K2 has found | 0:11:16 | 0:11:21 | |
an elevator that goes sideways --
Kate. This picturesque town in | 0:11:21 | 0:11:31 | |
Germany, home to this and dogs,
chocolate box buildings, and a 246 | 0:11:31 | 0:11:39 | |
metre tower holding the tallest
observation deck in Germany. But | 0:11:39 | 0:11:44 | |
this tower is not just about great
views. Built by an elevator company, | 0:11:44 | 0:11:49 | |
it has wild lift shaft running
inside it. One is used to transport | 0:11:49 | 0:11:53 | |
passengers to be top, the other to
test the latest in technology. It is | 0:11:53 | 0:12:01 | |
in the core of the tower. Only a few
people really have the chance to see | 0:12:01 | 0:12:06 | |
what we have built and what is
running Bear. An elevator without | 0:12:06 | 0:12:11 | |
any ropes. -- running there. This is
revolutionary. The cabin is carried | 0:12:11 | 0:12:18 | |
by linear motors, it is the same
technology that creates Japan's will | 0:12:18 | 0:12:25 | |
train. As well is eliminating the
speed and height restriction of | 0:12:25 | 0:12:28 | |
today's technology, this allows
passengers to travel sideways as | 0:12:28 | 0:12:32 | |
well as up and down, just like Willy
Wonka's fantastic elevator in | 0:12:32 | 0:12:38 | |
Charlie and the chocolate factory.
Behind the scenes, behind the car, | 0:12:38 | 0:12:41 | |
we changed this. Get prepared for
the horizontal movement. As soon as | 0:12:41 | 0:12:49 | |
the doors close we can go sideways
to the next shaft. And this is the | 0:12:49 | 0:12:57 | |
most important thing that we come
back to a circulating system. | 0:12:57 | 0:13:03 | |
Reinventing the Paternoster. Using
this circulating pattern means a | 0:13:03 | 0:13:09 | |
lift shaft could hold ten or more
caverns, much more efficient than a | 0:13:09 | 0:13:14 | |
single up and down right that
today's elevator is our limited to. | 0:13:14 | 0:13:17 | |
And this will only become more
important when we start looking at | 0:13:17 | 0:13:22 | |
elevator is reaching perhaps 1000 or
more metres into the sky. | 0:13:22 | 0:13:31 | |
That was Kate going sideways. And so
are we. We are off to the place | 0:13:31 | 0:13:36 | |
where China makes the world Tech,
the city of Shenzhen, where last | 0:13:36 | 0:13:42 | |
month I got exclusive prelaunch
access to see how when you smart | 0:13:42 | 0:13:46 | |
phone is born.
-- how when you smart phone. They | 0:13:46 | 0:13:52 | |
make loads of different types of
phones in this factory, so to keep | 0:13:52 | 0:13:56 | |
the secret from other workers,
everything happens behind the blue | 0:13:56 | 0:13:59 | |
shroud of secrecy. Are you ready?
Thank you. Come in. | 0:13:59 | 0:14:09 | |
Welcome to production | 0:14:09 | 0:14:10 | |
Welcome to production line | 0:14:10 | 0:14:10 | |
Welcome to production line 27. | 0:14:10 | 0:14:11 | |
Welcome to production line 27. The
phone starts life as just a tiny | 0:14:11 | 0:14:17 | |
camera, there and it is gradually
assembled around this you shaped | 0:14:17 | 0:14:22 | |
production line, which means by the
time it gets to the end it is a | 0:14:22 | 0:14:26 | |
fully featured phone. Just about
there. This is the reasons China has | 0:14:26 | 0:14:34 | |
come to dominate technology
manufacturing, a disciplined | 0:14:34 | 0:14:42 | |
workforce, each person has one
particular job which has precision. | 0:14:42 | 0:14:50 | |
A single speck of dust and a single
phone will be rejected. What I found | 0:14:50 | 0:14:55 | |
most surprising about this is it is
all people stop it I would have | 0:14:55 | 0:15:01 | |
thought with this kind of high
precision job the stones would have | 0:15:01 | 0:15:05 | |
been built solely by machines but it
is pretty much all humans. This is | 0:15:05 | 0:15:12 | |
where an unlucky few phones are
pulled off the production line to | 0:15:12 | 0:15:16 | |
check extreme tolerance. Elsewhere,
other test phones escape that a | 0:15:16 | 0:15:27 | |
plunge but instead are drop 5000
times each. Others have their | 0:15:27 | 0:15:32 | |
charging point whittled and buttons
pressed 10,000 times. With the | 0:15:32 | 0:15:37 | |
launch over, one class will
nervously await first reviews and | 0:15:37 | 0:15:44 | |
more importantly, the transporters.
They will decide whether these | 0:15:44 | 0:15:48 | |
people will be joined by hundreds
more or not. A fascinating points | 0:15:48 | 0:15:58 | |
behind the curtain in China. And now
it is time to leave Earth entirely | 0:15:58 | 0:16:03 | |
for a few minutes to remember how
the click crew explore the final | 0:16:03 | 0:16:07 | |
frontier in VR. | 0:16:07 | 0:16:11 | |
Virtual reality game Star Trek
Bridge crew brings together up to | 0:16:16 | 0:16:22 | |
four players, each taking a
different role on the bridge of a | 0:16:22 | 0:16:26 | |
starship. That is brilliant.
Incredible! Oh my goodness, Mark! We | 0:16:26 | 0:16:36 | |
are walking everybody. Way owl! | 0:16:36 | 0:16:47 | |
-- Wow. | 0:16:47 | 0:16:50 | |
We don't have time to sightseeing as
we received a distress signal from a | 0:16:50 | 0:16:55 | |
stricken vessel. Engineering, can
you transport the survivors back | 0:16:55 | 0:17:01 | |
here? I don't know. LAUGHTER | 0:17:01 | 0:17:05 | |
you transport the survivors back
here? I don't know. LAUGHTER. It is | 0:17:05 | 0:17:09 | |
at this moment that the action takes
a turn which will appeal to Star | 0:17:09 | 0:17:13 | |
Trek super fans. It has defied one
cruiser. It is a Klingon D5 cruiser. | 0:17:13 | 0:17:24 | |
OK, target it! Target to sure it! --
destroyed. It feels like VR at its | 0:17:24 | 0:17:37 | |
best. Adjudication is a must, you
would complete the mission. Rate to | 0:17:37 | 0:17:42 | |
ten building. A couple of sticky
moments but only think we managed to | 0:17:42 | 0:17:49 | |
keep it together as a crew and the
result was a successful mission. | 0:17:49 | 0:17:56 | |
Now, one thing we love to do on
Click is to look at how things might | 0:17:56 | 0:18:01 | |
change significantly in the future.
One area that we think is about to | 0:18:01 | 0:18:05 | |
pop onto the scene and possibly on
to many people 's plates is lab | 0:18:05 | 0:18:09 | |
grown meat. I am talking burgers,
steaks and fish. Got a taste for it? | 0:18:09 | 0:18:17 | |
Back in July, Cap Hawkins visited
the cultured food capital, San | 0:18:17 | 0:18:22 | |
Francisco, to see what is cooking. I
have come to this lab in the heart | 0:18:22 | 0:18:27 | |
of Silicon valley to visit
impossible to. They claim to have | 0:18:27 | 0:18:31 | |
invented food of the future on a
completely meatless meat made | 0:18:31 | 0:18:35 | |
entirely of plants. Impossible foods
found that the key ingredient that | 0:18:35 | 0:18:43 | |
gives meet its characteristic taste
is a molecule found in most living | 0:18:43 | 0:18:48 | |
things and especially in animal
must. It luckily, it is also found | 0:18:48 | 0:18:53 | |
in plants. This is your magic
ingredient, your plate -based blood. | 0:18:53 | 0:18:58 | |
Right and it provides the explosion
of flavour that you get, it is the | 0:18:58 | 0:19:04 | |
different between white meat chicken
with a beef burger. The company has | 0:19:04 | 0:19:10 | |
recently flipped the switch on its
meatless meatpacking factory as it | 0:19:10 | 0:19:15 | |
rents up reduction. This will
eventually make 4 million burgers | 0:19:15 | 0:19:18 | |
are months and the next aim is to
move into chicken, pork and lamb. | 0:19:18 | 0:19:26 | |
But it is one thing being a
scientist who is enthralled by food | 0:19:26 | 0:19:29 | |
tech and another to be a chef using
the ingredient produced on a | 0:19:29 | 0:19:33 | |
carefully crafted menu. I think we
eat way too much meat in general, so | 0:19:33 | 0:19:38 | |
it is a good way to be as close as
possible to meet that looks and | 0:19:38 | 0:19:42 | |
tastes. The impossible burger is now
the only one Rocco has on his menu | 0:19:42 | 0:19:47 | |
and he sells 250 of them are weak.
It seems like at this stage it might | 0:19:47 | 0:19:51 | |
be a novelty for Silicon valley
diners, but of course, as always, | 0:19:51 | 0:19:56 | |
the true test is in the tasting. OK,
it is about to happen. It's really | 0:19:56 | 0:20:13 | |
good. The texture is just like meat.
It doesn't taste like Vince beef. A | 0:20:13 | 0:20:23 | |
little bit like mushrooms, but I
know there is no mushrooms in there. | 0:20:23 | 0:20:27 | |
-- mints. What comes across as
important is that it is important | 0:20:27 | 0:20:33 | |
that the flavour tastes close to
meet while being ethical. What if | 0:20:33 | 0:20:41 | |
you could serve up animal flesh
without the single creature being | 0:20:41 | 0:20:46 | |
harmed? That is what this company is
working on. They plan to grow actual | 0:20:46 | 0:20:51 | |
fish from stem cells. Phyllis Booth
takes a small sample of cells from a | 0:20:51 | 0:20:58 | |
real fish and conjures it up. One
cell can theoretically come one ton | 0:20:58 | 0:21:03 | |
of fish meat but they are not there
yet. Will be on the market in three | 0:21:03 | 0:21:07 | |
years with products that are a new
version of fish that people haven't | 0:21:07 | 0:21:11 | |
had before and in five to six years
we will have steaks and fillets, | 0:21:11 | 0:21:16 | |
just like the fish you normally see
in the ocean. Cap Hawkins reporting | 0:21:16 | 0:21:25 | |
back in this summer. From California
to the Netherlands where Nick | 0:21:25 | 0:21:29 | |
witnessed a dense with a new
hologram effect. -- VR. Today | 0:21:29 | 0:21:39 | |
choreographers and dancers are
working with a new medium for | 0:21:39 | 0:21:42 | |
artistic expression. They are taking
to excerpts from so-called stop | 0:21:42 | 0:21:47 | |
ocean and are adapting it to include
holographic projection is. It is a | 0:21:47 | 0:21:53 | |
really, treaty, almost an IMAX type
experience of. -- dance. Every | 0:21:53 | 0:21:59 | |
detail has been carefully crafted.
They are projecting a fall in the | 0:21:59 | 0:22:05 | |
white giant and dust onto a black
back drop playing with the themes of | 0:22:05 | 0:22:09 | |
light and dark and destruction.
Technology needs to embrace the art. | 0:22:09 | 0:22:13 | |
But not be sticking out all by
itself. It needs to help, it is like | 0:22:13 | 0:22:19 | |
a glove to the art to expression.
The holographic elision is created | 0:22:19 | 0:22:24 | |
with the help of two very high end
projectors and a special lightweight | 0:22:24 | 0:22:28 | |
mesh screen. -- illusion. By playing
out videos on the front mesh and | 0:22:28 | 0:22:34 | |
back will it creates an optical
illusion of 3-D depth. For the | 0:22:34 | 0:22:38 | |
performers it is actually really
good, they can see the projections | 0:22:38 | 0:22:42 | |
on the side while they are on stage
performing. With other systems, you | 0:22:42 | 0:22:46 | |
don't really get that same wall.
Dancers into position, standby | 0:22:46 | 0:22:53 | |
lighting and music, Kew projection
and action! -- cue. | 0:22:53 | 0:23:03 | |
MUSIC PLAYS. | 0:23:07 | 0:23:09 | |
APPLAUSE | 0:23:12 | 0:23:12 | |
APPLAUSE. | 0:23:12 | 0:23:14 | |
After all that globetrotting, I have
to say there is no place like home. | 0:23:23 | 0:23:27 | |
There's no place like home. There's
no place like home. There's no place | 0:23:27 | 0:23:33 | |
like... Guards! Yes, banks, voting
systems and the NHS were not the | 0:23:33 | 0:23:40 | |
only ones to have been under attack
in 2017. Even in my own castle I | 0:23:40 | 0:23:45 | |
have my hands full with this lot. We
even lost our first guest on the | 0:23:45 | 0:23:50 | |
show. Sorry can. And in 2018 we will
be going back into battle again, | 0:23:50 | 0:23:59 | |
reporting from wherever we find the
best technology from around the | 0:23:59 | 0:24:02 | |
globe and home. We will see you next
year. | 0:24:02 | 0:24:11 |